Original subtitles

Okanawa karakou, while rapidly disappearing under influences for mainland

Japan, continues as a martial art letting away for its rigorous

training of mind and body, a kind of living philosophy.

The ultimate secrets of karakou.

Why?

The aim of this volume is to unravel this mystery and to analyze and discover the

hidden applications that are key to perfecting your karakou.

The ancient Okinawan fighting arts were developed to fight off Japanese and

Chinese pirates in the 13th and 14th centuries.

The shoule family, rulers during the Ryukyu dynasty, tried to monopolize this

knowledge as a secret martial art to the aristocrats.

After the dynasties surrendered to Japan's Shimazu clan in the 17th century,

karate was developed as a means of revolting against this new concrete.

When all weaponry was confiscated to prevent rebellion, a variety of clans and

fighting tools were developed by modifying everyday farming or fishing tools.

In order to survive, karate was forced to go underground.

Training was carried out in absolute secrecy, with

knowledge passed down verbally from teacher to student.

Documentation of TU's lethal techniques was forbidden.

They were intentionally transformed, concealed in kata, or used in local vampires.

Surprisingly, this tradition still persisted.

To this day, karate's legendary ultimate techniques, still shrouded in mystery,

have never been taught outside of these small islands.

The movements of karate were often hidden in a traditional local dance.

The wisdom behind this was to keep karate's

techniques alive and hand them down during a day.

Tearing the page of a bone book with a punch, only a handful of them,

and people are capable of this miraculous feat.

Concentration of speed and energy is the key.

What secret of T lies behind the generation of such speed and punching power?

Another mutual is a diminutive woman, only 156 centimeters or 5 foot 1 inches tall.

Weighing in at only 48 kilos or 100 pounds.

The Machiwara, a bowl of wraps in straw or leather is used for training punches.

The striking style or procedure varies from school to school.

In shou-diyu, the Machiwara is struck by moving the body like a wolf.

Go-ju-diyu and go-ju-diyu use a technique called chinkchi or locking up,

in which the muscles of the body are locked up firmly on impact.

For centuries, the Machiwara has been a standard

item of traditional martial arts training.

It's now in household.

– Can you play?

– No, I'm not.

– You're having a career in your career?

I'm going to try things out of your career.

I am going to say a little about it.

I am going to say a little about it.

I am going to say a little about it.

The next one is the third sentence.

I can't be a guy.

I have no idea what I'm saying.

I can't be a guy.

Yes, I

can't be, I can't be.

One of the best times of our country is to be about a great man.

A great man... a great man.

A great man.

A great man.

A great man.

A great man.

A great man.

A great man.

A great man.

He's not a student.

He's not a student.

He's a student.

And he's not a student.

And we are going to talk about it.

We are going to talk about it.

We are going to talk about it.

Hello!

I must talk about it!

We don't have trade, let's do it!

Let's quit!

Give me more.

Come.

I have to lose.

Give me one more.

Thank you.

You have to do this!

We are going to take it.

No, I'm not bad.

I'm not a bad person.

I'm not bad.

Yes, I'm a bad person.

And this is all.

You found it.

Let's go back to the next sentence.

Let's go back to the next sentence.

Let's go back to the next sentence.

I must go back to the last sentence.

Let's go back to the next sentence.

Let's go back to the next sentence.

The first sentence is... a little bit more than the last sentence.

The last sentence is the fourth sentence.

And it's the fifth sentence.

I would say... The last sentence is the first sentence.

The last sentence is the fifth sentence.

But this is the first sentence you have.

I'll go with you.

I'll go ahead and play...

At the time that we are installing trucks, the banks will be civilisation.

We have Council Universe from Security.

Thebass fades in from at the beginning.

Have you seen that?

No, it isn't.

At the end...

This is the second sentence.

The first sentence... is the second sentence.

We're going to go to the next one.

We are going to go to the next one.

This is the first sentence.

Now I'm going to take a look at this.

I'm going to take a look at this one.

I'm going to take a look at this one.

I'm going to take a look at this one.

Please, please, don't touch me.

I'm going to take a look at this.

I want to talk to you.

We're going to take a look at this one.

These techniques are similar to sweet shoot

where push hands from Chinese martial arts.

You perceive your opponent's mental energy and anticipate his next move.

Kurudunpa, a very difficult kata, even for Gojudio, is

filled with advanced postures and colorful techniques.

It ranks with zupadimbe as representing the crowning achieving to Gojudio,

which demands constant training and hand input techniques.

Thanks.

Let's go.

Kotek's diet, or forearm fencing, is characteristic of the way to do.

This method of training was born out of the need to

resist the terrific destructive power of the ten.

The process of building strong muscles and a body capable of withstanding use blows

also has at its goal the cultivation of mental toughness.

This kata, Kanishua, was created by Ueichi-doo's founding, Ueichi-Kamun,

after returning to Japan from China's Hujian

province where he studied Pangayinung-kung-fu.

He arrived at this name by combining the name of his Chinese teacher, Shua,

with his own Ueichi-Kamun.

The

name of his own Ueichi-Kamun is the first time that the Ueichi-Kamun was born.

Thank you very much.

Thank you very much.

I thank you very much.

We have the opportunity to begin our first sentence.

Mater, thank you very much.

The first one is the third... and the last one is the second one.

In Go Jouding, they practice the same pattern, say

some, but its movement displays little similarity.

However, characteristics of Fujian province Kung Fu can be seen in both.

I can't.

I can't.

I can't.

I can't.

I can't.

They are all with you all the way.

And you are a truly good man.

And you are a truly good man.

What is the last one.

Now,

we know that we are going to have to go to the next sentence.

Now, we are going to have to talk about the next sentence.

So, we can talk about what we need to talk about, what we need to talk about.

What is this... what is this?

School of... School of... School of... School of... School of... School...

who are 35 yo feet 4 miles...

Can I just make that face?

Yes, of course.

No?

Okay.

It's a Seoul case.

Or a And then we will give you a new note.

This is the second sentence we want to say.

This is what we want to say.

So this was the first sentence.

And the next sentence is the second sentence.

I know that is how we do it.

And if we do it, we never have to.

We can have a cage, just a little bit.

And we can have a cage.

And so it is filled with acid.

How can we do it?

Because we can have a cage.

What do we do?

To be here for us, we can have a cage.

And we can have a cage.

You can have a cage.

We can have a pant Hajim floating.

On the outside.

We can have a cage.

But if we are on a very small stage, we have a cage.

And we can have a cage.

We can have a cage.

So if you work on a very small stage.

The audio was different from the end of the video.

So we are already here.

We have a lot of power.

We can use it a lot more... but this is not a bad game.

OK, we are back.

Hello, this is the second sentence.

Let's go back to the corner.

We are going to have to go back to the corner.

Let's go back to the corner.

Look at this corner.

There is a more comfortable corner, here is the other corner.

The corner is here.

You are going to take a crumb and go back to the corner.

We are going to start with the next sentence.

Now we are going to finish with the next sentence.

The first sentence is the first sentence.

And this is the first sentence.

The first sentence is the second sentence.

That's why I didn't do it.

And then he just went, a little bigger.

It was very complicated.

But it was very difficult to do it.

And it was very difficult to do it.

That's why my father did it.

And then once I got something to do, I got it with him and I went.

And I gave it again.

And if he had to go.

And he didn't.

And then he came, and he came out.

He came, and he got it.

And he said.

And he came.

And he said, Oh, he didn't do it.

But he said, I'll catch you here.

Okay,

thank you for that.

We are going to do

The last second case, the first sentence was the second sentence.

Therefore, it was not the second sentence.

In order to help you, you have to be able to help to help yourself.

It's all about doing what you do.

You know, that we have to go to the government

and tell people to help the government.

If you have a company as an individual,

you know that the government is not going to have to

This is what I decided to do.

I just want to make sure that this is a design for you...

but I just want to remind you.

You won't go back.

You don't actually go back.

You'll be friends and you'll be friends.

So, you'll be friends.

I'm going to go to the next one.

I'm going to talk some about a second sentence.

Now I'm going to talk a little bit more about it.

So I'm going to talk about it a little bit more about it.

So let's look here and see what we did.

The English language is written in English.

It is written that's written in English, which is written in English.

It's written in English.

So let's look here to see the English language.

Hello,

this is the first sentence.

See,

the straightforward and practical biting-art developed by the people of UQ,

abounds in a kaleidoscopic array of intriguing techniques.

Joint locks, groves, and attacks to vital acupuncture points.

In fact, Karate is a fountainhead of martial arts knowledge.

He

is composed of Karate's ultimate techniques and philosophy,

and can even serve as a path toward inner wisdom.

The spiritual basis of this Okinawan, empty-handed fighting art, much like the

European code of chivalry, may fade into history and become the stuff of legend,

just as its techniques are disappearing from modern Karate.

Our duty for us and the people of Okinawan is to inherit

and pass on this wisdom to the generations to come.