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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,349 --> 00:00:02,654 PREVIOUSLY, ON IN PLAIN SIGHT... 2 00:00:02,698 --> 00:00:04,047 I THINK OUR OFFICE IS ON THE CHOPPING BLOCK. 3 00:00:04,091 --> 00:00:06,180 THAT'S REALLY ABOVE YOUR PAY GRADE. 4 00:00:06,223 --> 00:00:07,877 THE CHEERLEADER-- SHE DOESN'T SEEM YOUR TYPE. 5 00:00:07,920 --> 00:00:09,444 I AM BOTH ANNOYED AND IMPRESSED 6 00:00:09,487 --> 00:00:11,489 THAT YOU KEPT THIS LITTLE RELATIONSHIP A SECRET FROM ME. 7 00:00:14,579 --> 00:00:16,886 OH, MY GOD. MARSHALL. 8 00:00:16,929 --> 00:00:20,237 - WOULD YOU... - YES! 9 00:00:20,281 --> 00:00:23,327 IT'S YOU, IF ANYONE, WHO HAS A DEEPLY-INGRAINED PATTERN 10 00:00:23,371 --> 00:00:26,635 TO YOUR ROMANTIC INVOLVEMENTS. 11 00:00:29,464 --> 00:00:31,292 WE'VE NEVER REALLY TALKED ABOUT KIDS. 12 00:00:31,335 --> 00:00:33,946 DO YOU WANT TO HAVE CHILDREN? - I DON'T KNOW. I MEAN... 13 00:00:33,990 --> 00:00:36,297 I DON'T THINK WE SHOULD GET MARRIED IN JULY. 14 00:00:36,340 --> 00:00:38,647 OR AT ALL. 15 00:00:38,690 --> 00:00:43,347 I DON'T KNOW IF YOU LOVE ME ENOUGH TO MAKE THIS WORK. 16 00:00:59,537 --> 00:01:02,714 LET'S GIVE IT UP FOR MISS J'ENNY SE QUOI! 17 00:01:02,758 --> 00:01:04,455 MERCI BEAUCOUP! 18 00:01:07,371 --> 00:01:08,894 AND NOW, FOR OUR FINAL CONTESTANT 19 00:01:08,938 --> 00:01:12,028 IN THE MISS DRAG LOUISIANA CONTEST, 20 00:01:12,072 --> 00:01:16,380 PLEASE WELCOME TO THE STAGE MISS ARMED KANDY! 21 00:01:22,560 --> 00:01:24,997 GET READY TO PARTY, BITCHES! 22 00:01:25,041 --> 00:01:27,696 'CAUSE THERE'S NO LIP-SYNCING WITH THIS QUEEN. 23 00:01:27,739 --> 00:01:31,395 WITH KANDY, IT'S ALL REAL. 24 00:01:38,185 --> 00:01:40,709 I LOVE YOU, KANDY! 25 00:01:40,752 --> 00:01:42,711 ♪ AT FIRST I WAS AFRAID 26 00:01:42,754 --> 00:01:44,582 ♪ I WAS PETRIFIED 27 00:01:44,626 --> 00:01:46,802 ♪ KEPT THINKIN' I COULD NEVER LIVE ♪ 28 00:01:46,845 --> 00:01:49,500 ♪ WITHOUT YOU BY MY SIDE 29 00:01:49,544 --> 00:01:51,894 ♪ AND I SPENT OH, SO MANY NIGHTS ♪ 30 00:01:51,937 --> 00:01:54,070 ♪ THINKING HOW YOU DID ME WRONG ♪ 31 00:01:54,114 --> 00:01:55,811 ♪ AND I GREW STRONG 32 00:01:55,854 --> 00:02:00,120 ♪ AND I LEARNED HOW TO GET ALONG ♪ 33 00:02:00,163 --> 00:02:03,384 ♪ SO, NOW YOU'RE BACK FROM OUTER SPACE ♪ 34 00:02:03,427 --> 00:02:06,909 ♪ WELL, I JUST WALKED IN TO FIND YOU HERE ♪ 35 00:02:06,952 --> 00:02:09,433 ♪ WITH THAT SAD LOOK UPON YOUR FACE ♪ 36 00:02:09,477 --> 00:02:10,652 HOW MANY TIMES I GOTTA TELL YA? 37 00:02:10,695 --> 00:02:12,088 THIS BOX IN MY OFFICE. 38 00:02:12,132 --> 00:02:13,872 YOU'RE LATE AGAIN. 39 00:02:13,916 --> 00:02:15,570 I GOT IT FOR YA! TELL CONNARD TO BACK OFF. 40 00:02:15,613 --> 00:02:18,616 MY OFFICE. 41 00:02:18,660 --> 00:02:21,967 ♪ I WILL SURVIVE 42 00:02:33,240 --> 00:02:34,502 THIS H IS A JOKE. 43 00:02:34,545 --> 00:02:35,677 TAKE IT UP WITH CONNARD. 44 00:02:35,720 --> 00:02:37,157 KNOCK-KNOCK, RAY... 45 00:02:37,200 --> 00:02:38,854 KANDY, RUN! 46 00:02:50,953 --> 00:02:53,608 THIS WITNESS ONCE TOLD ME THERE'S TRUTH IN FAIRY TALES. 47 00:02:53,651 --> 00:02:55,566 COFFEE. BLACK AS YOU CAN MAKE IT. 48 00:02:55,610 --> 00:02:57,089 THE PROBLEM WITH FAIRY TALES-- 49 00:02:57,133 --> 00:02:58,700 AND I TRIED TO EXPLAIN THIS TO HIM-- 50 00:02:58,743 --> 00:03:00,484 IS THAT THEY END TOO SOON. 51 00:03:00,528 --> 00:03:03,531 THEY ARE, AT BEST, A PROLOG FOR THE MESSY CHAPTERS TO COME. 52 00:03:03,574 --> 00:03:04,880 SURE, SNOW WHITE AND PRINCE CHARMING 53 00:03:04,923 --> 00:03:06,925 MAY DO "HAPPILY EVERY AFTER" FOR A WHILE. 54 00:03:06,969 --> 00:03:08,492 BUT THEN SHE COMES HOME 55 00:03:08,536 --> 00:03:10,059 TO FIND HIM BANGING RAPUNZEL IN THE BIG BED 56 00:03:10,102 --> 00:03:11,669 AND YOU'VE GOT A DIFFERENT STORY. 57 00:03:11,713 --> 00:03:13,715 THERE'S NO TRUTH IN FAIRY TALES, NOT REALLY. 58 00:03:13,758 --> 00:03:15,020 KNOW HOW YOU CAN TELL? 59 00:03:15,064 --> 00:03:16,500 THEY'RE CALLED "FAIRY TALES." 60 00:03:16,544 --> 00:03:17,806 SO, WHO ARE THE, UH, 61 00:03:17,849 --> 00:03:19,721 "MOMMY MEAN GIRLS" TEARING APART TODAY? 62 00:03:19,764 --> 00:03:20,765 I WOULDN'T KNOW. 63 00:03:20,809 --> 00:03:22,637 WHEN I GO ON SAFARI, 64 00:03:22,680 --> 00:03:24,029 I LIKE TO KEEP A SAFE DISTANCE 65 00:03:24,073 --> 00:03:27,163 FROM THE PREDATORS DEVOURING THEIR PREY. 66 00:03:27,207 --> 00:03:28,904 GOES DOUBLE FOR ROGUE MALES. 67 00:03:28,947 --> 00:03:30,253 WHO SAYS I'M A ROGUE MALE? 68 00:03:30,297 --> 00:03:32,081 EVERYTHING ABOUT YOU. 69 00:03:32,124 --> 00:03:33,735 QUASI-RETRO TEE SHIRT, 70 00:03:33,778 --> 00:03:36,520 THE TOO-IRONIC-BY-HALF FRAT-BOY GLEAM IN YOUR EYE. 71 00:03:36,564 --> 00:03:38,827 I SPOTTED YOUR MOVES A MILE AWAY. 72 00:03:38,870 --> 00:03:41,569 WELL, I'M KENNY. 73 00:03:41,612 --> 00:03:44,006 FOR THE RECORD, I WAS NEVER IN A FRAT. 74 00:03:44,049 --> 00:03:47,009 THIS TEE SHIRT IS NOT RETRO, IT'S JUST OLD, 75 00:03:47,052 --> 00:03:49,664 AND ASK MY EX. I DON'T HAVE ANY MOVES. 76 00:03:49,707 --> 00:03:51,579 CHARMING SINGLE DAD DEVOID OF ANY MOVES? 77 00:03:51,622 --> 00:03:52,667 THAT'S YOUR MOVE. 78 00:03:52,710 --> 00:03:55,583 ALL RIGHT. OKAY. 79 00:03:55,626 --> 00:03:56,801 BUT CAN YOU BLAME ME? 80 00:03:56,845 --> 00:03:59,674 I MEAN, WE KNOW THESE WOMEN PUT OUT. 81 00:03:59,717 --> 00:04:01,893 THEY ALL HAVE BABIES. 82 00:04:01,937 --> 00:04:04,505 GOT IT. THAT'S FUNNY. 83 00:04:04,548 --> 00:04:06,028 HEY, CHECK IT OUT. 2:00. 84 00:04:06,071 --> 00:04:07,725 DON'T SNOOZE ON MOMMY AND ME YOGA. 85 00:04:07,769 --> 00:04:09,945 AGGRESSIVELY AVAILABLE, CLEARLY DOUBLE-JOINTED. 86 00:04:09,988 --> 00:04:10,946 WELL, THANKS FOR THE TIP. 87 00:04:10,989 --> 00:04:12,513 MM. NO SWEAT. 88 00:04:12,556 --> 00:04:14,863 OOH, AND THIS IS OLIVER. 89 00:04:14,906 --> 00:04:16,517 BEST WINGMAN ON THE PLANET. 90 00:04:16,560 --> 00:04:18,127 - IS THAT RIGHT? - YUP. 91 00:04:18,170 --> 00:04:20,912 JUST SO YOU KNOW, UM, 92 00:04:20,956 --> 00:04:22,827 MY RADAR'S ONLY SET TO SINGLE MOMS. 93 00:04:22,871 --> 00:04:24,525 WHAT A GUY. 94 00:04:24,568 --> 00:04:27,223 SPEAKING OF, IF YOU'D EVER LIKE TO GRAB A BITE, 95 00:04:27,267 --> 00:04:32,228 OR A QUASI-RETRO TEE SHIRT. 96 00:04:32,272 --> 00:04:33,708 HI. 97 00:04:33,751 --> 00:04:35,623 THAT'S MY CUE. 98 00:04:35,666 --> 00:04:37,842 HI, JOANNA. - GOOD MORNING. 99 00:04:37,886 --> 00:04:39,801 BE HOME AROUND 6:00. FORMULA'S IN THE FRIDGE, OKAY? 100 00:04:39,844 --> 00:04:41,106 GO TO WORK. YOU KNOW WE'LL BE FINE. 101 00:04:41,150 --> 00:04:42,760 BYE, MOMMY. - BYE, BUG. 102 00:04:42,804 --> 00:04:44,719 KENNY, JOANNA. JOANNA, KENNY. 103 00:04:44,762 --> 00:04:48,940 SHE'S SINGLE. GO FOR IT. 104 00:04:48,984 --> 00:04:50,028 HI. 105 00:04:58,210 --> 00:05:00,735 COFFEE STAINS THE TEETH. 106 00:05:00,778 --> 00:05:02,911 NO, RIGHT. MAKES PERFECT SENSE. 107 00:05:02,954 --> 00:05:05,827 RAY. 108 00:05:05,870 --> 00:05:07,698 THE GUY ON THE LEFT IS THE ONE WHO KILLED HIM. 109 00:05:07,742 --> 00:05:09,787 JACK DUCEY, SENIOR LIEUTENANT 110 00:05:09,831 --> 00:05:12,747 IN TREMAINE CONNARD'S DRUG CARTEL OUT OF LOUISIANA. 111 00:05:12,790 --> 00:05:14,096 WITHOUT WITNESS PROTECTION, 112 00:05:14,139 --> 00:05:17,142 I PROMISE YOU, DOUGLAS, YOU'RE NEXT. 113 00:05:17,186 --> 00:05:20,145 YOU HAVE FIRST-HAND KNOWLEDGE OF HOW CONNARD MOVED HIS HEROIN, 114 00:05:20,189 --> 00:05:21,843 YOU COULD SPEAK TO THE VERVE VODKA FRONT, 115 00:05:21,886 --> 00:05:24,062 HOW THE OPERATION WORKED INSIDE THE CLUB. 116 00:05:24,106 --> 00:05:26,151 COUPLE THAT WITH YOUR TESTIMONY AGAINST DUCEY 117 00:05:26,195 --> 00:05:28,023 ON THE MURDER CHARGE, AND THE ODDS 118 00:05:28,066 --> 00:05:29,590 THAT HE'LL FLIP ON CONNARD, 119 00:05:29,633 --> 00:05:32,157 THERE'S NO BIGGER THREAT TO THESE GUYS THAN YOU. 120 00:05:32,201 --> 00:05:37,162 LOOK, I GET WHY I CAN'T GO BACK TO NEW ORLEANS, 121 00:05:37,206 --> 00:05:39,600 BUT I STILL DON'T SEE WHY I HAVE TO GIVE UP KANDY. 122 00:05:39,643 --> 00:05:42,690 IT'S DRAG. I COULD BE KANDY ANYWHERE. 123 00:05:42,733 --> 00:05:45,127 CONNARD'S GONNA HAVE EVERY DRAG CLUB COVERED 124 00:05:45,170 --> 00:05:46,737 SEARCHING FOR YOU. 125 00:05:46,781 --> 00:05:48,173 YOU'RE LOSING A HOBBY, DOUG, NOT A CAREER. 126 00:05:48,217 --> 00:05:51,089 YOU GET THE SUDDEN URGE TO BELT OUT A TUNE, 127 00:05:51,133 --> 00:05:52,308 THERE'S A KARAOKE BAR ON EVERY BLOCK HERE. 128 00:05:52,352 --> 00:05:54,092 JUST, YOU KNOW, KEEP YOUR PANTS ON. 129 00:05:54,136 --> 00:05:55,964 - FRED-- - NO, YOU KNOW... 130 00:05:56,007 --> 00:05:59,837 OH, NO, WHAT? - NO, FRED, WE--WE GOT THIS. 131 00:05:59,881 --> 00:06:02,971 DOUGLAS, I HATE TO SAY THIS, BUT PERFORMING YOUR ACT-- 132 00:06:03,014 --> 00:06:04,146 IT'S TOO DANGEROUS. 133 00:06:04,189 --> 00:06:06,148 IT ISN'T AN ACT. 134 00:06:06,191 --> 00:06:07,410 AND IT ISN'T A HOBBY. 135 00:06:07,454 --> 00:06:11,806 THAT WORLD IS MY LIFE. 136 00:06:11,849 --> 00:06:15,157 WHEN I AM KANDY, PEOPLE... 137 00:06:15,200 --> 00:06:16,637 THEY LOOK. 138 00:06:16,680 --> 00:06:18,334 AND THEY LISTEN. 139 00:06:18,378 --> 00:06:21,946 THEY'RE INSPIRED. 140 00:06:21,990 --> 00:06:26,734 KANDY'S STRONG, SHE'S POWERFUL. 141 00:06:28,692 --> 00:06:31,826 RIGHT. I GET IT. I SEE. 142 00:06:31,869 --> 00:06:33,741 IF I WAS A DOCTOR OR A LAWYER, 143 00:06:33,784 --> 00:06:35,003 MAYBE THEN YOU'D HAVE A LITTLE COMPASSION, 144 00:06:35,046 --> 00:06:36,657 BUT FOR THE FREAK SHOW-- 145 00:06:36,700 --> 00:06:38,659 NO ONE'S CALLING YOU A FREAK, DOUGLAS. 146 00:06:38,702 --> 00:06:43,707 WE ALL DRESS UP TO BE WHO WE NEED TO BE. 147 00:06:44,882 --> 00:06:47,407 MINE'S JUST DIFFERENT. 148 00:06:56,372 --> 00:06:58,026 BETTE MIDLER SIGNING UP FOR THE WITSEC TOUR, 149 00:06:58,069 --> 00:06:59,723 OR IS SHE GOING SOLO? 150 00:06:59,767 --> 00:07:01,421 HE'S IN, BUT HE'S HAVING A HARD TIME. 151 00:07:01,464 --> 00:07:03,945 ZEITLIN'S WORRIED HE WON'T HOLD UP ON THE STAND. 152 00:07:03,988 --> 00:07:05,686 I HATE YOU. 153 00:07:05,729 --> 00:07:07,252 YOU OFFICIALLY HAD THE EASIEST WITNESS ON THE PLANET. 154 00:07:07,296 --> 00:07:08,950 GUY BASICALLY LIVED IN DISGUISE. 155 00:07:08,993 --> 00:07:10,255 HIS OWN MOTHER WOULDN'T RECOGNIZE HIM NOW. 156 00:07:12,344 --> 00:07:14,825 DO YOU THINK WE COULD HAVE LUNCH TODAY? 157 00:07:14,869 --> 00:07:16,871 WOULDN'T PUT IT PAST US. WE HAVE LUNCH EVERY DAY. 158 00:07:16,914 --> 00:07:19,700 I KNOW, BUT THERE'S SOMETHING I WANT TO TELL YOU. 159 00:07:19,743 --> 00:07:20,918 SOMETHING IMPORTANT. 160 00:07:20,962 --> 00:07:22,137 IMPORTANT? WHAT DOES THAT MEAN? 161 00:07:22,180 --> 00:07:24,879 OF IMPORT. IT'S PERSONAL. 162 00:07:24,922 --> 00:07:26,228 GROSS. 163 00:07:26,271 --> 00:07:27,925 HOW ABOUT GIANNI'S, 1:00? 164 00:07:27,969 --> 00:07:29,753 YOU'RE FREAKING ME OUT, MARSHALL. 165 00:07:29,797 --> 00:07:31,276 SINCE WHEN DO YOU MAKE APPOINTMENTS 166 00:07:31,320 --> 00:07:32,843 TO TALK TO ME OVER LUNCH AT GIANNI'S? 167 00:07:32,887 --> 00:07:35,933 IF YOU HAVE SOMETHING TO SAY, SPIT IT OUT. 168 00:07:40,372 --> 00:07:43,071 ABIGAIL AND I GOT ENGAGED. 169 00:07:43,114 --> 00:07:45,769 I WAS GONNA TELL YOU AT LUNCH, BUT... 170 00:07:45,813 --> 00:07:50,513 WOW. 171 00:07:50,557 --> 00:07:53,734 ENGAGED. 172 00:07:53,777 --> 00:07:56,476 WHAT'S THE AGE OF MARITAL CONSENT IN NEW MEXICO? 173 00:07:58,086 --> 00:07:59,304 IT'S NOT THAT BIG A DIFFERENCE. 174 00:07:59,348 --> 00:08:00,915 NOT BY ELVIS STANDARDS. 175 00:08:00,958 --> 00:08:03,744 I PROPOSED AT THE FIRING RANGE. 176 00:08:03,787 --> 00:08:06,137 OH, WELL... 177 00:08:06,181 --> 00:08:09,401 YOU'RE WELCOME, I GUESS. 178 00:08:09,445 --> 00:08:13,275 AND SO, I MEAN... 179 00:08:13,318 --> 00:08:15,103 SO, YOU'RE SURE ABOUT THIS? 180 00:08:15,146 --> 00:08:17,322 JUST 'CAUSE, I MEAN, YOU'RE A "MARRIED FOR LIFE, 181 00:08:17,366 --> 00:08:20,195 BOOK JOINT BURIAL PLOTS" KIND OF GUY. 182 00:08:20,238 --> 00:08:22,763 SO, YOU DON'T APPROVE. 183 00:08:22,806 --> 00:08:25,287 JUST SEEMS KIND OF FAST. 184 00:08:25,330 --> 00:08:26,810 IT'S BEEN A YEAR AND A HALF. 185 00:08:26,854 --> 00:08:28,072 AND THAT'S LONG ENOUGH TO BE SURE? 186 00:08:28,116 --> 00:08:29,465 FOR YOU, OR FOR ME? 187 00:08:29,509 --> 00:08:30,771 MARSHALL, LET'S GO. 188 00:08:30,814 --> 00:08:34,862 TIME TO GET DOUGLAS SETTLED. 189 00:08:44,175 --> 00:08:47,527 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 190 00:08:47,570 --> 00:08:49,790 HAS RELOCATED THOUSANDS OF WITNESSES, 191 00:08:49,833 --> 00:08:51,835 SOME CRIMINAL, SOME NOT, 192 00:08:51,879 --> 00:08:53,576 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 193 00:08:53,620 --> 00:08:56,361 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE, 194 00:08:56,405 --> 00:08:58,059 DISTINGUISHING THEM FROM THE REST 195 00:08:58,102 --> 00:08:59,843 OF THE GENERAL POPULATION. 196 00:08:59,887 --> 00:09:04,544 AND THAT IS, SOMEBODY WANTS THEM DEAD. 197 00:09:12,334 --> 00:09:13,596 I STILL CAN'T BELIEVE THIS. 198 00:09:13,640 --> 00:09:16,425 LOOK, DOUGLAS, YOU HAVE TO HAVE A JOB. 199 00:09:16,468 --> 00:09:18,340 AND WHILE THIS MIGHT NOT BE 200 00:09:18,383 --> 00:09:20,472 AS GLAMOROUS AS YOU'RE ACCUSTOMED TO, 201 00:09:20,516 --> 00:09:23,040 AT LEAST IT MAKES USE OF YOUR EXPERTISE. 202 00:09:23,084 --> 00:09:27,088 YEAH. A DRESS SHOP IN ALBUQUERQUE. 203 00:09:27,131 --> 00:09:30,265 I'M A MODERN-DAY CINDERFELLA. 204 00:09:30,308 --> 00:09:32,093 WE HAD A DEAL, SUSAN. 205 00:09:32,136 --> 00:09:33,921 I THREW MY SUPPORT BEHIND YOU FOR ALMANZA'S JOB, 206 00:09:33,964 --> 00:09:35,444 YOU GET ON THE BAT PHONE TO THE OVAL OFFICE 207 00:09:35,487 --> 00:09:37,011 TO SAVE ALBUQUERQUE. 208 00:09:37,054 --> 00:09:38,578 BUT WHEN I PUT MY JACKET ON THIS MORNING, 209 00:09:38,621 --> 00:09:40,623 I FOUND A SWITCHBLADE IN MY BACK! 210 00:09:40,667 --> 00:09:42,625 LOSE AN INSPECTOR FROM THIS OFFICE! 211 00:09:42,669 --> 00:09:44,932 THAT'S YOUR IDEA OF A COST-CUTTING MEASURE? 212 00:09:44,975 --> 00:09:47,195 YEAH, WELL, YOU'RE NOT-- YOU'RE NOT HELPING, SUSAN, NO. 213 00:09:47,238 --> 00:09:49,414 YOU'RE DISMANTLING. WE HAD A DEAL. 214 00:09:49,458 --> 00:09:51,112 IN MY NEIGHBORHOOD, THAT MEANT SOMETHING! 215 00:09:51,155 --> 00:09:52,374 IT WAS A COVENANT! 216 00:09:52,417 --> 00:09:54,158 I'M PUTTING YOU ON NOTICE, OKAY? 217 00:09:54,202 --> 00:09:55,595 I DON'T INTEND TO LET YOU GET AWAY WITH THIS, SUSAN. 218 00:09:55,638 --> 00:09:57,466 FROM NOW ON, YOU BE CAREFUL 219 00:09:57,509 --> 00:10:00,512 WHERE YOU PUT YOUR JACKET ON IN THE MORNING! 220 00:10:09,304 --> 00:10:11,262 HI, ARE YOU JACOB? I'M MARSHALL. 221 00:10:11,306 --> 00:10:14,483 WE EMAILED ABOUT THE JOB. THIS IS MY BROTHER DOUGLAS. 222 00:10:14,526 --> 00:10:17,573 OH, THERE'S QUITE A RESEMBLANCE. 223 00:10:17,617 --> 00:10:19,619 WE GET THAT A LOT. 224 00:10:19,662 --> 00:10:21,969 SO, NICE TO MEET YOU. 225 00:10:22,012 --> 00:10:24,362 SO, DOUGLAS, YOU ARE THE TAILOR? 226 00:10:24,406 --> 00:10:26,582 YES. I'M A REGULAR MOTEL KAMZOIL. 227 00:10:26,626 --> 00:10:29,672 RIGHT. 228 00:10:29,716 --> 00:10:31,282 AS I TOLD YOUR BROTHER, 229 00:10:31,326 --> 00:10:33,328 WE CATER IN SPECIAL EVENT DRESSES, 230 00:10:33,371 --> 00:10:35,547 LIKE WEDDINGS AND, UH, SWEET 16s. 231 00:10:35,591 --> 00:10:37,332 DRESSES ARE MY SPECIALTY. 232 00:10:37,375 --> 00:10:39,029 OH, MUSIC TO MY EARS. 233 00:10:39,073 --> 00:10:41,989 IT'S PROM SEASON, AND I'M DROWNING HERE. 234 00:10:42,032 --> 00:10:44,992 HOW 'BOUT WE GET THAT PAPERWORK OUT OF THE WAY, 235 00:10:45,035 --> 00:10:46,646 AND GET YOU SEWING? 236 00:10:46,689 --> 00:10:49,213 BE RIGHT BACK. 237 00:10:49,257 --> 00:10:52,303 - CONGRATULATIONS. - YEAH. RIGHT. 238 00:10:52,347 --> 00:10:54,697 NEXT STOP, PROJECT RUNWAY. 239 00:10:59,441 --> 00:11:01,573 MARY? 240 00:11:01,617 --> 00:11:03,532 - RAPH. - I-I DIDN'T EXPECT TO-- 241 00:11:03,575 --> 00:11:05,012 WOW, WHAT'RE YOU-- WHAT'RE YOU DOING-- 242 00:11:05,055 --> 00:11:06,230 - WE WERE GRABBING SOME-- - WHEN DID YOU-- 243 00:11:06,274 --> 00:11:08,711 WAIT, WAIT, WAIT. Y-YOU GO FIRST. 244 00:11:08,755 --> 00:11:11,192 I MEAN, WOW. LOOK AT YOU. 245 00:11:11,235 --> 00:11:12,541 - LOOK AT ME? - YEAH. 246 00:11:12,584 --> 00:11:14,369 - LOOK AT YOU. YOU'VE GOT A-- - OH. 247 00:11:14,412 --> 00:11:16,153 A NORAH. YEAH. 248 00:11:16,197 --> 00:11:17,764 I'VE GOT A NORAH. IT'S A-- 249 00:11:17,807 --> 00:11:19,374 IT'S A LONG STORY. 250 00:11:19,417 --> 00:11:20,549 - CONGRATS. - THANKS. 251 00:11:20,592 --> 00:11:22,377 WOW. 252 00:11:22,420 --> 00:11:24,248 SO, WHAT'RE YOU DOING HERE? WHAT'RE YOU DOING BACK? 253 00:11:24,292 --> 00:11:26,033 THE ISOTOPES NEED A NEW THIRD BASE COACH. 254 00:11:26,076 --> 00:11:27,512 I CLOSED THE DEAL YESTERDAY. 255 00:11:27,556 --> 00:11:30,428 YOU'RE KIDDING. THAT'S COOL, RIGHT? 256 00:11:30,472 --> 00:11:31,691 SO, YOU'RE BACK IN ALBUQUERQUE. 257 00:11:31,734 --> 00:11:33,257 I AM. 258 00:11:33,301 --> 00:11:34,389 WOW. 259 00:11:34,432 --> 00:11:37,740 - HOW'S THE FAMILY? - GOOD. 260 00:11:37,784 --> 00:11:40,743 I MEAN, ACTUALLY, BRANDI DITCHED HER FIANCE AT THE ALTAR 261 00:11:40,787 --> 00:11:43,267 AND THEN DOVE HEADFIRST INTO A SEA OF VODKA. 262 00:11:43,311 --> 00:11:45,661 JINX IS HOLDING HER HAIR BACK IN REHAB, 263 00:11:45,705 --> 00:11:47,750 BUT I'LL JUST GO WITH "THE SAME." 264 00:11:47,794 --> 00:11:49,143 - I SEE. - YEAH. 265 00:11:49,186 --> 00:11:50,492 WE'VE GOT TO GET TO THIS 266 00:11:50,535 --> 00:11:52,102 TEAM PARTY THING. - OH, YEAH. NO, GO, GO. 267 00:11:52,146 --> 00:11:53,408 I DIDN'T-- I DON'T WANT TO KEEP YOU. 268 00:11:53,451 --> 00:11:55,453 - YEAH, MAYBE, UH... - OKAY. 269 00:11:55,497 --> 00:11:57,325 MAYBE WE COULD HAVE DINNER SOMETIME? 270 00:11:57,368 --> 00:12:00,589 - SURE. - I'VE GOT A LOT TO TELL YOU, 271 00:12:00,632 --> 00:12:02,591 AND I'D REALLY LOVE TO HEAR ABOUT EVERYTHING. 272 00:12:02,634 --> 00:12:03,766 YEAH, THAT SOUNDS GREAT. 273 00:12:03,810 --> 00:12:08,379 GREAT. 274 00:12:08,423 --> 00:12:11,208 MY WIFE IS GONNA BE SO EXCITED TO MEET YOU. 275 00:12:11,252 --> 00:12:14,777 WIFE? 276 00:12:14,821 --> 00:12:16,518 WHAT? 277 00:12:16,561 --> 00:12:21,088 ABIGAIL JUST CALLED. DOUGLAS GOT ARRESTED. 278 00:12:21,131 --> 00:12:22,567 MEET YOU AT APD. 279 00:12:22,611 --> 00:12:26,136 YEAH, OKAY. I'LL BE THERE IN A FEW. 280 00:12:28,748 --> 00:12:31,576 HEY. YOU OWE MARK A SIX-PACK. HE TOOK NORAH TO POKER NIGHT. 281 00:12:31,620 --> 00:12:33,230 WHAT'S WITH THE DRESSY CLOTHES? 282 00:12:33,274 --> 00:12:35,624 I WAS ON MY WAY TO PICK UP ABIGAIL FOR THE THEATER. 283 00:12:35,667 --> 00:12:37,452 ALL-FEMALE PRODUCTION OF HEDDA GABLER. 284 00:12:37,495 --> 00:12:39,193 ALREADY BORING. 285 00:12:39,236 --> 00:12:42,457 APPARENTLY, DOUGLAS WAS GRABBED FOR ASSAULT. 286 00:12:42,500 --> 00:12:45,155 I WAS HIS ONE PHONE CALL, HIS "BROTHER" MARSHALL. 287 00:12:45,199 --> 00:12:46,853 ABIGAIL POKE AROUND? 288 00:12:46,896 --> 00:12:50,639 SHE KNOWS BETTER THAN THAT. SHE'S GETTING IT WORKED OUT. 289 00:12:50,682 --> 00:12:53,729 GOTTA SAY, I FIND IT INTERESTING 290 00:12:53,773 --> 00:12:56,123 THAT THE GUY WHO GOES ON AND ON ABOUT PRETTY MUCH EVERYTHING 291 00:12:56,166 --> 00:12:59,474 GOT ENGAGED WITHOUT TALKING TO HIS OWN PARTNER FIRST. 292 00:12:59,517 --> 00:13:01,215 MAYBE HE FIGURED IT BEST 293 00:13:01,258 --> 00:13:02,694 TO TALK TO HIS BRIDE-TO-BE ABOUT IT FIRST. 294 00:13:02,738 --> 00:13:04,305 OH, OF COURSE. 295 00:13:04,348 --> 00:13:05,785 BELIEVE ME, I'M TOTALLY HAPPY FOR YOU GUYS. 296 00:13:05,828 --> 00:13:07,830 I JUST FIND IT, YOU KNOW... 297 00:13:07,874 --> 00:13:09,832 INTERESTING. 298 00:13:09,876 --> 00:13:14,358 I FIND IT INTERESTING THAT YOU FIND IT INTERESTING. 299 00:13:19,276 --> 00:13:21,496 OKAY, THEN. 300 00:13:21,539 --> 00:13:23,846 WHAT WAS I SUPPOSED TO DO? 301 00:13:23,890 --> 00:13:24,847 IDIOT CALLED MY ANGELA FAT. 302 00:13:24,891 --> 00:13:26,501 I SAID SHE WAS ZAFTIG. 303 00:13:26,544 --> 00:13:28,242 PEOPLE, YOU WANT THE CUFFS BACK ON? KEEP IT UP. 304 00:13:28,285 --> 00:13:29,852 HEY, SORRY TO PUT A CRIMP IN OUR PLANS, BUT I-- 305 00:13:29,896 --> 00:13:31,854 I APPRECIATE THE HEADS UP. YOU LOOK AMAZING, BY THE WAY. 306 00:13:31,898 --> 00:13:33,508 YOU'RE THE SWEETEST. 307 00:13:33,551 --> 00:13:36,163 ANY SWEETER, I'D BE IN A DIABETIC COMA. 308 00:13:36,206 --> 00:13:37,686 CAN WE JUST... - I ONLY SUGGESTED AN A-LINE 309 00:13:37,729 --> 00:13:39,383 BECAUSE WHEN I'M FEELING HIPPY, I WEAR AN A-LINE. 310 00:13:39,427 --> 00:13:40,776 SO, MY ANGELA'S A MAN, NOW. 311 00:13:40,820 --> 00:13:41,908 ALL RIGHT, ALL RIGHT. COOL IT, BOTH OF YOU. 312 00:13:41,951 --> 00:13:42,909 WHO THE HELL ARE YOU? 313 00:13:42,952 --> 00:13:44,475 A SLEEP-DEPRIVED MOM 314 00:13:44,519 --> 00:13:45,476 WITH A GLOC AND AN ITCHY TRIGGER FINGER. 315 00:13:45,520 --> 00:13:46,913 NEXT QUESTION. 316 00:13:46,956 --> 00:13:49,480 THINK WE CAN LET YOUR BROTHER OFF WITH A WARNING, 317 00:13:49,524 --> 00:13:50,786 BUT KEEP HIM OUT OF TROUBLE. 318 00:13:50,830 --> 00:13:52,570 WILL DO. THANKS. 319 00:13:52,614 --> 00:13:53,702 I'LL GET HIM HOME. YOU TWO HAVE PLANS. 320 00:13:53,745 --> 00:13:55,225 - OH. - THANKS, MARY. 321 00:13:55,269 --> 00:13:56,444 MARSHALL AND I WERE GONNA CELEBRATE OUR-- 322 00:13:56,487 --> 00:13:58,359 ENGAGEMENT. HE TOLD ME. 323 00:13:58,402 --> 00:14:01,188 CONGRATS, OR WHATEVER IT IS PEOPLE SAY. 324 00:14:01,231 --> 00:14:03,364 THEY SAY "CONGRATS." GOOD GUESS. 325 00:14:03,407 --> 00:14:04,539 'KAY. 326 00:14:04,582 --> 00:14:06,758 LET'S GO. 327 00:14:08,630 --> 00:14:10,719 I'M JUST SAYING MARSHALL TOLD ME TO USE MY EXPERTISE. 328 00:14:10,762 --> 00:14:13,461 YOU SAW THE GIRL. A-LINE IS HER FRIEND. 329 00:14:13,504 --> 00:14:15,419 YEAH, WELL, NOW I'VE GOT TO FIND YOU 330 00:14:15,463 --> 00:14:16,420 SOMEWHERE ELSE FOR YOU TO USE YOUR EXPERTISE. 331 00:14:16,464 --> 00:14:17,900 THE DRESS SHOP'S OUT. 332 00:14:17,944 --> 00:14:19,554 I'LL FIND YOU SOMETHING, JUST IN THE MEANTIME, 333 00:14:19,597 --> 00:14:21,817 CAN YOU JUST TRY TO BLEND IN? 334 00:14:21,861 --> 00:14:23,688 KEEP YOUR HEAD DOWN, AND... 335 00:14:23,732 --> 00:14:25,603 WHAT THE? - UH! IT'S NOT WHAT YOU THINK. 336 00:14:25,647 --> 00:14:28,519 REALLY? YOU IDIOT. 337 00:14:28,563 --> 00:14:30,913 WHAT PART OF "NO MORE DRAG" GOT LOST IN TRANSLATION, HUH? 338 00:14:30,957 --> 00:14:32,567 IT'S JUST A TOKEN. 339 00:14:32,610 --> 00:14:33,916 THIS IS NOT A TOKEN, THIS IS A GATEWAY WIG. 340 00:14:33,960 --> 00:14:36,701 MARY, I SWEAR, I-I JUST KEPT IT AS A REMINDER. 341 00:14:36,745 --> 00:14:38,703 I'M NOT PERFORMING. I'M NOT EVEN GOING TO PUT IT ON. 342 00:14:38,747 --> 00:14:41,228 - UH-HUH. WHAT'S THIS? - THE IQ, THE LOCAL PAPER. 343 00:14:41,271 --> 00:14:42,533 I'M READING IT. 344 00:14:42,577 --> 00:14:44,231 I HAPPEN TO LIVE HERE NOW. 345 00:14:44,274 --> 00:14:45,580 TELL ME, IS THIS IT, OR DO I NEED TO TOSS THE PLACE? 346 00:14:45,623 --> 00:14:47,234 THAT'S IT. I PROMISE. 347 00:14:47,277 --> 00:14:49,758 I PROMISE. 348 00:14:49,801 --> 00:14:54,763 LISTEN, YOU HAVE TO UNDERSTAND, I DIDN'T JUST LOSE KANDY. 349 00:14:54,806 --> 00:14:56,417 EVERYTHING. 350 00:14:56,460 --> 00:14:58,854 MY WHOLE LIFE. 351 00:14:58,898 --> 00:15:01,509 AND SPENCER. 352 00:15:01,552 --> 00:15:02,727 I'LL NEVER SEE HIM AGAIN. 353 00:15:02,771 --> 00:15:04,599 SPENCER WAS YOUR BOYFRIEND? 354 00:15:04,642 --> 00:15:06,253 HE'S MY SON. 355 00:15:06,296 --> 00:15:07,776 WHAT? 356 00:15:07,819 --> 00:15:09,909 YOU HAVE A KID, YOU DON'T SAY SOMETHING? 357 00:15:09,952 --> 00:15:11,867 DOUGLAS, WE COULD'VE BROUGHT HIM INTO THE PROGRAM. 358 00:15:11,911 --> 00:15:13,956 I HAVEN'T SEEN HIM SINCE HE WAS THREE. 359 00:15:14,000 --> 00:15:15,958 I'D ALWAYS HOPED SOMEDAY-- 360 00:15:16,002 --> 00:15:17,394 ANYWAY. 361 00:15:17,438 --> 00:15:20,571 I ALWAYS THOUGHT I'D MAKE A GOOD FATHER. 362 00:15:20,615 --> 00:15:22,791 JUST NOT AT 18. 363 00:15:22,834 --> 00:15:27,448 AT 18 I DIDN'T EVEN HAVE A GLIMMER I WAS GAY. 364 00:15:29,319 --> 00:15:31,408 I HAD A LOT TO FIGURE OUT. 365 00:15:31,452 --> 00:15:33,715 AT 18, WE ALL HAVE A LOT TO FIGURE OUT. 366 00:15:33,758 --> 00:15:35,412 I'M SORRY ABOUT WHAT HAPPENED. 367 00:15:35,456 --> 00:15:39,677 DOUGLAS, YOU GOTTA SUCK IT UP. 368 00:15:39,721 --> 00:15:41,941 OKAY, LISTEN TO ME, THIS PROGRAM IS REALLY HARD 369 00:15:41,984 --> 00:15:42,942 FOR ALMOST EVERYONE. 370 00:15:42,985 --> 00:15:44,639 I SEE IT EVERY DAY. 371 00:15:44,682 --> 00:15:46,467 I DON'T CARE IF YOU'RE A COP, OR A THUG, 372 00:15:46,510 --> 00:15:49,687 OR A GUY WHO SINGS STREISAND IN FIVE-INCH HEELS. 373 00:15:49,731 --> 00:15:51,341 BUT IT'S DOABLE. 374 00:15:51,385 --> 00:15:56,346 I SEE THAT EVERY DAY TOO. 375 00:15:56,390 --> 00:15:58,305 STREISAND? WHAT AM I, 80? 376 00:15:58,348 --> 00:16:02,526 NO MORE WIGS. 377 00:16:10,491 --> 00:16:11,840 GOT DOUGLAS A NEW JOB. 378 00:16:11,883 --> 00:16:14,669 HE STARTS TONIGHT. THANK ME WHENEVER. 379 00:16:14,712 --> 00:16:15,887 SOMETHING HE'LL LIKE? 380 00:16:15,931 --> 00:16:17,672 IT'S AT THAT JEWELRY STORE 381 00:16:17,715 --> 00:16:19,413 WHERE THAT GUY I KINDA LIKE GOT ME THAT THING I SORTA HATED. 382 00:16:19,456 --> 00:16:20,980 HOW MANY OPENINGS THEY GOT? 383 00:16:21,023 --> 00:16:23,591 A.D. CAMPBELL HAS HER WAY, WE COULD ALL END UP THERE. 384 00:16:23,634 --> 00:16:25,027 'MORNING, SUNSHINE. 385 00:16:25,071 --> 00:16:27,421 WHAT'S WITH DEBBIE DOWNER? - BUDGET STUFF. 386 00:16:27,464 --> 00:16:28,683 ROUGH NIGHT? 387 00:16:28,726 --> 00:16:30,337 OH, YEAH, IT WAS GROUND ZERO. 388 00:16:30,380 --> 00:16:32,034 POOPING, TEETHING... 389 00:16:32,078 --> 00:16:33,514 LOTTA LIQUID. 390 00:16:33,557 --> 00:16:36,343 - IT'S NOT FOR SISSIES. - NO JOKE. 391 00:16:36,386 --> 00:16:38,345 MY CLOTHES HURT, I HAVEN'T SLEPT FOR MONTHS. 392 00:16:38,388 --> 00:16:40,608 NO TIME FOR ANYTHING EVEN REMOTELY SOCIAL. 393 00:16:40,651 --> 00:16:42,349 TURNS OUT BABIES ARE THE BEST FORM OF BIRTH CONTROL 394 00:16:42,392 --> 00:16:43,828 SINCE FOUR-INCH SIDEBURNS. 395 00:16:43,872 --> 00:16:46,048 MEANWHILE, YOU'RE WALKING AROUND ALL BRIGHT-EYED 396 00:16:46,092 --> 00:16:48,007 WITH THAT RIDICULOUS GRIN 397 00:16:48,050 --> 00:16:49,878 'CAUSE GUESS WHO'S BANGING THE PROM QUEEN. 398 00:16:49,921 --> 00:16:51,010 HAVE YOU TRIED A CHEESECLOTH SACK 399 00:16:51,053 --> 00:16:52,054 FILLED WITH A FROZEN BANANA? 400 00:16:52,098 --> 00:16:54,056 WHAT? NO. 401 00:16:54,100 --> 00:16:55,449 FOR NORAH. FOR THE TEETHING, I MEAN. 402 00:16:55,492 --> 00:16:58,060 OH, THANK YOU, SWEET AND GENTLE JESUS. 403 00:16:58,104 --> 00:16:59,105 TRY IT TONIGHT. 404 00:16:59,148 --> 00:17:00,628 ALL RIGHT, WELL, I WOULD, 405 00:17:00,671 --> 00:17:02,586 EXCEPT I'VE GOT THIS DINNER WITH RAPH. 406 00:17:02,630 --> 00:17:04,632 RAPH. 407 00:17:04,675 --> 00:17:06,373 WHEN DID THIS HAPPEN? YOU DON'T MENTION THAT? 408 00:17:06,416 --> 00:17:09,463 OH, BY THE WAY, I GOT ENGAGED. 409 00:17:09,506 --> 00:17:12,379 THE ISOTOPES HIRED HIM AS SOME KIND OF COACH, I GUESS. 410 00:17:12,422 --> 00:17:15,077 OKAY, SO, THIS DINNER DATE-- 411 00:17:15,121 --> 00:17:17,471 IS IT, UH, DINNER OR A DATE? 412 00:17:17,514 --> 00:17:19,908 IT'S DINNER. WITH RAPH AND HIS WIFE. 413 00:17:19,951 --> 00:17:21,562 YEAH, THAT'S RIGHT. 414 00:17:21,605 --> 00:17:22,606 HE DROPPED THE WIFE-BOMB ON ME, THEN RAN FOR COVER. 415 00:17:22,650 --> 00:17:24,434 YOU DIDN'T CANCEL. 416 00:17:24,478 --> 00:17:26,436 WHY WOULD I? 417 00:17:26,480 --> 00:17:28,134 I BROKE UP WITH HIM. 418 00:17:28,177 --> 00:17:29,700 ANYWAY, HE'S A FRIEND. I WANT TO SEE HOW HE'S DOING. 419 00:17:29,744 --> 00:17:31,615 DON'T THINK SO. NO, WHAT I THINK-- 420 00:17:31,659 --> 00:17:32,834 HERE WE GO. 421 00:17:32,877 --> 00:17:34,401 YOU AND RAPH DIDN'T WORK OUT, 422 00:17:34,444 --> 00:17:35,924 SO HOW, PRAY TELL, DID THE STORY END? 423 00:17:35,967 --> 00:17:37,404 SHOOT ME NOW. 424 00:17:37,447 --> 00:17:39,101 YOU DON'T DO WELL WITH UNRESOLVED. 425 00:17:39,145 --> 00:17:41,103 UNDERSTANDABLE, GIVEN YOUR DECIDED 426 00:17:41,147 --> 00:17:43,105 LACK OF RESOLUTION WITH YOUR FATHER. 427 00:17:43,149 --> 00:17:44,759 OKAY, FREUD, KICK BACK, PUT YOUR FEET UP. 428 00:17:44,802 --> 00:17:46,761 YOU KNOW, SOMETIMES A CIGAR IS JUST-- 429 00:17:46,804 --> 00:17:48,632 MARY. 430 00:17:48,676 --> 00:17:50,504 IT'S ME. 431 00:17:50,547 --> 00:17:53,594 OKAY, FINE. YEAH, FINE. SO, SURE. 432 00:17:53,637 --> 00:17:56,118 MAYBE I'M CURIOUS. MAYBE I WANT TO SEE HOW THINGS TURNED OUT. 433 00:17:56,162 --> 00:17:57,511 YOU JUST WANT TO KNOW IF SHE'S PRETTY OR NOT. 434 00:17:57,554 --> 00:17:59,687 I HATE IT WHEN YOU KNOW ME. 435 00:18:05,736 --> 00:18:07,521 SO, I'M LOOKING THROUGH PHOTOS, 436 00:18:07,564 --> 00:18:08,957 TRYING TO FIND THIS PICTURE OF US ON OUR TRIP TO CANCUN, 437 00:18:09,000 --> 00:18:10,698 WHEN I SEE THIS ONE OF US AT A BASEBALL GAME, 438 00:18:10,741 --> 00:18:12,787 WHICH I HAVE ABSOLUTELY ZERO MEMORY OF, 439 00:18:12,830 --> 00:18:15,964 SO, I ZOOM IN, AND IT TURNS OUT IT'S YOU. 440 00:18:16,007 --> 00:18:17,705 WOW. YOU THINK SOMEONE HAS A TYPE? 441 00:18:17,748 --> 00:18:19,272 YEAH, BLONDES WITH BOOBS. 442 00:18:19,315 --> 00:18:20,403 SO SAD. 443 00:18:20,447 --> 00:18:21,883 THIS WAS A REALLY BAD IDEA. 444 00:18:21,926 --> 00:18:23,798 YEAH, WELL, DUH. 445 00:18:23,841 --> 00:18:25,365 AND HE BURIED THE LEAD. 446 00:18:25,408 --> 00:18:26,409 HE NEVER TOLD ME YOU WERE A MARSHAL. 447 00:18:26,453 --> 00:18:28,324 - OH. - THAT IS SO COOL. 448 00:18:28,368 --> 00:18:29,891 SO, WHAT DOES A MARSHAL DO? 449 00:18:29,934 --> 00:18:31,806 WELL, UM... 450 00:18:31,849 --> 00:18:33,373 COME ON, VIC, I'M SURE SHE DOESN'T WANT TO TALK ABOUT WORK. 451 00:18:33,416 --> 00:18:35,853 NO, IT'S FINE. I'M FINE. 452 00:18:35,897 --> 00:18:37,551 NO, HE'S RIGHT. SORRY. 453 00:18:37,594 --> 00:18:39,509 IT'S JUST YOU'RE A MOM, YOU'RE A MARSHAL. 454 00:18:39,553 --> 00:18:40,902 I DON'T KNOW HOW YOU PULL IT OFF. 455 00:18:40,945 --> 00:18:42,686 WELL, NEVER SLEEPING HELPS. 456 00:18:42,730 --> 00:18:44,297 both: 457 00:18:44,340 --> 00:18:46,212 LISTEN, FAR BE IT FOR ME TO PLAY MATCHMAKER, 458 00:18:46,255 --> 00:18:47,604 I DON'T EVEN KNOW IF YOU'RE IN THE MARKET. 459 00:18:47,648 --> 00:18:49,476 BUT I KNOW A TON OF GREAT SINGLE GUYS. 460 00:18:49,519 --> 00:18:52,392 RIGHT. THANKS. THANK YOU, BUT I'M GOOD. 461 00:18:52,435 --> 00:18:53,784 YEAH. 462 00:18:53,828 --> 00:18:55,917 I MET SOMEONE RECENTLY, ACTUALLY. 463 00:18:55,960 --> 00:18:57,484 SORT OF A COFFEEHOUSE DEAL. 464 00:18:57,527 --> 00:18:59,225 SO... 465 00:18:59,268 --> 00:19:01,618 ANYWAY, I'M ALL SET. 466 00:19:01,662 --> 00:19:02,967 WELL, THINK ABOUT IT. 467 00:19:03,011 --> 00:19:04,621 LET ME KNOW IF YOU CHANGE YOUR MIND. 468 00:19:04,665 --> 00:19:05,927 I CAN SWITCH BACK TO MATCHMAKER MODE LIKE THAT. 469 00:19:05,970 --> 00:19:07,015 I BET. 470 00:19:07,058 --> 00:19:08,886 OKAY, I'LL BE RIGHT BACK. 471 00:19:08,930 --> 00:19:11,889 OKAY. 472 00:19:11,933 --> 00:19:14,283 IT'S LIKE I ALMOST DON'T EVEN NEED TO BE HERE. 473 00:19:14,327 --> 00:19:16,633 I LIKE HER. 474 00:19:16,677 --> 00:19:20,507 AND SHE LIKES YOU TOO. I CAN TELL. 475 00:19:20,550 --> 00:19:22,770 LISTEN... 476 00:19:22,813 --> 00:19:24,641 I WAS SURPRISED YOU HAD A BABY. 477 00:19:24,685 --> 00:19:27,862 YOU THINK YOU WERE SURPRISED. 478 00:19:27,905 --> 00:19:30,734 SHE WAS KIND OF A HAPPY ACCIDENT. 479 00:19:30,778 --> 00:19:32,780 REALLY HAPPY, BUT... 480 00:19:32,823 --> 00:19:36,610 IT'S--YOU ALWAYS USED TO SAY YOU DIDN'T WANT TO HAVE KIDS. 481 00:19:36,653 --> 00:19:38,786 MAYBE YOU DIDN'T WANT TO HAVE THEM WITH ME. 482 00:19:38,829 --> 00:19:41,658 COME ON, RAPH. IT WASN'T THAT. 483 00:19:41,702 --> 00:19:43,617 AND I DIDN'T WANT THEM. 484 00:19:43,660 --> 00:19:47,534 YOU KNOW, IT ALL JUST SORTA HAPPENED. 485 00:19:47,577 --> 00:19:49,971 BUT I MEAN, COME ON, YOU MORE THAN BOUNCED BACK. 486 00:19:50,014 --> 00:19:52,582 RIGHT? YOU'RE ALL MARRIED AND STUFF. 487 00:19:52,626 --> 00:19:55,933 YEAH. SHE'S AMAZING. 488 00:19:55,977 --> 00:19:59,067 WE'RE REALLY HAPPY. 489 00:19:59,110 --> 00:20:01,461 WELL, YOU DESERVE IT. 490 00:20:01,504 --> 00:20:05,291 SOME STORIES DESERVE HAPPY ENDINGS. 491 00:20:05,334 --> 00:20:06,857 - THIS WAS FUN. - YEAH. 492 00:20:06,901 --> 00:20:09,033 IT'S SO GREAT TO FINALLY MEET THE ONE WHO GOT AWAY. 493 00:20:09,077 --> 00:20:11,993 WELL, IT WAS GREAT TO MEET YOU TOO. REALLY. 494 00:20:12,036 --> 00:20:13,473 COULDA DONE WITHOUT THE FLAN, 495 00:20:13,516 --> 00:20:14,735 BUT WHAT'S A COUPLE MORE CRUNCHES 496 00:20:14,778 --> 00:20:16,040 I'M NEVER GONNA DO, RIGHT? 497 00:20:16,084 --> 00:20:17,607 WE SHOULD DO THIS AGAIN. 498 00:20:17,651 --> 00:20:19,740 INVITE COFFEEHOUSE GUY. MAKE IT A DOUBLE DATE. 499 00:20:19,783 --> 00:20:21,698 YEAH, RIGHT. 500 00:20:21,742 --> 00:20:22,960 I DON'T KNOW IF, UM, KENNY'S DOUBLE DATE MATERIAL, BUT-- 501 00:20:25,006 --> 00:20:26,050 THAT'S WORK. I SHOULD, UM-- 502 00:20:26,094 --> 00:20:27,965 TAKE IT. WE'LL CALL YOU. 503 00:20:28,009 --> 00:20:29,489 OKAY. 504 00:20:29,532 --> 00:20:30,707 HEY, WHAT'S UP? 505 00:20:30,751 --> 00:20:32,535 DOUGLAS WAS A NO-SHOW AT HIS NEW JOB. 506 00:20:32,579 --> 00:20:34,668 HE'S NOT ANSWERING HIS CELL, NOT AT HIS APARTMENT. 507 00:20:34,711 --> 00:20:36,017 WHO WAS THE LAST PERSON TO SEE HIM? 508 00:20:36,060 --> 00:20:37,845 YOU WHEN YOU BROUGHT HIM HOME FROM APD. 509 00:20:37,888 --> 00:20:38,846 ANY IDEAS? 510 00:20:38,889 --> 00:20:41,327 GOT A HUNCH. 511 00:20:45,374 --> 00:20:48,377 THANK YOU. THANK YOU VERY, VERY MUCH. 512 00:20:48,421 --> 00:20:50,858 I LOVE YOU ALL, EACH AND EVERY ONE OF YOU. 513 00:20:50,901 --> 00:20:52,990 MWAH! MWAH! 514 00:20:53,034 --> 00:20:56,690 MAN, I KNOW I SHOULD'VE TOSSED HIS APARTMENT. 515 00:20:56,733 --> 00:20:58,082 WHO BUYS ONE WIG? 516 00:20:58,126 --> 00:20:59,562 WARHOL COMES TO MIND. 517 00:20:59,606 --> 00:21:01,434 OF COURSE HE DOES. 518 00:21:01,477 --> 00:21:03,436 LET'S JUST GRAB LADY GAGA BEFORE HE GETS HIMSELF KILLED. 519 00:21:03,479 --> 00:21:04,785 OKAY? PLEASE. 520 00:21:04,828 --> 00:21:06,700 SORRY FOR INTERRUPTING YOUR DATE. 521 00:21:06,743 --> 00:21:09,050 YOU DIDN'T INTERRUPT, AND IT WASN'T A DATE. 522 00:21:09,093 --> 00:21:12,053 SO, WHAT'S RAPH'S STORY? WHO'D HE END UP WITH? 523 00:21:12,096 --> 00:21:15,143 ME, BUT BETTER. 524 00:21:15,186 --> 00:21:16,623 HEY, CHECK IT OUT. 525 00:21:16,666 --> 00:21:19,713 VERVE. CONNARD'S FAVORITE. 526 00:21:19,756 --> 00:21:22,150 JUST RESTOCKING. LOOKS LEGIT. 527 00:21:22,193 --> 00:21:26,023 DRAGSTRIP THROW-DOWN IS PROUD TO WELCOME 528 00:21:26,067 --> 00:21:28,809 THE NEWEST MEMBER OF OUR ALBUQUERQUE FAMILY, 529 00:21:28,852 --> 00:21:32,073 MISS CYBIL DISOBEDIENCE. 530 00:21:37,600 --> 00:21:40,647 I'M NOT SEEING DOUGLAS. HOW SURE ARE YOU HE'S HERE? 531 00:21:43,954 --> 00:21:46,783 GET READY TO PARTY, BITCHES! 532 00:21:46,827 --> 00:21:48,655 PRETTY SURE. 533 00:21:48,698 --> 00:21:50,657 'CAUSE WITH THIS QUEEN, THERE'S NO LIP-SYNCING. 534 00:21:50,700 --> 00:21:53,921 WITH CYBIL, IT'S ALL REAL. 535 00:22:00,623 --> 00:22:02,669 ♪ AT FIRST I WAS AFRAID ♪ 536 00:22:02,712 --> 00:22:04,758 ♪ I WAS PETRIFIED 537 00:22:04,801 --> 00:22:07,543 ♪ KEPT THINKING I COULD NEVER LIVE ♪ 538 00:22:07,587 --> 00:22:09,415 ♪ WITHOUT YOU BY MY SIDE 539 00:22:09,458 --> 00:22:10,894 LET'S JUST WATCH THE CROWD. WE'LL GRAB HIM OFFSTAGE. 540 00:22:10,938 --> 00:22:13,549 OKAY? 541 00:22:13,593 --> 00:22:16,465 ♪ AND I GREW STRONG 542 00:22:16,509 --> 00:22:20,121 ♪ AND I LEARNED HOW TO GET ALONG ♪ 543 00:22:20,164 --> 00:22:22,602 ♪ SO, NOW, YOU'RE BACK 544 00:22:22,645 --> 00:22:24,821 ♪ FROM OUTER SPACE 545 00:22:24,865 --> 00:22:27,607 ♪ WELL, I JUST WALKED IN TO FIND YOU HERE WITH THAT SAD... ♪ 546 00:22:32,220 --> 00:22:33,874 - OH, MY GOD! - PARTY'S OVER. 547 00:22:33,917 --> 00:22:35,136 NO, THIS IS NOT WHAT YOU THINK. 548 00:22:35,179 --> 00:22:36,790 YOU KNOW, YOU KEEP SAYING THAT. 549 00:22:36,833 --> 00:22:39,662 - WAIT, JUST--STOP, PLEASE! - NO. YOU LIED TO ME. 550 00:22:39,706 --> 00:22:41,447 WHAT, ARE YOU TRYING TO GET YOURSELF KILLED? 551 00:22:41,490 --> 00:22:42,709 SYBIL LOOKS NOTHING LIKE KANDY, OKAY? 552 00:22:42,752 --> 00:22:45,015 - SHH! - OKAY? I'M NOT STUPID. 553 00:22:45,059 --> 00:22:47,148 BUT THIS IS MY LIFE. 554 00:22:47,191 --> 00:22:49,672 MY WORLD. IT'S WHO I AM. 555 00:22:49,716 --> 00:22:51,457 NOBODY'S GONNA RECOGNIZE ME IN THIS CLUB. 556 00:22:51,500 --> 00:22:54,198 THIS CLUB STOCKS VERVE, WHICH MEANS CONNARD HAS ACCESS. 557 00:22:54,242 --> 00:22:55,678 AND HOW MANY DRAG QUEENS DO YOU KNOW 558 00:22:55,722 --> 00:22:57,550 ACTUALLY SING AS WELL AS YOU 559 00:22:57,593 --> 00:22:59,029 IN A COMPETITION LOUSY WITH MILLI VANILLIS? 560 00:22:59,073 --> 00:23:00,466 - I DIDN'T THINK ABOUT-- - NO, YOU DIDN'T. 561 00:23:00,509 --> 00:23:02,032 JUST BETTER HOPE YOU WEREN'T SPOTTED. 562 00:23:02,076 --> 00:23:03,773 - BUT I CAN'T JUST GO BACK-- - NO. NO MORE TALK. 563 00:23:03,817 --> 00:23:10,084 THIS ISN'T THE VIEW. YOU BREACHED, JACKASS. 564 00:23:10,127 --> 00:23:12,782 OKAY, SO INTEL FROM THE MARSHAL'S FUGITIVE TASKFORCE 565 00:23:12,826 --> 00:23:14,436 IN NEW ORLEANS HAS CONNARD'S MEN ON THE MOVE 566 00:23:14,480 --> 00:23:16,090 AND HEADING WEST ON I-10. 567 00:23:16,133 --> 00:23:17,961 MY GUESS, THEY KNOW YOU'RE IN ALBUQUERQUE. 568 00:23:18,005 --> 00:23:19,267 - JESUS. - 'SCUSE ME. 569 00:23:19,310 --> 00:23:21,051 PROTOCOL FOR ME, DOUGLAS, 570 00:23:21,095 --> 00:23:22,226 IS WE'RE GONNA HAVE TO MOVE YOU. 571 00:23:22,270 --> 00:23:24,838 WAIT--WHAT? THAT'S IT? 572 00:23:24,881 --> 00:23:27,014 I JUST HAVE TO GO? WHERE AM I GOING? 573 00:23:27,057 --> 00:23:28,885 FOR YOUR SAFETY, WE DON'T MAKE THAT CALL. 574 00:23:28,929 --> 00:23:31,061 ALL WE KNOW IS WE'VE GOT 12 HOURS TO GET YOU OUT OF HERE. 575 00:23:31,105 --> 00:23:32,367 - JUST LIKE THAT. - YEAH. 576 00:23:32,411 --> 00:23:33,934 AGAIN? 577 00:23:33,977 --> 00:23:35,457 HERE'S WHAT'S GONNA HAPPEN, DOUGLAS. 578 00:23:35,501 --> 00:23:37,241 MARSHALL AND THE TEAM ARE GONNA GO TO YOUR APARTMENT, 579 00:23:37,285 --> 00:23:39,069 PACK UP ALL YOUR THINGS, GET YOU EN ROUTE TO A NEW LOCATION. 580 00:23:39,113 --> 00:23:40,810 I CAN'T BELIEVE THIS. 581 00:23:40,854 --> 00:23:42,159 I DIDN'T MEAN TO SCREW THINGS UP LIKE THIS. 582 00:23:42,203 --> 00:23:43,987 HOW DID YOU MEAN TO SCREW THINGS UP? 583 00:23:44,031 --> 00:23:45,946 MARY, MARSHALL, WE'LL FINISH UP HERE WITH DOUGLAS. 584 00:23:45,989 --> 00:23:47,208 WHY DON'T YOU GET THINGS ROLLING? 585 00:23:47,251 --> 00:23:48,818 FINE WITH ME. 586 00:23:48,862 --> 00:23:50,167 THIS TIME TOMORROW, THIS GUY AND HIS WARDROBE 587 00:23:50,211 --> 00:23:53,127 ARE SOMEONE ELSE'S PROBLEM. 588 00:23:56,913 --> 00:23:57,914 HEY, LISTEN. I MIGHT BE KIND OF LATE TONIGHT. 589 00:23:57,958 --> 00:23:59,350 I'VE GOT THIS WORK THING. 590 00:23:59,394 --> 00:24:01,265 DON'T WORRY ABOUT IT. I'M HAPPY TO HELP. 591 00:24:01,309 --> 00:24:03,790 YOU KNOW THAT. 592 00:24:03,833 --> 00:24:06,009 WE GOT THAT. 593 00:24:06,053 --> 00:24:10,318 LET'S GO SEE WHO'S AT THE DOOR. 594 00:24:11,493 --> 00:24:13,277 HI. - HI. 595 00:24:13,321 --> 00:24:15,758 IS MARY HERE? 596 00:24:15,802 --> 00:24:18,457 MARY, YOU HAVE A PROFOUNDLY HANDSOME GENTLEMAN CALLER. 597 00:24:18,500 --> 00:24:20,197 OH. HEY. 598 00:24:20,241 --> 00:24:22,939 COME ON IN. 599 00:24:22,983 --> 00:24:24,114 RAPH, JOANNA. JOANNA, RAPH. 600 00:24:24,158 --> 00:24:26,900 - OH. - HEY. 601 00:24:26,943 --> 00:24:30,991 HI. 602 00:24:31,034 --> 00:24:33,123 YOU KNOW WHAT, I THINK SHE NEEDS A LITTLE CHANGE, 603 00:24:33,167 --> 00:24:34,429 SO WE'LL GO DO THAT. 604 00:24:34,473 --> 00:24:36,126 IT'S LOVELY TO MEET YOU, RAPH. 605 00:24:36,170 --> 00:24:38,302 YEAH, THAT'S NORAH'S, UM, GRANDMA. 606 00:24:38,346 --> 00:24:40,261 NOT JINX, OBVIOUSLY. 607 00:24:40,304 --> 00:24:42,176 SHE'S THE MOTHER OF THE FATHER. 608 00:24:42,219 --> 00:24:43,960 ANYWAY... 609 00:24:44,004 --> 00:24:45,484 JUST WANTED TO COME BY AND SAY 610 00:24:45,527 --> 00:24:47,355 VICTORIA AND I HAD A GREAT TIME AT DINNER. 611 00:24:47,398 --> 00:24:50,489 THANKS FOR BEING SO COOL TO HER. 612 00:24:50,532 --> 00:24:51,794 IT MEANT A LOT. 613 00:24:51,838 --> 00:24:53,317 OF COURSE. 614 00:24:53,361 --> 00:24:54,405 I'M GLAD YOU'RE BACK. 615 00:24:54,449 --> 00:24:57,017 ME TOO. 616 00:24:57,060 --> 00:24:59,976 IN A WEIRD WAY, MAYBE IT'S A GOOD THING 617 00:25:00,020 --> 00:25:02,544 YOU WEREN'T IN LOVE WITH ME. 618 00:25:02,588 --> 00:25:04,154 I WOULD NOT HAVE MET HER. 619 00:25:04,198 --> 00:25:08,115 AH. I SEE. WELL, THEN, YOU'RE WELCOME. 620 00:25:08,158 --> 00:25:10,421 UH, I ALSO WANTED TO GIVE YOU 621 00:25:10,465 --> 00:25:12,380 THESE CLUB SEATS FOR YOU AND MARSHALL. 622 00:25:12,423 --> 00:25:14,121 YOU KNOW WHAT, 623 00:25:14,164 --> 00:25:15,818 MARSHALL AND I AREN'T REALLY DOING GAMES ANYMORE. 624 00:25:15,862 --> 00:25:17,559 - OH, RIGHT. 'CAUSE OF KENNY. - KENNY. WHO'S-- 625 00:25:17,603 --> 00:25:20,257 OH, KENNY. GOD, NO. NO, NO. 626 00:25:20,301 --> 00:25:23,260 NO, IT'S JUST THAT MARSHALL WENT ALL JERRY LEE LEWIS 627 00:25:23,304 --> 00:25:24,479 AND GOT ENGAGED. 628 00:25:24,523 --> 00:25:26,873 ENGAGED? WHOA. 629 00:25:26,916 --> 00:25:29,963 THAT'S HUGE. 630 00:25:30,006 --> 00:25:30,964 YOU OKAY WITH THAT? 631 00:25:31,007 --> 00:25:32,313 OF COURSE I AM. 632 00:25:32,356 --> 00:25:33,532 WHY WOULDN'T I BE? 633 00:25:33,575 --> 00:25:35,403 I KNOW HOW CLOSE YOU TWO ARE, 634 00:25:35,446 --> 00:25:37,361 AND MARRIAGE CHANGES THINGS. 635 00:25:37,405 --> 00:25:38,928 HE'S MY PARTNER, HE'S MY FRIEND. 636 00:25:38,972 --> 00:25:41,191 I'M HAPPY FOR HIM. 637 00:25:41,235 --> 00:25:43,280 IT'S JUST INTERESTING. 638 00:25:43,324 --> 00:25:44,325 AND WHAT ABOUT YOUR BABY DADDY? 639 00:25:44,368 --> 00:25:45,587 DON'T SAY "BABY DADDY." 640 00:25:45,631 --> 00:25:48,285 FINE. WHAT ABOUT NORAH'S FATHER? 641 00:25:48,329 --> 00:25:52,246 MARK. HIS NAME IS MARK. AND HE'S A GREAT DAD. 642 00:25:52,289 --> 00:25:54,117 BUT HE'S NOT-- I MEAN, WE'RE NOT-- 643 00:25:54,161 --> 00:25:56,032 YOU ARE AN INCREDIBLE WOMAN, MARY, YOU KNOW. 644 00:25:56,076 --> 00:26:00,297 YOU'RE A GREAT MARSHAL, AND I'M SURE YOU'RE A GREAT MOM. 645 00:26:00,341 --> 00:26:01,429 AND, YOU KNOW, SOME GUY'S GONNA BE VERY LUCKY-- 646 00:26:01,472 --> 00:26:03,866 RAPH, THANKS. 647 00:26:03,910 --> 00:26:08,479 THANK YOU, BUT I'M HAPPY. REALLY. 648 00:26:08,523 --> 00:26:10,351 JUST KEEP THE TICKETS. 649 00:26:10,394 --> 00:26:14,268 GIVE THEM AWAY. YOU DECIDE. EITHER WAY. 650 00:26:14,311 --> 00:26:17,097 - THANKS. - ANYWAY... 651 00:26:20,622 --> 00:26:22,145 SEE YOU AROUND. 652 00:26:22,189 --> 00:26:26,106 YEAH. SEE YA. 653 00:26:32,503 --> 00:26:34,288 HEY, CHARLES, 654 00:26:34,331 --> 00:26:38,118 ANY OPENINGS COME UP YET AT HOMELAND SECURITY? 655 00:26:38,161 --> 00:26:39,598 JUST KEEP LOOKING, PLEASE. 656 00:26:39,641 --> 00:26:41,556 'CAUSE I GOT NEW INTEL THAT SAYS THIS PLACE 657 00:26:41,600 --> 00:26:44,037 IS TURNING INTO AN AGATHA CHRISTIE NOVEL. 658 00:26:44,080 --> 00:26:46,953 STAN PULLED ALL OF OUR PERSONNEL FILES, 659 00:26:46,996 --> 00:26:48,955 AND I GOT A SNEAKING SUSPICION 660 00:26:48,998 --> 00:26:51,653 THAT THIS LITTLE INDIAN'S GONNA BE THE FIRST TO GO. 661 00:27:01,663 --> 00:27:05,624 LISTEN, YOU STICK TO THE PROGRAM, YOU FOLLOW THE RULES, 662 00:27:05,667 --> 00:27:07,974 RELOCATION WORKS. 663 00:27:08,017 --> 00:27:09,932 KEEP THAT IN MIND, AND WHEREVER YOU END UP, 664 00:27:09,976 --> 00:27:11,499 YOU'LL DO FINE. - YEAH. 665 00:27:11,542 --> 00:27:13,936 WHEREVER I END UP. 666 00:27:13,980 --> 00:27:16,373 LISTEN, IT DOESN'T REALLY MATTER WHERE I AM. 667 00:27:16,417 --> 00:27:19,942 I'M JUST WONDERING IF MAYBE THEY COULD FIND MY SON. 668 00:27:19,986 --> 00:27:21,204 THEY COULD TRY. 669 00:27:21,248 --> 00:27:23,293 SET UP A MEETING IN A NEUTRAL LOCATION. 670 00:27:23,337 --> 00:27:24,643 MAYBE EVEN REGULAR VISITS DOWN THE ROAD. 671 00:27:24,686 --> 00:27:27,341 THAT WOULD REALLY MEAN A LOT. THANK YOU. 672 00:27:27,384 --> 00:27:28,647 ONE STEP AT A TIME, THOUGH, DOUGLAS. 673 00:27:28,690 --> 00:27:30,213 LET'S JUST GET YOU ON THE TRAIN. 674 00:27:30,257 --> 00:27:32,128 YEAH. HEY, STAY OUT OF TROUBLE. 675 00:27:32,172 --> 00:27:33,477 HE'S ALL YOURS. - MARY, MARSHALL! 676 00:27:33,521 --> 00:27:34,957 HOLD UP! - WHAT? 677 00:27:35,001 --> 00:27:36,002 DOUGLAS, DO NOT GET ON THAT TRAIN. 678 00:27:36,045 --> 00:27:37,394 WH-WHAT'S GOING ON? 679 00:27:37,438 --> 00:27:40,963 DEA CONFIRMED THE FUGITIVE TASK FORCE INTEL. 680 00:27:41,007 --> 00:27:42,661 CONNARD'S CREW IS MOVING IN ON ALBUQUERQUE. 681 00:27:42,704 --> 00:27:44,140 NOT JUST HIS CREW. 682 00:27:44,184 --> 00:27:45,489 NO, CONNARD'S COMING AFTER YOU, DOUG. 683 00:27:45,533 --> 00:27:47,448 APPARENTLY HE WANTS TO SEND A MESSAGE 684 00:27:47,491 --> 00:27:49,319 TO ANYONE EVEN THINKING ABOUT DOING THE RIGHT THING. 685 00:27:49,363 --> 00:27:50,669 - WE GOT AN ETA? - TOMORROW NIGHT. 686 00:27:50,712 --> 00:27:52,018 NOW, YOUR TASK FORCE GUYS 687 00:27:52,061 --> 00:27:53,236 ARE REPORTING CHATTER, YOU KNOW, 688 00:27:53,280 --> 00:27:55,412 ABOUT VERVE, CLUB, COMPETITION. 689 00:27:55,456 --> 00:27:57,371 RIGHT, RIGHT. TOMORROW NIGHT'S THE FINALS. 690 00:27:57,414 --> 00:27:58,459 OKAY, FINE, THEY'RE COMING IN. 691 00:27:58,502 --> 00:27:59,982 LET'S GET HIM OUT. 692 00:28:00,026 --> 00:28:01,244 YOUR GENIUS MOVE IS TO PULL HIM OFF THE TRAIN? 693 00:28:01,288 --> 00:28:02,593 I SAY SHOVE HIM ON. UNBELIEVABLE. 694 00:28:02,637 --> 00:28:04,639 WHEN DO I GET TO FAIL UPWARDS? 695 00:28:04,683 --> 00:28:06,467 LOOK, PEOPLE, THE STARS ARE ALIGNING, OKAY? 696 00:28:06,510 --> 00:28:07,686 I HAVE A RE-- 697 00:28:07,729 --> 00:28:09,339 WE HAVE A REAL SHOT HERE TO DISMANTLE 698 00:28:09,383 --> 00:28:11,037 THIS WHOLE OPERATION, AND WE'RE TAKING IT. 699 00:28:11,080 --> 00:28:13,517 GOOD. COUNT ME IN. I'LL DO WHATEVER YOU NEED. 700 00:28:13,561 --> 00:28:16,042 HEY. SHUT IT. ZEITLIN, YOU GOTTA BE KIDDING ME. 701 00:28:16,085 --> 00:28:17,391 PUTTING A WITNESS IN PLAY IS A NON-STARTER. 702 00:28:17,434 --> 00:28:19,306 LET'S GO, DOUGLAS. GET ON THE TRAIN. 703 00:28:19,349 --> 00:28:21,221 NO, NO, NO, WAIT, JUST-- WE'RE NOT PUTTING HIM IN PLAY. 704 00:28:21,264 --> 00:28:22,526 HE WILL NOT BE IN ANY DANGER, OKAY? 705 00:28:22,570 --> 00:28:24,659 BUT HIS EXPERTISE ABOUT THE DRAG WORLD 706 00:28:24,703 --> 00:28:26,008 IS CRITICAL TO THIS OPERATION. 707 00:28:26,052 --> 00:28:27,227 YOU COULD HAVE HIM MILES AWAY, 708 00:28:27,270 --> 00:28:28,576 BUT WE JUST NEED HIS HELP 709 00:28:28,619 --> 00:28:30,186 WITH WHOEVER'S GONNA STAND IN FOR HIM. 710 00:28:30,230 --> 00:28:31,710 WHAT'RE YOU TALKING ABOUT "STANDING IN"? 711 00:28:31,753 --> 00:28:35,583 YOU KNOW. AN AGENT. UNDERCOVER, IN DRAG. 712 00:28:35,626 --> 00:28:37,628 STAN, MY GOD, HELP ME OUT HERE. 713 00:28:37,672 --> 00:28:39,326 MARY, THE OPERATION'S ALREADY BEEN APPROVED. 714 00:28:39,369 --> 00:28:42,024 BY WHOM? RuPaul? WHAT IS THIS? 715 00:28:42,068 --> 00:28:44,766 WE JUST NEED AN AGENT THAT LOOKS ENOUGH LIKE DOUGLAS 716 00:28:44,810 --> 00:28:46,202 WHO CAN PULL OFF CYBIL DISOBEDIENCE. 717 00:28:46,246 --> 00:28:47,726 ENFORCEMENT OPS ARE REACHING OUT 718 00:28:47,769 --> 00:28:49,379 TO TASK FORCE COMMANDERS AS WE SPEAK, 719 00:28:49,423 --> 00:28:50,598 LOOKING FOR YOUR MATCH. 720 00:28:50,641 --> 00:28:52,165 OH, I SEE. 721 00:28:52,208 --> 00:28:55,516 SO, YOU NEED SOMEBODY WHO CAN PASS AS DOUGLAS. 722 00:28:55,559 --> 00:28:58,824 OR, I DON'T KNOW, HIS BROTHER? 723 00:29:04,786 --> 00:29:06,396 DON'T DO THIS. 724 00:29:06,440 --> 00:29:08,442 I'M NOT. 725 00:29:08,485 --> 00:29:10,444 WHAT? I LOOK NOTHING LIKE HIS BROTHER. 726 00:29:10,487 --> 00:29:12,228 COME ON, PAL, CHEER UP. 727 00:29:12,272 --> 00:29:13,664 LET'S GO BUY YOU A LADY RAZOR. 728 00:29:13,708 --> 00:29:15,188 OH... 729 00:29:28,897 --> 00:29:31,117 JUST SAY IT. 730 00:29:31,160 --> 00:29:32,901 YOU'RE LIKE TOOTSIE ON STILTS. YOU'RE MS. DOUBTFIRE ON A DIET. 731 00:29:32,945 --> 00:29:34,773 SHOULD I KEEP GOING? - THAT'S ALL YOU GOT. 732 00:29:34,816 --> 00:29:36,252 YOU'RE TYLER PERRY IN ANYTHING. 733 00:29:36,296 --> 00:29:38,080 OKAY, STOP. 734 00:29:38,124 --> 00:29:39,342 NOW THAT YOUR BROWS ARE DONE, 735 00:29:39,386 --> 00:29:41,040 JUST GONNA ADD A LITTLE CONCEALER. 736 00:29:41,083 --> 00:29:43,999 A LITTLE? HAVE YOU SEEN THE FOREHEAD? 737 00:29:44,043 --> 00:29:45,348 YOU KNOW, IN ELIZABETHAN TIMES 738 00:29:45,392 --> 00:29:47,742 IT WAS THE NORM FOR MEN TO PERFORM AS WOMEN. 739 00:29:47,786 --> 00:29:49,831 I'M CARRYING ON A GRAND TRADITION. 740 00:29:49,875 --> 00:29:51,833 LIKE ROSALIND IN AS YOU LIKE IT. 741 00:29:51,877 --> 00:29:54,009 WELL DONE, ZEITLIN. 742 00:29:54,053 --> 00:29:55,881 YOU HAVE NO IDEA HOW LIBERATING IT IS 743 00:29:55,924 --> 00:29:59,275 TO PUT ON THIS MAKEUP AND JUST TO BECOME SOMEONE ELSE. 744 00:29:59,319 --> 00:30:01,974 THAT'S THE BEAUTY OF WITSEC, DOUGLAS, MINUS THE LADY GEAR. 745 00:30:02,017 --> 00:30:06,979 WELL, I GET TO CHANGE MY NAME, AND WHERE I LIVE, AND WHAT I DO, 746 00:30:07,022 --> 00:30:08,807 BUT I CAN'T CHANGE WHO I AM. 747 00:30:08,850 --> 00:30:10,330 WHEN I WAS KANDY, 748 00:30:10,373 --> 00:30:13,899 IT'S THE ONLY TIME I EVER REALLY FELT UNSTOPPABLE. 749 00:30:13,942 --> 00:30:17,772 KANDY GAVE YOU COURAGE, FINE, BUT WHAT YOU'RE DOING-- 750 00:30:17,816 --> 00:30:19,861 TESTIFYING-- FROM WHERE I'M SITTING, 751 00:30:19,905 --> 00:30:21,428 DOUGLAS HAS COURAGE TO SPARE. 752 00:30:21,471 --> 00:30:23,169 RIGHT, RIGHT. 753 00:30:23,212 --> 00:30:26,868 LOOK AT ME. AM I REALLY SOMEONE PEOPLE LISTEN TO, RESPECT? 754 00:30:26,912 --> 00:30:28,783 YOU DESERVE RESPECT, DOUGLAS. 755 00:30:28,827 --> 00:30:30,437 YOU DO. 756 00:30:30,480 --> 00:30:32,221 YOU'VE GOT MINE. 757 00:30:32,265 --> 00:30:35,398 ALL RIGHT, STOP TALKING. CLOSE YOUR EYES. 758 00:30:35,442 --> 00:30:39,446 MMM, HELLO, DOLLY. 759 00:30:39,489 --> 00:30:41,187 MARSHALL--OH, MAN. 760 00:30:41,230 --> 00:30:43,102 YOU ALMOST, UH... 761 00:30:43,145 --> 00:30:44,277 I ALMOST--WELL... 762 00:30:44,320 --> 00:30:45,800 PLEASE FINISH THAT SENTENCE. 763 00:30:45,844 --> 00:30:47,193 NO, IT'S BEAUTIFUL WORK, DOUGLAS. 764 00:30:47,236 --> 00:30:49,543 FABULOUS. - I'M JUST GETTING STARTED. 765 00:30:49,586 --> 00:30:52,111 BY THE TIME I'M DONE WITH YOU, CHEEKBONES, 766 00:30:52,154 --> 00:30:53,329 YOU'RE GONNA MAKE THE ANGELS WEEP. 767 00:30:53,373 --> 00:30:55,854 "CHEEKBONES." CLASSIC. 768 00:30:55,897 --> 00:30:57,507 ALL RIGHT, STAN, WHAT DO YOU GOT? 769 00:30:57,551 --> 00:30:59,945 I MEAN, BESIDES A SUDDEN BI-CURIOUS URGE 770 00:30:59,988 --> 00:31:00,946 FOR "CHEEKBONES," HERE? 771 00:31:00,989 --> 00:31:02,251 JUST GOT OFF WITH DEA. 772 00:31:02,295 --> 00:31:05,472 OPERATION TONIGHT IS A GO. 773 00:31:05,515 --> 00:31:07,343 NOW, DELIA AND I WILL RUN SURVEILLANCE 774 00:31:07,387 --> 00:31:10,564 FROM THE VAN ON THE ALLEY SIDE OF THE CLUB. 775 00:31:10,607 --> 00:31:12,435 MARY, YOU'RE INSIDE TEAM LEADER, EYES ON MARSHALL. 776 00:31:12,479 --> 00:31:14,394 DEA'S YOUR BACKUP. 777 00:31:14,437 --> 00:31:16,048 MARSHALL, YOU'RE BACKSTAGE WITH THE OTHER CONTESTANTS. 778 00:31:16,091 --> 00:31:17,484 ONCE WE I.D. CONNARD AND HIS GUYS, 779 00:31:17,527 --> 00:31:18,964 WE'RE GONNA DRAW HIM OUT INTO THE ALLEY, 780 00:31:19,007 --> 00:31:21,575 OR TO THE D-SIDE FOR THE TAKE-DOWN. 781 00:31:21,618 --> 00:31:23,403 NO O.K. CORRAL IN THIS CLUB TONIGHT. WE CLEAR? 782 00:31:23,446 --> 00:31:26,319 CLEAR. 783 00:31:26,362 --> 00:31:28,321 FYI--"CHEEKBONES"... 784 00:31:28,364 --> 00:31:29,888 THAT'S GONNA STICK. 785 00:31:29,931 --> 00:31:32,368 WE'VE GOT EIGHT PEOPLE ON THIS. 786 00:31:32,412 --> 00:31:33,935 ONE AT THE FRONT DOOR, ONE IN THE ALLEY, 787 00:31:33,979 --> 00:31:35,023 THE REST ARE INSIDE. 788 00:31:35,067 --> 00:31:36,851 THE COMPETITION JUST KICKED OFF. 789 00:31:36,895 --> 00:31:38,984 THE ALLEY'S CLEAR. HOW'S UP FRONT? 790 00:31:39,027 --> 00:31:41,160 CLEAR. NO SIGN OF CONNARD. 791 00:31:49,124 --> 00:31:50,996 MARY, WHAT'RE YOU SEEING? 792 00:31:51,039 --> 00:31:54,521 APART FROM TURN BACK TIME CHER AND A TRAGIC PINK IMPERSONATOR, 793 00:31:54,564 --> 00:31:58,003 NOT MUCH. MARSHALL? - WE'RE GOOD BACKSTAGE. 794 00:31:58,046 --> 00:32:00,005 THINK CONNARD HAD A CHANGE OF HEART? 795 00:32:00,048 --> 00:32:01,180 DOESN'T SOUND LIKE HIM. 796 00:32:01,223 --> 00:32:04,966 AND NOW, MISS CYBIL DISOBEDIENCE! 797 00:32:05,010 --> 00:32:07,490 THANK GOD FOR GLEE CLUB. WISH ME LUCK. 798 00:32:07,534 --> 00:32:10,972 GOOD EVENING, LADIES AND-- LADIES. 799 00:32:11,016 --> 00:32:13,496 GET READY TO PARTY! 800 00:32:13,540 --> 00:32:15,498 OH, MY GOD. HE'S REALLY GONNA SING. 801 00:32:15,542 --> 00:32:18,110 CONNARD BETTER MAKE HIS MOVE SOON FOR ALL OUR SAKES. 802 00:32:18,153 --> 00:32:21,548 WITH CYBIL, IT'S ALL REAL. 803 00:32:21,591 --> 00:32:23,463 STAN, PLEASE TELL ME YOU'RE GETTING THIS. 804 00:32:23,506 --> 00:32:24,551 WE'RE GETTING IT. 805 00:32:30,252 --> 00:32:34,256 ♪ AT FIRST I WAS AFRAID, I WAS PETRIFIED ♪ 806 00:32:34,300 --> 00:32:37,172 ♪ KEPT THINKING I COULD NEVER LIVE ♪ 807 00:32:37,216 --> 00:32:39,087 ♪ WITHOUT YOU BY MY SIDE 808 00:32:39,131 --> 00:32:40,523 ♪ BUT I SPENT SO MANY NIGHTS ♪ 809 00:32:40,567 --> 00:32:43,570 ♪ THINKING HOW YOU DID ME WRONG ♪ 810 00:32:43,613 --> 00:32:46,007 ♪ THAT I GREW STRONG 811 00:32:46,051 --> 00:32:48,923 ♪ AND I LEARNED HOW TO GET ALONG ♪ 812 00:32:48,967 --> 00:32:50,229 OH, MY GOD. 813 00:32:50,272 --> 00:32:52,231 ♪ AND NOW YOU'RE BACK 814 00:32:52,274 --> 00:32:55,321 ♪ FROM OUTER SPACE 815 00:32:55,364 --> 00:32:56,670 ♪ I JUST WALKED IN TO FIND YOU HERE ♪ 816 00:32:56,713 --> 00:32:58,454 ♪ WITH THAT SAD LOOK UPON YOUR FACE ♪ 817 00:32:58,498 --> 00:33:00,587 YOU GO, GIRL. 818 00:33:00,630 --> 00:33:02,502 ♪ I SHOULD'VE MADE YOU LEAVE YOUR KEY ♪ 819 00:33:02,545 --> 00:33:04,983 ♪ IF I HAD KNOWN FOR JUST ONE SECOND ♪ 820 00:33:05,026 --> 00:33:06,985 ♪ YOU'D BE BACK TO MY BACK DOOR ♪ 821 00:33:07,028 --> 00:33:08,464 ♪ NOW, GO 822 00:33:08,508 --> 00:33:10,640 ♪ OUT THE DOOR 823 00:33:10,684 --> 00:33:12,991 ♪ JUST TURN AROUND NOW... 824 00:33:13,034 --> 00:33:15,123 THAT'S THE GUY. 825 00:33:15,167 --> 00:33:17,343 CONNARD AND HIS PLUS-SIZE PLUS-ONE, 826 00:33:17,386 --> 00:33:19,084 THEY'RE HERE. - YEAH. 827 00:33:19,127 --> 00:33:22,261 WELL, THE LAST THING THESE CLOWNS WANT IS ATTENTION. 828 00:33:22,304 --> 00:33:24,567 NO ONE STARTS SHOOTING TILL THE CURTAIN COMES DOWN. 829 00:33:24,611 --> 00:33:26,482 ♪ I GOT ALL MY LIFE TO LIVE ♪ 830 00:33:26,526 --> 00:33:28,963 ♪ I GOT ALL MY LOVE TO GIVE ♪ 831 00:33:29,007 --> 00:33:30,573 ♪ AND I'LL SURVIVE 832 00:33:30,617 --> 00:33:32,967 ♪ I WILL SURVIVE 833 00:33:33,011 --> 00:33:36,710 ♪ I--WILL--SURVIVE-UH! 834 00:33:42,020 --> 00:33:46,024 GOOD NIGHT, ALBU-QUEER-QUE! 835 00:33:49,418 --> 00:33:53,161 HE'S DONE, AND I KNOW BECAUSE HE CURTSIED. 836 00:33:53,205 --> 00:33:54,467 ALL RIGHT, MARSHALL, THEY'RE HERE. 837 00:33:54,510 --> 00:33:57,600 WE'RE A GO. 838 00:33:57,644 --> 00:33:59,472 EXCUSE ME. 839 00:33:59,515 --> 00:34:04,042 EXCUSE ME. PARDON ME. 840 00:34:17,359 --> 00:34:21,363 DEA! GET OVER HERE! 841 00:34:23,148 --> 00:34:25,237 THEY GOT AWAY! - NO KIDDING! 842 00:34:25,280 --> 00:34:26,542 I WASN'T TALKING TO YOU! STAN, DO YOU COPY? 843 00:34:26,586 --> 00:34:30,459 - COPY. - THEY'RE HEADING TOWARDS FIFTH! 844 00:34:32,157 --> 00:34:33,636 DELIA, WHAT'RE YOU DOING? 845 00:34:33,680 --> 00:34:36,726 I GOT THIS, I GOT THIS. 846 00:34:41,731 --> 00:34:43,516 - U.S. MARSHALS! STAY DOWN! - STAY DOWN! 847 00:34:43,559 --> 00:34:44,691 TOLD YOU I HAD 'EM. 848 00:34:44,734 --> 00:34:46,475 GET YOUR HANDS BEHIND YOUR BACK! 849 00:34:46,519 --> 00:34:51,524 NOT EXACTLY IN THE HANDBOOK, BUT NICE WORK, INSPECTOR. 850 00:34:53,395 --> 00:34:54,701 HEY, CHEEKBONES. 851 00:34:54,744 --> 00:34:56,398 YOU GOOD? 852 00:34:56,442 --> 00:35:00,141 YEAH. JUST THESE PANTYHOSE CHAFE. 853 00:35:04,319 --> 00:35:05,755 THIS COURT IS ADJOURNED. 854 00:35:05,799 --> 00:35:10,804 BAILIFF, TAKE MR. DUCEY INTO CUSTODY. 855 00:35:12,980 --> 00:35:15,809 UP THERE ON THAT STAND, DOUGLAS, 856 00:35:15,852 --> 00:35:18,203 YOU COMMANDED THE ROOM. 857 00:35:18,246 --> 00:35:23,208 I'M TELLING YOU, KANDY WOULD BE PROUD. 858 00:35:23,251 --> 00:35:24,948 DUCEY'S LAWYER JUST CONTACTED US. 859 00:35:24,992 --> 00:35:26,776 ONE LOOK AT YOUR TESTIMONY, 860 00:35:26,820 --> 00:35:28,952 THE GUY PRACTICALLY LEAPT ACROSS THE TABLE, 861 00:35:28,996 --> 00:35:30,345 BEGGING TO FLIP ON CONNARD. 862 00:35:30,389 --> 00:35:33,522 - THANK GOD IT'S OVER. - YOU DID GOOD. 863 00:35:33,566 --> 00:35:35,394 I STILL CAN'T BELIEVE I'LL NEVER BE KANDY AGAIN. 864 00:35:35,437 --> 00:35:37,787 DOUGLAS, YOU AND KANDY... 865 00:35:37,831 --> 00:35:39,267 THE BEST PARTS OF HER-- THEY'RE THE BEST PARTS OF YOU. 866 00:35:39,311 --> 00:35:40,355 THEY ALWAYS WERE. 867 00:35:40,399 --> 00:35:42,966 YEAH. 868 00:35:43,010 --> 00:35:44,403 AND I'M READY TO START OVER. 869 00:35:44,446 --> 00:35:46,187 AS ME. 870 00:35:46,231 --> 00:35:48,972 OH, HEY, CAN I ASK A FAVOR? 871 00:35:49,016 --> 00:35:50,800 I WAS HOPING I COULD MAYBE MEET MY SON. 872 00:35:50,844 --> 00:35:53,151 YOU SAID YOU GUYS MIGHT BE ABLE TO ARRANGE SOMETHING. 873 00:35:53,194 --> 00:35:54,369 ONCE YOU'RE ALL SET UP IN THE NEW CITY, 874 00:35:54,413 --> 00:35:55,805 WE'LL SEE IF WE CAN TRACK HIM DOWN. 875 00:35:55,849 --> 00:35:58,286 THAT WOULD BE... 876 00:35:58,330 --> 00:35:59,287 JUST... 877 00:35:59,331 --> 00:36:00,984 THANKS. 878 00:36:01,028 --> 00:36:01,985 FOR EVERYTHING. 879 00:36:02,029 --> 00:36:04,162 YOU'RE WELCOME. 880 00:36:10,037 --> 00:36:12,257 GOT PLANS TONIGHT? 881 00:36:12,300 --> 00:36:13,910 OH, YEAH, BIG PLANS. 882 00:36:13,954 --> 00:36:17,349 HANG WITH A BABY, CHANGE A DIAPER, LIVE THE DREAM. 883 00:36:17,392 --> 00:36:20,830 WELL, WHEN YOU'RE READY TO GET BACK OUT THERE 884 00:36:20,874 --> 00:36:23,137 TO THE GROWNUPS TABLE OR WHATEVER, 885 00:36:23,181 --> 00:36:25,400 I'M HAPPY TO WATCH NORAH. ABIGAIL TOO. 886 00:36:25,444 --> 00:36:27,881 YOU MEAN YOU CAN WATCH ABIGAIL AND NORAH AT THE SAME TIME? 887 00:36:27,924 --> 00:36:29,361 I'M A MAN OF MANY TALENTS. 888 00:36:29,404 --> 00:36:31,363 OFFER'S ALWAYS ON THE TABLE. - THANK YOU. 889 00:36:31,406 --> 00:36:33,495 CONGRATULATIONS, ROSALIND. 890 00:36:33,539 --> 00:36:35,193 OH. 891 00:36:35,236 --> 00:36:37,934 YOU SHOULDN'T HAVE. 892 00:36:37,978 --> 00:36:40,502 WHOA. ISOTOPES TICKETS? 893 00:36:40,546 --> 00:36:42,939 IT'S AN ENGAGEMENT GIFT FROM RAPH. 894 00:36:42,983 --> 00:36:45,507 YOU KNOW I DON'T SAY IT OUT LOUD, 895 00:36:45,551 --> 00:36:47,248 BUT I REALLY AM HAPPY FOR YOU. 896 00:36:47,292 --> 00:36:48,989 I KNOW. 897 00:36:49,032 --> 00:36:50,904 'CAUSE IF ANYONE DESERVES TO FIND THEIR... 898 00:36:50,947 --> 00:36:53,080 YOU KNOW, IT'S YOU. 899 00:36:53,123 --> 00:36:55,300 SO, WHEN ARE WE GOING? 900 00:36:55,343 --> 00:36:58,216 YOU KNOW, I THINK FROM NOW ON, 901 00:36:58,259 --> 00:37:01,523 ABIGAIL SHOULD PROBABLY BE YOUR BASEBALL PLUS-ONE. 902 00:37:01,567 --> 00:37:05,092 - OH. YEAH. - YEAH. 903 00:37:05,135 --> 00:37:08,051 WELL, THANKS. 904 00:37:08,095 --> 00:37:10,184 YEAH. 905 00:37:10,228 --> 00:37:12,142 SEE YA TOMORROW. AND FOR WHAT IT'S WORTH, 906 00:37:12,186 --> 00:37:15,537 YOU DESERVE TO FIND YOUR "YOU KNOW" TOO. 907 00:37:15,581 --> 00:37:18,061 YEAH, WELL, IN THE ROM-COM VERSION OF MY LIFE, 908 00:37:18,105 --> 00:37:20,194 MY "YOU KNOW" IS RYAN GOSLING. 909 00:37:20,238 --> 00:37:24,198 YOU'RE NOT THE ONLY ONE WHO GETS TO BANG A MOUSEKETEER. 910 00:37:24,242 --> 00:37:26,244 - GOOD NIGHT. - NIGHT. 911 00:37:36,428 --> 00:37:38,952 SORRY I CAN'T MAKE THIS A SLEEPOVER. 912 00:37:38,995 --> 00:37:40,954 ONLY HAVE A SITTER TILL 11:00. 913 00:37:40,997 --> 00:37:42,912 THAT'S HOT, RIGHT? 914 00:37:42,956 --> 00:37:45,567 THAT'S COOL. I DON'T REALLY DO THE SLEEPOVER. 915 00:37:45,611 --> 00:37:48,048 OH. SAUCY. I LIKE IT. 916 00:37:48,091 --> 00:37:50,224 YOU SAY "SAUCY." I HATE IT. 917 00:37:59,015 --> 00:38:02,062 - WE SHOULD. - YEAH. 918 00:38:03,672 --> 00:38:06,109 WELL, THAT WAS FUN. - YES. 919 00:38:06,153 --> 00:38:07,937 WE SHOULD DO IT AGAIN. 920 00:38:07,981 --> 00:38:10,636 AND THE LEAST I CAN DO IS BUY YOU A CUP OF COFFEE NEXT TIME. 921 00:38:10,679 --> 00:38:12,942 WOW. A CUP OF COFFEE. 922 00:38:12,986 --> 00:38:14,596 A BIG ONE. 923 00:38:14,640 --> 00:38:16,555 I'D SAY "VENTI," BUT THEN I-- 924 00:38:16,598 --> 00:38:18,687 THEN I'D HAVE TO KILL MYSELF. - MM-HMM. 925 00:38:18,731 --> 00:38:21,603 BUT TRUST ME, IT'LL BE A LARGE. 926 00:38:21,647 --> 00:38:24,040 - YOU PROMISE? - I LIKE TO SPOIL THE LADIES. 927 00:38:24,084 --> 00:38:25,346 I SEE. 928 00:38:25,390 --> 00:38:27,130 LISTEN, IF YOU, UH-- 929 00:38:27,174 --> 00:38:29,132 IF YOU WANT, WE COULD GET THE KIDS TOGETHER NEXT TIME. 930 00:38:29,176 --> 00:38:30,351 YEAH, I DON'T KNOW. 931 00:38:30,395 --> 00:38:32,266 THINK I PREFER THIS NC-17. 932 00:38:32,310 --> 00:38:33,441 GOD BLESS AMERICA. 933 00:38:33,485 --> 00:38:35,661 WELL, LISTEN... 934 00:38:35,704 --> 00:38:39,969 I HESITATE TO SAY THIS, AND VEER INTO PG-13, 935 00:38:40,013 --> 00:38:41,667 BUT YOU ARE THE FIRST PERSON I'VE LIKED 936 00:38:41,710 --> 00:38:43,190 SINCE... 937 00:38:43,233 --> 00:38:44,409 SINCE THE LAST PERSON I LIKED. 938 00:38:51,372 --> 00:38:54,636 WOW. THAT'S HIGH PRAISE. 939 00:38:54,680 --> 00:38:59,641 YEAH, YOU DO KNOW HOW TO SPOIL THE LADIES. 940 00:38:59,685 --> 00:39:02,688 WHAT, TOO SAUCY? 941 00:39:02,731 --> 00:39:04,516 DON'T SAY "SAUCY." 942 00:39:21,054 --> 00:39:22,751 THERE'S A REASON WE OUTGROW FAIRY TALES. 943 00:39:22,795 --> 00:39:25,363 LET'S FACE IT, "HAPPILY EVER AFTER" IS A CROCK. 944 00:39:25,406 --> 00:39:27,016 IT'S A CON, A SHELL GAME 945 00:39:27,060 --> 00:39:28,017 FOR THE SUCKER ON THE STREET. 946 00:39:28,061 --> 00:39:29,367 THEY'RE JUST WORDS. 947 00:39:29,410 --> 00:39:31,020 PRETTY WORDS. 948 00:39:31,064 --> 00:39:34,067 THE EQUALLY EMPTY BOOKEND TO "ONCE UPON A TIME." 949 00:39:34,110 --> 00:39:36,025 BUT OUR LIVES AREN'T DETERMINED BY SOME STORYBOOK, 950 00:39:36,069 --> 00:39:38,027 STAR-CROSSED DESTINY. 951 00:39:38,071 --> 00:39:40,421 THEY'RE NOT DETERMINED BY WHAT WE'RE TOLD IS MEANT TO BE. 952 00:39:40,465 --> 00:39:42,684 OUR LIVES ARE DETERMINED BY DUMB LUCK, 953 00:39:42,728 --> 00:39:44,686 THE ACTIONS WE TAKE, AND THE COURAGE WE SUMMON 954 00:39:44,730 --> 00:39:46,514 AT OUR MOMENTS OF TRUTH. 955 00:39:49,212 --> 00:39:51,432 UNLIKE FAIRY TALES, REAL LIFE DOESN'T COME 956 00:39:51,476 --> 00:39:53,434 WITH "THE END" IN GILDED CURSIVE 957 00:39:53,478 --> 00:39:55,218 ON THE VERY LAST PAGE. 958 00:39:55,262 --> 00:39:57,177 OUR STORIES NEVER END. 959 00:40:00,093 --> 00:40:02,095 "HAPPILY EVER AFTER," FOR MOST OF US, 960 00:40:02,138 --> 00:40:03,705 IS REALLY JUST THE BEGINNING. 961 00:40:03,749 --> 00:40:07,796 THERE'S A MILLION "EVER AFTERS" IN EVERYBODY'S LIVES. 962 00:40:07,840 --> 00:40:10,408 'CAUSE EVERY TIME YOU THINK YOU'VE REACHED THE FINISH LINE, 963 00:40:10,451 --> 00:40:12,192 THE GUN GOES OFF AGAIN. 964 00:40:17,327 --> 00:40:19,721 YES, YOU LEFT YOUR TEE SHIRT. 965 00:40:19,765 --> 00:40:22,332 YOU'VE RUINED A PERFECTLY GOOD EXIT. 966 00:40:26,249 --> 00:40:30,558 MARY. 967 00:40:30,602 --> 00:40:33,692 IT'S ME. 968 00:40:33,735 --> 00:40:37,565 DADDY? 969 00:40:37,609 --> 00:40:40,568 LOOK, I KNOW I GOT NO RIGHTS 970 00:40:40,612 --> 00:40:44,093 ASKING YOU FOR ANYTHING, 971 00:40:44,137 --> 00:40:47,270 BUT PLEASE, YOU THINK I COULD COME IN FOR FIVE MINUTES? 972 00:40:47,314 --> 00:40:49,142 PLEASE? 973 00:41:05,332 --> 00:41:06,812 I'M IN TROUBLE. 974 00:41:06,855 --> 00:41:11,381 AND, UH, YOU'RE THE ONLY ONE I GOT TO TURN TO. 975 00:41:17,170 --> 00:41:21,783 AREN'T YOU GONNA SAY ANYTHING? 976 00:41:21,827 --> 00:41:25,874 I'VE PICTURED THIS MOMENT A MILLION TIMES. 977 00:41:25,918 --> 00:41:30,226 EACH ONE DIFFERENT. 978 00:41:30,270 --> 00:41:35,231 BUT IT ALWAYS ENDED THE SAME. 979 00:41:36,668 --> 00:41:40,410 JAMES WILEY SHANNON, YOU'RE UNDER ARREST. 980 00:41:40,454 --> 00:41:41,716 MARY-- 981 00:41:41,760 --> 00:41:43,413 YOU HAVE THE RIGHT TO REMAIN SILENT. 982 00:41:43,457 --> 00:41:44,414 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 983 00:41:44,458 --> 00:41:45,546 IN A COURT OF LAW. 984 00:41:45,590 --> 00:41:47,505 YOU HAVE THE RIGHT TO AN ATTORNEY. 985 00:41:47,548 --> 00:41:49,594 IF YOU CAN'T AFFORD AN ATTORNEY, ONE WILL BE APPOINTED FOR YOU. 70478

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