All language subtitles for 5_ Our Mutual Friend 1976 (5-7) ▶️Full Playlist In Description - English -generated) )

Heat up here.

We wish to see Miss Abby Patterson be

our friends of Lizzy Hexom.

Look,

>> wait, wait, wait. Here,

here is my car.

I feel so much more alone and helpless

without Lizzy now than I did before I

met her.

>> Some beloved companionship fades out of

most lives, my dear. That of a wife, a

fair daughter, a son of my promise faded

out of my own life. But the happiness

was there.

>> Well, come in.

Miss Jenny Ren, Doll's dress maker.

Dolls attended at their own residences.

Love. And

>> my name is Ria. Madam, we are here my

young companion and I on behalf of Lizzy

Hexom.

>> Lizzy Hexom.

>> Lizzy Hexom is a very proud young woman.

I offered her my home and my friendship

and she turned them down. Is it proud to

be in need of your good opinion?

>> What do you mean?

>> Well, before she left London for

>> where in the name of the Cave of Good

Hope?

>> For the contrary, she asked us to come

here and show you a paper.

>> And if it's proud to have a heart that

never hardens, a temper that never

tires, and and a touch that never hurts,

then she's proud.

>> Here's the paper. Will you please read

it?

>> First things first.

>> Oh, you First things first. Have you

ever tasted Shrub Child? No. Should you

like to?

>> Sure. If it's good.

>> Well, you shall try some. And if you

find it good, then I'll mix you some

with some hot water. Now, come and sit

down by the fire. It's cold and the fog

does cling. So, there.

Oo, what lovely hair. And enough to make

wigs for all the dolls in the world.

Well, what a quantity.

>> Quantity.

What? What do you think? What do you

think of this then?

Child or woman?

>> Child in years, but woman in centric

alliance and pride.

>> You're talking about me. I know. I know.

I know your tricks and your your

manners.

>> No.

Well, so here's proof that Rogue Ride is

a villain.

>> But did he falsely accuse Liz's father

of the murder of John Harmon?

>> Oh, well, doesn't surprise me.

I know very well that Rogue Ride is a

villain, but I have my own ideas as to

whether he was a villain who alone did

the murder.

>> I'm sorry. I I suspected Lizz's father,

but I've always trusted her.

Be good enough to let her know what I

say, and that she'll always find a

friend at the borders of her home.

>> See the kettles in the bathroom.

>> Mr. Ste down a How many men in the way?

Yes, mom. He's been out of the water A

LONG TIME AND I GOT HIM up

to the beach. You

>> get your wits about you.

dare to take dare to return.

>> Good God. It's Rogue Rider Hood.

>> Oh, thank you, Miss Abby, for having

poor father here.

>> Well, I'm down to tell you, girl, I

didn't know who it was, but I hoped I

would have behaved the same if I had

known. Oh, sir. Oh, poor father. Is

there no home?

>> Unless you're perfectly quiet, I cannot

allow you to remain here.

You were run down in the river. Father,

>> you are up, Miss Abby. Partic

was a steamboat, wasn't it?

>> Yes, father. Yeah. Right. Right. I love

the Lord on them. We love the Lord on

them.

Where's my

>> Your potatoes are are quite ready,

Bella. My

>> goodness, you only have one wedding

anniversary a year.

>> Yes, indeed.

>> And every year on this day, P, I ask

myself, whatever induced you to ask Ma

to marry you.

>> I thought I heard her step. She can be

very silent some days.

>> I mean, you didn't marry her for a

money, did you?

>> What money? Oh, no. No, my dear.

>> Well, then why did you marry her?

>> When I come to think of it, she married

me.

Are we ready? W for our celebratory

meal.

>> Yes, my dear. The the potatoes are

cooked.

>> My dear, I'm afraid you're not enjoying

yourself.

>> Why so RW?

>> Because you seem a little out of sorts.

>> Not at all.

>> Would you take a glass of wine, my dear?

>> I will drink whatever you please, RW.

>> RW, I drink to you.

>> Thank you, my dear. And I to you,

>> P and M.

>> I think not. I drank to your p. However,

if you insist on including me, I can in

gratitude offer no objection.

>> Goodness sake, Martin. This supposed to

be the day that made you and P one and

the same.

>> New incarnation of sauciness. Do you

speak to me like that on this day of all

days? Pray. Do you know what would

become of you if I had not bestowed my

aunt on RW your father on this day?

>> No, I do not, Ma. I really do not. And

with the greatest respect, I very much

doubt if you do either.

It is not cooked, RW.

It is all red inside.

>> Perhaps it's a breed.

>> Not the breed, it's the cooking. Pray

inform me when it's ready.

Ro me. The time I feel is right to

consider the matter of what I shall pay

you. Sit down.

>> You're busy.

>> NO. NO. COME IN, my dear. You one of us.

Yes. There's the old lady in the usual

place.

Yeah.

Now then,

>> where were we?

>> Uh my salary, Mr. Buffin. Oh, now now

don't be above calling IT WAGES, MAN. I

NEVER TALKED ABOUT salary when I was in

service.

>> My wages.

>> You're not proud. I hope.

>> Well, I hope not, sir.

>> Oh, cuz poverty and pride don't go at

all well together. I mean, stands to

reason, doesn't it? A MAN BEING POOR

AIN'T got nothing to be PROUD OF NOW,

HAS HE?

WELL, now considering these same wages,

we'll sit down.

>> Why didn't you sit down before?

>> Well, I

>> I hope that wasn't right.

Well, THESE WAGES ARE YOURS.

I HAVE gone into the matter and I say

200 a year. Hey, what do you think of

that? Is it enough?

>> Thank you. It is a fair proposal.

>> Oh, maybe it's more than enough.

I'll tell you why, Rosemouth. A man of

property like me is bound to consider

the market price. Now, I can't go

putting the market price up just because

money is no object to me. However, I'll

stretch a point with you.

>> Mr. Bin, you're very good.

>> So long as there's no misunderstanding

what I buy for my 200 a year. When I pay

for a sheep, I buy it out and out.

Similarly, when I pay for a secretary, I

buy him out and out.

>> In other words, you purchase my whole

time.

>> I FIND IT convenient to have you on the

premises, ready at all times. Therefore,

betw twix your breakfast and your supper

on the premises I expect to find you.

So, from now on, if you want leave, ask

for it.

I'll uh I'll have a bell hung from this

room to yours so that if I want you I'll

just touch it. I don't think there's

anything else I want to say at the

moment.

>> That young fell is getting a bit above

his work. Men of property have got to

keep a sharp eye on inferiors. Excuse me

putting it to you, naughty.

>> Yes, my dear.

>> But haven't you been a little strict

with Mr. Oaksmith tonight? Not quite

your old self.

>> My old lady, I should hope so.

>> Hope so, DEAR.

>> OH, OUR OLD SELVES WOULDN'T DO HERE AT

ALL. Haven't you worked that out yet?

Our old SELVES WOULD BE GOOD FOR NOTHING

HERE, but be robbed and imposed on.

We've got to hold our own against

everybody now, or everybody's hands will

be in our pockets. I was saying to Bella

the other day with servants, you got to

scrunch them or be scrunched. Isn't that

right, Bella, my love? Scrunch or be

scrunched.

If you're not imperious with them, they

won't believe you're better than they

are. Well, mind you, Belleria, she knows

how to value herself. She won't throw

herself away. We think you like Bella

and me.

She knows that her good looks are worth

money and she'll make money out of them.

>> Don't mind him, Bella. Do you?

>> Not mind him.

>> He's good and generous. Believe me, in

spite of all he says.

>> WHAT? YOU BLAME ME FOR DEFENDING MYSELF

AGAINST A CREW OF PLUNDERERS? THEY'D

SUCK ME DRY GIBLET BY GIBLET.

>> I can't bear to see you, sir. Oh,

nonsense. Remember, the more we save,

the more Bella will have. And that'll

make double sure she marries well. Now,

don't you feel uneasy, my dear? Live and

die, Rich. E,

what with us and your good looks? You

got a golden ball at your feet.

Oh, brother in arms. Welcome.

Take a seat in my chimney corner.

Now, now we devote the evening to

further in our friend the association.

>> If you're talking about more digging in

them mans, they're too big. I can't

afford to waste my time going on with

it. Besides, what have we found?

>> What have we found? A grant you come.

Nothing but on the country comrade. What

may we find?

>> Isn't your old Mr. Buffin well

acquainted with their mans? And has he

ever shown any expectation of finding

anything?

>> COME SIR. COMING THIS FAST ME LEG WILL

CARRY ME.

OH,

give us a hand. W. Oh.

Yeah.

>> New lot of books.

>> Land collection.

>> The misers.

>> Oh,

>> what's your friend's name?

>> Oh, this is Mr. Penis.

>> Venus. Clark and Will.

>> Of Clark and Wilson.

>> Ah, I've heard of you.

>> Yes. I heard you in the old man's time.

Yeah. You knew him?

>> Yes.

>> You tell me. Did you ever buy anything

of him?

>> No. No.

But he showed you things, didn't he?

>> Yes.

>> What sort of things? All little boxes,

little cabinets, anything locked or

sealed? Anything tied up? Yeah. Are you

a judge at China?

Cuz if we ever showed you a teapot,

I should be glad to know it. Teapot.

Teapot. You ready? At your service, sir.

Mr. Venus, would you make yourself

useful and sit beside me for the

conveniency of snuffing the candles?

Yeah. Now, what would you wish me to

commence with?

>> The bottom one, Mr. W. The bottom one.

>> The bottom.

>> Treasures of a dungill.

>> Oh,

the uh treasures of a dungill.

Yes.

The house in which the miser lived

though a most decayed building was very

rich in the interior.

Captains found it a very agreeable task

to dive into the miser's secret hold

secret hold. One of the richest finds

was in the dung heap in the cow house. A

sum little short of £2,500

was contained in this rich piece of

manure.

On searching the corners of the house,

they found various parcels of banknotes.

The chimley paid very well, for in 19

different holes, all filled with soot,

were found various sums of money

AMOUNTING ALL TOGETHER TO £200.

>> It's wonderful. Watch me knit away at

one time or another. Yeah,

>> truly wonderful.

meaning money, sir.

>> Money?

>> Yeah.

>> And uh papers?

>> Did you say papers, sir?

>> Papers and wheels.

>> Wills, sir.

Time's up for tonight.

I'm a going way to take a turn around

the yard. I shan want you.

I told you wick.

>> I shan want you.

>> He must be followed.

>> Why?

>> I found something.

>> What?

>> Don't to tell you now. He's going to

look for it. He must follow him

instantly. If not the double swinds the

wire a dark lantern. We could have seen

what he was doing off if he carried the

light one. Sh. Follow me.

here. What's he got in his hand?

>> A shovel. How

>> he knows how to use it, remember?

>> 50 times better than we do.

He's digging where I found the box.

What box?

Tin box of paper, sir.

That ain't tin. That's glass. Well, he's

found something else then.

He's got something.

It's a bottle. A big bottle.

Look out. He's coming down.

What does he want with that old bottle?

There must be something in that bottle

if you ask me.

>> What's wrong, Wig? You look as pale as a

candle.

>> Oh, I had a turn.

>> You don't suffer from bile, Wick.

>> I can't say I do.

>> Oh, well, douche yourself. I don't want

to miss any of my readings. Uh here Wig,

I'm sorry to say the uh this

neighborhood's going to suffer a loss.

>> Oh,

>> yes. Going to lose the mans.

Mine's practically gone already.

>> Oh, have you parted with them, Mr.

Poppin?

>> Yeah, I fetched a pretty penny, too.

>> They'll begin to be carted off tomorrow.

>> Oh.

Oh. You've just been out to take leave

of your old friend, Mr. Buffin. Eh,

>> BUT THE DEVIL PUT THAT INTO YOUR HEAD.

>> NO, NO OFFENSE.

>> Good night.

>> Good night.

>> Stop there.

>> I know the way. I don't want a light.

>> We can't let him go. We must have that

bottle.

>> We can't take it by force.

>> Oh, can't I? I'll take it BY ANY FORCE.

I'LL HAVE IT AT ANY PRICE. ARE YOU

AFRAID OF AN OLD MAN? A COWARD.

>> I'm not afraid of him. I'm afraid of

what you might do.

>> Didn't you hear him say you cur? He's

going to have the mound ALL CLEARED OFF.

THE OLD PLACE RUMMAGE. LET ME GET AFTER

HIM.

Oh gosh.

Now you're perpendicular again. What was

in that box you found?

>> In that box, Mr. Venus, was a will. John

Harmon's will.

Heat

up here.

I'm safe here.

I humbly beg the power and the glory.

And I've come to my journey's end.

Oh,

when they find me dead, it could be by

one of me own sort.

One of the workers are among the lights,

you

cannot see the lights now, but

they're there.

I'm

I'm thankful

for all

Are you an angel?

Have I been dead long?

>> I'm not an angel. I'm going home from

work.

>> What word, dear?

>> Work? Where? The paper mill. Dare I lift

you?

>> Paper

letter. You want me to read it?

>> Bless you.

>> I know these names. Mr. and Mrs. Boffin.

Heard them often.

>> You send it, do you?

>> Will I send it to the writers? Is it

your wish?

>> Yes, certainly.

Don't let the parish touch me or even

look at me.

I promise.

>> What's your name, dear?

>> My name's Lizzie Axon.

>> Are you afraid to kiss me?

>> No. Me up to heaven, do

now. Um, all is safe and quiet.

>> Yeah, let's

let's see this this morning.

>> Yeah.

here.

>> I, John Armon, in as much as I never

made friends and have a rebellious

family, leave to Nicodemus Buffin the

little mound and the whole west and

residue of my property

>> to the crown.

>> To the crown.

>> That's it.

>> As the date of this will be proved,

>> I've checked up on everything.

Now

the question now is uh who's going to

take care of

>> I am

>> now that's a mistake Mr. WG, I am.

>> Oh, now

>> now I don't have any words with you, WG.

Still less do I want any anatomical

pursuits with you.

>> What do you mean?

>> I mean, partner, but it's hardly

possible for a man to feel in a more

amiable state towards another man than I

do towards you at this present time. But

I'm on my own ground. I'm surrounded by

the trophies of my art, and my tools is

very handy.

H

>> I like my art and I know how to exercise

my art.

>> None better.

Over there is a lovely composite that I

made up from several room which as you

can see still needs a pair of arms. Now

I'm not saying that I'm in any owie for

them.

You must be wondering in your mind,

partner.

>> I give you the box and the label to take

care of, but I take care of the paper.

>> Oh, well, what's life without

trustfulness? What's a fellow man

without honor? You're welcome to it,

partner, in the spirit of trust and

confidence.

I might sometimes turn the mangle for a

bit harder and it cuts me deep to think

so now.

>> We are all more or less a miss at

turning at our respective mangle.

>> Well, she was

she went through with whatever duty she

had to do.

She was she was a woman and a mother

and a bangler in a billion billion.

I must go back to my work now. But I

should be glad to see you before you

catch your train.

>> We'll wait for you at the end.

Thank you.

>> Do you like Lizzie Hexon, Mr. Oaksmith?

>> Yes, I think highly of her.

>> I'm glad. She's a sweet girl with such

refined beauty.

>> Yes, her appearance is striking.

>> But a shade of sadness is on her.

>> Yes. I hope it is not the result of that

false accusation of murder against her

father.

>> But that's been retracted.

>> Yes.

>> Oh, thank you, Miss Wiler.

>> Mr. Rogmith, don't be stirm with me.

I forced myself to be constrained in

case you might misinterpret my being

more natural.

There it's gone.

>> Thank you. Please sit down.

>> Forgive me.

>> Oh, no. Forgive me.

We were talking of Lizzy. Do you

remember in her letter to Mrs. Bofin

telling her of Betty Hickden's death?

Well, she insisted that her name and

where she is living be kept secret.

>> Well, Mr. Boffin has asked me to

discover why, and I have also to find

out if I can whether that retracted

accusation still leaves any stain on

her.

>> I understand.

>> Well, she seems to like you, and you

like her, so perhaps you could speak to

her before we leave.

>> I shall be happy to be of the least use.

I feel after today that I'm useless

enough in this world. My dear Miss

Wiler, nobody is useless in this world

who lightens the burden of it for anyone

else.

>> Mr. Ruggsmith,

it's so long since we spoken naturally

together that I I feel embarrassed to

approach you on another subject.

Mr. Boffin.

>> Yes.

>> I'm very grateful to him and and feel a

true respect for him, which makes it

hard to talk about him. But does he

treat you well?

>> You see how he treats me?

>> Yes. And I see it with pain.

And it often makes me miserable in case

you should think that I approved of it.

And miserable because I cannot bear

admitting to myself that fortune is

spoiling, Mr. Buffy.

>> Oh, Miss Wiler, to know that fortune is

not spoiling you more than compensates

me for any slight at others hands.

>> Don't speak of me. You don't know me as

well as

>> as well as you know yourself.

Do you know yourself?

>> I know quite enough about myself and I

don't improve upon acquaintance. But Mr.

B.

>> Yes, Mr. Bin.

>> His attitude to me is not what it used

to be. It is too plain to be denied.

>> Please promise me you won't be hurt by

what I'm going to say now.

>> I promise with all my heart.

>> Sometimes it must lower you in your own

estimation.

>> I have very good reasons, Miss Wiler,

for bearing with the drawbacks of my

present situation.

I have noticed, Mr. Oaksmith, that you

force yourself to be passive.

>> I have a purpose.

>> A good one, I hope.

>> A good one, I hope.

>> You do seem to have a great regard for

Mrs. Buffing.

>> Oh, I would do anything in the world for

her, bear anything for her. There are no

words to express how I feel about that

good, good woman.

>> And you must see how she suffers at the

change in Mr. Boffin.

>> Yes, I see it every day, and I'm grieved

by it.

It's unusual for me to speak with

someone of my own age. I'm so pretty as

you. It's a pleasure for me to look at

you. It's a pleasure for me to look at

you, Lizzy.

Now, you wish to know why I live here

secretly, and whether I'm still hurt by

the false charge against my father. I

know the subject must be painful to you,

Lizzy, but I'm mixed up in it also. I'm

the willed away girl who was to have

married the murdered gentleman. So, you

see, I was dragged into it without my

consent, and you were dragged into it

without your consent. So there's very

little to choose between us. But can you

tell me who my unknown friend is? The

one who caused the charge against father

to be contradicted and sent me the

paper.

>> I have no notion.

>> I should have been glad to thank him.

>> Now you ask, is this business anything

to do with my wishing to live secretly?

No.

You have a brother, I've been told.

>> Yes.

>> May I ask, do you have any friend of

your own sex and age? No, I've never had

one. Have

>> I? I wish you could make a friend of me,

Lizzy. Do you think you could?

>> Oh, now tell me, my dear, what is the

matter? And why do you live alone like

this? Oh,

>> you must have many lovers.

>> Me? I haven't one.

>> Not one? Oh,

>> never mind me. I want to hear about you.

There is a certain man, a passionate and

angry man who says he loves me and who I

believe does love me. I shrank from him

when my brother first brought him to me.

But the last time I saw him, he

terrified me more than I can say. Did

you come here to escape from me?

>> Yes.

>> Are you afraid of him here?

>> I'm not a timid person, but I'm always

afraid of him. I'm afraid to see a

newspaper or hear a word spoken of what

he's done in London in case he's done

some violence. So, you're not afraid of

him for yourself?

>> Would be if I met him here.

>> Are you afraid of what he might do to

himself in London?

>> No, I don't think you'd do that.

>> Well, then it seems to me, my dear, is

if there's somebody else.

>> The words are always in my ears, and the

blow he struck upon the stone as he said

them is always before my eyes.

>> DON'T LET GO.

>> His hand was trickling down with blood

as he said to me. Then I hope I may

never kill him.

>> Kill him? Why is this man so jealous

then?

I hardly know how to tell you of a

gentleman far above me and my way of

life. He broke my father's death to me

and has shown an interest in me ever

since. Does he love you? Does he admire

you? Is it through his influence you

came to live here?

>> No. And I wouldn't let him know that I

am here.

>> Lizzy, dear, why?

Foolish question.

I see you.

>> There are memories in my life that I

wish to forget,

and I hope in time I may wear them out.

>> Wear out this weakness you have for a

man who's not worthy of it.

>> No, I don't want to wear that out. Nor

do I believe that he's not worthy of it.

What should I gain by that? How much

should I lose? Well, you wouldn't have

to live here secretly and be cut off

from your natural and wholesome

prospect. Surely that would be a gain.

Does a woman who truly love seek to gain

anything?

Put me to shame.

You said you would lose, Lizzy.

Would you mind telling me what you'd

lose?

I should lose some of the best

encouragements in my daily life. I

should lose the belief that if I had

been his equal and he'd loved me, I

would have tried with all my might to

make him better and happier.

I should lose the value of the little

learning I have, which is all due to

him. And I should lose a kind of picture

of what he might have been if I had been

a lady and he'd loved me.

I should leave off prizing the

remembrance that he has done me nothing

but good and made a change within me

like the change in these hands that were

once coarse and cracked and are now

softened and made supple by this new

work.

Oh, but understand me my dear. I have no

more dreamed of the possibility of being

his wife than he ever has.

And words could not be stronger than

that.

And yet I love him.

I love him so much and so dearly.

His eyes may never look at me again.

But but I would not have the light of

them taken out of my life for anything

my life can give me.

I've told you everything now, my dear.

You shame me.

Shall I tell you what I see down there

where the fire is glowing? Unlimited

little brute. A heart well worth winning

and well one. And once one goes through

fire and water for the winner, never

changes is never daunted. And the figure

to which it belongs. It's yours.

>> No.

Most clearly and distinctly yours.

That whole years of class since I met

Lizzy Hexon today. We had a long tour.

She gave me her confidence.

>> She could not withhold it.

>> How strange.

It's just what she said.

>> If you wished to win anyone's

confidence, you would be sure to do it.

>> Beautiful stars.

Glorious night.

>> Yes,

>> the train.

We should miss the train.

>> We'd better run.

Ah,

Mr. Venus, I got your little note. I uh

came as quickly as I could.

>> I take it you're not expecting Mr. WG.

>> Only be uh present company. Is that

>> a present company?

Now, now, now sir, thank you.

Sir, I um I must confess that I uh I

fell in with a proposal of which you was

the subject.

>> Now, I I went along with it because

well, I was in a quash state of mind at

the time on account of being rejected by

a lady.

I should have made known the details of

the proposal to you immediately. I

didn't. Not that I was ever arty in it

or viewed myself with anything but

reproach for ever having turned away

from the paths of science to the paths

of uh WGI.

>> And now I've prepared your mind in the

wuff. I will articulate the details.

>> Yeah. WG asked me to search your dust

mans because I've got two good legs and

he got stuck.

And uh that night after you taken that

bottle, he showed me this will he found.

If I am ever called upon for the truth,

I tell it, but I want to do no more than

I have now done

and end it.

I believe I've astonished you, sir.

>> Quite so. You say you both saw me

digging up a Dutch bottle?

>> WHY, YOU DUG UP THE BOTTLE AND TOOK it

away, sir, is best known to yourself.

But I'm proud of my calling, sir, and I

mean to live by my calling. You're

putting it into other words, I do not

intend to turn a single dishonest penny

out of this affair. And as amends to you

for ever having gone into it in the

first place, I give you as a warning

what WG has found out. In my opinion,

sir, WG is not to be silenced at a

modest price.

>> Thank you, Mr. Venus. Oh,

>> thank you, Venus. Thank you, Venus.

Even now look here Venus

if I am to buy W off as you suggest I

won't buy him any the cheaper for you

being out of it

instead of him having half the money

that was the arrangement I suppose shar

like

>> yes it was to have been

>> yes well instead of that he'll now have

all I shall pay the same if not MORE

BECAUSE YOU TELL me he's a a ravenous

rascal

>> he is sir is

>> when does he threaten to drop down on

me?

>> As soon as the dust mans are cleared,

sir,

>> I suppose there's no doubt about the

authenticity

of this confounded will.

>> None. Whatever, sir.

>> Well, where might it be at the present?

>> In my possession, sir.

>> Is it?

>> Yes, sir.

>> Mr. Venus, I don't suppose for a liberal

sum, you'd put it in a fire.

>> No, sir.

>> Give it to me.

>> Well, that's the same thing, sir. No,

sir.

Yeah, that that WG now, sir. Get behind

that young alligator in the corner, sir,

and listen and judge him for yourself.

Yeah,

>> WG is is well acquainted with the

alligator so he won't take any

particular notice. Draw your legs in,

Mr. Poppin, and get your head behind his

smile. He's a bit dusty, but he's very

like you in tone.

Coming.

>> Coming.

Help me, partner.

>> Just help me.

>> Oh, there's uh nothing uh nothing to

boast about.

>> Your soul's too large for your body.

That's what it is. And it has a stocking

tray, partner.

>> Do you wish to see it?

>> If you please, partner. I wish to see it

jointly with yourself.

>> Well, I'll put it up here because you uh

you can't trust nobody know. No. There

we are.

All right, sir.

>> Suppose there's uh nothing new. There he

is.

>> There he is. Foxy old grasper and grier.

>> Mr. Buffin,

>> Mr. Beow Buffin, dusty buffing. Foxy old

grer and grinder. He sent a minister to

the yard. A young man by the name of

Sloppy says to him, "And this is a

private yard." He pulls out a paper from

Buffin. This is to authorize sloppy to

overlook the carting away of the mounds

and to watch the work. Now that's pretty

strong, I think, Mr. Venus.

>> Well, Mr. Buffin doesn't yet know of our

claim on the property.

>> Then we must give him a hint to jog his

terrors a bit. Oh, I can't contain

myself. Every time I look at that

puffin, every time I SEE HIM PUTTING HIS

HAND IN his pocket, I feel him putting

it into my pocket. Flesh and blood can't

bear it. No, I'll go further. A wooden

leg can't bear it. But it was your idea

that he shouldn't be exploded on until

the mans were moved, Mr. Wick.

>> Yeah. Now, I could consider is planting

one of his menial tools in the yard an

act of sneaking and sniffing, and his

nose should be put to the grindstoneone

for

>> you propose to do that, Mr. Wink.

>> I propose to insult him openly, and if

he should dare to answer, I shall say to

him another word, "You dusty old beggar,

and you're done for."

>> I suppose he says nothing.

And I'll break him.

I'll put him in harness and drive him.

And the more old dust he's driven, the

more he'll pay. And I mean to be paid

high, Mr. Venus,

>> you speak revengefully, Mr. Wag.

>> Revengefully, sir. Is it for him that

I've declined and fooled night after

night? Is it for his pleasure that I

waited at home of an evening? Like the

set of Skittles to be stood up AND

KNOCKED DOWN BY WHATEVER BALLS or books

he chose TO BRING AGAINST ME? DIDN'T I

SIT IN ALL WEATHERS SELLING 80 BALLOTS

FOR THE LIVING? AM I TO BE TRAMPLED IN

THE DUST BY THE LIKES OF HIM? NO, NO,

NO, NO.

WELL, your looks tell me I'll be more

savage than you. Well, I'll lift on you,

but I'll feel better now. As the song

says, when the HEART OF MAN is depressed

for cares, the mist is dispelled. If

Venus appears

like the notes of a fiddle use,

>> that's a treacherous, dreadful fella.

Shut the door, sir.

I have something to say to you that you

won't find pleasant to hear.

Now, sir,

look at this young lady.

>> I do, sir.

How dare you come out of your place and

your station in my house and best of

THIS YOUNG LADY WITH YOUR repudent

attentions.

IT WAS SHEER INSULENCE OF YOU TO THINK

OF THIS YOUNG LADY. THIS YOUNG LADY'S

FAR ABOVE YOU.

THIS YOUNG LADY IS IN THE MARKET FOR A

GOOD SHE'S NOT TO BE SNAPPED UP

BY FELLAS WITH NO MONEY.

>> Please say something for me.

>> Oh lady, hold your tongue now. Bella,

it's all right. I'll make it all right

for you.

>> But you wrong me. Wrong me

>> now. Then workith, YOU HEARD ME say that

you were insulent. I believe this young

LADY TOLD YOU SO HERSELF.

>> BUT I'VE ASKED HIM TO FORGIVE me since,

and I would ask him on my knees again if

it would spare him.

>> Well, my dear, hear what I have to say.

This rogith

is a needy young man that I took ON AS

MY SECRETARY OUT OF THE kindness of my

art.

Then this rogith finds out I'm to settle

a sum of money on this young lady. Oh.

Oh, says Rogith. Here's a good all. So

he begins making up to this young lady,

creeping towards the money. And if this

young lady had not had such good sense

by George, HE MIGHT HAVE MARRIED HER.

BUT FORTUNATELY, she was too bright for

him. And what A PRETTY FIGURE YOU CUT

NOW.

>> I'd like to say something OF THE TRUTH.

>> TRUTH? H I CARE ABOUT YOU,

>> MRS. VOFFIN. to Miss Wilfur.

I have borne with my false position

here, so that I might not be separated

from Miss Wilfrer. To be near her has

been a recompense to me for the

undeserved treatment I have had here.

But since Miss Wiler rejected me, I have

never again urged my suit with a word or

look. But my devotion to her has not

changed, except if she will forgive me

saying so. It is deeper and better

founded.

My feelings for her are not one to be

ashamed of. I love her.

She is more to me than riches.

>> You schemer.

Luckily, Bellam, my dear, he had you to

deal with. And now he's DONE FOR

HIMSELF. ISN'T THAT RIGHT, BELLA, MY

LOVE?

WELL, RUGSMITH,

THERE'S YOUR WAGES.

I DARE SAY YOU CAN STOOP FOR THEM after

what you stoop to here.

>> I've stooped to nothing here

except this and this is mine for I've

earned it.

>> You're a quick packer, I hope, cuz the

sooner you're off the premises, the

better for all parties.

>> You need have no fear of my lingering.

Mrs. Boffin, for your unvaring kindness,

I thank you with the warmest gratitude.

Goodbye, Miss Woler. Goodbye.

>> Now, my dear, you can begin to make

yourself comfortable. And I hope you

feel you've been righted.

>> Somebody please make me pour again or my

heart will break.

Mr. Roxman, don't

party. Make me poor again and take me

home.

Just let me speak to dear good old.

Nobody else knows me. Nobody else

understands me. Nobody else knows how

unworthy I am and yet could love me like

a little child.

I hate you.

I hate you, but I don't like you.

I've heard you with shame for you and

for myself.

If any true friend could make you

bankrupt, you would be an angel.

as a man of property or a demon.

Mr. Oaksmith,

your only fault is that you laid

yourself open to be slighted by a

shallow girl who didn't realize your

worth.

Shamefully abused the cause of it.

Oh,

>> I must go home. I'm grateful for all

you've done for me, but I can't stay

here.

>> My darling, I can't stay.

>> Oh, you mean vicious old thing. Your

money has changed you to marble. Mr. Rog

is worth a million of you.

I must go home for good.

>> You're sure to be sorry for it.

>> I SHALL NEVER BE SORRY FOR THAT.

>> If you go now, you can never come back.

And don't YOU EXPECT A BLAST VIOLIN FROM

ME.

>> NO POWER ON earth could make me take it.

>> Oh dear.

>> Best of deers. I shall never forget you.

I'm glad I called you names, sir,

because you richly deserved it.

But I'm sorry, too, because you used to

be so different.

Goodbye.

My dear, is that a new dress you have

on?

>> No, P. An old one. Don't you remember

it?

>> Yes, I thought I remembered it.

>> You should, cuz you bought it for me.

>> Yes, I thought I bought it for you, my

dear.

>> P, don't be cast down. But I must tell

you something disagreeable.

>> Good gracious. Yes, Mr. Ro.

>> No, P. Surely not.

>> Oh, my dear, dear girl.

I knew you would come to your father and

I followed you all my life, my love.

You are mine, aren't you? Yes,

I am yours if you think me worth taking.

Heat.

Heat.

Heat. Heat.

Heat. Heat.