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[music]
[music]
Heat. Heat.
[music]
Heat up
[music]
[music]
[music]
here.
[music] Heat.
[music]
Heat.
[music]
Bill,
Bill,
darling, telephone.
It's probably those confounded electric
light people again. I'll tell them I
thought of a wizard in for a short
story. I'd hope to get it published next
month. Hello. Yes, this is Mrs.
Bennington's sled. It's mine too in a
way. Who? Oh. Oh, good morning. Uh, what
can we do for you? Stevie, Stevie,
quick.
I'm afraid she's booked up every day
this week. Yes. Not a day free.
Yes, she does.
When? Thursday week. Oh, well, if you'll
hold on, I'll look at her engagement
book.
What is it?
Export Fashion Fair Company.
Oh, good. Bill, what do they want?
Well, they want you to model that gown
that they advertised in last month's
thingy at the fashion fair gala on
Thursday week.
Yes, she seems to be free that evening.
How much? Five guineies.
10 gies. Another penny less. Oh, and
expenses, too. Yes, yes, yes.
You'll send the cloak and gown on the
deck. Thank you very much. Good day to
you all. I thought I did that rather
well.
10 Guineas is wonderful, darling.
Can we eat out tonight?
Save your washing house, please.
Yes, of course. Yeah, sure.
Heat. [music]
[music]
[music]
[music]
Heat.
Yep. Atlantic Air. Who?
Name of Olive.
Say, you're only the seventh guy that's
rung me in the last hour. We can't take
any more reservations for England for a
month.
Can't you hear? I said a month.
Listen, you park-faced rat. I want a
reservation on the next plane that
leaves the ground.
Now, see here, I don't take that line of
talk from anybody.
What did you say?
Lou Gatsman.
Yeah, Gatsman.
I'm a great pal. We're just buddies.
You ought to see us together. [music]
When I take a dislike to a guy on a I
can't get something I want, Lou takes a
dislike to him, too. And when Lou takes
a dislike to a guy, something mostly
happens to him.
Oh, sure, Mr. Oliver. Sure. I'll fix it
for you. You'll have a seat on the plane
leaving on Monday. Yes, sir. You'll find
everything in order. Thanks a lot.
Goodbye.
Excuse me.
Excuse me. Do you have a telephone
directory?
Telephone directory? Yes, sir. Which
one?
Which one? You have mint flavored?
What letter does the name begin with,
sir?
C for caring.
Richard.
Richard. Carling. Telephone number.
I don't want the telephone number. I
want the address.
The address is
[music]
of course I expect you and I hope our
acquaintance [music] will be extended
for such poor hospitality as I can offer
is waiting and tonight
as you say who knows
up to now you seem to existed mainly in
telephone conversation.
Ah, it's half an hour. Good. I've been
waiting.
No, not goodbye or revoir.
[bell]
Ah, it's you at last curtain. Come in. I
expected your attend. It's now past 11.
I was late leaving Lester.
Well, I'm afraid I can only give you a
few moments. You see, I expect someone
for supper.
Well, I had to see you tonight,
otherwise the whole thing would have
fallen through.
Well, did you get to agreement?
Yes, and it must be back in Leicester by
12 tomorrow or the deal's off. You told
me on the telephone you had trouble at a
meeting. Plenty, but at one time I
thought it would all break down. One of
them suddenly became very difficult.
Why? I don't know. He was quite friendly
at first. It was when I mentioned your
name as my partner, he changed
completely.
Oh, and what was his name?
Venner. Vinner. Dr. Venner. Oh, yes. Dr.
Vinner. I remember. He used to run an
asylum in London.
Don't be alarmed. I wasn't a patient.
What did he say?
Oh, don't hesitate. It wasn't very
pleasant. It was in connection with a
man named Houston.
Houston?
Oh, yes. Hu?
An unfortunate fellow I took some
interest in. I gathered there.
Yes. He was a builder who did some work
for me here and he had some sort of a
breakdown.
And you took him to Benner?
Yes. Poor fellow. is quite incurable.
[music]
Apparently, he was not.
What do you mean?
He's out. Out.
So, this Dr. Benner told me, he said,
"You might be interested to know."
Well, let's get back to business.
Did he say where was
No.
Aren't you going to read it through?
Good heavens, no. I employ a solicitor
to do that sort of thing.
But there isn't time.
Oh, yes, there is. I've arranged it
after your telephone from Leicester.
He'll see you tonight in his private
house as a special favor.
But look here, I've driven a long way
and I'm dead tired.
It's only in Finchley, 143 Selby Road.
Horrib's the name.
I shall have to start back for Leicester
at 9:00 in the morning.
Oh, that's all right. You can be here by
8 with a note from Horabin. Okaying the
agreement, and I'll sign it.
As a matter of fact,
and you can get away.
I was hoping you could put me up
tonight. One or two bits of business we
ought to talk over and my wife's not
expecting me.
I'm afraid I shan have time for business
tonight. If you're so tired, why don't
you stay at the Turkish? That would
fresh you up for your drive to Nester
tomorrow. There's one other thing.
What is it?
I've got to find £500 right away. I
wondered if you'd advanced me on account
of my share in the Lester deal.
My dear Curtain, I've done nothing else
but finance you ever since we met.
You've done pretty well out of it all.
So have you. When we first met you, you
were shabby down at heels. Is there any
need to remind me of that?
Well, it amuses me to think of it.
So, you won't help me?
Why should I be expected to pay for your
extravagance?
Or is it your wife? We'll leave my wife
out of this if you don't mind.
As you wish.
I'll go to your lawyer and be back in
the morning.
Hello. Hello. Is that you? Horovan
Carling speaking. Curtain's on his way
to you now. Well, you know what you've
got to do.
No, he must bring back a note from you
advising me not to sign the agreement.
I quite understand. I've been waiting up
for him.
All right, Mr. Carling. I'll give
Curtain the note you require.
Good. Now, listen.
Houston's out.
I know Houston's out. Dr. Villa is with
me now. He's just arrived from
Leicester. [music] You better have a
word with him yourself.
Hello, Carling. Yes, I'm afraid
Houston's out. I couldn't keep him in
any longer because he isn't certifiable
any longer. It's no good blaming me.
Even a private asylum has its
responsibilities. I was compelled, don't
you understand, compelled to certify
that he was cured and sane enough to be
at large. I had no option.
Don't talk to me like that, Carly. I
took a hell of a risk in keeping him in
for so long. I'll hand you back to
Horin. [laughter]
Oh, I I am sure Dr. Vel did his best.
He's as anxious about Houston being at
large as you are.
Well, he's got to be found. I don't care
whether you have to employ every private
to check in London. Do be reasonable,
Mr. Carling. You know quite well that
none of us dare employ any kind of
detective.
I'm telling you, Horbin, he's got to be
found.
Good night.
You better come back first thing in the
morning. Kirsten's on his way here, and
it wouldn't do for you two to meet in my
house. [music]
[bell]
Very
[music]
nice house you have here. You do
yourself well.
Say, look at that
supper already.
I couldn't have it better, could I?
Oh, very good. Real swell setup. And you
knew me right away, Mr. Carling. The
name is Carling. Yes. Christian name,
Richard. Excellent choice. So much
depends on a name, especially if it
isn't your own. And you recognized me at
once. You haven't altered much. I can't
return a compliment. You have you know
this house isn't easy to find. I came
around earlier, but there was no answer.
I wasn't in and my housekeepers away
ill. That accounts for it.
I thought of writing and letting you
know I was coming, but I thought you'd
enjoy the surprise. It is a surprise.
But but what
I'm afraid I haven't got much time. I I
expect someone
another visitor.
Champagne
must be a swell dish. Is she on the
telephone?
Why? I just thought you'd like to give
her a ring and tell her an old friend
had turned up unexpectedly. I shall do
nothing of the kind.
Please yourself. I was only thinking of
her. And with regard to that drink you
were on the point of offering me, I'll
take a scotch
and don't drown it. Cigarettes.
What brings you here?
You
entered
mind if I sit down?
Yes, you, my dear Mr. Carling.
I had no other reason for coming. And if
it hadn't been for seeing a picture in a
magazine of some people in a restaurant,
I wouldn't even have known my old friend
was in London.
And although my old buddy was
fair-haired and wore a mustache, and Mr.
Carling in the picture was dark and
clean [music] shaven,
I recognized him. All right.
[music]
There's nothing in that pocket, Richard.
I don't carry a gun in England.
And now you are here.
Now that I am here, [music]
I'll have another drink.
Stop beating about the bush.
Sure, why not?
What are you going to do?
I'm not sure. Maybe I'll kill you. Ah,
don't be absurd.
Is it absurd?
Now, listen, Oliver, let's be sensible.
I admit you've got some cause for
complaint.
Of course, for complaint.
Go on.
I don't see any reason why we shouldn't
come to an agreement.
You mean money? [music]
What is?
Sure. Money is important.
Now, if you'll come tomorrow morning,
I'm sure we'll fix something. I admit I
owe you some compensation.
How much do you reckon it'll cost for
all those years in jail? You frame me
for the girl who died waiting for me.
Those others who committed suicide
because of you. You used to enjoy
watching people suffer. Surrounding
yourself with nerve-wracked, soul sick,
and humiliated creatures was your idea
of fun, wasn't it? Why do you worry over
them? Just having to beat one of them,
that's all. Do you reckon you have
enough money to cover that? Now tell me
what you want.
I want another drink.
I wonder what would happen if London
discovered who Mr. Carling really is or
was.
And I wonder what the lady friend you're
waiting for would say if she knew
something else I know about you.
That you're in such a financial mess. I
have more money in my pocket right now
than you have in the whole world.
Put that down.
Do you ever hear of a poem called
Dantis's Inferno?
What do you mean?
It's all about the different kinds of
hell. And in the lowest region, the
gentlemen who keep the devil company are
traitors.
[bell]
Kind of worries you.
I think it's a swell bit of culture
[music] myself.
Base may be a bit heavy. Horners a
little sharp.
Compensation. [music]
Reasonable compensation for broken
hearts and broken lives.
[music] You're willing to pay.
You'll pay. All right. [music]
Yeah.
[music]
Heat. [music]
[music]
[music]
Yeah. [music]
Yeah. Huh?
[music]
[music]
[music]
Grandma's crooked [music]
[music]
[music]
[music]
Hello. Yes. Who? Oh, you don't say, sir.
Who? Steady. Steady. Steady. Garrett
Storms.
Hello. I made the tea, darling. Oh,
sorry. No, I was talking to my husband.
Yes, this is Mr. Mill. Well, the
account, how is it? Oh, it hasn't been
paid. Oh, dear. Well, that's my husband.
You know what these authors are? They
will forget things. Yes. Well, we'll
have to see what we can do about it,
won't we? Would you give me the wine and
spirits department, please? No,
you're going to do.
You better see. They won't send anything
like today.
Yeah.
Darling, when you grow up, you'll
realize when you've got an account, you
can't pay the vessels. So, order
something else.
Oh, thank you. This is Mrs. William
Millington of Cranley Avenue Mansions. I
would like you to send me around a
bottle of whiskey and a bottle
goes that and a bottle of gin as soon as
possible and just charge me the account,
would you?
Oh, yes. I'll hold on.
Dear,
has my house been flown now?
Oh.
Oh, well, in that case, I'm afraid I
should just have to talk to the chairman
of the company.
Yes, of course I do. He happens to be my
uncle.
Oh, I didn't want you to know. I
wouldn't like you to think I expected
presidential treatment.
Oh, that's quite all right. You'll say
no more about it. You'll send them
around at once, won't you?
Thank you very much. Let's go by
I say who is the chairman?
Haven't the least idea. Where's Villa?
So early. Has Jack telephone.
Oh, thank goodness.
Why should it?
If he does, I want you to tell him that
I've been staying the night here.
What?
Yes. You must say that I got nervous
alone in the flat last night. I came
round to you. There's no one here to
know that I didn't. Lucky you can't
afford a maid.
Yes. Yes, I see that now.
I mean, uh,
yes.
Well, Jack went to Lester yesterday. He
wasn't supposed to be back till tomorrow
afternoon.
Oh, I see. When I got to the flat this
morning, I found his car outside. I
couldn't go in. He'd obviously found the
place empty and the bed not slept in.
Oh, dear. That's very awkward.
So, I came straight here. It's the only
thing I could think of. It's quite
likely he'd guess I came to you. I did
once before when he was away.
Yes.
What have you been doing?
That doesn't matter.
Oh, you brought your case with you, I
see. Have you got your life things in
it?
Yes. I see.
I thought I'd better listen so we can
all tell the same lies.
You are going to help me out.
Yes, very well. We always help. Thank
you, dear. You're quite sure, Jack the
Flat, I suppose. So, it must be a car
outside.
Yes, it must be. What else could it be?
There must be something wrong. Observe.
I've been ringing for half an hour. No
servants. You're not living in. There's
a housekeeper, but she's away ill. Huh?
I don't like it. I'm going to get in
somehow. Your responsibility, sir. If I
can get the front door open, will you
come in?
Yes, if I was asked him. All right. Will
you wait here?
[music]
[music]
[music]
I broke the window at the back. Look at
the lights. Still on.
This is the dining room. Should I?
[music]
It's darling. Oh my.
Take it easy, sir. Don't touch anything.
Uh, nothing moved.
No.
Uh-huh.
Now, let's get this clear, Mr. K. You
identified the body as Advil partner in
spite of the injuries to the face?
Yes. You quite sure?
Yes. Yes. Quite. Well, now you left here
at quart 11 and went straight to the
lawyer horin at Pinchley. Is that right?
Yes, that's right. Go on. Well, I was
very annoyed with the way he treated me.
Started finding quite unimportant faults
with the agreement and said he would
advise Carling not to sign it. We had a
bit of a r and I walked out. What time
was that?
Uh, just after quart 12.
And then I was expecting Carling to put
me up for the night. He brushed me off
to the Turkish bars. Uh, so you went
straight to the Turkish bars from the
lawyer's place at Finchley. Did you
speak of the Turkish bar?
Yes. I had some engine trouble in the
Finchley road that held me up for half
an hour and I got there just after 1:00.
But surely all this isn't necessary.
Nothing personal about it. Just says we
know the movements of everyone
concerned. What time did you leave the
Turkish bars? Uh, just before 9:00. I
went to my flat for a few minutes before
coming here to have it out with Carling.
And no doubt Mrs. Curtain will be able
to confirm the time you got back this
morning, if you ask her. As a matter of
fact, I'm afraid she can't. Really? Why
not? Apparently, she wasn't at home last
night. Oh, that must have been a bit of
a shock for you.
Yes, it was.
And as you said, Mrs. Curtain wasn't
expecting you back from Leicester for
another day.
Now, look here, Inspector. I'm not going
to listen to any suggestions.
Oh, no. Please don't mistake me, Mr.
Curtain. I'm sure there's a perfectly
good explanation. Uh, did you take any
steps to find out where she was?
No. No. I was in a hurry to get here.
Of course. Why didn't I think that she
probably went round to the Millington?
She did once before when I was away.
The Millingtons?
Yes, they're friends of ours.
They on the telephone.
Yeah, it's Chelsea 4358.
Got your fingerprint?
Yeah.
So, let's see.
4 3
58
5
8
M long
the Millington's quite some time.
I hear you. It's ringing.
Hello. Hello. Is that you, Steph?
Yes, it is. It's your husband.
Yes. But who is that? Oh, Jack. I'm so
sorry. I didn't recognize your voice at
first. Yes, of course she's here. She's
been here all night. She's still
dressing, I think. Well, of course. Yes,
I'll call her. Vera. Vera.
She's just coming, Jack.
It's your husband, darling. Pleasant
surprise for you.
Darling, you're back. How lovely.
Wonderful surprise.
Yes, it was stupid of me. I know, but I
was nervous all alone. I had a horrid
sort of feeling something might happen.
Yes, that's marvelous. I'll wait for
you. Goodbye, precious.
It's coming, Ron.
So am I. Of all the exhibitions of lying
I've ever seen.
Don't be silly, darling. You ain't seen
nothing yet. You go and do some more
thinking.
Well, there we are. Yes. Now, I was
nervous. Remember?
Yes, I know, dear. You still are. For
heaven's sake, try to look as if you did
stay here. Take your hat off. Oh, yes.
You got Mr. Cer's address and telephone
number.
Yes, sir. Well, thank you so much for
the email help after all. Oh, by the
way, can you make anything of that?
No, I can't. Do you always have that
little stammer? Only when I'm nervous? I
know. Tired. Well, goodbye.
Goodbye to the present. So, yes.
Well, that seems all right.
Yes. That's what I don't like about it.
I wish it had seemed all wrong.
Look at that solister Horban. Horbin.
Yes.
Mr. Harbin speaking.
Who?
Inspector Mallerie.
What?
Mr. Garling.
I take it you were his solicitor. Mr.
Horin. Mr. Curtain told us he saw you
last night about an agreement.
Yes, that's quite true. Mr. Curtain
arrived here about 11:30 last night and
stayed for about 3/4 of an hour
discussing an agreement. He was very
annoyed because I told him I couldn't
advise Mr. calling to sign it.
Certainly, inspector, you can be assured
I I'll help the police all I can, but
Mr. Curtain isn't a client of mine.
I see. Well, thank you very much, Mr.
Hardin.
Sounds a bit crooked to me, but I
believe he was speaking the truth.
I'm a good deal more interested in Mrs.
Curtain coffee.
matter.
I know what you're thinking, but that's
impossible.
Anyway, it solves a problem for us. We
don't have to search for Houston.
What was really behind Carling's
treatment of Houston?
I never found out. I only know it was
something to do with Carling forcing
Houston to build a secret chamber in
Carling's house.
Houston apparently rebelled, but Carling
forced him to do it.
What do you think Carling did to him?
Well, I rather gathered that Carling
himself attempted to brick him up alive
in the secret chamber.
In his moments of comparative sanity, he
was always muttering something about
brick on brick or his brain being in a
cloud.
Is it your opinion that he's not
entirely mad?
He's certainly not mad enough now to be
kept under restraint.
I tell you, you can't go inside. Can't
see anybody.
What's all this about? He says he wants
to see Mr. Carling, sir. And I've told
him he can't.
What's your name?
Houston.
Seems a bit uh you know, sir. What do
you want to see Mr. Carly about?
Well, it's about some papers. Yes, some
papers. Yes, [music] that's right.
When did you last see Mr. Carly?
Oh, I I couldn't say that.
Why not?
Oh, it was it was such a a long time
ago. A very long time ago. very long
time.
Was it years ago?
Yes, years ago. If if I could only see
him again.
Well, you can't see Mr. Caring now.
Just keep running. Very good.
Yes, but he owes me some money and
there's some papers in here.
You'll be a good chap and clear off
home. Go on, take my advice.
I always knew you'd get yourself into a
mess sooner or later. Be perfectly all
right if you back me up.
Yes. If we can make our husband believe
he spent a night here when you didn't.
You need to make it sound so awful.
Well, darling, it sounded like that for
a few thousand years.
Oh, for heaven's sake, don't lecture me.
Is the Jack the only one we have to lie
to? But is there anybody else? Of
course. What do you mean? You won't let
us down. I let you down. I mean, if we
go through with this, you will stick to
your story. Yes, of course,
build. This Vera business has given me a
wizard idea for the end of a short
story.
All I want now is a beginning in the
middle.
Darling, the cover is full of them. I
raised them only the other day.
Middles's in one pile, beginnings in
another. We'll choose a nice one to
read. Shirt,
Mr. Millington.
Yes.
Yes. Garage stores. A note for Mrs.
Millinton. Oh, I'll take it. Good day,
dear. Good day, sir.
Thank you,
Stephie. You won your bet.
Thought I would.
Well, I suppose this is the account.
Yes.
Uh-oh.
What is it now?
Our chairman, Sir Henry Robinson,
regrets he was unaware that he was your
uncle, but he admires your spirit and
hopes you will enjoy his.
Oh,
I love him. Of course,
Jack. Now, for heaven's sake, be careful
what you say.
Oh, I'll leave the big lies to you, too.
I'm not in your class.
Remember what I told you to stick to
your story? Yes. All right.
Hello, Jack.
Come out in a few minutes. Right.
Hello, Stephie.
Hello, Jack. There is things you only
need.
You look a bit of a wreck boy. I expect
I do. I've had a pretty hectic time.
Oh, well then you better have a drink.
How about a nice gin? I'd rather have
whiskey if you got it.
I'll have one, too, please. Yeah,
it was sweet of you to have beer.
Oh, no, Jack. Not a bit we were very
pleased to.
Can't think why she was so nervous.
Oh, well, it's just one of those things.
I often feel like that on news.
Great Scott, do you? Oh, it isn't like
Oh, here. Thank you.
Here's to the chairman.
Bless him. Who?
Oh, no one you know, old boy. Stephy's
uncle.
Jack, you look all in.
Here I am, darling.
You look terrible.
It gave me a bit of a shock to find the
flat empty. The bed not slept in.
It must have done.
I know. If I'd known you were coming
back early, I'd have left a note saying
where I was. Stephie and Bell have been
awfully kind.
Oh, not a bit. After all, what's the use
of friends? They can't give her a drink,
darling.
What was the matter? You're not usually
nervous. Oh,
I know it was silly of me, but I
couldn't help it.
Jen, dear,
thank you both.
What brought you back from Leicester so
quickly?
Well, they wanted a new contract signed.
I I promised in Leicester with it by 12.
You mean you're going back there today?
Not now.
in the circumstances.
My partner Carling was murdered last
night.
I came back last night with a new
agreement for Carling to sign. Must have
been just before 11. [music]
He told me to take it at once to his
lawyer at Finchley. I was to go back to
Carling early this morning. [music]
Now, when I got to the house, there was
no answer. I called a policeman and
broke in through a window. We
found Carling dead on the dining room
floor.
Do they know who did it?
It looks as if there was a woman in it.
Well, there is in most things, isn't
there?
Carling was obviously expecting a woman
last night. He had a supper table laid
out, flowers and everything. Champagne,
usual setup. It was all still there this
morning. Think a jolly good beginning to
another. Or would it be the end?
No, darling. We should probably come to
the end, presently.
What do you mean? Well, when they find
the Who did it?
Well, I must get to the office, ring up
Lester and try and straighten things
out. I'm sorry, darling. We'll have to
go back alone. Or could FA stay here and
I'll collect her later.
Will I be in anyone's way?
No, of course not.
It's very kind of you. No pleasure.
I'll see you after the car.
Goodbye, Steph.
Goodbye, sir.
Goodbye, B. Bye, Jack.
J, I've been thinking.
I'm so glad. Yeah,
I don't like it.
No, neither do I very much. Didn't seem
fair lying to old Jack like that.
He looked pretty rotten.
I dare say you wouldn't be looking so
good if your partner just been murdered.
I'll oversleep. I haven't got a partner.
I'm not happy about it.
Oh, Jack's quite capable of looking
after himself.
Stephie, I wonder what she really was
doing last night.
I don't think we'll let him go into
that.
Not yet. Well, you don't think?
What? Dear?
Well, she might.
Stephie. He's all right. He believed it.
Oh, how did he?
Well, whatever happens now, you've got
to stick to your story.
What do you mean? Now that we both lied
for you.
You said whatever happens. There's
nothing to happen.
Oh. Oh, isn't there? I wonder.
What are you looking at me like that
for?
Both of you.
But don't do it now. Don't lose your
head, dear.
You might need [music] it.
I [music] don't like it.
Shut up, dear heart.
Must you go?
You obviously don't want me here. I'm
going. Aren't you making rather fool of
yourself?
Now, you remember what I said. You stick
to your story.
Give me a cigarette. What you doing?
Oh dear. Last one.
I'll get some more when I got
Great Scott. It's Thursday. Lunch with
the old man.
Oh dear. Cigarettes.
One shilling. Two hapnes. Two pennies.
One and three. Ah. Two empty beer
bottles, four concern each.
Your ideas.
I'll bring back the change and anything
else I can touch the old man for. My
darling.
[music]
[music]
[music]
Uh,
Mrs. Millington.
Yes.
I'm Inspector Mallerie. I understand
Mrs. Curtain's here. Could I have a word
with her?
She was here, but she's left. She's gone
home.
Oh, in that case, may I have a word with
you?
Oh, why not? She's coming.
Sorry to bother you, Mrs. Mington. Oh,
no, not at all.
You'd bother me so much more comfortably
sitting down.
I believe I ought to ask for warrants or
identifications or Oh, Mr. Speaker,
please don't bother. I'm I don't think I
should know if I saw it.
I'm investigating the death of a Mr.
Carling.
Oh, well, I'm sure you're doing it very
well.
And that depends on how much help you
can get.
Uh, yes. Yes, of course. I'm afraid what
we call investigating involves asking
questions which sometimes seem a little
unnecessary.
Well, yes, and personal, but I can
assure you they're purely
a matter of routine.
You seem experienced, Mrs. Willington.
Well, you see, my husband writes
detective stories.
Really?
Well, ends and middles and beginnings,
but you know, routine always seems to
come into them.
And now you'd like to know the present
routine?
Yes. Won't you sit down?
I'm sorry. I haven't got any cigarettes
to offer you.
Oh, well, now me. Oh, thank you.
You have an injured arm, Mrs. Millson.
It's very clever of you to merge it.
Disguise it very well.
Oh, it was just an accident.
Recent?
No. No. Some time ago.
Well, now the routine.
That's very simple. Mrs. Curtain's a
friend of yours, I believe.
Yes.
We've taken a statement from our husband
in connection with this case, and he
told us that his wife stayed here last
night. Do you want to know if he was
telling the truth?
I suppose that's what it amounts to him.
Not that we doubt his word, of course.
Oh, no, no, of course not. But you're
just checking up. It's a matter of
routine.
Oh, I didn't.
I'm sure [clears throat] you couldn't
be, Mrs. Millington.
Oh, don't be too sure. Uh, yes, Mrs.
Curtain stayed here last night.
What time did you get here?
Oh. Oh, now let me think. What time
would it be? Was it um Oh, yes, of
course it was half 10
exactly. Well, a minute or two away
though.
And how? Why do you
remember? So, exactly. Yes, I knew that
one was coming.
It always does.
Yes. Well, now, um, well, my husband had
suddenly begun to think. He does
sometimes, you know. He'd got an idea
for the end of a short story, and I got
him some black coffee just to keep him
awake while he was thinking. And I
remember looking at the clock and
wondering how long it would be before
the coffee took effect. And it was just
10. I see. That seems very
very well thought out.
Well, I don't think I need volume any
further. And may I say how grateful I
am.
Oh, not at all, Inspector. It's been a
very pleasant little piece of
routine. Yes.
I wish all my routine were as pleasant,
Mrs. Billington.
Oh, Inspector. Thank you very much.
[clears throat]
Well, you must come back again and have
some more sometime.
Yes.
I do hope that arm isn't too painful, is
it?
Oh, no. It's a long time since you've
heard me. Good morning, Inspector.
Good morning,
[music]
99.
[screaming]
engaged.
Hello, Miss Arouch. Oh, this is Mrs.
Jack Kirk. I want a facial this
afternoon, please.
You can't? Oh, sure. You can manage
something.
Huh?
right away. It's very inconvenient.
I'll come right away.
Operator, would you get me Maya 9398?
I've had the engage signal three times
and now nothing at all. Yes, please.
This is Chelsea 4358.
I thank you very much.
The number is ringing. All right. Should
I keep on?
Oh, yes, please do. It's very important.
[bell]
Now, if you could possibly give us a
line up on any of his lady friends.
I've already told you I didn't know
anything about his private affairs. Ours
was purely a business association.
Still, you might have heard.
I knew nothing whatever about his
friends, men or women. Didn't want to.
He certainly weren't my friend. Look
here, Sergeant. I've already told you
and the inspector everything I can, and
it's no use asking me any more
questions. You really must let me get on
with my business.
But it's quite obvious that you're
better off by his death, and money
hasn't been too plentiful lately, has
it?
What are you getting at?
There's a rit out against you from a
firm of dress makers. And you owe 500 to
a money lender who's been threatening
you.
What do you mean by snooping into my
affairs?
Just routine, sir. Discretion is our
middle name. You'd be surprised the
number of things we don't tell.
I have nothing more to say. Very good,
sir.
Thank you.
I uh I suppose you've known the
Millington sometimes.
Yes. Uh more my wife's friends than
mine. I think you said that Mrs. Curtain
stayed the night with him once before
when you were away. Yes, she did. What
of it? Did she happen to say what time
she went around there last night? No,
she didn't. And what on earth is that to
do with you?
I never Thank you so much, obliged.
I hope we shall have to bother you again
since
get me Mrs. Millington's plan.
Hello, Mrs. Millington speaking. Oh,
hello, Jack. Oh, just a minute. Do you
have somebody at the door?
Mrs. Millington?
Yes. Export Fashion Company.
Thank you very much. You failed I've
given all my change to Milton. Would you
like to give you five bob? Like a nice
apple instead?
No, thank you ma'am. I wouldn't. I
belong to the no tipping league and I
like climbing five flights of stairs. I
hope what's inside will fit you.
Sorry, Jack. It was just my dress and
coke for this evening. No, the went home
soon after you left. She felt she
wouldn't stay after all.
police at your office or have they
trying for you?
Have they found out who did it?
They made up their minds there was a
woman in it. They as good as suggested
they had a clue, but they wouldn't say
what it was. I can't understand the
questions they've been asking. They even
wanted to know what time Vera went round
to you last night.
Did they? Whatever. It's got nothing to
do with them.
I suppose they just get into the habit
of asking questions.
I shouldn't worry about it too much,
Jack.
Goodbye. Heat. Heat.
[music]
[music]
Mrs. Curtain.
Yes.
My name is Mallerie, Detective Inspector
Mallerie.
Oh, I'm afraid my husband's not in.
You'll find him at his office.
As a matter of fact, Mrs. Curtain, but
you are the ones to work with.
Me?
Yes. If you don't mind, I won't keep you
very long.
If it's about Mr. Carlen, I'm afraid
there's nothing I can tell you.
Oh, well, there are just one or two
points in which you may be able to help.
I'd very much rather you saw my husband.
It's his business, not mine.
I understand you spent last night at the
Millingtons.
Yes.
What time did you get to the
Millington's, Mrs. Curtain?
What on earth does that matter?
I'd just like to know.
Must have been just after 11.
Just after 11. And were the Millingtons
both at home when you arrived?
Yes. And you're quite sure it was just
after 11?
Certainly wasn't before.
Oh, of course. The night porter here
would have seen you leave.
There isn't a night porter.
Really? Well, there ought to be,
considering the rent you must be paying.
Is your in?
She usually leaves at 6:00, but her
husband's home on leave, so she has a
few days off.
Well, there's really nothing else I can
tell you.
I'm sorry I can't answer any more
questions. I'm afraid I'll have to ask
you to go.
You better answer the telephone, Mrs.
Curtain.
Hello.
Oh, it's you. I thought it might be
I can't speak now.
You are not alone.
Oh,
it wouldn't be an inspector Mallerie by
any chance, would it?
Oh, it is. Well, now listen, dear. You
stick to your story. Do you understand?
And another thing, you got here last
night at
Hello. Hello.
Yes, I got cut off.
They hung up,
fool. Oh, no. I'm sorry. Not you. No,
it's all right. It doesn't matter.
To revert to last night, Mrs. Curt,
I refuse to answer any more questions.
Do you often stay with the Millingtons
when your husband's away?
Yes, I mean no. I did once or twice. I
can't remember.
But last night you felt rather nervous
here alone.
What's odd about that?
Nothing at all. But you quite sure it
was after 11:00 when you got to the
Millingtons.
Oh, really? I I
Mrs. Curtain, it's generally people who
have something to hide who object to
answering questions. Surely you have
nothing to hide. Or have you? You're
very rude.
There's just one more question, Mrs.
Curtain.
I refuse to answer.
Did you stay last night at the
Millingtons?
Did you?
How dare you?
I can't force you to answer.
Please go. May I remind you, it's the
duty of everybody to help the police,
particularly in a case of murder. Is
that a threat?
No, just very well meant advice.
I brought my new dress around to show
you. Well, if it isn't Inspector Man
again. More routine. Come in, Stephie.
Dear. Inspector's going.
I'm afraid I've rather annoyed Mrs.
Curtain.
Oh, have you? How did you do that?
Inspector's been asking questions about
last night.
Oh, has it? He seems to find it
difficult to believe that I was staying
with you.
No, I thought I convinced him of that.
I assure you we don't ask unnecessary
questions.
Good day, Inspector.
It was lucky you got here just in time,
Mrs. Willington.
Yes. Yes, lovely.
Good afternoon. Goodbye. Uh, could I uh
if you want to see my husband, he isn't
here.
My name is Houston. I'm I'm Houston.
It's He's very particular.
Mr. Curtain isn't here.
He's very particular. You see, I wanted
to get into Mr. Caringer's house, but
the police wouldn't let me. So, I
thought I ought to get in touch with his
partner, Mr. Curtain. I found his
address in the in the telephone
directory, but
now the parking dead.
How did you know that?
It hasn't been made public.
I knew it as if a black cloud
was lifting
from my brain.
There's nothing to be afraid of here.
Steady,
come down, Stephie.
I must talk to you.
Yes, in a minute.
What did you want Mr. Curtain for?
I thought as he was Mr. Caring's
partner, he'd know about his papers
where they were.
There's something among his papers you
want.
Yes.
Were you in business with Carly?
I'm a builder. At least I I was a
builder.
You were? I I've been away a long time.
I I think I was you.
But I'm not now. I I know I'm not.
No, of course you're not. You see, I
want to get back to my work. You know,
it's wonderful to build something. To
see a wall go up brick on brick on
brick.
Did you ever build anything for Carling?
Yes, I did.
Something that was was what?
I I can't remember. I was I was terribly
afraid. I I can't remember if I could
only see his papers. I was afraid to No.
Oh, no. No. Not now.
He's dead.
Did you kill him, Mr. Huser?
I Oh, no. I'm not strong enough. I
haven't seen him for a long time. I wish
I knew who
who did, though. I'd like to thank him.
Why don't you take him away somewhere if
you want to ask him all these questions?
This isn't a police station.
I'm sorry, Mrs. Curtain. Now, you go
along home, Mr. Houston. If I find
anything amongst Carling's papers which
concern you, I'll let you know.
Couldn't I come with you and look for
myself?
Well, I'll tell you what. I'll be
finishing up at Caring's house about uh
8:00. You come along then and I'll see
what I can do.
Goodbye, Mrs. Curtain.
Goodbye.
Thank you for being so very kind to me.
Goodbye, Mr. Houston. I'm sure the
inspector will help you.
Goodbye, Inspector.
I think I'll see the door shut this
time.
Mrs. Millington.
Hello V. Stephy here.
Yes, she's in there.
Oh, good. Hello, Stephie darling.
Hello, Bill.
Just got back and saw your note and
rushed over as fast as I could. I'm
afraid I interrupted your visitors.
Vera, Stephie, darling,
what a peculiar of a man that was. Think
so. He didn't want any papers, you know.
Stephie, darling,
he was lying.
Can I get a word in Hways?
Yes, darling. Give me a cigarette.
Darling, it's about the police.
Oh,
they picked me up this morning. started
asking me a whole lot of questions. What
about
Oh, nothing very much really. Mostly
about what time there got to our flat
last night.
What time?
And you know, I had an absolute brain
wave. I said it was the same time as the
light program news. That was the touch
that did it. 10:00.
Oh,
what's wrong with that?
I said it was 11.
Well, if you think it's a joke.
Yes, dear it is.
What kind?
I said half.
[laughter]
It's all very well for you to laugh,
Jack. Fine. Shut up. You silly little
fool up.
I was a fool ever to come to you. Oh,
you were a fool long before that.
I'm sorry. It doesn't matter what we all
said as long as you stick to your story.
Don't you understand? Yes, but if we all
said the police can't disprove anything
until they find out where you really
were last night,
Jack. Hello, everybody. Oh, what a day.
You look very tired, Jack.
I'm dead.
We're just going till I get my box,
would you?
Yeah. I thought I'd never get here. The
police have been round to the office.
No bother to see us back. Goodbye, D.
Goodbye, Dad. Jack, darling, be an angel
and get me a drink, will you? I'm all
in.
Police got anything on anybody here?
I don't know.
Man called Houston's been here asking
for you.
Houston
said it was about some papers of
Carlings. You went away with the
inspector. Inspector Mallerie.
Oh, is that his name?
I shrunk him.
What did he want?
I really can't go over all that again.
Vera,
was it about your going to the
Millingtons last night?
Oh, Jack, please
come here.
I said come here. I want to talk to you.
Sit down.
You're hiding something, aren't you?
I don't know what you mean.
Why are the police so interested in what
you did last night?
I don't know. And I don't care. I'm
tired.
I want the truth and I'm going to get
it.
Very well. You shall have it. I didn't
Stephy's last night. I didn't go there
till this morning when I saw your car
outside here.
So, you were lying all the time. and he
persuaded Stephie and Bill to lie too.
Why shouldn't they my friends?
What did you do last night? Was it that
gambling place at Brighton again?
Will you answer?
Yes, it was.
After you gave me your word,
you shouldn't have made me promise it
wasn't fair.
Did you lose much,
Bella?
Yes, I did. And I don't care.
I refuse to be cross-examined. I will
not question from you or anyone.
Extravagance. There's a rit out against
me from those dress makers of yours. And
I had to borrow £500 from a money lender
last time to get you out of trouble with
those Brighton people and save your
face. Now you're doing it again. I tell
you, you've nearly ruined me.
Mind you, my foot. You've got the
business all to yourself. Now you'll be
able to talk about your business all
night, too. I'm fed up. Forward and fed
up. You do nothing and you think nothing
but business. Business. Business.
Morning, noon, and night.
It's fortune for you that I have. It was
the money you threw away that made me
here. Do what?
You do get the business.
All of it.
Huh? What are you getting at?
That all this talk by being ruined cuts
no ice with me. Let your beastly
business take up the whole of your life.
I may as well not exist. Any wonder I
tried to get a bit of amusement
elsewhere.
I still don't see where the police come
in. I don't know. Leave me alone. Can't
you [laughter]
Hello.
Hello. This is Mr. Curtain. Is Inspector
Mallerie there, man?
Yes, the inspector's here. It's for you,
sir. Curtain.
Hello. Yes, Mr. Curtain. What's that?
Uh-huh. I see.
Put the dress
there. 23 Fortscq mansions, Brighton.
Yes. Yes, I agree. It would have saved
quite a bit of trouble if she'd said so
in the first place. All right, Mr.
Curtain. Goodbye.
Did you get that address?
Yes, sir.
Well, that's where the curtain woman now
says she was last night. What do these
people think we are? What have you found
now?
This, sir, in Caring's papers. Nothing
on the envelope. It links up with the
writing on the wall.
To the police. If I'm found murdered,
look for James C. Oliver of Chicago and
New York. He considers he has a
grievance against me and has repeatedly
threatened my life. Richard Carney. Huh.
No date. Sounds a bit phony to me. Could
be. We'll soon find out.
Oliver is here. He arrived Wednesday.
Yes.
Looks like he didn't have time to put in
the date. Well, if there is a James C.
Oliver and he was here. He probably put
up at some hotel somewhere. Call the
yard and tell him I'm on my way. Then
get Webster to check the airports and
saving list for the past four weeks.
I'll cover the hotels.
Yes, sir.
Uh, get on to Brighton and see what they
can find out from that address.
Very good, sir.
Oh. Oh, the zips got caught up on
something.
It's me, dear. Pull it down again.
No blood, darling.
Try again. Might draw some next time.
Now ready. Now
the police come to arrest us?
Might be.
Ah, all those lies and things, lassenity
or whatever they call it.
We'll ask them to handcuff us together,
darling.
Jack here.
All dressed up too. Come in. Well,
Stephie, I told Jack the truth about
where I was last night.
Yes, I thought you would. I couldn't
keep it up any longer.
It's been a good thing, really. I've
been too wrapped up in business. Ver and
I going to understand each other better
in the future, aren't we?
Yes, darling.
Good. Let's go for a drink. Of course, I
know you and Bill only did what you did
to help Bill, huh?
Well, we all have to do things we'd
rather not do sometimes, don't you,
Jack?
Did you tell anybody else?
The police. Did they make any comment?
No.
Didn't they say why they'd be so anxious
to prove that Bella hadn't stayed with
us?
I didn't ask.
I'm glad the questioning's over.
Yes. You think it is nearly
What do you mean?
I knew you wouldn't have the guts to
stick to your story. Vera,
it doesn't make any difference to you.
It's just where you're making a big
mistake.
You were only helping me.
No, dear. You thought we were giving you
an alibi, but you were really giving me
one. It's just what I wanted. Someone
who could prove I was here from 11:00
onwards.
Why on earth should you need an alibi?
You thought the inspector was bothering
you about Vera?
He wasn't, dear. It was me he was after.
And he couldn't get at me until he'd
broken down Va's story.
Why should he be after you?
Because he knew I was at Carling's house
last night.
Jesse,
you knew Carling?
Yes, Bill.
And you were there last night?
Yes, dear.
Then you
then I what?
But but I would
Oh, you were sleeping like a little
chloropformed pig when I left the flat.
That's a nice thing, I must say.
Would it be better if we all sat down?
No, I dashed about it now.
Oh, I do. Dear, you could always get up
again if you want to. I must say I'm
surprised. Yes, I thought you would be
there.
You never told me you knew, Carl.
Well, no, of course not, Bill. I knew
you wouldn't approve of the
acquaintance.
I think not. Of course. You're my wife.
Yes, I know, dear. It's all very well
expecting me to sit down. Very few
husbands would.
Oh dear. You're one of the few best
ones.
But supposing I'd woken up and find you
gone.
Well, this has nothing to do with us.
Come along, Jack. Aren't you going to
stay and see me arrested?
Arrested?
What for? For the murder of Caring.
But you didn't do it.
How can I prove that? I might have been
all right if Vera had stuck to her
story. Now that she hasn't, I'm sunk.
But they can't possibly accuse you. They
say I was the last person with Carling.
Do you think they're likely to believe
me if I swear he was alive when I left?
How could the police know you were at
Carling's house last night?
Well, I've been wondering about that. I
think I must have slipped up somewhere.
Or perhaps they found the driver of the
taxi I took and got a description of me.
Well, anyway, they know I was there and
that's that.
Bill, Darling,
I never let Carling so much as put the
tips of his fingers on me, and I never
meant to.
But you said,
"No, dear. I didn't say you thought.
Don't see what else you could have
thought when you admitted going to
Carring's house like that. Well, I'm
sorry to disappoint you, dear, but why
did you go?
Now, look, Bill, I'm not going to
explain anything now. You can believe me
or not, as you like.
Of course, I believe you.
Well, I know what I'm thinking.
Yes, dear. You're thinking it's a pity
Jack's such a light sleeper.
I'm going.
I won't stay. Jack, would you be kind
enough to induce your wife to sit down?
We must stay. Vera,
there's no reason whatever.
Yes, there is.
See who that is, M.
Sit down, Bar.
Mr. Millington.
Yes. I'm Inspector Mary. Is Mr. curtain
here. Can I come in? Yes, of course. Oh,
yes. I see he is. Good evening. Good
evening.
Well, Inspector, you're back again. How
very nice. We thought perhaps you might
looking again.
Yes.
I suppose you know Mrs. Curtain has
Oh, yes. I was afraid she wouldn't stick
to her story, but you mustn't mind her.
You see, she hasn't had my experiences.
She'll do better next time.
Yes. Well, I hope not. It's a serious
matter deceiving the police.
Well, of course. I knew why you were
trying to break down her story.
Stephie,
wouldn't you like to sit down? No, of
course not. You can't arrest people
sitting down, can you?
I beg your pardon.
Well, I suppose I might as well admit I
was at Carling's house last night.
Mrs. M, we've reached a point where we
must have the truth and nothing but the
truth. You do admit you were at
Carling's house last night.
It saves time, doesn't it?
You realize the seriousness of your
admission?
Naturally, Inspector,
were you at the time of the murder?
No.
Can you prove that? No, I'm afraid I
can't.
What time did you get there?
Oh, 12:00.
Was calling alone?
Oh, yes.
Was he expecting you?
Eagerly.
So, you with a visitor who was going to
suffer?
Yes, it was all for me. Flowers and all.
Were you in the habit of visiting his
house late at night?
No. Police or no police? I'm dashed.
It's all right, darling. It's all right.
This is just routine.
Mrs. Millington, what time did you
leave?
12.
So, you were there only half an hour.
Well, you see, I left because somebody
else came.
Who was it? I don't know. I went into
another room, naturally.
Could you hear them talking?
Only very faintly, Inspector, but it was
enough to know that it was a man. Whilst
they were in the dining room, I slipped
out of the house.
So, we've only your word for it that
there was another visitor.
I'm afraid so.
Your word hasn't been very reliable so
far, has it?
Well, no. I suppose it hasn't. Really?
You understand the position you've put
yourself into by these admissions?
Perfectly.
Well, Mrs. Millington.
No, inspector. No good. Darling,
you can't arrest her. She didn't do it.
Just a minute.
Mrs. Millington has told the truth.
Go on, Mr. Curtain. How do you know?
I went back to Carling's house last
night, and I can testify that he was
alive and well when she left.
Jack,
what are you saying?
Keep out of this, Villa. So, it was you
who came to Carling's house?
Yes. What made you go back to the house
at that time? I was so furious when I
left the solicitor at Finchley that I
went back to have it out with Carling.
How long did you stay? Only a few
minutes. And he was alive when you left.
Very much so. So, all your story about
being held up on the Finchley road was
invented to allow for the lapse of time
before getting to the Turkish bars when
you were really at Carling's house.
I must say it's not easy getting the
truth out of you people.
Inspector,
I wish you'd tell me something. How did
you know I'd been to Carling's house?
You tell me just now. I had no idea of
it before.
Well, I
Why did you come here? For the pleasure
of calling us liars?
No, Mr. Millington. I came to ask Mr.
Curtain a question. I went with Fat
first. He wasn't there, so I tried here.
But what is it?
Did Carling say he was expecting a third
visitor?
No. Do you remember him mentioning the
name Oliver? Jim Oliver? Oliver?
Yes. Yes, I think I do remember his
mentioning the name some time ago. Can
you remember what he said? I think he
said something about Oliver being the
only man he was afraid of. He was
talking of the time he was in America.
Why, Inspector?
It seems pretty certain he turned up
last night.
How did you find that out? We have our
methods.
Have you traced him?
No, not yet. He can't get away. Well,
I'm glad I'm not in this Mr. Oliver
shoes.
May I give you all a word of advice? If
any of you have any dealings with the
police again, tell the truth at the
beginning. Makes it so much easier for
everybody. Good night, you all.
Inspector,
I understand you're seeing Mr. Houston
again at 8:00 this evening. Aren't you,
Houston? I expect so. Why do you ask?
It was just that I felt rather sorry for
him.
I do hope you'll find what he wants.
We'll do our best. Good night. Good
night.
Now, can we go? It's very late. Yes. So
am I. Jack, would you give me a list of
the fashion fair gala?
Yes. Yes, of course, Stephie.
Thank you.
We'll wait for you in the car.
Good night, girl. Good night, Jack.
Well, darling, you've got plenty of
middles and beginnings to work on now,
haven't you?
I've got to think of an end.
I'll try and find one for you. Shall be
late.
Look after yourself.
[music]
Thanks, Jack, for telling the inspector
that Carling was alive when I left the
house.
You'd have been in a tough spot if I
hadn't.
Yes, I know. Were you thinking going to
Carling space later on this evening?
Why?
Don't.
Are we parked here for the night or
what?
Get me a taxi cookie.
It's a man here called Houston. He has
an appointment with you, sir. Oh, we'll
tell him I'm sorry, but we haven't been
able to find anything referring to him.
We're packing up here. Get your coat.
Hello? That you Horton? I finished here.
Have you picked up Oliver yet? Oh.
Oh, never mind. See you in the morning.
little blighter seems to have opted,
sir. Not a sign of him anywhere.
Nice night. Good to have a bit of fresh
air. I think I'm walking into the
station.
Yes, sir.
[music]
[music]
[music]
[music]
Heat. Heat.
[music]
[music]
There's the key. I shan want it anymore.
You look charming.
Yes, of course I do. I'm going to a
party.
I hope you'll enjoy it.
Oh, I'm sure I shall. By the way, I
thought I was the only one in the
secret. It appears I wasn't.
Who is?
Jack Curtain.
How do you know?
Well, he told his little story about
coming here and finding your body. I
knew he must be in it. Did he tell you?
A
situation arose in which, as a decent
fellow, he had to admit he was here
after I left.
He had no business to admit it to
anyone.
Be afraid of him. He lies almost as well
as I do.
So, you made him identify Oliver's body
as yours.
I wondered what you're going to do.
Oh, it was quite simple. You see, it was
in my house. We put Oliver in a suit of
mine. My papers were on him, and my
partner identified him as me.
Not bad, eh?
Anyway, Oliver's face wasn't
recognizable.
Chance, aren't you?
I've had to be.
I suppose you made it worth cursing
while to take the risk.
Oh, he wanted money badly.
You were able to give it to him.
It was Oliver's. He told me he had more
money on him than I had in the world.
[laughter] And he was right. Oh, you do
have the luck of the devil, don't you?
Well, you say he looks after his own.
Yes. You make a very nice getaway from
all your troubles, financial and
otherwise, with Oliver's money.
Uh-huh.
I think you are very wise to give
yourself a hideout in the house. I bet
you could tell some tales.
Unlike a woman, he doesn't.
Where is it? Is it in the roof? Oh, my
dear Stephie, I prefer to remain a
hideout.
Is there a way in here? Really?
There are two ways in and two ways out.
I met a charming little person this
afternoon at the curtain.
He said his name was Houston.
What? That rat?
And he said he once spilled something
for you. He couldn't quite remember what
it was.
Oh, he's off his head. He's been in an
asylum. Yes, he had a breakdown just
after he finished that building job for
you.
What did you do to him?
Better not ask.
Would you tell me something?
Anything.
Is there any possibility of your
changing?
Well, I shouldn't think so. I hope not.
Wherever you go, you'll always be the
same.
Well, that's the way I was made.
Yes, I suppose so.
But let's talk about you. I didn't think
there was a woman in the world who could
get me down. But you have.
I appreciate the compliment.
If Oliver hadn't come last night.
Oliver or no Oliver, it wouldn't have
been any use.
Have you been playing with me?
Yes, perhaps I have.
And don't you think it might be a a
dangerous game?
All the best games are dangerous.
What do you mean? Have you given me
away?
No. I I thought you had
I could have given you up to the police,
not come back. [music] I didn't want you
to be hanged.
I wanted to kill you
myself.
What?
You want to kill me?
Of
course, we both changed a good deal
since then.
Who are you?
It was in 1942.
I was in France in the resistance
movement helping British airmen to get
away.
It was there I met my husband.
But the Germans got me. They sent me to
a camp in Germany. [music]
It wasn't a very pleasant place.
The world heard a great deal about that
camp. Later on, most of the people in
charge are caught and hanged.
You got away.
The comedant used to amuse himself
with the prisoners.
One day he was a little bored. He wanted
a little target practice.
So, he used me tied up against the wall.
The idea was I suppose to see how near
he could get without actually hitting
me.
He must have been out of form.
The last [music] two went into my left
arm.
Don't you remember her? Commandant, Otto
Steiner. Don't [music] Don't you
put that down.
You say where you are.
I have no [music] intention of being
killed. I assure you.
You killed yourself when you had
Oliver's body identified as [music]
yours.
Extraordinary.
I don't even remember you.
[music]
No, no.
Up against the wall, eh?
Well, surely [music]
go on, move.
[music]
Your arms are stretch.
[music]
All right, the right will do.
[music]
Now I remember you.
[music]
Well, well, well. Small world.
That gives me a [music] chance to
complete the job.
I hate to leave things unfinished.
[music]
There's nothing to be afraid of now.
Is he dead?
Yes. I think that after all he should
have died without knowing by whose hand.
Oh, you wouldn't be afraid of that. I
wouldn't harm you.
yours.
You must leave nothing in this place.
I I thought perhaps I might see you
again.
Don't be afraid of me.
I'm not mad.
[music]
I never was.
You must go away now and forget that
you've ever seen me.
What about you?
I have a plan. There's nothing that you
can do.
[music]
[music]
What a beautiful cloak.
Just as it should be.
I shall remember you with gratitude
always.
And are you
Police, I want to leave a message for
Inspector Melie. It's very, very
particular.
My name's Houston.
Yes, Houston.
I've just executed Richard Carling. I'm
at his house waiting.
[music]
[music]
[music]
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