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These are the user uploaded subtitles that are being translated: 1 00:00:12,819 --> 00:00:19,320 Bright lights Can I get a bright light on this 2 00:00:19,320 --> 00:00:20,320 stage? 3 00:00:21,020 --> 00:00:27,820 Gotta game You gotta get it right so you're all the rage 4 00:00:27,820 --> 00:00:30,500 Broken hearts 5 00:00:32,080 --> 00:00:35,580 It's always bad but never been this strange. 6 00:00:36,600 --> 00:00:39,220 They always fall in love with me. 7 00:00:40,280 --> 00:00:43,520 But my answer is always the same. 8 00:00:44,920 --> 00:00:47,120 We don't know. 9 00:00:48,800 --> 00:00:50,980 We're still young. 10 00:00:53,700 --> 00:00:56,240 I'm trying to be positive, but this is bad. 11 00:00:56,740 --> 00:00:58,640 Our first gig was a disaster. 12 00:00:59,340 --> 00:01:00,980 And not to mention, 13 00:01:02,060 --> 00:01:03,700 The mudcracker is total. 14 00:01:08,540 --> 00:01:14,140 I'm not very happy right now. 15 00:01:14,700 --> 00:01:18,320 I was almost kicked out of Lost and Bound for stealing a song. I thought 16 00:01:18,320 --> 00:01:21,340 that I could make a really good song and that you guys would like me. 17 00:01:21,880 --> 00:01:23,560 Because no one ever likes me. 18 00:01:24,320 --> 00:01:28,340 I want to be here, but it's really hard for me. 19 00:01:28,880 --> 00:01:30,040 I'm just trying to be brave. 20 00:01:37,990 --> 00:01:40,230 So far, I've been loving it at Lost and Found. 21 00:01:40,730 --> 00:01:42,230 I've met some amazing people. 22 00:01:42,670 --> 00:01:44,070 I'm starting to have feelings for you. 23 00:01:44,710 --> 00:01:47,470 And things with my new boyfriend, Tully, are going great. 24 00:01:48,410 --> 00:01:49,410 He's so amazing. 25 00:01:52,310 --> 00:01:53,690 You're not better than me. 26 00:01:54,090 --> 00:01:55,370 And I go wherever I want. 27 00:01:55,810 --> 00:01:57,810 My brother Tully keeps showing up at Lost and Found. 28 00:01:58,350 --> 00:01:59,870 I'm gonna have to find a way to get him out of here. 29 00:02:00,479 --> 00:02:04,960 I never wanted that part of my life to come to last and found, but now it's 30 00:02:04,960 --> 00:02:05,960 here. 31 00:02:06,740 --> 00:02:11,320 I am really happy to be back in the band with Leia, Rachel, and Amber. 32 00:02:12,040 --> 00:02:14,880 Leia only let me back in because I promised to stay away from Luke. 33 00:02:15,180 --> 00:02:17,980 I hope everything goes smoothly from here on out. 34 00:02:19,660 --> 00:02:21,340 Things could not be better right now. 35 00:02:21,760 --> 00:02:25,520 The band is back together, and I can start making my move on Luke. 36 00:02:26,360 --> 00:02:27,400 I'm totally in control! 37 00:02:31,360 --> 00:02:36,000 This year at Lost and Found has been a rollercoaster for me. Really think about 38 00:02:36,000 --> 00:02:37,000 why you're here right now. 39 00:02:37,660 --> 00:02:42,580 I can't hide what's going on inside me anymore, but I'm terrified. 40 00:02:46,680 --> 00:02:49,240 Things with Michelle are complicated. 41 00:02:50,100 --> 00:02:54,900 I saw her outside of my house last night after our gig, and she ran away before I 42 00:02:54,900 --> 00:02:55,900 could talk to her. 43 00:02:56,560 --> 00:02:58,700 Now I'm really not sure what I should say to her. 44 00:03:40,560 --> 00:03:47,520 We're all so excited to see where this journey at Lost and Found takes us 45 00:03:47,520 --> 00:03:49,380 next. It's gonna be amazing. 46 00:04:08,120 --> 00:04:09,140 One, one, two, one. 47 00:04:25,920 --> 00:04:29,220 One, two, three, two, one. One, two, three, four, three, two, one. One, two, 48 00:04:29,240 --> 00:04:30,960 three, four, five, four, three, two, one. 49 00:04:32,040 --> 00:04:34,360 One, one, two, one. One, two, three, two, one. 50 00:04:35,360 --> 00:04:36,360 What'd I miss? 51 00:04:36,780 --> 00:04:37,780 Mackie's back. 52 00:04:38,020 --> 00:04:39,580 No, the band is back. 53 00:04:40,960 --> 00:04:43,280 We're just warming up, and then we're going to start working on songs. 54 00:04:43,620 --> 00:04:46,800 Cool. I just wrote five songs, so we can start with one of these. 55 00:04:47,020 --> 00:04:49,480 Well, actually, we were just discussing writing a song now. 56 00:04:50,780 --> 00:04:51,780 Uh, no. 57 00:04:52,720 --> 00:04:55,140 Usually we don't write songs during rehearsals. 58 00:04:55,790 --> 00:04:58,750 Who's heard of a band who can't write a song when they get together? 59 00:04:59,010 --> 00:05:02,270 Are you saying that one of the band rules is that we can only sing songs 60 00:05:02,270 --> 00:05:03,270 that we've already written? 61 00:05:03,710 --> 00:05:08,190 It's not a rule. It's just a suggestion to help the band. Oh, okay. So what are 62 00:05:08,190 --> 00:05:09,190 your other suggestions? 63 00:05:10,390 --> 00:05:12,210 Well, we can start with one of my songs. 64 00:05:12,490 --> 00:05:15,550 Well, I think that we should actually get really clear on what the rules are 65 00:05:15,550 --> 00:05:17,170 before we start doing that. 66 00:05:17,710 --> 00:05:18,710 Uh-oh. 67 00:05:18,810 --> 00:05:20,370 I knew the good times wouldn't last. 68 00:05:21,990 --> 00:05:24,090 Okay. I'm really happy to be back. 69 00:05:24,570 --> 00:05:27,410 but this band needs to make some serious changes. 70 00:05:45,680 --> 00:05:50,200 On a scale of 1 to 10, we all want our songs to be 11s. So we started this 71 00:05:50,200 --> 00:05:53,820 thing called Going to 11. It's where other musicians can give honest feedback 72 00:05:53,820 --> 00:05:54,940 to make our songs better. 73 00:05:55,960 --> 00:05:56,960 Come on, come on. 74 00:05:57,980 --> 00:05:59,340 Come on, come on. 75 00:06:00,320 --> 00:06:02,560 Come on, come on. Open road. 76 00:06:04,960 --> 00:06:06,220 Come on, come on. 77 00:06:07,340 --> 00:06:08,560 Come on, come on. 78 00:06:09,660 --> 00:06:13,440 Come on, come on. This is my first Go to 11, and I'm kind of surprised. 79 00:06:14,080 --> 00:06:17,440 I know the singers have to take their songs to 11, but we also have to take 80 00:06:17,440 --> 00:06:18,440 our criticism to 11. 81 00:06:19,020 --> 00:06:21,560 I'm just worried about telling Theo what I really think. 82 00:06:21,960 --> 00:06:24,640 Let's take the open road. 83 00:06:28,640 --> 00:06:29,640 Awesome. 84 00:06:29,940 --> 00:06:31,860 What did you think? Take me to 11. 85 00:06:32,220 --> 00:06:35,380 I think it's great, but there could probably be some more depth in the 86 00:06:35,380 --> 00:06:40,580 bridge. I'm afraid that my going to 11 is a lot harsher than the other 87 00:06:40,580 --> 00:06:42,760 musicians'. It's really good, but I'm thinking... 88 00:06:42,990 --> 00:06:44,830 Maybe some counter melodies or something? 89 00:06:45,090 --> 00:06:47,870 Everyone's just touching on the surface and not getting to the heart of the 90 00:06:47,870 --> 00:06:50,330 problem, which is that this song has no heart. 91 00:06:50,590 --> 00:06:51,590 Mary? 92 00:06:51,930 --> 00:06:54,530 Oh, yeah. Um... It was fine. 93 00:06:55,910 --> 00:06:56,910 It was fine? 94 00:06:57,490 --> 00:07:00,890 If there's one thing I know, it's that fine covers for bad. 95 00:07:01,430 --> 00:07:02,950 Fine's almost as bad as nice. 96 00:07:03,670 --> 00:07:04,910 Fine, that's everything? 97 00:07:05,890 --> 00:07:07,670 Yeah. Nice song. 98 00:07:08,750 --> 00:07:10,430 Okay. Thank you. 99 00:07:11,750 --> 00:07:14,170 This isn't like any go-to 11 I've ever heard. 100 00:07:15,130 --> 00:07:16,430 Mary's holding something back. 101 00:07:19,770 --> 00:07:21,170 I found this. 102 00:07:23,270 --> 00:07:24,630 Wow. That's great. 103 00:07:25,990 --> 00:07:26,990 All right. 104 00:07:27,710 --> 00:07:28,710 What do you think? 105 00:07:29,190 --> 00:07:31,630 What do I think? I think your suspension's done. 106 00:07:31,910 --> 00:07:35,090 Your tranny's shot. You need a new rear axle. I haven't looked at the engine 107 00:07:35,090 --> 00:07:37,850 yet. You got a whole bunch of body work. It's going to cost you about five, six 108 00:07:37,850 --> 00:07:38,850 grand, I'd say. 109 00:07:40,070 --> 00:07:41,070 All right. One second. 110 00:07:41,750 --> 00:07:42,750 Five grand? 111 00:07:42,910 --> 00:07:45,070 The Legion only paid us 50 bucks for this gig. 112 00:07:45,790 --> 00:07:47,690 I have no idea what we're gonna do now. 113 00:07:48,910 --> 00:07:50,410 It's gonna take five grand to fix this thing. 114 00:07:50,790 --> 00:07:54,430 Five grand? Are you kidding me? We could buy five new vans with that. Hey, this 115 00:07:54,430 --> 00:07:55,149 is sentimental. 116 00:07:55,150 --> 00:07:56,150 This is the muck cracker here. 117 00:07:56,510 --> 00:07:57,510 You're a muck cracker. 118 00:07:58,870 --> 00:08:00,750 You know what, James? I'm really sick of your attitude, man. 119 00:08:01,130 --> 00:08:02,009 Really negative. 120 00:08:02,010 --> 00:08:03,710 You know that you could be replaced. You're a drummer, man. 121 00:08:03,910 --> 00:08:04,910 Remember that. 122 00:08:05,090 --> 00:08:07,030 Oh. We need to think of something. 123 00:08:07,530 --> 00:08:11,840 Wait. What if, um, what if we, like, uh, did a concert or something, like, for 124 00:08:11,840 --> 00:08:12,499 his kids? 125 00:08:12,500 --> 00:08:14,720 Yeah. Yeah. See, that's an idea, man. 126 00:08:17,540 --> 00:08:18,540 There you go. 127 00:08:19,360 --> 00:08:20,360 You're an idiot. 128 00:08:20,380 --> 00:08:21,380 All right. 129 00:08:22,040 --> 00:08:23,040 Here's the thing. 130 00:08:23,100 --> 00:08:25,420 Um, we're kind of like an up-and-coming band. 131 00:08:25,680 --> 00:08:26,680 Really? Yeah. 132 00:08:26,760 --> 00:08:31,640 So we probably could play at, like, birthday parties or something to help 133 00:08:31,640 --> 00:08:32,640 pay for the bill. 134 00:08:32,820 --> 00:08:33,639 Oh, yeah? 135 00:08:33,640 --> 00:08:34,640 Yeah. 136 00:08:35,159 --> 00:08:36,159 Magnus? 137 00:08:53,220 --> 00:08:55,740 It looks like we might not be able to play our way out of this situation. 138 00:08:57,080 --> 00:08:58,740 This might be the end of the muckraker. 139 00:09:09,550 --> 00:09:11,290 Hey, I got your message. Is everything okay? 140 00:09:11,590 --> 00:09:14,270 Hey, yeah. I've just... I've had something bugging me. 141 00:09:14,570 --> 00:09:15,570 Yeah, shoot. 142 00:09:15,610 --> 00:09:18,910 Um, I feel like you didn't go to 11 in the go-to-11 clinic. 143 00:09:19,850 --> 00:09:20,850 I was very 11. 144 00:09:21,610 --> 00:09:22,830 No, you gave me a 5. 145 00:09:23,270 --> 00:09:24,270 At best. 146 00:09:24,470 --> 00:09:25,630 Theo, I gave you an 11. 147 00:09:25,850 --> 00:09:26,709 You gave me a 5. 148 00:09:26,710 --> 00:09:28,210 What more do you want? I want the truth. 149 00:09:31,030 --> 00:09:34,190 You're right. I... I actually only gave you a 2. 150 00:09:35,130 --> 00:09:36,130 And that was generous. 151 00:09:37,950 --> 00:09:38,950 You gave me a 2? 152 00:09:40,160 --> 00:09:42,520 Yeah, I... I didn't want to hurt you. 153 00:09:43,040 --> 00:09:44,040 Well, you just did. 154 00:09:45,780 --> 00:09:46,980 Ceo, look. 155 00:09:48,060 --> 00:09:49,400 Music means the world to me. 156 00:09:50,380 --> 00:09:54,080 And I'm very hard on myself, and I don't want to be hard on others and hurt them. 157 00:09:55,180 --> 00:09:58,720 Yeah. Well, I want you to be as hard on me as you are on yourself. 158 00:09:59,480 --> 00:10:00,840 That's what Go To Eleven's all about. 159 00:10:02,100 --> 00:10:03,620 Are you sure you want my Eleven? 160 00:10:03,880 --> 00:10:05,040 Yeah, I really do. 161 00:10:06,560 --> 00:10:07,560 Okay. 162 00:10:07,940 --> 00:10:09,460 Meet me in the recording studio later. 163 00:10:13,170 --> 00:10:18,810 Okay Just remember you asked for this 164 00:10:18,810 --> 00:10:25,990 All 165 00:10:25,990 --> 00:10:32,890 right, 166 00:10:32,910 --> 00:10:38,630 so here are the band rules that we've agreed upon so far what's so unnecessary 167 00:10:40,420 --> 00:10:43,920 Okay. One, no songs over four minutes. 168 00:10:44,480 --> 00:10:46,800 Two, bring original songs to practice. 169 00:10:47,180 --> 00:10:51,180 And three, no guests during practice unless previously approved. 170 00:10:51,440 --> 00:10:54,800 And of course, whoever writes the song gets to sing lead, yeah? 171 00:10:55,260 --> 00:10:58,760 But you wrote all the songs that you brought, so are you going to sing lead 172 00:10:58,760 --> 00:10:59,760 on all of them? 173 00:10:59,840 --> 00:11:02,680 Well, no one else brought a song. Well, I have a song. 174 00:11:04,300 --> 00:11:05,880 Maggie's a really good songwriter. 175 00:11:06,260 --> 00:11:08,280 I would love for the band to do a song of hers. 176 00:11:08,760 --> 00:11:09,860 Who votes that we sing my song? 177 00:11:11,720 --> 00:11:13,260 I guess that's three against one. 178 00:11:13,740 --> 00:11:14,740 Uh-oh. 179 00:11:14,940 --> 00:11:17,980 I think there's some sort of power play happening here. 180 00:11:18,420 --> 00:11:21,360 And you know what? Actually, I was thinking that Rachel used to sing the 181 00:11:21,360 --> 00:11:22,960 song. Really? Yeah. 182 00:11:23,320 --> 00:11:24,320 That's fantastic. 183 00:11:24,500 --> 00:11:28,500 Yeah. I really think Rachel will sound great on the song. And the fact that 184 00:11:28,500 --> 00:11:30,100 it'll annoy Leia is just a bonus. 185 00:11:41,420 --> 00:11:42,420 Oh, man. 186 00:11:45,800 --> 00:11:47,880 Maybe we should just put it out of its misery. 187 00:11:48,560 --> 00:11:51,540 What if we tried to put the hubcap back on? Maybe that's one repair that's 188 00:11:51,540 --> 00:11:54,600 fixed. Oh, man, there's not even a point in doing that, man. That's a frisbee 189 00:11:54,600 --> 00:11:56,000 now. It's not a hubcap. 190 00:11:56,580 --> 00:11:58,260 It's pretty much done. 191 00:11:59,680 --> 00:12:00,559 We're doomed. 192 00:12:00,560 --> 00:12:04,160 We are doomed. The van doesn't work. We don't have a van for gigs. We don't even 193 00:12:04,160 --> 00:12:05,800 have a car to put equipment in. Hey, calm down. 194 00:12:06,480 --> 00:12:11,170 Honestly, this is not... That huge. Well, it might be huge, but we can come 195 00:12:11,170 --> 00:12:13,270 back from this and I would love to buy you ice cream. 196 00:12:14,710 --> 00:12:16,350 What kind of pep talk is that? 197 00:12:18,990 --> 00:12:19,990 What's this? 198 00:12:21,830 --> 00:12:26,030 Oh. This is about Michelle, isn't it? Of course it is. That's why I did the 199 00:12:26,030 --> 00:12:28,770 little thing with my head indicating that she's there. Well, then why don't 200 00:12:28,770 --> 00:12:29,770 you go talk to her? 201 00:12:29,890 --> 00:12:34,270 And see what? Hey, I saw you outside of my house last night. Hey, maybe we 202 00:12:34,270 --> 00:12:35,270 should hang out sometime. 203 00:12:35,450 --> 00:12:37,250 Hold on. She was at your house last night? Yes. 204 00:12:37,850 --> 00:12:39,650 Why didn't you just ask her to hang out then, man? 205 00:12:39,930 --> 00:12:42,930 Because she was walking away from my house, and that's not a good sign. 206 00:12:43,790 --> 00:12:45,530 No one walks away from my house happy. 207 00:12:46,390 --> 00:12:50,110 Look, you have much bigger things to worry about right now than that. 208 00:12:50,330 --> 00:12:51,330 Look at this. 209 00:12:53,530 --> 00:12:54,530 James, what do you think? 210 00:12:55,470 --> 00:12:56,470 I think we're doomed. 211 00:13:07,790 --> 00:13:10,090 I'm nervous to hear what Mary has to say about my song. 212 00:13:10,410 --> 00:13:12,690 I get the feeling I should buckle up. 213 00:13:14,030 --> 00:13:15,030 Have a seat. 214 00:13:16,190 --> 00:13:18,330 Well, Theo says he wants the real truth. 215 00:13:18,990 --> 00:13:20,170 Let's see if he really means it. 216 00:13:20,770 --> 00:13:22,130 So you wanted my 11, right? 217 00:13:23,590 --> 00:13:24,590 Okay. 218 00:13:26,070 --> 00:13:29,690 You're a great musician, but you weren't yourself. 219 00:13:30,510 --> 00:13:33,990 I didn't feel who you were. I didn't feel what your music was about. It was 220 00:13:33,990 --> 00:13:38,390 just listening to a guitar strumming and strumming, and I got nothing. 221 00:13:39,030 --> 00:13:43,570 Like, yeah, it was entertaining, but that's just because you're charming, and 222 00:13:43,570 --> 00:13:44,570 that's not enough. 223 00:13:44,770 --> 00:13:48,090 I only told Theo a few things, and he's not even moving. 224 00:13:48,750 --> 00:13:50,710 See, this is what happens when I go to 11. 225 00:13:52,350 --> 00:13:53,350 So what do you think? 226 00:13:56,390 --> 00:13:58,410 I think you're an answer to my prayers is what I think. 227 00:14:00,300 --> 00:14:02,340 I wrote this poem a couple years ago. 228 00:14:03,840 --> 00:14:06,240 I just, I've never been able to put music to it. 229 00:14:06,640 --> 00:14:07,640 Oh. 230 00:14:07,760 --> 00:14:09,120 Can I read it? Yeah. 231 00:14:09,660 --> 00:14:13,340 The fact that Theo's been carrying around this poem for so long shows that 232 00:14:13,340 --> 00:14:16,880 he connects with it. And that's exactly what he needs to write a song with 233 00:14:16,880 --> 00:14:18,180 heart. So you can help? 234 00:14:18,740 --> 00:14:19,740 Yeah, of course. 235 00:14:20,860 --> 00:14:22,120 Let's see what we can come up with. 236 00:14:23,920 --> 00:14:26,080 Mary's criticisms were pretty harsh. 237 00:14:26,620 --> 00:14:28,720 But I'm excited to see what's going to happen. 238 00:14:34,060 --> 00:14:35,060 Invincible, invincible. 239 00:14:37,240 --> 00:14:38,240 Such a bummer. 240 00:14:38,640 --> 00:14:40,840 Like, we barely had enough money to even tow it here. 241 00:14:41,940 --> 00:14:45,400 Okay, if we could get it done for free, but you had to have a bear in the back, 242 00:14:45,460 --> 00:14:47,200 like, living in the back, would you do it? 243 00:14:48,140 --> 00:14:50,000 What kind of bear? 244 00:14:50,740 --> 00:14:52,960 Like, a full mammoth, polar, vicious. 245 00:14:53,440 --> 00:14:55,880 Would he have to feed it? Yeah, man. Like, you gotta feed it, take care of 246 00:14:55,880 --> 00:14:58,180 it, take it out to pee, shave it. 247 00:14:58,480 --> 00:15:01,020 Yeah, I already do that with John, so... Hey, that was one time. 248 00:15:01,790 --> 00:15:03,170 One time. Let it go. That's true, man. 249 00:15:03,610 --> 00:15:04,610 Totally. 250 00:15:07,210 --> 00:15:09,050 You know what? It doesn't even matter. 251 00:15:09,550 --> 00:15:11,270 Right. We're doomed. Yeah, man. 252 00:15:12,150 --> 00:15:13,150 The van's destroyed. 253 00:15:13,250 --> 00:15:16,770 We can't do anything about it. We don't have a van to get us to gigs. We don't 254 00:15:16,770 --> 00:15:17,389 have anything. 255 00:15:17,390 --> 00:15:18,390 Yeah. 256 00:15:18,610 --> 00:15:19,910 Like, what are we going to do for gigs? 257 00:15:20,110 --> 00:15:21,069 I don't know. 258 00:15:21,070 --> 00:15:23,210 Walk? Luke's van is wrecked? 259 00:15:24,010 --> 00:15:25,010 That's awful. 260 00:15:25,650 --> 00:15:27,350 I wish there was something I could do about it. 261 00:15:28,630 --> 00:15:29,630 Maybe there is. 262 00:15:30,090 --> 00:15:31,090 I think I've got a plan. 263 00:15:39,810 --> 00:15:44,130 Thank you so much, Uncle Jerry. 264 00:15:44,370 --> 00:15:47,770 I really appreciate... I have the best surprise for Luke. 265 00:15:48,070 --> 00:15:50,730 My Uncle Jerry is fixing his van. 266 00:15:50,950 --> 00:15:56,110 The only thing is, I kind of told him it was my van so that he would do it for 267 00:15:56,110 --> 00:15:57,990 free. Okay. Okay, bye. 268 00:15:59,910 --> 00:16:02,870 Phenomenal. I can't believe you sounded like that. So what are you guys talking 269 00:16:02,870 --> 00:16:06,630 about? Well, we're just talking about how completely amazing Rachel was 270 00:16:06,630 --> 00:16:07,630 singing that song. 271 00:16:07,810 --> 00:16:09,090 Thank you so much. 272 00:16:09,510 --> 00:16:13,230 You just have this ability where you pick certain people to sing certain 273 00:16:13,230 --> 00:16:14,870 songs, and it just sounds awesome. 274 00:16:15,210 --> 00:16:20,010 Thanks. Actually, I was just thinking that Rachel was just saying that torch 275 00:16:20,010 --> 00:16:21,850 song that you were working on a few weeks ago. 276 00:16:24,170 --> 00:16:25,170 Torch song? 277 00:16:25,450 --> 00:16:26,450 Yeah. 278 00:16:26,610 --> 00:16:27,610 See through me? 279 00:16:28,219 --> 00:16:30,120 Yeah? I love that song. 280 00:16:31,220 --> 00:16:32,220 Would you mind? 281 00:16:33,960 --> 00:16:36,380 I wrote See Through Me about Luke. 282 00:16:36,780 --> 00:16:41,840 It's very personal, very raw and emotional, and I think I'm the only one 283 00:16:41,840 --> 00:16:42,980 who could do the song justice. 284 00:16:43,460 --> 00:16:45,600 Yeah, you seem a little hesitant. Is there a problem? 285 00:16:47,100 --> 00:16:51,440 Guys, I don't know. It's like my signature song. 286 00:16:51,980 --> 00:16:55,160 I mean, we're a band now, so we really need to share our songs. 287 00:16:59,660 --> 00:17:00,960 Okay, no problem. 288 00:17:01,280 --> 00:17:03,540 Thank you, thank you, thank you, thank you, thank you! 289 00:17:07,440 --> 00:17:10,300 I think a war is coming. 290 00:17:13,599 --> 00:17:20,319 Some of us got some nicer shoes, but we all gotta know the 291 00:17:20,319 --> 00:17:21,319 rules of the road. 292 00:17:23,160 --> 00:17:26,599 Okay, you got this. Grab your guitar and let's take it from the top. 293 00:17:27,560 --> 00:17:31,640 I resisted taking my criticism to 11 because I was afraid of hurting Theo's 294 00:17:31,640 --> 00:17:35,540 feelings. But now I see the value in it. We all just want to be better musicians. 295 00:17:43,160 --> 00:17:43,640 Turning 296 00:17:43,640 --> 00:17:50,460 Theo's poem, 297 00:17:50,540 --> 00:17:53,900 The Language of Love, into a song was an amazing experience. 298 00:17:54,820 --> 00:17:57,080 Theo genuinely wanted my input and... 299 00:17:57,350 --> 00:17:58,850 It turned out to be an amazing collaboration. 300 00:18:27,280 --> 00:18:28,540 We gotta relate. 301 00:18:31,060 --> 00:18:35,240 Cause now I learned me the brand new language. 302 00:18:35,500 --> 00:18:37,460 The language of love. 303 00:18:38,060 --> 00:18:44,320 And all these words can't do no damage in the language of love. 304 00:18:44,660 --> 00:18:48,720 Don't speak Greek, Chinese, English, or Spanish. 305 00:18:49,180 --> 00:18:51,340 Just the language of love. 306 00:18:52,490 --> 00:18:58,570 Now I've learned me the brand new language. All these words can't do no 307 00:18:58,570 --> 00:19:03,550 damage. Don't speak Greek, Chinese, English, or Spanish. 308 00:19:04,450 --> 00:19:06,890 Just the language of love. 309 00:19:08,170 --> 00:19:10,070 Yeah, yeah. 310 00:19:11,450 --> 00:19:14,010 Just the language of love. 311 00:19:15,610 --> 00:19:20,730 Just the language of love. 312 00:19:25,710 --> 00:19:27,910 Just the language of love. 313 00:19:28,890 --> 00:19:31,690 The language of love, yeah. 314 00:19:32,390 --> 00:19:34,790 Just the language of love. 315 00:19:38,910 --> 00:19:39,910 Eleven? 316 00:19:40,510 --> 00:19:42,550 Twelve. Yeah. 317 00:19:43,890 --> 00:19:47,630 Now I learned me the brand new language. 318 00:19:47,950 --> 00:19:49,910 The language of love. 319 00:20:00,880 --> 00:20:02,480 I think that was a really great band practice today. 320 00:20:02,840 --> 00:20:03,880 Glad you thought so. 321 00:20:04,660 --> 00:20:08,520 Listen, I don't know what you're trying to do. I think you know exactly what I'm 322 00:20:08,520 --> 00:20:09,520 trying to do. 323 00:20:09,780 --> 00:20:11,900 I think we should all have equal power in the band. 324 00:20:12,200 --> 00:20:14,040 Oh, is that why you're manipulating Rachel? 325 00:20:14,300 --> 00:20:18,680 You know, if you just stopped worrying about losing control for one second and 326 00:20:18,680 --> 00:20:21,140 listened to Rachel, you'd know that she deserves to sing. 327 00:20:21,640 --> 00:20:24,340 Leia is accusing me of manipulating Rachel? 328 00:20:25,080 --> 00:20:26,720 Leia is the queen of manipulation. 329 00:20:27,630 --> 00:20:31,510 Okay, I know that you don't like it, but I think that Annabelle, Rachel, and I 330 00:20:31,510 --> 00:20:33,270 should all have equal say in the band. 331 00:20:33,830 --> 00:20:37,210 Yeah, but I think your voice is a little bit louder than theirs, don't you think? 332 00:20:37,370 --> 00:20:38,950 Well, it's not as loud as yours yet. 333 00:20:39,250 --> 00:20:44,030 I knew it! You want to take control of the band, but I am the leader here. If I 334 00:20:44,030 --> 00:20:46,170 really wanted to, I could get you kicked out. 335 00:20:46,610 --> 00:20:48,390 Again. You know what? 336 00:20:48,950 --> 00:20:53,970 That's such a great idea, because then I would have all this free time, and I 337 00:20:53,970 --> 00:20:55,490 could go see what Luke's up to. 338 00:20:59,240 --> 00:21:00,240 She's got me. 339 00:21:01,440 --> 00:21:02,440 I'm trapped. 340 00:21:03,420 --> 00:21:05,440 Trapped in a band with Maggie. 341 00:21:08,520 --> 00:21:09,900 I was thinking of getting a job. 342 00:21:10,240 --> 00:21:11,240 Yeah, that makes sense. 343 00:21:14,440 --> 00:21:15,440 Dude, where's my van? 344 00:21:15,780 --> 00:21:16,780 I don't know. 345 00:21:18,040 --> 00:21:19,040 Someone stole the van. 346 00:21:19,360 --> 00:21:22,620 Someone stole the van! No one stole the van. That doesn't make any sense. Well, 347 00:21:22,640 --> 00:21:23,619 then where is it? 348 00:21:23,620 --> 00:21:24,620 I don't know. 349 00:21:24,760 --> 00:21:28,590 Maybe... Maybe it got impounded for looking abandoned. It's a piece of junk. 350 00:21:28,770 --> 00:21:31,910 This isn't happening right now. This isn't happening. This can't happen. Of 351 00:21:31,910 --> 00:21:33,010 course this is happening right now. 352 00:21:33,810 --> 00:21:36,990 Look, we can... We'll start checking impound lots. 353 00:21:37,210 --> 00:21:40,210 We'll... We'll... Maybe missing van signs? 354 00:21:40,410 --> 00:21:41,410 This isn't happening. 355 00:21:41,990 --> 00:21:44,210 I thought it was bad that the van was totaled. 356 00:21:44,610 --> 00:21:45,610 But now it's gone. 357 00:21:46,250 --> 00:21:47,250 This is bad. 358 00:21:48,150 --> 00:21:50,050 And I have no idea what we're gonna do now. 359 00:22:08,030 --> 00:22:12,010 Only a true light shines as bright as you 28244

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