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(Getranscribeerd door TurboScribe. Upgrade naar Onbeperkt om dit bericht te verwijderen.) A WALL

TOYS, UPSTAIRS oh

this place looks so awful.

darling the last place we looked at cost

ten pound a week.

at least here it must be cheaper.

Peter I am so tired.

we've been looking around all day.

let's just go in.

yes?

we saw your sign.

do you have a room?

no.

you don't know where we can find one

do you?

I do have one room.

it's on the top floor.

how much would it cost?

six pounds a week.

it couldn't be any cheaper.

that's the price take it or leave it.

take it.

all right we'll have it then please.

my son will show you the room.

this way.

follow me please.

the room.

you see it is a nice soft bed.

over here is the kitchen.

come on this way.

here is a bathroom.

it's a nice quiet place.

I think you'll like it.

oh Peter I don't want to stay here.

darling we're lucky to get any place at

all.

you know that.

come on sweetie.

come on darling.

let's set up home.

hey what's the matter?

nothing.

look darling things won't always be this bad.

I'll have something accepted soon and then we'll

have some money.

I'm sorry Peter.

I know you've got enough problems without me

making things worse for you.

look darling as long as we've got each

other that's all that matters.

come on we're both tired.

let's get unpacked and go to bed.

well how the new tenants like their room?

very well.

hurry up now get that prepared.

we don't want them to be disturbed by

screams.

she's an attractive little thing don't you think

Olaf?

I think she could be very useful.

yes I think we can use her.

well look why aren't you up there?

because you have that key.

oh yeah.

okay come on.

come on.

yes.

not too much for any one of them

and only the ones who really need it.

yes yes.

and no fooling around with them.

I'm sorry darling we're living in a place

like this.

I understand Peter.

I really do.

promise you it will get better.

I know.

I know.

just lay there.

I'm going to kiss you.

are you

all right?

let me see you.

let me feel you.

it's not so beautiful.

Mary you mean everything to me.

I'm Peter.

come on

darling.

let me hold you.

I love

you so much.

oh god.

please.

wait for

me girls.

I'm coming.

did you have a good night's sleep darling?

not really.

it's a strange place here.

I always have the feeling I'm being watched.

it's always the same the first night in

a new home.

I know it's terrible here.

we'll have somewhere better soon.

I hope so Peter.

darling I'm gonna see some editors.

today's gonna be my lucky day.

Peter can I come with you?

darling I'd love to take you with me

but please be reasonable.

you know I can't.

can I have some money then please?

so what have you got?

well I'll get some fruit or something and

I'll make it a little more like home.

that's a good girl.

bye.

wish me luck.

I do.

bye bye.

please.

how

nice

darling.

oh Winnie it's so good to see you

after all this time.

you're my only real friend.

how have you been keeping?

okay?

oh just fine.

and you?

I'm just fine.

would you like some more tea?

thank you.

I know you.

you know what

to do.

just ring the bell when you are finished.

remember when this place was a nightclub Winnie?

those were the days.

finest place in town and I ought to

know I played the best.

why don't you stop the game?

too much trouble.

besides I make a pretty good thing letting

rooms.

but your tenants never stay long.

long enough.

besides I don't want to think about that

here.

first the terrible fire.

then Olaf.

one disaster after another.

that was a terrible year for me Winnie.

I have another drink sweetie.

hello darling.

hello love.

what's all this?

dinner.

and that?

an extravagance to make it look a little

bit more like home.

that's a good girl.

how was your day today?

don't talk about it.

every time I go to see somebody they're

not there.

mr.

Smith's in the Bahamas.

mr.

Jones is skiing in St. Moritz.

oh something's going to work out.

yeah that's something is I've got to get

a job.

any sort of job.

no Peter you're too good a writer.

please stick at it.

I don't mind.

that's enough about me.

what about you?

I had a very exciting day today.

last night I heard noises.

yeah me snoring.

no and today people have been walking in

and out.

what do you expect?

it's a rooming house.

no they've been walking in and out of

that door at the end of the corridor.

and Olaf.

who's he?

the dwarf.

mrs.

Lash's son.

I found that out today as well.

anyway I went in and had a look.

you what?

well you know me Peter.

I've got to look.

so?

so it's an attic and it's a very

weird place and the whole house is really

strange.

maybe you could write about it.

What I write about is strange enough for

everybody as it is.

Oh, Peter, please don't be too disheartened.

Come on, let's eat dinner.

Hello.

Hola.

Hello.

Oh, come and give Aunt Eulalia a big

kiss.

Mm-hm.

Mm-hm.

Mm-hm.

Mm-hm.

Mm-hm.

Mm-hm.

Mm-hm.

Wherever you've been.

Ouch!

Such a sweet boy.

I was going to do my South American

number for you.

Oh, yes.

Jujubamba!

Oh, yes, wonderful.

One.

What are you doing?

Nothing.

Well, don't.

Winnie wants me to do the choo-choo

bumper for her.

Olaf, get up to that piano and warm

up.

I'm almost ready.

Introduce me, Olaf.

Olaf!

Ladies and gentlemen, Miss Lila Lars.

And a lovely senorita clicks a Cuban castanet.

There's a certain caballero.

She's trying hard to forget.

When a lovely senorita starts to dance and

gently sway.

Don't be shy then, caballero.

Walk right up to her and say.

Come and dance the choo-choo bumper.

It's not a rumba, not a sombre.

Oh, no, no, no.

It's a dance that makes you go, go,

go.

Peter, listen.

Play your strange noises, Mrs. Lash singing.

That Cuban rhythm gets in your brain.

That Cuban rhythm will drive you plain.

Insane.

I'm telling you.

Once you've got your fingers snapping.

And once you've got your toes a-tapping.

You'll know, know, know.

Choo-choo bumper makes you go, go, go.

God, I hope they don't keep this up

all night.

I must get some sleep.

I've got so much to do in the

morning.

Maybe they'll serenade us to sleep.

No.

Walk right up to her and say.

Come and dance the choo-choo bumper.

It's not a rumba, not a sombre.

Oh, no, no, no.

It's a dance that makes you go, go,

go.

Choo-choo bumper makes you go, go, go.

Oh, that's wonderful.

Oh, that's very, very good.

Peter.

Can't you hear those noises?

She's ringing the bell.

When you are finished.

Okay.

Ah, ah,

ah, ah, ah, ah, ah, ah, ah, ah,

ah, ah, ah, ah, ah, ah, ah.

Ah, ah,

ah, ah,

ah, ah, ah, ah, ah, ah, ah.

Do you

love your mum, Eula?

Yes.

What do you think of that blonde girl?

We can use her.

You've got to get some new girls.

Betty's using far too much heroin.

Not much profit in Betty anymore.

You've got to get some new girls.

I just got one.

Well, even she's been used rather a lot.

No, you're going to get that blonde.

Trouble is, her husband, he's got to be

get rid of.

She's out all day.

It's got to be at the right time

and in the right way.

I'll get her.

Peter, I did hear noises last night and

they did come from the attic.

Maybe it's haunted and we've got ghosts rattling

their chains at night.

OK, if you don't believe me, come and

see for yourself.

All right, let's go and see your noises.

See, Peter, I told you there's something weird

about this place.

No, you've got too much imagination.

Look around you.

This is the same as any other attic.

I don't like this house.

Darling, I've got to go.

I've got to see this editor and it's

very important.

It's going to be important for both of

us.

OK.

Come on, make yourself a nice cup of

tea.

Now, keep that lovely little nose out of

things that don't concern you.

I guess you're right.

And then you remember that other time you

did another one I told you about.

Oh, it was so good.

And that Apache number I did.

Oh, I hope I'm not disturbing you.

Oh, it's just me and my friend having

a little drink.

What do you want?

Well, is there a telephone in the house?

There is a telephone, but it's private to

this apartment.

Well, I do need one, rather importantly, because

I have some phone calls coming.

Why?

What business are you in?

I'm a writer.

A writer?

What can you write?

Television and plays.

Television, plays!

Show business!

When I was just talking to my friend,

you remember me.

Lionel Nash.

That's me.

I used to do imitations, all kinds of

things.

I really was the greatest and many worse.

Daddy Kaye.

That's wonderful.

Is it possible for me to have the

number?

The number is 385-2294, but I don't

want too many calls.

Oh, I promise there won't be many.

Right.

Anyway, have a drink.

Come on.

Not for me, thank you.

I must be going.

Oh, join us!

I'm terribly sorry, but I am in a

hurry.

Oh, I can't stand people who don't drink.

Bye-bye, Hatton.

Bye-bye.

Please.

Later.

Goddamn little son of a bitch.

I'll fix him when I see him.

Please, I need...

Where is she?

Please, please, please.

Quickly.

Oh, please, please.

Quickly.

Quickly.

Please, please, please.

You're beginning to take too much of this

stuff, you know.

We may have to get rid of you.

You're an attractive little piece.

Still playing with toys, huh?

We've got better games to play here.

Sandra's Workshop.

This is Lila Lash.

I want to speak to Santa Claus.

Just give me Santa Claus.

Yes, just a minute.

It's Lila Lash.

I've got to talk to her.

Yes?

Listen, Santa, that last shipment was short.

Look, Lila, it's not easy.

Don't give me your troubles.

I've got my own.

Just deliver.

We're running out.

I mean...

Bitch.

A game

of...

That love...

Is just...

A fool...

And if...

I play...

The game...

Of love...

I know...

It's brave...

But cruel...

For love...

You see...

Is not...

For me...

It simply...

Could...

Not be...

I play...

The game...

Of love...

For years...

It brings...

And...

Where have you been?

Hello, darling.

You've been drinking.

So what?

I can't take much more of this, Peter.

I really can't.

Look, how do you think I feel?

That bastard didn't even see me today.

To send his secretary out with a manuscript.

Not even an explanation.

How do you think I feel, being left

here alone all day?

And there's mice in this room.

Mary, what's wrong with you?

Peter, just don't.

I'm not in the mood.

Oh, please, darling.

Peter, don't!

Sander's workshop?

What?

When?

Yeah.

Yeah.

What is it?

They got the runner.

Are they on to us?

No, they shot him.

What about the stuff?

They got it.

One million pounds hovering down the drain.

What are we going to do?

Get another runner, you idiot.

I hope I get this job.

It seems to be quite interesting.

What exactly would you be doing?

I'm not really sure.

The guy's got a lot of money, so

I should think I'd be driving him, delivering

things for him.

You know, just a general assistant.

I don't know.

I know I fly into tempers, and I

know I say things that I don't mean,

but really, Peter, I want you to keep

on with your writing.

But I will be, darling.

This is just for the money.

Can you imagine Mrs. Lash waiting for her

rent?

No, not really.

Do something for me.

Type this for me, will you?

Of course, give me something to do.

Look, I won't be late.

I'll see you as soon as I can.

Okay.

Bye.

Bye-bye.

Yes.

Splendid.

Peter?

Yes, sir?

I want you to leave for Paris immediately.

Paris?

Yes.

I'll have to go home and pack.

There isn't time.

I said immediately.

But my wife, I'll have to tell her.

You can phone her.

There's a telephone call for you.

For me?

Thank you.

Here's the phone.

Thank you.

Yes?

Hello, Peter.

That's marvellous!

Immediately?

Well, when will you be back?

I see.

Don't worry.

No, no, don't worry.

I'll be all right, really.

Yes.

Yes, I love you too.

Bye-bye.

Good news?

Yes, Peter's got a job.

But it means he's got to start immediately.

And he's going to be away for three

or four days.

Don't worry, my dear.

We'll look after you.

Olaf and I.

You're very kind.

Thank you, Mrs. Lasch.

Think nothing of it.

Bye-bye.

Lila, what was that song?

What song, Winnie?

Oh, you know.

Everybody's going crazy.

Everybody's going mad!

I'll do it for you.

Yes?

I've got the costume right here.

Remember?

Olaf!

I don't see it here.

It's got to be in the attic.

Now you fix yourself a drink.

I'll be right back.

I'll do that.

I'll do it for you as soon as

I get down.

Hello?

Can I help you?

What can I do?

I can't help now, but I'll be back

later.

God damn him!

Toys all over the place!

God damn Olaf's left the lights on.

He knows electricity costs money.

Oh.

Hey.

That's a nice one.

I'm good in that.

I'm good in that one.

Where is it?

Oh, there it is.

Where'd it go?

Where?

How'd it go?

Everybody's going mad.

Everybody's going mad.

Everybody's going crazy.

Everybody's going mad.

Everybody, everybody...

Hello in there.

Listen, I'll try and get the police.

Do you understand?

I'll try and get the police.

I'll be back.

I've got to go to the police.

I've got to do it now.

I told you not to come here.

I need a teddy bear.

All right, all right.

Here you are.

Get out of here.

Quickly.

Hurry up, Olaf.

There's somebody up there.

What are you doing here, you little bitch?

It's a mistake.

It's a mistake.

Olaf.

Come up the damn tree.

Take the key.

You wanted to see what was in here.

Well, now's your chance.

No.

Well, you won't be needing these now.

Well, girls.

You've got a new roommate.

Take good care of her.

Come on, Olaf.

No.

No.

No.

No.

No, let me go.

Oh, God, let me go.

Please, let me go.

Oh, no.

Let me.

Please, let me go.

No.

Dear Jeeves.

I just can't take it any longer.

Get down.

Pull.

If.

Me.

Mary!

He should see it, all right.

Come on, Olaf.

Shut the wardrobe door.

Come on, Olaf!

He could be back any minute.

Peter, you're back.

Yes.

How was the trip?

The trip was fine.

Did you have any trouble?

Trouble?

No.

Did you bring something back with you?

Yes, of course.

The box of teddy bears.

Where is it?

Oh, they're up in the car.

Splendid.

You've got to do something.

You've got to get out of here.

It's hopeless, but I try.

You can't just sit here.

You've got to do something.

Mary?

I'm sorry, Olaf.

Have you seen my wife?

She left with her bags.

Did she say where she was going?

No.

Did she say anything to you?

Goodbye.

Peter, where have you been?

I'm sorry.

It's my wife.

She's left me.

I'm sorry to hear that.

Well, nothing like a little work to keep

you happy.

Would you please take that one down in

the cellar and unpack it?

Yes, sir.

Thank you.

You've got to do this, please.

I've been...

Get my husband.

Get the police.

Ah, you junkies are all alike.

Half crazy, all of you.

No!

Please.

Please.

Please.

Please.

Help me.

Try and find my husband.

Please.

His name is Peter David.

Please.

Please.

Please.

I'll come back for you later.

I told you never to come here.

But we need more stuff.

I don't know how to explain this to

you.

It's not easy.

The police are watching us.

What are we going to do?

We got a new girl.

I don't care how many girls you got.

Get out of here.

We haven't got any stuff.

Lila wouldn't like it.

You can tell Lila Lash to go to

hell.

Get out.

No! No!

Come on.

Yes?

Could I see someone who's in charge, please?

Someone in narcotics.

Please.

God, no.

No.

Please.

Oh God, no.

No.

This is Lana Nash, I've got a new

girl you might be interested in.

You might be interested in.

I want my lawyer.

All right Mr. Davis, let's see if we

can find your wife.

Lana Nash.

What?

Yes.

What about Santa Claus?

I see.

Oh stop playing with that damn thing!

I know, I have to go for a

teddy bear.

They've got Santa Claus!

They picked up a Davis kid and they're

coming here.

Now get upstairs and clear up as much

as you can!

Go!

Go!

Go!

Go!

Where's my wife?

I told you she left.

Listen, don't give me that, you know better

than that!

I don't know.

Where's your son Olaf?

I don't know.

Probably out playing with his toys somewhere.

Mayor is always telling me about the noises

in this house, they come from the attic.

All right, let's have a look.

Move!

Come on.

I tell you this is all a mistake.

This is a respectable rooming house.

Paul, check the wardrobe, he might be in

there.

Those are my costumes.

Take your hands off my costumes!

Check the other rooms, he must be up

here somewhere, the little bastard.

Get back in here.

Come on, move.

Hey, come on, look at this.

There's nothing in there, I tell you, there's

nothing in there!

God!

This is locked.

Where's the key?

I don't have it.

Olaf has it!

Inhuman bitch.

My God, Mary!

Get in there.

Mary.

Mother, don't you die.

I'm all right.

I'll be all right now you're here.

No one's going to hurt you anymore.

Where's your son?

How the hell do I know?

Oh, dear.

You there.

Do you know how to use a gun?

You're damn right I can.

Mary, what did they do to you?

Oh, Peter.

They didn't...

My God.

Help me.

Help me.

Help me.

Don't shoot!

I'm a ghost.

I'm...

I'm a ghost.