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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,113 --> 00:00:13,545 DAMN. 2 00:00:13,681 --> 00:00:15,047 WOMAN: ♪ WATCH WHERE YOU GO, I'M AN ANIMAL ♪ 3 00:00:15,182 --> 00:00:16,348 SHH. 4 00:00:16,484 --> 00:00:18,117 [SIGHS] 5 00:00:18,252 --> 00:00:19,685 ♪ IF YOU DON'T WANT TO DANCE, DON'T WANT TO DANCE ♪ 6 00:00:19,820 --> 00:00:22,588 SURE, BABE. WHATEVER YOU SAY. 7 00:00:22,723 --> 00:00:27,159 ♪ OH, OH WITH THE DEVIL, OH ♪ 8 00:00:27,294 --> 00:00:30,195 ♪ WATCH WHERE YOU GO, I'M AN ANIMAL ♪ 9 00:00:30,331 --> 00:00:33,365 ♪ IF YOU DANCE WITH THE DEVIL, OH, OH, OH, OH ♪ 10 00:00:33,501 --> 00:00:35,034 ♪ I'M GONNA TELL YOU... ♪ 11 00:00:35,169 --> 00:00:37,703 AAH! WHAT-- WHAT THE HELL? 12 00:00:37,838 --> 00:00:39,638 ARE YOU INSANE? 13 00:00:42,610 --> 00:00:45,544 I CAN'T FEEL... ANYTHING. 14 00:00:45,679 --> 00:00:47,446 I THINK YOU'LL FIND... 15 00:00:47,581 --> 00:00:52,117 THAT'S TO YOUR GREAT ADVANTAGE... 16 00:00:52,253 --> 00:00:53,819 BABE. 17 00:00:53,954 --> 00:00:56,155 ♪ I'M AN ANIMAL ♪ 18 00:00:56,290 --> 00:00:57,890 ♪ AN ANIMAL ♪ 19 00:01:00,895 --> 00:01:02,728 ♪ AN ANIMAL ♪ 20 00:01:06,500 --> 00:01:07,766 ♪ AN ANIMAL ♪ 21 00:01:07,902 --> 00:01:09,735 ♪ AN ANIMAL ♪ 22 00:01:12,840 --> 00:01:16,408 ♪ WATCH WHERE YOU GO, I'M AN ANIMAL ♪ 23 00:01:29,056 --> 00:01:31,323 WASN'T SUPPOSED TO BE BETH. 24 00:01:33,094 --> 00:01:34,460 WE DID EVERYTHING RIGHT. 25 00:01:34,595 --> 00:01:36,261 WE FOUND A LOOPHOLE, WE KEPT HER ALIVE, 26 00:01:36,397 --> 00:01:37,930 WE GOT HER THROUGH THE CHECKPOINTS. 27 00:01:38,065 --> 00:01:42,267 I THOUGHT WE WERE IN THE CLEAR, AND THEN IT JUST... 28 00:01:42,403 --> 00:01:43,635 JUST CAME OUT OF NOWHERE. 29 00:01:43,771 --> 00:01:45,904 IT WASN'T YOUR FAULT, LUKE. 30 00:01:46,040 --> 00:01:47,406 LOOK. WE NEED TO FIGURE OUT WHO SHOT HER. 31 00:01:47,541 --> 00:01:49,808 I AGREE, BUT FIRST, 32 00:01:49,944 --> 00:01:53,178 WE NEED TO PREPARE OURSELVES FOR THE REAL ALICE. 33 00:01:53,314 --> 00:01:55,180 THE CROWS THINK THAT SHE'S DEAD, AND SHE'S NOT, 34 00:01:55,316 --> 00:01:57,716 WHICH MEANS NO ONE'S OUT LOOKING FOR HER, 35 00:01:57,852 --> 00:02:00,452 AND IF MY TWIN PICKED MY ALIEN DOPPELGANGER'S LIFE OVER MINE, 36 00:02:00,588 --> 00:02:04,356 I'D BE ON THE VERGE OF GOING NUCLEAR. 37 00:02:04,492 --> 00:02:06,325 UH, NO OFFENSE. 38 00:02:06,460 --> 00:02:08,127 YOU'RE RIGHT. 39 00:02:08,262 --> 00:02:09,895 I LOOKED HER IN THE EYE AND TOLD HER I CHOSE 40 00:02:10,030 --> 00:02:12,364 TO SAVE SOMEONE ELSE. 41 00:02:12,500 --> 00:02:15,100 KATE...YOU DID THE RIGHT THING. 42 00:02:15,236 --> 00:02:16,802 YOU HAVE TO KNOW THAT. 43 00:02:16,937 --> 00:02:21,607 IT DOESN'T MATTER BECAUSE THE WRONG BETH LIVED. 44 00:02:21,742 --> 00:02:24,610 NOW ALICE IS BACK ON THE LOOSE BECAUSE OF ME, 45 00:02:24,745 --> 00:02:27,746 AND WE NEED TO BRACE OURSELVES FOR THE CONSEQUENCES. 46 00:02:32,153 --> 00:02:34,686 REPORTER: MR. KANE, MR. KANE, HOW DOES IT FEEL TO BE EXONERATED? 47 00:02:34,822 --> 00:02:37,689 JACOB: ANY DAY THAT JUSTICE PREVAILS IS A GOOD DAY IN MY BOOK. 48 00:02:37,825 --> 00:02:40,025 YOU'VE PROVEN YOU WERE FRAMED BY ALICE AND HER GANG. 49 00:02:40,161 --> 00:02:41,860 WHAT ARE YOUR NEXT STEPS? 50 00:02:41,996 --> 00:02:43,896 RETURN TO THE CROWS AND RESTORE PEACE TO THIS CITY. 51 00:02:44,031 --> 00:02:48,033 LOOK. ALICE IS DEAD, GOTHAM IS SAFER BECAUSE OF IT. 52 00:02:48,169 --> 00:02:51,670 AT THE END OF THE DAY, IT'S ALL THAT REALLY MATTERS. 53 00:02:51,805 --> 00:02:53,405 [REPORTERS CLAMORING] 54 00:02:59,480 --> 00:03:01,280 GOTHAM KNOWS HER AS ALICE, 55 00:03:01,415 --> 00:03:05,551 BUT HERE AT COUNTY MORGUE, SHE'S SIMPLY JANE DOE 7113. 56 00:03:05,686 --> 00:03:09,254 NO NAME, NO MEDICAL HISTORY, 57 00:03:09,390 --> 00:03:12,591 NO NEXT OF KIN. 58 00:03:12,726 --> 00:03:14,793 COULD WE HAVE A MOMENT, PLEASE? 59 00:03:19,567 --> 00:03:21,133 [DOOR SHUTS] 60 00:03:21,268 --> 00:03:25,237 MY OWN DAUGHTER AND ONE OF GOTHAM'S MOST DIABOLICAL KILLERS 61 00:03:25,372 --> 00:03:27,139 DEAD ON A METAL SLAB. 62 00:03:27,274 --> 00:03:31,743 AFTER EVERYTHING, IT SEEMS THERE SHOULD BE SO MANY EMOTIONS, BUT... 63 00:03:31,879 --> 00:03:35,214 ALL I FEEL IS HOLLOW. 64 00:03:35,349 --> 00:03:38,450 IT WAS DESTINED TO END THIS WAY, SIR. 65 00:03:38,586 --> 00:03:40,052 THE BULLET WASN'T ONE OF OURS. 66 00:03:40,187 --> 00:03:42,120 YOU RADIOED IN AND SAID YOU HAD HER IN YOUR SIGHTS. 67 00:03:42,256 --> 00:03:44,723 WHAT--WHAT HAPPENED? 68 00:03:44,858 --> 00:03:46,792 CALL OFF THE SHOOT-TO-KILL ORDER ON ALICE. 69 00:03:46,927 --> 00:03:48,060 YOU'RE KIDDING. 70 00:03:48,195 --> 00:03:50,095 LET ME FIND HER. 71 00:03:50,231 --> 00:03:52,164 TELL THE CROWS TO STAND DOWN. 72 00:03:54,635 --> 00:03:56,068 I DIDN'T HAVE A LOCK. 73 00:03:56,203 --> 00:03:57,936 THE TARGET KEPT MOVING. 74 00:03:58,072 --> 00:04:02,774 HMM. WELL, SOMEONE GOT HER ANYWAY. 75 00:04:02,910 --> 00:04:07,446 SIDE EFFECT OF MAKING AN ENTIRE CITY YOUR ENEMY. 76 00:04:16,991 --> 00:04:21,426 TICKTOCK, TICKTOCK. 77 00:04:21,562 --> 00:04:26,198 AHH. SILLY MOUSE, WHAT IS THE PURPOSE 78 00:04:26,333 --> 00:04:28,267 OF A RENDEZVOUS SPOT 79 00:04:28,402 --> 00:04:31,169 IF ONLY ONE PARTY OBLIGES? 80 00:04:34,775 --> 00:04:36,108 YES? 81 00:04:36,243 --> 00:04:38,644 THIS IS ALL THAT WAS LEFT IN HIS HOSPITAL ROOM. 82 00:04:41,348 --> 00:04:43,782 WHAT DO YOU MEAN LEFT? 83 00:04:43,917 --> 00:04:46,685 WHERE'D YOU GET THIS. 84 00:04:46,820 --> 00:04:49,388 LUKE: I TOOK IT OFF BETH... 85 00:04:49,523 --> 00:04:52,024 AFTER. 86 00:04:52,159 --> 00:04:53,558 THANK YOU. 87 00:04:55,763 --> 00:04:58,497 SO I RAN THE MYSTERY SHOOTER'S PARTIAL PLATE. 88 00:04:58,632 --> 00:04:59,698 AND? 89 00:04:59,833 --> 00:05:01,366 THE 3 NUMBERS I REMEMBERED DON'T MATCH 90 00:05:01,502 --> 00:05:03,035 A SINGLE REGISTERED SEDAN. 91 00:05:03,170 --> 00:05:04,603 I THINK THE PLATE WAS STOLEN. 92 00:05:04,738 --> 00:05:06,571 SO NOT ONLY DID WE LET AN INNOCENT GIRL DIE, 93 00:05:06,707 --> 00:05:08,540 BUT I CAN'T EVEN BRING HER KILLER TO JUSTICE. 94 00:05:08,676 --> 00:05:11,810 MARY'S MAKING REWARD FLIERS FOR ANY INFO ON THAT VEHICLE. 95 00:05:11,945 --> 00:05:13,712 WE'LL FIND SOMETHING. 96 00:05:13,847 --> 00:05:16,548 IN THE MEANTIME, THOUGH, WE STILL LIVE IN GOTHAM, 97 00:05:16,684 --> 00:05:19,751 WHERE'S THERE'S STILL PLENTY OF JUSTICE TO DOLE OUT. 98 00:05:19,887 --> 00:05:23,255 MAYBE THIS WILL TAKE YOUR MIND OFF THINGS. 99 00:05:23,390 --> 00:05:24,423 A VAMPIRE? 100 00:05:24,558 --> 00:05:25,891 A WANNABE VAMPIRE. 101 00:05:26,026 --> 00:05:27,959 -YOU'RE NOT SERIOUS. -THAT'S KIND OF MY POINT. 102 00:05:28,095 --> 00:05:31,797 LATELY, THINGS HAVE BEEN A LITTLE TOO SERIOUS, 103 00:05:31,932 --> 00:05:33,332 AND YOU COULD USE THE DISTRACTION. 104 00:05:33,467 --> 00:05:34,833 THEN BRING ME AN OLD-FASHIONED BOMBER 105 00:05:34,968 --> 00:05:36,301 OR AN ARSONIST OR SOMEONE THAT 106 00:05:36,437 --> 00:05:37,703 ACTUALLY EXISTS IN THE REAL WORLD. 107 00:05:37,838 --> 00:05:39,271 APPARENTLY SHE DOES. OK. NOCTURNA IS-- 108 00:05:39,406 --> 00:05:41,973 NOCTURNA? WAS NIGHT-BITE TAKEN? 109 00:05:42,109 --> 00:05:44,309 SHE SEDUCES HER VICTIMS, DRAINS THEIR BLOOD, 110 00:05:44,445 --> 00:05:45,644 AND LEAVES THEM FOR DEAD. 111 00:05:45,779 --> 00:05:47,913 IT'S ALL VERY EARLY 2000s. 112 00:05:48,048 --> 00:05:50,682 BOTH VICTIMS WERE LURED OUT OF CLUBS ON THE STRIP IN OLD GOTHAM. 113 00:05:50,818 --> 00:05:52,884 CROWS ARE REPLACING EVERY DOORMAN, 114 00:05:53,020 --> 00:05:55,320 SO I THOUGHT WE SHOULD PATROL THE ONLY OTHER BAR 115 00:05:55,456 --> 00:05:56,988 IN THAT NEIGHBORHOOD ON THAT STREET. 116 00:05:57,124 --> 00:05:58,924 IT'S A PLACE CALLED THE CATCH. 117 00:05:59,059 --> 00:06:01,159 IT'S A JANKY, OLD FISHERMEN'S BAR. 118 00:06:01,295 --> 00:06:02,627 IT'S NOT REALLY HER DEMO, 119 00:06:02,763 --> 00:06:06,198 BUT, UM, WHAT ABOUT CURSE? 120 00:06:06,333 --> 00:06:10,268 EDM. IT'S INVITE ONLY. 121 00:06:10,404 --> 00:06:14,172 OH, OH! CURSE. THE-- YEAH, YEAH, RIGHT. OK. 122 00:06:14,308 --> 00:06:17,142 YEAH. I THOUGHT-- I THOUGHT YOU SAID, "PURSE," 123 00:06:17,277 --> 00:06:19,945 WHICH IS WHY I WAS LIKE A CLUB CALLED PURSE? THAT'D BE WEIRD. 124 00:06:20,080 --> 00:06:21,747 YOU HAVE NO IDEA WHAT I'M TALKING ABOUT. 125 00:06:21,882 --> 00:06:25,217 -NOT A ONE. NOPE. -COOL. AHEM. 126 00:06:25,352 --> 00:06:28,620 SO DOES THIS MEAN YOU'RE SUITING UP? 127 00:06:28,756 --> 00:06:31,056 I'VE ALWAYS WANTED TO SLAY A VAMPIRE. 128 00:06:40,200 --> 00:06:42,801 [ELECTRONIC DANCE MUSIC PLAYING] 129 00:06:44,138 --> 00:06:45,404 [WOMAN SCREAMING] 130 00:06:45,539 --> 00:06:47,406 GOT SOMETHING. 131 00:06:50,411 --> 00:06:54,079 ONE VIC, FEMALE, BOUND, UNCONSCIOUS. 132 00:06:54,214 --> 00:06:57,516 [GASPS] 133 00:06:57,651 --> 00:06:59,151 NO SIGN OF NOCTURNA. 134 00:06:59,286 --> 00:07:01,420 [BANG] 135 00:07:01,555 --> 00:07:03,422 SCRATCH THAT. FOUND HER. 136 00:07:03,557 --> 00:07:05,524 AND I FOUND YOU. 137 00:07:05,659 --> 00:07:08,393 VAMPIRE, BAT. 138 00:07:08,529 --> 00:07:10,128 SCREAMS DUO TO ME. 139 00:07:10,264 --> 00:07:12,197 KATE: I WORK ALONE. LUKE ON COMMS: I HEARD THAT. 140 00:07:12,332 --> 00:07:13,832 SHH. 141 00:07:25,612 --> 00:07:27,512 FLATTERED, BUT YOU'RE NOT MY TYPE. 142 00:07:27,648 --> 00:07:28,747 BUT YOU'RE MINE. 143 00:07:28,882 --> 00:07:31,817 I'M A UNIVERSAL RECIPIENT. 144 00:07:31,952 --> 00:07:36,188 OHH! UNH! AGH! 145 00:07:36,323 --> 00:07:38,223 [BREATHING HEAVILY] 146 00:07:38,358 --> 00:07:42,194 SEEING DOUBLE, LOSING SENSATION IN YOUR LIMBS? 147 00:07:42,329 --> 00:07:45,864 -DON'T FIGHT IT. -WHAT--WHAT--WHAT DID YOU DO? 148 00:07:45,999 --> 00:07:48,834 I'VE ALWAYS WONDERED WHAT BAT BLOOD TASTED LIKE. 149 00:07:56,009 --> 00:07:58,343 [DOOR BURSTS OPEN] 150 00:07:58,479 --> 00:07:59,811 MAN: TWO, STAY. 151 00:07:59,947 --> 00:08:02,614 SECOND MAN: RIGHT. BEHIND YOU. 152 00:08:02,749 --> 00:08:04,883 [SIGHS] 153 00:08:05,018 --> 00:08:06,751 TOO BAD, BATSY. 154 00:08:10,057 --> 00:08:12,557 I DO HOPE WE GET TO DO THIS ANOTHER NIGHT. 155 00:08:17,564 --> 00:08:19,598 LUKE: OK. I'M READING YOUR STATS. 156 00:08:19,733 --> 00:08:21,800 SHE INJECTED YOU WITH A PARALYTIC. 157 00:08:21,935 --> 00:08:23,034 I GOT THAT. 158 00:08:23,170 --> 00:08:24,803 AND YOU HAVE 6 CROWS INCOMING. 159 00:08:24,938 --> 00:08:26,171 I GOT THAT, TOO. 160 00:08:26,306 --> 00:08:27,973 GONNA HIT YOU WITH AN ADRENALINE SHOT. 161 00:08:28,108 --> 00:08:29,941 TAKES ABOUT 30 SECONDS TO KICK IN. 162 00:08:30,077 --> 00:08:31,610 I DON'T GOT THAT. 163 00:08:31,745 --> 00:08:33,712 MODULATOR NOW. 164 00:08:33,847 --> 00:08:36,414 LUKE: COPY. 165 00:08:36,550 --> 00:08:37,883 OH, MY GOD! ARE YOU OK? 166 00:08:38,018 --> 00:08:39,417 [VOICE MODULATED] SAVE HER. 167 00:08:39,553 --> 00:08:41,720 SHE'S UNCONSCIOUS, BUT SHE'S STILL ALIVE. 168 00:08:43,924 --> 00:08:46,958 WE'VE GOT MEDICS COMING. WE NEED TO HURRY. 169 00:08:50,797 --> 00:08:52,230 THANK YOU. 170 00:08:57,504 --> 00:09:00,338 THOUGHT YOU SAID WE NEEDED TO HURRY. 171 00:09:00,474 --> 00:09:05,243 YOU'RE GONNA GET MY ASS FIRED, SO... 172 00:09:05,379 --> 00:09:06,945 SO? 173 00:09:10,350 --> 00:09:15,086 SO...NEXT TIME, I'LL HAVE TO BRING YOU IN. 174 00:09:20,661 --> 00:09:23,662 WHICH MEANS THERE CAN'T BE A NEXT TIME. 175 00:09:23,797 --> 00:09:25,263 UNDERSTOOD. 176 00:09:25,399 --> 00:09:26,998 MAN: THEY COULD BE ANYWHERE. WOMAN: THAT WAY! YOU! 177 00:09:27,134 --> 00:09:28,900 MAN: KEEP YOUR EYES OPEN! 178 00:09:35,409 --> 00:09:37,909 IT'S CLEAR. I'VE GOT THE VICTIM. 179 00:09:38,045 --> 00:09:39,210 CHECK THE ROOF. 180 00:09:39,346 --> 00:09:41,079 MAN: YOU HEARD HER. MOVE OUT! 181 00:09:52,224 --> 00:09:53,724 I'M MORE THAN HAPPY TO RUN YOUR BLOOD, 182 00:09:53,859 --> 00:09:55,893 BUT YOU DON'T SEEM LIKE YOU HAVE THE FLU. 183 00:09:56,028 --> 00:09:58,462 [COUGHING] 184 00:09:58,597 --> 00:10:00,330 I'VE BEEN, UH, PULLING ALL-NIGHTERS 185 00:10:00,466 --> 00:10:04,434 DOING REAL ESTATE COURSES, AND IT'S LIKE GERMS GALORE. 186 00:10:04,570 --> 00:10:06,637 YOU KNOW YOU CAN TELL ME ANYTHING? 187 00:10:06,772 --> 00:10:08,305 RIGHT, YEAH. 188 00:10:08,440 --> 00:10:12,175 SO MAYBE THESE PERCEIVED FLU-LIKE SYMPTOMS 189 00:10:12,311 --> 00:10:15,245 ARE A MANIFESTATION OF THE GUILT YOU FEEL 190 00:10:15,381 --> 00:10:17,681 FOR CHOOSING BETH OVER ALICE, 191 00:10:17,816 --> 00:10:19,883 AND EVEN THOUGH ALICE MIRACULOUSLY SURVIVED, 192 00:10:20,019 --> 00:10:21,952 YOU DREW A LINE IN THE SAND THAT YOU CAN'T ERASE, 193 00:10:22,087 --> 00:10:25,689 FOREVER ALTERING THE DYNAMIC BETWEEN YOU AND YOUR TWIN. 194 00:10:25,824 --> 00:10:28,926 PUHHH. YOU GOT ALL THAT FROM A BLOOD DRAW? 195 00:10:29,061 --> 00:10:31,662 KATE, I'M SERIOUS. 196 00:10:31,797 --> 00:10:36,433 LOOK. BETH DESERVED TO LIVE. 197 00:10:36,568 --> 00:10:39,503 DO NOT THINK THAT THERE IS NOT ONE SINGLE MINUTE THAT GOES BY 198 00:10:39,638 --> 00:10:42,172 THAT I'M NOT REMEMBERING HER. 199 00:10:42,308 --> 00:10:45,909 HER WARMTH, HER SPIRIT... 200 00:10:46,045 --> 00:10:47,344 HER LAUGH. 201 00:10:47,479 --> 00:10:49,446 OK. THAT'S WEIRD. 202 00:10:49,581 --> 00:10:51,248 YOU HAVE SPECIAL K IN YOUR BLOOD. 203 00:10:51,383 --> 00:10:52,549 KETAMINE? 204 00:10:52,685 --> 00:10:56,019 WANT TO TELL ME HOW THAT HAPPENED? 205 00:10:56,155 --> 00:10:59,122 I WAS PARTYING PRETTY HARD LAST NIGHT. 206 00:10:59,258 --> 00:11:00,857 -PARTYING? -SOMEONE MUST HAVE SLIPPED 207 00:11:00,993 --> 00:11:02,659 ME SOMETHING. 208 00:11:02,795 --> 00:11:04,695 I THOUGHT YOU SAID YOU WERE TAKING REAL ESTATE CLASSES. 209 00:11:04,830 --> 00:11:07,130 I WAS. NO ONE WANTS TO LEARN ABOUT ZONING LAWS SOBER. 210 00:11:07,266 --> 00:11:09,199 THANK YOU. 211 00:11:09,335 --> 00:11:10,534 KATE. 212 00:11:10,669 --> 00:11:12,536 LUKE: THE TEMPORARY PARALYSIS WAS THE RESULT 213 00:11:12,671 --> 00:11:15,272 OF NOCTURNA INJECTING YOU WITH AN ANIMAL TRANQUILIZER. 214 00:11:15,407 --> 00:11:16,707 THAT'S GOT TO BE HER M.O. 215 00:11:16,842 --> 00:11:18,175 IT WASN'T REALLY AN INJECTION. 216 00:11:18,310 --> 00:11:21,578 IT WAS MORE LIKE A BITE, NIBBLE, LIP THING. 217 00:11:21,714 --> 00:11:22,946 -DO YOU MIND? -I'M JUST SAYING SHE HAD 218 00:11:23,082 --> 00:11:24,281 ACTUAL FANGS THAT DELIVERED 219 00:11:24,416 --> 00:11:25,882 THE KETAMINE. 220 00:11:26,018 --> 00:11:28,218 YOU KNOW, LIKE, JUST WHEN SHE BIT DOWN ON MY LIP... 221 00:11:28,354 --> 00:11:30,020 UNDERSTOOD AND MOVING ON. 222 00:11:30,155 --> 00:11:32,589 SINCE THE ENCOUNTER WAS SO...INTIMATE, 223 00:11:32,725 --> 00:11:37,027 WE MAY BE ABLE TO GET SOMETHING OFF THE SUIT'S UV DETECTION SYSTEM. 224 00:11:37,162 --> 00:11:42,466 BEHOLD. 600 WATTS OF 95% UVA AND 5% UVB. 225 00:11:44,403 --> 00:11:46,069 WORKS GREAT FOR FINGERPRINTS, 226 00:11:46,205 --> 00:11:49,439 COUNTERFEIT MONEY, CHECKING OUT MOTEL BEDSPREADS. 227 00:11:49,575 --> 00:11:50,874 EWW. 228 00:11:51,010 --> 00:11:54,578 YET SOMEHOW, NOCTURNA DIDN'T LEAVE A SINGLE TRACE. 229 00:11:54,713 --> 00:11:56,179 WELL, IF WE CAN'T TRACK HER DOWN, 230 00:11:56,315 --> 00:11:57,514 MAYBE WE CAN DRAW HER OUT. 231 00:11:57,649 --> 00:11:59,082 PLEASE DON'T SAY BLOOD DRIVE. 232 00:11:59,218 --> 00:12:00,684 WE KNOW SHE'S TARGETING CLUB GOERS. 233 00:12:00,819 --> 00:12:02,786 MAYBE YOUR LITTLE BLACK LIGHT 234 00:12:02,921 --> 00:12:05,122 WILL COME IN HANDY AFTER ALL. 235 00:12:05,257 --> 00:12:08,158 -WE'RE HAVING A PARTY. -WE'RE HAVING A PARTY. 236 00:12:08,293 --> 00:12:11,862 ALICE MAY BE GONE. 237 00:12:11,997 --> 00:12:14,531 SO IS THE CITY'S TRUST. 238 00:12:14,666 --> 00:12:16,166 WE ARE HEMORRHAGING CLIENTS, 239 00:12:16,301 --> 00:12:18,001 NOT BECAUSE WE'RE WEAK 240 00:12:18,137 --> 00:12:19,936 OR INEFFECTUAL OR INDECISIVE. 241 00:12:20,072 --> 00:12:23,940 IT'S BECAUSE FOR THE FIRST TIME IN 4 YEARS 242 00:12:24,076 --> 00:12:26,510 WE HAVE COMPETITION. 243 00:12:26,645 --> 00:12:28,111 THE CITY LIKES BATWOMAN 244 00:12:28,247 --> 00:12:30,414 BECAUSE SHE DOESN'T SUBSCRIBE TO THE RULES. 245 00:12:30,549 --> 00:12:32,382 IT MAKES HER ENTERTAINING. 246 00:12:32,518 --> 00:12:36,420 SHE GETS TO DRESS UP, CAUSE WHATEVER MAYHEM SHE CHOOSES, 247 00:12:36,555 --> 00:12:38,889 AND ZIP LINE AWAY TO CHEERS AND ADORATION. 248 00:12:39,024 --> 00:12:42,259 THAT IS NOT HOW PROTECTING A CITY WORKS, 249 00:12:42,394 --> 00:12:46,930 AND NOW...THERE IS A NEW PREDATOR ON THE STREETS-- 250 00:12:47,066 --> 00:12:49,199 NOCTURNA. 251 00:12:49,334 --> 00:12:51,201 LET'S FIND THIS BLOOD-GUZZLING SERIAL KILLER 252 00:12:51,336 --> 00:12:52,936 BEFORE BATWOMAN DOES. 253 00:12:53,072 --> 00:12:55,572 LET'S REMIND EVERYONE WHAT REAL AUTHORITY 254 00:12:55,707 --> 00:12:57,607 ACTUALLY LOOKS LIKE. 255 00:13:00,712 --> 00:13:03,814 LIKE YOU NEVER LEFT. 256 00:13:03,949 --> 00:13:06,516 YOU KNOW ANYTHING ABOUT THIS? 257 00:13:06,652 --> 00:13:08,718 MARY'S INSTAGRAM PAGE? 258 00:13:08,854 --> 00:13:10,554 AS LITTLE AS NECESSARY. WHY? 259 00:13:10,689 --> 00:13:13,857 SHE'S POSTING ABOUT A GRAND OPENING TONIGHT AT KATE'S BAR. 260 00:13:13,992 --> 00:13:15,859 I THOUGHT IT WAS STILL SEVERAL WEEKS OFF. 261 00:13:15,994 --> 00:13:18,462 PROBABLY NOT THE BEST NIGHT FOR AN OPENING, 262 00:13:18,597 --> 00:13:23,200 CONSIDERING NOCTURNA'S TARGETING CLUB GOERS. 263 00:13:23,335 --> 00:13:26,169 YOU WANT ME TO GO AND KEEP AN EYE ON THINGS. 264 00:13:29,374 --> 00:13:30,807 WOMAN: YOU BETTER GET IT. 265 00:13:30,943 --> 00:13:34,211 [ELECTRONIC DANCE MUSIC PLAYING] 266 00:13:34,346 --> 00:13:36,513 ♪ NA NA NA NA NA NA NA NA ♪ 267 00:13:36,648 --> 00:13:38,215 ♪ BETTER GET IT, GIRL ♪ 268 00:13:38,350 --> 00:13:40,784 ♪ NA NA NA NA NA NA NA NA ♪ 269 00:13:40,919 --> 00:13:42,219 ♪ YOU BETTER GET IT, GIRL ♪ 270 00:13:42,354 --> 00:13:44,955 ♪ NA NA NA NA NA NA NA NA ♪ 271 00:13:45,090 --> 00:13:46,389 ♪ BETTER GET IT, GIRL ♪ 272 00:13:46,525 --> 00:13:48,658 ♪ NA NA NA NA NA NA NA NA ♪ 273 00:13:48,794 --> 00:13:50,660 ♪ YOU BETTER GET IT ♪ 274 00:13:53,699 --> 00:13:55,332 LUKE: MARY'S HERE. 275 00:13:55,467 --> 00:13:57,000 DID WE JUST LURE A VAMPIRE TO US 276 00:13:57,136 --> 00:13:59,936 USING A BAR FULL OF WALKING BLOOD BAGS? 277 00:14:00,072 --> 00:14:02,439 THEORETICALLY, YES. 278 00:14:02,574 --> 00:14:03,940 TECHNICALLY, NO. 279 00:14:04,076 --> 00:14:06,042 THINK OF OUR HIGH-RES FACIAL RECOGNITION CAMERAS 280 00:14:06,178 --> 00:14:07,677 AS A SORT OF DIGITAL GARLIC. 281 00:14:07,813 --> 00:14:09,946 IF NOCTURNA SHOWS, WE'LL GET HER, 282 00:14:10,082 --> 00:14:12,048 THOUGH SO FAR THE MOST SUSPICIOUS WOMAN HERE 283 00:14:12,184 --> 00:14:14,351 HAS 3 OUTSTANDING PARKING TICKETS. 284 00:14:15,921 --> 00:14:19,589 -OH. UH, WOW! -WHAT? 285 00:14:19,725 --> 00:14:21,491 IS THAT SOPHIE? 286 00:14:23,262 --> 00:14:25,595 ♪ NA NA NA NA NA NA NA NA ♪ 287 00:14:25,731 --> 00:14:27,464 ♪ BETTER GET IT, GIRL ♪ 288 00:14:27,599 --> 00:14:29,499 ♪ NA NA NA NA NA NA NA NA ♪ 289 00:14:29,635 --> 00:14:30,901 ♪ YOU BETTER GET IT, GIRL ♪ 290 00:14:31,036 --> 00:14:33,303 ♪ NA NA NA NA NA NA NA NA ♪ 291 00:14:35,040 --> 00:14:36,973 MARY: SOMEONE WRITE MY OBITUARY 292 00:14:37,109 --> 00:14:39,276 BECAUSE I AM DEAD! 293 00:14:39,411 --> 00:14:41,845 THANKS, BUT I'M JUST BLENDING IN. 294 00:14:41,980 --> 00:14:43,480 I'M HERE FOR WORK. 295 00:14:43,615 --> 00:14:46,349 WELL, YOU ARE DEFINITELY WORKING SOMETHING. 296 00:14:46,485 --> 00:14:49,486 COME WITH ME. 297 00:14:49,621 --> 00:14:51,521 LUKE: SO THAT'S THE SOPHIE, HUH? 298 00:14:51,657 --> 00:14:52,956 YEP. 299 00:14:53,091 --> 00:14:56,960 SHE...BROKE UP WITH YOU, RIGHT? 300 00:14:57,095 --> 00:14:58,795 -AHEM. -BECAUSE... 301 00:14:58,931 --> 00:15:00,397 I'LL BE IN THE FIELD. 302 00:15:00,532 --> 00:15:01,932 WOW! 303 00:15:05,904 --> 00:15:08,371 [INDISTINCT CHATTER] 304 00:15:23,055 --> 00:15:24,921 SPARKLING WATER... 305 00:15:25,057 --> 00:15:26,556 WITH A LITTLE VODKA. 306 00:15:26,692 --> 00:15:28,959 -MMM. MARY... -HMM? 307 00:15:29,094 --> 00:15:30,427 I'M WORKING. 308 00:15:30,562 --> 00:15:32,862 OH, I KNOW. SO DOES EVERYONE ELSE IN HERE. 309 00:15:32,998 --> 00:15:35,065 YOU NEED TO CHILL. 310 00:15:35,200 --> 00:15:36,933 I NEED TO FIND NOCTURNA. 311 00:15:37,069 --> 00:15:38,568 SHE DRUGGED BATWOMAN LAST NIGHT, 312 00:15:38,704 --> 00:15:39,936 NEARLY KILLED HER. 313 00:15:40,072 --> 00:15:41,538 -I DIDN'T HEAR THAT. -NO ONE DID. 314 00:15:41,673 --> 00:15:44,808 EXCEPT YOU. I'M GETTING A STRONG WHIFF OF EARL GREY. 315 00:15:44,943 --> 00:15:46,743 SPILL. 316 00:15:46,878 --> 00:15:49,779 I MAY HAVE FREED HER BEFORE MY GUYS COULD BRING HER IN. 317 00:15:49,915 --> 00:15:51,581 -REALLY? -TELL YOUR DAD, 318 00:15:51,717 --> 00:15:53,250 AND I'LL KILL YOU. 319 00:15:53,385 --> 00:15:55,852 OH, THIS TEA IS WAY TOO ENJOYABLE FOR ME TO SQUANDER. 320 00:15:55,988 --> 00:15:57,754 TEQUILA, PLEASE. 321 00:15:59,391 --> 00:16:00,657 SOPH. TCH. 322 00:16:00,792 --> 00:16:02,792 WHAT? WHAT? 323 00:16:02,928 --> 00:16:04,327 YOU SHOULD... 324 00:16:04,463 --> 00:16:05,862 NO. 325 00:16:05,998 --> 00:16:07,897 SORRY. DID I JUST TOTALLY CUT IN BETWEEN YOU GUYS 326 00:16:08,033 --> 00:16:10,333 LIKE THE RUDEST PERSON EVER? 327 00:16:10,469 --> 00:16:12,636 NO. YOU'RE FINE. WE WERE JUST-- 328 00:16:12,771 --> 00:16:14,904 HI. ELLE. 329 00:16:15,040 --> 00:16:16,906 SOPHIE. 330 00:16:17,042 --> 00:16:19,376 GUESS WHO ALMOST WORE THAT EXACT DRESS TONIGHT. 331 00:16:19,511 --> 00:16:21,144 I'M GLAD I DIDN'T. I WOULD HAVE FELT 332 00:16:21,280 --> 00:16:22,879 INCREDIBLY LESS THAN. 333 00:16:23,015 --> 00:16:27,150 OH. I'M SURE YOU WOULD HAVE LOOKED GREAT. 334 00:16:27,286 --> 00:16:30,420 OH, MY GOD! FANTASIA, HI! 335 00:16:30,555 --> 00:16:32,022 MARY. 336 00:16:32,157 --> 00:16:34,691 BRB. 337 00:16:34,826 --> 00:16:38,862 SO, SOPHIE, WHAT DO YOU DO? 338 00:16:38,997 --> 00:16:40,764 LUKE: BASE TO KATE, WE'VE GOT A LEGIT LEAD HERE. 339 00:16:40,899 --> 00:16:43,867 ELLE SCANTLIN, 28, DARK HAIR, ARREST RECORD, 340 00:16:44,002 --> 00:16:45,368 AND WORKS IN VETERINARY MEDICINE. 341 00:16:45,504 --> 00:16:47,937 WHICH MEANS SHE HAS ACCESS TO KETAMINE. 342 00:16:48,073 --> 00:16:49,339 WHICH ONE IS SHE? 343 00:16:49,474 --> 00:16:50,540 WELL, SHE'S... 344 00:16:50,676 --> 00:16:53,276 THE ONE ALL OVER SOPHIE RIGHT NOW. 345 00:17:08,961 --> 00:17:11,061 MAN: SIR, I WAS JUST COMING TO FIND YOU. 346 00:17:11,197 --> 00:17:13,530 WE WERE ABLE TO GRAB THE SURVEILLANCE FOOTAGE FROM INSIDE THE WAREHOUSE. 347 00:17:13,666 --> 00:17:15,499 -DO WE KNOW WHO NOCTURNA IS? -UNFORTUNATELY NO. 348 00:17:15,634 --> 00:17:17,901 THEN I HAVE A DOZEN OTHER THINGS I NEED TO BE DEALING WITH. 349 00:17:18,037 --> 00:17:21,271 SIR, I'M THE ONLY ONE WHO KNOWS ABOUT WHAT'S ON HERE. 350 00:17:21,407 --> 00:17:23,507 IF YOU CHOOSE TO DO NOTHING, 351 00:17:23,642 --> 00:17:24,942 IT CAN COMPLETELY VANISH, 352 00:17:25,077 --> 00:17:27,044 BUT I DO THINK YOU NEED TO SEE IT. 353 00:17:40,092 --> 00:17:45,562 DUA LIPA: ♪ IF YOU DON'T WANT TO SEE ME ♪ 354 00:17:45,698 --> 00:17:50,801 ♪ DID A FULL 180, CRAZY ♪ 355 00:17:50,936 --> 00:17:53,203 ♪ THINKING ABOUT THE WAY ♪ 356 00:17:53,339 --> 00:17:55,205 SOPHIE'S JUST WORKING HER, 357 00:17:55,341 --> 00:17:57,341 YOU KNOW, JUST TRYING TO FIGURE OUT IF IT'S NOCTURNA. 358 00:17:57,476 --> 00:17:59,343 CONVINCINGLY SO. 359 00:18:01,013 --> 00:18:02,713 NO ONE IS THAT FUNNY. 360 00:18:02,848 --> 00:18:05,149 SHE SEEMS TO BE A LITTLE FUNNY. 361 00:18:05,284 --> 00:18:07,217 SO WE CAN EITHER SIT HERE AND MAKE A REACTION VIDEO, 362 00:18:07,353 --> 00:18:10,754 OR YOU COULD GO OUT THERE AND FIGURE OUT WHO ELLE SCANTLIN IS YOURSELF. 363 00:18:10,890 --> 00:18:12,489 I'LL LOOK LIKE A JEALOUS EX. 364 00:18:12,625 --> 00:18:15,659 OR A HERO WHO CATCHES A SERIAL KILLER. 365 00:18:15,795 --> 00:18:17,194 PFFT. YOU GO IF YOU'RE SO EAGER. 366 00:18:17,329 --> 00:18:18,729 YOU'RE BATWOMAN! I'M WEARING 367 00:18:18,864 --> 00:18:20,731 A GLOW-IN-THE-DARK TIE. 368 00:18:20,866 --> 00:18:24,668 UH-OH. IS SOPHIE DOING THE NERVOUS NAPKIN FOLD? 369 00:18:24,804 --> 00:18:26,703 OOH. SMILING, BLUSHING, FOLDING. 370 00:18:26,839 --> 00:18:31,141 YOU ARE NEVER LEAVING THE BATCAVE AGAIN, OK? 371 00:18:31,277 --> 00:18:35,479 ELLE: CROWS SECURITY, AND HERE YOU SEEMED SO PROMISING. 372 00:18:35,614 --> 00:18:37,381 TAKE IT YOU'RE NOT ONE OF OUR CLIENTS. 373 00:18:37,516 --> 00:18:39,817 MY FAMILY USED THE CROWS WHEN I WAS A KID. 374 00:18:39,952 --> 00:18:42,953 I USED TO LOVE HAVING EDDIE WALK ME TO SCHOOL 375 00:18:43,088 --> 00:18:46,023 AND HAVING THE GUYS PROTECT THE HOUSE. 376 00:18:46,158 --> 00:18:48,091 SO WHAT CHANGED? 377 00:18:48,227 --> 00:18:49,460 I GREW UP. 378 00:18:49,595 --> 00:18:51,895 I REALIZED THEY'RE MORE OF A STATUS SYMBOL 379 00:18:52,031 --> 00:18:54,531 THAN ACTUAL PROTECTION, 380 00:18:54,667 --> 00:18:57,334 AND IF I'M GOING TO ROOT FOR SOMEONE WHO SKIRTS THE LAW 381 00:18:57,470 --> 00:19:01,738 AND LACKS ACCOUNTABILITY, IT'S GONNA BE BATWOMAN, 382 00:19:01,874 --> 00:19:04,708 AND THE HEAD-TO-TOE BLACK LEATHER CERTAINLY DOESN'T HURT. 383 00:19:04,844 --> 00:19:06,643 IT'S NOT LEATHER ACTUALLY. 384 00:19:06,779 --> 00:19:08,145 IT'S BULLETPROOF NANOTECH. 385 00:19:08,280 --> 00:19:10,013 SUPPOSEDLY NOTHING LIKE IT ON THE PLANET. 386 00:19:10,149 --> 00:19:11,548 INTIMATE DETAILS. 387 00:19:11,684 --> 00:19:13,550 YOU TWO EVER THROWN DOWN? 388 00:19:14,954 --> 00:19:16,854 ON THE HOUSE. 389 00:19:16,989 --> 00:19:18,622 KATE, HEY. 390 00:19:18,757 --> 00:19:20,891 ELLE: AHEM. THANKS FOR THE DRINK. 391 00:19:21,026 --> 00:19:25,429 -I'M ELLE. -KATE. HI. 392 00:19:25,564 --> 00:19:26,897 OH, DEAR. 393 00:19:27,032 --> 00:19:29,333 MARY HAMILTON, RIGHT? ANDI OSTERGAARD. 394 00:19:29,468 --> 00:19:30,968 -I FOLLOW YOU... -OH. 395 00:19:31,103 --> 00:19:32,870 -ONLINE, NOT IN REAL LIFE. -OK. RIGHT. 396 00:19:33,005 --> 00:19:36,173 SO, UH, HOW DO YOU TWO KNOW EACH OTHER? 397 00:19:36,308 --> 00:19:38,675 WE DON'T. WE JUST MET. 398 00:19:38,811 --> 00:19:40,911 AND WE'RE ALREADY HAVING OUR FIRST FIGHT. 399 00:19:41,046 --> 00:19:43,347 BATWOMAN--PRO OR CON? 400 00:19:43,482 --> 00:19:45,616 BATWOMAN? OW! HSS. 401 00:19:45,751 --> 00:19:48,385 OOH. THAT IS DEFINITELY GONNA LEAVE A MARK. 402 00:19:48,521 --> 00:19:50,587 OH, MY GOD. AHEM. 403 00:19:50,723 --> 00:19:54,024 SORRY. BLOOD MAKES ME, UH--OHH. 404 00:19:54,159 --> 00:19:56,226 CAN I GET SOME WATER? 405 00:19:56,362 --> 00:19:58,095 [SIGHS] 406 00:20:01,734 --> 00:20:03,066 AHEM. 407 00:20:07,273 --> 00:20:11,408 ELLE: I'M SORRY. I'M A LIGHTHEADED BLOOD WIMP. 408 00:20:11,544 --> 00:20:13,343 EVERYTHING OK, KATE? 409 00:20:13,479 --> 00:20:14,478 I THINK SO. 410 00:20:14,613 --> 00:20:16,713 [CELL PHONE VIBRATING] 411 00:20:16,849 --> 00:20:18,282 DUTY CALLS. 412 00:20:18,417 --> 00:20:19,950 BE CAREFUL WITH THAT KNIFE. 413 00:20:20,085 --> 00:20:21,885 KATE: I WILL. ELLE: I... 414 00:20:30,763 --> 00:20:32,863 ANDI: I DRIVE AN I8, THE NEW ONE. 415 00:20:32,998 --> 00:20:34,298 MARY: OH. ANDI: NEVER REALLY SAW MYSELF 416 00:20:34,433 --> 00:20:37,601 AS A BEEMER CHICK, BUT IT'S PRETTY SWEET. 417 00:20:37,736 --> 00:20:40,737 -SO YOU HERE WITH ANYONE? -WHAT? 418 00:20:40,873 --> 00:20:42,306 LUKE: MARY. 419 00:20:42,441 --> 00:20:46,176 HEY. I--I WAS WAITING FOR YOU OUTSIDE. 420 00:20:46,312 --> 00:20:50,981 MY BAD. I THOUGHT THAT YOU SAID BY THE BAR. 421 00:20:51,116 --> 00:20:53,083 SORRY. ARE YOU GUYS... 422 00:20:53,218 --> 00:20:55,552 -TOGETHER. -OH, MY BOYFRIEND'S BROTHER. 423 00:20:55,688 --> 00:20:59,056 OK. I'LL LET YOU TWO SORT THAT OUT. 424 00:20:59,191 --> 00:21:00,691 SEE YOU ON SOCIALS, MARY. 425 00:21:00,826 --> 00:21:04,161 DON'T DRINK AND DRIVE. HA HA HA! OK. 426 00:21:04,296 --> 00:21:05,929 KIND OF WENT A LONG WAY TO MAKE CLEAR 427 00:21:06,065 --> 00:21:07,531 I'M NOT YOUR BOYFRIEND. 428 00:21:07,666 --> 00:21:09,066 DOES YOUR TIE GLOW IN THE DARK? 429 00:21:09,201 --> 00:21:10,867 -YES, IT DOES. -I ACTUALLY LOVE THAT. 430 00:21:11,003 --> 00:21:12,369 KATE ON COMMS: IT'S NOT HER. LUKE: YOU'RE POSITIVE, 431 00:21:12,504 --> 00:21:13,637 OR YOU JUST GOT UNCOMFORTABLE? 432 00:21:13,772 --> 00:21:14,905 WHO ARE YOU TALKING TO? 433 00:21:15,040 --> 00:21:16,373 LUKE: KATE. KATE: WHAT? 434 00:21:16,508 --> 00:21:18,275 LUKE: NO. NOT YOU, KATE. I'M TALKING TO MARY. 435 00:21:18,410 --> 00:21:19,910 -WHY ARE YOU TALKING TO MARY? -WHY ARE YOU TALKING TO KATE? 436 00:21:20,045 --> 00:21:22,646 I THOUGHT YOU WERE HER REAL ESTATE ASSISTANT. 437 00:21:22,781 --> 00:21:23,981 ASSOCIATE. 438 00:21:24,116 --> 00:21:25,549 WITH A HIDDEN EARPIECE 439 00:21:25,684 --> 00:21:27,684 TO DIRECT LINE INTO HIS BOSS 440 00:21:27,820 --> 00:21:30,153 AT A CLUB ON A SATURDAY NIGHT? 441 00:21:30,289 --> 00:21:31,788 KATE'S...NEEDY. 442 00:21:31,924 --> 00:21:33,624 MARY: MM-HMM. KATE: I NEED YOU NOW. 443 00:21:33,759 --> 00:21:35,225 I HAVE TO GO. SORRY. 444 00:21:35,361 --> 00:21:37,027 MARY: SO STRANGE. 445 00:21:43,569 --> 00:21:46,003 LUKE: I'LL CALL THE GCPD. KATE: I GOT IT. 446 00:21:46,138 --> 00:21:47,771 KATE, WE HAVE A CLUB FULL OF INNOCENT PEOPLE. 447 00:21:47,906 --> 00:21:49,573 I SAID I GOT IT. 448 00:22:01,353 --> 00:22:03,020 WHERE IS HE? 449 00:22:03,155 --> 00:22:04,488 -WHERE'S WHO? -MOUSE. 450 00:22:04,623 --> 00:22:06,456 WHERE ARE YOU KEEPING HIM? 451 00:22:06,592 --> 00:22:07,924 NO IDEA. 452 00:22:09,395 --> 00:22:11,528 THEN THIS WAS A WASTE OF MY TIME. 453 00:22:11,664 --> 00:22:13,997 WE SHOULD TALK ABOUT WHAT HAPPENED. 454 00:22:17,536 --> 00:22:22,272 TALK? WHY? 455 00:22:22,408 --> 00:22:27,044 DO YOU THINK LETTING ME DIE ON A LINOLEUM FLOOR 456 00:22:27,179 --> 00:22:29,913 GOT LOST IN SUBTEXT? 457 00:22:30,049 --> 00:22:32,449 I GET IT, KATE! 458 00:22:32,584 --> 00:22:34,551 I MEAN NOTHING TO YOU. 459 00:22:34,687 --> 00:22:36,086 THE CROWS THINK YOU'RE DEAD. 460 00:22:36,221 --> 00:22:37,921 YOU'VE GOT A SECOND CHANCE, ALICE. 461 00:22:38,057 --> 00:22:40,891 YOU HAD A SECOND CHANCE TO SAVE ME, 462 00:22:41,026 --> 00:22:43,260 AND YOU DIDN'T TAKE IT. 463 00:22:43,395 --> 00:22:46,596 INSTEAD, YOU CHOSE A COMPLETE STRANGER. 464 00:22:46,732 --> 00:22:48,799 BETH WASN'T A STRANGER. 465 00:22:48,934 --> 00:22:52,669 DON'T YOU GET IT? SHE WAS YOU, 466 00:22:52,805 --> 00:22:56,440 THE KIND, COMPASSIONATE, GOOD VERSION OF YOU, 467 00:22:56,575 --> 00:22:59,843 THE VERSION OF YOU I THOUGHT YOU COULD BE. 468 00:22:59,978 --> 00:23:03,914 THE VERSION WHO COULDN'T SURVIVE 469 00:23:04,049 --> 00:23:08,218 DESPITE EVERYTHING YOU DID TO KEEP HER ALIVE. 470 00:23:08,353 --> 00:23:10,954 [SIRENS] 471 00:23:14,226 --> 00:23:17,027 THAT'S RICH. 472 00:23:17,162 --> 00:23:21,231 I GUESS THIS IS THE NEW NORMAL NOW. 473 00:23:21,366 --> 00:23:22,999 I HOPE SHE WAS WORTH IT. 474 00:23:31,777 --> 00:23:34,644 WHAT DID YOU TELL ME FROM THE BEGINNING? 475 00:23:34,780 --> 00:23:38,749 HA HA! "DON'T LET HER IN YOUR HEAD, ALICE. 476 00:23:38,884 --> 00:23:41,418 SHE'S CHANGING YOU, ALICE." 477 00:23:41,553 --> 00:23:43,954 AND WHAT DID I DO? 478 00:23:44,089 --> 00:23:45,956 ANSWER ME, MOUSE! 479 00:23:48,160 --> 00:23:54,297 WHAT...DID...I....DO? 480 00:23:54,433 --> 00:23:56,399 EXACTLY... 481 00:23:56,535 --> 00:24:00,637 MY SWEET...INNOCENT MOUSE. 482 00:24:00,773 --> 00:24:03,173 I IGNORED YOU. 483 00:24:03,308 --> 00:24:05,776 I SAID I WAS IN CONTROL, 484 00:24:05,911 --> 00:24:08,578 I WAS STRONGER, 485 00:24:08,714 --> 00:24:11,715 I WOULD WIN HER BACK... 486 00:24:11,850 --> 00:24:14,384 BUT I WAS WRONG... 487 00:24:14,520 --> 00:24:18,822 AND MY SISTER LET ME DIE. 488 00:24:25,864 --> 00:24:28,165 YOU'RE RIGHT. 489 00:24:28,300 --> 00:24:30,767 I MUSTN'T LET HER GET IN MY HEAD. 490 00:24:30,903 --> 00:24:33,303 I CAN'T. HA HA! 491 00:24:33,438 --> 00:24:36,573 WHY SHOULD I CARE WHAT SHE THINKS OF ME? 492 00:24:36,708 --> 00:24:40,844 WHY SHOULD I CARE IF SHE DOESN'T LOVE ME? 493 00:24:40,979 --> 00:24:42,712 OHH! OHH! 494 00:24:42,848 --> 00:24:44,681 [MOANING] 495 00:24:49,308 --> 00:24:50,874 WHAT ABOUT WILLOW MARTIN? SHE FITS THE PHYSICAL DESCRIPTION, 496 00:24:51,010 --> 00:24:53,043 AND SHE HAS A RECORD. 497 00:24:53,179 --> 00:24:55,813 NOPE. SHE WAS LIVE STREAMING A CONCERT LAST NIGHT. 498 00:24:55,948 --> 00:24:58,082 RHONDA CHAFINO IS A POSSIBILITY. 499 00:24:58,217 --> 00:24:59,516 GOTH, ARRIVED SOLO. 500 00:24:59,652 --> 00:25:01,685 FOUND HER PUKING TEQUILA SHOTS IN THE BATHROOM. 501 00:25:01,821 --> 00:25:03,187 SHE'S GOING THROUGH A BREAKUP. 502 00:25:03,322 --> 00:25:05,089 I'LL ADD HER TO THE NO PILE. 503 00:25:09,195 --> 00:25:12,096 WE GONNA TALK ABOUT THIS? 504 00:25:12,231 --> 00:25:13,931 I KNOW YOU CALLED THE POLICE. 505 00:25:14,066 --> 00:25:15,766 THAT'S WHAT PEOPLE TEND TO DO WHEN A SERIAL MURDERER 506 00:25:15,901 --> 00:25:17,134 SHOWS UP. 507 00:25:17,269 --> 00:25:18,702 WE'RE CURRENTLY IN THE PROCESS OF INVITING 508 00:25:18,838 --> 00:25:20,104 A SERIAL MURDERER HERE NOW. 509 00:25:20,239 --> 00:25:23,140 NOCTURNA'S DIFFERENT. OK. SHE... 510 00:25:23,275 --> 00:25:25,876 WHAT? YOU CAN SAY IT. 511 00:25:26,011 --> 00:25:28,112 SHE CAN'T GET TO YOU THE WAY ALICE DOES. 512 00:25:28,247 --> 00:25:31,081 LUKE, WHATEVER HOPE I HAD FOR ALICE IS GONE, 513 00:25:31,217 --> 00:25:34,251 AND NO GUILT TRIP THAT SHE CAN PUT ON ME WILL CHANGE THAT. 514 00:25:34,386 --> 00:25:36,186 WAIT. WHO IS THAT? 515 00:25:41,794 --> 00:25:44,161 NATALIA KNIGHT, 27. 516 00:25:44,296 --> 00:25:45,996 ADOPTED BY A CHARLES KNIGHT, 517 00:25:46,132 --> 00:25:47,931 WHO WAS A JANITOR AT THE GOTHAM CATHEDRAL CHURCH. 518 00:25:48,067 --> 00:25:50,200 HE DIED OF A HEART ATTACK TWO WEEKS AGO. 519 00:25:50,336 --> 00:25:52,136 RIGHT BEFORE THE KILLING STARTED. 520 00:25:52,271 --> 00:25:57,107 NATALIA WAS BORN WITH A UNIQUE TYPE OF...PORPHYRIA? 521 00:25:57,243 --> 00:25:59,076 OK. SHE CAN'T BE EXPOSED TO SUNLIGHT, 522 00:25:59,211 --> 00:26:01,578 AND HER KIDNEYS HAVE TROUBLE CLEANING HER BLOOD. 523 00:26:01,714 --> 00:26:03,614 THAT'S WHY SHE NEEDS FRESH BLOOD, 524 00:26:03,749 --> 00:26:05,983 AND IF DAD WAS HER CARETAKER AND HE DIED... 525 00:26:06,118 --> 00:26:08,785 THEN NATALIA WAS LEFT TO HER OWN DEVICES. 526 00:26:08,921 --> 00:26:10,254 GOT AN ADDRESS? 527 00:26:10,389 --> 00:26:12,523 NOPE, BUT I HAVE WAYNE'S CAMERAS. 528 00:26:12,658 --> 00:26:14,558 TRY TO FIND OUT WHERE THEY'RE GOING. 529 00:26:16,929 --> 00:26:21,999 LOOK. YOU WANT TO TOP YOURSELF OFF, BE MY GUEST, 530 00:26:22,134 --> 00:26:27,237 BUT PRETTY SOON, MY CHECK ENGINE LIGHT'S GONNA GO OFF. 531 00:26:27,373 --> 00:26:29,873 THAT'S HOW THIS WORKS. 532 00:26:30,009 --> 00:26:33,310 YOU'VE SEEN MY FACE. 533 00:26:33,445 --> 00:26:35,979 AND YOU'VE SEEN MINE. HA HA! 534 00:26:36,115 --> 00:26:37,915 I DON'T WANT ANYONE TO KNOW I'M ALIVE, 535 00:26:38,050 --> 00:26:41,351 AND YOU DON'T WANT ANYONE TO KNOW WHAT YOU LOOK LIKE, 536 00:26:41,487 --> 00:26:44,521 SO...GET YOUR FILL, LET ME GO, 537 00:26:44,657 --> 00:26:48,292 AND, UM, NO ONE HAS TO BE THE WISER. 538 00:26:48,427 --> 00:26:53,597 MY FILL, ALICE, IS EVERY LAST DROP... 539 00:26:55,568 --> 00:26:58,502 SO TRY TO RELAX. 540 00:26:58,637 --> 00:27:01,338 ADRENALINE ADDS A NASTY AFTERTASTE. 541 00:27:07,813 --> 00:27:09,313 YOU'RE MAKING A BIG MISTAKE. 542 00:27:09,448 --> 00:27:11,515 HEARD ALL THE LINES, SWEETIE. 543 00:27:11,650 --> 00:27:13,784 NO, SERIOUSLY. 544 00:27:13,919 --> 00:27:16,787 SEE, YOU ARE RUNNING AROUND GOTHAM, 545 00:27:16,922 --> 00:27:19,323 DRINKING GAS STATION WHISKEY 546 00:27:19,458 --> 00:27:23,827 WHEN THERE IS A BEAUTIFUL... 547 00:27:23,963 --> 00:27:30,901 $500 BOTTLE OF... BEAUJOLAIS 548 00:27:31,036 --> 00:27:34,137 JUST SITTING ON THE SHELF. 549 00:27:37,243 --> 00:27:43,146 OK, ALICE. YOU CAN COLOR ME INTRIGUED. 550 00:27:55,928 --> 00:27:58,996 [DOOR OPENS] 551 00:27:59,131 --> 00:28:00,664 WE HAVE CROWS ALL OVER THE STRIP 552 00:28:00,799 --> 00:28:02,766 BUT NO LEADS ON NOCTURNA YET, SIR. 553 00:28:02,901 --> 00:28:05,168 I WONDER IF BATWOMAN HAS ONE. 554 00:28:05,304 --> 00:28:06,737 YOU WORKING WITH HER? 555 00:28:06,872 --> 00:28:09,473 WITH BATWOMAN? I'VE HAD A FEW RUN-INS WITH HER. 556 00:28:09,608 --> 00:28:13,644 HAVE YOU EVER HELPED HER, AND HAS SHE HELPED YOU? 557 00:28:13,779 --> 00:28:17,914 SIR, I ASSURE YOU I'M A CROW THROUGH AND THROUGH. 558 00:28:33,966 --> 00:28:37,734 YOU ARE THE LAST PERSON I EXPECTED TO SEE. 559 00:28:37,870 --> 00:28:39,102 WHERE'S NOCTURNA? 560 00:28:39,238 --> 00:28:40,537 WISH I KNEW. 561 00:28:40,673 --> 00:28:43,473 UNFORTUNATELY, I'VE BEEN A LITTLE TIED UP. 562 00:28:44,677 --> 00:28:46,209 MARY: HAVE A GOOD NIGHT. 563 00:28:50,249 --> 00:28:52,316 UH...HELLO? 564 00:28:52,451 --> 00:28:57,054 OOH, GIRL, YOU ARE A LITTLE TOO DRUNK FOR THOSE SHOES. 565 00:28:57,189 --> 00:28:58,522 YOU ALL RIGHT? 566 00:28:58,657 --> 00:29:00,857 I'M FINE. I JUST-- I NEED. 567 00:29:00,993 --> 00:29:03,560 LET MET GET YOUR HAIR AT LEAST. YEAH. 568 00:29:03,696 --> 00:29:06,697 THANK YOU. YOU'RE SWEET. 569 00:29:06,832 --> 00:29:08,365 AAH! 570 00:29:13,065 --> 00:29:15,232 WHAT DID SHE INJECT ME WITH? 571 00:29:15,367 --> 00:29:18,368 KETAMINE. IT WILL WEAR OFF SOON. 572 00:29:18,504 --> 00:29:20,037 LOVELY. 573 00:29:23,509 --> 00:29:25,275 THE ROPE SHE USED ON ME WAS RED. 574 00:29:25,411 --> 00:29:27,110 I'VE SEEN COLORED ROPES LIKE THIS. 575 00:29:27,246 --> 00:29:29,279 THEY'RE BELL ROPES. 576 00:29:29,415 --> 00:29:31,248 -BELL ROPES? -FROM A CHURCH. 577 00:29:31,383 --> 00:29:33,150 EVERY BELL HAS A DIFFERENT COLOR 578 00:29:33,285 --> 00:29:36,086 LIKE NOTES. 579 00:29:36,221 --> 00:29:39,489 LUKE, DOES GOTHAM CATHEDRAL HAVE BELLS? 580 00:29:39,625 --> 00:29:41,091 LET ME CHECK. 581 00:29:48,901 --> 00:29:53,003 WHY DID SHE START TO FILL THESE UP AND THEN STOP? 582 00:29:53,138 --> 00:29:56,306 I DON'T KNOW. 583 00:29:56,442 --> 00:29:57,874 SHE'S FICKLE. 584 00:29:58,010 --> 00:29:59,476 SHE'S METICULOUS. 585 00:29:59,611 --> 00:30:03,413 SHE DOESN'T LEAVE A VICTIM UNTIL THEY'RE BONE DRY. 586 00:30:03,549 --> 00:30:07,384 I'M SORRY THAT MY BEING ALIVE 587 00:30:07,519 --> 00:30:10,420 CONTINUES TO DISAPPOINT YOU. 588 00:30:10,556 --> 00:30:12,456 YOU'RE HIDING SOMETHING. 589 00:30:15,961 --> 00:30:18,462 WHY DIDN'T SHE KILL YOU? 590 00:30:18,597 --> 00:30:21,598 I TOLD YOU. 591 00:30:21,734 --> 00:30:25,502 I HAVE NO IDEA. 592 00:30:25,637 --> 00:30:27,137 YOU SHOULD BE DEAD. 593 00:30:30,042 --> 00:30:31,708 I KNOW, KATE. 594 00:30:34,413 --> 00:30:36,847 YOU DID EVERYTHING IN YOUR POWER 595 00:30:36,982 --> 00:30:38,515 TO MAKE SURE OF THAT. 596 00:30:38,650 --> 00:30:40,217 LUKE: GOTHAM CATHEDRAL DOES HAVE BELLS. 597 00:30:40,352 --> 00:30:43,720 HOWEVER, IT'S ABANDONED. HASN'T HELD MASS IN OVER A YEAR. 598 00:30:43,856 --> 00:30:45,389 HEADED THERE NOW. 599 00:30:59,738 --> 00:31:01,471 MARY, MARY! 600 00:31:06,612 --> 00:31:08,412 WOMAN: ♪ BAD DREAMS... ♪ 601 00:31:08,547 --> 00:31:10,614 HYAH! 602 00:31:10,749 --> 00:31:14,317 ♪ DON'T LEAVE, NO, DON'T SAY GOOD-BYE ♪ 603 00:31:14,453 --> 00:31:18,455 ♪ TOUCH ME RIGHT, AND I'LL MAKE YOU MINE ♪ 604 00:31:18,590 --> 00:31:22,025 ♪ OH, OH ♪ 605 00:31:22,161 --> 00:31:26,396 ♪ YOU WON'T BREAK ME ♪ 606 00:31:26,532 --> 00:31:27,964 ♪ OH, OH, OH ♪ 607 00:31:28,100 --> 00:31:30,233 ♪ OH, HIT ME WITH YOUR THUNDER ♪ 608 00:31:30,369 --> 00:31:32,669 SHE'S LOST TOO MUCH BLOOD. WHAT'S HER TYPE? 609 00:31:32,805 --> 00:31:34,604 KATE: UH, B-NEGATIVE. 610 00:31:34,740 --> 00:31:37,274 OH. LOOKS LIKE I DREW THE SHORT STRAW. 611 00:31:37,409 --> 00:31:41,211 YOU'RE A-POSITIVE, I'M O-NEGATIVE-- UNIVERSAL DONOR. 612 00:31:41,346 --> 00:31:42,946 I DON'T HAVE A LOT LEFT. 613 00:31:43,081 --> 00:31:45,115 IT'S BEEN A BIT OF A DAY. 614 00:31:45,250 --> 00:31:46,817 SHOULD BE ENOUGH TO GET HER HEART STARTED. 615 00:31:46,952 --> 00:31:50,387 WOMAN: ♪ NO, I WON'T TAKE COVER ♪ 616 00:31:50,522 --> 00:31:54,224 YOU CAN PULL UP A CHAIR AND WATCH OR GO CATCH NOCTURNA. 617 00:31:54,359 --> 00:31:55,792 IF YOU SO MUCH AS-- 618 00:31:55,928 --> 00:31:58,028 KILL HER? LOOK AT HER. 619 00:31:58,163 --> 00:32:00,897 IT'S ME OR NOTHING. GO. 620 00:32:01,033 --> 00:32:02,966 ♪ WITH YOUR THUNDER ♪ 621 00:32:03,101 --> 00:32:06,336 ♪ NO, I WON'T TAKE COVER ♪ 622 00:32:06,472 --> 00:32:08,171 ♪ COME AT ME WITH YOUR BEST SHOT ♪ 623 00:32:08,307 --> 00:32:10,240 ♪ OOH, YOU KNOW I WON'T STOP ♪ 624 00:32:10,375 --> 00:32:14,811 ♪ NOT UNTIL I'M 6 FEET UNDER ♪ 625 00:32:14,947 --> 00:32:16,780 YOUR LITTLE FANTASY IS OVER. 626 00:32:16,915 --> 00:32:18,381 I THINK IT'S JUST STARTING. 627 00:32:18,517 --> 00:32:20,851 FOR THE RECORD, KILLING PEOPLE NOT SEXY. 628 00:32:25,924 --> 00:32:28,124 YOU SEE VICTIMS. I SEE KIDS 629 00:32:28,260 --> 00:32:30,894 WITH PERFECT SKIN, PERFECT KIDNEYS, PERFECT LIVES, 630 00:32:31,029 --> 00:32:33,163 WHO POLLUTE THEIR BLOOD WITH EVERY TOXIN 631 00:32:33,298 --> 00:32:34,531 THEY CAN GET THEIR HANDS ON. 632 00:32:34,666 --> 00:32:37,300 -SO THEY DESERVE TO DIE? -AND I DO? 633 00:32:37,436 --> 00:32:39,503 I NEVER EVEN HAD A CHANCE. 634 00:32:46,712 --> 00:32:49,546 [BOTH GRUNTING] 635 00:32:52,784 --> 00:32:54,784 NOCTURNA: NO! 636 00:32:56,388 --> 00:32:58,255 [BELL TOLLS] 637 00:33:00,826 --> 00:33:04,427 [SCREAMING] 638 00:33:12,437 --> 00:33:15,205 YES. I LET HER GO. 639 00:33:15,340 --> 00:33:16,640 NOCTURNA WAS ON THE PREMISES, 640 00:33:16,775 --> 00:33:18,275 AND I THOUGHT BATWOMAN COULD HELP-- 641 00:33:18,410 --> 00:33:20,477 HELP US? DO YOU HAVE ANY IDEA 642 00:33:20,612 --> 00:33:22,846 WHAT KIND OF POSITION YOU PUT ME IN HERE? 643 00:33:22,981 --> 00:33:24,281 [CELL PHONE VIBRATES] 644 00:33:24,416 --> 00:33:26,883 ANSWER IT. 645 00:33:27,019 --> 00:33:28,251 SIR, IT'S NOT IMPORTANT. 646 00:33:28,387 --> 00:33:29,786 I GAVE YOU AN ORDER! 647 00:33:32,591 --> 00:33:33,957 AGENT MOORE. 648 00:33:34,092 --> 00:33:35,458 KATE, VOICE MODULATED: NOCTURNA'S ON THE ROOF 649 00:33:35,594 --> 00:33:36,760 OF GOTHAM CATHEDRAL CUFFED. 650 00:33:36,895 --> 00:33:38,495 I HAVE TO GO. 651 00:33:40,265 --> 00:33:43,900 SIR, WE COULD USE THE HELP. 652 00:33:44,036 --> 00:33:45,702 LOOK. WHILE YOU WERE IN JAIL, 653 00:33:45,837 --> 00:33:47,537 WE PRACTICALLY TURNED GOTHAM INTO A POLICE STATE 654 00:33:47,673 --> 00:33:49,506 IN ORDER TO FIND ALICE. 655 00:33:49,641 --> 00:33:51,241 WE HAVE NO ACCOUNTABILITY. 656 00:33:51,376 --> 00:33:52,576 WE'RE LOSING THE PUBLIC-- 657 00:33:52,711 --> 00:33:55,979 ENOUGH! 658 00:33:56,114 --> 00:33:58,415 NOW I WOKE UP TODAY THINKING MY BIGGEST PROBLEM 659 00:33:58,550 --> 00:34:00,650 WAS THE MASKED VIGILANTE RUNNING AROUND THE CITY. 660 00:34:00,786 --> 00:34:02,652 IT TURNS OUT MY BIGGEST PROBLEM, MOORE, 661 00:34:02,788 --> 00:34:05,455 IS THAT I NO LONGER TRUST MY SECOND IN COMMAND. 662 00:34:05,591 --> 00:34:08,224 YOU NEED TO DECIDE WHOSE TEAM YOU'RE ON-- 663 00:34:08,360 --> 00:34:11,161 BATWOMAN'S OR MINE. 664 00:34:13,131 --> 00:34:16,132 NOW YOU TAKE SOME TIME TO THINK IT OVER. 665 00:34:16,268 --> 00:34:17,968 YOU'RE SUSPENDED. 666 00:34:21,440 --> 00:34:23,139 GET OUT. 667 00:34:32,802 --> 00:34:34,435 OU DOING? 668 00:34:34,570 --> 00:34:37,504 I THINK I'M ON A SUGAR HIGH. HEH. 669 00:34:37,640 --> 00:34:40,741 DO YOU REMEMBER ANYTHING ABOUT LAST NIGHT? 670 00:34:40,876 --> 00:34:43,043 I REMEMBER NOCTURNA DRUGGING ME 671 00:34:43,179 --> 00:34:47,147 AND THEN PERFORMING SOME RITUALISTIC BLOOD SACRIFICE, 672 00:34:47,283 --> 00:34:48,615 AND THEN I PASSED OUT. 673 00:34:48,751 --> 00:34:51,318 THE NEXT THING YOU KNOW, BATWOMAN BROUGHT ME HERE 674 00:34:51,454 --> 00:34:53,654 AND GAVE ME THESE. 675 00:34:53,789 --> 00:34:55,789 I'M REALLY SORRY, MARY. 676 00:34:55,925 --> 00:34:57,758 IT'S NOT YOUR FAULT. 677 00:34:57,893 --> 00:35:00,694 NOT TO MENTION, THE IDEA OF BATWOMAN 678 00:35:00,830 --> 00:35:04,998 GOING INTO A C-STORE TO BUY ME COOKIES IS SEMI-PRICELESS. 679 00:35:05,134 --> 00:35:07,101 HA HA HA! 680 00:35:07,236 --> 00:35:11,071 DO YOU KNOW WHY NOCTURNA TARGETED YOU? 681 00:35:11,207 --> 00:35:13,373 SHE SAID THE BLOOD FROM THE DESERT ROSE 682 00:35:13,509 --> 00:35:15,576 COULD CURE HER CONDITION. 683 00:35:15,711 --> 00:35:17,111 -DESERT ROSE? -YEAH. 684 00:35:17,246 --> 00:35:18,746 THAT SUPER-RARE CURE-ALL THAT'S 685 00:35:18,881 --> 00:35:20,547 SUPPOSEDLY IN MY BLOOD, 686 00:35:20,683 --> 00:35:22,983 THOUGH I RAN SEVERAL TESTS ON MY OWN SAMPLE 687 00:35:23,119 --> 00:35:24,551 LAST WEEK, AND IT DIDN'T YIELD 688 00:35:24,687 --> 00:35:26,153 ANYTHING EXTRAORDINARY. 689 00:35:26,288 --> 00:35:28,021 UH, SHE KNEW ABOUT YOUR BLOOD. 690 00:35:28,157 --> 00:35:31,091 HONESTLY, SHE CAN HAVE IT. 691 00:35:31,227 --> 00:35:35,295 IT'S COST US ALL WAY TOO MANY PROBLEMS. 692 00:35:35,431 --> 00:35:39,366 AHEM. I WILL BE BACK LATER. 693 00:35:39,502 --> 00:35:42,770 WAIT. YOU JUST GOT HERE. 694 00:35:54,250 --> 00:35:57,251 HOW DID NOCTURNA KNOW ABOUT THE DESERT ROSE? 695 00:35:57,386 --> 00:36:00,687 YOU MEAN, HOW DID YOU KNOW THAT NOCTURNA KNEW 696 00:36:00,823 --> 00:36:02,689 ABOUT THE DESERT ROSE? 697 00:36:02,825 --> 00:36:06,059 BECAUSE MARY IS ALIVE BECAUSE, UH, I SAVED HER. 698 00:36:06,195 --> 00:36:08,128 YOU SENT HER AFTER MARY. 699 00:36:08,264 --> 00:36:11,031 OF COURSE I DID. IT WAS MARY'S LIFE OR MINE, 700 00:36:11,167 --> 00:36:12,966 AND SOMEONE HAD TO CHOOSE ME FOR ONCE. 701 00:36:13,102 --> 00:36:17,304 IF YOU WANT ME TO FEEL GUILTY, I DON'T. 702 00:36:17,439 --> 00:36:18,939 I NEVER WILL, 703 00:36:19,074 --> 00:36:21,909 NOT AFTER EVERYTHING YOU'VE DONE. 704 00:36:22,044 --> 00:36:25,546 HMM. SEE, I DON'T BELIEVE YOU. 705 00:36:25,681 --> 00:36:27,548 I THINK SOMEWHERE DEEP DOWN 706 00:36:27,683 --> 00:36:30,884 THERE'S A TEENY, TINY PART OF YOU THAT'S RELIEVED I LIVED, 707 00:36:31,020 --> 00:36:35,088 THAT YOU HADN'T QUITE FAILED AT SAVING ME. 708 00:36:35,224 --> 00:36:38,125 AND THEY CALL NOCTURNA A VAMPIRE 709 00:36:38,260 --> 00:36:40,360 WHEN ALL YOU DO IS FEED OFF MY GUILT 710 00:36:40,496 --> 00:36:42,696 LIKE THE PARASITE YOU ARE. 711 00:36:42,832 --> 00:36:45,232 SO YOU'RE SAYING THAT YOU FEEL GUILTY. 712 00:36:45,367 --> 00:36:47,835 WHAT'S THE END GAME, ALICE? 713 00:36:47,970 --> 00:36:49,236 WHY'D YOU SAVE MARY? 714 00:36:49,371 --> 00:36:51,572 TO PROVE TO YOU 715 00:36:51,707 --> 00:36:56,510 HOW STUPID YOU WERE FOR LETTING ME DIE. 716 00:36:56,645 --> 00:36:59,680 STUPID? 717 00:36:59,815 --> 00:37:03,650 STUPID WAS THINKING THAT MY SISTER WAS REDEEMABLE. 718 00:37:03,786 --> 00:37:07,955 STUPID WAS CONVINCING THE CROWS NOT TO KILL YOU. 719 00:37:08,090 --> 00:37:11,391 STUPID WAS RESCUING YOU FROM THE GOTHAM RIVER, 720 00:37:11,527 --> 00:37:16,263 CONVINCING DAD THAT I COULD GET BETH BACK. 721 00:37:16,398 --> 00:37:18,665 STUPID WAS THINKING THAT YOU COULD 722 00:37:18,801 --> 00:37:23,103 EVER, EVER POSSIBLY BE WORTH IT. 723 00:37:29,979 --> 00:37:32,446 BUT MAYBE I DON'T WANT YOU TO GIVE UP ON ME. 724 00:37:44,894 --> 00:37:46,393 MOUSE ONLY HAD TWO VISITORS-- 725 00:37:46,528 --> 00:37:49,663 YOU AND A DR. CAMPBELL. 726 00:37:49,798 --> 00:37:53,634 WHAT DO WE KNOW ABOUT THIS DR. CAMPBELL? 727 00:37:53,769 --> 00:37:55,402 FIGURED YOU'D ASK. 728 00:37:58,807 --> 00:38:02,876 HMM. GOTHAM'S MOST ELITE PLASTIC SURGEON, 729 00:38:03,012 --> 00:38:07,848 20 YEARS OF LIPO, RHINO. HMM. 730 00:38:09,685 --> 00:38:13,687 NOW THIS IS INTERESTING. 731 00:38:13,822 --> 00:38:17,524 6 YEARS AGO, HE TOOK A SABBATICAL. 732 00:38:19,662 --> 00:38:23,163 WHEN HE RETURNED, DIVORCED HIS WIFE, 733 00:38:23,299 --> 00:38:26,934 STARTED SPECIALIZING IN FACIAL RECONSTRUCTION 734 00:38:27,069 --> 00:38:30,771 OF CHILD BURN VICTIMS. 735 00:38:32,574 --> 00:38:36,343 6 YEARS AGO, HMM? 736 00:38:36,478 --> 00:38:42,115 WHAT A LONG AND SAD TALE YOU HAVE, DR. CAMPBELL, 737 00:38:42,251 --> 00:38:48,622 OR SHOULD I PERHAPS CALL YOU AUGUST CARTWRIGHT? 738 00:38:48,757 --> 00:38:51,091 WHAT DO YOU THINK? 739 00:38:51,226 --> 00:38:54,494 IS THE CATERPILLAR TRYING TO CONVINCE THE WORLD 740 00:38:54,630 --> 00:38:57,731 THAT'S HE'S A BUTTERFLY? 741 00:38:57,866 --> 00:38:59,166 IF SO... 742 00:38:59,301 --> 00:39:02,936 I WILL FOLLOW HIM TO YOU... 743 00:39:03,072 --> 00:39:05,672 MY LITTLE MOUSE, 744 00:39:05,808 --> 00:39:07,874 AND TOGETHER... 745 00:39:08,010 --> 00:39:11,578 WE WILL PULL OFF HIS WINGS. 746 00:39:14,249 --> 00:39:16,917 VESPER: PUT A STAKE IN HER. SHE IS DONE, GOTHAM. 747 00:39:17,052 --> 00:39:20,420 OUR LOCAL TWO-FANGED MENACE IS EN ROUTE TO ARKHAM 748 00:39:20,556 --> 00:39:22,122 THANKS TO CROWS SECURITY. 749 00:39:22,257 --> 00:39:24,391 TURNS OUT THEY DIDN'T NEED A SPECIAL UNDEAD DIVISION 750 00:39:24,526 --> 00:39:28,095 FOR THIS BUST BECAUSE NOCTURNA, AKA NATALIA KNIGHT, 751 00:39:28,230 --> 00:39:30,063 IS JUST YOUR RUN-OF-THE-MILL MORTAL 752 00:39:30,199 --> 00:39:32,966 WITH A SKIN CONDITION AND DENTAL IMPLANTS 753 00:39:33,102 --> 00:39:34,935 THAT INJECTED KETAMINE INTO HER VICTIMS. 754 00:39:35,070 --> 00:39:36,336 THAT SAID, SHE DID DO HER DAMAGE... 755 00:39:36,472 --> 00:39:37,604 KETAMINE? 756 00:39:37,740 --> 00:39:39,473 YOU HAVE SPECIAL K IN YOUR BLOOD. 757 00:39:39,608 --> 00:39:41,241 KETAMINE? 758 00:39:41,377 --> 00:39:42,409 WAIT. 759 00:39:42,544 --> 00:39:43,844 I NEED TO FIND NOCTURNA. 760 00:39:43,979 --> 00:39:45,679 SHE DRUGGED BATWOMAN LAST NIGHT. 761 00:39:45,814 --> 00:39:46,913 UH-UH. 762 00:39:47,049 --> 00:39:49,416 WITH A HIDDEN EARPIECE TO DIRECT LINE 763 00:39:49,551 --> 00:39:52,119 -INTO HIS BOSS? -I HAVE TO GO. SORRY. 764 00:40:01,263 --> 00:40:03,764 KATE... 765 00:40:03,899 --> 00:40:06,933 YOU ARE TOTALLY BATWOMAN. 766 00:40:11,006 --> 00:40:14,641 ANYA MARINA: ♪ I HATE WHEN YOU GO ♪ 767 00:40:16,912 --> 00:40:20,647 ♪ BUT I HATE WHEN YOU'RE HERE ♪ 768 00:40:22,518 --> 00:40:25,052 ♪ I WAS FINE ALL ALONE ♪ 769 00:40:25,187 --> 00:40:27,187 [VOICE MODULATED] I THOUGHT THEY BANNED THIS THING. 770 00:40:27,322 --> 00:40:29,523 THEY DID, BUT I COULDN'T EXACTLY 771 00:40:29,658 --> 00:40:33,226 SLIDE INTO YOUR DMs. 772 00:40:33,362 --> 00:40:36,530 SEE, MY BOSS FOUND OUT WE'VE BEEN WORKING TOGETHER. 773 00:40:36,665 --> 00:40:37,964 DAMN. 774 00:40:38,100 --> 00:40:42,302 YEAH. DAMN. 775 00:40:42,438 --> 00:40:45,806 I HAVE NO IDEA WHO I AM WITHOUT MY JOB. 776 00:40:45,941 --> 00:40:48,408 I KNOW THE FEELING. 777 00:40:48,544 --> 00:40:52,979 I MEAN...I'M NOT EVEN 30, 778 00:40:53,115 --> 00:40:54,781 AND I'M SECOND IN COMMAND OF ONE 779 00:40:54,917 --> 00:40:58,485 OF THE BIGGEST SECURITY FIRMS IN THE COUNTRY. 780 00:40:58,620 --> 00:41:00,954 THIS IS MY DREAM JOB. 781 00:41:01,090 --> 00:41:04,991 IT'S ALL I KNOW. IT'S ALL I'VE TRAINED FOR. I... 782 00:41:08,730 --> 00:41:11,298 IT WOULD BE INSANE TO THROW EVERYTHING AWAY FOR-- 783 00:41:11,433 --> 00:41:14,668 I--I GET IT. 784 00:41:14,803 --> 00:41:16,069 I'LL KEEP MY DISTANCE. 785 00:41:16,205 --> 00:41:18,839 MARINA: ♪ MAKING ME... ♪ 786 00:41:18,974 --> 00:41:20,307 WAIT. 787 00:41:20,442 --> 00:41:23,410 ♪ OFF TRACK, ALL YOUR TROUBLE ♪ 788 00:41:23,545 --> 00:41:25,912 ♪ I'M IN TOO DEEP ♪ 789 00:41:26,048 --> 00:41:28,815 ♪ NOW I KNOW WHAT THEY MEAN ♪ 790 00:41:28,951 --> 00:41:33,720 ♪ WHEN THEY SAY IT'S SERIOUS ♪ 791 00:41:34,957 --> 00:41:37,357 ♪ HOW CAN THIS BE? ♪ 792 00:41:37,493 --> 00:41:40,327 ♪ WHEN WE TOUCH, IT'S A DREAM ♪ 793 00:41:40,462 --> 00:41:43,997 ♪ OH, YOU'RE MAKING ME DELIRIOUS ♪ 794 00:41:44,133 --> 00:41:46,833 ♪ THIS IS LOVE ♪ 60360

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