Original subtitles

[HORNS HONKING] [SAXOPHONE PLAYING] AH, THE RENT MAN. [KNOCK ON DOOR] HEY, ANGELO. ANGELO, I GOT A RENT INCREASE HERE. ANGELO? ANGELO. ANGELO? ANGELO. [WHISPERING] ANGELO, YOU'RE THE GUY ON THE WALL? YOU FOUGHT SUGAR RAY? HEH HEH. SURE DID. AND I COULD HAVE BEAT HIM THAT NIGHT, TOO, IF HE HADN'T HAVE NEARLY KILLED ME. THE REF, A GUY BY THE NAME OF RAVELLI-- STOPPED IT IN THE EIGHTH. I STILL SEND RAVELLI A BOTTLE OF CHIANTI EVERY COLUMBUS DAY. IF YOU WERE ONE OF THE TOP CONTENDERS IN BOXING, WHY WOULD YOU EVER WANT TO GO INTO WRESTLING? IN MY PRIME, I COULD BOX TOE-TO-TOE WITH THE BEST OF THEM, BUT BY THE TIME I GOT MY SHOT AT THE BELT, THE LEGS ARE GONE. AGE CAUGHT UP WITH ME. SO I TURNED TO WRESTLING. I MADE NO BONES ABOUT IT. I BECAME A SHOWMAN-- CARNIVOROUS CARNEVALE. YEAH, BUT IT WAS AN HONEST DAY'S WORK. IT PUT FOOD ON THE TABLE FOR MY FAMILY, WHICH REMINDS ME, I'M GONNA MAKE MYSELF AN EVENING SNACK. DREAMS ARE BETTER ON A FULL STOMACH. YOU HUNGRY? SURE, YOU ARE. SIT DOWN. [MAN SINGING] NOW, THIS IS CALLED A LARYNX LOCK. NOW, WHEN AN OPPONENT RUBBED ME WRONG, - I USED THIS. - UH-HUH. THIS IS REAL. - WHO'S YOUR NEXT OF KIN, HUH? - [CHUCKLES] DON'T, DON'T. - NOW, LOOK, JUST IMMOBILIZE THE LEFT ARM. - RIGHT. YOU BRING THE RIGHT UNDER. AND YOU JUST EXTEND THE NECK, - GRAB ON TO THE EAR, AND LOCK IT IN. - OH, YEAH. YOU SEE, YOU LOCK IT IN LIKE A VISE. - YEAH. THAT'S GOOD. - NOW, THE MORE HE STRUGGLES, THE MORE HIS BACK FEELS LIKE IT'S GOING TO BREAK. NOW ALL YOU GOT TO DO IS FOLLOW HIM DOWN. ALL RIGHT. YOU SHOWED ME. ALL RIGHT, OK. HA HA! OOH. [COUGHS] AND DO YOU DO THIS TO EVERYONE WHO COMPLAINS ABOUT THE RENT? - ANGE, WHAT ABOUT THAT, TOO, HUH? - WHAT? I MEAN, THINGS ARE TOUGH ENOUGH WITH THE WIFE AND THE KID. HE'S A FINE-LOOKING BOY. HE'LL GET BETTER. I'LL TELL THE OWNER YOU NEVER GOT IT. IT'LL BUY YOU SOME MORE TIME. THANKS. COSTELLO. GOT A NICE ITALIAN RING TO IT. ITALIAN? YEAH, YEAH. HALF. WHAT'S THE OTHER HALF? IRISH. PAISANO. IF YOU NEED ANYTHING, DEAN-O, REMEMBER, WE'RE NEIGHBORS. I'LL REMEMBER THAT, ANGELO. SALUD. SALUD. HEY, SPIDER, HOW MUCH DID HE GET YOU FOR? ALL RIGHT, JUST DON'T KILL HIM, ALDO. UH! YO, MANNY. WHOA, MANNY. WHOA. WHAT DID THIS GUY DO, MANNY? WHAT DID HE DO? SOMEBODY HUSTLED SPIDER OUT OF HIS LIFE SAVINGS. OH, YOU'RE KIDDIN' ME, MAN. WHAT'S UP WITH YOU? NOTHIN'. HEY, WHOA, GUYS, WHOA! TAKE CARE OF THESE STRONG GUYS, ALL RIGHT? I SAW A COP CAR AROUND THE CORNER, MAN. BEAT IT BACK INSIDE. COME HERE. I SAID, COME HERE! YOU HUSTLE PEOPLE AROUND HERE, THIS IS WHAT YOU'RE GONNA GET. BEAT IT, MAN. MAN, I'M WAITING FOR THE COPS. THEY AIN'T GETTING AWAY WITH THIS. COME HERE. THERE AIN'T NO COPS, ALL RIGHT? GO. - YOU JUST SAID THERE WERE COPS. - GET THE FUCK OUT OF HERE! GO! GO! GET OUT OF FUCKING JERSEY CITY! THAT'S RIGHT! THAT'S RIGHT! HEY, LUCA, SCULLY THE BUTCHER, HE WANTS THE CELTICS 20 TIMES ON SUNDAY. GOT IT. I GOT YOUR BETS FOR TODAY. RIBBONS. NO BETS. RIBBONS. RIGHT. RIBBONS. I, UH, ALSO PICKED UP NEDO'S MONEY FOR YOU. I TOLD HIM WE KNEW WHERE HE LIVED. FUCKING PROTEGE. THAT'S RIGHT. MANNY, I WANT YOU TO MOVE INTO COLLECTIONS, OK? YOU AND DEAN... AND YOU GET A PIECE OF THE ACTION. AND MIKEY AND GUS, THEY'RE OUT. THEY SCREWED UP FOR THE LAST GODDAMN TIME. HE'S READY? ALWAYS BEEN READY. HEY, COPS COME? YEAH, SPIDER. AND I GAVE THEM ALL YOUR HOME ADDRESSES, PHONE NUMBERS, AND TIMES TO BE REACHED. WHAT'S THE MATTER? YOUR POOL STICK GO LIMP OR WHAT? I GOT MY 50 BACK, DIDN'T I? DID YOU HEAR? YOUR MANNY GOT THE GIG. YOU'RE THE NEW MUSCLE. YEAH, ALDO, I HEAR THINGS BEFORE THEY HAPPEN. NOW, IF YOU GUYS WILL EXCUSE ME, I'M WANTED UPTOWN, MAN. THAT GUY WILL BE ROLLING IN THE DOUGH. ENFORCERS, MAN. FUCKING ENFORCERS, MAN. I PICKED UP NEDO'S BET. ALL RIGHT, ALL RIGHT, ALL RIGHT. I'M OUT OF YOUR CHAIR. HERE. TOMORROW'S BATTING ORDER. ADDRESSES, HANGOUTS, ALL THE PLACES YOU COULD FIND THE GUYS LISTED THERE, PLUS WHAT THEY OWE. REMEMBER, KEEP THEM HONEST. DON'T LET THEM GET AWAY WITH... - CAPISCE? - YEAH, CAPISCE, MAN. OH, MY GOD. [CHUCKLING] OH, MY GOD. HEY, TO THINK, I FELT GUILTY WHEN I OWED YOU 25 ONE WEEK. ENFORCERS, MAN. ENFORCERS, MAN. I MEAN, LOOK, LUCA, I GOT TO TELL YOU, I WAS GETTING A LITTLE SICK AND TIRED OR RUNNING YOUR NUMBERS AND PICKING UP YOUR BETS, MAN. - RIBBONS. - RIBBONS. - Man: HEY, DEAN! - Dean: YEAH, RIGHT, WHATEV--UH-- - Man: IT'S YOUR OLD LADY. - Dean: YEAH. ALL RIGHT. YEAH. SOMETHING'S THE MATTER AT HOME? YEAH. HE'S ON TOP OF IT. LUCY? YEAH, WHAT THE HELL ARE YOU CALLING ME HERE FOR? YEAH. ALL RIGHT, ALL RIGHT, LOOK, I REALLY DON'T WANT TO HEAR THAT ABOUT SHANE. THOSE DOCTORS ARE WRONG. YEAH. YEAH, RIGHT. NONE OF THEM ARE EVER SURE. ASSHOLES. YEAH. LOOK, JUST DON'T GO OUT. - JUST A LITTLE PROBLEM WITH SHANE, RIGHT? - YUP. YOU KNOW KIDS, LUCA, ALWAYS COMING DOWN WITH SOMETHING, YOU KNOW. BUSINESS IS BUSINESS, HUH? - YEAH. - YEAH, ABSOLUTELY. SALUDE. WHERE IS HE, LUCY? HE'S IN HIS ROOM. I THINK HE'S WORSE. I DON'T KNOW WHAT TO DO. [BABY CRYING] [LOUD TAPPING] [SIGHS] THE DOCTOR WAS RIGHT. NO. THERE ARE OTHER DOCTORS. SHANE. SHANE? WHAT ARE YOU DOING? HEY, FELLOW ENFORCER. LUCA GAVE ME THESE. WHICH ONE DO YOU WANT? KEEP THAT FUCKING THING AWAY FROM ME, MAN. YOU KNOW HOW I FEEL. CARRY ONE OF THOSE THINGS, MAN, AND YOU USE ONE. - IT AIN'T MY STYLE, MAN. YOU KNOW THAT SHIT. - RIGHT, SORRY. BUT I LIKE IT. BUTCH AND SUNDANCE ALL THE WAY. KNOCK IT OVER. GO AHEAD. HIT IT. - OH, MAN. - I'M TELLING. - GOOD THING LUCY HAS CABLE. - RIGHT. SHIT, I COULD REALLY FUCK SOMEBODY UP WITH THIS, MAN. THAT'S THE WHOLE POINT, SHITHEAD. GO AHEAD. TO OUR FUTURE, BUTCH. TO OUR FUTURE, SUNDANCE. OH, SHIT. - [SCREAMS] - I LOVE IT. [KIDS LAUGHING] - [SHOUTING] - [GLASS SHATTERS] OH, MY GOD. TONY COMING ON DOWN. HEY. HOW YOU DOING? YOU'RE A REAL SLAVE TO FASHION, YOU KNOW THAT, TON? YOU LOSING SOME WEIGHT? LET ME THROW THIS ONE BACK. Tony: COME ON, MAN. COME ON, GIVE ME A BREAK, FELLAS. YOU LIED TO ME, TON. HUMPTY DUMPTY WAS HOLDING OUT ON LUCA. - YOU GOTTA TAKE MY PANTS, TOO? - I DON'T KNOW, TONY, I MIGHT GROW INTO THESE. - WHAT DO YOU THINK? - GIVE HIM BACK HIS PANTS. - HERE'S YOUR PANTS. - POOR GUY. Kid: PUT YOUR PANTS ON, OLD MAN. OH. [HUMMING] - SHE'S LOOKING AT ME, MAN. - NO, MAN. SHE'S LOOKING AT ME. - YOU'RE CROSS-EYED. - GIVE ME A QUARTER. I'LL PLAY SOME MUSIC. - PLAY SOME FRANK, ALL RIGHT? - I WON'T PLAY SOME FRANK. SO WHERE WERE YOU THE LAST TWO DAYS? THEY SENT A CAR AND AN AMBULANCE UP TO THE SULLIVAN APARTMENT. MIKEY, YOU WANT TO TELL ME ABOUT THIS? WHAT? WHAT DO YOU WANT ME TO SAY? THIS MOTHERFUCKER'S ALWAYS LATE. EVERY TIME I GO UP THERE, HE GIVES ME THE SAME LINE OF BULLSHIT. SO THIS TIME I DON'T FEEL LIKE BEING JERKED AROUND. SO I BRING THE KYKE BASTARD DOWN ALONG WITH HIS SMILE. WHAT ABOUT THE WIFE? [STAMMERS] - WHAT? - I-- I SEARCHED HER UNDERNEATH. YOU RAPED HER! I CAN'T HANDLE YOU NO MORE, MIKEY. YOU'RE OUT. MANNY AND DEAN ARE IN. SHE'S TALKING TO THE COPS, THAT LADY. IF YOU THINK I'M GONNA HOLD YOUR HAND THROUGH THIS, - FORGET IT, I AIN'T. - HEY, LUCA, YOU DON'T HAVE TO WORRY ABOUT IT. - I'LL BE LOOKED AFTER. ANTANGELI SAID-- - [LAUGHS] HE AIN'T GONNA WATCH OVER THIS. HE'S GONNA CUT YOU OFF LIKE A GODDAMN TUMOR. THERE'S A WARRANT FOR ASSAULT AND RAPE OUT. GET THAT THROUGH YOUR FAT FUCKING HEAD. WHAT THE FUCK ARE YOU TALKING ABOUT? I DID IT WITH HIS BLESSING. AND I HELPED. OH, MAN. SOMEBODY FORGOT TO FLUSH, MAN. HEY, GUS. HALF A MICK AND HALF A SPIC. LUCA, DO YOU WANT ME TO TAKE OUT THE GARBAGE? LOOK AT THESE TWO. TIGHT AS FROG PUSSY. YOU LADIES KNOW WHERE THE FRONT DOOR IS, USE IT. [ARGUING] GET THE FUCK OUT OF HERE NOW! ALL RIGHT, I'M OUTTA HERE. I'M OUTTA HERE. DICK FACE. I'LL SEE YOU AROUND, MAN. - I'M HERE. - [PHONE RINGING] YOU KNOW WHERE TO FIND ME. - Man: HEY, DEAN. YOUR OLD LADY. - WATCH THAT SHIT, WILL YA? - YEAH. - PHONE. THANKS, DEMPSEY. YEAH, LUCY, WHAT? Lucy: SHOULDN'T A DOCTOR HAVE BEEN TESTING HIM? Man: THE WOMAN WHO IS TESTING HIM IS STEPHANIE BLOOM. SHE'S VERY GOOD. SHE'S AN N.Y.U. INTERN DOING RESEARCH TO FINISH UP HER GRADUATE THESIS ON BEHAVIORAL DISORDERS. NOW, REMEMBER, YOU CAN ALWAYS GO AND GET A SECOND OPINION. Dean: WE'VE HAD 4 SECOND OPINIONS. OK, SHANE, I WANT YOU TO TAKE THE TRIANGLE AND PUT THE TRIANGLE IN THE TRIANGLE HOLE. OK, SHANE? WATCH. OK, SHANE, LET'S TRY A DIFFERENT SHAPE. TAKE THE RECTANGLE, SHANE. SHANE? COME ON. COME ON, SHANE. SHANE? COME ON, SHANE. Man: SHANE AT 3 1/2 YEARS IS FUNCTIONING AT THE LEVEL OF AN 11 OR 12 MONTH OLD. AND FROM THE GENERAL HISTORY THAT YOU'VE GIVEN ME, THERE DOESN'T SEEM TO BE ANY DOUBT. YOUR SON IS AUTISTIC. THAT'S FINE, STEPHANIE. I'LL TABULATE THE SCORES. BRING THE BOY INTO MY OFFICE. Dean: SO WHAT ARE YOU GONNA DO FOR HIM? TO SPEAK FRANKLY, THERE ISN'T ANYTHING WE CAN DO FOR HIM NOW. YOU SEE, HIS BEHAVIOR PATTERNS ARE STILL FORMING. THE BEST I CAN TELL YOU IS THAT-- BRING HIM BACK IN A YEAR, AND UNTIL THEN, OBSERVE AND RECORD HIS BEHAVIOR. IS THAT RIGHT, DOCTOR? YES. I'M AFRAID SO. [CHILDREN SINGING] - MRS. COSTELLO. - DEAN, WAIT! - MAY I TALK TO YOU? - LOOK, I'M SORRY ABOUT MY HUSBAND. YOU SHOULDN'T BE. I'M LEAVING HERE SOON. I'M ALMOST FINISHED WITH MY THESIS. - I'D LIKE TO TRY TO HELP SHANE. - HELP HIM? I THOUGHT YOU JUST SAID YOU COULDN'T HELP HIM. NO, THAT WAS HIM, NOT ME. WOULD YOU MIND IF I CAME OVER IN THE AFTERNOONS TO WORK WITH HIM? I'D NEED YOU, TOO. - YEAH. WHAT DO YOU CHARGE? - LUNCH. HEY, LUCE. LOOK, I HAVE TO TALK TO DEAN ABOUT IT, BUT I'LL GIVE YOU A CALL, OK? - THANK YOU. - HEY, LUCY, COME ON! YOU DIDN'T SAY ANYTHING THE WHOLE WAY OVER HERE. WELL? [BANGING ON TRAY] RIGHT BEFORE WE GOT MARRIED, YOU WERE STILL SEEING OTHER GUYS, WEREN'T YOU? WHAT ARE YOU SAYING? PLEASE DON'T START THAT AGAIN, DEAN. YOU KNOW THOSE GUYS MEANT NOTHING TO ME. [TAPPING ON TRAY] YOU ARE THE FATHER. YOU HAVE TO LIVE WITH THAT, DEAN. Stephanie, voice-over: WE BEGIN. SHANE CLEARLY SHOWS THE CLASSIC SYMPTOMS OF AUTISM-- AN INABILITY TO RELATE OR INTERACT WITH PEOPLE. LACK OF SPEECH, A STRONG RESISTANCE TO BEING HELD. AND TOMMY DOESN'T KNOW WHAT DAY IT IS. THAT'S YOU, SHANE. SOMEWHERE ALONG THE LINE YOU GAVE UP ON THE WHOLE BUNCH OF US, DIDN'T YOU? NOW IT'S OUR JOB TO OPEN UP ALL THOSE DOORS THAT YOU'VE LOCKED. LOOK INTO OUR EYES, TAKE THE FIRST STEP ON THE LONG JOURNEY, AND MAKE EYE CONTACT. [MUSIC PLAYING] - [INDISTINCT CHATTER] - [DOG BARKING] - MACK, GIVE ME A CIGAR, WILL YOU? - YEAH. Man: LUCA--! NO, LUCA-- NO, YOU CAN'T. THIS CAN'T BE. NO, YOU CAN'T. Luca: GIVE US A MINUTE. GIVE US A MINUTE. I WARNED YOU TO STAY AWAY FROM THE GUY, DIDN'T I? AND NOW YOU'VE DUG YOURSELF INTO A CORNER. I'M 9 GRAND IN THE HOLE, MAN. ANTANGELI'S GOT HIS GOONS COMING AFTER ME. PLEASE. YOU GOT TO TALK TO HIM. HE'S MAKING SOME SICK THREATS. MAKE HIM STOP. PLEASE MAKE HIM STOP. HEY, I TRIED. IF YOU KNOW, YOU DON'T PLAY THE GAME HIS WAY, YOU KNOW, IT JUST WIPES YOU OUT. LOOK. LOOK. I CAN'T EVEN TAKE CARE OF MYSELF NO MORE. I'M SCARED. I'M SCARED, MAN. YOU DON'T GOT THE MONEY, WIZARD, JUST RUN. GO AHEAD. RUN. [CAR ENGINE STARTS] Dean, voice-over: I THOUGHT LUCA WAS BUST PROOF. UNTIL HE GETS OUT, LUCA TOLD ME TO WATCH THE STORE. HAPPY BIRTHDAY. ANTANGELI CALLED ME TODAY. DID YOU KNOW HE'S LUCA'S BANK? FUCKING GUY OVERSEES EVERYTHING, INCLUDING ME. HE SAYS, "I WANT YOU TO RUN MY ACTION "ALONG WITH LUCA'S ACTION. AND THERE IS NOTHING IN IT FOR YOU." FUCKING GUY THINKS HE'S DON CORLEONE, MAN. HE SAYS HE WANTS TO TAKE A NEW APPROACH. THAT'S WHY HE SET LUCA UP. WAIT. HE ACTUALLY CAME OUT AND SAID THAT TO YOU? NO. BUT I KNOW IT WAS HIM. THIS ISN'T HOW I PLANNED IT, DEAN-- BEING HIS ERRAND BOY. SO IF I'M GONNA TAKE ALL THE HEAT... I'M GONNA MAKE IT WORTH MY WHILE. WHAT HE DON'T KNOW WON'T HURT HIM. ALL RIGHT? YEAH, RIGHT, MAN. ALL RIGHT, LOOK. ALL RIGHT, MAN. - IT'S BUTCH AND SUNDANCE ALL THE WAY. - ALL THE WAY? - ALL THE WAY TO THE END. - ALL RIGHT. [STEPHANIE HUMMING] COME ON, SHANE. IT'S GRAPE TIME. [HUMMING YANKEE DOODLE] ♪ SHANEY ♪ ♪ YANKEE DOODLE ♪ [HUMMING] ♪ LOOK AT THE GRAPE, SHANEY ♪ HIYA, LUCY! Lucy: COME ON IN, PACO. GIVE ME 2 MINUTES. YOU HERE AGAIN, BABY? YOU OUGHT TO MOVE IN, YOU KNOW? SHH. COME ON, SHANE. SHUSH? WHAT IS THIS SHUSH? I MEAN, UH, IS THERE A CHURCH HERE OR SOMETHING? YOU GOT A MASS GOING ON HERE, LEGS, OR WHAT? HEY, DON'T TOUCH ME. [GRUNTING RHYTHMICALLY] KID, WOULD YOU JUST SHUT UP OVER HERE? I'VE BEEN WATCHING YOU, STEVIE. - LEAVE US ALONE. - WHAT ARE YOU GONNA DO? I MEAN, YOU GONNA GET SOMEONE AFTER ME? MAYBE LIKE THE RETARD'S OLD MAN HERE? OH, HE'S GOT A REAL TOUGH REPUTATION. SEE, I'LL SQUASH HIM LIKE A BUG. SHANE IS NOT A RETARD. - OH, REALLY? - AND AS FOR HIS FATHER, THE TWO OF YOU ARE JUST THE SAME. LIKE YOU SAID, INSECTS. YOU GO AWAY. WE'RE BUSY. WHAT'S GOING ON? NOTHING. NOTHING. I'LL SEE YOU IN THE CAR. I'LL SEE YOU, KID. Stevie: IT'S OK, SHANE. YOU KNOW, I'VE BEEN WONDERING ABOUT YOU, STEVIE. EXCUSE ME? HOW COME YOU DON'T WEAR YOUR RING OVER HERE ANYMORE? THAT'S NONE OF YOUR BUSINESS. YOU'VE BEEN COMING HERE OVER A MONTH NOW, RIGHT? WELL, HE HASN'T CHANGED. AND YOU KNOW WHAT? I DON'T WANT YOU HERE ANYMORE. HEY, WAIT. LUCY, THIS IS NOT FAIR TO YOUR SON. SHANE IS USED TO ME NOW. HE'S GETTING CLOSER TO MAKING EYE CONTACT. YOU-- LOOK. AFTER TODAY, JUST DON'T COME BACK. YOU COMING BY THE BAR LATER? NO, MAN. I AM BEAT. I'M GONNA CALL IT AN EARLY NIGHT, ALL RIGHT? SO AFTER WE COLLECT FROM THESE JERKS, I'M JUST GONNA GO HOME. - WELL, LUCY OUGHT TO LIKE THAT. - YEAH? YOU THINK SO? Woman: LOOK WHO'S HERE, LUCA'S GOON SQUAD. [MAN LAUGHING] [SPRINGS SQUEAKING] [LUCY CHUCKLES] DEAN. DEAN, MAN, LISTEN. JUST TAKE IT EASY. DON'T DO NOTHING CRAZY, MAN, ALL RIGHT? GET YOUR CLOTHES ON, PACO. GET OUT OF MY HOUSE. TAKE THE SLUT WITH YOU. SLUT? FUCK. YOU LEAVE ME ALONE HERE WITH YOUR SON, OH, BUT MAYBE HE ISN'T YOUR SON, DEAN. IS THAT WHAT YOU WANT TO HEAR? HUH, BABY? YOU WANT TO KNOW HOW MANY GUYS I'VE SCREWED? HEY, BABY, BABY, LEAVE IT. LEAVE IT. HE'S GONNA COME BACK. NO, HE'S NOT GONNA COME BACK, PACO. HE'S AFRAID OF YOU. - YEAH? - YEAH. - WAS HE? - YEAH. HE WAS SCARED OF ME, WASN'T HE? [WHISTLING] ADIOS. [CHUCKLING] [SOFT RHYTHMIC MOANING] [MUSIC PLAYING] WHAT THE... [YELLS] [SHANE MOANING SOFTLY] YOU WANT TO TELL ME ABOUT WHAT HAPPENED TO SHANE? YOU WANT TO TELL ME WHERE YOU'VE BEEN ALL THIS TIME? HE'S BLACK AND BLUE. WHAT HAPPENED TO HIM? I DIDN'T HIT HIM, DEAN. WOULD YOU LET GO OF ME? THEN WHO? THAT BASTARD. PACO STOPPED HIM FROM CRYING. THAT FUCKING BASTARD. - DEAN, LISTEN. - IT'S OVER. WE'RE THROUGH. THROUGH! [DOOR OPENS, CLOSES] [ROCK MUSIC PLAYING] YEAH, MAN! AH, MAN. PACO OVERDRIVE, BABY. [LAUGHING] SHIT, COME HERE, BITCH. [CROWD SCREAMING] DON'T DO IT. THAT DUDE'S AN ARM-BREAKER, MAN. COME HERE, PACO. Woman: COME ON! GET HIM OUT OF HERE. IS THIS HOW YOU DID IT TO MY BOY? [PACO SOBBING] STOP CRYING, PACO. [BLOWING WHISTLE] [SHANE MOANING RHYTHMICALLY] CRYING. "WHAT TO DO WHEN HE CRIES." "TOYS AND GAMES, TRAVEL, HELP--HELP-- "HELPING AT HOME, 98." Man: COSTELLO, SHUT UP IN THERE. OH, MAN. GO AHEAD. WHAT'S THIS... [SIZZLING] AAH! OH! OW! OH, MAN. [BANGING ON CEILING] SHUT UP DOWN THERE. I GOT A NIGHT JOB. I GOT TO GET SOME SLEEP. HEY, COME ON DOWN! I'LL HELP YOU GET SOME SLEEP. EACH FREAKIN' BOOK DISAGREES WITH THE ONE BEFORE. [WHISTLES] MM-HMM. [WHISTLING STOPS] [KNOCK ON DOOR] YEAH? [CHUCKLES] COME IN. COME IN! HELLO. HEY. HEY, WAIT A MINUTE. ANGE, HE'S YOURS. - I'LL TAKE HIM. - OK. - HERE. - GOT IT. HEY! HEY, YOU! WHOA! [CHUCKLES] SLOW DOWN. COME HERE. COME HERE. SLOW DOWN! LET GO OF ME, OR I'LL CALL THE COPS. - WHAT? - OFFICER! HEY, COME HERE. WAIT, WAIT, WAIT, WAIT, WAIT. HEY, YOU'RE THE GIRL FROM THAT DOCTOR'S OFFICE. WHAT THE HELL ARE YOU DOING HERE? I CAME HERE TO TALK THIS OUT, TO SEE IF YOU'D STILL LET ME WORK WITH SHANE. I WAS READY TO FIGHT YOU ON THIS, EVEN PLEAD WITH YOU, ONLY CIVILIZED, NOT WITH BATS. BUT I REFUSE TO KEEP COMING BACK JUST TO BE - ATTACKED EACH TIME I DO. - ALL RIGHT, WHOA. WAIT, WAIT, WAIT. YOU WERE WORKING WITH SHANE, AND NOW I WON'T LET YOU. SAYS WHO? - YOUR WIFE MADE IT PERFECTLY CLEAR LAST FRIDAY. - SHE'S GONE. - WERE YOU HELPING HIM? - YES. HE'S NOT JUST SOME RESEARCH EXPERIMENT - WITH YOU, IS HE? - HOW DARE YOU. YOU HAVE NO IDEA WHAT I'M DOING OR WHAT I'VE HAD TO PUT UP WITH-- ACCUSATIONS FROM YOUR WIFE. I'M ACCOSTED BY HER...FRIEND. I'M TRYING TO HELP HERE, AND ALL I GET IS YOU CRAZY PEOPLE. I JUST DON'T GET IT. HEY, YOU HUNGRY? WHAT? YOU WANT TO HAVE SOME LUNCH? SEE, PEOPLE AROUND HERE THINK THERE'S SOME KIND OF SECURITY IN STAYING PUT. AND THEY'RE ALL SONS OF IMMIGRANTS. WELL, WHAT ABOUT YOU? - HERE? - ALL RIGHT. ALL RIGHT, LET ME SEE, SINCE I CAN REMEMBER, I ALWAYS WANTED TO DRIVE CROSS-COUNTRY. I JUST DIDN'T WANT TO DO IT ALONE. LOOKING FOR YOUR NEAL CASSADY, HUH? WHO'S THAT? OH, WELL, HE'S THIS GUY IN THE NOVEL ON THE ROAD. BASICALLY, HE'S A MODERN-DAY COWBOY WHO DRIVES ALL ACROSS THE COUNTRY WITH HIS BUDDY JACK KEROUAC. SOUNDS GREAT. HE SURE WASN'T FROM THIS NEIGHBORHOOD. HMM. ALL RIGHT, LET ME SEE. - LISTEN, DEAN-- - WE'VE GOT-- DEAN, I HAVE AN IDEA ABOUT WHAT YOU DO, AND I DON'T AGREE WITH IT. - AN IDEA? - IT'S NOT HEALTH-- I'M MAKING A LIVING, LADY. IF THAT'S WHAT YOU WANT TO CALL IT, FINE. NOW, LET ME SEE. YOU'VE BEEN HERE FOR WHAT, ABOUT A MONTH OR SO, AND ALREADY YOU KNOW WHAT LIFE IS LIKE ON THIS SIDE? I KNOW THAT THERE ARE LAWS TO BE OBEYED AND POLICE TO ENFORCE THEM. LAWS? POLICE? WELL, LET ME TELL YOU, ON MY BLOCK, THE DIFFERENCE BETWEEN A COP AND A CRIMINAL IS A LINE SO THIN YOU CAN'T SEE IT. COPS DON'T GO AROUND BEATING PEOPLE UP. WE'RE HERE FOR SHANE. - YEAH. - LOOK, DEAN, MANY DOCTORS DON'T WANT TO HANDLE AUTISTIC CHILDREN. THEY DON'T EVEN WANT TO DEAL WITH THEM, BECAUSE THEY CAN'T PRESCRIBE ANY MIRACLE DRUGS OR PERFORM ANY SURGERIES. - SHANE MAKES THEM FEEL COMPLETELY INEFFECTIVE. - REALLY? THOSE DOCTORS ARE THE ONES WHO WANT TO WAIT, AND I DON'T AGREE. THERE IS ANOTHER THERAPY THAT HAS AN ENCOURAGING SUCCESS RATE. BUT IT SHOULD INVOLVE BOTH PARENTS. NOW, WE'RE GONNA HAVE TO MAKE IT WORK WITH JUST YOU, BUT IT'S A COMMITMENT TO YOUR SON THAT'S GONNA REQUIRE ALL OF YOUR FREE TIME. WILL YOU DO IT? YEAH. I'LL DO IT. ALL RIGHT. AS HIS ONLY ONE PARENT, YOU'RE GONNA HAVE TO TRY TWICE AS HARD. YOU HAVE TO REESTABLISH THE BOND. IT GETS ROUGH, BUT JUST REMEMBER THAT HE WANTS IT. HE NEEDS IT TO SURVIVE, SO NO MATTER HOW HARD HE STRUGGLES, YOU DON'T LET GO. THAT'S WHY IT'S CALLED FORCED HOLDING. OK. ALL RIGHT. NOW YOU SIT HERE. COME ON, SHANE. THERE WE GO. COME ON. COME ON. THERE WE GO. ALL RIGHT, HOLD ON TO HIM. HOLD ON TO HIM, DEAN. SMILE, DEAN. SMILE. TALK TO HIM. SUPPORT HIM. LET HIM FEEL THROUGH YOU - THAT HE'S WANTED. - OK. SHANE, I'M HERE FOR YOU NOW. [SHANE SOBBING] I'M GONNA HELP YOU TO GET BETTER. DON'T WORRY ABOUT THAT. DON'T WORRY ABOUT THAT. JUST WATCH YOUR TONE. LET HIM SENSE YOUR WARMTH. TRY TO MAKE EYE CONTACT WITH HIM. YEAH. HEY, UM, STEVIE, IS SOMETHING WRONG WITH HIM? I MEAN, AM I HURTING HIM? TRY TO CALM HIM. DON'T LET HIM GO. OK. SHANE. TELL HIM YOU LOVE HIM. ALL RIGHT. I LOVE YOU, SHANE. [YELLS] OK. LET'S DO IT. COME ON OUT, SHANE. COME ON OUT, AND WE'LL SEE THIS WORLD TOGETHER AND IT CAN BE VERY BEAUTIFUL. I MEAN, THERE'S PARKS. THERE'S PLAYGROUNDS. THERE'S BEACHES. I'LL TAKE YOU TO A YANKEE GAME. I'LL TAKE YOU TO A YANKEE GAME, AND YOU'LL CATCH A FOUL BALL, AND YOU'LL GIVE IT TO ME, RIGHT? THE THING IS, KID, YOU CAN DO ANYTHING. JUST--JUST GIVE ME THE NOD. COME BACK, SON. Manny: HAVE YOU HEARD FROM LUCY LATELY? - Dean: YEAH. SHE WENT BACK TO HER MOM'S IN DETROIT. - YEAH? AND WE'RE BOTH BETTER OFF, MAN. SO YOU DOING ALL RIGHT WITH SHANE? YEAH. HE'S GETTING THERE. HEY, WHERE THE HELL IS THIS GUY? JUST LET ME DO THE TALKING. WHAT THE FUCK ARE YOU DOING HERE, MANNY, HUH? I TOLD YOU ON THE PHONE NO WAY. HEY, THEY ALWAYS PAID A GRAND FOR A CAR. WELL, IF YOU AND ANTENNA-- ANTANGININI WANT TO UP THE PRICE, WELL, HEY, I CAN GO SOMEPLACE ELSE. BURT, BUSINESS IS GOOD. WE'RE SENDING YOU TWICE AS MANY CARS TO STRIP DOWN. YOUR END IS UP. THEREFORE OUR END GOES UP. I AIN'T FORKING OVER NOTHING TO YOU, OK? NOW, JUST GET THE FUCK OUT OF HERE. LOOK, BURT, IT AIN'T WORTH IT BUSTING HEADS OVER A "G," ALL RIGHT? SO WHY DON'T YOU CALM DOWN, YOU BIG FUCK? I THINK IT IS. THAT'S WHAT I'M TELLING YOU. WHAT? WELL, YOU WANT A PIECE OF ME? I'M TELLING YOU THAT. WHAT? COME ON, YOU BIG PIECE OF-- THAT WHAT I... I'M SURE YOU NEVER-- IF THIS IS HOW YOU'RE GONNA ACT, I DON'T NEED YOU WATCHING MY BACK. COME HERE. I'M GONNA COME BACK HERE TOMORROW, SCUMBAG. IF YOU AIN'T GOT WHAT I NEED, YOU'RE GONNA BEAR A RESEMBLANCE TO ONE OF THESE HEAPS. YOU DIG? I'M HAVING TROUBLE, MANNY, FIGURING OUT WHY I SHOULD WANT TO BREAK HEADS OR MAYBE GET MY OWN BROKEN FOR OTHER'S PEOPLE MONEY. IT'S A JOB, DEAN. WE'RE ALWAYS TAKING RISKS FOR MONEY THAT AIN'T OURS. IT'S AMERICAN. YOU SEE, YOU LOOK AFTER THEM, KEEP THEM HEALTHY, HELP THEM TO GROW TALL. THE RESULTS ARE MAGIC. - HEY, ANGE, UH-- - YEAH. WHEN YOU GONNA HAVE FIGS? I PLANTED THAT TREE WHEN MY SON WAS BORN. YEAH. THAT TREE DOESN'T BEAR FRUIT ANYMORE. AH, SPEAKING OF SUCH, HAVE YOU HEARD FROM VINNY LATELY? A WHILE BACK, YEAH. HE'S BEEN VERY BUSY, VERY BUSY. YEAH. DID YOU KNOW THAT HE WAS PROMOTED TO VICE PRESIDENT OF THE COMPANY? YEAH. AND I STILL THINK HE'S A BASTARD. DEAN, NO, NO. NO, IT'S NOT HIM. THAT'S NOT HIM. NO, AS A VICE PRESIDENT, YOU SEE, HIS WIFE HAS TO ENTERTAIN CLIENTS AT THEIR HOME. AND SHE FEELS-- I DON'T KNOW-- THAT I WOULDN'T BE COMFORTABLE. SOMETHING LIKE THAT. WHAT THE HELL DO THEY HAVE TO BE EMBARRASSED ABOUT? I MEAN, YOU FOUGHT WAY PAST YOUR PRIME. YOU PUT HIM THROUGH COLLEGE. YOU GOT HIM STARTED. NOW IT'S THEIR TURN TO COME THROUGH FOR YOU. I MEAN, WHAT IS THE BIG DEAL ABOUT YOU WANTING TO SPEND SOME TIME WITH THEM IN FLORIDA? I DON'T KNOW. I DON'T KNOW. IT'S GOT TO BE SOMETHING ABOUT THE MONEY, SOMETHING LIKE THAT. YOU KNOW, THE MONEY'S KIND OF TIGHT RIGHT NOW, I THINK. THEY BOUGHT THAT BEAUTIFUL HOUSE. - [HARD ROCK MUSIC PLAYING] - [HORNS HONKING] - YO, BABE! - HEY, BABY! I GOT SOMETHING FOR YOU. I GOT SOMETHING FOR YOU. HEY! WHOA! WHOA! SLOW DOWN, DUDE. LET ME GET OUT. HEY, BABY. CAN I HAVE SOME MILK? CAN I HAVE SOME OF YOUR MILK? NOW IT'S YOURS. OH, MAN! WHAT THE-- SHE'S LEAVING NOW. HEY, LET ME OUT. COME HERE. NO, SHE'S NOT. HEY, DEAN, GET OUT OF THE WAY. WHAT'S GOING ON? WHAT'S YOUR PROBLEM? THE LADY TELLS ME YOUR HEADLIGHT'S OUT. - DON'T! - IT IS NOW. - Man: WHAT'S YOUR PROBLEM? - WHAT THE HELL'S WRONG WITH YOU? ALL RIGHT. SORRY, MAN. I'M SORRY. BUT YOU KNOW SOMETHING? THEY DON'T MATCH ANYMORE. THIS GUY'S NUTS, MAN. CHECK IT OUT, MAN. [ALL YELLING] HEY, WHERE YOU GOING? YOU GOT A PARKING SPACE RIGHT HERE. Man: TONY, DID YOU SEE THAT? HE KICKED THEM OUT. YOU'VE LEARNED. - YO! - YO. [WHISTLING] HE BOUGHT THE BOOK. HE ACTUALLY BOUGHT ON THE ROAD. HEY, STEVIE, COME HERE. COME HERE. SIT DOWN. I WANT TO SHOW YOU SOMETHING. THESE CAME IN YESTERDAY'S MAIL-- FINANCIAL AID FORMS FROM MONTCLAIR STATE COLLEGE. - NO KIDDING? - MM-HMM. - THAT'S GREAT. - THAT'S NOT ALL. LOOK AT THIS. LOOK AT THIS. HE WAS HIDING IT. - "WORD POWER"? - MM-HMM. WELL, WHAT DO YOU WANT ME TO DO? YOU WANT ME TO PAINT A PICTURE FOR YOU? IT'S YOU. LISTEN... THAT GUY IS A BORN FIGHTER. UNTIL YOU CAME ALONG, HIS FIGHT WAS AIMED IN ALL THE WRONG PLACES. YOU'VE GIVEN HIM DIRECTION. YOU'RE GOOD FOR HIM. AND, UH... I THINK HE CAN BE GOOD FOR YOU. YOU SEE, YOU GOT TO UNDERSTAND A LITTLE BIT ABOUT HIS FRIENDS AND BACKGROUND. IN ORDER TO UNDERSTAND EXACTLY WHAT HE'S ALL ABOUT, YOU KNOW? SO TELL ME. [LATIN MUSIC PLAYING] [KNOCKING ON DOOR] [SPEAKING SPANISH] Manny: OPEN THE DOOR, JOSE. [KNOCKING CONTINUES] COME ON, MARIA. OPEN THE DOOR. COME ON. [SPEAKING SPANISH] JOSE. [SPEAKING SPANISH] HEY, MANNY. [MARIA AND JOSE SPEAKING SPANISH] MANNY, ¿COMO ESTA, HUH? MI AMIGO. ¿QUE TAL, HUH? HEY, MANNY, WHY YOU COME HERE, HUH? JOSE ALWAYS PAYS. YOU KNOW THAT. YEAH. A MAN MUST ALWAYS PAY HIS DEBTS. - [BABY CRYING] - LISTEN, UH, - WE'RE NOT HERE FOR JUST LUCA. - [BABY CRYING] WE'RE COLLECTING FOR ANTANGELI NOW, TOO. HEY, HEY. HEY, YOU WANT TO KEEP THIS PLACE ALIVE, HUH? IT'S NO GOOD, MANNY. NO GOOD. IT'S NO GOOD FOR YOU TO BE WORKING FOR ANTANGELI. - ¿ENTIENDES? - HEY! [BABY CRYING] NO. DON'T COME HERE NO MORE. [SPEAKING SPANISH] NO MONEY. THE CHILDREN. POR FAVOR, SENOR. NO GAMBLE CON JOSE. - OK. - GRACIAS. HEY. COME ON, MAN. LET'S GO. WAIT, WAIT, WAIT. WHAT THE FUCK WAS THAT, HUH? NOT NOW, ALL RIGHT? COME ON. THAT'S COMING OUT OF YOUR CUT, DEAN. Stevie, voice-over: TWELFTH WEEK. THERE'S A CHANGE. YOU CAN FEEL IT. THE QUIET BEFORE THE STORM. Dean: YOUR DADDY IS STILL HERE FOR YOU, SHANE. I'LL NEVER LET YOU GO AGAIN. I PROMISE. THIS THING OF YOURS WILL NOT GET THE BEST OF ME. HEY, PUT A SCARE INTO IT, BOY, HUH? TELL IT IT'S MESSING WITH THE WRONG FAMILY. TELL IT, "THERE'S NO ROOM FOR THE BOTH OF US, AND I AIN'T LEAVING." I'M GOING TO GIVE YOU ALL I GOT... BECAUSE I LOVE YOU, SHANE. [WHISPERING] Stevie. THAT'S RIGHT, HUH? IT'S NOT SUCH A BAD FACE, IS IT, NOW? THAT-A BOY. THAT-A BOY. NOW WE BOTH HAVE A FAMILY. Dean: I DON'T KNOW WHAT SHIP THAT IS, BUT WHEN I WAS YOUR AGE, I KNEW THEM ALL. SEE, MY FATHER USED TO... I'M WAITING HERE FOR YOU, SHANE. I WANT YOU TO HOLD ME SO BAD. I NEED IT. I NEED YOU, SHANE. COME ON. LOOK IN MY EYES. LOOK AT ME. COME HERE. COME HERE. DID YOU SEE HIM? OH, GOD. I AM SO PROUD OF YOU! - THANK YOU. - IT'S YOU. NEWARK, MANNY, I HATE NEWARK, MAN. HA HA HA! YOU SEE, I HAD NO IDEA - ANTANGELI'S ARM STRETCHED SO FUCKING FAR, MAN. - ALL RIGHT. SO THIS GUY, - SLICK SHOT, OWES ANTANGELI 5 GRAND ON A BET, RIGHT? - YEAH. ALL RIGHT, MANNY. YOU SURE THE ONLY WAY TO GET THE MONEY OUT OF THIS GUY IS BY HAVING TO PLAY OUT THIS FAKE COKE DEAL? IF ANTANGELI'S SNITCH IS RIGHT, THIS GUY THINKS WITH HIS NOSE. - YOU READY? - I'M READY. OK. LET'S DO IT. - YOU FIRST, MAN. - NO, AFTER YOU, MAN. NO, I INSIST, MANNY. YOU GO FIRST. - SUNDANCE, LET'S GO. - NO, MANNY. [WHO'S MAKING LOVE PLAYING] ♪ ALL YOU FELLAS ♪ ♪ GATHER ROUND ♪ ♪ AND LET ME GIVE YOU SOME GOOD ADVICE ♪ ♪ WHAT I'M GONNA ♪ ♪ I'M GONNA ASK YOU NOW ♪ ♪ YOU BETTER THINK ABOUT IT TWICE ♪ ♪ WHILE YOU'RE OUT... ♪ YOU GOT 10 SECONDS, FOOL. - BINGO. - WHOA. METER'S RUNNING, HUH? - I'M LOOKING FOR AN OLD FRIEND OF MINE. - SLICK SHOT? TIME IS UP. UNLESS YOU WANT TO BECOME PART OF THAT TRASH, START SINGING. LOOK, I'M LOOKING FOR SLICK SHOT. WHO THE FUCK ARE YOU? I'M THE FUCKING PRINCE OF DARKNESS, THE LAST FACE YOU'RE GONNA SEE IN THIS WORLD. ALL RIGHT. ALL RIGHT. NOW, WORD HAS IT THAT YOU CAN MOVE SOME BLOW. WHO'D BE SAYING LIES LIKE THAT? NUMBERS. GIVE ME SOME NUMBERS. - I GOT HALF A KEY, 10 GRAND. - YOU CARRYING? HEY, MAN, WE KNOW BETTER THAN THAT. YOU KNOW WHAT I TELL YOU TO KNOW. - LOOKIE HERE. - WELL, WHERE'S THE STASH? EASE OFF AND WE TALK BUSINESS. IT'S IN THE TRUNK OF A CAR PARKED IN UNION CITY. I'M NO FOOL, BOY. I AIN'T HAULING NO 10 GRAND INTO NO UNION CITY. - THEN HALF NOW. - AND HALF WHEN WE GET BACK. HOW MUCH YOU SAY NOW? 5 GRAND. Manny: AREN'T YOU FORGETTING SOMETHING, MR. SLICK SHOT? DENZEL, GIVE ME 5 K. - THAT'S 5 GRAND? - TRUST ME. I TRUST YOU. NOBODY CARRIES MY CASH. YOU GET IT WHEN I GET THE SHIT. NOW LET'S DO IT. YOU'RE GROUNDED, BOY. - HEY, BUTCH. - SUNDANCE. Manny: DEAN! - GUN! - GET OFF OF HIM! YOU FUCKING PIECE OF SHIT! MOTHERFUCKER! - OH, GOD. - YOU LIKE PLAYING WITH GUNS, MAN?! [SCREAMING] WHERE'S THE MONEY? HE'S GOT THE FUCKING MONEY! LET'S GO! LET'S GO, MAN. [SCREAMING] DEAN! - [GRUNTING] - COME ON. I HATE NEWARK, MAN. Manny: COULD USE SOME STITCHES, BUT WE CAN'T CHANCE GOING TO THE HOSPITAL. I COULD HAVE KILLED HIM. YEAH, WELL, YOU DIDN'T, YOU KNOW? HERE. HERE. I OWE YOU, MAN. I KNOW...I KNOW WHAT'S GOING THROUGH YOUR HEAD ABOUT THE GUN. AIN'T NOBODY KNEW WHO WE WERE. NO ONE. - ALL RIGHT? - [SPLASH] THEY'LL NEVER FIND US. AND THANK GOD, BECAUSE I'D RATHER DO MYSELF IN THAN DO TIME. THERE'S NO WAY SOME DUDE'S GONNA GET ME IN THE CELL. DEAN. THANK YOU. THIS IS WRONG HERE, MANNY. I CAN'T RISK PUTTING IT ALL ON THE LINE. I HAVE TO BE THERE FOR SHANE. I MEAN, ONLY I CAN WATCH HIS BACK AND MAKE SURE HE NEVER HAS HIS DAY IN THE STREET BECAUSE I KNOW. WHAT ARE YOU SAYING, MAN? MANNY, THE THING IS, I HAVE DREAMS FOR MY BOY. HE'S DRIFTED AWAY, AND IT'S SCARY, MAN. AND I CAN'T GET HIM BACK WEARING THE DIRT OF THE STREETS. IS THAT YOU TALKING OR HER? LISTEN, DEAN... DOCTORS AND CHICKS FROM ACROSS THE RIVER-- THAT AIN'T OUR WORLD. THEY'RE FOOLING WITH YOUR HEAD. FUCK, MAN, TOGETHER, YOU AND ME CAN OWN THESE STREETS. I DON'T SEE IT THAT WAY. THE KID NEEDS ME... AND I GOT TO BE CLEAN. NOW, YOU CAN COME WITH ME, MANNY... BUT I'M WALKING. WHAT THE FUCK ARE YOU TALKING ABOUT, MAN? I'VE INVESTED HALF OF MY FACE IN THIS. I AM OUT! YOU WALK WITH ME, NOT AWAY FROM ME! WATCH ME! ANTANGELI'S BIG. I'M STICKING. GONNA GO WITH THE CORPORATION, LIKE. [THUNDER] CAREFUL YOU DON'T STARVE TO DEATH, DEAN. MANNY. MANNY? WATCH ANTANGELI, MAN. THANKS FOR THE ADVICE. [CAR DOOR CLOSES] I'LL NEVER TURN MY BACK. [ENGINE STARTING] [THUNDER] [MOANING IN SLEEP] THERE YOU GO. [WHISPERING] Stevie. HMM. SHH. [CLICK] Stevie, on tape: THE NEXT HURDLE IS SPEECH. HOW DO WE GET SHANE TO SPEAK? OH, I WISH I COULD DO MORE FOR HIM. DEAN IS IN CONTROL NOW. HE'S PATIENT AND UNDERSTANDING. HE'S NOT GIVING UP ON HIS SON. HIS COMMITMENT AND LOVE... IT MAKES ME WANT TO HOLD HIM. [TURNS OFF TAPE RECORDER] YOU LEFT "PREVIOUS EMPLOYMENT" BLANK. WHY? I WAS WORKING OFF THE BOOKS. WHAT THE HELL IS THIS? LOOK, MACK, I'VE BEEN LOOKING FOR A JOB OVER A WEEK NOW. I JUST WANT TO EARN SOME CLEAN MONEY, ALL RIGHT? OK, GO AROUND THE OUTSIDE. Man: COME ON. I NEED HELP OVER HERE. I GOT A JOB HERE. IT'S A REAL BALL-BREAKER. NONE OF MY UNION MEN WILL TOUCH IT. IF YOU'RE GAME, IT'S YOURS. SHOW ME THE WAY. HA! HEY, I TELL YOU WHAT, WHY DON'T WE JUST PARK IT IN FRONT OF MY HOUSE? JUST TAKE THE GOOD ONES AND LOAD THEM INTO THE EMPTY NEXT DOOR, HUH? - I'LL PUNCH YOU IN THERE. - ALL RIGHT. HEY, THANKS. Woman, on intercom: FRANK ALINO, LINE TWO. [EXHALES] WHOA! [LAUGHING] I LOVE IT! YOU KNOW, STEVIE, YOU GOT IT ALL OVER THE GIRLS I USED TO RUN WITH, AND YET THEY'VE GOT SOMEBODY AND YOU SEEM ALONE. THAT'S BECAUSE THE SELECTION OUT THERE STINKS. OH, I WAS ENGAGED ONCE. BUT, YOU SEE, HE COULD NEVER UNDERSTAND MY LINE OF WORK BECAUSE IT DIDN'T SHOW A CASH PROFIT. MM-HMM. SO...HE TRIED TO MAKE ME QUIT FOR ABOUT A YEAR. I RESISTED, SO HE CALLED IT OFF. I WOULDN'T SWEAT IT SO BADLY BECAUSE THIS GUY SOUNDS LIKE A JERK. WE GREW UP TOGETHER. - HERE. - THANKS. BOTH OF OUR FAMILIES AND FRIENDS CAN'T UNDERSTAND WHY I WOULDN'T WANT TO SPEND THE REST OF MY LIFE OVERDRAWN ON MY SPENDING ALLOWANCE AND LOOKING PRETTY ON MY HUSBAND'S ARM. I GET A LOT OF PRESSURE. WHEN SOMEONE PUSHES ME... I PUSH BACK. I RUN. - OH, HOT TONIGHT. - YEAH. Angelo: AHEM. NOW LISTEN TO ME, BOTH OF YOU. I'M OLD, SO I KNOW. IT'S TIME TO CATCH YOUR BREATH, GO GET SOME AIR. GOD KNOWS YOU DESERVE IT. I'LL TAKE SHANE DOWNSTAIRS WITH ME. YOU CAN PICK HIM UP WHENEVER YOU WANT. GO AHEAD. GO AND ENJOY. GO AHEAD. OK. THANKS. SO LONG, CHAMP. [ANGELO CHUCKLING] GO BREATHE THAT GOOD HOBOKEN AIR. Dean: THANKS, ANGE. Stevie: BYE. OH, THIS IS GREAT. - WELL, DO YOU HAVE THE KEY? - YOU DIDN'T BRING THE KEY? GEE, I SEEM TO HAVE FORGOTTEN. SOME THINGS NEVER CHANGE. SO YOU USED TO COME HERE WHEN YOU WERE YOUNGER, HUH? OH, MAN. IT WAS A LOT EASIER BACK THEN. THIS IS GREAT. BUT, I MEAN, YOU KNOW, WE'RE TRESPASSING, AREN'T WE? I MEAN, AREN'T THE POLICE GONNA COME AND GET US? THERE'S A VERY GOOD CHANCE OF THAT, BUT ON A NIGHT LIKE THIS, YOU JUST PLEAD INSANITY. OH, INSANITY. I SEE. NOW CHECK THIS OUT. WHAT? [SNAPS FINGERS] TA-DA! OH, WOW! OH, THIS IS GREAT. WHOO! [GIGGLES] YOU KNOW, ME AND MY BUDDY MANNY, - HE'S--HE'S MORE LIKE A BROTHER. - MM-HMM? - WE USED TO BRING OUR GI-- - GIRLFRIENDS? YOU USED TO BRING YOUR GIRLFRIENDS HERE, RIGHT? - HMM, WELL... - MM-HMM. YEAH, ALL RIGHT, BUT ONLY THE SPECIAL ONES. OH. OH. I WANT TO TELL YOU ABOUT ME AND MANNY. I KNOW ALL ABOUT IT. ANGELO TOLD ME. ANGELO TOLD YOU. HEY, STEVIE, WHERE ARE YOU-- WHAT ARE YOU DOING? SHE'S IN THE POOL. SHE'S IN THE POOL. [STEVIE GIGGLING] SO YOU SPOKE TO ANGELO, HUH? UH-HUH. "THAT'S SOME GUY, THAT DEAN." I THINK SO. THE DEAN THAT I SEE IS A LOT MORE TAME, CARING, AND AMBITIOUS, NOT AN OUTLAW. YEAH, BUT THE OLD DEAN SEEMS TO ALWAYS BE THERE, WAITING TO STRIKE. HE IS GONNA LEARN TO LOVE THE NEW ONE, LIKE I DO. AS PRETTY AS YOU ARE, YOU DON'T BELONG ON SOMEONE'S ARM. I LOVE YOU, STEVIE. I DO. [GIGGLING] [PLAYING "TARANTELLA"] HEY, DEAN-O! Manny: HOW'S IT GOING, MAN? HEY, BABY. IT'S GOOD TO SEE YOU. - HOW YOU DOING, BOB? - HEY, MANNY. - LIKE WHAT I'VE DONE WITH THE PLACE? - YEAH, IT'S GREAT. HOW YOU DOING, MAN? THERE'S A LONELY GIRL HERE. - SAY HELLO. SUZANNE? - HI. Manny: YOU LOOK AFTER THEM. HERE YOU ARE, DARLIN'. - HI. - HELLO. WHAT'S YOUR NAME? MANNY. WILL YOU EXCUSE ME? IN THE BACK. [BEEPING] LUCA AND ANTANGELI'S... AND OURS. OURS? Manny: SINCE WHEN ARE WE PARTNERS, ALDO? IT'S ABOUT TIME. LISTEN, GUYS, WHEN MY TOUR OF DUTY IS OVER HERE, WE'LL TALK ABOUT IT. BELIEVE ME, RIGHT NOW YOU DON'T WANT TO BE MY PARTNERS. NOW, I GOT TODAY'S BATTING ORDER HERE. YOU AND ALDO TAKE THE FIRST 3. ME AND DEAN WILL... YOU AND DEAN, HUH? I KNOW ONE THING. IF HE WAS HERE, HE WOULD BE YOUR PARTNER. AND YOU KNOW WHAT? HE'S THE GUY WHO RAN OUT ON YOU, NOT US. LOOK, HE'S GOT PROBLEMS YOU WOULDN'T UNDERSTAND. FUCK IT. YOU'RE ON YOUR OWN. IT'S YOUR MOVE. I SAID IT'S YOUR MOVE. WHAT MOVE? OK, I CAN DO THAT. CAN I JUMP HIM? NO, BUT I'M JUST GONNA LINE THESE UP OVER HERE, MAKE SURE THEY'RE NICE AND NEAT. WELL, I GOT A LITTLE GUY HERE GONNA KICK YOUR ASS OUT OF ALL THESE GUYS OVER HERE, OK? - JUST KEEP HIM THERE, THEN. - COME HERE. OK. YOU WANT TO START SOMETHING? YOU WANT TO START SOMETHING WITH THE PAWN? DON'T MESS WITH MY PAWN. HE WANTS HIS MILK AGAIN. COME ON, SHANE. TELL ME WHAT YOU WANT. DO YOU WANT YOUR MILK? SAY "MILK." MOO. COME ON, LET ME HEAR YOU SAY "MILK." COME ON. I KNOW YOU CAN TALK. HEY, LET'S NUDGE HIM ALONG. GIVE HIM ANYTHING AND EVERYTHING EXCEPT FOR WHAT HE WANTS. MAYBE HE'LL GET SO FRUSTRATED HE WILL TELL US. OK. ALL RIGHT. OK. OK, SHANE. COME ON. LET'S SEE WHAT WE GOT IN HERE, HUH? OK. DO YOU WANT YOUR MILK? COME ON. SAY "MILK." MILK. [MOOS] COME ON. I KNOW YOU CAN TALK. SAY "MILK." NO MILK, HUH? OK. LET ME SEE. WHAT HAVE WE GOT HERE? OH, IT MUST BE JUICE. OF COURSE. MMM! MMM! [POURING JUICE] [KISS] THERE YOU GO, SHANE, OLD BOY, HUH? HE MUST THINK WE ARE THE TWO STUPIDEST PEOPLE IN THE WORLD. I JUST HOPE THE FIRST WORDS OUT OF HIS MOUTH AREN'T, "YOU BOZO, YOU MOOK. I WAS ASKING FOR MILK." BELLY UP TO THE BAR. NO, I DON'T WANT ANY OF THAT SHIT. TSK. OHH... [ADDING MACHINE BEEPING] COME HERE. OHH. - MMM. - OH, GOD. COME ON. - [SNIFFS] - THERE YOU GO. - SO HOW'D IT GO TONIGHT? - GREAT. OH, GOD. YOU'RE DOING ME IN THERE. HEH. RELAX, RELAX. YOU KNOW, I LOOKED OVER THAT LIST OF SCHOOLS - YOU GAVE ME FOR SHANE. - UH-HUH? - THERE'S ONE IN CALIFORNIA I REALLY LIKE. - HMM, CALIFORNIA. TELL ME WHAT YOU WANT, SHANE. COME ON. COME ON. TELL ME. THAT SCHOOL'S NOT CHEAP, DEAN. I'M SELLING MY CAR. I'LL TAKE CARE OF IT. THAT'S NOT GONNA DO IT. I'VE GOT BONDS. I SAID I'LL TAKE CARE OF IT. SHANE, COME ON. TELL ME. I'M LISTENING. I WANT TO HEAR IT. MM. MOO. SAY IT AGAIN, PAL. MOO. STEVIE. DID I... SAY IT FOR STEVIE. - MOO! - HA HA! OOH! BABY, WHAT A SWEET VOICE YOU HAVE. HA HA HA! LOOK AT WHAT YOU'VE DONE. MOO. OH! MOO! - OH, BABY, MOO. - OK. I LOVE YOU. YOU WANT YOUR MILK, KIDDO? - YOU GOT IT. - COME ON. [WHISTLING A TUNE] HEH! GOOMBA, WHEN DID YOU GET OUT? SOME FELLAS ARE HERE TO SEE YOU. SAY HELLO TO MR. ANTANGELI. HOLD ON. I'LL BE WITH YOU IN A MINUTE. HELLO, MANNY. Antangeli: HIYA, MANNY. HOW YOU DOING? ARE YOU A RELIGIOUS MAN? YOU EVER READ THE BIBLE? IN THE BIBLE... SOMEBODY SAYS, "THE MEEK WILL INHERIT THE EARTH." LOOKS LIKE YOU DECIDED TO START RIGHT HERE IN MY JOINT, DIDN'T YOU? I NEVER CHEATED YOU. I DIDN'T COVER ANY OF THOSE BETS WITH YOUR MONEY. WHO SAID YOU DID? THAT'S NOT THE POINT. THE POINT IS, YOU'RE EMBARRASSING ME. UH... YOU OWE ME $13,000. WELL, ALL THOSE PAPERS DON'T SAY THAT. NO, THEY DON'T, BUT I DO. EXCUSE ME FOR A MINUTE. Antangeli: CANDY, COME HERE FOR A MINUTE. - HIYA, BABY. - HEY, BABY. YOU FUCKING SON OF-- [GASPING] YOU KNOW, YOU GOT A BIG MOUTH? YOU GOT MY 13,000 OR WHAT? I--I GOT 5 GRAND. YOU CAN HAVE 5. I CAN HAVE 5. LUCA, YOU SEE THE WAY THIS KID TALKS TO ME? WHAT AM I GONNA DO WITH YOU? WHERE'S THE REST? IT'S UP HIS NOSE. Luca: TAKE THE 5 FROM THE KID, PAUL, OK? AND THEN JUST LET HIM BEAT IT. IT'S MY RESPONSIBILITY. I'LL TAKE CARE OF THE BALANCE. YOU LUCKED OUT, KID. YOU GOT A GOOD FRIEND OVER THERE. I'M GONNA MAKE SURE YOUR ENTHUSIASM FOR INITIATIVE DON'T POP UP AROUND HERE ANYMORE. - MIKEY? - YEAH? IN THIS BOOK ARE THE NAMES AND NUMBERS OF PEOPLE THAT OWE US. I WANT YOU AND GUS - TO LEAN ON THEM HARD. - OK. TELL THEM IT BREAKS YOUR HEART TO DO IT, BUT IT'S MANNY'S ORDERS. BY THE TIME I'M DONE WITH YOU... YOUR ASS AIN'T GONNA BE IN THE STREETS. GO ON. GET OUT OF MY SIGHT. - GUS, TAKE HIM IN THE BACK, KEEP HIM THERE. - LET'S GO. IS MORALES' CUBAN BODEGA STILL ON 18th AND, UH... WAIT, MR. ANTANGELI. LISTEN TO ME FOR A MINUTE. GET HIM OUT OF HERE. Manny: HE'S GOT TWO KIDS AND A WIFE! - GET YOUR FUCKING HANDS OFF ME! - OH, YEAH. GOT A WIFE. SHE'S A PRETTY LITTLE THING. YOU KNOW, THIS KID KEEPS GREAT RECORDS. - HIS PARTNER COSTELLO... - YEAH? HE OWES ME, TOO. MAKE AN EXAMPLE OF HIM. - GO FOR IT. - CIAO. LET'S GO, CANDY. I THOUGHT I'D TAUGHT YOU BACK THEN, AND NOW I DON'T EVEN KNOW YOU. LUCA, COME ON. YOU WERE STUCK IN NEUTRAL. I JUST PASSED YOU BY. PLEASE, NO MORE MISTAKES. IF I LOSE THIS JOINT, IT MAKES ME LOOK STUPID. CLOSE UP FOR THE WEEKEND. WE OPEN ON MONDAY. CLEAR THE AIR. Angelo: SHE'S HAVING DINNER WITH HER MOTHER. SHE'LL BE BACK HERE LATE TONIGHT. YEAH, YEAH. SURE, I WILL. RIGHT NOW? I'M FIXING YOUR TOILET. OH, HE'S FINE. YEAH. LISTEN, GOOD LUCK ON THE INTERVIEW. IT'LL BE NICE TO WORK A WHITE-COLLAR JOB FOR A CHANGE. YEAH. OK. CIAO. CIAO. I'LL BE RIGHT WITH YOU, CHAMP. [TOILET FLUSHES] [CLANKING] [GROWLS SOFTLY] I'M A MONSTER. AAH. AAH! AAH... HEY, KIDDO, YOU KNOW WHAT AN ORPHAN IS? HEY. WHAT ARE YOU DOING WITH THAT KID? FUCK OFF. DIDN'T YOU HEAR WHAT I SAID? I SAID WHAT ARE YOU DOING WITH THE KID? HEY, KIDDO. Man: AAH! [GASPING] STUPID PRICK. - WHERE'S THE KID? - FUCK THE KID. LET'S GET OUT OF HERE. COME ON. LET'S GO. [HORNS HONKING] [TIRES SQUEALING] [CRASH] [YELLING IN SPANISH] JOSE! COME BACK HERE! DON'T GET IN TROUBLE! [MEN SHOUTING IN SPANISH] YOU VIOLATE MY MARIA! [YELLING IN SPANISH] YOUR FRIENDS WANT TO STRING YOU UP, MANNY. AND IF THEY DON'T, THE COPS WILL. WHAT DO YOU MEAN, THE COPS? [LAUGHING] LET'S GO, LET'S GO. [MEN SPEAKING SPANISH] AIN'T NOBODY HERE TO SAVE YOUR ASS, MANNY. EVERYBODY'S FINGERING YOU. THEY'RE SAYING IT'S YOUR ORDERS. [CHUCKLES] [ALL SPEAKING SPANISH] YEAH, IT SEEMS OLD DEAN-O BLAMES YOU FOR WHAT HAPPENED TO HIS LITTLE RETARD. Man: I'M GONNA KILL YOU. END OF THE FUCKING ROAD. YOUR FRIENDS ARE BEGGING FOR YOU. [MANNY GROANING] OH! [YELLING] AAH! [GLASS BREAKING] THEY'RE GONNA GET YOU, MAN. THEY'RE GONNA GET YOU. NEVER GONNA GET ME. [MIKEY YELLS] GET UP, MAN. HEY, HEY. [SIREN] YOU GUYS, UP AGAINST THE WALL. HOLD IT RIGHT THERE. DEAN.... WHY IS NOBODY GONNA GET YOU, MANNY? WHAT ARE YOU TALKING ABOUT? I'M ASKING YOU... WHY NOBODY IS GONNA GET YOU, MANNY. WH--WHAT ARE YOU THINKING, DEAN? HE'S THINKING ABOUT WHAT YOU-- WHAT--WHAT--WHAT YOU DID TO HIS KID, MAN. HE KNOWS. HE KNOWS. HEY, MAN, JUST GO ASK JOSE OUT THERE. THEY CAME AFTER MY BOY! AND THAT WAS THEIR LAST MISTAKE. [COCKS GUN] WHAT ARE YOU TALKING ABOUT, MAN? Mikey: DO IT! SHOOT HIM! COME ON, MAN! SHOOT HIM! SHOOT HIM IN THE FUCKING HEAD, MAN. COME ON, SHOOT HIM! REMEMBER YOUR KID. EVEN THE SCORE, MAN. - DO IT! - [YELLING] SHOOT HIM. DO IT! YOU GOT IT. [POLICE RADIO] [SPEAKING SPANISH] Man: WE GOT A FIRE ON FLOOR... GET EVERYBODY OUT FROM THE SECOND... YOU SAID THE COPS WOULD GET ME. WHY? [CHUCKLES] BOOKMAKING, DRUGS. [MIKEY CHUCKLES] YOU DIDN'T REALLY THINK WE'D LET YOU WALK AWAY FROM THIS, DID YOU, MANNY? [OVER MEGAPHONE] EVACUATE THE BUILDING. - HEY, WE GOT TO JUMP. - I AIN'T JUMPING, MAN. NO WAY. I AIN'T JUMPING. IF THEY GET ME, I'M FUCKED, MAN. IF THE CROWD DON'T GET ME, THE COPS WILL, AND I AM NOT GOING TO JAIL, DEAN. I AIN'T GONNA BE NOBODY'S LITTLE GIRL. LOOK, MAN, I'LL WATCH YOUR BACK ON THIS ONE, ALL RIGHT? I'LL MAKE THEM CHASE ME, MAN. I'LL BUY YOU SOME FUCKING TIME. YOU CAN GET AWAY, MAN. YOU HAVE TO JUMP. [OVER MEGAPHONE] ...FALL BACK! - OK. I'LL JUMP. - COME ON, MAN. [SIREN, HORN] COME ON. GIVE ME SOME DROP, MEN. KEEP IT MOVING. COME ON! HEY, HEY! LOOK OVER THERE. JUMP. UP THERE. WHAT ARE YOU GUYS DOING? LOOK UP THERE. NOTHING MATTERS ANYMORE. WHAT ARE YOU TALKING ABOUT, MAN? WHAT ARE YOU THINKING? SHH. SHH. SHH. COME HERE. - COME ON. - DON'T. DON'T FUCKING DO THIS. SHH. SHH. SHH. LISTEN TO ME. LISTEN TO ME. THERE'S NO WAY OUT FOR ME, MAN. NO, MANNY. YOU CAN'T FUCKING SAY IT. YOU PROMISED ME! GOOD-BYE, SUNDANCE. [SOBS SOFTLY] [CROWD SCREAMS] Manny: HE DIDN'T DO NOTHING! TAKE IT EASY. TAKE IT EASY. COME ON, MAN. MANNY, JUMP, MAN. JUMP. JUMP! HEY, MANNY, WH-WHAT ABOUT ME? BURN. MANNY! [SCREAMING] MANNY! GO ON, GET HIM! STAY OUT OF THE BUILDING! Dean: I'M GOING IN, SO GET OFF OF ME! I SAID GET OFF OF ME! Officer: GET THAT SON OF A BITCH! GET HIM! [DEAN GROANS] BREAK IT UP. BACK THE WATER DOWN. Officer: HEY, LADY, COME BACK HERE. PLEASE. IT'S OK. OH, GOD. OHH. OHH! OH, DEAN. SHANE... THEY TOLD ME. OH, GOD. OH. I LOVE YOU, DEAN. [SOBBING] SHANE? SHANE, COME HERE. COME ON, SON. WHAT YOU GOT THERE? A PINE CONE. COME HERE. OHH... GOOD-BYE, BUTCH. ALL RIGHT, TAKE IT EASY, POP. OK. OK. WATCH YOUR HEAD. WATCH YOUR HEAD. [GROANING] YEAH. THERE WE GO. VINNY, I MEAN, YOUR FATHER'S A SICK MAN. - HE TOOK A BAD BEATING. - I KNOW. I WANT TO THANK YOU. MY FATHER SPEAKS OF YOU LIKE A SON. YEAH, WELL, I LOVE THE OLD MAN. LISTEN, CAN I HAVE A MOMENT ALONE WITH ANGELO? DEAN, HE'S NOT TOO COHERENT. HIS MIND GOES IN AND OUT. THE ONLY WORD HE SAID ALL DAY WAS FLORIDA. - POOR OLD GUY. - COME ON, BILLY. LET'S MAKE SURE WE'VE GOT ALL OF GRAMPS' STUFF. BRANDO'S GOT NOTHING ON YOU. HA HA. PRETTY GOOD, HUH? HOW LONG ARE YOU GONNA KEEP THIS UP FOR? I DON'T KNOW. I DON'T KNOW. BUT I'M NOT TAKING ANY CHANCES. FLORIDA, FLORIDA, DEAN-O, WITH VINNY AND BILLY. FLORIDA. DID YOU SEE MY GRANDSON BILLY? HE'S A FINE-LOOKING BOY, ANGELO. YEAH, HE SURE IS. HE SURE IS. OH, I SAID GOOD-BYE UPSTAIRS ALREADY. STEVIE DIDN'T WANT TO COME DOWN. SHE WAS AFRAID SHE COULDN'T KEEP A STRAIGHT FACE AROUND ME LIKE THIS. HEY, DEAN-O. COME HERE. I WON'T SEE YOU WHEN I GET BACK, BUT I WANTED TO THANK YOU FOR EVERYTHING... MOST OF ALL FOR BEING THERE AND LETTING ME INTO YOUR LIFE. I'M REALLY GONNA MISS YOU, SON. NO ONE WILL EVER BE ABLE TO REPLACE YOU. YOU KNOW THAT, ANGELO. YOU'VE HELPED ME, AND YOU... YOU'VE DONE MORE FOR ME THAN YOU EVER COULD IMAGINE. ALL RIGHT. HERE THEY COME. INTERMISSION'S OVER, OK? LISTEN, THERE'S GONNA BE A MIRACLE CURE IN FLORIDA. HEY. IN THE BACK. WATCH YOUR LEGS. WATCH YOUR HEAD. - ALL RIGHT. GOOD. - GOOD. THANKS. GOT A BUNNY AND A LAMB FOR YOU. OK? YOU OK, BUDDY? UH-HUH. WHERE TO? - WEST. - OK. YEAH. LET'S FOLLOW THE SUN, ALL RIGHT? ♪ WHO WOULD HAVE KNOWN ♪ ♪ ANYTHING COULD STILL GET BETTER? ♪ ♪ WE WERE ALONE ♪ ♪ BUT STILL TOGETHER ♪ ♪ HOW COULD WE HAVE MISSED ♪ ♪ THE SIGHTS ALL ALONG THE WAY? ♪ ♪ WELL, WHY DID I RESIST ♪ ♪ ALL THAT I MEANT TO SAY? ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ KEEPS ME GOIN' ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ IS ALL THAT I NEED ♪ ♪ I THOUGHT I WAS ALL RIGHT ♪ ♪ BUT THAT WAS BEFORE I'D KNOWN THIS ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ IS WHAT I LIVE FOR ♪ ♪ AS LONG AS IT'S YOURS ♪ ♪ AS LONG AS IT'S YOURS ♪ ♪ I DON'T KNOW WHERE ♪ ♪ OR WHEN IT HAPPENED ♪ ♪ YOU STOLE MY HEART ♪ ♪ AND HELD IT CAPTIVE ♪ ♪ WHY SHOULD I PRETEND ♪ ♪ AND GO ON JUST LIKE BEFORE? ♪ ♪ KNOWING THAT WE WERE FRIENDS ♪ ♪ BUT ALWAYS WANTED MORE ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ KEEPS ME GOIN' ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ IS ALL THAT I NEED ♪ ♪ I THOUGHT I WAS ALL RIGHT ♪ ♪ BUT THAT WAS BEFORE I'D KNOWN THIS ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ IS WHAT I LIVE FOR ♪ ♪ AS LONG AS IT'S YOURS ♪ ♪ NO ONE ELSE'S VOICE WILL DO ♪ ♪ TO ME, THERE'S NO ONE ELSE BUT YOU ♪ ♪ AND EVERY NIGHT I PRAY ♪ ♪ NIGHT WON'T TURN TO DAY ♪ ♪ AND STILL THE LOVE THAT'S IN OUR HEARTS ♪ ♪ CAN TAKE THIS WORLD AWAY ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ KEEPS ME GOIN' ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ KEEPS ME GOIN' ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ I WON'T LET IT GO ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ WON'T LET IT GO ♪ ♪ KEEPS ME GOIN' ♪ ♪ WON'T LET IT GO ♪ ♪ ONE VOICE... ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ IN THE NIGHT ♪ ♪ WON'T LET IT GO ♪ ♪ ONE VOICE IN THE NIGHT ♪ ♪ KEEPS ME GOIN' ♪ ♪ ONE VOICE IN THE NIGHT... ♪