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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:23,300 --> 00:00:26,400 IT BEGINS. 2 00:00:27,167 --> 00:00:29,634 3 00:00:37,601 --> 00:00:41,567 4 00:00:42,667 --> 00:00:44,267 5 00:00:44,367 --> 00:00:46,968 OH, MAN. 6 00:00:50,234 --> 00:00:51,534 YEAH? 7 00:00:51,634 --> 00:00:52,901 BRENNAN MULWRAY? 8 00:00:53,000 --> 00:00:54,000 YEAH. WHO'S THIS? 9 00:00:54,100 --> 00:00:55,367 JUST LISTEN. 10 00:00:55,467 --> 00:00:57,968 MY NAME IS NATHAN REYNOLDS, OKAY? 11 00:00:58,067 --> 00:00:59,701 I... I'M NOT ON DRUGS. 12 00:00:59,801 --> 00:01:00,801 I... I'M NOT CRAZY. 13 00:01:00,901 --> 00:01:02,534 I... I'M SURE AS HELL NOT WRONG. 14 00:01:02,634 --> 00:01:05,067 THE PROPHECY HAS COME TRUE. 15 00:01:05,167 --> 00:01:07,534 AND YOU AND I ARE PART OF IT. 16 00:01:07,634 --> 00:01:09,467 DUDE, YOU GOTTA SLOW DOWN AND START MAKING SOME SENSE 17 00:01:09,567 --> 00:01:10,767 OR I'M HANGING UP. 18 00:01:10,868 --> 00:01:13,267 19 00:01:13,367 --> 00:01:14,234 OH GOD. 20 00:01:14,334 --> 00:01:15,467 IT'S TOO LATE FOR ME. 21 00:01:15,567 --> 00:01:16,701 HE'S COME... 22 00:01:16,801 --> 00:01:18,133 WHO? 23 00:01:18,234 --> 00:01:19,801 HE'LL KILL ME. AFTER, YOU NEXT. 24 00:01:19,901 --> 00:01:21,834 JUST SAVE YOURSELF AND THE OTHERS, BEFORE IT'S TOO... 25 00:01:21,934 --> 00:01:24,767 26 00:01:24,868 --> 00:01:26,133 DON'T HANG UP! 27 00:01:26,234 --> 00:01:27,501 HELLO! 28 00:01:27,601 --> 00:01:29,534 HELLO? 29 00:01:34,234 --> 00:01:35,834 HOW'D THIS GUY FIND YOUR NUMBER? 30 00:01:35,934 --> 00:01:37,167 I DON'T KNOW. 31 00:01:37,267 --> 00:01:38,734 THERE'S BEEN FAR TOO MUCH OF THAT HAPPENING LATELY. 32 00:01:38,834 --> 00:01:40,634 I THINK WE NEED AN ANSWERING SERVICE. 33 00:01:40,734 --> 00:01:41,801 YEAH. 34 00:01:41,901 --> 00:01:43,234 WHAT, LIKE "MUTANT X CAN'T COME TO THE PHONE NOW? 35 00:01:43,334 --> 00:01:45,200 WE'RE BUSY SAVING THE WORLD ...AGAIN." 36 00:01:45,300 --> 00:01:46,767 YEAH, SOMETHING LIKE THAT. 37 00:01:46,868 --> 00:01:48,767 38 00:01:48,868 --> 00:01:51,000 WELL, I GUESS IT WASN'T A CRANK CALL. 39 00:01:51,100 --> 00:01:52,767 DEFINITELY FOUND OUR PHONE. 40 00:01:52,868 --> 00:01:54,767 NOW WHERE'S OUR CALLER? 41 00:01:56,100 --> 00:01:58,701 WHAT IS THIS STUFF? SOME SORT OF ACID? 42 00:01:58,801 --> 00:02:01,167 43 00:02:01,267 --> 00:02:02,467 BRENNAN! 44 00:02:09,434 --> 00:02:11,634 HEY, FREAK BOY! 45 00:02:16,100 --> 00:02:18,067 WHAT THE HELL WAS THAT? 46 00:02:19,367 --> 00:02:20,534 HE'LL BE BACK! 47 00:02:20,634 --> 00:02:22,434 YOU TWO SHOULD GET OUTTA HERE. 48 00:02:23,100 --> 00:02:25,133 HELLO? KEN? BARBIE? 49 00:02:25,234 --> 00:02:25,934 CHOP-CHOP. 50 00:02:26,033 --> 00:02:27,067 I'M NOT GOING ANYWHERE 51 00:02:27,167 --> 00:02:29,234 UNTIL I FIGURE OUT WHO MADE THAT CALL FOR HELP. 52 00:02:29,334 --> 00:02:32,133 BREN? 53 00:02:35,367 --> 00:02:37,100 HATE TO BREAK THIS TO YOU, HERO. 54 00:02:37,200 --> 00:02:39,901 BUT I THINK YOU'RE A LITTLE LATE. 55 00:02:43,968 --> 00:02:48,767 SCIENTIST ADAM KANE WAS A PIONEER OF GENETIC RESEARCH, 56 00:02:48,868 --> 00:02:52,901 MANIPULATING DNA TO SAVE HUMAN LIVES. 57 00:02:53,000 --> 00:02:56,133 BUT IN MANY THEIR GENES UNEXPECTEDLY MUTATED 58 00:02:56,234 --> 00:02:59,167 AND THEY DEVELOPED SUPERHUMAN ABILITIES. 59 00:03:28,634 --> 00:03:31,300 TOGETHER, FOUR OF THE MOST POWERFUL FIGHT 60 00:03:31,400 --> 00:03:35,000 TO PROTECT A WORLD THAT DOESN'T EVEN KNOW THEY EXIST. 61 00:03:37,200 --> 00:03:40,801 THEY ARE... MUTANT X. 62 00:03:51,100 --> 00:03:52,334 HEY... HEY... 63 00:03:52,434 --> 00:03:53,634 WHERE DO YOU THINK YOU'RE GOING? 64 00:03:53,734 --> 00:03:54,901 WHAT? 65 00:03:55,000 --> 00:03:56,267 CAN'T A GIRL JUST TAKE A STROLL DOWN AN ALLEY ANYMORE? 66 00:03:56,367 --> 00:03:57,567 LOOK, JUST CUT THE CRAP, OKAY? 67 00:03:57,667 --> 00:03:59,067 OBVIOUSLY, YOU KNOW SOMETHING. 68 00:03:59,167 --> 00:04:00,267 ALL RIGHT... 69 00:04:00,367 --> 00:04:01,868 THE GUY THAT JUMPED YOU IS CALLED THE GUARDIAN. 70 00:04:01,968 --> 00:04:03,934 I'VE BEEN ON HIS TRAIL FOR THE LAST MONTH. 71 00:04:04,033 --> 00:04:05,000 WHY? 72 00:04:05,100 --> 00:04:06,267 I'M A BOUNTY HUNTER. 73 00:04:06,367 --> 00:04:09,234 HE'S BEEN WATCHING A PACKAGE THAT I'M AFTER. 74 00:04:09,334 --> 00:04:10,434 YOUR TURN. 75 00:04:10,534 --> 00:04:12,133 WHAT'S YOUR PART IN THIS? 76 00:04:12,234 --> 00:04:13,901 AND DON'T BOTHER LYING. 77 00:04:14,000 --> 00:04:15,534 I'LL KNOW. 78 00:04:15,634 --> 00:04:17,634 YOU AN EMPATH? 79 00:04:17,734 --> 00:04:18,868 TELEPATH. 80 00:04:18,968 --> 00:04:20,434 GOOD FOR YOU. 81 00:04:26,467 --> 00:04:28,467 WELL, THERE'S NOT REALLY A WHOLE LOT TO TELL. 82 00:04:28,567 --> 00:04:30,667 GET A PHONE CALL FROM THIS GUY, SAID HIS NAME'S NATHAN, 83 00:04:30,767 --> 00:04:33,000 AND THERE'S SOME PROPHECY THAT I'M A PART OF. 84 00:04:33,100 --> 00:04:34,567 DID HE SAY ANYTHING ELSE? 85 00:04:34,667 --> 00:04:35,567 DETAILS? 86 00:04:35,667 --> 00:04:37,567 MOSTLY, I JUST HEARD HIM SCREAMING. 87 00:04:37,667 --> 00:04:39,601 SO IF I'M INVOLVED IN THIS AND YOU'RE GOING AFTER THAT KILLER, 88 00:04:39,701 --> 00:04:40,767 THEN I'M GOING WITH YOU. 89 00:04:40,868 --> 00:04:41,934 OH, REALLY? 90 00:04:42,033 --> 00:04:43,367 BECAUSE I MUST'VE MISSED THE PART WHERE I... 91 00:04:43,467 --> 00:04:44,701 INVITED YOU. 92 00:04:44,801 --> 00:04:46,934 I GUESS WE COULD ALWAYS GO AND FIND HIM OURSELVES, BUT... 93 00:04:47,033 --> 00:04:49,334 THEN YOU'D RISK US FINDING HIM FIRST. 94 00:04:56,067 --> 00:04:57,634 ALL RIGHT. 95 00:04:57,734 --> 00:04:59,901 YOU CAN TAG ALONG. 96 00:05:00,000 --> 00:05:02,467 THE FERAL GOES HOME. 97 00:05:05,968 --> 00:05:08,400 DEAL. 98 00:05:17,534 --> 00:05:19,501 IT'S COOL. 99 00:05:28,300 --> 00:05:30,167 100 00:05:31,834 --> 00:05:33,534 OH, FOR GOD'S SAKE, MAKE A MOVE ALREADY. 101 00:05:33,634 --> 00:05:35,000 I'M HEARING CRICKETS. 102 00:05:35,100 --> 00:05:36,701 RELAX. 103 00:05:36,801 --> 00:05:40,033 YOU KNOW, YOU CAN TELL A LOT ABOUT A PERSON'S ROMANTIC STYLE 104 00:05:40,133 --> 00:05:43,000 BY THE WAY THEY PLAY GAMES. 105 00:05:43,100 --> 00:05:46,934 FOR SOME, IT'S JUST ALL ABOUT THE FINISH. 106 00:05:47,033 --> 00:05:51,400 BUT FOR OTHERS, WELL, THEY TAKE THEIR TIME. 107 00:05:51,501 --> 00:05:54,300 ENJOYING THE MOVES IT TAKES TO... 108 00:05:54,400 --> 00:05:56,968 GET YOU THERE. 109 00:06:01,801 --> 00:06:04,934 WELL, FAST OR SLOW... 110 00:06:05,033 --> 00:06:07,300 AS LONG AS I WIN. 111 00:06:07,400 --> 00:06:10,300 CHECKMATE. 112 00:06:10,400 --> 00:06:14,534 JESSE, I NEED YOU TO ANALYSE THIS FOR ME. 113 00:06:14,634 --> 00:06:16,467 GOOD TO SEE YOU, TOO. 114 00:06:16,567 --> 00:06:17,667 WHAT HAPPENED AT THE MEET? 115 00:06:17,767 --> 00:06:19,100 BY THE TIME WE GOT THERE, 116 00:06:19,200 --> 00:06:21,033 BRENNAN'S CONTACT WAS ALREADY DEAD. 117 00:06:21,133 --> 00:06:22,567 WELL, WHERE IS BRENNAN? 118 00:06:22,667 --> 00:06:23,968 HELL IF I KNOW. 119 00:06:24,100 --> 00:06:25,601 RAN INTO A BOUNTY HUNTER AND HE TOOK OFF WITH HER 120 00:06:25,701 --> 00:06:27,033 TO FOLLOW THE KILLER. 121 00:06:27,133 --> 00:06:29,234 I WAS CORDIALLY DIS-INVITED. 122 00:06:29,334 --> 00:06:30,534 WHAT IS THIS? 123 00:06:30,634 --> 00:06:31,901 IT'S THE ONLY EVIDENCE I COULD GET. 124 00:06:32,000 --> 00:06:33,167 IT WAS ALL OVER THE SCENE. 125 00:06:33,267 --> 00:06:34,767 I'M GUESSING THAT'S HOW THE GUY WAS KILLED. 126 00:06:34,868 --> 00:06:36,601 HE WAS SLIMED. 127 00:06:36,701 --> 00:06:38,167 COOL. 128 00:06:38,267 --> 00:06:41,367 YOU ARE SO WEIRD, SOMETIMES. 129 00:06:48,934 --> 00:06:50,968 SO, HOW HOT IS SHE? 130 00:06:51,067 --> 00:06:53,067 WHO? 131 00:06:53,167 --> 00:06:54,234 132 00:06:54,334 --> 00:06:56,934 THAT HOT, HUH? 133 00:06:58,100 --> 00:07:00,234 LOOK, SHAL, SPEAKING AS A FRIEND... 134 00:07:00,334 --> 00:07:01,467 HUH. 135 00:07:01,567 --> 00:07:04,133 OKAY, FINE, SPEAKING AS ME, 136 00:07:04,234 --> 00:07:06,834 YOU'VE REALLY GOT TO CLEAR UP YOUR BRENNAN ISSUES. 137 00:07:06,934 --> 00:07:08,167 WHAT ARE YOU TALKING ABOUT? 138 00:07:08,267 --> 00:07:09,801 I'M TALKING ABOUT EVERY TIME HE GETS NEAR ANOTHER GIRL, 139 00:07:09,901 --> 00:07:11,734 YOUR HACKLES GO UP. 140 00:07:11,834 --> 00:07:13,968 OKAY, FIRST, YOU'RE WAY OFF. 141 00:07:14,067 --> 00:07:17,567 AND SECOND, YOU ARE WAY OFF. 142 00:07:17,667 --> 00:07:19,067 WE'RE LIKE FAMILY. 143 00:07:19,167 --> 00:07:20,367 YEAH? 144 00:07:20,467 --> 00:07:22,501 I HOPE YOU LIKE IT THAT WAY. 145 00:07:22,601 --> 00:07:23,934 BECAUSE UNTIL YOU GET HONEST WITH YOURSELF... 146 00:07:24,033 --> 00:07:25,033 AND BRENNAN... 147 00:07:25,133 --> 00:07:26,634 THAT'S ALL YOU TWO WILL EVER BE. 148 00:07:26,734 --> 00:07:28,701 AND YOU KNOW WHAT, SHAL? 149 00:07:28,801 --> 00:07:31,167 HE HAS EVERY RIGHT TO KEEP LOOKING. 150 00:07:50,501 --> 00:07:52,601 MIND TELLING ME WHAT WE'RE DOING HERE? 151 00:07:52,701 --> 00:07:54,167 WELL, I'M NOT SURE WHERE TO FIND THE GUY 152 00:07:54,267 --> 00:07:55,634 THAT JUMPED YOU BUT... 153 00:07:55,734 --> 00:07:58,534 ...I'M PRETTY SURE WHO HE'S AFTER NEXT. 154 00:07:59,868 --> 00:08:01,734 SHE'S A FERAL NAMED CAROL WHITELY. 155 00:08:01,834 --> 00:08:04,100 IF WE CAN FIND HER, WE CAN SET UP A SWEET AMBUSH. 156 00:08:04,200 --> 00:08:06,300 WHAT? SHE JUST HANGS OUT IN ALLEYS? 157 00:08:06,400 --> 00:08:08,234 NO. BUT HER DEALER DOES. 158 00:08:08,334 --> 00:08:11,100 WE JUST HAVE TO SHAKE HIM DOWN. 159 00:08:11,200 --> 00:08:14,868 UNDERSTANDING PEOPLE'S WEAKNESSES IS HALF OF MY JOB. 160 00:08:14,968 --> 00:08:16,300 REALLY? 161 00:08:16,400 --> 00:08:17,534 MM. 162 00:08:17,634 --> 00:08:19,534 SO WHAT'S YOUR WEAKNESS? 163 00:08:19,634 --> 00:08:22,234 PRETTY BOYS THAT ASK TOO MANY QUESTIONS? 164 00:08:22,334 --> 00:08:23,400 YOU? 165 00:08:23,501 --> 00:08:25,701 AGGRESSIVE CHICKS WITH A SUPERIORITY COMPLEX. 166 00:08:25,801 --> 00:08:27,234 HM. 167 00:08:27,334 --> 00:08:29,701 I'M COMING UP WITH NOTHING ON THIS BOUNTY HUNTER SO FAR. 168 00:08:29,801 --> 00:08:31,667 I MEAN, RILEY'S PROBABLY AN ALIAS. 169 00:08:31,767 --> 00:08:33,334 MAYBE IT'S HER STRIPPER NAME. 170 00:08:33,434 --> 00:08:35,601 ME-YOW! 171 00:08:35,701 --> 00:08:36,968 ANYTHING? 172 00:08:37,067 --> 00:08:39,534 WELL, IT COULD BE THE ICKIEST SUBSTANCE I'VE NEVER ANALYSED, 173 00:08:39,634 --> 00:08:41,834 BUT IT'S DEFINITELY THE MOST INTRIGUING. 174 00:08:41,934 --> 00:08:43,267 WHAT IS THIS? 175 00:08:43,367 --> 00:08:44,601 WELL, IT'S A MUCUS. 176 00:08:44,701 --> 00:08:47,567 MORE OF A VISCOUS CEMENT, REALLY. 177 00:08:47,667 --> 00:08:49,934 DOES IT TELL US ANYTHING ABOUT THE GUY THAT ATTACKED US? 178 00:08:50,033 --> 00:08:52,133 WELL, I'M READY TO CHECK THE DATABASE. 179 00:08:54,868 --> 00:08:55,868 OHH... 180 00:08:55,968 --> 00:08:57,667 HE'S CALLED THE GUARDIAN. 181 00:08:57,767 --> 00:09:00,033 CATCHY NAME, HUH? 182 00:09:00,133 --> 00:09:01,334 WHAT IS HE? 183 00:09:01,434 --> 00:09:02,767 HE'S NOT SOME KIND OF FERAL. 184 00:09:02,868 --> 00:09:04,033 WELL, HE'S SIMILAR. 185 00:09:04,133 --> 00:09:05,200 I MEAN, HE'S A TRANSGENIC HYBRID LIKE YOU, 186 00:09:05,300 --> 00:09:06,968 BUT HE'S ARACHNID-BASED. 187 00:09:07,067 --> 00:09:09,167 I'M GUESSING THEY CROSSED HIM WITH A HOBO SPIDER 188 00:09:09,267 --> 00:09:10,667 AND A WHIP SCORPION. 189 00:09:10,767 --> 00:09:11,968 THAT'S NOT A GOOD THING. 190 00:09:12,067 --> 00:09:14,834 NO, THAT'S A VERY NOT GOOD THING. 191 00:09:14,934 --> 00:09:16,868 I MEAN, OF THE FOUR MUTATIONS, 192 00:09:16,968 --> 00:09:20,100 FERALS' PERSONALITIES ARE MOST DEPENDENT ON THE DNA, RIGHT? 193 00:09:20,200 --> 00:09:21,367 YEAH, SO? 194 00:09:21,467 --> 00:09:23,767 SO A MAMMALIAN CROSS LIKE ME, THAT'S ONE THING, BUT... 195 00:09:23,868 --> 00:09:25,267 AN ARACHNID, THAT'S GOING TO BE 196 00:09:25,367 --> 00:09:27,067 A WHOLE OTHER KETTLE OF WEIRDNESS. 197 00:09:27,167 --> 00:09:28,200 HE'S NOT GOING TO THINK LIKE US, 198 00:09:28,300 --> 00:09:29,367 HE'S NOT GOING TO FEEL LIKE US. 199 00:09:29,467 --> 00:09:31,033 HE'S GOING TO BE TOTALLY UNPREDICTABLE. 200 00:09:31,133 --> 00:09:33,634 HE'LL BE INSTINCT OVER INTELLECT. 201 00:09:37,067 --> 00:09:38,834 THERE'S OUR GUY. 202 00:09:38,934 --> 00:09:40,033 UH, HELLO? 203 00:09:40,133 --> 00:09:41,734 WHAT ARE YOU DOING? 204 00:09:41,834 --> 00:09:43,200 I'M GETTING OUT OF THE CAR? 205 00:09:43,300 --> 00:09:46,801 LOOK, YOU AREN'T USED TO THIS KIND OF SUBTLE INTERROGATION, 206 00:09:46,901 --> 00:09:47,968 ALL RIGHT? 207 00:09:48,067 --> 00:09:49,868 IT TAKES FINESSE. 208 00:09:49,968 --> 00:09:51,467 STYLE. 209 00:09:51,567 --> 00:09:53,501 OH, I GOT YOUR STYLE RIGHT HERE. 210 00:09:53,601 --> 00:09:54,567 NO. 211 00:09:54,667 --> 00:09:56,868 YOU GOT VOLTAGE. 212 00:10:00,901 --> 00:10:03,000 YOU CAN'T JUST FRY YOUR SNITCHES, ALL RIGHT? 213 00:10:03,100 --> 00:10:04,501 THEY'LL NEVER HELP YOU AGAIN. 214 00:10:04,601 --> 00:10:07,400 INFORMANTS ARE LIKE TREES FOR BOUNTY HUNTERS. 215 00:10:07,501 --> 00:10:10,667 A RENEWABLE RESOURCE. 216 00:10:10,767 --> 00:10:13,434 HEY, IS THERE A BOOKS-ON-TAPE VERSION OF THIS LECTURE? 217 00:10:13,534 --> 00:10:14,934 BECAUSE IT'S MAKING ME KIND OF SLEEPY. 218 00:10:15,033 --> 00:10:16,834 STAND BACK AND WATCH, G. Q... 219 00:10:16,934 --> 00:10:20,100 YOU MIGHT ACTUALLY LEARN SOMETHING. 220 00:10:20,200 --> 00:10:21,400 YO, DOOLEY. 221 00:10:21,501 --> 00:10:23,133 YOU GOT A SECOND? 222 00:10:27,534 --> 00:10:28,400 NICE WORK, PROFESSOR. 223 00:10:28,501 --> 00:10:29,868 YOU KNOW THE RULES, DOOLEY! 224 00:10:29,968 --> 00:10:33,400 MAKE ME RUN, I'LL MAKE YOU BLEED. 225 00:10:36,834 --> 00:10:38,901 YOU WERE SAYING... 226 00:10:39,000 --> 00:10:40,133 YOU TWO GOT A PROBLEM? 227 00:10:40,234 --> 00:10:41,300 ME? NAH. 228 00:10:41,400 --> 00:10:42,834 I'M JUST HERE TO LEARN. 229 00:10:44,234 --> 00:10:45,400 OH, HEY... 230 00:10:45,501 --> 00:10:46,767 I WAS CHECKING A LITTLE DEEPER INTO THE GUARDIAN, 231 00:10:46,868 --> 00:10:49,200 AND GUESS WHO HE USED TO PARTY WITH? 232 00:10:49,300 --> 00:10:51,901 GABRIEL ASHLOCKE. 233 00:10:52,000 --> 00:10:53,000 YOU GOTTA BE KIDDING ME. 234 00:10:53,100 --> 00:10:54,334 NOT EVEN A LITTLE. 235 00:10:54,434 --> 00:10:55,734 THE GUARDIAN WAS PART OF SOMETHING CALLED THE LINKS... 236 00:10:55,834 --> 00:10:57,267 YEAH, WE KNOW ABOUT THE LINKS. 237 00:10:57,367 --> 00:10:59,367 THEY WERE ASHLOCKE'S MUTANT FOLLOWERS. 238 00:10:59,467 --> 00:11:00,501 TOTALLY OBSESSED WITH HIM, 239 00:11:00,601 --> 00:11:02,167 WANTED TO HELP HIM TAKE OVER THE WORLD. 240 00:11:02,267 --> 00:11:04,400 NOT HAPPY MEMORIES. 241 00:11:04,501 --> 00:11:05,734 OH. 242 00:11:05,834 --> 00:11:07,334 WELL, DO YOU GUYS KNOW WHAT HAPPENED TO THEM 243 00:11:07,434 --> 00:11:09,467 AFTER ASHLOCKE DIED? 244 00:11:09,567 --> 00:11:10,934 MOST OF THEM DRIFTED. 245 00:11:11,033 --> 00:11:13,100 BUT, A HARD CORE PART OF THE LINKS, 246 00:11:13,200 --> 00:11:14,467 LIKE OUR LITTLE BUG BOY HERE, 247 00:11:14,567 --> 00:11:17,834 THEY SPLINTERED OFF, INCLUDING THIS GUY. 248 00:11:17,934 --> 00:11:19,734 MR. JOHN BISHOP, THEIR PET PSIONIC. 249 00:11:19,834 --> 00:11:21,334 THE MOST POWERFUL PRECOG ON THE MAP. 250 00:11:21,434 --> 00:11:22,367 LOOKS LIKE THE KIND OF GUY 251 00:11:22,467 --> 00:11:23,601 THAT COULD BE INTO THE PROPHECY BIZ, HUH? 252 00:11:23,701 --> 00:11:25,234 YOU THINK HE'S STILL IN CONTACT WITH THE GUARDIAN? 253 00:11:25,334 --> 00:11:27,667 WELL, I THINKING JESS AND I SHOULD PAY HIM A VISIT, 254 00:11:27,767 --> 00:11:30,534 FIND OUT. 255 00:11:30,634 --> 00:11:32,234 IT'S JUST THAT BISHOP'S LOCKED UP IN AN ASYLUM 256 00:11:32,334 --> 00:11:34,000 AND I KNOW HOW MUCH THEY FREAK YOU OUT. 257 00:11:34,100 --> 00:11:37,267 SO DOES EVERYTHING HAVING TO DO WITH ASHLOCKE. 258 00:11:37,367 --> 00:11:38,901 I'LL GO. 259 00:11:39,000 --> 00:11:40,934 LET ME... 260 00:11:43,901 --> 00:11:46,734 ARE YOU SERIOUSLY GOING TO JUST STAND THERE POSING? 261 00:11:46,834 --> 00:11:48,767 YOU NEED HELP? 262 00:11:53,033 --> 00:11:54,534 YOU WERE SAYING? 263 00:11:58,801 --> 00:12:00,033 YOU MIGHT WANT TO WAIT A SECOND 264 00:12:00,133 --> 00:12:02,434 WHILE THE LADY HAS A WORD WITH YOU, HUH? 265 00:12:02,534 --> 00:12:03,400 KARA. 266 00:12:03,501 --> 00:12:05,167 WHERE'S SHE BEEN CRASHING LATELY? 267 00:12:05,267 --> 00:12:06,734 HOW SHOULD I KNOW? 268 00:12:06,834 --> 00:12:08,467 I DON'T DO HOUSE CALLS. 269 00:12:08,567 --> 00:12:09,667 AGH! 270 00:12:09,767 --> 00:12:12,133 ALL RIGHT! ALL RIGHT! 271 00:12:14,667 --> 00:12:16,367 SOMETHING SPOOKED HER. 272 00:12:16,467 --> 00:12:17,868 LAST I HEARD, SHE WAS ON THE MOVE, 273 00:12:17,968 --> 00:12:19,133 LIVING OUT OF HER VAN. 274 00:12:19,234 --> 00:12:20,501 THAT'S IT. 275 00:12:20,601 --> 00:12:21,934 AGH! 276 00:12:22,033 --> 00:12:23,033 AGH! 277 00:12:23,133 --> 00:12:25,467 HANG UP! 278 00:12:25,567 --> 00:12:29,033 SHE'S HANGING OUT AT A BAR ON JURGEN STREET. 279 00:12:29,133 --> 00:12:30,567 THE RED SKY, HUH? 280 00:12:30,667 --> 00:12:33,067 LOOK, THAT'S ALL I KNOW. 281 00:12:38,167 --> 00:12:42,067 AH, WELL, I GOTTA ADMIT, YOU GOT SOME NICE MOVES. 282 00:12:42,167 --> 00:12:43,868 YOU SHOULD SEE ME DANCE. 283 00:12:43,968 --> 00:12:46,734 ALTHOUGH USING PSIONICS TO WIN THE FIGHT... THAT'S CHEATING. 284 00:12:46,834 --> 00:12:50,434 THIS, FROM THE HUMAN CATTLE PROD? 285 00:13:03,133 --> 00:13:08,634 WHERE IS KARA? 286 00:13:13,067 --> 00:13:16,968 OH... OH... OH... 287 00:13:19,567 --> 00:13:20,701 WHAT'S WRONG WITH HIM? 288 00:13:20,801 --> 00:13:21,667 I DON'T KNOW. 289 00:13:23,634 --> 00:13:25,834 DEMENTIA? 290 00:13:26,901 --> 00:13:28,334 OOH, NO... DRUGS. 291 00:13:28,434 --> 00:13:29,767 HE'S GOT ENOUGH CC'S OF THORAZINE IN HIM 292 00:13:29,868 --> 00:13:32,067 TO KNOCK OUT A COW. 293 00:13:32,167 --> 00:13:35,300 REALLY, REALLY FAT COW. 294 00:13:35,400 --> 00:13:37,467 SHH! LISTEN! 295 00:13:37,567 --> 00:13:38,734 WHAT'S HE SAYING? 296 00:13:38,834 --> 00:13:40,667 297 00:13:40,767 --> 00:13:44,267 HE'S SO TRANQUED OUT, I DOUBT HE KNOWS HIS OWN NAME. 298 00:13:46,434 --> 00:13:48,667 SHALIMAR... 299 00:13:49,634 --> 00:13:51,567 HEY! 300 00:13:51,667 --> 00:13:55,200 HUH, I TOLD YOU YOU'D COME BACK. 301 00:13:58,534 --> 00:14:01,367 WE'VE NEVER MET. 302 00:14:02,934 --> 00:14:05,901 WE'RE STILL BACK THERE? 303 00:14:06,000 --> 00:14:08,901 AT THE BEGINNING? 304 00:14:10,334 --> 00:14:13,534 305 00:14:13,634 --> 00:14:16,367 ALL MOVING SO SLOWLY... 306 00:14:16,467 --> 00:14:19,934 307 00:14:20,033 --> 00:14:22,734 OKAY, THAT WAS REALLY, REALLY CREEPY. 308 00:14:22,834 --> 00:14:25,734 309 00:14:25,834 --> 00:14:27,567 LEXA? 310 00:14:27,667 --> 00:14:30,234 I WANT YOU TO RECORD AUDIO OVER MY COMLINK. 311 00:14:30,334 --> 00:14:31,467 OKAY. I'M ON IT. 312 00:14:31,567 --> 00:14:40,901 313 00:14:47,334 --> 00:14:50,801 SAVE IT. SHE'S NOT INTERESTED. 314 00:14:50,901 --> 00:14:52,267 ACTUALLY? 315 00:14:52,367 --> 00:14:53,868 NONE OF THEM ARE. 316 00:14:53,968 --> 00:14:57,133 I FEEL A COMPLETE LACK OF ATTRACTION TO YOU IN HERE. 317 00:14:57,234 --> 00:14:58,901 HUH, PLEASE. 318 00:14:59,000 --> 00:15:01,767 IF YOU WERE ANY HOTTER FOR ME, I'D GET A SUNTAN. 319 00:15:01,868 --> 00:15:04,467 320 00:15:04,567 --> 00:15:06,767 AH, SO, DRINKING ON THE JOB. 321 00:15:06,868 --> 00:15:11,701 FIRST RULE OF HUNTING: BLEND IN WITH YOUR SURROUNDINGS. 322 00:15:11,801 --> 00:15:14,067 YOU GOTTA MAKE YOURSELF COMFORTABLE, TOO. 323 00:15:14,167 --> 00:15:17,467 NICE... 324 00:15:17,567 --> 00:15:18,767 THAT OKAY? 325 00:15:18,868 --> 00:15:19,901 THAT'S FINE. 326 00:15:20,000 --> 00:15:21,100 YEAH, I CAN HANDLE THAT. 327 00:15:21,200 --> 00:15:22,167 GOOD. 328 00:15:22,267 --> 00:15:23,300 CHEERS. 329 00:15:23,400 --> 00:15:26,033 CHEERS. 330 00:15:29,267 --> 00:15:31,200 SO HOW'D YOU GET INTO THIS LINE OF WORK? 331 00:15:31,300 --> 00:15:32,267 LET'S SEE... 332 00:15:32,367 --> 00:15:35,300 MAKE MY OWN RULES, KICK SOME BAD GUY ASS... 333 00:15:35,400 --> 00:15:37,234 WHAT COULD BE BETTER THAN THAT? 334 00:15:37,334 --> 00:15:39,968 PLUS, IT'S THE PERFECT GIG FOR A PSIONIC. 335 00:15:40,067 --> 00:15:42,567 WELL, I GUESS THAT EXPLAINS WHY YOU'RE SO COCKY. 336 00:15:42,667 --> 00:15:46,334 WELL, KNOWING WHEN SOMEBODY'S GOING TO BE ABLE TO LIE TO YOU. 337 00:15:47,367 --> 00:15:49,234 SOMEONE ACTUALLY DID... 338 00:15:49,334 --> 00:15:50,834 ONCE. 339 00:15:50,934 --> 00:15:52,601 AND? 340 00:15:52,701 --> 00:15:55,033 I'LL NEVER LET ANYONE GET THAT CLOSE AGAIN. 341 00:15:55,133 --> 00:15:56,901 WELL, YOU CAN'T GO THROUGH LIFE LIVING LIKE THAT. 342 00:15:57,000 --> 00:15:58,067 MAYBE. 343 00:15:58,167 --> 00:16:00,767 BUT I'M NOT THE ONLY ONE WITH TRUST ISSUES HERE. 344 00:16:00,868 --> 00:16:01,834 HUH. 345 00:16:01,934 --> 00:16:04,067 I CAN FEEL YOU HAVE YOUR DOUBTS ABOUT ME. 346 00:16:04,167 --> 00:16:05,567 YEAH, WELL, YOU DON'T HAVE TO BE A PSIONIC 347 00:16:05,667 --> 00:16:07,133 TO BE A GOOD JUDGE OF CHARACTER. 348 00:16:07,234 --> 00:16:08,033 REALLY? 349 00:16:08,133 --> 00:16:09,133 YEAH. 350 00:16:09,234 --> 00:16:11,334 SO, WHAT ARE YOU... 351 00:16:11,434 --> 00:16:14,868 PICKING UP ON ME? 352 00:16:24,200 --> 00:16:27,367 OKAY... 353 00:16:27,467 --> 00:16:29,334 WHAT AM I PICKING UP ON YOU? 354 00:16:29,434 --> 00:16:30,834 WELL, THAT YOU'VE GOT SOMETHING TO HIDE AND THAT 355 00:16:30,934 --> 00:16:33,868 YOU'RE AFRAID THAT I'M GOING TO FIGURE OUT WHAT IT IS. 356 00:16:33,968 --> 00:16:38,300 AND JUST FOR THE RECORD, I WILL. 357 00:16:40,968 --> 00:16:42,234 ANYTHING? 358 00:16:42,334 --> 00:16:44,601 SO FAR, JUST THIS. 359 00:16:44,701 --> 00:16:49,167 360 00:16:49,267 --> 00:16:51,300 DO WE EVEN KNOW IF THIS IS ENGLISH? 361 00:16:51,400 --> 00:16:52,567 THAT'S A GOOD POINT. 362 00:16:52,667 --> 00:16:54,267 SCOOTCH. 363 00:16:54,367 --> 00:16:55,601 I'M PUTTING IT THROUGH A CONVERSION PROGRAM, 364 00:16:55,701 --> 00:16:59,000 RUN IT THROUGH THE LANGUAGE PROCESSOR. 365 00:17:02,501 --> 00:17:03,501 THIS COULD TAKE A WHILE. 366 00:17:03,601 --> 00:17:05,300 WAIT... THIS GUY'S A PRECOG. 367 00:17:05,400 --> 00:17:06,467 UNSTUCK IN TIME. 368 00:17:06,567 --> 00:17:09,234 FORWARD, BACKWARD. THEY'RE THE SAME TO HIM. 369 00:17:09,334 --> 00:17:11,534 TRY RUNNING IT IN REVERSE. 370 00:17:15,434 --> 00:17:19,133 FROM THE BLOOD OF FOUR, WILL COME OUR SON 371 00:17:19,234 --> 00:17:21,601 ONCE ALL SIGNS PASS, 372 00:17:21,701 --> 00:17:23,367 IF THE LINKS REMAIN 373 00:17:23,467 --> 00:17:27,300 THE HEART OF ASHLOCKE WILL LIVE AGAIN. 374 00:18:03,467 --> 00:18:04,467 I'M TELLING YOU, 375 00:18:04,567 --> 00:18:06,033 THERE IS SOMETHING GOING ON BETWEEN THEM. 376 00:18:06,133 --> 00:18:07,501 BETWEEN BRENNAN AND SHALIMAR? 377 00:18:07,601 --> 00:18:08,601 ARE YOU MENTAL? 378 00:18:08,701 --> 00:18:09,801 THEY'VE ALWAYS BEEN LIKE THAT. 379 00:18:09,901 --> 00:18:11,801 PLEASE, SHE HAS NO PERSPECTIVE WITH HIM. 380 00:18:11,901 --> 00:18:14,000 EVERY IMPULSE IS ON A TEN. 381 00:18:14,100 --> 00:18:14,901 SHE'S A FERAL. 382 00:18:15,000 --> 00:18:16,501 SHE'S JUST MARKING HER TERRITORY. 383 00:18:16,601 --> 00:18:17,767 OH, MY GOD! 384 00:18:17,868 --> 00:18:19,000 SHE GETS ANY MORE TERRITORIAL WITH BRENNAN, 385 00:18:19,100 --> 00:18:21,067 SHE'LL HAVE TO PEE ON HIS LEG. 386 00:18:22,133 --> 00:18:23,334 LET'S PRETEND I NEVER SAID THAT. 387 00:18:23,434 --> 00:18:25,234 YEAH. ALREADY TRYING. 388 00:18:34,634 --> 00:18:35,601 STILL, THOUGH, YOU GOTTA ADMIT, 389 00:18:35,701 --> 00:18:36,934 THAT HAVING A RELATIONSHIP 390 00:18:37,033 --> 00:18:39,334 WITH SOMEBODY YOU WORK AND LIVE WITH, COULD BE TOUGH. 391 00:18:39,434 --> 00:18:41,000 WHY? 392 00:18:41,100 --> 00:18:42,100 WELL, IT'S RISKY. 393 00:18:42,200 --> 00:18:44,100 I MEAN, WHAT IF YOU'RE MISINTERPRETING THEM? 394 00:18:44,200 --> 00:18:46,200 WHAT IF THEY'RE JUST PRETENDING TO LIKE YOU 395 00:18:46,300 --> 00:18:47,834 BECAUSE THEY GET OFF ON THE WHOLE POWER TRIP, 396 00:18:47,934 --> 00:18:49,100 WHILE THE WHOLE TIME 397 00:18:49,200 --> 00:18:50,367 THEY'RE JUST WAITING TO PULL THE RUG FROM UNDER YOU, 398 00:18:50,467 --> 00:18:52,567 SO YOU FALL FLAT ON YOUR ASS, YOU KNOW WHAT I MEAN? 399 00:18:52,667 --> 00:18:54,033 HYPOTHETICALLY SPEAKING. 400 00:18:54,133 --> 00:18:56,834 WELL, THERE'S ONLY EVER ONE WAY TO FIND OUT. 401 00:18:57,834 --> 00:19:00,200 SOMEBODY'S GOT TO MAKE THE FIRST MOVE... 402 00:19:00,300 --> 00:19:03,701 ...HYPOTHETICALLY SPEAKING. 403 00:19:03,801 --> 00:19:05,234 THE MEEK SHALL INHERIT THE EARTH, JESSE, 404 00:19:05,334 --> 00:19:09,167 BUT THEY NEVER GET THE GIRL. 405 00:19:09,267 --> 00:19:12,100 WHO ARE YOU CALLING MEEK? 406 00:19:12,200 --> 00:19:14,534 407 00:19:14,634 --> 00:19:16,767 TALK ABOUT GETTING THE GIRL... 408 00:19:16,868 --> 00:19:17,868 ALL RIGHT. 409 00:19:17,968 --> 00:19:21,133 WOULD THE REAL RILEY MORGAN PLEASE STAND UP. 410 00:19:21,234 --> 00:19:22,067 OKAY... 411 00:19:22,167 --> 00:19:24,000 MORGAN, COMMA, RILEY. 412 00:19:24,100 --> 00:19:27,400 BORN ISABELLA EASTHAM 27 YEARS AGO. 413 00:19:27,501 --> 00:19:30,834 AND WHAT HAS SHE BEEN UP TO IN THE MEANTIME? 414 00:19:30,934 --> 00:19:34,033 BECOMING A CARD-CARRYING MEMBER OF ASHLOCKE'S CULT. 415 00:19:34,133 --> 00:19:36,000 OH, MY GOD. RILEY'S A LINK. 416 00:19:36,100 --> 00:19:37,167 YEAH. 417 00:19:37,267 --> 00:19:38,267 THIS IS NO COINCIDENCE. 418 00:19:38,367 --> 00:19:39,400 WE HAVE TO TELL BRENNAN. 419 00:19:39,501 --> 00:19:40,534 SHALIMAR SAID NOT TO. 420 00:19:40,634 --> 00:19:43,334 HUH, AND SHE'S JUST BEEN OVERRULED. 421 00:19:43,434 --> 00:19:48,400 422 00:19:48,501 --> 00:19:51,000 I WANT THE TRUTH. ALL OF IT. 423 00:19:52,267 --> 00:19:54,400 PEOPLE DON'T WANT THE TRUTH FROM ME. 424 00:19:54,501 --> 00:19:56,934 THEY WANT FAIRY TALES. 425 00:19:57,033 --> 00:19:59,267 HAPPY ENDINGS. 426 00:19:59,367 --> 00:20:00,834 JUST TELL ME ABOUT THE PROPHECY. 427 00:20:00,934 --> 00:20:03,234 OH, YOU MEAN THE CHILD. 428 00:20:03,334 --> 00:20:05,267 WHAT CHILD? 429 00:20:05,367 --> 00:20:06,834 SON OF FOUR BLOODS, 430 00:20:06,934 --> 00:20:10,634 COME TO RAISE THE LINKS ABOVE ALL OTHERS. 431 00:20:10,734 --> 00:20:15,200 ASHLOCKE DIED BEFORE HE COULD FULFIL HIS PROMISE. 432 00:20:15,300 --> 00:20:21,601 WITH THIS CHILD, THE LINKS WILL SHAPE A NEW WORLD. 433 00:20:21,701 --> 00:20:24,467 HOW CAN WE STOP IT? 434 00:20:24,567 --> 00:20:26,567 AHH! 435 00:20:26,667 --> 00:20:28,334 IF IT'S MEANT TO BE STOPPED, IT WILL BE. 436 00:20:28,434 --> 00:20:32,167 IF IT'S NOT, IT WON'T. 437 00:20:32,267 --> 00:20:34,901 TIME WILL TELL... 438 00:20:35,000 --> 00:20:37,901 I WANT SPECIFICS. 439 00:20:40,534 --> 00:20:45,133 A CHILD WILL BE BORN, BUT FOR OUR HOLD TO LAST, 440 00:20:45,234 --> 00:20:48,868 ALL FOUR SIGNS MUST COME TO PASS. 441 00:20:48,968 --> 00:20:52,634 A MOON WILL FALL, TWO BLOODS WILL BE DASHED, 442 00:20:52,734 --> 00:20:56,868 THE CHILD WILL CHOOSE AND THE MOUNTAIN... 443 00:20:56,968 --> 00:20:59,901 WILL CRASH... 444 00:21:00,000 --> 00:21:02,133 SMASHING... 445 00:21:02,234 --> 00:21:05,267 SO IT SHALL PASS... 446 00:21:09,868 --> 00:21:12,501 YOU'RE CRAZY. 447 00:21:14,300 --> 00:21:16,534 THEN I'M IN THE RIGHT PLACE. 448 00:21:19,801 --> 00:21:21,567 WHAT DOES THIS CHILD HAVE TO DO WITH BRENNAN? 449 00:21:21,667 --> 00:21:25,334 450 00:21:25,434 --> 00:21:26,801 HAVEN'T YOU GUESSED YET? 451 00:21:26,901 --> 00:21:33,601 452 00:21:33,701 --> 00:21:36,133 ALL RIGHT, SO WHAT IF KARA DOESN'T SHOW? 453 00:21:36,234 --> 00:21:38,033 DAMN, YOU'RE IMPATIENT. 454 00:21:38,133 --> 00:21:40,567 ARE YOU IN THIS MUCH OF A HURRY FOR EVERYTHING? 455 00:21:40,667 --> 00:21:41,934 NOT EVERYTHING. 456 00:21:42,033 --> 00:21:43,200 REALLY? 457 00:21:43,300 --> 00:21:44,267 WELL, LET ME SEE. 458 00:21:44,367 --> 00:21:45,501 HEY... NO. 459 00:21:45,601 --> 00:21:46,667 STAY OUT OF MY HEAD. 460 00:21:46,767 --> 00:21:50,133 PLEASE, I'D DIE OF BOREDOM IN THERE. 461 00:21:50,234 --> 00:21:51,100 IS THAT SO? 462 00:21:51,200 --> 00:21:52,734 OH, SO THAT'S HOW IT IS. 463 00:21:52,834 --> 00:21:54,167 FINE, FINE. 464 00:21:54,267 --> 00:21:55,267 OKAY... 465 00:21:55,367 --> 00:21:57,901 OKAY, MAYBE I TOOK IT TOO FAR. 466 00:21:58,033 --> 00:21:59,467 FORGIVE ME. 467 00:21:59,567 --> 00:22:01,100 MAYBE, IF... 468 00:22:01,200 --> 00:22:05,701 YOU ASK ME REALLY, REALLY, REALLY NICELY? 469 00:22:05,801 --> 00:22:08,300 AHEM... 470 00:22:11,601 --> 00:22:13,300 PRETTY PLEASE? 471 00:22:13,400 --> 00:22:15,834 NICER. 472 00:22:20,634 --> 00:22:22,234 WITH ME ON TOP? 473 00:22:22,334 --> 00:22:24,100 OH, COME ON, THAT'S NOT FAIR. 474 00:22:24,200 --> 00:22:25,534 YOU'RE PLAYING DIRTY. 475 00:22:25,634 --> 00:22:27,334 WHO SAYS I'M PLAYING? 476 00:22:27,434 --> 00:22:29,667 Jesse: BRENNAN, YOU THERE? 477 00:22:29,767 --> 00:22:31,801 UM... 478 00:22:31,901 --> 00:22:33,400 YOU KNOW, WHEN... 479 00:22:33,501 --> 00:22:39,667 WHEN THIS IS ALL OVER, I THINK YOU AND I SHOULD, UH... 480 00:22:39,767 --> 00:22:41,501 YOU AND I SHOULD... 481 00:22:41,601 --> 00:22:42,701 WHAT? 482 00:22:42,801 --> 00:22:45,167 WELL, YOU'RE THE PSIONIC. 483 00:22:45,267 --> 00:22:49,067 WHY DON'T YOU READ MY MIND? 484 00:22:55,100 --> 00:22:57,334 485 00:22:57,434 --> 00:23:02,501 WHY DON'T YOU GET US ANOTHER BEER, AND MAYBE SOME ICE? 486 00:23:04,667 --> 00:23:06,968 DAMMIT, JESS, WHAT'S GOING ON? I'M WORKING HERE, MAN. 487 00:23:07,067 --> 00:23:09,767 ACTUALLY, WE THINK YOU'RE BEING WORKED. 488 00:23:09,868 --> 00:23:11,033 WHY? WHAT'S GOING ON? 489 00:23:11,133 --> 00:23:13,501 OH, JUST YOUR BASIC ATTEMPT AT NEW WORLD ORDER. 490 00:23:13,601 --> 00:23:15,200 LOOK, WE DON'T KNOW EVERYTHING YET. 491 00:23:15,300 --> 00:23:16,667 SHAL'S GETTING US MORE AS WE SPEAK. 492 00:23:16,767 --> 00:23:18,300 BUT WHAT WE DO KNOW, IS THAT THIS PROPHECY 493 00:23:18,400 --> 00:23:19,968 THAT SUPPOSEDLY INVOLVES YOU, 494 00:23:20,067 --> 00:23:21,400 WAS BEGUN BY THE LINKS 495 00:23:21,501 --> 00:23:23,234 AND MISS RILEY IS ONE OF THEM. 496 00:23:23,334 --> 00:23:24,467 YOU SURE? 497 00:23:24,567 --> 00:23:26,501 GOT THE PROOF RIGHT IN FRONT OF ME, MAN. 498 00:23:26,601 --> 00:23:28,000 LOOK, JUST... 499 00:23:28,100 --> 00:23:29,934 WATCH YOUR BACK UNTIL WE KNOW WHAT GAME SHE'S PLAYING, 500 00:23:30,033 --> 00:23:30,834 ALL RIGHT? 501 00:23:30,934 --> 00:23:32,000 YEAH, YEAH... 502 00:23:32,100 --> 00:23:34,367 JUST KEEP ME POSTED, HUH? 503 00:23:36,434 --> 00:23:39,334 GUESS WE NEED TO TALK. 504 00:23:39,434 --> 00:23:42,000 HUH... 505 00:23:43,067 --> 00:23:45,200 KARA! 506 00:23:51,133 --> 00:23:53,033 DON'T DO THIS, KARA, I DON'T WANT TO HURT YOU. 507 00:23:53,133 --> 00:23:54,167 LIAR! 508 00:23:54,267 --> 00:23:56,100 YOU'VE ALREADY HURT ME. 509 00:23:56,200 --> 00:23:57,467 WE'RE HERE TO HELP YOU. 510 00:23:57,567 --> 00:23:58,334 YOU'RE IN DANGER. 511 00:23:58,434 --> 00:23:59,534 I KNOW WHO YOU ARE. 512 00:23:59,634 --> 00:24:01,634 AND I KNOW WHAT YOU'VE TAKEN FROM ME. 513 00:24:01,734 --> 00:24:03,934 AND I KNOW WHAT YOU WANT. 514 00:24:04,033 --> 00:24:06,267 OHHH... 515 00:24:06,367 --> 00:24:09,367 516 00:24:22,501 --> 00:24:24,033 STOP! 517 00:24:25,868 --> 00:24:27,067 YOU CAN'T KILL HIM YET. 518 00:24:27,167 --> 00:24:28,934 HE'S OUR ONLY PATH TO THE CHILD. 519 00:24:29,033 --> 00:24:29,767 WHAT CHILD? 520 00:24:29,868 --> 00:24:31,300 WHAT'S GOING ON HERE? 521 00:24:31,400 --> 00:24:33,033 KARA! 522 00:24:41,634 --> 00:24:43,968 SHE'S DEAD. 523 00:25:05,334 --> 00:25:07,534 THIS CHILD? 524 00:25:09,000 --> 00:25:10,567 WHO IS HE? 525 00:25:10,667 --> 00:25:17,200 ACCORDING TO THE PROPHECY, HE'S ASHLOCKE'S SECOND COMING. 526 00:25:19,868 --> 00:25:23,000 ACCORDING TO BIOLOGY... 527 00:25:23,100 --> 00:25:25,400 ...HE'S OUR SON. 528 00:25:32,801 --> 00:25:34,367 NOT JUST OURS. 529 00:25:34,467 --> 00:25:36,834 I MEAN, OUR DNA HELPED CREATE HIM. 530 00:25:36,934 --> 00:25:37,901 WHAT? 531 00:25:38,000 --> 00:25:40,501 BUT, KARA, NATHAN, YOURS, MINE 532 00:25:40,601 --> 00:25:42,667 - ONE FROM EACH MUTANT TYPE. 533 00:25:42,767 --> 00:25:44,734 OKAY, BUT HOW'D THEY GET MY DNA? 534 00:25:44,834 --> 00:25:47,534 WELL, I'M SURE YOU'VE BEEN LEAVING IT ALL OVER TOWN. 535 00:25:51,534 --> 00:25:53,868 MOST OF THE LINKS WERE GENOMEXERS, 536 00:25:53,968 --> 00:25:56,701 IT COULDN'T HAVE BEEN ALL THAT HARD. 537 00:25:56,801 --> 00:25:59,133 SO YOU'VE BEEN AFTER THIS KID FROM THE BEGINNING? 538 00:25:59,234 --> 00:26:01,367 WHY DIDN'T YOU JUST TELL ME THAT FROM THE START? 539 00:26:01,467 --> 00:26:02,434 WHEN WE MET IN THE ALLEY? 540 00:26:02,534 --> 00:26:05,667 I KNOW. I KNOW. 541 00:26:05,767 --> 00:26:07,968 REMEMBER THE GUY I SAID I WISH I HADN'T TRUSTED? 542 00:26:08,067 --> 00:26:09,667 OH, OH, WAIT... DON'T TELL ME. 543 00:26:09,767 --> 00:26:10,901 LET ME GUESS. 544 00:26:11,000 --> 00:26:13,133 GABRIEL ASHLOCKE. 545 00:26:17,901 --> 00:26:20,434 YOU KNOW, I REMEMBER HAVING THIS FEELING, 546 00:26:20,534 --> 00:26:22,634 EVER SINCE I WAS A REAL YOUNG KID 547 00:26:22,734 --> 00:26:26,267 THAT I WAS MEANT TO DO SOMETHING WITH MY LIFE, 548 00:26:26,367 --> 00:26:29,133 SOMETHING THAT MATTERED. 549 00:26:29,234 --> 00:26:32,868 AND FOR A WHILE, I THOUGHT THAT WAS PROTECTING ASHLOCKE. 550 00:26:32,968 --> 00:26:35,167 YOU FELL FOR THE WHOLE "I'M THE MUTANT SAVIOUR" CRAP? 551 00:26:38,767 --> 00:26:43,968 WHEN HE DIED, I MEAN, I STAYED WITH THE LINKS. 552 00:26:44,067 --> 00:26:46,000 WHEN BISHOP SPOKE HIS PROPHECY, 553 00:26:46,100 --> 00:26:53,834 AND NAMED ME ONE OF THE CHOSEN FOUR, I ACTUALLY FELT BLESSED. 554 00:26:53,934 --> 00:26:57,334 BUT IF BISHOP'S CORRECT, THE LINKS WILL WARP THAT CHILD 555 00:26:57,434 --> 00:27:01,367 AND MAKE HIM DARKER, DEADLIER THAN ANY MUTANT WE'VE SEEN, 556 00:27:01,467 --> 00:27:03,167 INCLUDING ASHLOCKE. 557 00:27:03,267 --> 00:27:05,734 WELL, THERE'S GOTTA BE SOME WAY THAT WE CAN STOP THEM. 558 00:27:05,834 --> 00:27:06,868 THERE ARE FOUR SIGNS 559 00:27:06,968 --> 00:27:09,767 THAT HERALD THE TRANSFORMATION OF THE CHILD. 560 00:27:09,868 --> 00:27:11,300 THE MOON WILL FALL. 561 00:27:11,400 --> 00:27:13,000 TWO BLOODS WILL BE DASHED. 562 00:27:13,100 --> 00:27:14,901 THE CHILD WILL CHOOSE... 563 00:27:15,000 --> 00:27:16,901 ...AND THE MOUNTAIN WILL CRASH. 564 00:27:17,000 --> 00:27:21,234 IF WE CAN STOP THE SIGN, WE STOP THE PROPHECY. 565 00:27:21,334 --> 00:27:25,267 NOW, THE MOON FALLING, THAT WAS THE ECLIPSE. 566 00:27:25,367 --> 00:27:27,267 TWO BLOODS WILL BE DASHED... 567 00:27:27,367 --> 00:27:28,534 WAIT, THAT... 568 00:27:28,634 --> 00:27:30,234 THAT'S NATHAN AND KARA. 569 00:27:30,334 --> 00:27:31,300 SO WE MISSED TWO SIGNS. 570 00:27:31,400 --> 00:27:34,767 THAT'S MEANS THERE'S ONLY TWO LEFT. 571 00:27:38,534 --> 00:27:42,634 I KNEW YOU WOULD COME. 572 00:27:42,734 --> 00:27:44,934 I KNEW IT. 573 00:27:45,033 --> 00:27:47,501 BEFORE YOU WERE EVEN BORN. 574 00:27:48,801 --> 00:27:50,934 DID YOU KNOW THAT? 575 00:27:54,167 --> 00:27:55,934 ARE WE IN THE PRESENT? 576 00:27:56,033 --> 00:27:59,167 YEAH. 577 00:27:59,267 --> 00:28:02,667 I NEED TO KNOW WHAT THE LAST TWO SIGNS MEAN, BISHOP. 578 00:28:02,767 --> 00:28:03,634 THE MOUNTAIN WILL CRASH. 579 00:28:03,734 --> 00:28:05,133 WHAT IS THE MOUNTAIN? 580 00:28:05,234 --> 00:28:08,367 THE CHILD'S HOME AND FORTRESS. 581 00:28:08,467 --> 00:28:11,734 HIS CASTLE UNDERGROUND. 582 00:28:11,834 --> 00:28:13,133 THE LAST OF THE LINKS 583 00:28:13,234 --> 00:28:15,534 HAVE SPENT THESE TWO YEARS SINCE HIS BIRTH 584 00:28:15,634 --> 00:28:17,634 READYING IT FOR HIM. 585 00:28:17,734 --> 00:28:19,701 WHILE THE GUARDIAN WATCHED OVER HIM. 586 00:28:19,801 --> 00:28:21,868 THE TIME IS READY FOR THE CHILD TO DESCEND NOW, 587 00:28:21,968 --> 00:28:26,501 TO RULE WHERE NO ILL HAND CAN REACH HIM. 588 00:28:26,601 --> 00:28:28,367 WHERE IS HE? 589 00:28:28,467 --> 00:28:31,067 YOU WERE RAILING AGAINST THAT WHICH CANNOT BE STOPPED. 590 00:28:31,167 --> 00:28:33,200 IF IT CAN'T BE STOPPED, THEN THERE'S NO DANGER IN TELLING. 591 00:28:33,300 --> 00:28:35,434 592 00:28:35,534 --> 00:28:38,400 UNLESS YOU AREN'T AS SURE OF YOUR PREDICTIONS AS YOU PRETEND? 593 00:28:38,501 --> 00:28:42,400 594 00:28:42,501 --> 00:28:44,701 YOU TRY HOLDING IT ALL INSIDE YOUR HEAD, GIRL. 595 00:28:44,801 --> 00:28:46,467 ALL THE POSSIBLE FUTURES AND ALL THE WORLD 596 00:28:46,567 --> 00:28:49,400 GETTING A FRESH GLIMPSE WITH EVERY HAND YOU TOUCH. 597 00:28:49,501 --> 00:28:52,801 SEE HOW EASY IT IS FOR YOU TO SEE THE ONE TRUE WAY. 598 00:29:00,200 --> 00:29:03,501 I'LL PROVE I'M RIGHT. 599 00:29:03,601 --> 00:29:06,434 TELL THE LAST OF THE BLOODS THEY CAN FIND THE GUARDIAN 600 00:29:06,534 --> 00:29:11,667 WHERE TRACKS MEET WATERS UNDER DESTINY. 601 00:29:13,767 --> 00:29:16,167 BUT IT'LL DO THEM NO GOOD. 602 00:29:16,267 --> 00:29:18,234 SO I HAVE SEEN. 603 00:29:18,334 --> 00:29:20,701 SO IT SHALL BE. 604 00:29:28,167 --> 00:29:30,601 SHALIMAR? 605 00:29:34,267 --> 00:29:37,701 DO YOU WANT TO KNOW HOW YOU WILL DIE? 606 00:29:37,801 --> 00:29:39,734 I PREFER THE SUSPENSE, THANKS. 607 00:29:39,834 --> 00:29:43,300 AND WHAT OF BRENNAN? 608 00:29:43,400 --> 00:29:46,868 WOULD YOU NOT LIKE TO KNOW HOW IT ENDS FOR HIM? 609 00:29:46,968 --> 00:29:52,868 IF THERE'S A CHANCE YOU COULD SAVE HIM FROM IT? 610 00:29:52,968 --> 00:29:55,567 I DON'T WANT TO HEAR ANOTHER WORD FROM YOU. 611 00:29:55,667 --> 00:29:58,834 YOU WILL. 612 00:29:58,934 --> 00:30:00,334 YOU WILL! 613 00:30:00,434 --> 00:30:06,734 YOU WILL! YOU WILL! YOU WILL! YOU WILL! 614 00:30:10,567 --> 00:30:12,767 YOU WILL. 615 00:30:12,868 --> 00:30:13,801 BRENNAN? 616 00:30:13,901 --> 00:30:15,133 YEAH, MAN? 617 00:30:15,234 --> 00:30:17,767 WELL, SHALIMAR JUST GOT THE LAST CLUE FROM BISHOP. 618 00:30:17,868 --> 00:30:19,133 HE SAID THAT YOU'LL FIND THE GUARDIAN 619 00:30:19,234 --> 00:30:22,033 WHERE THE TRACKS MEET THE WATER UNDER DESTINY. 620 00:30:22,133 --> 00:30:23,534 SOUNDS LIKE A FORTUNE COOKIE. 621 00:30:23,634 --> 00:30:26,400 YEAH, WELL, EXCEPT THAT THERE'S AN OLD RAILWAY LINE 622 00:30:26,501 --> 00:30:27,701 THAT ENDS AT THE DOCKS, 623 00:30:27,801 --> 00:30:30,734 AND THERE'S A BOAT IN PIER 17 NAMED DESTINY. 624 00:30:30,834 --> 00:30:32,234 WE FIGURE THAT'S WHERE THE GUARDIAN'S KEEPING THE KID 625 00:30:32,334 --> 00:30:33,567 UNTIL IT'S TIME TO MOVE IT. 626 00:30:33,667 --> 00:30:36,234 YEAH. AND WHICH, ACCORDING TO BISHOP, IS RIGHT ABOUT NOW. 627 00:30:36,334 --> 00:30:38,501 WE'RE ON IT. 628 00:30:38,601 --> 00:30:40,701 I'LL TELL YOU, I DON'T KNOW WHAT THOSE LINKHEADS WERE THINKING. 629 00:30:40,801 --> 00:30:42,734 TWO MUTANTS HAVING KIDS IS STUPID ENOUGH, 630 00:30:42,834 --> 00:30:43,934 BUT MIXING FOUR... 631 00:30:44,033 --> 00:30:46,000 WHOA, BACK THAT UP. JUST BACK THAT UP. 632 00:30:46,100 --> 00:30:48,367 TWO MUTANTS HAVING KIDS IS STUPID? 633 00:30:48,467 --> 00:30:49,634 SINCE WHEN? 634 00:30:49,734 --> 00:30:50,934 SINCE EIGHTY PERCENT OF THE TIME 635 00:30:51,033 --> 00:30:52,601 THEY'RE BIOLOGICAL DISASTERS. 636 00:30:52,701 --> 00:30:54,067 WHAT ABOUT THE OTHER TWENTY? 637 00:30:54,167 --> 00:30:55,300 SELFISH IMPULSE. 638 00:30:55,400 --> 00:30:56,400 I'M SORRY, BUT THE LAST TIME I CHECKED, 639 00:30:56,501 --> 00:30:58,367 PROCREATION IS A BASIC HUMAN RIGHT. 640 00:30:58,467 --> 00:30:59,634 HMM, AND THE LAST TIME I CHECKED, 641 00:30:59,734 --> 00:31:02,634 WE WEREN'T BASIC HUMANS. 642 00:31:02,734 --> 00:31:04,601 OH, STOP LOOKING AT ME LIKE I JUST KILLED YOUR PUPPY. 643 00:31:04,701 --> 00:31:06,501 YOU KNOW I'M RIGHT. 644 00:31:06,601 --> 00:31:08,033 JESS, OUR VERY EXISTENCE IS SCREWING 645 00:31:08,133 --> 00:31:10,367 WITH THE NATURAL ORDER OF THINGS. 646 00:31:10,467 --> 00:31:12,100 THE ONLY WAY TO MAKE IT RIGHT AGAIN IS... 647 00:31:12,200 --> 00:31:13,934 IS TO LET US MUTANTS DIE OUT. 648 00:31:14,033 --> 00:31:16,167 THAT'S IT. 649 00:31:18,801 --> 00:31:20,734 AW, I WISH YOU WOULD HAVE LET ME WHACK THAT GUARDIAN THING 650 00:31:20,834 --> 00:31:21,934 WHEN I HAD THE CHANCE. 651 00:31:22,033 --> 00:31:23,734 DON'T BE SO SURE YOU COULD HAVE. 652 00:31:23,834 --> 00:31:25,734 SOMETIMES I THINK HE'S INDESTRUCTIBLE. 653 00:31:25,834 --> 00:31:27,968 WELL, I LOOK FORWARD TO PROVING YOU WRONG. 654 00:31:29,133 --> 00:31:31,634 DESTINY. 655 00:31:31,734 --> 00:31:32,868 BRENNAN! 656 00:31:32,968 --> 00:31:35,434 AGH... 657 00:31:35,534 --> 00:31:38,734 AGH...! AGH! 658 00:31:38,834 --> 00:31:42,300 AGH...! OH... 659 00:31:42,400 --> 00:31:46,000 UGH... 660 00:31:56,434 --> 00:31:58,501 HE DISAPPEARED. 661 00:31:58,601 --> 00:32:00,067 HE CHOSE... 662 00:32:00,167 --> 00:32:01,434 WHAT? 663 00:32:01,534 --> 00:32:04,300 THE CHILD WILL CHOOSE. 664 00:32:04,400 --> 00:32:08,767 HE CHOSE TO PROTECT THE GUARDIAN. 665 00:32:08,868 --> 00:32:11,667 WE JUST WATCHED THE THIRD SIGN. 666 00:32:14,868 --> 00:32:17,167 CLOSE TO WHERE BRENNAN AND RILEY LAST SAW THE GUARDIAN. 667 00:32:17,267 --> 00:32:18,667 DO YOU WANT TO COME AND TAKE A LOOK? 668 00:32:18,767 --> 00:32:21,033 YOU'RE ASHAMED OF YOUR MUTATION. 669 00:32:21,133 --> 00:32:22,834 OH, MY GOD. WHAT ARE YOU TALKING ABOUT? 670 00:32:22,934 --> 00:32:24,601 I CAN'T BELIEVE THAT I NEVER NOTICED IT BEFORE. 671 00:32:24,701 --> 00:32:30,100 BUT ADMIT IT... DEEP DOWN YOU'RE A SELF-LOATHING MUTANT. 672 00:32:30,200 --> 00:32:31,300 DO YOU HEAR HOW STUPID YOU'RE SOUNDING RIGHT NOW, 673 00:32:31,400 --> 00:32:32,567 OR IS IT JUST ME? 674 00:32:32,667 --> 00:32:34,234 ...I MEAN, YOU'RE NOT EXACTLY THE POSTER CHILD 675 00:32:34,334 --> 00:32:35,334 FOR THE PICTURE PERFECT FAMILY, 676 00:32:35,434 --> 00:32:36,601 SO WHY WOULD IT SURPRISE ME 677 00:32:36,701 --> 00:32:38,000 THAT YOU'RE AN ANTl-BREEDER? 678 00:32:38,100 --> 00:32:39,567 OKAY. WELL, I'M ALSO RIGHT. 679 00:32:39,667 --> 00:32:41,701 TELL ME, JESS, HOW MANY TIMES HAVE WE HAD TO STEP IN 680 00:32:41,801 --> 00:32:43,734 TO AVERT MUTANT-CAUSED DISASTERS, 681 00:32:43,834 --> 00:32:45,567 JUST WITH THE FEW OF US THAT EXIST SO FAR? 682 00:32:45,667 --> 00:32:46,734 THAT IS SUCH A CHEAP ARGUMENT. 683 00:32:46,834 --> 00:32:47,701 NO, IT'S NOT. 684 00:32:47,801 --> 00:32:48,734 OH, COME ON. 685 00:32:48,834 --> 00:32:49,634 LIKE, THERE'S NOT CRIMINALS OUT THERE 686 00:32:49,734 --> 00:32:50,968 IN THE NORMAL SOCIETY AS WELL. 687 00:32:51,067 --> 00:32:55,133 NONE THAT ARE THEIR OWN PERSONAL BIOLOGICAL WEAPONS, NO. 688 00:32:55,234 --> 00:32:56,067 OH... 689 00:32:56,167 --> 00:32:58,467 IT'S EVOLUTION, JESS. 690 00:32:58,567 --> 00:33:00,033 SURVIVAL OF THE FITTEST. 691 00:33:00,133 --> 00:33:02,033 THAT'S US. 692 00:33:02,133 --> 00:33:03,934 WE'LL LIVE AND WE'LL THRIVE, BUT YOU KNOW WHAT? 693 00:33:04,033 --> 00:33:05,133 THE REST OF HUMANITY IS GOING TO DIE, 694 00:33:05,234 --> 00:33:07,267 AND THAT'S NOT SUPPOSED TO HAPPEN. 695 00:33:07,367 --> 00:33:08,467 WHAT IF IT IS? 696 00:33:08,567 --> 00:33:09,567 WHAT? 697 00:33:09,667 --> 00:33:11,968 WHAT IF THERE ARE NO COSMIC ACCIDENTS? 698 00:33:12,067 --> 00:33:14,634 WHAT IF ADAM WAS SUPPOSED TO CREATE US? 699 00:33:14,734 --> 00:33:18,100 AND WE'RE THE BEGINNING OF... I DON'T KNOW... 700 00:33:18,200 --> 00:33:21,734 THE BEGINNING OF A NEW PHASE OF HUMANITY? 701 00:33:21,834 --> 00:33:23,834 WHATEVER HELPS YOU SLEEP. 702 00:33:23,934 --> 00:33:25,267 I GUESS WE'RE JUST GOING TO HAVE TO AGREE TO DISAGREE, 703 00:33:25,367 --> 00:33:26,501 THAT'S ALL. 704 00:33:26,601 --> 00:33:27,734 FINE. 705 00:33:27,834 --> 00:33:30,067 FINE. 706 00:33:33,901 --> 00:33:35,067 LEXA, PLEASE. 707 00:33:35,167 --> 00:33:36,534 LOOK, ALL I'M SAYING, 708 00:33:36,634 --> 00:33:39,567 IS IF THERE WAS A HUNDRED LITTLE BABY LEXAS 709 00:33:39,667 --> 00:33:40,934 RUNNING AROUND OUT THERE IN THE WORLD 710 00:33:41,033 --> 00:33:42,334 THAT WERE ALL GOING TO GROW UP TO BE JUST LIKE YOU, 711 00:33:42,434 --> 00:33:45,167 I HAPPEN TO THINK THE WORLD WOULD BE A BETTER PLACE. 712 00:33:47,300 --> 00:33:49,667 YEP. 713 00:33:49,767 --> 00:33:52,534 A FRUSTRATING, PIGHEADED... 714 00:33:52,634 --> 00:33:54,734 BEAUTIFUL PLACE. 715 00:33:57,501 --> 00:33:59,334 WHAT? 716 00:33:59,434 --> 00:34:05,934 SOMETIMES, YOU KNOW, FOR A MORON... 717 00:34:06,033 --> 00:34:09,968 YOU SAY EXACTLY THE RIGHT THINGS. 718 00:34:10,067 --> 00:34:13,100 NOW COME HELP ME FIND MY MOUNTAIN. 719 00:34:19,467 --> 00:34:20,767 LET'S TAKE A TIGHTER LOOK. 720 00:34:22,200 --> 00:34:23,801 NOPE. 721 00:34:23,901 --> 00:34:26,133 UH UH. 722 00:34:26,234 --> 00:34:28,300 OH... 723 00:34:28,400 --> 00:34:31,000 DADDY LIKES. 724 00:34:31,100 --> 00:34:33,734 OKAY, KIDS, I THINK WE GOT OUR LAST DESTINATION. 725 00:34:33,834 --> 00:34:36,200 IT'S A GROUPING OF CAVES UNDER THE SEWERS NEAR YOU. 726 00:34:36,300 --> 00:34:37,601 IT'S A... 727 00:34:37,701 --> 00:34:39,601 OLD MINE. 728 00:34:40,434 --> 00:34:41,434 ALL RIGHT. 729 00:34:41,534 --> 00:34:42,667 SO HOW MANY LINKS ARE LEFT? 730 00:34:42,767 --> 00:34:44,534 ONLY A HANDFUL OF HARD CORE BELIEVERS. 731 00:34:44,634 --> 00:34:48,367 BUT NOTHING'S MORE DANGEROUS IN THE WRONG HANDS THAN FAITH. 732 00:34:48,467 --> 00:34:49,767 YEAH. 733 00:34:49,868 --> 00:34:51,734 TRUST ME, I DON'T WANT TO RUN INTO ANY OF THEM. 734 00:34:51,834 --> 00:34:52,901 SHAL, WHERE YOU AT? 735 00:34:53,000 --> 00:34:54,501 IN THE HELIX, NOT FAR FROM YOU. 736 00:34:54,601 --> 00:34:56,000 ALL RIGHT, I'M HAVING A FEELING 737 00:34:56,100 --> 00:34:57,467 WE'RE GOING TO BE VERY OUTNUMBERED. 738 00:34:57,567 --> 00:34:59,000 SO YOU GOT MY BACK? 739 00:34:59,100 --> 00:35:01,133 ALWAYS. 740 00:35:05,734 --> 00:35:07,234 SO IT'S HER? 741 00:35:07,334 --> 00:35:08,701 WHO? 742 00:35:08,801 --> 00:35:12,601 THE WOMAN WHOSE FINGERPRINTS I FEEL ALL OVER YOUR HEART. 743 00:35:12,701 --> 00:35:15,033 HUH, I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 744 00:35:15,133 --> 00:35:17,400 BESIDES, DIDN'T I TELL YOU TO STAY OUT OF MY HEAD? 745 00:35:17,501 --> 00:35:19,200 OH, THAT WASN'T PSIONICS, HONEY. 746 00:35:19,300 --> 00:35:21,467 THAT WAS JUST FEMALE INTUITION. 747 00:35:21,567 --> 00:35:22,734 YEAH, FEMALE INTUITION. 748 00:35:22,834 --> 00:35:26,200 WELL, I HOPE SHE'S NOT IN AS MUCH DENIAL AS YOU ARE. 749 00:35:26,300 --> 00:35:27,334 HUH... WAIT, WAIT, HOLD UP. 750 00:35:27,434 --> 00:35:28,634 HOLD ON ONE SEC. 751 00:35:28,734 --> 00:35:29,934 LET ME ASK YOU A QUESTION. 752 00:35:30,033 --> 00:35:31,100 YEAH. 753 00:35:31,200 --> 00:35:32,501 IF YOU'RE A TELEPATH, 754 00:35:32,601 --> 00:35:34,300 THEN HOW THE HELL DID YOU GET FOOLED BY ASHLOCKE? 755 00:35:34,400 --> 00:35:36,434 WELL, HE DIDN'T USE HIS POWERS TO CONVERT ME, 756 00:35:36,534 --> 00:35:38,267 IF THAT'S WHAT YOU'RE ASKING. 757 00:35:38,367 --> 00:35:42,167 AT THE END OF THE DAY, ALL HE USED WAS HIS CHARM. 758 00:35:42,267 --> 00:35:44,167 FELL IN LOVE WITH THE BASTARD. 759 00:35:44,267 --> 00:35:45,601 IT'S PATHETIC, HUH? 760 00:35:45,701 --> 00:35:47,767 UH, YEAH. 761 00:35:47,868 --> 00:35:49,000 FACE IT, ONE OF THESE DAYS 762 00:35:49,100 --> 00:35:50,534 YOU'RE GOING TO HAVE TO TRUST SOMEONE, AGAIN. 763 00:35:50,634 --> 00:35:53,067 NO. WHAT I HAVE TO DO IS MAKE SURE THAT NO MUTANT LIKE THAT 764 00:35:53,167 --> 00:35:57,100 EVER EXISTS AGAIN... WHATEVER IT TAKES. 765 00:35:58,567 --> 00:36:00,434 OKAY, SO HOW DO YOU KNOW WHERE WE'RE GOING? 766 00:36:00,534 --> 00:36:02,167 BY TRACKING. 767 00:36:02,267 --> 00:36:03,734 CAN'T YOU FEEL HIM? 768 00:36:03,834 --> 00:36:05,934 HUH... THE CHILD? 769 00:36:06,033 --> 00:36:07,934 AND NOT JUST HIM. 770 00:36:08,868 --> 00:36:10,534 YOU'RE TOO LATE, BETRAYER! 771 00:36:21,901 --> 00:36:23,934 RILEY! 772 00:36:24,033 --> 00:36:26,467 HUH... 773 00:36:26,567 --> 00:36:29,067 UGH... 774 00:36:29,167 --> 00:36:31,868 WHERE'D SHE GO? 775 00:36:33,567 --> 00:36:35,133 THE MOUNTAIN WILL CRASH. 776 00:36:35,234 --> 00:36:38,868 THAT WAS THE LAST SIGN. 777 00:36:38,968 --> 00:36:40,667 I THINK SHE'S... 778 00:36:40,767 --> 00:36:43,968 I THINK SHE'S GOING AFTER THE KID. 779 00:36:44,067 --> 00:36:45,567 SHE'S GOING TO KILL HIM. 780 00:36:48,200 --> 00:36:49,434 KEEP YOUR HEADS UP. 781 00:36:49,534 --> 00:36:50,400 WELL, I'D FEEL A LOT BETTER DOWN HERE IF WE KNEW 782 00:36:50,501 --> 00:36:51,901 HOW TO KILL THE GUARDIAN. 783 00:36:52,000 --> 00:36:54,467 WELL, WE'LL SEE WHAT WE CAN DO ABOUT THAT. 784 00:36:56,400 --> 00:37:00,067 ALL RIGHT. I'M LOOKING FOR WEAKNESSES IN HIS ARACHNID STRUCTURE. 785 00:37:00,167 --> 00:37:01,334 YEAH, BUT WITH OUT RILEY'S PSIONIC, 786 00:37:01,434 --> 00:37:03,267 HOW ARE YOU GUYS GOING TO TRACK DOWN THE CHILD? 787 00:37:03,367 --> 00:37:06,133 COME ON, SHE FOLLOWED THE BOY; I'LL FOLLOW HER. 788 00:37:39,601 --> 00:37:40,634 RILEY, NO! 789 00:37:40,734 --> 00:37:41,968 IT'S NOT WHAT YOU THINK, BRENNAN. 790 00:37:42,067 --> 00:37:42,934 I WAS WRONG. 791 00:37:43,033 --> 00:37:44,400 HE ISN'T EVIL. 792 00:37:44,501 --> 00:37:46,434 HE'S JUST A BOY. 793 00:37:46,534 --> 00:37:47,567 HE'S TRICKING HER. 794 00:37:47,667 --> 00:37:48,567 JUST LIKE ASHLOCKE. 795 00:37:48,667 --> 00:37:50,234 HE IS NOTHING LIKE ASHLOCKE. 796 00:37:50,334 --> 00:37:52,234 I'VE LOOKED INSIDE HIS MIND, BRENNAN. 797 00:37:52,334 --> 00:37:55,701 AND HE'S BEAUTIFUL. 798 00:37:55,801 --> 00:37:59,200 THE OPPOSITE OF EVERYTHING I THOUGHT. 799 00:37:59,300 --> 00:38:01,801 I TRUST HIM. 800 00:38:01,901 --> 00:38:03,167 BUT THE PROPHECY. 801 00:38:03,267 --> 00:38:06,234 THE THIRD SIGN WAS THE CHILD SHALL CHOOSE. 802 00:38:06,334 --> 00:38:07,601 AND HE... HE CHOSE THE GUARDIAN. 803 00:38:07,701 --> 00:38:08,601 NO. 804 00:38:08,701 --> 00:38:11,300 HE CHOSE TO LET US LIVE. 805 00:38:11,400 --> 00:38:14,667 HE FREED HIMSELF FROM THE PROPHECY BY CHOOSING THAT PATH, 806 00:38:14,767 --> 00:38:18,834 BY FOLLOWING THE GOOD INSIDE. 807 00:38:18,934 --> 00:38:20,834 LET ME TAKE HIM. 808 00:38:20,934 --> 00:38:21,701 NO! 809 00:38:21,801 --> 00:38:22,968 WE CAN RUN FROM THE LINKS. 810 00:38:23,067 --> 00:38:24,334 YOU'LL SPEND THE REST OF YOUR LIFE RUNNING. 811 00:38:24,434 --> 00:38:26,567 I TOLD YOU, I WOULD SPEND THE REST OF MY LIFE 812 00:38:26,667 --> 00:38:30,267 MAKING UP FOR ASHLOCKE. 813 00:38:30,367 --> 00:38:33,267 THIS IS HOW I WAS MEANT TO DO IT. 814 00:38:33,367 --> 00:38:36,100 PLEASE DON'T TAKE THAT FROM ME. 815 00:38:40,734 --> 00:38:46,567 HE WANTS YOU TO COME WITH US. 816 00:38:53,234 --> 00:38:55,267 I CAN'T. 817 00:38:55,367 --> 00:38:57,334 THEY'LL KILL HIM BEFORE THEY LET US HAVE HIM. 818 00:38:57,434 --> 00:38:59,534 YOU KNOW THAT. 819 00:39:14,434 --> 00:39:16,467 BRENNAN? 820 00:39:18,033 --> 00:39:20,701 GO. 821 00:39:30,467 --> 00:39:31,400 JESS, A LITTLE HELP. 822 00:39:31,501 --> 00:39:33,501 HOW THE HELL DO WE KILL THIS THING? 823 00:39:33,601 --> 00:39:35,968 HE MIGHT HAVE A WEAKNESS IN HIS EXOSKELETON, 824 00:39:36,067 --> 00:39:39,467 SMALL OF HIS BACK, WHERE THE PLATES OVERLAP. 825 00:39:39,567 --> 00:39:41,300 KEEP HIM BUSY. 826 00:39:47,167 --> 00:39:48,300 C'MON... 827 00:39:50,868 --> 00:39:53,534 AGH...! 828 00:40:01,367 --> 00:40:04,701 WELL, SO MUCH FOR BISHOP'S PROPHECY. 829 00:40:25,634 --> 00:40:26,601 SORRY. 830 00:40:26,701 --> 00:40:29,000 I GREW RESTLESS WAITING FOR YOU. 831 00:40:29,100 --> 00:40:30,601 WHAT HAVE YOU DONE? 832 00:40:30,701 --> 00:40:32,734 HUH? OH, SLEEPING. 833 00:40:32,834 --> 00:40:34,634 I THOUGHT IT BEST WE TALK ALONE. 834 00:40:34,734 --> 00:40:36,167 YOU DID WANT TO TALK... 835 00:40:36,267 --> 00:40:38,934 DIDN'T YOU? 836 00:40:41,300 --> 00:40:44,534 YOUR PROPHECY WAS FALSE. 837 00:40:44,634 --> 00:40:45,634 WE LET THE CHILD GO. 838 00:40:45,734 --> 00:40:47,133 THERE WAS NOTHING EVIL ABOUT HIM. 839 00:40:47,234 --> 00:40:49,067 THERE'S SOMETHING EVIL ABOUT ALL OF US. 840 00:40:49,167 --> 00:40:52,067 IT'S OUR CHOICE WHAT FACE WE SHOW. 841 00:40:52,167 --> 00:40:57,300 ASK ME A QUESTION, MY LITTLE FERAL... 842 00:40:59,767 --> 00:41:03,300 TELL ME HOW IT ENDS. 843 00:41:03,400 --> 00:41:05,901 WHAT HAPPENS TO ME AND MY FRIENDS. 844 00:41:06,000 --> 00:41:09,434 THE FINAL BATTLE IS UPON YOU ALL... 845 00:41:11,834 --> 00:41:13,767 FOUR WILL BEGIN. 846 00:41:13,868 --> 00:41:16,067 TRUE LOVE WILL CALL. 847 00:41:16,167 --> 00:41:18,067 ONE WILL BETRAY. 848 00:41:18,167 --> 00:41:21,033 AND ONE WILL FALL. 849 00:41:24,934 --> 00:41:26,801 FALL? WHAT DO YOU MEAN, FALL? 850 00:41:26,901 --> 00:41:28,000 DO YOU MEAN DIE? 851 00:41:28,100 --> 00:41:30,901 852 00:41:31,000 --> 00:41:32,567 TELL ME! 853 00:41:35,734 --> 00:41:38,067 854 00:41:38,167 --> 00:41:40,067 DON'T FIGHT IT, SHALIMAR. 855 00:41:40,167 --> 00:41:44,200 YOU AND YOUR FRIENDS CAN'T HIDE FROM FATE, SHALIMAR. 856 00:41:46,300 --> 00:41:49,868 IT'S ALREADY FOUND YOU. 857 00:41:51,400 --> 00:41:54,400 CAN WE STOP IT? 858 00:41:54,501 --> 00:41:58,601 SO I HAVE SEEN, SO IT SHALL BE. 859 00:42:00,367 --> 00:42:02,567 NO. TELL ME! 860 00:42:02,667 --> 00:42:07,267 58025