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[music]
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[music]
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[music]
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[music]
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Hey,
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[music]
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hey, hey. [music]
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>> [music]
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[music]
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[music]
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>> Hey,
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hey, hey.
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[music]
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>> [music]
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[music]
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[music]
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>> Hey guys, welcome to another episode of
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All Bass Creations effects tutorials,
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demos, and review. So today is finally
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here, the day where we get the
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comparison between
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the
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MXR base synth pedal just released.
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This gray one right here, the Future
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Impact V4 VIP right here, the C4 S by
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Source Audio and the Maris Enzo X. All
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these pedals are amazing. Like, I mean,
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in their own right, each one, let's get
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this microphone straight here. Each one
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can sound good with the proper settings.
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You just need to know what you're doing
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with each one. And of course, you can
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always stay tuned. Hit that like button
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and hit that subscribe button to get all
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that good information that you normally
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get from me on that account. So, let's
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get rock and rolling here. We First up,
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we have first off, um I've replaced all
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the presets in the um MXR bass. all the
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presets. None of none of the presets
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that you're going to hear rather from
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any of these pedals are um stock
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presets. I don't use stock presets
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because they typically aren't the best
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um sound I can get from those devices.
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So, I always build all of my own. And
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this is no different. So, what you were
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just listening to there, [music]
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right, that's coming from the MXR bass.
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Give it a little bit more juice there.
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[music]
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[music]
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>> [music]
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>> So, you know, um if you're if you're
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brand new to this pedal or you just or
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you're thinking about getting it, some
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things to consider, right? Um you will
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have to memorize the secondary functions
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of the pedal, which is easier said than
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done,
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right? So, even I'm going to I keep, you
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know, if I'm going to edit sounds, I
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keep that man um the manual up or I keep
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a little it's a little picture I have
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that has all the secondary functions on
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it. So, that that just helps out
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tremendously. But, this is about as as
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close as I could get to the actual
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Michael Jackson thriller sound. This is
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not made from the preset that was on
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here. I found that that was nowhere near
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close, right? Um I got it spot on, like
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exact on the Future Impact. And you know
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that if you go to my Patreon right now,
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you can actually download um separately
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from the um Future Impact pack. You can
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download the Michael Jackson. It's just
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um Michael Jackson synths. It's just
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four sounds in there, but get you these
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exact ones. [music]
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>> [music]
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>> Right.
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[music]
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[music]
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Right. We compare that to the I can't I
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couldn't even get close on the um
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like I'm not going to say I couldn't get
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close on the Enzo X. It probably would
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just take me a lot longer than I would
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like to.
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And same thing with the C4 synth. It's
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not that they are complicated to to
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work. All of these actually work very
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similar um very similarly. the so the
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while everything is is on this pedal,
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you do have to access the secondary
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functions by pressing down and holding
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um either voice or uh shape. And the
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voice parameters
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pretty much are ones you really need to
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to know off the top of your head. And
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then you need to also know a couple of
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the shape ones, you know, mainly the
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output gain and
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the driveth through drive through
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effect.
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Um, so that that right there would be
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for that pedal. For the Enzo X, you
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know, you can either do it on the pedal,
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you can do it entirely on the pedal. You
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got a screen there and you got fully
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functioning user interface on the pedal
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as well as it has a company software.
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And then um C4 synth you got to use the
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app or on the software and on the
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computer and future impact you have to
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use the software but I find using the
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software
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um you know of course on the computer
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get a much bigger screen you know you
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can see everything laid out very easily.
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So the that's some of the editing
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differences between them. Now you know I
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do
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now in terms of memory. Well, let's go
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through a few sounds. I don't want to
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talk all day.
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Right. So that's a pretty much
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So here's the actual well not actual but
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here's a better version of of that same
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sound from the future impact. [music]
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[music]
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[music]
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owe
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[music]
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[music]
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up oh [music]
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[music]
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a a oh
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hey oh hey oh hey oh hey oh hey oh hey
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oh hey oh hey oh hey oh hey oh
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>> [music]
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>> Stay tuned. You'll find out. You'll find
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out. That's literally what we talking
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about now. We comparing all three, all
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four of them, rather. Um, so just stay
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tuned. We'll get around to the Enzo X.
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Make sure you hit that like button while
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you're here and subscribe. All that good
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stuff if you haven't already. What's
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going on, Li? Appreciate you stopping
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by. as usual. Usual suspects starting to
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show up,
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you know. Definitely appreciate y'all.
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So, let's keep it moving. So, that's
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that's a [music]
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[music]
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versus the MXR.
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Did I change it? Yes, I did.
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[music]
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[music]
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[music]
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>> [music]
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[music]
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>> And I can change this sensitivity a
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little bit. Bring this up.
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[music]
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>> [music]
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[music]
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>> Yeah, all of them prefer that you play
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above the 12th fret. What's going on?
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Appreciate you, big sono. Stop and pass.
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We got the um
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we got this uh comparison going on here.
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So,
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you know, I would say out of those two
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sounds, I'mma I like that uh Future
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Impact a lot more. Definitely has a a
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bigger more It sounds more analog.
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Sounds exactly like the actual sound.
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And I did a whole video on this, you
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know, so
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it just gets you a lot closer, but you
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can get decently close. [music]
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I feel like you could get, you know, um
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I was able to get that a lot closer than
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a lot of the videos I saw. You know what
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I'm saying? In terms of the sound, but
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all right. So, let's hear a little bit
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from like the C4 synth. Now, these
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aren't this um this isn't going to be a
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thriller sound or Michael Jackson sound
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in general. This is just going to be um
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comparing some different types of bass.
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You know what I'm saying? Like all of
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these I think of like different I think
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of as like different um
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like keyboards. It's like if I was
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carrying around four different
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keyboards, I wouldn't expect all of them
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to sound exact same. All the um
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oscillators and everything to sound the
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same.
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This is more so a,
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you know, just to show you the
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differences between them, you know. I
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would, I would say out of all of them,
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my favorite to play bass synth through
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is the Future Impact V4 VIP, you know,
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but
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the synths I get from the other ones are
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are slightly different. So, like with
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the Future Impact, I'm getting like all
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my vintage synth type stuff. So,
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[music]
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well, let me do this C4 sound real
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quick.
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See, this is what I'm saying. Like,
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that's C4 synth. Don't sleep on it.
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[music]
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>> [music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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[music]
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>> ow.
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[music]
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>> [music]
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[music]
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[music]
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>> So certain patches track better than
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others on the C4 synth, but you can
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definitely get it to do some work in
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there for for um
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even on the chord side of the game.
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The harmonizer is one of my favorite
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effects in there. And we'll add a little
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bit of reverb for that.
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See what I'm saying?
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[music]
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>> [music]
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[music]
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[music]
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>> And this is what it sounds like by
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itself.
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>> [music]
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>> So, you know, you can get some really
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nice sounds with the C4 synth because
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there's a lot in there that a lot of
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people really don't take the time to
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explore. They I'm not sure why they
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don't like it as much, but you know, I I
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like
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another little cordal patch.
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[music]
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So, you know, you can get some really,
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really nice sounds with the C4 syn. So,
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you just just can't sleep on it. You got
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to really experiment or I mean, of
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course, everything's for except for the
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XR um MXR bass synth. I have packs for.
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And again, I'm going to do a video
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preset pack for the MXR bass synth where
281
00:18:46,080 --> 00:18:48,880
I'll go into detail how to get all these
282
00:18:48,880 --> 00:18:52,640
different sounds. You know, it
283
00:18:52,640 --> 00:18:54,960
definitely anything can be a learning
284
00:18:54,960 --> 00:18:57,440
curve. You know, I pretty much I might
285
00:18:57,440 --> 00:19:01,440
even just um
286
00:19:01,440 --> 00:19:03,919
like get a hold of like maybe like a PDF
287
00:19:03,919 --> 00:19:07,200
layout of it and and do it that way.
288
00:19:07,200 --> 00:19:09,520
um just like show the settings that you
289
00:19:09,520 --> 00:19:13,919
need to get it in the ballpark of but
290
00:19:13,919 --> 00:19:15,919
we'll see.
291
00:19:15,919 --> 00:19:20,360
So, let's go back.
292
00:19:22,559 --> 00:19:25,200
And again, all these presets I'm using
293
00:19:25,200 --> 00:19:29,039
are created by me.
294
00:19:29,039 --> 00:19:32,960
Even for the MXR, I went through and I
295
00:19:32,960 --> 00:19:35,280
pretty much went through and changed
296
00:19:35,280 --> 00:19:37,600
everything on there. Oh, I did change
297
00:19:37,600 --> 00:19:40,320
everything. Um, most of these aren't
298
00:19:40,320 --> 00:19:44,253
even from the presets. Um,
299
00:19:44,253 --> 00:19:46,273
[music]
300
00:19:48,838 --> 00:19:50,858
[music]
301
00:20:11,763 --> 00:20:13,783
>> [music]
302
00:20:20,278 --> 00:20:22,299
[music]
303
00:20:25,200 --> 00:20:28,139
>> Heat. Heat.
304
00:20:28,139 --> 00:20:30,159
[music]
305
00:20:33,379 --> 00:20:35,399
[music]
306
00:20:42,549 --> 00:20:44,569
[music]
307
00:20:47,134 --> 00:20:49,154
[music]
308
00:20:53,029 --> 00:20:55,049
[music]
309
00:21:00,889 --> 00:21:02,909
>> [music]
310
00:21:13,989 --> 00:21:16,009
[music]
311
00:21:19,229 --> 00:21:21,249
[music]
312
00:21:28,640 --> 00:21:30,364
>> Heat. Heat.
313
00:21:30,364 --> 00:21:32,384
[music]
314
00:21:40,190 --> 00:21:42,210
>> [music]
315
00:21:46,085 --> 00:21:48,105
[music]
316
00:21:57,220 --> 00:21:59,240
[music]
317
00:22:00,799 --> 00:22:01,520
>> Heat.
318
00:22:01,520 --> 00:22:03,760
And the thing I love about synths, you
319
00:22:03,760 --> 00:22:06,320
can change subtle things. So to get from
320
00:22:06,320 --> 00:22:09,960
this sound to
321
00:22:10,960 --> 00:22:13,039
So I wanted to take that down a couple
322
00:22:13,039 --> 00:22:16,559
octaves like like right now I'm using
323
00:22:16,559 --> 00:22:19,840
only the upper voices.
324
00:22:19,840 --> 00:22:21,600
And then
325
00:22:21,600 --> 00:22:25,760
so I just change the mix on stuff.
326
00:22:25,760 --> 00:22:28,320
So I'll go
327
00:22:28,320 --> 00:22:32,159
first of all I just take that off.
328
00:22:37,175 --> 00:22:39,195
>> [music]
329
00:22:44,380 --> 00:22:46,400
[music]
330
00:22:50,275 --> 00:22:52,295
[music]
331
00:22:56,170 --> 00:22:58,190
[music]
332
00:23:02,720 --> 00:23:04,000
[music]
333
00:23:04,000 --> 00:23:08,919
>> Right. I can go from that to
334
00:23:11,236 --> 00:23:13,256
[music]
335
00:23:14,400 --> 00:23:16,476
two
336
00:23:16,476 --> 00:23:18,496
[music]
337
00:23:21,716 --> 00:23:23,736
>> [music]
338
00:23:31,541 --> 00:23:33,561
[music]
339
00:23:37,436 --> 00:23:39,456
[music]
340
00:23:48,571 --> 00:23:50,591
[music]
341
00:24:07,566 --> 00:24:09,586
[music]
342
00:24:14,771 --> 00:24:16,791
[music]
343
00:24:17,279 --> 00:24:20,679
>> So, this.
344
00:24:21,279 --> 00:24:25,679
Oh, keep rolling over this. But yeah, so
345
00:24:25,679 --> 00:24:27,919
you can go from
346
00:24:27,919 --> 00:24:32,240
that's almost like changing the octave
347
00:24:32,240 --> 00:24:34,400
of things, you know, and of course you
348
00:24:34,400 --> 00:24:36,720
can mix those three different elements
349
00:24:36,720 --> 00:24:40,316
together, the sub octave and
350
00:24:40,316 --> 00:24:42,336
[music]
351
00:24:44,902 --> 00:24:46,922
>> [music]
352
00:24:52,762 --> 00:24:54,782
[music]
353
00:24:58,002 --> 00:25:00,022
[music]
354
00:25:01,440 --> 00:25:04,400
>> So you can always, you know, do that.
355
00:25:04,400 --> 00:25:08,600
And then you still got your
356
00:25:08,799 --> 00:25:12,360
preset there.
357
00:25:13,279 --> 00:25:15,120
and you didn't even change anything but
358
00:25:15,120 --> 00:25:16,720
change the octave of it. You know what
359
00:25:16,720 --> 00:25:19,440
I'm saying? So, that gives you a few
360
00:25:19,440 --> 00:25:22,240
options when it comes to the presets.
361
00:25:22,240 --> 00:25:24,080
You know what I'm saying? I wouldn't
362
00:25:24,080 --> 00:25:29,120
Now, I will say this. I don't like none
363
00:25:29,120 --> 00:25:31,520
of the presets. Like, I don't I I think
364
00:25:31,520 --> 00:25:34,480
all the stock presets was I just
365
00:25:34,480 --> 00:25:38,080
completely just did my own thing over
366
00:25:38,080 --> 00:25:40,559
top of them. But
367
00:25:40,559 --> 00:25:44,159
um you know I it actually s it it
368
00:25:44,159 --> 00:25:46,320
surprises me but doesn't surprise me
369
00:25:46,320 --> 00:25:50,480
because you know I I most things um of
370
00:25:50,480 --> 00:25:52,880
this nature. A lot of people don't
371
00:25:52,880 --> 00:25:54,880
really study the manual too much. They
372
00:25:54,880 --> 00:25:57,360
just get to turn the knobs instead of
373
00:25:57,360 --> 00:25:59,360
learning where things are so you can
374
00:25:59,360 --> 00:26:02,240
actually and learning what things do.
375
00:26:02,240 --> 00:26:03,760
You know what I'm saying? like us, you
376
00:26:03,760 --> 00:26:05,679
need to know what that filter cut off
377
00:26:05,679 --> 00:26:08,799
does, what the envelopes do, you know,
378
00:26:08,799 --> 00:26:11,760
the glide function and things like that
379
00:26:11,760 --> 00:26:13,440
in order to get the sounds you're
380
00:26:13,440 --> 00:26:15,600
looking for. Because I can take that
381
00:26:15,600 --> 00:26:17,913
sound,
382
00:26:17,913 --> 00:26:19,600
[music]
383
00:26:19,600 --> 00:26:23,159
put a little glide
384
00:26:25,773 --> 00:26:27,793
[music]
385
00:26:32,323 --> 00:26:34,343
[music]
386
00:26:40,183 --> 00:26:42,203
>> [music]
387
00:26:47,120 --> 00:26:50,400
>> Yeah. So, you can get not just the bass
388
00:26:50,400 --> 00:26:52,480
sounds, you can, you know, of course,
389
00:26:52,480 --> 00:26:56,320
get get some solo sounds in there, you
390
00:26:56,320 --> 00:26:59,178
know. Like I said, not the absolute
391
00:26:59,178 --> 00:27:01,198
[music]
392
00:27:08,348 --> 00:27:10,368
>> [music]
393
00:27:12,880 --> 00:27:16,263
>> That's just knowing what to do. [music]
394
00:27:23,413 --> 00:27:25,433
[music]
395
00:27:27,998 --> 00:27:28,960
[music]
396
00:27:28,960 --> 00:27:31,960
Heat. Heat.
397
00:27:35,203 --> 00:27:37,223
[music]
398
00:27:39,789 --> 00:27:41,809
[music]
399
00:27:46,994 --> 00:27:49,014
[music]
400
00:27:54,199 --> 00:27:56,219
>> [music]
401
00:27:59,439 --> 00:28:01,459
[music]
402
00:28:04,024 --> 00:28:06,044
[music]
403
00:28:13,120 --> 00:28:15,679
>> again, you know, just messing around
404
00:28:15,679 --> 00:28:17,779
with my settings.
405
00:28:17,779 --> 00:28:19,799
[music]
406
00:28:19,919 --> 00:28:24,000
Bring this down just a smidge.
407
00:28:24,329 --> 00:28:26,349
>> [music]
408
00:28:31,534 --> 00:28:33,554
[music]
409
00:28:39,394 --> 00:28:41,414
[music]
410
00:28:44,634 --> 00:28:46,654
[music]
411
00:28:52,494 --> 00:28:54,514
[music]
412
00:28:57,734 --> 00:28:58,240
[music]
413
00:28:58,240 --> 00:29:01,320
>> Heat. Heat.
414
00:29:04,285 --> 00:29:06,305
>> [music]
415
00:29:10,835 --> 00:29:12,855
[music]
416
00:29:13,360 --> 00:29:16,360
>> Hey,
417
00:29:16,730 --> 00:29:18,750
[music]
418
00:29:21,970 --> 00:29:23,990
[music]
419
00:29:25,440 --> 00:29:27,865
hey, hey.
420
00:29:27,865 --> 00:29:29,885
>> [music]
421
00:29:37,690 --> 00:29:39,679
[music]
422
00:29:39,679 --> 00:29:42,919
>> boom boom.
423
00:29:48,170 --> 00:29:50,190
[music]
424
00:29:55,279 --> 00:29:57,340
Heat. Heat.
425
00:29:57,340 --> 00:29:59,360
[music]
426
00:30:03,235 --> 00:30:05,255
[music]
427
00:30:10,440 --> 00:30:12,460
[music]
428
00:30:17,645 --> 00:30:19,665
[music]
429
00:30:27,919 --> 00:30:29,919
Let me check something real quick. But
430
00:30:29,919 --> 00:30:33,240
yeah, so
431
00:30:41,120 --> 00:30:43,200
yeah, you can get some great sounds out
432
00:30:43,200 --> 00:30:45,840
of that little unit. You know, it's it
433
00:30:45,840 --> 00:30:48,480
is simple. [music]
434
00:30:48,480 --> 00:30:50,559
just don't think it's going to be what
435
00:30:50,559 --> 00:30:52,720
the future impact is. That's that's what
436
00:30:52,720 --> 00:30:56,640
I can't explain enough. Like say you
437
00:30:56,640 --> 00:31:01,200
you now if it's would I choose this over
438
00:31:01,200 --> 00:31:05,480
the C4 synth?
439
00:31:05,840 --> 00:31:08,799
Like if I if I if I had to choose it' be
440
00:31:08,799 --> 00:31:10,640
definitely I would choose the MXR bass
441
00:31:10,640 --> 00:31:13,840
syn over the
442
00:31:13,840 --> 00:31:17,760
um C4 synth. The tracking is is the
443
00:31:17,760 --> 00:31:20,159
tracking on this the bass the MXR base
444
00:31:20,159 --> 00:31:22,880
synth is is is really good, you know,
445
00:31:22,880 --> 00:31:24,880
but it's it's really good on the Future
446
00:31:24,880 --> 00:31:27,840
Impact is really good on the Enzo X as
447
00:31:27,840 --> 00:31:30,799
well. So, it just depends on what sounds
448
00:31:30,799 --> 00:31:32,640
you going for. Like, it's it's going to
449
00:31:32,640 --> 00:31:35,200
be a limited amount of sounds, but I
450
00:31:35,200 --> 00:31:39,120
think you can get some uh some really
451
00:31:39,120 --> 00:31:41,440
good ones if you just take the time to
452
00:31:41,440 --> 00:31:45,039
learn the pedal. You know, I definitely
453
00:31:45,039 --> 00:31:46,880
was able to do I just got this pedal
454
00:31:46,880 --> 00:31:49,279
yesterday and I was able to do eight
455
00:31:49,279 --> 00:31:52,480
presets and learn all the all the
456
00:31:52,480 --> 00:31:54,480
settings, you know, with the help of the
457
00:31:54,480 --> 00:31:59,227
manual. Keeping that close. [music]
458
00:32:06,377 --> 00:32:08,397
>> [music]
459
00:32:12,399 --> 00:32:15,519
>> I also learned that I like um Thank you.
460
00:32:15,519 --> 00:32:17,200
I appreciate it. Feel free to chime in
461
00:32:17,200 --> 00:32:19,120
and ask questions about these pedals,
462
00:32:19,120 --> 00:32:21,679
about the um any of these synth pedals
463
00:32:21,679 --> 00:32:23,679
we going to. So, I know I'm spending a
464
00:32:23,679 --> 00:32:27,519
little bit of time on the um MXR bass
465
00:32:27,519 --> 00:32:28,960
synth. That's just cuz that's the brand
466
00:32:28,960 --> 00:32:30,720
new one. A lot of you guys that been
467
00:32:30,720 --> 00:32:33,600
following me already know, you know what
468
00:32:33,600 --> 00:32:39,399
I'm saying? You already know what it is.
469
00:32:43,760 --> 00:32:46,332
But yeah.
470
00:32:46,332 --> 00:32:48,352
[music]
471
00:32:50,917 --> 00:32:52,937
[music]
472
00:32:52,960 --> 00:32:55,679
Yeah, I like the tracking on the MXR. I
473
00:32:55,679 --> 00:32:59,200
do. Um,
474
00:32:59,200 --> 00:33:02,707
it's pretty good. It's not bad at all.
475
00:33:02,707 --> 00:33:04,727
[music]
476
00:33:10,567 --> 00:33:11,360
[music]
477
00:33:11,360 --> 00:33:13,440
I also like that octiver, too. I got
478
00:33:13,440 --> 00:33:16,320
that octiver to sound real warm and, you
479
00:33:16,320 --> 00:33:19,960
know, nice sounding.
480
00:33:21,519 --> 00:33:23,600
Well, you'll have to subscribe and watch
481
00:33:23,600 --> 00:33:25,440
another video to find out about the Rav
482
00:33:25,440 --> 00:33:27,840
Citar because we talking about the bass
483
00:33:27,840 --> 00:33:30,720
synths today. We ain't doing nothing.
484
00:33:30,720 --> 00:33:32,399
Anything else you see, I ain't even
485
00:33:32,399 --> 00:33:34,799
talking about. If it ain't the bass
486
00:33:34,799 --> 00:33:37,519
synth pedals that's listed, I ain't
487
00:33:37,519 --> 00:33:39,279
doing
488
00:33:39,279 --> 00:33:42,008
eh.
489
00:33:42,008 --> 00:33:43,120
[music]
490
00:33:43,120 --> 00:33:47,480
But nice fat octave.
491
00:33:51,178 --> 00:33:53,198
>> [music]
492
00:33:57,073 --> 00:33:59,093
[music]
493
00:33:59,440 --> 00:34:01,519
>> So I was able to get that real nice and
494
00:34:01,519 --> 00:34:05,120
warm and you know always always moving
495
00:34:05,120 --> 00:34:07,679
forward, always doing something new. You
496
00:34:07,679 --> 00:34:11,159
know how we do.
497
00:34:13,448 --> 00:34:15,468
[music]
498
00:34:16,639 --> 00:34:18,879
Another little solo sound I was managed
499
00:34:18,879 --> 00:34:21,119
to create. You know, I wouldn't call
500
00:34:21,119 --> 00:34:25,440
this the, you know, my solo go-to solo
501
00:34:25,440 --> 00:34:29,878
sound pedal. But [music]
502
00:34:32,159 --> 00:34:33,919
you can definitely if you got if you you
503
00:34:33,919 --> 00:34:36,320
know if if it's what you got you can get
504
00:34:36,320 --> 00:34:39,720
in the territory.
505
00:34:45,359 --> 00:34:47,280
So this is what that sounds like by
506
00:34:47,280 --> 00:34:50,280
itself.
507
00:34:58,800 --> 00:35:01,839
And I also found out like the LFO for
508
00:35:01,839 --> 00:35:04,560
the filter having the filter more
509
00:35:04,560 --> 00:35:08,560
regulated by the LFO like in, you know,
510
00:35:08,560 --> 00:35:11,520
which is a a setting you can change. You
511
00:35:11,520 --> 00:35:13,119
know, as I said, you got to learn the
512
00:35:13,119 --> 00:35:15,119
little settings on the fly and stuff. I
513
00:35:15,119 --> 00:35:17,440
mean, not on the fly, but on the in the
514
00:35:17,440 --> 00:35:21,160
manual, keep it nearby.
515
00:35:22,079 --> 00:35:25,359
It's It has to be
516
00:35:25,359 --> 00:35:28,960
it it that the LFO I guess I guess it
517
00:35:28,960 --> 00:35:31,680
frees it up. Um maybe some processing
518
00:35:31,680 --> 00:35:33,280
power or something somewhere or
519
00:35:33,280 --> 00:35:35,440
something because I noticed when I'm
520
00:35:35,440 --> 00:35:38,880
using all three oscillators at once,
521
00:35:38,880 --> 00:35:41,359
it's definitely
522
00:35:41,359 --> 00:35:46,000
like has a a bit of more drag or latency
523
00:35:46,000 --> 00:35:51,440
than than when I'm using like one
524
00:36:06,765 --> 00:36:08,785
>> [music]
525
00:36:09,359 --> 00:36:13,315
>> sound we started with. And
526
00:36:13,315 --> 00:36:14,400
[music]
527
00:36:14,400 --> 00:36:15,839
so I told you I was able to get some
528
00:36:15,839 --> 00:36:19,880
great sounds with this thing.
529
00:36:23,795 --> 00:36:25,815
>> [music]
530
00:36:27,200 --> 00:36:28,880
>> I was able to get some decent sounds
531
00:36:28,880 --> 00:36:31,119
with the that just bass syn, you know.
532
00:36:31,119 --> 00:36:33,359
So that's that's the eight presets I
533
00:36:33,359 --> 00:36:34,960
have. [music]
534
00:36:34,960 --> 00:36:37,839
And this is the live
535
00:36:37,839 --> 00:36:40,839
setting.
536
00:36:41,480 --> 00:36:43,500
[music]
537
00:36:50,650 --> 00:36:52,670
>> [music]
538
00:36:53,359 --> 00:36:56,079
>> That's just controlling the rate of the
539
00:36:56,079 --> 00:36:59,875
LFO there. [music]
540
00:37:06,370 --> 00:37:07,599
[music]
541
00:37:07,599 --> 00:37:11,599
I suppose if you turn up the glide like
542
00:37:11,599 --> 00:37:14,640
say you turn up the glide on there,
543
00:37:14,640 --> 00:37:17,760
right? Let's see. [music]
544
00:37:17,760 --> 00:37:21,320
A little bit longer.
545
00:37:21,435 --> 00:37:23,455
[music]
546
00:37:27,985 --> 00:37:30,005
[music]
547
00:37:32,720 --> 00:37:35,520
I'mma try to do this simultaneously.
548
00:37:35,520 --> 00:37:37,760
I guess you could you could actually
549
00:37:37,760 --> 00:37:39,520
have this
550
00:37:39,520 --> 00:37:42,160
um with a foot switch. Another little
551
00:37:42,160 --> 00:37:44,720
feature of this pedal, you can have two
552
00:37:44,720 --> 00:37:48,160
different settings on one preset
553
00:37:48,160 --> 00:37:51,200
um with a expression pedal, which I
554
00:37:51,200 --> 00:37:53,119
don't have hooked up at the moment, but
555
00:37:53,119 --> 00:37:54,880
this is going to kind of simulate what
556
00:37:54,880 --> 00:37:58,116
I'll be able to do with that
557
00:37:58,116 --> 00:38:00,136
[music]
558
00:38:02,640 --> 00:38:04,666
stuff like that.
559
00:38:04,666 --> 00:38:06,686
>> [music]
560
00:38:13,836 --> 00:38:15,856
[music]
561
00:38:22,351 --> 00:38:24,371
[music]
562
00:38:27,119 --> 00:38:31,320
>> Glass's pretty clean, too.
563
00:38:36,106 --> 00:38:38,126
>> [music]
564
00:38:39,200 --> 00:38:44,280
>> You don't want it to just a smidge.
565
00:38:47,241 --> 00:38:49,261
[music]
566
00:38:54,446 --> 00:38:56,466
[music]
567
00:38:59,520 --> 00:39:00,960
So, I'm not going to get too caught up
568
00:39:00,960 --> 00:39:03,839
on this pedal because already I'mma be
569
00:39:03,839 --> 00:39:05,920
doing I'm'll be doing some more videos
570
00:39:05,920 --> 00:39:09,760
about it. But, all right, let's move on.
571
00:39:09,760 --> 00:39:12,160
So, that's that's where we at with it.
572
00:39:12,160 --> 00:39:13,280
You know what I'm saying? Let's hop
573
00:39:13,280 --> 00:39:16,480
through um we hop through some of the C4
574
00:39:16,480 --> 00:39:20,560
synths. Let's hop through um
575
00:39:20,560 --> 00:39:22,000
I'mma go ahead and just say the future
576
00:39:22,000 --> 00:39:26,079
impact for last cuz we we going well no
577
00:39:26,079 --> 00:39:29,040
Enzo X will go last cuz
578
00:39:29,040 --> 00:39:31,119
like I'm not doing all the modes like
579
00:39:31,119 --> 00:39:32,880
we're not taking into account all the
580
00:39:32,880 --> 00:39:34,880
modes and everything it can do today.
581
00:39:34,880 --> 00:39:38,320
I'm just looking at bass syn sounds and
582
00:39:38,320 --> 00:39:42,320
some maybe harmony sounds.
583
00:39:42,320 --> 00:39:46,560
Um, with the Enzo X, it's polyonic. So,
584
00:39:46,560 --> 00:39:48,640
I think it's a little unfair to put that
585
00:39:48,640 --> 00:39:50,720
up against the others in the chord
586
00:39:50,720 --> 00:39:52,400
aspect because it's obviously the only
587
00:39:52,400 --> 00:39:57,760
one that can do it. But um I want to put
588
00:39:57,760 --> 00:40:01,280
up the solo sounds and the bass syn
589
00:40:01,280 --> 00:40:04,000
sounds that from here from the Enzo X
590
00:40:04,000 --> 00:40:05,920
against what we were doing with the
591
00:40:05,920 --> 00:40:07,760
other one. So we heard a few solo sounds
592
00:40:07,760 --> 00:40:10,560
here. Heard a few solo sounds, quarter
593
00:40:10,560 --> 00:40:13,440
sounds here from the C4 synth. And let's
594
00:40:13,440 --> 00:40:17,032
get let's go. [music]
595
00:40:20,252 --> 00:40:22,272
[music]
596
00:40:24,640 --> 00:40:26,079
Well, let's let's go ahead and do the
597
00:40:26,079 --> 00:40:28,112
future impact real quick cuz the bass
598
00:40:28,112 --> 00:40:30,160
[music] s
599
00:40:30,160 --> 00:40:33,520
the bass s in here just
600
00:40:33,520 --> 00:40:34,960
that's not fair. We got to do the other
601
00:40:34,960 --> 00:40:37,680
ones first.
602
00:40:37,680 --> 00:40:41,119
Got to do the other ones first.
603
00:40:41,119 --> 00:40:43,359
Now, with the Enzo X, I do recommend you
604
00:40:43,359 --> 00:40:46,000
boosting your low mids. It doesn't
605
00:40:46,000 --> 00:40:50,680
particularly like compressors either.
606
00:40:52,348 --> 00:40:54,368
[music]
607
00:41:02,173 --> 00:41:03,839
[music]
608
00:41:03,839 --> 00:41:06,839
Heat. Heat.
609
00:41:08,068 --> 00:41:10,088
[music]
610
00:41:19,858 --> 00:41:21,878
[music]
611
00:41:27,718 --> 00:41:29,738
>> [music]
612
00:41:33,613 --> 00:41:35,633
[music]
613
00:41:41,473 --> 00:41:43,493
[music]
614
00:41:46,560 --> 00:41:50,043
>> Heat. Heat. [music]
615
00:42:02,433 --> 00:42:04,453
>> [music]
616
00:42:08,984 --> 00:42:11,004
[music]
617
00:42:14,224 --> 00:42:16,244
[music]
618
00:42:24,049 --> 00:42:26,069
[music]
619
00:42:31,909 --> 00:42:33,929
[music]
620
00:42:36,494 --> 00:42:38,514
[music]
621
00:42:42,389 --> 00:42:44,409
[music]
622
00:42:49,594 --> 00:42:51,614
[music]
623
00:42:59,419 --> 00:43:01,439
[music]
624
00:43:04,659 --> 00:43:06,679
[music]
625
00:43:10,554 --> 00:43:12,574
[music]
626
00:43:20,380 --> 00:43:22,400
[music]
627
00:43:26,275 --> 00:43:28,295
[music]
628
00:43:33,119 --> 00:43:36,160
>> What the hell?
629
00:43:36,400 --> 00:43:39,400
Wow.
630
00:43:39,599 --> 00:43:42,599
Wow.
631
00:43:42,800 --> 00:43:45,800
Wow.
632
00:43:47,235 --> 00:43:49,255
[music]
633
00:44:04,265 --> 00:44:06,285
>> [music]
634
00:44:12,125 --> 00:44:14,145
[music]
635
00:44:16,560 --> 00:44:19,640
>> Heat. Heat.
636
00:44:23,260 --> 00:44:25,280
>> [music]
637
00:44:42,911 --> 00:44:44,931
[music]
638
00:44:49,599 --> 00:44:52,136
>> Heat. Heat. [music]
639
00:44:57,976 --> 00:44:59,996
[music]
640
00:45:06,491 --> 00:45:08,511
[music]
641
00:45:11,731 --> 00:45:13,751
>> [music]
642
00:45:23,521 --> 00:45:25,541
[music]
643
00:45:28,640 --> 00:45:32,091
>> Hey, hey, hey. [music]
644
00:45:37,931 --> 00:45:39,951
>> [music]
645
00:45:46,446 --> 00:45:48,466
[music]
646
00:46:06,751 --> 00:46:08,771
[music]
647
00:46:13,301 --> 00:46:15,321
[music]
648
00:46:18,542 --> 00:46:20,562
[music]
649
00:46:26,401 --> 00:46:28,422
[music]
650
00:46:33,040 --> 00:46:34,560
>> I know one of the problems I'm having
651
00:46:34,560 --> 00:46:36,720
with it. I forgot to turn the noise gate
652
00:46:36,720 --> 00:46:39,880
back on.
653
00:47:10,287 --> 00:47:12,307
>> [music]
654
00:47:18,147 --> 00:47:20,167
[music]
655
00:47:24,042 --> 00:47:26,062
[music]
656
00:47:31,247 --> 00:47:33,267
[music]
657
00:47:43,037 --> 00:47:45,057
[music]
658
00:47:49,588 --> 00:47:51,608
[music]
659
00:47:58,103 --> 00:48:00,123
[music]
660
00:48:03,998 --> 00:48:06,018
[music]
661
00:48:08,583 --> 00:48:10,603
[music]
662
00:48:12,319 --> 00:48:15,040
>> Hey,
663
00:48:15,040 --> 00:48:18,760
hey, hey.
664
00:48:28,880 --> 00:48:31,119
Yeah. So, those are some of the bass
665
00:48:31,119 --> 00:48:33,839
sounds.
666
00:48:33,839 --> 00:48:37,960
Give me one second, guys.
667
00:49:00,328 --> 00:49:02,349
>> [music]
668
00:49:10,808 --> 00:49:12,828
[music]
669
00:49:13,040 --> 00:49:15,280
>> What?
670
00:49:18,014 --> 00:49:20,034
>> [music]
671
00:49:25,874 --> 00:49:27,894
[music]
672
00:49:35,044 --> 00:49:37,064
[music]
673
00:49:42,249 --> 00:49:44,269
[music]
674
00:49:46,480 --> 00:49:49,200
>> So you know that entire sound is within
675
00:49:49,200 --> 00:49:52,559
the Enzo X.
676
00:49:52,559 --> 00:49:56,004
Same thing here.
677
00:49:56,004 --> 00:49:58,024
[music]
678
00:50:03,280 --> 00:50:06,079
Also with the added functionality of
679
00:50:06,079 --> 00:50:08,160
being able to play all these sounds with
680
00:50:08,160 --> 00:50:10,720
a keyboard. Same thing with the Future
681
00:50:10,720 --> 00:50:13,680
Impact. You can't do it with the MXR
682
00:50:13,680 --> 00:50:18,200
bass synth and the C4 synth, though.
683
00:50:40,545 --> 00:50:42,565
>> [music]
684
00:50:45,785 --> 00:50:46,079
[music]
685
00:50:46,079 --> 00:50:49,079
>> Hey,
686
00:50:52,640 --> 00:50:55,640
hey, hey.
687
00:51:01,505 --> 00:51:03,525
>> [music]
688
00:51:13,950 --> 00:51:15,920
[music]
689
00:51:15,920 --> 00:51:19,200
>> So yeah, you can get right to those
690
00:51:19,200 --> 00:51:22,480
beautiful leads with the Enzo X. It's
691
00:51:22,480 --> 00:51:24,480
it's it's perfect for that type of
692
00:51:24,480 --> 00:51:27,440
stuff. and the cordal stuff. Of course,
693
00:51:27,440 --> 00:51:30,079
you know, I'm not I'm not going to go
694
00:51:30,079 --> 00:51:31,520
through the pads and stuff. I've done
695
00:51:31,520 --> 00:51:33,520
plenty of videos on that, so I don't
696
00:51:33,520 --> 00:51:35,040
need to do that. But, you know, of
697
00:51:35,040 --> 00:51:37,839
course, another additional feature is
698
00:51:37,839 --> 00:51:40,640
the arps, [music]
699
00:51:40,640 --> 00:51:43,520
the arpeggiator
700
00:51:43,520 --> 00:51:45,599
stuff in here.
701
00:51:45,599 --> 00:51:48,665
Stuff like this.
702
00:51:48,665 --> 00:51:50,480
[music]
703
00:51:50,480 --> 00:51:53,480
Hey, hey, hey.
704
00:51:55,215 --> 00:51:57,235
[music]
705
00:52:07,005 --> 00:52:09,026
[music]
706
00:52:12,245 --> 00:52:14,265
[music]
707
00:52:18,141 --> 00:52:20,161
>> [music]
708
00:52:24,036 --> 00:52:26,056
[music]
709
00:52:31,241 --> 00:52:33,261
[music]
710
00:52:33,280 --> 00:52:35,040
>> So, you know, you can do all types of
711
00:52:35,040 --> 00:52:38,000
stuff with the arps in bass territory as
712
00:52:38,000 --> 00:52:43,359
well. So, that's my favorite. Um,
713
00:52:43,359 --> 00:52:47,040
so this would be my favorite in terms of
714
00:52:47,040 --> 00:52:51,440
you can play chords, you can do, you
715
00:52:51,440 --> 00:52:54,640
know, all the bass stuff
716
00:52:54,640 --> 00:52:58,079
and, you know, you can just in general
717
00:52:58,079 --> 00:53:01,200
have it sound good. So, it's not really
718
00:53:01,200 --> 00:53:04,319
difficult to make it sound good at all.
719
00:53:04,319 --> 00:53:07,680
But then you got the [music]
720
00:53:07,680 --> 00:53:11,160
Future Impact
721
00:53:12,506 --> 00:53:14,526
>> [music]
722
00:53:16,079 --> 00:53:18,240
>> You can already hear just the mass
723
00:53:18,240 --> 00:53:21,021
destruction there.
724
00:53:21,021 --> 00:53:23,041
[music]
725
00:53:26,916 --> 00:53:28,936
[music]
726
00:53:32,811 --> 00:53:34,831
[music]
727
00:53:38,707 --> 00:53:40,727
>> [music]
728
00:53:44,602 --> 00:53:46,622
[music]
729
00:53:48,640 --> 00:53:52,462
>> Think I want to go back down to 15.
730
00:53:52,462 --> 00:53:54,482
[music]
731
00:54:17,352 --> 00:54:19,372
>> [music]
732
00:54:26,522 --> 00:54:28,542
[music]
733
00:54:31,760 --> 00:54:34,760
>> Oow.
734
00:54:36,347 --> 00:54:38,367
[music]
735
00:54:46,827 --> 00:54:48,847
[music]
736
00:55:05,168 --> 00:55:07,188
>> [music]
737
00:55:13,028 --> 00:55:15,048
[music]
738
00:55:22,853 --> 00:55:24,873
[music]
739
00:55:31,368 --> 00:55:33,388
[music]
740
00:55:37,918 --> 00:55:39,938
[music]
741
00:55:47,088 --> 00:55:49,108
[music]
742
00:55:50,160 --> 00:55:52,983
>> Heat. Heat.
743
00:55:52,983 --> 00:55:55,003
[music]
744
00:56:02,153 --> 00:56:04,173
[music]
745
00:56:08,703 --> 00:56:10,723
[music]
746
00:56:14,598 --> 00:56:15,520
[music]
747
00:56:15,520 --> 00:56:18,520
Heat. Heat.
748
00:56:21,149 --> 00:56:23,169
[music]
749
00:56:27,699 --> 00:56:29,719
[music]
750
00:56:33,594 --> 00:56:35,614
[music]
751
00:56:40,144 --> 00:56:42,164
[music]
752
00:56:48,659 --> 00:56:50,679
>> [music]
753
00:56:55,209 --> 00:56:57,229
[music]
754
00:57:05,034 --> 00:57:07,054
[music]
755
00:57:13,549 --> 00:57:15,569
[music]
756
00:57:18,134 --> 00:57:20,154
[music]
757
00:57:24,029 --> 00:57:26,049
[music]
758
00:57:42,240 --> 00:57:44,389
>> Oow. [music]
759
00:57:46,954 --> 00:57:48,974
[music]
760
00:57:52,720 --> 00:57:55,525
Peow. [music]
761
00:57:56,799 --> 00:57:59,799
Ow.
762
00:58:01,365 --> 00:58:03,385
[music]
763
00:58:07,200 --> 00:58:09,225
Oow.
764
00:58:09,225 --> 00:58:11,245
[music]
765
00:58:18,395 --> 00:58:20,415
>> [music]
766
00:58:22,980 --> 00:58:25,000
[music]
767
00:58:32,805 --> 00:58:34,825
[music]
768
00:58:38,700 --> 00:58:40,720
[music]
769
00:58:48,525 --> 00:58:50,545
[music]
770
00:58:55,075 --> 00:58:57,095
[music]
771
00:59:00,970 --> 00:59:02,990
[music]
772
00:59:06,240 --> 00:59:09,240
>> Oh,
773
00:59:09,485 --> 00:59:11,505
[music]
774
00:59:14,070 --> 00:59:16,090
[music]
775
00:59:23,241 --> 00:59:25,261
[music]
776
00:59:26,960 --> 00:59:29,960
hey.
777
00:59:31,101 --> 00:59:34,440
[music] Heat. Heat.
778
00:59:36,996 --> 00:59:39,016
[music]
779
00:59:48,131 --> 00:59:50,151
[music]
780
00:59:54,026 --> 00:59:56,046
[music]
781
00:59:59,266 --> 01:00:01,286
>> [music]
782
01:00:09,091 --> 01:00:11,111
[music]
783
01:00:14,331 --> 01:00:16,351
[music]
784
01:00:27,431 --> 01:00:29,451
[music]
785
01:00:32,671 --> 01:00:34,691
[music]
786
01:00:39,221 --> 01:00:41,241
[music]
787
01:00:48,391 --> 01:00:50,411
[music]
788
01:00:57,562 --> 01:00:59,582
[music]
789
01:01:04,112 --> 01:01:06,132
[music]
790
01:01:15,902 --> 01:01:17,922
[music]
791
01:01:20,487 --> 01:01:22,507
[music]
792
01:01:30,967 --> 01:01:32,987
[music]
793
01:01:55,857 --> 01:01:57,877
[music]
794
01:02:08,302 --> 01:02:10,322
[music]
795
01:02:16,817 --> 01:02:18,838
[music]
796
01:02:23,040 --> 01:02:26,040
>> Heat. Hey, Heat.
797
01:02:31,228 --> 01:02:33,248
[music]
798
01:02:38,433 --> 01:02:40,453
[music]
799
01:02:47,603 --> 01:02:49,623
[music]
800
01:02:55,463 --> 01:02:57,483
>> [music]
801
01:03:06,598 --> 01:03:08,618
[music]
802
01:03:13,148 --> 01:03:13,920
[music]
803
01:03:13,920 --> 01:03:16,920
>> Heat. Heat.
804
01:03:25,593 --> 01:03:27,613
[music]
805
01:03:31,488 --> 01:03:33,508
[music]
806
01:03:37,383 --> 01:03:39,403
[music]
807
01:03:43,278 --> 01:03:45,298
>> [music]
808
01:03:54,414 --> 01:03:56,434
[music]
809
01:04:00,964 --> 01:04:02,984
[music]
810
01:04:10,134 --> 01:04:12,154
[music]
811
01:04:17,339 --> 01:04:19,359
[music]
812
01:04:27,164 --> 01:04:29,184
[music]
813
01:04:35,599 --> 01:04:38,354
>> Hey, [music]
814
01:04:41,280 --> 01:04:42,884
hey, hey.
815
01:04:42,884 --> 01:04:44,904
>> [music]
816
01:04:50,089 --> 01:04:52,109
[music]
817
01:04:57,294 --> 01:04:59,314
[music]
818
01:05:03,920 --> 01:05:06,640
>> Ow.
819
01:05:06,640 --> 01:05:09,140
Ow. [music]
820
01:05:11,520 --> 01:05:14,520
ow.
821
01:05:14,980 --> 01:05:17,000
[music]
822
01:05:24,150 --> 01:05:26,170
[music]
823
01:05:29,390 --> 01:05:31,410
[music]
824
01:05:37,760 --> 01:05:40,400
So,
825
01:05:40,400 --> 01:05:42,880
you know, from there you pretty much can
826
01:05:42,880 --> 01:05:45,760
pick what you what you like. Um, you
827
01:05:45,760 --> 01:05:48,079
know, from there I like all of them. You
828
01:05:48,079 --> 01:05:49,680
know, all of them could be useful for
829
01:05:49,680 --> 01:05:52,960
something. And, you know, I'm not going
830
01:05:52,960 --> 01:05:55,440
to just tell you that for no reason
831
01:05:55,440 --> 01:05:58,160
that, you know, all of them are useful
832
01:05:58,160 --> 01:06:01,119
and have their own flavor to them. And
833
01:06:01,119 --> 01:06:03,039
and that's why I said, you know, I would
834
01:06:03,039 --> 01:06:07,520
approach it, any synth pedal, as its own
835
01:06:07,520 --> 01:06:09,119
thing. Like, stop trying to make
836
01:06:09,119 --> 01:06:13,039
everything a R ARP 2600 or a Moog or or
837
01:06:13,039 --> 01:06:17,359
Moog Moog, whatever. Um,
838
01:06:17,359 --> 01:06:19,200
just
839
01:06:19,200 --> 01:06:22,559
use it and see if you can get sounds
840
01:06:22,559 --> 01:06:26,319
that that will inspire you from it. That
841
01:06:26,319 --> 01:06:29,359
that would be my best advice, you know.
842
01:06:29,359 --> 01:06:34,079
Now we let's talk value. Um
843
01:06:34,079 --> 01:06:39,520
so the the MXR pedal is 285 or 289
844
01:06:39,520 --> 01:06:42,559
something like that while the
845
01:06:42,559 --> 01:06:46,240
um C4 synth is like 260 something 250
846
01:06:46,240 --> 01:06:50,880
260. Um you can get the future impact um
847
01:06:50,880 --> 01:06:58,000
V4 VIP from about 350 and the Enzo X is
848
01:06:58,000 --> 01:07:00,400
600. So,
849
01:07:00,400 --> 01:07:03,440
you know, it really depends on what you
850
01:07:03,440 --> 01:07:06,960
what you're going to use them for. So,
851
01:07:06,960 --> 01:07:09,839
who would I recommend what for? Okay.
852
01:07:09,839 --> 01:07:11,520
Um,
853
01:07:11,520 --> 01:07:15,680
to be honest, the MXR base synth is just
854
01:07:15,680 --> 01:07:18,319
is going to be a better option for you
855
01:07:18,319 --> 01:07:20,880
than the C4 synth at the moment. You
856
01:07:20,880 --> 01:07:22,000
know what I'm saying? unless they happen
857
01:07:22,000 --> 01:07:24,799
to do some firmware upgrade
858
01:07:24,799 --> 01:07:27,440
um where they get the tracking just a
859
01:07:27,440 --> 01:07:29,359
little better.
860
01:07:29,359 --> 01:07:32,880
And you know it the MXR the only
861
01:07:32,880 --> 01:07:34,960
drawback to the MXR is like I said you
862
01:07:34,960 --> 01:07:38,319
got to memorize that secondary menu and
863
01:07:38,319 --> 01:07:41,520
you also need to
864
01:07:41,520 --> 01:07:44,000
um change when you first get it change
865
01:07:44,000 --> 01:07:46,559
those tracking settings and to the four
866
01:07:46,559 --> 01:07:50,559
string and things like that. Um but
867
01:07:50,559 --> 01:07:53,839
Excuse me. Only downside to it is you
868
01:07:53,839 --> 01:07:56,400
must have some preamp or and compression
869
01:07:56,400 --> 01:07:59,280
to run it into. It does have compression
870
01:07:59,280 --> 01:08:01,200
on there, but I recommend turning that
871
01:08:01,200 --> 01:08:04,079
compression almost off, like maybe to
872
01:08:04,079 --> 01:08:05,920
about 9:00
873
01:08:05,920 --> 01:08:09,760
at most. And then I run that into I was
874
01:08:09,760 --> 01:08:13,280
just using a tone model on the tone X1
875
01:08:13,280 --> 01:08:16,400
of the JHS color box which I'm talking
876
01:08:16,400 --> 01:08:19,199
through right now. But I'm using that
877
01:08:19,199 --> 01:08:23,679
same saturation and tone and EQ setting
878
01:08:23,679 --> 01:08:25,440
for
879
01:08:25,440 --> 01:08:28,480
um the Tone X the Tone X tone model that
880
01:08:28,480 --> 01:08:31,759
it's running into. So that into the
881
01:08:31,759 --> 01:08:34,480
source audio Alice compressor
882
01:08:34,480 --> 01:08:38,960
um 1176 limiter into a LA2A limiter. So
883
01:08:38,960 --> 01:08:41,279
what's that that all you know those
884
01:08:41,279 --> 01:08:44,480
elements add something to the sound to
885
01:08:44,480 --> 01:08:46,640
like finish it. If you just leave the
886
01:08:46,640 --> 01:08:49,839
sound from the MXR bass pedal as it is,
887
01:08:49,839 --> 01:08:52,319
it's not going to be
888
01:08:52,319 --> 01:08:55,520
um it's not going to exactly have the
889
01:08:55,520 --> 01:08:57,600
effect you want it to have. You know,
890
01:08:57,600 --> 01:09:00,480
that's why I keep that on there because
891
01:09:00,480 --> 01:09:04,520
I can just come over here.
892
01:09:06,197 --> 01:09:08,217
[music]
893
01:09:11,437 --> 01:09:13,457
[music]
894
01:09:17,332 --> 01:09:19,352
[music]
895
01:09:21,918 --> 01:09:23,938
[music]
896
01:09:26,000 --> 01:09:28,400
So, none of them track perfectly. You
897
01:09:28,400 --> 01:09:29,440
know what I'm saying? Let's get that
898
01:09:29,440 --> 01:09:32,239
clear now. None of them track perfectly.
899
01:09:32,239 --> 01:09:34,400
There isn't a pedal that tracks quite
900
01:09:34,400 --> 01:09:38,560
perfectly yet at all. So, all of them
901
01:09:38,560 --> 01:09:41,440
have their little corks or whatever. You
902
01:09:41,440 --> 01:09:43,359
know what I'm saying? It just depends on
903
01:09:43,359 --> 01:09:46,000
what you're doing. Like, like I said,
904
01:09:46,000 --> 01:09:47,759
the
905
01:09:47,759 --> 01:09:50,319
the um
906
01:09:50,319 --> 01:09:53,359
I like the tracking on the the MXR bass
907
01:09:53,359 --> 01:09:55,600
syn. That is a It is good tracking, but
908
01:09:55,600 --> 01:09:57,520
like I said, it's it's really no better
909
01:09:57,520 --> 01:10:00,400
than the Future Impact or the Enzo X. It
910
01:10:00,400 --> 01:10:02,719
is better than the C4 synth, though.
911
01:10:02,719 --> 01:10:05,040
I'll give them that. And the pedal is
912
01:10:05,040 --> 01:10:08,320
simpler to use than the than the C4 syn.
913
01:10:08,320 --> 01:10:11,199
C4 synth has quite a bit of learning
914
01:10:11,199 --> 01:10:16,320
curve to it. and but it doesn't always
915
01:10:16,320 --> 01:10:18,480
get you the satisfying results that you
916
01:10:18,480 --> 01:10:23,600
want compared to the Future Impact V4
917
01:10:23,600 --> 01:10:26,320
VIP. Yes, it's an extra hassle of going
918
01:10:26,320 --> 01:10:31,280
into the computer, but it also
919
01:10:31,280 --> 01:10:34,400
has that satisfying payoff,
920
01:10:34,400 --> 01:10:35,760
you know what I'm saying? At the end of
921
01:10:35,760 --> 01:10:38,320
it all that you get the sound ultimately
922
01:10:38,320 --> 01:10:40,000
that you be try that you're trying to
923
01:10:40,000 --> 01:10:43,760
get. Then you also
924
01:10:43,760 --> 01:10:46,159
um yeah they pretty much about the same
925
01:10:46,159 --> 01:10:49,360
price but the future impact like I the
926
01:10:49,360 --> 01:10:51,520
the the main leg up it has on the
927
01:10:51,520 --> 01:10:55,199
competition is um in that price range
928
01:10:55,199 --> 01:10:57,760
say you that 300 to 350 price range
929
01:10:57,760 --> 01:11:02,800
let's say 250 to you know 350 within
930
01:11:02,800 --> 01:11:06,080
that $100 price range right there is it
931
01:11:06,080 --> 01:11:09,280
can also be used to trigger other
932
01:11:09,280 --> 01:11:11,920
synths. So, I can play and it'll track
933
01:11:11,920 --> 01:11:15,120
my bass. I can use the internal synth or
934
01:11:15,120 --> 01:11:18,480
I can MIDI out to another keyboard or or
935
01:11:18,480 --> 01:11:22,400
to my laptop or to wherever and use that
936
01:11:22,400 --> 01:11:25,280
MIDI to play other instrument MIDI
937
01:11:25,280 --> 01:11:27,840
capable instruments or, you know,
938
01:11:27,840 --> 01:11:31,199
different things like that.
939
01:11:31,199 --> 01:11:34,320
The um Enzo X allows you to play with a
940
01:11:34,320 --> 01:11:37,920
keyboard, but it won't take your bass,
941
01:11:37,920 --> 01:11:40,800
track it, and send that MIDI out to
942
01:11:40,800 --> 01:11:44,480
another um synthesizer like the um
943
01:11:44,480 --> 01:11:47,199
Future Impact will. So, that is a huge
944
01:11:47,199 --> 01:11:50,320
bonus. Plus, let's talk about um size.
945
01:11:50,320 --> 01:11:53,760
You know what I'm saying? Um well, let's
946
01:11:53,760 --> 01:11:55,840
go back for a second. And the Enzo X is
947
01:11:55,840 --> 01:11:58,400
it costs so much because it does a heck
948
01:11:58,400 --> 01:12:04,560
of a lot and it has way more in-depth um
949
01:12:04,560 --> 01:12:06,400
parameters and everything else. This
950
01:12:06,400 --> 01:12:09,280
thing is pretty much its own keyboard.
951
01:12:09,280 --> 01:12:11,360
Um that and the Future Impact are pretty
952
01:12:11,360 --> 01:12:13,920
much their own like a keyboard almost.
953
01:12:13,920 --> 01:12:16,239
They are real synthesizers for real for
954
01:12:16,239 --> 01:12:18,560
real. They're just in pedal form. So
955
01:12:18,560 --> 01:12:19,840
that's that's one of the biggest
956
01:12:19,840 --> 01:12:23,679
differences between like the MXR bass
957
01:12:23,679 --> 01:12:26,880
synth and these two pedals. But another
958
01:12:26,880 --> 01:12:30,400
but the Enzo X cost, you know, that
959
01:12:30,400 --> 01:12:32,960
sound quality is really good. I give you
960
01:12:32,960 --> 01:12:35,120
just one
961
01:12:35,120 --> 01:12:41,239
one um polyonic thing.
962
01:12:52,800 --> 01:12:57,640
That's $600 worth of sound right there.
963
01:13:04,480 --> 01:13:08,159
Yeah, it is. It is, you know, but to be
964
01:13:08,159 --> 01:13:12,719
honest, the C4F is the same size as the
965
01:13:12,719 --> 01:13:16,159
MXR. And the when you turn, if you were
966
01:13:16,159 --> 01:13:20,520
to turn this, hold on. [music] I got
967
01:13:21,040 --> 01:13:23,040
I got the Polyblue right here. So, this
968
01:13:23,040 --> 01:13:25,360
the Polyblue. PolyBlue is the same size,
969
01:13:25,360 --> 01:13:28,960
same chassis as as the MXR base pedal.
970
01:13:28,960 --> 01:13:32,320
Look, this ain't taking up
971
01:13:32,320 --> 01:13:36,159
for the for for the Future Impact VIP to
972
01:13:36,159 --> 01:13:41,840
be having MIDI in and out and full MIDI
973
01:13:41,840 --> 01:13:44,719
ports on it. That ain't that much more
974
01:13:44,719 --> 01:13:46,880
space.
975
01:13:46,880 --> 01:13:48,800
That ain't that much bigger. You know
976
01:13:48,800 --> 01:13:50,080
what I'm saying? So, like that
977
01:13:50,080 --> 01:13:52,640
definitely makes a you know a
978
01:13:52,640 --> 01:13:56,159
difference. That's that's about the same
979
01:13:56,159 --> 01:13:59,520
on the C4 synth.
980
01:13:59,520 --> 01:14:02,320
You know, you need one,
981
01:14:02,320 --> 01:14:05,520
see, one,
982
01:14:05,520 --> 01:14:09,440
two, three. So, the Enzo X takes about
983
01:14:09,440 --> 01:14:12,880
three spaces of something like the MXR
984
01:14:12,880 --> 01:14:18,280
poly blue or bass synth. So,
985
01:14:21,199 --> 01:14:23,040
you know, the MXR pedals are what you
986
01:14:23,040 --> 01:14:25,040
call like standard size pedals, I
987
01:14:25,040 --> 01:14:26,560
believe, but so are like the Source
988
01:14:26,560 --> 01:14:29,920
Audio ones. The VIP, the Future Impact
989
01:14:29,920 --> 01:14:32,320
VIP definitely does not take up that
990
01:14:32,320 --> 01:14:34,800
much space at all. It's about the same
991
01:14:34,800 --> 01:14:37,679
size, you know. Now, the Enzo X is like
992
01:14:37,679 --> 01:14:41,120
three. It's like having three, you know,
993
01:14:41,120 --> 01:14:44,320
of those pedals side by side. So, it I
994
01:14:44,320 --> 01:14:48,520
hope that helps for size comparison.
995
01:14:53,280 --> 01:14:56,239
Yeah, if you use the Future Impact V4,
996
01:14:56,239 --> 01:14:57,600
yeah, it's going to take up a lot of
997
01:14:57,600 --> 01:14:59,840
space. But if you if you get the Future
998
01:14:59,840 --> 01:15:02,800
Impact V4 VIP,
999
01:15:02,800 --> 01:15:05,199
that thing the size of my hand. It's not
1000
01:15:05,199 --> 01:15:08,159
even the size, you know,
1001
01:15:08,159 --> 01:15:10,800
it's not it's regular size pedal for
1002
01:15:10,800 --> 01:15:12,880
real.
1003
01:15:12,880 --> 01:15:17,120
you know, but you know, valuewise, the
1004
01:15:17,120 --> 01:15:21,600
Enzo the um Enzo X and the Future Impact
1005
01:15:21,600 --> 01:15:23,120
definitely
1006
01:15:23,120 --> 01:15:25,040
take the cake because they can do so
1007
01:15:25,040 --> 01:15:28,800
much and they can do it at such a high
1008
01:15:28,800 --> 01:15:31,520
level and sound quality level. Now, I
1009
01:15:31,520 --> 01:15:34,159
still feel like the the Future Impact
1010
01:15:34,159 --> 01:15:38,159
has better sound quality than the bass
1011
01:15:38,159 --> 01:15:41,920
synth, MXR bass synth, and and also has
1012
01:15:41,920 --> 01:15:45,280
a bigger learning curve. But you can do
1013
01:15:45,280 --> 01:15:47,280
things like just download my preset pack
1014
01:15:47,280 --> 01:15:50,640
for it on Patreon for the future Impact
1015
01:15:50,640 --> 01:15:56,000
C4 synth or the Enzo X, you know, and
1016
01:15:56,000 --> 01:15:58,320
that way you
1017
01:15:58,320 --> 01:15:59,920
you don't have to fiddle around with
1018
01:15:59,920 --> 01:16:02,159
anything. Compared to the MXR bass
1019
01:16:02,159 --> 01:16:05,199
synth, we only getting eight presets,
1020
01:16:05,199 --> 01:16:07,280
right? Really, you can call it nine if
1021
01:16:07,280 --> 01:16:09,600
you include the live mode. It's kind of
1022
01:16:09,600 --> 01:16:12,960
like a preset mode as well. So it's, you
1023
01:16:12,960 --> 01:16:16,880
know, that's I say nine, but I I really
1024
01:16:16,880 --> 01:16:20,560
say it's really 18 because if you put an
1025
01:16:20,560 --> 01:16:22,560
expression pedal, when you have it
1026
01:16:22,560 --> 01:16:25,679
healed down, it can be one setting. And
1027
01:16:25,679 --> 01:16:29,199
when you have it heal um your toe down,
1028
01:16:29,199 --> 01:16:31,280
you can have it on a different setting.
1029
01:16:31,280 --> 01:16:33,360
And when you save it to the preset when
1030
01:16:33,360 --> 01:16:36,000
it in the expression pedal and you have
1031
01:16:36,000 --> 01:16:38,960
those set, it saves that to it and it
1032
01:16:38,960 --> 01:16:40,960
just comes back always when you pull up
1033
01:16:40,960 --> 01:16:43,360
the preset, it always comes back to the
1034
01:16:43,360 --> 01:16:45,199
heel down position. So make sure the
1035
01:16:45,199 --> 01:16:47,040
heel down position is the main one you
1036
01:16:47,040 --> 01:16:50,480
want. Then um and get that where you
1037
01:16:50,480 --> 01:16:53,280
want it and then get and then you would
1038
01:16:53,280 --> 01:16:56,000
change it to the toe. then change those
1039
01:16:56,000 --> 01:16:57,679
settings
1040
01:16:57,679 --> 01:16:59,600
and then you'd be able to go back and
1041
01:16:59,600 --> 01:17:02,000
forth between the two. Like I say, it's
1042
01:17:02,000 --> 01:17:05,199
pretty cool. But,
1043
01:17:05,199 --> 01:17:07,840
you know, this I don't know what it is
1044
01:17:07,840 --> 01:17:11,760
with these new MXR pedals. They get warm
1045
01:17:11,760 --> 01:17:13,600
like they a computer inside or
1046
01:17:13,600 --> 01:17:15,679
something. You know, I know it do got
1047
01:17:15,679 --> 01:17:18,880
pretty much a computer inside, but
1048
01:17:18,880 --> 01:17:22,239
you know, they definitely get a little
1049
01:17:22,239 --> 01:17:25,239
warm.
1050
01:17:29,520 --> 01:17:34,520
Plethorax one gets a little warm too.
1051
01:17:35,840 --> 01:17:37,920
It might not even be that. It might they
1052
01:17:37,920 --> 01:17:39,600
sitting on top of the power supplies.
1053
01:17:39,600 --> 01:17:41,199
That might be why those are warm. But
1054
01:17:41,199 --> 01:17:44,159
this
1055
01:17:44,159 --> 01:17:46,960
these new MXR pedals like the MXR layers
1056
01:17:46,960 --> 01:17:50,480
gets warm too. So, you know, that's
1057
01:17:50,480 --> 01:17:52,159
something else to consider over time.
1058
01:17:52,159 --> 01:17:54,159
Maybe maybe it'll be a problem, maybe it
1059
01:17:54,159 --> 01:17:57,159
won't,
1060
01:17:58,560 --> 01:18:01,560
but
1061
01:18:03,920 --> 01:18:07,360
let me see. Um, so yeah, you get good
1062
01:18:07,360 --> 01:18:09,600
sound quality
1063
01:18:09,600 --> 01:18:11,600
with I mean, you get amazing sound
1064
01:18:11,600 --> 01:18:14,000
quality with the Enzo X and the Future
1065
01:18:14,000 --> 01:18:17,760
Impact. And you get good quality, really
1066
01:18:17,760 --> 01:18:20,960
good quality with the MXR bass synth.
1067
01:18:20,960 --> 01:18:25,760
And you get okay good quality with the
1068
01:18:25,760 --> 01:18:32,960
C4 syn. Now would I say what what like
1069
01:18:32,960 --> 01:18:36,880
the hard part is because of the presets
1070
01:18:36,880 --> 01:18:38,719
of the other pedals. It really don't
1071
01:18:38,719 --> 01:18:40,880
matter if you're a synth master or not.
1072
01:18:40,880 --> 01:18:44,880
Like you don't have to be as adept at
1073
01:18:44,880 --> 01:18:48,640
doing synths as I am. If you, you know,
1074
01:18:48,640 --> 01:18:49,840
you have something like the Future
1075
01:18:49,840 --> 01:18:52,320
Impact Enzo X, you can just download the
1076
01:18:52,320 --> 01:18:55,199
preset pack from my Patreon or somebody
1077
01:18:55,199 --> 01:18:57,600
else's who you like, you know, or both,
1078
01:18:57,600 --> 01:18:59,760
you know, and then you got all a bunch
1079
01:18:59,760 --> 01:19:00,880
of different sounds from different
1080
01:19:00,880 --> 01:19:04,480
people. You can the bass Seth you
1081
01:19:04,480 --> 01:19:06,480
literally have to learn how to use it.
1082
01:19:06,480 --> 01:19:09,199
There is no getting around it, you know.
1083
01:19:09,199 --> 01:19:11,760
There is it's only eight presets and
1084
01:19:11,760 --> 01:19:14,800
well nine we'll call it 18 if you're
1085
01:19:14,800 --> 01:19:17,840
using the expression pedal. So you got
1086
01:19:17,840 --> 01:19:20,800
to pick you really got to pick what
1087
01:19:20,800 --> 01:19:22,880
sounds you want to be in those slots.
1088
01:19:22,880 --> 01:19:24,640
And that's why I said don't try to keep
1089
01:19:24,640 --> 01:19:28,080
those built-in presets. They not
1090
01:19:28,080 --> 01:19:30,640
they not it and y'all know I'm not going
1091
01:19:30,640 --> 01:19:32,480
to lie to you. the built-in presets.
1092
01:19:32,480 --> 01:19:34,400
Like I said, I wiped all those out. But
1093
01:19:34,400 --> 01:19:36,960
all the ones I was able to make, you
1094
01:19:36,960 --> 01:19:39,920
know what I'm saying? Within 24 hours, I
1095
01:19:39,920 --> 01:19:43,920
I made those. That is that is a a decent
1096
01:19:43,920 --> 01:19:45,520
a small learning curve. You know what
1097
01:19:45,520 --> 01:19:49,360
I'm saying? It compared to me like a
1098
01:19:49,360 --> 01:19:52,719
week or two refining and going through
1099
01:19:52,719 --> 01:19:55,360
the other packs, you know, the Enzo X
1100
01:19:55,360 --> 01:19:58,640
and the um Future Impact because it was
1101
01:19:58,640 --> 01:20:03,360
a lot. I wasn't really like super ad um
1102
01:20:03,360 --> 01:20:08,159
super versed in synths in general. So,
1103
01:20:08,159 --> 01:20:10,239
it took me on a couple weeks journey of
1104
01:20:10,239 --> 01:20:13,840
just learning how simp
1105
01:20:13,840 --> 01:20:17,679
does, you know, how to really use a AD
1106
01:20:17,679 --> 01:20:19,920
SR, you know what I'm saying? And what
1107
01:20:19,920 --> 01:20:22,960
it does and actually be able to hear the
1108
01:20:22,960 --> 01:20:26,320
differences and be able to decode sounds
1109
01:20:26,320 --> 01:20:30,080
with it. So that took a while, Future
1110
01:20:30,080 --> 01:20:33,679
Impact and Enzo X, but they do so much.
1111
01:20:33,679 --> 01:20:36,400
They have so many features and so many
1112
01:20:36,400 --> 01:20:40,080
possibilities with the Enzo u the Enzo X
1113
01:20:40,080 --> 01:20:42,560
having two oscillators.
1114
01:20:42,560 --> 01:20:45,679
The Future Impact has four, but you get
1115
01:20:45,679 --> 01:20:48,400
three waveforms on each oscillator that
1116
01:20:48,400 --> 01:20:50,320
you can mix and match. So think. So you
1117
01:20:50,320 --> 01:20:53,280
can mix and match like a saw,
1118
01:20:53,280 --> 01:20:57,760
a a triangle, and a um square. You can
1119
01:20:57,760 --> 01:21:00,320
mix those all on one oscillator and get
1120
01:21:00,320 --> 01:21:02,719
a weird, you know, custom waveform with
1121
01:21:02,719 --> 01:21:04,719
that. And you can do that with four
1122
01:21:04,719 --> 01:21:06,560
different oscillators.
1123
01:21:06,560 --> 01:21:08,480
Then you running that into two different
1124
01:21:08,480 --> 01:21:10,320
filters, really three different filters
1125
01:21:10,320 --> 01:21:12,880
if you use the the bandwidth um band
1126
01:21:12,880 --> 01:21:15,840
pass um in there. So it's like a dual
1127
01:21:15,840 --> 01:21:19,440
twin filter. You get an envelope
1128
01:21:19,440 --> 01:21:23,440
follower. Um, you get the ADSR
1129
01:21:23,440 --> 01:21:26,800
for the the oscillators which are shape
1130
01:21:26,800 --> 01:21:29,280
the oscillator sounds and the filters.
1131
01:21:29,280 --> 01:21:32,239
Then you still got a harmonizing block
1132
01:21:32,239 --> 01:21:34,640
with distortion where you can get, you
1133
01:21:34,640 --> 01:21:37,040
know, classic octavvers up, down, all
1134
01:21:37,040 --> 01:21:38,960
that stuff
1135
01:21:38,960 --> 01:21:40,719
and run that through the filter if you
1136
01:21:40,719 --> 01:21:42,640
would like. You know what I'm saying?
1137
01:21:42,640 --> 01:21:46,320
And then you got chorus, the delay,
1138
01:21:46,320 --> 01:21:48,560
um,
1139
01:21:48,560 --> 01:21:51,760
uh, you got tube tube overdrive on
1140
01:21:51,760 --> 01:21:54,800
there, and something else I'm I'm
1141
01:21:54,800 --> 01:21:56,080
forgetting. You can get different
1142
01:21:56,080 --> 01:21:59,840
flanger phaser sounds out of out of the
1143
01:21:59,840 --> 01:22:03,920
Future Impact as well. But yeah, it's
1144
01:22:03,920 --> 01:22:06,480
it's a great unit. And the the cool part
1145
01:22:06,480 --> 01:22:08,400
about the Future Impact, people don't
1146
01:22:08,400 --> 01:22:10,719
really understand, the reason why it
1147
01:22:10,719 --> 01:22:13,199
only has the filter settings on the on
1148
01:22:13,199 --> 01:22:15,120
the actual pedal is because that's all
1149
01:22:15,120 --> 01:22:16,639
you really need on a gig. You don't want
1150
01:22:16,639 --> 01:22:18,480
to be fooling around with everything
1151
01:22:18,480 --> 01:22:20,719
else. With the the amount of options
1152
01:22:20,719 --> 01:22:23,520
they give you to change the filter, you
1153
01:22:23,520 --> 01:22:25,440
can turn one sound into a million
1154
01:22:25,440 --> 01:22:27,199
different sounds with just changing the
1155
01:22:27,199 --> 01:22:30,239
filter option. So, don't be discouraged
1156
01:22:30,239 --> 01:22:31,840
by that.
1157
01:22:31,840 --> 01:22:33,600
You just need the sounds to be set up
1158
01:22:33,600 --> 01:22:35,840
properly in the first place. Like I'm
1159
01:22:35,840 --> 01:22:38,719
I'm not getting to a gig trying to set
1160
01:22:38,719 --> 01:22:40,719
up sounds. I'm getting to a gig and I'm
1161
01:22:40,719 --> 01:22:42,960
just flipping to the sounds and going
1162
01:22:42,960 --> 01:22:46,800
because that's it should be right um by
1163
01:22:46,800 --> 01:22:49,199
then. So
1164
01:22:49,199 --> 01:22:52,320
yeah, I like overall I like the MXR bass
1165
01:22:52,320 --> 01:22:56,080
synth. I'm still, you know, I'm still on
1166
01:22:56,080 --> 01:22:58,000
the fence about whether it's gonna make
1167
01:22:58,000 --> 01:23:01,040
it on the board, but, you know, if I'm
1168
01:23:01,040 --> 01:23:03,280
letting the C4 synth live, you know, the
1169
01:23:03,280 --> 01:23:05,120
C4 synth not probably not going to stay
1170
01:23:05,120 --> 01:23:08,080
on there either, but I might keep that
1171
01:23:08,080 --> 01:23:11,440
bass um mimics bass synth because I like
1172
01:23:11,440 --> 01:23:14,000
that, you know, one, I like the synth
1173
01:23:14,000 --> 01:23:15,920
sounds that I do get with it. They are
1174
01:23:15,920 --> 01:23:19,920
pretty cool. And I do also like the
1175
01:23:19,920 --> 01:23:22,639
octavver setting on there. So that means
1176
01:23:22,639 --> 01:23:25,520
I don't have to have like a you know
1177
01:23:25,520 --> 01:23:28,239
they pol add the polyblue to get that
1178
01:23:28,239 --> 01:23:31,199
MXR octave sound out of it, you know. So
1179
01:23:31,199 --> 01:23:34,320
that that's really cool as well. So
1180
01:23:34,320 --> 01:23:36,800
it might make it, it might not. The C4
1181
01:23:36,800 --> 01:23:39,679
synth might be out of here.
1182
01:23:39,679 --> 01:23:42,960
I mean, yeah, C4 synth probably coming
1183
01:23:42,960 --> 01:23:45,199
up off of there. I'm not going to lie.
1184
01:23:45,199 --> 01:23:47,679
C4 syn probably going to be out of here
1185
01:23:47,679 --> 01:23:49,280
if any of them out of here. You know, it
1186
01:23:49,280 --> 01:23:52,159
is 10 year old synth. It is the oldest.
1187
01:23:52,159 --> 01:23:55,199
Let's Let's be fair here.
1188
01:23:55,199 --> 01:23:58,239
It's literally the oldest of the bass
1189
01:23:58,239 --> 01:24:00,400
synth pedals up here. The C47 is like 10
1190
01:24:00,400 --> 01:24:03,600
years old almost, while all of these
1191
01:24:03,600 --> 01:24:06,000
just came out in the last year. You
1192
01:24:06,000 --> 01:24:08,480
know, bass syn just came out a couple
1193
01:24:08,480 --> 01:24:10,639
months ago.
1194
01:24:10,639 --> 01:24:13,360
Enzo X just came out within the last
1195
01:24:13,360 --> 01:24:18,960
year. So did Future Impact V4 VIP. So,
1196
01:24:18,960 --> 01:24:21,600
um,
1197
01:24:21,600 --> 01:24:24,080
for bass synth,
1198
01:24:24,080 --> 01:24:29,120
um, Future Impact V4 VIP for all your
1199
01:24:29,120 --> 01:24:33,040
pads, all your lead sounds
1200
01:24:33,040 --> 01:24:35,280
and, you know, if you want some bass
1201
01:24:35,280 --> 01:24:37,040
sims in there, and you can get some
1202
01:24:37,040 --> 01:24:38,880
really good bass sims with the Enzo X,
1203
01:24:38,880 --> 01:24:40,800
but the Enzo X is going to be what you
1204
01:24:40,800 --> 01:24:43,199
gonna want, you know. And then if you
1205
01:24:43,199 --> 01:24:48,000
are somebody that just really um I guess
1206
01:24:48,000 --> 01:24:51,840
just really dislike apps or menus for
1207
01:24:51,840 --> 01:24:55,760
some reason, some strange reason. Um
1208
01:24:55,760 --> 01:24:57,679
it's more than likely if you don't like
1209
01:24:57,679 --> 01:24:59,679
those options, it's more than likely
1210
01:24:59,679 --> 01:25:02,639
because you don't understand it, per se.
1211
01:25:02,639 --> 01:25:04,719
So, and I understand everybody like I'm
1212
01:25:04,719 --> 01:25:06,400
I may not feel like trying to understand
1213
01:25:06,400 --> 01:25:09,920
it. I just want to play it. Cool. MXR
1214
01:25:09,920 --> 01:25:13,520
bass syn get you through, but don't
1215
01:25:13,520 --> 01:25:15,679
think it's gonna replace a keyboard the
1216
01:25:15,679 --> 01:25:20,080
same way a Enzo X and a Future Impact V4
1217
01:25:20,080 --> 01:25:24,639
VIP can replace a bass synth rig. Like
1218
01:25:24,639 --> 01:25:26,320
this, you can literally take a Future
1219
01:25:26,320 --> 01:25:32,320
Impact V4 VIP and and a MIDI controller
1220
01:25:32,320 --> 01:25:34,800
and you have everything you need. You
1221
01:25:34,800 --> 01:25:35,760
don't even have to take a MIDI
1222
01:25:35,760 --> 01:25:37,199
controller. I mean, I'm talking about
1223
01:25:37,199 --> 01:25:40,320
keyboard. you can take your bass, you
1224
01:25:40,320 --> 01:25:42,480
know, get it done on there. It's just so
1225
01:25:42,480 --> 01:25:45,520
many things you can do with that pedal
1226
01:25:45,520 --> 01:25:48,000
bass-wise. And analog, like anything
1227
01:25:48,000 --> 01:25:51,040
with the vintage analog synths,
1228
01:25:51,040 --> 01:25:52,880
like the mono monoponic synths, the
1229
01:25:52,880 --> 01:25:54,320
Future Impact's pretty much going to be
1230
01:25:54,320 --> 01:25:56,880
able to get you that sound.
1231
01:25:56,880 --> 01:26:01,120
all your modern synths and like you know
1232
01:26:01,120 --> 01:26:05,679
um FM type syns and things like that X
1233
01:26:05,679 --> 01:26:07,840
is going to be exceptional for you at
1234
01:26:07,840 --> 01:26:09,760
that you know [clears throat]
1235
01:26:09,760 --> 01:26:12,320
so you know don't you know it just
1236
01:26:12,320 --> 01:26:15,760
depends I mean granted the Future Impact
1237
01:26:15,760 --> 01:26:23,760
is $350 while the MXR pedal is $285 so
1238
01:26:23,760 --> 01:26:26,560
and the Future Impact is available now
1239
01:26:26,560 --> 01:26:30,800
versus the MXR bass synth may not be is
1240
01:26:30,800 --> 01:26:32,560
on back order. Who knows when you going
1241
01:26:32,560 --> 01:26:34,560
to get one. Only reason I got one is cuz
1242
01:26:34,560 --> 01:26:38,080
I saw one happened to be listed and
1243
01:26:38,080 --> 01:26:39,760
somebody that got it played it for a
1244
01:26:39,760 --> 01:26:42,159
little bit didn't really like it and
1245
01:26:42,159 --> 01:26:45,120
they sold it. So, and they didn't hike
1246
01:26:45,120 --> 01:26:47,679
up the price a million dollars. So, I
1247
01:26:47,679 --> 01:26:51,120
got lucky there. But, um other than
1248
01:26:51,120 --> 01:26:52,880
that, I was waiting like you guys was
1249
01:26:52,880 --> 01:26:54,800
waiting. You know what I'm saying? And I
1250
01:26:54,800 --> 01:26:56,239
was just sitting here in limbo waiting
1251
01:26:56,239 --> 01:26:58,080
to see when I could get something to
1252
01:26:58,080 --> 01:27:00,639
review, you know. So, I'm glad I did.
1253
01:27:00,639 --> 01:27:02,639
It's It's a good pedal. It's a good
1254
01:27:02,639 --> 01:27:05,120
pedal, you know. I give y'all a quick
1255
01:27:05,120 --> 01:27:08,000
quick once over of everything. I go back
1256
01:27:08,000 --> 01:27:13,000
to back with them with each pedal.
1257
01:27:34,470 --> 01:27:36,490
[music]
1258
01:27:42,985 --> 01:27:45,005
>> [music]
1259
01:27:46,000 --> 01:27:49,000
>> Heat. Hey, Heat.
1260
01:27:55,430 --> 01:27:57,450
[music]
1261
01:28:13,771 --> 01:28:15,791
>> [music]
1262
01:28:19,666 --> 01:28:21,686
[music]
1263
01:28:25,561 --> 01:28:27,581
[music]
1264
01:28:32,111 --> 01:28:34,131
[music]
1265
01:28:40,626 --> 01:28:42,646
[music]
1266
01:28:46,521 --> 01:28:48,541
[music]
1267
01:28:52,320 --> 01:28:54,560
>> Wow. Wow. [music]
1268
01:28:54,560 --> 01:29:00,276
Wow. Wow. Wow. Wow. Wow. Wow.
1269
01:29:00,276 --> 01:29:02,296
[music]
1270
01:29:03,520 --> 01:29:06,920
Ow. Wow.
1271
01:29:08,136 --> 01:29:10,156
[music]
1272
01:29:17,306 --> 01:29:19,326
[music]
1273
01:29:24,511 --> 01:29:26,531
>> [music]
1274
01:29:35,647 --> 01:29:37,667
[music]
1275
01:29:42,852 --> 01:29:44,872
[music]
1276
01:30:03,157 --> 01:30:05,177
[music]
1277
01:30:14,292 --> 01:30:16,312
[music]
1278
01:30:20,842 --> 01:30:22,862
[music]
1279
01:30:27,392 --> 01:30:29,412
[music]
1280
01:30:33,040 --> 01:30:36,440
>> Hey, hey, hey.
1281
01:30:37,872 --> 01:30:39,892
>> [music]
1282
01:30:43,112 --> 01:30:45,132
[music]
1283
01:30:53,593 --> 01:30:55,613
[music]
1284
01:31:06,037 --> 01:31:08,057
[music]
1285
01:31:13,242 --> 01:31:15,262
[music]
1286
01:31:21,103 --> 01:31:23,123
[music]
1287
01:31:38,788 --> 01:31:40,808
[music]
1288
01:32:07,608 --> 01:32:09,628
[music]
1289
01:32:14,813 --> 01:32:16,833
[music]
1290
01:32:23,328 --> 01:32:25,348
[music]
1291
01:32:33,808 --> 01:32:35,828
[music]
1292
01:32:48,874 --> 01:32:50,894
[music]
1293
01:33:32,759 --> 01:33:34,779
[music]
1294
01:33:51,099 --> 01:33:53,119
[music]
1295
01:34:01,579 --> 01:34:03,599
[music]
1296
01:34:08,130 --> 01:34:10,150
[music]
1297
01:34:20,575 --> 01:34:22,595
[music]
1298
01:34:26,470 --> 01:34:28,490
[music]
1299
01:34:33,675 --> 01:34:35,695
[music]
1300
01:34:41,535 --> 01:34:43,555
[music]
1301
01:34:48,740 --> 01:34:50,760
[music]
1302
01:34:55,290 --> 01:34:57,310
[music]
1303
01:35:12,975 --> 01:35:14,995
[music]
1304
01:35:16,719 --> 01:35:19,719
>> Oatow.
1305
01:35:22,801 --> 01:35:24,821
[music]
1306
01:35:28,960 --> 01:35:31,370
Heat. [music]
1307
01:35:34,159 --> 01:35:37,159
Heat. Heat.
1308
01:35:41,141 --> 01:35:43,161
[music]
1309
01:35:48,346 --> 01:35:50,366
[music]
1310
01:35:57,280 --> 01:35:59,536
owe [music]
1311
01:36:08,651 --> 01:36:10,671
[music]
1312
01:36:15,201 --> 01:36:17,221
[music]
1313
01:36:24,320 --> 01:36:26,991
Oow
1314
01:36:26,991 --> 01:36:29,011
[music]
1315
01:36:34,719 --> 01:36:37,471
ow
1316
01:36:37,471 --> 01:36:41,719
[music] ow ow ow.
1317
01:36:44,021 --> 01:36:46,041
[music]
1318
01:36:51,882 --> 01:36:53,902
>> [music]
1319
01:36:59,087 --> 01:37:01,107
[music]
1320
01:37:08,257 --> 01:37:10,277
[music]
1321
01:37:16,117 --> 01:37:18,137
[music]
1322
01:37:22,667 --> 01:37:24,687
[music]
1323
01:37:30,527 --> 01:37:32,547
[music]
1324
01:37:44,937 --> 01:37:46,957
[music]
1325
01:38:10,483 --> 01:38:12,503
[music]
1326
01:38:12,719 --> 01:38:15,719
>> Heat. Heat.
1327
01:38:22,273 --> 01:38:24,293
[music]
1328
01:38:33,407 --> 01:38:35,427
[music]
1329
01:38:40,613 --> 01:38:42,633
>> [music]
1330
01:38:49,783 --> 01:38:51,803
[music]
1331
01:38:56,988 --> 01:38:58,560
[music]
1332
01:38:58,560 --> 01:39:01,639
>> Heat. Heat.
1333
01:39:04,193 --> 01:39:06,213
>> [music]
1334
01:39:12,708 --> 01:39:14,728
[music]
1335
01:39:22,320 --> 01:39:25,208
>> Heat. Heat. [music]
1336
01:39:37,598 --> 01:39:39,618
>> [music]
1337
01:39:42,839 --> 01:39:44,859
[music]
1338
01:39:50,044 --> 01:39:52,064
[music]
1339
01:39:52,880 --> 01:39:55,880
>> That's
1340
01:39:56,594 --> 01:39:58,614
[music]
1341
01:40:00,159 --> 01:40:03,144
ow.
1342
01:40:03,144 --> 01:40:05,164
[music]
1343
01:40:18,400 --> 01:40:21,400
Hey,
1344
01:40:22,139 --> 01:40:24,159
[music]
1345
01:40:28,034 --> 01:40:30,054
[music]
1346
01:40:34,584 --> 01:40:36,604
[music]
1347
01:40:39,760 --> 01:40:41,789
hey, hey, pow.
1348
01:40:41,789 --> 01:40:43,809
[music]
1349
01:40:44,400 --> 01:40:47,400
Ow,
1350
01:40:53,579 --> 01:40:55,599
[music]
1351
01:40:56,560 --> 01:40:59,560
pow.
1352
01:41:00,129 --> 01:41:02,149
[music]
1353
01:41:07,334 --> 01:41:09,354
>> [music]
1354
01:41:14,539 --> 01:41:16,559
[music]
1355
01:41:19,125 --> 01:41:21,145
[music]
1356
01:41:26,985 --> 01:41:29,005
[music]
1357
01:41:32,225 --> 01:41:34,245
[music]
1358
01:41:42,050 --> 01:41:44,070
[music]
1359
01:41:54,495 --> 01:41:56,515
[music]
1360
01:41:58,719 --> 01:42:01,700
>> Ow.
1361
01:42:01,700 --> 01:42:03,720
[music]
1362
01:42:03,760 --> 01:42:06,760
Pow.
1363
01:42:11,525 --> 01:42:13,545
>> [music]
1364
01:42:19,385 --> 01:42:21,406
[music]
1365
01:42:27,840 --> 01:42:30,639
>> So yeah, you get the point. That's
1366
01:42:30,639 --> 01:42:32,639
pretty much what we got going on here.
1367
01:42:32,639 --> 01:42:35,760
you know, they they both have their I
1368
01:42:35,760 --> 01:42:39,440
mean, but all four of them can be used
1369
01:42:39,440 --> 01:42:41,040
now. You know, I wouldn't recommend
1370
01:42:41,040 --> 01:42:43,440
getting a C4 synth anyway, even if it
1371
01:42:43,440 --> 01:42:46,560
was one that you know, it's an outdated
1372
01:42:46,560 --> 01:42:48,960
pedal at this point. Like they just
1373
01:42:48,960 --> 01:42:52,560
doing like they on firmware like 1.22. I
1374
01:42:52,560 --> 01:42:54,560
mean, it's pretty much the same
1375
01:42:54,560 --> 01:42:56,159
firmware,
1376
01:42:56,159 --> 01:42:57,840
you know? So, they not I don't think
1377
01:42:57,840 --> 01:43:00,239
they're planning on completely doing an
1378
01:43:00,239 --> 01:43:02,000
overhaul of the tracking or anything
1379
01:43:02,000 --> 01:43:04,400
like that. So, I wouldn't be expecting
1380
01:43:04,400 --> 01:43:06,960
that from them for a 10-year-old pedal.
1381
01:43:06,960 --> 01:43:08,159
They'll probably be coming out with
1382
01:43:08,159 --> 01:43:11,199
something else soon. That will probably
1383
01:43:11,199 --> 01:43:13,520
be a,
1384
01:43:13,520 --> 01:43:17,199
you know, a match for the MXR bass.
1385
01:43:17,199 --> 01:43:20,880
But, you know, to get like those
1386
01:43:20,880 --> 01:43:25,760
authentic vintage analog bass um sounds,
1387
01:43:25,760 --> 01:43:30,080
I would go with the Future Impact V4 VIP
1388
01:43:30,080 --> 01:43:32,560
to just get you some bass syn sounds
1389
01:43:32,560 --> 01:43:34,719
that are bass syn sounds like there's
1390
01:43:34,719 --> 01:43:36,159
real bass synth. You know what I'm
1391
01:43:36,159 --> 01:43:39,199
saying? You I just wouldn't compare it
1392
01:43:39,199 --> 01:43:42,159
to anything else and I would use it to
1393
01:43:42,159 --> 01:43:44,800
make sounds that I like. The MXR bass
1394
01:43:44,800 --> 01:43:46,239
synth, you know what I'm saying? Now,
1395
01:43:46,239 --> 01:43:52,000
Enzo X is its own monster, but um if I'm
1396
01:43:52,000 --> 01:43:56,000
going for my solo sounds and my pads and
1397
01:43:56,000 --> 01:43:58,320
arps, stuff like that, I'm going with an
1398
01:43:58,320 --> 01:44:01,360
Enzo X. Plus, you get the beautiful
1399
01:44:01,360 --> 01:44:04,719
reverbs and um delay in there. Stereo
1400
01:44:04,719 --> 01:44:08,639
delay, as you heard, just beautiful um
1401
01:44:08,639 --> 01:44:11,920
like quality and texture to those pads
1402
01:44:11,920 --> 01:44:13,840
and things like that. The bass sims are
1403
01:44:13,840 --> 01:44:16,000
okay, you know.
1404
01:44:16,000 --> 01:44:17,920
The Future Impact definitely beats
1405
01:44:17,920 --> 01:44:21,040
everybody in that aspect and as as
1406
01:44:21,040 --> 01:44:23,360
really rightfully so that you know you
1407
01:44:23,360 --> 01:44:26,480
came from the Deep Impact through V
1408
01:44:26,480 --> 01:44:29,199
Future Impact one version one two three
1409
01:44:29,199 --> 01:44:33,119
and four you know what I'm saying and it
1410
01:44:33,119 --> 01:44:35,920
it's just an amazing pedal. Absolutely
1411
01:44:35,920 --> 01:44:39,920
just I love first off
1412
01:44:39,920 --> 01:44:42,880
those two pedals I absolutely love. You
1413
01:44:42,880 --> 01:44:45,119
know what I'm saying? Enzo X Future
1414
01:44:45,119 --> 01:44:46,880
Impact. If you've been watching me for a
1415
01:44:46,880 --> 01:44:49,280
while, you know I do, like I said, the
1416
01:44:49,280 --> 01:44:52,080
the MXR bass syns kind of growing on me.
1417
01:44:52,080 --> 01:44:53,840
Like I said, it it's definitely going to
1418
01:44:53,840 --> 01:44:58,080
take the C4 synth's place for for for
1419
01:44:58,080 --> 01:45:00,560
stuff. But, you know, only reason I keep
1420
01:45:00,560 --> 01:45:03,520
that C4 synth is that chord sound that I
1421
01:45:03,520 --> 01:45:05,600
like in there. You know what I'm saying?
1422
01:45:05,600 --> 01:45:09,639
This joint right here,
1423
01:45:11,600 --> 01:45:16,159
this particular So
1424
01:45:16,159 --> 01:45:19,719
that's the wrong.
1425
01:45:38,508 --> 01:45:40,528
[music]
1426
01:45:41,840 --> 01:45:43,840
Now tell me that's not a fire sound.
1427
01:45:43,840 --> 01:45:45,360
Like come on. Like that's something
1428
01:45:45,360 --> 01:45:49,679
definitely that the um MXR bass synth
1429
01:45:49,679 --> 01:45:52,480
could not even begin to do. You know
1430
01:45:52,480 --> 01:45:53,920
what I'm saying? It doesn't have a
1431
01:45:53,920 --> 01:45:56,480
harmonizer in there, you know? And not
1432
01:45:56,480 --> 01:45:58,320
only that, but I like the way it
1433
01:45:58,320 --> 01:46:00,400
harmonizes it, especially on the notes
1434
01:46:00,400 --> 01:46:03,398
that are not within the key.
1435
01:46:03,398 --> 01:46:05,418
[music]
1436
01:46:08,560 --> 01:46:10,719
Tell me that's not a great sound. But
1437
01:46:10,719 --> 01:46:12,880
yeah, I actually got to go now, guys.
1438
01:46:12,880 --> 01:46:15,440
So, thank you for tuning in to another
1439
01:46:15,440 --> 01:46:18,639
episode of All Bass Creations, Effects,
1440
01:46:18,639 --> 01:46:21,280
Tutorials, Demos, and Review. You know,
1441
01:46:21,280 --> 01:46:24,719
hanging out with the the synth shootout
1442
01:46:24,719 --> 01:46:30,800
of the uh MXR bass synth, C4 synth by
1443
01:46:30,800 --> 01:46:32,719
Source Audio,
1444
01:46:32,719 --> 01:46:35,679
the Maris Enzo X, which is the big gold
1445
01:46:35,679 --> 01:46:38,000
pedal. It's not orange. I guess it looks
1446
01:46:38,000 --> 01:46:40,800
orange, but it's gold. and the future
1447
01:46:40,800 --> 01:46:45,840
impact for V4 VIP. You know, check
1448
01:46:45,840 --> 01:46:48,239
whatever one you like and whichever one
1449
01:46:48,239 --> 01:46:50,400
comment which one you think is the
1450
01:46:50,400 --> 01:46:51,920
winner down below in the comment
1451
01:46:51,920 --> 01:46:54,239
section. Which one which patches you
1452
01:46:54,239 --> 01:46:57,199
like the the most and which one you feel
1453
01:46:57,199 --> 01:46:59,360
like got the best tracking and which one
1454
01:46:59,360 --> 01:47:00,880
you feel like got the best sound
1455
01:47:00,880 --> 01:47:03,520
quality. I'd love to interact with you
1456
01:47:03,520 --> 01:47:05,119
guys and and hear what you have to say
1457
01:47:05,119 --> 01:47:07,440
about these wonderful pedals. And like I
1458
01:47:07,440 --> 01:47:09,600
said, none of them all of them are
1459
01:47:09,600 --> 01:47:14,880
usable. But, you know, I'm I'm I'm I'm
1460
01:47:14,880 --> 01:47:17,360
glad I got the bass syn in my hands, the
1461
01:47:17,360 --> 01:47:19,440
MXR bass syn in my hands, so I could
1462
01:47:19,440 --> 01:47:23,520
actually see what it is that I kept like
1463
01:47:23,520 --> 01:47:26,000
kept making it sound like a toy. And as
1464
01:47:26,000 --> 01:47:28,560
you can see, we fixed that. So, you
1465
01:47:28,560 --> 01:47:30,560
know, now we got a really good sounding
1466
01:47:30,560 --> 01:47:32,880
synth pedal. I might it might be on the
1467
01:47:32,880 --> 01:47:35,679
keep list. So, we'll see. But I know
1468
01:47:35,679 --> 01:47:38,239
it's kicking the C4 synth off the board,
1469
01:47:38,239 --> 01:47:40,560
but I definitely I'll catch you guys
1470
01:47:40,560 --> 01:47:43,199
later. Um, if you haven't already, check
1471
01:47:43,199 --> 01:47:45,199
out my Patreon for all my preset packs
1472
01:47:45,199 --> 01:47:47,600
for all these different pedals that you
1473
01:47:47,600 --> 01:47:49,840
see. And if you want to support the
1474
01:47:49,840 --> 01:47:51,119
channel and do all that stuff, make sure
1475
01:47:51,119 --> 01:47:52,960
you subscribe. You know what I'm saying?
1476
01:47:52,960 --> 01:47:55,199
So, you know when I'm doing this live.
1477
01:47:55,199 --> 01:47:57,040
And make sure you hit that like button.
1478
01:47:57,040 --> 01:47:58,639
Definitely helps me out. You can also
1479
01:47:58,639 --> 01:48:01,760
send super chat um a cash app if you
1480
01:48:01,760 --> 01:48:04,159
would like. You know, def excuse me.
1481
01:48:04,159 --> 01:48:06,960
definitely helps out the channel a lot.
1482
01:48:06,960 --> 01:48:08,719
And
1483
01:48:08,719 --> 01:48:12,159
um check out um my music at
1484
01:48:12,159 --> 01:48:14,000
allcreations.bandamp
1485
01:48:14,000 --> 01:48:16,159
where I actually created an entire album
1486
01:48:16,159 --> 01:48:18,639
with just my bass and effects. No MIDI.
1487
01:48:18,639 --> 01:48:20,560
I didn't even use any synth during that
1488
01:48:20,560 --> 01:48:23,600
time. So it's literally just my bass and
1489
01:48:23,600 --> 01:48:26,080
effects. I I changed my bass sound into
1490
01:48:26,080 --> 01:48:29,600
different sounds, just effects. So check
1491
01:48:29,600 --> 01:48:32,400
that out over on um Band Camp and all
1492
01:48:32,400 --> 01:48:34,239
that good stuff. and follow me on all
1493
01:48:34,239 --> 01:48:37,360
social media at the bass naggus. Um,
1494
01:48:37,360 --> 01:48:41,600
again that's at the bass nagus neg. And
1495
01:48:41,600 --> 01:48:43,360
I will catch you guys later. Thanks for
1496
01:48:43,360 --> 01:48:46,560
hanging with me. Peace.92915
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