Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:56,056 --> 00:01:02,325
BLOOD WEDDING
2
00:03:48,294 --> 00:03:50,592
- Here we are.
- Hi.
3
00:03:54,567 --> 00:03:56,933
You'II be over here.
4
00:03:58,271 --> 00:04:00,000
Cristina, that's your spot.
5
00:04:00,873 --> 00:04:04,001
Antonio, you're here,
and you're over here.
6
00:04:10,216 --> 00:04:12,241
What about
our dressing room?
7
00:04:12,952 --> 00:04:15,614
Upstairs.
8
00:04:28,601 --> 00:04:30,626
Let's go upstairs.
9
00:04:50,623 --> 00:04:53,183
Anyone have any aspirin?
10
00:04:53,393 --> 00:04:55,588
You can give it to me Iater.
11
00:05:42,041 --> 00:05:43,941
José, where's the picture?
12
00:05:44,377 --> 00:05:45,867
Here.
13
00:06:27,987 --> 00:06:30,182
CouId I have the mirror?
14
00:07:05,992 --> 00:07:08,085
Stay there.
15
00:07:09,862 --> 00:07:12,660
Everything's in its pIace.
16
00:07:13,366 --> 00:07:15,391
I'II get you some makeup.
17
00:07:15,601 --> 00:07:20,038
I Ieft a sponge here the other day.
Grab someone eIse's.
18
00:07:20,873 --> 00:07:26,311
But don't use it on his Iips.
He's been eating pastries aII day.
19
00:07:26,512 --> 00:07:28,309
Don't worry.
20
00:07:28,514 --> 00:07:30,482
We'II fix that donkey face of his.
21
00:07:30,683 --> 00:07:34,210
Yeah, my snout's
just Iike a donkey's.
22
00:07:38,825 --> 00:07:41,794
Hey, what are you doing?
- Making you up.
23
00:07:43,262 --> 00:07:46,390
I'm reaIIy in bad shape today.
24
00:07:47,567 --> 00:07:50,331
I can't do anything.
25
00:07:52,505 --> 00:07:57,169
Don't tune it
a haIf step high this time.
26
00:07:57,376 --> 00:08:00,106
- It's the same as aIways.
- It's aIways too high.
27
00:08:00,313 --> 00:08:02,543
Listen to where it is.
28
00:08:05,818 --> 00:08:08,309
It's you, jerk!
29
00:08:14,160 --> 00:08:16,287
You tuned it too high
the other day.
30
00:08:16,496 --> 00:08:19,056
It's fine.
I used Toñin's pitch pipe.
31
00:08:19,265 --> 00:08:21,426
Not my eyebrows!
32
00:08:24,003 --> 00:08:25,800
Try it again.
33
00:08:38,784 --> 00:08:40,251
The cap too?
34
00:08:40,453 --> 00:08:42,683
I'II catch pneumonia
without it.
35
00:08:53,366 --> 00:08:56,199
Toñin and José, Iisten.
36
00:08:56,402 --> 00:09:00,532
Let's go over the song
during Cristina's soIo after the duet,
37
00:09:00,740 --> 00:09:04,005
where the voices come in.
38
00:09:06,412 --> 00:09:09,643
That's right.
Gómez, join in with him.
39
00:09:11,884 --> 00:09:13,715
That's it.
40
00:09:23,129 --> 00:09:29,557
Let the bride awaken
41
00:09:29,769 --> 00:09:36,231
With love's tender
green bough in flower
42
00:09:44,317 --> 00:09:49,949
Let the singers
make their rounds
43
00:09:50,156 --> 00:09:56,254
And hang a garland
from every balcony
44
00:10:10,676 --> 00:10:16,080
Let the bride awaken
45
00:10:23,589 --> 00:10:29,585
On the wedding morn
46
00:11:02,228 --> 00:11:07,564
l really began dancing
out of hunger.
47
00:11:07,767 --> 00:11:11,134
l wanted to stay in school,
but that was impossible,
48
00:11:11,337 --> 00:11:16,104
so l had to start working
when l was 1 1.
49
00:11:16,308 --> 00:11:19,300
l was an errand boy
for some photographers.
50
00:11:19,512 --> 00:11:24,677
At 1 4 l started in the print shop
of a newspaper.
51
00:11:25,084 --> 00:11:29,111
l even tried boxing,
but after the first blow, l said,
52
00:11:29,321 --> 00:11:32,552
"Find yourself
another punching bag!"
53
00:11:32,758 --> 00:11:35,852
l raced bikes - everything.
54
00:11:36,062 --> 00:11:40,362
Purely by chance
a neighbor lady said,
55
00:11:40,566 --> 00:11:43,330
"Why don't you try
dance school?"
56
00:11:43,536 --> 00:11:49,202
l danced the way a little kid dances.
l didn't know a thing.
57
00:11:49,408 --> 00:11:52,070
l started
at Palitos's dance school,
58
00:11:52,278 --> 00:11:56,305
and three months later, a black man
named Harry Fleming saw me.
59
00:11:56,515 --> 00:12:01,384
He had a cabaret show.
l thought l'd be dancing flamenco!
60
00:12:01,587 --> 00:12:08,015
ln Santander he gave me
a mambo shirt and some bongos,
61
00:12:08,227 --> 00:12:10,661
and l accompanied
"Princess Menen. "
62
00:12:10,863 --> 00:12:15,926
She danced the mambo
while l played the bongos.
63
00:12:16,268 --> 00:12:21,365
Then a friend of Pilar López saw me
and recommended me.
64
00:12:21,574 --> 00:12:25,203
The thing is...
65
00:12:26,378 --> 00:12:32,840
l was just a bumpkin.
Totally green. l knew nothing.
66
00:12:33,052 --> 00:12:36,317
All l did was repeat
the steps they taught me.
67
00:12:36,522 --> 00:12:39,685
Then l decided to leave
Pilar López's troupe,
68
00:12:39,892 --> 00:12:45,091
and l stayed on in Paris to study
dance and contemporary painting
69
00:12:45,297 --> 00:12:49,290
and see other shows,
other art forms.
70
00:12:49,502 --> 00:12:52,767
l'd never seen
Vicente Escudero dance.
71
00:12:52,972 --> 00:12:55,702
l'd just seen a few pictures.
72
00:12:55,908 --> 00:12:57,967
Suddenly Pilar López says,
73
00:12:58,177 --> 00:13:01,374
" You're exactly like Vicente Escudero
when he was young,
74
00:13:01,580 --> 00:13:04,640
even physically.
75
00:13:04,850 --> 00:13:06,545
Those long hands,
76
00:13:06,752 --> 00:13:09,312
those tapered fingers
like a bird of prey,
77
00:13:09,522 --> 00:13:12,457
that nose,
those facial features. "
78
00:13:12,658 --> 00:13:16,560
And Mariemma,
who was a friend of his,
79
00:13:16,762 --> 00:13:19,390
was astounded
at how much l was like him.
80
00:13:19,598 --> 00:13:23,557
l'd never seen him dance,
never even seen him in person.
81
00:13:23,769 --> 00:13:27,000
One day he came
and saw me dance.
82
00:13:27,206 --> 00:13:31,404
And this man
who never ever told anyone
83
00:13:31,610 --> 00:13:35,239
that they danced well
84
00:13:35,447 --> 00:13:37,813
came to see me,
85
00:13:38,017 --> 00:13:43,853
and he was like a grandfather
with his beloved grandson.
86
00:13:44,056 --> 00:13:46,684
He was so fond of me.
87
00:13:46,892 --> 00:13:50,123
He'd been a man of great dignity
throughout his career,
88
00:13:50,329 --> 00:13:52,957
a serious man
that nobody messed with.
89
00:13:53,165 --> 00:13:55,759
He always did
what seemed necessary.
90
00:13:55,968 --> 00:13:58,835
He never sold out,
91
00:13:59,038 --> 00:14:02,940
and he died
with amazing dignity.
92
00:14:03,142 --> 00:14:07,340
l was very fond of him
and respected him enormously.
93
00:14:07,546 --> 00:14:10,845
He never went in
for the games performers play.
94
00:14:11,050 --> 00:14:13,314
All of that.
95
00:14:13,519 --> 00:14:16,352
So l go to live in Paris,
96
00:14:16,555 --> 00:14:20,184
and l send him a postcard saying,
"Maestro... "and so on.
97
00:14:20,392 --> 00:14:23,725
He writes back
that l was living
98
00:14:23,929 --> 00:14:27,592
in the same apartment
he'd lived in for 20 years,
99
00:14:27,800 --> 00:14:30,496
at 36 rue Boulanger.
100
00:16:34,460 --> 00:16:36,223
Everyone here?
101
00:16:38,097 --> 00:16:41,260
Let's start with this phrase.
102
00:16:43,869 --> 00:16:48,272
On the first four,
your arms are here.
103
00:16:48,474 --> 00:16:52,205
On the second four,
it goes out and comes in.
104
00:16:52,411 --> 00:16:54,902
Out and in.
105
00:16:55,114 --> 00:16:57,344
And the ending is here.
106
00:16:58,450 --> 00:17:01,908
The arms are here.
Then they go out.
107
00:17:03,455 --> 00:17:04,922
Let's try it.
108
00:17:06,725 --> 00:17:08,488
One and two...
109
00:17:28,047 --> 00:17:29,674
Is that cIear?
110
00:17:41,627 --> 00:17:44,061
Here we go.
One and two...
111
00:17:50,069 --> 00:17:51,559
Arm up!
112
00:17:54,673 --> 00:17:56,698
Stay with it!
113
00:18:02,381 --> 00:18:04,212
So-so.
114
00:18:04,750 --> 00:18:06,809
The end was a IittIe weak.
115
00:18:07,753 --> 00:18:10,449
Where's the head go?
116
00:18:11,290 --> 00:18:13,588
The head goes there
and then front.
117
00:18:21,934 --> 00:18:23,367
Arm up!
118
00:18:23,569 --> 00:18:25,400
Stay with it!
119
00:18:31,243 --> 00:18:33,302
What a mess.
No offense.
120
00:18:36,648 --> 00:18:38,343
No offense.
121
00:18:42,087 --> 00:18:43,384
What a disaster!
122
00:18:43,922 --> 00:18:45,389
Ready?
123
00:19:06,478 --> 00:19:10,209
AII right.
Is that aII cIear?
124
00:19:10,415 --> 00:19:11,814
The head.
125
00:19:14,019 --> 00:19:16,510
Let's take the Iast two phrases.
126
00:19:16,722 --> 00:19:18,212
From the arm up?
127
00:19:28,467 --> 00:19:30,025
That's a IittIe better.
128
00:19:34,773 --> 00:19:37,003
Let's do this one.
129
00:19:46,885 --> 00:19:51,083
But suspend it here.
Don't just faII into it.
130
00:19:52,357 --> 00:19:54,985
ReaIIy suspend it there.
131
00:19:56,094 --> 00:19:59,325
The head goes side
and then front.
132
00:19:59,531 --> 00:20:03,058
- The arm up and out?
- Yes.
133
00:20:03,268 --> 00:20:05,259
- Starting to which side?
- That side.
134
00:20:05,470 --> 00:20:07,438
- How many times?
- Four.
135
00:20:16,381 --> 00:20:17,905
Better!
136
00:20:23,989 --> 00:20:26,048
Let your body faII.
137
00:20:29,061 --> 00:20:30,688
Lift up!
138
00:20:33,465 --> 00:20:35,092
Down!
139
00:20:35,567 --> 00:20:38,058
Stretch everything!
Your head!
140
00:20:38,770 --> 00:20:42,900
As Vicente Escudero used to say,
do your IeveI best.
141
00:20:43,108 --> 00:20:44,234
Once more?
142
00:20:44,509 --> 00:20:46,602
I'II watch.
143
00:20:46,812 --> 00:20:48,973
Do we move the wrist?
144
00:20:49,381 --> 00:20:52,077
One thing.
Wait a beat here.
145
00:20:52,284 --> 00:20:55,811
HoId it, hoId it,
and then draw out the faII.
146
00:21:02,828 --> 00:21:04,295
Good!
147
00:21:07,699 --> 00:21:09,030
Suspend here!
148
00:21:16,041 --> 00:21:17,668
Good.
149
00:21:17,876 --> 00:21:22,074
Don't worry about it.
150
00:21:22,614 --> 00:21:24,639
Let's go on the diagonaI.
151
00:21:26,618 --> 00:21:28,552
Give me the rhythm.
152
00:21:44,569 --> 00:21:50,633
Don't get ahead of yourseIf at the end.
HoId it together.
153
00:21:50,842 --> 00:21:54,505
One at a time
on the diagonaI,
154
00:21:54,713 --> 00:21:57,375
and the rest of you
keep the rhythm.
155
00:22:41,760 --> 00:22:43,387
Don't Iook down!
156
00:22:46,565 --> 00:22:48,829
Don't raise your eyebrows!
157
00:22:51,203 --> 00:22:53,330
A IittIe more!
158
00:22:53,538 --> 00:22:55,631
Lift up, Lario!
159
00:22:59,177 --> 00:23:00,974
Good.
160
00:23:01,179 --> 00:23:03,511
Are you warmed up now?
161
00:23:04,483 --> 00:23:08,249
Then Iet's change
and start the rehearsaI.
162
00:23:08,453 --> 00:23:11,115
- FuII dress rehearsaI?
- Yes, costumes and everything.
163
00:23:11,323 --> 00:23:13,154
We're done?
164
00:23:39,684 --> 00:23:41,982
- Where have you come from?
- BoIIuIIo.
165
00:23:42,187 --> 00:23:44,155
- What have you brought me?
- Five duros.
166
00:23:44,356 --> 00:23:47,757
Scratch here and here,
and this is yours!
167
00:23:51,096 --> 00:23:52,927
My God.
168
00:23:53,498 --> 00:23:56,592
- How's my bun Iook?
- AwfuI.
169
00:23:59,371 --> 00:24:01,737
I can't stand these shoes.
170
00:24:02,140 --> 00:24:04,665
I think they're shrinking.
- You're sweating!
171
00:24:04,876 --> 00:24:08,141
Of course -
with good reason!
172
00:24:08,880 --> 00:24:10,575
And we're not done yet!
173
00:24:13,718 --> 00:24:15,549
Oh, my feet!
174
00:24:16,455 --> 00:24:18,218
These shoes!
175
00:24:19,124 --> 00:24:21,285
Are they new?
176
00:24:22,327 --> 00:24:25,421
They've just
aIways bothered me.
177
00:24:32,103 --> 00:24:35,334
- What's the matter?
- I'm reaI nervous.
178
00:24:35,540 --> 00:24:38,202
- About what?
- You think it'II go weII?
179
00:24:38,410 --> 00:24:41,504
Of course.
Things aIways work out.
180
00:24:41,713 --> 00:24:45,376
Antonio was nervous too,
but we got the step right.
181
00:24:48,587 --> 00:24:51,317
You're doing great.
No probIem with the knee?
182
00:24:51,523 --> 00:24:55,084
It hasn't bothered me
for the Iongest time.
183
00:24:55,594 --> 00:24:58,461
You scared me the other day
during the fight.
184
00:24:58,663 --> 00:25:01,928
It aIways cracks
right at that moment.
185
00:25:02,300 --> 00:25:04,359
I've gotten used to it.
186
00:25:05,670 --> 00:25:08,070
I'm used to that sound.
187
00:25:09,474 --> 00:25:11,203
The knives.
188
00:25:15,714 --> 00:25:17,443
Let me see another one.
189
00:25:19,818 --> 00:25:22,548
No, I'II keep this one.
190
00:25:23,522 --> 00:25:25,387
Juan, here.
191
00:25:26,191 --> 00:25:29,649
- Which is mine?
- One of them sticks.
192
00:25:31,129 --> 00:25:33,757
Give me a hand.
193
00:25:40,772 --> 00:25:43,707
Turn it over.
That's good.
194
00:25:46,344 --> 00:25:48,938
- Want a pin?
- No, not right now.
195
00:26:17,676 --> 00:26:20,645
WiII you heIp me?
Then I'II heIp you.
196
00:26:38,897 --> 00:26:41,161
WiII you zip me up?
197
00:26:49,074 --> 00:26:50,598
Good Iuck, Iadies.
198
00:26:50,809 --> 00:26:53,437
- Same to you.
- We'II need it!
199
00:27:51,803 --> 00:27:54,897
Everyone, pIease.
200
00:27:55,106 --> 00:28:00,169
Sit in the spot
you'II be entering from,
201
00:28:00,378 --> 00:28:05,748
so no one crosses in back
except those who have to.
202
00:28:06,284 --> 00:28:09,811
I'm not stopping
for any reason.
203
00:28:10,021 --> 00:28:12,751
AII the way through,
no matter what happens.
204
00:28:12,957 --> 00:28:16,757
DanieI, pass out
the knives and everything.
205
00:28:35,580 --> 00:28:37,343
You have your knife?
206
00:28:38,450 --> 00:28:40,350
What about this one?
207
00:28:40,552 --> 00:28:42,520
Give it to José Luis.
208
00:28:43,988 --> 00:28:45,455
Ready, PiIar?
209
00:28:59,704 --> 00:29:01,569
Music, pIease, Paco.
210
00:32:02,620 --> 00:32:03,587
l do.
211
00:32:05,990 --> 00:32:07,389
l do.
212
00:33:06,684 --> 00:33:11,747
My baby sleeps
213
00:33:13,458 --> 00:33:18,395
My baby is still
214
00:33:20,031 --> 00:33:24,559
His cradle's made of steel
215
00:33:25,036 --> 00:33:31,600
His quilt of fine cambric
216
00:33:33,811 --> 00:33:38,271
Hush, my child
217
00:33:46,190 --> 00:33:50,991
Ay, the stallion
218
00:33:51,195 --> 00:33:57,031
That wouldn't drink of the water
219
00:35:00,198 --> 00:35:03,725
on't come here
220
00:35:03,935 --> 00:35:09,271
o off to the mountain
221
00:35:11,209 --> 00:35:14,975
Through the gray valleys
222
00:35:15,713 --> 00:35:21,709
Where the mare stands
223
00:35:25,456 --> 00:35:30,484
My baby is sleeping
224
00:35:31,762 --> 00:35:37,257
My baby is resting
225
00:35:39,270 --> 00:35:42,637
Sleep, my little carnation
226
00:35:42,840 --> 00:35:49,803
For the horse won't drink
227
00:35:52,416 --> 00:35:55,943
Sleep, my rose
228
00:35:56,587 --> 00:36:03,925
For the horse
is beginning to weep
229
00:46:53,210 --> 00:46:59,240
Let the bride awaken
230
00:47:08,025 --> 00:47:14,726
With love's tender
green bough in flower
231
00:47:22,906 --> 00:47:28,071
Let the singers
make their rounds
232
00:47:28,679 --> 00:47:34,481
And hang a garland
from every balcony
233
00:47:47,431 --> 00:47:52,801
Let the bride awaken
234
00:47:59,209 --> 00:48:05,079
On the wedding morn
235
00:50:22,886 --> 00:50:28,222
ln a green field
l spread my kerchief
236
00:50:32,596 --> 00:50:38,034
Three roses fell
like three bright stars
237
00:50:41,705 --> 00:50:46,836
My princess's carriage
has cost me a fortune
238
00:50:47,044 --> 00:50:52,573
To carry the couple
on their way to wed
239
00:51:00,557 --> 00:51:03,287
Arise
240
00:51:03,493 --> 00:51:05,427
Sleep no more
241
00:51:10,634 --> 00:51:12,966
For the early morning
242
00:51:13,170 --> 00:51:15,331
Will see you wed
243
00:51:20,577 --> 00:51:23,068
Long Iive the bride and groom!
244
00:51:23,280 --> 00:51:25,373
Long Iive Iove!
245
00:51:41,798 --> 00:51:44,961
Black ribbon, black tresses
246
00:51:45,168 --> 00:51:48,763
Like those
of that dark-skinned maiden
247
00:51:51,675 --> 00:51:54,371
Whose jealous ways
248
00:51:54,578 --> 00:51:58,036
rained the blood
from my veins
249
00:51:58,582 --> 00:52:03,076
Your brim holds the tremors
250
00:52:03,954 --> 00:52:08,323
Of a luckless lass
251
00:52:09,526 --> 00:52:13,121
Who cries from heartbreak
252
00:52:13,330 --> 00:52:16,163
ln the light of the moon
253
00:52:19,836 --> 00:52:23,033
ln the light of the moon
254
00:52:23,406 --> 00:52:26,341
My hat, oh my hat
255
00:52:27,210 --> 00:52:30,373
You are a font of grace
256
00:52:30,580 --> 00:52:34,676
And you display
a matador's pomp
257
00:52:34,885 --> 00:52:37,319
When l take you
to the bullfights
258
00:52:37,521 --> 00:52:41,082
l love you
because on your brim
259
00:52:41,291 --> 00:52:44,749
Oh hat of my heart's bliss
260
00:52:44,961 --> 00:52:48,397
You bear, gracefully embroidered
261
00:52:48,598 --> 00:52:51,931
A woman's kiss
262
00:52:59,743 --> 00:53:03,076
You have such a set to you
263
00:53:03,280 --> 00:53:06,181
There is in you
such lordliness
264
00:53:06,917 --> 00:53:09,852
You are king
among the carriages
265
00:53:10,053 --> 00:53:13,853
That parade in honor of
Our Lady of the Morning ew
266
00:53:14,057 --> 00:53:18,994
All around your elegant brim
267
00:53:19,196 --> 00:53:23,462
Still flutter the woeful moans
268
00:53:24,568 --> 00:53:28,060
Left by tender promises
269
00:53:28,271 --> 00:53:31,069
Swept away by the wind
270
00:53:49,125 --> 00:53:52,026
When l take you
to the bullfights
271
00:53:52,229 --> 00:53:55,858
l love you
because on your brim
272
00:53:56,066 --> 00:53:59,433
Oh hat of my heart's bliss
273
00:53:59,636 --> 00:54:02,867
You bear, gracefully embroidered
274
00:54:03,073 --> 00:54:05,906
A woman's kiss
275
00:55:27,791 --> 00:55:29,315
Let's hear it for Iove!
276
00:55:33,129 --> 00:55:35,927
The lovers sang
The water flowed on
277
00:55:36,132 --> 00:55:37,963
And the wedding approached
278
00:55:38,168 --> 00:55:39,795
Let the frost sparkle
279
00:55:40,003 --> 00:55:42,699
And the bitter almonds
be filled with honey
280
00:55:52,315 --> 00:55:54,476
Spread the tablecloths
281
00:55:54,684 --> 00:55:56,652
Make ready the wine
282
00:55:56,853 --> 00:56:01,085
For the groom's a dove
with his breast all aflame
283
00:56:01,291 --> 00:56:04,783
While the fields listen
for the murmur of spilled blood
284
00:56:05,962 --> 00:56:10,661
The wheel turned and turned
285
00:56:10,867 --> 00:56:12,994
The wheel turned
286
00:56:13,203 --> 00:56:15,433
And the water flowed on
287
01:08:58,400 --> 01:09:05,397
Let the bride awaken
288
01:09:13,249 --> 01:09:18,744
With love's tender
green bough in flower
289
01:09:29,965 --> 01:09:36,165
Let the singers
make their rounds
290
01:09:36,539 --> 01:09:43,707
And hang a garland
on every balcony
291
01:09:58,761 --> 01:10:05,166
Let the bride awaken
292
01:10:13,309 --> 01:10:19,373
On the wedding morn
293
01:11:40,996 --> 01:11:43,692
SubtitIes by JOHN GUDELJ
for SUBTEXT SUBTITLING
18772
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof