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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,668 --> 00:00:15,635 How could... (DARK ATMOSPHERIC MUSIC) 2 00:00:21,500 --> 00:00:24,798 MAN: You don't believe in monsters. 3 00:00:24,800 --> 00:00:25,864 I do. 4 00:00:25,866 --> 00:00:28,164 This is what it's all come down to, is it? 5 00:00:28,166 --> 00:00:32,567 Oh god, it was you the whole time, how was I so stupid? 6 00:00:36,199 --> 00:00:37,763 A homicidal bandit. 7 00:00:37,765 --> 00:00:39,933 How could you do this to us? 8 00:00:40,665 --> 00:00:42,030 We're friends. 9 00:00:42,032 --> 00:00:43,331 What now? 10 00:00:43,333 --> 00:00:44,230 So what now? 11 00:00:44,232 --> 00:00:46,164 And what's next, huh? 12 00:00:46,166 --> 00:00:47,695 Are you gonna kill me, too? 13 00:00:47,697 --> 00:00:49,866 You gonna kill me, too? 14 00:00:50,898 --> 00:00:52,663 MAN: Come on out before I kill you. 15 00:00:52,665 --> 00:00:53,796 Take the mask off. 16 00:00:53,798 --> 00:00:55,430 Go on, show yourself! 17 00:00:55,432 --> 00:00:57,097 Go on. 18 00:00:57,099 --> 00:00:58,564 Show yourself. 19 00:00:58,566 --> 00:01:02,263 WOMAN: Not a monster, an execution. 20 00:01:02,265 --> 00:01:05,229 I don't know who you are, but I'm begging you, please. 21 00:01:05,231 --> 00:01:06,463 - Please! - Please. 22 00:01:06,465 --> 00:01:09,664 Please don't kill me, I don't wanna die. 23 00:01:10,797 --> 00:01:13,096 WOMAN: There was half of us dying out there. 24 00:01:13,098 --> 00:01:15,496 Not like this, I don't wanna die like... 25 00:01:15,498 --> 00:01:19,596 - I don't wanna die! - I don't wanna die! 26 00:01:19,598 --> 00:01:22,429 MAN: The creature has the mind of a murderer. 27 00:01:22,431 --> 00:01:26,529 (WOMAN SOBS DRAMATICALLY) 28 00:01:26,531 --> 00:01:28,597 Please don't hurt me! 29 00:01:42,163 --> 00:01:43,960 Well, if you hadn't have cheated on me, 30 00:01:43,962 --> 00:01:46,894 then maybe this wouldn't have happened, huh? 31 00:01:46,896 --> 00:01:50,394 No wonder I am the way I am, you can only cage someone 32 00:01:50,396 --> 00:01:52,162 for so long before they break free. 33 00:01:54,430 --> 00:01:58,894 Hi, my name is Kia Anderson, I am with Little Fish Casting. 34 00:01:58,896 --> 00:01:59,762 Profile. 35 00:02:01,696 --> 00:02:02,729 And my hands. 36 00:02:04,494 --> 00:02:06,661 And what are your thoughts around Sarah 37 00:02:06,663 --> 00:02:08,630 from Heart Breakers? 38 00:02:09,762 --> 00:02:14,729 Sarah, well, I think that she is totally relatable. 39 00:02:15,995 --> 00:02:17,893 For me, anyway, I was trying to think of what I could draw 40 00:02:17,895 --> 00:02:22,325 upon for her character and I think it's just to have someone 41 00:02:22,327 --> 00:02:25,493 that makes you feel so vulnerable and unwanted, I mean... 42 00:02:25,495 --> 00:02:28,729 Are you aware that the role is unpaid, Kia? 43 00:02:30,527 --> 00:02:32,725 Yes, that is fine, yeah. 44 00:02:32,727 --> 00:02:36,691 I'm okay with unpaid work if I believe in the script. 45 00:02:36,693 --> 00:02:39,827 And are you happy with full-frontal nudity? 46 00:02:41,294 --> 00:02:42,691 What scene is that in? 47 00:02:42,693 --> 00:02:46,625 The bit where Neil has not rung her. 48 00:02:46,627 --> 00:02:48,125 She's just got out of the shower. 49 00:02:48,127 --> 00:02:50,760 Walks down the hallway, full-frontal, gets into bed. 50 00:02:57,092 --> 00:02:58,725 Sure. (CHUCKLES) 51 00:02:58,727 --> 00:03:00,060 So, here's the thing. 52 00:03:01,527 --> 00:03:04,894 In these times, it's getting hard and harder, and, 53 00:03:06,160 --> 00:03:08,091 I mean, for a blonde girl like yourself in the industry, 54 00:03:08,093 --> 00:03:09,325 you know, right? 55 00:03:10,358 --> 00:03:12,623 And obviously, with your career, 56 00:03:12,625 --> 00:03:14,890 it's been such a rollercoaster ride with all those 57 00:03:14,892 --> 00:03:17,623 close calls and near misses. 58 00:03:17,625 --> 00:03:19,591 I know, I know. (CHUCKLES) 59 00:03:19,593 --> 00:03:21,756 I mean, I think today went really well. 60 00:03:21,758 --> 00:03:23,224 I feel like I have a chance. 61 00:03:23,226 --> 00:03:24,923 And there weren't that many girls in the waiting room, so... 62 00:03:24,925 --> 00:03:27,523 I believe in you, I really do, and I wouldn't say that 63 00:03:27,525 --> 00:03:30,326 if I didn't think so, but, okay. 64 00:03:32,425 --> 00:03:33,692 It's your age. 65 00:03:37,092 --> 00:03:41,022 Annoyingly and sadly, there are so many girls. 66 00:03:41,024 --> 00:03:42,989 It's so competitive. 67 00:03:42,991 --> 00:03:44,526 See, uh... 68 00:03:46,590 --> 00:03:48,787 - So what you're saying is... - Yeah, babe. 69 00:03:48,789 --> 00:03:50,791 I think we should call it a day. 70 00:03:52,058 --> 00:03:53,591 I'm sorry, but... 71 00:03:54,924 --> 00:03:58,722 You're gonna get another agent, I've got no doubt about that 72 00:03:58,724 --> 00:04:01,324 and you're great, you're talented, 73 00:04:03,124 --> 00:04:08,291 but I just think I wouldn't be doing my job if I kept you on 74 00:04:09,756 --> 00:04:12,288 it'd be unfair to you and I'm sorry that I never was able 75 00:04:12,290 --> 00:04:13,890 to give you what you wanted. 76 00:04:15,256 --> 00:04:18,988 It's just so difficult and... 77 00:04:18,990 --> 00:04:21,756 (PHONE VIBRATES) 78 00:04:27,589 --> 00:04:29,590 WOMAN: So she just dropped you? 79 00:04:31,856 --> 00:04:32,690 Yep. 80 00:04:34,589 --> 00:04:37,886 I mean, I know I have what it takes. 81 00:04:37,888 --> 00:04:41,123 I just haven't had my big break yet, you know? 82 00:04:42,388 --> 00:04:44,754 I mean, luck plays such a huge part. 83 00:04:44,756 --> 00:04:47,322 It's like my agent didn't have a hook to sell me on. 84 00:04:48,488 --> 00:04:50,753 To get me into the room for the big auditions, 85 00:04:50,755 --> 00:04:53,687 to drive people to choose me over everyone else. 86 00:04:53,689 --> 00:04:55,822 Honestly though, with your profession, 87 00:04:56,822 --> 00:04:58,785 how do you know you're gonna be good? 88 00:04:58,787 --> 00:05:03,252 Like seriously, if I was going for a job interview, 89 00:05:03,254 --> 00:05:08,251 I would have like a week or something to prep, like minimum, 90 00:05:08,253 --> 00:05:10,352 but with yours, they're like, 91 00:05:10,354 --> 00:05:11,719 "Oh, can you come in the next day? 92 00:05:11,721 --> 00:05:14,822 "Got an audition," you know, Irish accent? 93 00:05:16,021 --> 00:05:18,819 It's so hard, I just don't know how you can be good. 94 00:05:18,821 --> 00:05:22,384 It's like they just wanna cast people who are the role. 95 00:05:22,386 --> 00:05:24,052 You know, that's not why I did this. 96 00:05:24,054 --> 00:05:26,617 I don't wanna play Kia in a film. 97 00:05:26,619 --> 00:05:29,717 That's not what drove me to this profession. 98 00:05:29,719 --> 00:05:31,088 Don't do it anymore, quit. 99 00:05:33,987 --> 00:05:35,151 Stop. 100 00:05:35,153 --> 00:05:37,185 You're just always, you feel so negative about it, 101 00:05:37,187 --> 00:05:39,651 and you're always saying how the same five actresses 102 00:05:39,653 --> 00:05:41,920 get the same roles all the time, I just, 103 00:05:43,587 --> 00:05:45,950 why don't you just do something that makes you happy? 104 00:05:45,952 --> 00:05:47,820 I love it when I get to do it. 105 00:05:48,985 --> 00:05:52,820 Yeah but then you can't even afford things like a car. 106 00:05:53,653 --> 00:05:54,652 You're right. 107 00:05:57,018 --> 00:05:58,350 Sorry. 108 00:05:58,352 --> 00:06:00,750 If I'd have worked this hard in any other profession, 109 00:06:00,752 --> 00:06:04,051 I would've climbed the ladder, I know that. 110 00:06:08,950 --> 00:06:12,549 (SIGHS) Why was my first job so fun? 111 00:06:12,551 --> 00:06:14,449 (GROANS) Everything has gone downhill since then. 112 00:06:14,451 --> 00:06:16,581 What was your first film called again? 113 00:06:16,583 --> 00:06:19,818 Colorado. (LAUGHS) (FRIEND LAUGHS) 114 00:06:20,750 --> 00:06:23,082 - Oh my gosh, can we watch it? - Reese, no! 115 00:06:23,084 --> 00:06:24,516 Come on! 116 00:06:24,518 --> 00:06:25,515 What're you doing snooping around down there? 117 00:06:25,517 --> 00:06:26,984 You're not gonna see it, okay? 118 00:06:28,317 --> 00:06:30,917 I have this weird connection to it, you're not seeing it. 119 00:06:34,318 --> 00:06:38,551 No, honestly, you should do what makes you happy, okay? 120 00:06:39,617 --> 00:06:42,648 Just don't like seeing you down all the time. 121 00:06:42,650 --> 00:06:44,251 Now the ball's in your court. 122 00:06:48,483 --> 00:06:49,981 Thank you. 123 00:06:49,983 --> 00:06:50,950 It's okay. 124 00:06:51,948 --> 00:06:54,316 Every 20 years people go missing, they die. 125 00:06:55,383 --> 00:06:56,216 They disappear. 126 00:06:58,749 --> 00:07:02,149 I have developed... 127 00:07:04,682 --> 00:07:08,280 WOMAN: It's not a scarecrow, June, who is it? 128 00:07:08,282 --> 00:07:09,983 Fuck all skills. 129 00:07:10,715 --> 00:07:13,479 Yay. (KEYBOARD CLACKS) 130 00:07:13,481 --> 00:07:15,813 WOMAN: All right, June, snap out of it now. 131 00:07:15,815 --> 00:07:20,581 Scarecrow, it's a scarecrow, it's a scarecrow! 132 00:07:22,448 --> 00:07:24,715 If only this had got a theatrical release. 133 00:07:26,314 --> 00:07:29,082 (PHONE VIBRATES) 134 00:07:35,914 --> 00:07:37,180 Hello? 135 00:07:37,182 --> 00:07:38,781 Hey, is that Kia Anderson? 136 00:07:39,615 --> 00:07:40,982 KIA: Yes, who's this? 137 00:07:41,747 --> 00:07:42,878 Hey, this is Tim Johnson. 138 00:07:42,880 --> 00:07:45,678 Director and producer of The Final Scream. 139 00:07:45,680 --> 00:07:46,812 You sent a self-tape recently 140 00:07:46,814 --> 00:07:49,249 for the title lead role of Melissa. 141 00:07:50,680 --> 00:07:55,015 KIA: Ah yeah, right, Melissa, was that on Casting United? 142 00:07:56,080 --> 00:07:57,210 TIM: Yes, I believe so. 143 00:07:57,212 --> 00:08:01,646 Listen, Kia, I absolutely love what you did with Melissa. 144 00:08:01,648 --> 00:08:04,645 It was exactly what I was looking for from the role. 145 00:08:04,647 --> 00:08:07,277 So we'd like to invite you to the final recall. 146 00:08:07,279 --> 00:08:10,144 KIA: Really? (CHUCKLES) 147 00:08:10,146 --> 00:08:12,511 Wow, that is incredible. 148 00:08:12,513 --> 00:08:14,246 Yes, yes, I would love to. 149 00:08:15,613 --> 00:08:16,644 When is it? 150 00:08:16,646 --> 00:08:17,910 Well, it would be this weekend. 151 00:08:17,912 --> 00:08:19,545 So, apologies for the short notice. 152 00:08:19,547 --> 00:08:21,644 This weekend being tomorrow. 153 00:08:21,646 --> 00:08:24,644 It's a two-day shoot, so tomorrow and Sunday with myself, 154 00:08:24,646 --> 00:08:26,211 and other members of the crew at the location 155 00:08:26,213 --> 00:08:27,614 where we'll be shooting. 156 00:08:28,878 --> 00:08:30,677 We'll be going over scenes, exploring the characters, 157 00:08:30,679 --> 00:08:31,712 things like that. 158 00:08:32,745 --> 00:08:35,509 You're the only actress that we're calling back 159 00:08:35,511 --> 00:08:37,309 at this stage. 160 00:08:37,311 --> 00:08:39,710 Of course, if it doesn't go to plan, 161 00:08:39,712 --> 00:08:42,009 we can always see others in line for the role. 162 00:08:42,011 --> 00:08:44,777 KIA: Wow, that sounds absolutely amazing. 163 00:08:44,779 --> 00:08:46,912 Yes, I will be there. 164 00:08:48,212 --> 00:08:51,243 Can I ask, is it a paid role? 165 00:08:51,245 --> 00:08:52,875 It is, yes. 166 00:08:52,877 --> 00:08:55,044 I'll send you over the details by email. 167 00:08:55,945 --> 00:08:56,745 See you tomorrow. 168 00:09:03,843 --> 00:09:07,643 (KIA SOBS DRAMATICALLY) 169 00:09:07,645 --> 00:09:10,744 Please don't hurt me. (PANTS) 170 00:09:16,143 --> 00:09:21,143 Hi, my name is Kia. 171 00:09:25,943 --> 00:09:28,143 (SCREAMS) 172 00:09:29,109 --> 00:09:30,106 Woo! 173 00:09:30,108 --> 00:09:32,009 Delete, delete, delete! 174 00:09:33,009 --> 00:09:34,140 Hah! 175 00:09:34,142 --> 00:09:36,043 No call center job for me. 176 00:09:37,110 --> 00:09:38,675 WOMAN: Tell me who it is. 177 00:09:39,977 --> 00:09:42,407 He's coming, he's coming, he's gonna kill me, it's him. 178 00:09:42,409 --> 00:09:43,675 WOMAN: All right, June. 179 00:09:51,142 --> 00:09:52,774 (DOOR CLOSES) 180 00:09:52,776 --> 00:09:56,774 (FOOTSTEPS APPROACH) 181 00:09:56,776 --> 00:09:58,173 Hey! 182 00:09:58,175 --> 00:09:59,572 Hi. 183 00:09:59,574 --> 00:10:01,141 (CHUCKLES) What are you doin'? 184 00:10:02,974 --> 00:10:06,140 I got to the finals for a feature film. 185 00:10:06,142 --> 00:10:07,906 (BOTH SCREAM) 186 00:10:07,908 --> 00:10:09,105 No way! 187 00:10:09,107 --> 00:10:10,673 Oh, my god! 188 00:10:10,675 --> 00:10:13,171 Oh, my god, that is so good. 189 00:10:13,173 --> 00:10:14,774 I'm so excited. 190 00:10:15,841 --> 00:10:16,873 What're you doing with all this stuff? 191 00:10:16,875 --> 00:10:18,509 It's like over an hour away. 192 00:10:19,807 --> 00:10:22,305 Okay, so why do you have all this stuff, though? 193 00:10:22,307 --> 00:10:23,808 It's a weekend workshop. 194 00:10:25,441 --> 00:10:27,604 - Oh! - Yeah. 195 00:10:27,606 --> 00:10:29,105 So what is it about? 196 00:10:29,107 --> 00:10:30,538 - The film? - Mm-hm. 197 00:10:30,540 --> 00:10:34,872 Okay, it is about this character, Melissa. 198 00:10:34,874 --> 00:10:35,906 Hopefully me. 199 00:10:35,908 --> 00:10:38,405 And I've come to the UK for my wedding, 200 00:10:38,407 --> 00:10:40,872 with all my bridesmaids, we go on a road trip, 201 00:10:40,874 --> 00:10:44,205 and then everyone starts to go missing one by one. 202 00:10:44,207 --> 00:10:45,074 It's a horror film. 203 00:10:46,340 --> 00:10:48,037 Oh. 204 00:10:48,039 --> 00:10:50,871 Well, do you have the location and stuff? 205 00:10:50,873 --> 00:10:52,040 I do, yes. 206 00:10:53,340 --> 00:10:56,037 I have it in an email somewhere, I'll send it to you. 207 00:10:56,039 --> 00:10:59,336 Yeah, just be good to know the details, you know. 208 00:10:59,338 --> 00:11:01,205 - Of course. - Yeah. 209 00:11:02,439 --> 00:11:05,035 - Finally. - Okay, let's get you packed. 210 00:11:05,037 --> 00:11:05,874 Okay. 211 00:11:07,138 --> 00:11:09,904 Okay, so it is a weekend workshop, I've done them before. 212 00:11:09,906 --> 00:11:12,037 He'll probably just get me to perform the scenes with the 213 00:11:12,039 --> 00:11:16,073 other actors but I am the only one called back for the role. 214 00:11:19,705 --> 00:11:22,269 What, so you're gonna be the only girl? 215 00:11:22,271 --> 00:11:23,805 Yeah, that's crazy, right? 216 00:11:25,137 --> 00:11:26,336 (REESE CHUCKLES) 217 00:11:26,338 --> 00:11:27,204 Well, yeah. 218 00:11:32,237 --> 00:11:33,238 Okay. 219 00:11:37,571 --> 00:11:40,238 (REESE SIGHS) 220 00:11:41,538 --> 00:11:42,504 REESE: Hey. 221 00:11:44,469 --> 00:11:46,234 Why do you have to do that all the time? 222 00:11:46,236 --> 00:11:47,535 Do what? 223 00:11:47,537 --> 00:11:50,569 That, this is normal in my industry, okay? 224 00:11:50,571 --> 00:11:53,204 - Why do you have to do that? - Okay, sorry. 225 00:11:54,571 --> 00:11:56,202 Just worry. 226 00:11:56,204 --> 00:11:58,168 Okay, well you're not my mom. 227 00:11:58,170 --> 00:12:00,069 (REESE CHUCKLES) 228 00:12:00,071 --> 00:12:02,171 Even though I appreciate it. 229 00:12:05,269 --> 00:12:06,137 Can I borrow your car? 230 00:12:09,136 --> 00:12:11,934 Wait, did you just steal my car keys? 231 00:12:11,936 --> 00:12:13,000 Maybe. 232 00:12:13,002 --> 00:12:14,166 REESE: You were totally gonna run off, 233 00:12:14,168 --> 00:12:16,201 - without even saying goodbye? - I'm so naughty! 234 00:12:16,203 --> 00:12:18,301 Yeah, with my car! 235 00:12:18,303 --> 00:12:21,567 You are unbelievable. (KIA CHUCKLES) 236 00:12:21,569 --> 00:12:23,501 Seriously, you don't need to worry. 237 00:12:23,503 --> 00:12:27,467 This is very normal for my industry, okay? 238 00:12:27,469 --> 00:12:30,235 Okay, well just make sure you call me and stuff, 239 00:12:30,237 --> 00:12:32,465 'cause just... 240 00:12:32,467 --> 00:12:33,301 Come here. 241 00:12:34,801 --> 00:12:37,099 Stop worrying about me, okay? 242 00:12:37,101 --> 00:12:37,935 REESE: Okay. 243 00:12:41,501 --> 00:12:42,902 I do love you, okay? 244 00:12:44,234 --> 00:12:46,032 REESE: I love you. 245 00:12:46,034 --> 00:12:48,232 I'll see you in a couple of days. 246 00:12:48,234 --> 00:12:50,399 Don't go. (KIA CHUCKLES) 247 00:12:50,401 --> 00:12:52,235 - Wish me luck. - Okay. 248 00:12:53,201 --> 00:12:54,233 Good luck! 249 00:12:54,235 --> 00:12:57,602 (MOODY ELECTRONIC MUSIC) 250 00:13:40,432 --> 00:13:42,967 (KIA SIGHS) 251 00:13:53,598 --> 00:13:57,396 (FOOTSTEPS APPROACH) 252 00:13:57,398 --> 00:13:59,930 - Hey, love. - Oh, hi. 253 00:13:59,932 --> 00:14:01,828 I'm Kia Anderson, I'm here for the callback. 254 00:14:01,830 --> 00:14:03,263 - Hello, Kia. - Hi. 255 00:14:03,265 --> 00:14:06,064 We know who you are, 'cause I've seen all your tapes. 256 00:14:06,066 --> 00:14:07,029 - Oh, awesome. - Yeah. 257 00:14:07,031 --> 00:14:10,395 Oh, I'm Ruth, (CHUCKLES) I'm the makeup artist, 258 00:14:10,397 --> 00:14:11,961 forward-slash sound recordist on this shoot. 259 00:14:11,963 --> 00:14:13,631 - Oh, wow. (CHUCKLES) - Yeah. 260 00:14:15,665 --> 00:14:18,694 I've put your name on a door in the house, 'cause 261 00:14:18,696 --> 00:14:21,595 everybody was working really late, so everyone's really 262 00:14:21,597 --> 00:14:24,861 stressed, so if you just wanna go in and put your bag down 263 00:14:24,863 --> 00:14:27,628 and make yourself comfortable and then one of us 264 00:14:27,630 --> 00:14:29,361 will come in and see you later. 265 00:14:29,363 --> 00:14:30,497 - Great! - Okay. 266 00:15:28,128 --> 00:15:31,894 (PEACEFUL ATMOSPHERIC MUSIC) 267 00:16:00,293 --> 00:16:01,658 TIM: Be rested. 268 00:16:01,660 --> 00:16:03,527 Be ready, be prepared. 269 00:16:04,326 --> 00:16:05,527 Tim. 270 00:16:41,758 --> 00:16:43,889 - You took your time. - Hey. 271 00:16:43,891 --> 00:16:46,555 Oh, you know me, I'm a slow driver. 272 00:16:46,557 --> 00:16:48,321 REESE: Oh, it's fine. 273 00:16:48,323 --> 00:16:50,756 So, are you there, how is the place? 274 00:16:50,758 --> 00:16:54,289 It's good, it's isolated. 275 00:16:54,291 --> 00:16:57,889 It's exactly what you'd expect for a horror film. (CHUCKLES) 276 00:16:57,891 --> 00:17:01,523 - Nowhere to run. - Well, that sounds great. 277 00:17:01,525 --> 00:17:03,456 Are you excited? 278 00:17:03,458 --> 00:17:06,520 Yeah. (DISTORTED INTERFERENCE) 279 00:17:06,522 --> 00:17:07,523 Reese. 280 00:17:10,355 --> 00:17:11,190 Reese. 281 00:17:16,924 --> 00:17:22,090 (PEACEFUL ATMOSPHERIC MUSIC) (BIRDS TWEET) 282 00:17:53,955 --> 00:17:55,688 Somebody help me! 283 00:18:07,821 --> 00:18:08,655 Please. 284 00:18:09,589 --> 00:18:11,853 I wanna go home. 285 00:18:11,855 --> 00:18:12,955 I wanna go... 286 00:18:15,586 --> 00:18:17,221 I just, call my mom. 287 00:18:21,154 --> 00:18:21,988 Please. 288 00:18:23,553 --> 00:18:25,552 (SCREAMS) 289 00:18:25,554 --> 00:18:28,487 (MUFFLED SOBS) 290 00:18:32,554 --> 00:18:34,654 I'm sorry, I'm sorry. 291 00:18:43,085 --> 00:18:44,051 Please. 292 00:18:44,053 --> 00:18:46,221 Please no, please, please! 293 00:18:50,553 --> 00:18:51,520 I'm sorry. 294 00:18:55,319 --> 00:18:56,153 I'm sorry. 295 00:18:57,685 --> 00:19:01,150 I'm sorry, please don't hurt me. 296 00:19:01,152 --> 00:19:03,253 Somebody help me, please. 297 00:19:05,484 --> 00:19:07,751 Somebody help me, please. 298 00:19:08,484 --> 00:19:09,985 Help me, please! 299 00:19:11,718 --> 00:19:14,383 I don't wanna die, please. 300 00:19:14,385 --> 00:19:16,383 Please, no, no! 301 00:19:16,385 --> 00:19:17,549 Please, no! 302 00:19:17,551 --> 00:19:19,249 Get off of me! 303 00:19:19,251 --> 00:19:20,917 Take that off of me! 304 00:19:22,318 --> 00:19:24,486 Please get it off of me. 305 00:19:25,217 --> 00:19:27,484 Get it off of me, please. 306 00:19:28,218 --> 00:19:30,447 (COUGHS AND GASPS) 307 00:19:30,449 --> 00:19:33,348 Help me, somebody please. 308 00:19:33,350 --> 00:19:35,915 I can't do this anymore. 309 00:19:35,917 --> 00:19:36,750 Help me. 310 00:19:37,617 --> 00:19:39,782 Please help me. 311 00:19:39,784 --> 00:19:40,618 Please. 312 00:19:42,384 --> 00:19:47,551 Somebody come and help. (SOBS) 313 00:19:48,517 --> 00:19:52,783 (BONE CRACKS) (FLESH SQUELCHES) 314 00:20:02,249 --> 00:20:03,083 Ah. 315 00:20:04,517 --> 00:20:05,784 Kia Anderson. 316 00:20:06,717 --> 00:20:08,647 Lovely to meet you. 317 00:20:08,649 --> 00:20:11,548 The pleasure is all mine, Tim, it's all mine. 318 00:20:11,550 --> 00:20:15,113 I bought the costume that you, the black t-shirt. 319 00:20:15,115 --> 00:20:15,949 Good. 320 00:20:18,882 --> 00:20:19,715 Go for it, Kia. 321 00:20:20,882 --> 00:20:22,513 Oh, um... 322 00:20:22,515 --> 00:20:25,414 Okay, I've been on some TV shows, 323 00:20:25,416 --> 00:20:28,347 I have played support in a lot of feature films. 324 00:20:28,349 --> 00:20:33,648 No, no, Kia, I'm not interested in being sold your CV. 325 00:20:34,382 --> 00:20:35,614 I want to know how you work. 326 00:20:37,014 --> 00:20:40,148 Your audition tape, it was something quite spectacular. 327 00:20:41,647 --> 00:20:44,013 All the other girls, they just felt false, you know? 328 00:20:44,015 --> 00:20:47,779 It was the same lines with the same rehearsed inflections 329 00:20:47,781 --> 00:20:51,579 in the same places, there was nothing real, 330 00:20:51,581 --> 00:20:52,715 nothing raw about them. 331 00:20:54,380 --> 00:20:55,714 I didn't believe them, Kia. 332 00:20:56,580 --> 00:20:57,845 Whereas, with you. 333 00:20:57,847 --> 00:21:00,647 Well, you took Melissa to a whole new level. 334 00:21:01,347 --> 00:21:02,579 (KIA CHUCKLES) 335 00:21:02,581 --> 00:21:04,714 Wow, that is such a compliment. 336 00:21:05,879 --> 00:21:08,711 Well, I guess as an actor, I've just always wanted 337 00:21:08,713 --> 00:21:11,543 to be truthful, so if I have good company in a scene, 338 00:21:11,545 --> 00:21:16,713 then I will just respond to them instinctively. 339 00:21:17,346 --> 00:21:18,545 No, I like it. 340 00:21:18,547 --> 00:21:21,277 It fits well with how I work, you see, 341 00:21:21,279 --> 00:21:25,512 I have a very specific way that I like my actors to work. 342 00:21:26,746 --> 00:21:30,976 I want my actors to genuinely feel everything. 343 00:21:30,978 --> 00:21:33,309 That they see, that they say, that they do. 344 00:21:33,311 --> 00:21:34,678 Of course. 345 00:21:34,680 --> 00:21:37,643 TIM: I want it to be the closest it can be to reality. 346 00:21:37,645 --> 00:21:40,243 - Yeah. - On screen, you understand? 347 00:21:40,245 --> 00:21:43,976 I want the audience to actually question, is this happening? 348 00:21:43,978 --> 00:21:45,709 - Exactly, I know, yeah. - You see? 349 00:21:45,711 --> 00:21:47,479 Mm-hm, method acting. 350 00:21:48,577 --> 00:21:52,009 Yeah, I've always wanted to just become a character. 351 00:21:52,011 --> 00:21:56,242 (CHUCKLES) Yes, well and you are Melissa 352 00:21:56,244 --> 00:21:58,074 in a lot of ways, aren't you? 353 00:21:58,076 --> 00:22:01,874 Well, I'd like to make some more distinctive choices. 354 00:22:01,876 --> 00:22:03,808 But yeah, there's a part of me in every character, 355 00:22:03,810 --> 00:22:07,743 but I'd like to play Melissa as Melissa. 356 00:22:08,677 --> 00:22:09,910 I understand. 357 00:22:11,078 --> 00:22:11,911 Right! 358 00:22:12,676 --> 00:22:14,341 Should we get started? 359 00:22:14,343 --> 00:22:15,245 KIA: Of course. 360 00:22:16,276 --> 00:22:17,109 Ah. 361 00:22:17,111 --> 00:22:18,675 Team. 362 00:22:18,677 --> 00:22:19,945 This is Kia Anderson. 363 00:22:21,510 --> 00:22:25,676 KIA: Hi. (CHUCKLES) 364 00:22:25,678 --> 00:22:26,843 We met last night. 365 00:22:27,908 --> 00:22:29,843 This is Jeff, he's the cameraman. 366 00:22:31,643 --> 00:22:33,342 Director of photography. 367 00:22:33,344 --> 00:22:35,540 - Hey. (CHUCKLES) - It's nice to meet you. 368 00:22:35,542 --> 00:22:37,008 Hi, nice to meet you. 369 00:22:37,010 --> 00:22:38,807 They're going to be documenting the process this weekend. 370 00:22:38,809 --> 00:22:42,640 Oh, cool, okay, so like behind the scenes and... 371 00:22:42,642 --> 00:22:44,209 - Exactly. - Cool. 372 00:22:45,609 --> 00:22:48,307 Hi. (LAUGHS) 373 00:22:48,309 --> 00:22:49,707 Right, should we get going? 374 00:22:49,709 --> 00:22:52,809 It wasn't your fault, Lisa, he attacked you. 375 00:22:53,874 --> 00:22:54,906 Okay? 376 00:22:54,908 --> 00:22:56,640 We'll go to jail if I'm caught. 377 00:22:56,642 --> 00:22:58,738 If we can't dispose of the body soon, we get caught. 378 00:22:58,740 --> 00:23:00,640 I don't want to go to jail, Mel. 379 00:23:00,642 --> 00:23:02,639 You need to stop thinking like that. 380 00:23:02,641 --> 00:23:05,572 I promise you, we, I'm gonna get you out of this. 381 00:23:05,574 --> 00:23:07,876 Just, cut, cut, cut, cut. 382 00:23:08,674 --> 00:23:10,608 (SIGHS) Look, Kia. 383 00:23:11,775 --> 00:23:14,808 I need you to really believe what you're saying. 384 00:23:16,808 --> 00:23:18,772 Have you ever been in a situation where you've been 385 00:23:18,774 --> 00:23:20,675 really close to losing someone? 386 00:23:21,409 --> 00:23:22,705 I mean, Lisa going to jail, 387 00:23:22,707 --> 00:23:25,872 it's the next thing to life or death. 388 00:23:25,874 --> 00:23:28,507 Have you ever experienced something like that? 389 00:23:31,674 --> 00:23:34,007 Well, when I was younger. 390 00:23:35,441 --> 00:23:36,740 I lost my mom. 391 00:23:38,707 --> 00:23:40,006 How did she die, Kia? 392 00:23:43,307 --> 00:23:46,372 In the hospital, she had cancer. 393 00:23:46,374 --> 00:23:47,574 She died in the hospital. 394 00:23:48,739 --> 00:23:53,573 I want you to really remember your mother, right now. 395 00:23:55,172 --> 00:23:59,139 I want you to remember what she was wearing, 396 00:24:00,139 --> 00:24:02,272 what did her skin feel like, 397 00:24:03,440 --> 00:24:04,871 what did the room smell like that day, 398 00:24:04,873 --> 00:24:07,105 what was the temperature of the room like? 399 00:24:09,739 --> 00:24:11,207 Answer the questions, Kia. 400 00:24:16,805 --> 00:24:17,972 I was 16. 401 00:24:19,672 --> 00:24:22,806 I had caught the bus to school that day. 402 00:24:23,871 --> 00:24:29,004 I had this, um, this urgent phone call from my dad 403 00:24:30,004 --> 00:24:31,504 telling me to come to the hospital. 404 00:24:32,437 --> 00:24:33,505 It was... 405 00:24:35,771 --> 00:24:37,805 It was the last time to say goodbye. 406 00:24:40,004 --> 00:24:42,104 And he looked so scared. 407 00:24:45,904 --> 00:24:48,135 Because he was gonna lose his wife for the rest of his life, 408 00:24:48,137 --> 00:24:49,737 his best friend. 409 00:24:52,570 --> 00:24:53,571 He was so pale. 410 00:24:55,404 --> 00:24:59,804 I remember sitting next to the bed and just... 411 00:25:02,037 --> 00:25:03,603 Just waiting for her to die. 412 00:25:05,069 --> 00:25:08,136 And in this sick way... 413 00:25:10,869 --> 00:25:11,704 Go on. 414 00:25:14,868 --> 00:25:17,103 And in a sick way, I wanted her to die. 415 00:25:18,736 --> 00:25:20,870 TIM: What happened when she died? 416 00:25:22,035 --> 00:25:22,869 What did you see? 417 00:25:24,735 --> 00:25:26,036 Her body jolted up. 418 00:25:27,669 --> 00:25:29,503 It was like she couldn't breathe. 419 00:25:34,868 --> 00:25:35,969 It was twitching. 420 00:25:41,235 --> 00:25:44,601 And I saw her take her last breath. 421 00:25:46,001 --> 00:25:46,902 Look at me, Kia. 422 00:25:48,602 --> 00:25:51,066 Use what you're feeling right now. 423 00:25:51,068 --> 00:25:54,899 Think to scene 92 where Gina herself dies in your arms. 424 00:25:54,901 --> 00:25:57,099 Her throat is slashed and she's gasping for breath, 425 00:25:57,101 --> 00:25:59,668 just like your mother gasped for breath. 426 00:26:01,201 --> 00:26:05,634 See her there, see her in your arms, dying in your arms. 427 00:26:06,632 --> 00:26:09,364 Picture her, fighting for her last breath, 428 00:26:09,366 --> 00:26:10,935 knowing that she's going to die. 429 00:26:12,001 --> 00:26:12,968 See it, Kia. 430 00:26:14,067 --> 00:26:16,167 And now the lines of scene 92. 431 00:26:19,166 --> 00:26:20,166 Don't leave me. 432 00:26:23,499 --> 00:26:24,999 Please don't leave me. 433 00:26:26,565 --> 00:26:28,033 And your mother dies. 434 00:26:29,166 --> 00:26:30,898 She is gone forever and you will never see her again. 435 00:26:30,900 --> 00:26:33,464 You will never see her face again, 436 00:26:33,466 --> 00:26:35,167 you will never hear her voice again. 437 00:26:36,100 --> 00:26:38,567 And the lines of scene 92, Kia. 438 00:26:43,998 --> 00:26:47,263 (SOBS) No. 439 00:26:47,265 --> 00:26:48,098 No, don't go. 440 00:26:51,165 --> 00:26:52,631 No, don't go! 441 00:26:55,198 --> 00:26:57,032 Please don't go, don't go. 442 00:27:01,033 --> 00:27:02,866 No, no, no, no, no, no, no. 443 00:27:04,866 --> 00:27:06,766 No, stay with me. 444 00:27:13,164 --> 00:27:15,165 (MOANS) 445 00:27:24,996 --> 00:27:26,996 (SIGHS) 446 00:27:34,630 --> 00:27:37,230 (TIM CHUCKLES) 447 00:27:51,096 --> 00:27:52,361 Come on. 448 00:27:52,363 --> 00:27:53,063 Come on, come on, come on, come on. 449 00:27:55,828 --> 00:27:57,229 JEFF: Nice work in there. 450 00:27:58,196 --> 00:27:59,461 KIA: Thank you. 451 00:27:59,463 --> 00:28:01,027 He can be tough. 452 00:28:01,029 --> 00:28:04,696 But he's only tough when he likes the performer. 453 00:28:05,996 --> 00:28:10,192 If he didn't believe in you, he wouldn't give you the time. 454 00:28:10,194 --> 00:28:12,061 (CHUCKLES) That's nice. 455 00:28:13,761 --> 00:28:17,025 You won't get signal much around here. 456 00:28:17,027 --> 00:28:21,860 Being in the middle of nowhere can be problematic like that. 457 00:28:21,862 --> 00:28:25,459 Yeah, I mean, I guess it's a good thing for the film. 458 00:28:25,461 --> 00:28:28,792 You know, so much screaming at the end. (CHUCKLES) 459 00:28:28,794 --> 00:28:31,292 No one around, no one can hear or complain. 460 00:28:31,294 --> 00:28:32,558 Sure. 461 00:28:32,560 --> 00:28:35,291 Right, that's enough of a break for now. 462 00:28:35,293 --> 00:28:37,024 Should we go out into the woods? 463 00:28:37,026 --> 00:28:37,928 Scene 104. 464 00:28:39,027 --> 00:28:41,762 - Let's do it. - Right behind you, boss. 465 00:28:43,460 --> 00:28:44,461 Okay! 466 00:28:46,026 --> 00:28:47,960 Kia, scene 104. 467 00:28:49,094 --> 00:28:51,658 Now, Melissa has managed to escape the masked killer, 468 00:28:51,660 --> 00:28:54,024 and has managed to make it through the woods, but, 469 00:28:54,026 --> 00:28:56,091 oh, shit, she doesn't have a clue where to run, 470 00:28:56,093 --> 00:28:59,424 and having left a friend behind, what can she do? 471 00:28:59,426 --> 00:29:01,024 Sure, okay. 472 00:29:01,026 --> 00:29:02,125 It's a question, Kia. 473 00:29:02,127 --> 00:29:05,724 Oh right, sorry, (CHUCKLES) Melissa, Melissa, okay. 474 00:29:05,726 --> 00:29:07,290 Kia, Kia, Kia, come on, come on. 475 00:29:07,292 --> 00:29:09,890 Okay, she needs to figure out if she is going to keep 476 00:29:09,892 --> 00:29:14,456 running or if she turns and she faces the problem head on. 477 00:29:14,458 --> 00:29:15,923 Win or lose. 478 00:29:15,925 --> 00:29:19,623 Win or lose, now I like it, so yes, Melissa's fight or 479 00:29:19,625 --> 00:29:22,890 flight is well and truly in action and what does she do? 480 00:29:22,892 --> 00:29:24,922 - She fights. - She does, indeed. 481 00:29:24,924 --> 00:29:27,356 The real hero of the film comes to life, and she goes to 482 00:29:27,358 --> 00:29:29,923 unmask the monster that has taken the lives of her friends. 483 00:29:29,925 --> 00:29:33,856 Oh, so my script finishes at 110, 484 00:29:33,858 --> 00:29:35,690 so can I ask who the killer is? 485 00:29:35,692 --> 00:29:38,356 (CHUCKLES) Well, you don't actually get to find out 486 00:29:38,358 --> 00:29:41,057 who the killer is until we shoot the scene. 487 00:29:41,059 --> 00:29:44,323 Trust me, it's a hell of a twist. (CHUCKLES) 488 00:29:44,325 --> 00:29:46,225 (CHUCKLES) Okay, I hope it's not me. 489 00:29:47,824 --> 00:29:49,188 Right! 490 00:29:49,190 --> 00:29:50,558 Show me what you've got. 491 00:29:55,124 --> 00:29:56,225 And action. 492 00:29:57,858 --> 00:29:59,923 (KIA SCREAMS) (DRAMATIC ORCHESTRAL MUSIC) 493 00:29:59,925 --> 00:30:01,421 Stay away from me! 494 00:30:01,423 --> 00:30:03,888 Stay away from me, I said! 495 00:30:03,890 --> 00:30:05,154 (SCREAMS) 496 00:30:05,156 --> 00:30:06,657 No, don't kill me! 497 00:30:07,557 --> 00:30:09,122 Don't kill me! 498 00:30:09,124 --> 00:30:10,721 I know who you are! 499 00:30:10,723 --> 00:30:12,788 I know what you did! 500 00:30:12,790 --> 00:30:13,624 Help me! 501 00:30:15,090 --> 00:30:15,890 Help me! 502 00:30:17,224 --> 00:30:20,223 (GRUNTS AND SCREAMS) 503 00:30:21,290 --> 00:30:23,188 Please don't kill me, don't kill me. 504 00:30:23,190 --> 00:30:25,321 I'm scared, don't kill me. 505 00:30:25,323 --> 00:30:26,521 Don't kill me, don't kill me! 506 00:30:26,523 --> 00:30:27,854 Oh, shit, was that okay? 507 00:30:27,856 --> 00:30:29,186 I feel like I went too high-pitched. 508 00:30:29,188 --> 00:30:30,386 No no, it's good, not now, come on, let's keep going. 509 00:30:30,388 --> 00:30:32,220 - Okay. - Okay? 510 00:30:32,222 --> 00:30:33,388 No, I'm gonna do it again, okay? 511 00:30:33,390 --> 00:30:35,352 - Okay, come on. - I'm gonna stand up. 512 00:30:35,354 --> 00:30:36,155 Okay. 513 00:30:39,122 --> 00:30:42,553 I know what you did to my sister, but I'm innocent! 514 00:30:42,555 --> 00:30:45,519 I'm innocent! (DRAMATIC ORCHESTRAL MUSIC) 515 00:30:45,521 --> 00:30:47,020 Please. 516 00:30:47,022 --> 00:30:49,719 - Please, please, please... - Yes, yes, that's the one! 517 00:30:49,721 --> 00:30:52,187 That is the one, Kia, that is the one, that is perfect! 518 00:30:52,189 --> 00:30:55,318 (CHUCKLES) I'm not gonna lie, I feel flustered. 519 00:30:55,320 --> 00:30:56,420 TIM: That's good though, Kia. 520 00:30:56,422 --> 00:30:57,653 That's how you should be feeling. 521 00:30:57,655 --> 00:30:59,253 - Yeah? - Yeah, that's the energy. 522 00:30:59,255 --> 00:31:00,922 - That's what she has. - Okay. 523 00:31:03,788 --> 00:31:06,487 I've been trying to call you all day, I'm so sorry. 524 00:31:06,489 --> 00:31:09,852 REESE: It's okay, don't worry, how's it all going? 525 00:31:09,854 --> 00:31:15,021 So good, Tim was really impressed with what I did today. 526 00:31:15,721 --> 00:31:17,151 He seemed really into it all. 527 00:31:17,153 --> 00:31:20,019 He was giving me all these really great comments and stuff. 528 00:31:20,021 --> 00:31:24,085 REESE: Well, can I come and see you if you get it? 529 00:31:24,087 --> 00:31:27,251 I would love that, yeah, it feels really isolated here... 530 00:31:27,253 --> 00:31:28,187 How are you? 531 00:31:29,187 --> 00:31:30,687 KIA: I'm good, how are you? 532 00:31:31,686 --> 00:31:32,920 I'm well, thank you. 533 00:31:35,553 --> 00:31:36,654 Listen, Kia. 534 00:31:38,320 --> 00:31:42,218 (SIGHS) I want this whole process 535 00:31:42,220 --> 00:31:43,986 to be that of method acting. 536 00:31:45,086 --> 00:31:46,284 You understand? 537 00:31:46,286 --> 00:31:47,719 Yeah, got it. 538 00:31:48,951 --> 00:31:49,719 So, um. 539 00:31:50,918 --> 00:31:51,919 No phones. 540 00:31:53,719 --> 00:31:57,917 Melissa has no communication with the outside world, so, 541 00:31:57,919 --> 00:31:58,886 neither should Kia. 542 00:32:03,884 --> 00:32:04,719 Now, Kia. 543 00:32:21,617 --> 00:32:23,251 So, I'll take your phone now? 544 00:32:32,217 --> 00:32:33,017 Great. 545 00:32:34,384 --> 00:32:36,348 Meet me downstairs in 10 minutes. 546 00:32:36,350 --> 00:32:37,516 We'll have some dinner and then have 547 00:32:37,518 --> 00:32:39,251 one last rehearsal while it's dark. 548 00:32:43,217 --> 00:32:48,550 And from now on, we're going to refer to you as Melissa. 549 00:32:50,450 --> 00:32:51,249 No more Kia. 550 00:33:13,148 --> 00:33:16,715 (SOMBER ATMOSPHERIC MUSIC) 551 00:33:34,881 --> 00:33:37,278 Why do you think Melissa chooses 552 00:33:37,280 --> 00:33:38,848 to go back and save her sister, 553 00:33:39,681 --> 00:33:42,181 rather than picking her fiance? 554 00:33:45,414 --> 00:33:46,612 I think that whatever happens 555 00:33:46,614 --> 00:33:49,346 at the wedding can be resolved. 556 00:33:49,348 --> 00:33:52,578 But she can't not go back for her sister. 557 00:33:52,580 --> 00:33:55,047 She could die, she could lose her forever. 558 00:33:56,814 --> 00:33:58,681 In real life, your boyfriend. 559 00:34:00,514 --> 00:34:03,978 Would you leave him at the altar? 560 00:34:03,980 --> 00:34:07,781 Well, if I had a sister, I would choose my sibling. 561 00:34:09,912 --> 00:34:14,344 Okay, I want you to really picture your boyfriend 562 00:34:14,346 --> 00:34:15,580 in your mind's eye. 563 00:34:16,546 --> 00:34:21,510 Imagine the devastation on his face, 564 00:34:21,512 --> 00:34:24,446 standing there at the altar and you not showing up. 565 00:34:27,278 --> 00:34:28,112 Well... 566 00:34:29,345 --> 00:34:31,145 What does he look like, Reese? 567 00:34:33,945 --> 00:34:34,743 Oh. 568 00:34:34,745 --> 00:34:36,943 Well, Reese is a girl, 569 00:34:36,945 --> 00:34:40,909 and I think that she would be, yeah, really devastated, 570 00:34:40,911 --> 00:34:42,742 but if she thought that my sister was in danger, 571 00:34:42,744 --> 00:34:45,511 then she would totally understand. 572 00:34:47,878 --> 00:34:49,342 (TIM SIGHS) 573 00:34:49,344 --> 00:34:50,678 Is something the matter? 574 00:34:53,944 --> 00:34:55,012 Sorry, Kia. 575 00:34:59,111 --> 00:35:02,179 Melissa has a boyfriend. 576 00:35:03,711 --> 00:35:04,645 Yeah. 577 00:35:05,778 --> 00:35:08,610 TIM: And it's now coming to light that you are gay. 578 00:35:10,778 --> 00:35:13,641 Well, that shouldn't change anything. 579 00:35:13,643 --> 00:35:16,642 You didn't suspect anything until now and I don't think 580 00:35:16,644 --> 00:35:19,077 the audience will, if I do a good enough job. 581 00:35:23,510 --> 00:35:26,774 No, I'm sorry, it just doesn't feel right that 582 00:35:26,776 --> 00:35:29,740 the actress playing Melissa can't truly connect 583 00:35:29,742 --> 00:35:31,643 to the actor playing her boyfriend. 584 00:35:32,877 --> 00:35:36,407 Yeah, but in saying that, I don't connect with 585 00:35:36,409 --> 00:35:38,709 a lot of people that I work opposite. 586 00:35:40,410 --> 00:35:41,610 It's like a sex scene. 587 00:35:42,909 --> 00:35:45,674 You're not turned on, you're performing, you're working. 588 00:35:45,676 --> 00:35:47,043 You're doing your job. 589 00:35:54,041 --> 00:35:56,009 Melissa, how did your parents die? 590 00:35:59,441 --> 00:36:00,675 My dad's not dead. 591 00:36:03,475 --> 00:36:04,476 Melissa. 592 00:36:06,208 --> 00:36:07,707 How did your parents die? 593 00:36:08,541 --> 00:36:11,108 I'm sorry. (CLEARS THROAT) 594 00:36:12,807 --> 00:36:16,642 They died in a car accident when I was younger. 595 00:36:21,507 --> 00:36:23,874 They, from food, food poisoning? 596 00:36:26,440 --> 00:36:29,707 From uncooked food on a vacation. 597 00:36:31,642 --> 00:36:34,474 Are you saying that Ruth didn't cook this food properly? 598 00:36:40,407 --> 00:36:42,671 No. (CHUCKLES) 599 00:36:42,673 --> 00:36:45,773 No, no, I'm saying that that's how my parents died. 600 00:36:47,674 --> 00:36:49,574 Did you even read the script? 601 00:36:51,139 --> 00:36:52,337 Yeah. 602 00:36:52,339 --> 00:36:53,537 Well, then I think it's pretty damn obvious 603 00:36:53,539 --> 00:36:55,771 what happened to her parents. 604 00:36:55,773 --> 00:36:57,637 Her mother got into debt and died from drinking. 605 00:36:57,639 --> 00:36:59,107 Her father killed himself. 606 00:37:01,472 --> 00:37:03,237 I don't think that's written anywhere in the script. 607 00:37:03,239 --> 00:37:06,204 It's in the subtext. 608 00:37:06,206 --> 00:37:08,170 I know, I wrote it. 609 00:37:08,172 --> 00:37:09,471 (SIGHS) 610 00:37:09,473 --> 00:37:12,706 Okay, let's go outside and do scene 111, killer reveal. 611 00:37:40,837 --> 00:37:41,672 Stand there. 612 00:37:43,271 --> 00:37:44,834 (SIGHS) 613 00:37:44,836 --> 00:37:45,667 Right. 614 00:37:45,669 --> 00:37:47,804 Scene 111, killer reveal. 615 00:37:50,669 --> 00:37:51,802 Oh, I don't know the lines to that scene. 616 00:37:51,804 --> 00:37:53,738 I don't know who the killer is. 617 00:37:56,103 --> 00:37:57,005 Improvise them. 618 00:37:58,536 --> 00:38:01,200 (CHUCKLES) Fine, I'll fucking spoon feed you. 619 00:38:01,202 --> 00:38:03,734 Scene 111, killer reveal. 620 00:38:03,736 --> 00:38:06,501 All your friends are dead and you are the last one standing, 621 00:38:06,503 --> 00:38:08,637 face to face with the masked killer. 622 00:38:15,870 --> 00:38:17,536 And action. 623 00:38:25,669 --> 00:38:26,502 You. 624 00:38:27,269 --> 00:38:28,470 Huh, who are you? 625 00:38:29,768 --> 00:38:30,802 Who are you? 626 00:38:31,668 --> 00:38:33,867 What do you want from me? 627 00:38:33,869 --> 00:38:35,399 Huh? 628 00:38:35,401 --> 00:38:36,569 Stay away from me. 629 00:38:37,568 --> 00:38:40,100 I said, stay the hell away from me. 630 00:38:40,102 --> 00:38:41,833 (DARK ATMOSPHERIC MUSIC) 631 00:38:41,835 --> 00:38:42,869 Um, uh... 632 00:38:54,700 --> 00:38:56,234 Take off your mask. 633 00:38:57,701 --> 00:38:59,002 I said, take off your mask! 634 00:39:14,001 --> 00:39:14,833 You. 635 00:39:16,568 --> 00:39:17,700 How could you? 636 00:39:20,333 --> 00:39:21,801 How could you do this to me? 637 00:39:22,633 --> 00:39:24,097 How could you do this? 638 00:39:24,099 --> 00:39:26,698 Look what you've done! 639 00:39:26,700 --> 00:39:29,263 Look what you've done to me. 640 00:39:29,265 --> 00:39:30,732 Huh? 641 00:39:30,734 --> 00:39:32,764 Huh? Look what you've done to me! 642 00:39:32,766 --> 00:39:34,731 What do you want from me? (MUSIC SWELLS) 643 00:39:34,733 --> 00:39:37,563 Let's just wrap it up for the evening. 644 00:39:37,565 --> 00:39:41,132 - I don't actually know... - Just stop, okay? 645 00:39:42,599 --> 00:39:44,963 You're tired, you're just not performing well enough. 646 00:39:44,965 --> 00:39:45,996 KIA: I didn't... 647 00:39:45,998 --> 00:39:48,731 You were spellbinding earlier, but it's... 648 00:39:48,733 --> 00:39:50,662 Tim, I don't know who the killer is. 649 00:39:50,664 --> 00:39:52,663 It's just sloppy now! 650 00:39:52,665 --> 00:39:55,999 Just go away, okay, and be Melissa! 651 00:39:57,764 --> 00:39:59,831 You're still being Kia. 652 00:40:00,897 --> 00:40:01,798 Be Melissa! 653 00:40:02,865 --> 00:40:04,899 Be in the moment! 654 00:40:19,530 --> 00:40:22,529 Look, try not to worry about it. 655 00:40:22,531 --> 00:40:25,196 It's just the way he works. 656 00:40:25,198 --> 00:40:26,964 It's his process. 657 00:40:28,496 --> 00:40:29,464 Anyway. 658 00:40:31,397 --> 00:40:32,164 Sleep well. 659 00:40:54,495 --> 00:40:56,463 Hi, Kia, it's me. 660 00:40:57,496 --> 00:40:59,163 Been trying to call you a few times now. 661 00:41:00,361 --> 00:41:01,626 I've just not heard from you. 662 00:41:01,628 --> 00:41:02,960 I'm just getting a bit worried, okay? 663 00:41:02,962 --> 00:41:06,860 Can you just call me and let me know you're okay at least? 664 00:41:06,862 --> 00:41:07,896 Love you. 665 00:41:12,895 --> 00:41:14,896 (SIGHS) 666 00:41:35,428 --> 00:41:38,561 (SUSPENSEFUL MUSIC) 667 00:42:09,727 --> 00:42:11,059 Probably one of the crew. 668 00:42:12,626 --> 00:42:14,093 Scouting tomorrow's location. 669 00:42:16,793 --> 00:42:19,056 Sorry, I didn't mean to scare you. 670 00:42:19,058 --> 00:42:21,492 No, it's fine, I'm just a little on edge. 671 00:42:24,093 --> 00:42:25,026 Come sit with me. 672 00:42:26,159 --> 00:42:26,959 Come on. 673 00:42:36,926 --> 00:42:38,489 Well, I can't say I wasn't expecting 674 00:42:38,491 --> 00:42:39,756 - to hear from you so late. - Yeah, sorry. 675 00:42:39,758 --> 00:42:43,522 I know it's late, I'm just worried about Kia. 676 00:42:43,524 --> 00:42:44,822 Why, what's happened? 677 00:42:44,824 --> 00:42:46,323 I just haven't heard from her 678 00:42:46,325 --> 00:42:48,657 since you sent her on that callback. 679 00:42:49,892 --> 00:42:51,256 What callback? 680 00:42:51,258 --> 00:42:52,823 For the horror film. 681 00:42:52,825 --> 00:42:55,454 I never got her a callback for a horror film. 682 00:42:55,456 --> 00:42:58,991 (DARK ORCHESTRAL MUSIC) 683 00:43:27,356 --> 00:43:28,190 Glass? 684 00:43:29,055 --> 00:43:30,221 No, thanks. 685 00:43:30,223 --> 00:43:32,157 I didn't know you'd done casting. 686 00:43:35,089 --> 00:43:35,923 Indeed. 687 00:43:37,156 --> 00:43:40,088 Melissa is the last role to fill. 688 00:43:40,090 --> 00:43:41,589 Thank you, I didn't know. 689 00:43:43,354 --> 00:43:44,787 Oh. 690 00:43:44,789 --> 00:43:47,023 I see Bev has completed her scenes. 691 00:43:51,121 --> 00:43:52,089 You've begun filming? 692 00:43:53,588 --> 00:43:55,523 TIM: We started a little while ago. 693 00:43:56,820 --> 00:43:59,888 You have Harley Dawson from The Parent Trap playing Talia? 694 00:44:01,321 --> 00:44:02,754 Go on, sit down. 695 00:44:09,155 --> 00:44:10,121 So, what's up? 696 00:44:13,520 --> 00:44:14,686 What do you mean? 697 00:44:14,688 --> 00:44:16,821 With you, something's wrong, what is it? 698 00:44:20,753 --> 00:44:24,418 You know, Melissa in this situation, 699 00:44:24,420 --> 00:44:26,054 she'd tell me what was wrong. 700 00:44:27,120 --> 00:44:28,417 She'd have the balls. 701 00:44:28,419 --> 00:44:29,420 Okay. 702 00:44:30,886 --> 00:44:33,186 I don't think I am what you're looking for. 703 00:44:35,820 --> 00:44:36,918 I'll leave first thing in the morning. 704 00:44:36,920 --> 00:44:38,652 I don't wanna disappoint you anymore. 705 00:44:38,654 --> 00:44:41,087 You have Melissa inside you, you know that, right? 706 00:44:42,353 --> 00:44:44,786 You just need to let me help you release her. 707 00:44:46,987 --> 00:44:48,816 Kia is the problem. 708 00:44:48,818 --> 00:44:50,584 Kia is the one who won't back down, 709 00:44:50,586 --> 00:44:54,087 who won't allow herself to be real, to be vulnerable. 710 00:44:55,086 --> 00:44:56,087 To be honest. 711 00:44:57,751 --> 00:45:00,085 Kia is the wall that we need to break down. 712 00:45:01,352 --> 00:45:04,152 You've got to stop being so sensitive. 713 00:45:06,152 --> 00:45:07,153 'Cause the role's yours. 714 00:45:10,285 --> 00:45:11,349 Wait, what? 715 00:45:11,351 --> 00:45:13,018 You are Melissa. 716 00:45:14,684 --> 00:45:17,119 You just need to let me help you release her. 717 00:45:18,351 --> 00:45:21,085 You've got the job. (KIA CHUCKLES) 718 00:45:22,117 --> 00:45:23,882 Oh, my god. 719 00:45:23,884 --> 00:45:24,718 Really? 720 00:45:26,218 --> 00:45:27,184 Oh, wow. 721 00:45:28,051 --> 00:45:30,248 (CHUCKLES) 722 00:45:30,250 --> 00:45:32,084 Tim, thank you so much. 723 00:45:33,683 --> 00:45:35,948 I am gonna work so hard on this. 724 00:45:35,950 --> 00:45:38,417 I know you will, Kia, I don't doubt that. 725 00:45:39,684 --> 00:45:43,016 You're gonna be a big star, you know that? (CHUCKLES) 726 00:45:43,018 --> 00:45:45,714 Go on, go get some rest. 727 00:45:45,716 --> 00:45:47,183 We start filming tomorrow. 728 00:45:48,284 --> 00:45:49,116 Filming? 729 00:45:50,949 --> 00:45:51,881 Well, why not? 730 00:45:51,883 --> 00:45:54,084 Now you're cast, let's get to the action. 731 00:45:55,249 --> 00:45:56,950 Go on, get some rest. 732 00:46:01,548 --> 00:46:02,549 Thank you. 733 00:46:03,717 --> 00:46:04,781 Thank you. 734 00:46:04,783 --> 00:46:08,215 It's going to be the role of a lifetime. 735 00:46:10,081 --> 00:46:11,115 Goodnight. 736 00:46:29,614 --> 00:46:33,214 (DARK ATMOSPHERIC MUSIC) 737 00:46:34,848 --> 00:46:37,481 (CAMERA BLEEPS) 738 00:46:45,047 --> 00:46:47,611 The only thing I can think of is to check her emails or 739 00:46:47,613 --> 00:46:50,212 something, just to see if I can find any information on it. 740 00:46:50,214 --> 00:46:51,480 Oh, god. 741 00:46:53,048 --> 00:46:54,345 What? 742 00:46:54,347 --> 00:46:57,345 I told her not to use these online websites, 743 00:46:57,347 --> 00:46:58,945 but I mean, you know her better than I do. 744 00:46:58,947 --> 00:47:00,511 She probably hasn't listened to me. 745 00:47:00,513 --> 00:47:02,680 Check Casting United. 746 00:47:03,546 --> 00:47:04,880 - Okay. - That's it. 747 00:47:05,612 --> 00:47:07,711 What's Casting United? 748 00:47:07,713 --> 00:47:10,345 Basically, it's a website where actors 749 00:47:10,347 --> 00:47:13,078 can put themselves forward for their own work. 750 00:47:13,080 --> 00:47:15,578 Nothing gets checked though, so there's no organization 751 00:47:15,580 --> 00:47:16,811 as such checking everything. 752 00:47:16,813 --> 00:47:19,977 You, me, anyone could upload any sort of job, 753 00:47:19,979 --> 00:47:21,580 and lure anyone in. 754 00:47:23,879 --> 00:47:25,110 That's it. 755 00:47:25,112 --> 00:47:26,147 Yeah, The Final Scream. 756 00:47:29,812 --> 00:47:31,746 There's no information on anything. 757 00:47:32,511 --> 00:47:33,579 Check her email. 758 00:47:34,477 --> 00:47:35,478 Okay. 759 00:47:42,612 --> 00:47:45,479 No, I don't know the password. 760 00:47:47,478 --> 00:47:51,277 Look, I'm sure there's nothing to worry about, okay? 761 00:47:51,279 --> 00:47:52,442 Let me get in the office tomorrow morning 762 00:47:52,444 --> 00:47:53,912 and I'll do some digging. 763 00:47:55,045 --> 00:47:56,143 Hey. 764 00:47:56,145 --> 00:47:58,012 It's gonna be fine, all right? 765 00:47:59,178 --> 00:48:01,508 I'll do everything in my power to get the info. 766 00:48:01,510 --> 00:48:02,678 Don't worry. 767 00:48:03,478 --> 00:48:04,444 Thank you. 768 00:48:21,110 --> 00:48:24,575 So, it's a bit of a surprise, isn't it? 769 00:48:24,577 --> 00:48:29,141 I know, I can't believe it. (CHUCKLES) 770 00:48:29,143 --> 00:48:31,940 So where are the other girls, are they on-location? 771 00:48:31,942 --> 00:48:32,777 Yeah. 772 00:48:33,543 --> 00:48:34,510 Well, sort of. 773 00:48:35,610 --> 00:48:39,207 They auditioned, I don't know, weeks ago, 774 00:48:39,209 --> 00:48:41,341 and they're really into their method. 775 00:48:41,343 --> 00:48:42,840 Yeah, it's quite amazing. 776 00:48:42,842 --> 00:48:46,574 You wanna see 'em, they're like crying and shaking, 777 00:48:46,576 --> 00:48:48,606 and it looks really truthful. 778 00:48:48,608 --> 00:48:50,575 - Oh, wow. - Yeah, it's good. 779 00:48:53,609 --> 00:48:54,976 You're really beautiful. 780 00:48:56,241 --> 00:48:57,643 You have lovely cheekbones. 781 00:48:59,376 --> 00:49:03,073 - Aw, thank you. - Yeah. (CHUCKLES) 782 00:49:03,075 --> 00:49:05,410 In fact, you really are quite beautiful. 783 00:49:06,607 --> 00:49:07,608 KIA: Thanks. 784 00:49:10,440 --> 00:49:11,972 Yeah. 785 00:49:11,974 --> 00:49:13,973 Okay, well anyway, there's your costume over there. 786 00:49:13,975 --> 00:49:18,542 If you wanna go and put it on, and I'll see you on location. 787 00:49:34,272 --> 00:49:36,640 Well, it is a horror film, remember. 788 00:49:43,240 --> 00:49:44,074 Gina. 789 00:49:46,407 --> 00:49:47,408 Gina! 790 00:49:48,340 --> 00:49:49,671 Oh, where are you? 791 00:49:49,673 --> 00:49:52,004 You've had the idea, you know where they might be. 792 00:49:52,006 --> 00:49:54,974 Make the decision to find your friends in the warehouse. 793 00:49:57,772 --> 00:49:58,873 And cut. 794 00:50:00,072 --> 00:50:00,906 That's the one. 795 00:50:02,406 --> 00:50:03,407 You think? 796 00:50:04,705 --> 00:50:08,439 You were born for this role. (KIA CHUCKLES) 797 00:50:11,106 --> 00:50:13,836 Okay, on the next one... 798 00:50:13,838 --> 00:50:15,103 (JEFF CHUCKLES) 799 00:50:15,105 --> 00:50:18,171 I always thought that the camera would be a bit bigger, 800 00:50:18,173 --> 00:50:19,271 than like this. 801 00:50:19,273 --> 00:50:21,569 What do you expect for this kind of budget? 802 00:50:21,571 --> 00:50:24,470 It's 4K, it's good enough for the distributors. 803 00:50:24,472 --> 00:50:25,839 JEFF: What's up next? 804 00:50:27,170 --> 00:50:29,505 I think let's go for Kia face to face with Gina. 805 00:50:30,970 --> 00:50:34,203 So, the one where Gina dies in my arms? 806 00:50:34,205 --> 00:50:36,702 Oh, no no, no no, it's a rewrite. 807 00:50:36,704 --> 00:50:40,302 Let's crack on with the scene where Kia finds the actresses. 808 00:50:40,304 --> 00:50:42,502 You mean Melissa finds her friends. 809 00:50:42,504 --> 00:50:44,302 Exactly. (CHUCKLES) 810 00:50:44,304 --> 00:50:46,467 She's on it, this one, she's not slow. 811 00:50:46,469 --> 00:50:48,135 Right, Kia, headphones on and get prepping. 812 00:50:48,137 --> 00:50:51,000 I want the first time you meet the girls to be on camera. 813 00:50:51,002 --> 00:50:52,537 Right, let's get going! 814 00:51:03,737 --> 00:51:06,068 - Janice? - Hey, Reese. 815 00:51:06,070 --> 00:51:08,900 Look, I've had a deep scout of this project, 816 00:51:08,902 --> 00:51:11,202 and it doesn't even seem to exist online. 817 00:51:12,402 --> 00:51:15,535 Meaning, if it doesn't exist, no info online, 818 00:51:15,537 --> 00:51:18,034 then this could really be just about anyone. 819 00:51:18,036 --> 00:51:20,635 No one in the office knows anyone attached to it and even 820 00:51:20,637 --> 00:51:23,166 Casting United are clueless as to who put the ad up. 821 00:51:23,168 --> 00:51:24,867 REESE: So you're telling me that some strangers 822 00:51:24,869 --> 00:51:27,466 put this ad up to lure young hopefuls 823 00:51:27,468 --> 00:51:28,966 to audition in the middle of nowhere? 824 00:51:28,968 --> 00:51:31,300 JANICE: Yeah yeah, but it's normal in this of work. 825 00:51:31,302 --> 00:51:32,767 Christ, I send some of my clients 826 00:51:32,769 --> 00:51:34,433 to people's homes all the time, 827 00:51:34,435 --> 00:51:37,767 but I obviously don't do it by a bloody dodgy website. 828 00:51:37,769 --> 00:51:39,432 Kia's first job was from my site, 829 00:51:39,434 --> 00:51:41,999 so I suppose she had a reason to trust it and... 830 00:51:42,001 --> 00:51:44,933 REESE: Kia's first job, Kia's first job. 831 00:51:44,935 --> 00:51:46,732 Hang on, hang on. 832 00:51:46,734 --> 00:51:49,499 JANICE: Reese, what's happening? 833 00:51:49,501 --> 00:51:53,101 (DARK ATMOSPHERIC MUSIC) 834 00:52:07,334 --> 00:52:08,535 Yes! 835 00:52:09,234 --> 00:52:10,068 Yes. 836 00:52:37,332 --> 00:52:38,564 Thanks so much for coming, Melissa. 837 00:52:38,566 --> 00:52:39,896 I didn't know who else to call. 838 00:52:39,898 --> 00:52:40,929 That's okay, let's just get going, eh? 839 00:52:40,931 --> 00:52:41,699 Yeah. 840 00:52:42,866 --> 00:52:45,066 I've got the location and the address. 841 00:52:55,398 --> 00:52:57,862 Jeff, keep this one on Kia. 842 00:52:57,864 --> 00:52:59,264 Won't be able to get this shot again. 843 00:52:59,266 --> 00:53:00,065 JEFF: Sure. 844 00:53:01,233 --> 00:53:02,329 Tim, what do you want me to do? 845 00:53:02,331 --> 00:53:04,432 JEFF: It's an intense closeup. 846 00:53:05,431 --> 00:53:07,829 Okay, so, on action, you're gonna walk around 847 00:53:07,831 --> 00:53:10,128 the corner here and discover the girls. 848 00:53:10,130 --> 00:53:13,763 Melissa's about to discover what she's gotten herself into. 849 00:53:13,765 --> 00:53:16,561 Improvise lines as you're going round, you know, 850 00:53:16,563 --> 00:53:18,296 you don't know where you are, things like that. 851 00:53:18,298 --> 00:53:22,430 Okay, right, so, it's all improvisation? 852 00:53:22,432 --> 00:53:24,894 - Exactly. - Still rolling. 853 00:53:24,896 --> 00:53:26,327 Sound. 854 00:53:26,329 --> 00:53:27,397 I am recording. 855 00:53:28,530 --> 00:53:30,428 And when you're ready, Kia. 856 00:53:30,430 --> 00:53:31,664 Action. 857 00:53:48,429 --> 00:53:49,597 Hello? 858 00:53:52,663 --> 00:53:53,696 Gina. 859 00:53:57,663 --> 00:53:58,497 Gina? 860 00:53:59,429 --> 00:54:00,662 Are you there? 861 00:54:03,563 --> 00:54:06,163 (WOMEN SCREAM) 862 00:54:07,162 --> 00:54:07,996 Gina? 863 00:54:11,363 --> 00:54:13,929 (WOMEN SCREAM) 864 00:54:18,962 --> 00:54:24,128 Gina, what's going on? (WOMEN SCREAM) 865 00:54:25,261 --> 00:54:26,359 What's going on, what's going on? 866 00:54:26,361 --> 00:54:28,661 JEFF: Turn your backside. 867 00:54:29,494 --> 00:54:30,693 You have to get out! 868 00:54:30,695 --> 00:54:33,093 You have to help us, please! 869 00:54:33,095 --> 00:54:36,495 (WOMEN SCREAM AND SOB) 870 00:54:42,261 --> 00:54:44,391 Jeff, I want Melissa's reaction! 871 00:54:44,393 --> 00:54:46,057 What's happening? 872 00:54:46,059 --> 00:54:48,325 What's going on? (WOMEN SCREAM) 873 00:54:48,327 --> 00:54:49,161 Kia. 874 00:54:50,394 --> 00:54:53,558 Find the keys, let the girls out. 875 00:54:53,560 --> 00:54:56,691 Let the girls out, Kia, come on, faster. 876 00:54:56,693 --> 00:54:59,859 - Look at the camera. - Come on, Kia, come on. 877 00:54:59,861 --> 00:55:05,026 (TENSE ORCHESTRAL MUSIC) (WOMEN SOB) 878 00:55:06,894 --> 00:55:09,557 (JEFF GIGGLES) 879 00:55:09,559 --> 00:55:12,726 KIA: Let's go, let's go, come on. 880 00:55:19,460 --> 00:55:22,060 (MUSIC SWELLS) 881 00:55:31,759 --> 00:55:32,792 Killer reveal. 882 00:55:34,658 --> 00:55:36,492 Told you it was a hell of a twist. 883 00:55:40,558 --> 00:55:42,589 (JEFF GIGGLES) 884 00:55:42,591 --> 00:55:45,458 This is a good shot. (GIGGLES) 885 00:55:52,291 --> 00:55:53,759 (SIGHS) 42 minutes away. 886 00:55:54,791 --> 00:55:57,856 - Can we go faster? - Just, calm down, okay? 887 00:55:57,858 --> 00:55:58,791 It's gonna be fine. 888 00:55:59,890 --> 00:56:02,022 REESE: Sorry. 889 00:56:02,024 --> 00:56:02,824 Sorry. 890 00:56:08,591 --> 00:56:13,791 (WOMAN SOBS) (SUSPENSEFUL MUSIC) 891 00:56:21,189 --> 00:56:22,022 Help me. 892 00:56:26,090 --> 00:56:31,090 (WOMAN SOBS) (HARLEY MUMBLES) 893 00:56:31,756 --> 00:56:32,523 Help me. 894 00:56:34,257 --> 00:56:38,490 - Help me, please. - Please. (SOBS) 895 00:56:42,121 --> 00:56:42,956 Tim? 896 00:56:46,787 --> 00:56:47,622 Please. 897 00:56:48,588 --> 00:56:50,486 Oh, my god, oh, my god. 898 00:56:50,488 --> 00:56:55,655 Let me go, let me go! (SOBS) 899 00:56:56,088 --> 00:56:57,652 (SCREAMS) 900 00:56:57,654 --> 00:56:59,119 KIA: Ruth, what's going on? 901 00:56:59,121 --> 00:57:02,154 Stay in the moment, Kia, don't ruin your scene. 902 00:57:12,921 --> 00:57:14,085 (WOMEN SCREAM) 903 00:57:14,087 --> 00:57:16,887 (DRILL BUZZES) 904 00:57:29,319 --> 00:57:30,153 Tim. 905 00:57:32,153 --> 00:57:37,153 (DRILL BUZZES) (WOMEN WHINE) 906 00:57:38,986 --> 00:57:39,819 Tim? 907 00:57:41,185 --> 00:57:42,351 (WOMAN SCREAMS) (DRILL BUZZES) 908 00:57:42,353 --> 00:57:45,786 (DARK ATMOSPHERIC MUSIC) 909 00:57:56,519 --> 00:57:59,883 (DRILL BUZZES) 910 00:57:59,885 --> 00:58:02,452 (WOMEN SCREAM) 911 00:58:03,518 --> 00:58:07,418 (GIGGLES) You look pretty. 912 00:58:10,886 --> 00:58:12,549 Isn't she, Kia? 913 00:58:12,551 --> 00:58:15,984 How does it feel being a movie star, Kia? 914 00:58:18,284 --> 00:58:20,984 I'll need your autograph soon. 915 00:58:24,884 --> 00:58:26,385 You sick fuck! 916 00:58:30,950 --> 00:58:32,515 You fucking sick fuck! 917 00:58:32,517 --> 00:58:37,684 (DRILL BUZZES) (INTENSE ORCHESTRAL MUSIC) 918 00:58:41,717 --> 00:58:46,883 (WOMEN SCREAM) (DRILL BUZZES) 919 00:58:53,883 --> 00:58:58,280 (DARK ATMOSPHERIC MUSIC) (BLOOD SQUELCHES) 920 00:58:58,282 --> 00:59:00,182 TIM: And that's a wrap on Sue! 921 00:59:01,250 --> 00:59:03,915 (CREW APPLAUDS) 922 00:59:06,316 --> 00:59:08,713 Okay, now we get to the good part. 923 00:59:08,715 --> 00:59:11,481 Ladies, you all have 10 seconds. 924 00:59:11,483 --> 00:59:14,016 Now let's give one hell of a performance, yeah? 925 00:59:14,950 --> 00:59:15,782 10! 926 00:59:16,881 --> 00:59:17,715 Nine. 927 00:59:18,848 --> 00:59:19,682 Eight. 928 00:59:20,982 --> 00:59:22,015 Seven. 929 00:59:23,182 --> 00:59:23,982 Six. 930 00:59:24,982 --> 00:59:28,182 Run, rabbit, run, rabbit, run, run, run! 931 00:59:29,147 --> 00:59:31,779 Five! (WOMEN SCREAM) 932 00:59:31,781 --> 00:59:32,616 Four. 933 00:59:34,115 --> 00:59:34,949 Three! 934 00:59:36,214 --> 00:59:37,048 Two. 935 00:59:38,814 --> 00:59:39,614 One! 936 00:59:40,914 --> 00:59:41,948 And... 937 00:59:42,881 --> 00:59:43,912 Action. 938 00:59:43,914 --> 00:59:48,981 (HUMS "IF YOU GO DOWN IN THE WOODS TODAY") 939 00:59:57,948 --> 01:00:00,081 HARLEY: Come on, come on. 940 01:00:27,879 --> 01:00:33,013 (HIGH-PITCHED RINGING) (GARBLED CHATTER) 941 01:00:36,178 --> 01:00:38,009 Stop it, stop. 942 01:00:38,011 --> 01:00:40,009 What the hell are we doing? 943 01:00:40,011 --> 01:00:42,776 (HARLEY MUMBLES) 944 01:00:42,778 --> 01:00:44,642 There wasn't a gas station for miles, I drove here. 945 01:00:44,644 --> 01:00:46,178 TIM: I'm coming! 946 01:00:54,945 --> 01:00:57,076 We need to get the fuck out of here, now. 947 01:00:57,078 --> 01:01:00,011 (HARLEY MUMBLES) 948 01:01:01,212 --> 01:01:03,143 - We have to split up. - No, we can't... 949 01:01:03,145 --> 01:01:04,974 Shh, shh, shh. 950 01:01:04,976 --> 01:01:06,142 She's right, okay? 951 01:01:06,144 --> 01:01:08,009 It's gonna be the only way, if we wanna get out of here. 952 01:01:08,011 --> 01:01:08,974 No. 953 01:01:08,976 --> 01:01:12,110 Shh, you want to get out of here, right? 954 01:01:12,112 --> 01:01:14,508 Jade, I'm sorry. 955 01:01:14,510 --> 01:01:17,042 It's gonna be the only way we can get out. 956 01:01:17,044 --> 01:01:18,408 It's the only way. 957 01:01:18,410 --> 01:01:19,378 Come on. 958 01:01:24,744 --> 01:01:25,578 Let's go! 959 01:01:28,644 --> 01:01:31,810 (SUSPENSEFUL MUSIC) 960 01:01:34,876 --> 01:01:38,506 TIM: Jeff, zoom in on the girls. 961 01:01:38,508 --> 01:01:39,576 I got this. 962 01:01:41,509 --> 01:01:44,109 KIA: Okay, go, go, go, go! 963 01:01:47,875 --> 01:01:50,076 TIM: Ah, you wanna play that game, huh? 964 01:01:50,975 --> 01:01:52,839 Okay. 965 01:01:52,841 --> 01:01:55,075 (CHUCKLES) 966 01:01:57,742 --> 01:02:00,475 (HARLEY SCREAMS) 967 01:02:04,608 --> 01:02:06,842 Run, run, run, go, go, go! 968 01:02:09,108 --> 01:02:10,805 Tim, the girls. 969 01:02:10,807 --> 01:02:12,205 Get them. 970 01:02:12,207 --> 01:02:15,039 TIM: Oh, they won't get far. 971 01:02:15,041 --> 01:02:17,173 These woods are a maze. 972 01:02:17,175 --> 01:02:21,838 Besides, we won't have a film if we kill them all now. 973 01:02:21,840 --> 01:02:24,071 JEFF: The reviews will say it was typical. 974 01:02:24,073 --> 01:02:25,174 They all got away. 975 01:02:26,008 --> 01:02:27,575 TIM: They won't get away. 976 01:02:38,374 --> 01:02:41,940 (HARLEY MOANS AND PANTS) 977 01:02:51,273 --> 01:02:54,139 (OMINOUS TONES) 978 01:02:57,138 --> 01:03:00,437 No. (SOBS) 979 01:03:00,439 --> 01:03:04,171 TIM: You must be here for the audition. 980 01:03:04,173 --> 01:03:06,873 (HARLEY SOBS) 981 01:03:12,005 --> 01:03:13,804 You better come with me, then. 982 01:03:13,806 --> 01:03:16,105 (HARLEY SOBS) 983 01:03:20,038 --> 01:03:23,039 (SUSPENSEFUL MUSIC) 984 01:03:36,237 --> 01:03:38,236 JADE: No. 985 01:03:38,238 --> 01:03:39,372 No, come on! 986 01:03:40,571 --> 01:03:45,371 Come on, the keys are in there, come on, you're bleeding! 987 01:04:00,936 --> 01:04:02,102 - Anything? - No. 988 01:04:02,104 --> 01:04:05,301 It's just voicemail again, should I call the police? 989 01:04:05,303 --> 01:04:07,268 No, let's not jump to conclusions. 990 01:04:07,270 --> 01:04:08,903 We're only about 20 minutes away. 991 01:04:11,170 --> 01:04:14,536 (DARK ATMOSPHERIC MUSIC) 992 01:04:21,869 --> 01:04:23,167 Look familiar? 993 01:04:23,169 --> 01:04:24,433 (DRILL BUZZES) 994 01:04:24,435 --> 01:04:27,135 (HARLEY SOBS) 995 01:04:29,669 --> 01:04:32,470 Think I wore it for the closeup. 996 01:04:33,634 --> 01:04:36,535 Oh, how fucking original, Tim. 997 01:04:38,735 --> 01:04:39,535 Ruth. 998 01:04:40,867 --> 01:04:43,666 Why don't you go and make yourself useful, mm? 999 01:04:43,668 --> 01:04:44,932 Go back to the house, 1000 01:04:44,934 --> 01:04:46,399 and get cracking on yesterday's footage. 1001 01:04:46,401 --> 01:04:49,265 I would like to see a rough cut by this evening. 1002 01:04:49,267 --> 01:04:50,699 Who's gonna do the sound? 1003 01:04:50,701 --> 01:04:52,435 There's no sound in this shot. 1004 01:04:53,100 --> 01:04:54,565 Off you go. 1005 01:04:54,567 --> 01:04:56,501 We'll fix it in post! 1006 01:05:07,901 --> 01:05:11,068 (ACTRESS SOBS WILDLY) 1007 01:05:14,167 --> 01:05:17,401 (RHYTHMIC POP MUSIC) 1008 01:05:30,900 --> 01:05:33,734 (FUNKY POP MUSIC) 1009 01:05:48,065 --> 01:05:52,631 ♪ I don't what you're saying about me ♪ 1010 01:05:58,033 --> 01:06:00,228 I can't find them. 1011 01:06:00,230 --> 01:06:03,895 I can't find them, I can't find them. 1012 01:06:03,897 --> 01:06:06,164 How long did they have you down there for? 1013 01:06:08,330 --> 01:06:09,832 Since last week. 1014 01:06:13,432 --> 01:06:15,798 I've been here six days in total. 1015 01:06:17,198 --> 01:06:18,464 What did they do to you? 1016 01:06:35,063 --> 01:06:35,896 Okay. 1017 01:06:37,029 --> 01:06:39,527 Listen, we're gonna get you out of here, okay? 1018 01:06:39,529 --> 01:06:41,229 We're gonna get you out of here, okay? 1019 01:06:41,231 --> 01:06:42,861 Listen to me. 1020 01:06:42,863 --> 01:06:45,193 We're gonna get those psychos put away for good, okay? 1021 01:06:45,195 --> 01:06:47,260 I wouldn't be so sure about that. 1022 01:06:47,262 --> 01:06:49,730 No, it's gonna happen, okay? 1023 01:06:50,830 --> 01:06:55,996 Okay. (MUFFLED ELECTRONIC MUSIC) 1024 01:06:58,661 --> 01:07:00,562 - What is that? - Shh. 1025 01:07:08,561 --> 01:07:12,495 (MUFFLED ELECTRONIC MUSIC) 1026 01:08:31,025 --> 01:08:31,825 Come on. 1027 01:08:36,391 --> 01:08:39,792 (MOODY ELECTRONIC MUSIC) 1028 01:09:03,225 --> 01:09:05,322 Get to my car, we get out of here, okay? 1029 01:09:05,324 --> 01:09:06,487 No. 1030 01:09:06,489 --> 01:09:07,523 - No. - Come on. 1031 01:09:09,591 --> 01:09:11,591 RUTH: Hello, girls. 1032 01:09:15,056 --> 01:09:17,890 (FUNKY POP MUSIC) 1033 01:09:18,989 --> 01:09:23,255 ♪ Doesn't matter on the dance floor ♪ 1034 01:09:23,257 --> 01:09:24,486 ♪ Doesn't matter on the dance floor ♪ 1035 01:09:24,488 --> 01:09:25,988 One more! 1036 01:09:25,990 --> 01:09:27,487 (HARLEY CHOKES AND SPLUTTERS) 1037 01:09:27,489 --> 01:09:31,353 ♪ Doesn't matter on the dance floor ♪ 1038 01:09:31,355 --> 01:09:32,689 Oh, you wanna go? 1039 01:09:39,722 --> 01:09:41,321 (JEFF GIGGLES) 1040 01:09:41,323 --> 01:09:43,320 I'm sorry, I didn't realize. 1041 01:09:43,322 --> 01:09:44,622 No, that's fine. 1042 01:09:45,455 --> 01:09:50,621 Damn it. (HARLEY SOBS WILDLY) 1043 01:09:54,188 --> 01:09:56,353 (GROANS) (TENSE ORCHESTRAL MUSIC) 1044 01:09:56,355 --> 01:09:57,353 Jeff! 1045 01:09:57,355 --> 01:10:00,055 The camera on that bitch, now! 1046 01:10:05,121 --> 01:10:06,751 Help me! 1047 01:10:06,753 --> 01:10:07,554 Help me! 1048 01:10:10,187 --> 01:10:12,085 Why are you doing this? 1049 01:10:12,087 --> 01:10:13,351 Don't you realize? 1050 01:10:13,353 --> 01:10:16,351 We wanted to make the ultimate horror movie. 1051 01:10:16,353 --> 01:10:18,387 Have you never heard of a snuff movie? 1052 01:10:19,520 --> 01:10:21,685 Well, you're the star of one now. 1053 01:10:21,687 --> 01:10:23,821 She's just as sick as they are. 1054 01:10:26,286 --> 01:10:29,217 (RUTH SCREAMS) (INTENSE ORCHESTRAL MUSIC) 1055 01:10:29,219 --> 01:10:29,986 No! 1056 01:10:34,419 --> 01:10:36,853 (RUTH GRUNTS) 1057 01:10:43,486 --> 01:10:45,952 (RUTH GRUNTS) 1058 01:10:51,919 --> 01:10:54,087 (SCREAMS) 1059 01:10:56,286 --> 01:10:58,786 (RUTH CHOKES) 1060 01:11:22,784 --> 01:11:23,617 Come on. 1061 01:11:24,885 --> 01:11:26,616 Let's go, let's go. 1062 01:11:26,618 --> 01:11:27,651 Come on. 1063 01:11:32,618 --> 01:11:33,785 Think we're close. 1064 01:11:34,751 --> 01:11:35,749 (PHONE RINGS) 1065 01:11:35,751 --> 01:11:37,514 - Oh, my god. - Is that her? 1066 01:11:37,516 --> 01:11:38,948 - Yeah, Kia? - Reese? 1067 01:11:38,950 --> 01:11:40,982 - Yeah, Kia, where are you? - What's she saying? 1068 01:11:40,984 --> 01:11:43,781 Is she okay, where is she? 1069 01:11:43,783 --> 01:11:45,014 Stop! 1070 01:11:45,016 --> 01:11:47,181 (TIRES SCREECH) 1071 01:11:47,183 --> 01:11:49,748 Reese! 1072 01:11:49,750 --> 01:11:51,347 Reese? 1073 01:11:51,349 --> 01:11:54,516 (SUSPENSEFUL MUSIC) 1074 01:12:15,949 --> 01:12:18,514 WOMAN ON PHONE: Hello, Emergency Service operator. 1075 01:12:18,516 --> 01:12:19,813 Yeah, please. 1076 01:12:19,815 --> 01:12:21,413 OPERATOR: What's the nature of your emergency? 1077 01:12:21,415 --> 01:12:23,380 - It's a fucking emergency! - Is anyone injured? 1078 01:12:23,382 --> 01:12:24,646 I don't know where I am, okay? 1079 01:12:24,648 --> 01:12:26,279 I just need someone to come and get me. 1080 01:12:26,281 --> 01:12:27,579 OPERATOR: We need more details 1081 01:12:27,581 --> 01:12:29,049 of your location to track you. 1082 01:12:30,716 --> 01:12:32,046 (WOMEN SCREAM) 1083 01:12:32,048 --> 01:12:34,613 Did you girls really think we'd make a horror movie 1084 01:12:34,615 --> 01:12:38,480 where the lead actresses get to escape in their car? 1085 01:12:38,482 --> 01:12:41,582 (SUSTAINED HONK) 1086 01:12:42,781 --> 01:12:45,114 (CAR DINGS) 1087 01:12:54,113 --> 01:12:55,115 That girl. 1088 01:12:56,013 --> 01:12:59,045 I fucking ran over that girl. 1089 01:12:59,047 --> 01:13:01,114 (GROANS) 1090 01:13:03,447 --> 01:13:05,980 Jeff, closer, right in there. 1091 01:13:07,447 --> 01:13:09,914 I wanna see her die on camera. 1092 01:13:11,581 --> 01:13:12,414 Oi! 1093 01:13:15,448 --> 01:13:18,312 What the fuck, get away from her! 1094 01:13:18,314 --> 01:13:20,245 Filming in progress. 1095 01:13:20,247 --> 01:13:21,610 Excuse me. 1096 01:13:21,612 --> 01:13:24,543 Who the fuck invited you onto this film set? 1097 01:13:24,545 --> 01:13:26,346 No friends or family allowed. 1098 01:13:28,078 --> 01:13:29,677 OPERATOR: Hello, where are you calling from? 1099 01:13:29,679 --> 01:13:32,311 It's not fucking starting, what's going on? 1100 01:13:32,313 --> 01:13:35,675 (SUSPENSEFUL MUSIC) 1101 01:13:35,677 --> 01:13:37,410 OPERATOR: Hello, hello? 1102 01:13:37,412 --> 01:13:39,643 - Give me the phone. - Are you still there? 1103 01:13:39,645 --> 01:13:41,277 Hello, do you have our location? 1104 01:13:41,279 --> 01:13:43,408 - We need more details. - Oh, no, where is she? 1105 01:13:43,410 --> 01:13:44,211 - I don't know. - The battery. 1106 01:13:44,213 --> 01:13:45,709 The battery's gone. 1107 01:13:45,711 --> 01:13:47,644 If she's gone to get the others, we're fucked. 1108 01:13:47,646 --> 01:13:50,543 - We need to get out. - I know, I know. 1109 01:13:50,545 --> 01:13:52,210 I know, let's go. 1110 01:13:52,212 --> 01:13:53,546 Okay, come on. 1111 01:14:03,412 --> 01:14:04,778 Okay, okay, okay. 1112 01:14:09,543 --> 01:14:11,709 What the fuck do you think, get the fuck away! 1113 01:14:11,711 --> 01:14:13,141 Stop filming! 1114 01:14:13,143 --> 01:14:14,375 Oh, my god! 1115 01:14:14,377 --> 01:14:16,741 Looks like this bitch wants her closeup. 1116 01:14:16,743 --> 01:14:19,575 (CHUCKLES) I think you're right, Jeff. 1117 01:14:19,577 --> 01:14:20,740 Well, that's fine! 1118 01:14:20,742 --> 01:14:22,840 There's always room for the kill count to rise. 1119 01:14:22,842 --> 01:14:23,874 Reese! 1120 01:14:23,876 --> 01:14:25,141 Reese! 1121 01:14:25,143 --> 01:14:29,843 (CAR DINGS) (SCREAMS) 1122 01:14:38,843 --> 01:14:40,941 Time for the money shot, bitch. 1123 01:14:40,943 --> 01:14:42,507 Reese! 1124 01:14:42,509 --> 01:14:44,741 (FLESH SQUELCHES) (SCREAMS) 1125 01:14:44,743 --> 01:14:47,609 (REESE SCREAMS) 1126 01:14:50,108 --> 01:14:51,173 Fuck! 1127 01:14:51,175 --> 01:14:53,373 (SCREAMS) 1128 01:14:53,375 --> 01:14:54,376 Reese? 1129 01:14:55,942 --> 01:14:56,775 Reese. 1130 01:14:57,876 --> 01:14:58,639 Reese! 1131 01:14:58,641 --> 01:15:01,640 We've got to... (SPLUTTERS) 1132 01:15:01,642 --> 01:15:06,808 Hey, did you hear that? (JADE SPLUTTERS) 1133 01:15:07,875 --> 01:15:11,173 (INTENSE ORCHESTRAL MUSIC) 1134 01:15:11,175 --> 01:15:12,706 (SCREAMS) 1135 01:15:12,708 --> 01:15:14,139 Oh, my god! 1136 01:15:14,141 --> 01:15:16,508 (SCREAMS) 1137 01:15:18,873 --> 01:15:21,075 (SCREAMS) 1138 01:15:25,241 --> 01:15:27,439 (GRUNTS) 1139 01:15:27,441 --> 01:15:30,040 (RUTH SCREAMS) 1140 01:15:33,706 --> 01:15:38,873 (PANTS) (DARK ORCHESTRAL MUSIC) 1141 01:15:44,474 --> 01:15:47,107 (REESE SCREAMS) 1142 01:15:51,107 --> 01:15:56,107 (SUSPENSEFUL MUSIC) (REESE PANTS) 1143 01:16:10,171 --> 01:16:12,806 (DIRT CRUNCHES) 1144 01:16:14,271 --> 01:16:19,439 (FAINT CLACK) (REESE GASPS) 1145 01:16:37,706 --> 01:16:39,068 No, no, no. 1146 01:16:39,070 --> 01:16:41,136 Please, please, please, please. 1147 01:16:41,138 --> 01:16:42,539 Please, please. 1148 01:16:46,603 --> 01:16:49,102 Please, please, no, no. 1149 01:16:49,104 --> 01:16:51,371 (SCREAMS) 1150 01:16:56,302 --> 01:16:59,870 (MUFFLED SCREAMS AND SOBS) 1151 01:17:06,270 --> 01:17:09,104 (WHINES AND SOBS) 1152 01:17:34,701 --> 01:17:36,601 (SOBS) 1153 01:17:58,401 --> 01:18:01,568 (SUSPENSEFUL MUSIC) 1154 01:18:12,166 --> 01:18:14,433 (MUMBLES) 1155 01:18:14,435 --> 01:18:17,064 No, no! (SOBS) 1156 01:18:17,066 --> 01:18:22,067 Action! (WOMEN SCREAM) 1157 01:18:25,767 --> 01:18:28,068 (KIA SCREAMS) 1158 01:18:29,133 --> 01:18:30,667 Help me, help! 1159 01:18:32,032 --> 01:18:34,367 (SCREAMS) 1160 01:18:41,465 --> 01:18:43,632 - Camera rolling? - Yeah. 1161 01:18:45,965 --> 01:18:47,363 Right. 1162 01:18:47,365 --> 01:18:52,465 Let's fuck up survivor girl. (CHUCKLES) 1163 01:19:07,964 --> 01:19:10,364 (KIA SOBS) 1164 01:19:14,730 --> 01:19:19,228 (KIA SCREAMS) (DARK ORCHESTRAL MUSIC) 1165 01:19:19,230 --> 01:19:24,432 (RAPID THUDS) (KIA SCREAMS) 1166 01:19:26,231 --> 01:19:30,862 Tim we're not picking those bullets up too well on camera. 1167 01:19:30,864 --> 01:19:33,061 Eh, fix it in post. 1168 01:19:33,063 --> 01:19:36,161 (RAPID THUDS) (KIA SCREAMS) 1169 01:19:36,163 --> 01:19:37,363 Stop, please! 1170 01:19:39,030 --> 01:19:41,664 (JEFF CHUCKLES) 1171 01:19:43,163 --> 01:19:44,064 Oh, my god. 1172 01:19:49,163 --> 01:19:50,464 You're pathetic! 1173 01:19:52,030 --> 01:19:54,030 You're fucking pathetic. 1174 01:19:57,096 --> 01:20:01,463 (THUDS) (SCREAMS) 1175 01:20:11,595 --> 01:20:14,095 Now, you are a lead actress. 1176 01:20:15,560 --> 01:20:18,992 I mean, that other girl, Jade? 1177 01:20:18,994 --> 01:20:22,029 She's all right, but you, 1178 01:20:23,162 --> 01:20:24,996 with your cute body... 1179 01:20:26,061 --> 01:20:28,092 Fuck you. 1180 01:20:28,094 --> 01:20:28,895 Fuck you! 1181 01:20:31,160 --> 01:20:32,859 Okay. 1182 01:20:32,861 --> 01:20:33,928 But maybe a bit later. 1183 01:20:35,661 --> 01:20:36,924 Don't worry. 1184 01:20:36,926 --> 01:20:40,328 I'll make sure that we have the best sex scene. 1185 01:20:42,262 --> 01:20:44,325 (KIA SCREAMS) 1186 01:20:44,327 --> 01:20:46,961 (KIA SCREAMS) 1187 01:20:48,226 --> 01:20:51,524 I think you got the sex scene with that other girl, Jade. 1188 01:20:51,526 --> 01:20:53,958 More like a porno, what you did with her. 1189 01:20:53,960 --> 01:20:56,361 (GIGGLES) 1190 01:21:01,726 --> 01:21:02,926 You're sick. 1191 01:21:08,059 --> 01:21:10,426 (REESE SOBS) 1192 01:21:17,159 --> 01:21:19,025 No, leave her alone! 1193 01:21:25,460 --> 01:21:29,223 I'm gonna give your girlfriend what she really wants. 1194 01:21:29,225 --> 01:21:30,626 You know what? 1195 01:21:31,926 --> 01:21:34,223 She's gonna love every second. 1196 01:21:34,225 --> 01:21:38,122 REESE: (GRUNTS) Fuck you, fuck you! 1197 01:21:38,124 --> 01:21:39,657 Fuck you. 1198 01:21:39,659 --> 01:21:41,222 (GRUNTS) 1199 01:21:41,224 --> 01:21:42,025 Shh. 1200 01:21:46,258 --> 01:21:47,691 Leave her alone! 1201 01:21:56,958 --> 01:21:58,689 (SCREAMS) 1202 01:21:58,691 --> 01:21:59,625 Let her go! 1203 01:22:02,023 --> 01:22:03,957 (SOBS) 1204 01:22:14,190 --> 01:22:16,723 (REESE GRUNTS) 1205 01:22:17,923 --> 01:22:19,857 (SOBS) 1206 01:22:49,121 --> 01:22:50,055 Jeff? 1207 01:22:51,288 --> 01:22:53,389 Gonna wanna get in close on this one. 1208 01:22:54,222 --> 01:22:56,855 (CAMERA BLEEPS) 1209 01:23:01,388 --> 01:23:04,321 (REESE GRUNTS) 1210 01:23:08,554 --> 01:23:11,487 Just fucking kill me already. 1211 01:23:15,522 --> 01:23:19,352 No, you don't get to pick or choose how and when you die. 1212 01:23:19,354 --> 01:23:20,355 We do. 1213 01:23:25,954 --> 01:23:26,754 Fuck you. 1214 01:23:28,188 --> 01:23:30,954 (TIM CHUCKLES) 1215 01:23:33,286 --> 01:23:35,786 (MUSIC SWELLS) 1216 01:23:35,788 --> 01:23:40,953 (DRAMATIC ORCHESTRAL MUSIC) (GRUNTS) 1217 01:23:42,553 --> 01:23:44,453 (THUD) 1218 01:23:46,353 --> 01:23:48,218 (JEFF YELPS) (THUDS) 1219 01:23:48,220 --> 01:23:52,453 (SCREAMS) (THUDS) 1220 01:23:55,218 --> 01:23:59,619 (TIM GRUNTS) (YELPS) 1221 01:24:06,418 --> 01:24:07,217 (REESE SCREAMS) 1222 01:24:07,219 --> 01:24:09,552 (THUD) 1223 01:24:14,284 --> 01:24:16,016 You're here. 1224 01:24:16,018 --> 01:24:17,582 - Okay? - You're here. 1225 01:24:17,584 --> 01:24:22,148 (TIM GRUNTS) (FLESH SQUELCHES) 1226 01:24:22,150 --> 01:24:25,618 (SOMBER ORCHESTRAL MUSIC) 1227 01:24:41,349 --> 01:24:43,417 (WHINES) 1228 01:24:45,750 --> 01:24:47,917 (SCREAMS) 1229 01:25:01,251 --> 01:25:04,714 (TIM AND KIA SCREAM) 1230 01:25:04,716 --> 01:25:05,550 Bitch! 1231 01:25:06,282 --> 01:25:08,214 Now who's the bitch, huh? 1232 01:25:08,216 --> 01:25:10,380 I'm gonna fucking kill you! 1233 01:25:10,382 --> 01:25:12,979 So you wanted Melissa, you wanted Melissa? 1234 01:25:12,981 --> 01:25:17,615 She doesn't die in this film, she doesn't die in this film! 1235 01:25:19,248 --> 01:25:20,749 Not in my movie. 1236 01:25:22,248 --> 01:25:24,413 Oh, we're not watching your movie anymore. 1237 01:25:24,415 --> 01:25:27,547 We're not watching your movie! 1238 01:25:27,549 --> 01:25:28,381 Oh, god. 1239 01:25:30,248 --> 01:25:32,847 (SCREAMS) 1240 01:25:32,849 --> 01:25:35,683 (BLOOD SQUELCHES) 1241 01:25:50,313 --> 01:25:52,814 (TIM PANTS) 1242 01:26:12,547 --> 01:26:14,911 People want this. 1243 01:26:14,913 --> 01:26:17,611 They're tired of Hostel and all that shit. 1244 01:26:17,613 --> 01:26:19,447 They want the real deal. 1245 01:26:21,379 --> 01:26:22,845 That's why we're here. 1246 01:26:25,245 --> 01:26:27,413 You better put on a fucking good show. 1247 01:26:28,911 --> 01:26:31,009 Last kill and all, hey? 1248 01:26:31,011 --> 01:26:32,478 Better go out with a bang. 1249 01:26:46,945 --> 01:26:47,845 I should tame him. 1250 01:26:53,777 --> 01:26:55,644 It's time for your big closeup. 1251 01:26:58,443 --> 01:26:59,544 No, stop! 1252 01:27:00,645 --> 01:27:05,811 (SCREAMS) (FLESH SQUELCHES) 1253 01:27:24,977 --> 01:27:27,311 (SCREAMS) 1254 01:27:30,644 --> 01:27:31,340 Stop! 1255 01:27:31,342 --> 01:27:36,576 (WATER SPLASHES) (GRUNTS) 1256 01:27:47,075 --> 01:27:51,676 (SCREAMS) (FLAMES ROAR) 1257 01:28:06,407 --> 01:28:09,408 (MUFFLED SCREAMS) 1258 01:29:10,305 --> 01:29:11,670 No, no, no, stop. 1259 01:29:11,672 --> 01:29:13,639 (SCREAMS) 1260 01:29:20,772 --> 01:29:23,003 HARLEY: No, no. 1261 01:29:23,005 --> 01:29:23,969 (SCREAMS) 1262 01:29:23,971 --> 01:29:25,470 (COUGHS) 1263 01:29:25,472 --> 01:29:29,105 (MOODY ELECTRONIC MUSIC) 86034