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1
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[footsteps]
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00:00:14,760 --> 00:00:18,720
If love is an
emotional necessity,
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00:00:18,840 --> 00:00:22,600
then perhaps art is a
spiritual compulsion.
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00:00:22,720 --> 00:00:26,960
Mr. Alec Harringay,
artist, a painter,
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00:00:27,080 --> 00:00:31,720
possessed of that mostfrustrating of blessings--
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00:00:31,840 --> 00:00:34,040
a moderate talent.
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00:00:34,160 --> 00:00:35,400
[rainstorm]
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00:00:35,520 --> 00:00:39,360
Alec intended to submit
a canvas at the academy.
9
00:00:39,480 --> 00:00:41,720
Yet, he had spent the
best part of a week
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failing to get any sortspirit into a portrait of St.
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Catherine.
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00:00:46,240 --> 00:00:47,000
[thunder rumbling]
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00:00:47,120 --> 00:00:49,960
Rubbish.
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00:00:50,080 --> 00:00:53,360
[sinister music playing]
15
00:00:56,880 --> 00:00:58,680
[door opens]
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00:00:58,800 --> 00:01:00,560
Alec?
ALEC HARRINGAY: Mm-hm?
17
00:01:00,680 --> 00:01:03,120
- I'm going to bed.
- Bed?
18
00:01:06,520 --> 00:01:08,720
Goodness, I had no idea
it was getting so late.
19
00:01:08,840 --> 00:01:11,600
Well, you, my love,are working far too hard.
20
00:01:15,040 --> 00:01:18,120
Hm, who was she?
21
00:01:18,240 --> 00:01:20,360
I mean, who is she?
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00:01:20,480 --> 00:01:23,040
St. Catherine, patron
saint of artists.
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00:01:23,160 --> 00:01:23,960
Hm.
24
00:01:24,080 --> 00:01:25,800
And what happened to her?
25
00:01:25,920 --> 00:01:28,160
She fell.
26
00:01:28,280 --> 00:01:29,360
What?
27
00:01:29,480 --> 00:01:31,680
She fell short of
what was required.
28
00:01:31,800 --> 00:01:34,200
A submission to theacademy should be original.
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00:01:34,320 --> 00:01:37,000
It should be dazzling, not this.
30
00:01:37,120 --> 00:01:38,720
But I think it
looks very fine.
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00:01:38,840 --> 00:01:39,800
ALEC HARRINGAY: No, it doesn't.
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00:01:39,920 --> 00:01:41,240
It lacks the creative spirit.
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00:01:41,360 --> 00:01:42,880
I want to take
canvas and pigment
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and make a woman as Godmade Adam out of red oak.
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00:01:46,720 --> 00:01:49,600
But this thing, if he mether walking about the street,
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00:01:49,720 --> 00:01:51,240
you'd know she was
fashioned in a studio.
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00:01:51,360 --> 00:01:56,720
Alec, you're becoming
positively bilious.
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00:01:56,840 --> 00:01:57,680
[laughs]
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00:01:57,800 --> 00:02:02,280
[laughs] I know, I'm sorry.
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00:02:02,400 --> 00:02:06,560
You're right, when you saidI was working too hard.
41
00:02:06,680 --> 00:02:07,520
Come to bed?
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00:02:16,560 --> 00:02:17,440
[door closes]
43
00:02:17,560 --> 00:02:21,400
[sinister music playing]
44
00:02:42,840 --> 00:02:44,240
[dog whines]
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00:02:44,360 --> 00:02:46,200
Darling, what's the matter?
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00:02:54,280 --> 00:02:56,640
HG WELLS: Over
the next few days,
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00:02:56,760 --> 00:02:59,600
Alec made several furtherattempts at the portrait.
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00:02:59,720 --> 00:03:02,520
Let me see if I can
capture you this time.
49
00:03:12,720 --> 00:03:13,880
[birds chirping]
50
00:03:14,000 --> 00:03:15,720
Your grace and
your sublime beauty
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shall dazzle the academy.
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00:03:42,080 --> 00:03:46,400
HG WELLS: Sadly, St.Catherine's true face remained
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00:03:46,520 --> 00:03:48,360
stubbornly out of reach.
54
00:03:48,480 --> 00:03:54,600
[match strikes]
55
00:03:54,720 --> 00:04:00,480
You are being deliberatelyelusive, Catherine.
56
00:04:00,600 --> 00:04:03,160
You're-- you're teasing me.
57
00:04:03,280 --> 00:04:07,800
Don't think I don't that
you're laughing at me.
58
00:04:07,920 --> 00:04:10,040
I shall make you mine, yet.
59
00:04:14,640 --> 00:04:15,400
[door opens]
60
00:04:15,520 --> 00:04:18,360
ISABEL HARRINGAY: Alec?
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00:04:18,480 --> 00:04:20,960
Do you know the time?
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00:04:21,080 --> 00:04:22,920
It's nearly midnight.
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00:04:23,040 --> 00:04:23,800
Alec?
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00:04:29,760 --> 00:04:31,080
Alec, are you going
to paint all night?
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00:04:31,200 --> 00:04:33,960
Yes, if I have to.
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00:04:34,080 --> 00:04:35,600
I only wanted to spend
some time with you.
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00:04:35,720 --> 00:04:36,680
ALEC HARRINGAY:
An artist doesn't
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00:04:36,800 --> 00:04:37,880
choose his working hours.
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00:04:38,000 --> 00:04:40,200
They choose him.
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00:04:40,320 --> 00:04:42,840
And for all of the hours lostto work, when was the last time
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00:04:42,960 --> 00:04:45,560
you sold one of your paintings?
72
00:04:45,680 --> 00:04:47,120
What?
73
00:04:47,240 --> 00:04:50,600
Your art does not seem toimprove our coffers, no more
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00:04:50,720 --> 00:04:53,880
than it improves your humor.
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00:04:54,000 --> 00:04:55,480
Meanwhile, our debts
are mounting, Alec.
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00:04:55,600 --> 00:04:57,160
ALEC HARRINGAY: Will youplease just let me get on?
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00:05:00,360 --> 00:05:03,720
[footsteps]
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00:05:13,800 --> 00:05:17,160
[door closes]
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00:05:43,680 --> 00:05:46,080
Damn it all.
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00:05:46,200 --> 00:05:49,800
She's no more a saint than I am.
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00:05:49,920 --> 00:05:52,000
ST. CATHERINE: Such
strong manly hands.
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00:05:52,120 --> 00:05:54,280
[gasps] What is this?
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00:05:59,160 --> 00:06:02,840
[sinister music playing]
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00:06:02,960 --> 00:06:07,280
ST. CATHERINE: I've beenwanting to talk to for an age.
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00:06:07,400 --> 00:06:11,560
Hm, we've been staring at
each other for so long.
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00:06:11,680 --> 00:06:13,880
I couldn't bare the
silence any longer.
87
00:06:17,880 --> 00:06:18,800
Who are you?
88
00:06:22,080 --> 00:06:23,560
Who are you trying to capture?
89
00:06:31,400 --> 00:06:33,960
St. Catherine.
90
00:06:34,080 --> 00:06:38,080
I've watched you struggle.
91
00:06:38,200 --> 00:06:41,200
And I have come to inspire you.
92
00:06:41,320 --> 00:06:46,120
[sinister music grows]
93
00:06:53,160 --> 00:06:56,240
It must be difficult for
you, living with Isabel.
94
00:06:59,280 --> 00:07:00,680
I've seen how she treats you.
95
00:07:03,360 --> 00:07:06,200
She doesn't appreciate whatit takes to be an artist.
96
00:07:10,680 --> 00:07:13,280
It's true.
97
00:07:13,400 --> 00:07:16,840
Isabel has little
passion for art.
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00:07:16,960 --> 00:07:18,760
The fact of the matter
is, she doesn't seem
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00:07:18,880 --> 00:07:19,960
to appreciate that I'm--
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00:07:20,080 --> 00:07:20,920
ST. CATHERINE: A genius?
101
00:07:27,520 --> 00:07:29,080
Well, possibly.
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00:07:29,200 --> 00:07:33,120
ST. CATHERINE: That's arisk all great artists run,
103
00:07:33,240 --> 00:07:36,960
that their genius will
not be recognized.
104
00:07:37,080 --> 00:07:41,320
And yet, I have the
power to help you.
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00:07:41,440 --> 00:07:45,200
[exhales sharply] Help me?
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00:07:45,320 --> 00:07:47,400
How?
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00:07:47,520 --> 00:07:50,160
I can bestow upon you
the ability to create
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00:07:50,280 --> 00:07:52,520
an undisputed masterpiece.
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00:07:52,640 --> 00:07:55,680
It would be globally
recognized--
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00:07:55,800 --> 00:08:00,000
a true addition to the
gallery of great works.
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00:08:00,120 --> 00:08:04,840
Nobody would ever
question your genius,
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00:08:04,960 --> 00:08:06,800
not even simple, little Isabel.
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00:08:10,720 --> 00:08:12,760
Your name would
echo down the ages.
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00:08:16,080 --> 00:08:22,760
And all I ask in
exchange is your soul.
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00:08:22,880 --> 00:08:28,240
[exhales sharply] My--
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00:08:28,360 --> 00:08:30,080
my-- I'm-- my soul?
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I-- I don't--
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00:08:31,560 --> 00:08:34,240
ST. CATHERINE: Isabel
does not deserve you.
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00:08:34,360 --> 00:08:36,120
She doesn't deserve
you your kisses.
120
00:08:43,640 --> 00:08:44,520
Oh, Alec.
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00:08:51,560 --> 00:08:54,920
[sinister music grows]
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00:09:06,920 --> 00:09:13,720
[chokes and coughs]
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00:09:13,840 --> 00:09:17,200
ST. CATHERINE: What
is it, my love?
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00:09:17,320 --> 00:09:19,680
[spits]
125
00:09:19,800 --> 00:09:20,640
ST. CATHERINE: What?!
126
00:09:23,800 --> 00:09:25,480
Wait!
Wait!
127
00:09:25,600 --> 00:09:26,400
No, wait!
128
00:09:26,520 --> 00:09:27,320
Wait!
129
00:09:27,440 --> 00:09:28,800
Get thee gone!
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00:09:28,920 --> 00:09:30,640
ST. CATHERINE: Your paintingwould be world famous.
131
00:09:30,760 --> 00:09:32,080
Alec!
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00:09:32,200 --> 00:09:33,640
No please, please stop it!
133
00:09:39,480 --> 00:09:40,880
Enamel?
134
00:09:41,000 --> 00:09:42,080
No, you wouldn't dare!
135
00:09:46,560 --> 00:09:48,440
Alec!
136
00:09:48,560 --> 00:09:50,000
Alec!
137
00:09:50,120 --> 00:09:50,920
[door opens]
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00:09:51,040 --> 00:09:51,960
Alec!
139
00:09:52,080 --> 00:09:53,240
Have you been up
all night again?
140
00:09:53,360 --> 00:09:56,680
You're going to
make yourself ill.
141
00:09:56,800 --> 00:10:00,080
Alec, you need to get some rest.
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00:10:00,200 --> 00:10:03,000
Oh, Isabel.
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00:10:03,120 --> 00:10:03,880
I love you.
144
00:10:04,000 --> 00:10:06,760
Oh.
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00:10:06,880 --> 00:10:09,600
Come.
146
00:10:09,720 --> 00:10:11,080
[footsteps]
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00:10:11,200 --> 00:10:13,040
[groaning]
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00:10:18,600 --> 00:10:22,400
[sinister music grows]
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00:10:37,840 --> 00:10:42,240
HG WELLS: It would be anothertwo days before Alec felt
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00:10:42,360 --> 00:10:43,880
ready to reenter his studio.
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00:10:44,000 --> 00:10:46,880
[footsteps]
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00:10:49,440 --> 00:10:50,320
[birds chirping]
153
00:10:50,440 --> 00:10:52,800
[dog barks in distance]
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00:10:55,400 --> 00:11:15,040
[inhales deeply]
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00:11:15,160 --> 00:11:17,120
ST. CATHERINE:
Starting from scratch?
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00:11:17,240 --> 00:11:20,200
[gasps] You!
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00:11:20,320 --> 00:11:27,600
But-- yes.
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00:11:31,200 --> 00:11:32,440
I do love an optimist.
159
00:11:35,120 --> 00:11:39,160
You start with the vaguestof presentment of an idea.
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00:11:39,280 --> 00:11:42,760
And you hope
inspiration will strike.
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00:11:42,880 --> 00:11:46,200
It always does.
162
00:11:46,320 --> 00:11:49,680
Does it?
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00:11:49,800 --> 00:11:51,240
Eventually.
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00:11:54,240 --> 00:11:57,960
Can you really face
another blank canvas?
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00:11:58,080 --> 00:12:03,120
It's truth-- becomesmore difficult each time.
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00:12:03,240 --> 00:12:04,480
ST. CATHERINE:
Remember my offer.
167
00:12:07,160 --> 00:12:12,080
You could paint an
undeniable masterpiece.
168
00:12:12,200 --> 00:12:16,240
And a masterpiece would
command a high price.
169
00:12:16,360 --> 00:12:20,360
You could easily
get those debts.
170
00:12:20,480 --> 00:12:23,840
But the price you
ask is high and--
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00:12:23,960 --> 00:12:25,320
ST. CATHERINE: Sh.
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00:12:25,440 --> 00:12:27,960
Give me your soul, and
your artistic spirit
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00:12:28,080 --> 00:12:29,000
will live forever.
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00:12:32,120 --> 00:12:34,120
Your masterwork would
exert an influence
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00:12:34,240 --> 00:12:37,320
on future generations.
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00:12:37,440 --> 00:12:38,800
[WHISPERS] Yes.
177
00:12:38,920 --> 00:12:39,800
[WHISPERS] Yes.
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00:12:47,400 --> 00:12:51,240
[sinister music grows]
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00:12:53,880 --> 00:12:56,920
So now, are you not inspired?
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00:13:04,000 --> 00:13:10,880
[inhales deeply]
[exhales sharply] I've--
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00:13:11,000 --> 00:13:13,560
I've been approaching thecompetition completely wrong.
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00:13:16,400 --> 00:13:18,880
I know exactly what to do now.
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00:13:19,000 --> 00:13:19,760
Thank--
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00:13:30,760 --> 00:13:36,040
[footsteps]
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00:13:36,160 --> 00:13:39,000
[door closes]
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00:13:39,120 --> 00:13:41,120
HG WELLS: From the
moment Alec Harringay
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00:13:41,240 --> 00:13:44,760
sold his soul for the abilityto print a masterpiece,
188
00:13:44,880 --> 00:13:48,640
his mind was flooded with amultitude of dazzling ideas.
189
00:13:48,760 --> 00:13:51,080
He prepared paintingcombinations which had never
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00:13:51,200 --> 00:13:53,080
previously occurred to him.
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00:13:53,200 --> 00:13:56,160
And his techniqueadvanced a thousand fold.
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00:14:02,760 --> 00:14:05,600
[door opens]
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00:14:15,680 --> 00:14:19,040
[scratching on canvas]
194
00:14:33,640 --> 00:14:40,640
Alec, I haven't
seen you for days.
195
00:14:40,760 --> 00:14:42,920
Hm?
196
00:14:43,040 --> 00:14:45,880
What is it you want?
197
00:14:46,000 --> 00:14:51,560
To see you, to hear yourvoice, to know that you're
198
00:14:51,680 --> 00:14:53,680
aware of my existence.
199
00:14:53,800 --> 00:14:54,960
I'm busy.
200
00:14:55,080 --> 00:14:55,880
You can see that.
201
00:15:07,080 --> 00:15:11,640
This-- this surpassesanything that you've ever done.
202
00:15:15,360 --> 00:15:16,200
It's almost like it's--
203
00:15:16,320 --> 00:15:17,240
ALEC HARRINGAY: Like it's what?
204
00:15:20,400 --> 00:15:22,440
Like it's the work
of another painter.
205
00:15:25,200 --> 00:15:28,640
I have developed.
206
00:15:28,760 --> 00:15:32,000
Now, please leave us.
207
00:15:32,120 --> 00:15:34,360
Us?
208
00:15:34,480 --> 00:15:37,320
Leave me.
209
00:15:37,440 --> 00:15:41,280
Don't you understand,
this is my masterpiece.
210
00:15:41,400 --> 00:15:42,640
It's beautiful, Alec.
211
00:15:42,760 --> 00:15:45,120
But it is making you ill.
212
00:15:45,240 --> 00:15:49,520
The academy's deadline forsubmission is one week away.
213
00:15:49,640 --> 00:15:53,600
I need every moment betweennow and then to complete this.
214
00:15:53,720 --> 00:15:57,120
I can't waste any time.
215
00:15:57,240 --> 00:16:00,560
[SOBS] Damn you, Alec.
216
00:16:00,680 --> 00:16:03,920
Can you not see what
is happening to you?
217
00:16:04,040 --> 00:16:05,240
You're losing your reason.
218
00:16:08,120 --> 00:16:10,400
For pity's sake,
can you just step
219
00:16:10,520 --> 00:16:12,840
away from the easel for just--
220
00:16:12,960 --> 00:16:14,880
just one hour.
221
00:16:15,000 --> 00:16:16,040
Please!
222
00:16:16,160 --> 00:16:20,560
Please leave me be.
223
00:16:20,680 --> 00:16:25,440
[grunts] Oh,
uh, [whimpers] uh.
224
00:16:30,080 --> 00:16:54,560
[coughs] [chokes]
[gasps] [coughs]
225
00:16:54,680 --> 00:16:58,480
[sinister music grows]
226
00:17:23,280 --> 00:17:28,720
HG WELLS: Now, finally,Alec can work undisturbed.
227
00:17:42,840 --> 00:17:48,360
As the days passed, he feltneither hunger nor thirst
228
00:17:48,480 --> 00:17:51,600
and slept only fleetingly.
229
00:17:51,720 --> 00:17:58,600
But he knew now for certain thathis immortality was assured.
230
00:17:58,720 --> 00:18:00,120
[door closes]
231
00:18:00,240 --> 00:18:03,600
[footsteps]
232
00:18:14,160 --> 00:18:16,440
ALEC HARRINGAY: Piccadilly,please, Burlington House.
233
00:18:16,560 --> 00:18:19,560
DRIVER: Right-o.
234
00:18:19,680 --> 00:18:21,800
HG WELLS: On his
way to the academy,
235
00:18:21,920 --> 00:18:25,040
and thrilled by his
own genius, Alec could
236
00:18:25,160 --> 00:18:28,440
not resist just one more look.
237
00:18:28,560 --> 00:18:31,400
[paper rips]
238
00:18:33,000 --> 00:18:35,320
It's the wrong one.
239
00:18:35,440 --> 00:18:37,800
[paper rips]
240
00:18:40,960 --> 00:18:42,160
[gasps] it's the wrong one!
241
00:18:42,280 --> 00:18:43,800
DRIVER: Beg your parden, Sir?
242
00:18:43,920 --> 00:18:46,800
uh-- nothing, look, um, uh,we must turn around and go back.
243
00:18:46,920 --> 00:18:48,960
DRIVER: Oh, right-o.
244
00:18:49,080 --> 00:18:51,640
[breathing deeply]
H-- how-- how
245
00:18:51,760 --> 00:18:55,280
could I wrap the wrong canvas?
246
00:18:55,400 --> 00:18:56,400
ST. CATHERINE: You didn't.
247
00:18:56,520 --> 00:18:57,600
What?
248
00:18:57,720 --> 00:19:00,360
ST. CATHERINE: There's
only one canvas.
249
00:19:00,480 --> 00:19:01,840
You painted over it.
250
00:19:01,960 --> 00:19:03,840
Remember?
251
00:19:03,960 --> 00:19:05,320
You painted over me.
252
00:19:05,440 --> 00:19:07,040
ALEC HARRINGAY: My masterpiece,what happened to it?
253
00:19:07,160 --> 00:19:10,920
ST. CATHERINE: [laughs] Igave back to what is mine.
254
00:19:11,040 --> 00:19:11,920
[laughs]
255
00:19:12,040 --> 00:19:14,240
ALEC HARRINGAY [SCREAMING]: No!
256
00:19:14,360 --> 00:19:16,680
No!
257
00:19:16,800 --> 00:19:18,840
No!
258
00:19:18,960 --> 00:19:20,320
DRIVER: Are you all right, gov?
259
00:19:20,440 --> 00:19:22,600
Uh, we-- we have
to turn around.
260
00:19:22,720 --> 00:19:24,720
DRIVER: All right, all right.
261
00:19:24,840 --> 00:19:27,040
[horse clomping]
262
00:19:27,160 --> 00:19:29,440
Wait, wait, it-- it's fine.
263
00:19:29,560 --> 00:19:30,920
It's fine, we can
go on the academy.
264
00:19:31,040 --> 00:19:33,040
DRIVER: Oh, make
your mind up, mate.
265
00:19:33,160 --> 00:19:34,440
Come on!
Come up!
266
00:19:34,560 --> 00:19:35,440
[horse whinnies]
267
00:19:35,560 --> 00:19:36,960
[yelling]
268
00:19:37,080 --> 00:19:39,920
[crash]
269
00:19:51,040 --> 00:19:52,680
NURSE: How are we feeling?
270
00:19:52,800 --> 00:19:56,160
[WHISPERS] I-- ah.
271
00:19:59,760 --> 00:20:01,120
NURSE: There you go.
272
00:20:01,240 --> 00:20:08,720
[exhales sharply][breathing deeply] It's gone!
273
00:20:08,840 --> 00:20:11,000
NURSE: It would have been
no use to you anymore.
274
00:20:11,120 --> 00:20:12,920
ALEC HARRINGAY: [gasps] But--
275
00:20:13,040 --> 00:20:15,160
But I-- I'm a--
276
00:20:15,280 --> 00:20:16,600
I'm a painter.
277
00:20:16,720 --> 00:20:18,560
NURSE: Well, I supposeyou'll just have to learn
278
00:20:18,680 --> 00:20:21,560
to paint with your other hand.
279
00:20:21,680 --> 00:20:24,040
[gasps] Oh, god!
280
00:20:24,160 --> 00:20:26,320
NURSE: Is there anybodyyou'd like us to contact?
281
00:20:31,120 --> 00:20:36,280
[inhales sharply] No, no one.
282
00:20:36,400 --> 00:20:38,760
NURSE: Well, you just
get plenty of rest.
283
00:20:38,880 --> 00:20:40,440
And I'll be along to
check on you later.
284
00:20:43,120 --> 00:20:50,720
[gasps]
285
00:20:50,840 --> 00:20:51,680
[curtain scraping]
286
00:20:51,800 --> 00:20:54,720
ST. CATHERINE: A pity.
287
00:20:54,840 --> 00:20:56,280
A pity about your hand.
288
00:20:56,400 --> 00:20:57,360
You!
289
00:20:57,480 --> 00:21:00,720
You know who I am, of course.
290
00:21:00,840 --> 00:21:01,840
I am your inspiration.
291
00:21:01,960 --> 00:21:03,640
What do you want?
292
00:21:03,760 --> 00:21:05,160
ST. CATHERINE: We
struck a bargain.
293
00:21:05,280 --> 00:21:06,440
But--
294
00:21:06,560 --> 00:21:08,040
You created amasterpiece, did you not?
295
00:21:08,160 --> 00:21:10,240
ALEC HARRINGAY:[inhales deeply] It's gone!
296
00:21:10,360 --> 00:21:11,560
ST. CATHERINE: No.
297
00:21:11,680 --> 00:21:14,560
It was rescued from the crash.
298
00:21:14,680 --> 00:21:18,560
At this very moment, it's beinghung at the Royal Academy.
299
00:21:18,680 --> 00:21:21,440
[chuckles] There
will be no doubt
300
00:21:21,560 --> 00:21:25,480
over the genius of its creator.
301
00:21:25,600 --> 00:21:28,120
There can be no
more paintings now.
302
00:21:28,240 --> 00:21:29,680
That's not my concern.
303
00:21:29,800 --> 00:21:32,840
I've lost everything,
even poor Isabel.
304
00:21:32,960 --> 00:21:34,440
ST. CATHERINE: None
of that is my concern.
305
00:21:34,560 --> 00:21:37,520
ALEC HARRINGAY:
[gasps] Please no.
306
00:21:37,640 --> 00:21:38,960
All I sought was
to create beauty.
307
00:21:39,080 --> 00:21:40,560
ST. CATHERINE: All yousought was glorification.
308
00:21:40,680 --> 00:21:41,760
ALEC HARRINGAY: No, no.
309
00:21:41,880 --> 00:21:42,960
It was all for art!
310
00:21:43,080 --> 00:21:44,840
ST. CATHERINE: You
made your choice.
311
00:21:44,960 --> 00:21:46,560
Now, your soul shall be mine.
312
00:21:46,680 --> 00:21:47,800
[SOBBING] Please don't!
313
00:21:47,920 --> 00:21:52,280
ST. CATHERINE: The
trick is to find it.
314
00:21:52,400 --> 00:21:53,280
I've looked in here.
315
00:21:53,400 --> 00:21:55,240
[yelling] Ah!
316
00:21:55,360 --> 00:21:57,240
ST. CATHERINE: But
did not find it.
317
00:21:57,360 --> 00:21:58,720
[WHISPERS]
Please, leave me be!
318
00:21:58,840 --> 00:22:00,240
ST. CATHERINE: So now--
319
00:22:00,360 --> 00:22:01,360
now we must look--
320
00:22:01,480 --> 00:22:02,400
ALEC HARRINGAY: Leave me be!
321
00:22:02,520 --> 00:22:03,680
--a little deeper.
322
00:22:03,800 --> 00:22:08,640
ALEC HARRINGAY: [chokes]
323
00:22:08,760 --> 00:22:11,680
HG WELLS: Sometimes, an artistpaints a form with no soul
324
00:22:11,800 --> 00:22:12,840
to it.
325
00:22:12,960 --> 00:22:14,680
He paints aimlessly
and recklessly
326
00:22:14,800 --> 00:22:17,560
and without
inspiration in the hope
327
00:22:17,680 --> 00:22:22,440
that some random spirit may becoached forth into his work.
328
00:22:22,560 --> 00:22:29,200
And sometimes-- sometimes,a spirit does come.
329
00:22:29,320 --> 00:22:33,440
[sinister music playing]
22213
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