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These are the user uploaded subtitles that are being translated: 0 00:00:01,000 --> 00:00:04,000 Downloaded From www.AllSubs.org 1 00:00:00,105 --> 00:00:05,000 Shared by http://DJJ.HOME.SAPO.PT/ 1 00:00:28,767 --> 00:00:30,000 ANYTHING YOU WANT. 2 00:00:30,100 --> 00:00:31,467 THAT'S THE ONE. 3 00:00:42,701 --> 00:00:44,834 COME ON, LET'S GET OUTTA HERE. 4 00:00:44,934 --> 00:00:45,968 WHATEVER'S GOING ON, 5 00:00:46,067 --> 00:00:47,467 THE PLACE IS CREEPING ME OUT BIG TIME. 6 00:00:47,567 --> 00:00:50,200 GOD, I KNEW THIS JOB WAS TOO GOOD TO BE TRUE. 7 00:00:50,300 --> 00:00:51,467 BABY... 8 00:00:51,567 --> 00:00:53,601 THERE YOU ARE. 9 00:00:53,701 --> 00:00:54,334 HI. 10 00:00:54,434 --> 00:00:55,467 UM... 11 00:00:55,567 --> 00:00:56,567 BRITTANY? 12 00:00:56,667 --> 00:00:57,734 WHAT'S GOING ON? 13 00:00:57,834 --> 00:01:02,200 I FINALLY MET THE MAN OF MY DREAMS. 14 00:01:02,300 --> 00:01:04,200 HUH... 15 00:01:04,300 --> 00:01:06,033 THEY GOT TO YOU TOO, DIDN'T THEY? 16 00:01:06,133 --> 00:01:08,734 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 17 00:01:11,701 --> 00:01:13,367 18 00:01:33,834 --> 00:01:35,234 SHAL, COME ON. WHAT ARE YOU DOING? 19 00:01:35,334 --> 00:01:36,434 THE MOVIE STARTS IN AN HOUR. 20 00:01:36,534 --> 00:01:37,667 WE'RE GOING TO MISS THE PREVIEWS - AGAIN. 21 00:01:37,767 --> 00:01:38,934 WOULD YOU KEEP YOUR PANTS ON? 22 00:01:39,033 --> 00:01:40,334 WE HAVE PLENTY OF TIME. 23 00:01:40,434 --> 00:01:41,300 WHAT? 24 00:01:41,400 --> 00:01:42,567 OR BETTER YET, TAKE THOSE OFF. 25 00:01:42,667 --> 00:01:43,667 YOU AIN'T READY. 26 00:01:43,767 --> 00:01:44,567 COME ON... 27 00:01:44,667 --> 00:01:46,501 COME ON, VOICE MAIL... 28 00:01:46,601 --> 00:01:47,501 HOLD ON, HOLD ON, HOLD ON. 29 00:01:47,601 --> 00:01:49,000 VOICE MAIL. VOICE MAIL. 30 00:01:49,100 --> 00:01:50,434 YEAH? 31 00:01:50,534 --> 00:01:52,300 SHALIMAR, IT'S ME, GIA. 32 00:01:53,567 --> 00:01:54,734 GIA. 33 00:01:54,834 --> 00:01:57,133 I DIDN'T KNOW WHO ELSE TO TURN TO - YOU GOTTA HELP ME. 34 00:01:57,234 --> 00:01:58,501 LOOK, GIA, I TOLD YOU LAST TIME, 35 00:01:58,601 --> 00:02:00,267 YOU GOTTA CHECK YOURSELF INTO REHAB. 36 00:02:00,367 --> 00:02:01,467 SHALIMAR, I'M STRAIGHT. 37 00:02:01,567 --> 00:02:02,634 I SWEAR. 38 00:02:02,734 --> 00:02:04,167 WELL, THEN, WHAT'S WRONG? 39 00:02:04,267 --> 00:02:05,534 I CAN'T TALK ABOUT IT HERE. 40 00:02:05,634 --> 00:02:06,601 COULD YOU JUST MEET ME? 41 00:02:06,701 --> 00:02:07,834 I'M AT THE... 42 00:02:07,934 --> 00:02:09,300 MEET YOU WHERE? 43 00:02:09,400 --> 00:02:11,067 GIA? 44 00:02:12,501 --> 00:02:13,934 COME ON, GIA. 45 00:02:14,033 --> 00:02:16,567 YOU GOT A NEW FRIEND WHO'S DYING TO MEET YOU. 46 00:02:18,868 --> 00:02:20,267 I'M OUTTA HERE. 47 00:02:21,868 --> 00:02:23,167 UHH. 48 00:02:24,701 --> 00:02:26,267 UHH. 49 00:02:27,901 --> 00:02:29,701 TAKE HER DOWNSTAIRS. 50 00:02:34,367 --> 00:02:35,267 THAT'S WEIRD. 51 00:02:35,367 --> 00:02:36,534 WHY WOULD SHE JUST HANG UP LIKE THAT? 52 00:02:36,634 --> 00:02:38,667 WELL, MAYBE HER DEALER FINALLY CAME THROUGH. 53 00:02:38,767 --> 00:02:40,267 COME ON, BRENNAN, YOU HEARD HER. 54 00:02:40,367 --> 00:02:41,667 SHE SOUNDED REALLY FREAKED OUT. 55 00:02:41,767 --> 00:02:43,367 SHAL, HOW MANY TIMES ARE YOU GOING TO LET HER 56 00:02:43,467 --> 00:02:44,767 DRAG YOU DOWN THIS ROAD? 57 00:02:44,868 --> 00:02:46,167 I KNOW FERALS ARE TIGHT, BUT... 58 00:02:46,267 --> 00:02:47,300 IT'S NOT LIKE THAT. 59 00:02:47,400 --> 00:02:48,300 WELL, IF IT'S IMPORTANT, 60 00:02:48,400 --> 00:02:49,567 SHE'S GOING TO CALL BACK, RIGHT? 61 00:02:49,667 --> 00:02:50,601 COME ON, MOVIES. 62 00:02:50,701 --> 00:02:52,868 MOVIES. PREVIEWS. COME ON! 63 00:02:52,968 --> 00:02:54,367 I GUESS SO. 64 00:02:54,467 --> 00:02:56,434 COME ON! 65 00:02:57,467 --> 00:02:58,701 THIS ONE'S SPECIAL. 66 00:02:58,801 --> 00:03:00,868 SHE PUT UP QUITE THE FIGHT. 67 00:03:00,968 --> 00:03:02,701 WAIT A MINUTE. I THINK MAYBE WE... 68 00:03:02,801 --> 00:03:03,934 YOU KNOW, THIS... 69 00:03:04,067 --> 00:03:05,367 I'M NOT FEELING GOOD ABOUT THIS, 70 00:03:05,467 --> 00:03:06,367 MAYBE WE SHOULD WAIT. 71 00:03:06,467 --> 00:03:07,767 DON'T BE SUCH A COWARD. 72 00:03:07,868 --> 00:03:10,033 SHE'S ALREADY PAID FOR. 73 00:03:13,834 --> 00:03:15,801 START THE PROCEDURE. 74 00:03:36,167 --> 00:03:40,133 SCIENTIST ADAM KANE WAS A PIONEER OF GENETIC RESEARCH. 75 00:03:40,234 --> 00:03:44,868 MANIPULATING DNA TO SAVE HUMAN LIVES. 76 00:03:44,968 --> 00:03:48,234 BUT IN MANY THEIR GENES UNEXPECTEDLY MUTATED 77 00:03:48,334 --> 00:03:51,400 AND THEY DEVELOPED SUPERHUMAN ABILITIES. 78 00:04:20,734 --> 00:04:23,267 TOGETHER, FOUR OF THE MOST POWERFUL FIGHT 79 00:04:23,367 --> 00:04:26,634 TO PROTECT A WORLD THAT DOESN'T EVEN KNOW THEY EXIST. 80 00:04:29,100 --> 00:04:32,834 THEY ARE... MUTANT X. 81 00:04:37,968 --> 00:04:40,300 SLOW NIGHT AT SANCTUARY, IS IT? 82 00:04:42,133 --> 00:04:44,033 83 00:04:45,501 --> 00:04:46,834 DO YOU WANT SOMETHING, JESS? 84 00:04:46,934 --> 00:04:48,100 YEAH. 85 00:04:48,200 --> 00:04:49,334 LISTEN, UH, 86 00:04:49,434 --> 00:04:50,534 WHILE WE'RE STILL ON GOOD TERMS WITH THE DOMINION, 87 00:04:50,634 --> 00:04:51,801 DO YOU THINK YOU COULD GET YOUR FRIENDS 88 00:04:51,901 --> 00:04:54,400 TO GET US A CRANK 38 DUAL PROCESSOR FOR THE HELIX? 89 00:04:54,501 --> 00:04:55,601 WHAT'S WRONG WITH THE OLD ONE? 90 00:04:55,701 --> 00:04:56,667 OH, NOTHING. 91 00:04:56,767 --> 00:04:59,667 IT'S JUST THIS ONE'S BIGGER... BETTER. 92 00:05:01,100 --> 00:05:03,033 WHAT'S IN IT FOR ME? 93 00:05:03,133 --> 00:05:04,334 SORRY? 94 00:05:04,434 --> 00:05:06,334 IF I'M GOING TO CALL YOU IN A FAVOUR, 95 00:05:06,434 --> 00:05:09,033 WHAT ARE YOU WILLING TO DO FOR ME, HM? 96 00:05:09,133 --> 00:05:10,801 UM... 97 00:05:10,901 --> 00:05:12,434 WHADDYA WANT? 98 00:05:12,534 --> 00:05:14,200 HMM... 99 00:05:15,834 --> 00:05:16,968 OH! 100 00:05:17,100 --> 00:05:20,534 WELL, YOU COULD PAINT MY TOENAILS. 101 00:05:20,634 --> 00:05:21,167 HM? 102 00:05:21,267 --> 00:05:22,334 DREAM ON. 103 00:05:22,434 --> 00:05:23,501 DREAM ON? 104 00:05:23,601 --> 00:05:25,434 HEY, JESS? 105 00:05:27,667 --> 00:05:29,567 YEAH? 106 00:05:36,467 --> 00:05:39,300 HEY, SO HOW WAS THE MOVIE? 107 00:05:39,400 --> 00:05:41,367 I'LL TELL YOU WHEN I ACTUALLY GET A CHANCE TO SEE IT. 108 00:05:41,467 --> 00:05:42,734 JESS, CAN YOU DO ME A FAVOUR? 109 00:05:42,834 --> 00:05:44,868 I NEED YOU TO RUN A TRACE ON A CALL I GOT EARLIER 110 00:05:44,968 --> 00:05:46,133 FROM A FRIEND OF MINE. 111 00:05:46,234 --> 00:05:47,634 I'LL SEE WHAT I CAN DO. 112 00:05:47,734 --> 00:05:49,167 GIA DUCHAMPS. 113 00:05:49,267 --> 00:05:50,400 UH HUH. 114 00:05:50,501 --> 00:05:52,067 SHALIMAR SEEMS TO THINK SOMETHING'S HAPPENED TO HER. 115 00:05:52,167 --> 00:05:53,434 I THOUGHT SHE WAS GOING TO CALL BACK AND SHE DIDN'T. 116 00:05:53,534 --> 00:05:54,901 I HAVE NO WAY OF GETTING HOLD OF HER. 117 00:05:55,000 --> 00:05:55,968 SHAL, SERIOUSLY, 118 00:05:56,067 --> 00:05:57,434 I'M SURE THERE'S NOTHING TO WORRY ABOUT. 119 00:05:57,534 --> 00:05:58,968 BESIDES, YOU KNOW HOW GIA ALWAYS FLAKES OUT ON YOU. 120 00:05:59,067 --> 00:06:01,300 BREN, WILL YOU STOP IT, PLEASE? 121 00:06:02,400 --> 00:06:03,801 WELL, THE CALLER ID WAS BLOCKED. 122 00:06:03,901 --> 00:06:05,267 YEAH, I KNOW. 123 00:06:05,367 --> 00:06:06,868 OKAY. WELL, IT'S GOING TO TAKE SOME WORK, 124 00:06:06,968 --> 00:06:08,901 BUT I SHOULD BE ABLE TO TRACE THE CALL TO THE PHONE COMPANY. 125 00:06:09,000 --> 00:06:10,234 SOONER THE BETTER, OKAY? 126 00:06:10,334 --> 00:06:11,400 YEAH, YEAH. 127 00:06:11,501 --> 00:06:12,634 THANKS. 128 00:06:17,767 --> 00:06:19,367 SO, MR. GITRE, BEFORE WE COMPLETE THE DESIGN, 129 00:06:19,467 --> 00:06:20,701 IS THERE ANYTHING YOU WOULD LIKE US TO ADD 130 00:06:20,801 --> 00:06:22,200 TO GIA'S PSYCHOLOGICAL MAKEUP? 131 00:06:22,300 --> 00:06:23,667 I JUST WANT HER TO BE CLASSY ON THE OUTSIDE - 132 00:06:23,767 --> 00:06:25,067 AND NASTY IN THE BEDROOM. 133 00:06:25,167 --> 00:06:26,200 RIGHT. 134 00:06:26,300 --> 00:06:27,667 ACCORDING TO YOUR SPECIFICATIONS, 135 00:06:27,767 --> 00:06:29,767 GIA WILL BE ATHLETIC, ABLE TO SPEAK FRENCH FLUENTLY... 136 00:06:29,868 --> 00:06:31,067 AND SHE'LL DO ANYTHING I TELL HER TO? 137 00:06:31,167 --> 00:06:32,400 UH, WITHIN REASON. 138 00:06:32,501 --> 00:06:34,400 UNDERSTAND THAT GIA'S BEEN DESIGNED FOR PLEASURE... 139 00:06:34,501 --> 00:06:35,868 NOTHING MORE. 140 00:06:35,968 --> 00:06:36,767 BUT SHE IS HUMAN? 141 00:06:36,868 --> 00:06:38,234 BETTER. 142 00:06:38,334 --> 00:06:39,767 SHE'S WHAT WE CALL A SYNTHETIC. 143 00:06:39,868 --> 00:06:41,868 IT'S A FORM OF ORGANIC NANOTECHNOLOGY, 144 00:06:41,968 --> 00:06:42,934 AND THE BEST PART IS, 145 00:06:43,033 --> 00:06:45,467 SHE'LL NEVER AGE, AND SHE'LL NEVER ARGUE. 146 00:06:45,567 --> 00:06:46,901 RIGHT. REST ASSURED. 147 00:06:47,000 --> 00:06:48,767 SHE'S BEEN BIOENGINEERED TO LOOK AND FEEL COMPLETELY HUMAN. 148 00:06:48,868 --> 00:06:50,767 HER OWN MOTHER WOULDN'T BE ABLE TO TELL THE DIFFERENCE. 149 00:06:50,868 --> 00:06:52,234 TRUST ME, MR. GITRE, 150 00:06:52,334 --> 00:06:54,567 YOU'RE GOING TO BE COMPLETELY SATISFIED. 151 00:06:54,667 --> 00:06:57,400 OH, I'M SURE I WILL. 152 00:07:00,133 --> 00:07:03,300 AND A HELL OF A LOT CHEAPER THAN ANOTHER DIVORCE. 153 00:07:04,400 --> 00:07:06,067 THERE'S ONE LAST THING. 154 00:07:06,167 --> 00:07:10,200 THIS TRANSACTION HAS TO BE COMPLETELY CONFIDENTIAL. 155 00:07:10,300 --> 00:07:12,834 NOW, I CAN'T STRESS THAT ENOUGH. 156 00:07:12,934 --> 00:07:14,167 ANY NON-COMPLIANCE WILL RESULT 157 00:07:14,267 --> 00:07:16,834 IN THE IMMEDIATE TERMINATION OF THIS AGREEMENT - 158 00:07:16,934 --> 00:07:18,968 WITH EXTREME PREJUDICE. 159 00:07:19,067 --> 00:07:21,834 UNDERSTAND? 160 00:07:21,934 --> 00:07:23,234 YES. 161 00:07:24,067 --> 00:07:25,467 GOOD. 162 00:07:29,667 --> 00:07:31,734 MR. GITRE... 163 00:07:31,834 --> 00:07:33,501 GIA. 164 00:07:40,334 --> 00:07:42,467 HELLO, LOVER. 165 00:07:51,501 --> 00:07:53,968 YOU'RE REALLY WORRIED ABOUT THIS GIRL, HUH? 166 00:07:54,067 --> 00:07:56,701 I DIDN'T KNOW YOU TWO WERE SO CLOSE. 167 00:07:56,801 --> 00:07:58,567 YEAH, WELL, WE WERE. 168 00:08:00,100 --> 00:08:01,200 BEFORE I JOINED MUTANT X 169 00:08:01,300 --> 00:08:02,467 I LIVED ON THE STREETS FOR A WHILE 170 00:08:02,567 --> 00:08:05,033 AND GIA AND I KINDA LOOKED OUT FOR ONE ANOTHER. 171 00:08:05,133 --> 00:08:06,501 HUH. 172 00:08:06,601 --> 00:08:08,434 I GUESS WE ALL BROUGHT ALONG A LITTLE BAGGAGE 173 00:08:08,534 --> 00:08:11,501 WHEN WE JOINED MUTANT X. 174 00:08:14,367 --> 00:08:15,968 IT'S JUST THAT LAST TIME I TALKED TO HER, 175 00:08:16,067 --> 00:08:19,100 I REALLY THOUGHT SHE WAS GOING TO GET HER LIFE TOGETHER, YOU KNOW? 176 00:08:19,200 --> 00:08:20,634 YOU KNOW WHAT, SHAL? 177 00:08:20,734 --> 00:08:25,567 THERE'S ONE THING I'VE LEARNED, IS NEVER UNDERESTIMATE A FERAL. 178 00:08:26,901 --> 00:08:28,434 WHOO HOO. 179 00:08:28,534 --> 00:08:30,501 TRACED THE CALL. 180 00:08:30,601 --> 00:08:34,434 IT CAME FROM... 181 00:08:34,534 --> 00:08:35,767 AH... 182 00:08:35,868 --> 00:08:39,767 AN ULTRA-EXCLUSIVE GENTLEMEN'S CLUB CALLED NERO'S WAKE. 183 00:08:39,868 --> 00:08:42,501 IT'S RUN BY A GUY NAMED... 184 00:08:42,601 --> 00:08:44,167 ...SEBASTIAN CONWAY. 185 00:08:44,267 --> 00:08:46,968 HI. I'M MELODY. WELCOME TO NERO'S WAKE. 186 00:08:47,067 --> 00:08:49,767 MEMBERS CAN PROCEED BY ENTERING YOUR PASSWORD NOW... 187 00:08:49,868 --> 00:08:53,133 WAIT A MINUTE - GIA WAS SOME KIND OF HIGH-CLASS PLAYMATE? 188 00:08:53,234 --> 00:08:54,734 OH, HIGH CLASS, I'LL SAY. 189 00:08:54,834 --> 00:08:58,334 YOU GOTTA BE FORTUNE 500 JUST TO BREATH THE AIR IN THERE. 190 00:08:58,434 --> 00:09:01,567 MAYBE - IF YOU'RE A GUY. 191 00:09:07,667 --> 00:09:52,934 [*] 192 00:09:53,033 --> 00:09:54,934 THIS PLACE IS REALLY JUMPING TONIGHT. 193 00:09:55,033 --> 00:09:57,634 ALWAYS. 194 00:09:57,734 --> 00:09:59,100 I'M LOOKING FOR A FRIEND OF MINE. 195 00:09:59,200 --> 00:10:00,300 HER NAME'S GIA DUCHAMPS. 196 00:10:00,400 --> 00:10:01,334 I THINK SHE WORKS HERE. 197 00:10:01,434 --> 00:10:02,300 LUCKY GIRL. 198 00:10:02,400 --> 00:10:04,667 SHE MADE FRIENDS WITH A REAL WHALE. 199 00:10:04,767 --> 00:10:05,567 A HOT CATCH? 200 00:10:05,667 --> 00:10:07,767 A GUY WITH LOTS OF MONEY? 201 00:10:07,868 --> 00:10:09,601 MUST BE AN OCCUPATIONAL HAZARD. 202 00:10:09,701 --> 00:10:11,467 UM... 203 00:10:11,567 --> 00:10:13,100 DO YOU KNOW WHERE SHE IS NOW? 204 00:10:13,200 --> 00:10:15,033 SAW HER HEAD BACK TO THE PLATINUM LOUNGE 205 00:10:15,133 --> 00:10:17,033 A LITTLE WHILE AGO. 206 00:10:18,634 --> 00:10:21,834 GUESS THEY MUST BE REALLY HITTING IT OFF. 207 00:10:24,067 --> 00:10:25,934 YOU WORKING? 208 00:10:26,033 --> 00:10:26,701 I'M SORRY? 209 00:10:26,801 --> 00:10:28,100 A GIRL LIKE YOU 210 00:10:28,200 --> 00:10:29,968 COULD BRING IN A COUPLE OF GRAND IN TIPS A NIGHT. 211 00:10:30,067 --> 00:10:31,968 SEBASTIAN WOULD ADORE YOU. 212 00:10:32,067 --> 00:10:34,901 WELL, HE SOUNDS LIKE A GUY I SHOULD MEET. 213 00:10:35,000 --> 00:10:37,334 HE KNOWS HOW TO KEEP HIS GIRLS HAPPY. 214 00:10:40,801 --> 00:10:41,968 THANKS... 215 00:10:46,467 --> 00:10:48,334 GIA! 216 00:10:48,434 --> 00:10:49,467 HEY... 217 00:10:49,567 --> 00:10:50,634 THANK YOU FOR DOING BUSINESS WITH US. 218 00:10:50,734 --> 00:10:51,601 THANK YOU VERY MUCH. 219 00:10:51,701 --> 00:10:53,467 I REALLY HOPE YOU ENJOY YOURSELF. 220 00:10:53,567 --> 00:10:54,567 I'M SORRY? 221 00:10:54,667 --> 00:10:56,200 WHAT'S GOING ON? 222 00:10:56,300 --> 00:10:57,501 I'M SORRY. 223 00:10:57,601 --> 00:10:59,801 I THINK YOU MUST HAVE ME CONFUSED WITH SOMEONE ELSE. 224 00:11:01,634 --> 00:11:03,300 THIS ISN'T FUNNY. 225 00:11:03,400 --> 00:11:05,701 YOU CALLED ME. 226 00:11:05,801 --> 00:11:07,334 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 227 00:11:07,434 --> 00:11:08,467 HI. 228 00:11:08,567 --> 00:11:10,234 KEVIN GITRE. 229 00:11:10,334 --> 00:11:12,334 HI. 230 00:11:12,434 --> 00:11:14,267 GIA, WE REALLY SHOULD BE GOING. 231 00:11:14,367 --> 00:11:16,367 OF COURSE, ANGEL. 232 00:11:23,200 --> 00:11:24,100 OH! 233 00:11:24,200 --> 00:11:25,033 NOT AGAIN... 234 00:11:25,133 --> 00:11:26,534 I'M GOING TO KILL IT! 235 00:11:26,634 --> 00:11:28,667 236 00:11:28,767 --> 00:11:29,501 HUH. 237 00:11:29,601 --> 00:11:30,968 YEAH. 238 00:11:32,200 --> 00:11:33,100 HELLO? 239 00:11:33,200 --> 00:11:35,133 DAMSEL IN DISTRESS, AISLE 2? 240 00:11:35,234 --> 00:11:36,534 YEAH. 241 00:11:36,634 --> 00:11:39,033 THAT IS REALLY LOCKED UP ON YOU. 242 00:11:39,133 --> 00:11:41,400 I BET YOU'D LIKE SOME HELP. 243 00:11:41,501 --> 00:11:42,801 OH... WHAT DO YOU WANT? 244 00:11:42,901 --> 00:11:44,200 ME TO PAINT YOUR TOENAILS? 245 00:11:44,300 --> 00:11:45,334 YOU KNOW, I WAS ACTUALLY THINKING 246 00:11:45,434 --> 00:11:46,801 MORE ALONG THE LINES OF UH... 247 00:11:46,901 --> 00:11:48,934 I DON'T KNOW... 248 00:11:49,033 --> 00:11:50,167 ...FULL BODY MASSAGE. 249 00:11:50,267 --> 00:11:51,801 OH! REALLY! 250 00:11:51,901 --> 00:11:53,400 HUH, NOW WHO'S DREAMING? 251 00:11:55,200 --> 00:11:57,801 HEY! DID YOU FIND YOUR, UH... FRIEND? 252 00:11:57,901 --> 00:11:58,968 SORT OF. 253 00:11:59,067 --> 00:12:00,300 SHE WAS ACTING REALLY STRANGE, THOUGH. 254 00:12:00,400 --> 00:12:02,000 IT WAS LIKE SHE DIDN'T EVEN RECOGNIZE ME. 255 00:12:02,100 --> 00:12:03,367 HUH. EH, WELL, PEOPLE CHANGE. 256 00:12:03,467 --> 00:12:04,667 NOT LIKE THIS. 257 00:12:04,767 --> 00:12:06,400 I MEAN, SHE WAS REALLY DIFFERENT. 258 00:12:06,501 --> 00:12:07,501 LOOK, JESS, DO YOU THINK YOU CAN FIND ANYTHING 259 00:12:07,601 --> 00:12:08,734 ON THE GUY SHE LEFT WITH? 260 00:12:08,834 --> 00:12:10,033 HIS NAME'S KEVIN GITRE. 261 00:12:10,133 --> 00:12:11,300 SURE. 262 00:12:11,400 --> 00:12:13,400 OH, RIGHT. 263 00:12:13,501 --> 00:12:14,601 MAYBE YOUR FRIEND BLEW YOU OFF 264 00:12:14,701 --> 00:12:15,901 BECAUSE SHE WAS TRYING TO PLAY THIS GUY. 265 00:12:16,000 --> 00:12:18,767 YEAH, WELL, IF SHE DID, THEN SHE WAS REALLY CONVINCING. 266 00:12:18,868 --> 00:12:20,367 GITRE... 267 00:12:24,300 --> 00:12:25,634 ALL RIGHT, HE'S MARRIED WITH TWO KIDS. 268 00:12:25,734 --> 00:12:29,834 HAS A SLAMMIN' HOUSE IN THE SUBURBS. 269 00:12:29,934 --> 00:12:33,167 OOOH, HE'S LOADED WITH A GREAT BIG GOLD L. 270 00:12:33,267 --> 00:12:37,033 HE'S THE HEIR TO A CANDY FORTUNE. 271 00:12:37,133 --> 00:12:38,234 HUH. 272 00:12:38,334 --> 00:12:40,634 LISTEN, HE JUST LEASED A CONDO IN THE CITY. 273 00:12:40,734 --> 00:12:41,801 UH HUH. 274 00:12:41,901 --> 00:12:44,133 COZY LITTLE LOVE NEST FOR THE MISTRESS, MAYBE? 275 00:12:44,234 --> 00:12:45,534 AND SHE'S GOT A GREAT BIG ALLOWANCE. 276 00:12:45,634 --> 00:12:47,000 HE JUST WITHDREW A QUARTER OF A MILLION DOLLARS 277 00:12:47,100 --> 00:12:49,067 FROM HIS BANK ACCOUNT TWO DAYS AGO. 278 00:12:49,167 --> 00:12:51,501 OH, THAT'S A LOT OF MONEY TO BE THROWING AROUND. 279 00:12:51,601 --> 00:12:54,901 MAYBE IT'S TIME WE FIND OUT WHAT HE'S SPENDING IT ON. 280 00:13:01,367 --> 00:13:02,567 DO YOU HEAR THAT? 281 00:13:02,667 --> 00:13:05,033 [Distant cries] 282 00:13:05,133 --> 00:13:06,734 WHAT THE HELL IS SHE DOING TO HIM? 283 00:13:06,834 --> 00:13:07,968 AGHH... 284 00:13:08,067 --> 00:13:09,334 AGH. 285 00:13:10,534 --> 00:13:12,968 WHAT THE HELL IS GOING ON HERE? 286 00:13:13,067 --> 00:13:14,167 OH, IT'S... 287 00:13:14,267 --> 00:13:16,434 IT'S FUNNY, I WAS ABOUT TO ASK YOU THE SAME THING. 288 00:13:16,534 --> 00:13:18,534 DON'T WORRY, GIA, WE'RE HERE TO HELP. 289 00:13:18,634 --> 00:13:19,701 SO YOU, UH... 290 00:13:19,801 --> 00:13:21,300 MIND TELLING ME WHAT'S GOING ON HERE... 291 00:13:21,400 --> 00:13:22,300 PRINCESS? 292 00:13:22,400 --> 00:13:23,567 I DON'T OWE YOU ANY EXPLANATION. 293 00:13:23,667 --> 00:13:25,534 NOW GET THE HELL OUT BEFORE I CALL THE POLICE. 294 00:13:25,634 --> 00:13:26,601 UH, NO. 295 00:13:26,701 --> 00:13:27,801 MIGHT WANT TO RETHINK THAT, BECAUSE, UH, 296 00:13:27,901 --> 00:13:29,100 WE CAN ALWAYS CALL UP YOUR WIFE 297 00:13:29,200 --> 00:13:30,534 AND TELL HER ABOUT YOUR LITTLE FETISH HERE. 298 00:13:30,634 --> 00:13:31,567 OH. 299 00:13:31,667 --> 00:13:32,868 SO IS THAT WHAT THIS IS? 300 00:13:32,968 --> 00:13:34,868 A SHAKEDOWN FOR MORE MONEY? 301 00:13:34,968 --> 00:13:37,434 WELL, YOU TELL SEBASTIAN HE'S MESSING WITH THE WRONG MAN. 302 00:13:37,534 --> 00:13:39,934 WE HAVE A SIGNED CONTRACT. 303 00:13:40,033 --> 00:13:41,334 WHAT ARE YOU TALKING ABOUT? 304 00:13:41,434 --> 00:13:42,567 GIA. 305 00:13:42,667 --> 00:13:43,801 SHE'S MINE. 306 00:13:43,901 --> 00:13:46,167 I CAN DO WHATEVER I WANT WITH HER. 307 00:13:47,200 --> 00:13:48,801 YOU SHOULDN'T HAVE SAID THAT, LOVER. 308 00:13:48,901 --> 00:13:50,100 NO, GIA, STAY OUT OF THIS. 309 00:13:50,200 --> 00:13:52,300 THAT WAS SUPPOSED TO BE OUR LITTLE SECRET. 310 00:13:52,400 --> 00:13:53,801 AGH... 311 00:13:53,901 --> 00:13:56,467 NO, NO. NO... 312 00:14:18,200 --> 00:14:19,667 SHE'S GONE. 313 00:14:19,767 --> 00:14:20,734 NO. 314 00:14:20,834 --> 00:14:23,300 THAT'S IMPOSSIBLE. 315 00:14:32,801 --> 00:14:34,334 WHAT THE HELL DID SHE DO? 316 00:14:34,434 --> 00:14:37,234 I'VE RIGGED HER RETINAL SCANNERS. 317 00:14:37,334 --> 00:14:39,601 WE'RE ABOUT TO FIND OUT. 318 00:14:43,567 --> 00:14:44,567 WELL, YOU TELL SEBASTIAN 319 00:14:44,667 --> 00:14:45,968 HE'S MESSING WITH THE WRONG MAN. 320 00:14:46,067 --> 00:14:47,868 WE HAVE A SIGNED CONTRACT. 321 00:14:47,968 --> 00:14:49,267 WHAT ARE YOU TALKING ABOUT? 322 00:14:49,367 --> 00:14:51,234 GIA. SHE'S MINE. 323 00:14:51,334 --> 00:14:53,501 I CAN DO WHATEVER I WANT WITH HER. 324 00:14:53,601 --> 00:14:55,267 YOU SHOULDN'T HAVE SAID THAT, LOVER. 325 00:14:55,367 --> 00:14:56,601 OH, NO, GIA, STAY OUT OF THIS. 326 00:14:56,701 --> 00:14:58,567 THAT WAS SUPPOSED TO BE OUR LITTLE SECRET. 327 00:14:58,667 --> 00:14:59,601 AGH. 328 00:14:59,701 --> 00:15:01,667 NO, NO... NO. 329 00:15:01,767 --> 00:15:04,067 WELL, HE CAN'T SAY WE DIDN'T WARN HIM. 330 00:15:06,133 --> 00:15:07,534 I KNOW HER. 331 00:15:07,634 --> 00:15:08,968 SHE WAS TALKING TO GIA LAST NIGHT, 332 00:15:09,067 --> 00:15:10,968 PROBABLY A FRIEND OF HERS. 333 00:15:11,067 --> 00:15:13,667 I DON'T LIKE THIS AT ALL I TOLD YOU. 334 00:15:13,767 --> 00:15:15,767 I TOLD YOU THAT THE GIRLS WE USE SHOULD BE RUNAWAYS. 335 00:15:15,868 --> 00:15:17,200 NO FRIENDS, NO NEXT OF KIN. 336 00:15:17,300 --> 00:15:18,501 WE DON'T... 337 00:15:18,601 --> 00:15:19,901 YOU KNOW, WE DON'T NEED ANYONE PRYING INTO OUR AFFAIRS. 338 00:15:20,000 --> 00:15:21,133 RELAX, NOLAN. 339 00:15:21,234 --> 00:15:22,634 THAT'S WHAT I'M HERE FOR, REMEMBER? 340 00:15:22,734 --> 00:15:24,868 I TAKE CARE OF THESE THINGS. 341 00:15:24,968 --> 00:15:26,267 HUH, TAKE A LOOK AROUND. 342 00:15:26,367 --> 00:15:27,667 HUH? THINGS ARE UNDER CONTROL. 343 00:15:27,767 --> 00:15:29,100 AS FAR AS THE POLICE ARE CONCERNED, 344 00:15:29,200 --> 00:15:31,300 HE WAS KILLED BY A PSYCHO STREETWALKER, 345 00:15:31,400 --> 00:15:36,133 A STREETWALKER... WHO NO LONGER EXISTS. 346 00:15:39,367 --> 00:15:40,567 I KNOW IT SOUNDS CRAZY TO YOU, 347 00:15:40,667 --> 00:15:42,367 BUT EVERYONE HAS THEIR OWN DISTINCTIVE SCENT 348 00:15:42,467 --> 00:15:44,100 AND THAT WASN'T GIA. 349 00:15:44,200 --> 00:15:45,534 WELL, MAYBE SHE CHANGED HER PERFUME. 350 00:15:45,634 --> 00:15:47,567 YEAH, BRENNAN, THAT MUST BE IT. 351 00:15:47,667 --> 00:15:49,000 WHAT? 352 00:15:49,100 --> 00:15:50,901 LOOK, I DON'T KNOW WHY I DIDN'T PICK UP ON IT AT THE CLUB, 353 00:15:51,033 --> 00:15:53,467 BUT THERE WERE SO MANY PEOPLE AROUND. 354 00:15:53,567 --> 00:15:54,667 ALL RIGHT. ALL RIGHT. 355 00:15:54,767 --> 00:15:56,000 LET'S JUST SAY THAT THAT WASN'T GIA. 356 00:15:56,100 --> 00:15:57,000 IT WASN'T. 357 00:15:57,100 --> 00:15:58,734 AND WHATEVER SHE WAS WASN'T HUMAN. 358 00:16:00,267 --> 00:16:01,501 WELL, UH... 359 00:16:01,601 --> 00:16:03,167 I'VE BEEN LOOKING INTO OUR MYSTERY MAN SEBASTIAN. 360 00:16:03,267 --> 00:16:04,434 COMING UP WITH NADA. 361 00:16:04,534 --> 00:16:06,300 IT'S AS IF THE GUY NEVER EVEN EXISTED. 362 00:16:06,400 --> 00:16:07,300 YOU KNOW WHAT? 363 00:16:07,400 --> 00:16:08,667 I'M STARTING TO AGREE WITH SHAL. 364 00:16:08,767 --> 00:16:10,000 I MEAN, THERE'S GOTTA BE SOMETHING MORE 365 00:16:10,100 --> 00:16:12,334 THAN JUST PARTYING GOING DOWN WITH THAT CLUB. 366 00:16:12,434 --> 00:16:14,767 AND I THINK WE NEED TO TAKE A LOOK AROUND. 367 00:16:14,868 --> 00:16:17,167 FROM THE INSIDE. 368 00:16:24,834 --> 00:16:25,968 HEY. HEY. 369 00:16:26,067 --> 00:16:27,133 TELL ME, WHAT DO YOU THINK? 370 00:16:27,234 --> 00:16:28,501 A LITTLE TOO MOULIN ROUGE? 371 00:16:28,601 --> 00:16:29,801 372 00:16:29,901 --> 00:16:32,467 A LITTLE TOO SOMETHING. 373 00:16:32,567 --> 00:16:35,467 YOU KNOW, I CAN HANDLE THIS ON MY OWN IF YOU DON'T WANT TO GO. 374 00:16:35,567 --> 00:16:36,567 ARE YOU KIDDING? 375 00:16:36,667 --> 00:16:38,467 I AM NOT LETTING YOU GO BACK IN THERE ALONE. 376 00:16:38,567 --> 00:16:39,701 THIS MAKES MY BLOOD BOIL. 377 00:16:39,801 --> 00:16:41,534 OH, DON'T GET ME STARTED. 378 00:16:41,634 --> 00:16:43,467 I CAN'T EVEN IMAGINE HOW DESPERATE GIA MUST HAVE BEEN 379 00:16:43,567 --> 00:16:44,801 TO TAKE THIS JOB. 380 00:16:44,901 --> 00:16:46,033 YEAH, YOU KNOW WHAT? 381 00:16:46,133 --> 00:16:47,367 THAT'S JUST IT. 382 00:16:47,467 --> 00:16:48,901 THERE'S AN ENDLESS SUPPLY OF GIRLS, JUST LIKE GIA, 383 00:16:49,000 --> 00:16:51,400 WAITING TO TAKE HER PLACE. 384 00:16:51,501 --> 00:16:53,400 ADD TWO MORE TO THE LIST. 385 00:16:53,501 --> 00:17:09,701 [*] 386 00:17:09,801 --> 00:17:11,033 SEBASTIAN CONWAY? 387 00:17:11,133 --> 00:17:12,534 UH HUH...? 388 00:17:12,634 --> 00:17:13,734 I WAS HERE LAST NIGHT. 389 00:17:13,834 --> 00:17:14,934 REALLY? 390 00:17:15,033 --> 00:17:18,968 WELL, I'M SORRY WE DIDN'T HOOK UP. 391 00:17:19,067 --> 00:17:20,133 I HEARD THAT YOU MIGHT BE LOOKING 392 00:17:20,234 --> 00:17:22,167 TO RECRUIT SOME NEW GIRLS. 393 00:17:26,734 --> 00:17:28,033 VERY NICE. 394 00:17:28,133 --> 00:17:29,467 EXCUSE US... 395 00:17:29,567 --> 00:17:30,968 CAN I TALK TO YOU RIGHT NOW? 396 00:17:31,067 --> 00:17:32,300 GO BACK TO YOUR SEAT, NOLAN. 397 00:17:32,400 --> 00:17:33,734 YEAH. 398 00:17:33,834 --> 00:17:36,400 NOW. 399 00:17:36,501 --> 00:17:38,567 PAY'S $200 A NIGHT, THE TIPS ARE YOURS TO KEEP, 400 00:17:38,667 --> 00:17:40,133 YOU START IMMEDIATELY. 401 00:17:40,234 --> 00:17:42,100 ANY QUESTIONS? 402 00:17:42,200 --> 00:17:43,367 NO. 403 00:17:43,467 --> 00:17:44,767 PLAY YOUR CARDS RIGHT, GIRLS, 404 00:17:44,868 --> 00:17:46,734 YOU COULD WALK OUT OF HERE WITH THE MAN OF YOUR DREAMS. 405 00:17:46,834 --> 00:17:48,200 HUH... 406 00:17:49,501 --> 00:17:51,200 REALLY? 407 00:17:51,300 --> 00:17:53,334 ARE YOU OUT OF YOUR MIND? 408 00:17:53,434 --> 00:17:54,734 WHAT DO YOU THINK YOU'RE DOING, HIRING THEM? 409 00:17:54,834 --> 00:17:56,300 IT'S LIKE THE GODFATHER, NOLAN. 410 00:17:56,400 --> 00:17:58,467 YOU KEEP YOUR FRIENDS CLOSE - AND YOUR ENEMIES CLOSER. 411 00:17:58,567 --> 00:17:59,868 OH. YEAH. 412 00:17:59,968 --> 00:18:01,067 NO. NO, NO, NO, NO, NO. 413 00:18:01,167 --> 00:18:02,367 THAT IS A MISTAKE. 414 00:18:02,467 --> 00:18:04,000 SEE, THINGS ARE WAY OUT OF CONTROL. 415 00:18:04,100 --> 00:18:05,968 I THINK WHAT WE HAVE HERE IS A GOLDEN OPPORTUNITY 416 00:18:06,067 --> 00:18:08,167 STARING US IN THE FACE. 417 00:18:08,267 --> 00:18:09,400 YOU KNOW WHAT I THINK? 418 00:18:09,501 --> 00:18:10,634 I THINK IT WOULD BE PRUDENT TO SHUT DOWN. 419 00:18:10,734 --> 00:18:11,968 YOU SHUT DOWN, YOU LET THINGS COOL OFF. 420 00:18:12,067 --> 00:18:13,767 OF COURSE, YOU WOULD DO THAT, NOLAN. 421 00:18:13,868 --> 00:18:17,467 THAT'S WHY I CALL THE SHOTS AROUND HERE. 422 00:18:21,334 --> 00:18:22,467 CONGRATULATIONS. 423 00:18:22,567 --> 00:18:24,501 YOUR EXCEPTIONAL CREDIT HAS PRE-APPROVED YOU 424 00:18:24,601 --> 00:18:26,467 FOR NERO'S PLATINUM MEMBERSHIP. 425 00:18:26,567 --> 00:18:28,701 ANY QUESTIONS? 426 00:18:28,801 --> 00:18:31,667 OH, LET'S GO INTERACTIVE, HUH, MELODY? 427 00:18:31,767 --> 00:18:33,567 HI. 428 00:18:33,667 --> 00:18:35,200 SO, HOW DOES THIS ALL WORK? 429 00:18:35,300 --> 00:18:37,667 SINCE YOU'RE OBVIOUSLY A MAN WITH DISCERNING TASTES, 430 00:18:37,767 --> 00:18:40,634 NERO'S HAS PROVIDED YOU WITH AN ARRAY OF COMPANIONS 431 00:18:40,734 --> 00:18:43,067 TO MATCH YOUR EVERY DESIRE. 432 00:18:43,167 --> 00:18:44,033 WOW. 433 00:18:44,133 --> 00:18:45,601 YOU MAKE IT SOUND SO EASY. 434 00:18:45,701 --> 00:18:47,501 LIKE, ALL I GOTTA DO IS TAKE A STROLL THROUGH YOUR SHOWROOM 435 00:18:47,601 --> 00:18:48,934 AND PICK OUT A MODEL. 436 00:18:49,033 --> 00:18:50,467 THAT'S BASICALLY IT. 437 00:18:50,567 --> 00:18:52,167 BECAUSE OF YOUR RESOURCE STATUS, 438 00:18:52,267 --> 00:18:56,000 SEBASTIAN CONWAY HAS INVITED YOU FOR A PERSONAL CONSULTATION 439 00:18:56,100 --> 00:18:59,467 TO DISCUSS HOW NERO'S CAN BETTER ASSIST YOU IN YOUR DECISION. 440 00:18:59,567 --> 00:19:00,801 LIKE WHAT I HEAR. 441 00:19:00,901 --> 00:19:02,367 BUT, FIRST, I'D... 442 00:19:02,467 --> 00:19:04,734 WELL, I'D LIKE TO KNOW WHAT I'M GETTING MYSELF INTO. 443 00:19:04,834 --> 00:19:06,000 SO LET'S JUST SUPPOSE 444 00:19:06,100 --> 00:19:08,067 THAT I FIND A MODEL THAT I'M INTERESTED IN... 445 00:19:08,167 --> 00:19:12,234 UH... GETTING TO KNOW A LITTLE BETTER, WHAT THEN? 446 00:19:12,334 --> 00:19:15,367 MR. CONWAY WILL ANSWER ALL CONCERNS, IF YOU HAVE ANY. 447 00:19:15,467 --> 00:19:17,534 PLEASE, MELODY - I'M A TYPE-A PERSONALITY. 448 00:19:17,634 --> 00:19:19,033 WHAT HAPPENS THEN? 449 00:19:19,133 --> 00:19:22,100 IF A CLIENT SHOWS A PARTICULAR INTEREST IN ONE OF OUR GIRLS, 450 00:19:22,200 --> 00:19:24,033 THEY'RE ESCORTED TO THE PLATINUM LOUNGE 451 00:19:24,133 --> 00:19:25,601 TO GET TO KNOW THEM BETTER. 452 00:19:25,701 --> 00:19:26,934 I SEE. 453 00:19:27,033 --> 00:19:29,400 HMM, SOUNDS PRETTY EASY. 454 00:19:29,501 --> 00:19:31,501 NO ONE HAS EVER WALKED AWAY DISSATISFIED. 455 00:19:31,601 --> 00:19:33,000 I BET. 456 00:19:33,100 --> 00:19:35,567 LOOK, LET ME THINK ABOUT IT AND I'LL GET BACK TO YOU, OKAY? 457 00:19:36,834 --> 00:19:39,100 SOMEBODY'S LOOKING FOR LOVE IN ALL THE RIGHT PLACES. 458 00:19:39,200 --> 00:19:40,901 YEAH, SOMETHING LIKE THAT. 459 00:19:41,000 --> 00:19:42,300 ALL I NEED IS A HEALTHY BANK ACCOUNT 460 00:19:42,400 --> 00:19:44,067 TO GET TO THE HEAD OF THE CLASS. 461 00:19:44,167 --> 00:19:46,133 WHAT DO YOU THINK THIS PLATINUM LOUNGE IS ALL ABOUT? 462 00:19:46,234 --> 00:19:48,701 WELL, MY LITTLE GIRLFRIEND HERE WAS BEING COY, 463 00:19:48,801 --> 00:19:51,701 BUT IT SOUNDS LIKE IT'S WHERE ALL THE MAGIC HAPPENS. 464 00:19:51,801 --> 00:19:53,300 WELL, I GUESS IF YOU GOT A BANKROLL, 465 00:19:53,400 --> 00:19:54,868 A QUARTER MILLION BUCKS IS A SMALL PRICE TO PAY 466 00:19:54,968 --> 00:19:55,934 FOR THE PERFECT WOMAN. 467 00:19:56,033 --> 00:19:57,367 YEAH. 468 00:19:57,467 --> 00:19:59,734 STILL THINK I'D LIKE TO FIND A WOMAN THE OLD-FASHIONED WAY. 469 00:19:59,834 --> 00:20:00,701 WHAT? 470 00:20:00,801 --> 00:20:02,300 THROUGH PITY AND ALCOHOL? 471 00:20:02,400 --> 00:20:03,767 WORKS FOR ME. 472 00:20:03,868 --> 00:20:05,100 HUH... 473 00:20:05,200 --> 00:20:06,200 GOOD FOR YOU. 474 00:20:06,300 --> 00:20:07,367 475 00:20:07,467 --> 00:20:31,634 [*] 476 00:20:31,734 --> 00:20:34,567 HEY, LEX, HOW'S IT COMING OVER THERE IN SODOM AND GOMORRAH? 477 00:20:34,667 --> 00:20:36,067 BUSINESS AS USUAL. 478 00:20:36,167 --> 00:20:38,267 I'VE BEEN HIT ON MORE TIMES THAN OSCAR DE LA HOYA. 479 00:20:38,367 --> 00:20:39,501 WHAT'S UP? 480 00:20:39,601 --> 00:20:41,634 OH, LOOKS LIKE NERO'S A FRONT 481 00:20:41,734 --> 00:20:43,367 FOR THE WHITE SLAVERY TRADE. 482 00:20:43,467 --> 00:20:45,300 THESE GIRLS ARE FOR SALE? 483 00:20:45,400 --> 00:20:46,634 THEY SURE DON'T LOOK LIKE THEY'RE BEING HELD 484 00:20:46,734 --> 00:20:48,000 AGAINST THEIR WILL. 485 00:20:48,100 --> 00:20:49,634 WELL, MAYBE THEY DON'T KNOW THEY ARE. 486 00:20:49,734 --> 00:20:50,968 ALL I KNOW IS SOMETHING HAPPENS TO THEM 487 00:20:51,067 --> 00:20:54,868 WHEN THEY GET INVITED TO THE PLATINUM LOUNGE. 488 00:20:54,968 --> 00:20:56,100 WHAT DO YOU MEAN? 489 00:20:56,200 --> 00:20:57,367 WE DON'T KNOW. 490 00:20:57,467 --> 00:20:58,501 BUT UNTIL WE DO, STICK TOGETHER. 491 00:20:58,601 --> 00:21:00,767 WOULD YOU MIND COMING WITH ME FOR A SEC? 492 00:21:00,868 --> 00:21:02,400 I'D LIKE YOU TO MEET SOMEBODY. 493 00:21:02,501 --> 00:21:05,334 THAT COULD BE A PROBLEM. 494 00:21:06,634 --> 00:21:07,734 OUR GUEST HERE 495 00:21:07,834 --> 00:21:08,934 WOULD LIKE TO GET TO KNOW YOU A LITTLE BIT BETTER, 496 00:21:09,033 --> 00:21:10,934 SO I'LL LEAVE YOU TWO ALONE. 497 00:21:11,033 --> 00:21:12,033 ALL RIGHT? 498 00:21:12,133 --> 00:21:14,000 HI. HI. 499 00:21:14,100 --> 00:21:15,434 SO YOU HAVING FUN TONIGHT? 500 00:21:15,534 --> 00:21:17,501 OH, YEAH. 501 00:21:17,601 --> 00:21:19,033 YOU REALLY LOOK SEXY. 502 00:21:19,133 --> 00:21:20,234 THANKS. 503 00:21:20,334 --> 00:21:21,367 NOW WHY SETTLE FOR JUST ONE... 504 00:21:21,467 --> 00:21:24,334 WHEN YOU CAN HAVE THE TWO OF US? 505 00:21:24,434 --> 00:21:27,667 THINK OF ALL THE FUN WE COULD HAVE. 506 00:21:33,434 --> 00:21:35,234 507 00:21:35,334 --> 00:21:39,200 FOR NOW THE BLONDES GET TO HAVE A BIT MORE FUN. 508 00:21:43,934 --> 00:21:46,400 I'LL BE OKAY. 509 00:21:46,501 --> 00:21:48,467 I HAVE TO GO IN THERE. 510 00:21:48,567 --> 00:21:49,901 I'LL CALL YOU IF I NEED YOU. 511 00:21:50,000 --> 00:21:51,868 OKAY. 512 00:21:53,100 --> 00:21:55,300 WHY DON'T YOU TAKE OUR GUEST TO THE PLATINUM LOUNGE, 513 00:21:55,400 --> 00:21:58,367 AND WHY DON'T YOU COME WITH ME? 514 00:22:05,934 --> 00:22:07,234 THAT'S IT. I'M GOING IN. 515 00:22:07,334 --> 00:22:08,601 CAN YOU GET ME AN INVITE TO THIS PLACE? 516 00:22:08,701 --> 00:22:09,601 YEAH, SURE. 517 00:22:09,701 --> 00:22:10,901 WHAT DO YOU WANT TO BE? 518 00:22:11,000 --> 00:22:12,567 AN OIL TYCOON? A POP STAR? 519 00:22:12,667 --> 00:22:14,601 OOOH, A CAPTAIN OF INDUSTRY. 520 00:22:14,701 --> 00:22:16,267 CAPTAIN OF INDUSTRY SOUNDS GOOD. 521 00:22:16,367 --> 00:22:18,267 ALL RIGHT. YOU GOT IT. 522 00:22:18,367 --> 00:22:19,501 JUST GIVE ME ENOUGH MONEY 523 00:22:19,601 --> 00:22:20,701 TO MAKE THIS GUY SEBASTIAN 524 00:22:20,801 --> 00:22:21,667 MY NEW BEST FRIEND, HUH? 525 00:22:21,767 --> 00:22:22,934 SURE. 526 00:22:23,033 --> 00:22:24,367 DID YOU MANAGE TO FIND ANYTHING ELSE ON THIS GUY? 527 00:22:24,467 --> 00:22:25,634 NAH, NOT REALLY. 528 00:22:25,734 --> 00:22:27,434 EXCEPT THE PLACE IS REALLY OWNED BY A NOLAN BLACKLEDGE. 529 00:22:27,534 --> 00:22:28,434 WHO'S HE? 530 00:22:28,534 --> 00:22:30,133 I DON'T KNOW, I'M WORKING ON IT. 531 00:22:30,234 --> 00:22:31,200 ALL RIGHT. LET ME KNOW. 532 00:22:31,300 --> 00:22:32,634 YEAH. 533 00:22:40,567 --> 00:22:43,767 WHAT'S GOING ON? 534 00:22:43,868 --> 00:22:45,434 YOU REALLY SHOULDN'T HAVE STUCK YOUR PRETTY LITTLE NOSE 535 00:22:45,534 --> 00:22:47,567 WHERE IT DIDN'T BELONG. 536 00:22:53,868 --> 00:22:55,367 UHHH! 537 00:22:57,734 --> 00:23:01,767 LOOKS LIKE WE'VE CAUGHT ANOTHER ONE, BOYS. 538 00:23:09,367 --> 00:23:11,534 I WANT TO CLONE HER BODY AND HER BRAIN, 539 00:23:11,634 --> 00:23:14,167 PERSONALITY, MEMORY, EVERYTHING. 540 00:23:14,267 --> 00:23:16,667 UH, I... I'VE NEVER ATTEMPTED AN... 541 00:23:16,767 --> 00:23:17,968 ENTIRE REPLICATION. 542 00:23:18,067 --> 00:23:20,100 WELL, IT'S OBVIOUS SHE'S NOT WORKING ALONE. 543 00:23:20,200 --> 00:23:21,400 WE NEED TO KNOW WHAT SHE KNOWS 544 00:23:21,501 --> 00:23:23,000 IN ORDER TO TURN IT TO OUR ADVANTAGE. 545 00:23:23,100 --> 00:23:25,033 MEMORIES ARE NOTHING MORE THAN ELECTRONIC IMPULSES, 546 00:23:25,133 --> 00:23:27,000 SO WE SHOULD BE ABLE TO REPRODUCE THEM ORGANICALLY. 547 00:23:27,100 --> 00:23:28,267 I MEAN, THERE'S GONNA BE HOLES... 548 00:23:28,367 --> 00:23:29,701 I KNOW I CAN'T REPLICATE EVERYTHING. 549 00:23:29,801 --> 00:23:31,033 THAT'S FINE. 550 00:23:31,133 --> 00:23:32,834 THERE'S NO REASON IT SHOULDN'T WORK LIKE THE OTHERS. 551 00:23:32,934 --> 00:23:35,100 THE KEY IS TO MAINTAIN CONTROL OF HER MIND. 552 00:23:35,200 --> 00:23:37,133 THEN WE SEND HER BACK TO WHERE SHE CAME FROM 553 00:23:37,234 --> 00:23:38,801 AS A TROJAN HORSE. 554 00:23:38,901 --> 00:23:41,467 PROBLEM SOLVED. 555 00:23:43,000 --> 00:23:45,167 YOU REALIZE SHE'S A MUTANT? 556 00:23:45,267 --> 00:23:47,534 OF COURSE I DO. 557 00:23:47,634 --> 00:23:49,767 HOW MANY OF THOSE FREAKS DID YOU PEOPLE MAKE ANYWAY? 558 00:23:49,868 --> 00:23:51,234 WELL, NOT AS MANY AS I'D HAVE LIKED. 559 00:23:51,334 --> 00:23:53,400 LOOK, THEY'RE EXTRAORDINARY. 560 00:23:53,501 --> 00:23:56,300 WE LABEL HER AS ONE OF THE EXOTICS. 561 00:23:56,400 --> 00:23:58,267 CAN YOU IMAGINE THE PRICE HER KIND WILL FETCH 562 00:23:58,367 --> 00:24:00,601 WHEN ALL THIS IS OVER? 563 00:24:23,701 --> 00:24:42,534 [*] 564 00:24:42,634 --> 00:24:43,767 SORRY. 565 00:24:43,868 --> 00:24:45,033 RELAX, BOYS. 566 00:24:45,133 --> 00:24:47,868 JUST WORKING THE ROOM. 567 00:24:51,300 --> 00:24:52,367 HELLO, ANGELS. 568 00:24:52,467 --> 00:24:54,200 SORRY, CHARLIE, MAKE THAT ONE ANGEL. 569 00:24:54,300 --> 00:24:56,367 WHY? WHAT'S GOING ON? 570 00:24:56,467 --> 00:24:57,567 WELL, SHAL TOOK ONE OF OUR CLIENTS 571 00:24:57,667 --> 00:24:58,734 BACK IN THE PLATINUM LOUNGE. 572 00:24:58,834 --> 00:25:00,100 SAID SHE'D GIVE ME A HEADS UP 573 00:25:00,200 --> 00:25:01,367 IF THINGS GOT DICEY. 574 00:25:01,467 --> 00:25:02,934 WELL, BRENNAN'S ON HIS WAY OVER THERE 575 00:25:03,033 --> 00:25:05,167 TO START RUBBING ELBOWS WITH SEBASTIAN. 576 00:25:05,267 --> 00:25:06,467 WHAT ELSE YOU GOT? 577 00:25:06,567 --> 00:25:08,634 WELL, THE GUY WHO'S REALLY BEHIND NERO'S 578 00:25:08,734 --> 00:25:11,734 IS A GUY NAMED NOLAN BLACKLEDGE. 579 00:25:11,834 --> 00:25:13,901 HE'S A GENOMEX ALUMNI. 580 00:25:14,000 --> 00:25:15,834 HUH, OF COURSE. 581 00:25:15,934 --> 00:25:17,434 DAMN, I'D LOVE TO KNOW WHAT EVIL JUICE 582 00:25:17,534 --> 00:25:19,133 THEY PUT IN THAT WATER COOLER. 583 00:25:19,234 --> 00:25:20,801 YEAH, TELL ME ABOUT IT. 584 00:25:20,901 --> 00:25:25,400 THIS GUY SPECIALIZED IN ORGANIC NANOBOT TECHNOLOGY. 585 00:25:25,501 --> 00:25:27,601 WHEN GENOMEX FOLDED, HE DISAPPEARED. 586 00:25:27,701 --> 00:25:28,834 SO WHAT? 587 00:25:28,934 --> 00:25:30,734 OPENED UP A HIGH CLASS GENTLEMEN'S CLUB? 588 00:25:30,834 --> 00:25:32,100 TALK ABOUT A CHANGE OF CAREERS. 589 00:25:32,200 --> 00:25:33,667 WELL, YOU NEVER KNOW WITH THESE GUYS. 590 00:25:33,767 --> 00:25:35,767 MAYBE HE DIDN'T. 591 00:25:37,267 --> 00:25:39,234 OH, HOLD THAT THOUGHT. 592 00:25:39,334 --> 00:25:41,133 HERE COMES SHAL. 593 00:25:43,000 --> 00:25:45,400 HEY, WHAT HAPPENED? 594 00:25:45,501 --> 00:25:46,367 NOT MUCH. 595 00:25:46,467 --> 00:25:47,901 HE, UH, GAVE ME THE, UH, 596 00:25:48,000 --> 00:25:50,000 ONCE OVER AND THE BIG OLD PASADENA. 597 00:25:50,100 --> 00:25:52,167 APPARENTLY I'M NOT HIS TYPE. 598 00:25:52,267 --> 00:25:54,100 I THINK HE'S HOTTER FOR YOU. 599 00:25:54,200 --> 00:25:56,200 OH. LUCKY ME. 600 00:25:56,300 --> 00:25:58,267 DON'T TAKE IT PERSONALLY. 601 00:25:59,934 --> 00:26:01,834 OH, I WON'T. 602 00:26:06,701 --> 00:26:23,300 [*] 603 00:26:23,400 --> 00:26:24,934 SIR. 604 00:26:25,067 --> 00:26:26,934 GOOD EVENING. 605 00:26:27,033 --> 00:26:28,834 HEY, HOW ARE YOU? 606 00:26:28,934 --> 00:26:30,801 GOOD, THANKS. 607 00:26:36,267 --> 00:26:38,133 THIS IS FOR YOU, THANKS. 608 00:26:38,234 --> 00:26:39,501 THANK YOU. 609 00:26:39,601 --> 00:26:41,801 610 00:26:49,567 --> 00:26:51,467 MR. MCCALLISTER. 611 00:26:51,567 --> 00:26:52,968 SEBASTIAN CONWAY. 612 00:26:53,067 --> 00:26:53,767 HEY. 613 00:26:53,868 --> 00:26:55,000 WELCOME TO NERO'S WAKE. 614 00:26:55,100 --> 00:26:55,901 THANK YOU. 615 00:26:56,000 --> 00:26:58,367 IT'S NICE TO FINALLY BE HERE. 616 00:27:01,634 --> 00:27:02,701 VERY IMPRESSIVE. 617 00:27:02,801 --> 00:27:04,033 WELL, THANK YOU. 618 00:27:15,434 --> 00:27:17,133 LOVELY, ISN'T SHE? 619 00:27:17,234 --> 00:27:18,400 YEAH. 620 00:27:18,501 --> 00:27:19,934 UNFORTUNATELY, MY TASTES, 621 00:27:20,033 --> 00:27:21,267 UH, HAPPEN TO LEAN A LITTLE MORE 622 00:27:21,367 --> 00:27:22,367 TOWARDS THE WILD SIDE. 623 00:27:22,467 --> 00:27:23,534 OH, REALLY? 624 00:27:23,634 --> 00:27:24,868 WELL, THEN, MAYBE I CAN INTEREST YOU 625 00:27:24,968 --> 00:27:26,901 IN ONE OF OUR MORE EXOTIC ACQUISITIONS. 626 00:27:27,000 --> 00:27:28,501 I'D LIKE... 627 00:27:35,000 --> 00:27:36,501 HERE WE GO. 628 00:27:36,601 --> 00:27:38,767 YOURS FOR THE ASKING. 629 00:27:41,534 --> 00:27:42,934 HI. 630 00:27:44,334 --> 00:27:45,367 HI. 631 00:27:45,467 --> 00:27:46,934 HOW YOU DOING? 632 00:27:47,033 --> 00:27:49,167 I'M GOOD. 633 00:27:52,901 --> 00:27:54,701 JUST PLAY ALONG. 634 00:27:54,801 --> 00:27:58,000 BECAUSE I HAVE A LOT TO FILL YOU IN ON. 635 00:27:58,100 --> 00:28:00,434 REALLY? 636 00:28:02,501 --> 00:28:04,801 I'M ASKING. 637 00:28:04,901 --> 00:28:07,901 WHY DON'T YOU TAKE HIM TO THE LOUNGE? 638 00:28:16,200 --> 00:28:17,167 NICE WORK. 639 00:28:17,267 --> 00:28:19,300 HAVE FUN. 640 00:28:38,701 --> 00:28:40,601 GIA... 641 00:28:40,701 --> 00:28:43,167 GIA, WAKE UP. 642 00:28:46,534 --> 00:28:48,334 SHALIMAR. 643 00:28:50,434 --> 00:28:53,033 I'M SO SORRY. 644 00:28:53,133 --> 00:28:55,200 I SCREWED UP AGAIN, DIDN'T I? 645 00:28:55,300 --> 00:28:57,667 NO. 646 00:28:57,767 --> 00:28:59,467 JUST RELAX, SUGAR. 647 00:28:59,567 --> 00:29:02,400 EVERYTHING'S GOING TO BE ALL RIGHT. 648 00:29:05,133 --> 00:29:07,000 SWEET DREAMS. 649 00:29:28,968 --> 00:29:30,968 SHE'S NICE. 650 00:29:35,734 --> 00:29:37,067 651 00:29:37,167 --> 00:29:38,067 WE GOT A PROBLEM. 652 00:29:38,167 --> 00:29:39,167 UM... 653 00:29:39,267 --> 00:29:40,400 LISTEN, I GOT A BAD FEELING ABOUT THIS. 654 00:29:40,501 --> 00:29:41,701 NOLAN, WILL YOU PLEASE RELAX. 655 00:29:41,801 --> 00:29:43,067 ROME IS NOT BURNING. 656 00:29:43,167 --> 00:29:44,300 EXCUSE US. 657 00:29:44,400 --> 00:29:46,133 BESIDES, C'MERE. 658 00:29:46,234 --> 00:29:47,300 ONCE WE'RE THROUGH WITH THIS, 659 00:29:47,400 --> 00:29:48,501 WE'RE GOING TO BE ABLE TO MAKE 660 00:29:48,601 --> 00:29:49,801 AS MANY COPIES OF THOSE FREAKS AS WE WANT. 661 00:29:49,901 --> 00:29:50,901 TOO MANY LOOSE ENDS. 662 00:29:51,000 --> 00:29:53,601 AND WE'RE SEWING THEM UP AS WE SPEAK. 663 00:29:53,701 --> 00:29:54,934 HOW CAN YOU JUST SIT THERE 664 00:29:55,033 --> 00:29:56,534 LIKE YOU HAVEN'T A CARE IN THE WORLD? 665 00:29:56,634 --> 00:29:57,701 WHAT CAN I TELL YOU, NOLAN? 666 00:29:57,801 --> 00:29:59,033 IT'S GOOD TO BE ME. 667 00:29:59,133 --> 00:30:00,501 YOU OUGHT TO LEARN BY MY EXAMPLE. 668 00:30:00,601 --> 00:30:03,734 NOLAN. 669 00:30:03,834 --> 00:30:05,133 WHAT? 670 00:30:05,234 --> 00:30:06,801 YEAH. YEAH... 671 00:30:06,901 --> 00:30:08,767 SEE? WE HAVE A PROBLEM. 672 00:30:08,868 --> 00:30:10,667 WE HAVE A PROBLEM WITH ONE OF YOUR MUTANTS. 673 00:30:10,767 --> 00:30:12,300 ACCIDENTAL OVERDOSE. 674 00:30:12,400 --> 00:30:13,501 WELL, THEN, WHAT ARE YOU DOING UP HERE? 675 00:30:13,601 --> 00:30:15,000 GO PROTECT OUR INVESTMENT. 676 00:30:15,100 --> 00:30:16,968 GO. 677 00:30:24,334 --> 00:30:25,901 HOW COULD YOU LET THIS HAPPEN? 678 00:30:26,000 --> 00:30:27,434 I PUT HER ON THE DRIP YOU PRESCRIBED. 679 00:30:27,534 --> 00:30:28,634 ALL RIGHT, GET HER UP. 680 00:30:28,734 --> 00:30:31,234 I'LL TAKE HER BY THE LAB AND I'LL CHECK HER OUT. 681 00:30:42,100 --> 00:30:43,467 THEY'VE GOT CAMERAS ALL OVER THE PLACE, 682 00:30:43,567 --> 00:30:46,767 SO DO YOUR BEST TO KEEP UP APPEARANCES? 683 00:30:55,033 --> 00:30:57,267 WHAT'S WRONG? 684 00:30:57,367 --> 00:30:59,734 WHY DON'T YOU TELL ME? 685 00:30:59,834 --> 00:31:02,334 I THINK THEY'VE TAKEN LEXA. 686 00:31:02,434 --> 00:31:04,133 HOW LONG'S IT BEEN SINCE YOU'VE SEEN HER? 687 00:31:04,234 --> 00:31:05,300 JUST BEFORE YOU GOT HERE. 688 00:31:05,400 --> 00:31:07,634 SHE WAS NOSING AROUND IN THE BACK. 689 00:31:17,567 --> 00:31:18,501 WHAT ARE YOU DOING HERE? 690 00:31:18,601 --> 00:31:19,601 IT'S OKAY. 691 00:31:19,701 --> 00:31:20,901 SHAL AND BRENNAN GOT THINGS COVERED. 692 00:31:21,000 --> 00:31:23,100 WHAT HAVE YOU GOT? 693 00:31:23,200 --> 00:31:25,434 UH, WELL, I'VE BEEN POURING OVER NOLAN'S RESEARCH. 694 00:31:25,534 --> 00:31:27,133 HE'S A GENIUS. 695 00:31:27,234 --> 00:31:28,501 HOW SO? 696 00:31:28,601 --> 00:31:31,567 HE'S FIGURED OUT HOW TO CREATE SYNTHETIC CLONES 697 00:31:31,667 --> 00:31:35,100 BY COMBINING GENETICS WITH NANOTECHNOLOGY. 698 00:31:35,200 --> 00:31:37,801 HIS SYNTHETIC CLONES ARE VIRTUALLY INDISTINGUISHABLE 699 00:31:37,901 --> 00:31:39,701 FROM THEIR HUMAN COUNTERPARTS. 700 00:31:44,868 --> 00:31:47,834 WHAT? 701 00:31:47,934 --> 00:31:50,501 NOTHING. 702 00:31:50,601 --> 00:31:52,467 IT'S JUST I, UH... 703 00:31:52,567 --> 00:31:56,534 NEVER REALIZED HOW GOOD LOOKING YOU ARE. 704 00:31:58,734 --> 00:31:59,934 SHUT UP. 705 00:32:00,033 --> 00:32:02,167 I'M SERIOUS. 706 00:32:05,701 --> 00:32:08,601 YOU JUST LOVE MESSING WITH ME, DON'T YOU? 707 00:32:08,701 --> 00:32:10,968 NO, BUT I'D LIKE TO. 708 00:32:28,634 --> 00:32:30,267 OKAY... 709 00:32:38,400 --> 00:32:41,334 NOW YOU KNOW WHY I REALLY CAME BACK HERE. 710 00:33:05,133 --> 00:33:08,434 DO YOU HAVE ANY IDEA WHERE THEY MAY HAVE TAKEN LEXA? 711 00:33:12,133 --> 00:33:13,100 I DON'T KNOW. 712 00:33:13,200 --> 00:33:14,767 I ONLY LEFT HER ALONE FOR A MINUTE. 713 00:33:14,868 --> 00:33:16,100 BUT, THIS PLACE GOES ON FOREVER. 714 00:33:16,200 --> 00:33:18,701 SHE COULD BE IN ANY ONE OF THESE ROOMS. 715 00:33:21,033 --> 00:33:23,567 WHY ARE YOU LOOKING AT ME LIKE THAT? 716 00:33:23,667 --> 00:33:25,100 LIKE WHAT? 717 00:33:25,200 --> 00:33:27,367 LIKE YOU DON'T EVEN KNOW ME? 718 00:33:27,467 --> 00:33:29,934 BRENNAN, I'M NOT THE ENEMY HERE. 719 00:33:33,968 --> 00:33:37,400 THERE'S ONE MORE THING I HAVE TO TELL YOU. 720 00:33:37,501 --> 00:33:39,367 YOU'RE ABOUT TO DIE! HUHH! 721 00:33:53,467 --> 00:33:57,634 LEXA, WHAT DO YOU...? 722 00:33:57,734 --> 00:33:58,901 COME ON, JESS, 723 00:33:59,000 --> 00:34:01,467 YOU DON'T REALLY WANT TO PLAY IT LIKE THIS, DO YOU? 724 00:34:01,567 --> 00:34:03,400 AGH... 725 00:34:03,501 --> 00:34:05,901 BRENNAN! 726 00:34:06,000 --> 00:34:07,968 BRENNAN! 727 00:34:11,100 --> 00:34:12,634 THEY'RE ON TO US! 728 00:34:12,734 --> 00:34:15,067 729 00:34:15,167 --> 00:34:17,100 SEBASTIAN'S BEEN POPPING OFF CLONES OF THE GIRLS. 730 00:34:17,200 --> 00:34:19,100 GIA, LEXA, THEY'RE ALL SYNTHETICS. 731 00:34:19,200 --> 00:34:21,767 I HAVE NO IDEA HOW TO PULL THE PLUG ON THEM. 732 00:34:24,801 --> 00:34:28,133 WAIT, NANOTECHNOLOGY'S BASED ON BIOELECTRONICS. WHICH MEANS... 733 00:34:28,234 --> 00:34:30,000 AHH!! 734 00:35:03,868 --> 00:35:05,000 LOOKING FOR SOMEONE? 735 00:35:05,100 --> 00:35:06,534 UH, SHALIMAR, YOU... 736 00:35:06,634 --> 00:35:08,234 UH, YOU SHOULD JUST SIT AND RELAX. 737 00:35:08,334 --> 00:35:09,634 YOU'RE GOING TO BE... FINE. 738 00:35:09,734 --> 00:35:11,033 DAMN STRAIGHT IT WILL. 739 00:35:11,133 --> 00:35:12,033 PLEASE DON'T HURT ME. 740 00:35:12,133 --> 00:35:13,467 SEBASTIAN, HE'S THE ONE THAT YOU WANT. 741 00:35:13,567 --> 00:35:14,400 YOU HAVE TO BELIEVE ME. 742 00:35:14,501 --> 00:35:15,667 I NEVER INTENDED TO HURT ANYONE. 743 00:35:15,767 --> 00:35:16,567 WHERE IS HE? 744 00:35:16,667 --> 00:35:17,734 UH, HE'S UP IN THE CLUB. 745 00:35:17,834 --> 00:35:18,968 RIGHT NOW, HE'S UP IN THE CLUB. 746 00:35:19,100 --> 00:35:20,334 I DIDN'T HAVE A CHOICE. 747 00:35:20,434 --> 00:35:22,367 OH!! 748 00:35:22,467 --> 00:35:24,734 WE ALL HAVE CHOICES. 749 00:35:38,968 --> 00:35:42,234 COME OUT, COME OUT WHEREVER YOU ARE. 750 00:35:59,834 --> 00:36:01,567 LET HIM GO! 751 00:36:04,801 --> 00:36:06,434 752 00:36:07,901 --> 00:36:09,868 SHAME TO MESS UP THAT PRETTY FACE. 753 00:36:14,334 --> 00:36:16,133 WHAT'S A GIRL TO DO? 754 00:36:35,334 --> 00:36:39,234 OH, MAN, THAT'S JUST NASTY. 755 00:36:42,868 --> 00:36:44,300 BRENNAN? JESSE. 756 00:36:44,400 --> 00:36:46,534 FINALLY FIGURED OUT THE OFF SWITCH. 757 00:36:46,634 --> 00:36:49,701 SINCE THESE GUYS ARE BASED ON NANOTECHNOLOGY, THE... 758 00:36:49,801 --> 00:36:51,267 JUST CUT TO IT! 759 00:36:51,367 --> 00:36:52,834 ELECTRICITY. 760 00:36:52,934 --> 00:36:55,200 YOU COULD BE THE KEY, SPARKY. 761 00:36:55,300 --> 00:36:56,501 I'M SOAKING WET. 762 00:36:56,601 --> 00:36:59,234 WELL, YOU BETTER DRY YOUR ASS OFF, FAST. 763 00:37:19,868 --> 00:37:21,534 SHALIMAR! 764 00:37:36,100 --> 00:37:38,000 BRENNAN, GET HER! IT'S ME! 765 00:37:38,100 --> 00:37:39,567 SHE'S LYING! 766 00:37:42,267 --> 00:37:44,634 BRENNAN, DO IT NOW! 767 00:37:52,834 --> 00:37:54,667 HOW'D YOU KNOW IT WAS ME? 768 00:37:54,767 --> 00:37:57,033 I FIGURED I HAD A 50/50 CHANCE. 769 00:37:57,133 --> 00:37:58,200 OH, COME ON, 770 00:37:58,300 --> 00:37:59,200 I'M NOT GOING TO GET YOU CONFUSED 771 00:37:59,300 --> 00:38:00,534 WITH SOME CHEAP IMITATION? 772 00:38:00,634 --> 00:38:02,033 WHAT YOU TALKING ABOUT? 773 00:38:02,133 --> 00:38:03,634 COME ON. 774 00:38:10,601 --> 00:38:12,501 WHERE IS HE? 775 00:38:12,601 --> 00:38:14,267 HE'S IN THE HOT TUB. 776 00:38:14,367 --> 00:38:16,234 GO. 777 00:38:29,234 --> 00:38:33,067 DAMN, HE'S ONE OF THEM, TOO? 778 00:38:33,167 --> 00:38:35,734 I THINK IT'S TIME WE PULLED THE PLUG ON THE REAL RINGLEADER. 779 00:38:35,834 --> 00:38:37,601 YEAH. 780 00:39:10,267 --> 00:39:11,567 781 00:39:14,200 --> 00:39:15,767 OKAY. 782 00:39:15,868 --> 00:39:16,801 LEXA? 783 00:39:16,901 --> 00:39:18,033 LEXA, YOU ALL RIGHT? 784 00:39:18,133 --> 00:39:19,234 JESS. 785 00:39:19,334 --> 00:39:20,567 OKAY, JUST STAY WITH ME, ALL RIGHT? 786 00:39:20,667 --> 00:39:22,767 WE'RE GOING TO GET YOU OUT OF HERE. 787 00:39:25,834 --> 00:39:28,567 MOVE AND SHE'S DEAD. 788 00:39:28,667 --> 00:39:30,434 AHH... 789 00:39:30,534 --> 00:39:34,067 YOU MUST BE THE BRAINS OF THE OPERATION. 790 00:39:34,167 --> 00:39:35,567 NOLAN BLACKLEDGE. 791 00:39:35,667 --> 00:39:37,234 THAT'S RIGHT. YEAH. YEAH. 792 00:39:37,334 --> 00:39:38,734 SO WHO'S SEBASTIAN? 793 00:39:38,834 --> 00:39:40,634 YOUR ALTER EGO? 794 00:39:40,734 --> 00:39:42,067 SEBASTIAN? 795 00:39:42,167 --> 00:39:44,901 HE'S JUST PART OF THE WHOLE NERO'S MYSTIQUE. 796 00:39:45,000 --> 00:39:46,701 YOU CREATED HIM. 797 00:39:46,801 --> 00:39:47,868 AS YOUR FRONT MAN. 798 00:39:47,968 --> 00:39:49,033 I MEAN, HE'S EVERYTHING YOU'RE NOT, RIGHT? 799 00:39:49,133 --> 00:39:50,734 CONFIDENT, CHARISMATIC... 800 00:39:50,834 --> 00:39:53,300 SEBASTIAN SERVES HIS PURPOSE. 801 00:39:53,400 --> 00:39:55,601 WELL, YOU WON'T HAVE HIM TO HIDE BEHIND ANY LONGER. 802 00:39:55,701 --> 00:39:57,367 YEAH, HE DONE BLOWED UP. 803 00:40:07,334 --> 00:40:09,734 HEY, GIA. 804 00:40:09,834 --> 00:40:11,801 GIA. 805 00:40:14,067 --> 00:40:15,100 SHALIMAR? 806 00:40:15,200 --> 00:40:16,634 HEY, IT'S OVER. 807 00:40:16,734 --> 00:40:18,634 I DIDN'T KNOW WHAT I WAS GETTING INTO. 808 00:40:18,734 --> 00:40:20,934 I KNOW. 809 00:40:21,033 --> 00:40:22,667 IT'S GOING TO BE OKAY. 810 00:40:22,767 --> 00:40:24,567 I PROMISE. 811 00:40:32,534 --> 00:40:33,467 HEY, THERE, SUNSHINE. 812 00:40:33,567 --> 00:40:34,734 YOU FEELING ANY BETTER? 813 00:40:34,834 --> 00:40:35,767 YEAH. 814 00:40:35,868 --> 00:40:36,934 YOU'D BE AMAZED HOW REFRESHED YOU FEEL 815 00:40:37,033 --> 00:40:38,367 AFTER 20 HOURS OF SLEEP. 816 00:40:38,467 --> 00:40:40,667 YEAH, WELL, IT'S A PRETTY STRONG SEDATIVE THEY GAVE YOU, 817 00:40:40,767 --> 00:40:43,667 YEAH. JUST MY LUCK. I GOT TO SLEEP THROUGH ALL THE FUN. 818 00:40:43,767 --> 00:40:45,200 EH, YOU DIDN'T MISS MUCH. 819 00:40:45,300 --> 00:40:48,334 SO, DID I BEHAVE MYSELF? 820 00:40:48,434 --> 00:40:51,234 OH, YEAH, YOU WERE GOOD. 821 00:40:51,334 --> 00:40:52,868 YOU WERE... 822 00:40:52,968 --> 00:40:55,234 REALLY GOOD. 823 00:40:56,534 --> 00:40:58,000 YEAH, RIGHT... YOU WISH. 824 00:40:59,467 --> 00:41:02,868 THAT'S A NICE, UH, TATTOO YOU HAVE. 825 00:41:02,968 --> 00:41:05,334 JESSE! GET BACK HERE! 826 00:41:05,434 --> 00:41:06,801 YOU'RE GOING TO TELL ME EVERYTHING THAT WENT ON! 827 00:41:06,901 --> 00:41:08,167 JESSE! 828 00:41:08,267 --> 00:41:10,334 EVERYTHING! DO YOU HEAR ME! 829 00:41:10,434 --> 00:41:12,133 JESS! 830 00:41:16,334 --> 00:41:17,767 HEY, THERE. 831 00:41:17,868 --> 00:41:20,167 HEY. WHERE YOU BEEN? 832 00:41:20,267 --> 00:41:22,334 I SET GIA UP WITH A PLACE TO STAY. 833 00:41:22,434 --> 00:41:23,934 GAVE HER SOME CASH TO TIDE HER OVER 834 00:41:24,033 --> 00:41:25,234 'TIL SHE FOUND A JOB. 835 00:41:25,334 --> 00:41:26,334 SHAL. I JUST... 836 00:41:26,434 --> 00:41:27,734 LOOK, I KNOW WHAT YOU'RE GOING TO SAY. 837 00:41:27,834 --> 00:41:28,934 I KNOW I'M NOT A SUPER-HERO. 838 00:41:29,033 --> 00:41:30,767 I CAN'T SAVE EVERYONE. 839 00:41:30,868 --> 00:41:31,868 NO, NO... 840 00:41:31,968 --> 00:41:34,167 ACTUALLY I WAS GOING TO SAY THAT I'M SORRY. 841 00:41:34,267 --> 00:41:36,734 I SHOULDN'T HAVE ASSUMED ANYTHING ABOUT YOUR FRIEND. 842 00:41:36,834 --> 00:41:38,367 PEOPLE CAN CHANGE. 843 00:41:38,467 --> 00:41:41,834 AND I JUST HOPE THAT SHE KEEPS HER ACT TOGETHER. 844 00:41:41,934 --> 00:41:43,701 YEAH, ME TOO. 845 00:41:45,267 --> 00:41:46,834 GOD, IT JUST MAKES ME SICK, 846 00:41:46,934 --> 00:41:50,067 A PLACE LIKE NERO'S EVEN EXISTS TODAY. 847 00:41:50,167 --> 00:41:51,200 YEAH. 848 00:41:51,300 --> 00:41:52,901 WELL, IT'S MAN'S PURSUIT OF THE PERFECT WOMAN. 849 00:41:53,000 --> 00:41:56,100 IT'S BEEN GOING ON SINCE THE BEGINNING OF TIME. 850 00:41:56,200 --> 00:41:58,734 YEAH, WELL, MAN SHOULD GET OVER HIS DAMN SELF. 851 00:41:58,834 --> 00:42:03,067 WOMEN ARE PERFECT JUST THE WAY THEY ARE. 852 00:42:06,667 --> 00:42:08,701 YEAH... 853 00:42:09,701 --> 00:42:19,701 Downloaded From www.AllSubs.org 56887

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