Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:02,503 --> 00:00:04,603
♪ IN LIVING COLOR ♪
2
00:00:04,671 --> 00:00:08,373
♪ YOU CAN DO WHAT YOU WANNA DO ♪
3
00:00:08,442 --> 00:00:10,375
♪ IN LIVING COLOR ♪
4
00:00:11,945 --> 00:00:16,615
♪ IN LIVING COLOR ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
5
00:00:16,683 --> 00:00:18,851
♪ IN LIVING COLOR ♪
6
00:00:19,920 --> 00:00:21,853
♪ IN LIVING COLOR ♪
7
00:00:21,922 --> 00:00:23,900
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
8
00:00:23,924 --> 00:00:25,969
♪ YOU SEE, IT'S NEVER TOO
LATE AND IT'S NEVER TOO SOON ♪
9
00:00:25,993 --> 00:00:27,904
- ♪ TAKE IT FROM MEIT'S A'IGHT TO BE ♪
- HI-YAH!
10
00:00:27,928 --> 00:00:29,361
♪ IN LIVING COLOR ♪
11
00:00:29,430 --> 00:00:32,031
♪ AND HOW WOULD YA... HOW
WOULD YA... HOW WOULD YA F... ♪
12
00:00:32,099 --> 00:00:34,077
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
13
00:00:34,101 --> 00:00:36,268
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
14
00:00:36,336 --> 00:00:39,805
♪ AND AT NIGHT IT WAS SAFE
TO WALK DOWN THE STREET ♪
15
00:00:39,873 --> 00:00:43,341
♪ YOU CAN DO WHAT YOU WANNA DO ♪
16
00:00:43,410 --> 00:00:45,477
♪ IN LIVING COLOR ♪
17
00:00:46,547 --> 00:00:48,046
♪ IN LIVING COLOR ♪
18
00:00:48,114 --> 00:00:51,650
♪ YOU CAN DO WHAT YOU WAN...
WAN... ♪ ♪ IN LIVING COLOR ♪
19
00:00:51,718 --> 00:00:55,988
♪ YOU CAN DO WHAT YOU WAN...
WAN... WAN... ♪ ♪ IN LIVING COLOR ♪
20
00:00:56,056 --> 00:01:00,759
♪ YOU CAN DO WHAT YOU WAN...
WAN... ♪ ♪ IN LIVING COLOR ♪
21
00:01:00,827 --> 00:01:04,763
♪ YOU CAN DO WHAT YOU WAN...
WAN... WAN... ♪ ♪ IN LIVING COLOR ♪
22
00:01:04,831 --> 00:01:06,765
♪ IN LIVING COLOR ♪♪
23
00:01:14,441 --> 00:01:16,375
HI! I'M RUSH LIMBAUGH.
24
00:01:16,443 --> 00:01:18,377
AND I'M AL SHARPTON.
25
00:01:18,445 --> 00:01:20,790
AND WE'VE PUT ASIDE OUR
DIFFERENCES TO BRING YOU...
26
00:01:20,814 --> 00:01:23,315
RUSH 'N' AL'S BIG &
LOUD MEN'S SHOP!
27
00:01:23,384 --> 00:01:25,384
NOW, YOU MAY BE ASKING YOURSELF,
28
00:01:25,452 --> 00:01:28,487
WHAT COULD I HAVE IN COMMON
WITH HITLER'S CHUNKY NEPHEW?
29
00:01:28,556 --> 00:01:30,433
YES, AND WHAT COULD
I POSSIBLY HAVE IN
30
00:01:30,457 --> 00:01:32,658
COMMON WITH THIS PORK
CHOP WITH A POMPADOUR?
31
00:01:32,726 --> 00:01:35,727
WELL, WE BOTH HAVE AN
INSATIABLE APPETITE FOR POWER.
32
00:01:35,796 --> 00:01:39,531
AND FOR PIZZA! ALONG WITH A TASTE
FOR CLOTHES WITH ELASTIC WAISTBANDS!
33
00:01:39,600 --> 00:01:41,533
THAT'S RIGHT.
34
00:01:41,602 --> 00:01:45,170
I SEE IT'S NOT JUST YOUR
POLITICS THAT LEAN TO THE RIGHT.
35
00:01:45,239 --> 00:01:47,784
YES, IT'S TRUE... WE GET A
LITTLE LOUD AND OVERBEARING.
36
00:01:47,808 --> 00:01:50,108
BUT YOU WON'T MIND
WHEN WE PUT YOU IN A SUIT...
37
00:01:50,177 --> 00:01:53,512
FOR THE PRICE OF A GOOD PERM, A
CURL AND A CASE OF DARK AND LOVELY!
38
00:01:53,581 --> 00:01:56,848
ISN'T THAT RIGHT, PILLSBURY
DOUGH BOY? RIGHT YOU ARE, RERUN!
39
00:01:56,917 --> 00:01:58,851
HEY, HEY, HEY!
40
00:01:58,919 --> 00:02:03,288
AND, UNLIKE "THE REVEREND," OUR
TAILORS ARE REAL MEN OF THE CLOTH.
41
00:02:03,356 --> 00:02:08,426
LET SOME FEMINAZI TRY AND RESIST YOU
IN THESE ATTRACTIVE YET ROOMY SLACKS.
42
00:02:08,495 --> 00:02:12,163
FEELS GOOD TO HAVE BOBO
AT YOUR FEET, DOESN'T IT, BRO?
43
00:02:12,232 --> 00:02:14,899
NOW, TAKE A LOOK AT THIS BABY,
44
00:02:14,968 --> 00:02:18,470
SPECIALLY DESIGNED BY ME
WITH TALENT ON LOAN FROM GOD.
45
00:02:18,539 --> 00:02:22,874
AT ONLY 149.99, EVEN YOU LAZY
WELFARE FREELOADERS CAN AFFORD IT.
46
00:02:22,943 --> 00:02:25,944
HE NORMALLY WEARS A HOOD
WITH THAT WHITE SUIT! THAT'S RIGHT.
47
00:02:26,013 --> 00:02:29,080
AND IT DOESN'T MATTER
WHAT IF YOU'RE BIG OR LOUD,
48
00:02:29,149 --> 00:02:31,316
'CAUSE WE GOT SIZES
FOR EVERYBODY...
49
00:02:31,385 --> 00:02:36,321
LARGE, LARGER AND THE
NEW MALCOLM X-TRA LARGE.
50
00:02:36,390 --> 00:02:40,092
NOW, DON'T WORRY ABOUT GETTING
FOOD ALL OVER YOUR NEW SUIT.
51
00:02:40,160 --> 00:02:42,327
ALL OF RUSH 'N' AL'S
BIG & LOUD SUITS...
52
00:02:42,396 --> 00:02:45,563
COME WITH OUR PATENTED
EATER'S SIDE AIR-BIB!
53
00:02:47,201 --> 00:02:48,800
NOW, THAT'S CONVENIENCE!
54
00:02:48,869 --> 00:02:51,035
I HAVE A DREAM...
55
00:02:51,104 --> 00:02:54,172
THAT I WOULD ONE
DAY FIT IN A 32 WAIST.
56
00:02:54,241 --> 00:02:58,477
KEEP DREAMING, PAL. GET YOUR PINK,
SWEATY WHITE HANDS OFF ME, BOBO.
57
00:03:00,381 --> 00:03:02,881
OH! ARE YOU GONNA START
CRYING, RODNEY KING?
58
00:03:02,949 --> 00:03:08,286
OH, LOOK! THERE GOES MARTINA
NAVRATILOVA KISSIN' ALL OVER YOUR MAMA!
59
00:03:08,355 --> 00:03:10,756
SO MAYBE WE ALL CAN'T GET ALONG.
60
00:03:10,824 --> 00:03:14,136
BUT WE CAN ALL GET A LONG COAT, A
SPORT JACKET AND TWO PAIRS OF TROUSERS...
61
00:03:14,160 --> 00:03:16,093
FOR UNDER $200.
62
00:03:16,162 --> 00:03:17,907
THAT'S RIGHT... UNDER $200.
63
00:03:17,931 --> 00:03:21,633
AT RUSH 'N' AL'S, WE'VE GOT THE SUIT FOR
YOU, WHETHER YOU'RE WHITE OR WRONG.
64
00:03:21,702 --> 00:03:26,103
AND WE'RE EASY TO FIND TOO. TAKE A
RIGHT ON MARTIN LUTHER KING BOULEVARD.
65
00:03:26,172 --> 00:03:30,174
AND JUST KEEP HEADING WEST UNTIL YOU
SMELL THE TENDER, FLAKY APPLE FRITTERS...
66
00:03:30,243 --> 00:03:32,276
LEADING YOU TO OUR
SPACIOUS OUTLET.
67
00:03:32,346 --> 00:03:35,947
SO COME ON DOWN! TO
RUSH 'N' AL'S BIG & LOUD SHOP.
68
00:03:36,015 --> 00:03:38,015
OUR STOMACHS ARE INFLATED!
69
00:03:38,084 --> 00:03:40,017
BUT OUR PRICES ARE NOT!
70
00:03:40,086 --> 00:03:42,420
COME ON! LET'S GO AND EAT!
71
00:03:55,435 --> 00:03:58,036
HI, THIS IS KITTY SINGLETON
IN THE FOX NEWS ROOM.
72
00:03:58,105 --> 00:04:02,674
JOINING US IS THE DIRECTOR OF HOUSING AND
URBAN DEVELOPMENT, MR. RICHARD SULLIVAN.
73
00:04:02,743 --> 00:04:06,245
MR. SULLIVAN, HOW HAVE THE
RECENT BUDGET CUTS AFFECTED HUD?
74
00:04:06,313 --> 00:04:10,515
TERRIBLY. OUR AGENCY WAS ONE OF
THE HARDEST HIT BY THE CUTBACKS,
75
00:04:10,584 --> 00:04:13,263
LARGELY DUE TO THE NEGATIVE
PRESS OVER PAST SCANDALS,
76
00:04:13,287 --> 00:04:15,372
WHICH IS TRAGIC BECAUSE
LOW-INCOME HOUSING
77
00:04:15,396 --> 00:04:17,556
IS ESSENTIAL TO THE
WELFARE OF THE COUNTRY.
78
00:04:17,625 --> 00:04:19,969
BY MAKING CUTBACKS
IN OUR DEPARTMENT,
79
00:04:19,993 --> 00:04:23,206
YOU ARE REALLY SHUTTING THE
DOOR ON THE FUTURE OF OUR CHILDREN.
80
00:04:23,230 --> 00:04:26,865
BUT WHAT REASSURANCES DO WE HAVE
THAT IMPROPRIETY WON'T HAPPEN AGAIN?
81
00:04:26,933 --> 00:04:28,978
WELL, I GUESS ALL
YOU HAVE IS MY WORD.
82
00:04:29,002 --> 00:04:32,215
SEE, WHEN THE TREASURY WAS FIRST SET
UP, THEY LACKED A MISSION STATEMENT...
83
00:04:32,239 --> 00:04:34,516
UNCLEAR GOALS OF THE
DEPARTMENT THAT ALLOWED
84
00:04:34,540 --> 00:04:36,475
THE SITUATION TO
GET WAY OUT OF HAND.
85
00:04:36,543 --> 00:04:38,520
EMPLOYEES WERE NOT
REQUIRED TO GET PROJECTS
86
00:04:38,544 --> 00:04:40,545
AND LOANS APPROVED
THROUGH PROPER CHANNELS.
87
00:04:40,614 --> 00:04:43,159
BUT SINCE THAT TIME NEW
RULES HAVE BEEN IMPLEMENTED...
88
00:04:43,183 --> 00:04:45,895
WHICH PROVIDE SAFEGUARDS
AGAINST THAT EVER HAPPENING AGAIN.
89
00:04:45,919 --> 00:04:49,187
YOU MENTIONED A MISSION STATEMENT.
WHAT IS HUD'S MISSION STATEMENT?
90
00:04:49,256 --> 00:04:51,556
WELL, I CAN'T TELL YOU
THE EXACT WORDING,
91
00:04:51,625 --> 00:04:54,322
BUT WE ARE HERE TO
HELP PROVIDE LOW-INCOME
92
00:04:54,346 --> 00:04:57,262
FAMILIES THE CHANCE
FOR AFFORDABLE HOUSING...
93
00:04:57,331 --> 00:05:00,031
AND, IN THE PROCESS, HELP
DEVELOP THE INNER CITY.
94
00:05:00,100 --> 00:05:02,734
HOW WILL THE CUTS IN
THE BUDGET HURT HUD?
95
00:05:02,803 --> 00:05:05,537
KITTY, THE BUDGET CUTS
WERE BASED ON THE IDEA...
96
00:05:05,606 --> 00:05:08,206
THAT THE INTEREST RATE WOULD
FALL BELOW FOUR PERCENT,
97
00:05:08,275 --> 00:05:10,676
THUS LOWERING THE
NEED FOR HUD DOLLARS.
98
00:05:10,744 --> 00:05:12,822
BUT THE INTEREST RATE
HAS REMAINED CONSTANT,
99
00:05:12,846 --> 00:05:15,892
WHICH WILL DEPLETE THE FUNDS THAT
HUD HAS ALLOWED FOR LOW-INTEREST LOANS.
100
00:05:15,916 --> 00:05:20,585
WHAT EXACTLY IS HUD DOING TO REVITALIZE
THE NATION'S CRIME-RIDDEN PUBLIC HOUSING?
101
00:05:20,654 --> 00:05:24,155
WELL, AS YOU KNOW, THERE
ARE OVER 3.4 MILLION AMERICANS...
102
00:05:24,224 --> 00:05:26,157
LIVING IN PUBLIC HOUSING,
103
00:05:26,226 --> 00:05:29,227
AND HUD HAS DELEGATED
OVER $483,000,000...
104
00:05:29,296 --> 00:05:31,463
FOR REBUILDING AND
SECURITY PURPOSES.
105
00:05:31,532 --> 00:05:33,931
WE ARE HOPING TO IMPROVE
THE HOUSING DEPARTMENT...
106
00:05:34,000 --> 00:05:37,736
SO THAT THE FAMILIES CAN ONCE
AGAIN FEEL SECURE IN THEIR OWN HOME.
107
00:05:37,804 --> 00:05:41,573
BUT WON'T THE CUTBACKS BE
DETRIMENTAL TO PUBLIC HOUSING?
108
00:05:41,642 --> 00:05:44,287
NO. REGARDLESS OF
PRESIDENTIAL BUDGET CUTS,
109
00:05:44,311 --> 00:05:46,522
PUBLIC HOUSING IS OUR
NUMBER-ONE PRIORITY.
110
00:05:46,546 --> 00:05:50,059
SO I WOULD LIKE TO REASSURE THE LOW-INCOME
TENANTS THAT EVEN THOUGH THE PRESIDENT...
111
00:05:50,083 --> 00:05:52,216
IS RETREATING FROM
URBAN HOMESTEADING,
112
00:05:52,286 --> 00:05:54,830
THE HOUSING DEPARTMENT
WILL NOT ABANDON THESE PEOPLE.
113
00:05:54,854 --> 00:05:57,989
NOW, WHAT PROJECTS CAN WE EXPECT
TO SEE FROM HUD IN THE NEAR FUTURE?
114
00:05:58,057 --> 00:06:02,394
OH, WELL, TO NAME ALL THE
GOALS OF HUD WOULD BE FUTILE...
115
00:06:02,462 --> 00:06:04,507
CONSIDERING THE
TIME ALLOTTED HERE.
116
00:06:04,531 --> 00:06:07,076
BUT I CAN TELL YOU THAT THE
NEW COMMISSION WAS DESIGNED...
117
00:06:07,100 --> 00:06:09,078
NOT ONLY TO HELP THE CONSUMER,
118
00:06:09,102 --> 00:06:12,570
BUT ALSO THE INFRASTRUCTURE
OF OUR INNER CITIES.
119
00:06:12,639 --> 00:06:17,575
OKAY, NOW, YOU SPEAK ABOUT PUBLIC HOUSING,
BUT WHAT ABOUT THE FIRST-TIME HOME BUYER?
120
00:06:17,644 --> 00:06:20,689
WITH PROPER EMPLOYEE VERIFICATION
WE CAN ENSURE THAT THOSE PEOPLE...
121
00:06:20,713 --> 00:06:24,682
WILL BE FIRST ON THE LIST TO GET
HOMES WITH SUBSTANTIAL DOWN PAYMENTS.
122
00:06:24,751 --> 00:06:27,085
WELL, I WANT TO THANK YOU
VERY MUCH, MR. SULLIVAN,
123
00:06:27,153 --> 00:06:30,222
FOR TAKING TIME OUT OF YOUR BUSY
SCHEDULE AND JOINING US HERE TODAY.
124
00:06:30,290 --> 00:06:34,125
IT'S BEEN MY PLEASURE. THIS HAS BEEN
KITTY SINGLETON, LIVE FOR FOX NEWS.
125
00:06:34,194 --> 00:06:36,127
GOOD NIGHT.
126
00:06:40,967 --> 00:06:44,636
♪♪
127
00:07:14,468 --> 00:07:17,469
♪♪
128
00:07:22,008 --> 00:07:25,843
AND NOW, A FEW MINUTES
WITH RANDY ROONEY.
129
00:07:25,912 --> 00:07:31,215
DID YOU EVER NOTICE HOW MANY
MYTHS THERE ARE ABOUT BLACK PEOPLE?
130
00:07:31,284 --> 00:07:34,185
WHY IS IT WHITE PEOPLE
SAY WE ALL LOOK ALIKE?
131
00:07:34,253 --> 00:07:38,289
I GET GARY COLEMAN AND SHAQUILLE
O'NEAL CONFUSED ALL THE TIME.
132
00:07:38,357 --> 00:07:41,726
AND WHY DO THEY ALWAYS TELL ME
SOME OF THEIR BEST FRIENDS ARE BLACK,
133
00:07:41,795 --> 00:07:45,196
YET YOU NEVER SEEM TO SEE
THEM WITH THEIR BEST FRIENDS?
134
00:07:49,168 --> 00:07:53,871
HOW COME WHEN A BLACK MAN'S
BEEPER GOES OFF, HE'S A WANTED FELON,
135
00:07:53,940 --> 00:07:58,610
BUT WHEN A WHITE GUY'S BEEPER
GOES OFF, HE'S A-WANTED IN SURGERY?
136
00:07:58,678 --> 00:08:03,314
AND WHY IS IT THAT EVERY GOVERNMENT
REPORT THAT COMES OUT ABOUT BLACK PEOPLE...
137
00:08:03,382 --> 00:08:05,750
MAKES OUR FUTURE SEEM SO BLEAK?
138
00:08:05,819 --> 00:08:08,352
WE'VE GOT HIGH BLOOD
PRESSURE, HIGH CHOLESTEROL,
139
00:08:08,421 --> 00:08:10,755
HIGH TRIGLYCERIDES, HIGH SODIUM.
140
00:08:10,824 --> 00:08:13,591
THE ONLY THING
THAT'S LOW IS OUR PAY.
141
00:08:16,062 --> 00:08:19,230
DID YOU EVER NOTICE THAT THE
POLICE SEEM TO ALWAYS PULL YOU OVER...
142
00:08:19,298 --> 00:08:22,033
WHEN YOU'RE HANGING
WITH THE HOMEBOYS?
143
00:08:22,102 --> 00:08:25,169
THEIR IDEA OF A
WARNING IS A TASER BLAST.
144
00:08:25,238 --> 00:08:28,973
AND THOSE TASER
DARTS HURT! OUCH!
145
00:08:29,042 --> 00:08:32,443
THESE ARE ONE OF THOSE
FLESH-COLORED BAND-AIDS.
146
00:08:32,512 --> 00:08:36,047
WHOSE FLESH ARE THEY
TALKING ABOUT ANYWAY?
147
00:08:37,518 --> 00:08:39,918
CERTAINLY NOT OURS.
148
00:08:39,987 --> 00:08:42,220
AND WHEN THE
POLICE PULL YOU OVER,
149
00:08:42,288 --> 00:08:44,989
WHY DO YOU ALWAYS SEEM
TO FIT THE DESCRIPTION...
150
00:08:45,059 --> 00:08:53,059
OF A SUSPECT
THEY'RE LOOKING FOR?
151
00:08:57,487 --> 00:09:05,487
JEFFREY DAHMER WAS
WHI TO EAT M. KIND O
152
00:09:11,968 --> 00:09:15,086
Y IS IT A SOUL
TRAIN? IF IT WERE, TH
153
00:09:15,155 --> 00:09:17,656
BECAUSE DON CORNELIUS
FIT THE DESCRIPTION...
154
00:09:17,724 --> 00:09:20,592
OF A SUSPECT
THEY'RE LOOKING FOR.
155
00:09:20,661 --> 00:09:24,663
AND THAT WAS A FEW MOMENTS
OF DISSING WITH RANDY ROONEY.
156
00:09:34,908 --> 00:09:37,442
WHAT'LL YOU HAVE,
PAL? UH, UH, UH...
157
00:09:37,511 --> 00:09:41,746
HOW MUCH... HOW MUCH... HOW
MUCH FOR A BEER? UH, DOLLAR-50.
158
00:09:41,814 --> 00:09:49,814
OOD LORD! THAT'S A LOT
OF MONEY FOR A BEER.
159
00:09:51,058 --> 00:09:54,059
UH, GOOD LORD! THAT DON'T
HOW SOUND TOO LIGHT TO ME.
160
00:09:54,127 --> 00:09:58,829
UH, UH, WH-WHY DON'T YOU WRING OUT
THE DIRTY BAR RAG IN MY MOUTH? YEAH.
161
00:09:59,966 --> 00:10:02,400
UH, I CAN'T DO THAT, MAN.
162
00:10:02,469 --> 00:10:06,904
OKAY, OKAY, OKAY. UH, UH, HOW
MUCH FOR A VIRGIN DAIQUIRI?
163
00:10:06,973 --> 00:10:10,375
- UH, THAT'LL BE 2.50.
- 2.50! GOOD LORD!
164
00:10:10,443 --> 00:10:15,547
HOW 'BOUT I GIVE YOU 30 CENTS, AND
YOU GIVE ME A KOOL-AID WITH SIX KIDS?
165
00:10:15,615 --> 00:10:16,680
I CAN'T DO IT, MAN.
166
00:10:16,704 --> 00:10:19,350
HOW 'BOUT... HOW 'BOUT
WINE? HOW 'BOUT SOME WINE?
167
00:10:19,419 --> 00:10:22,554
- THREE DOLLARS.
- THREE BUCKS! GOOD LORD!
168
00:10:22,622 --> 00:10:24,756
HOW 'BOUT I GIVE YOU 32 CENTS,
169
00:10:24,824 --> 00:10:28,059
AND YOU GIVE ME A RUM
LIFESAVER AND A GLASS OF WATER?
170
00:10:28,127 --> 00:10:30,128
LOOK, MAN, I POURED
A BEER EARLIER.
171
00:10:30,196 --> 00:10:32,270
YOU CAN GO AHEAD AND
DRINK THAT, BUT WHEN YOU
172
00:10:32,294 --> 00:10:34,298
FINISHED, YOU GOT TO
GET OUT OF HERE, OKAY?
173
00:10:34,367 --> 00:10:36,668
THANKS A LOT, MAN. THANKS
A LOT. HEY, HEY, HEY, HEY!
174
00:10:36,737 --> 00:10:40,038
HOW MUCH FOR
THEM PISTACHIO NUTS?
175
00:10:40,107 --> 00:10:41,973
PISTACHIOS ARE A DOLLAR, BUDDY.
176
00:10:42,041 --> 00:10:44,942
A DOLLAR FOR PISTACHIO
NUTS! GOOD LORD!
177
00:10:45,011 --> 00:10:49,914
HOW 'BOUT I GIVE YOU 14 CENTS, YOU LET
ME SUCK THEM RIGHT OFF YOUR FINGERS?
178
00:10:49,982 --> 00:10:51,983
LOOK, BUDDY. DON'T
GET SMART WITH ME.
179
00:10:52,051 --> 00:10:54,931
I'LL HAVE YOU THROWN OUT OF HERE, ALL
RIGHT? DON'T MAKE ME CALL THE BOUNCER.
180
00:10:54,955 --> 00:10:58,122
HEY, HEY. THAT'S ALL RIGHT.
THAT'S ALL RIGHT. OKAY.
181
00:11:00,560 --> 00:11:03,962
HEY, LADIES. HOW YOU
DOIN'? WHAT YOU LISTENIN' TO?
182
00:11:04,030 --> 00:11:07,031
WE'RE PLAYIN' SOME BELL BIV
DEVOE. BELL BIV DEVOE, HUH?
183
00:11:07,100 --> 00:11:10,101
UH, HOW MUCH IT COST? HOW MUCH
IT COST? THREE DOLLARS A SONG.
184
00:11:10,170 --> 00:11:13,070
THREE DOLLARS A SONG? GOOD LORD!
185
00:11:13,139 --> 00:11:16,941
HOW 'BOUT I GIVE YOU 25 CENTS,
AND YOU PLAY SOME RALPH TRESVANT?
186
00:11:17,009 --> 00:11:19,322
THEY DON'T EVEN
HAVE RALPH TRESVANT.
187
00:11:19,346 --> 00:11:21,323
WHY DON'T YOU JUST
QUIT BOTHERING US?
188
00:11:21,347 --> 00:11:22,991
LOOK, BUDDY, WHY
DON'T YOU GET AWAY FROM
189
00:11:23,015 --> 00:11:24,849
THE JUKEBOX AND STOP
BOTHERING MY CUSTOMERS?
190
00:11:24,918 --> 00:11:28,452
WHY DON'T YOU GIVE ME ANOTHER
DRINK, AND I'LL JUST BOTHER YOU?
191
00:11:28,521 --> 00:11:30,454
DON'T PUSH IT.
192
00:11:30,523 --> 00:11:32,523
GOOD MAN. GOOD MAN.
193
00:11:34,427 --> 00:11:38,062
BOY, YOU SURE LOOK GOOD
TONIGHT, AND I SURE AM HORNY.
194
00:11:38,131 --> 00:11:40,831
UH, HOW MUCH IT COST
FOR SOME COMPANY?
195
00:11:40,900 --> 00:11:44,535
FIFTY BUCKS. LET'S GO. FIFTY
BUCKS! GOOD LORD! FIFTY BUCKS.
196
00:11:44,604 --> 00:11:47,605
THAT'S A LOT OF MONEY.
NOW, WHAT DO I GET FOR THAT?
197
00:11:47,673 --> 00:11:50,775
I'LL GO HOME WITH YOU AND TAKE
YOU TO THE MOON, OKAY? LET'S GO.
198
00:11:50,844 --> 00:11:54,479
HOW 'BOUT I GIVE YOU $13, AND
YOU TAKE ME TO EL SEGUNDO?
199
00:11:56,249 --> 00:11:58,182
FIFTY BUCKS.
200
00:11:58,251 --> 00:12:00,317
FIFTY BUCKS! THAT'S
A LOT OF MONEY.
201
00:12:00,386 --> 00:12:04,355
OKAY, HOW 'BOUT I GIVE YOU EIGHT
DOLLARS, AND YOU LET ME SMELL YOUR BRA?
202
00:12:04,424 --> 00:12:06,869
LOOK, I TOLD YOU 50 BUCKS, OKAY?
203
00:12:06,893 --> 00:12:09,660
OKAY, OKAY. HOW
MUCH WOULD IT COST...
204
00:12:09,729 --> 00:12:14,432
HOW MUCH WOULD IT COST ME IF I WAS
TO RUB UP AGAINST YOUR LEG LIKE A DOG?
205
00:12:14,500 --> 00:12:18,369
SEVENTY BUCKS. SEVENTY
BUCKS! GOOD LORD!
206
00:12:18,438 --> 00:12:23,241
OH! OH! HOW 'BOUT I GIVE YOU FOUR
DOLLARS, AND YOU GIVE ME A SCOOBY SNACK?
207
00:12:23,309 --> 00:12:26,777
LOOK... LOOK, SWAMP THING. WHY DON'T
YOU JUST GET THE HELL OUT OF HERE?
208
00:12:26,846 --> 00:12:29,858
HEY, HEY, HEY, HEY, HEY! IS THIS
CREEP BOTHERIN' YOU? YES, HE IS.
209
00:12:29,882 --> 00:12:32,550
HEY, MAN, LIKE I TOLD
YOU... I WARNED YOU, DIDN'T I?
210
00:12:32,619 --> 00:12:35,252
SNOOKY! GET THIS
GUY OUT OF HERE.
211
00:12:35,322 --> 00:12:37,254
WITH PLEASURE. WHO'S SNOOKY?
212
00:12:37,324 --> 00:12:39,624
I'M GONNA PUNCH YOU
INTO NEXT WEEK, BUDDY.
213
00:12:39,693 --> 00:12:42,860
WHY DON'T YOU PUNCH ME INTO
WEDNESDAY? THAT'S PAY DAY!
214
00:12:45,065 --> 00:12:47,398
HEY! HEY! SNOOKY! SNOOKY!
215
00:12:50,269 --> 00:12:53,570
♪♪
216
00:12:58,578 --> 00:13:01,478
♪♪
217
00:13:21,568 --> 00:13:25,336
♪♪
218
00:13:29,208 --> 00:13:31,175
YEAH, RIGHT THIS WAY, NOW.
219
00:13:31,244 --> 00:13:34,023
UH, EXCUSE ME, BUT THAT
GIRL'S SITTING IN MY SEAT.
220
00:13:34,047 --> 00:13:35,794
NOW, HOLD UP, UNCLE
REMUS. LOOK, SHE'S
221
00:13:35,818 --> 00:13:37,916
SITTIN' THERE 'CAUSE I
TOLD HER TO SIT THERE.
222
00:13:37,985 --> 00:13:40,785
- BUT I GOT A TICKET.
- I DON'T CARE IF YOU
GOT A TICKET.
223
00:13:40,854 --> 00:13:44,523
I WANT TO HIT ON HER. I DON'T WANT TO
HIT ON YOU. NOW, SIT DOWN, BIG DADDY KANE.
224
00:13:44,591 --> 00:13:47,993
YEAH, S... SIT DOWN,
BIG-BIG-BIG DADDY RED.
225
00:13:49,796 --> 00:13:52,575
HEY, HEY, HOLD UP, J.J.
WALKER AND CAROL BURNETT.
226
00:13:52,599 --> 00:13:54,844
WHAT'D YOU SAY?
227
00:13:54,868 --> 00:13:57,903
HI, I'M NANCY AXELROD.
THIS IS MY ASSISTANT JORDAN.
228
00:13:57,971 --> 00:14:00,005
I CALLED EARLY FOR V.I.P. SEATS.
229
00:14:00,073 --> 00:14:03,152
OH, YOU CALLED FOR V.I.P. SEATS? SO YOU
SUPPOSED TO BE SITTIN' OVER THERE, RIGHT?
230
00:14:03,176 --> 00:14:06,343
THAT'S RIGHT, YEAH. NO, THAT'S
WRONG. YOU AIN'T ON THE LIST.
231
00:14:06,412 --> 00:14:10,415
- YOU DON'T EVEN HAVE A LIST.
- THAT'S WHY YOU AIN'T
ON THE LIST.
232
00:14:10,484 --> 00:14:16,054
YEAH, I GUESS... I GUESS WE-WE-WE
CALL YOU LISTLESS, M-MUPPET MAN.
233
00:14:16,122 --> 00:14:18,334
ALL RIGHT, NOW, HOLD
ON JUST A SECOND HERE.
234
00:14:18,358 --> 00:14:20,403
I HAPPEN TO BE MARSHA
WARFIELD'S AGENT, OKAY?
235
00:14:20,427 --> 00:14:24,228
MARSHA WARFIELD. SO I SUGGEST YOU
TREAT US WITH A LITTLE MORE RESPECT!
236
00:14:24,297 --> 00:14:27,143
I DON'T CARE IF YOU'RE MARCIA BRADY'S
AGENT. YOU'RE NOT GETTING THOSE SEATS.
237
00:14:27,167 --> 00:14:30,501
WELL, THIS IS ABSOLUTELY UNACCEPTABLE!
THE PRODUCER IS GONNA HEAR ABOUT THIS!
238
00:14:30,570 --> 00:14:33,650
THE PRODUCER, ALL RIGHT? GET OUT
OF HERE. WHAT ARE YOU? A PARROT?
239
00:14:33,674 --> 00:14:36,675
HEY, YO, MAN! THIS IS WHAT
WE USED TO DO BACK IN THE DAY.
240
00:14:36,743 --> 00:14:40,645
♪♪ ♪♪
241
00:14:40,714 --> 00:14:45,684
♪ MORE BOUNCE TO THE OUNCE ♪
242
00:14:45,752 --> 00:14:47,752
YO, YO, YO, HOLD UP, HOLD UP.
243
00:14:47,821 --> 00:14:50,388
CAN'T YOU SEE THE SIGN? AIN'T
NOBODY ALLOWED ON THE STAGE.
244
00:14:50,457 --> 00:14:53,291
YEAH. Y-YOU CAN'T READ?
R-READING'S FUNDAMENTAL.
245
00:14:53,359 --> 00:14:56,928
YOU BETTER GET
H-HOOKED ON PHONICS.
246
00:14:56,997 --> 00:15:00,364
I CAN READ THE SIGN. I'M
THE PRODUCER OF THE SHOW.
247
00:15:00,433 --> 00:15:03,401
WELL, YOU KNOW WHAT? I WISH I
COULD LET YA BACK, MR. PRODUCER,
248
00:15:03,469 --> 00:15:06,004
BUT I HAPPEN TO THINK
THAT YOU'RE A LIAR.
249
00:15:06,072 --> 00:15:09,207
LIAR, PANTS ON
FIRE. B-BOLOGNA LOG.
250
00:15:09,275 --> 00:15:11,843
- ALL RIGHT, LOOK, BOYS...
- OH! WHOO! BOYS!
251
00:15:11,911 --> 00:15:16,146
IT'S ON, IT'S ON. AFTER THE
RODNEY KING STUFF, WHOO!
252
00:15:16,215 --> 00:15:19,450
ALL RIGHT. LISTEN UP, YOU TWO.
GET BACK TO WORK. THAT'S AN ORDER.
253
00:15:19,519 --> 00:15:23,188
YOU WANT FRIES WITH THAT? BIG
BOY EAT THE "J" OFF OF JANUARY.
254
00:15:37,070 --> 00:15:40,638
I GUESS YOU NEED DIRECTIONS
TO YOUR SEAT, MY SISTER?
255
00:15:40,707 --> 00:15:43,875
NO, I'M MARSHA WARFIELD. I JUST
CAME TO GET A FEEL FOR THE CROWD.
256
00:15:47,580 --> 00:15:51,449
OKAY, ANYWAY, SO YOU'RE SUPPOSED TO
GO TELL SOME JOKES AND THAT TYPE OF STUFF.
257
00:15:51,517 --> 00:15:56,154
THE CROWD'LL BE LAUGHING AND ALL THAT
STUFF, HUH? THEY'LL GO, "HEE-HEE, HO-HO."
258
00:15:56,223 --> 00:15:59,891
WHY DO I GET THE FEELING YOU TWO
WENT TO SCHOOL ON THE LITTLE BUS?
259
00:15:59,960 --> 00:16:03,261
HOW'D SHE KNOW?
260
00:16:03,329 --> 00:16:06,408
OH, YEAH, I KNOW YOU NOW. YOU WAS
ON THAT SHOW NIGHT COURT, RIGHT?
261
00:16:06,432 --> 00:16:09,311
YOU USED TO HANG AROUND,
LIKE, HARRY AND DAN AND ALL THAT.
262
00:16:09,335 --> 00:16:11,580
YO, WHO WAS THAT BIG
BALD-HEADED GUY? BULL.
263
00:16:11,604 --> 00:16:15,273
YOU DAMN RIGHT IT'S BULL! I DON'T
BELIEVE YOU NO MARSHA WARFIELD!
264
00:16:15,341 --> 00:16:17,275
YOU GOT THAT RIGHT.
265
00:16:17,343 --> 00:16:21,179
AIN'T ANYBODY SEEN YOU ON THE BACK
PAGE OF JET OR IN THE DAMN MIDDLE.
266
00:16:21,247 --> 00:16:24,677
LOOK, AMOS AND BURRHEAD,
IF YOU DON'T MIND...
267
00:16:24,701 --> 00:16:25,583
I DO MIND!
268
00:16:25,652 --> 00:16:30,421
THAT'S RIGHT, AND A M-MIND IS
A T-TERRIBLE THING TO WASTE.
269
00:16:30,490 --> 00:16:32,923
DON'T YOU TWO HAVE A
CAR TO JACK SOMEWHERE?
270
00:16:32,992 --> 00:16:35,092
HOW DID SHE KNOW WE
HAD A CAR... HEY, LOOK HERE.
271
00:16:35,161 --> 00:16:37,796
IF YOU WAS A MAN, I'D BE BUSTIN'
YOUR ASS RIGHT ABOUT NOW.
272
00:16:37,864 --> 00:16:40,331
IF YOU WAS A MAN, I'D LET YOU.
273
00:16:40,399 --> 00:16:42,333
IT'S ON!
274
00:16:42,402 --> 00:16:45,236
IT'S ON! EXCUSE ME!
275
00:16:45,304 --> 00:16:49,206
MS. WARFIELD, IS THERE A
PROBLEM HERE? YES, THERE IS.
276
00:16:49,275 --> 00:16:52,510
YEAH, TH-THERE IS. THERE'S
YOUR PROBLEM RIGHT THERE!
277
00:16:52,578 --> 00:16:55,123
- IS THAT TRUE?
- NO, THERE AIN'T
NO PROBLEM, MAN.
278
00:16:55,147 --> 00:16:57,849
I WAS JUST GONNA HELP MS.
WARFIELD GET BACKSTAGE.
279
00:16:57,918 --> 00:17:00,951
LET'S GO, MS. WARFIELD. I'LL
ESCORT YOU TO THE GREEN ROOM.
280
00:17:01,020 --> 00:17:05,089
THANK YOU. HERE'S A QUARTER.
GO BUY YOURSELF A PERSONALITY.
281
00:17:06,726 --> 00:17:09,894
YEAH, AND WITH THE CHANGE,
BUY YOURSELF SOME CLASS!
282
00:17:11,464 --> 00:17:14,499
AND L-LEARN HOW TO
M-MANAGE YOUR EMOTIONS.
283
00:17:21,140 --> 00:17:24,242
UH, UH, I WAS JUST IN
THE GREEN ROOM, 'CAUSE...
284
00:17:24,310 --> 00:17:27,256
YEAH. I'M GONNA PUT YOU IN THE
BLACK AND BLUE ROOM! THAT'S WHAT'S UP!
285
00:17:27,280 --> 00:17:29,446
LET'S DO LIKE OLD SCHOOL.
286
00:17:29,515 --> 00:17:31,849
♪♪ ♪♪
287
00:17:38,191 --> 00:17:40,324
COME ON, PUT YOUR HANDS
TOGETHER RIGHT NOW!
288
00:17:40,393 --> 00:17:42,393
PUT YOUR HANDS
TOGETHER! KEEP IT GOING!
289
00:17:42,461 --> 00:17:47,464
LET'S GIVE IT UP FOR THE GURU'S
JAZZAMATAZZ ALONG WITH N'DEA DAVENPORT.
290
00:17:47,533 --> 00:17:49,533
YOU KNOW IT!
291
00:17:49,602 --> 00:17:53,537
♪♪
292
00:17:54,974 --> 00:17:57,475
YEAH, BABY. LISTEN.
293
00:17:57,544 --> 00:18:00,378
I WANT YOU TO TRUST ME. ♪ I
WANT TO TRUST YOU, BABY ♪
294
00:18:00,446 --> 00:18:03,447
YEAH. ♪ I WANT TO
TRUST YOU BABY ♪
295
00:18:03,517 --> 00:18:06,150
♪ I WANT TO TRUST YOU BABY ♪
296
00:18:06,219 --> 00:18:08,853
♪ I WANT TO TRUST YOU, BABY ♪
297
00:18:10,757 --> 00:18:13,291
♪ UH-UH ♪
298
00:18:13,360 --> 00:18:16,794
LISTEN. CHECK THIS OUT.
299
00:18:16,863 --> 00:18:18,996
ALL RIGHT.
300
00:18:19,065 --> 00:18:21,566
♪ BABY, WHY DON'T YA
HONEY, WHY WON'T YA ♪
301
00:18:21,634 --> 00:18:25,002
♪ ACCEPT THE FACT THAT IT'S
NOT JUST AN ACT THAT I CARE ♪
302
00:18:25,071 --> 00:18:27,705
♪ SO PLEASE LET ME
SHARE SPECIAL MOMENTS ♪
303
00:18:27,774 --> 00:18:29,707
♪ MOMENTS SO RARE CHECK IT OUT ♪
304
00:18:29,776 --> 00:18:31,753
♪ IF I COULD GIVE YOU THE
WORLD YOU KNOW I'D DO IT ♪
305
00:18:31,777 --> 00:18:33,777
♪ EVERYTHING AT YOUR
FEET AIN'T NOTHIN' TO IT ♪
306
00:18:33,846 --> 00:18:36,014
♪ BUT IT'S HARD, SWEETHEART
AND IT'S ROUGH OUT HERE ♪
307
00:18:36,082 --> 00:18:39,017
♪ BUT I DOUBT THERE IS
ANYBODY ELSE FOR ME ♪
308
00:18:39,085 --> 00:18:41,653
- ♪ TRUST ME, LOVE YOU ♪
- ♪ I WANT YOU TO... ♪
309
00:18:41,721 --> 00:18:44,054
♪ TRUST ME, NEED YOU ♪
♪ I NEED YOU TO... ♪
310
00:18:44,123 --> 00:18:46,857
♪ TRUST ME I WANT YOU
♪ ♪ I WANT YOU TO... ♪
311
00:18:46,926 --> 00:18:48,892
♪ TRUST ME ♪
YEAH.
312
00:18:48,961 --> 00:18:51,462
♪ TRUST ME, LOVE YOU ♪
♪ WANT YOU TO... ♪
313
00:18:51,530 --> 00:18:54,165
♪ TRUST ME, NEED YOU ♪
♪ NEED YOU TO... ♪
314
00:18:54,234 --> 00:18:56,734
♪ TRUST ME I WANT YOU ♪
315
00:18:56,803 --> 00:18:58,735
♪ TRUST ME ♪
316
00:18:58,805 --> 00:19:00,804
♪ THE THINGS I FEEL
THEY ARE FOR REAL ♪
317
00:19:00,874 --> 00:19:03,207
♪ I'M PAST THE POINT OF
DWELLING ON THE SEX APPEAL ♪
318
00:19:03,276 --> 00:19:06,010
♪ MAD CHICKS SWEAT ME BUT
I DESIRE YOUR WOMANNESS ♪
319
00:19:06,079 --> 00:19:08,579
♪ DUDE'S SWEAT YOU
BUT I'M THE BEST ♪
320
00:19:08,648 --> 00:19:11,027
♪ LISTEN, WE COULD BUILD A
FUTURE TOGETHER ♪ ♪ OH ♪
321
00:19:11,051 --> 00:19:13,551
♪ NO, DARLING I WOULD
NEVER SOUP YOU UP NEVER ♪
322
00:19:13,620 --> 00:19:15,998
♪ I'M BUGGIN' OUT OVER THE
THOUGHT OF YOU LEAVIN' ♪
323
00:19:16,022 --> 00:19:18,589
♪ TRY TO STEP TO YOU BUT
NOW YOU'RE RETREATIN' ♪
324
00:19:18,658 --> 00:19:21,225
♪ TRUST ME, LOVE YOU ♪
♪ WANT YOU TO... ♪
325
00:19:21,293 --> 00:19:23,794
♪ TRUST ME, NEED YOU ♪
♪ NEED YOU TO... ♪
326
00:19:23,863 --> 00:19:26,297
♪ TRUST ME, WANT YOU ♪
♪ I WANT YOU TO... ♪
327
00:19:26,365 --> 00:19:28,299
♪ TRUST ME ♪
328
00:19:28,368 --> 00:19:31,101
♪ TRUST ME, LOVE YOU ♪
♪ I WANT YOU TO... ♪
329
00:19:31,170 --> 00:19:33,571
♪ TRUST ME, NEED YOU ♪
♪ I NEED YOU TO... ♪
330
00:19:33,640 --> 00:19:36,373
♪ TRUST ME, WANT YOU ♪
331
00:19:36,442 --> 00:19:38,609
♪ TRUST ME ♪
332
00:19:38,678 --> 00:19:41,089
♪ I DO BELIEVE YOU
DO CARE ♪ ♪ WORD ♪
333
00:19:41,113 --> 00:19:43,659
♪ TELL YOU THE TRUTH I
AM SCARED ♪ ♪ YEAH ♪
334
00:19:43,683 --> 00:19:47,451
♪ SOME FREAKY PEOPLE
OUT THERE ♪ YOU KNOW?
335
00:19:47,520 --> 00:19:50,087
I KNOW. ♪ TRUST ME, LOVE YOU ♪
336
00:19:50,156 --> 00:19:53,490
♪ WANT YOU TO... ♪
♪ TRUST ME, NEED YOU ♪
337
00:19:53,559 --> 00:19:57,194
♪ TRUST ME, WANT YOU TRUST ME ♪
338
00:19:57,263 --> 00:20:00,198
♪ I SENT YOU FLOWERS THERE
I SAT FOR HOURS THERE ♪
339
00:20:00,266 --> 00:20:02,266
♪ CONTEMPLATED THE
STATE OF OUR AFFAIRS ♪
340
00:20:02,335 --> 00:20:05,236
♪ BUT I FIND THERE IS NO
WAY OUT I'M IN A LOVE LOCK ♪
341
00:20:05,305 --> 00:20:08,072
♪ THE FUNNY THING ABOUT IT I
DON'T WANT TO EVEN STOP IT ♪
342
00:20:08,141 --> 00:20:10,441
♪ TRUST ME, LOVE YOU ♪
♪ WANT YOU TO... ♪
343
00:20:10,510 --> 00:20:13,243
♪ TRUST ME, NEED YOU ♪
♪ I NEED YOU TO... ♪
344
00:20:13,312 --> 00:20:16,014
♪ TRUST ME, WANT YOU ♪
♪ WANT YOU TO... ♪
345
00:20:16,082 --> 00:20:18,115
♪ TRUST ME ♪
346
00:20:18,184 --> 00:20:20,785
♪ TRUST ME, LOVE YOU ♪
♪ WANT YOU TO... ♪
347
00:20:20,854 --> 00:20:23,120
♪ TRUST ME, NEED YOU ♪
♪ NEED YOU TO... ♪
348
00:20:23,189 --> 00:20:27,124
♪ TRUST ME, I WANT
YOU TRUST ME ♪
349
00:20:27,193 --> 00:20:30,427
♪ NOW YOU KNOW THE FLAVA IT'S
NOT ABOUT THE STUFF I GAVE YA ♪
350
00:20:30,496 --> 00:20:32,697
♪ AND MY BEHAVIOR
IS BASED ON STRONG ♪
351
00:20:32,765 --> 00:20:35,165
♪ FEELINGS I HAVE OF YOU
AND ME IT'S LIKE A BOND ♪
352
00:20:35,234 --> 00:20:36,754
♪ TREASURE NOT TO BE CORNY ♪♪
29158
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof