Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:-4,-119 --> 00:00:01,955
Advertise your product or brand here
contact www.OpenSubtitles.org today
2
00:00:25,991 --> 00:00:28,994
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
3
00:00:33,998 --> 00:00:35,999
[TAPE PLAYER CLICKS ON]
4
00:00:36,000 --> 00:00:37,499
Dorothy: WHEN
THE EDITOR OF PLAYBOY
5
00:00:37,500 --> 00:00:39,002
TOLD ME I'D WON
"PLAYMATE OF THE YEAR,"
6
00:00:39,003 --> 00:00:41,002
THE FIRST THING OUT OF MY
MOUTH WAS, "ARE YOU SURE?"
7
00:00:41,003 --> 00:00:42,003
[TAPE PLAYER
FAST-FORWARDED]
8
00:00:42,004 --> 00:00:43,504
Interviewer:
DID YOUR BROTHER
9
00:00:43,505 --> 00:00:44,505
MIND YOU BEING
IN THE MAGAZINE?
10
00:00:44,506 --> 00:00:46,509
I THINK, UH, MY BROTHER
WAS A LITTLE SHY
11
00:00:47,009 --> 00:00:48,010
BECAUSE HE HAS FRIENDS
12
00:00:48,510 --> 00:00:50,512
WHO ARE 18 YEARS OLD,
17 YEARS OLD, WHO SAID,
13
00:00:50,513 --> 00:00:54,015
YOU KNOW,"HEY,
YOUR SISTER'S IN PLAYBOY."
14
00:00:54,016 --> 00:00:55,515
BUT HIS FRIENDS...
15
00:00:55,516 --> 00:00:58,018
WELL, I REMEMBER WHEN I CAME
HOME TO VISIT THE FAMILY
16
00:00:58,019 --> 00:01:00,520
AND THEY CAME OVER
AND THEY SAID,
17
00:01:00,521 --> 00:01:02,520
"I COULDN'T BELIEVE IT.
WE SAW YOU IN PLAYBOY,"
18
00:01:02,521 --> 00:01:03,523
AND THEY SAID,
"HOW'D YOU GET IN?"
19
00:01:03,524 --> 00:01:06,025
AND, "IT'S SO WONDERFUL."
20
00:01:06,526 --> 00:01:08,027
AND THEN HE STARTED THINKING
THAT, YOU KNOW, THAT...
21
00:01:08,028 --> 00:01:11,029
THAT IS PRETTY NEAT.
YOU KNOW, MY SISTER...
22
00:01:11,030 --> 00:01:12,529
[TAPE PLAYER
FAST-FORWARDED]
23
00:01:12,530 --> 00:01:15,033
PLAYBOY'S MOTTO IS
"THE GIRL NEXT DOOR."
24
00:01:15,034 --> 00:01:17,034
THEY LOOK FOR GIRLS
25
00:01:17,035 --> 00:01:19,037
THAT ARE WHOLESOME AND
FRESH AND YOUNG AND NAIVE,
26
00:01:19,038 --> 00:01:21,038
THEY LOOK FOR ALL OF THAT.
27
00:01:21,039 --> 00:01:23,540
SO MOST OF
THOSE GIRLS DO, UH,
28
00:01:23,541 --> 00:01:25,041
HAVE THAT
TYPE OF BACKGROUND.
29
00:01:25,042 --> 00:01:26,541
[TAPE PLAYER
FAST-FORWARDED]
30
00:01:26,542 --> 00:01:29,045
IT TOOK ME 5 MONTHS TO SHOOT
MY PLAYMATE-OF-THE-YEAR LAYOUT.
31
00:01:29,046 --> 00:01:32,547
I SHOT OVER 20,000 PICTURES.
IT'S PERFECTION.
32
00:01:32,548 --> 00:01:35,551
THEY DON'T GO FOR JUST,
UH, GREAT NUDE SHOTS.
33
00:01:35,552 --> 00:01:38,053
THEY GO FOR ART.
PERFECT ART.
34
00:01:38,054 --> 00:01:40,054
AND I'M PROUD OF THAT.
35
00:01:40,055 --> 00:01:43,557
AND, UM, UM,
I'M HAPPY TO SHARE THAT
36
00:01:43,558 --> 00:01:45,059
WITH SOMEBODY
WHO CAN APPRECIATE IT.
37
00:01:45,060 --> 00:01:46,059
[TAPE PLAYER
FAST-FORWARDED]
38
00:01:46,060 --> 00:01:47,559
Interviewer: WOULD YOU LIKE
TO BE JUST LIKE YOUR SISTER
39
00:01:47,560 --> 00:01:48,562
WHEN YOU GROW UP?
40
00:01:48,563 --> 00:01:49,562
Sister: YEAH.
41
00:01:49,563 --> 00:01:50,562
Interviewer: WHY?
42
00:01:50,563 --> 00:01:52,564
Sister: BECAUSE
I'M PROUD OF HER.
43
00:01:52,565 --> 00:01:53,567
[TAPE PLAYER STOPS]
44
00:02:27,096 --> 00:02:28,597
[CAMERA SHUTTER CLICKS]
45
00:02:39,606 --> 00:02:41,107
[CAMERA SHUTTER CLICKS]
46
00:02:44,111 --> 00:02:45,612
[CAMERA SHUTTER CLICKS]
47
00:02:52,618 --> 00:02:54,137
[CAMERA SHUTTER CLICKS,
CLICKS, CLICKS]
48
00:02:58,123 --> 00:03:00,125
[CLICK, CLICK,
CLICK, CLICK]
49
00:04:06,148 --> 00:04:08,148
HI. HOW ARE YOU?
50
00:04:08,149 --> 00:04:10,651
HELLO.
51
00:04:10,652 --> 00:04:11,653
PAUL SNIDER.
52
00:04:13,154 --> 00:04:15,154
YEAH, I'M PAUL SNIDER.
53
00:04:15,155 --> 00:04:17,157
HOW ARE YOU DOING?
54
00:04:18,158 --> 00:04:20,159
SNIDER.
55
00:04:20,160 --> 00:04:22,161
PAUL.
56
00:04:22,162 --> 00:04:24,163
HELLO.
57
00:04:26,165 --> 00:04:28,166
HA, HA, YEAH.
58
00:04:28,167 --> 00:04:30,168
PAUL SNIDER.
59
00:04:32,170 --> 00:04:34,171
AH, FUCK YOU.
60
00:04:34,172 --> 00:04:36,173
FUCK YOU ALL, BASTARDS.
61
00:04:36,174 --> 00:04:38,675
HE SEEMED A LITTLE
PISSED OFF AT SOMETHING.
62
00:04:38,676 --> 00:04:40,677
WHAT, I DON'T KNOW.
63
00:04:40,678 --> 00:04:43,178
BUT NOT A BAD GUY.
HE'S A GOOD TIPPER.
64
00:04:43,179 --> 00:04:45,681
Interviewer: HOW'D
HE MAKE HIS MONEY?
65
00:04:45,682 --> 00:04:47,683
ALL SORTS OF WAYS.
66
00:04:47,684 --> 00:04:49,686
HE DID SOMETHING FOR
ME HERE AT THE CLUB,
67
00:04:49,687 --> 00:04:51,687
A COCKAMAMIE IDEA.
68
00:04:51,688 --> 00:04:55,189
HE WAS ALWAYS PROMOTING
SOME COCKAMAMIE IDEA.
69
00:04:55,190 --> 00:04:57,191
WHAT KIND OF
IDEA WAS THIS?
70
00:04:57,192 --> 00:04:59,192
A WET T-SHIRT CONTEST
USING ALL-LOCAL TALENT.
71
00:04:59,193 --> 00:05:00,194
ALL RIGHT, MILLY.
72
00:05:00,695 --> 00:05:02,195
OH, MILLY!
73
00:05:02,196 --> 00:05:04,196
THERE SHE GOES.
ALL RIGHT, MILLY!
74
00:05:04,197 --> 00:05:06,198
COME ON OUT. REALLY
SHOW THEM WHAT YOU'VE GOT!
75
00:05:06,199 --> 00:05:08,701
MILLY IS VANCOUVER'S
OWN DOLLY PARTON.
76
00:05:08,702 --> 00:05:10,202
THANK YOU, SWEETHEART.
77
00:05:10,203 --> 00:05:13,206
AND HERE COMES NUMBER FOUR.
IT'S LOVELY PAT.
78
00:05:13,207 --> 00:05:14,706
ALL RIGHT.
79
00:05:14,707 --> 00:05:16,707
JUST STEP RIGHT UP
ON THE RUNWAY.
80
00:05:16,708 --> 00:05:17,710
THERE SHE GOES.
81
00:05:17,711 --> 00:05:19,711
WATCH HER GO. WHOA!
82
00:05:19,712 --> 00:05:21,714
WE'RE ALL GETTING WET.
LOOK AT THAT HEAD GO.
83
00:05:22,213 --> 00:05:25,716
LOOK AT THAT HEAD GO!
THERE SHE IS.
84
00:05:25,717 --> 00:05:27,217
WHOA, BABY.
85
00:05:27,218 --> 00:05:28,719
ALL RIGHT.
86
00:05:28,720 --> 00:05:29,720
WHOA!
87
00:05:30,721 --> 00:05:32,322
NOT MUCH DIFFERENCE,
IS THERE, GUYS, HUH?
88
00:05:32,723 --> 00:05:33,724
GOOD SPORT.
89
00:05:34,224 --> 00:05:35,225
COME ON, GIVE HER
A NICE ROUND OF APPLAUSE.
90
00:05:35,226 --> 00:05:38,226
ALL RIGHT,
HERE COMES JERI.
91
00:05:38,227 --> 00:05:39,627
ALL RIGHT,
LET'S GET ANOTHER ONE IN.
92
00:05:39,729 --> 00:05:40,728
COME ON, THERE,
GET IN THERE.
93
00:05:40,729 --> 00:05:42,229
WE'VE GOT 2,
2 JUST LIKE THAT.
94
00:05:42,230 --> 00:05:44,732
NOW GIVE ME 3. COME ON,
MILLY, GET IN THERE.
95
00:05:44,733 --> 00:05:46,734
3 FOR THE PRICE OF ONE.
96
00:05:46,735 --> 00:05:49,738
PAUL CLEARED
ALMOST $900 FOR HIMSELF.
97
00:05:50,238 --> 00:05:52,238
PRETTY GOOD, I THOUGHT.
98
00:05:52,239 --> 00:05:53,740
YOU SHOULD HAVE
RAISED YOUR MINIMUM.
99
00:05:53,741 --> 00:05:55,242
YOU SHOULD HAVE
ADVERTISED.
100
00:05:55,243 --> 00:05:57,243
YOU BLEW IT, MAN.
101
00:05:57,244 --> 00:06:00,746
YOU BLEW IT BECAUSE
YOU'RE TOO CHEAP.
102
00:06:00,747 --> 00:06:02,248
TOMORROW, MAC.
103
00:06:04,250 --> 00:06:06,250
HE WASN'T ALWAYS
EASY TO TAKE.
104
00:06:06,251 --> 00:06:08,251
Interviewer: HOW ELSE
DID HE MAKE HIS MONEY?
105
00:06:08,252 --> 00:06:10,255
OH, JESUS.
HE'D TRY ANYTHING.
106
00:06:10,256 --> 00:06:11,756
HE PIMPED...
107
00:06:11,757 --> 00:06:13,257
DID YOU SAY
PIMPED?
108
00:06:13,258 --> 00:06:16,259
DID I SAY THAT?
DID I SAY PIMPED?
109
00:06:16,260 --> 00:06:18,261
YEAH, I GUESS I DID.
110
00:06:18,262 --> 00:06:20,764
WITH A COUPLE OF GIRLS,
AT LEAST THAT'S WHAT I HEARD.
111
00:06:20,765 --> 00:06:21,764
OH, YEAH,
112
00:06:21,765 --> 00:06:24,265
HE HAD SOMETHING TO DO
WITH THOSE BIG AUTO SHOWS.
113
00:06:24,266 --> 00:06:26,769
HE SUPPLIED THEM WITH
HOSTESSES, MODELS, SOMETHING.
114
00:06:26,770 --> 00:06:28,270
HAD THE HOTS FOR CARS,
115
00:06:28,271 --> 00:06:31,272
CARS AND GIRLS,
GIRLS AND CARS!
116
00:06:31,273 --> 00:06:32,774
YET ONE THING ABOUT
THAT LITTLE COCKER,
117
00:06:32,775 --> 00:06:35,276
HE COULD REMEMBER
EVERYBODY'S NAME
118
00:06:35,277 --> 00:06:37,778
IF HE JUST MET 'EM
OR MET 'EM 5 YEARS AGO.
119
00:06:37,779 --> 00:06:39,781
HE ALWAYS
REMEMBERED THE NAME.
120
00:06:39,782 --> 00:06:43,283
NOW, I ADMIRE THAT.
IT'S A REAL GIFT.
121
00:06:43,284 --> 00:06:44,784
A REAL GIFT.
122
00:06:55,411 --> 00:06:57,413
Paul: THEY SEEM LIKE
REALLY NICE GUYS.
123
00:06:57,914 --> 00:06:59,914
AL IS FROM
RACINE. FORD.
124
00:06:59,915 --> 00:07:01,917
AND HARRY AND BOB
ARE FROM SEATTLE.
125
00:07:02,417 --> 00:07:04,418
OLDSMOBILE.
126
00:07:04,419 --> 00:07:05,920
I FEEL FUNNY.
127
00:07:05,921 --> 00:07:08,421
IT'S JUST DINNER
AND SOME LAUGHS.
128
00:07:08,422 --> 00:07:09,923
THAT'S IT?
129
00:07:09,924 --> 00:07:11,423
I'LL TALK TO THEM
AGAIN.
130
00:07:11,424 --> 00:07:12,926
THEY'RE
REALLY NICE GUYS.
131
00:07:12,927 --> 00:07:14,427
THEY'LL
TELL ME STRAIGHT.
132
00:07:14,428 --> 00:07:16,428
IF THEY
EXPECT MORE...
133
00:07:16,429 --> 00:07:18,430
SOME GUYS WOULD...
134
00:07:18,431 --> 00:07:20,932
IF THEY EXPECT MORE,
THEN IT'S OFF, OK?
135
00:07:20,933 --> 00:07:22,934
IT'S OFF.
136
00:07:22,935 --> 00:07:25,436
I AM NOT FUCKING
FOR MONEY, PAUL.
137
00:07:25,437 --> 00:07:27,438
SHE'S NOT, BUT I AM.
138
00:07:27,439 --> 00:07:30,440
HA HA HA HA!
139
00:07:30,441 --> 00:07:33,443
LOOK, LET ME
TALK TO THEM AGAIN
140
00:07:33,444 --> 00:07:35,945
TO GET IT
STRAIGHTENED OUT.
141
00:07:35,946 --> 00:07:39,449
Man: HE'S A CHEAP HUSTLER.
HE EVEN LOOKS PIMPISH.
142
00:07:39,950 --> 00:07:41,952
WHY SHE WANTS TO MARRY HIM?
143
00:07:42,452 --> 00:07:44,451
SOME KIND
OF LOYALTY, I GUESS.
144
00:07:44,452 --> 00:07:46,453
GET SOME OF OUR PEOPLE
TO CALL VANCOUVER,
145
00:07:46,454 --> 00:07:48,455
CHECK HIM OUT,
SEE IF THERE'S ANYTHING.
146
00:07:48,456 --> 00:07:50,457
LAST NAME SNIDER,
S-N-I-D-E-R.
147
00:07:50,458 --> 00:07:51,959
FIRST GIVEN, PAUL,
SECOND GIVEN, LESLIE.
148
00:07:51,960 --> 00:07:52,961
YEAH, I KNOW HIM.
149
00:07:53,461 --> 00:07:55,463
SMALL-TIMER.
KIND OF A JOKE, REALLY.
150
00:07:55,964 --> 00:07:57,465
ALWAYS TRYING SOMETHING.
ALWAYS IN TROUBLE.
151
00:07:57,466 --> 00:07:59,466
THE LOAN SHARKS, MOSTLY.
152
00:08:02,469 --> 00:08:04,470
JEEZ, THIS
ISN'T FUNNY, MAN!
153
00:08:04,471 --> 00:08:07,473
I... I... I'M
GETTING S-SICK.
154
00:08:07,974 --> 00:08:09,976
LET ME UP.
I'M GETTING SICK.
155
00:08:22,486 --> 00:08:24,487
LOOK AT MY SUIT.
156
00:08:24,488 --> 00:08:26,990
THAT'S A $400 SUIT.
157
00:08:27,491 --> 00:08:29,492
THAT WASN'T FUNNY, MAN.
158
00:08:29,993 --> 00:08:31,995
I MEAN, LET'S BE
CIVILIZED, HUH, MAN?
159
00:08:32,495 --> 00:08:33,996
OH, SHIT!
160
00:08:34,998 --> 00:08:37,999
THAT WAS DANGEROUS,
VERY DANGEROUS.
161
00:08:38,000 --> 00:08:40,001
AND HUMILIATING.
162
00:08:40,002 --> 00:08:41,503
PLEASE, SNIDER!
163
00:08:43,004 --> 00:08:44,504
DO YOURSELF A FAVOR.
164
00:08:44,505 --> 00:08:46,006
DON'T SAY
ANY MORE, PLEASE.
165
00:08:46,007 --> 00:08:50,011
7 POINTS IS TOO MUCH, MAN.
166
00:08:51,511 --> 00:08:54,013
YOU SHOULDN'T
HUMILIATE ME, CHARLIE.
167
00:08:55,515 --> 00:08:58,016
HERE WE GO AGAIN.
168
00:08:59,018 --> 00:09:01,518
CHARLIE. COME ON, CHARLIE.
PLEASE, CHARLIE.
169
00:09:01,519 --> 00:09:02,521
PLEASE, CHARLIE.
170
00:09:03,022 --> 00:09:06,023
CHARLIE, YOU BASTARD!
171
00:09:06,024 --> 00:09:09,526
YOU SMART BASTARDS,
EVERYBODY KISSING YOUR ASS.
172
00:09:09,527 --> 00:09:12,029
EVERYBODY DOWN ON
THEIR FUCKING KNEES!
173
00:09:12,030 --> 00:09:13,530
WELL...
174
00:09:14,531 --> 00:09:18,034
NOT ME. I DON'T
KISS ASS FOR NOBODY.
175
00:09:18,035 --> 00:09:20,035
YOU'RE NOT GONNA FORGET ME.
176
00:09:20,036 --> 00:09:23,538
YOU ROTTEN FUCKERS,
YOU TRIED TO KILL ME.
177
00:09:23,539 --> 00:09:25,539
[CAMERA SHUTTER CLICKS]
I FOUND HER, YOU DIDN'T.
178
00:09:25,540 --> 00:09:26,542
[CAMERA SHUTTER CLICKS]
179
00:09:26,543 --> 00:09:28,075
I FOUND HER.
180
00:09:28,076 --> 00:09:30,545
I WAS WORKING IN THIS
DAIRY QUEEN PART-TIME
181
00:09:30,546 --> 00:09:32,546
WHILE I WENT
TO HIGH SCHOOL,
182
00:09:32,547 --> 00:09:34,547
AND ONE DAY THIS
GENTLEMAN WALKED IN
183
00:09:34,548 --> 00:09:36,049
WITH THIS
GORGEOUS BLONDE.
184
00:09:36,050 --> 00:09:37,550
SHE HAD A FUR COAT ON.
185
00:09:37,551 --> 00:09:39,052
THEY BOTH
HAD FUR COATS ON.
186
00:09:39,053 --> 00:09:41,054
AND I HAD THIS PONYTAIL
187
00:09:41,055 --> 00:09:43,555
AND THIS
LITTLE SMOCK ON.
188
00:09:43,556 --> 00:09:45,556
AND I SAID,
"CAN I HELP YOU?"
189
00:09:45,557 --> 00:09:48,060
AND HE SAID, "WELL,
WHAT'S YOUR NAME?"
190
00:09:48,061 --> 00:09:51,562
HA. WELL,
WHAT'S YOUR NAME?
191
00:09:51,563 --> 00:09:53,564
DOROTHY.
CAN I HELP YOU?
192
00:09:53,565 --> 00:09:55,066
YOU'RE BEAUTIFUL.
193
00:09:55,067 --> 00:09:56,568
ME?
194
00:09:57,068 --> 00:09:58,567
MAY I TAKE
YOUR ORDER NOW?
195
00:09:58,568 --> 00:10:01,071
I'LL HAVE SOMETHING SWEET,
SOFT, AND WHITE.
196
00:10:01,072 --> 00:10:02,573
YOU.
197
00:10:03,074 --> 00:10:05,574
WILL YOU PLEASE
TAKE THEIR ORDER?
198
00:10:05,575 --> 00:10:07,576
JESUS, PAUL!
199
00:10:07,577 --> 00:10:10,579
SHE'S REALLY
BEAUTIFUL.
200
00:10:10,580 --> 00:10:12,080
SHE'S A BABY.
201
00:10:12,081 --> 00:10:13,580
GET THEM WHILE
THEY'RE YOUNG, RIGHT?
202
00:10:13,581 --> 00:10:15,083
I'LL HAVE
A BANANA SPLIT...
203
00:10:34,101 --> 00:10:36,602
GOD, I DIDN'T GO OUT
WITH BOYS VERY MUCH.
204
00:10:36,603 --> 00:10:38,603
I WAS VERY STRAIGHT.
205
00:10:38,604 --> 00:10:42,106
UH, I COULDN'T TALK
TO PEOPLE EASILY.
206
00:10:42,107 --> 00:10:44,609
[ROD STEWART'S DO YATHINK I'M SEXY? PLAYS]
207
00:10:51,615 --> 00:10:53,617
SO, WHEN DO YOU
GET OUT OF SCHOOL?
208
00:10:55,119 --> 00:10:57,120
JUNE, I HOPE.
209
00:11:02,625 --> 00:11:04,125
DO YOU LIKE THE CAR?
210
00:11:06,628 --> 00:11:09,630
WELL, ONE DAY YOU'LL
HAVE A BETTER ONE.
211
00:11:09,631 --> 00:11:11,631
A MERCEDES, MAYBE.
212
00:11:11,632 --> 00:11:13,133
THEY'RE HOT.
213
00:11:13,134 --> 00:11:17,137
? IF YOU WANT MY BODY
AND YOU THINK I'M SEXY ?
214
00:11:17,138 --> 00:11:19,138
I'M GONNA GET IT
FOR YOU.
215
00:11:19,139 --> 00:11:21,640
? COME ON, SUGAR,
LET ME KNOW ?
216
00:11:21,641 --> 00:11:24,143
? IF YOU REALLY NEED ME ?
217
00:11:24,144 --> 00:11:26,145
? JUST REACH OUT
AND TOUCH ME ?
218
00:11:26,146 --> 00:11:29,147
? COME ON, HONEY,
TELL ME SO ?
219
00:11:29,148 --> 00:11:30,649
? TELL ME SO, BABE ?
220
00:12:00,175 --> 00:12:01,174
EXCUSE ME, SIR.
221
00:12:01,175 --> 00:12:03,178
THE MANAGEMENT HAS ASKED
ME TO SPEAK TO YOU.
222
00:12:03,179 --> 00:12:04,677
YOUR FLY IS OPEN,
223
00:12:04,678 --> 00:12:07,180
AND THE WHOLE RESTAURANT
CAN SEE YOUR DONG.
224
00:12:10,684 --> 00:12:13,185
SOMEONE WAITING ON ME.
225
00:12:13,186 --> 00:12:15,188
THAT'S NEW.
226
00:12:17,190 --> 00:12:19,690
IT'S VERY NICE HERE.
227
00:12:19,691 --> 00:12:21,693
IF YOU LIKE
ITALIAN FOOD,
228
00:12:22,194 --> 00:12:24,696
I KNOW A REAL
KNOCKOUT PLACE.
229
00:12:26,197 --> 00:12:28,699
I'LL TAKE YOU
TOMORROW NIGHT.
230
00:12:31,202 --> 00:12:33,702
I LIKE PIZZA.
231
00:12:33,703 --> 00:12:36,705
WELL, THIS IS NORTHERN
ITALIAN, 3 STARS.
232
00:12:36,706 --> 00:12:39,208
I KNOW THE MAITRE D'.
233
00:12:39,209 --> 00:12:41,210
OH.
234
00:12:48,716 --> 00:12:51,218
IS THERE SOMETHING WRONG
WITH ME? I PROBABLY
235
00:12:51,219 --> 00:12:53,721
HAVE A PIECE OF LETTUCE
ON MY NOSE OR SOMETHING.
236
00:12:53,722 --> 00:12:55,722
NO, NO, NO, NO.
237
00:12:56,223 --> 00:12:57,224
IT'S JUST THE LIGHT.
238
00:12:57,724 --> 00:12:59,724
THE WAY THE LIGHT
CATCHES YOUR EYES.
239
00:12:59,725 --> 00:13:01,728
OH. YOU'RE AN EXPERT,
AREN'T YOU?
240
00:13:01,729 --> 00:13:03,729
EXPERT AT WHAT?
241
00:13:05,731 --> 00:13:06,732
OH.
242
00:13:07,233 --> 00:13:10,234
I FOUND THIS
IN THE COLESLAW
243
00:13:10,235 --> 00:13:12,236
AT THE SALAD BAR.
244
00:13:12,237 --> 00:13:14,739
IT'S GOT YOUR
NAME IS ON IT.
245
00:13:17,242 --> 00:13:18,742
IT'S NOT THE MERCEDES.
246
00:13:19,243 --> 00:13:20,744
IS THIS A JOKE?
247
00:13:28,751 --> 00:13:31,253
IT'S A REAL TOPAZ,
248
00:13:31,754 --> 00:13:33,254
2 CARATS.
249
00:13:33,255 --> 00:13:35,257
IT'S BEAUTIFUL.
250
00:13:36,491 --> 00:13:39,477
WELL, HERE'S THIS TEENAGER
IN A TOWN IN CANADA
251
00:13:39,478 --> 00:13:41,979
WORKING IN A TASTY FREEZE
OR A DAIRY QUEEN,
252
00:13:41,980 --> 00:13:43,480
ET CETERA, WHATEVER,
253
00:13:43,481 --> 00:13:46,483
AND THIS, UH...
254
00:13:46,484 --> 00:13:49,485
STREET-WISE GUY...
255
00:13:49,486 --> 00:13:51,487
YEAH, I SUPPOSE INITIALLY,
256
00:13:51,488 --> 00:13:54,491
HE WOULD HAVE SOME FLASHY
APPEAL FOR HER, YEAH.
257
00:13:54,492 --> 00:13:57,492
? HERE COMES THE SUN ?
258
00:13:57,493 --> 00:13:59,494
? LA DA DEE DEE ?
259
00:13:59,495 --> 00:14:01,496
? HERE COMES THE SUN ?
260
00:14:01,497 --> 00:14:02,996
[PLAYS GUITAR OFF-KEY]
261
00:14:02,997 --> 00:14:04,498
I ALWAYS
SCREW THAT UP.
262
00:14:04,499 --> 00:14:08,001
? SUN AND I SAY ?
263
00:14:08,002 --> 00:14:10,503
? IT'S ALL RIGHT ?
264
00:14:10,504 --> 00:14:15,008
? IT'S ALL RIGHT ?
265
00:14:17,010 --> 00:14:19,511
? IT'S ALL RIGHT ?
266
00:14:21,013 --> 00:14:23,014
WELL, THAT'S
ENOUGH OF THAT.
267
00:14:23,015 --> 00:14:26,517
I DON'T THINK I'M ANY THREAT
TO PAUL McCARTNEY, DO YOU?
268
00:14:26,518 --> 00:14:29,020
THIS IS PRETTY.
269
00:14:30,021 --> 00:14:32,021
I MADE IT,
270
00:14:32,022 --> 00:14:34,023
TRIED TO SELL THEM.
271
00:14:34,024 --> 00:14:37,026
MUST HAVE BEEN
HARD TO DO.
272
00:14:37,027 --> 00:14:39,029
[ROMANTIC MUSIC PLAYS]
273
00:14:42,532 --> 00:14:47,034
SOMETHING LIKE THIS MUST
BE REALLY HARD TO DO.
274
00:14:47,035 --> 00:14:49,537
IT'S SO PRETTY.
275
00:14:49,538 --> 00:14:51,540
I'M A LITTLE HIGH.
276
00:14:54,542 --> 00:14:56,543
YOUR HAND IS SHAKING.
277
00:14:56,544 --> 00:14:58,546
OH, AND BIG.
278
00:15:00,047 --> 00:15:02,047
I HAVE
THE BIGGEST HANDS.
279
00:15:02,048 --> 00:15:04,550
I NEVER WANTED TO HOLD
HANDS WITH ANY BOYS,
280
00:15:04,551 --> 00:15:07,554
'CAUSE MY HANDS WERE
ALWAYS BIGGER THAN HIS.
281
00:15:15,561 --> 00:15:17,562
I DON'T THINK
I'M ANY GOOD,
282
00:15:18,062 --> 00:15:20,064
YOU KNOW WHAT I MEAN?
283
00:15:22,066 --> 00:15:24,567
I HAVE A FEELING
I'M NO GOOD.
284
00:15:27,571 --> 00:15:29,071
I'M THE FIRST?
285
00:15:29,072 --> 00:15:32,574
WELL, THERE WAS
THIS FOOTBALL PLAYER.
286
00:15:32,575 --> 00:15:34,076
WHAT ELSE?
287
00:15:35,578 --> 00:15:37,579
OH, IT WAS
PLAIN AWFUL.
288
00:15:37,580 --> 00:15:39,079
HE WAS SO ROUGH,
289
00:15:39,080 --> 00:15:41,081
AND IT WAS ALL
OVER SO FAST.
290
00:15:41,082 --> 00:15:44,084
WHAM-BAM-THANK-YOU-
MA'AM, TYPE. HA.
291
00:15:44,085 --> 00:15:45,586
I'M NOT REALLY SURE
IT HAPPENED AT ALL,
292
00:15:45,587 --> 00:15:47,086
BUT I... I GUESS IT DID,
293
00:15:47,087 --> 00:15:49,089
'CAUSE HE TOLD
EVERYBODY AT SCHOOL
294
00:15:49,090 --> 00:15:51,091
I WAS A LOUSY...
295
00:16:35,129 --> 00:16:38,298
[ROD STEWART'S DO YATHINK I'M SEXY? PLAYS]
296
00:16:47,306 --> 00:16:49,307
HI.
297
00:16:49,308 --> 00:16:51,809
HOW ARE YOU?
298
00:16:51,810 --> 00:16:53,310
HELLO.
299
00:16:54,812 --> 00:16:56,313
HELLO.
300
00:16:56,314 --> 00:16:58,315
THAT'S IT, YEAH.
301
00:16:58,316 --> 00:17:00,318
ALL RIGHT.
302
00:17:02,319 --> 00:17:03,819
HELLO.
303
00:17:03,820 --> 00:17:06,322
HA HA. OH, MY,
DON'T WE...
304
00:17:06,323 --> 00:17:08,823
HA HA...
LOOK SHARP?
305
00:17:08,824 --> 00:17:10,325
COME IN.
306
00:17:12,828 --> 00:17:14,329
SHE'S NOT
READY YET.
307
00:17:14,330 --> 00:17:15,330
POUR VOUS.
308
00:17:15,331 --> 00:17:17,831
OH, THEY'RE BEAUTIFUL.
309
00:17:17,832 --> 00:17:20,334
I BETTER PUT THEM IN
WATER RIGHT AWAY.
310
00:17:20,335 --> 00:17:22,837
SHE AND EILEEN HAVE BEEN
UPSTAIRS GETTING READY
311
00:17:22,838 --> 00:17:24,337
SINCE THIS MORNING.
312
00:17:24,338 --> 00:17:26,340
YOU'D THINK
IT WAS A CORONATION
313
00:17:26,341 --> 00:17:28,842
INSTEAD OF
A HIGH SCHOOL PROM.
314
00:17:30,344 --> 00:17:31,844
HIYA, GEORGE.
315
00:17:34,347 --> 00:17:36,348
GOIN' BOWLIN'?
316
00:17:36,349 --> 00:17:40,351
OH, LORD, HE LOOKS
LIKE A TANGO DANCER.
317
00:17:40,352 --> 00:17:41,353
HE'S A FRIEND
OF MINE.
318
00:17:41,354 --> 00:17:42,853
WHO?
319
00:17:42,854 --> 00:17:44,855
TELLY SAVALAS.
KOJAK.
320
00:17:44,856 --> 00:17:46,856
BULLSHIT.
321
00:17:46,857 --> 00:17:48,858
IS THIS TOO
MUCH LIPSTICK?
322
00:17:48,859 --> 00:17:50,360
HE SAID NOT
TO USE TOO MUCH.
323
00:17:50,361 --> 00:17:51,860
DOES IT LOOK ALL RIGHT?
324
00:17:51,861 --> 00:17:53,362
IS THIS TOO MUCH
EYE SHADOW?
325
00:17:53,363 --> 00:17:55,365
DOES IT LOOK ALL RIGHT?
326
00:17:56,866 --> 00:17:59,868
I THOUGHT
I HAD A VASE BUT...
327
00:17:59,869 --> 00:18:00,869
GET YOUR FEET OFF.
328
00:18:00,870 --> 00:18:02,370
YES, MA'AM.
329
00:18:03,872 --> 00:18:07,874
THAT WAS A PRETTY EXPENSIVE
DRESS YOU BOUGHT DOROTHY.
330
00:18:07,875 --> 00:18:10,377
OH, IT SEEMED
RIGHT FOR HER.
331
00:18:10,378 --> 00:18:12,879
SHE'S ALMOST READY.
332
00:18:12,880 --> 00:18:14,882
YOU SHOULD SEE HER.
333
00:18:15,882 --> 00:18:17,383
SMELL, MOM.
334
00:18:17,384 --> 00:18:18,384
OOH.
335
00:18:18,385 --> 00:18:19,885
SMELL ME, GEORGE.
336
00:18:19,886 --> 00:18:20,887
GET OUT
OF HERE.
337
00:18:20,888 --> 00:18:22,387
COME ON.
338
00:18:22,388 --> 00:18:23,388
AW.
339
00:18:23,389 --> 00:18:26,391
SMELL IT, PAUL.
REAL DEEP.
340
00:18:26,392 --> 00:18:27,892
MMM!
341
00:18:27,893 --> 00:18:29,394
THAT'S WHAT
SHE SMELLS LIKE.
342
00:18:29,395 --> 00:18:30,895
IT'S CALLED
TOILET WATER.
343
00:18:30,896 --> 00:18:33,397
WAIT!
HOLD ON A SECOND.
344
00:18:35,400 --> 00:18:37,400
THE ORCHID
IS FOR DOROTHY,
345
00:18:37,401 --> 00:18:38,902
AND THE GARDENIA'S
FOR YOU.
346
00:18:38,903 --> 00:18:40,403
THANK YOU.
347
00:18:40,404 --> 00:18:42,406
HE'S HERE!
WE BOTH GOT A PRESENT!
348
00:18:42,407 --> 00:18:44,906
THEY LIKE
THE WAY YOU SMELL.
349
00:18:44,907 --> 00:18:47,409
THAT EILEEN
IS A KNOCKOUT.
350
00:18:52,914 --> 00:18:55,416
ALL THE LADIES IN
THIS HOUSE ARE KNOCKOUTS.
351
00:18:55,417 --> 00:18:56,418
BULLSHIT AGAIN.
352
00:18:56,918 --> 00:18:57,919
GEORGE.
353
00:18:59,421 --> 00:19:00,921
Eileen: ARE YOU READY?
HERE WE GO. Dorothy: YES.
354
00:19:00,922 --> 00:19:02,922
HERE SHE COMES,
EVERYBODY.
355
00:19:02,923 --> 00:19:04,924
SHE LOOKS LIKE
A MOVIE STAR!
356
00:19:04,925 --> 00:19:07,927
[PLAYS KAZOO]
357
00:19:13,433 --> 00:19:14,932
AHH!
358
00:19:14,933 --> 00:19:16,434
DOESN'T SHE
LOOK BEAUTIFUL?
359
00:19:16,435 --> 00:19:17,435
TERRIFIC.
360
00:19:17,436 --> 00:19:18,936
YOU LOOK LOVELY.
361
00:19:18,937 --> 00:19:20,438
CAN WE TAKE
A PICTURE, MOM?
362
00:19:20,439 --> 00:19:21,937
I HAVE A CAMERA
IN THE CAR.
363
00:19:21,938 --> 00:19:22,938
I'LL BE
RIGHT BACK.
364
00:19:22,939 --> 00:19:23,941
CAN I TAKE
THE PICTURE,
365
00:19:23,942 --> 00:19:24,942
PAUL?
SURE.
366
00:19:27,945 --> 00:19:30,946
? DON'T GO CHANGIN' ?
367
00:19:30,947 --> 00:19:34,450
? TO TRY AND PLEASE ME ?
368
00:19:34,451 --> 00:19:38,954
? YOU NEVER
LET ME DOWN BEFORE ?
369
00:19:39,455 --> 00:19:41,956
? MM-MM ?
370
00:19:41,957 --> 00:19:44,958
? DON'T IMAGINE ?
371
00:19:44,959 --> 00:19:47,961
? YOU'RE TOO FAMILIAR ?
372
00:19:47,962 --> 00:19:53,966
? AND I DON'T
SEE YOU ANYMORE ?
373
00:19:53,967 --> 00:19:58,971
? I WOULD NOT LEAVE YOU ?
374
00:19:58,972 --> 00:20:02,474
? IN TIMES OF TROUBLE ?
375
00:20:02,475 --> 00:20:06,977
? WE NEVER COULD HAVE
COME THIS FAR ?
376
00:20:06,978 --> 00:20:08,979
? MM-MM ?
377
00:20:08,980 --> 00:20:12,483
? I TOOK THE GOOD TIMES ?
378
00:20:12,484 --> 00:20:14,485
? I'LL TAKE
THE BAD TIMES... ?
379
00:20:14,486 --> 00:20:16,486
HI, DOROTHY.
380
00:20:16,487 --> 00:20:17,987
HOW ARE YOU?
381
00:20:17,988 --> 00:20:19,489
OH, HI.
382
00:20:19,490 --> 00:20:21,490
THAT'S HIM.
383
00:20:21,491 --> 00:20:22,991
WHO?
384
00:20:22,992 --> 00:20:25,995
THE BIGMOUTH.
THE FOOTBALL PLAYER.
385
00:20:27,497 --> 00:20:28,997
YEAH, THAT'S HIM,
ALL RIGHT.
386
00:20:29,498 --> 00:20:30,499
A JOCK.
387
00:20:30,999 --> 00:20:32,000
HOW'D YOU KNOW?
388
00:20:32,501 --> 00:20:35,504
JUST BY THE SMART-ASS
WAY HE SAID YOUR NAME.
389
00:20:35,505 --> 00:20:39,006
DOES HE THINK I'M STUPID
NOT TO PICK UP ON THAT?
390
00:20:41,509 --> 00:20:44,010
OH, NOW, DON'T START
ANY TROUBLE, PLEASE?
391
00:20:44,011 --> 00:20:47,012
HA HA. IT WON'T BE
ANY TROUBLE.
392
00:20:47,013 --> 00:20:53,518
? ...ALTHOUGH I MIGHT NOT
SEEM TO CARE ?
393
00:20:53,519 --> 00:20:57,021
? I DON'T WANT CLEVER ?
394
00:20:57,022 --> 00:21:00,023
? CONVERSATION ?
395
00:21:00,024 --> 00:21:02,526
JESUS CHRIST!
WHO DID THAT?
396
00:21:04,028 --> 00:21:05,529
EXCUSE US.
397
00:21:05,530 --> 00:21:07,030
VERY FUNNY.
BIG JOKE, EH?
398
00:21:09,533 --> 00:21:11,535
YOU HURT HIM, PAUL,
DIDN'T YOU?
399
00:21:11,536 --> 00:21:14,536
HA. NOT ENOUGH,
THE PRICK.
400
00:21:14,537 --> 00:21:20,042
? I WANT YOU
JUST THE WAY YOU ARE ?
401
00:21:38,341 --> 00:21:39,842
I'M VERY ROMANTIC,
402
00:21:39,843 --> 00:21:41,844
AND I LIKE
LITTLE SURPRISES
403
00:21:41,845 --> 00:21:44,346
AND, YOU KNOW, LITTLE
GESTURES LIKE FLOWERS
404
00:21:44,347 --> 00:21:46,848
OR A CALL WHEN
YOU DON'T EXPECT IT,
405
00:21:46,849 --> 00:21:48,350
AND, YOU KNOW,
THINGS LIKE THAT.
406
00:21:48,351 --> 00:21:50,851
NOT... NOT SEXUAL THINGS.
407
00:21:50,852 --> 00:21:52,353
Interviewer: WELL,
WOULD IT SURPRISE YOU
408
00:21:52,354 --> 00:21:53,353
IF I ASKED YOU
409
00:21:53,354 --> 00:21:55,356
TO TAKE OFF YOUR CLOTHES
RIGHT NOW?
410
00:21:55,357 --> 00:21:56,857
WOULD YOU DO IT?
411
00:21:56,858 --> 00:21:58,357
NO.
412
00:21:58,358 --> 00:22:00,359
WELL, WHY NOT?
413
00:22:00,360 --> 00:22:02,862
THAT'S...
414
00:22:02,863 --> 00:22:05,364
THAT'S NOT ROMANTIC.
THAT'S...
415
00:22:08,868 --> 00:22:11,370
Dorothy: IT TOOK ME FIVE 5
TO SHOOT MY PLAYMATE LAYOUT.
416
00:22:11,371 --> 00:22:13,370
I SHOT OVER
20,000 PICTURES.
417
00:22:13,371 --> 00:22:14,371
Paul: SIT UP,
418
00:22:14,372 --> 00:22:15,873
PUT YOUR KNEES TOGETHER
AND HUG 'EM.
419
00:22:15,874 --> 00:22:16,875
Dorothy:
LIKE THIS?
420
00:22:16,876 --> 00:22:17,876
LIKE THAT.
421
00:22:19,377 --> 00:22:21,378
THAT'S NICE.
422
00:22:28,885 --> 00:22:31,387
HOW ABOUT OPENING
THE SHIRT A LITTLE?
423
00:22:33,890 --> 00:22:35,389
I CAN'T.
424
00:22:35,390 --> 00:22:37,391
OH, YES, YOU CAN.
425
00:22:37,392 --> 00:22:39,394
IT'S FUN.
426
00:22:45,399 --> 00:22:46,900
OK.
427
00:22:46,901 --> 00:22:48,402
OK.
428
00:23:03,916 --> 00:23:05,917
WHAT ARE YOU DOING?
429
00:23:08,419 --> 00:23:09,420
PAUL.
430
00:23:10,922 --> 00:23:12,923
WET YOUR LIPS
AND OPEN YOUR MOUTH.
431
00:23:12,924 --> 00:23:14,423
WHAT?
432
00:23:14,424 --> 00:23:17,426
YOU KNOW, LIKE YOU
DID LAST NIGHT.
433
00:23:17,427 --> 00:23:18,928
PAUL.
434
00:23:23,432 --> 00:23:25,934
I CAN DO THAT.
435
00:23:37,945 --> 00:23:39,947
DOROTHY?
436
00:24:30,991 --> 00:24:33,493
Radio DJ: DOROTHY STRATTEN,
PLAYBOY CENTERFOLD.
437
00:24:33,494 --> 00:24:34,993
YOU'RE ON STREET TALK.
438
00:24:34,994 --> 00:24:36,495
HI, MISS STRATTEN,MY NAME IS GEORGE.
439
00:24:36,496 --> 00:24:38,496
HI, GEORGE.
440
00:24:38,497 --> 00:24:40,499
LISTEN, WE WERE SITTINGAROUND THE GARAGE,
441
00:24:41,000 --> 00:24:42,000
AND WE HAD THIS QUESTION...UH, WHAT'S IT LIKE
442
00:24:42,500 --> 00:24:43,501
TO POSE, UH, NUDE?I MEAN, HOW'S IT FEEL?
443
00:24:43,502 --> 00:24:46,503
IT FEELS A LITTLE
CHILLY SOMETIMES.
444
00:24:46,504 --> 00:24:48,505
SCORE ONE FOR DOROTHY.
445
00:24:48,506 --> 00:24:51,007
WE'RE TALKING WITH
DOROTHY STRATTEN.
446
00:24:53,010 --> 00:24:55,012
OH, GOD, I LOOK FAT
IN THAT ONE.
447
00:24:59,015 --> 00:25:02,518
OH, JEEZ. I HOPE MY MOTHER
NEVER SEES THESE.
448
00:25:03,019 --> 00:25:04,519
OH, GOD, MY MOTHER.
WHAT TIME IS IT?
449
00:25:05,020 --> 00:25:06,521
4:30.
450
00:25:12,526 --> 00:25:14,528
HI, MOM?
451
00:25:16,030 --> 00:25:18,032
YES, I KNOW.
452
00:25:19,532 --> 00:25:21,533
I'M SORRY.
453
00:25:21,534 --> 00:25:24,036
GIVE ME A CHANCE
TO EXPLAIN, MOM.
454
00:25:25,538 --> 00:25:27,538
IT GOT SO LATE,
455
00:25:27,539 --> 00:25:28,540
I THOUGHT
YOU'D BE SLEEPING.
456
00:25:28,541 --> 00:25:30,408
I DIDN'T
WANT TO WAKE YOU.
457
00:25:31,510 --> 00:25:35,513
I'M STAYING OVER
AT NANCY'S HOUSE.
458
00:25:36,013 --> 00:25:38,515
NO, I'M NOT WITH HIM.
459
00:25:38,516 --> 00:25:41,015
Man: WELL, HE SHOWED
ME SOME POLAROIDS,
460
00:25:41,016 --> 00:25:42,518
AND WANTED ME TO DO
SOME TEST SHOTS.
461
00:25:42,519 --> 00:25:45,020
AND WE, UH,
WE MADE A DEAL.
462
00:25:45,021 --> 00:25:47,023
IF SHE GOT ACCEPTED,
I'D GET $1,000.
463
00:25:47,524 --> 00:25:48,522
OTHERWISE, NOTHING.
464
00:25:48,523 --> 00:25:50,025
THAT'S THE USUAL
FINDER'S FEE
465
00:25:50,026 --> 00:25:53,027
THAT PLAYBOY PAYS...
A THOUSAND.
466
00:25:53,028 --> 00:25:54,529
HE REALLY BELIEVED
IN THIS GIRL,
467
00:25:54,530 --> 00:25:57,031
OR ELSE HE JUST
WANTED TO SCREW HER.
468
00:25:57,032 --> 00:26:00,534
I'M STILL NOT SURE
WHICH, MAYBE BOTH.
469
00:26:00,535 --> 00:26:02,536
ANYWAY,
HE CONVINCED ME.
470
00:26:02,537 --> 00:26:04,537
OH, THERE YOU GO.
471
00:26:04,538 --> 00:26:06,539
OK, EYES TO ME.
472
00:26:06,540 --> 00:26:09,042
THROW YOUR
HEAD BACK.
473
00:26:10,544 --> 00:26:12,544
THAT'S IT.
474
00:26:12,545 --> 00:26:14,546
SORRY.
475
00:26:14,547 --> 00:26:16,047
FORGET IT, DOROTHY.
476
00:26:16,048 --> 00:26:18,050
YOU LOOKED BETTER
THE OTHER WAY.
477
00:26:18,051 --> 00:26:20,050
YOU'RE HOLDING THAT SCARF
478
00:26:20,051 --> 00:26:23,053
LIKE IT
WAS A SECURITY BLANKET.
479
00:26:23,054 --> 00:26:24,555
HERE, COME ON, JUST RELAX.
480
00:26:24,556 --> 00:26:25,555
YEAH.
481
00:26:25,556 --> 00:26:26,557
ARCH YOUR BACK.
482
00:26:27,057 --> 00:26:28,056
TUCK IN THE TUMMY.
483
00:26:28,057 --> 00:26:30,060
I THINK WERE GONNA LIKE
THAT THAT MUCH BETTER.
484
00:26:30,061 --> 00:26:32,061
EXCUSE ME.
485
00:26:32,062 --> 00:26:33,062
SORRY.
486
00:26:36,566 --> 00:26:37,567
THAT'S IT.
GOOD GIRL.
487
00:26:37,568 --> 00:26:41,069
THAT'S PERFECT.
488
00:26:41,570 --> 00:26:42,070
RIGHT THERE!
489
00:26:42,571 --> 00:26:43,572
LOOK OVER HERE,
DOROTHY,
490
00:26:43,573 --> 00:26:45,072
AND OPEN
YOUR MOUTH.
491
00:26:45,073 --> 00:26:47,075
WHAT STOP
ARE YOU USING?
492
00:26:47,576 --> 00:26:49,577
COULD I TALK TO YOU
FOR A MINUTE?
493
00:27:00,086 --> 00:27:01,587
LISTEN, DOROTHY, I'M GONNA
WAIT IN THE DRESSING ROOM.
494
00:27:02,088 --> 00:27:03,588
TOO MANY DIRECTORS.
495
00:27:04,089 --> 00:27:05,090
OK.
496
00:27:12,597 --> 00:27:14,098
NOW MAYBE WE CAN
GET SOME WORK DONE.
497
00:27:14,099 --> 00:27:16,099
THAT'S GOOD.
498
00:27:16,100 --> 00:27:17,100
ALL RIGHT.
499
00:27:17,101 --> 00:27:18,100
ALL RIGHT,
500
00:27:18,101 --> 00:27:19,602
NOW THROW YOUR HEAD
BACK A LITTLE BIT
501
00:27:19,603 --> 00:27:20,604
AND GIVE ME A SMILE.
502
00:27:20,605 --> 00:27:23,606
OK, THAT'S GOOD.
503
00:27:23,607 --> 00:27:26,608
OK, NOW GIVE ME
A LITTLE POUT.
504
00:27:26,609 --> 00:27:29,110
THAT A GIRL.
THAT'S GOOD.
505
00:27:29,111 --> 00:27:32,113
OK, NOW, RELAX
THE HANDS AGAIN.
506
00:27:32,114 --> 00:27:33,614
NOW, THINK ABOUT
AN ANIMAL.
507
00:27:33,615 --> 00:27:34,615
OK.
508
00:27:34,616 --> 00:27:37,117
YEAH, MAKE IT
A WILD ANIMAL.
509
00:27:37,118 --> 00:27:39,120
IT'S STARTING TO
GET HOT IN HERE!
510
00:27:39,621 --> 00:27:40,619
THAT'S THE WAY.
511
00:27:40,620 --> 00:27:42,120
THAT'S THE WAY.
ALL RIGHT.
512
00:27:42,121 --> 00:27:43,121
YES, ALL RIGHT.
513
00:27:43,122 --> 00:27:44,963
NOW, THE LITTLE GIRL
IS STARTING TO LEARN HERE.
514
00:27:45,125 --> 00:27:47,126
LET'S GO. NICE.
515
00:27:47,127 --> 00:27:48,886
OH, THAT'S GOOD. NOW,
HOLD THAT, THAT'S NICE.
516
00:27:49,128 --> 00:27:50,629
HA HA.
YES, YES.
517
00:27:50,630 --> 00:27:52,131
LITTLE GIRL
IS GROWING UP.
518
00:27:52,132 --> 00:27:54,633
ALL RIGHT,
HERE WE GO.
519
00:27:54,634 --> 00:27:56,134
OH, THAT'S NICE.
THAT'S NICE. HOLD THAT.
520
00:27:56,135 --> 00:27:57,134
HOLD THAT.
521
00:27:57,135 --> 00:27:58,636
OH, YES, YES, YES!
522
00:27:58,637 --> 00:28:00,638
YES, YES, YES, YES.
523
00:28:00,639 --> 00:28:02,139
Woman: SHE'S LIKE
A BIG, SWEET KID.
524
00:28:02,640 --> 00:28:03,140
POLITE, TOO.
525
00:28:03,641 --> 00:28:04,141
NO SCARS.
526
00:28:04,642 --> 00:28:07,644
MAYBE HAVE TO DO
SOMETHING WITH HER HAIR.
527
00:28:07,645 --> 00:28:09,646
NOT OVERWEIGHT.
I LIKE HER A LOT.
528
00:28:09,647 --> 00:28:10,646
HOW OLD?
529
00:28:10,647 --> 00:28:12,147
18, I THINK.
530
00:28:12,148 --> 00:28:13,147
Photographer: NOW,
531
00:28:13,148 --> 00:28:14,150
HERE'S WHAT
THE SON OF A BITCH DID.
532
00:28:14,151 --> 00:28:16,151
NOW, I WORKED
MY ASS OFF.
533
00:28:16,152 --> 00:28:17,652
THEN HE TURNS AROUND
534
00:28:17,653 --> 00:28:19,053
AND HE GOES
TO ANOTHER PHOTOGRAPHER,
535
00:28:19,154 --> 00:28:21,156
AND HE USES MY STUFF TO
CONVINCE THE OTHER GUY
536
00:28:21,157 --> 00:28:22,657
THAT THE GIRL IS GOOD.
537
00:28:22,658 --> 00:28:24,659
THEN HE SENDS
THE OTHER GUY'S TEST
538
00:28:24,660 --> 00:28:25,659
INTO PLAYBOY
539
00:28:25,660 --> 00:28:27,161
AND SCREWS ME OUT
OF THE FINDER'S FEE...
540
00:28:27,162 --> 00:28:28,161
A 1,000 BUCKS.
541
00:28:28,162 --> 00:28:30,597
HA HA HA. I MEAN,
THE GUY IS A BASTARD.
542
00:28:30,598 --> 00:28:33,365
THEY'LL FLY HER
TO L.A. FIRST-CLASS,
543
00:28:33,366 --> 00:28:35,366
TAKE SOME MORE
TEST SHOTS OF HER,
544
00:28:35,367 --> 00:28:36,869
AND THEN THEY'LL DECIDE
545
00:28:36,870 --> 00:28:38,371
IF THEY WANT TO USE HER
IN THE MAGAZINE OR NOT.
546
00:28:38,372 --> 00:28:40,872
THAT'S REALLY
ALL THERE IS TO IT.
547
00:28:40,873 --> 00:28:42,373
THAT'S ALL, HUH?
548
00:28:42,374 --> 00:28:44,375
BUT WE DO
NEED YOUR CONSENT
549
00:28:44,376 --> 00:28:45,877
BECAUSE OF HER AGE.
550
00:28:45,878 --> 00:28:47,878
AND IF I DON'T SIGN?
551
00:28:47,879 --> 00:28:50,881
THEN WE BOTH
JUMP OUT A WINDOW.
552
00:28:50,882 --> 00:28:52,884
NO, SERIOUSLY,
IF YOU DON'T SIGN,
553
00:28:52,885 --> 00:28:55,886
THEN IT'S...
ALL OFF.
554
00:28:58,388 --> 00:29:00,890
SHE WANTS TO GO.
555
00:29:00,891 --> 00:29:04,392
I'M SLOWLY BEGINNING
TO GET THE IDEA
556
00:29:04,393 --> 00:29:06,394
THAT YOU WANT HER TO GO.
557
00:29:06,395 --> 00:29:08,897
THAT LEAVES ME,
HER MOTHER.
558
00:29:12,901 --> 00:29:16,403
I KNOW THIS COULD BE A
REAL OPPORTUNITY FOR US.
559
00:29:16,404 --> 00:29:18,404
IT COULD CHANGE
OUR LIVES.
560
00:29:18,405 --> 00:29:20,406
WHAT IS THIS "US," "OUR"?
561
00:29:20,407 --> 00:29:22,909
I DON'T SEE ANY NAKED
PICTURES OF YOU HERE, PAUL.
562
00:29:22,910 --> 00:29:24,109
I DON'T SEE
ANY PICTURES OF YOU
563
00:29:24,410 --> 00:29:25,409
WITH YOUR PRIVATES
HANGING OUT
564
00:29:25,410 --> 00:29:26,912
FOR THE WHOLE WORLD
TO LOOK AT.
565
00:29:26,913 --> 00:29:28,915
LET'S GET THE CAMERA.
I'M WILLING.
566
00:29:28,916 --> 00:29:31,416
OH, I BET YOU ARE.
567
00:29:33,418 --> 00:29:35,920
OH, I DON'T KNOW.
568
00:29:35,921 --> 00:29:37,923
SHE WOULDN'T EVEN
WALK AROUND THE HOUSE
569
00:29:37,924 --> 00:29:40,423
IN A NIGHTGOWN
BEFORE SHE MET YOU.
570
00:29:40,424 --> 00:29:42,426
DO YOU KNOW WHO READS PLAYBOY?
571
00:29:42,927 --> 00:29:43,928
NO, TELL ME.
572
00:29:44,428 --> 00:29:46,428
MOVIE PRODUCERS,
DIRECTORS,
573
00:29:46,429 --> 00:29:48,430
AGENTS, TV PEOPLE.
574
00:29:48,431 --> 00:29:50,933
THE PEOPLE WHO PRODUCE
CHARLIE'S ANGELS
575
00:29:50,934 --> 00:29:52,434
READ PLAYBOY.
576
00:29:52,435 --> 00:29:54,936
I HAVE THIS FEELING
ABOUT DOROTHY,
577
00:29:54,937 --> 00:29:57,437
THIS HUNCH THAT SHE'S
GONNA BE A BIG STAR
578
00:29:57,438 --> 00:29:59,941
IN THE MOVIES OR ON TV,
I DON'T KNOW,
579
00:29:59,942 --> 00:30:01,442
BUT A REALLY BIG STAR.
580
00:30:01,943 --> 00:30:03,442
BUT SHE'S
GONNA NEED HELP.
581
00:30:03,443 --> 00:30:04,445
YOU CAN'T DO IT ALONE.
582
00:30:04,446 --> 00:30:05,946
YOU NEED SOMEBODY.
583
00:30:05,947 --> 00:30:07,949
AND YOU'RE GONNA BE
THAT SOMEBODY?
584
00:30:07,950 --> 00:30:09,949
I KNOW ALL THE TRICKS,
585
00:30:09,950 --> 00:30:11,951
I KNOW
ALL THE CON GAMES.
586
00:30:11,952 --> 00:30:13,453
HEY, I KNOW ALL
THE BULLSHITTING.
587
00:30:13,954 --> 00:30:15,955
THERE'S PLENTY
OF THAT, BELIEVE ME.
588
00:30:16,455 --> 00:30:18,957
TOGETHER,
WE COULD BE SOMEBODY.
589
00:30:19,458 --> 00:30:20,959
PEOPLE WOULD
KNOW WHO WE ARE.
590
00:30:21,460 --> 00:30:22,459
PEOPLE WOULD
KNOW OUR NAMES.
591
00:30:22,460 --> 00:30:24,962
PEOPLE WOULD TREAT US
THAT SPECIAL WAY,
592
00:30:25,463 --> 00:30:26,964
THE WAY
THEY TREAT STARS.
593
00:30:26,965 --> 00:30:27,965
PEOPLE WOULD...
594
00:30:27,966 --> 00:30:30,968
HELL, WE'D WALK INTO
A RESTAURANT, PEOPLE...
595
00:30:35,973 --> 00:30:37,474
I DO LOVE HER.
596
00:30:37,975 --> 00:30:39,474
WHAT DID YOU SAY?
597
00:30:39,475 --> 00:30:40,976
I SAID I LOVE HER.
598
00:30:40,977 --> 00:30:44,480
FUNNY. I COULD HAVE SWORN
YOU SAID, "I LOVE IT."
599
00:30:44,981 --> 00:30:47,482
YOU DON'T LIKE
ME, DO YOU?
600
00:30:49,985 --> 00:30:51,987
I LOVE DOROTHY.
601
00:30:52,487 --> 00:30:53,487
THE ANSWER'S NO.
602
00:30:53,988 --> 00:30:54,989
WHY?
603
00:30:55,489 --> 00:30:56,490
GIVE ME A REASON.
604
00:30:56,991 --> 00:30:58,492
I DON'T HAVE TO
GIVE YOU A REASON.
605
00:30:58,493 --> 00:30:59,993
I'M HER MOTHER.
606
00:31:00,494 --> 00:31:01,494
THAT'S THE REASON.
607
00:31:01,995 --> 00:31:03,496
THAT'S THE REASON.
608
00:31:03,997 --> 00:31:05,498
[LOUDSPEAKER]
YOUR ATTENTION, PLEASE.
609
00:31:05,499 --> 00:31:09,501
WESTERN AIRLINES FLIGHT 468NONSTOP FOR LOS ANGELES...
610
00:31:10,002 --> 00:31:11,503
I DON'T WANT TO GO.
611
00:31:12,004 --> 00:31:14,506
YOU'RE DYING
TO GO.
612
00:31:15,007 --> 00:31:18,509
I WISH YOU
WERE COMING WITH ME.
613
00:31:19,510 --> 00:31:21,510
EVERYBODY'S LOOKING
AT US. DID YOU NOTICE?
614
00:31:21,511 --> 00:31:22,511
YEAH, A LITTLE.
615
00:31:22,512 --> 00:31:24,514
STRAIGHTEN UP, ANGEL.
YOU'RE SLOUCHING.
616
00:31:24,515 --> 00:31:25,514
BETTER?
617
00:31:25,515 --> 00:31:26,516
MAKES YOU LOOK TALLER.
618
00:31:26,517 --> 00:31:29,018
MAKES YOU LOOK LIKE
A QUEEN.
619
00:31:31,520 --> 00:31:33,521
Mom: I NEVER SIGNED IT.
620
00:31:33,522 --> 00:31:36,024
SOMEHOW IT GOT SIGNED, YES.
621
00:31:36,525 --> 00:31:39,026
BUT I DIDN'T SIGN IT.
622
00:31:39,527 --> 00:31:42,029
I CAN ONLY GUESS HOW.
623
00:31:44,032 --> 00:31:46,533
I NEVER
WOULD HAVE SIGNED IT.
624
00:31:56,376 --> 00:31:57,876
HAVE YOU
MET HIM YET?
625
00:31:57,877 --> 00:31:58,877
Dorothy: WHO?
626
00:31:58,878 --> 00:32:00,378
THE MAN. THE MAN. HEFNER.
627
00:32:00,379 --> 00:32:02,880
OH, PAUL,
HE'S WONDERFUL,
628
00:32:02,881 --> 00:32:05,883
LIKE A FATHER
OR SOMETHING.
629
00:32:05,884 --> 00:32:07,385
OH, EXCUSE ME.
I'M SORRY.
630
00:32:07,386 --> 00:32:08,885
THAT'S OK.
631
00:32:08,886 --> 00:32:10,387
WHERE ARE YOU
CALLING FROM?
632
00:32:10,388 --> 00:32:12,889
MR. HEFNER'S HOUSE.
633
00:32:12,890 --> 00:32:14,391
YOU MEAN
THE MANSION?
634
00:32:14,392 --> 00:32:16,391
OH, PAUL, I WISH
YOU COULD BE HERE.
635
00:32:16,392 --> 00:32:18,395
I WISH YOU COULD
BE HERE WITH ME.
636
00:32:18,396 --> 00:32:19,895
YOU SHOULD SEE IT.
637
00:32:19,896 --> 00:32:21,896
I'VE NEVER SEEN
SO MANY PRETTY GIRLS
638
00:32:21,897 --> 00:32:22,898
IN MY WHOLE LIFE.
639
00:32:23,399 --> 00:32:26,401
I SUDDENLY FEEL
REALLY UGLY.
640
00:32:26,402 --> 00:32:27,902
IS JIMMY CAAN THERE?
641
00:32:27,903 --> 00:32:28,903
WHO?
642
00:32:28,904 --> 00:32:31,405
SONNY CORLEONE
IN THE GODFATHER.
643
00:32:31,906 --> 00:32:32,907
I DIDN'T SEE IT.
644
00:32:33,408 --> 00:32:35,910
HE'S PROBABLY THERE.
HE AND HEF ARE PALS.
645
00:32:35,911 --> 00:32:37,910
WHO DID YOU MEET?
646
00:32:37,911 --> 00:32:39,412
OH, SO MANY PEOPLE.
647
00:32:39,413 --> 00:32:40,913
LET ME THINK.
648
00:32:40,914 --> 00:32:43,416
I THINK HE'S A FAMOUS
ATHLETE OR SOMETHING.
649
00:32:43,417 --> 00:32:45,417
NAME'S BILLY BOB,
650
00:32:45,418 --> 00:32:47,919
OR WILLY JOE,
SOMETHING LIKE THAT.
651
00:32:47,920 --> 00:32:49,421
BATTON?
BILLY JOE BATTON?
652
00:32:49,922 --> 00:32:51,922
HE SORT OF HALF SMILES
ALL THE TIME.
653
00:32:51,923 --> 00:32:53,925
HA HA. WELL, WATCH OUT
FOR THAT SMILE.
654
00:32:53,926 --> 00:32:56,427
HE'S A REAL COCKSMAN.
655
00:32:56,428 --> 00:32:58,429
GOT A BAD REPUTATION.
656
00:32:58,430 --> 00:32:59,929
IS TELLY THERE?
657
00:32:59,930 --> 00:33:01,431
DID YOU MEET TELLY?
658
00:33:01,932 --> 00:33:03,433
I DON'T THINK SO.
I'M NOT SURE.
659
00:33:03,934 --> 00:33:05,934
OK, DOROTHY,
WHEN YOU MEET PEOPLE,
660
00:33:05,935 --> 00:33:07,436
YOU SHOULD
REALLY MAKE AN EFFORT
661
00:33:07,437 --> 00:33:08,936
TO TRY TO
REMEMBER THEIR NAMES.
662
00:33:08,937 --> 00:33:10,439
IT MAKES
A GOOD IMPRESSION.
663
00:33:10,440 --> 00:33:11,940
I'LL TRY FROM NOW ON.
664
00:33:11,941 --> 00:33:14,442
PAUL, EVERYTHING
IS HAPPENING SO FAST.
665
00:33:14,943 --> 00:33:16,944
IT'S A LITTLE BANANAS.
666
00:33:16,945 --> 00:33:17,945
LET'S SEE,
667
00:33:17,946 --> 00:33:18,945
THEY'RE GOING TO
SHOOT SOME MORE SHOTS
668
00:33:18,946 --> 00:33:21,449
OR WHATEVER THEY
CALL THEM, AND THEY SAY
669
00:33:21,450 --> 00:33:23,949
I'M NOT GOING TO BE
ANNIVERSARY PLAYMATE,
670
00:33:23,950 --> 00:33:25,953
BUT THEY DID SAY
I'VE GOT A GOOD CHANCE,
671
00:33:25,954 --> 00:33:27,454
A VERY GOOD CHANCE
672
00:33:27,455 --> 00:33:28,954
OF BEING
CENTERFOLD FOR AUGUST.
673
00:33:28,955 --> 00:33:31,958
MR. HEFNER WILL MAKE
THE DECISION NEXT WEEK.
674
00:33:31,959 --> 00:33:35,461
ISN'T IT TERRIFIC?
I AM SO EXCITED.
675
00:33:35,462 --> 00:33:36,463
WHAT'S HE LIKE?
676
00:33:36,962 --> 00:33:37,962
MR. HEFNER?
677
00:33:37,963 --> 00:33:39,464
OH, NICE, LIKE I SAID.
678
00:33:39,465 --> 00:33:40,965
BUT I GET THE FEELING
679
00:33:40,966 --> 00:33:42,206
THAT EVERYBODY
TREMBLES A LITTLE
680
00:33:42,468 --> 00:33:43,469
WHEN THEY
MENTION HIS NAME.
681
00:33:43,470 --> 00:33:46,970
YOU KNOW, "MR. HEFNER
WANTS TO SEE YOU."
682
00:33:46,971 --> 00:33:48,472
WAS HE WEARING PAJAMAS?
683
00:33:48,473 --> 00:33:49,973
HOW'D YOU KNOW?
684
00:33:49,974 --> 00:33:52,475
I'VE BEEN WANTING TO
HAVE THIS TALK
685
00:33:52,476 --> 00:33:53,477
WITH YOU FOR A WHILE,
686
00:33:53,977 --> 00:33:55,478
BUT I GUESS WE'VE BEEN
KEEPING YOU PRETTY BUSY.
687
00:33:55,479 --> 00:33:56,479
I'LL SAY.
688
00:33:56,480 --> 00:33:58,480
COFFEE FOR
MISS STRATTEN. YES, SIR.
689
00:33:58,481 --> 00:34:00,981
DOROTHY, IT'S GOING TO
TAKE A COUPLE WEEKS OR SO
690
00:34:00,982 --> 00:34:03,986
TO COME TO A DECISION
ON THIS THING, ET CETERA.
691
00:34:03,987 --> 00:34:06,487
OH, I UNDERSTAND.
692
00:34:06,488 --> 00:34:07,988
THANK YOU.
693
00:34:07,989 --> 00:34:09,490
HAVE A SEAT.
694
00:34:09,491 --> 00:34:12,994
IN THE MEANTIME, I IMAGINE
YOU COULD USE SOME MONEY.
695
00:34:12,995 --> 00:34:13,993
YES, I COULD.
696
00:34:13,994 --> 00:34:15,495
I THOUGHT SO.
697
00:34:15,496 --> 00:34:18,497
ANYWAY, OUR PEOPLE THOUGHT
WE COULD FIT YOU IN
698
00:34:18,498 --> 00:34:20,501
AS A BUNNY AT OUR CLUB
IN CENTURY CITY.
699
00:34:20,502 --> 00:34:22,001
TIPS ARE PRETTY GOOD.
700
00:34:22,502 --> 00:34:24,002
THAT'LL BE JUST FINE.
701
00:34:24,003 --> 00:34:26,505
AND I'LL SEE IF I CAN'T
GET THEM TO FIND YOU
702
00:34:26,506 --> 00:34:28,508
A LITTLE APARTMENT
WHILE YOU'RE WAITING.
703
00:34:28,509 --> 00:34:30,508
NOT TOO EXPENSIVE.
704
00:34:30,509 --> 00:34:32,009
IN THE MEANTIME,
705
00:34:32,010 --> 00:34:33,511
YOU CAN STAY HERE,
IF YOU'D LIKE,
706
00:34:33,512 --> 00:34:35,011
IN ONE OF
THE GUEST ROOMS.
707
00:34:35,012 --> 00:34:36,612
WELL, I CAN LOOK FOR
AN APARTMENT MYSELF.
708
00:34:37,014 --> 00:34:38,515
NO. WE'LL DO
ALL THAT FOR YOU.
709
00:34:38,516 --> 00:34:39,515
ANYWAY, I HAVE A FEELING
710
00:34:39,516 --> 00:34:41,018
IT'S ALL VERY
TEMPORARY, DOROTHY.
711
00:34:41,019 --> 00:34:42,018
I THINK
712
00:34:42,019 --> 00:34:43,519
THERE ARE VERY BIG
THINGS AHEAD FOR YOU.
713
00:34:43,520 --> 00:34:44,521
I DON'T KNOW ABOUT THAT,
714
00:34:45,021 --> 00:34:46,221
BUT I'LL CERTAINLY
TRY FOR YOU.
715
00:34:46,523 --> 00:34:47,524
I KNOW YOU WILL.
716
00:34:48,024 --> 00:34:50,026
WELL, THAT JUST
LEAVES MY, UH,
717
00:34:50,527 --> 00:34:52,026
MY SPEECH.
718
00:34:52,027 --> 00:34:53,027
READY?
719
00:34:53,028 --> 00:34:54,028
YES, SIR.
720
00:34:54,029 --> 00:34:55,029
PLAYBOY
721
00:34:55,030 --> 00:34:57,030
IS A VERY SPECIAL
MAGAZINE, DOROTHY.
722
00:34:57,031 --> 00:34:58,532
THERE'S NO OTHER
MAGAZINE LIKE IT.
723
00:34:58,533 --> 00:35:00,032
ALL THE WRITERS,
EDITORS, PHOTOGRAPHERS,
724
00:35:00,033 --> 00:35:01,535
ALL THE GIRLS,
ET CETERA,
725
00:35:02,036 --> 00:35:04,538
WE ALL HAVE A VERY
SPECIAL RELATIONSHIP.
726
00:35:04,539 --> 00:35:06,540
IT'S NOT LIKE
ANY OTHER MAGAZINE.
727
00:35:06,541 --> 00:35:08,040
WE'RE ALL LIKE A...
728
00:35:08,041 --> 00:35:10,043
WELL, WE'RE
JUST LIKE A FAMILY.
729
00:35:10,044 --> 00:35:11,043
A FAMILY.
730
00:35:11,044 --> 00:35:13,045
IT'S LIKE
HAVING A FAMILY.
731
00:35:13,046 --> 00:35:14,044
[WHISPERING] The whole magazine
732
00:35:14,045 --> 00:35:15,047
is like having a family.
733
00:35:15,548 --> 00:35:16,547
THE WHOLE MAGAZINE
734
00:35:16,548 --> 00:35:18,050
IS LIKE
HAVING A FAMILY.
735
00:35:18,051 --> 00:35:19,051
SEE?
736
00:35:19,552 --> 00:35:21,551
I KNOW A LOT OF PEOPLE
SAY THAT'S A LOT OF BULL,
737
00:35:21,552 --> 00:35:23,052
BUT THAT'S HOW
I THINK OF IT.
738
00:35:23,053 --> 00:35:25,056
THAT'S HOW WE ALL
THINK OF IT.
739
00:35:25,057 --> 00:35:28,058
IT'S KIND OF A WORLD
WITHIN A WORLD.
740
00:35:28,059 --> 00:35:29,559
IT'S A...
741
00:35:29,560 --> 00:35:32,061
WELL, IT'S A FAMILY.
742
00:35:32,062 --> 00:35:34,062
Dorothy: WASN'T THAT
NEAT ABOUT THE JOB
743
00:35:34,063 --> 00:35:35,564
AND THE APARTMENT
AND EVERYTHING?
744
00:35:35,565 --> 00:35:37,565
HEY, LISTEN, IT ALL
SOUNDS TERRIFIC.
745
00:35:37,566 --> 00:35:39,066
AND, GOD, MEETING
ALL THOSE PEOPLE.
746
00:35:39,067 --> 00:35:40,569
THEY'RE GOOD CONTACTS.
IT CAN ONLY HELP.
747
00:35:40,570 --> 00:35:41,571
KNOW WHAT I MEAN?
748
00:35:41,572 --> 00:35:42,571
I THINK SO.
749
00:35:42,572 --> 00:35:44,572
I'LL CALL
TOMORROW.
750
00:35:44,573 --> 00:35:45,573
I LOVE YOU.
751
00:35:45,574 --> 00:35:48,075
I LOVE YOU, TOO.
BYE.
752
00:35:48,076 --> 00:35:49,077
THANKS, JOHNNY.
753
00:35:49,578 --> 00:35:52,078
THAT WAS
SOME PHONE CALL.
754
00:35:52,079 --> 00:35:53,080
HOW'S THE KID DOING?
755
00:35:53,581 --> 00:35:55,581
SOUNDS LIKE IT'S
GOING REALLY RIGHT.
756
00:35:55,582 --> 00:35:57,082
SHE WAS CALLING
FROM HEF'S PLACE.
757
00:35:57,083 --> 00:35:59,585
JOHNNY, BE A PAL AND POUR ME
ABOUT THAT MUCH SCOTCH.
758
00:35:59,586 --> 00:36:01,587
SHE'S IN
THE MANSION?
759
00:36:01,588 --> 00:36:04,589
BILLY JOE BATTON
IS MAKING A BIG PLAY FOR HER.
760
00:36:04,590 --> 00:36:06,089
BILLY JOE BATTON
THE FOOTBALL PLAYER...
761
00:36:06,090 --> 00:36:07,592
MAKING A MOVE
ON DOROTHY?
762
00:36:07,593 --> 00:36:08,592
AH, IT FIGURES.
763
00:36:08,593 --> 00:36:10,093
THAT'S THE KIND
OF TOWN L.A. IS.
764
00:36:10,094 --> 00:36:12,097
JESUS CHRIST... I'D
BE GOING OUTTA MY SKULL
765
00:36:12,098 --> 00:36:13,597
IF BILLY JOE BATTON
766
00:36:13,598 --> 00:36:15,099
WAS TRYING TO GET
IN MY GIRL'S PANTS.
767
00:36:15,100 --> 00:36:16,600
AH... WHAT'S HER NAME?
768
00:36:17,101 --> 00:36:19,603
? OFF RAMP,
IT'S THE BEST ?
769
00:36:19,604 --> 00:36:21,103
? TAKE ME OFF RAMP ?
770
00:36:21,104 --> 00:36:22,105
? OFF RAMP ?
771
00:36:22,606 --> 00:36:23,607
? YOU'RE MY BEST ?
772
00:36:23,608 --> 00:36:25,107
? OFF RAMP ?
773
00:36:25,108 --> 00:36:27,110
? DOO-DOO DOO-DOO
DOO-DOO DOO-DOO ?
774
00:36:27,111 --> 00:36:29,611
? DOO-DOO DOO-DOO
DOO-DOO DOO-DOO ?
775
00:36:29,612 --> 00:36:31,613
? OFF RAMP! ?
776
00:36:31,614 --> 00:36:32,613
I DON'T LIKE TO DO, LIKE,
777
00:36:32,614 --> 00:36:34,781
BLACK DUDES AND WHITE
DUDES KIND OF STUFF,
778
00:36:34,782 --> 00:36:35,781
BUT THE THING I'VE NOTICED
779
00:36:35,782 --> 00:36:37,783
ABOUT BLACK DUDES
AND WHITE DUDES
780
00:36:37,784 --> 00:36:41,288
IS THAT, LIKE, BLACK PEOPLE
CHASTISE THEIR KIDS MORE.
781
00:36:41,289 --> 00:36:42,290
AND AS A RESULT,
782
00:36:42,789 --> 00:36:43,788
YOU DON'T SEE BLACK PEOPLE
DOING CRAZY THINGS,
783
00:36:43,789 --> 00:36:45,790
LIKE SHOOTING THE PRESIDENT.
THAT'S TRUE,
784
00:36:45,791 --> 00:36:46,791
'CAUSE IF A BROTHER WOULD
HAVE SHOT THE PRESIDENT,
785
00:36:46,792 --> 00:36:48,294
AS THEY WERE LEADING HIM
AWAY, IT'D BE LIKE,
786
00:36:48,295 --> 00:36:50,294
"LOOK, MAN, JUST DON'T
TELL MY MAMA, MAN.
787
00:36:50,295 --> 00:36:52,298
MY MAMA GONNA
KILL ME, MAN..."
788
00:36:52,299 --> 00:36:54,300
HERE SHE COMES.
789
00:36:57,302 --> 00:36:59,804
THAT'S ROOM
217 AND 218.
790
00:37:00,305 --> 00:37:01,305
219.
791
00:37:01,306 --> 00:37:02,807
AT THE BEVERLY
HILTON.
792
00:37:02,808 --> 00:37:05,808
NO, I CAN'T, REALLY.
793
00:37:05,809 --> 00:37:09,312
OOPS. THAT'S NOT THE WAY
WE'RE SUPPOSED TO DO THAT.
794
00:37:09,813 --> 00:37:12,814
THAT'S CALLED
THE BUNNY DIP.
795
00:37:12,815 --> 00:37:16,318
Dorothy: PLAYBOY'S MOTTO
IS "THE GIRL NEXT DOOR."
796
00:37:16,319 --> 00:37:17,320
THEY LOOK FOR GIRLS
797
00:37:17,321 --> 00:37:20,821
THAT ARE WHOLESOME AND
FRESH AND YOUNG AND NAIVE.
798
00:37:20,822 --> 00:37:23,324
THEY LOOK FOR ALL OF THAT,
SO MOST OF THOSE GIRLS
799
00:37:23,325 --> 00:37:27,827
DO, UH, HAVE THAT TYPE
OF BACKGROUND.
800
00:37:27,828 --> 00:37:29,329
YOU KNOW, SNIDER,
801
00:37:29,330 --> 00:37:31,332
I HAVE THIS THEORY
ABOUT YOU.
802
00:37:31,333 --> 00:37:32,832
OH, YOU DO, DO YOU?
803
00:37:32,833 --> 00:37:34,832
I THINK THE REASON WHY
YOU'RE SO GOOD IN BED
804
00:37:34,833 --> 00:37:37,336
IS BECAUSE YOU
JUST PLAIN TRY HARDER.
805
00:37:37,337 --> 00:37:39,839
I MEAN, BABY, YOU
PUT IN AN 8-HOUR DAY
806
00:37:39,840 --> 00:37:41,340
IN 15 MINUTES.
807
00:37:41,341 --> 00:37:42,840
HA HA HA!
808
00:37:42,841 --> 00:37:44,342
Dorothy, on answering
machine: HI, IT'S ME.
809
00:37:44,343 --> 00:37:45,344
I CALLED EARLIER, TOO,
810
00:37:45,844 --> 00:37:47,324
HOLD IT.
BUT I DIDN'T LEAVE A MESSAGE.
811
00:37:47,346 --> 00:37:48,845
I JUST WANTED TO LET YOU KNOW
812
00:37:48,846 --> 00:37:49,845
THAT I HAD TO WORK LATE,
813
00:37:49,846 --> 00:37:51,348
BUT I'LL CALL AGAINWHEN I GET HOME.
814
00:37:51,349 --> 00:37:53,351
OH, THANKS FOR THE FLOWERS.THEY'RE BEAUTIFUL.
815
00:37:53,352 --> 00:37:54,851
OOH, FLOWERS.
816
00:37:54,852 --> 00:37:55,851
THESE MACHINESMAKE ME SO NERVOUS.
817
00:37:55,852 --> 00:37:57,852
I ALWAYS FEEL LIKEIF I DON'T TALK FAST,
818
00:37:57,853 --> 00:37:59,355
MY 30 SECONDS WILL RUN OUT.
819
00:37:59,356 --> 00:38:00,855
YES, I THINK IT WOULD BEA TERRIFIC IDEA
820
00:38:00,856 --> 00:38:02,358
IF YOU TAKE EILEENTO THE CARNIVAL.
821
00:38:02,359 --> 00:38:03,359
SHE'D LOVE IT.
822
00:38:03,360 --> 00:38:05,361
JUST DON'T LET HEREAT TOO MUCH JUNK FOOD.
823
00:38:05,362 --> 00:38:07,862
I LOVE YOU. BYE.WHEW, I MADE IT.
824
00:38:07,863 --> 00:38:10,365
THAT MUST BE
NUMBER ONE.
825
00:38:10,366 --> 00:38:12,366
I BET YOU WAS
SCARED AS HELL
826
00:38:12,367 --> 00:38:14,368
SHE WAS OUT
LAST NIGHT
827
00:38:14,369 --> 00:38:16,370
DOIN' WHAT
WE JUST DID.
828
00:38:16,371 --> 00:38:18,372
LOOK I GOT TO
GET UP EARLY,
829
00:38:18,373 --> 00:38:21,375
SO WHY DON'T YOU GET
THE FUCK OUTTA HERE?
830
00:38:37,889 --> 00:38:39,891
? LET IT HANG OUT, BABY ?
831
00:38:41,892 --> 00:38:43,893
? LET IT HANG OUT NOW ?
832
00:38:43,894 --> 00:38:45,896
? NOW, NOW-NOW-NOW ?
833
00:38:46,397 --> 00:38:48,399
? LET IT HANG OUT, BABY ?
834
00:38:49,899 --> 00:38:52,401
? EVERYBODY WORK OUT ?
835
00:38:53,903 --> 00:38:55,905
? SOOKIE, SOOKIE, SOOKIE,
SOOKIE ?
836
00:38:55,906 --> 00:38:57,905
? SOOKIE SOOKIE SOOO! ?
837
00:38:57,906 --> 00:39:00,909
? LET IT HANG OUT, BABY ?
838
00:39:02,911 --> 00:39:03,831
? DO THE BOOMERANG... ?
839
00:39:03,911 --> 00:39:05,412
WE GOT THE BEST ONE,
SWEETHEART.
840
00:39:05,413 --> 00:39:07,414
WE GOT A MERCEDES.
841
00:39:07,415 --> 00:39:09,917
? LET IT HANG OUT, BABY ?
842
00:39:10,418 --> 00:39:11,416
WHAT CAN
I GET YOU?
843
00:39:11,417 --> 00:39:12,917
UH, 2 HOT DOGS,
MUSTARD AND RELISH,
844
00:39:12,918 --> 00:39:14,919
2 ORANGE DRINKS, A BAG
OF POTATO CHIPS, FRIES.
845
00:39:14,920 --> 00:39:15,922
AND 2 CARAMEL CORN.
846
00:39:15,923 --> 00:39:18,424
BUT NO JUNK FOOD.
RIGHT?
847
00:39:18,425 --> 00:39:19,424
RIGHT.
848
00:39:19,425 --> 00:39:21,427
YOU KNOW, THAT HEALTH
FOOD'LL KILL YOU.
849
00:39:24,430 --> 00:39:25,931
DON'T GO
ON THE ROCKET AGAIN.
850
00:39:25,932 --> 00:39:27,931
THAT'S MY RIDE,
SWEETHEART.
851
00:39:27,932 --> 00:39:29,433
EILEEN, STRAIGHTEN UP.
852
00:39:29,434 --> 00:39:30,935
YOU'RE SLOUCHING AGAIN.
853
00:39:30,936 --> 00:39:31,935
I KNOW...
854
00:39:31,936 --> 00:39:34,937
YOU WANT ME TO LOOK
LIKE A CENTERFOLD.
855
00:39:34,938 --> 00:39:35,939
HONEST?
YOU MEAN IT?
856
00:39:35,940 --> 00:39:37,440
AUGUST.
857
00:39:37,441 --> 00:39:40,942
OH, MR. HEFNER,
THANK YOU.
858
00:39:40,943 --> 00:39:42,444
Woman: MISS STRATTON,
WHAT ABOUT YOUR MOTHER?
859
00:39:42,445 --> 00:39:44,945
HOW DID SHE FEEL ABOUT
YOUR PHOTOS IN PLAYBOY?
860
00:39:44,946 --> 00:39:47,449
I DON'T THINK SHE LIKED
IT AT ALL AT FIRST,
861
00:39:47,950 --> 00:39:50,451
BUT THEN SHE STARTED
GETTING CALLS FROM
862
00:39:50,452 --> 00:39:53,454
SEVERAL OF HER FRIENDS
CONGRATULATING HER,
863
00:39:53,455 --> 00:39:54,955
AND SHE SAID TO ME,
864
00:39:54,956 --> 00:39:56,456
"I FEEL
LIKE A MOVIE STAR."
865
00:39:56,457 --> 00:39:57,958
I MEAN,
SHE WAS SO EXCITED.
866
00:39:58,459 --> 00:39:59,959
$10,000!
867
00:39:59,960 --> 00:40:01,962
THEY'RE GONNA
GIVE ME $10,000
868
00:40:02,463 --> 00:40:03,963
FOR HAVING
MY PICTURE TAKEN.
869
00:40:04,464 --> 00:40:05,465
FEELS GOOD, HUH?
870
00:40:05,466 --> 00:40:07,966
OH, YES. YES.
871
00:40:07,967 --> 00:40:11,469
DOROTHY, DO YOU
REALLY LOVE ME?
872
00:40:11,470 --> 00:40:13,972
YES. YES, I DO.
873
00:40:14,473 --> 00:40:15,474
WELL, ALL RIGHT.
874
00:40:15,974 --> 00:40:17,055
HERE'S HOW
IT LAYS OUT THEN.
875
00:40:17,476 --> 00:40:18,474
I'LL GRAB A PLANE
BY WEDNESDAY,
876
00:40:18,475 --> 00:40:19,477
THURSDAY
AT THE LATEST,
877
00:40:19,977 --> 00:40:20,976
AND I'LL BE THERE.
878
00:40:20,977 --> 00:40:21,979
WELL, I WOULDN'T
HAVE THAT MUCH TIME
879
00:40:21,980 --> 00:40:23,480
TO SPEND WITH YOU.
880
00:40:23,481 --> 00:40:25,482
IT'S LIKE THEY'VE GOT ME
RUNNING ALL DAY LONG.
881
00:40:25,982 --> 00:40:27,142
THEN WHEN WE
GET SOME TIME,
882
00:40:27,484 --> 00:40:29,004
WE'LL JUST RUN OVER
TO VEGAS AND DO IT.
883
00:40:29,486 --> 00:40:30,987
WE'LL JUST DO IT,
RIGHT?
884
00:40:31,488 --> 00:40:32,987
DO IT? DO WHAT?
885
00:40:32,988 --> 00:40:34,989
HOW ABOUT
GETTING MARRIED?
886
00:40:34,990 --> 00:40:37,492
WE'LL GET MARRIED,
DOROTHY...
887
00:40:37,493 --> 00:40:39,994
MAKE IT PERMANENT,
JUST LIKE THAT.
888
00:40:39,995 --> 00:40:43,998
WE'LL MAKE IT
A PERMANENT TEAM...
889
00:40:44,499 --> 00:40:46,000
FOR LIFE.
890
00:40:47,502 --> 00:40:50,002
WE HAD EVERYTHING
GOING FOR US,
891
00:40:50,003 --> 00:40:53,506
BUT YOU FUCKS
WOULDN'T LET ME IN.
892
00:40:54,007 --> 00:40:56,008
BIG FUCKING DEAL.
893
00:40:56,509 --> 00:40:59,010
WELL, YOU CAN TAKE
YOUR MAGAZINE,
894
00:40:59,011 --> 00:41:00,012
YOUR MANSION,
AND YOUR MOVIES
895
00:41:00,013 --> 00:41:04,014
AND SHOVE THEM
ALL UP YOUR ASS NOW.
896
00:41:04,015 --> 00:41:05,416
LIAR!
897
00:41:05,417 --> 00:41:07,017
I HAVE MISSED YOU.
898
00:41:07,018 --> 00:41:10,020
I HAVE MISSED YOU
SO MUCH.
899
00:41:15,025 --> 00:41:17,526
GUESS WE
SHOULD GO, HUH?
900
00:41:27,536 --> 00:41:31,539
SOMEBODY TOLD MR. HEFNER
I WAS GOING TO PICK YOU UP.
901
00:41:31,540 --> 00:41:34,041
IT'S HIS PERSONAL CAR.
902
00:41:35,042 --> 00:41:36,543
A LITTLE EMBARRASSING,
ISN'T IT?
903
00:41:36,544 --> 00:41:37,544
NO.
904
00:41:37,545 --> 00:41:40,546
? ...TO THE GULF
OF MEXICO ?
905
00:41:40,547 --> 00:41:43,048
? TO LAKE CHARLES,
LOUISIANA ?
906
00:41:43,049 --> 00:41:46,552
? LITTLE BESSIE GIRL
THAT I ONCE KNEW ?
907
00:41:47,553 --> 00:41:50,054
? SHE TOLD ME JUST TO
COME ON BY ?
908
00:41:50,055 --> 00:41:54,058
? IF THERE'S ANYTHING
THAT SHE COULD DO ?
909
00:41:54,059 --> 00:41:57,561
? UP ON CRIPPLE CREEK,
SHE SENDS ME ?
910
00:41:57,562 --> 00:42:01,064
? IF I SPRING A LEAK,
SHE MENDS ME ?
911
00:42:01,065 --> 00:42:04,066
? I DON'T HAVE TO SPEAK,
SHE DEFENDS ME ?
912
00:42:04,067 --> 00:42:09,072
? A DRUNKARD'S DREAM
IF I EVER DID SEE ONE ?
913
00:42:11,073 --> 00:42:13,575
? GOOD-LUCK HAG,
SHE STUNG ME ?
914
00:42:14,076 --> 00:42:16,078
? TO THE RACE TRACK
I DID GO... ?
915
00:42:16,079 --> 00:42:17,077
HI.
916
00:42:17,078 --> 00:42:18,078
HI.
917
00:42:18,079 --> 00:42:19,078
YOU'RE DOROTHY.
918
00:42:19,079 --> 00:42:20,079
WE MET THE OTHER
NIGHT.
919
00:42:20,080 --> 00:42:22,083
OH, YES.
THIS IS PAUL SNIDER.
920
00:42:22,584 --> 00:42:24,585
AND YOU ARE...
I'M SORRY. I FORGOT.
921
00:42:25,085 --> 00:42:26,586
THAT'S OK. I'M...
922
00:42:26,587 --> 00:42:27,588
VINCE ROBERTS.
923
00:42:29,089 --> 00:42:30,090
I'M A BIG FAN.
924
00:42:30,591 --> 00:42:31,591
THANKS.
925
00:42:31,592 --> 00:42:33,092
HEY, LISTEN, THAT WAS
MY FAVORITE TV SHOW.
926
00:42:33,093 --> 00:42:34,593
THANK YOU.
927
00:42:34,594 --> 00:42:36,595
CANCELED, HUH?
928
00:42:36,596 --> 00:42:37,596
YEAH.
929
00:42:37,597 --> 00:42:40,097
ANY CHANCE THEY'LL
BRING IT BACK?
930
00:42:40,098 --> 00:42:41,099
I DON'T
THINK SO.
931
00:42:41,100 --> 00:42:42,600
AH, TOO BAD.
932
00:42:42,601 --> 00:42:44,100
AREN'T MANY ACTORS
AROUND LIKE YOU.
933
00:42:44,101 --> 00:42:45,603
THEY'RE ALL LIGHTWEIGHTS.
934
00:42:45,604 --> 00:42:47,605
WE NEED HEAVYWEIGHTS
LIKE YOU.
935
00:42:47,606 --> 00:42:49,607
YOU BREAK MY HEART.
936
00:42:50,107 --> 00:42:54,109
JEEZ, IT'S BEEN A WHILE
SINCE THAT SHOW WAS ON.
937
00:42:54,110 --> 00:42:55,611
WHAT IS IT,
A YEAR NOW?
938
00:42:55,612 --> 00:42:57,112
3.
939
00:42:57,113 --> 00:42:59,615
IT'S BEEN 3 YEARS
SINCE YOU WERE ON TV?
940
00:42:59,616 --> 00:43:00,616
YEAH.
941
00:43:00,617 --> 00:43:02,618
ISN'T THAT SOMETHING?
942
00:43:03,118 --> 00:43:04,119
BAD SCRIPTS, HUH?
943
00:43:04,120 --> 00:43:06,120
I GUESS SO.
944
00:43:06,121 --> 00:43:08,122
DOROTHY,
THERE YOU ARE.
945
00:43:08,123 --> 00:43:09,623
EXCUSE ME.
946
00:43:09,624 --> 00:43:11,124
YEAH, YOU KNOW,
947
00:43:11,125 --> 00:43:12,926
GOOD WRITERS ARE REALLY
HARD TO FIND OUT HERE.
948
00:43:13,127 --> 00:43:14,628
I'VE GOT A COUPLE
OF PROJECTS IN MIND...
949
00:43:14,629 --> 00:43:17,629
I COULD USE A GOOD WRITER,
AND I CAN'T FIND ANY.
950
00:43:17,630 --> 00:43:19,130
I MEAN, NOT
A DECENT ONE, ANYWAY,
951
00:43:19,131 --> 00:43:20,131
AND WHEN YOU DO,
952
00:43:20,132 --> 00:43:22,635
THEY WON'T DO WHAT
YOU TELL 'EM TO DO.
953
00:43:23,136 --> 00:43:26,137
YEAH. SOME WRITERS
ARE LIKE THAT.
954
00:43:26,138 --> 00:43:27,639
WOULD YOU EXCUSE ME?
I'M JUST GONNA...
955
00:43:27,640 --> 00:43:28,639
WELL, I FOR ONE
956
00:43:28,640 --> 00:43:29,642
HOPE YOU'RE BACK
ON THE TUBE REAL SOON.
957
00:43:30,142 --> 00:43:31,642
THANKS.
958
00:43:31,643 --> 00:43:34,645
UM, ARE YOU WORKING
ON ANYTHING NEW NOW?
959
00:43:34,646 --> 00:43:36,647
JUST READING.
960
00:43:36,648 --> 00:43:38,148
JUST READING.
961
00:43:38,149 --> 00:43:39,649
EXCUSE ME.
962
00:43:41,652 --> 00:43:43,153
SEE YA, VINCE.
963
00:43:51,661 --> 00:43:54,162
YOU SHOULD HAVE
TALKED TO HIM.
964
00:43:55,163 --> 00:43:57,165
THERE'S HEF.
STRAIGHTEN UP.
965
00:44:00,168 --> 00:44:01,168
HI, DOROTHY.
966
00:44:03,170 --> 00:44:05,672
LOOK AT HER.
OH, WOW...
967
00:44:07,675 --> 00:44:08,674
ANYTIME.
968
00:44:08,675 --> 00:44:09,676
OK.
969
00:44:10,176 --> 00:44:12,176
I SEE YOU GOT HERE
ALL RIGHT.
970
00:44:12,177 --> 00:44:14,180
MR. HEFNER,
THIS IS PAUL SNIDER.
971
00:44:14,181 --> 00:44:16,180
PAUL, MR. HEFNER.
972
00:44:16,181 --> 00:44:19,684
IF A MAN HAS A RIGHT
TO FIND GOD IN HIS OWN WAY,
973
00:44:20,185 --> 00:44:21,185
HE HAS A RIGHT
974
00:44:21,186 --> 00:44:23,186
TO GO TO THE DEVIL
IN HIS OWN WAY.
975
00:44:23,187 --> 00:44:24,186
HERE'S ANOTHER ONE...
976
00:44:24,187 --> 00:44:26,690
DESCRIPTIONS OF MURDER
WHICH WE CONSIDER A CRIME
977
00:44:26,691 --> 00:44:28,691
ARE ACCEPTABLE IN ART
AND LITERATURE,
978
00:44:28,692 --> 00:44:31,194
BUT DESCRIPTIONS OF SEX
ARE PROHIBITED.
979
00:44:31,695 --> 00:44:34,197
OUR SOCIETY
HAS PUT HATE ABOVE LOVE,
980
00:44:34,698 --> 00:44:37,199
FAVORED KILLING
OVER LIVING.
981
00:44:37,200 --> 00:44:38,700
RIGHT?
982
00:44:38,701 --> 00:44:41,202
PRETTY CLOSE,
BUT I THINK
983
00:44:41,203 --> 00:44:43,705
I SAID "FAVORED
DEATH OVER LIFE."
984
00:44:43,706 --> 00:44:46,206
WHAT? I DON'T
UNDERSTAND. WHAT?
985
00:44:46,207 --> 00:44:48,209
HE'S QUOTING ME.
OLD ONES AT THAT.
986
00:44:48,210 --> 00:44:50,210
THAT'S GREAT STUFF.
987
00:44:50,211 --> 00:44:52,713
FINE PIECE OF WORK.
FINE...
988
00:44:52,714 --> 00:44:55,213
GOD, I FEEL HEF HERE AND I
ARE OLD FRIENDS.
989
00:44:55,214 --> 00:44:58,216
YOU KNOW, I THINK WE EVEN
HAVE SOME MUTUAL BUDDIES.
990
00:44:58,217 --> 00:44:59,719
IS, UH, TELLY AT THIS BASH?
991
00:44:59,720 --> 00:45:00,719
TELLY?
992
00:45:00,720 --> 00:45:01,720
SAVALAS.
993
00:45:01,721 --> 00:45:03,220
TELLY SAVALAS.
HE'S AN OLD PAL.
994
00:45:03,221 --> 00:45:04,223
THOUGHT I MIGHT
SEE HIM HERE.
995
00:45:04,224 --> 00:45:05,223
OH!
996
00:45:05,224 --> 00:45:07,726
HEY, BOBO.
997
00:45:07,727 --> 00:45:10,228
AH, BOBO. BOBO, I WANT YOU
TO MEET DOROTHY STRATTEN.
998
00:45:10,229 --> 00:45:11,228
HI.
HI.
999
00:45:11,229 --> 00:45:14,231
BOBO WELLER.
1000
00:45:14,232 --> 00:45:15,732
I STILL GOT
YOUR CENTERFOLD
1001
00:45:15,733 --> 00:45:16,734
ON MY WALL.
1002
00:45:17,234 --> 00:45:18,735
OH, WOW.
1003
00:45:18,736 --> 00:45:20,738
YOUR FAVORITE BOOK
IS THE HITE REPORT.
1004
00:45:20,739 --> 00:45:24,239
YOU LIKE ROD STEWART,
LINDA RONSTADT,
1005
00:45:24,240 --> 00:45:26,241
AND BOZ SCAGGS, RIGHT?
1006
00:45:26,242 --> 00:45:27,743
OH, WOW.
1007
00:45:27,744 --> 00:45:31,245
I'D KNOW
THAT BOD ANYWHERE.
1008
00:45:31,246 --> 00:45:32,747
WHAT'S YOUR NAME?
SNIDER.
1009
00:45:32,748 --> 00:45:33,748
DOROTHY?
1010
00:45:33,749 --> 00:45:34,749
PAUL.
1011
00:45:34,750 --> 00:45:37,751
EXCUSE US A SECOND.
DOROTHY...
1012
00:45:37,752 --> 00:45:38,753
WHAT DO YOU DO?
1013
00:45:38,754 --> 00:45:42,222
UH, I'M
A PERSONAL MANAGER.
1014
00:45:42,223 --> 00:45:44,425
PHIL, SAY HELLO
TO DOROTHY STRATTEN.
1015
00:45:44,926 --> 00:45:46,424
HE SAYS SAY HELLO,
YOU SAY HELLO.
1016
00:45:46,425 --> 00:45:47,927
HELLO,
DOROTHY STRATTEN.
1017
00:45:47,928 --> 00:45:48,928
I'M PHIL WASS.
1018
00:45:48,929 --> 00:45:50,430
HELLO.
1019
00:45:50,931 --> 00:45:52,932
PHIL PRODUCES
MOVIES... SOMETIMES.
1020
00:45:52,933 --> 00:45:54,933
DOROTHY'S
OUR MISS AUGUST.
1021
00:45:54,934 --> 00:45:56,214
WE'RE ALL VERY
EXCITED ABOUT HER.
1022
00:45:56,435 --> 00:45:57,434
MAYBE IF YOU PLAY
YOUR CARDS RIGHT,
1023
00:45:57,435 --> 00:45:58,937
WE MIGHT JUST
LET YOU PRESENT HER
1024
00:45:58,938 --> 00:45:59,938
IN HER FILM DEBUT.
1025
00:45:59,939 --> 00:46:01,940
SHE'S A VERY
FINE ACTRESS.
1026
00:46:02,440 --> 00:46:03,440
MR. HEFNER...
1027
00:46:03,441 --> 00:46:04,440
DON'T WORRY. HE DOESN'T
KNOW A DAMN THING
1028
00:46:04,441 --> 00:46:05,443
ABOUT ACTING ANYWAY.
1029
00:46:05,944 --> 00:46:07,943
EXCUSE ME. I'LL
LEAVE YOU 2 ALONE.
1030
00:46:07,944 --> 00:46:10,946
LISTEN, I AM DOING A FILM
CALLED BALL BEARINGS.
1031
00:46:10,947 --> 00:46:12,447
MAYBE YOU'D LIKE TO DROP
OVER THE OFFICE TOMORROW
1032
00:46:12,448 --> 00:46:13,450
AND MEET THE DIRECTOR.
1033
00:46:13,951 --> 00:46:15,451
WHAT HAVE
I GOT TO LOSE?
1034
00:46:15,452 --> 00:46:17,453
YOU DON'T KNOW
THE DIRECTOR.
1035
00:46:18,454 --> 00:46:21,456
EXCUSE ME
FOR A MINUTE. YEAH, SURE.
1036
00:46:21,457 --> 00:46:22,457
IT'S NOT MUCH
OF A PART...
1037
00:46:22,458 --> 00:46:23,958
SHE'LL TAKE IT.
1038
00:46:23,959 --> 00:46:25,459
HI. PAUL SNIDER
HERE.
1039
00:46:25,460 --> 00:46:26,961
MISS STRATTEN,
1040
00:46:26,962 --> 00:46:29,464
I SAW YOUR MOVIE DEBUT
IN BALL BEARINGS.
1041
00:46:29,465 --> 00:46:30,964
UH-OH. HA HA...
1042
00:46:30,965 --> 00:46:32,465
UH-OH IS RIGHT.
1043
00:46:32,466 --> 00:46:33,967
NO, I'M NOT
THE FILM CRITIC,
1044
00:46:33,968 --> 00:46:36,469
BUT THAT WASN'T
MUCH OF A PART.
1045
00:46:36,470 --> 00:46:38,471
WELL, I WASN'T MUCH
OF AN ACTRESS, EITHER.
1046
00:46:38,472 --> 00:46:40,973
OH? ARE YOU
BETTER NOW?
1047
00:46:40,974 --> 00:46:42,976
OH, GOD, I HOPE SO.
I'M STUDYING.
1048
00:46:42,977 --> 00:46:43,976
THE CLASSICS?
1049
00:46:43,977 --> 00:46:46,478
NO. ACTING. I DON'T KNOW
ANYTHING ABOUT MUSIC.
1050
00:46:50,482 --> 00:46:52,483
SORRY.
I'M SO EMBARRASSED.
1051
00:46:54,986 --> 00:46:57,488
HEFNER DIDN'T LIKE IT
WHEN I QUOTED HIM.
1052
00:46:57,489 --> 00:47:00,489
I SHOULDA KEPT
MY MOUTH SHUT.
1053
00:47:00,490 --> 00:47:01,490
DAMN.
1054
00:47:01,491 --> 00:47:03,993
I THINK IT JUST
SURPRISED HIM.
1055
00:47:03,994 --> 00:47:06,495
DUMB MOVE.
1056
00:47:06,496 --> 00:47:09,998
MAYBE YOU WERE
A LITTLE NERVOUS.
1057
00:47:09,999 --> 00:47:10,999
OH...
1058
00:47:11,000 --> 00:47:14,003
LOOK AT THESE
STUPID CLOTHES.
1059
00:47:17,005 --> 00:47:19,507
DUMB MOVE
QUOTING HIM.
1060
00:47:26,513 --> 00:47:28,014
YOU KNOW, I WAS
A LITTLE NERVOUS
1061
00:47:28,015 --> 00:47:29,375
THE FIRST NIGHT
I WAS THERE, TOO...
1062
00:47:29,515 --> 00:47:32,017
JESUS, WILL YOU
STOP SAYIN' THAT!
1063
00:47:37,522 --> 00:47:40,024
I MEAN, WHY THE HELL
SHOULD I BE NERVOUS
1064
00:47:40,025 --> 00:47:42,027
AROUND HEFNER
AND THAT CROWD?
1065
00:47:42,028 --> 00:47:44,027
BUNCH OF SMART ASSES...
1066
00:47:44,028 --> 00:47:47,530
WITH THEIR STUPID,
FAGGY HAIRSTYLES,
1067
00:47:47,531 --> 00:47:49,032
SMUG BASTARDS.
1068
00:47:49,033 --> 00:47:50,532
AND THAT VINCE ROBERTS...
1069
00:47:50,533 --> 00:47:53,035
BOY, DOES HE WANT TO
GET INTO YOUR PANTS.
1070
00:47:53,036 --> 00:47:55,537
HE'S NOT GOING TO.
1071
00:47:55,538 --> 00:47:57,540
HE'S ASKED YOU OUT,
HASN'T HE?
1072
00:47:57,541 --> 00:47:58,540
YES.
1073
00:47:58,541 --> 00:48:00,041
WHAT'D YOU SAY?
1074
00:48:02,544 --> 00:48:05,046
I SAID
I HAD A FELLA,
1075
00:48:05,047 --> 00:48:07,048
A STEADY FELLA.
1076
00:48:08,049 --> 00:48:09,050
YOU DID?
1077
00:48:15,055 --> 00:48:17,057
MAYBE YOU SHOULD.
1078
00:48:18,058 --> 00:48:19,558
SHOULD WHAT?
1079
00:48:19,559 --> 00:48:20,558
GO OUT WITH HIM.
1080
00:48:20,559 --> 00:48:22,561
HE SAID HE WAS
READING SOME PROJECTS.
1081
00:48:22,562 --> 00:48:26,564
HO, I'M REALLY TIRED.
LET'S GO TO BED.
1082
00:48:26,565 --> 00:48:28,564
DO YOU THINK
HEFNER LIKED ME?
1083
00:48:28,565 --> 00:48:29,565
PAUL, COME ON...
1084
00:48:29,566 --> 00:48:31,068
I DON'T THINK
HE LIKED ME.
1085
00:48:31,069 --> 00:48:32,570
IF HE JUST
GOT TO KNOW ME...
1086
00:49:17,993 --> 00:49:18,992
LOOK, MR. HEFNER,
1087
00:49:18,993 --> 00:49:20,493
ARE YOU TRYING
TO TELL ME
1088
00:49:20,494 --> 00:49:22,996
THAT YOU DON'T WANT ME
TO MARRY PAUL?
1089
00:49:22,997 --> 00:49:24,496
YOU HAVE TO
UNDERSTAND, DOROTHY,
1090
00:49:24,497 --> 00:49:25,497
THAT A THIRD PARTY
1091
00:49:25,498 --> 00:49:26,500
IS IN KIND OF A FUNNY
POSITION, ET CETERA,
1092
00:49:27,001 --> 00:49:28,000
WHEN YOU'RE TRYING TO
COUNSEL SOMEBODY
1093
00:49:28,001 --> 00:49:29,000
ABOUT MARRIAGE.
1094
00:49:29,001 --> 00:49:31,004
YOU NEVER KNOW HOW
IT'S GOING TO END UP.
1095
00:49:31,005 --> 00:49:32,504
IT'S NOT BECAUSE
1096
00:49:32,505 --> 00:49:35,007
I'M GOING TO BE
A PLAYMATE, IS IT?
1097
00:49:35,008 --> 00:49:36,507
NO, NO.
1098
00:49:36,508 --> 00:49:37,508
OF COURSE NOT.
1099
00:49:37,509 --> 00:49:39,010
WELL, SOME OF THE
OTHER GIRLS TOLD ME
1100
00:49:39,011 --> 00:49:40,512
THAT YOU DIDN'T
LIKE THE PLAYMATES
1101
00:49:40,513 --> 00:49:41,512
TO BE MARRIED.
1102
00:49:41,513 --> 00:49:43,013
FRANKLY, WE THINK
IT'S BETTER FOR THE IMAGE
1103
00:49:43,014 --> 00:49:44,013
IF THEY'RE NOT.
1104
00:49:44,014 --> 00:49:45,516
YOU UNDERSTAND
THAT, DON'T YOU?
1105
00:49:45,517 --> 00:49:47,017
BUT SEVERAL HAVE BEEN.
1106
00:49:47,018 --> 00:49:48,017
JUST A MOMENT, SAM.
1107
00:49:48,018 --> 00:49:49,020
WHO? GIVE ME SOME NAMES.
1108
00:49:49,021 --> 00:49:50,020
CINDY WAS.
1109
00:49:50,021 --> 00:49:51,520
GINGER, I THINK.
1110
00:49:51,521 --> 00:49:53,022
THAT'S RIGHT.
CINDY, GINGER...
1111
00:49:53,023 --> 00:49:54,024
LOOK, HE CAN'T
JUST COME RIGHT OUT
1112
00:49:54,025 --> 00:49:55,524
AND SAY IT.
1113
00:49:55,525 --> 00:49:57,026
HE'S TRYING TO
TELL YOU SOMETHING.
1114
00:49:57,027 --> 00:49:58,526
I KNOW HE IS,
1115
00:49:58,527 --> 00:50:00,529
AND I THINK I KNOW WHAT
HE'S TRYING TO TELL ME,
1116
00:50:00,530 --> 00:50:03,531
BUT I DON'T THINK
HE UNDERSTANDS.
1117
00:50:03,532 --> 00:50:06,033
WHAT'S WRONG WITH HIM?
1118
00:50:06,034 --> 00:50:08,035
WELL, HE'S...
1119
00:50:08,036 --> 00:50:10,038
HE'S GOT THE PERSONALITY
OF A PIMP.
1120
00:50:11,539 --> 00:50:14,541
THAT WAS IMPROPER.
I SHOULDN'T HAVE SAID THAT.
1121
00:50:14,542 --> 00:50:17,543
OHH, MR. HEFNER,
1122
00:50:17,544 --> 00:50:19,546
THAT'S JUST THE WAY
HE USED TO DRESS.
1123
00:50:19,547 --> 00:50:22,548
HE DOESN'T DRESS
LIKE THAT ANYMORE.
1124
00:50:28,503 --> 00:50:30,004
OH, GOD...
1125
00:50:30,005 --> 00:50:33,007
I AM SO CONFUSED.
1126
00:50:33,008 --> 00:50:36,509
I DON'T THINK
ANYBODY UNDERSTANDS.
1127
00:50:36,510 --> 00:50:38,511
I OWE IT TO HIM.
1128
00:50:38,512 --> 00:50:39,512
MISS STRATTEN,
1129
00:50:39,513 --> 00:50:41,014
MAY I ASK YOU
A PERSONAL QUESTION?
1130
00:50:41,015 --> 00:50:43,015
36-24-36.
1131
00:50:43,016 --> 00:50:44,515
NO. I HAVE
THAT INFORMATION
1132
00:50:44,516 --> 00:50:45,516
IN THE PRESS RELEASE
RIGHT HERE.
1133
00:50:45,517 --> 00:50:48,020
AS A MATTER OF FACT,
I HAVE IT SEVERAL TIMES.
1134
00:50:48,021 --> 00:50:49,582
I JUST WANTED TO KNOW
IF YOU'RE MARRIED.
1135
00:50:51,023 --> 00:50:52,023
YES.
1136
00:50:52,024 --> 00:50:53,523
I'VE BEEN MARRIED
ABOUT 3 MONTHS.
1137
00:50:53,524 --> 00:50:54,524
I WONDER WHY YOU
LOOKED AT MISS DAVIS
1138
00:50:54,525 --> 00:50:55,527
WHEN I ASKED YOU THAT.
1139
00:50:56,028 --> 00:50:57,028
NO REASON.
1140
00:50:57,029 --> 00:50:58,529
NO REASON? IS HE
TRAVELING WITH YOU?
1141
00:50:58,530 --> 00:50:59,529
NO, HE'S NOT.
1142
00:50:59,530 --> 00:51:00,531
AND WHY IS THAT?
1143
00:51:01,032 --> 00:51:02,533
I'D LIKE MISS STRATTEN
TO ANSWER ME...
1144
00:51:02,534 --> 00:51:03,533
IF SHE WOULD.
1145
00:51:03,534 --> 00:51:05,534
HE'S IN L.A.
WORKING.
1146
00:51:05,535 --> 00:51:07,036
WHAT SORT OF WORK
DOES HE DO?
1147
00:51:07,037 --> 00:51:08,036
HE'S DOING A SHOW.
1148
00:51:08,037 --> 00:51:09,537
I'M SORRY,
I DIDN'T HEAR THAT.
1149
00:51:09,538 --> 00:51:11,258
COULD YOU REPEAT THAT
AGAIN A LITTLE LOUDER?
1150
00:51:11,541 --> 00:51:14,543
HAL WANTS TO SOMEDAY BE
THE FIRST BLACK PRESIDENT
1151
00:51:14,544 --> 00:51:16,044
OF THE UNITED STATES!
1152
00:51:16,045 --> 00:51:17,546
GIT ON DOWN NOW!
1153
00:51:18,047 --> 00:51:20,047
SHOW 'EM
WHAT YOU CAN DO!
1154
00:51:20,048 --> 00:51:21,048
WHOO!
1155
00:51:21,049 --> 00:51:22,550
GIVE HIM A HAND!
HAL DAFOE!
1156
00:51:22,551 --> 00:51:23,551
WHOA!
1157
00:51:24,052 --> 00:51:26,553
[VILLAGE PEOPLE PLAY YMCA]
1158
00:51:26,554 --> 00:51:29,555
THIS IS NUMBER 3.
THIS IS MIKEY!
1159
00:51:29,556 --> 00:51:31,557
MIKEY... WHOA...
1160
00:51:31,558 --> 00:51:34,060
LOVES TO READ POETRY.
1161
00:51:34,061 --> 00:51:38,563
AND MIKE HOPES TO SOMEDAY
MEET OLIVIA NEWTON-JOHN!
1162
00:51:38,564 --> 00:51:41,066
OH, STOP.
STOP IT RIGHT THERE.
1163
00:51:41,067 --> 00:51:43,066
LADIES, STOP. I THINK
I SEE SOMETHING.
1164
00:51:43,067 --> 00:51:45,570
MICHAEL, YOU SHOULD BE
ASHAMED OF YOURSELF.
1165
00:51:46,571 --> 00:51:48,072
NO PADDING!
1166
00:51:49,074 --> 00:51:50,574
NOW, THAT'S
THE RULES, BOYS!
1167
00:51:51,075 --> 00:51:52,076
NO PADDING!
1168
00:51:54,078 --> 00:51:56,579
NOW, YOU TURN AROUND,
YOU BAD BOY.
1169
00:51:56,580 --> 00:51:58,080
NAUGHTY, NAUGHTY.
1170
00:51:58,081 --> 00:51:59,582
DON'T EVER DO THAT AGAIN!
1171
00:51:59,583 --> 00:52:01,583
HERE WE GO
WITH NUMBER 5!
1172
00:52:01,584 --> 00:52:03,085
THIS IS DICK!
1173
00:52:03,086 --> 00:52:06,087
OH, LADIES,
LET ME TELL YA,
1174
00:52:06,088 --> 00:52:07,589
DICK SPEAKS
FLUENT FRENCH!
1175
00:52:07,590 --> 00:52:10,091
I FOUND OUT
LAST NIGHT.
1176
00:52:10,092 --> 00:52:13,594
OH, DICKY, SHOW 'EM
WHAT YOU GOT, BABY.
1177
00:52:14,095 --> 00:52:16,595
VOULEZ-VOUS COUCHERAVEC MOI, DICKY?
1178
00:52:16,596 --> 00:52:18,599
WHAT DO YOU THINK
OF DICK'S DONG?
1179
00:52:20,100 --> 00:52:22,102
HEY, LADIES,
WHAT DO YOU THINK
1180
00:52:22,602 --> 00:52:27,605
OF ALL OF OUR BEAUTIFUL,
WELL-HUNG, YOUNG MEN?
1181
00:52:27,606 --> 00:52:29,107
OK, GUYS...
1182
00:52:29,108 --> 00:52:31,109
5, 6, 7, 8...
1183
00:52:31,110 --> 00:52:32,611
WHOOO!
1184
00:52:33,112 --> 00:52:36,613
? ...GOT TO KNOW
THIS ONE THING ?
1185
00:52:36,614 --> 00:52:38,115
? NO MAN ?
1186
00:52:38,116 --> 00:52:39,617
? DOES IT ALL BY HIMSELF ?
1187
00:52:39,618 --> 00:52:41,618
? I SAID YOUNG MAN ?
1188
00:52:42,119 --> 00:52:43,620
? PUT YOUR PRIDE
ON THE SHELF ?
1189
00:52:43,621 --> 00:52:46,122
? AND JUST GO THERE ?
1190
00:52:46,123 --> 00:52:48,625
? TO THE YMCA... ?
1191
00:52:53,129 --> 00:52:56,630
COMES TO
874 BUCKS APIECE.
1192
00:52:56,631 --> 00:52:58,633
SORRY, PAUL.
THOSE ARE THE FIGURES.
1193
00:53:01,136 --> 00:53:03,635
I DON'T UNDERSTAND.
THIS PLACE WAS PACKED.
1194
00:53:03,636 --> 00:53:06,139
WELL, THEY WEREN'T EXACTLY
A BUNCH OF BIG SPENDERS.
1195
00:53:06,140 --> 00:53:08,142
IT WAS NO SHRINERS
CONVENTION.
1196
00:53:12,645 --> 00:53:14,146
ANY PROJECTS
IN THE OFFING,
1197
00:53:14,147 --> 00:53:15,647
ANY NEW FILMS?
1198
00:53:15,648 --> 00:53:17,149
WELL, WHEN I GO
BACK TO LOS ANGELES,
1199
00:53:17,150 --> 00:53:19,651
I START A MOVIE CALLED
WEDNESDAY'S CHILD.
1200
00:53:19,652 --> 00:53:22,653
WHAT'S WEDNESDAY'S CHILD ABOUT?
1201
00:53:22,654 --> 00:53:24,654
WELL, YOU'RE GOING TO
SPEND A LOT OF TIME
1202
00:53:24,655 --> 00:53:26,657
WATCHING ME GET
TIED UP AND BEATEN.
1203
00:53:27,158 --> 00:53:29,159
IT'S NOT A CLASSIC.
HA HA.
1204
00:53:29,160 --> 00:53:30,159
Man: SAL, WILL YOU
1205
00:53:30,160 --> 00:53:32,161
PUT THE PELLET
IN HER MOUTH, PLEASE?
1206
00:53:32,162 --> 00:53:33,663
CAREFUL NOW.
DON'T BITE IT.
1207
00:53:34,164 --> 00:53:35,663
THERE'S A CALL
FOR YOU, DOROTHY.
1208
00:53:35,664 --> 00:53:37,166
NOT NOW,
FOR CHRIST'S SAKE.
1209
00:53:37,167 --> 00:53:39,669
ALL RIGHT, PUT THE GUN
BACK UP TO HER FACE.
1210
00:53:39,670 --> 00:53:41,169
HE SAYS HIS LINE,
1211
00:53:41,170 --> 00:53:43,672
YOU SHAKE YOU HEAD NO.
HARDER!
1212
00:53:44,173 --> 00:53:46,175
AND THEN HE SLAPS YOU ACROSS
THE FACE WITH THE GUN.
1213
00:53:48,176 --> 00:53:49,176
WHAT?
1214
00:53:49,177 --> 00:53:51,178
YOU BIT THE PELLET.
1215
00:53:51,179 --> 00:53:53,680
HA HA...
GOD DAMN IT!
1216
00:53:53,681 --> 00:53:56,182
WHAT'S SO FUNNY?
HA HA HA...
1217
00:53:56,183 --> 00:53:58,185
I'M SORRY.
CLEAN HER UP, PLEASE.
1218
00:54:00,187 --> 00:54:02,188
OH, GOD.
1219
00:54:02,189 --> 00:54:04,190
SHOULD I TELL HIM
TO CALL BACK?
1220
00:54:04,191 --> 00:54:06,691
HE'S CALLED 3 TIMES.
1221
00:54:06,692 --> 00:54:08,694
FUCKING
BLOOD PELLETS.
1222
00:54:09,195 --> 00:54:10,195
JESUS...
1223
00:54:10,196 --> 00:54:11,694
LOOK, I'M SORRY
TO BOTHER YOU,
1224
00:54:11,695 --> 00:54:12,697
BUT I FOUND IT.
1225
00:54:12,698 --> 00:54:14,198
IT'S BEAUTIFUL.
1226
00:54:14,199 --> 00:54:15,199
PAUL, LISTEN,
1227
00:54:15,200 --> 00:54:17,202
I DON'T THINK THIS IS
A VERY GOOD TIME TO TALK.
1228
00:54:17,702 --> 00:54:18,901
I AM SITTING HERE
FREAKING OUT.
1229
00:54:19,203 --> 00:54:21,703
IT'S A PAUL SNIDER/
DOROTHY STRATTEN CAR
1230
00:54:21,704 --> 00:54:23,206
IF EVER
I'VE SEEN ONE.
1231
00:54:23,207 --> 00:54:25,207
BUT IT'S A LITTLE
MORE THAN I FIGURED.
1232
00:54:25,208 --> 00:54:26,209
LOOK,
I WAS WONDERING,
1233
00:54:26,210 --> 00:54:27,709
IS THERE ANY WAY
1234
00:54:27,710 --> 00:54:29,211
THAT YOU COULD GET
TO THE BANK TODAY?
1235
00:54:29,212 --> 00:54:30,211
I'D LIKE TO
SIGN THE PAPERS
1236
00:54:30,212 --> 00:54:32,213
BEFORE SOMEBODY ELSE
GRABS IT.
1237
00:54:32,214 --> 00:54:34,216
WE'RE GONNA NEED
ANOTHER 3,000.
1238
00:54:36,718 --> 00:54:38,219
ON YOUR LUNCH HOUR
MAYBE?
1239
00:54:38,220 --> 00:54:40,221
WE'VE BEEN SPENDING
A LOT OF MONEY LATELY.
1240
00:54:40,222 --> 00:54:41,721
MAYBE WE SHOULD WAIT.
1241
00:54:41,722 --> 00:54:42,721
THERE'S NOT
A BETTER-LOOKING SET
1242
00:54:42,722 --> 00:54:44,723
OF WHEELS IN THIS
WHOLE FRIGGIN' TOWN.
1243
00:54:44,724 --> 00:54:46,226
Director: DO YOU THINK
IT MIGHT BE POSSIBLE
1244
00:54:46,227 --> 00:54:48,226
TO DRAG MISS STRATTEN
OFF THE PHONE
1245
00:54:48,227 --> 00:54:49,229
FOR A FEW MINUTES?
1246
00:54:49,230 --> 00:54:50,730
HE'LL WAIT.
1247
00:54:51,231 --> 00:54:52,732
I'M GONNA GET
A LICENSE PLATE
1248
00:54:52,733 --> 00:54:55,233
THAT SPELLS OUT
"STAR 80."
1249
00:54:55,234 --> 00:54:57,735
IT'S FAN-
FUCKING-TASTIC.
1250
00:54:57,736 --> 00:55:00,738
YOU KNOW...
S-T-A-R 8-0?
1251
00:55:00,739 --> 00:55:01,739
THAT'S YOU.
1252
00:55:01,740 --> 00:55:03,741
STAR 80.
1253
00:55:04,242 --> 00:55:05,243
EVERYONE
IN THIS TOWN
1254
00:55:05,244 --> 00:55:08,245
IS GOING TO
KNOW WHO WE ARE.
1255
00:55:08,246 --> 00:55:10,247
CAN YOU GET
TO THE BANK?
1256
00:55:12,249 --> 00:55:13,750
PLEASE?
1257
00:55:16,253 --> 00:55:18,753
OK. OK, I'LL GO
TO THE BANK.
1258
00:55:18,754 --> 00:55:20,255
THAT'S MY QUEEN.
1259
00:55:20,256 --> 00:55:22,257
DAVID... DAVID...
1260
00:55:22,258 --> 00:55:23,757
WOULD YOU BRING HER
IN HERE?
1261
00:55:23,758 --> 00:55:24,760
WHAT TIME DO YOU THINK
WE'RE GONNA FINISH?
1262
00:55:24,761 --> 00:55:26,260
LATE. VERY LATE.
1263
00:55:26,261 --> 00:55:27,760
LATE.
HE SAID VERY LATE.
1264
00:55:27,761 --> 00:55:29,263
IF YOU'RE NOT
GONNA BE HOME,
1265
00:55:29,264 --> 00:55:30,263
I THOUGHT
I'D LIKE TO DROP BY
1266
00:55:30,264 --> 00:55:31,266
THE MANSION
FOR A WHILE.
1267
00:55:31,766 --> 00:55:32,764
CAN YOU
GIVE HIM A CALL
1268
00:55:32,765 --> 00:55:33,765
AND FIX IT FOR ME,
1269
00:55:33,766 --> 00:55:34,768
LET HIM KNOW
I'M COMING?
1270
00:55:35,269 --> 00:55:37,270
DOROTHY,
IS THAT ALL RIGHT?
1271
00:55:37,271 --> 00:55:38,772
MM-HMM.
1272
00:55:39,273 --> 00:55:41,240
DAMN, I WISH HE
WOULDN'T CALL ME HERE.
1273
00:55:41,241 --> 00:55:43,493
ALL RIGHT.
1274
00:55:48,997 --> 00:55:49,997
IT'S A SCI-FI.
1275
00:55:49,998 --> 00:55:53,000
SHE, UH,
SHE PLAYS A ROBOT.
1276
00:55:53,001 --> 00:55:54,502
GET IN THERE,
YOU MOTHER.
1277
00:55:54,503 --> 00:55:56,503
THEY OFFERED US 10,000.
1278
00:55:56,504 --> 00:55:59,506
WELL, I PUT A STOP
TO THAT BUT FAST.
1279
00:55:59,507 --> 00:56:01,007
STARTIN' IT
1280
00:56:01,008 --> 00:56:04,009
RIGHT AFTER WE FINISH
WEDNESDAY'S CHILD.
1281
00:56:04,010 --> 00:56:06,012
SHE IS SO BEAUTIFUL.
1282
00:56:06,513 --> 00:56:09,015
YOU CAN JUST TELL SHE'S
MR. HEFNER'S FAVORITE.
1283
00:56:09,016 --> 00:56:11,015
SHE'S THE BEST.
1284
00:56:11,016 --> 00:56:13,017
THE BEST.
1285
00:56:13,018 --> 00:56:15,520
YOU'RE PRETTY GOOD-
LOOKING YOURSELF, BOBO.
1286
00:56:16,021 --> 00:56:17,020
I'M ALL RIGHT.
1287
00:56:17,021 --> 00:56:19,023
HI, LONNI.
1288
00:56:23,027 --> 00:56:27,030
Billy Joel: ? BECAUSE YOU HAD
TO BE A BIG SHOT, DIDN'T YA? ?
1289
00:56:27,031 --> 00:56:29,482
? YOU HAD TO
OPEN UP YOUR MOUTH ?
1290
00:56:29,983 --> 00:56:30,982
WHERE'S DOROTHY?
1291
00:56:30,983 --> 00:56:32,983
WORKING. SHE CALLED
AND ASKED IF IT WAS OK
1292
00:56:32,984 --> 00:56:33,986
FOR HIM TO COME OVER.
1293
00:56:34,487 --> 00:56:36,989
I JUST COULDN'T
SAY NO TO HER.
1294
00:56:38,991 --> 00:56:40,992
OH, HI, HEF.
1295
00:56:41,493 --> 00:56:42,993
HI, HEF.
1296
00:56:42,994 --> 00:56:46,497
? YOU HAD TO HAVE
A WHITE-HOT SPOTLIGHT ?
1297
00:56:46,498 --> 00:56:48,997
? YOU HAD TO BE
A BIG SHOT LAST NIGHT... ?
1298
00:56:48,998 --> 00:56:50,000
YOU KNOW,
THAT REMINDS ME.
1299
00:56:50,001 --> 00:56:52,001
I GOT TO TALK
TO HIM LATER.
1300
00:56:52,002 --> 00:56:54,503
I GOT AN IDEA FOR
A POSTER WITH DOROTHY.
1301
00:56:54,504 --> 00:56:56,505
DAMN.
1302
00:56:56,506 --> 00:56:57,507
OH...
1303
00:57:00,510 --> 00:57:02,010
WANT TO GET
SOMETHING TO EAT?
1304
00:57:02,011 --> 00:57:04,011
I'M ALWAYS HUNGRY.
1305
00:57:04,012 --> 00:57:07,015
DOES IT LOOK LIKE
I'M GAINING WEIGHT?
1306
00:57:08,016 --> 00:57:12,519
WELL, I, UH,
FIRST MET MR. SNIDER
1307
00:57:13,020 --> 00:57:15,021
AT THE PLAYBOY MANSION.
1308
00:57:15,022 --> 00:57:16,522
SNIDER, PAUL. HI.
1309
00:57:16,523 --> 00:57:18,023
MARTIN GEBBER.
1310
00:57:18,024 --> 00:57:20,026
WE WERE JUST GOING
TO FEED OUR FACE.
1311
00:57:20,027 --> 00:57:21,527
WOULD YOU JOIN US?
1312
00:57:21,528 --> 00:57:22,528
SURE.
1313
00:57:22,529 --> 00:57:24,029
PRACTICE HERE,
DR. GEBBER?
1314
00:57:24,530 --> 00:57:25,531
UH, GEB, PLEASE.
1315
00:57:26,031 --> 00:57:29,033
NO, NEWPORT BEACH,
BUT I PLAN TO MOVE HERE.
1316
00:57:29,034 --> 00:57:30,535
INTERNIST?
1317
00:57:30,536 --> 00:57:32,035
PLASTIC SURGERY.
1318
00:57:32,036 --> 00:57:33,035
COSMETIC MOSTLY.
1319
00:57:33,036 --> 00:57:35,539
PAUL IS MARRIED
TO DOROTHY STRATTEN.
1320
00:57:35,540 --> 00:57:37,040
HE ALSO MANAGES HER.
1321
00:57:37,041 --> 00:57:38,041
THE CHICKEN.
1322
00:57:38,042 --> 00:57:39,542
HE TOLD ME
HE AND DOROTHY
1323
00:57:39,543 --> 00:57:41,545
WERE LOOKING FOR
A NEW PLACE TO LIVE.
1324
00:57:41,546 --> 00:57:45,048
AND MAYBE SINCE I WAS
MOVING MY PRACTICE TO L.A.,
1325
00:57:45,549 --> 00:57:48,550
WE COULD
FIND A PLACE TOGETHER,
1326
00:57:48,551 --> 00:57:50,051
SHARE EXPENSES.
1327
00:57:50,052 --> 00:57:52,554
WE MOVED IN
IN OCTOBER,
1328
00:57:52,555 --> 00:57:54,053
AND I TOOK THE TOP HALF,
1329
00:57:54,054 --> 00:57:55,556
THEY LIVED
ON THE FIRST FLOOR.
1330
00:57:55,557 --> 00:57:57,058
IT WAS RIGHT NEAR
THE FREEWAY,
1331
00:57:57,059 --> 00:57:58,559
NOISY AS HELL.
1332
00:57:58,560 --> 00:57:59,561
BUT IT SUITED ME FINE.
1333
00:57:59,562 --> 00:58:01,561
IT HAD A YARD FOR KING,
1334
00:58:01,562 --> 00:58:03,563
A GARAGE FOR MY ROLLS-ROYCE.
1335
00:58:03,564 --> 00:58:06,566
THE ROLLS
IS AN INVESTMENT FOR ME.
1336
00:58:06,567 --> 00:58:08,567
IT'S AN INVESTMENT.
1337
00:58:08,568 --> 00:58:12,571
I'M NOT INTO STATUS SYMBOLS
LIKE MOST PEOPLE OUT HERE.
1338
00:58:12,572 --> 00:58:13,573
IT'S AN INVESTMENT, OK?
1339
00:58:14,073 --> 00:58:17,575
DOROTHY HAD ALREADY
DONE THE CENTERFOLD,
1340
00:58:17,576 --> 00:58:19,076
MISS AUGUST.
1341
00:58:19,077 --> 00:58:23,081
SHE HAD ALREADY DONE PARTS
IN FANTASY ISLAND
1342
00:58:23,581 --> 00:58:26,082
AND BUCK ROGERS.
1343
00:58:26,083 --> 00:58:27,584
THINGS WERE MOVING FAST
FOR HER.
1344
00:58:28,085 --> 00:58:29,586
I BECAME VERY FOND OF HER.
1345
00:58:30,087 --> 00:58:32,588
SHE WAS HANDLING HER PUBLIC
VISIBILITY VERY WELL.
1346
00:58:32,589 --> 00:58:34,088
SHE WAS MATURING
VERY FAST FOR 19,
1347
00:58:34,089 --> 00:58:36,092
BUT TO ME,
SHE WAS JUST A FRIEND.
1348
00:58:36,093 --> 00:58:37,593
UNDERSTAND?
1349
00:58:37,594 --> 00:58:38,593
A FRIEND.
1350
00:58:38,594 --> 00:58:40,478
I HAD A GAL...
1351
00:58:40,479 --> 00:58:41,979
ROBIN.
1352
00:58:41,980 --> 00:58:44,482
I STAYED WITH HER
MOST OF THE TIME,
1353
00:58:44,483 --> 00:58:47,985
SO I DIDN'T SPEND MUCH TIME
AT THE HOUSE.
1354
00:58:48,486 --> 00:58:50,486
BUT WE'D GET TOGETHER
ONCE IN A WHILE...
1355
00:58:50,487 --> 00:58:53,490
SUNDAY AFTERNOON BARBECUE
WITH A FEW FRIENDS.
1356
00:58:53,491 --> 00:58:54,490
PAUL, DID YOU
1357
00:58:54,491 --> 00:58:55,992
MAKE THIS CONTRAPTION
YOURSELF?
1358
00:58:55,993 --> 00:58:56,992
12 OF THEM.
1359
00:58:56,993 --> 00:58:59,495
WHO ARE YOU
SELLING THEM TO?
1360
00:58:59,496 --> 00:59:02,497
TO ANYBODY WHO
WANTS TO BUY ONE.
1361
00:59:02,498 --> 00:59:04,998
SHE'S GOT NO REAL
COMPETITION, YOU KNOW.
1362
00:59:04,999 --> 00:59:07,000
OH, WHAT ABOUT
MISS DECEMBER?
1363
00:59:07,001 --> 00:59:08,000
VICKI SOMETHING?
1364
00:59:08,001 --> 00:59:10,002
NEXT TO DOROTHY?
YOU'RE KIDDING.
1365
00:59:10,003 --> 00:59:11,003
WHERE DO YOU
WANT ME TO PUT IT?
1366
00:59:11,004 --> 00:59:14,006
IN THE GARAGE, WITH ALL
THE OTHER "NO SALES."
1367
00:59:14,007 --> 00:59:15,508
YOU SHOULD BUY
ONE OF THOSE, NICK.
1368
00:59:15,509 --> 00:59:18,510
IF HEFNER HAS SENSE AT ALL,
IT WILL BE DOROTHY.
1369
00:59:18,511 --> 00:59:20,514
THERE'S NOBODY ELSE
IN THE SAME CLASS.
1370
00:59:20,515 --> 00:59:22,515
HAS TO BE.
1371
00:59:22,516 --> 00:59:25,517
THEN YOU CAN ALL
VISIT US IN BEL AIR.
1372
00:59:25,518 --> 00:59:28,520
DO YOU HEAR THAT?
WHAT?
1373
00:59:28,521 --> 00:59:29,522
YOU'RE MOVING
TO BEL AIR.
1374
00:59:29,523 --> 00:59:32,022
OH, YEAH,
SURE. WHEN?
1375
00:59:32,023 --> 00:59:34,025
WHEN YOU BECOME
PLAYMATE OF THE YEAR.
1376
00:59:34,026 --> 00:59:35,526
GET OUT OF HERE.
1377
00:59:35,527 --> 00:59:38,027
NO, I'M WITH HIM.
I THINK
1378
00:59:38,028 --> 00:59:40,530
YOU'RE GONNA BE PLAYMATE
OF THE YEAR, TOO.
1379
00:59:40,531 --> 00:59:41,532
WHAT THE HELL IS THIS?
1380
00:59:42,032 --> 00:59:43,033
Woman:
WHAT IS IT?
1381
00:59:43,534 --> 00:59:44,533
I KNOW WHAT THAT IS.
1382
00:59:44,534 --> 00:59:46,536
I SAW THAT IN A SHOP
ON SANTA MONICA.
1383
00:59:46,537 --> 00:59:47,520
OH, MY GOD!
1384
00:59:49,489 --> 00:59:51,989
NOW, DON'T TELL US
THAT'S FOR EXERCISE, PAUL.
1385
00:59:51,990 --> 00:59:53,992
I THINK I KNOW
WHAT IT'S FOR.
1386
00:59:53,993 --> 00:59:54,992
Man: SO DO I.
1387
00:59:54,993 --> 00:59:56,995
WHAT IS IT?
SOMEBODY TELL ME. WHAT?
1388
00:59:56,996 --> 00:59:57,995
WELL...
1389
00:59:57,996 --> 00:59:59,497
TELL HER.
1390
00:59:59,498 --> 01:00:01,999
ASK THE MAN
WHO BUILT IT.
1391
01:00:03,000 --> 01:00:05,002
[WHISPERING]
1392
01:00:11,508 --> 01:00:13,510
I ONLY MADE IT
AS A JOKE.
1393
01:00:31,525 --> 01:00:34,026
WHAT DID I
DO WRONG?
1394
01:00:34,027 --> 01:00:36,529
I DID EVERYTHING
YOU DID.
1395
01:00:36,530 --> 01:00:38,029
SOMEBODY TELL ME, HUH?
1396
01:00:38,030 --> 01:00:40,031
WHAT I DID WRONG?
1397
01:00:40,032 --> 01:00:42,534
YOU ROTTEN FUCKERS!
1398
01:00:42,535 --> 01:00:44,836
[MUSIC PLAYS]
1399
01:01:36,881 --> 01:01:37,881
OOH!
1400
01:01:37,882 --> 01:01:38,883
AH!
1401
01:02:07,908 --> 01:02:08,909
HI, ARAM.
1402
01:02:12,913 --> 01:02:14,912
WHO'S THE GIRL
IN THE RED CAP?
1403
01:02:14,913 --> 01:02:16,415
AH. THAT'S
DOROTHY STRATTEN.
1404
01:02:16,416 --> 01:02:18,418
WHY DON'T YOU PUT HER
IN YOUR PICTURE, ARAM?
1405
01:02:18,419 --> 01:02:20,419
NO.
HUH?
1406
01:02:20,420 --> 01:02:21,919
I NEED A REAL ACTRESS.
1407
01:02:21,920 --> 01:02:23,421
LET HER READ.
YOU'LL SEE.
1408
01:02:23,422 --> 01:02:24,922
WHO HANDLES HER?
1409
01:02:24,923 --> 01:02:26,924
PETER ROSE,
ROSE AND MATZ.
1410
01:02:26,925 --> 01:02:28,925
ONLY DEAL
WITH PETER.
1411
01:02:28,926 --> 01:02:30,427
WHY?
1412
01:02:30,428 --> 01:02:31,929
I'LL TELL YOU
ANOTHER TIME.
1413
01:02:31,930 --> 01:02:33,931
NICE TO SEE YOU, ARAM.
1414
01:02:42,939 --> 01:02:44,938
IT'LL BE A BIG PICTURE...
5-6 MILLION.
1415
01:02:44,939 --> 01:02:46,441
I HEAR HE'S GOT NEWMAN.
1416
01:02:46,442 --> 01:02:48,943
I WISH I KNEW
SOME OF HIS PICTURES.
1417
01:02:48,944 --> 01:02:50,945
TIME STEP? DID YOU
EVER SEE TIME STEP?
1418
01:02:50,946 --> 01:02:51,945
NO.
1419
01:02:51,946 --> 01:02:53,447
THE LAST CHASE?
1420
01:02:53,448 --> 01:02:55,950
NO. IF IT COMES UP,
SHOULD I LIE?
1421
01:02:58,452 --> 01:02:59,952
NO, I DON'T THINK SO.
1422
01:02:59,953 --> 01:03:01,953
JUST BE YOURSELF,
AND YOU'LL BE FINE.
1423
01:03:01,954 --> 01:03:03,957
YOU'VE GOT A QUALITY,
DOROTHY. HEF SPOTTED IT,
1424
01:03:03,958 --> 01:03:06,458
AND I'M SURE
ARAM WILL, TOO.
1425
01:03:06,459 --> 01:03:08,461
[LAUGHING] OH, PETER,
THAT'S AGENT TALK.
1426
01:03:08,961 --> 01:03:10,462
THAT'S FRIEND TALK.
1427
01:03:12,965 --> 01:03:14,465
WELL, HERE WE ARE.
1428
01:03:15,467 --> 01:03:16,468
GULP.
1429
01:03:16,968 --> 01:03:17,568
I'LL WAIT HERE.
1430
01:03:17,969 --> 01:03:18,849
IT SHOULDN'T
TAKE LONG.
1431
01:03:18,970 --> 01:03:19,970
OK.
1432
01:03:19,971 --> 01:03:23,473
TIME STEP
AND THE LAST CHASE, RIGHT?
1433
01:03:23,474 --> 01:03:24,975
RIGHT.
1434
01:03:31,981 --> 01:03:34,983
A GIRL CAN'T JUST
SIT BACK AND SAY,
1435
01:03:34,984 --> 01:03:37,485
WELL, NOW MY PHOTOS HAVE
BEEN SEEN ALL OVER THE WORLD
1436
01:03:37,986 --> 01:03:38,986
IN PLAYBOY,
1437
01:03:38,987 --> 01:03:40,989
AND I'M SURE MANY PRODUCERS
AND DIRECTORS
1438
01:03:40,990 --> 01:03:42,490
HAVE SEEN MY PICTURES,
1439
01:03:42,491 --> 01:03:44,492
AND IF THEY LIKE ME,
THEY'LL CALL ME.
1440
01:03:44,493 --> 01:03:46,993
IT JUST DOESN'T WORK
THAT WAY.
1441
01:03:46,994 --> 01:03:48,495
SO YOU STILL
HAVE TO GO OUT THERE
1442
01:03:48,496 --> 01:03:49,497
AND SEEK OPPORTUNITY?
1443
01:03:49,498 --> 01:03:50,497
ABSOLUTELY.
1444
01:03:54,501 --> 01:03:58,003
DON'T BE NERVOUS.
HE'S REALLY VERY NICE.
1445
01:03:58,504 --> 01:04:00,005
[KNOCKING ON DOOR]
1446
01:04:04,009 --> 01:04:05,009
HI.
1447
01:04:05,010 --> 01:04:06,009
HI.
1448
01:04:06,010 --> 01:04:07,511
I'M ARAM.
1449
01:04:07,512 --> 01:04:08,512
I'M DOROTHY.
1450
01:04:08,513 --> 01:04:10,013
YEAH, I KNOW.
1451
01:04:10,014 --> 01:04:11,515
UH...
1452
01:04:15,519 --> 01:04:17,020
YOU NERVOUS?
1453
01:04:18,021 --> 01:04:19,021
YES.
1454
01:04:19,022 --> 01:04:20,522
YEAH, SO AM I.
1455
01:04:24,527 --> 01:04:27,029
WELL, DO YOU KNOW
ANYTHING ABOUT ME?
1456
01:04:27,529 --> 01:04:29,531
TIME STEP WAS WONDERFUL.
1457
01:04:31,032 --> 01:04:33,534
UH, THAT'S THE LAST CHASE.
1458
01:04:33,535 --> 01:04:36,035
YOU DIDN'T SEE TIME STEP,
DID YOU?
1459
01:04:36,036 --> 01:04:38,538
NO, BUT I'M GOING TO.
1460
01:04:39,540 --> 01:04:43,041
WOULD YOU LIKE TO SEE
SOME OF MY PICTURES?
1461
01:04:43,042 --> 01:04:45,044
NO.
1462
01:04:48,047 --> 01:04:49,548
SHOULD I READ FOR YOU?
1463
01:04:49,549 --> 01:04:51,550
UH...
1464
01:04:52,050 --> 01:04:53,551
NO. NO.
1465
01:04:59,590 --> 01:05:02,593
Dorothy: ARAM SAYS IT'S
GOING TO BE A CLOSED SET
1466
01:05:02,594 --> 01:05:04,593
AND A VERY TIGHT SCHEDULE.
1467
01:05:04,594 --> 01:05:07,597
HE SAYS WE'LL BE WORKING
REALLY LONG DAYS...
1468
01:05:08,098 --> 01:05:10,099
14, 16 HOURS.
1469
01:05:10,100 --> 01:05:11,601
I KNOW NEW YORK.
1470
01:05:12,101 --> 01:05:16,604
WE WOULDN'T HAVE THAT MUCH TIME
TO SEE EACH OTHER.
1471
01:05:16,605 --> 01:05:20,608
I COULD REALLY
HELP YOU THERE.
1472
01:05:25,113 --> 01:05:26,612
SOMETHING IS
SCREWY, DOROTHY.
1473
01:05:26,613 --> 01:05:28,114
SOMETHING ELSE
IS GOING ON HERE.
1474
01:05:28,115 --> 01:05:29,615
I CAN FEEL IT.
1475
01:05:29,616 --> 01:05:32,118
ARAM SAYS
I'M GOING TO NEED
1476
01:05:32,119 --> 01:05:34,120
EVERY BIT
OF CONCENTRATION.
1477
01:05:34,121 --> 01:05:35,620
HE DID, HUH?
1478
01:05:35,621 --> 01:05:38,123
ARAM SAYS THIS,
AND ARAM SAYS THAT.
1479
01:05:38,124 --> 01:05:40,126
WILL YOU STOP WITH
THE FUCKING ARAM!
1480
01:05:40,626 --> 01:05:43,127
ARAM IS A VERY NICE MAN.
1481
01:05:43,128 --> 01:05:45,629
OH, SHIT!
THEY'RE ALL NICE TO YOU!
1482
01:05:45,630 --> 01:05:47,631
"EVERYBODY IS WONDERFUL.
1483
01:05:47,632 --> 01:05:49,133
MR. HEFNER
IS WONDERFUL."
1484
01:05:49,134 --> 01:05:52,136
THE WHOLE FUCKING WORLD
IS WONDERFUL TO YOU!
1485
01:05:52,137 --> 01:05:54,138
WELL, FUCK ARAM!
1486
01:06:00,143 --> 01:06:02,144
OR MAYBE
YOU HAVE ALREADY.
1487
01:06:02,145 --> 01:06:03,645
OH, PAUL...
1488
01:06:03,646 --> 01:06:05,645
I MEAN, MAYBE THAT'S
WHAT THIS IS ALL ABOUT,
1489
01:06:05,646 --> 01:06:07,649
HUH? MAYBE THAT'S
WHAT HAS BEEN GOING ON
1490
01:06:08,150 --> 01:06:10,152
AT THOSE REHEARSALS
UP AT HIS HOUSE.
1491
01:06:11,153 --> 01:06:12,652
DID YOU FUCK HIM?
1492
01:06:12,653 --> 01:06:14,655
IS THAT HOW
YOU GOT THE PART?
1493
01:06:14,656 --> 01:06:17,657
THAT'S HOW IT'S DONE,
OUT HERE, ISN'T IT?
1494
01:06:17,658 --> 01:06:19,659
[MUTTERING]
1495
01:06:22,662 --> 01:06:26,165
THAT'S REALLY UNFAIR.
1496
01:06:26,665 --> 01:06:27,666
Dorothy:
IT MAY SOUND CORNY,
1497
01:06:27,667 --> 01:06:31,169
BUT I HAVE TO CONCENTRATEMY LOVE ON JUST ONE MAN.
1498
01:06:31,170 --> 01:06:32,330
[CAMERA CLICKS] I'M FAITHFUL.
1499
01:06:32,671 --> 01:06:33,672
[CAMERA SHUTTER CLICKS]
1500
01:06:36,674 --> 01:06:37,674
GOD,
1501
01:06:37,675 --> 01:06:40,678
I'M SUCH
A JERK SOMETIMES.
1502
01:06:45,682 --> 01:06:48,184
I'M SORRY.
1503
01:06:48,185 --> 01:06:49,684
I'M SO SORRY.
1504
01:06:49,685 --> 01:06:52,187
I DO UNDERSTAND.
1505
01:06:53,689 --> 01:06:55,190
IT'S...
1506
01:06:55,191 --> 01:06:59,693
IT'S JUST THAT I
LOVE YOU SO DAMN MUCH.
1507
01:06:59,694 --> 01:07:04,697
PAUL, LET'S GO BACK
TO VANCOUVER.
1508
01:07:04,698 --> 01:07:06,700
I DON'T HAVE TO
DO THIS MOVIE.
1509
01:07:06,701 --> 01:07:08,701
I'M AFRAID.
1510
01:07:08,702 --> 01:07:10,203
OF WHAT?
1511
01:07:10,204 --> 01:07:13,205
I DON'T KNOW.
1512
01:07:13,206 --> 01:07:15,707
IT WAS NICE
IN VANCOUVER.
1513
01:07:15,708 --> 01:07:17,709
PLEASE,
LET'S GO BACK.
1514
01:07:17,710 --> 01:07:19,711
ANGEL, WE CAN'T GO BACK.
1515
01:07:20,212 --> 01:07:22,214
WE'D LOSE ALL THE CONTACTS
WE'VE MADE HERE.
1516
01:07:22,215 --> 01:07:24,716
PLEASE.
1517
01:07:28,719 --> 01:07:30,220
NO.
1518
01:07:31,722 --> 01:07:34,223
UH-UH.
1519
01:07:34,224 --> 01:07:38,727
BUT, I HAVE
THIS TERRIFIC IDEA.
1520
01:07:38,728 --> 01:07:40,728
I'M YOUR MANAGER, RIGHT?
1521
01:07:40,729 --> 01:07:42,230
WELL, AS YOUR MANAGER,
1522
01:07:42,231 --> 01:07:44,233
I THINK YOU SHOULD
GO TO NEW YORK
1523
01:07:44,234 --> 01:07:46,234
AND BECOME
A BIG MOVIE STAR.
1524
01:07:46,235 --> 01:07:47,734
I'LL STAY HERE
AND WORK
1525
01:07:47,735 --> 01:07:49,236
ON THE
DOROTHY STRATTEN POSTER.
1526
01:07:49,237 --> 01:07:51,738
IT'S GONNA
MAKE US A FORTUNE.
1527
01:07:51,739 --> 01:07:54,241
GOOD IDEA?
1528
01:07:54,242 --> 01:07:57,244
IT CAME TO ME
JUST LIKE THAT.
1529
01:08:00,247 --> 01:08:01,748
HEY.
1530
01:08:04,250 --> 01:08:06,752
YOU'RE MY QUEEN.
1531
01:08:09,755 --> 01:08:13,257
I DON'T KNOW. HE SEEMED IN
EXCEPTIONALLY GOOD SPIRITS
1532
01:08:13,258 --> 01:08:15,260
JUST BEFORE SHE LEFT,
1533
01:08:15,760 --> 01:08:17,762
HELPING HER
WITH THIS AND THAT,
1534
01:08:17,763 --> 01:08:19,762
BEING REALLY ATTENTIVE.
1535
01:08:19,763 --> 01:08:21,264
GAVE HER A GOING-AWAY PARTY.
1536
01:08:21,265 --> 01:08:22,766
MUST HAVE COST A FORTUNE.
1537
01:08:22,767 --> 01:08:26,268
BORROWED MY ROLLS
TO DRIVE HER TO THE AIRPORT.
1538
01:08:26,769 --> 01:08:29,771
SAID, "THE QUEEN
HAS TO GO IN STYLE."
1539
01:08:29,772 --> 01:08:31,273
AND AFTER SHE LEFT,
1540
01:08:31,274 --> 01:08:33,275
HE CAME BACK HERE
TO THE HOUSE.
1541
01:08:33,276 --> 01:08:34,276
AND THEN...
1542
01:08:35,777 --> 01:08:38,279
THEN HE DID
THE DAMNEDEST THING.
1543
01:08:38,280 --> 01:08:41,781
I'M STILL NOT SURE
WHY HE DID IT,
1544
01:08:41,782 --> 01:08:45,285
BUT HE BUILT
A DOGHOUSE FOR KING.
1545
01:08:45,286 --> 01:08:46,786
A BEAUTIFUL DOGHOUSE.
1546
01:08:46,787 --> 01:08:49,288
CRAZIEST THING.
1547
01:08:49,289 --> 01:08:51,758
I DIDN'T THINK HE EVEN KNEW
I HAD A DOG.
1548
01:08:51,759 --> 01:08:53,960
YEAH, MOVE,
CAROLINE.
1549
01:08:54,460 --> 01:08:57,461
OK. YEAH, COME.
GIVE ME MORE.
1550
01:08:57,462 --> 01:08:58,963
COME IN A LITTLE
FURTHER.
1551
01:08:58,964 --> 01:09:00,463
YEAH, HOLD THAT,
HOLD THAT.
1552
01:09:00,464 --> 01:09:01,966
YEAH, MARK IT.
MARK IT.
1553
01:09:01,967 --> 01:09:03,968
TAKE A LOOK,
GARY.
1554
01:09:05,970 --> 01:09:06,970
IS THAT OK?
1555
01:09:06,971 --> 01:09:07,972
THAT'S NICE.
1556
01:09:16,980 --> 01:09:18,480
YOU SHOULDN'T
CHEW GUM.
1557
01:09:18,481 --> 01:09:19,981
IT'S GOT SUGAR
IN IT.
1558
01:09:25,987 --> 01:09:26,987
[GIGGLES]
1559
01:09:26,988 --> 01:09:29,489
THANK YOU.
1560
01:09:29,490 --> 01:09:31,992
IT'S HIM. I KNOW IT.
1561
01:09:31,993 --> 01:09:33,491
I CAN TELL FROM THE WAY
1562
01:09:33,492 --> 01:09:34,994
SHE SAYS HIS NAME
ON THE PHONE.
1563
01:09:34,995 --> 01:09:35,994
AND WHAT DOES SHE SAY?
1564
01:09:35,995 --> 01:09:37,497
NOT TOO MUCH.
SHE ALWAYS SAYS
1565
01:09:37,998 --> 01:09:40,497
SHE'S BEEN WORKING
ON ARAM'S FILM ALL DAY
1566
01:09:40,498 --> 01:09:42,000
AND DOESN'T
FEEL LIKE TALKING.
1567
01:09:42,001 --> 01:09:43,502
WHY CAN'T YOU
ACCEPT THAT?
1568
01:09:43,503 --> 01:09:45,003
SHE CALLS IT FILM.
1569
01:09:45,004 --> 01:09:46,505
CHRIST, SHE NEVER
SAID "FILM" BEFORE.
1570
01:09:46,506 --> 01:09:49,006
SHE ALWAYS SAID
MOVIE OR PICTURE,
1571
01:09:49,007 --> 01:09:50,508
BUT NEVER FILM.
1572
01:09:51,509 --> 01:09:54,510
I BET HE CALLS IT FILM.
1573
01:09:54,511 --> 01:09:56,012
THAT'S HARDLY
SUFFICIENT CAUSE
1574
01:09:56,013 --> 01:09:57,514
TO PUT YOURSELF
THROUGH ALL THIS.
1575
01:09:57,515 --> 01:10:00,516
HE'S FEEDING HER COKE.
1576
01:10:00,517 --> 01:10:03,518
PAUL,
I KNOW YOU'RE UPSET,
1577
01:10:03,519 --> 01:10:05,020
BUT YOU SHOULDN'T
EVEN SAY THAT.
1578
01:10:05,021 --> 01:10:07,023
AND KNOWING DOROTHY,
I DOUBT IT.
1579
01:10:07,024 --> 01:10:08,023
YOU'RE WRONG.
1580
01:10:08,024 --> 01:10:10,023
YEAH? SHE KEPT
SNIFFING LAST NIGHT...
1581
01:10:10,024 --> 01:10:11,026
[SNIFF SNIFF SNIFF]
1582
01:10:11,526 --> 01:10:14,028
THROUGH THE WHOLE CONVERSATION
SHE KEPT SNIFFING.
1583
01:10:14,029 --> 01:10:16,030
MAYBE SHE'S GOT A COLD.
1584
01:10:16,031 --> 01:10:18,031
YEAH, THAT'S
WHAT SHE SAID.
1585
01:10:18,032 --> 01:10:19,532
COLD, MY ASS!
1586
01:10:19,533 --> 01:10:21,533
PAUL, YOU'RE GONNA
MAKE YOURSELF LOONY
1587
01:10:21,534 --> 01:10:23,036
IF YOU
KEEP GOING LIKE THIS.
1588
01:10:23,537 --> 01:10:24,537
YOU GOT TO REALIZE,
1589
01:10:24,538 --> 01:10:27,039
DOROTHY IS
EVERY MAN'S FANTASY.
1590
01:10:27,040 --> 01:10:28,539
EVERYBODY WHO SEES HER,
1591
01:10:28,540 --> 01:10:30,042
OR EVEN HER PICTURE
IN A MAGAZINE,
1592
01:10:30,043 --> 01:10:31,543
FOR THAT MATTER,
1593
01:10:31,544 --> 01:10:33,044
IS GOING TO BE
COMING AFTER HER.
1594
01:10:33,045 --> 01:10:35,047
AND THERE'S ALWAYS
GONNA BE SOMEONE
1595
01:10:35,048 --> 01:10:39,549
WHO'S RICHER THAN YOU,
MORE FAMOUS THAN YOU,
1596
01:10:39,550 --> 01:10:42,052
HAS A LONGER PENIS
THAN YOU,
1597
01:10:42,053 --> 01:10:44,053
AND THERE'S NOTHING
YOU CAN DO ABOUT IT.
1598
01:10:44,054 --> 01:10:45,554
SHE'S NOT HERSELF, MAN!
1599
01:10:45,555 --> 01:10:47,555
LOOK, I KNOW
THESE GUYS, GEB.
1600
01:10:47,556 --> 01:10:49,058
THEY STICK A LITTLE COKE
UP A GIRL'S NOSE,
1601
01:10:49,059 --> 01:10:50,058
THEY FIGURE
SHE'LL DO ANYTHING.
1602
01:10:50,059 --> 01:10:53,063
JESUS, YOU HAVEN'T HEARD
ONE WORD I'VE SAID.
1603
01:10:53,064 --> 01:10:57,066
LOOK, ALL YOU CAN DO IS
LET HER KNOW YOU LOVE HER.
1604
01:10:57,566 --> 01:10:59,067
GET YOUR OWN FEET
ON THE GROUND.
1605
01:10:59,068 --> 01:11:00,568
STOP COMPLAINING!
1606
01:11:00,569 --> 01:11:02,069
GO OUT AND
GET YOURSELF A JOB,
1607
01:11:02,070 --> 01:11:03,071
GET SOMETHING GOING,
1608
01:11:03,571 --> 01:11:05,573
AND TRY TO MAKE HER
PROUD OF YOU!
1609
01:11:07,075 --> 01:11:09,075
I KNOW IT.
1610
01:11:09,076 --> 01:11:11,078
YOU'RE RIGHT.
1611
01:11:13,080 --> 01:11:15,081
I CAN HANDLE THIS.
1612
01:11:15,082 --> 01:11:16,581
I CAN HANDLE IT.
1613
01:11:16,582 --> 01:11:19,084
WHAT KIND OF BUSINESS
ARE YOU IN?
1614
01:11:19,085 --> 01:11:21,085
WELL, I WAS THINKING
IN TERMS OF A HEALTH SPA.
1615
01:11:21,086 --> 01:11:24,089
YOU KNOW WHO DOROTHY STRATTEN
IS, DON'T YOU?
1616
01:11:24,090 --> 01:11:25,089
I THINK SO.
1617
01:11:25,090 --> 01:11:26,091
WELL, THAT'S MY WIFE,
1618
01:11:26,591 --> 01:11:27,590
AND I'M HER PERSONAL
MANAGER...
1619
01:11:27,591 --> 01:11:28,912
Paul: I WAS THINKING
OF CALLING IT
1620
01:11:29,094 --> 01:11:30,093
"DOROTHY STRATTEN'S
HEALTH SPA."
1621
01:11:30,094 --> 01:11:32,094
ALL MODERN EQUIPMENT...
NAUTILUS, STEAM, SAUNA.
1622
01:11:32,095 --> 01:11:34,098
YOU KNOW, THEY'RE INTO
THAT SORT OF THING OUT HERE.
1623
01:11:34,598 --> 01:11:36,099
YOU JUST GIVE THEM
WHITE TEETH, A SUNTAN,
1624
01:11:36,100 --> 01:11:38,599
AND SOME MUSCLES,
AND BANG! YOU'RE A HIT.
1625
01:11:38,600 --> 01:11:40,603
I SAW A HOT LOCATION
ON SANTA MONICA.
1626
01:11:41,104 --> 01:11:42,103
THE REAL ESTATE WOMAN
1627
01:11:42,104 --> 01:11:44,107
SAID THE OWNER
WANTS 2,500 A MONTH,
1628
01:11:44,607 --> 01:11:47,609
BUT SHE'S PRETTY SURE
IT'LL COME DOWN.
1629
01:11:48,110 --> 01:11:49,111
WHAT DO YOU THINK?
1630
01:11:53,115 --> 01:11:55,616
SOMETHING WRONG, DOROTHY?
1631
01:11:57,118 --> 01:11:58,618
NO.
1632
01:11:58,619 --> 01:12:02,121
WELL, WHAT DO YOU THINK?
1633
01:12:03,123 --> 01:12:04,623
IT SOUNDS OK.
1634
01:12:04,624 --> 01:12:05,625
YOU DON'T LIKE IT.
1635
01:12:06,126 --> 01:12:07,526
I CAN TELL BY THE TONE
OF YOUR VOICE
1636
01:12:07,627 --> 01:12:09,627
YOU DON'T LIKE IT. SHIT!
1637
01:12:09,628 --> 01:12:12,130
PAUL, DO YOU THINK
WE COULD TALK TOMORROW?
1638
01:12:12,131 --> 01:12:14,633
I'M REALLY TIRED, I GUESS.
1639
01:12:17,135 --> 01:12:19,137
YEAH, SURE. UH...
1640
01:12:19,637 --> 01:12:21,638
LISTEN...
1641
01:12:21,639 --> 01:12:24,140
I CALLED A COUPLE
OF TIMES LAST NIGHT.
1642
01:12:24,141 --> 01:12:26,643
DID, UH, YOU GET
ANY OF MY MESSAGES?
1643
01:12:27,144 --> 01:12:30,146
YES, I DID,
BUT WE WORKED VERY LATE.
1644
01:12:30,147 --> 01:12:31,146
HOW LATE?
1645
01:12:31,147 --> 01:12:33,148
I DON'T REMEMBER EXACTLY.
1646
01:12:33,149 --> 01:12:34,649
I WAS WITH PEGGY.
1647
01:12:34,650 --> 01:12:36,151
PEGGY JOHNSON.
1648
01:12:36,152 --> 01:12:37,153
WHO'S PEGGY JOHNSON?
1649
01:12:37,653 --> 01:12:39,652
SHE'S AN ACTRESS.
SHE'S IN THE FILM, TOO.
1650
01:12:39,653 --> 01:12:40,655
YOU'D LIKE HER.
SHE'S REALLY NICE.
1651
01:12:40,656 --> 01:12:41,655
FILM.
1652
01:12:41,656 --> 01:12:43,157
ANYWAY,
WE'VE BECOME FRIENDS,
1653
01:12:43,158 --> 01:12:45,159
AND IT GOT SO LATE
1654
01:12:45,160 --> 01:12:47,159
THAT I SPENT THE NIGHT
AT HER APARTMENT.
1655
01:12:47,160 --> 01:12:48,662
I DIDN'T WANT TO
WAKE YOU.
1656
01:12:48,663 --> 01:12:50,663
I THOUGHT
YOU'D BE SLEEPING.
1657
01:12:50,664 --> 01:12:53,165
I'M STAYING
AT NANCY'S HOUSE.
1658
01:12:53,666 --> 01:12:54,667
[CAMERA SHUTTER CLICKS]
1659
01:12:54,668 --> 01:12:57,669
I GUESS YOU DIDN'T
WANT TO WAKE ME.
1660
01:12:57,670 --> 01:12:59,171
PAUL, I'M SORRY,
I DIDN'T HEAR YOU.
1661
01:12:59,672 --> 01:13:01,672
NOTHING. IT WAS NOTHING.
1662
01:13:01,673 --> 01:13:05,676
SO, UH, HOW ARE THINGS
GOING ON THE SET?
1663
01:13:05,677 --> 01:13:07,178
ARE YOU, UH,
1664
01:13:07,679 --> 01:13:10,180
GETTING ALONG ALL RIGHT
WITH THE DIRECTOR?
1665
01:13:10,181 --> 01:13:12,183
BECAUSE I THINK
IT'S IMPORTANT
1666
01:13:12,184 --> 01:13:14,684
THAT AN ACTRESS
AND HER DIRECTOR
1667
01:13:14,685 --> 01:13:17,687
SHOULD HAVE
A GOOD RELATIONSHIP.
1668
01:13:19,856 --> 01:13:21,858
THERE MUST BE SOMETHING
YOU CAN DO,
1669
01:13:22,359 --> 01:13:24,360
FOR CHRIST'S SAKE.
HE'S STEALING MY WIFE.
1670
01:13:24,361 --> 01:13:25,861
CAN'T WE SUE HIM?
1671
01:13:26,362 --> 01:13:27,861
CAN'T WE MAKE
THE BASTARD PAY?
1672
01:13:27,862 --> 01:13:28,864
PAY FOR SOMETHING.
1673
01:13:28,865 --> 01:13:30,864
SUE? FOR WHAT?
1674
01:13:30,865 --> 01:13:32,366
FOR WHAT?
1675
01:13:32,367 --> 01:13:33,867
YOU'RE THE DETECTIVE.
1676
01:13:33,868 --> 01:13:35,369
YOU'RE SUPPOSED
TO BE ABLE
1677
01:13:35,370 --> 01:13:36,871
TO TELL ME FOR WHAT.
1678
01:13:37,871 --> 01:13:39,872
ARE YOU HER MANAGER?
1679
01:13:39,873 --> 01:13:40,873
YES.
1680
01:13:40,874 --> 01:13:43,877
GOT ANY CONTRACTS,
ANY PAPERS?
1681
01:13:47,880 --> 01:13:49,881
NO, BUT...
1682
01:13:49,882 --> 01:13:51,383
BUT IT WAS SOMETHING
YOU BOTH TALKED ABOUT, RIGHT?
1683
01:13:51,384 --> 01:13:52,882
IT WAS UNDERSTOOD,
RIGHT?
1684
01:13:52,883 --> 01:13:54,385
YES.
IT WAS UNDERSTOOD.
1685
01:13:54,386 --> 01:13:56,886
YOU HAD A VERBAL CONTRACT,
THEN, RIGHT?
1686
01:13:56,887 --> 01:13:58,407
THAT'S RIGHT, WE HAD
A VERBAL CONTRACT.
1687
01:13:58,890 --> 01:13:59,890
WE'RE A TEAM.
1688
01:14:00,391 --> 01:14:01,392
I DISCOVERED HER.
1689
01:14:01,892 --> 01:14:03,393
YEAH, I KNOW.
YOU SAID THAT.
1690
01:14:03,894 --> 01:14:05,395
WELL, MAYBE...
1691
01:14:05,896 --> 01:14:08,898
MAYBE WE CAN TRY
SUING HIM FOR ENTICEMENT
1692
01:14:09,399 --> 01:14:12,401
TO BREACH HER MANAGEMENT
CONTRACT WITH YOU.
1693
01:14:12,402 --> 01:14:13,902
YEAH, THAT'S IT.
1694
01:14:13,903 --> 01:14:15,403
NOT SO FAST.
I'M NOT A LAWYER.
1695
01:14:15,904 --> 01:14:16,903
I'D HAVE TO CHECK WITH ONE.
1696
01:14:16,904 --> 01:14:19,407
I KNOW WE'D HAVE TO HAVE
DOCUMENTATION.
1697
01:14:19,408 --> 01:14:22,409
I'D LIKE TO KILL
THE SON OF A BITCH.
1698
01:14:22,410 --> 01:14:24,411
I CAN'T HELP YOU WITH THAT.
1699
01:14:24,412 --> 01:14:26,914
Dorothy: HE CALLED ME
5 TIMES LAST NIGHT.
1700
01:14:26,915 --> 01:14:28,915
I DIDN'T GET ANY SLEEP.
1701
01:14:28,916 --> 01:14:31,417
THAT'S WHY I KEPT
MISSING MY MARK.
1702
01:14:31,418 --> 01:14:33,919
WE'LL GET IT
AFTER LUNCH.
1703
01:14:33,920 --> 01:14:37,422
I DON'T KNOW WHY
I FEEL THIS LOYALTY TO HIM.
1704
01:14:37,423 --> 01:14:39,924
HE'S FOOLING AROUND.
I KNOW IT.
1705
01:14:39,925 --> 01:14:41,926
HE'S GOT OTHER WOMEN.
1706
01:14:41,927 --> 01:14:42,927
HE ALWAYS HAS.
1707
01:14:42,928 --> 01:14:45,429
AT ABOUT 3:00
IN THE MORNING,
1708
01:14:45,430 --> 01:14:47,430
EVERY FUCKING CREEP
ON THE STRIP
1709
01:14:47,431 --> 01:14:48,931
SEEMS TO WIND UP
AT OUR JOINT.
1710
01:14:48,932 --> 01:14:50,434
HE DIDN'T LOOK ANY DIFFERENT
1711
01:14:50,935 --> 01:14:52,435
FROM ANY OTHER SCHMUCK
IN THIS TOWN,
1712
01:14:52,436 --> 01:14:53,437
BUT HE TALKED NICER.
1713
01:14:53,438 --> 01:14:55,938
HE SAID HE COULD
GET ME IN PLAYBOY,
1714
01:14:55,939 --> 01:14:57,440
THAT HE KNEW HEF.
1715
01:14:57,441 --> 01:14:58,942
SAID HE COULD GET ME
IN THE MOVIES.
1716
01:14:59,442 --> 01:15:02,945
HE HAD A BUSINESS CARD
AND A MERCEDES 450 SL,
1717
01:15:03,446 --> 01:15:05,448
SO WHAT THE FUCK?
1718
01:15:08,450 --> 01:15:10,450
Aram: WHAT ABOUT
THE HEALTH CLUB IDEA?
1719
01:15:10,451 --> 01:15:12,454
HE COULDN'T GET
ANY BACKING FOR IT.
1720
01:15:12,954 --> 01:15:15,455
NO ONE WOULD
GIVE HIM ANY MONEY.
1721
01:15:17,458 --> 01:15:18,959
WHAT?
1722
01:15:19,460 --> 01:15:21,961
SAY IT.
1723
01:15:22,462 --> 01:15:23,961
WELL, I JUST DON'T THINK
1724
01:15:23,962 --> 01:15:24,964
YOU SHOULD
LEND YOUR NAME
1725
01:15:25,465 --> 01:15:27,465
TO SOMETHING LIKE THAT...
A HEALTH CLUB...
1726
01:15:27,466 --> 01:15:28,967
WITH HIM OR ANYONE ELSE.
1727
01:15:31,970 --> 01:15:33,471
THE MORE HE FAILS,
1728
01:15:33,472 --> 01:15:35,973
THE MORE HE SEEMS
TO HANG ON TO ME.
1729
01:15:35,974 --> 01:15:37,974
YEAH, THIS IS PAUL SNIDER.
1730
01:15:37,975 --> 01:15:38,976
I'VE BEEN TRYING
TO GET THROUGH TO HEF...
1731
01:15:38,977 --> 01:15:40,477
[WHISPERING] Snider.
1732
01:15:40,478 --> 01:15:42,978
MR. HEFNER IS OUT OF TOWN.
CAN I HELP YOU?
1733
01:15:42,979 --> 01:15:44,979
WHO IS THIS?
WHO AM I TALKING TO?
1734
01:15:44,980 --> 01:15:46,482
I'M ROY,
MR. HEFNER'S ASSISTANT.
1735
01:15:46,483 --> 01:15:49,985
OH. WELL, LISTEN, ROY,
HERE'S WHAT IT IS.
1736
01:15:49,986 --> 01:15:50,987
I'D LIKE TO DROP BY
THE MANSION TONIGHT
1737
01:15:51,487 --> 01:15:52,486
AND TALK TO HEF.
1738
01:15:52,487 --> 01:15:54,488
I'VE ALREADY
TOLD YOU... YEAH, RIGHT. HE'S OUT OF TOWN.
1739
01:15:54,489 --> 01:15:57,991
OH, SHIT. I SHOULD'VE KNOWN
YOU WERE BULLSHITTING ME.
1740
01:15:57,992 --> 01:15:59,493
THERE IS SOMEONE
I'D LIKE HIM TO SEE.
1741
01:15:59,494 --> 01:16:01,496
WOULD YOU MAYBE LEAVE MY
NAME AT THE GATE, ROY?
1742
01:16:01,996 --> 01:16:03,497
I'M VERY SORRY,
I CAN'T DO THAT.
1743
01:16:03,498 --> 01:16:04,999
ONLY MR. HEFNER HIMSELF
CAN DO THAT.
1744
01:16:05,500 --> 01:16:06,498
AW, SURE YOU CAN, ROY.
1745
01:16:06,499 --> 01:16:09,000
I KNOW IT'S DONE.
IT'S DONE ALL THE TIME.
1746
01:16:09,001 --> 01:16:10,503
COME ON, GIVE IT A TRY.
1747
01:16:10,504 --> 01:16:12,003
HEY, WE'VE MET,
HAVEN'T WE, ROY?
1748
01:16:12,004 --> 01:16:13,164
I WAS PROBABLY
WITH DOROTHY...
1749
01:16:13,507 --> 01:16:14,187
DOROTHY STRATTEN?
1750
01:16:14,507 --> 01:16:15,508
I KNOW WHO YOU ARE,
BUT I CAN'T HELP YOU.
1751
01:16:16,008 --> 01:16:17,329
I WILL LEAVE
YOUR MESSAGE, THOUGH.
1752
01:16:17,510 --> 01:16:18,511
OK, SPORT,
LEAVE THE MESSAGE.
1753
01:16:18,512 --> 01:16:20,011
I'LL CALL BACK LATER.
1754
01:16:20,012 --> 01:16:21,512
WHAT THE FUCK IS THIS?
1755
01:16:21,513 --> 01:16:23,515
I BET YOU DON'T
EVEN KNOW HEFNER.
1756
01:16:23,516 --> 01:16:24,515
WHAT TIME
1757
01:16:24,516 --> 01:16:26,015
WOULD BE A GOOD TIME
TO CALL BACK?
1758
01:16:26,016 --> 01:16:27,018
I REALLY COULDN'T TELL YOU.
1759
01:16:27,019 --> 01:16:30,019
NO. WELL, I DIDN'T
THINK YOU COULD.
1760
01:16:30,020 --> 01:16:33,022
THANKS FOR ALL
YOUR HELP, ROY.
1761
01:16:33,023 --> 01:16:34,524
YOU'RE WELCOME.
1762
01:16:36,025 --> 01:16:38,527
ARE WE OR AREN'T WE GOING?
1763
01:16:38,528 --> 01:16:39,529
THAT SON OF A BITCH
1764
01:16:40,029 --> 01:16:41,530
WAS THERE
THE WHOLE TIME.
1765
01:16:46,418 --> 01:16:48,920
DO YOU WANT TO STAY
WITH HIM?
1766
01:16:51,422 --> 01:16:55,425
DO YOU WANT TO
LEAVE HIM?
1767
01:16:55,426 --> 01:16:57,428
WHAT DO YOU WANT TO DO?
1768
01:16:59,429 --> 01:17:02,430
I THINK YOU'RE GOING TO
NEED SOME LEGAL HELP.
1769
01:17:02,431 --> 01:17:04,434
YOU SHOULD PROBABLY
TALK TO A LAWYER.
1770
01:17:10,939 --> 01:17:13,941
DOROTHY, YOU JUST CAN'T
LET HIM DO THIS TO YOU.
1771
01:17:13,942 --> 01:17:16,443
HE'S GOT TO GIVE YOU
MORE FREEDOM.
1772
01:17:24,451 --> 01:17:26,452
YOU GOT TO UNDERSTAND,
1773
01:17:26,453 --> 01:17:27,953
YOU'RE JUST
NOT THE SAME GIRL
1774
01:17:27,954 --> 01:17:30,455
YOU WERE IN VANCOUVER.
1775
01:17:30,456 --> 01:17:33,958
YOU'VE GROWN.
YOU'VE MATURED.
1776
01:17:33,959 --> 01:17:37,461
I SEE IT HAPPENING
RIGHT BEFORE MY EYES,
1777
01:17:37,462 --> 01:17:39,963
EVERY DAY.
1778
01:17:39,964 --> 01:17:42,466
YOU'RE UNIQUE, DOROTHY.
1779
01:17:42,966 --> 01:17:46,469
AND YOU
HAVE A UNIQUE GIFT.
1780
01:17:46,470 --> 01:17:51,473
YOU'VE GROWN, AND
HE STAYED THE SAME.
1781
01:17:51,474 --> 01:17:53,476
[CAMERA SHUTTER CLICKS]
Dorothy: HOLLYWOOD HASN'T CHANGED MY VALUES
1782
01:17:53,477 --> 01:17:55,477
OR MY PERSONALITY,
1783
01:17:55,478 --> 01:17:58,479
BUT IT'S CERTAINLYMADE ME WISER.
1784
01:17:58,480 --> 01:18:02,484
I THINK I'VE GAINED 5 YEARSEXPERIENCE IN 18 MONTHS.
1785
01:18:03,985 --> 01:18:06,486
YOU'VE OUTGROWN HIM.
1786
01:18:06,487 --> 01:18:08,988
THIS IS A LITTLE ROUGH.
1787
01:18:08,989 --> 01:18:11,991
ARE YOU SURE
YOU WANT TO HEAR IT?
1788
01:18:11,992 --> 01:18:12,991
OK.
1789
01:18:12,992 --> 01:18:15,993
"SHE'S PRACTICALLY
MOVED OUT OF THE WYNDHAM.
1790
01:18:15,994 --> 01:18:17,496
"SHE USUALLY GOES THERE
AFTER SHOOTING,
1791
01:18:17,497 --> 01:18:18,997
"PICKS UP MESSAGES,
1792
01:18:18,998 --> 01:18:21,499
"AND WALKS OVER
TO THE PLAZA.
1793
01:18:21,500 --> 01:18:24,503
"HE'S IN SUITE 1210.
1794
01:18:25,003 --> 01:18:28,004
"THEY USUALLY EAT
IN THE HOTEL.
1795
01:18:28,005 --> 01:18:30,007
"AND IN THE MORNING,
SHE GOES BACK TO THE WYNDHAM
1796
01:18:30,508 --> 01:18:32,009
"WHERE SHE WAITS
FOR THE STUDIO CAR
1797
01:18:32,010 --> 01:18:33,510
TO COME PICK HER UP."
1798
01:18:33,511 --> 01:18:35,511
SO YOU WERE RIGHT ALL ALONG.
1799
01:18:35,512 --> 01:18:37,513
IT IS HIM.
1800
01:18:37,514 --> 01:18:40,015
THEY'RE HIDING IT
PRETTY GOOD.
1801
01:18:40,016 --> 01:18:42,517
YOU ALL RIGHT?
1802
01:18:42,518 --> 01:18:44,520
YEAH, SURE.
1803
01:18:45,020 --> 01:18:48,523
I JUST GOT TO
TAKE A PISS.
1804
01:18:48,524 --> 01:18:52,025
IF WE JUST HAD SOMETHING...
A LETTER, A TAPE,
1805
01:18:52,026 --> 01:18:54,528
ANYTHING WHERE SHE TALKS
ABOUT THE MANAGEMENT THING,
1806
01:18:54,529 --> 01:18:57,030
I THINK WE
MIGHT HAVE SOMETHING.
1807
01:18:57,031 --> 01:18:59,031
ON ENTICEMENT, I MEAN.
1808
01:18:59,032 --> 01:19:00,533
AH, FUCK BOTH OF THEM.
1809
01:19:00,534 --> 01:19:02,034
WHY DON'T WE JUST SAY,
1810
01:19:02,035 --> 01:19:04,536
"LOOK, YOU WANT HER,
PAL? YOU CAN HAVE HER.
1811
01:19:04,537 --> 01:19:07,038
BUT YOU'RE GONNA
HAVE TO PAY."
1812
01:19:07,039 --> 01:19:09,541
I KNOW HOW YOU FEEL,
BUT I DON'T THINK SO.
1813
01:19:09,542 --> 01:19:11,543
HEY, MAYBE
THERE'S SOMETHING
1814
01:19:11,544 --> 01:19:14,546
IN ALIENATION
OF AFFECTIONS.
1815
01:19:16,047 --> 01:19:18,549
I DON'T THINK SO.
1816
01:19:24,555 --> 01:19:25,839
[WEAPON COCKS]
1817
01:19:28,842 --> 01:19:31,844
YEAH, IT WAS 379.95 NEW.
1818
01:19:31,845 --> 01:19:34,345
AND YOU CAN HAVE IT
FOR 250...EVEN.
1819
01:19:34,346 --> 01:19:36,848
IT'S ONLY A YEAR OLD.
1820
01:19:36,849 --> 01:19:38,349
HA HA HA HA!
1821
01:19:38,350 --> 01:19:39,851
IT WAS
ONLY FIRED ON SUNDAYS
1822
01:19:39,852 --> 01:19:41,413
BY A LITTLE OLD
PSYCHOTIC SCHOOLTEACHER.
1823
01:19:41,853 --> 01:19:42,854
HOW DO YOU LOAD IT?
1824
01:19:42,855 --> 01:19:45,355
OH, EASY.
IT TAKES ONE TO 5.
1825
01:19:45,356 --> 01:19:47,357
I'LL GIVE YOU ONE.
1826
01:19:47,358 --> 01:19:49,358
YOU PUT IT
IN THE CHAMBER,
1827
01:19:49,359 --> 01:19:51,861
YOU PRESS THE BUTTON,
1828
01:19:52,362 --> 01:19:54,363
AND YOU COCK IT...
1829
01:19:54,364 --> 01:19:56,366
AND SHE'S READY TO GO.
1830
01:20:04,873 --> 01:20:06,374
LEFTY, HUH?
1831
01:20:09,878 --> 01:20:12,379
FEELS GOOD,
DOESN'T IT?
1832
01:20:18,885 --> 01:20:21,387
WELL, WE GOT A SALE?
1833
01:20:36,901 --> 01:20:39,903
WE WAS ACTING
REALLY WEIRD.
1834
01:20:39,904 --> 01:20:43,406
HE PASTED, PINNED,
SCOTCH-TAPED,
1835
01:20:43,907 --> 01:20:46,408
GLUED PHOTOS
OF HER, OF HIM,
1836
01:20:46,409 --> 01:20:49,410
OF HIM AND HER,
OF HER AND HIM,
1837
01:20:49,411 --> 01:20:50,412
ALL OVER THE DOWNSTAIRS
1838
01:20:50,913 --> 01:20:53,414
LIKE SOME SORT OF
BIZARRE SHRINE.
1839
01:20:53,415 --> 01:20:54,415
WEIRD.
1840
01:20:54,416 --> 01:20:55,917
FRANKLY...
1841
01:20:56,417 --> 01:20:59,420
I THOUGHT IT WAS A LITTLE
LIKE A SOAP OPERA.
1842
01:21:00,421 --> 01:21:02,923
AND I OBVIOUSLY MISREAD HIM.
1843
01:21:02,924 --> 01:21:05,925
THAT'S PRETTY MUCH
THE SAME PICTURE.
1844
01:21:05,926 --> 01:21:07,927
AW, LOOK.
1845
01:21:07,928 --> 01:21:09,929
THAT'S EILEEN.
1846
01:21:09,930 --> 01:21:11,429
WHAT A KID.
1847
01:21:11,430 --> 01:21:12,431
I WAS THINKING
1848
01:21:12,932 --> 01:21:13,931
OF BRINGING HER
DOWN HERE FOR A VISIT
1849
01:21:13,932 --> 01:21:15,434
WHEN DOROTHY COMES BACK.
1850
01:21:15,435 --> 01:21:17,435
THAT'D BE FUN.
1851
01:21:17,436 --> 01:21:20,437
IT'S ROUGH.
IT'S REALLY ROUGH.
1852
01:21:20,438 --> 01:21:21,939
I'M NOT SURE
I CAN TAKE IT.
1853
01:21:21,940 --> 01:21:25,442
LISTEN, ROBIN, I WANT
TO GET THESE TO KING.
1854
01:21:25,443 --> 01:21:27,444
DID YOU SEE
THE PROM PICTURE?
1855
01:21:27,445 --> 01:21:29,445
DID I SHOW THAT TO YOU?
1856
01:21:29,446 --> 01:21:32,448
I BOUGHT HER
THIS WHITE DRESS.
1857
01:21:32,449 --> 01:21:33,949
HERE IT IS.
1858
01:21:39,455 --> 01:21:41,456
I'VE NEVER FELT
THIS WAY BEFORE.
1859
01:21:41,457 --> 01:21:43,458
SHE BROKE MY HEART.
1860
01:21:45,460 --> 01:21:47,461
NICE, HUH?
1861
01:21:47,462 --> 01:21:49,462
I'VE GOT
A BETTER ONE.
1862
01:21:49,463 --> 01:21:51,463
PAUL, LOOK, WE REALLY
GOT TO MOVE ALONG.
1863
01:21:51,464 --> 01:21:52,966
IT'S WHEN
I'M HOLDING HER
1864
01:21:52,967 --> 01:21:54,969
AND WE WERE DANCING.
IT'S REALLY NICE.
1865
01:21:54,970 --> 01:21:56,468
WAIT JUST A SECOND.
1866
01:21:56,469 --> 01:21:58,971
WE'LL BE BACK
IN AN HOUR, ALL RIGHT?
1867
01:21:58,972 --> 01:21:59,972
OK, MAN.
1868
01:21:59,973 --> 01:22:01,974
OK, WE'LL CATCH YOU
LATER.
1869
01:22:01,975 --> 01:22:03,475
TAKE IT EASY, OK?
1870
01:22:07,980 --> 01:22:09,981
WHOA!
1871
01:22:09,982 --> 01:22:12,482
MAN, I THOUGHT
I'D CRACK UP
1872
01:22:12,483 --> 01:22:14,985
WHEN HE SAID, "SHE'S
BROKEN MY HEART."
1873
01:22:14,986 --> 01:22:17,487
I DIDN'T THINK
IT WAS FUNNY.
1874
01:22:17,488 --> 01:22:18,988
I CAN TAKE
A BRAGGING SNIDER.
1875
01:22:18,989 --> 01:22:20,991
I CAN TAKE
A CONNIVING SNIDER.
1876
01:22:20,992 --> 01:22:21,991
[WHISTLES]
1877
01:22:21,992 --> 01:22:22,992
KING!
1878
01:22:22,993 --> 01:22:24,493
YEAH!
1879
01:22:24,494 --> 01:22:28,497
I JUST CAN'T STOMACH
A SENTIMENTAL SNIDER.
1880
01:22:28,998 --> 01:22:31,000
IT'S ABOUT THE ONLY TIME
I'VE LIKED HIM.
1881
01:22:31,001 --> 01:22:32,500
GET OUTTA HERE. WHY?
1882
01:22:32,501 --> 01:22:34,001
I DON'T KNOW, REALLY.
1883
01:22:34,002 --> 01:22:36,503
THIS MACHO GUY
LIKE THAT.
1884
01:22:36,504 --> 01:22:39,006
YOU DON'T SUPPOSE
HE'D DO ANYTHING CRAZY,
1885
01:22:39,007 --> 01:22:40,007
DO YOU?
1886
01:22:40,008 --> 01:22:41,007
LIKE WHAT?
1887
01:22:41,008 --> 01:22:43,008
I DON'T KNOW.
LIKE HURT HIMSELF?
1888
01:22:43,009 --> 01:22:45,012
NOT IF IT MEANS
MUSSING HIS HAIR.
1889
01:22:46,513 --> 01:22:50,515
CAN'T WE TALK NOW?
I'M GOIN' A LITTLE CRAZY.
1890
01:22:50,516 --> 01:22:53,018
Dorothy: I'LL SEE YOU
WHEN I COME TO LOS ANGELES.
1891
01:22:53,019 --> 01:22:55,020
YOU CLOSED
THE JOINT BANK ACCOUNT.
1892
01:22:55,021 --> 01:22:56,020
YES.
1893
01:22:56,021 --> 01:22:57,521
WHY?
1894
01:22:57,522 --> 01:22:59,523
I'LL SEND YOU
SOME MONEY.
1895
01:22:59,524 --> 01:23:01,525
YOU DIDN'T ANSWER WHY?
1896
01:23:01,526 --> 01:23:03,026
I THOUGHT IT BEST.
1897
01:23:03,027 --> 01:23:04,027
FOR WHAT?
1898
01:23:04,028 --> 01:23:05,029
OUR SITUATION, PAUL.
1899
01:23:05,030 --> 01:23:06,529
I HAVE TO HANG UP NOW.
1900
01:23:06,530 --> 01:23:08,531
NO, PLEASE DON'T HANG UP.
1901
01:23:08,532 --> 01:23:11,533
JUST WHAT THE HELL
IS OUR SITUATION?
1902
01:23:11,534 --> 01:23:14,036
JESUS, TELL ME SOMETHING,
WILL YOU?
1903
01:23:14,037 --> 01:23:16,039
LOOK,
IF YOU'VE HAD AN AFFAIR,
1904
01:23:16,040 --> 01:23:18,539
THAT'S OK WITH ME.
I UNDERSTAND.
1905
01:23:18,540 --> 01:23:20,540
BUT THAT DOESN'T
MEAN THAT WE SHOULD
1906
01:23:20,541 --> 01:23:23,044
THROW THE WHOLE MARRIAGE
DOWN THE TOILET.
1907
01:23:23,045 --> 01:23:24,046
PLEASE, DOROTHY.
1908
01:23:24,047 --> 01:23:26,547
PLEASE TELL ME
WHERE I STAND.
1909
01:23:28,549 --> 01:23:31,552
I HAVE TO HAVE
MORE FREEDOM.
1910
01:23:32,052 --> 01:23:34,053
I WANT MORE FREEDOM.
1911
01:23:34,054 --> 01:23:37,056
DOROTHY, YOU CAN HAVE
MORE FREEDOM, HONEST.
1912
01:23:37,057 --> 01:23:39,059
THAT'S NOT ENOUGH.
1913
01:23:42,061 --> 01:23:45,064
THINGS CHANGE.
1914
01:23:45,564 --> 01:23:48,065
I'M NOT THE SAME GIRL
I WAS IN VANCOUVER.
1915
01:23:48,066 --> 01:23:50,568
NO, YOU SURE AIN'T.
1916
01:23:51,069 --> 01:23:53,069
SOUNDS LIKE YOU
GOT A WRITER NOW.
1917
01:23:53,070 --> 01:23:54,571
I DON'T UNDERSTAND
WHAT YOU'RE SAYING.
1918
01:23:55,072 --> 01:23:56,572
I MEAN, I HAVE A HUNCH
1919
01:23:56,573 --> 01:23:59,574
THAT YOU'RE SITTING
ON ARAM'S KNEE RIGHT NOW,
1920
01:23:59,575 --> 01:24:02,578
AND HE'S MOVING YOUR MOUTH.
HE'S PULLING THE STRINGS!
1921
01:24:02,579 --> 01:24:04,446
WE'LL TALK
WHEN I COME IN.
1922
01:24:05,414 --> 01:24:07,916
YOU'RE LIVING
WITH HIM.
1923
01:24:07,917 --> 01:24:11,919
I'M STAYING AT HIS HOUSE
TEMPORARILY.
1924
01:24:11,920 --> 01:24:13,419
YOU'RE LIVING WITH HIM.
1925
01:24:13,420 --> 01:24:14,922
YOU'RE SLEEPING
WITH HIM.
1926
01:24:14,923 --> 01:24:16,423
YOU'RE FUCKING HIM.
1927
01:24:16,424 --> 01:24:17,924
WHY DON'T YOU HAVE
THE GUTS TO SAY IT?
1928
01:24:17,925 --> 01:24:18,926
YOU'RE DOING IT.
1929
01:24:19,426 --> 01:24:20,427
WHY CAN'T YOU SAY IT?
1930
01:24:20,428 --> 01:24:25,431
TAKE OFF
THE GODDAMN GLASSES.
1931
01:24:30,937 --> 01:24:33,939
I'M BROKE.
1932
01:24:37,943 --> 01:24:40,944
PAUL, I'LL TAKE CARE
OF YOU. YOU KNOW THAT.
1933
01:24:40,945 --> 01:24:43,948
EILEEN IS HERE,
ISN'T SHE?
1934
01:24:45,950 --> 01:24:49,952
LISTEN, TOO MUCH
HAS HAPPENED ALREADY.
1935
01:24:49,953 --> 01:24:53,455
I'LL CALL YOU
IN A FEW DAYS.
1936
01:24:53,456 --> 01:24:54,956
MAYBE WE CAN TALK THEN.
1937
01:24:55,457 --> 01:24:58,459
ABOUT A DIVORCE?
IS THAT WHAT YOU MEAN?
1938
01:24:58,460 --> 01:25:00,462
YES.
1939
01:25:00,963 --> 01:25:02,964
I COULD CHANGE.
1940
01:25:03,464 --> 01:25:05,466
JESUS, GIVE ME
A CHANCE, WILL YOU?
1941
01:25:05,467 --> 01:25:06,967
I'LL CALL.
1942
01:25:08,969 --> 01:25:12,471
GOD DAMN IT, HE MUST BE
HAVING YOU FOLLOWED.
1943
01:25:12,472 --> 01:25:13,471
SON OF A BITCH.
1944
01:25:13,472 --> 01:25:15,475
I DON'T WANT YOU
TO SEE HIM ANYMORE.
1945
01:25:15,976 --> 01:25:18,477
THE WHOLE THING CAN BE
HANDLED IN OTHER WAYS.
1946
01:25:19,979 --> 01:25:22,981
PROMISE ME
YOU WON'T SEE HIM ANYMORE.
1947
01:25:22,982 --> 01:25:24,481
HE SEEMED
SO SCARED.
1948
01:25:24,482 --> 01:25:27,485
HEY, SIS, COME ON IN!
PLEASE?
1949
01:25:27,986 --> 01:25:30,488
DOROTHY, I WANT YOU
TO PROMISE.
1950
01:25:31,488 --> 01:25:33,990
OK, I PROMISE.
1951
01:25:36,994 --> 01:25:38,493
HOW'S THE WATER?
1952
01:25:38,494 --> 01:25:39,494
IT'S WARM.
1953
01:25:39,495 --> 01:25:41,997
YEAH?
1954
01:25:42,999 --> 01:25:44,999
YOU'LL PROBABLY
HAVE TO LEAD HER A LITTLE.
1955
01:25:45,000 --> 01:25:46,501
TRY AND GET HER
TO TALK ABOUT ARAM.
1956
01:25:47,002 --> 01:25:48,503
JUICY STUFF
IF YOU CAN.
1957
01:25:49,004 --> 01:25:50,003
EVEN BETTER
YOU CAN GET HER
1958
01:25:50,004 --> 01:25:52,005
TO TALK ABOUT
THE MANAGEMENT THING.
1959
01:25:52,006 --> 01:25:54,008
SHE'S GONNA COME BACK.
I KNOW IT.
1960
01:25:54,009 --> 01:25:56,009
YEAH, SURE.
1961
01:25:56,010 --> 01:25:57,511
JUST IN CASE.
1962
01:26:00,014 --> 01:26:02,514
HE KEPT CHANGING
HIS FUCKING MIND.
1963
01:26:02,515 --> 01:26:04,515
FIRST HE SAID I COULD HAVE
SOME OF HER CLOTHES,
1964
01:26:04,516 --> 01:26:06,519
AND THEN HE SAID NO,
SHE WAS COMING BACK TO HIM.
1965
01:26:06,520 --> 01:26:08,519
DIDN'T MEAN A SHIT TO ME.
1966
01:26:08,520 --> 01:26:10,521
MARKER.
1967
01:26:10,522 --> 01:26:12,523
DOROTHY?
1968
01:26:12,524 --> 01:26:13,525
SAM, I'M HERE.
1969
01:26:14,026 --> 01:26:16,025
WELL, I JUST HAVE
A FEW ERRANDS TO RUN,
1970
01:26:16,026 --> 01:26:18,529
THEN I'LL BE BACK ABOUT
2:30. I PROMISED EILEEN
1971
01:26:18,530 --> 01:26:22,032
THAT WE'D BUY OUT
RODEO DRIVE THIS AFTERNOON.
1972
01:26:22,533 --> 01:26:24,533
OH, WOW! IT'S YOU!
1973
01:26:24,534 --> 01:26:26,035
YOU'RE IN THE TV GUIDE.
1974
01:26:26,036 --> 01:26:27,536
I'M SORRY, ARAM.
1975
01:26:27,537 --> 01:26:30,537
EILEEN'S GOING A LITTLE
BANANAS OVER SOMETHING.
1976
01:26:30,538 --> 01:26:32,040
I DIDN'T HEAR
WHAT YOU SAID.
1977
01:26:32,041 --> 01:26:33,540
I SAID I WON'T BE HOME
TILL LATE.
1978
01:26:33,541 --> 01:26:34,622
I'VE GOT TO STOP
AT THE LAB.
1979
01:26:35,044 --> 01:26:36,544
LOOK, IT'S YOU!
1980
01:26:36,545 --> 01:26:38,045
JUST A SECOND.
1981
01:26:38,046 --> 01:26:40,048
TAKE IT BACK A LITTLE.
1982
01:26:42,550 --> 01:26:44,051
THERE, TRY IT THERE.
1983
01:26:45,053 --> 01:26:46,053
Paul: SHE SAID,
1984
01:26:46,553 --> 01:26:48,054
"I'LL ALWAYS
TAKE CARE OF YOU."
1985
01:26:48,055 --> 01:26:51,058
YEAH. NOW, IF YOU CAN
GET HER TO REPEAT THAT...
1986
01:26:51,059 --> 01:26:52,058
OK.
1987
01:26:52,059 --> 01:26:53,558
PUSH THE BUTTON DOWN,
1988
01:26:53,559 --> 01:26:55,560
WALK AROUND AND TALK.
1989
01:26:55,561 --> 01:26:58,063
IT'S GONNA BE
A DIFFERENT SHIRT.
1990
01:26:58,064 --> 01:27:00,564
SO?
1991
01:27:00,565 --> 01:27:02,567
WELL, WHAT DO YOU
WANT ME TO SAY?
1992
01:27:02,568 --> 01:27:04,569
ANYTHING. ANYTHING.
1993
01:27:05,570 --> 01:27:08,071
HI, I'M
PAUL SNIDER.
1994
01:27:08,072 --> 01:27:10,074
PAUL SNIDER, HI.
1995
01:27:12,576 --> 01:27:14,578
MORE, MORE.
1996
01:27:16,079 --> 01:27:18,580
TESTING. 1, 2, 3, 4.
1997
01:27:18,581 --> 01:27:22,584
TESTING. 1, 2, 3, 4.
1998
01:27:24,086 --> 01:27:25,587
OK.
1999
01:27:27,589 --> 01:27:29,590
YOU KNOW, WE JUST NEED
2000
01:27:29,591 --> 01:27:31,091
TO STRAIGHTEN
SOME THINGS OUT.
2001
01:27:31,092 --> 01:27:34,094
ONCE WE SEE EACH OTHER,
IT'LL BE OK.
2002
01:27:34,095 --> 01:27:37,597
[STATIC]
2003
01:27:38,098 --> 01:27:39,098
DAMN.
2004
01:27:39,099 --> 01:27:41,100
DAMN THING
DOESN'T WORK.
2005
01:27:41,101 --> 01:27:42,600
HELL, WE
DON'T NEED IT ANYWAY.
2006
01:27:42,601 --> 01:27:44,103
ONCE WE SPEND
SOME TIME TOGETHER,
2007
01:27:44,104 --> 01:27:45,604
EVERYTHING'S GOING
TO BE FINE AGAIN.
2008
01:27:45,605 --> 01:27:46,604
I KNOW IT.
2009
01:27:46,605 --> 01:27:48,106
HE CALLED ME
IN THE MORNING
2010
01:27:48,107 --> 01:27:50,109
AND SAID HE WAS
GOING TO SEE HER THAT DAY.
2011
01:27:52,610 --> 01:27:54,612
IT SAYS THURSDAY
AT 8 P.M.
2012
01:27:55,113 --> 01:27:56,614
CAN WE WATCH IT
TOGETHER?
2013
01:27:57,115 --> 01:28:00,116
ABSOLUTELY.
WE'VE GOT A DATE.
2014
01:28:00,117 --> 01:28:02,618
I'LL SEE YOU 2:30, OK?
2015
01:28:02,619 --> 01:28:06,122
HE STILL HAD SOME CRAZY IDEA
2016
01:28:06,123 --> 01:28:08,622
HE COULD PUT IT
ALL BACK TOGETHER AGAIN.
2017
01:28:08,623 --> 01:28:11,126
HE VACUUMED THE RUG,
HE POLISHED THE VINYL,
2018
01:28:11,127 --> 01:28:13,129
HE CLEANED THE WHOLE HOUSE.
2019
01:28:21,136 --> 01:28:24,637
Detective: SHE ARRIVED
A LITTLE AFTER NOON.
2020
01:28:24,638 --> 01:28:27,641
THE PLAN WAS, I WAS
TO CALL IN AN HOUR OR SO
2021
01:28:27,642 --> 01:28:29,641
TO SEE HOW IT WAS GOING.
2022
01:28:29,642 --> 01:28:32,144
UH, WE WORKED OUT
A LITTLE CODE
2023
01:28:32,145 --> 01:28:35,647
SO SHE WOULDN'T KNOW
HE WAS TALKING TO ME.
2024
01:28:35,648 --> 01:28:38,149
I TRIED TO GET THROUGH
ON THE PHONE, BUT, UH...
2025
01:28:38,150 --> 01:28:41,319
YOU KNOW WHAT HAPPENED.
2026
01:28:44,322 --> 01:28:47,824
I'VE BEEN DRINKING.
2027
01:28:47,825 --> 01:28:50,827
I'M NERVOUS.
2028
01:28:50,828 --> 01:28:53,830
I AM, TOO.
2029
01:28:55,332 --> 01:28:58,335
LOOK AT MY HAND.
2030
01:29:00,836 --> 01:29:03,338
THIS IS
A NEW SHIRT.
2031
01:29:04,840 --> 01:29:06,840
I MUST HAVE
COMBED MY HAIR
2032
01:29:06,841 --> 01:29:09,343
A DOZEN TIMES.
2033
01:29:09,344 --> 01:29:11,346
I GUESS I HAD
SOME CRAZY IDEA
2034
01:29:11,347 --> 01:29:12,846
I COULD
WIN YOU BACK.
2035
01:29:12,847 --> 01:29:15,849
A REAL SCHMUCK,
HUH?
2036
01:29:17,351 --> 01:29:19,852
THERE'S NO CHANCE,
IS THERE?
2037
01:29:19,853 --> 01:29:22,354
WE HAVE SOME THINGS
WE SHOULD TALK ABOUT.
2038
01:29:25,358 --> 01:29:27,360
I KNOW.
2039
01:29:29,861 --> 01:29:31,362
I LOVE YOU, DOROTHY.
2040
01:29:31,363 --> 01:29:33,364
I LOVE YOU SO MUCH.
2041
01:29:33,365 --> 01:29:36,866
I CAN GIVE YOU $7,000.
2042
01:29:36,867 --> 01:29:38,368
PLEASE COME BACK TO ME.
2043
01:29:39,870 --> 01:29:42,872
IT'S HALF OF
EVERYTHING I HAVE.
2044
01:29:42,873 --> 01:29:45,374
LET'S MAKE IT
LIKE IT WAS BEFORE.
2045
01:29:45,375 --> 01:29:46,375
PLEASE?
2046
01:29:46,376 --> 01:29:49,379
I HAVE SOME OF IT HERE
WITH ME.
2047
01:29:52,381 --> 01:29:54,383
REMEMBER THE RING
I GAVE YOU?
2048
01:29:55,384 --> 01:29:56,884
YES.
2049
01:29:56,885 --> 01:29:58,386
STILL HAVE IT?
2050
01:29:59,387 --> 01:30:00,888
YES.
2051
01:30:04,392 --> 01:30:05,392
I DON'T THINK
2052
01:30:05,393 --> 01:30:08,394
I WANT TO GO ON
LIVING WITHOUT YOU.
2053
01:30:08,395 --> 01:30:10,396
I BOUGHT A GUN.
2054
01:30:10,397 --> 01:30:13,400
OH, PAUL.
2055
01:30:15,901 --> 01:30:17,402
THINGS WILL CHANGE FOR YOU.
2056
01:30:17,903 --> 01:30:18,903
NO!
2057
01:30:18,904 --> 01:30:20,405
WHAT? YOU MEAN
MAYBE I'LL GROW UP
2058
01:30:20,406 --> 01:30:22,406
TO BE
A BIG MOVIE DIRECTOR?
2059
01:30:22,407 --> 01:30:23,408
OR OWN
A BIG MAGAZINE?
2060
01:30:23,409 --> 01:30:25,409
IS THAT WHAT YOU MEAN?
2061
01:30:25,410 --> 01:30:27,410
MAYBE THEN
I COULD GET YOU BACK!
2062
01:30:27,411 --> 01:30:28,912
IS THAT WHAT
YOU'RE SAYING?
2063
01:30:28,913 --> 01:30:29,912
SIT DOWN!
2064
01:30:29,913 --> 01:30:31,914
THOSE FUCKING BASTARDS!
2065
01:30:31,915 --> 01:30:33,416
I WANT TO LEAVE.
2066
01:30:33,417 --> 01:30:35,418
I'M SORRY.
I'M SORRY.
2067
01:30:35,419 --> 01:30:37,919
PLEASE DON'T LEAVE.
2068
01:30:37,920 --> 01:30:39,421
I WANT TO
SHOW YOU SOMETHING.
2069
01:30:39,922 --> 01:30:41,923
PLEASE STAY
JUST A MINUTE.
2070
01:30:41,924 --> 01:30:44,926
I WON'T
DO THAT AGAIN.
2071
01:30:47,429 --> 01:30:48,930
PLEASE.
2072
01:30:55,936 --> 01:31:00,439
I HAVE BEEN WORKING
MY ASS OFF ON THESE.
2073
01:31:00,440 --> 01:31:03,943
GOD, I HOPE
YOU LIKE THEM.
2074
01:31:11,950 --> 01:31:13,951
THEY'RE A LOT BETTER THAN
THE FARRAH FAWCETT ONES,
2075
01:31:13,952 --> 01:31:15,452
AREN'T THEY?
2076
01:31:15,453 --> 01:31:19,956
SHE SOLD 5 MILLION OF THEM
IN ONE YEAR.
2077
01:31:19,957 --> 01:31:22,458
WELL, WHICH ONE
DO YOU THINK?
2078
01:31:27,464 --> 01:31:31,467
WE COULD AT LEAST STILL
BE IN BUSINESS TOGETHER.
2079
01:31:32,468 --> 01:31:35,969
DON'T SHAKE YOUR FUCKIN'
HEAD LIKE THAT AT ME!
2080
01:31:35,970 --> 01:31:39,473
IS IT TOO SMALL-TIME FOR
THE BIG MOVIE STAR, HUH?
2081
01:31:39,474 --> 01:31:40,974
TOO TASTELESS, MAYBE?
2082
01:31:40,975 --> 01:31:41,975
I THINK...
2083
01:31:41,976 --> 01:31:44,477
OH HO HO! YOU THINK.
2084
01:31:44,978 --> 01:31:47,981
I THINK THAT WE
SHOULD BREAK CLEANLY.
2085
01:31:48,482 --> 01:31:49,483
OH.
2086
01:31:49,983 --> 01:31:51,483
I WANT IT TO BE
OVER.
2087
01:31:51,984 --> 01:31:54,987
HMM. IS THAT WHAT ARAM
TOLD YOU TO SAY?
2088
01:31:55,488 --> 01:31:58,989
AND WHAT THE FUCK
IS $7,000?!
2089
01:31:58,990 --> 01:32:00,991
YOU THINK I'M STUPID.
2090
01:32:00,992 --> 01:32:03,494
I MAY NOT BE
A HEFNER OR AN ARAM,
2091
01:32:03,495 --> 01:32:05,495
BUT I'M NOT STUPID.
2092
01:32:05,496 --> 01:32:06,995
NOT JUST YET, YOU DON'T!
2093
01:32:06,996 --> 01:32:07,998
NOT UNTIL YOU TELL ME
2094
01:32:07,999 --> 01:32:10,500
WHERE THE REST
OF THE MONEY IS.
2095
01:32:10,501 --> 01:32:13,502
WHO'S HOLDING IT FOR YOU?
2096
01:32:13,503 --> 01:32:15,504
TELL ME!
2097
01:32:15,505 --> 01:32:16,505
IT'S HALF.
2098
01:32:16,506 --> 01:32:18,974
LIAR! GET THE FUCK
OUTTA HERE!
2099
01:32:18,975 --> 01:32:23,677
"I'LL ALWAYS
TAKE CARE OF YOU, PAUL."
2100
01:32:23,678 --> 01:32:25,679
"I LOVE YOU, PAUL."
2101
01:32:25,680 --> 01:32:29,182
"I OWE YOU
SO MUCH, PAUL."
2102
01:32:29,183 --> 01:32:31,684
LIAR! LIAR!
2103
01:32:31,685 --> 01:32:33,186
LIAR!
2104
01:32:33,187 --> 01:32:35,188
LIAR!
2105
01:32:37,190 --> 01:32:38,691
I DON'T THINK
YOU'VE EVER KNOWN
2106
01:32:38,692 --> 01:32:40,192
HOW MUCH I LOVE YOU.
2107
01:32:40,193 --> 01:32:43,695
WELL, MAYBE NOW YOU WILL.
2108
01:32:56,207 --> 01:32:59,208
YOU THINK I'M FAKING,
DON'T YOU?
2109
01:32:59,209 --> 01:33:01,711
YOU DON'T THINK
I'D DO IT, DO YOU?
2110
01:33:04,713 --> 01:33:07,215
YOU THINK
I'M A COWARD.
2111
01:33:30,736 --> 01:33:35,239
LET'S NOT HURT
EACH OTHER ANYMORE, PLEASE.
2112
01:33:38,743 --> 01:33:40,745
OH, PLEASE.
2113
01:33:42,746 --> 01:33:46,750
TOO SMALL-TIME
FOR YOU NOW, HUH?
2114
01:33:48,252 --> 01:33:50,752
YOU SLEPT WITH HIM
LAST NIGHT...
2115
01:33:50,753 --> 01:33:52,755
DIDN'T YOU?
2116
01:33:54,257 --> 01:33:56,259
ANSWER ME.
2117
01:33:57,259 --> 01:33:58,260
DIDN'T YOU?
2118
01:33:59,761 --> 01:34:01,763
SURE YOU DID.
2119
01:34:02,264 --> 01:34:04,764
YOU FUCKED
THE BIG DIRECTOR.
2120
01:34:04,765 --> 01:34:08,268
WELL, NOW ME.
2121
01:34:08,269 --> 01:34:10,269
I'LL GIVE YOU
A CHANCE TO JUDGE,
2122
01:34:10,270 --> 01:34:12,772
A CHANCE TO SEE
WHO THE REAL MAN IS!
2123
01:34:12,773 --> 01:34:14,773
AAH!
2124
01:34:14,774 --> 01:34:16,275
STOP IT, PAUL!
2125
01:34:16,776 --> 01:34:18,277
AAH!
2126
01:34:18,278 --> 01:34:20,279
[CRYING]
2127
01:35:32,342 --> 01:35:34,343
[CHUCKLES]
2128
01:35:35,344 --> 01:35:39,848
YOU'RE GONNA DO ME
A BIG FAVOR, HUH?
2129
01:35:41,849 --> 01:35:43,851
OK.
2130
01:35:44,852 --> 01:35:46,853
THAT'S ME...
2131
01:35:46,854 --> 01:35:48,354
A CHARITY CASE.
2132
01:35:51,858 --> 01:35:56,862
NOW, TRY TO THINK OF
DEAR ARAM IF YOU CAN.
2133
01:36:07,872 --> 01:36:09,373
THEY'RE KILLING ME.
2134
01:36:09,874 --> 01:36:11,875
THEY'RE TRYING
TO KILL ME.
2135
01:36:18,881 --> 01:36:21,383
[CRYING]
2136
01:36:27,889 --> 01:36:31,893
THOSE BASTARDS!
2137
01:36:59,384 --> 01:37:00,385
[CAMERA SHUTTER CLICKS]
2138
01:37:01,886 --> 01:37:02,886
[CLICK]
2139
01:37:04,388 --> 01:37:05,889
[CLICK]
2140
01:37:11,394 --> 01:37:12,893
OPERATOR, CAN YOU
CHECK ON A NUMBER FOR ME?
2141
01:37:12,894 --> 01:37:14,396
I THINK IT'S OUT OF ORDER.
2142
01:37:14,397 --> 01:37:16,398
WHAT'S THE NUMBER,
SIR?
2143
01:37:16,399 --> 01:37:19,400
474-5051.
2144
01:37:19,401 --> 01:37:20,401
HOLD ON.
2145
01:37:20,402 --> 01:37:21,403
OK.
2146
01:37:23,405 --> 01:37:25,406
[TELEPHONE RINGS]
2147
01:37:26,407 --> 01:37:28,909
[TELEPHONE RINGS]
2148
01:37:30,411 --> 01:37:33,913
[RING]
2149
01:37:34,414 --> 01:37:35,415
CAN YOU HEAR ME?
2150
01:37:35,416 --> 01:37:37,416
[RING]
2151
01:37:37,417 --> 01:37:39,418
THEY DID THIS.
2152
01:37:53,931 --> 01:37:55,431
MY QUEEN.
2153
01:37:55,432 --> 01:37:57,434
HER NAME IS
BILLIE JOAN WORTH.
2154
01:37:57,435 --> 01:37:58,934
SHE'S VERY SWEET.
2155
01:37:58,935 --> 01:38:01,437
I WAS THINKING SHE'S
A MAYBE FOR NOVEMBER.
2156
01:38:01,438 --> 01:38:02,438
WHERE'S SHE FROM?
2157
01:38:02,439 --> 01:38:04,439
DAVENPORT, IOWA.
2158
01:38:04,440 --> 01:38:05,440
I LIKE HER.
2159
01:38:05,441 --> 01:38:06,440
TV: WELL, BILL,
SHE'S A TECHNICIAN
2160
01:38:06,441 --> 01:38:07,443
FOR A PHARMACEUTICAL
COMPANY
2161
01:38:07,444 --> 01:38:08,943
WHO LIKES
ALL SPORTS,
2162
01:38:08,944 --> 01:38:10,444
READING,
AND PHOTOGRAPHY.
2163
01:38:10,945 --> 01:38:12,946
YOU WANT SUGAR?
2164
01:38:12,947 --> 01:38:15,449
UH, A LITTLE, PLEASE.
2165
01:39:27,962 --> 01:39:29,463
[COCKS GUN]
2166
01:39:30,964 --> 01:39:33,967
YOU WON'T FORGET
PAUL SNIDER.
2167
01:39:52,484 --> 01:39:54,485
NOW THAT PEOPLE
RECOGNIZE YOU,
2168
01:39:54,486 --> 01:39:56,486
WHAT'S IT LIKE?
2169
01:39:56,487 --> 01:39:57,487
OH.
2170
01:39:57,488 --> 01:39:58,987
I'LL GO SHOPPING
IN THE STORE,
2171
01:39:58,988 --> 01:40:00,490
AND I'LL SEE PEOPLE GOING,
2172
01:40:00,491 --> 01:40:02,490
"HEY, THAT'S
DOROTHY STRATTEN."
2173
01:40:02,491 --> 01:40:04,992
OR, "HEY, CAN WE HAVE
A PICTURE OF YOU?
2174
01:40:04,993 --> 01:40:06,495
CAN WE HAVE AN AUTOGRAPH?"
2175
01:40:06,496 --> 01:40:08,495
OR EVEN IN THE AIRPORT,
YOU KNOW,
2176
01:40:08,496 --> 01:40:09,996
PEOPLE RUSHING UP TO ME
2177
01:40:09,997 --> 01:40:11,499
TO GET MY AUTOGRAPH
OR SOMETHING.
2178
01:40:12,000 --> 01:40:14,002
THAT'S REALLY EXCITING
FOR ME.
2179
01:40:23,159 --> 01:40:26,144
CAPTIONING MADE POSSIBLE BY
WARNER BROS.
2180
01:40:26,145 --> 01:40:29,148
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING INSTITUTE, INC.
2181
01:40:30,374 --> 01:40:36,469
Best watched using
Open Subtitles MKV Player
141886
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Tajik
Tatar
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof