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FOR ME, MAGIC IS
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A TINY GRAIN OF DECEPTION
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WRAPPED IN THIS WORLD OF TRUTH.
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IT GIVES YOU THAT VISCERAL FEELING
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THAT WE DON'T KNOW EVERYTHING.
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JUST TO HAVE THIS POSSIBILITY OF SOMETHING
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THAT'S BOUNDLESS...
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...THAT'S WHAT I WANT PEOPLE TO FEEL.
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WHEN I WAS A KID,
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I USED TO READ ABOUT THE MAGIC CASTLE...
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...A PLACE WHERE PEOPLE WENT TO SEE MAGIC.
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OH!
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YOU SEE SOME OF THE BEST MAGICIANS IN THE WORLD
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SHOWING YOU THINGS THAT YOU'VE NEVER SEEN BEFORE.
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THIS PLACE IS
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AN EPICENTER OF MAGIC.
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AS A LAYPERSON, YOU COME TO SEE GREATNESS...
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...AND AS A MAGICIAN, YOU COME AND BE GREAT.
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AND I WANTED TO BE HERE.
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EARLY IN MY CAREER, I WOULD DO A SHOW,
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PEOPLE WOULD SAY TO ME
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"OH, THAT'S SO GREAT. SO WHAT DO YOU DO
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FOR A LIVING?"
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OH! ARGH.
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GUT WRENCHING.
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IT WAS REALLY IMPORTANT FOR ME TO ALWAYS SEEM LIKE
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I WAS A PROFESSIONAL MAGICIAN.
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SO HOW DO YOU COME ACROSS IN A WAY THAT'S ENGAGING,
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SO WHEN PEOPLE WALK OUT OF THE SHOWROOM,
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THEY WANT TO HANG OUT WITH ME?
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THEY WANT TO BE MY FRIEND.
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LADIES AND GENTLEMEN,
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THIS PERFORMER THAT YOU ARE ABOUT TO MEET--
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ONE OF OUR FAVORITES HERE AT THE MAGIC CASTLE--
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PLEASE PUT YOUR HANDS TOGETHER FOR MR. JON ARMSTRONG.
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THANK YOU.
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WE'LL DO A MATCHING TRICK. SO JUST TOUCH A CARD.
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YEAH.
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-YOU'RE GONNA SAY "STOP" QUICK.
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STOP.
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I'LL PUT THIS DOWN, OKAY.
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THAT'S ONE, TWO, THREE, FOUR, FIVE, SIX,
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SEVEN, EIGHT, NINE.
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THAT'S NINE, SO THE NUMBER HERE IS NINE,
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THAT MEANS THAT THAT WOULD HAVE TO BE A NINE
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FOR IT TO MATCH.
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COULD YOU TURN THAT OVER?
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-OKAY, GOOD. -SHUT UP!
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AH, THAT WORKED OUT.
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I LOOKED IN THE MIRROR--
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I'M PALE AND DOUGHY AND I'M REALLY INTO COMIC BOOKS,
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AND I'M ESSENTIALLY JUST A BIG GEEK.
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AND I DECIDED THAT I'M GONNA APPLY ALL THAT STUFF
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TO WHO I AM ON STAGE.
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I BRING THIS WITH ME WHEREVER I GO.
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-BECAUSE YOU NEVER KNOW.
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GO AHEAD, AND SHOW THE CARD NOW TO EVERYBODY.
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EVERYBODY SEE IT?
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I KNOW, I'M REALLY
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GOOD AT THIS.
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-YEAH.
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OKAY, SO WE'LL LEAVE THAT ON THE TABLE, GOOD?
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-YOU WANT TO CHANGE YOUR MIND, OR--
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-NOPE.
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GOOD, OKAY.
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STOP.
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WERE YOU HERE EARLIER BY ANY CHANCE?
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11, 12,
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13, 14, 15.
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SEE, THE IDEA IS THAT THE NUMBER OF CARDS
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HAS TO MATCH THE NUMBER HERE,
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THAT'S 15.
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WELL, IT'S A GOOD THING I HAVE ONE OF THOSE.
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-UH, IT'S A 15. -NO!
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ON THE CARD...
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THESE ARE HILARIOUS AT BLACKJACK, BY THE WAY.
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I NEVER WANTED ANYTHING OUT OF MAGIC.
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I JUST WANTED TO DO MY GOOD MAGIC.
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MADE MYSELF BULLETPROOF FROM ANYTHING
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THAT ANYONE COULD HAVE SAID FROM ANY AUDIENCE.
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SO THAT WHENEVER I DID IT,
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I KNEW I WAS IN CONTROL.
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THE MAGIC CASTLE'S A PRETTY
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IMPORTANT PLACE TO ME,
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SO I DECIDED TO GET MY OWN.
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IT'S A PERFECT MAGICIAN HOUSE.
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I'VE GOT GAGS ALL OVER THE HOUSE THAT
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MAKE IT PRETTY ENTERTAINING.
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OVER HERE WE HAVE OUR WALL OF FAME
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AND CELEBRITIES WE PERFORMED FOR,
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LIKE STEVIE WONDER, PAUL MCCARTNEY, JOHNNY DEPP,
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HARRISON FORD.
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AS FAR AS ANYBODY'S CONCERNED, THESE ARE ALL
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MY BEST FRIENDS.
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THIS IS SISUEPAHN'S ROOM. WE WERE
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BOYFRIEND AND GIRLFRIEND FOR EIGHT YEARS.
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WE'VE BEEN BROKEN UP FOR SEVEN YEARS NOW.
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SHE LIVES HERE, I LIVE IN THE OTHER ROOM.
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AND SHE'S GOT A BOYFRIEND AND I'VE GOT A GIRLFRIEND,
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YOU KNOW.
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WHEN WE FIRST BROKE UP THERE WAS SOME TURBULENCE
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AND YOU KNOW, WE WEREN'T SURE IF WE WERE GONNA
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KEEP THE ACT TOGETHER OR WHATEVER,
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BUT WE DID. WE DIDN'T TELL
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ANY AGENTS OR ANYTHING
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THAT WE WERE BROKEN UP, 'CAUSE THEY WOULD'VE
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STOPPED BOOKING US.
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AND, UH...
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WE, UH...
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AND SO NOW WE'RE GREAT FRIENDS
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AND PERFORMING PARTNERS, SO EVERYTHING WORKS OUT.
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SINCE THE RECESSION, THINGS HAVE BEEN
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KIND OF TOUGH,
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AND I'VE GOT A BIG NUT. I'VE GOT THIS CASTLE
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I HAVE TO PAY FOR.
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IT'S A LITTLE BIT DISTRESSING.
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SO I'VE JUST GOTTA KIND OF CONCENTRATE
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ON BOOKING THE GIGS
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AND PAYING THE BILLS.
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YEAH, AND YOU-- DON'T INTERRUPT ME.
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NO, MY LIPS ARE SEALED.
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I STARTED MAGIC AT THE AGE OF SIX,
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I GOT A MAGIC SET, AND THAT'S TYPICALLY HOW
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EVERY MAGICIAN STARTS
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I MET FRANK, AND THAT WAS BASICALLY--
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HE BROUGHT IT TO A, YOU KNOW...
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-A PROFESSIONAL LEVEL. -TO A PROFESSIONAL LEVEL,
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AND I WAS 18.
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IT WAS THE SMURFS ON TOUR.
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YOU SHOULDN'T MENTION THAT ONE.
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AND I DID THE MAJOR PART. NO, IT'S MY LIFE.
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YEAH, IT'S YOUR LIFE. IT'S TRUE.
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I WAS IN A TOURING SHOW...
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HE WAS THE MAGICIAN IN THE SMURF MUSICAL,
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FABULOUS.
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DO YOU WANT TO MAKE IT A SHORT OVERVIEW ABOUT MY--
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NO, OKAY. GO ON.
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I FIRST CAME TO VEGAS
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WHEN I WAS 18 YEARS OLD.
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I DECIDED, "OKAY, ONE DAY YOU'RE GOING
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TO WORK HERE."
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-HERE I AM. -IT WAS LIKE "ALICE
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IN WONDERLAND."
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THE FIRST TIME IN VEGAS, SO...
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BUT IT'S TRUE. FOR A BOY WHO WANTS
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TO BE A MAGICIAN,
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IT'S STILL-- VEGAS IS--
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THAT'S THE PLACE TO BE.
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BUT HERE HE'S NOT SO WELL KNOWN
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AS HE WAS IN GERMANY.
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OH!
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HERE HE HAD TO
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START FROM ZERO.
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AND EVERYBODY HERE FROM THE BUSINESS,
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THEY TOLD US, "OH, YOU KNOW WHAT?
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DON'T DO VEGAS. YOU'RE GOING TO LOSE
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ALL YOUR MONEY."
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HE'S IN A MEETING? EVERYBODY IN AMERICA
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IS IN A MEETING, ALL THE TIME.
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CAN YOU TELL HIM THAT FRANK CALLED, FROM ILLUSIONS?
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ALL RIGHT. OKAY, BYE BYE.
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PEOPLE ALWAYS STILL THINK THAT THE CASINO OR
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THE HOTEL BOOKS THE SHOW.
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IN 95%, IT'S NOT LIKE THAT.
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IT'S-- FOR EXAMPLE, EVEN COPPERFIELD
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BOOKS HIS OWN THEATER.
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HE'S NOT BOOKED. SO YOU SEE, THEY DON'T
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APPROACH HIM
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AND PAY HIM MONEY. IT'S HIS OWN BUSINESS.
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SO WHAT DO YOU
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WHAT WAS THE PURPOSE
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OF YOUR CALL?
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IT SOUNDS A LITTLE BIT ARROGANT,
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BUT IT'S TRUE.
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HE HAS ALL THE POTENTIAL TO BE A REAL BIG STAR IN VEGAS,
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BUT YOU HAVE TO WORK ON YOUR LUCK,
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YOU HAVE TO FORCE IT.
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SO I WANT HIM ON THE STRIP.
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THERE'S LIKE A METAPHOR FOR ME PERSONALLY
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WITH MAGIC,
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AND THE POSSIBILITIES THAT IT REPRESENTS.
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-THANK YOU.
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THINK OF THE CARD. IF IT WAS A RED CARD,
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YOU MIGHT NOTICE YOUR HAND GETTING WARMER,
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AND I THINK IT WAS A RED CARD.
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IF SOMETHING SEEMS IMPOSSIBLE, I WANT IT
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TO HAPPEN EVEN MORE.
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AUDIENCE: WHOA!
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DO YOU HAVE A DRIVER'S LICENSE OR SOMETHING
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WITH YOUR PHOTO ON IT?
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WATCH.
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I'M LIKE THE STEPCHILD OF MAGIC.
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I'M NOT GOING THROUGH THE NORMAL CHANNELS.
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I'M NOT TRYING TO GET TO VEGAS.
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BUT I WANT TO REACH MORE PEOPLE,
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I WANT TO CONTINUE TO CREATE NEW MAGIC THAT'S
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NEVER BEEN SEEN.
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AND THIS YEAR I'D LOVE TO HAVE MY OWN TV SHOW.
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YOU KNOW, WE'VE HAD THESE, LIKE, STREET MAGICIANS
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FOR THE LAST TEN YEARS,
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THAT HAVE BEEN REALLY GREAT, BUT THAT HAS BEEN DONE,
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00:10:13,113 --> 00:10:17,784
AND SO NOW IT'S TIME TO SORT OF BRING IT INTO
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A NEW ERA.
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00:10:19,494 --> 00:10:21,913
IT'S A LOT DIFFERENT TO PERFORM MAGIC
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ON TELEVISION,
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BECAUSE PEOPLE HAVE MORE SCRUTINY.
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AND IT DOESN'T MATTER HOW AMAZING WHAT YOU'RE DOING IS.
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I MEAN, I COULD FLY AROUND THIS ROOM RIGHT NOW AND
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YOU WOULD FREAK OUT.
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HERE, LET'S, UH... LET'S JUST...
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GRAB SOMETHING.
212
00:10:37,971 --> 00:10:39,931
SO IF I DID SOMETHING ON TELEVISION,
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AND YOU WERE WATCHING,
214
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YOU WOULD MAYBE BE A LITTLE SKEPTICAL,
215
00:10:43,726 --> 00:10:45,770
BUT BECAUSE IT'S RIGHT HERE
216
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AND BECAUSE I'M ABOUT TO DO THIS FOR YOU
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IN PERSON,
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YOU KNOW THAT WHAT YOU'RE SEEING IS ACTUALLY REAL,
219
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BECAUSE YOU'RE SEEING IT WITH YOUR OWN EYES.
220
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THAT IS AWESOME.
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YOU'RE NEVER GONNA
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GET THE SAME EXPERIENCE
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IF YOU WATCH IT ON TELEVISION.
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BUT IT'S FUN TO TRY.
225
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HERE YOU GO.
226
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GOOD
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YOU LIKE REALLY GOOD CLOSE-UP MAGIC, AND I LOVE IT,
228
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WE HAVE A YOUNG MAN TONIGHT FROM THE MAGIC CASTLE,
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BRIAN GILLIS. MAGICIAN BRIAN GILLIS.
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BRIAN GILLIS.
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A VERY CLEVER MAGICIAN, BRIAN GILLIS IS HERE TONIGHT.
232
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BRIAN GILLIS. BRIAN?
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MY FAVORITE PERFORMANCE
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THAT I'VE EVER DONE
235
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WAS PERFORMING FOR JOHNNY CARSON
236
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ON "THE TONIGHT SHOW."
237
00:11:56,715 --> 00:11:58,801
I THINK JOHNNY'S FAVORITE TRICK THAT I DID
238
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WAS ONE THAT I INVENTED, THE SWEET 'N' LOW TRICK.
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IT INVOLVES SOMEBODY TAKING A BILL AND TEARING OFF
240
00:12:03,973 --> 00:12:07,268
THE SERIAL NUMBER
241
00:12:07,310 --> 00:12:09,937
SO THEY CAN IDENTIFY IT LATER.
242
00:12:09,979 --> 00:12:13,066
AND THEN I LIGHT THE BILL ON FIRE,
243
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AY, YI, YI. -WENT IN THE SUGAR BOWL.
244
00:12:15,026 --> 00:12:17,320
AND IT ENDS UP INSIDE A SEALED SWEET 'N' LOW PACKET
245
00:12:17,362 --> 00:12:19,280
THAT'S BEEN ON THEIR TABLE THE ENTIRE TIME.
246
00:12:19,322 --> 00:12:21,658
CAN'T BE DONE.
247
00:12:19,322 --> 00:12:21,658
THERE'S NO WAY.
248
00:12:21,700 --> 00:12:22,950
IT'S A TRICK, I TELL YOU.
249
00:12:24,703 --> 00:12:26,371
THERE IS A BILL IN HERE.
250
00:12:26,413 --> 00:12:27,997
MATCH THE NUMBER.
251
00:12:26,413 --> 00:12:27,997
MAKE SURE IT'S THE SAME.
252
00:12:28,039 --> 00:12:30,166
I DO NOT BELIEVE
253
00:12:28,039 --> 00:12:30,166
WHAT I'M SEEING.
254
00:12:35,004 --> 00:12:37,965
-OF COURSE.
255
00:12:38,007 --> 00:12:40,552
CAN I SCOOT IN HERE, SO YOU CAN ALL HAVE
256
00:12:38,007 --> 00:12:40,552
A GOOD VANTAGE POINT?
257
00:12:40,594 --> 00:12:43,888
SOMEBODY HAVE A BILL, LIKE A 20, A 50, A 100?
258
00:12:43,930 --> 00:12:45,682
WRITE YOUR INITIALS ON JACKSON'S FOREHEAD,
259
00:12:45,724 --> 00:12:47,684
SO NOW I CAN'T SWITCH THE BILL.
260
00:12:47,726 --> 00:12:50,186
YOU GUYS MAY HAVE SEEN ME DO THIS ONE
261
00:12:47,726 --> 00:12:50,186
ON "THE TONIGHT SHOW."
262
00:12:50,228 --> 00:12:52,731
I DID IT ON "THE TONIGHT SHOW," BOTH FOR JOHNNY AND FOR JAY.
263
00:12:52,813 --> 00:12:56,025
WE'RE GONNA FOLD THIS BACK INTO ITSELF, LIGHT IT.
264
00:12:57,985 --> 00:13:00,238
IT'S A BILL INSIDE, SLIGHTLY BURNED.
265
00:13:00,280 --> 00:13:01,948
GOT YOUR INITIALS.
266
00:13:04,284 --> 00:13:06,119
IS THAT COOL?
267
00:13:06,160 --> 00:13:08,121
WANT ME TO TAKE THIS HOME AND DISPOSE OF IT?
268
00:13:08,162 --> 00:13:10,373
APPRECIATE THAT. THANK YOU.
269
00:13:10,415 --> 00:13:11,874
DID YOU HAVE A DOG WHEN YOU WERE LITTLE?
270
00:13:11,916 --> 00:13:14,210
I DID. -OKAY, THINK OF IT.
271
00:13:14,252 --> 00:13:16,546
WHEN I CAME OVER HERE, I BROUGHT A LITTLE DOG WITH ME.
272
00:13:16,588 --> 00:13:18,797
IT'S A LITTLE STUFFED DOG, AND THE COLLAR OF THE DOG,
273
00:13:18,839 --> 00:13:20,592
IN LITTLE BEADS, IT SPELLS OUT A NAME.
274
00:13:20,634 --> 00:13:22,510
IF IT MATCHES THE NAME OF THE DOG YOU'RE THINKING OF
275
00:13:22,552 --> 00:13:23,595
IT'D BE PRETTY IMPRESSIVE, RIGHT?
276
00:13:23,637 --> 00:13:24,679
YEAH.
277
00:13:24,721 --> 00:13:26,931
WHAT WAS THE NAME OF THE DOG?
278
00:13:26,973 --> 00:13:27,932
SNORKY.
279
00:13:27,974 --> 00:13:30,560
OH MY--! IT'S A MIRACLE!
280
00:13:30,602 --> 00:13:32,395
YOU GET TO KEEP THAT.
281
00:13:32,437 --> 00:13:34,063
OH, MY GOD, THANK YOU!
282
00:13:34,105 --> 00:13:35,856
I'M GONNA CRY! OH, MY GOSH.
283
00:13:35,898 --> 00:13:37,984
SNORKY! SNORKY.
284
00:13:38,025 --> 00:13:40,111
-THAT'S UNBELIEVABLE. -I HAVE TWO GIFTS FOR YOU.
285
00:13:40,153 --> 00:13:43,239
YOU GET THE FREE DOG. YOU ALSO GET THE FREE WATCH.
286
00:13:46,367 --> 00:13:48,536
YOU GET THE FREE WATCH.
287
00:13:48,578 --> 00:13:50,497
AH!
288
00:13:54,000 --> 00:13:57,295
I LOVE DOING IT,
289
00:13:54,000 --> 00:13:57,295
BUT IT'S EXHAUSTING.
290
00:13:57,337 --> 00:14:00,548
EVERY TIME I PERFORM AT A TABLE, I HAVE TO BE TOTALLY AWARE
291
00:14:00,590 --> 00:14:02,592
OF WHERE EVERYBODY'S LOOKING,
292
00:14:02,634 --> 00:14:04,927
WHAT THEY'RE DOING WITH THEIR HANDS.
293
00:14:07,180 --> 00:14:09,098
EVERYTHING TAKES A LOT OF CONCENTRATION.
294
00:14:09,140 --> 00:14:10,849
DID YOU SEE WHAT HAPPENED?
295
00:14:10,891 --> 00:14:12,435
SEE, THIS FLOATS UP INSTEAD OF DOWN.
296
00:14:14,312 --> 00:14:15,522
THANK YOU, SIR.
297
00:14:15,563 --> 00:14:17,482
I THINK OF WHAT I WANT NOW.
298
00:14:17,524 --> 00:14:20,694
I THINK OF WHERE I WANT TO GO WITH MY CAREER.
299
00:14:20,735 --> 00:14:24,364
OVER THE YEARS, I'VE BEEN COPIED A LOT
300
00:14:20,735 --> 00:14:24,364
BY OTHER MAGICIANS,
301
00:14:24,405 --> 00:14:31,788
SO MY STYLE AND EVERYTHING IS NOT AS UNIQUE AS IT WAS
302
00:14:24,405 --> 00:14:31,788
20 YEARS AGO.
303
00:14:31,830 --> 00:14:35,458
I THINK THERE'S AGEISM IN THE BUSINESS, YOU KNOW.
304
00:14:35,500 --> 00:14:38,503
I'M GETTING OLDER. THEY WANT YOUNGER GUYS
305
00:14:35,500 --> 00:14:38,503
OR WHATEVER.
306
00:14:38,545 --> 00:14:41,964
I WOULD LIKE TO BE COMFORTABLE AND NOT HAVE TO
307
00:14:42,006 --> 00:14:44,300
HUSTLE AS MUCH AS I USED TO HAVE TO HUSTLE,
308
00:14:44,342 --> 00:14:50,264
BUT, UM, FROM HERE I DON'T REALLY KNOW WHERE
309
00:14:44,342 --> 00:14:50,264
I'M HEADING,
310
00:14:50,306 --> 00:14:54,101
SO IT'S A LITTLE DISCONCERTING.
311
00:15:23,882 --> 00:15:25,466
SO IT MUST BE GREAT
312
00:15:23,882 --> 00:15:25,466
TO BE AT THE RIVIERA.
313
00:15:25,508 --> 00:15:28,803
YEAH, FRANK SINATRA
314
00:15:25,508 --> 00:15:28,803
AND LIBERACE,
315
00:15:28,845 --> 00:15:31,222
AND THEY ALL WERE ON THIS STAGE,
316
00:15:28,845 --> 00:15:31,222
ALL THE BIG STARS.
317
00:15:31,264 --> 00:15:34,392
DID YOU HEAR WE JUST GOT VOTED BEST MAGIC SHOW?
318
00:15:34,434 --> 00:15:36,185
THAT WAS GONNA BE MY NEXT QUESTION, ACTUALLY.
319
00:15:36,227 --> 00:15:38,354
THE BEST OF VEGAS. THERE ARE SOME BIG NAMES
320
00:15:36,227 --> 00:15:38,354
IN VEGAS.
321
00:15:38,396 --> 00:15:40,147
-YEAH, ABSOLUTELY. -SO THIS IS A GOOD-- YEAH.
322
00:15:40,189 --> 00:15:43,651
AND I THINK THE OTHER MAGICIANS--
323
00:15:40,189 --> 00:15:43,651
HOW YOU SAY?
324
00:15:43,693 --> 00:15:45,361
THEY ARE OKAY WITH IT.
325
00:16:04,171 --> 00:16:05,590
CAN YOU HEAR ME?
326
00:16:05,632 --> 00:16:07,007
YES, I CAN HEAR YOU, FRANK.
327
00:16:07,049 --> 00:16:08,635
CAN YOU GIVE US, IN GENERAL,
328
00:16:08,676 --> 00:16:11,053
JUST A LITTLE BIT MORE LIGHT BACKSTAGE, SOMETHING?
329
00:16:53,012 --> 00:16:54,848
DIRECT FROM GERMANY,
330
00:16:54,889 --> 00:16:59,310
MASTER ILLUSIONIST JAN ROUVEN.
331
00:17:02,647 --> 00:17:04,398
THANK YOU VERY MUCH
332
00:17:02,647 --> 00:17:04,398
FOR YOUR APPLAUSE.
333
00:17:04,440 --> 00:17:06,233
MY NAME IS JAN ROUVEN, AND I CAME ALL THE WAY
334
00:17:06,275 --> 00:17:10,029
FROM GERMANY TO BE HERE FOR YOU TONIGHT.
335
00:17:12,448 --> 00:17:14,033
WHAT YOU ARE ABOUT TO SEE TONIGHT,
336
00:17:14,074 --> 00:17:15,702
IT'S DANGEROUS.
337
00:17:20,623 --> 00:17:22,291
FOR THIS SHOW, FOR "ILLUSIONS,"
338
00:17:22,333 --> 00:17:25,044
I WANTED TO BRING SOMETHING YOU NEVER, EVER SAW BEFORE
339
00:17:25,085 --> 00:17:26,713
IN OTHER MAGIC SHOWS.
340
00:18:01,163 --> 00:18:03,875
-GREAT JOB! -THANK YOU!
341
00:18:05,334 --> 00:18:06,502
I SIGNED THAT FOR YOU.
342
00:18:10,757 --> 00:18:12,132
THANK YOU.
343
00:18:12,174 --> 00:18:14,176
ALL THE BEST. AU REVOIR.
344
00:18:15,511 --> 00:18:18,305
I'M SOAKING WET, JUMP OUT OF MY CLOTH.
345
00:18:18,347 --> 00:18:20,683
I BLOW-DRY MY HAIR ALL IN THREE AND A HALF MINUTES.
346
00:18:20,725 --> 00:18:23,143
THAT'S MY BIGGEST MIRACLE.
347
00:18:28,691 --> 00:18:30,068
GOOD NIGHT!
348
00:18:33,071 --> 00:18:36,699
AMAZING AS ALWAYS.
349
00:18:40,202 --> 00:18:42,038
-IT'S NOT REAL. -YEAH, IT IS.
350
00:18:42,080 --> 00:18:44,624
-TOUCH IT. -IT'S A REAL TATTOO.
351
00:18:46,960 --> 00:18:48,502
SEE, THAT'S A TRUE FAN.
352
00:18:54,216 --> 00:18:56,427
IF I DO ANY SORT
353
00:18:54,216 --> 00:18:56,427
OF MARKETING,
354
00:18:56,469 --> 00:18:59,472
I SELL ME AND NOT MAGIC.
355
00:19:01,140 --> 00:19:04,978
THERE'S THIS SORT OF GEEK CHIC-NESS NOW,
356
00:19:01,140 --> 00:19:04,978
RIGHT?
357
00:19:05,019 --> 00:19:07,354
'CAUSE IT'S COOL TO BE THIS WAY?
358
00:19:07,396 --> 00:19:09,732
IT WASN'T ALWAYS COOL. I'VE BEEN THIS WAY
359
00:19:07,396 --> 00:19:09,732
MY WHOLE LIFE,
360
00:19:09,774 --> 00:19:11,442
BUT NOW IT'S COOL TO BE THIS WAY.
361
00:19:11,484 --> 00:19:13,402
SO-- AND NOW THAT IT'S COOL TO BE THIS WAY,
362
00:19:13,444 --> 00:19:15,113
I THINK IT'S TOTALLY FAIR THAT I CAN BE--
363
00:19:15,154 --> 00:19:18,365
I'M COOL, AND SO I'M GOING TO PUT THAT OUT THERE
364
00:19:18,407 --> 00:19:21,160
AND BE-- LOOK, HEY, I'M A GEEK BUT WHATEVER.
365
00:19:21,201 --> 00:19:22,745
YOU'RE SUPPOSED TO LOVE ME ANYWAY.
366
00:19:27,917 --> 00:19:29,919
I'VE BEEN COMING TO COMIC-CON AS A FAN
367
00:19:29,961 --> 00:19:32,338
FOR MANY, MANY, MANY YEARS.
368
00:19:32,379 --> 00:19:34,340
BECAUSE OF THIS COMIC BOOK THAT I HELPED CREATE
369
00:19:34,381 --> 00:19:36,342
THAT DOES MAGIC AND IS ABOUT MAGIC,
370
00:19:36,383 --> 00:19:38,552
I GET TO BE ON THE OTHER SIDE OF THE TABLE,
371
00:19:38,594 --> 00:19:40,847
TAKING PEOPLE WHO MIGHT NOT LIKE MAGIC
372
00:19:40,888 --> 00:19:42,556
AND THEN MAKE FANS OUT OF THEM.
373
00:19:58,948 --> 00:20:01,450
COMICS IS AN AMAZING MEDIUM IN WHICH YOU CAN DIRECT
374
00:20:01,492 --> 00:20:04,495
SOMEONE EXACTLY THE WAY YOU WANT THEM TO GO.
375
00:20:04,537 --> 00:20:08,166
THE AUTHOR IS IN COMPLETE CONTROL OF
376
00:20:04,537 --> 00:20:08,166
WHAT THEY'RE SEEING.
377
00:20:08,207 --> 00:20:10,334
YOU JUST TELL ME WHEN WE SEE THE TWO OF HEARTS.
378
00:20:10,376 --> 00:20:12,170
AND MAGIC'S THE SAME WAY. I'M IN CONTROL
379
00:20:12,211 --> 00:20:14,213
OF WHAT YOU SEE AND WHAT YOU WON'T SEE,
380
00:20:14,254 --> 00:20:17,508
AND GIVE YOU THE EXPERIENCE THAT I WANT YOU TO HAVE.
381
00:20:23,097 --> 00:20:25,683
I AM SITTING HERE RIGHT NOW WITH MIKE COSTA
382
00:20:23,097 --> 00:20:25,683
AND JON ARMSTRONG,
383
00:20:25,725 --> 00:20:27,810
CREATORS OF "SMOKE AND MIRRORS."
384
00:20:27,852 --> 00:20:29,979
IT'S AN AMAZING BOOK THAT ACTUALLY DOES MAGIC FOR YOU
385
00:20:30,021 --> 00:20:31,438
AS YOU READ IT. IT'S INCREDIBLE.
386
00:20:31,480 --> 00:20:33,024
YOU SEE THESE CARDS HERE?
387
00:20:33,066 --> 00:20:34,441
ALL RIGHT, SO JUST THINK OF ONE.
388
00:20:34,483 --> 00:20:36,443
GOT ONE? ALL RIGHT.
389
00:20:36,485 --> 00:20:38,571
SO NOW AS YOU TURN THE PAGE AND YOU READ ALONG
390
00:20:36,485 --> 00:20:38,571
IN THE STORY,
391
00:20:38,612 --> 00:20:40,781
HE'S GONNA TELL YOU THAT YOUR CARD IS GONE, AND LOOK,
392
00:20:38,612 --> 00:20:40,781
YOUR CARD IS GONE.
393
00:20:40,823 --> 00:20:42,658
-YEAH, YEAH, OKAY. -WELL.
394
00:20:42,700 --> 00:20:45,494
YEAH.
395
00:20:45,536 --> 00:20:47,329
-IT'S MAGIC.
396
00:20:47,371 --> 00:20:49,623
LOOK AT THAT.
397
00:20:49,665 --> 00:20:50,875
THERE'LL BE A Q&A AT THE PANEL.
398
00:20:50,917 --> 00:20:52,459
BY ALL MEANS, ASK AT THE PANEL.
399
00:20:53,669 --> 00:20:54,670
THANK YOU.
400
00:21:02,302 --> 00:21:04,138
WE LOVE
401
00:21:02,302 --> 00:21:04,138
"SMOKE AND MIRRORS."
402
00:21:04,180 --> 00:21:07,141
YOU LOVE "SMOKE AND MIRRORS"? THEY LOVE "SMOKE AND MIRRORS"!
403
00:21:07,183 --> 00:21:09,769
THAT ONE THERE? ALL RIGHT, TAKE IT OUT.
404
00:21:09,810 --> 00:21:11,771
YOU CAN LOOK AT IT BUT DON'T SHOW ME.
405
00:21:11,812 --> 00:21:13,189
JUST SAY-- JUST SAY "STOP."
406
00:21:13,231 --> 00:21:14,690
-STOP. -OKAY, GOOD.
407
00:21:13,231 --> 00:21:14,690
THERE YOU GO.
408
00:21:14,732 --> 00:21:15,942
-PUT IT BACK IN. -UPSIDE DOWN.
409
00:21:15,983 --> 00:21:17,484
THERE YOU GO.
410
00:21:17,526 --> 00:21:20,696
WE HAVE ONE LEFT OF OUR EXCLUSIVE CON-- ISSUE ONE,
411
00:21:20,738 --> 00:21:22,865
BUT I'M SOLD OUT OF ISSUE TWOS AND THREES AND FOURS.
412
00:21:22,907 --> 00:21:24,491
THAT'S GOOD. -SOLD OUT OF EVERYTHING.
413
00:21:24,533 --> 00:21:25,576
NOW THIS IS VERY, VERY IMPORTANT.
414
00:21:25,618 --> 00:21:28,162
THIS CARD HERE...
415
00:21:28,204 --> 00:21:29,663
IS THAT YOUR CARD?
416
00:21:29,705 --> 00:21:30,748
NO? ALL RIGHT, DO ME A FAVOR.
417
00:21:30,790 --> 00:21:32,083
GO ON THE CARD.
418
00:21:36,629 --> 00:21:37,922
YEAH?
419
00:21:37,964 --> 00:21:40,633
OKAY, GOOD.
420
00:21:40,674 --> 00:21:42,760
THAT'S IT? THANK YOU VERY MUCH.
421
00:21:42,802 --> 00:21:44,178
ALL RIGHT.
422
00:21:45,805 --> 00:21:47,347
NO PROBLEM, MAN.
423
00:21:52,561 --> 00:21:56,941
WHEN YOU ASK ME WHAT IT FEELS LIKE,
424
00:21:56,983 --> 00:22:00,861
I AM GIVING THEM SOMETHING SPECIAL AND MEMORABLE,
425
00:22:00,903 --> 00:22:04,198
BUT IT'S ALSO SCARY TO ME.
426
00:22:04,240 --> 00:22:07,576
TRUE, HARD-HITTING, EMOTIONAL THINGS,
427
00:22:07,618 --> 00:22:09,203
SOMETHING THAT MAGIC CAN REALLY DO,
428
00:22:09,245 --> 00:22:11,289
SOMETHING THAT MAGIC CAN REALLY BRING OUT,
429
00:22:11,330 --> 00:22:13,166
THAT IS WAY TOO MUCH PURE EMOTION
430
00:22:13,207 --> 00:22:16,335
THAT I DON'T WANT TO DEAL WITH AND I DON'T WANT TO FEEL.
431
00:22:18,129 --> 00:22:21,590
SO I HAVE TO KEEP IT HAPPY AND HUMOROUS,
432
00:22:21,632 --> 00:22:24,718
TO MAKE ME FEEL BETTER ABOUT HAVING THAT KIND OF
433
00:22:21,632 --> 00:22:24,718
IMPACT ON SOMEBODY.
434
00:22:28,472 --> 00:22:30,641
IT'S HARD TO STOP MYSELF FROM NOT JUST MAKING
435
00:22:28,472 --> 00:22:30,641
THE NEXT JOKE,
436
00:22:30,683 --> 00:22:32,559
TO NOT JUST SAY THE NEXT SARCASTIC COMMENT,
437
00:22:32,601 --> 00:22:36,147
WHICH IS HOW I'VE ALWAYS SORT OF PUSHED PEOPLE
438
00:22:32,601 --> 00:22:36,147
AWAY FROM ME.
439
00:22:48,701 --> 00:22:49,952
ALL RIGHT.
440
00:22:49,994 --> 00:22:51,537
READY? -YEAH, LET'S ROCK.
441
00:22:58,294 --> 00:22:59,628
LADIES AND GENTLEMEN,
442
00:22:59,670 --> 00:23:01,755
ARE YOU READY TO TRANSCEND REALITY?
443
00:23:03,049 --> 00:23:04,925
LET'S HEAR IT FOR DAVID MINKIN!
444
00:23:10,890 --> 00:23:13,351
WE'LL START WITH
445
00:23:10,890 --> 00:23:13,351
SOMETHING REALLY SIMPLE.
446
00:23:13,391 --> 00:23:14,810
YOU PROBABLY WOULDN'T EVEN HAVE NOTICED THIS
447
00:23:14,852 --> 00:23:16,478
IF I HADN'T POINTED THAT OUT.
448
00:23:16,520 --> 00:23:18,939
AUDIENCE: WHOA!
449
00:23:18,981 --> 00:23:21,859
I COULD DISTRACT YOU JUST BY DOING THAT, RIGHT?
450
00:23:21,901 --> 00:23:23,485
OH, MY GOD!
451
00:23:23,527 --> 00:23:25,905
NOW THAT
452
00:23:23,527 --> 00:23:25,905
I HAVE YOUR ATTENTION.
453
00:23:30,368 --> 00:23:32,995
OH, MY GOD!
454
00:23:36,207 --> 00:23:37,541
YOU KNOW WHAT? I'M LOSING THEM.
455
00:23:37,583 --> 00:23:38,584
WHAT'S GOING ON?
456
00:23:40,586 --> 00:23:42,255
ARE YOU NOT WATCHING THIS?
457
00:23:42,296 --> 00:23:44,548
YOU GUYS ARE SO DISTRACTED.
458
00:23:44,590 --> 00:23:47,634
THIS IS SHORT ATTENTION SPAN THEATER
459
00:23:44,590 --> 00:23:47,634
GOING ON RIGHT HERE,
460
00:23:47,676 --> 00:23:51,722
SO, UM, I GOTTA KEEP IT SIMPLE,
461
00:23:51,764 --> 00:23:53,807
SIMPLE IT DOWN FOR THIS GROUP A LITTLE BIT,
462
00:23:53,849 --> 00:23:56,434
BECAUSE THE ARTISTIC, DEEPER STUFF,
463
00:23:56,476 --> 00:23:58,436
IS NOT GONNA FLOW.
464
00:23:58,478 --> 00:24:00,856
PEOPLE ALWAYS THINK THAT I USE SLEIGHT OF HAND
465
00:23:58,478 --> 00:24:00,856
TO DO THIS STUFF,
466
00:24:00,898 --> 00:24:03,401
AND I JUST-- I THINK I GET A LITTLE INSULTED
467
00:24:03,441 --> 00:24:05,361
WHEN PEOPLE ACCUSE ME OF SLEIGHT OF HAND, YOU KNOW?
468
00:24:07,280 --> 00:24:10,490
HONESTLY OH, MY GOD.
469
00:24:10,532 --> 00:24:12,910
WHERE DOES IT GO? WE WANT TO KNOW
470
00:24:10,532 --> 00:24:12,910
WHERE IT GOES.
471
00:24:12,952 --> 00:24:14,745
SO DON'T BE TOO IMPRESSED.
472
00:24:14,787 --> 00:24:16,538
THAT WAS JUST 13 YEARS OF COLLEGE DOWN THE DRAIN.
473
00:24:18,082 --> 00:24:19,833
GIVE IT UP FOR MICHELLE, THE BACHELORETTE.
474
00:24:21,835 --> 00:24:24,255
WATCH CLOSELY. FOUR COINS.
475
00:24:24,297 --> 00:24:26,173
MM-HMM.
476
00:24:26,215 --> 00:24:28,634
-FROM THIS HAND... -MM-HMM.
477
00:24:28,675 --> 00:24:30,386
WHAT THE FUCK
478
00:24:34,307 --> 00:24:35,682
WAIT, WAIT, DAVID.
479
00:24:35,724 --> 00:24:37,226
CAN YOU DO THIS IF YOU'RE NAKED, THOUGH?
480
00:24:37,268 --> 00:24:38,560
YEAH, NAKED.
481
00:24:38,602 --> 00:24:41,397
NAKED, NAKED!
482
00:24:41,439 --> 00:24:45,443
NAKED! NAKED!
483
00:24:46,986 --> 00:24:49,571
THAT'S A WHOLE OTHER PRICE OF A TICKET.
484
00:24:51,824 --> 00:24:53,200
IN YOUR LITTLE SKIMMIES.
485
00:24:53,242 --> 00:24:55,995
WEAR YOUR LITTLE SKIMMIES!
486
00:24:56,036 --> 00:24:59,581
YOU GUYS DON'T EVEN NEED ME TO BE DOING MAGIC UP HERE.
487
00:24:59,623 --> 00:25:01,792
RIGHT? I SHOULD JUST-- HERE.
488
00:25:01,834 --> 00:25:03,461
YOU KNOW WHAT? HERE.
489
00:25:03,501 --> 00:25:05,254
I'M JUST GONNA TAKE HER SEAT.
490
00:25:06,630 --> 00:25:08,007
ENTERTAIN THEM.
491
00:25:12,386 --> 00:25:15,348
THERE'S LIKE 15 BACHELORETTES YELLING MY NAME RIGHT NOW,
492
00:25:15,389 --> 00:25:18,851
AND I HAVE NO INTEREST IN GOING IN THERE.
493
00:25:18,892 --> 00:25:22,313
THERE'S ACTUALLY A GIRL PASSED OUT IN THE FRONT ROW.
494
00:25:22,355 --> 00:25:25,523
PHYSICALLY UNCONSCIOUS IN THE FRONT ROW.
495
00:25:27,276 --> 00:25:28,277
THAT WAS A FIRST.
496
00:25:28,319 --> 00:25:29,903
THAT WAS ACTUALLY A FIRST.
497
00:25:29,945 --> 00:25:33,115
I'VE NEVER HAD SOMEONE PASS OUT IN MY SHOW BEFORE.
498
00:25:39,038 --> 00:25:41,790
SO WE DECIDED THAT
499
00:25:39,038 --> 00:25:41,790
I WOULD MOVE OUT.
500
00:25:56,805 --> 00:25:58,640
I WENT FROM A 4,000 SQUARE FOOT CASTLE
501
00:25:58,682 --> 00:26:02,602
TO A 300 SQUARE FOOT STUDIO APARTMENT.
502
00:26:02,644 --> 00:26:05,605
IT'S GREAT. I LOVE IT, YEAH.
503
00:26:08,234 --> 00:26:10,486
I LOOKED FOR A AAA BATTERY THE OTHER DAY,
504
00:26:10,528 --> 00:26:13,197
AND I JUST OPENED THE DRAWERS RIGHT THERE,
505
00:26:10,528 --> 00:26:13,197
YOU KNOW? AND I OPEN THE REFRIGERATOR,
506
00:26:13,239 --> 00:26:15,908
AND EVERYTHING IN THE REFRIGERATOR
507
00:26:15,949 --> 00:26:17,575
IS STUFF THAT I LIKE.
508
00:26:21,997 --> 00:26:23,374
IT'S KIND OF TIGHT.
509
00:26:30,881 --> 00:26:33,300
MY ROUTINE IS I HAVE CERTAIN CLOTHES THAT I WEAR,
510
00:26:33,342 --> 00:26:35,302
SO I PUT ON PANTS AND SHIRT.
511
00:26:35,344 --> 00:26:37,930
I ALWAYS WEAR SHORT-SLEEVED SHIRTS 'CAUSE I DO
512
00:26:35,344 --> 00:26:37,930
SLEIGHT OF HAND.
513
00:26:37,971 --> 00:26:39,557
I GET A LOT OF MILEAGE OUT OF THAT.
514
00:26:39,597 --> 00:26:42,226
AND UH, AND A VEST.
515
00:26:42,268 --> 00:26:45,145
AND I HAVE 13 POCKETS IN THIS VEST.
516
00:26:45,187 --> 00:26:47,689
DECK OF CARDS, EXTRA DECK OF CARDS.
517
00:26:47,731 --> 00:26:50,109
AN EXTRA WALLET.
518
00:26:50,150 --> 00:26:51,777
BUSINESS CARDS.
519
00:26:57,491 --> 00:27:00,077
DO YOU WANT TO SEE HUMPTY DUMPTY'S CARD TRICK?
520
00:27:02,037 --> 00:27:05,249
CAN YOU TAKE A CARD? DON'T LET HUMPTY DUMPTY
521
00:27:02,037 --> 00:27:05,249
SEE IT.
522
00:27:05,291 --> 00:27:06,542
JUST PULL ONE OUT.
523
00:27:06,584 --> 00:27:08,377
YEP, OKAY.
524
00:27:08,419 --> 00:27:09,920
OKAY, KNOW WHAT IT IS? PUT IT BACK.
525
00:27:09,962 --> 00:27:12,131
HERE YOU GO. HUMPTY, HUMPTY.
526
00:27:09,962 --> 00:27:12,131
HUMPTY DUMPTY.
527
00:27:12,172 --> 00:27:14,258
TAKE A CARD. TAKE A CARD.
528
00:27:16,843 --> 00:27:18,345
HE-- HE PICKED UP THIS CARD.
529
00:27:18,387 --> 00:27:21,265
-SEVEN OF HEARTS.
530
00:27:21,307 --> 00:27:23,641
WHAT A GOOD BOY!
531
00:27:23,683 --> 00:27:26,686
THERE'S A SMART DOGGIE.
532
00:27:26,728 --> 00:27:28,814
-THAT'S A GOOD BOY.
533
00:27:44,330 --> 00:27:46,706
WE JUST MOVED
534
00:27:44,330 --> 00:27:46,706
INTO THIS NEW HOUSE.
535
00:27:48,292 --> 00:27:51,629
THIS IS PERFECT. I HAVE GATES.
536
00:27:48,292 --> 00:27:51,629
IT'S GREAT.
537
00:27:51,669 --> 00:27:53,797
YOU DON'T EVEN HAVE A BELL.
538
00:28:00,262 --> 00:28:01,721
OF COURSE IT'S GREAT.
539
00:28:01,763 --> 00:28:03,140
THERE'S AN OFFICE BUILDING IN THE FRONT,
540
00:28:03,182 --> 00:28:06,101
WAREHOUSE IN THE BACK.
541
00:28:06,143 --> 00:28:07,561
A POOL HOUSE.
542
00:28:12,441 --> 00:28:15,319
WE CAN BASICALLY TOUR THE BATHROOMS.
543
00:28:15,361 --> 00:28:17,863
THE AMERICANS LOVE BATHROOMS.
544
00:28:17,904 --> 00:28:19,906
WE HAVE 12, I THINK.
545
00:28:19,948 --> 00:28:23,035
AND IF THERE IS AN EMERGENCY, THERE'S ANOTHER BATHROOM.
546
00:28:23,076 --> 00:28:25,579
IT'S ENOUGH, BASICALLY.
547
00:28:31,918 --> 00:28:33,253
AND IF I DON'T WANT TO SEE JAN,
548
00:28:33,295 --> 00:28:34,838
I'M JUST STAYING IN THE WEST WING
549
00:28:34,880 --> 00:28:37,049
AND HE STAYS IN THE EAST WING,
550
00:28:34,880 --> 00:28:37,049
SO IT'S EASY.
551
00:28:56,235 --> 00:28:58,612
I NEVER, EVER WENT INTO A BAR AND DID MAGIC.
552
00:28:58,654 --> 00:29:02,199
"HEY, HOW'S IT GOING
553
00:28:58,654 --> 00:29:02,199
PICK A CARD."
554
00:29:02,241 --> 00:29:04,243
IT'S STUPID.
555
00:29:04,284 --> 00:29:05,952
BUT BEING A MAGICIAN AND DOING ALL THIS
556
00:29:05,994 --> 00:29:08,205
HAS DEFINITELY ALLOWED ME TO DATE FAR MORE
557
00:29:08,247 --> 00:29:11,750
THAN A GUY WHO LOOKS LIKE ME SHOULD.
558
00:29:11,791 --> 00:29:15,337
I MEAN, I ALWAYS USED TO SAY THAT I'M MARRIED TO
559
00:29:11,791 --> 00:29:15,337
THE MAGIC AND THAT'S IT.
560
00:29:15,379 --> 00:29:19,174
BUT I MET RACHEL AND I DECIDED THAT I WANTED
561
00:29:15,379 --> 00:29:19,174
TO BE WITH HER.
562
00:29:19,216 --> 00:29:22,135
SHE'S PRETTY AWESOME.
563
00:29:22,177 --> 00:29:24,638
WHEN I SAID THAT TO MY MOM, "OH, I'M DATING A MAGICIAN,"
564
00:29:24,680 --> 00:29:26,806
SHE WAS LIKE, "DID YOU SAY MUSICIAN?"
565
00:29:26,848 --> 00:29:29,935
AND I HAD TO EXPLAIN TO HER THAT NO, IT WAS MAGICIAN.
566
00:29:29,976 --> 00:29:32,187
AND IT TOOK MY MOM AND MY FAMILY
567
00:29:29,976 --> 00:29:32,187
A LITTLE BIT OF TIME
568
00:29:32,229 --> 00:29:35,023
TO, LIKE, WRAP THEIR HEADS AROUND HOW SOMEONE COULD DO IT
569
00:29:32,229 --> 00:29:35,023
PROFESSIONALLY.
570
00:29:35,065 --> 00:29:38,694
-AND I MEAN-- -IT TAKES EVERYBODY
571
00:29:35,065 --> 00:29:38,694
A LONG TIME
572
00:29:38,736 --> 00:29:40,738
TO WRAP THEIR HEADS AROUND THAT.
573
00:29:40,779 --> 00:29:44,533
THE WEDDING ACTUALLY CAUSES QUITE A LOT
574
00:29:40,779 --> 00:29:44,533
OF AGITA.
575
00:29:44,575 --> 00:29:46,118
IT REALLY DOES.
576
00:29:46,159 --> 00:29:48,995
IF I HAD IT MY WAY, IT'D BE DRIVE-THRU IN VEGAS.
577
00:29:49,037 --> 00:29:50,997
BUT MY MOM, ACTUALLY, WHEN SHE RSVPED WROTE
578
00:29:51,039 --> 00:29:53,833
"THANK YOU FOR NOT DOING THE DRIVE-THRU IN VEGAS."
579
00:29:53,875 --> 00:29:57,879
BUT BETWEEN JON, WHO IS ACTUALLY
580
00:29:53,875 --> 00:29:57,879
A SENTIMENTAL ROMANTIC
581
00:29:57,921 --> 00:29:59,298
WHO WANTED TO HAVE A WEDDING,
582
00:29:59,339 --> 00:30:00,507
AND MY MOM WHO WANTED TO HAVE A WEDDING,
583
00:30:00,549 --> 00:30:02,468
I AM NOW HAVING A WEDDING.
584
00:30:02,509 --> 00:30:04,010
-IT'S GONNA BE A GOOD TIME. -IT'S GONNA BE A GOOD PARTY.
585
00:30:04,052 --> 00:30:05,679
I'VE CONVINCED HER OF THAT MUCH, SO WE'RE GOOD.
586
00:30:05,721 --> 00:30:08,390
-WE HAVE OPEN BAR, SO IT WILL BE FINE.
587
00:30:05,721 --> 00:30:08,390
-YES.
588
00:30:19,526 --> 00:30:22,696
READY? OKAY.
589
00:30:22,738 --> 00:30:25,031
COME ON, OPEN YOUR MOUTH.
590
00:30:29,995 --> 00:30:33,290
I GOT COSMO FROM A GERMAN SHEPHERD RESCUE.
591
00:30:33,332 --> 00:30:35,292
COME HERE, COME HERE.
592
00:30:35,334 --> 00:30:37,753
HE WAS JUMPING UP ON THE COUNTER AND
593
00:30:35,334 --> 00:30:37,753
KNOCKING THINGS OVER,
594
00:30:37,795 --> 00:30:40,880
AND COMPLETELY INSANE, OUT-OF-CONTROL DOG,
595
00:30:40,922 --> 00:30:45,719
BUT HE'S MELLOWED OUT A LITTLE OVER THE LAST
596
00:30:40,922 --> 00:30:45,719
14 YEARS.
597
00:30:45,761 --> 00:30:48,430
THIS IS MY BEST FRIEND. YOU'RE MY BEST BUDDY.
598
00:31:01,777 --> 00:31:04,738
HE'S, AS YOU CAN SEE, A LITTLE BIT--
599
00:31:04,780 --> 00:31:07,407
YOU KNOW, HE'S IN HIS GOLDEN YEARS HERE.
600
00:31:09,284 --> 00:31:12,496
SO WHILE THIS-- WHILE THIS TV THING
601
00:31:09,284 --> 00:31:12,496
IS COMING TOGETHER,
602
00:31:12,538 --> 00:31:15,332
I HAVE TO STAY CLOSE TO HOME,
603
00:31:15,374 --> 00:31:18,544
AND I JUST BASICALLY HAVE TO TAKE LOCAL GIGS RIGHT NOW.
604
00:31:27,469 --> 00:31:29,471
MMM.
605
00:31:47,197 --> 00:31:48,907
MAGIC FOR ME IS MY LIFE.
606
00:31:48,948 --> 00:31:51,660
IT ALWAYS WAS, AND IT ALWAYS WILL BE.
607
00:32:01,587 --> 00:32:04,923
AS A KID, I ALWAYS COMBINED MAGIC AND BUSINESS.
608
00:32:26,111 --> 00:32:28,113
I ALWAYS WAS A MAGICIAN,
609
00:32:28,154 --> 00:32:31,074
BUT IN GERMANY YOU COULDN'T MAKE MONEY WITH MAGIC.
610
00:32:38,331 --> 00:32:41,126
I ALWAYS LOVED THE BIG SHOWS IN AMERICA.
611
00:32:41,167 --> 00:32:43,503
SO I ALWAYS SAID, "THAT'S WHAT I WANT TO DO."
612
00:32:53,513 --> 00:32:56,809
WHEN I SEE HIM ON STAGE, I'M REALLY PROUD.
613
00:32:56,850 --> 00:32:59,603
HE'S PERFORMING A SHOW ON THE LAS VEGAS STRIP
614
00:32:59,645 --> 00:33:02,815
AND HE DOES THAT WITH SO MUCH PASSION
615
00:32:59,645 --> 00:33:02,815
AND THE PEOPLE LOVE HIM
616
00:33:02,856 --> 00:33:06,151
AND HE'S FUNNY. THAT'S QUITE SOMETHING.
617
00:33:08,946 --> 00:33:10,781
SOMETIMES I MISS PERFORMING,
618
00:33:10,823 --> 00:33:14,827
BUT I'M STILL LIVING THIS MAGIC DREAM.
619
00:33:14,868 --> 00:33:18,037
I'M LIVING THE MAGIC LIFE WITHIN JAN.
620
00:33:31,426 --> 00:33:34,429
YOU NERVOUS YET I'M COMPLETELY NERVOUS.
621
00:33:34,471 --> 00:33:35,931
I LOVE YOU SO MUCH.
622
00:33:35,973 --> 00:33:37,349
SORRY, I'M REALLY STRESSED OUT.
623
00:33:37,390 --> 00:33:38,517
I KNOW, SWEETIE. DON'T BE.
624
00:33:38,558 --> 00:33:39,810
TAKE A DRINK. TAKE A BREATH.
625
00:33:39,852 --> 00:33:41,311
EVERYTHING IS GONNA BE FINE.
626
00:34:01,790 --> 00:34:03,416
OH, BOY.
627
00:34:03,458 --> 00:34:07,671
ALL RIGHT, LET'S-- PLACES, PEOPLE, PLACES.
628
00:34:23,562 --> 00:34:26,189
RACHEL, I'M NOT A PERFECT PERSON,
629
00:34:26,231 --> 00:34:30,027
BUT YOU SEE THROUGH MY FAULTS AND YOU LOVE ME ANYWAY.
630
00:34:30,068 --> 00:34:33,321
I PROMISE TO LOVE YOU, TO CARE FOR YOU,
631
00:34:33,363 --> 00:34:35,532
TO MAKE YOU LAUGH EVERY DAY.
632
00:34:35,574 --> 00:34:38,368
NO MATTER WHAT HAPPENS, IT WILL ALWAYS BE ME AND YOU
633
00:34:38,410 --> 00:34:40,286
AGAINST THE WORLD.
634
00:34:40,328 --> 00:34:42,247
I NOW PRONOUNCE YOU
635
00:34:40,328 --> 00:34:42,247
HUSBAND AND WIFE.
636
00:34:48,420 --> 00:34:50,005
I LOVE YOU.
637
00:34:50,047 --> 00:34:52,799
LADIES AND GENTLEMEN, MR. AND MRS. JON ARMSTRONG.
638
00:35:37,886 --> 00:35:40,722
MAGIC IS A MEN'S WORLD.
639
00:35:40,764 --> 00:35:43,391
MY FRIEND AND I CAME UP WITH A THEORY
640
00:35:43,433 --> 00:35:46,061
WHY THERE AREN'T THAT MANY FEMALE MAGICIANS.
641
00:35:46,103 --> 00:35:50,649
A MAN DOES NOT LIKE TO BE FOOLED BY A WOMAN.
642
00:35:50,690 --> 00:35:54,235
AND ALSO, WE DON'T HAVE TO PICK UP CHICKS.
643
00:35:58,615 --> 00:35:59,866
HELLO. HI.
644
00:36:04,203 --> 00:36:05,872
I JUST GOT A MATCH.COM CALL.
645
00:36:08,625 --> 00:36:10,585
SO BRIAN'S BEEN ON MATCH.COM.
646
00:36:10,627 --> 00:36:12,629
I WAS ON ONE TOO, AND I
647
00:36:12,671 --> 00:36:15,214
SHE WOULD GET A DATE EVERY DAY.
648
00:36:16,382 --> 00:36:18,093
I'M JUST-- I'M JUST JOKING.
649
00:36:18,135 --> 00:36:19,427
-OKAY. -I'M JUST JOKING.
650
00:36:19,469 --> 00:36:20,971
YOU LOOK HANDSOME. ISN'T HE HANDSOME?
651
00:36:21,013 --> 00:36:22,806
BRIAN IS 80 YEARS OLD. LOOK AT HIM.
652
00:36:22,848 --> 00:36:24,474
SHUT UP.
653
00:36:24,516 --> 00:36:26,601
THERE'S NO WRINKLE AT ALL!
654
00:36:26,643 --> 00:36:29,479
TELL PEOPLE WHY YOU LOOK SO YOUNG.
655
00:36:29,521 --> 00:36:32,315
'CAUSE I USE OIL OF DELAY.
656
00:36:35,360 --> 00:36:37,236
WHY IS IT THAT YOU
657
00:36:35,360 --> 00:36:37,236
COULDN'T STAY TOGETHER
658
00:36:37,278 --> 00:36:39,322
AS A COUPLE, DO YOU THINK?
659
00:36:41,449 --> 00:36:43,743
'CAUSE SHE HAD SEX WITH MY BEST FRIEND?
660
00:36:43,785 --> 00:36:46,872
WHAT? NO, YOU CAN'T SAY THAT TO THEM!
661
00:36:46,913 --> 00:36:50,333
NO, THAT'S NOT TRUE. WE'RE JUST KIDDING.
662
00:36:50,375 --> 00:36:51,751
AND-- OKAY.
663
00:36:51,793 --> 00:36:54,004
WELL, HE'S JUST JOKING. BUT ANYWAY, WE--
664
00:36:54,046 --> 00:36:55,338
NO, NO, NO, NO. WE BROKE UP.
665
00:36:55,380 --> 00:36:58,299
ONE OF MY CONCERNS WAS,
666
00:36:58,341 --> 00:36:59,968
YOU KNOW, I'M SIGNING OFF ON THE HOUSE,
667
00:37:00,010 --> 00:37:02,971
SHE MIGHT END UP MAKING LIKE $200,000 IN EQUITY
668
00:37:03,013 --> 00:37:04,597
WHEN SHE FINALLY SELLS THE HOUSE.
669
00:37:04,639 --> 00:37:06,766
WELL, IF I HAVE A DATE OR SOMETHING,
670
00:37:06,808 --> 00:37:10,854
I CAN'T TAKE A DATE TO MY TINY LITTLE
671
00:37:06,808 --> 00:37:10,854
CLOSET-SIZED APARTMENT
672
00:37:10,896 --> 00:37:12,772
WITH MY THREE DOGS, YOU KNOW.
673
00:37:12,814 --> 00:37:15,067
I CAN TAKE HER OVER HERE, WE CAN HAVE A GLASS OF WINE,
674
00:37:15,108 --> 00:37:16,735
AND, YOU KNOW, AND HANG OUT.
675
00:37:16,776 --> 00:37:19,112
THIS IS YOUR CONCERN, NOT GETTING LAID?
676
00:37:19,154 --> 00:37:21,531
I'M CONCERNED ABOUT CHILDREN STARVING--
677
00:37:21,573 --> 00:37:23,033
OH, COME ON.
678
00:37:23,075 --> 00:37:25,952
YOU'RE CONCERNED ABOUT MAKING A LOT OF MONEY.
679
00:37:25,994 --> 00:37:27,787
WELL, THEN I'M GONNA DONATE--
680
00:37:27,829 --> 00:37:29,789
I DON'T SEE ANY STARVING CHILDREN
681
00:37:27,829 --> 00:37:29,789
AROUND HERE.
682
00:37:29,831 --> 00:37:32,000
NOT AROUND HERE, BUT ALL OVER THE WORLD.
683
00:37:32,042 --> 00:37:34,044
BUT YOU KNOW WHAT? YOU CAN'T TAKE YOUR
684
00:37:32,042 --> 00:37:34,044
MONEY WITH YOU.
685
00:37:34,086 --> 00:37:36,755
I'M NOT GONNA KEEP ANY, SO I'M GONNA GIVE IT
686
00:37:34,086 --> 00:37:36,755
TO THE KIDS.
687
00:37:36,796 --> 00:37:39,382
JUST GIVE ME SOME SO I CAN TAKE IT WITH ME.
688
00:37:44,012 --> 00:37:47,724
IN THE NEXT FEW MINUTES...
689
00:37:47,766 --> 00:37:50,643
I TOLD YOU IT'S DANGEROUS!
690
00:37:50,685 --> 00:37:53,646
THE BED OF DEATH.
691
00:37:53,688 --> 00:37:57,609
HERE WE HAVE FIVE SWORDS, CONNECTED TO THESE STRINGS.
692
00:37:57,650 --> 00:38:01,571
IF SHE PULLS ANY STRING, IT RELEASES A SWORD.
693
00:38:01,613 --> 00:38:03,573
THE SWORD FALLS DOWN INTO THE TABLETOP
694
00:38:03,615 --> 00:38:06,785
AND THAT'S HOW THE BED OF DEATH WORKS.
695
00:38:06,826 --> 00:38:09,328
THE INTERESTING PART: SHE DOESN'T KNOW
696
00:38:09,370 --> 00:38:12,624
WHICH STRING WILL RELEASE EXACTLY WHICH SWORD.
697
00:38:12,665 --> 00:38:15,668
FOUR OF THEM, IF RELEASED, THEY FALL DOWN.
698
00:38:15,710 --> 00:38:17,670
IT LOOKS SCARY, IT LOOKS DANGEROUS
699
00:38:17,712 --> 00:38:18,964
BUT THEY WOULDN'T HIT ME.
700
00:38:19,005 --> 00:38:20,590
THEY'D FALL DOWN REALLY CLOSE TO MY BODY
701
00:38:20,632 --> 00:38:22,425
BUT THEY WOULDN'T HIT ME.
702
00:38:22,467 --> 00:38:25,804
BUT HOLLY, THERE IS ONE SWORD WHICH IS EXTREMELY DANGEROUS,
703
00:38:25,845 --> 00:38:27,764
THIS ONE RIGHT HERE IN THE MIDDLE.
704
00:38:27,806 --> 00:38:30,850
IT WOULD HIT ME RIGHT HERE.
705
00:38:30,892 --> 00:38:32,936
WE DON'T WANT TO SEE THAT HAPPEN TONIGHT, HOLLY.
706
00:38:32,978 --> 00:38:34,771
AND THEREFORE I NEED YOUR HELP.
707
00:38:34,813 --> 00:38:38,733
AND NOW HOLLY, PLEASE START TO MIX UP THE STRINGS.
708
00:38:38,775 --> 00:38:42,028
PUT ONE STRING AT EACH NUMBER.
709
00:38:42,070 --> 00:38:43,280
WHEN YOU'RE READY.
710
00:38:49,577 --> 00:38:51,788
ON MY COMMAND,
711
00:38:51,830 --> 00:38:55,125
THREE, TWO,
712
00:38:55,167 --> 00:38:56,042
ONE,
713
00:38:56,084 --> 00:38:57,376
PULL!
714
00:38:58,586 --> 00:39:00,297
PULL!
715
00:39:00,338 --> 00:39:01,673
PULL. TWO STRINGS REMAINING.
716
00:39:03,091 --> 00:39:04,592
ONE SAFE, ONE DANGEROUS.
717
00:39:04,634 --> 00:39:07,804
THREE, TWO,
718
00:39:07,846 --> 00:39:10,056
ONE, PULL!
719
00:39:11,557 --> 00:39:13,518
IT WAS SAFE.
720
00:39:13,559 --> 00:39:16,479
NOW I WOULD LIKE TO SHOW TO THE AUDIENCE WHAT
721
00:39:13,559 --> 00:39:16,479
WOULD HAVE HAPPENED
722
00:39:16,521 --> 00:39:19,107
IF YOU WOULD HAVE PULLED THE LAST ONE.
723
00:39:19,149 --> 00:39:20,984
PULL!
724
00:39:22,401 --> 00:39:24,321
YOU SAVED ME!
725
00:39:30,702 --> 00:39:32,996
MIKE WEATHERFORD, THE ENTERTAINMENT REPORTER,
726
00:39:33,038 --> 00:39:35,874
HE CALLED ME AND HE SAID CRISS ANGEL'S FILMING
727
00:39:35,915 --> 00:39:39,752
FOR HIS NEW TV SERIES, DOING A NEW STUNT.
728
00:39:39,794 --> 00:39:42,088
THE PRESS RELEASE SOUNDED LIKE MY BED OF DEATH,
729
00:39:42,130 --> 00:39:44,465
LIKE EXACTLY THE SAME CONCEPT.
730
00:39:44,507 --> 00:39:46,801
AND CRISS SAW THE SHOW TWICE HERE.
731
00:39:46,843 --> 00:39:49,428
I CAN'T BELIEVE THAT IT'S REALLY THE SAME
732
00:39:49,470 --> 00:39:52,557
BECAUSE HE WOULD HAVE CALLED ME PROBABLY.
733
00:40:17,665 --> 00:40:21,669
BARBARA WILL RELEASE EACH OF THOSE PINS
734
00:40:21,711 --> 00:40:23,338
RELEASING THEIR SWORDS,
735
00:40:23,380 --> 00:40:26,841
AND HOPEFULLY NOT PENETRATING MY HEART.
736
00:40:33,265 --> 00:40:35,267
SO, WE'VE GOT A LADY INSIDE.
737
00:40:35,308 --> 00:40:37,310
-OKAY. -AND SHE'S GONNA PULL,
738
00:40:37,352 --> 00:40:41,356
BUT HE SAYS YOU THE AUDIENCE WILL CHOOSE
739
00:40:37,352 --> 00:40:41,356
WHICH PIN SHE PULLS,
740
00:40:41,398 --> 00:40:43,858
AND HE SAYS, "LITERALLY, MY LIFE IS IN YOUR HANDS."
741
00:40:43,900 --> 00:40:45,402
SO THAT'S--
742
00:40:45,443 --> 00:40:47,070
SO, SOUNDS PRETTY SIMILAR TO ME.
743
00:40:47,112 --> 00:40:49,072
YEAH, TO ME, TOO.
744
00:40:53,076 --> 00:40:55,120
PULL ONE. PULL IT AND DROP IT
745
00:40:53,076 --> 00:40:55,120
ON THE GROUND.
746
00:40:57,830 --> 00:41:00,125
THE ONLY THING I WOULD HAVE
747
00:40:57,830 --> 00:41:00,125
APPRECIATED IS A CALL,
748
00:41:00,166 --> 00:41:02,668
TO SAY "LISTEN, JAN, I'M WORKING ON SOMETHING.
749
00:41:02,710 --> 00:41:04,462
I DO IT A LITTLE BIT DIFFERENT,
750
00:41:04,503 --> 00:41:07,257
BUT IT'S FALLING SWORDS, AND I SAW YOUR SHOW.
751
00:41:07,299 --> 00:41:09,134
JUST BE PREPARED, PEOPLE MIGHT CALL YOU.
752
00:41:09,175 --> 00:41:11,219
THIS IS WHAT I DO." AND THEN I'M PREPARED.
753
00:41:11,261 --> 00:41:13,596
TAKE YOUR HAND OFF FIVE.
754
00:41:11,261 --> 00:41:13,596
TAKE IT--
755
00:41:18,435 --> 00:41:20,228
HOLY .
756
00:41:25,733 --> 00:41:30,363
PEOPLE, WHEN THEY ARE ALL
757
00:41:25,733 --> 00:41:30,363
RACING TOWARDS THE SAME GOAL,
758
00:41:30,405 --> 00:41:35,327
AND THEIR GOAL IS TO BE NOTED AND RESPECTED
759
00:41:30,405 --> 00:41:35,327
AND MAKE MONEY
760
00:41:35,368 --> 00:41:39,038
AND HAVE FAME IN THIS PROFESSION,
761
00:41:39,080 --> 00:41:42,834
THEY ARE GOING TO NOT LIKE THE COMPETITION.
762
00:41:44,585 --> 00:41:47,588
FOR YEARS, I HAD A RIVAL. I HAD SOMEBODY WHO I HATED,
763
00:41:47,630 --> 00:41:51,009
SO MUCH. HATED HIM...
764
00:41:51,050 --> 00:41:53,428
SO I CONSIDERED HIM MY ARCH-NEMESIS.
765
00:41:53,470 --> 00:41:55,763
LIKE, SO IT'S LIKE A COMIC BOOK TYPE OF THING.
766
00:41:55,805 --> 00:41:58,308
I HATED HIM.
767
00:41:59,476 --> 00:42:01,686
WE'VE SINCE PATCHED IT UP,
768
00:42:01,727 --> 00:42:03,813
AND IT WAS THE WORST DECISION I EVER MADE,
769
00:42:03,855 --> 00:42:07,150
BECAUSE I HAVE BEEN INCREDIBLY UNMOTIVATED
770
00:42:07,192 --> 00:42:09,527
AFTER I PATCHED UP WITH HIM.
771
00:42:09,568 --> 00:42:11,279
THAT WAND UP ON THAT SHELF,
772
00:42:11,321 --> 00:42:13,448
THAT "CLOSE MAGICIAN OF THE YEAR" WAND?
773
00:42:13,490 --> 00:42:15,908
THAT WAS A DIRECT RESULT OF ME HATING THAT GUY.
774
00:42:15,950 --> 00:42:19,287
I WORKED SO HARD TO GET THAT.
775
00:42:19,329 --> 00:42:20,663
AS A-- THAT WAND--
776
00:42:20,705 --> 00:42:23,708
THAT WAND STICKS RIGHT HERE.
777
00:42:23,749 --> 00:42:25,584
RIGHT-- RIGHT THERE.
778
00:42:25,626 --> 00:42:27,462
THAT'S WHERE THAT WAND GOES.
779
00:42:27,504 --> 00:42:29,297
THAT'S NOT THE BEST REASON TO GET THAT WAND.
780
00:42:29,339 --> 00:42:31,132
THAT'S A LOT OF HATE.
781
00:42:31,174 --> 00:42:34,344
I'M GLAD I DON'T HAVE SOMEBODY ELSE TO FILL THAT ROLE.
782
00:42:34,386 --> 00:42:36,929
I'M A FAR BETTER PERSON FOR IT.
783
00:42:36,971 --> 00:42:38,848
JUST MIGHT NOT BE AS PRODUCTIVE.
784
00:42:42,394 --> 00:42:47,357
MY PARENTS SOMETIMES ARE A LITTLE, LIKE, SUBDUED
785
00:42:47,399 --> 00:42:49,775
IN THEIR RESPONSE TO GOOD NEWS,
786
00:42:49,817 --> 00:42:53,029
AND SO I'VE SORT OF BECOME ACCUSTOMED TO THE FACT
787
00:42:53,071 --> 00:42:57,283
THAT, LIKE, DON'T EXPECT THEM TO GO CRAZY.
788
00:42:58,910 --> 00:43:00,328
HEY, DAVID,
789
00:42:58,910 --> 00:43:00,328
WHAT'S GOING ON?
790
00:43:00,370 --> 00:43:01,538
-GOOD.
791
00:43:04,874 --> 00:43:07,585
I WAS IN THE RUNNING FOR A SHOW ON TRAVEL CHANNEL.
792
00:43:07,626 --> 00:43:12,215
THERE WAS EIGHT MAGICIANS BEING CONSIDERED FOR,
793
00:43:07,626 --> 00:43:12,215
LIKE, THIS SHOW.
794
00:43:12,257 --> 00:43:14,133
WHAT, JUST DOING MAGIC LIKE
795
00:43:14,175 --> 00:43:15,760
YOU'RE ON "CANDID CAMERA" KIND OF THING?
796
00:43:15,801 --> 00:43:17,845
YEAH, LIKE, LOCATIONAL MAGIC.
797
00:43:17,887 --> 00:43:21,433
THEY HAD NARROWED US DOWN TO, LIKE, YOU KNOW, THREE
798
00:43:17,887 --> 00:43:21,433
OR WHATEVER.
799
00:43:21,474 --> 00:43:25,103
AND UH, I GOT IT.
800
00:43:25,144 --> 00:43:27,813
OH, YOU DID?
801
00:43:27,855 --> 00:43:29,982
OH, YOU JUST CASUALLY--
802
00:43:30,024 --> 00:43:32,026
DAD SWORE HE WOULDN'T TELL YOU.
803
00:43:32,068 --> 00:43:33,111
YOU KNEW?
804
00:43:33,152 --> 00:43:34,904
WHY WOULDN'T YOU TELL ME?
805
00:43:34,946 --> 00:43:37,282
-'CAUSE I MADE HIM PROMISE THAT HE WOULDN'T.
806
00:43:37,323 --> 00:43:38,741
'CAUSE I WANTED TO, YOU KNOW.
807
00:43:38,783 --> 00:43:41,119
-HE WANTED TO SURPRISE YOU.
808
00:43:38,783 --> 00:43:41,119
-YEAH.
809
00:43:41,160 --> 00:43:43,288
-DID I NOT TELL YOU ABOUT THE TRAVEL--
810
00:43:41,160 --> 00:43:43,288
-YOU DID NOT TELL ME.
811
00:43:43,329 --> 00:43:44,622
I DIDN'T TELL YOU THAT I WAS EVEN UP FOR IT?
812
00:43:44,663 --> 00:43:46,541
YOU DID NOT TELL ME.
813
00:43:46,583 --> 00:43:49,127
-YEAH, DAVE, OKAY.
814
00:43:52,589 --> 00:43:54,215
SO YOU WANT SOMETHING TO EAT?
815
00:43:54,257 --> 00:43:56,259
WE DON'T HAVE ANYTHING TO EAT.
816
00:43:59,596 --> 00:44:03,266
-OH, THIS IS
817
00:43:59,596 --> 00:44:03,266
MY AGENT CALLING.
818
00:44:03,308 --> 00:44:04,601
HEY, HOW'S IT GOING, ANDY?
819
00:44:04,642 --> 00:44:06,644
ONE LITTLE TINY THING IN THERE IS THAT
820
00:44:06,685 --> 00:44:10,940
IF I BRING MY IDEAS TO THE TABLE THAT
821
00:44:06,685 --> 00:44:10,940
I'VE WORKED 13 YEARS ON,
822
00:44:10,982 --> 00:44:14,860
THAT THEY REMAIN, YOU KNOW, INTELLECTUAL PROPERTY OF ME
823
00:44:14,902 --> 00:44:17,322
AND THAT I CAN PERFORM THEM ELSEWHERE,
824
00:44:17,363 --> 00:44:19,657
AND THAT THEY'RE NOT GONNA USE ANOTHER MAGICIAN
825
00:44:19,698 --> 00:44:22,868
TO PERFORM THE EFFECTS THAT I CREATED.
826
00:44:22,910 --> 00:44:24,454
OKAY, COOL.
827
00:44:24,496 --> 00:44:26,914
PERFECT, MAN! LET'S GET IT GOING.
828
00:44:26,956 --> 00:44:28,541
OKAY, MAN. TALK TO YOU TOMORROW.
829
00:44:38,676 --> 00:44:41,846
THERE WAS AN ARTICLE TODAY
830
00:44:41,887 --> 00:44:43,722
ON "BILD"'S SITE?
831
00:44:43,764 --> 00:44:45,183
IT'S A GERMAN GOSSIP NEWSPAPER.
832
00:44:45,224 --> 00:44:46,392
IT'S THE GERMAN-- THE BIGGEST.
833
00:44:46,434 --> 00:44:48,436
THE GERMAN GOSSIP NEWSPAPER.
834
00:44:48,478 --> 00:44:51,688
SO IT'S A STORY ABOUT ME AND CRISS ANGEL,
835
00:44:48,478 --> 00:44:51,688
ABOUT THE BED OF DEATH.
836
00:44:51,730 --> 00:44:54,150
"WHO OWNS THE BED OF DEATH?"
837
00:44:54,192 --> 00:44:56,735
"WHO OWNS THE BED OF DEATH?"
838
00:44:58,363 --> 00:45:00,490
IT GOES A LITTLE BIT ON-- NOT JUST ON MY NERVES,
839
00:45:00,532 --> 00:45:03,242
IT MAKES ME A LITTLE STOMACH PAIN, THAT WHOLE THING.
840
00:45:03,284 --> 00:45:05,702
I DON'T WANT TO HAVE THIS. IT SHOULD BE ALL POSITIVE.
841
00:45:05,744 --> 00:45:07,288
YEAH, BUT YOU KNOW, POSITIVE.
842
00:45:07,330 --> 00:45:09,374
IF IT WOULD BE POSITIVE, NOBODY WOULD WRITE ANYTHING.
843
00:45:09,415 --> 00:45:11,125
AND THEY SPELLED YOUR NAME RIGHT.
844
00:45:11,167 --> 00:45:12,918
IT'S THE MOST IMPORTANT THING.
845
00:45:12,960 --> 00:45:16,088
FOR ME IT SEEMS LIKE HE TRIED TO GET AWAY WITH IT,
846
00:45:16,130 --> 00:45:20,759
DOING IT, AND THINKING I'M NOT IMPORTANT ENOUGH
847
00:45:16,130 --> 00:45:20,759
ANYWAYS,
848
00:45:20,801 --> 00:45:23,471
NOBODY WILL JUMP ON THAT.
849
00:45:23,513 --> 00:45:26,765
BUT OF COURSE EVERYBODY JUMPED ON IT
850
00:45:26,807 --> 00:45:29,227
BECAUSE THEY SAID, "JAN, WE SAW YOU PERFORMING IT.
851
00:45:29,268 --> 00:45:32,564
IT'S A VERY MAGIC THING, MAGIC BUSINESS THING.
852
00:45:32,605 --> 00:45:36,442
THEY PRETEND TO BE EACH OTHER'S BEST FRIENDS--
853
00:45:32,605 --> 00:45:36,442
THEY ARE NOT.
854
00:45:36,484 --> 00:45:38,069
THEY JUST PRETEND.
855
00:45:38,110 --> 00:45:40,821
IT'S JUST BECAUSE YOU'RE HERE, PERFORMING IN VEGAS,
856
00:45:40,863 --> 00:45:43,241
YOU'RE YOUNGER, YOU'RE GOOD LOOKING,
857
00:45:43,282 --> 00:45:46,160
YOU STILL HAVE YOUR HAIR, YOU'RE NOT TOO FAT.
858
00:45:46,202 --> 00:45:47,995
YOU CAN'T BE EVERYBODY'S FRIEND.
859
00:45:48,037 --> 00:45:49,746
I DON'T KNOW, IT'S NOT POSSIBLE.
860
00:45:49,788 --> 00:45:51,916
IT'S JUST NOT POSSIBLE.
861
00:45:51,957 --> 00:45:55,294
IT'S SAD, BUT YOU CAN'T. IT'S NOT POSSIBLE.
862
00:46:02,468 --> 00:46:04,136
-MM-HMM.
863
00:46:04,178 --> 00:46:05,762
WE HAVE A MEETING WITH MARK.
864
00:46:05,804 --> 00:46:07,098
OKAY, GO AHEAD
865
00:46:05,804 --> 00:46:07,098
AND HAVE A SEAT,
866
00:46:07,139 --> 00:46:08,182
I'LL LET HER KNOW THAT YOU'RE HERE.
867
00:46:08,224 --> 00:46:09,975
OVER THERE?
868
00:46:16,941 --> 00:46:19,611
I SEE SIEGFRIED AND ROY.
869
00:46:19,652 --> 00:46:21,195
HELLO.
870
00:46:21,237 --> 00:46:22,739
HI. -I'M MARK TRAVIS.
871
00:46:22,779 --> 00:46:24,323
-HI MARK, I'M JAN. -JAN, NICE TO MEET YOU.
872
00:46:24,365 --> 00:46:26,033
HI, FRANK. HI, NICE TO MEET YOU.
873
00:46:27,368 --> 00:46:29,203
NOW HOW ARE YOU TWO RELATED?
874
00:46:29,245 --> 00:46:31,914
HE'S YOUR
875
00:46:29,245 --> 00:46:31,914
MANAGER, OKAY.
876
00:46:31,956 --> 00:46:33,708
-AND HE'S YOUR MANAGER. -NO, HE'S-- HE'S MY--
877
00:46:33,750 --> 00:46:35,585
HE'S MY DEAR COLLEAGUE, PETER.
878
00:46:35,627 --> 00:46:37,920
OKAY, HI. IT IS DIFFERENT IN EUROPE.
879
00:46:37,962 --> 00:46:41,215
HERE IN AMERICA, IT SEEMS LIKE EVERYBODY'S
880
00:46:37,962 --> 00:46:41,215
SUING EACH OTHER
881
00:46:41,257 --> 00:46:46,471
AND BY GETTING MORE SUCCESSFUL, I THINK THERE ARE MORE
882
00:46:41,257 --> 00:46:46,471
PEOPLE WHO WANT SOMETHING.
883
00:46:46,512 --> 00:46:50,141
THERE ARE MULTIPLE LEVELS OF PROTECTION TO SHOWS.
884
00:46:50,182 --> 00:46:53,519
BUT IF I SEE A MAGIC TRICK SOMEBODY ELSE INVENTED,
885
00:46:53,561 --> 00:46:57,690
99.9% I KNOW ANYWAY HOW IT WORKS, AND VICE VERSA.
886
00:46:57,732 --> 00:47:01,486
IT'S NOT ABOUT THE SECRET, IT'S ABOUT THE IDEA,
887
00:46:57,732 --> 00:47:01,486
THE BASIC CONCEPT.
888
00:47:01,527 --> 00:47:04,363
THE PEOPLE IN THE AUDIENCE, THEY DON'T CARE HOW YOU DO IT.
889
00:47:04,405 --> 00:47:07,116
PERHAPS YOU HAVE THE IDEA TO MAKE THIS FLOWER APPEAR,
890
00:47:07,158 --> 00:47:09,661
AND THEN, ANOTHER MAGICIAN SEES THAT AND SAYS,
891
00:47:09,702 --> 00:47:11,245
"OKAY, I MAKE A FLOWER APPEAR, TOO.
892
00:47:11,287 --> 00:47:13,706
I DO IT IN A DIFFERENT WAY," BUT FOR THE PEOPLE,
893
00:47:13,748 --> 00:47:15,249
YOU KNOW, THAT'S NOT A DIFFERENCE.
894
00:47:15,291 --> 00:47:17,669
THEY JUST SEE THAT "OH, HE MAKES A FLOWER APPEAR."
895
00:47:17,710 --> 00:47:20,463
SO COULD YOU PROTECT A VISUAL...
896
00:47:22,340 --> 00:47:24,676
-IF IT'S REALLY
897
00:47:22,340 --> 00:47:24,676
NOTHING SIMPLE,
898
00:47:24,717 --> 00:47:27,219
IF IT'S SOMETHING REALLY NEVER HAS BEEN SEEN,
899
00:47:27,261 --> 00:47:29,888
AND YOU MAKE A LITTLE DRAWING OF WHAT THE SPECTATOR SEES,
900
00:47:29,930 --> 00:47:32,891
WITHOUT EXPLAINING THE SECRET, TO PROTECT IT
901
00:47:32,933 --> 00:47:36,437
EVEN THOUGH SOMEONE ELSE IN A COUPLE OF YEARS
902
00:47:32,933 --> 00:47:36,437
STEALS IT?
903
00:47:36,479 --> 00:47:40,065
CAN A TRICK BECOME SO WELL-IDENTIFIED
904
00:47:40,107 --> 00:47:43,194
WITH ONE INDIVIDUAL, SO CLEARLY ASSOCIATED
905
00:47:40,107 --> 00:47:43,194
WITH HIM,
906
00:47:43,235 --> 00:47:45,946
THAT ANY TIME SOMEONE SEES THAT TRICK,
907
00:47:45,988 --> 00:47:48,907
THEY THINK OF A PARTICULAR MAGICIAN?
908
00:47:48,949 --> 00:47:51,243
-HMM. -AND THE ANSWER
909
00:47:48,949 --> 00:47:51,243
IS YES.
910
00:47:51,285 --> 00:47:53,329
THAT BECOMES THEIR TRADEMARK.
911
00:48:00,628 --> 00:48:02,421
WHEN YOU GO OUT AND
912
00:48:00,628 --> 00:48:02,421
YOU SEE A BAD SINGER,
913
00:48:02,463 --> 00:48:03,798
YOU THINK, "WELL, THAT'S A BAD SINGER."
914
00:48:03,840 --> 00:48:06,217
AND IF YOU GO OUT AND YOU SEE A BAD ACTOR,
915
00:48:06,258 --> 00:48:07,968
YOU GO, "WELL, THAT'S A BAD ACTOR."
916
00:48:08,010 --> 00:48:11,180
BUT IF YOU SEE A BAD MAGICIAN, YOU GO, "OH, MAGIC SUCKS."
917
00:48:11,222 --> 00:48:12,724
YOU DON'T BLAME THE ONE GUY.
918
00:48:12,765 --> 00:48:15,560
YOU THINK OF THE ENTIRE THING.
919
00:48:15,601 --> 00:48:17,562
AND I DON'T KNOW WHY THAT IS THAT WAY.
920
00:48:35,246 --> 00:48:37,331
I LECTURE ALL ACROSS THE COUNTRY,
921
00:48:37,373 --> 00:48:39,208
DOING MAGIC AND ALSO TEACHING MAGIC.
922
00:48:51,178 --> 00:48:53,972
IF I CAN HELP THESE AMATEUR PERFORMERS,
923
00:48:51,178 --> 00:48:53,972
MAGIC ENTHUSIASTS.
924
00:48:54,014 --> 00:48:55,516
HOBBYISTS, WHATEVER THEY MIGHT BE,
925
00:48:55,558 --> 00:48:57,769
MAKE THEIR OWN MAGIC BETTER,
926
00:48:57,810 --> 00:49:00,020
THAT MAKES MAGIC BETTER.
927
00:49:29,550 --> 00:49:33,554
HOW MANY TIMES HAVE YOU GONE UP TO A GROUP OF PEOPLE,
928
00:49:33,596 --> 00:49:34,971
SPREAD A DECK OF CARDS
929
00:49:35,013 --> 00:49:38,935
AND THEY SAY, "I'VE SEEN THIS BEFORE"?
930
00:49:38,975 --> 00:49:41,771
CARD MAGIC IS WONDERFUL, AND I'VE MADE MY LIVING
931
00:49:41,813 --> 00:49:43,355
AS A CARD MAGICIAN.
932
00:49:43,397 --> 00:49:45,608
95% OF THE MATERIAL THAT I PERFORM
933
00:49:45,650 --> 00:49:49,278
ON A REGULAR BASIS IS WITH A DECK OF PLAYING CARDS.
934
00:49:49,320 --> 00:49:52,573
THUS, IF PEOPLE REALLY DON'T LIKE CARD TRICKS,
935
00:49:52,615 --> 00:49:57,035
THEN FOR THE LAST 20 YEARS, EVERYONE'S BEEN
936
00:49:52,615 --> 00:49:57,035
VERY NICE TO ME.
937
00:49:57,077 --> 00:50:00,038
TELL YOU WHAT. LET'S DO A LITTLE EXPERIMENT.
938
00:50:00,080 --> 00:50:02,792
THINK OF A CARD, ANY CARD IN A DECK OF CARDS.
939
00:50:02,834 --> 00:50:04,794
GOT ONE? OKAY.
940
00:50:04,836 --> 00:50:06,462
GO THROUGH THE CARDS, TAKE OUT THE CARD
941
00:50:04,836 --> 00:50:06,462
YOU'RE THINKING OF.
942
00:50:06,504 --> 00:50:09,423
HOLD ON TO THAT CARD. GIVE ME BACK THE REST OF THEM.
943
00:50:09,465 --> 00:50:11,759
AND LOOK WHERE I AM, GUYS.
944
00:50:11,801 --> 00:50:14,553
I'M IN THE PART I WOULD BE IF I WOULD HAVE SAID
945
00:50:14,595 --> 00:50:15,888
"HERE, PICK A CARD."
946
00:50:24,522 --> 00:50:26,398
THIS IS A TINY PLUNGER,
947
00:50:26,440 --> 00:50:30,026
THE NEWEST MEMBER OF THE SHOW,
948
00:50:30,068 --> 00:50:34,949
AND UH, HE'S ABOUT A YEAR AND A HALF OLD.
949
00:50:30,068 --> 00:50:34,949
I LOVE THIS THING.
950
00:50:39,704 --> 00:50:41,246
YOUNG MAN.
951
00:50:41,288 --> 00:50:42,498
GIVE ME A NUMBER BETWEEN ONE AND TEN.
952
00:50:42,540 --> 00:50:44,082
-EIGHT. -EIGHT.
953
00:50:44,124 --> 00:50:46,042
ANY PARTICULAR REASON WHY "EIGHT"?
954
00:50:46,084 --> 00:50:47,586
-NO. -JUST LIKED
955
00:50:46,084 --> 00:50:47,586
EIGHT, OKAY.
956
00:50:47,628 --> 00:50:50,130
THE PLUNGER HAS HEARD YOU SAY "EIGHT."
957
00:50:50,172 --> 00:50:51,131
ONE, TWO, THREE, FOUR,
958
00:50:51,173 --> 00:50:52,800
FIVE, SIX, SEVEN, EIGHT.
959
00:50:52,842 --> 00:50:54,092
PERFECT, OKAY.
960
00:50:55,511 --> 00:50:57,053
TINY PLUNGER.
961
00:50:57,095 --> 00:50:59,097
SO, UM-- SO YEAH.
962
00:50:59,139 --> 00:51:00,432
DID I MENTION I'M SELLING THEM?
963
00:51:01,600 --> 00:51:02,643
YEAH, SO THERE'S THAT.
964
00:51:02,685 --> 00:51:04,020
SO, UH, THANK YOU VERY MUCH.
965
00:51:04,060 --> 00:51:05,521
IT WAS A PLEASURE MEETING ALL OF YOU.
966
00:51:10,150 --> 00:51:11,694
$40.00, SIR.
967
00:51:13,779 --> 00:51:15,489
THERE. FOUR BUCKS, SIR.
968
00:51:13,779 --> 00:51:15,489
$45.00.
969
00:51:19,201 --> 00:51:21,037
YES!
970
00:51:21,077 --> 00:51:23,622
IN ORDER TO BUY...
971
00:51:23,664 --> 00:51:25,290
THE PLUNGER YOU HAVE TO BUY A CD?
972
00:51:25,332 --> 00:51:27,626
YEAH.
973
00:51:29,587 --> 00:51:33,173
CAN YOU SHOW ME SOMETHING?
974
00:51:29,587 --> 00:51:33,173
YEAH.
975
00:51:33,215 --> 00:51:35,259
A MAGICIAN ALWAYS SHOULD FIND WHERE HE PUTS THE ACES,
976
00:51:35,300 --> 00:51:37,887
SO COULD YOU CUT THE DECK INTO FOUR SPOTS?
977
00:51:39,680 --> 00:51:41,807
NOW, UM, PUT ONE THERE.
978
00:51:43,517 --> 00:51:44,810
PUT ONE THERE.
979
00:51:46,854 --> 00:51:48,647
AND THAT SHOULD...
980
00:51:50,148 --> 00:51:51,817
VERY NICE.
981
00:51:54,737 --> 00:51:56,530
THANKS, BUDDY. GOOD WORK.
982
00:52:00,158 --> 00:52:02,160
TAKE CARE.
983
00:52:09,543 --> 00:52:11,503
HERE, LET ME SEE WHAT I GOT IN MY TRUNK.
984
00:52:11,545 --> 00:52:14,506
ALL RIGHT, YOU, SIR, ARE A PROUD OWNER
985
00:52:14,548 --> 00:52:16,550
-OF A LIGHT BLUE PLUNGER. -COOL.
986
00:52:16,592 --> 00:52:18,385
-THANK YOU SO MUCH. -YOU'RE WELCOME.
987
00:52:18,427 --> 00:52:20,220
I WOULD HUG YOU, BUT I'M A GUY.
988
00:52:20,262 --> 00:52:21,806
IT'S OKAY. GUYS CAN STILL HUG,
989
00:52:21,847 --> 00:52:23,015
BUT IT'S OKAY, YOU DON'T HAVE TO.
990
00:52:23,057 --> 00:52:25,977
-THANK YOU. -NO PROBLEM, MAN.
991
00:52:26,018 --> 00:52:27,895
THAT MUST MAKE YOU
992
00:52:26,018 --> 00:52:27,895
FEEL GOOD, THOUGH.
993
00:52:27,937 --> 00:52:30,689
IT DOES. IT DOES.
994
00:52:35,527 --> 00:52:36,904
IT WORKS.
995
00:52:44,453 --> 00:52:45,454
HELLO?
996
00:52:45,496 --> 00:52:47,039
HEY, IT'S DAVID MINKIN.
997
00:52:47,081 --> 00:52:48,833
-COME ON IN. -THANKS.
998
00:53:02,262 --> 00:53:03,764
THERE'S ALL THIS
999
00:53:02,262 --> 00:53:03,764
GOOD STUFF GOING ON,
1000
00:53:03,806 --> 00:53:06,600
BUT MY DOG IS BASICALLY, YOU KNOW...
1001
00:53:06,642 --> 00:53:09,770
I HAVE TO PUT HIM DOWN, SO...
1002
00:53:12,356 --> 00:53:13,398
AAH.
1003
00:53:13,440 --> 00:53:15,651
YEAH, THIS IS, UH...
1004
00:53:15,693 --> 00:53:18,779
I CAN'T FUCKING DO THIS, MAN.
1005
00:53:18,821 --> 00:53:20,322
THIS IS...
1006
00:53:20,364 --> 00:53:23,117
HE'S STILL GOT HIS DOG SMILE ONCE IN A WHILE,
1007
00:53:23,159 --> 00:53:25,661
BUT IT'S-- HE'S NOT--
1008
00:53:25,703 --> 00:53:29,874
I DON'T THINK HE WANTS TO BE AROUND ANYMORE, SO...
1009
00:53:35,171 --> 00:53:37,548
HEY DR. HOLMES. IT'S DAVID MINKIN CALLING.
1010
00:53:37,589 --> 00:53:40,551
JUST WANTED TO GO AHEAD AND SCHEDULE
1011
00:53:40,592 --> 00:53:44,638
UH, THAT APPOINTMENT WITH YOU FOR COSMO.
1012
00:53:44,680 --> 00:53:46,390
AND IF YOU'RE BACK IN TOWN ON SUNDAY
1013
00:53:46,431 --> 00:53:48,976
THAT MIGHT BE A GOOD DAY, SO...
1014
00:53:49,018 --> 00:53:51,227
UH, WHENEVER YOU HAVE A MOMENT, JUST GIVE ME A CALL BACK.
1015
00:53:51,269 --> 00:53:53,147
OKAY, THANKS. BYE BYE.
1016
00:53:54,272 --> 00:53:57,068
YEAH.
1017
00:54:00,154 --> 00:54:01,780
ALL RIGHT, I'M GONNA...
1018
00:54:01,822 --> 00:54:04,616
I'M GONNA GO ROLL. I'LL BE BACK.
1019
00:54:16,045 --> 00:54:17,629
SO YOU'RE GONNA TAKE YOUR COIN,
1020
00:54:17,671 --> 00:54:19,882
AND YOU'RE GONNA PUT IT INTO THE BOTTOM OF THIS BOTTLE.
1021
00:54:19,924 --> 00:54:22,718
NOT THROUGH THE TOP. ACTUALLY, YOU CAN'T EVEN
1022
00:54:19,924 --> 00:54:22,718
GET IT IN THAT WAY, EITHER.
1023
00:54:22,760 --> 00:54:24,469
BUT THROUGH THE BOTTOM, SO TAKE THE COIN.
1024
00:54:24,511 --> 00:54:26,972
THINK OF A GOAL IN YOUR LIFE THAT YOU'RE TRYING TO REACH
1025
00:54:27,014 --> 00:54:29,016
THAT FEELS LIKE THERE'S AN OBSTACLE IN FRONT OF YOU.
1026
00:54:29,058 --> 00:54:31,102
NOW IMAGINE JUST GOING THROUGH THAT OBSTACLE,
1027
00:54:31,143 --> 00:54:34,270
TAKE THE COIN-- YOU'RE GONNA HIT IT INTO THE BOTTOM
1028
00:54:31,143 --> 00:54:34,270
OF THE BOTTLE.
1029
00:54:35,856 --> 00:54:37,108
-GREAT. -WHOOPS, OH!
1030
00:54:41,528 --> 00:54:43,321
THAT'S AWESOME.
1031
00:54:46,408 --> 00:54:47,618
LET'S RUN ONE THROUGH,
1032
00:54:47,659 --> 00:54:49,620
AND JUST KIND OF REVIEW AS WE GO.
1033
00:54:49,661 --> 00:54:52,164
YOU'RE GONNA TAKE YOUR COIN AND YOU'RE
1034
00:54:49,661 --> 00:54:52,164
GONNA PUT IT IN THIS--
1035
00:54:52,206 --> 00:54:53,707
INTO THIS. HOW ABOUT THIS,
1036
00:54:52,206 --> 00:54:53,707
RIGHT HERE?
1037
00:54:53,749 --> 00:54:56,168
SO... ALL RIGHT, GOOD.
1038
00:54:58,045 --> 00:55:00,131
THINK OF A GOAL, THINK OF BLAH, BLAH, BLAH, BLAH, BLAH,
1039
00:55:00,172 --> 00:55:02,758
NOW THINK OF A GOAL, BLAH, BLAH, BLAH, BLAH, BLAH,
1040
00:55:02,800 --> 00:55:05,177
THE GOAL THING... SHIT.
1041
00:55:05,219 --> 00:55:07,263
OKAY, TAKE THAT ONE MORE TIME.
1042
00:55:07,303 --> 00:55:11,767
MAYBE IF YOU GOT A LITTLE HIGHER AND WERE
1043
00:55:07,303 --> 00:55:11,767
SHOOTING MORE DOWN ON IT.
1044
00:55:11,809 --> 00:55:14,478
ARE YOU GOOD? OKAY... FUCK.
1045
00:55:14,519 --> 00:55:16,272
IT'S JUST KNACKY, YOU KNOW?
1046
00:55:16,312 --> 00:55:17,982
IT'S ONE OF THOSE THINGS THAT'S LIKE,
1047
00:55:18,023 --> 00:55:21,110
WE MIGHT HAVE TO SHOOT IT A FEW TIMES TO GET IT RIGHT.
1048
00:55:21,152 --> 00:55:23,570
NOT THROUGH THE TOP TO THE... GRR.
1049
00:55:23,612 --> 00:55:24,738
I DON'T LIKE IT.
1050
00:55:26,657 --> 00:55:28,700
NOW I NEED TO BE HERE, AND I'M PROTECTING HERE.
1051
00:55:28,742 --> 00:55:30,619
AND IT'S-- YOU KNOW, IT'S ALL...
1052
00:55:30,661 --> 00:55:33,289
-AND EVERY TIME WE-- -CAN'T LET THAT
1053
00:55:30,661 --> 00:55:33,289
GET OUT OF SHOT.
1054
00:55:35,499 --> 00:55:38,002
WHEN I FIRST DID IT IN THERE, THE FIRST TIME
1055
00:55:35,499 --> 00:55:38,002
I EVER TRIED IT,
1056
00:55:38,043 --> 00:55:39,253
-IT WENT PERFECTLY. -NICE.
1057
00:55:39,295 --> 00:55:41,005
AND I WAS LIKE "HOLY SHIT!"
1058
00:55:41,046 --> 00:55:43,257
-LIKE, "ALL RIGHT, THIS IS GOOD."
1059
00:55:41,046 --> 00:55:43,257
-YEAH.
1060
00:55:46,593 --> 00:55:48,720
GETTING ON TELEVISION
1061
00:55:46,593 --> 00:55:48,720
IS VERY IMPORTANT.
1062
00:55:48,762 --> 00:55:50,388
IF YOU CAN GET A NATIONAL PROGRAM,
1063
00:55:50,430 --> 00:55:52,348
IT'S GONNA DO GREAT THINGS FOR YOUR CAREER.
1064
00:55:54,101 --> 00:55:56,770
BUT IF YOU DON'T REALLY HUSTLE AND SELL YOURSELF,
1065
00:55:56,812 --> 00:55:59,190
THEN YOU'RE NOT GONNA MAKE A LIVING.
1066
00:55:59,231 --> 00:56:00,565
FINE, HOW ARE YOU?
1067
00:56:00,607 --> 00:56:02,985
SO IT'S ALL UP TO YOU.
1068
00:56:03,027 --> 00:56:07,572
I DO CLOSE UP MAGIC, AND I DO, LIKE,
1069
00:56:03,027 --> 00:56:07,572
SOME MENTALISM STUFF.
1070
00:56:07,614 --> 00:56:09,700
I HAVE A COUPLE TRICKS THAT I INVENTED
1071
00:56:09,741 --> 00:56:12,828
THAT ARE MY THING THAT YOU'LL NEVER SEE ANYBODY ELSE DO.
1072
00:56:12,870 --> 00:56:16,040
AND I DO A LOT OF SLEIGHT OF HAND, AND...
1073
00:56:16,081 --> 00:56:19,168
MY SHOW'S, LIKE, REAL FAST PACED AND
1074
00:56:16,081 --> 00:56:19,168
I HAVE A LOT OF COMEDY,
1075
00:56:19,210 --> 00:56:20,627
AND PRETTY STRONG MAGIC.
1076
00:56:22,838 --> 00:56:26,466
YEAH. WELL, IF YOU WANT I CAN MEET YOU AT
1077
00:56:22,838 --> 00:56:26,466
THE MAGIC CASTLE
1078
00:56:26,508 --> 00:56:28,802
AND HAVE A DRINK OR SOMETHING.
1079
00:56:32,181 --> 00:56:33,557
I'VE SAID THIS TO MY WIFE
1080
00:56:32,181 --> 00:56:33,557
A JILLION TIMES:
1081
00:56:33,598 --> 00:56:36,392
WE HIT THE LOTTERY. I HAVE $15 MILLION.
1082
00:56:36,434 --> 00:56:38,145
MY LIFE DOES NOT CHANGE.
1083
00:56:38,187 --> 00:56:39,855
THE $15 MILLION GOES IN THE BANK.
1084
00:56:39,897 --> 00:56:42,398
I'M STILL DOING THE RESTAURANT ON SUNDAY.
1085
00:56:42,440 --> 00:56:45,194
NOTHING CHANGES. NOT BECAUSE OF SOME SORT
1086
00:56:42,440 --> 00:56:45,194
OF FRUGALNESS,
1087
00:56:45,236 --> 00:56:47,696
BUT BECAUSE I STILL LIKE DOING MAGIC.
1088
00:56:47,738 --> 00:56:49,073
DO YOU THINK YOU'VE
1089
00:56:47,738 --> 00:56:49,073
MADE PROGRESS
1090
00:56:49,114 --> 00:56:50,615
OR HEADWAY OR WHATEVER?
1091
00:56:50,657 --> 00:56:53,035
I'VE MADE HEADWAY--
1092
00:56:53,077 --> 00:56:54,745
THAT-- THAT IS SUCH A--
1093
00:56:54,786 --> 00:56:59,541
I HAVE ACHIEVED EVERYTHING I'VE EVER
1094
00:56:54,786 --> 00:56:59,541
SET OUT TO DO.
1095
00:56:59,583 --> 00:57:02,211
EVERYTHING.
1096
00:57:02,253 --> 00:57:05,005
ABSOL-- HERE. LOOK AT THIS.
1097
00:57:05,047 --> 00:57:07,925
THIS IS A LIST
1098
00:57:07,966 --> 00:57:12,263
THAT I IMPORTED INTO MY-- INTO THIS ONE DAY,
1099
00:57:12,304 --> 00:57:18,602
AND THIS IS A LIST OF EVERY GOAL I EVER HAD
1100
00:57:12,304 --> 00:57:18,602
AS A CHILD.
1101
00:57:18,643 --> 00:57:21,479
OKAY, HERE WE GO: "HAVE MY OWN SHOW
1102
00:57:18,643 --> 00:57:21,479
AT WALT DISNEY WORLD.
1103
00:57:21,521 --> 00:57:23,190
BECOME A MEMBER OF THE MAGIC CASTLE--
1104
00:57:23,232 --> 00:57:25,276
BECOME A MEMBER OF THE MAGIC CASTLE--
1105
00:57:25,317 --> 00:57:26,860
WIN CLOSE-UP MAGICIAN OF THE YEAR,
1106
00:57:26,902 --> 00:57:29,363
TRAVEL OUT OF THE COUNTRY, LECTURE TO MAGICIANS,
1107
00:57:29,405 --> 00:57:31,448
HAVE A DVD SET,
1108
00:57:31,489 --> 00:57:33,575
WORK IN FILM AND TV AS A MAGIC ADVISOR,
1109
00:57:33,617 --> 00:57:34,868
MAKE MY SOLE LIVING IN MAGIC,
1110
00:57:34,910 --> 00:57:36,620
DO SOMETHING IN COMICS,
1111
00:57:36,661 --> 00:57:38,289
WRITE A MAGIC BOOK FOR THE PUBLIC--"
1112
00:57:38,330 --> 00:57:40,082
THAT'S THE ONLY ONE I HAVEN'T DONE, REALLY--
1113
00:57:40,124 --> 00:57:41,583
"WRITE A MAGIC BOOK FOR MAGICIANS--"
1114
00:57:41,625 --> 00:57:43,877
KIND OF. "PERFORM ON NATIONAL
1115
00:57:41,625 --> 00:57:43,877
TELEVISION,
1116
00:57:43,919 --> 00:57:45,712
CREATE MAGIC FOR OTHER PERFORMERS,
1117
00:57:45,754 --> 00:57:49,133
CREATE A THEATER SHOW." I'VE DONE EVERY SINGLE ONE
1118
00:57:45,754 --> 00:57:49,133
OF THOSE
1119
00:57:49,174 --> 00:57:50,550
EXCEPT FOR WRITE A BOOK FOR THE PUBLIC.
1120
00:57:50,592 --> 00:57:54,054
THOUGH, IF YOU-- I DID DO A COMIC BOOK,
1121
00:57:54,096 --> 00:57:58,475
AND THAT IS FOR THE PUBLIC, SO...
1122
00:57:58,516 --> 00:58:01,686
SO, YEAH, OF COURSE. I'VE ACHIEVED EVERYTHING.
1123
00:58:01,728 --> 00:58:02,980
EVERYTHING I'VE EVER WANTED.
1124
00:58:03,021 --> 00:58:04,815
I HAVE NO-- I HAVE NOTHING.
1125
00:58:04,856 --> 00:58:08,277
I HAVE NO OTHER GOALS.
1126
00:58:08,319 --> 00:58:11,947
TO STAY FRESH IN MAGIC IS LIKE ANYTHING IN
1127
00:58:08,319 --> 00:58:11,947
BUSINESS NOWADAYS.
1128
00:58:11,989 --> 00:58:14,074
IF YOU REST, YOU'RE LOST.
1129
00:58:14,116 --> 00:58:18,245
YOU CAN'T JUST PLAY AROUND, YOU JUST CAN'T...
1130
00:58:14,116 --> 00:58:18,245
DO MAGIC.
1131
00:58:18,287 --> 00:58:22,124
"SHOW BUSINESS" IS TWO WORDS, AND "BUSINESS" IS
1132
00:58:18,287 --> 00:58:22,124
THE LONGER WORD.
1133
00:58:25,169 --> 00:58:27,838
YOU KNOW, I DECIDED, WE'RE NOT GONNA SUE CRISS.
1134
00:58:27,879 --> 00:58:30,007
WE'RE GONNA MOVE FORWARD.
1135
00:58:30,048 --> 00:58:33,510
AND WE'RE GONNA BEAT HIM. SIMPLE.
1136
00:58:33,551 --> 00:58:35,804
YOU'RE GONNA DESIGN SOMETHING NEW,
1137
00:58:33,551 --> 00:58:35,804
BETTER, BIGGER.
1138
00:58:35,846 --> 00:58:38,432
-WE'RE ABOUT HERE. -HE'S GONNA BE RIGHT HERE.
1139
00:58:38,474 --> 00:58:39,891
-YEAH. -IT HAS TO LOOK SCARY.
1140
00:58:39,933 --> 00:58:41,810
I DON'T WANT TO DO IT. IT'S TOO SCARY.
1141
00:58:41,852 --> 00:58:45,439
I JUST CLOSED THE BOOK
1142
00:58:41,852 --> 00:58:45,439
ON BED OF DEATH,
1143
00:58:45,481 --> 00:58:48,775
AND LOOK FORWARD INTO BRIGHT FUTURE.
1144
00:58:48,817 --> 00:58:50,944
HAS TO BE DETAILED, IT HAS TO BE--
1145
00:58:50,986 --> 00:58:53,530
IT HAS TO BE SEXY. IT HAS TO BE...
1146
00:58:50,986 --> 00:58:53,530
A DESIGN, YEAH.
1147
00:58:53,571 --> 00:58:55,407
IT'S POSSIBLE. GET YOUR CHECKBOOK.
1148
00:58:55,449 --> 00:58:57,117
YEAH, YEAH, YEAH.
1149
00:58:59,286 --> 00:59:01,121
OH, THAT LOOKS GREAT.
1150
00:59:01,163 --> 00:59:05,376
NOTHING CAN HAPPEN NOW, BUT STILL, IF YOU GO HERE,
1151
00:59:01,163 --> 00:59:05,376
LIKE...
1152
00:59:13,342 --> 00:59:15,010
-OH. -THIS IS A VERY
1153
00:59:13,342 --> 00:59:15,010
PHYSICAL SHOW,
1154
00:59:15,052 --> 00:59:19,515
SO HE REALLY HAS TO STAY IN SHAPE.
1155
00:59:19,556 --> 00:59:21,808
I APPRECIATE. I LOVE IT.
1156
00:59:26,604 --> 00:59:28,357
BUT YOU HAVE TO KEEP AN EYE ON HIM BECAUSE WE SEE
1157
00:59:28,399 --> 00:59:30,859
SO MANY MAGICIANS WHO PUT ON WEIGHT.
1158
00:59:33,153 --> 00:59:35,822
HE CAN'T EAT NOODLES, HE CAN'T EAT POTATOES
1159
00:59:33,153 --> 00:59:35,822
IN THE MIDDLE OF THE NIGHT.
1160
00:59:35,864 --> 00:59:37,282
IT'S NOT POSSIBLE.
1161
00:59:59,930 --> 01:00:01,681
HEY, JAN ROUVEN YEAH!
1162
01:00:01,723 --> 01:00:03,808
I GOT MY FIRST BILLBOARD, SEE?
1163
01:00:03,850 --> 01:00:05,102
-WE HAVE TO CHECK IT. -WOW!
1164
01:00:05,143 --> 01:00:07,271
WHERE'S YOUR PRESENTATION, RIVIERA?
1165
01:00:07,312 --> 01:00:09,314
RIVIERA, YEAH! YOU CAN WALK.
1166
01:00:09,356 --> 01:00:11,525
OKAY. HEY MAN, YOU LIKE TACOS?
1167
01:00:11,567 --> 01:00:14,069
-COME ON. -YES, YES, YES.
1168
01:00:14,111 --> 01:00:16,071
YOU ALL CAN COME AND SEE THE SHOW.
1169
01:00:16,113 --> 01:00:19,991
YOU COME IN FOR FREE, BUT YOUR GUESTS, YOU KNOW
1170
01:00:16,113 --> 01:00:19,991
WHAT I MEAN?
1171
01:00:20,033 --> 01:00:21,659
-YOUR CUSTOMERS. -YOUR CUSTOMERS.
1172
01:00:21,701 --> 01:00:23,078
OKAY. THANK YOU VERY MUCH.
1173
01:00:23,120 --> 01:00:24,996
I HAVE TO WRITE IT DOWN HERE, GIVE ME--
1174
01:00:25,038 --> 01:00:29,585
I ALWAYS COME AND WATCH THIS AND HAVE A TACO.
1175
01:00:25,038 --> 01:00:29,585
OH, THANK YOU.
1176
01:00:29,626 --> 01:00:31,753
-YEAH.
1177
01:00:45,559 --> 01:00:47,227
YOU ALL SET?
1178
01:00:47,269 --> 01:00:49,980
TEST, TEST, TEST, TEST, TEST-- AHEM.
1179
01:00:50,021 --> 01:00:53,775
CATCH A CACOPHONIC CORNUCOPIA OF CURIOUS AND CRYPTESTHETIC
1180
01:00:50,021 --> 01:00:53,775
CONJURING.
1181
01:00:53,817 --> 01:00:55,444
I LOVE CORPORATE GIGS.
1182
01:00:55,486 --> 01:00:59,239
THEY'RE USUALLY REAL APPRECIATIVE AND REAL FUN.
1183
01:00:59,281 --> 01:01:01,575
PAYS THE KIND OF MONEY I USED TO GET A FEW YEARS AGO
1184
01:01:01,617 --> 01:01:04,077
BEFORE THE-- YOU KNOW, THE MARKET WENT DOWN.
1185
01:01:06,037 --> 01:01:08,582
WE HAVE A GENTLEMAN,
1186
01:01:06,037 --> 01:01:08,582
BRIAN GILLIS, WITH US.
1187
01:01:08,624 --> 01:01:11,126
JOHNNY CARSON'S FAVORITE MAGICIAN.
1188
01:01:11,168 --> 01:01:13,629
-MY NAME IS BRIAN GILLIS
1189
01:01:13,670 --> 01:01:17,048
I'M A TRAINED PRACTITIONER IN THE ANCIENT ART
1190
01:01:13,670 --> 01:01:17,048
OF PRESTIDIGITATION.
1191
01:01:17,090 --> 01:01:18,800
THAT'S SLEIGHT OF HAND MAGIC.
1192
01:01:18,842 --> 01:01:20,218
I'M GONNA FLASH THROUGH THE CARDS.
1193
01:01:20,260 --> 01:01:21,428
AS THEY GO BY, YOU LOOK AT THEM,
1194
01:01:21,470 --> 01:01:23,763
PICK A CARD IN YOUR MIND.
1195
01:01:23,805 --> 01:01:25,056
-I DID.
1196
01:01:25,098 --> 01:01:27,184
DID YOU PICK ONE OUT?
1197
01:01:27,225 --> 01:01:30,604
OCCASIONALLY KIDS WILL ACTUALLY TRY TO MESS UP
1198
01:01:27,225 --> 01:01:30,604
THE MAGICIAN.
1199
01:01:30,646 --> 01:01:33,898
-I-- I HATE KIDS.
1200
01:01:33,940 --> 01:01:36,401
AS THEY GO BY, JUST PICK ONE IN YOUR MIND.
1201
01:01:33,940 --> 01:01:36,401
DID YOU PICK ONE OUT?
1202
01:01:36,443 --> 01:01:38,403
SO CONCENTRATE ON THE VALUE OF THE CARD.
1203
01:01:38,445 --> 01:01:40,822
YOURS WAS LOWER THAN A SEVEN
1204
01:01:42,366 --> 01:01:44,159
HAVE A SEAT. SIX?
1205
01:01:44,201 --> 01:01:45,202
-YEP.
1206
01:01:45,243 --> 01:01:46,703
HAVE A SEAT.
1207
01:01:46,744 --> 01:01:48,830
JACK OF SPADES? HAVE A SEAT.
1208
01:01:48,872 --> 01:01:51,041
YOU HAD A KING? KING OF DIAMONDS.
1209
01:01:53,627 --> 01:01:56,338
THANK YOU, APPRECIATE IT, AND LET'S HAVE A ROUND
1210
01:01:53,627 --> 01:01:56,338
OF APPLAUSE
1211
01:01:56,380 --> 01:01:58,215
FOR SISUEPAHN.
1212
01:02:02,511 --> 01:02:04,596
-PAM.
1213
01:02:04,638 --> 01:02:07,265
PAM, DO YOU REMEMBER THE FIRST NAME OF THE FIRST
1214
01:02:04,638 --> 01:02:07,265
BOY YOU EVER KISSED?
1215
01:02:07,307 --> 01:02:08,600
-NOPE.
1216
01:02:08,642 --> 01:02:10,644
AND NOBODY KNOWS THIS, RIGHT? OKAY.
1217
01:02:10,686 --> 01:02:13,104
SISUEPAHN IS ACTUALLY A SKETCH ARTIST.
1218
01:02:13,146 --> 01:02:16,274
SHE'S ACTUALLY SKETCHING WHAT SHE THINKS
1219
01:02:13,146 --> 01:02:16,274
THE PERSON LOOKS LIKE.
1220
01:02:18,443 --> 01:02:20,778
PAM, DID HE LOOK ANYTHING LIKE THIS?
1221
01:02:20,820 --> 01:02:22,947
NO! WHAT
1222
01:02:20,820 --> 01:02:22,947
WAS HIS NAME?
1223
01:02:24,533 --> 01:02:28,078
OH, YES. HERE HE IS.
1224
01:02:24,533 --> 01:02:28,078
OH, YES.
1225
01:02:28,119 --> 01:02:30,121
-THERE IS STEVE FOR YOU.
1226
01:02:30,163 --> 01:02:32,123
TAKE STEVE HOME WITH YOU.
1227
01:02:32,165 --> 01:02:34,459
SIR, OPEN THIS BOOK, ANY PART OF ANY PAGE.
1228
01:02:34,501 --> 01:02:36,628
PICK OUT ANY WORD. MAKE IT AN INTERESTING WORD,.
1229
01:02:36,670 --> 01:02:38,463
THREE OR FOUR SYLLABLES.
1230
01:02:38,505 --> 01:02:39,756
CAN YOU SEE THE PAGE HE STOPPED ME AT?
1231
01:02:39,797 --> 01:02:41,174
MM-HMM.
1232
01:02:41,216 --> 01:02:43,218
TURN TO THE SAME PAGE IN THAT BOOK,
1233
01:02:43,260 --> 01:02:44,678
AND LOOK AT THE VERY TOP WORD,
1234
01:02:44,720 --> 01:02:46,513
VERY FIRST WORD ON THE PAGE.
1235
01:02:48,682 --> 01:02:50,100
S
1236
01:02:50,141 --> 01:02:52,227
-THAT'S CORRECT. -"SCAFFOLDING"
1237
01:02:50,141 --> 01:02:52,227
IS YOUR WORD.
1238
01:02:52,269 --> 01:02:53,311
THANK YOU VERY MUCH.
1239
01:02:54,979 --> 01:02:56,856
SCOTT, DOES YOUR WORD START WITH AN "S"?
1240
01:02:56,898 --> 01:02:58,609
-NO. -NO, NO.
1241
01:02:58,650 --> 01:03:01,152
BUT IT'S GOT AN "S" IN THERE, CORRECT?
1242
01:03:01,194 --> 01:03:03,196
-NO. -NO.
1243
01:03:03,238 --> 01:03:06,991
BECAUSE I THOUGHT THE WORD WOULD START--
1244
01:03:03,238 --> 01:03:06,991
WAS LIKE, "SMASHING."
1245
01:03:07,033 --> 01:03:08,702
-"JACKHAMMER."
1246
01:03:08,744 --> 01:03:10,870
"JACKHAMMER."
1247
01:03:10,912 --> 01:03:12,664
THANK YOU GUYS.
1248
01:03:14,291 --> 01:03:16,209
IF YOU ENJOYED THE SHOW, REMEMBER IT'S BRIAN GILLIS
1249
01:03:16,251 --> 01:03:18,587
AND SISUEPAHN. THANK YOU.
1250
01:03:21,881 --> 01:03:23,174
THANK YOU.
1251
01:03:26,678 --> 01:03:28,639
YOU DIDN'T KNOW WHAT THE WORD WAS?
1252
01:03:28,680 --> 01:03:30,223
I THOUGHT IT WAS
1253
01:03:28,680 --> 01:03:30,223
THE LETTER "S."
1254
01:03:30,265 --> 01:03:32,225
RIGHT, YOU'D SAID "SMASHING,"
1255
01:03:32,267 --> 01:03:34,018
BUT WHY DIDN'T YOU SAY, "OKAY, YOU'RE THINKING
1256
01:03:32,267 --> 01:03:34,018
OF 'JACKHAMMER'"?
1257
01:03:34,060 --> 01:03:35,604
WHY DID YOU SAY, "WHAT'S YOUR WORD?"
1258
01:03:35,646 --> 01:03:37,063
I DON'T KNOW.
1259
01:03:37,105 --> 01:03:38,690
YOU KNOW, I GET REALLY CLOSE TO "SMASHING"
1260
01:03:38,732 --> 01:03:39,899
AND HE SAID "JACKHAMMER."
1261
01:03:39,941 --> 01:03:41,485
LIKE, I GOT REALLY CLOSE TO IT.
1262
01:03:41,526 --> 01:03:42,860
NO, YOU DIDN'T GET CLOSE.
1263
01:03:42,902 --> 01:03:45,781
"SMASHING" IS NOT CLOSE TO "JACKHAMMER."
1264
01:03:45,822 --> 01:03:48,950
SO WHY WOULD THE BOOK--
1265
01:03:48,992 --> 01:03:50,619
YOU HAVE TO TELL HIM "JACKHAMMER."
1266
01:03:50,661 --> 01:03:52,287
OKAY, I GOT IT.
1267
01:04:22,025 --> 01:04:25,153
I WENT ON THIS
1268
01:04:22,025 --> 01:04:25,153
LONG LECTURE TOUR.
1269
01:04:27,238 --> 01:04:30,241
I WAS GONE ALMOST TWO MONTHS.
1270
01:04:33,829 --> 01:04:38,625
AND THAT WAS THE BEGINNING OF THE END
1271
01:04:33,829 --> 01:04:38,625
OF MY RELATIONSHIP.
1272
01:04:57,811 --> 01:04:59,521
I MEAN, LOOK, THE TIMES IN MY LIFE
1273
01:04:59,563 --> 01:05:01,648
WHERE SOMEONE HAS ACTUALLY JUST SEEN ME,
1274
01:05:01,690 --> 01:05:05,527
TALKED TO ME, AND THEN BEEN INTERESTED IN ME
1275
01:05:05,569 --> 01:05:08,405
ARE VERY FEW AND FAR BETWEEN.
1276
01:05:08,446 --> 01:05:12,033
SHE NEVER REALLY SAW ME DO MY SHOW UNTIL
1277
01:05:08,446 --> 01:05:12,033
MUCH LATER ON,
1278
01:05:12,075 --> 01:05:13,451
WHEN WE WERE DATING.
1279
01:05:13,493 --> 01:05:16,788
SO MAGIC WASN'T REALLY WHAT MADE US MEET.
1280
01:05:16,830 --> 01:05:20,417
SHE RECOGNIZED ME AS ME.
1281
01:05:27,257 --> 01:05:30,301
WELL, I REALLY WANTED-- I MEAN, I WAS THERE TO
1282
01:05:27,257 --> 01:05:30,301
MAKE IT WORK.
1283
01:05:30,343 --> 01:05:32,763
I TRIED TO-- I MEAN...
1284
01:05:35,682 --> 01:05:37,517
I, UH...
1285
01:05:48,904 --> 01:05:52,949
AT LEAST I REALLY THOUGHT I WAS TRYING TO MAKE IT WORK.
1286
01:05:55,201 --> 01:05:58,079
AND-- AND BE THERE, AND DO EVERYTHING.
1287
01:05:58,121 --> 01:05:59,664
I REALLY, LIKE...
1288
01:06:02,417 --> 01:06:05,128
I REALLY LIKED THE IDEA OF BEING MARRIED,
1289
01:06:02,417 --> 01:06:05,128
AND BEING MARRIED TO HER.
1290
01:06:10,717 --> 01:06:13,261
I GOTTA TAKE THESE WEDDING PHOTOS DOWN.
1291
01:06:33,156 --> 01:06:36,033
THIS DOG HAS NEVER
1292
01:06:33,156 --> 01:06:36,033
BEEN UP HERE.
1293
01:06:36,075 --> 01:06:38,536
HE JUST NEVER CAME UP BEFORE.
1294
01:06:38,578 --> 01:06:40,956
HE DIDN'T LIKE STAIRS.
1295
01:06:40,997 --> 01:06:43,834
AND NOW HE'S LIKE FRIGGIN' HANGING OUT.
1296
01:06:49,380 --> 01:06:51,007
MY LITTLE BUDDY.
1297
01:07:41,016 --> 01:07:44,561
IN MY LIFE, I'VE EXPERIENCED
1298
01:07:41,016 --> 01:07:44,561
A LOT OF UPS AND DOWNS.
1299
01:07:44,602 --> 01:07:46,813
I'VE HAD RELATIONSHIP PROBLEMS.
1300
01:07:46,855 --> 01:07:48,356
I'VE HAD FINANCIAL PROBLEMS.
1301
01:07:48,398 --> 01:07:51,776
I'VE HAD ALL THE PROBLEMS THAT EVERYBODY HAS.
1302
01:07:55,238 --> 01:07:59,701
BUT I HAVEN'T FELT THAT MAGIC HAS EVER LET ME DOWN.
1303
01:08:07,000 --> 01:08:10,378
THIS IS MY NEW LITTLE TWO-BEDROOM HOUSE.
1304
01:08:10,420 --> 01:08:13,130
IT'S A GUEST HOUSE IN THE BACK OF A BIGGER HOUSE.
1305
01:08:14,591 --> 01:08:17,010
NICE BIG REFRIGERATOR, STOVE AND DISHWASHER
1306
01:08:17,052 --> 01:08:18,511
AND EVERYTHING, SO IT'S GREAT,
1307
01:08:18,553 --> 01:08:20,597
'CAUSE I WAS IN THAT LITTLE TINY APARTMENT.
1308
01:08:20,638 --> 01:08:24,475
I JUST HAD, LIKE, A LITTLE HOT PLATE AND THAT WAS IT.
1309
01:08:24,517 --> 01:08:26,853
GETTING OUT OF THERE REALLY DID A LOT FOR MY PSYCHE.
1310
01:08:26,895 --> 01:08:30,398
I HAD TO WAKE UP EVERY MORNING THINKING
1311
01:08:26,895 --> 01:08:30,398
"OH, MY GOD, I'M A FAILURE,
1312
01:08:30,440 --> 01:08:33,818
LIVING IN THIS LITTLE TINY PLACE AND
1313
01:08:30,440 --> 01:08:33,818
OWING ALL THIS MONEY.
1314
01:08:33,860 --> 01:08:35,904
NOW I FEEL A HUNDRED TIMES BETTER.
1315
01:08:35,946 --> 01:08:40,408
I'VE GOT A NICE PLACE TO LIVE AND I'VE GOT
1316
01:08:35,946 --> 01:08:40,408
TWO GIGS THIS WEEKEND.
1317
01:08:40,450 --> 01:08:42,410
I'M STARTING TO TRAVEL A LITTLE BIT WITH IT AGAIN.
1318
01:08:42,452 --> 01:08:44,704
YOU KNOW, I WASN'T TRAVELING VERY MUCH BEFORE.
1319
01:08:44,746 --> 01:08:46,957
SO IT'S-- IT'S LOOKING UP.
1320
01:08:48,666 --> 01:08:52,211
I'M JUST HAPPY HAVING A HUGE IMPACT ON AN AUDIENCE.
1321
01:08:52,253 --> 01:08:54,171
THAT'S THE MOST REWARDING PART.
1322
01:08:54,213 --> 01:08:58,009
THEY HAVE STORIES TO TELL AND IT'S NICE BEING PART OF THAT.
1323
01:09:32,585 --> 01:09:34,921
I'M A PRIME EXAMPLE OF SOMEBODY
1324
01:09:34,963 --> 01:09:40,217
KNOWING A COUPLE TRICKS AND DOING THEM MY ENTIRE LIFE,
1325
01:09:40,259 --> 01:09:41,511
MY ENTIRE CAREER.
1326
01:09:41,552 --> 01:09:43,179
I DON'T DO VERY MANY CONVENTIONS.
1327
01:09:43,220 --> 01:09:46,557
I DON'T DO VERY MUCH LECTURING OR ANYTHING.
1328
01:09:46,599 --> 01:09:49,560
I'VE ALWAYS FELT THAT I DON'T HAVE MUCH OF A REPERTOIRE,
1329
01:09:49,602 --> 01:09:52,355
SO WHAT AM I GONNA LECTURE ON?
1330
01:09:52,396 --> 01:09:55,232
I REALIZED I CAN JUST TELL YOU SOME OF MY ACT.
1331
01:09:55,274 --> 01:09:57,401
AS THEY GO BY, PICK ONE IN YOUR MIND.
1332
01:09:55,274 --> 01:09:57,401
DID YOU PICK ONE OUT?
1333
01:09:57,443 --> 01:09:58,903
NOT THE END CARD.
1334
01:09:58,945 --> 01:10:00,947
PICK ONE IN YOUR MIND. DID YOU PICK ONE OUT?
1335
01:10:00,989 --> 01:10:03,616
AS THEY GO BY, PICK A CARD IN YOUR MIND.
1336
01:10:00,989 --> 01:10:03,616
DID YOU PICK ONE OUT?
1337
01:10:03,658 --> 01:10:06,327
ROY, YOURS WAS LOWER THAN A SEVEN?
1338
01:10:06,369 --> 01:10:08,830
IT WAS A FIVE
1339
01:10:08,872 --> 01:10:10,707
HAVE A SEAT. KING OF DIAMONDS?
1340
01:10:10,748 --> 01:10:11,749
-YEP. -HAVE A SEAT.
1341
01:10:11,791 --> 01:10:13,543
-YES.
1342
01:10:16,337 --> 01:10:18,798
I DEVELOPED THIS A LONG TIME AGO.
1343
01:10:18,840 --> 01:10:23,469
I THINK IT'S A GREAT OPENER AND IT'S AN OPENER
1344
01:10:18,840 --> 01:10:23,469
I'VE USED FOR YEARS.
1345
01:10:23,511 --> 01:10:27,348
I DO THREE OVER HERE, AND THEN I JUST DO
1346
01:10:23,511 --> 01:10:27,348
A QUICK FAN,
1347
01:10:27,390 --> 01:10:29,225
AND THEN I DO THE OTHER THREE.
1348
01:10:29,266 --> 01:10:31,102
AND I'VE GOT 'EM.
1349
01:10:31,144 --> 01:10:34,355
AND THE FACT THAT EVERYBODY'S PICKING A DIFFERENT CARD
1350
01:10:34,397 --> 01:10:39,986
BELIES THE THEORY THAT I'M SHOWING EVERYBODY
1351
01:10:34,397 --> 01:10:39,986
THE SAME CARD OVER AND OVER.
1352
01:10:43,865 --> 01:10:46,283
SPONGY BALL. SQUEEZE IT TIGHT
1353
01:10:43,865 --> 01:10:46,283
IN YOUR LEFT HAND.
1354
01:10:46,325 --> 01:10:48,203
-YEP.
1355
01:10:48,244 --> 01:10:49,495
HOLD THIS TIGHT. ALL RIGHT.
1356
01:10:49,537 --> 01:10:51,039
DID YOU
1357
01:10:51,081 --> 01:10:53,249
DID YOU FEEL ANYTHING HAPPEN?
1358
01:10:53,290 --> 01:10:54,500
-YEAH. -NO, FOR REAL.
1359
01:10:54,542 --> 01:10:55,710
-NO. -OH, GOOD.
1360
01:10:57,294 --> 01:10:59,172
A LOT OF TIMES WHEN I GET SOMEBODY UP TO HELP ME,
1361
01:10:59,214 --> 01:11:00,882
I LIKE TO GIVE THEM A LITTLE GIFT.
1362
01:11:00,924 --> 01:11:05,511
YOU'RE SUCH A NICE GUY YOU GET THE FREE WATCH.
1363
01:11:07,346 --> 01:11:08,890
STEALING A WATCH IS ALWAYS FUN,
1364
01:11:08,932 --> 01:11:10,391
BECAUSE PEOPLE REMEMBER IT FOREVER.
1365
01:11:10,433 --> 01:11:12,309
I HAVE PEOPLE COME UP TO ME AND SAY,
1366
01:11:12,351 --> 01:11:15,105
"YOU KNOW, YOU STOLE MY WATCH 15 YEARS AGO."
1367
01:11:15,146 --> 01:11:16,647
YOU KNOW, THEY DON'T FORGET IT.
1368
01:11:16,689 --> 01:11:18,816
THIS ONE, YOU'VE GOT LIKE A LITTLE LOCK HERE,
1369
01:11:18,858 --> 01:11:20,317
SO YOU HAVE TO UNDO THAT,
1370
01:11:20,359 --> 01:11:22,153
AND YOU'RE GONNA CONCENTRATE ON THAT HAND.
1371
01:11:22,195 --> 01:11:23,988
WHILE YOU'RE DOING THAT, I'M LOOSENING THIS UP
1372
01:11:24,030 --> 01:11:25,531
AND I'M PULLING IT OFF THE END LIKE THAT.
1373
01:11:25,573 --> 01:11:27,283
I'LL BE STEALING WATCHES,
1374
01:11:27,324 --> 01:11:29,577
AND I'LL GO UP TO A SMALL GROUP
1375
01:11:27,324 --> 01:11:29,577
AND SOMEBODY'LL SAY,
1376
01:11:29,619 --> 01:11:30,828
"YOU'RE NOT GETTING THIS WATCH."
1377
01:11:30,870 --> 01:11:32,705
I'LL SAY, "NO, YOU KNOW ABOUT IT.
1378
01:11:32,747 --> 01:11:35,125
I CAN'T STEAL A WATCH NOW BECAUSE
1379
01:11:32,747 --> 01:11:35,125
YOU KNOW I'M DOING IT."
1380
01:11:35,166 --> 01:11:36,584
AND THEN I WOULD STEAL HIS WATCH.
1381
01:11:40,255 --> 01:11:44,259
I'VE GOT THE WATCH STEAL DVD. IT TELLS HOW TO GET
1382
01:11:40,255 --> 01:11:44,259
EVERY KIND OF WATCH.
1383
01:11:44,300 --> 01:11:47,095
BUT WHEN I'M DOING IT...
1384
01:11:47,137 --> 01:11:49,139
I FLASH AND YOU'LL SEE THE KING.
1385
01:11:51,307 --> 01:11:53,977
I LOVE BEING PART OF THE MAGIC COMMUNITY
1386
01:11:54,018 --> 01:11:59,065
AND I LOVE HAVING AN INFLUENCE ON
1387
01:11:54,018 --> 01:11:59,065
THAT MAGIC COMMUNITY.
1388
01:11:59,107 --> 01:12:01,192
IT'S A WONDERFUL FEELING.
1389
01:12:02,277 --> 01:12:03,820
OH, YEAH, IT'S GREAT.
1390
01:12:03,861 --> 01:12:05,446
PEOPLE REMEMBER IT FOREVER.
1391
01:12:05,488 --> 01:12:08,574
MAGIC IS MY HOME.
1392
01:12:08,616 --> 01:12:11,535
THAT'S NEVER GONNA CHANGE.
1393
01:12:24,174 --> 01:12:25,842
HEY!
1394
01:12:25,883 --> 01:12:28,344
-HELLO. -HI.
1395
01:12:28,385 --> 01:12:30,138
HEY, HOW ARE YOU?
1396
01:12:30,180 --> 01:12:31,973
THANKS FOR COMING.
1397
01:12:34,767 --> 01:12:36,227
IS THERE AN EXTRA CHAIR HERE?
1398
01:12:36,269 --> 01:12:38,354
YEAH? OKAY, DAD.
1399
01:12:38,395 --> 01:12:40,564
HEY DAD. HERE, HAVE A SEAT.
1400
01:12:53,286 --> 01:12:55,412
-ALL RIGHT, GO AHEAD. -RIGHT, ON THE COUNT
1401
01:12:53,286 --> 01:12:55,412
OF THREE?
1402
01:12:55,454 --> 01:12:57,665
FIRMLY INTO THE BOTTLE, GO FOR IT.
1403
01:13:08,885 --> 01:13:12,889
OH, MY GOD!
1404
01:13:12,930 --> 01:13:16,893
NO WAY. OH, MY GOD.
1405
01:13:27,028 --> 01:13:29,155
IT WAS SO MUCH FUN TO WORK WITH THESE GUYS,
1406
01:13:29,197 --> 01:13:31,574
AND WITH MIKE AND THE REST OF THE CREW, AND LIKE--
1407
01:13:31,615 --> 01:13:33,576
REALLY IT WAS ALL A WHOLE TEAM COMING TOGETHER,
1408
01:13:33,617 --> 01:13:36,412
SO HOPEFULLY WE'LL GET PICKED UP AND
1409
01:13:33,617 --> 01:13:36,412
THERE'LL BE MORE EPISODES
1410
01:13:41,000 --> 01:13:42,752
CONGRATULATIONS. WE'RE REALLY EXCITED.
1411
01:13:42,793 --> 01:13:44,879
IT WAS NICE TO SEE
1412
01:13:42,793 --> 01:13:44,879
PEOPLE ENJOY IT.
1413
01:13:44,921 --> 01:13:46,339
THANKS FOR BEING HERE.
1414
01:13:46,381 --> 01:13:47,965
I'M VERY PROUD OF HIM.
1415
01:13:48,007 --> 01:13:50,551
OUR SONS ARE-- ARE JUST OUR LOVE.
1416
01:13:50,593 --> 01:13:52,220
MY MOM...
1417
01:13:52,262 --> 01:13:55,139
TOLD ME SHE HAS LIKE FIVE TVS ON AT HOME RIGHT NOW,
1418
01:13:55,181 --> 01:13:57,725
HOPING TO GET MY RATINGS UP.
1419
01:13:57,767 --> 01:13:59,185
MY ONLY SON!
1420
01:13:59,227 --> 01:14:01,354
I'M SUPER, SUPER GRATEFUL
1421
01:14:01,396 --> 01:14:05,816
FOR THE OPPORTUNITY TO HAVE DONE MAGIC ON TELEVISION,
1422
01:14:05,858 --> 01:14:08,569
BUT I KNOW I CAN DO EVEN BETTER THAN THAT.
1423
01:14:08,611 --> 01:14:10,029
REALLY? OKAY.
1424
01:14:10,071 --> 01:14:13,783
AND THAT'S WHAT DRIVES ME RIGHT NOW.
1425
01:14:13,824 --> 01:14:20,415
MAGIC CAN OPEN UP A DOOR FOR PEOPLE TO
1426
01:14:13,824 --> 01:14:20,415
POSSIBILITIES,
1427
01:14:20,456 --> 01:14:25,586
MAKE THEM FEEL LIKE THERE'S MORE THAN WHAT WE THINK
1428
01:14:20,456 --> 01:14:25,586
WE KNOW ABOUT EVERYTHING.
1429
01:14:25,628 --> 01:14:26,879
-IT WAS GREAT. -VERY PROUD.
1430
01:14:26,921 --> 01:14:28,089
-THANK YOU, DAD. -GOOD JOB.
1431
01:14:28,131 --> 01:14:29,673
JUST LIKE I TAUGHT YOU.
1432
01:14:30,800 --> 01:14:32,676
THAT'S A RARE FEELING.
1433
01:14:43,438 --> 01:14:47,566
THE OWNER OF THE TROPICANA WAS LOOKING FOR A NEW SHOW,
1434
01:14:47,608 --> 01:14:49,110
AND HE CAME AND BOUGHT A TICKET.
1435
01:14:49,152 --> 01:14:50,653
WHICH I APPRECIATE, BY THE WAY.
1436
01:14:50,694 --> 01:14:52,280
TO MY SHOW AT THE RIVIERA,
1437
01:14:52,322 --> 01:14:54,198
AND FIRST QUESTION WAS, "DO YOU WANT TO STAY IN VEGAS
1438
01:14:54,240 --> 01:14:55,908
OR DO YOU WANT TO GO BACK TO GERMANY IN
1439
01:14:54,240 --> 01:14:55,908
A COUPLE OF YEARS?"
1440
01:14:55,950 --> 01:14:58,369
TO MAKE A LONG STORY SHORT, HE OFFERED US THE THEATER.
1441
01:15:01,372 --> 01:15:03,791
SIEGFRIED AND ROY STARTED THEIR CAREER AT THE TROPICANA
1442
01:15:03,833 --> 01:15:06,002
WHEN THEY FIRST CAME TO VEGAS.
1443
01:15:06,043 --> 01:15:09,130
IT'S A PIECE OF HISTORY SO NOW, WE HAVE JAN ROUVEN HERE,
1444
01:15:09,172 --> 01:15:12,967
WE HAVE DAVID COPPERFIELD ACROSS THE STREET,
1445
01:15:13,009 --> 01:15:16,095
AND YOU HAVE MY FAVORITE FRIEND ON THE OTHER SIDE.
1446
01:15:20,057 --> 01:15:23,727
IT'S THE MAGIC TRIANGLE.
1447
01:15:23,769 --> 01:15:26,314
IT'S A BEAUTIFUL THEATER, HUGE STAGE.
1448
01:15:26,356 --> 01:15:29,442
IT'S ONE OF THE BIGGEST STAGES IN VEGAS.
1449
01:15:32,153 --> 01:15:34,155
IT HAS ALL THOSE CHAIRS.
1450
01:15:32,153 --> 01:15:34,155
I SAID, "OH, MY GOSH.
1451
01:15:34,197 --> 01:15:36,615
THIS IS NOT A STEP, THIS IS A LEAP."
1452
01:15:39,035 --> 01:15:42,330
NO, I DON'T THINK THAT SUCCESS CHANGES ME.
1453
01:15:39,035 --> 01:15:42,330
I HOPE NOT.
1454
01:15:51,088 --> 01:15:53,174
-NO, I WASN'T GOING
1455
01:15:51,088 --> 01:15:53,174
TO SAY ANYTHING.
1456
01:15:56,969 --> 01:16:00,306
WELCOME, AMERICA!
1457
01:16:01,974 --> 01:16:03,017
YEAH!
1458
01:16:04,018 --> 01:16:05,228
GOOD EVENING!
1459
01:16:09,565 --> 01:16:10,983
YOU KNOW, SOMETIMES,
1460
01:16:11,025 --> 01:16:12,985
I'M SITTING IN THE AUDIENCE, I DIRECTED IT.
1461
01:16:13,027 --> 01:16:15,654
IT'S ALL GOOD. HE'S ON STAGE AND I CAN'T DO
1462
01:16:13,027 --> 01:16:15,654
ANYTHING ANYMORE,
1463
01:16:15,696 --> 01:16:17,781
HE JUST TALKS AND TALKS AND TALKS.
1464
01:16:17,823 --> 01:16:19,909
-DRIVES ME CRAZY. -YOU LIKE IT.
1465
01:16:19,950 --> 01:16:21,994
NO, YOU TALK TOO MUCH.
1466
01:16:22,036 --> 01:16:24,372
YEAH, LARGER THAN YOU EXPECTED, HUH, CHRISTIE?
1467
01:16:24,414 --> 01:16:26,582
IS THAT YOUR WIFE
1468
01:16:26,623 --> 01:16:27,833
WHAT'S YOUR FAVORITE ONE?
1469
01:16:27,875 --> 01:16:29,293
YOU MIX UP ALL THE STANDS.
1470
01:16:29,335 --> 01:16:31,628
WHEN YOU'RE FINISHED, YOU SCREAM OUT LOUD,
1471
01:16:31,670 --> 01:16:33,630
"I'M FINISHED!"
1472
01:16:33,672 --> 01:16:35,007
JUST LIKE THAT.
1473
01:16:35,049 --> 01:16:36,800
BY THE WAY, I'M LOOKING FOR NEW MANAGEMENT.
1474
01:16:49,397 --> 01:16:51,023
AAH!
1475
01:17:10,084 --> 01:17:14,671
TO SEE JAN ON THAT STAGE
1476
01:17:10,084 --> 01:17:14,671
AT THE TROPICANA,
1477
01:17:14,713 --> 01:17:17,049
I'M REALLY PROUD.
1478
01:17:19,718 --> 01:17:21,512
YOU KNOW, IT'S VERY OBVIOUS THAT WE'RE LIVING TOGETHER
1479
01:17:21,554 --> 01:17:24,474
NEARLY 20 YEARS-- I SHOULDN'T EVEN
1480
01:17:21,554 --> 01:17:24,474
MENTION THAT.
1481
01:17:24,515 --> 01:17:26,183
BUT IT'S TRUE.
1482
01:17:26,225 --> 01:17:29,103
IN GERMANY WE HAD A BIG ARTICLE IN A VERY SERIOUS MAGAZINE
1483
01:17:29,145 --> 01:17:31,772
AND THEY MENTIONED THAT WE ARE LIVING TOGETHER,
1484
01:17:29,145 --> 01:17:31,772
WE ARE PARTNERS,
1485
01:17:31,814 --> 01:17:35,109
AND IT'S SO FUNNY, BECAUSE MY MOTHER, SHE'S 86,
1486
01:17:35,151 --> 01:17:38,946
AND SHE CALLED ME AND SAID, "YOU KNOW, SON,
1487
01:17:35,151 --> 01:17:38,946
I'M REALLY PROUD
1488
01:17:38,988 --> 01:17:42,116
THAT IT'S FINALLY, EVENTUALLY THEY MENTIONED IT."
1489
01:17:42,158 --> 01:17:46,245
AND I WAS TOTALLY SURPRISED BECAUSE SHE WAS PROUD
1490
01:17:42,158 --> 01:17:46,245
ABOUT THAT FACT.
1491
01:17:55,630 --> 01:17:59,091
I ALWAYS DREAMED ABOUT HAVING
1492
01:17:55,630 --> 01:17:59,091
MY OWN SHOW IN LAS VEGAS.
1493
01:18:02,219 --> 01:18:03,846
WHEN YOU ACTUALLY HAVE IT,
1494
01:18:03,887 --> 01:18:07,600
IT CREATES A KIND OF EMPTINESS NOT HAVING A NEXT GOAL
1495
01:18:07,642 --> 01:18:10,727
BECAUSE YOU MADE IT.
1496
01:18:13,730 --> 01:18:16,233
SOMETIMES YOU JUST HAVE
1497
01:18:13,730 --> 01:18:16,233
TO REALIZE
1498
01:18:16,275 --> 01:18:18,861
THAT HAPPINESS COMES WITH THINGS YOU DO HAVE
1499
01:18:18,902 --> 01:18:21,489
AND NOT THINGS YOU WANT TO HAVE.
1500
01:19:21,716 --> 01:19:23,551
HELLO! HEY, MOM.
1501
01:19:23,593 --> 01:19:24,843
-HI. -HEY.
1502
01:19:24,885 --> 01:19:26,929
YOU ALL RIGHT?
1503
01:19:26,970 --> 01:19:31,475
JON WAS ALWAYS GONNA BE THE NEXT HOUDINI
1504
01:19:26,970 --> 01:19:31,475
OR DAVID COPPERFIELD,
1505
01:19:31,517 --> 01:19:33,477
AND AS LONG AS HE HAD A DECK OF CARDS IN HIS HANDS,
1506
01:19:33,519 --> 01:19:36,397
HE WAS IN HIS GLORY.
1507
01:19:36,439 --> 01:19:39,525
THIS IS WHAT I CALL MY "WALL OF JON."
1508
01:19:39,567 --> 01:19:43,654
THIS WAS ONE OF THE WRITE UPS THAT HE HAD
1509
01:19:39,567 --> 01:19:43,654
IN THE "ORLANDO SENTINEL."
1510
01:19:43,696 --> 01:19:47,824
THIS IS WHERE HE WAS AT THE ROSE AND CROWN PUB
1511
01:19:43,696 --> 01:19:47,824
AT EPCOT.
1512
01:19:47,866 --> 01:19:50,411
THIS WAS IN BOCA RATON.
1513
01:19:50,453 --> 01:19:54,206
THIS WAS HIS LIFE. HE STUDIED TO DO WHAT
1514
01:19:50,453 --> 01:19:54,206
HE REALLY WANTED TO DO
1515
01:19:54,248 --> 01:19:57,251
TO FULFILL HIS DREAM.
1516
01:19:57,293 --> 01:20:00,963
THAT'S THE WHOLE TRIP THAT I TOOK TO CALIFORNIA
1517
01:19:57,293 --> 01:20:00,963
WITH YOU.
1518
01:20:01,004 --> 01:20:03,840
HE DIDN'T REALLY THINK I SUPPORTED HIM, BUT I DID.
1519
01:20:03,882 --> 01:20:08,596
I WAS THE ONE WHO TOOK HIM TO A LOT OF HIS MEETINGS
1520
01:20:03,882 --> 01:20:08,596
AND PROGRAMS
1521
01:20:08,638 --> 01:20:13,726
AND DROVE HIM BACK AND FORTH UNTIL HE FINALLY GOT
1522
01:20:08,638 --> 01:20:13,726
HIS LICENSE.
1523
01:20:13,768 --> 01:20:18,105
AND 'COURSE IT WAS ROUGH WHEN HE SAID HE WAS LEAVING
1524
01:20:13,768 --> 01:20:18,105
AND GOING TO CALIFORNIA,
1525
01:20:18,147 --> 01:20:20,274
BUT I'M REAL PROUD OF HIM.
1526
01:20:22,276 --> 01:20:23,986
REAL PROUD.
1527
01:20:30,660 --> 01:20:32,995
MR. BEDWELL, HOW ARE YOU? GOOD TO SEE YOU.
1528
01:20:33,036 --> 01:20:34,622
GOOD TO SEE YOU. REMEMBER CHRIS?
1529
01:20:34,664 --> 01:20:37,082
YOU'RE WELCOME TO BRING IN A REFRESHMENT.
1530
01:20:37,124 --> 01:20:40,294
TONIGHT WE HAVE JON ARMSTRONG, A LOCAL FAVORITE,
1531
01:20:40,336 --> 01:20:44,256
ONE OF THE BEST CARD MAGICIANS IN
1532
01:20:40,336 --> 01:20:44,256
THE WORLD TODAY.
1533
01:20:44,298 --> 01:20:46,175
THIS TOWN GOES NUTS EVERY TIME JON'S IN TOWN,
1534
01:20:46,216 --> 01:20:48,218
WE KNOW THAT WE'RE GONNA SELL OUT EVERY SEAT.
1535
01:20:50,304 --> 01:20:53,056
I MEAN, TO HAVE A WINNER OF "CLOSE UP MAGICIAN
1536
01:20:50,304 --> 01:20:53,056
OF THE YEAR,"
1537
01:20:53,098 --> 01:20:55,726
RIGHT FROM ORLANDO FLORIDA, TO COME BACK AND DO
1538
01:20:53,098 --> 01:20:55,726
MY LITTLE THEATER
1539
01:20:55,768 --> 01:20:57,687
IS PRETTY COOL.
1540
01:20:57,728 --> 01:20:59,896
THERE'S BEEN A FEW GREATS IN MAGIC.
1541
01:20:59,938 --> 01:21:03,066
RIGHT NOW YOU GUYS ARE LUCKY TO SEE THE FUTURE
1542
01:20:59,938 --> 01:21:03,066
OF CARD MAGIC.
1543
01:21:03,108 --> 01:21:06,028
PUT YOUR HANDS TOGETHER FOR MR. JON ARMSTRONG,
1544
01:21:03,108 --> 01:21:06,028
EVERYBODY.
1545
01:21:08,405 --> 01:21:10,491
SEE?
1546
01:21:10,533 --> 01:21:14,161
ALL RIGHT, BEFORE THE SHOW, DID WE MEET?
1547
01:21:10,533 --> 01:21:14,161
DO I KNOW YOU?
1548
01:21:14,203 --> 01:21:15,871
OKAY, YOU'RE NOT THE GUY.
1549
01:21:21,043 --> 01:21:22,503
-CONCENTRATE.
1550
01:21:26,089 --> 01:21:27,591
-SHOW THE PEOPLE. -I'M GONNA SCREAM
1551
01:21:26,089 --> 01:21:27,591
AND RUN AWAY.
1552
01:21:33,347 --> 01:21:35,641
MY HUSBAND'S CONVINCED IT'S VOODOO.
1553
01:21:35,683 --> 01:21:37,643
YES. YES, THAT'S WHAT I DID.
1554
01:21:37,685 --> 01:21:39,269
I SOLD MY SOUL FOR CARD TRICKS.
1555
01:21:41,230 --> 01:21:43,232
MY NAME IS JON ARMSTRONG. IT WAS A PLEASURE
1556
01:21:41,230 --> 01:21:43,232
SEEING YOU ALL.
1557
01:21:58,831 --> 01:22:00,165
STOP THAT.
1558
01:22:09,425 --> 01:22:12,845
I FEEL A LOT OF SUPPORT FROM THOSE GUYS.
1559
01:22:12,887 --> 01:22:14,555
TWO, THREE, SMILE.
1560
01:22:14,597 --> 01:22:15,931
THERE YOU GO. -THANK YOU.
1561
01:22:15,972 --> 01:22:17,725
THEY LOOK AT ME
1562
01:22:15,972 --> 01:22:17,725
LIKE PROUD PAPA.
1563
01:22:17,767 --> 01:22:19,309
FOR YOU. THAT'S FOR YOU, MY FRIEND.
1564
01:22:19,351 --> 01:22:20,895
OH, LOOK AT THIS!
1565
01:22:20,936 --> 01:22:22,979
YOU DON'T HAVE THAT PICTURE, 'CAUSE I TOOK THAT ONE.
1566
01:22:23,021 --> 01:22:24,899
LOOK AT THAT!
1567
01:22:24,940 --> 01:22:27,317
HOW OLD WERE YOU THEN?
1568
01:22:28,569 --> 01:22:30,404
UH, I'M IN MY 20S, MAN.
1569
01:22:30,446 --> 01:22:32,322
I'M 20, 21.
1570
01:22:32,364 --> 01:22:34,784
THEY MADE ME THE MAGICIAN I AM TODAY.
1571
01:22:34,825 --> 01:22:36,159
I AM IN AWE.
1572
01:22:36,201 --> 01:22:37,745
OH, THAT'S SO NICE OF YOU TO SAY.
1573
01:22:37,787 --> 01:22:39,455
AND YOU KNOW, I'VE NEVER SAID THAT TO ANYBODY BEFORE.
1574
01:22:39,496 --> 01:22:40,790
OH, I DON'T BELIEVE THAT, BUT THANK YOU.
1575
01:22:40,831 --> 01:22:42,541
NO, NO, I HAVEN'T.
1576
01:22:42,583 --> 01:22:44,501
AND BEING ABLE TO GO BACK
1577
01:22:42,583 --> 01:22:44,501
AND DO MY SHOW
1578
01:22:44,543 --> 01:22:47,337
AND EVERYBODY EXCITED ABOUT SEEING THIS KID
1579
01:22:44,543 --> 01:22:47,337
THAT THEY KNEW
1580
01:22:47,379 --> 01:22:50,800
WHO WAS 14 AND COULDN'T LOOK AT PEOPLE IN THE EYE...
1581
01:22:50,841 --> 01:22:52,760
IT'S JUST A GOOD FEELING.
1582
01:22:52,802 --> 01:22:55,888
I MEAN, HANG OUT, MAN. YEAH, LET'S DO IT.
1583
01:22:52,802 --> 01:22:55,888
I REALLY WANT TO.
1584
01:22:55,930 --> 01:22:57,681
YOU'RE GONNA COME TOO? YOU SHOULD COME HANG OUT
1585
01:22:55,930 --> 01:22:57,681
WITH US, TOO.
1586
01:22:57,723 --> 01:22:59,475
COME HANG WITH US.
1587
01:22:59,516 --> 01:23:03,520
THIS RELATIONSHIP NOT WORKING OUT,
1588
01:23:03,562 --> 01:23:05,439
IT WAS REALLY TOUGH,
1589
01:23:05,481 --> 01:23:09,610
BUT AT LEAST I KNEW I ALWAYS HAD MAGIC TO BE THERE.
1590
01:23:11,946 --> 01:23:14,865
I HAVE NO IDEA WHAT I WOULD DO WITH MYSELF
1591
01:23:11,946 --> 01:23:14,865
IF I WASN'T A MAGICIAN.
1592
01:23:17,451 --> 01:23:25,501
FOR THE LAST 30 YEARS, THIS HAS BEEN WHAT I CARE ABOUT
1593
01:23:17,451 --> 01:23:25,501
THE MOST.
1594
01:23:25,542 --> 01:23:28,587
I'VE GIVEN UP A NORMAL LIFE,
1595
01:23:28,629 --> 01:23:33,634
A REGULAR PAYCHECK AND SECURITY,
1596
01:23:33,676 --> 01:23:38,764
BUT EVERY DAY, I GET TO DO WHAT I LOVE.
105444
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