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These are the user uploaded subtitles that are being translated: WEBVTT 01:30.174 --> 01:31.243 MAN: It's a choir. 05:53.795 --> 05:56.163 HART: "A land of leaning ice" 05:56.163 --> 05:59.000 "Hugged by plaster-grey arches of sky" 06:01.002 --> 06:03.672 "Flings itself silently Into eternity" 06:06.209 --> 06:07.942 "Has no one come here to win you" 06:14.451 --> 06:18.122 "Or left you with the faintest blush Upon your glittering breasts?" 06:20.089 --> 06:22.660 "Have you no memories, O Darkly Bright?" 06:32.803 --> 06:36.074 "Cold-hushed, there is only the shifting moments" 06:38.043 --> 06:38.879 "That journey..." 06:48.956 --> 06:50.358 "That journey toward no Spring" 06:51.324 --> 06:53.262 "No birth, no death," 06:54.228 --> 06:56.398 "No time nor sun" 06:56.398 --> 06:57.466 "In answer." 07:07.476 --> 07:08.980 Harold! 07:12.983 --> 07:14.017 Harold! 09:24.395 --> 09:25.629 HART: You know he is seeing other women in Cleveland. 09:28.134 --> 09:31.202 MOTHER: Your father is nothing to me. 09:31.202 --> 09:36.409 He is a tiny man with nothing but his chocolate and his numbers. 09:36.409 --> 09:39.111 HART: Then why don't we bleed him for all he's worth? 09:39.111 --> 09:40.648 If he is so heartless, then why shouldn't we be? 09:42.582 --> 09:44.317 Dance with me, Harold. 09:51.159 --> 09:52.260 I don't want to go back to Cleveland. 09:54.129 --> 09:55.398 I want to stay here in New York. 09:57.500 --> 09:59.168 Dance with me, Harold. 10:03.573 --> 10:07.210 I don't want you to call me Harold anymore. Call me Hart. 10:08.445 --> 10:09.379 "Hart"? Yeah. 10:11.615 --> 10:13.985 That is my new name. 10:13.985 --> 10:15.019 MOTHER: Okay, Hart. 11:00.604 --> 11:01.971 HART: "And so it was I entered the broken world" 11:05.008 --> 11:07.710 "To trace the visionary company of love..." 14:16.657 --> 14:17.789 HART: Here it is. 14:19.692 --> 14:21.761 Diffututa mentula. 14:23.462 --> 14:24.596 "Fucked flat." 14:26.633 --> 14:28.802 That's how I feel. My fuckin' father. 14:31.337 --> 14:32.573 Why does he make you work here? 14:34.876 --> 14:39.547 Punishment. He doesn't want a goddamned poet for a son. 14:39.547 --> 14:40.716 He wants a calculator. 14:43.486 --> 14:45.288 Then why don't you kill him? 14:51.328 --> 14:54.663 I'm going to go to New York, go to Columbia University, 14:55.932 --> 14:57.335 Learn French. 15:00.272 --> 15:02.240 Well, I know French. 15:07.477 --> 15:08.346 I love you. 15:10.582 --> 15:11.484 I know. 15:14.519 --> 15:15.921 HART: Sometimes I love you so much I cry. 15:18.890 --> 15:19.759 Why? 15:22.562 --> 15:23.962 Because you have the eyes of Pierrot. 15:27.400 --> 15:28.336 Who's that? 15:30.671 --> 15:33.576 Oh, just this guy from Italy. 17:22.796 --> 17:23.663 Yes! 17:29.537 --> 17:32.173 Isadora Duncan was incredible. 17:33.643 --> 17:34.710 Magnificent. 17:36.480 --> 17:40.450 But the crowd, what a bunch of conservative bores. 17:41.817 --> 17:47.824 So after, she comes back, breast exposed. 17:47.824 --> 17:51.696 She tells 'em all to go home and read the Calamus section from Whitman. 17:51.696 --> 17:55.967 I'm sure most don't even know Whitman. It was... It was incredible, 17:55.967 --> 17:58.002 Breast hanging out, nipple exposed, 17:59.805 --> 18:03.875 Telling them that the truth isn't beautiful, 18:03.875 --> 18:05.977 That in fact, it's quite indecent. 18:10.182 --> 18:14.755 But the important thing, is how do we get that into poetry? 18:14.755 --> 18:19.528 All of it. Jazz, Woolworth's, typewriters, 18:19.528 --> 18:21.729 Buildings, freeways, everything. 18:23.565 --> 18:28.770 It's... It's popping up from bridges and... And tunnels, 18:28.770 --> 18:32.541 You know, from... From here to... To San Francisco. 18:32.541 --> 18:34.210 How do we... How do we get that into poetry? 18:36.179 --> 18:37.548 Eliot did it. 18:39.848 --> 18:41.617 Yeah, yeah, yeah, yeah, yeah, yeah. Yeah. 18:43.587 --> 18:45.855 But Rabbi Crane, 18:45.855 --> 18:51.630 Rabbi Crane will do it with a positive affirmation. 18:51.630 --> 18:55.267 It's not enough to join a bunch of Apeneck Sweeneys saying life is shit. 18:58.269 --> 19:02.508 We all know life is a dance of death, but you can still make something out of it. 19:03.876 --> 19:05.211 You can do something with it. 19:06.112 --> 19:07.814 Munsey, Munsey, Munsey. 19:10.217 --> 19:11.049 There's something... 19:13.553 --> 19:15.721 There's something beneath this... 19:15.721 --> 19:18.093 This hell of our modernized, mechanized world. 19:18.925 --> 19:19.894 There's something true, 19:21.028 --> 19:22.897 Some essential 19:25.067 --> 19:29.204 Antique beauty that we can get at, 19:29.204 --> 19:34.144 We can get at using the very Elizabethans that Eliot, that master of death, utilized. 19:37.012 --> 19:41.117 We can use Shakespeare, Johnson, Marlowe, Webster, 19:41.117 --> 19:45.723 We can use them for a resurrection, for an affirmation. 19:48.626 --> 19:53.097 Hart, forgive me for saying this, but you want to speak for America. 19:53.097 --> 19:54.834 Yeah. Does it matter that you're queer? 19:58.838 --> 20:01.273 Whitman was queer. 20:01.273 --> 20:02.575 That's why he could love all of America. 20:02.575 --> 20:05.109 The roustabouts, the slaves, 20:06.913 --> 20:09.215 The... The... The soldiers he nursed in the Civil War. 20:12.786 --> 20:14.320 So you will expose yourself? 20:18.093 --> 20:21.929 That's funny, considering my truck driver left me. 20:26.233 --> 20:29.772 No, people can know everything about us when we're dead, 20:32.039 --> 20:33.041 But for now, it's better to keep quiet, 20:34.878 --> 20:35.912 For Father's sake. 20:37.114 --> 20:39.316 Right. 20:39.316 --> 20:42.153 You wouldn't want to lose that tremendous job for the sake of some queer affirmation. 20:53.097 --> 20:54.965 That job is killing me. 20:59.271 --> 21:02.642 You know, I might be the last Romantic alive, 21:06.113 --> 21:06.913 But if I don't... 21:09.349 --> 21:11.818 If I don't get out of there, I'm not gonna be able to write anymore. 21:43.188 --> 21:44.121 MAN: Fuck! 21:49.227 --> 21:50.262 HART: You okay? 21:53.465 --> 21:54.867 Does it hurt? 22:04.310 --> 22:05.846 Stop the bleeding. 23:16.025 --> 23:17.325 FATHER: Harold, come here. 23:19.362 --> 23:20.428 HART: I'm eating. 23:22.130 --> 23:23.431 You're living with your mother, go eat with her. 23:24.969 --> 23:27.904 Why don't you eat with her, you pig? 23:27.904 --> 23:30.439 I will not be spoken to like that in front of these people. 23:30.439 --> 23:33.878 HART: What, in front of the workers? Your slaves? Is that what you mean? 23:33.878 --> 23:37.883 You will apologize to me and to everyone here. Oh, yeah? Yeah? 23:37.883 --> 23:41.819 That's what I am, right? One of your slaves? Huh? 23:44.355 --> 23:46.357 Why don't you go to hell? Take your money and shove it up your ass! 24:05.212 --> 24:08.217 HART: Hey. Munsey, wait. You all right? 24:15.490 --> 24:16.326 You all right? 24:17.928 --> 24:18.559 MUNSON: Ugh. 24:20.963 --> 24:22.365 You okay? You okay? You all right? Yeah. 24:22.365 --> 24:24.334 I'm all right. You okay? Yeah, come on. 24:43.056 --> 24:45.257 HART: Shh! Stop! 24:47.593 --> 24:50.529 Shh! Go, go, go, go! Go. 24:54.232 --> 24:55.834 Come on. Hurry. Go! 24:59.673 --> 25:01.141 No more drinking in this house! 25:02.910 --> 25:06.013 Fuck you! Fuck all of you! 26:43.589 --> 26:47.559 I'm astounded by your picture. Apples and Gable? 26:47.559 --> 26:53.233 Yeah. I'd... I'd love to write a... I'd be honored to write a... An essay about it, 26:53.233 --> 26:55.068 In a comprehensive essay about your work. 26:55.068 --> 26:58.173 Okay, Hart, fine, fine. 26:58.173 --> 27:03.044 Really? Great. Uh, would you uh... Would you like to go to the the cinema with me? 27:04.712 --> 27:06.781 Right now? Yeah. 27:06.781 --> 27:08.517 I'm sorry, Hart. There is so much work to do. 27:09.851 --> 27:12.521 Okay. Well... I'll see you soon then. Yes. 27:13.654 --> 27:15.090 Okay. See ya. 28:32.944 --> 28:34.380 Tough. 28:36.316 --> 28:38.048 Don't hide from Naugahyde. 28:41.886 --> 28:43.455 Naugahyde. 28:47.760 --> 28:49.663 Just messing around. 28:57.372 --> 28:59.173 Naugahyde, Naugahyde, Naugahyde. 29:02.544 --> 29:05.681 Naugahyde. Tough. 29:09.984 --> 29:13.189 Tough. Tough. Tough. 29:15.492 --> 29:16.960 Naugahyde. 29:16.960 --> 29:18.961 Naugahyde. 29:21.266 --> 29:22.598 Naugahyde. 29:28.240 --> 29:28.905 Naugahyde. 29:32.711 --> 29:33.612 Naugahyde. 29:35.882 --> 29:37.717 Naugahyde. 29:40.288 --> 29:41.821 Naugahyde. 29:43.655 --> 29:44.724 Naugahyde. 29:48.328 --> 29:49.462 "What is that?" 29:51.266 --> 29:53.268 Naugahyde. 30:01.443 --> 30:03.244 I've got some Naugahyde for you. 30:09.852 --> 30:11.854 I've got some Naugahyde for you. 30:15.626 --> 30:17.361 I've got some Naugahyde for you. 30:22.398 --> 30:24.336 I don't go anywhere without my Naugahyde. 30:27.306 --> 30:30.343 I don't go anywhere without my Naugahyde. 30:41.422 --> 30:42.655 HART: My Grandmother's Love Letters. 30:44.424 --> 30:46.926 "There's..." 30:46.926 --> 30:49.630 "There are no stars tonight But those of memory" 30:51.932 --> 30:54.001 "Yet how much room for memory there is" 30:54.001 --> 30:55.403 "In the loose girdle of soft rain." 30:58.441 --> 31:00.776 "There is even room enough For the letters of my mother's mother" 31:01.877 --> 31:02.678 "Elizabeth" 31:04.547 --> 31:07.916 "That have been pressed so long Into a corner of the roof" 31:07.916 --> 31:11.453 "That they are brown and soft And liable to melt as snow" 31:14.393 --> 31:17.494 "Over the greatness of such space Steps must be gentle" 31:19.096 --> 31:21.964 "It is all hung by an invisible white hair" 31:23.568 --> 31:25.871 "It trembles as birch limbs webbing the air" 31:28.441 --> 31:29.709 "And I ask myself" 31:31.977 --> 31:35.714 "'Are your fingers long enough to play Old keys that are but echoes" 31:38.519 --> 31:40.954 "'Is the silence strong enough To carry back the music to its source" 31:42.890 --> 31:44.991 "'And back to you again As though to her?'" 31:49.498 --> 31:51.066 "Yet I would lead my grandmother by the hand" 31:53.469 --> 31:54.970 "Through much of what she would not understand" 31:56.837 --> 31:58.105 "And so I stumble." 32:00.107 --> 32:01.978 "And the rain continues on the roof" 32:03.378 --> 32:08.018 "With such a sound of gently pitying laughter." 32:28.673 --> 32:31.041 The Marriage of Faustus and Helen. 32:34.681 --> 32:37.951 "The mind has shown itself at times" 32:37.951 --> 32:40.622 "Too much the baked and labeled dough" 32:40.622 --> 32:42.190 "Divided by accepted multitudes." 32:44.057 --> 32:47.160 "Across the stacked partitions of the day" 32:47.160 --> 32:49.932 "Across the memoranda, baseball scores" 32:51.164 --> 32:53.867 "The stenographic smiles and stock quotations" 32:55.203 --> 32:58.141 "Smutty wings flash out equivocations" 33:00.644 --> 33:02.112 "The mind is brushed by sparrow wings" 33:03.445 --> 33:07.818 "Numbers, rebuffed by asphalt, crowd" 33:07.818 --> 33:10.886 "The margins of the day, accent the curbs" 33:12.957 --> 33:16.828 "Convoying divers dawns on every corner" 33:16.828 --> 33:19.096 "To druggist, barber and tobacconist" 33:21.700 --> 33:24.503 "Until the graduate opacities of evening" 33:24.503 --> 33:27.574 "Take them away as suddenly to somewhere" 33:27.574 --> 33:31.645 "Virginal perhaps, less fragmentary, cool" 33:34.614 --> 33:37.183 "There is the world dimensional" 33:37.183 --> 33:41.256 "For those untwisted by the love of things irreconcilable..." 33:43.157 --> 33:45.760 "And yet, suppose some evening" 33:47.628 --> 33:50.266 "I forgot The fare and transfer," 33:50.266 --> 33:52.000 "Yet got by that way Without recall" 33:53.269 --> 33:55.704 "Lost yet poised in traffic" 33:57.807 --> 34:00.809 "Then I might find your eyes across an aisle" 34:03.113 --> 34:05.082 "Still flickering with those prefigurations" 34:06.282 --> 34:08.853 "Prodigal, yet uncontested now" 34:10.252 --> 34:14.093 "Half-riant before the jerky window frame" 34:17.896 --> 34:20.098 "There is some way, I think, to touch Those hands of yours" 34:21.932 --> 34:24.137 "That count the nights" 34:24.137 --> 34:26.639 "Stippled with pink and green advertisements." 34:28.108 --> 34:30.777 "And now, before its arteries turn dark" 34:32.978 --> 34:35.215 "I would have you meet this bartered blood" 34:39.722 --> 34:46.193 "Imminent in his dream, none better knows The white wafer cheek of love," 34:46.193 --> 34:49.931 "Or offers words Lightly as moonlight on the eaves meets snow." 34:53.603 --> 34:56.072 "Reflective conversion of all things At your deep blush," 34:57.907 --> 35:00.143 "When ecstasies thread The limbs and belly," 35:01.945 --> 35:06.115 "When rainbows spread Impinging on the throat and sides..." 35:06.115 --> 35:09.253 "Inevitable, the body of the world" 35:09.253 --> 35:13.724 "Weeps in inventive dust for the hiatus That winks above it," 35:15.094 --> 35:17.027 "Bluet in your breasts." 35:19.864 --> 35:21.833 "The earth may glide diaphanous to death" 35:24.204 --> 35:28.239 "But if I lift my arms it is to bend To you who turned away once," 35:29.108 --> 35:31.411 Helen, 35:31.411 --> 35:34.648 "Knowing The press of troubled hands, too alternate" 35:34.648 --> 35:37.117 "With steel and soil to hold you endlessly" 35:39.320 --> 35:42.956 "I meet you, therefore, in that eventual flame" 35:42.956 --> 35:46.795 "You found in final chains," 35:46.795 --> 35:49.864 "No captive then Beyond their million brittle, bloodshot eyes" 35:51.233 --> 35:54.838 "White, through white cities passed" 35:54.838 --> 35:59.275 "On to assume That world which comes to each of us alone." 36:03.213 --> 36:07.083 "Accept a lone eye riveted to your plane" 36:09.286 --> 36:13.125 "Bent axle of devotion along companion ways" 36:13.125 --> 36:16.028 "That beat, continuous, to hourless days" 36:17.163 --> 36:18.931 "One inconspicuous," 36:19.965 --> 36:21.967 "Glowing orb of praise." 36:24.704 --> 36:25.438 Two. 36:27.173 --> 36:30.443 "Brazen hypnotics glitter here" 36:30.443 --> 36:35.483 "Glee shifts from foot to foot, Magnetic to their tremulo." 36:35.483 --> 36:40.222 "This crashing opera bouffe Blest excursion!" 36:40.222 --> 36:42.324 "This ricochet From roof to roof." 36:44.260 --> 36:48.030 "Know, Olympians, we are breathless" 36:48.030 --> 36:51.735 "While nigger cupids scour the stars!" 36:51.735 --> 36:54.737 "A thousand light shrugs balance us" 36:54.737 --> 36:56.940 "Through snarling hails of melody." 36:59.476 --> 37:02.780 "White shadows slip across the floor" 37:02.780 --> 37:04.949 "Splayed like cards from a loose hand" 37:06.451 --> 37:09.820 "Rhythmic ellipses leap into canters" 37:09.820 --> 37:12.958 "Until somewhere a rooster banters." 37:15.027 --> 37:20.099 "Greet naively, yet intrepidly New soothings, new amazements" 37:20.099 --> 37:22.869 "That cornets introduce at every turn" 37:24.871 --> 37:26.172 "And you may fall downstairs with me" 37:27.474 --> 37:30.043 "With perfect grace and equanimity" 37:31.346 --> 37:35.081 "Or, plaintively scud past shores" 37:35.081 --> 37:36.983 "Where, by strange harmonic laws" 37:38.320 --> 37:40.523 "All relatives, serene and cool" 37:42.190 --> 37:44.927 "Sit rocked in patent armchairs." 37:47.030 --> 37:51.367 "O, I have known metallic paradises" 37:51.367 --> 37:54.202 "Where cuckoos clucked to finches" 37:54.202 --> 37:56.773 "Above the deft catastrophes of drums" 37:58.409 --> 38:01.980 "While titters hailed the groans of death" 38:01.980 --> 38:05.583 "Beneath gyrating awnings I have seen" 38:05.583 --> 38:08.420 "The incunabula of the divine grotesque." 38:10.956 --> 38:13.423 "This music has a reassuring way." 38:16.028 --> 38:18.898 "The siren of the springs of guilty song" 38:18.898 --> 38:22.068 "Let us take her on the incandescent wax" 38:22.068 --> 38:26.039 "Striated with nuances, nervosities" 38:26.039 --> 38:29.509 "That we are heir to she is still so young" 38:31.512 --> 38:33.280 "We cannot frown upon her as she smiles" 38:34.916 --> 38:37.485 "Dipping here in this cultivated storm" 38:39.554 --> 38:42.992 "Among slim skaters of the gardened skies." 38:45.494 --> 38:46.362 Three. 38:51.634 --> 38:54.972 "Capped arbiter of beauty in this street" 38:54.972 --> 38:57.943 "That narrows darkly into motor dawn" 38:57.943 --> 39:02.547 "You, here beside me, delicate ambassador" 39:02.547 --> 39:05.318 "Of intricate slain numbers that arise" 39:05.318 --> 39:08.519 "In whispers, naked of steel" 39:08.519 --> 39:10.123 "Religious gunman!" 39:11.489 --> 39:15.228 "Who faithfully, yourself, will fall too soon" 39:18.030 --> 39:20.266 "And in other ways than as the wind settles" 39:20.266 --> 39:23.603 "On the sixteen thrifty bridges of the city" 39:23.603 --> 39:26.639 "Let us unbind our throats of fear and pity." 39:28.342 --> 39:32.181 "We even, Who drove speediest destruction" 39:32.181 --> 39:35.516 "In corymbulous formations of mechanics," 39:35.516 --> 39:39.320 "Who hurried the hill breezes, spouting malice" 39:39.320 --> 39:42.257 "Plangent over meadows, and looked down" 39:42.257 --> 39:46.262 "On rifts of torn and empty houses" 39:46.262 --> 39:49.934 "Like old women with teeth unjubilant" 39:49.934 --> 39:52.971 "That waited faintly, briefly and in vain" 39:54.972 --> 40:00.244 "We know, eternal gunman, our flesh remembers" 40:00.244 --> 40:03.914 "The tensile boughs, the nimble blue plateaus," 40:03.914 --> 40:07.519 "The mounted, yielding cities of the air!" 40:09.989 --> 40:14.427 "That saddled sky that shook down vertical Repeated play of fire" 40:16.262 --> 40:20.967 "No hypogeum Of wave or rock was good against that hour" 40:23.336 --> 40:26.541 "We did not ask for that, but have survived" 40:26.541 --> 40:29.443 "And will persist to speak again before" 40:29.443 --> 40:32.213 "All stubble streets that have not curved" 40:32.213 --> 40:37.119 "To memory, or known the ominous lifted arm" 40:37.119 --> 40:41.490 "That lowers down the arc of Helen's brow" 40:41.490 --> 40:44.427 "To saturate with blessing and dismay." 40:46.295 --> 40:48.965 "A goose, tobacco and cologne" 40:50.735 --> 40:53.737 "Three winged and gold-shod prophecies of heaven," 40:55.472 --> 40:58.443 "The lavish heart shall always have to leaven" 40:58.443 --> 41:01.679 "And spread with bells and voices, and atone" 41:01.679 --> 41:03.981 The abating shadows of our conscript dust 41:06.353 --> 41:10.123 "Anchises' navel, dripping of the sea" 41:10.123 --> 41:13.393 "The hands Erasmus dipped in the gleaming tides" 41:15.128 --> 41:17.998 "Gathered the voltage of blown blood and vine" 41:19.333 --> 41:22.003 "Delve upward for the new and scattered wine" 41:23.371 --> 41:27.041 "O brother-thief of time, that we recall" 41:28.708 --> 41:31.713 "Laugh out the meager penance of their days" 41:31.713 --> 41:35.585 "Who dare not share with us the breath released" 41:35.585 --> 41:39.222 "The substance drilled and spent beyond repair" 41:41.092 --> 41:44.393 "For golden, or the shadow of gold hair" 41:47.164 --> 41:51.402 "Distinctly praise the years, whose volatile" 41:51.402 --> 41:56.608 "Blamed bleeding hands extend and thresh" 41:56.608 --> 41:59.344 "The imagination spans beyond despair" 42:01.079 --> 42:02.514 "Outpacing bargain," 42:03.648 --> 42:06.152 "Vocable and prayer." 43:33.581 --> 43:36.353 HART: "Dear Mr. Kahn", 43:36.353 --> 43:38.922 "My first collected poems, White Buildings, are to be published next spring" 43:38.922 --> 43:41.858 "With a forward by Eugene O'Neill." 43:41.858 --> 43:44.295 "Although my poems have appeared from time to time in various magazines," 43:44.295 --> 43:46.530 "Such as The Dial and The Little Review," 43:46.530 --> 43:48.867 "I'm not yet well enough known to reap any substantial benefits" 43:48.867 --> 43:50.735 "From what I've written." 43:50.735 --> 43:53.204 "I'm 26 years of age, and for the last seven years," 43:53.204 --> 43:54.940 "Have been entirely dependent on my efforts" 43:54.940 --> 43:58.277 "As an advertising copywriter for my living." 43:58.277 --> 44:01.512 "What real writing I've done has had to be accomplished" 44:01.512 --> 44:03.715 "After office hours and sometimes at the risk of losing my position." 44:07.454 --> 44:10.557 "Last June, as a result of ill health and nervous exhaustion," 44:10.557 --> 44:13.561 "I had to resign my position at Sweets catalogue," 44:13.561 --> 44:16.630 "Regardless of my dependence on my salary there," 44:16.630 --> 44:19.934 "And live in the country until my health recovered." 44:19.934 --> 44:22.336 "But as I find myself now completely without funds," 44:22.336 --> 44:23.972 "My circumstances seem to be rather acute." 44:25.807 --> 44:27.309 "One of my friends has suggested" 44:27.309 --> 44:28.811 "That you might be sufficiently interested in the creation" 44:31.414 --> 44:34.217 "Of an indigenous American poetry to possibly assist me at this time." 44:39.490 --> 44:41.592 "Besides the poems collected I White Buildings," 44:41.592 --> 44:43.728 "I have partially written a long poem," 44:43.728 --> 44:47.266 "The conception of which has been in my mind for some years." 44:47.266 --> 44:50.702 "I've had to work at it very intermittently between night and morning," 44:50.702 --> 44:56.342 "And while shorter efforts can be more successfully completed under crippling circumstances," 44:56.342 --> 45:00.280 "A larger conception such as this poem, The Bridge," 45:00.280 --> 45:03.916 "Aiming as it does to enunciate a new cultural synthesis" 45:03.916 --> 45:07.588 "Of values in terms of our America, requires a more steady application" 45:07.588 --> 45:11.490 "And less interruption than my circumstances have yet granted me to give it." 45:13.460 --> 45:16.396 "With $1,000, I could live in retirement and cheaply" 45:16.396 --> 45:21.034 "In the country for at least a year's time and complete this poem." 45:21.034 --> 45:25.974 "My references, Waldo Frank, Allen Tate, Gorham Munson," 45:25.974 --> 45:30.813 "Eugene O'Neill, James Light, Marion Moore, Jane Heap, and Paul Rosenfield." 45:44.795 --> 45:47.567 HART: "My dear mother", 45:47.567 --> 45:50.835 "For almost six weeks now, I've not heard from you or Grandma." 45:50.835 --> 45:52.771 "I've put off writing you under these conditions," 45:52.771 --> 45:55.074 "There was enough reason to do so simply on the basis of your own indifference," 45:56.476 --> 45:57.543 "Or possibly disgust with me." 45:59.110 --> 46:02.382 "I don't know where you may be at this time, but in case you may," 46:02.382 --> 46:04.318 "For any reason, wish to write me," 46:04.318 --> 46:06.820 "I'm writing to say that I shall probably, for the next year," 46:06.820 --> 46:07.922 "Be at the following address." 46:09.724 --> 46:11.092 "Mrs. Addy Turner in Patterson, New York." 46:14.061 --> 46:18.766 "I'm unusually well provided for, and shall leave for the country next Saturday." 46:18.766 --> 46:21.505 "Yesterday afternoon, I had the pleasure of being rewarded in some measure" 46:21.505 --> 46:24.139 "For some of the work I've been doing." 46:24.139 --> 46:29.413 "After an interview with Otto Kahn at his home at 1100 Fifth Avenue," 46:29.413 --> 46:31.949 "I was given the sum of $2,000 to spend on my living expenses" 46:33.451 --> 46:36.420 "During the next year," 46:36.420 --> 46:38.755 "Which time is to be opened and writing" 46:38.755 --> 46:41.492 "In the most creative message I have to give," 46:41.492 --> 46:44.028 "Regardless of whether it is profitable in dollars or cents or not." 46:46.096 --> 46:50.768 "I'm very tired now. With all the strain and effort of the last two months," 46:50.768 --> 46:53.170 "I shall probably pick up as never before" 46:53.170 --> 46:55.206 "When I get into the quiet of the country" 46:55.206 --> 46:59.913 "And have the first real opportunity in my life to use my talents unhampered by fear" 46:59.913 --> 47:01.614 "And worry for the morrow." 47:21.536 --> 47:22.773 Rich! RICH: What? 47:23.706 --> 47:26.175 Get in here! Get in here! 47:27.742 --> 47:30.081 Hey! 54:49.938 --> 54:52.574 HART: "Dear Waldo", 54:52.574 --> 54:57.545 "For many days now, I have gone about quite dumb with something" 54:57.545 --> 55:00.682 "For which 'happiness' must be too mild a term." 55:03.487 --> 55:06.956 "At any rate, my aptitude for communication, such as it ever is," 55:08.157 --> 55:11.260 "Has been limited to one person alone" 55:11.260 --> 55:13.030 "And perhaps for the first time in my life," 55:14.563 --> 55:17.268 "And I can only think it is for the last," 55:17.268 --> 55:21.106 "So far is my imagination" 55:21.106 --> 55:24.675 "From the conception of anything more profound and lovely than this love." 55:27.313 --> 55:30.182 "I have wanted to write you more than once," 55:30.182 --> 55:32.251 "But it will take many letters to let you know what I mean," 55:33.452 --> 55:36.322 "For myself at least," 55:36.322 --> 55:42.362 "When I say that I have seen the Word made Flesh." 55:42.362 --> 55:47.701 "I mean nothing less, and I know now that there is such a thing as indestructibility." 55:47.701 --> 55:51.271 "In the deepest sense, where flesh became transformed" 55:51.271 --> 55:55.177 "Through intensity of response to counterresponse," 55:55.177 --> 55:59.447 "Where sex was beaten out, where a purity of joy was reached that included tears." 57:42.429 --> 57:45.432 HART: " How many dawns, chill from his rippling rest" 57:47.269 --> 57:49.471 "The seagull's wings shall dip and pivot him" 57:51.539 --> 57:55.244 "Shedding white rings of tumult, building high" 57:55.244 --> 57:57.480 "Over the chained bay waters Liberty" 57:59.648 --> 58:03.487 "Then, with inviolate curve, forsake our eyes" 58:03.487 --> 58:04.853 "As apparitional as sails that cross" 58:07.458 --> 58:10.695 "Some page of figures to be filed away" 58:15.565 --> 58:17.869 "Till elevators drop us from our day..." 58:19.905 --> 58:24.443 "I think of cinemas, panoramic sleights" 58:24.443 --> 58:27.313 "With multitudes bent toward some flashing scene" 58:27.313 --> 58:30.951 "Never disclosed, but hastened to again" 58:30.951 --> 58:33.619 "Foretold to other eyes on the same screen" 58:34.920 --> 58:36.155 "And Thee," 58:37.557 --> 58:41.262 "Across the harbor, silverpaced" 58:41.262 --> 58:44.597 "As though the sun took step of thee, yet left" 58:44.597 --> 58:48.237 "Some motion ever unspent in thy stride" 58:48.237 --> 58:50.373 "Implicitly thy freedom staying thee!" 59:27.413 --> 59:32.387 "Out of some subway scuttle, cell or loft" 59:32.387 --> 59:35.789 "A bedlamite speeds to thy parapets" 59:35.789 --> 59:40.661 "Tilting there momentarily, shrill shirt ballooning" 59:40.661 --> 59:43.264 "A jest falls from the speechless caravan" 59:45.534 --> 59:49.271 "Down Wall, from girder into street noon leaks" 59:50.340 --> 59:53.474 "A rip-tooth of the sky's acetylene" 59:55.478 --> 59:58.547 "All afternoon the cloud flown derricks turn..." 59:59.849 --> 01:00:04.487 "Thy cables breathe the North Atlantic still" 01:00:04.487 --> 01:00:09.726 "And obscure as that heaven of the Jews, Thy guerdon..." 01:00:09.726 --> 01:00:13.498 "Accolade thou dost bestow Of anonymity time cannot raise" 01:00:15.335 --> 01:00:19.606 "Vibrant reprieve and pardon thou dost show" 01:00:19.606 --> 01:00:23.608 "O harp and altar, of the fury fused," 01:00:23.608 --> 01:00:27.012 "How could mere toil align thy choiring strings!" 01:00:31.018 --> 01:00:34.054 "Terrific threshold of the prophet's pledge" 01:00:34.054 --> 01:00:37.525 "Prayer of pariah, and the lover's cry" 01:00:37.525 --> 01:00:42.063 "Again the traffic lights that skim thy swift" 01:00:42.063 --> 01:00:45.869 "Unfractioned idiom, immaculate sigh of stars," 01:00:47.603 --> 01:00:50.806 "Beading thy path condense eternity" 01:00:52.976 --> 01:00:55.711 "And we have seen night lifted in thine arms." 01:01:21.909 --> 01:01:23.342 There's nothing like this in the world. 01:01:29.115 --> 01:01:30.083 Shh. 01:03:10.695 --> 01:03:13.766 HART: " Under thy shadow by the piers I waited" 01:03:13.766 --> 01:03:17.771 "Only in darkness is thy shadow clear" 01:03:17.771 --> 01:03:19.974 "The City's fiery parcels all undone" 01:03:21.643 --> 01:03:24.579 "Already snow submerges an iron year" 01:03:26.112 --> 01:03:29.182 "O Sleepless as the river under thee" 01:03:29.182 --> 01:03:33.186 "Vaulting the sea, the prairies' dreaming sod" 01:03:33.186 --> 01:03:36.726 "Unto us lowliest sometime sweep, descend" 01:03:45.835 --> 01:03:49.806 "And of the curveship lend a myth to God." 01:04:48.038 --> 01:04:52.041 Wellwood Toothpaste! Don't suffer from tooth decay! 01:04:52.041 --> 01:04:55.780 Wellwood Toothpaste! Don't suffer from tooth decay! 01:04:56.782 --> 01:04:59.217 Don't suffer from tooth decay! 01:04:59.217 --> 01:05:00.786 Don't suffer from tooth decay! 01:05:02.221 --> 01:05:05.590 It's all right! Everything's okay! 01:05:07.693 --> 01:05:08.827 You're not gonna suffer! 01:05:11.097 --> 01:05:13.132 You won't suffer from decay with Wellwood! 01:05:15.768 --> 01:05:16.903 Everything's all right! 01:05:19.139 --> 01:05:20.875 You got Wellwood Toothpaste! 01:05:22.210 --> 01:05:24.278 And then, it's over! 01:06:14.266 --> 01:06:15.235 "Under the shadow by the... By the pier..." 01:07:04.456 --> 01:07:07.927 Allen? Allen, hey. It's Hart. 01:07:09.527 --> 01:07:10.297 How are you? 01:07:14.034 --> 01:07:16.137 Yeah, I know, I know it's late. It's, uh, um, 01:07:17.237 --> 01:07:21.442 I'm, uh, I'm in the cabin. 01:07:21.442 --> 01:07:24.780 Um, did... Did you get my... Did you get, um, the package I sent you? 01:07:30.286 --> 01:07:33.155 Yeah, well, yeah, well, you could've told me. 01:07:36.226 --> 01:07:39.896 I know, it's just, uh, it's just nice to hear, you know? 01:07:39.896 --> 01:07:41.231 It would've been nice to hear... 01:07:45.001 --> 01:07:48.239 Well, what'd you think? Uh-huh. 01:07:50.507 --> 01:07:51.476 Mmm-hmm. 01:07:54.012 --> 01:07:58.483 Look, look, look, I, uh, I have more. Here, let me, uh, let me read it to you. 01:07:58.483 --> 01:08:02.556 No, uh, uh, just let me read you what I got. 01:08:04.458 --> 01:08:05.791 Um, um, um... 01:08:07.559 --> 01:08:09.896 "Under thy shadow by the piers I waited" 01:08:11.231 --> 01:08:13.233 "Only in darkness is thy shadow clear" 01:08:15.103 --> 01:08:17.172 "The City's fiery parcels all undone" 01:08:18.840 --> 01:08:21.809 "Already snow submerges an iron year" 01:08:23.478 --> 01:08:24.813 "O Sleepless..." 01:08:27.184 --> 01:08:30.921 No, it's, uh, um, "To... To Brooklyn Bridge." 01:08:33.154 --> 01:08:35.359 Mmm-hmm. Well, that's the end of it. 01:08:36.060 --> 01:08:38.429 Mmm-hmm. 01:08:38.429 --> 01:08:43.001 Yeah, uh, it's like a, you know, a prologue, I think. 01:08:43.001 --> 01:08:44.336 You know, to the whole thing. 01:08:46.872 --> 01:08:48.139 Mmm-hmm. 01:08:51.976 --> 01:08:54.078 No, I know, uh, I know it's late, I just, you know, I just wanted to... 01:08:55.948 --> 01:08:56.581 All right. 01:08:58.350 --> 01:09:01.253 All right, I'll call you tomorrow. Okay, all right. 01:10:05.693 --> 01:10:07.661 Waldo. 01:10:07.661 --> 01:10:08.561 Hey. 01:10:10.131 --> 01:10:10.966 It's Hart. 01:10:19.975 --> 01:10:20.641 Harold, 01:10:22.612 --> 01:10:24.680 There's no doubt you can write. 01:10:24.680 --> 01:10:27.484 You've shown me that. But what good does it do you 01:10:27.484 --> 01:10:28.452 If you can't make your own way? 01:10:36.328 --> 01:10:37.194 I can't do anything else. 01:10:43.399 --> 01:10:47.006 I can see that, Harold. But I'm not sure what I'm supposed to do about it. 01:10:47.006 --> 01:10:49.574 I can't make you work with me. 01:10:49.574 --> 01:10:53.613 Not if you make me a stock boy and put me at the bottom of the ladder. 01:10:53.613 --> 01:10:57.150 Harold, I can't give you any position. You can't hold down a regular job. 01:10:58.518 --> 01:11:00.119 You have proven that. 01:11:03.190 --> 01:11:05.993 How am I supposed to write or find time to write 01:11:05.993 --> 01:11:08.595 If I spend my... My soul's life trying to sell toothpaste? 01:11:12.368 --> 01:11:15.103 Listen. Every man makes his way in the world, 01:11:15.103 --> 01:11:16.505 And a man who can't isn't worth a damn. 01:11:20.641 --> 01:11:22.679 Listen, Harold. Your grandmother's about to pass. 01:11:25.413 --> 01:11:27.783 I know you've spent that inheritance a thousand times already in your mind 01:11:30.054 --> 01:11:32.488 But I urge you to be prudent with that money. 01:13:39.963 --> 01:13:42.966 HART: What are you reading? 01:13:42.966 --> 01:13:45.372 MAN: I just saw this one and I thought it was nice. 01:21:12.101 --> 01:21:13.738 Monsieur? 01:21:21.345 --> 01:21:23.850 I don't have any money. 01:21:30.056 --> 01:21:32.024 I left my... I left my wallet at the hotel 01:21:35.328 --> 01:21:37.430 I can come back. 01:21:42.837 --> 01:21:44.806 I'll come back and pay for the wine. Okay? 01:21:46.006 --> 01:21:47.976 MAN: Ma'am, we can, we'll pay for it. 01:21:57.420 --> 01:21:59.087 I'll go and get the money, okay? 01:22:00.792 --> 01:22:02.192 I'll go to the hotel and... 01:22:07.764 --> 01:22:10.202 Get off of me! WOMAN: Richard! What are you doing, Richard? 01:22:10.202 --> 01:22:11.202 HART: Get off me! WOMAN: What are you doing? 01:22:12.770 --> 01:22:13.470 MAN: Guys, guys... HART: Fucking... 01:22:13.470 --> 01:22:15.140 WOMAN: Richard! 01:22:15.140 --> 01:22:17.976 WOMAN: No! Fuck! Get the fuck off me! 01:22:21.314 --> 01:22:22.916 MAN: Guys, guys... HART: Get off me! 01:22:22.916 --> 01:22:23.515 WOMAN: Richard! HART: Get the fuck off me! 01:22:26.886 --> 01:22:28.154 MAN: Guys, guys... HART: Get off me! 01:22:28.154 --> 01:22:31.125 WOMAN: Richard! Step away. No! 01:24:06.863 --> 01:24:08.899 It's all over. 01:24:10.235 --> 01:24:11.536 What do you mean? 01:24:12.904 --> 01:24:14.439 Hart, stop. 01:24:29.923 --> 01:24:31.559 Hart, please! Stop! 01:24:37.498 --> 01:24:39.001 What is it, Hart? 01:24:43.605 --> 01:24:44.940 Hart! 01:25:01.257 --> 01:25:03.694 No! Son of a bitch! 01:25:06.930 --> 01:25:09.034 Don't you ever fucking do that again! 01:25:13.706 --> 01:25:15.207 What? 01:25:15.207 --> 01:25:16.342 I can't do it anymore. 01:26:32.060 --> 01:26:34.029 HART: "Dear Lotte and Ricardo, I'm sailing to Mexico." 01:26:36.297 --> 01:26:37.199 "Damn the gendarmes." 01:26:40.302 --> 01:26:42.605 "Dear Lotte and Ricardo, I'm sailing to Mexico next Saturday." 01:26:43.539 --> 01:26:45.708 "Damn the gendarmes." 01:26:45.708 --> 01:26:47.610 "The change from going back to France was made" 01:26:47.610 --> 01:26:50.148 "Without any trouble by the Guggenheim people." 01:26:50.148 --> 01:26:52.216 "I'm happy at the change." 01:26:52.216 --> 01:26:54.185 "Truly, for me, a pretty locality," 01:26:56.087 --> 01:27:00.091 "And everything and pregnant." 01:27:00.091 --> 01:27:04.095 "First a week in Mexico City with my old and wonderful friend Katherine Anne Porter," 01:27:04.095 --> 01:27:05.730 "And possibly Peggy Cowley, Malcolm's ex," 01:27:07.064 --> 01:27:08.768 "And then on to some country location." 01:34:44.876 --> 01:34:46.010 Hey! 01:34:56.956 --> 01:34:58.323 HART: The Broken Tower. 01:35:00.993 --> 01:35:03.930 "The bell-rope that gathers God at dawn" 01:35:03.930 --> 01:35:09.404 "Dispatches me as though I dropped down the knell Of a spent day" 01:35:09.404 --> 01:35:13.007 "To wander the cathedral lawn From pit to crucifix," 01:35:14.309 --> 01:35:16.377 "Feet chill on steps from hell." 01:35:17.244 --> 01:35:17.980 KATHERINE: Hart. 01:35:20.082 --> 01:35:20.917 Hart. Mmm? 01:35:22.185 --> 01:35:23.251 Wake up. 01:35:27.756 --> 01:35:28.725 Hart. 01:35:30.960 --> 01:35:33.297 You can't get arrested again. They'll take away your fellowship. 01:35:41.807 --> 01:35:43.408 I can't write anymore. 01:35:46.845 --> 01:35:48.078 I'm washed up. 01:35:49.817 --> 01:35:52.819 Hart. Come on. We'll put you to bed. 01:36:09.771 --> 01:36:12.306 HART: "Have you not heard, have you not seen that corps..." 01:36:17.913 --> 01:36:23.886 "Have you not heard, Have you not seen that corps Of shadows in the tower," 01:36:23.886 --> 01:36:29.091 "Whose shoulders sway Antiphonal carillons launched before" 01:36:29.091 --> 01:36:32.197 "The stars are caught and hived in the sun's ray?" 01:36:48.747 --> 01:36:52.252 "The bells, I say, the bells break down their tower" 01:36:53.487 --> 01:36:57.023 "And swing I know not where." 01:36:57.023 --> 01:37:01.261 "Their tongues engrave Membrane through marrow," 01:37:01.261 --> 01:37:04.498 "My longscattered score Of broken intervals..." 01:37:05.935 --> 01:37:09.171 "And I, their sexton slave!" 01:37:11.139 --> 01:37:14.811 "Oval encyclicals in canyons heaping" 01:37:14.811 --> 01:37:16.746 "The impasse high with choir." 01:37:17.913 --> 01:37:20.349 "Banked voices slain!" 01:37:20.349 --> 01:37:24.788 "Pagodas, campaniles with reveilles" 01:37:24.788 --> 01:37:28.426 "Out leaping O terraced echoes prostrate on the plain!" 01:37:30.527 --> 01:37:34.432 "And so it was I entered the broken world" 01:37:34.432 --> 01:37:39.270 "To trace the visionary company of love, its voice" 01:37:39.270 --> 01:37:43.376 "An instant in the wind I know not whither hurled" 01:37:46.145 --> 01:37:51.184 "An instant in the wind I know not whither hurled" 01:37:51.184 --> 01:37:54.055 "And not for long to hold each desperate choice." 01:37:55.389 --> 01:37:58.493 "My word I poured." 01:37:58.493 --> 01:38:02.831 "But was it cognate, scored Of that tribunal monarch of the air" 01:38:02.831 --> 01:38:04.431 "Whose thigh embronzes..." 01:38:06.167 --> 01:38:10.572 "Whose thigh embronzes earth, strikes crystal Word" 01:38:10.572 --> 01:38:14.176 "In wounds pledged once to hope cleft to despair?" 01:38:16.145 --> 01:38:21.185 "The steep encroachments of my blood left me No answer" 01:38:21.185 --> 01:38:26.256 "Could blood hold such a lofty tower As flings the question true?" 01:38:26.256 --> 01:38:29.225 "Or is it she Whose sweet mortality stirs latent power?" 01:38:31.563 --> 01:38:34.599 "And through whose pulse I hear, counting the strokes" 01:38:34.599 --> 01:38:38.069 "My veins recall and add, rev..." 01:38:40.873 --> 01:38:42.240 "And through whose pulse..." 01:38:48.480 --> 01:38:53.153 "The steep encroachments of my blood left me No answer" 01:38:53.153 --> 01:38:56.155 "Could blood hold such a lofty tower As flings the question true?" 01:38:59.360 --> 01:39:02.396 "Or is it she Whose sweet mortality stirs latent power?" 01:39:05.067 --> 01:39:07.869 "And through whose pulse I hear, counting the strokes" 01:39:07.869 --> 01:39:12.106 "My veins recall and add, revived and sure" 01:39:12.106 --> 01:39:15.246 "The angelus of wars my chest evokes" 01:39:17.479 --> 01:39:21.484 "What I hold healed, original now, and pure..." 01:39:21.484 --> 01:39:25.355 "And builds, within, a tower that is not stone" 01:39:25.355 --> 01:39:28.693 "Not stone can jacket heaven" 01:39:28.693 --> 01:39:33.131 "But slip Of pebbles, visible wings of silence sown" 01:39:33.131 --> 01:39:37.069 "In azure circles, widening as they dip" 01:39:37.069 --> 01:39:40.238 "The matrix of the heart, lift down the eye" 01:39:40.238 --> 01:39:42.676 "That shrines the quiet lake and swells a tower..." 01:39:44.342 --> 01:39:48.082 "The commodious, tall decorum of that sky" 01:39:48.082 --> 01:39:52.020 "Unseals her earth, and lifts love in its shower." 01:43:54.457 --> 01:43:55.523 HART: I'm done. 01:43:56.391 --> 01:43:59.296 Hart, have you slept? 01:44:03.266 --> 01:44:04.567 Not for a long time. 01:44:06.304 --> 01:44:08.204 Hart, please go to bed. 01:45:47.547 --> 01:45:50.652 HART: "Above the fresh ruffles of the surf" 01:45:50.652 --> 01:45:53.054 "Bright striped urchins flay each other with sand" 01:45:54.957 --> 01:45:58.761 "They have contrived a conquest for shell shucks" 01:45:58.761 --> 01:46:02.966 "And their fingers crumble fragments of baked weed Gaily digging and scattering" 01:46:05.135 --> 01:46:07.538 "And in answer to their treble interjections" 01:46:07.538 --> 01:46:10.675 "The sun beats lightning on the waves" 01:46:10.675 --> 01:46:12.443 "The waves fold thunder on the sand" 01:46:13.778 --> 01:46:17.114 "And could they hear me I would tell them" 01:46:17.114 --> 01:46:21.019 "O brilliant kids, frisk with your dog" 01:46:21.019 --> 01:46:26.091 "Fondle your shells and sticks, bleached By time and the elements" 01:46:26.091 --> 01:46:30.431 "But there is a line You must not cross nor ever trust beyond it" 01:46:30.431 --> 01:46:32.533 "Spry cordage of your bodies to caresses" 01:46:32.533 --> 01:46:35.636 "Too lichen-faithful from too wide a breast." 01:46:37.503 --> 01:46:40.006 "The bottom of the sea is cruel." 01:46:46.914 --> 01:46:48.083 HART: Okay. Thank you.41199

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