All language subtitles for Police Woman S01E02 The Beautiful Die Young

-[Chuckles]
-[Laughing]

[Screams]

The girls were reportedly
signed up by Adrian himself

before they disappeared.

-Have you ever seen a porno film?
-No.

But I know what
they're all about.

- Hey, pep, you alright?
- I'll be alright when we get that...

Exactly, how many girls
did you have in mind?

About a dozen.

Woman 1: Now take it off, huh?

This is showbiz, kid.
This is a big lease.

Police, everybody
down there, freeze!

You gave it to her. In the eyes
of the law you are a murderer.

[Theme music playing]

Woman 2: You are
slow today, too slow.

I remind you, you are here
to work not just sit around

waiting for your pretty pills.

Now, faster. Mr. Shiraki
will be here soon.

And he is a very important man.

And you had better
be good to him.

You are in Tokyo, not
back in your Mississippi.

Tokyo.

Now you wait and I shall
return in a few minutes.

Man 1: Quickly. That goes
to room number 5. Quickly.

Woman 2: Ah, Mr. Shiraki, I
am so glad you could come.

Do you have an
American girl for me today?

Heh. Yes. A very pretty
young American girl. Please.

Happy birthday, darling.

Happy birthday.

Hey, a lady cop. How about that?

She gets her hair done the
same place as you do, pepper.

-Thanks a lot.
-What about you, Cheryl?

Do you think she's
as cute as your sister?

Oh, I think I have
better ankles.

Oh, I don't know. The
jury's still out on that one.

Oh, my bad.

Bill: Here you go,
Cheryl, here's your gift.

Forever and good health.

There you go.

Hey, now wait a
minute, that's not all.

Da, da, da, da, da, da,
da, da. Da, da, da, da.

Presenting scugnizzo!

Bravo, bravo, bravo.

Bill: Bravo, bravo,
bravo, scugnizzo!

Gracias, gracias, gracias.

Ain't no secret.

Scugnizzo: That
means bad boy in Italian.

My grandmother used to
call me that when I was a kid.

Undoubtedly, crowley,

that's a very popular
word in east Dublin.

Ahem, next to pizza, of course.

Why won't you believe that I have an
Italian grandmother from south Naples?

- I don't know.
- Where do you think I got all this passion and these eyes?

Hi, guys. I brought
you some birthday cake.

Hi, pep. How's Cheryl?

She's great,
thanks. Finish this.

Oh, bill, these just
came down from upstairs.

[Inaudible]

Pep, ad vice wants you
to call this woman back.

She wants to talk to a lady cop.

And look into this
modeling school.

-The classic?
-That's right.

- Another call.
- Listen, let me know about that.

I have a feeling we're
getting pulled into that thing.

Hey, you fellas wanna
join me in my office.

Yo, since you put
it so nicely, why not.

I'll bring my coffee with me.

Uh, this is sergeant
Anderson, police headquarters.

I've got a complaint for
you, sergeant Anderson.

A complaint.

That disgusting place: The
classic modeling agency.

The arkie lady: Did you
ever hear of it, sergeant?

Yes, I have.

Well, when are you
people gonna shut it down

and run that man out of town?

Well, you'll have
to tell me first,

what specifically is the
nature of your complaint?

Oh, it's my daughter, Anna may.

She's just a baby, only 15.

And she picks up this
newspaper, this local throwaway,

and she reads this advertisement

and it wasn't for
soap, that's for sure.

Mm-mm. Part time models.

Easy work. High
pay. That sort of thing?

A lot like that.

And she applied
to this Mr. Adrian.

Who made indecent proposals,

asked her to take
off her clothes,

stand in front of
him stark naked.

I mean, disgusting.
An innocent child.

The arkie lady: And the lord only
knows how many other innocent girls

he's gonna snare
into that office of his.

I'll, uh, I'll call you back
later. Thank you very much.

Cora: Alright, you're 18,
was that your last birthday?

Miriam: Yes. Cora: Yeah.

And your first
name is Miriam, is it?

Miriam: Miriam. Horowitz.

But I'm planning to change it
to Mia Harris, professionally.

Oh, Mia Harris. That's...
that's very, very good.

Um, well, first things first.

-Uh, you live here?
-With my parents.

Oh, very good.

All right, we'll need
a portfolio on you,

so if you'll contact
out Mr. Laird.

-A portfolio?
-Photographs.

You can't expect Mr. Adrian

to submit you to our television
friends without photographs.

You'll have to give me a
check, in advance, for $35.

I don't have a checking account.

I'll have to go to the
bank to get the money.

Miriam: Do you accept cash?

If it'll save time, of course.

Thank you, miss Anders.
Thank you very much.

You're very welcome.

-May I help you?
-Hi.

I'm Bonnie June Lincoln.

- Where're you from, Bonnie June?
- Dallas. Dallas, Texas.

Come with your family?

No. I came all by myself. Heh.

Marsh: You know, this
Adrian thing is really something.

Yeah, he's got this scam going

where he sends out these flyers
advertising how a beautiful girl

can crack TV,
Hollywood, you name it,

all you gotta do is just take
out a little modeling course

for 150 bucks a month.

Oh. What's his background, Paul?

Mixed bag. Graduated from
banyon college, with honors.

Then he shows up on the east
coast, uh, for about ten years.

Why is it always hot in here?

- Anybody want a cold drink?
- Yeah, I'll take one.

Next thing he pops up on long island
running a modeling agency racket.

Here you go.

-That's all you got?
-Yeah.

- This stuff will kill you.
- I'm not afraid to die.

Where was I?

You were on long island
running a modeling agency racket.

Right.

Anyway, the cops busted him

because he was training
mostly kids to work the streets.

Same thing in Detroit.

[Gulps]

-Just kids.
-And he's back among us, huh?

He's back, and a
regular pied Piper.

How old are you,
Bonnie June, huh?

18.

How old?

Well, I'm going on
16, heh. Is that bad?

No, as a matter of fact,

it's exactly what
the doctor ordered.

By the way, I'd like
you to meet Anthony

and where is he,
there he is, the far side.

Raymond. They've been with
me since the very beginning.

You have very lovely hair.
Did anyone ever tell you?

Heh. Thanks,
Mr. Adrian. It's sort of long.

I can cut it if you'd like
me to model with short hair.

Like I had right back here.

Well, we'll have to see
about that, won't we?

Tell me something,
have you ever...

Ever seen a porno film?

No.

But I know what
they're all about.

Here.

[Taps]

Would you like to be in one?

Me? No. Heh.

I mean...

Well, just out of curiosity, I
just say I do it or anything.

-How much could I make?
-A lot.

And then the travel.
Do you like to travel?

Well, I didn't very much
like that bus ride from Texas.

[Chuckles]

No, I suppose you didn't.

I'm talking about
first class travel,

jets, over to Europe, out
to the orient. Modeling.

Oh, heh, Mr. Adrian,
you're really strokin' me.

Really pullin' my leg, heh.

Speaking of legs, I'd
like to see your legs.

[Sighs]

Okay.

Well, that's a kind
of guy I'd love to bust.

Hey, put me in for overtime.

Paul, what did you
mean when you said

that at least she had her
daughter home with her?

Well, some girls
have disappeared.

Now either they're local kids

who've taken off with no
clues to where they've gone

or else they're run away kids

who hitchhike into
town and vanish.

You mean, like, to other towns?

They don't report
them in other towns.

Is there a connection
with this guy Adrian?

Two cases here, bill.

The girls were reportedly
signed up by Adrian himself

before they disappeared.

See if you can get on
this as soon as possible.

Maybe we ought to start here.

A little lady, St.
Vincent's hospital.

We picked her up on a
raid in a porno flick factory.

She tried to kill herself.

[Inaudible]. Isn't that the
kid that you worked before?

Yeah, I know her.

Well, great. You're
the perfect one.

See what she knows about
Adrian. Find out whatever you can.

[Inaudible]

Sheila.

Sheila.

It's me, sergeant Anderson.

How you doing?

Great.

[Chuckles]

This was a pretty stupid
thing to do, you know that.

Not so stupid.

I wanted to die.

That porno movie,
is that what life is?

I needed the bread.

That bad?

[Exhales]

So I'm ashamed, okay?

That what you want me to say?

I didn't do anything, I haven't
done a 100 times before.

Last time we talked
what you said was...

Things are
happening I don't like.

I'm gonna leave town
and go back home.

So I didn't go.

Do you want to, now?

Um, I can't.

Who turned you onto
this? Got you involved?

I-I can't tell you that.

Why not?

Because, um...

These people, they...

They, they, they, they. Was
one of them named Adrian?

No.

Look... I don't want to go home.

So none of this
makes any difference.

Don't you understand.

I can't cut it there.

I can't cut it anywhere.

Oh, come on,
Sheila. Listen to me.

You can't let anybody,
anything, put you down like this,

shove you into a
garbage can like that.

You've got to try.

To cope, to exist,
you've got to try.

Promise me?

Sheila?

[Inaudible]

- Good evening, Astrid.
- Good evening, Mr. Adrian.

[Sighs]

Thank you.

Is something wrong?
You look funny.

Well, it's Lisa, her fever,
it just won't come down.

Oh, my dear. You
run right on over there.

Forget about my supper,
I'll take care of myself.

Just be sure and
put this in my room.

Oh, thank you.

Yes. Ahem, may I have the
overseas operator, please.

Yes, I will.

Uh, yes.

Yes. I would like to place a
call to Tokyo, Japan, please.

All: One, two, three, four.

Cadets: Hands down. Up.

One, two, three, four.

-Make you homesick?
-You... you betcha.

Four. One, two, three, four.

That chubby little blonde,
friend of the family no doubt.

No, she's just a kid I gave a little
special instruction to one night.

Oh-ho-ho, what big teeth
you have, grandmother.

It's just I ain't asking
around the town, babe.

[Chuckles]

[Gunfire]

Recruits: Three.

One, two, three

man 3: Hold. Hold it up.

Sloppy, sloppy, sloppy.

After three weeks at the
academy, you people look awful.

You hear me over there?

We'll do it again.

[Inaudible]

One, two...

Why don't you take
a look on this side

and I'll go and
talk to the others.

Okay.

Recruits: Three.
One, two, three.

One, two, three.

One, two, three.

Halt. Hold it up. Take five.

Linaveri, sweet,
front and center.

[Inaudible]

Yeah, this is sergeant
Anderson, it's cadet sweet.

Hi. How do you do?

And cadet linaveri.

Pepper: Hi.
-Sandra linaveri. Hi.

Sergeant crowley was telling us
something very interesting is up

and, well, I'm interested.

Fine, except we're looking
for somebody who looks young

and you look like
a baby, Sandra.

That's been my main
talent ever since I was.

She looks awfully good to me.

You really think
she's too young?

Pepper: Uh, yeah.

I just... I'm afraid it
just won't work, bill.

She's right. Thanks very much.

-Yeah, nice meeting you.
-Bye-bye.

-Bye.
-Okay, good luck.

-How old are you, Debbie?
-21.

What are you doin'
tonight, Debbie?

-Nothing. Heh.
-That's what you think.

[Inaudible] Goodnight,
mate. See you later.

Double Martini, very
dry. With a twist, please.

-Forget it.
-Why?

Sweetheart, if you've
got an I.D, it's a forgery.

-So I'd be giving...
-look, I'm over 21.

Oh, goody.

Maybe you can come
to my sweet 16 party.

So anyway, they come
in here at about 9 o'clock.

Sit down right here.

Well, I made it.

-Great.
-Terrific.

Sit down.

-Are you hungry, Debbie?
-Starving.

What's good to eat?

Well, I'll tell you, Vinnie's really
got away with these burgers.

- They get tougher and tougher.
- So does his pea soup.

Styles: Now what
have you got, Max?

There's word out that segarras

is gonna try
another truck heist.

Segarras got busted
last night in his v.W.

Try again, Max.

Yeah.

You know this player, you've
been asking about, silky?

- Mm-mm.
- Well, he just put together a real beautiful job.

-He...
-we knew silky.

Silky's dead. Got himself
all shot up last night.

Who did it?

Royster: Homicide and robbery
are asking the same question.

Keep tryin', Max.

There's this guy, I knew
about him from a friend of mine.

A player. Calls himself Rex.

He's got a modeling agency.

Now I don't mean
this is only a front.

The real big business
is in dirty movies.

So, what's new?

Max: Well, he features
a lot of young kids,

you know, he's supplying
young out of town quail.

What else, Max?

This guy, he's got this set
up or he's in on the set up,

where he sends some
of these girls overseas.

You know, workin' broads.

-Where overseas?
-I don't know. Overseas.

- What's your friend's name?
- I don't remember.

How do we get a hold
of your friend, Max?

Who? Rex?

Well, he ain't gonna
talk to no two cops.

Which one is Rex?

-I'm Brandy.
-Uh-huh.

Brandy Saunders.

Yeah, maxie told me about you...

But he never told me
that you never quit.

-What can I do for you?
-I need your help.

You're lookin' for a
high class manager?

My old man's okay.

-Black?
-No.

Huh! Then he can't be okay.

Look, I didn't come in here
looking for work. I need help.

I got a kid sister.

Hmm. If she looks anything
like you, I'll take the deal.

She's mine.

One hooker in the
family's enough.

She's straight and I
want her to stay that way.

-So, what's your problem?
-She's missing.

I haven't heard a word from her

and I thought you might
know something about her.

-Name?
-Julie.

Julie Saunders. She's
blonde and looks a lot like me.

I never saw, or heard of her.

He always gives me a red
and I like the green ones.

[Chuckles]

You said somethin'
about her bein' missin'.

All I know is she's
meetin' a guy with a school,

model agency.

She's only a teenager
and he fed her a line.

Told her about a job overseas.

And now she's gone

and Max said you might
know something about this guy.

Did Max tell you that I
only work for a price?

[Chuckles]

It's a tough world
out there, baby.

Look, I'm not in the
mood to talk business.

[Exhales]

Like you said,
it's a tough world.

[Exhales]

Okay.

You deliver, I deliver.

Sounds like a cat.
Name, Ted Adrian.

And don't dig him no way.

Gives us players a bad
reputation, using kids.

You think he might
of got to my sister?

Let's put it this way.

You get a postcard
from Hong Kong,

Singapore or Japan...

[Chuckles]

he got to her.

[Laughs]

Very nice, Bonnie June.

-Very nice indeed.
-Thanks.

Now, how about a drink,

or doesn't your Dallas
background will allow for that?

- Uh-uh, I never touch the stuff.
- Well, I want one.

Well, however... heh.

If you're offering some other little
goodies, like some weed or hash.

No, that's kid stuff. I've got something
a little stronger you might like.

Ah, ah, I don't like
to shoot anything.

Well, you don't have
to shoot this one.

Ah, ah, you just...

[Sniffs]

horn it, that's all you do.

No problem with it at all.

You'd be surprised.
Are you game?

-Game?
-Mm-mm.

Well, you know, you were
game enough to walk in here

at this hour of the night
knocking at my door.

Well, I just had to thank
you for all my new clothes.

I had to.

[Laughing]

You shouldn't laugh.

I told you you'd be
traveling first class, didn't I?

Yeah. How long will I
be gone? Two months?

I don't know, two,
three, who's counting?

And when I get back,
I'll be famous, right?

Yeah, yeah.

- At least two magazine covers?
- Two, maybe five, I don't know.

-You promise?
-I will.

Okay, I'm game.

Where do I shack
up till I fly out of here?

I have a crib with
your name on it.

Would you believe that?

Yeah.

It's... well, I'll tell
you where it is,

it's kind of a ranch.

-A ranch?
-Hmm.

Might as well have stayed home.

Heh. Alright, I'll get you
the stuff. Wait a minute.

Oh, wait, I'm coming, too.

Hiya, bill. It's pep.

Well, I've been checking
with the special chief agent

of your favorite phone company.

Checking out Ted Adrian.

No trouble with
the subpoena, huh?

Pepper: None. My
player was right.

He's made over a dozen
phone calls to Tokyo

in the past six weeks.

Always the same number.

Oh, yeah, what is it?

Pepper: Tokyo 523-2702.

Okay, I'll have them
contact Interpol.

[Both laughing]

[Screams]

[Laughs]

Oh, come on, cut it out.

Come on, Bonnie June.

Hey, come on,
quit fooling around.

Wake up. Here,
hey, hey, hey, hey.

Bonnie June, wake up, wake up.

[Grunts]

[Panting]

Hello. Hello, Astrid?

This is Mr. Adrian. Yes.

Um, look, Astrid, i'm...

I'm going to be going out of
town for a few days and I...

Well, I'll lock up
the house myself.

You just take a few days
off until I call you, alright?

No, no, everything's
fine, just sort of in a hurry.

Yes. Alright.

Thank you.

[Panting]

Bill: The number Adrian's
been calling in Tokyo

is listed as a Mrs.
Madeline curtwright.

She's the widow of
a retired army colonel

who's been living in Japan
since the end of the war.

Now she's seemingly
unemployed and living on a pension.

The indication's heavy

that she's involved in
the white slave traffic.

What do you say, Debbie,
ready to go to work?

Sure.

Susan Kimberly,
this is Mr. Adrian

-hello, Susan.
-Hi.

Come in, won't you?

I suppose miss Anders...

Look, won't you
sit down, please?

Thank you.

I suppose miss Anders told
you about the situation we're in.

No, she didn't.

Well...

One of my clients was
supposed to appear

in a picture tomorrow...

Uh-huh.

And she's, well, let's
just say she's indisposed.

I see.

Now, I'm going to be totally
honest with you, Susan.

Your work in this picture
will require that you pose,

act, if you will, in the nude.

Whew!

Wouldn't my grandmother
Kimberly just die.

Well, I don't expect that
your grandmother Kimberly

would be seeing
the picture, do you?

[Chuckles]

No, I guess not.

-How much does it pay?
-200.

Well, uh, I'm sorry, Mr. Adrian,

but that's not a
whole lot of money.

For a half day's work?

Okay, I'll do it.

Now I want you to report to
this diner at two o'clock tomorrow.

You will meet with the
director and the crew.

His name is Don, by the way.

He will take you
to the location.

Okay, where's that?

You just report to the diner.

I don't know how to
thank you, Mr. Adrian.

You do a good job in the film

and that'll be thanks
enough, Susan.

Alright.

[Grunts]

[Helicopter whirring]

6y42, come in.

6y42.

Wagon's heading
south on dos palmas.

- Are you with it?
- Yeah. We're right on his tail.

We don't want to
be late for the movie.

[Helicopter whirring]

Come on, let's go.

-Tony?
-Yeah.

Here.

No. No. Tony, please.
Tony, put it back on.

Put it back on. I will
tell you something.

Paying attention, I will tell
you when you are serving

and I will tell you where.

-Okay. Do you understand?
-Uh-huh.

Good boy. And now our newcomer.

Come here, [inaudible].

Here, I'm gonna place
you right on the first deck.

- That's perfect.
- There you go. Right there.

Now, I suppose we'll call
this our dress rehearsal.

Peggy, take it off, please.

It's chilly, Don.

-Well... uh, please,
Tony, Tony, I'm speaking.

-Chilly?
-Chilly.

When my star says
that it's chilly, it is chilly.

-So you, you take it off.
-It's chilly.

6y42 come in.

6y42. See anything, bill?

I try not to look.

Would you believe they're
rehearsing by the pool?

We'll give you three minutes
and then we're gonna move on in.

Stand by.

If you're not here by then, pal,

you're gonna see more of Debbie
sweet than anybody has seen

since her mother
changed her diapers.

Listen, sweetheart,

when a motion picture director
tells you to do something,

you do it.

Woman 1: This is showbiz,
kid. This is a big lease.

Now take it off, huh.

That's good.

Okay, let's shoot
the rehearsal. Roll it.

[Helicopter whirring]

Police, everybody
down there, freeze.

What the hell do'
you think I'm doing?

Alright, police officers,
you're under arrest.

[Indistinct chattering]

As an ordinary citizen,
I know my powers.

Anyway, I'm entitled to one
phone call. I want to call my agent.

That's right.
There's four of them.

I expect them... I'll
see you in half an hour.

Look, we are
artists, not tramps.

I'm sick and tired of being
treated like a two bit hooker.

We're just trying to ask you a
few questions, miss Landon.

Yeah, well, we've had
enough of your few questions.

So has she. She's only a kid.

Pepper: That's the
point. She's only a kid.

She shouldn't have
been in that production.

We developed those films

and took a look at those
scenes in the house

and that's hardcore, my beauty.

[Inaudible]

Look, she wasn't
in those scenes.

Those were my scenes.

Didn't you like 'em?

I don't know, you see
one, you've seen them all.

Ha. Eat your heart out.

Susan, how old are you?

Look, who got
you into this thing?

Listen, kid, nobody wants to
hassle you, know what I mean?

I just want to know the name of
the man who hired you for this thing.

It was a woman.

-What was her name?
-Tinker bell.

Peggy: That's tellin' 'em.

Look, honey, you don't
have to tell them a thing.

[Police siren wailing]

Bill: Dismembered?
Paul: Clean job.

How clean, Paul?

No jagged marks on the torso.

Like the freak could've
used some kind of saw.

Coroner says cause of
death, coke overdose,

compounded by a weak
or rheumatic heart condition.

- Torso showed that.
- Any identification at all?

Just this bracelet. It
matches that alert there.

"Bonnie June Lincoln.
16 years. Dallas, Texas.

Blonde, blue eyes,
5'2", 98 pounds.

Probably headed for California."

Something in the air.

"Wearing costume, jewelry
marked, Bonnie June."

-Body was in this bag, huh?
-Yep.

You know, there must be 50
different cleaners who use these bags.

I thought maybe the serial
numbers might lead us to Adrian.

-And maybe not.
-Yeah.

Hey, pep, you alright?

I'll be alright
when we get that...

So I wanted to thank you for...

Well, Peggy told me how you...

How you were so discreet
last night with the police.

Yeah. Well, I don't like cops.

Maybe you'd like this
a little bit better, hmm.

Just a few bills.

Some money to make up for
what you lost on the picture.

And I have another
opportunity coming up very soon

that I want to
talk to you about.

Well, Mr. Adrian, I
really appreciate this.

Ted.

But I'm not gonna
be around long.

See, I'm getting a
job, a real good one.

What kind of a job?

Well, I met this
woman at the dorset.

She's in from Japan
and she's looking for girls.

-Models to work over there.
-Hmm.

-What's her name?
-Mignon downes.

Yeah. I'll see if I
can top her offer.

[Telephone ringing]

Hello. Yes, Cora.

You just got a cable
from Tokyo. Madeline.

She says mignon downes,
legitimate enterprise.

Quote, "sell her hamburger
but save the prime cuts for me."

Pepper: It's been a great
pleasure meeting you

and I'm sure we can
work out something.

Thank you. Thank you
very much for coming by.

That's no problem,
doll. You take care.

Thank you.

-Miss... miss downes?
-Yes.

-I'm Ted Adrian.
-Come in, won't you?

Ted: Thank you.

Pepper: Would you like a drink?

Ted: It's a little early
in the day for me,

but you go right ahead, please.

Pepper: Later, maybe.

Ted: Ah, flowers certainly do
brighten up a room, don't they?

Well, shall we get
down to business?

That's why I'm here.

Exactly, how many girls
did you have in mind?

About a dozen and
very young. Young.

Ah, yes.

[Chuckles]

Youth is in all over
the world, isn't it?

Mm-hmm. Especially
dumb, amoral, hyped,

and very pretty Americans.

Well, I get $7,000
for anyone in my crib.

Let's not play
games, you get six.

Really?

One of Madeline's
pimps is very talkative.

I'll pay the seven
but only for quality.

The word is that Madeline's
gotten some "inu" from you.

Dogs.

Oh, well, in that case,

perhaps you'd like to look
my kennel over first and...

Love to.

-Oh, and, Ted.
-Yes?

Now that we know where
we stand with each other,

the name's mignon.

Ted: First I'd like you to
see the barn area down here.

- I have a few surprises for you.
- Heh. Makes sense.

But by the way, see
that girl with the pumpkin?

Uh-huh.

Ted: Grew up in
the heart of the city.

Hadn't seen green grass
until she came out here.

Pepper: Smart girl. Ted: Can't
keep her out of the garden.

Pepper: Oh, dear.
Here's one on the steps.

Well, they tend
to be very relaxed

when they have a few
bennies to keep them quiet.

Oh, here's the girl I think
you'll be very interested in.

Pepper: Uh-huh.
Well, I'm overstocked.

Ted: I should have known.
Why didn't I think of that?

Of course. Coals to newcastle.

That's it. Something
like that. Yes.

And they get to
use these horses.

There's a pool they can swim in
and they have a wonderful time.

That's fabulous.

To all outward
appearances, a simple barn.

Ted: Over here we have what
we call dormitory number one.

We have some lovely girls
you'd like to see, over here.

As a matter of fact,
they just came in.

You'll have the pick of
the crop from this group.

Oh, elvira, will you put the
horse away for a moment

and come on inside?

Now here, right this way,

turn around here,
this is Cynthia.

Isn't she lovely?
Look at that picture.

Ted: I'll take it now.

[Inaudible]

Man, this place is like a
concentration camp for young chicks.

6y42 for sergeant crowley.

Now wait minute, Pete.
He won't wanna bust it yet.

No, but he'd sure want
to hear about it though.

-Here's to us.
-Oh, yes.

And to those
lovely girls of mine.

Uh-huh.

Tell me, have you made up
your mind about any of them?

I'd rather not make
any commitments, Ted,

until I've seen others.

Uh-huh.

How long are you
going to be in town?

[Whizzing]

Pepper: Let's go.
Thank you very much.

We lost the signal.

Let's sit tight.

If she's not out in 15
minutes, we'll go in.

[Both laughing]

Oh, excuse me, just a minute.
Don't go away till I get back.

Oh.

[Telephone ringing]

Hello?

Yes.

Uh, yes, just a moment.

Well, I'll be right back.

What was that?

Yes, this is Mr. Adrian.

Very well, I'll hold on
for the call from Tokyo.

- Bonnie June Lincoln.
- I'm only his assistant.

I know only what I do.

That name means nothing to
you, huh? Bonnie June Lincoln.

-No. -Never heard it before?

No, who is she?

In this case, it's who
was she, miss Anders.

She was a runaway.

Now she's dead.

What does that have to
do with me, or Mr. Adrian?

Well, you specialize in
runaway kids, don't you?

I mean, don't you take these
kids and make porno flicks,

for porno magazines,
send them to Japan?

That is ridiculous.

Yes, operator, I'm still here.

Yes, this is Ted
Adrian. Madeline?

How dare you walk in here and
start questioning me like this?

[Telephone ringing]

Classic school of modeling.

-Sergeant crowley?
-Yeah.

Bill, it's Paul. We just got
word on those serial numbers.

And we're in luck. They were delivered
to only three dry cleaning places.

Yeah. Anton's on third.

Columbia on garner.
Wexford on las flores.

Wait a minute.

Wexford's dry
cleaners. Familiar?

It's down the street.

Your boss, he
uses it, doesn't he?

Yeah, Paul. I'm sending
her in with shell and Martin.

Yeah, I'll be over at
Adrian's place. Right.

And I think it's
imperative that you know.

She's in Japan?

No. No, I knew where
mignon for two weeks.

But one of my dealers told me
she's being held in maximum security

at Hong tai prison in Taiwan.

Ted, be careful.

The woman you are doing business
with is not who she says she is.

[Inaudible]

Fellas, I'm beginning
to not like this a lot.

[Whirring]

Miss downes, heh... what are
you looking for down here, huh?

I was just admiring
your workshop.

Oh, yeah, you
wouldn't believe it

but I started out with a
model airplane, as a little boy.

And then I finally
graduated to all this.

Isn't that rather amazing?

I think I'd better have
a look at that purse

before you pick it up.

Well, what do you know.

[Chuckles]

That's fantastic, isn't it?

Let's see what else
you've got in here.

Oh, no. Why did
you have to do that?

-Mr. Adrian...
-alright, now just shut up, let me think a minute.

Don't move. Don't
move. Stay there.

Would you believe that this
comes back after so many years...

Don't get yourself into a worse
mess than you're already in.

He drove these knots in
to you until you were crazy.

You know what this one's called?

I can even remember
the name of it, ha.

It's called of all
things, a virgin's kiss.

Now that'll hold you for
the rest of the day if it has to.

- Don't be foolish.
- Shut up and let me think.

Let's see.

Don't get yourself in
deeper than you already are.

Alright, fine,
she killed herself,

there was nothing you could...

- they can't nail me for that at all.
- Mr. Adrian...

I'll get out of here.
You don't have to worry.

- Is that the saw you used?
- I didn't kill her with the saw.

I didn't use that until
after I saw she was dead.

- She killed herself, I told you that before.
- Of an overdose.

Yes. She asked for
it. I gave her the stuff.

She sniffed it and
that was the end.

- I don't know what happened...
- you gave her the drug.

You gave it to her. In the eyes
of the law you are a murderer.

Shut up!

Man 4: Police
officers. Open the door.

Pepper: Watch
out. He's got a gun.

[Gunfire]

- Hey, Joe, get an ambulance.
- I thought you guys missed me.

-That was cutting it close.
-Yeah.

I'll tell you about it someday.

-Pep, you okay?
-Yeah.

[Inaudible]

Well, hello, miss goosebumps?

Prettiest face on
the cutting room floor.

What do you mean, face?

Those pizzas smell good.
Bet I could eat the box.

- Let's put some cheese on it.
- Well, I'll kill for this.

Listen, I'll tell you something,

the first toast is going
to be to the department

for hauling those kids
out of that barn today.

I haven't felt this
good in a long time.

-Hey, how's Adrian?
-Oh, he'll make it.

He'll probably regret
it but he'll make it.

Hey, hey. When do we
eat? Can we eat, huh?

Hey, pep?

Pep? Where's pepper?

Debbie: Pepper's upstairs
changing for dinner.

What are you doing?

Tossing a salad. What
does it look like I'm doing?

What are you doing in that?

Oh, first, in the words of our
famous porno queen, it's chilly.

Secondly, I'm
gonna eat pizza in it.

I'm gonna brush my teeth in it.

I'm gonna do whatever
comes to mind in it.

'Cause it's mine, all mine,
till 11 'clock in the morning.

What a shame you
have to be in at eight.

Oh, thank you for reminding me.

Then I'll be the best-dressed
lady cop your squad room ever saw.

[Theme music playing]