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1
00:00:01,201 --> 00:00:02,334
[ SCREAMING ]
2
00:00:02,367 --> 00:00:05,003
I'M GONNA SHOW YOU
HOW TO CREATE A WORLD
3
00:00:05,036 --> 00:00:08,340
WHERE REALITY COLLIDES
WITH MIND-BENDING TECHNOLOGY.
4
00:00:08,374 --> 00:00:09,909
AH, AH, AH!
5
00:00:09,942 --> 00:00:12,076
IT'S THE ULTIMATE
VIRTUAL REALITY.
6
00:00:12,111 --> 00:00:15,915
Dr. Kaku: ONE ROOM WHERE YOU CAN
DO ANYTHING AND BE ANYONE.
7
00:00:15,948 --> 00:00:18,083
WHOA.
[ LAUGHS ]
8
00:00:18,117 --> 00:00:22,621
AND I'VE GOT TO CONVINCE
THESE GUYS I CAN DO IT RIGHT.
9
00:00:22,655 --> 00:00:24,591
COMPUTER,
FEMALE STAR FLEET OFFICER.
10
00:00:25,658 --> 00:00:28,094
HMM, NOT DOING
THE RED HAIR.
11
00:00:28,128 --> 00:00:33,466
I'M GONNA BUILD A HOLODECK
STRAIGHT OUT OF "STAR TREK."
12
00:00:33,499 --> 00:00:35,067
I'M DR. MICHIO KAKU.
13
00:00:35,100 --> 00:00:36,703
I'M A THEORETICAL PHYSICIST
14
00:00:36,735 --> 00:00:40,405
AND A SCIENCE-FICTION
[Echoing] FAN.
15
00:00:41,340 --> 00:00:44,410
JOIN ME AS I SHOW YOU HOW TO
MAKE SCI-FI [Echoing] SCIENCE.
16
00:00:44,442 --> 00:00:46,411
-- Captions by VITAC --
www.vitac.com
17
00:00:46,445 --> 00:00:48,414
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
18
00:00:48,448 --> 00:00:51,417
THE HOLODECK IS A ROOM
ON THE STARSHIP ENTERPRISE
19
00:00:51,450 --> 00:00:54,821
IN WHICH YOU CAN CONJURE UP
VIRTUALLY ANY IMAGINARY WORLD
20
00:00:54,853 --> 00:00:58,256
WHICH IS NOW INDISTINGUISHABLE
FROM THE REAL THING.
21
00:00:58,289 --> 00:01:02,128
I BELIEVE IT'S ONE OF SCI-FI'S
MOST IMAGINATIVE CREATIONS,
22
00:01:02,161 --> 00:01:04,930
AND I'M NOT THE ONLY ONE.
23
00:01:04,963 --> 00:01:07,966
I HAVE TO CONVINCE
DIE-HARD TREKKERS
24
00:01:08,000 --> 00:01:09,968
THAT MY DESIGN WILL WORK.
25
00:01:10,001 --> 00:01:13,272
AND IT'S NOT GONNA BE EASY --
THEY REALLY KNOW THEIR STUFF.
26
00:01:14,507 --> 00:01:15,606
WHAT IS A HOLODECK?
27
00:01:15,641 --> 00:01:18,311
A HOLODECK IS A PROGRAM
THAT BASICALLY SIMULATES
28
00:01:18,343 --> 00:01:21,313
ANY PLACE, ANY PERSON
YOU MIGHT WANT TO INTERACT WITH,
29
00:01:21,346 --> 00:01:23,415
AND YOU DON'T
ACTUALLY GO ANYWHERE.
30
00:01:23,448 --> 00:01:25,617
AS LONG AS YOUR IMAGINATION
CAN CREATE IT
31
00:01:25,650 --> 00:01:28,220
AND THE COMPUTER HAS
INFORMATION ABOUT IT ON FILE,
32
00:01:28,254 --> 00:01:30,189
YOU CAN GO THERE.
33
00:01:30,221 --> 00:01:32,191
YOU COULD TAKE EARTH
WITH YOU INTO SPACE.
34
00:01:38,263 --> 00:01:40,632
THE HOLODECK
IS A WORK OF FICTION,
35
00:01:40,665 --> 00:01:43,968
BUT I BELIEVE THAT EVERY
SPACESHIP SHOULD HAVE ONE.
36
00:01:44,003 --> 00:01:47,272
JUST IMAGINE
DIALING UP CONEY ISLAND
37
00:01:47,305 --> 00:01:50,977
TO ESCAPE THE DRUDGERY
OF A LONG-HAUL MISSION.
38
00:01:51,010 --> 00:01:53,078
BUT WHAT WOULD IT TAKE
39
00:01:53,111 --> 00:01:56,647
TO CREATE A VIRTUAL WORLD
THAT STIMULATES ALL THE SENSES?
40
00:01:56,682 --> 00:01:59,918
MY HOLODECK MUST PERFORM
THREE BASIC FUNCTIONS.
41
00:01:59,951 --> 00:02:02,822
FIRST, THE ABILITY
TO CREATE IMAGINARY WORLDS
42
00:02:02,855 --> 00:02:04,724
THAT ARE THOROUGHLY REALISTIC.
43
00:02:04,757 --> 00:02:08,361
TWO, THE ABILITY TO INTERACT
WITH, TOUCH, AND FEEL OBJECTS
44
00:02:08,394 --> 00:02:09,929
IN THESE VIRTUAL WORLDS.
45
00:02:09,962 --> 00:02:12,497
AND THREE,
THE ABILITY TO CREATE WORLDS
46
00:02:12,531 --> 00:02:15,100
THAT ARE LIMITLESS,
WITHOUT BOUNDARIES.
47
00:02:19,070 --> 00:02:22,174
MY FIRST CHALLENGE IS TO MAKE
MY HOLODECK LOOK CONVINCING,
48
00:02:22,206 --> 00:02:23,442
SO I'M HEADING TO NEW JERSEY
49
00:02:23,475 --> 00:02:25,377
TO VISIT
ONE OF THE MOST ADVANCED
50
00:02:25,411 --> 00:02:29,983
VIRTUAL-REALITY SYSTEMS
IN THE WORLD -- THE CAVE.
51
00:02:31,150 --> 00:02:32,283
SOME PEOPLE BELIEVE
52
00:02:32,318 --> 00:02:34,887
THAT THE CAVE
IS AS CLOSE AS WE CAN COME TODAY
53
00:02:34,920 --> 00:02:37,389
TO A REAL HOLODECK.
54
00:02:37,423 --> 00:02:39,891
[ CLASSICAL MUSIC PLAYING ]
55
00:02:39,925 --> 00:02:41,427
JUST LIKE THE HOLODECK,
56
00:02:41,460 --> 00:02:44,830
THE CAVE IS A VIRTUAL WORLD
THAT YOU STEP RIGHT INTO.
57
00:02:44,862 --> 00:02:46,131
LET ME SEE. WHOA.
58
00:02:46,164 --> 00:02:48,935
OH, MY GOD. LOOK AT THAT.
[ CHUCKLES ]
59
00:02:48,967 --> 00:02:51,536
YOU WANT TO GRAB
THIS THING, RIGHT?
60
00:02:51,569 --> 00:02:55,007
SPECIAL GLASSES ALLOW YOU
TO SEE THE ACTION IN 3-D.
61
00:02:55,040 --> 00:02:57,909
BUT THIS IS NO TRIP
TO THE MOVIES.
62
00:02:57,943 --> 00:02:59,112
I CAN HAND YOU
THIS CONTROLLER,
63
00:02:59,145 --> 00:03:00,612
AND YOU CAN FLY AROUND
ANY WAY YOU'D LIKE.
64
00:03:00,645 --> 00:03:03,515
WHOA.
I'M REALLY THERE.
65
00:03:03,549 --> 00:03:04,516
RIGHT?
66
00:03:04,550 --> 00:03:05,985
THE CAVE IS INTELLIGENT.
67
00:03:06,019 --> 00:03:08,153
IT RESPONDS
TO YOUR EVERY COMMAND,
68
00:03:08,187 --> 00:03:11,824
CREATING A SENSATION
OF COMPLETE IMMERSION.
69
00:03:11,856 --> 00:03:17,295
MY VIRTUAL TOUR GUIDE
FOR THE DAY IS GEORGE LECAKES.
70
00:03:17,329 --> 00:03:19,698
THIS IS THE FUTURE
OF VIRTUAL REALITY, HUH?
71
00:03:19,731 --> 00:03:22,467
THIS IS THE WAY IT'S LOOKING
LIKE IT'S GOING TO GO.
72
00:03:22,501 --> 00:03:24,270
TOTAL IMMERSION.
LOOK AT THIS.
73
00:03:24,302 --> 00:03:28,106
THE CAVE AT ROWAN
HAS FOUR PROJECTED SCREENS,
74
00:03:28,139 --> 00:03:31,542
EACH CONTROLLED
BY A SEPARATE COMPUTER.
75
00:03:31,576 --> 00:03:34,579
UM, MIKE, WOULD YOU MIND DIALING
IN THE DINOSAUR DEMO, PLEASE?
76
00:03:34,614 --> 00:03:36,481
D[ CHUCKLES ]?
77
00:03:34,614 --> 00:03:36,481
YES.
78
00:03:36,514 --> 00:03:38,583
I HOPE I'M NOT GONNA BE
BREAKFAST, NOW.
79
00:03:38,616 --> 00:03:39,852
LIKE IN THE HOLODECK,
80
00:03:39,885 --> 00:03:42,954
NO TWO CAVE ADVENTURES
ARE EVER THE SAME.
81
00:03:42,989 --> 00:03:46,725
THEY UNFOLD, DEPENDING
UPON THE DECISIONS YOU MAKE.
82
00:03:46,758 --> 00:03:48,927
HERE COMES A T-REX,
RIGHT AT US.
83
00:03:48,961 --> 00:03:52,564
AND THAT FEELING
OF BEING RIGHT IN THE ACTION
84
00:03:52,598 --> 00:03:54,400
IS DOWN TO PERSPECTIVE SHIFT.
85
00:03:54,432 --> 00:03:55,634
WOW, LOOK AT THAT.
86
00:03:55,668 --> 00:03:58,037
AS I MOVE MY HEAD,
EVERYTHING AROUND ME MOVES.
87
00:03:58,069 --> 00:03:59,338
HOW'S THAT?
88
00:03:59,372 --> 00:04:01,874
WELL, IT'S ACTUALLY THE CAMERAS
THAT ARE ALL AROUND YOU --
89
00:04:01,907 --> 00:04:03,342
EIGHT OF THEM, EXACTLY.
90
00:04:03,376 --> 00:04:06,177
AND THEY'RE PICKING UP ON THE
LITTLE TRACKER ON YOUR GLASSES.
91
00:04:06,211 --> 00:04:07,745
IT'S EMITTING
INFRARED LIGHT.
92
00:04:07,780 --> 00:04:09,814
NOW, WE CAN'T SEE IT,
BUT THE CAMERAS CAN.
93
00:04:09,848 --> 00:04:11,884
SO AS YOU MOVE,
IT'S TELLING THE CAVE
94
00:04:11,918 --> 00:04:13,686
HOW TO MOVE
IN RESPONSE TO YOU.
95
00:04:13,719 --> 00:04:16,622
AH. SO THE CAVE KNOWS EXACTLY
WHERE MY HEAD IS POINTING.
96
00:04:16,654 --> 00:04:17,856
PERFECTLY.
97
00:04:17,889 --> 00:04:20,158
AND THAT'S WHY THE SCREENS
CHANGE SO MUCH AS YOU MOVE.
98
00:04:20,192 --> 00:04:22,662
SO, HOW CLOSE CAN I GET
TO THE T-REX?
99
00:04:22,694 --> 00:04:23,661
AS CLOSE AS YOU'D LIKE.
100
00:04:23,696 --> 00:04:24,997
YOU CAN GET IN HIS MOUTH,
ACTUALLY.
101
00:04:25,031 --> 00:04:26,732
DON'T DO THIS
AT HOME, KIDS.
102
00:04:26,764 --> 00:04:29,100
I CAN SEE THE TEETH.
103
00:04:26,764 --> 00:04:29,100
AAH!
104
00:04:29,134 --> 00:04:30,802
IT'S A SURREAL EXPERIENCE.
105
00:04:30,836 --> 00:04:32,538
BUT I CAN'T HELP WONDERING
106
00:04:32,572 --> 00:04:35,206
WHAT CAPTAIN PICARD
AND COMMANDER RIKER
107
00:04:35,240 --> 00:04:37,909
FROM "STAR TREK"
WOULD MAKE OF IT.
108
00:04:37,944 --> 00:04:41,146
WHOA. LOOK AT THAT.
OH, MY GOD. LOOK AT THAT.
109
00:04:41,180 --> 00:04:42,882
AH, AH, AH!
110
00:04:47,119 --> 00:04:49,522
NOW, THAT WAS REALLY COOL.
111
00:04:49,555 --> 00:04:51,723
MUCH BETTER
THAN THOSE CLUNKY HELMETS
112
00:04:51,757 --> 00:04:53,992
THAT YOU PUT ON
AT THOSE COMPUTER FAIRS
113
00:04:54,026 --> 00:04:55,894
AND YOU WORK IN VIRTUAL REALITY.
114
00:04:55,927 --> 00:04:57,829
I THINK
THIS IS A GIANT LEAP FORWARD.
115
00:04:57,862 --> 00:04:59,264
BUT TO BE FAIR,
116
00:04:59,298 --> 00:05:02,634
I DON'T THINK PICARD OR RIKER
WOULD BE SATISFIED JUST YET.
117
00:05:02,668 --> 00:05:05,304
IT STILL NEEDS
SOME MORE IMPROVEMENTS,
118
00:05:05,336 --> 00:05:08,341
AND I THINK I KNOW
WHERE THAT MAY COME FROM.
119
00:05:11,043 --> 00:05:13,745
WALL PROJECTION MAY BE FINE
FOR THE 21st CENTURY,
120
00:05:13,778 --> 00:05:18,117
BUT IT HAS NO PLACE
IN MY HOLODECK DESIGN.
121
00:05:18,149 --> 00:05:21,120
RESEARCHERS
HAVE ALREADY PLACED L.E.D.s
122
00:05:21,153 --> 00:05:23,254
DIRECTLY ONTO A CONTACT LENS.
123
00:05:23,288 --> 00:05:25,324
I BELIEVE
THAT IN THE COMING YEARS,
124
00:05:25,358 --> 00:05:28,160
WE'LL BE ABLE TO PROJECT
AN ENTIRE VIRTUAL UNIVERSE
125
00:05:28,194 --> 00:05:30,528
ONTO THE BACK OF OUR EYES.
126
00:05:30,562 --> 00:05:32,031
PUT IN A HOLODECK LENS,
127
00:05:32,064 --> 00:05:34,300
AND YOUR EYE
IS INSTANTLY FILLED
128
00:05:34,333 --> 00:05:35,901
WITH AN ALTERNATE REALITY
129
00:05:35,935 --> 00:05:39,372
THAT'S PROJECTED
DIRECTLY ONTO YOUR RETINA.
130
00:05:39,404 --> 00:05:42,540
ALL YOU CAN SEE
IS COMPUTER-GENERATED.
131
00:05:42,574 --> 00:05:44,944
I'LL STRENGTHEN THE ILLUSION
132
00:05:44,976 --> 00:05:49,847
BY SYNCHING AUDIO SPEAKERS
INTO THE WALLS OF THE ROOM.
133
00:05:49,882 --> 00:05:51,550
IT'S A GOOD START.
134
00:05:51,583 --> 00:05:53,986
BUT TO SATISFY THESE GUYS,
135
00:05:54,019 --> 00:05:58,690
MY HOLODECK NEEDS TO BE
UP TO FEDERATION STANDARDS.
136
00:05:58,723 --> 00:06:01,293
CAPTAIN PICARD
LIKED TO RIDE HORSES A LOT.
137
00:06:01,326 --> 00:06:04,362
CAPTAIN PICARD SEEMED TO FIND
A WAY TO RIDE A HORSE
138
00:06:04,396 --> 00:06:06,932
EVERY TIME HE WALKED
THROUGH THOSE DOORS.
139
00:06:06,966 --> 00:06:09,268
SO HE COULD BE ON THE PLANET
VULCAN, RIDING A HORSE.
140
00:06:09,300 --> 00:06:11,269
EXACTLY. IT WOULD HAVE
POINTY EARS, THOUGH.
141
00:06:11,303 --> 00:06:12,270
POINTIER EARS.
142
00:06:12,305 --> 00:06:15,040
[ HORSE NEIGHS ]
143
00:06:15,074 --> 00:06:18,143
IF I HAVE ANY CHANCE
OF CONVINCING THE SCI-FI FANS
144
00:06:18,177 --> 00:06:20,713
THAT MY DESIGN
IS WORTHY OF "STAR TREK,"
145
00:06:20,745 --> 00:06:22,382
THEN OBJECTS IN MY HOLODECK
146
00:06:22,415 --> 00:06:27,218
MUST NOT ONLY LOOK,
BUT FEEL LIKE THE REAL THING.
147
00:06:27,252 --> 00:06:32,223
COMING UP, I GO NOWHERE FAST
ON A MILITARY SIMULATOR.
148
00:06:32,257 --> 00:06:34,192
WHOA.
[ LAUGHS ]
149
00:06:34,225 --> 00:06:38,329
AND I SUIT UP FOR AN EXCLUSIVE
GLIMPSE OF THE FUTURE.
150
00:06:38,362 --> 00:06:40,966
YOU'RE TELLING ME
THAT YOU COULD GET IT DOWN
151
00:06:40,999 --> 00:06:43,703
TO SOMETHING SMALLER
THAN THE HEAD OF A PIN?
152
00:06:47,673 --> 00:06:50,875
TO MAKE A HOLODECK JUST LIKE
THE ONE IN "STAR TREK,"
153
00:06:50,908 --> 00:06:52,844
I HAVE TO CREATE A VIRTUAL WORLD
154
00:06:52,877 --> 00:06:55,848
THAT FEELS JUST FEELS
JUST AS REAL AS IT LOOKS.
155
00:06:57,382 --> 00:06:59,984
CAPTAIN PICARD LIKED TO RIDE
HORSES ON THE HOLODECK.
156
00:07:00,019 --> 00:07:04,189
REPLICATING THAT IS
THE ULTIMATE TEST OF MY DESIGN,
157
00:07:04,223 --> 00:07:07,393
BECAUSE THERE ARE
SO MANY SENSATIONS
158
00:07:07,425 --> 00:07:09,495
THAT I HAVE TO REPRODUCE.
159
00:07:09,528 --> 00:07:12,898
IF I CLOSE MY EYES, I STILL KNOW
THAT I'M RIDING A HORSE.
160
00:07:12,932 --> 00:07:15,834
I CAN FEEL THE WIND ON MY FACE,
161
00:07:15,867 --> 00:07:18,202
I CAN FEEL THE ROCKING MOTION
OF THE SADDLE,
162
00:07:18,237 --> 00:07:20,673
AND I CAN FEEL
THE TEXTURE OF THE HORSE'S SKIN.
163
00:07:20,706 --> 00:07:25,677
I BELIEVE THAT THE ONLY WAY TO
SIMULATE THIS WHOLE EXPERIENCE
164
00:07:25,711 --> 00:07:27,545
IS TO TAKE REAL MATTER
165
00:07:27,579 --> 00:07:31,317
AND MOLD IT INTO THE SHAPE
OF A LIVING HORSE.
166
00:07:31,350 --> 00:07:33,685
FOR THAT,
I NEED TO LEAVE NEW YORK
167
00:07:33,718 --> 00:07:36,588
TO MEET A MAN
WHO'S DEVELOPING A TECHNOLOGY
168
00:07:36,622 --> 00:07:39,057
THAT COULD REVOLUTIONIZE
OUR LIVES.
169
00:07:42,560 --> 00:07:47,065
THIS IS A VISION OF THE NEAR
FUTURE -- PROGRAMMABLE MATTER.
170
00:07:47,098 --> 00:07:51,269
INSTEAD OF ATOMS, THIS CAR
IS MADE UP OF CATOMS --
171
00:07:51,302 --> 00:07:53,872
TINY ROBOTIC BALLS
THAT WORK TOGETHER
172
00:07:53,906 --> 00:07:57,576
TO TAKE ON ANY SHAPE OR COLOR.
173
00:07:57,610 --> 00:08:00,012
CARNEGIE MELLON UNIVERSITY
IN PITTSBURGH
174
00:08:00,045 --> 00:08:03,782
IS AT THE FOREFRONT
OF CATOM RESEARCH.
175
00:08:03,814 --> 00:08:07,519
AND SCIENTISTS HERE BELIEVE
THAT IN THE FUTURE,
176
00:08:07,552 --> 00:08:11,589
EVERYTHING WE OWN WILL BE MADE
FROM SHAPE-SHIFTING CATOMS.
177
00:08:11,624 --> 00:08:14,894
ALL YOU DO IS DOWNLOAD
THE SOFTWARE ON THE WEB,
178
00:08:14,927 --> 00:08:17,663
AND THERE'S YOUR FURNITURE,
YOUR HOUSE,
179
00:08:17,696 --> 00:08:19,498
YOUR APPLIANCES, YOUR CITY.
180
00:08:19,531 --> 00:08:22,233
FOR PROGRAMMABLE MATTER
TO WORK,
181
00:08:22,266 --> 00:08:26,237
EACH MICROSCOPIC CATOM
NEEDS ITS OWN COMPUTER BRAIN.
182
00:08:26,271 --> 00:08:29,540
TRANSISTORS
SMALL ENOUGH TO DO THE JOB
183
00:08:29,574 --> 00:08:31,911
MAY BE JUST A FEW YEARS AWAY.
184
00:08:31,944 --> 00:08:34,779
AND SETH GOLDSTEIN
IS ALREADY WORKING
185
00:08:34,813 --> 00:08:37,882
ON HOW TO BUILD
THE SHELLS TO HOUSE THEM.
186
00:08:37,916 --> 00:08:40,619
Goldstein: THE ENTIRE THING THAT
YOU SEE THERE HAS 12 CATOMS.
187
00:08:40,653 --> 00:08:43,154
IF WE LOOK AT ONE CATOM,
THERE'S TWO PARTS TO IT.
188
00:08:43,187 --> 00:08:46,223
THERE'S THE SOLID, SILVER PART.
THAT'S WHERE A CHIP WOULD GO.
189
00:08:46,258 --> 00:08:50,396
AND THEN THE LINES ARE WHERE
WE'RE GOING TO PLACE THE CHARGE
190
00:08:50,428 --> 00:08:53,398
TO GET IT TO EITHER MOVE,
STICK TOGETHER,
191
00:08:53,431 --> 00:08:55,634
COMMUNICATE,
OR SHARE POWER.
192
00:08:55,667 --> 00:08:59,405
SO, ESSENTIALLY, THAT
ONE MECHANISM DOES
ALL FOUR FUNCTIONS.
193
00:08:59,437 --> 00:09:02,807
OUR GOAL IS TO MAKE THESE
SMALLER AND SMALLER AND SMALLER
194
00:09:02,841 --> 00:09:05,144
UNTIL YOU GET ABOUT 120 OF THEM
LINED UP TO AN INCH.
195
00:09:06,912 --> 00:09:10,516
SETH'S SIMPLE TUBE DESIGN
WILL WORK IN TWO DIMENSIONS.
196
00:09:10,548 --> 00:09:14,653
BUT AS THE TECHNOLOGY ADVANCES,
THEY'LL BE REPLACED BY SPHERES,
197
00:09:14,686 --> 00:09:19,425
ALLOWING THE 3-D SIMULATION
OF ANY OBJECT YOU CAN IMAGINE.
198
00:09:21,159 --> 00:09:24,962
YOU KNOW, COMING OUT OF THAT
CLEAN ROOM AND TALKING TO SETH,
199
00:09:24,996 --> 00:09:26,630
I GET THE DISTINCT FEELING
200
00:09:26,664 --> 00:09:29,634
THAT I'VE BEEN TALKING
TO MODERN-DAY SORCERERS.
201
00:09:29,668 --> 00:09:33,572
AND YET HERE WE ARE DOING IT,
USING HIGH TECHNOLOGY.
202
00:09:33,605 --> 00:09:35,307
ABSOLUTELY INCREDIBLE.
203
00:09:35,341 --> 00:09:38,110
TO MAKE A CAR
OR A HOLODECK HORSE,
204
00:09:38,143 --> 00:09:42,114
MILLIONS OF CATOMS NEED
TO COORDINATE THEIR MOVEMENTS
205
00:09:42,147 --> 00:09:45,350
TO PERFECTION --
A PROGRAMMING NIGHTMARE.
206
00:09:45,384 --> 00:09:47,853
SO SETH HAS DEVELOPED
THESE COLORED BLOCKS
207
00:09:47,885 --> 00:09:51,322
TO REFINE
HOW CATOMS COMMUNICATE.
208
00:09:51,355 --> 00:09:57,196
THEY EACH HAVE A COMPUTER BRAIN
AND THE ABILITY TO TAKE ORDERS.
209
00:09:57,229 --> 00:09:59,931
THESE ARE COLORED IN THE RAINBOW
AS YOU GO UP HIGHER.
210
00:09:59,965 --> 00:10:02,067
SO IF I SORT OF TURN THIS OFF
AND START OVER,
211
00:10:02,100 --> 00:10:03,635
THEY DON'T KNOW
WHERE THEY ARE.
212
00:10:03,668 --> 00:10:04,735
THEY ALL START OUT RED.
213
00:10:04,769 --> 00:10:06,371
THEY THINK
THEY'RE AT THE BOTTOM.
214
00:10:06,404 --> 00:10:08,774
AND SLOWLY,
BY TALKING TO THEIR NEIGHBORS,
215
00:10:08,807 --> 00:10:10,942
THEY CAN FIGURE OUT
HOW HIGH THEY ARE
216
00:10:10,975 --> 00:10:13,445
AND WORK OUT WHERE THEY ARE
IN THE ENSEMBLE.
217
00:10:13,479 --> 00:10:15,180
AND THIS
ACTUALLY REQUIRES THEM
218
00:10:15,214 --> 00:10:17,316
TO ALL BE COMMUNICATING
WITH EACH OTHER.
219
00:10:17,349 --> 00:10:18,682
MM-HMM.
220
00:10:18,716 --> 00:10:20,918
AND IT TAKES A LITTLE WHILE FOR
THE INFORMATION TO PERCOLATE.
221
00:10:20,952 --> 00:10:22,520
SO IT'S COMPUTING
RIGHT NOW.
222
00:10:22,553 --> 00:10:24,490
IT IS, EXACTLY,
COMPUTING RIGHT NOW.
223
00:10:24,523 --> 00:10:27,826
AND I CAN DO SOMETHING LIKE
I CAN TAKE ONE OF THESE BLOCKS,
224
00:10:27,860 --> 00:10:30,128
AND WE WANT
THE BOTTOM ONES TO BE RED,
225
00:10:30,162 --> 00:10:32,398
SO I CAN PUT THIS
IN THE BOTTOM HERE.
226
00:10:32,431 --> 00:10:33,932
AND NOW
WHAT WILL HAPPEN
227
00:10:33,966 --> 00:10:36,435
IS THE INFORMATION
WILL START TO PERCOLATE THROUGH
228
00:10:36,467 --> 00:10:38,971
THAT WHAT THEIR LEVEL WAS
THAT THEY WERE ON BEFORE
229
00:10:39,004 --> 00:10:40,171
IS NOT CORRECT,
230
00:10:40,205 --> 00:10:42,274
AND THEY ALL HAVE TO RECALCULATE
WHAT'S GOING ON.
231
00:10:42,307 --> 00:10:46,311
SETH'S IDEA IS A REVELATION.
232
00:10:46,344 --> 00:10:47,780
IT MEANS THAT NO MATTER
233
00:10:47,812 --> 00:10:50,316
HOW MANY CATOMS
I HAVE IN MY HOLODECK --
234
00:10:50,349 --> 00:10:52,150
10 OR 10 MILLION --
235
00:10:52,183 --> 00:10:55,920
THEY'RE ALL CONTROLLED
BY THE SAME SIMPLE PROGRAM.
236
00:10:55,955 --> 00:10:57,689
SO THAT COULD BE IT.
237
00:10:57,722 --> 00:11:00,324
INSTEAD OF BILLIONS AND BILLIONS
AND TRILLIONS
238
00:11:00,359 --> 00:11:01,793
OF LINES OF COMPUTER CODE,
239
00:11:01,826 --> 00:11:02,894
ALL YOU DO IS TELL
240
00:11:02,927 --> 00:11:05,397
HOW EACH BLOCK INTERACTS
WITH ITS NEIGHBOR.
241
00:11:05,429 --> 00:11:06,964
HOW SIMPLE.
242
00:11:06,998 --> 00:11:09,668
USING CATOM TECHNOLOGY,
243
00:11:09,701 --> 00:11:13,071
I'M ONE STEP CLOSER TO
CONVINCING THE "STAR TREK" FANS
244
00:11:13,104 --> 00:11:15,440
THAT MY HOLODECK DESIGN
WILL WORK.
245
00:11:15,472 --> 00:11:19,377
THE FLOOR WILL BE COVERED
BY THESE INTELLIGENT ROBOTS,
246
00:11:19,412 --> 00:11:22,781
ALLOWING THE SIMULATION
OF ANY PHYSICAL FORM,
247
00:11:22,813 --> 00:11:26,351
INCLUDING
A FULLY RIDEABLE HORSE.
248
00:11:26,384 --> 00:11:29,254
I THINK MY HOLODECK DESIGN
IS TAKING SHAPE.
249
00:11:29,288 --> 00:11:31,023
BUT I STILL HAVE A PROBLEM.
250
00:11:31,056 --> 00:11:34,091
YOU SEE, IF I WALK A FEW STEPS
IN ANY DIRECTION,
251
00:11:34,125 --> 00:11:35,494
I GET A BLOODY NOSE.
252
00:11:35,527 --> 00:11:37,963
SO I HAVE TO CREATE
A HOLODECK ROOM
253
00:11:37,996 --> 00:11:41,131
WHICH IS COMPACT,
FINITE ON THE OUTSIDE --
254
00:11:41,166 --> 00:11:44,870
BUT ON THE INSIDE, IS INFINITE.
255
00:11:49,941 --> 00:11:51,410
[ ELEVATOR BELL DINGS ]
256
00:11:51,442 --> 00:11:53,410
Dr. Kaku:
HOLODECKS ARE A GREAT PLACE
257
00:11:53,445 --> 00:11:57,282
TO HAVE FUN, RUN AROUND, AND
INDULGE YOUR WILDEST FANTASIES.
258
00:11:57,315 --> 00:12:00,786
BUT I'VE COME UP
AGAINST AN OBSTACLE...
259
00:12:00,818 --> 00:12:02,620
WALLS.
260
00:12:02,654 --> 00:12:08,058
ON REAL SPACESHIPS,
SPACE ITSELF IS AT A PREMIUM.
261
00:12:08,092 --> 00:12:10,995
IT'S NO FUN
HAVING A VIRTUAL PLAYGROUND
262
00:12:11,028 --> 00:12:13,398
THE SIZE OF AN ELEVATOR.
263
00:12:13,432 --> 00:12:16,802
BUT I MAY HAVE FOUND
THE PERFECT SOLUTION
264
00:12:16,835 --> 00:12:21,907
HERE AT THE U.S. ARMY'S PROVING
GROUND IN ABERDEEN, MARYLAND.
265
00:12:21,941 --> 00:12:25,610
THE TECHNOLOGY THAT I'VE COME TO
SEE IS RIGHT BEHIND THESE DOORS.
266
00:12:25,644 --> 00:12:29,181
I'VE HEARD SO MUCH ABOUT IT, AND
NOW I GET A CHANCE TO SEE IT.
267
00:12:29,214 --> 00:12:31,650
THIS SHOULD BE A LOT OF FUN.
268
00:12:39,390 --> 00:12:42,461
THIS IS CALLED
THE OMNI-DIRECTIONAL TREADMILL.
269
00:12:42,494 --> 00:12:45,830
IT ALLOWS YOU TO CREATE
A LIMITLESS VIRTUAL UNIVERSE
270
00:12:45,864 --> 00:12:47,166
WITHOUT BOUNDARIES.
271
00:12:47,198 --> 00:12:50,835
IN CHARGE
OF THIS REMARKABLE MACHINE
272
00:12:50,869 --> 00:12:53,639
IS MILITARY PSYCHOLOGIST
KATHY KEHRING.
273
00:12:53,672 --> 00:12:55,541
KATHY, HI.
274
00:12:53,672 --> 00:12:55,541
HELLO.
275
00:12:55,573 --> 00:12:57,541
THIS IS TRULY AMAZING.
276
00:12:57,576 --> 00:13:00,545
CAN YOU TELL ME,
WHAT IS THIS TREADMILL USED FOR?
277
00:13:00,577 --> 00:13:02,079
WHAT WE'VE
TRIED TO DO HERE
278
00:13:02,114 --> 00:13:04,216
IS CREATE A MORE REALISTIC
VIRTUAL WORLD
279
00:13:04,249 --> 00:13:06,951
SO THAT THEY'RE ACTUALLY
PHYSICALLY EXERTING THEMSELVES
280
00:13:06,985 --> 00:13:08,986
WHEN THEY MOVE
THROUGH THE ENVIRONMENT
281
00:13:09,019 --> 00:13:12,057
INSTEAD OF JUST SITTING AT A
DESK WITH A KEYBOARD OR A MOUSE.
282
00:13:12,090 --> 00:13:15,660
THE SYSTEM
RELIES ON MOTION TRACKING,
283
00:13:15,693 --> 00:13:17,995
THE SAME TECHNOLOGY
HOLLYWOOD USES
284
00:13:18,029 --> 00:13:20,533
TO BRING ANIMATED CHARACTERS
TO LIFE.
285
00:13:22,033 --> 00:13:23,302
AS MAJOR MOYERS WALKS,
286
00:13:23,335 --> 00:13:25,437
THE SYSTEM
INSTRUCTS THE TREADMILL
287
00:13:25,470 --> 00:13:27,605
TO MOVE
IN THE OPPOSITE DIRECTION,
288
00:13:27,639 --> 00:13:31,909
THANKS TO AN INGENIOUS SYSTEM
OF STRAPS.
289
00:13:31,943 --> 00:13:34,478
THERE ARE TWO BASIC MOTIONS
OF THE TREADMILL.
290
00:13:34,511 --> 00:13:37,648
FIRST OF ALL, WE HAVE THE LARGER
MOTION OF THE TREADMILL.
291
00:13:37,682 --> 00:13:40,085
BUT NOTICE
THAT THERE ARE 80 SMALL STRAPS.
292
00:13:40,118 --> 00:13:42,187
EACH ONE IS A MINI-TREADMILL.
293
00:13:42,220 --> 00:13:45,456
AND WHEN YOU PUT
THESE TWO MOTIONS TOGETHER,
294
00:13:45,490 --> 00:13:49,060
YOU CAN NOW SIMULATE ANY MOTION
IN TWO DIMENSIONS.
295
00:13:49,094 --> 00:13:51,663
INGENIOUS.
296
00:13:51,696 --> 00:13:54,199
OF COURSE,
I COULDN'T LEAVE HERE
297
00:13:54,232 --> 00:13:55,799
WITHOUT TRYING IT FOR MYSELF.
298
00:13:55,833 --> 00:13:58,369
I'M NOT SURE
WHETHER ALL THESE HARNESSES
299
00:13:58,403 --> 00:13:59,671
ARE NECESSARY, THOUGH.
300
00:13:59,703 --> 00:14:01,239
I MEAN, HOW HARD CAN IT BE?
301
00:14:01,273 --> 00:14:03,908
I FEEL LIKE AN ASTRONAUT
ABOUT TO BE SHOT INTO SPACE.
302
00:14:03,942 --> 00:14:05,543
IT'S FOR
SAFETY PURPOSES.
303
00:14:05,576 --> 00:14:06,544
UH-HUH.
304
00:14:06,578 --> 00:14:08,012
WELL, HERE I GO.
305
00:14:08,046 --> 00:14:09,948
[ MECHANICAL WHIRRING ]
306
00:14:09,981 --> 00:14:12,083
WHOA.
[ LAUGHS ]
307
00:14:12,116 --> 00:14:14,118
WHOA.
308
00:14:16,053 --> 00:14:17,322
YOU KNOW, ONE PROBLEM IS
309
00:14:17,355 --> 00:14:19,791
I KEEP LOOKING AT MY FEET
AND THINKING ABOUT MY FEET.
310
00:14:19,825 --> 00:14:21,727
NOW, THAT'S
WHERE I GET ALL MESSED UP.
311
00:14:21,759 --> 00:14:23,694
HOWEVER, ONCE YOU REALIZE
312
00:14:23,729 --> 00:14:27,466
THAT YOU'RE IMMERSED
IN THIS IMAGINARY UNIVERSE,
313
00:14:27,499 --> 00:14:29,067
THEN EVERYTHING GOES SMOOTHLY.
314
00:14:32,303 --> 00:14:35,341
MY FIRST DOOR
IN VIRTUAL REALITY.
315
00:14:37,775 --> 00:14:40,611
YOU KNOW, FOR THE 21st CENTURY,
THIS IS GREAT.
316
00:14:40,645 --> 00:14:42,514
BUT, HEY, LET'S BE HONEST.
317
00:14:42,547 --> 00:14:46,618
"STAR TREK" -- THAT TAKES PLACE
IN THE 23rd, 24th CENTURY.
318
00:14:46,650 --> 00:14:49,854
PICARD AND RIKER,
THEY WOULD WANT MOUNTAINS,
319
00:14:49,888 --> 00:14:52,023
CRATERS LIKE ON THE MOON,
VALLEYS.
320
00:14:52,056 --> 00:14:54,626
AND FOR THAT,
I THINK WE HAVE TO INTRODUCE
321
00:14:54,658 --> 00:14:57,495
SOME RADICALLY NEW IDEAS.
322
00:14:57,528 --> 00:14:59,664
OKAY, WHERE'S THE "OFF" BUTTON?
323
00:15:00,399 --> 00:15:02,467
AHH.
324
00:15:02,500 --> 00:15:04,636
WHOA.
325
00:15:06,671 --> 00:15:09,141
TO BRING MY HOLODECK
UP TO "STAR TREK" STANDARDS,
326
00:15:09,173 --> 00:15:12,076
I NEED TO UPGRADE
KATHY'S TREADMILL
327
00:15:12,110 --> 00:15:14,379
FROM TWO TO THREE DIMENSIONS.
328
00:15:14,412 --> 00:15:16,215
I BELIEVE THE SOLUTION
329
00:15:16,248 --> 00:15:19,818
IS TO CREATE
SEPARATE DEVICES FOR EACH FOOT.
330
00:15:19,850 --> 00:15:24,288
WHEREVER YOU PLACE YOUR FEET,
ROBOTIC PLATFORMS WILL FOLLOW.
331
00:15:24,322 --> 00:15:27,125
AND BY ADJUSTING
THEIR ANGLE AND HEIGHT,
332
00:15:27,158 --> 00:15:29,093
I CAN EVEN SIMULATE CLIMBING.
333
00:15:29,128 --> 00:15:31,262
THE PLATFORMS
WILL ALSO BE COVERED
334
00:15:31,296 --> 00:15:34,499
BY THOUSANDS
OF PINLIKE ACTUATORS.
335
00:15:34,532 --> 00:15:36,768
BY ADJUSTING
THE HEIGHT OF THE PINS,
336
00:15:36,801 --> 00:15:39,504
YOU CAN THEREBY CREATE
ANY TEXTURE YOU WANT --
337
00:15:39,538 --> 00:15:41,840
WHETHER YOU'RE WALKING
ON CRUNCHY SNOW
338
00:15:41,874 --> 00:15:43,408
OR SPLASHING THROUGH WATER
339
00:15:43,442 --> 00:15:46,477
OR EVEN CLIMBING
OVER HARD GRANITE.
340
00:15:48,046 --> 00:15:50,382
MY HOLODECK DESIGN
IS ALMOST COMPLETE.
341
00:15:50,414 --> 00:15:53,684
WITH ROBOTIC ARMS, I CAN MAKE
MY VIRTUAL WORLD INFINITE.
342
00:15:53,717 --> 00:15:55,019
WITH CATOMS,
343
00:15:55,052 --> 00:15:57,621
I CAN TAKE IMAGINARY OBJECTS
AND MAKE THEM PHYSICAL.
344
00:15:57,654 --> 00:16:01,592
AND WITH L.E.D. CONTACT LENSES,
I CAN MAKE THEM SPRING TO LIFE.
345
00:16:01,625 --> 00:16:04,596
BUT I STILL HAVE
THIS NAGGING SUSPICION
346
00:16:04,629 --> 00:16:06,632
THAT I'M MISSING SOMETHING.
347
00:16:26,183 --> 00:16:28,453
TO FIND OUT MORE, GO TO...
348
00:16:35,360 --> 00:16:38,563
I'VE GOT THE LOOK
OF THE HOLODECK JUST RIGHT.
349
00:16:38,596 --> 00:16:40,465
I EVEN HAVE THE FEEL RIGHT.
350
00:16:40,499 --> 00:16:43,769
AND HEY, MY HOLODECK
IS EVEN INFINITE IN SIZE.
351
00:16:43,802 --> 00:16:46,238
BUT IT'S STILL MISSING
ONE IMPORTANT INGREDIENT.
352
00:16:46,270 --> 00:16:50,875
AND THAT IS [SNIFFS]
THE SENSE OF SMELL.
353
00:16:50,908 --> 00:16:55,313
WE'RE SENSITIVE TO AROUND
10,000 DIFFERENT AROMAS.
354
00:16:55,346 --> 00:16:59,116
SO SIMULATING SMELL
IS QUITE A CHALLENGE.
355
00:16:59,149 --> 00:17:01,218
BUT I THINK IT'S WORTH IT...
356
00:17:01,251 --> 00:17:04,422
SOME OF THE TURKISH COFFEE?
357
00:17:01,251 --> 00:17:04,422
SURE.
358
00:17:04,455 --> 00:17:06,924
...BECAUSE IT'S SO CLOSELY
LINKED TO OUR EMOTIONS,
359
00:17:06,959 --> 00:17:10,796
OUR SENSE OF PLACE,
AND OUR MEMORIES.
360
00:17:10,828 --> 00:17:12,897
YOU KNOW,
WHEN I WAS A CHILD,
361
00:17:12,931 --> 00:17:16,468
MY MOTHER USED TO MAKE
THE MOST DELICIOUS MEAT PIE,
362
00:17:16,501 --> 00:17:20,239
AND I CAN STILL SMELL THE AROMA
AFTER ALL THESE YEARS.
363
00:17:20,271 --> 00:17:22,640
IF I'M GONNA BUILD
A REALISTIC HOLODECK,
364
00:17:22,673 --> 00:17:25,777
I'VE SIMPLY GOT TO INCORPORATE
THE SENSE OF SMELL.
365
00:17:25,809 --> 00:17:28,445
YOUR RECEIPT.
THANK YOU. HAVE A GOOD DAY.
366
00:17:28,480 --> 00:17:30,781
THANK YOU.
367
00:17:30,816 --> 00:17:33,985
IT'S EASY TO SIMULATE ANY COLOR
368
00:17:34,019 --> 00:17:37,655
BY BLENDING THE PRIMARIES --
RED, GREEN, AND BLUE --
369
00:17:37,689 --> 00:17:39,391
IN THE RIGHT PROPORTION.
370
00:17:39,424 --> 00:17:42,760
BUT SIMULATING AN AROMA
IS MUCH MORE DIFFICULT,
371
00:17:42,794 --> 00:17:45,697
BECAUSE THERE'S
NO PRIMARY SMELL TO MIX.
372
00:17:45,730 --> 00:17:48,066
EACH SMELL MOLECULE IS UNIQUE,
373
00:17:48,099 --> 00:17:50,934
AND THERE'S
AN AWFUL LOT OF THEM.
374
00:17:50,969 --> 00:17:53,872
MY HOLODECK HAS TO HAVE
A PALATE OF SMELLS,
375
00:17:53,904 --> 00:17:57,241
A LIBRARY OF THOUSANDS
OF DIFFERENT KINDS OF SMELLS
376
00:17:57,275 --> 00:17:59,211
TO EVOKE A CERTAIN ATMOSPHERE.
377
00:17:59,243 --> 00:18:00,511
LET'S SAY ONE DAY
378
00:18:00,545 --> 00:18:03,715
YOU WANT TO RE-CREATE
A SCENE FROM THE WILD WEST.
379
00:18:03,749 --> 00:18:06,317
MY HOLODECK HAS TO HAVE ON CALL
380
00:18:06,351 --> 00:18:09,354
THE SMELLS OF LEATHER, HAY,
381
00:18:09,386 --> 00:18:13,124
HORSES, FARM ANIMALS,
AND GUNPOWDER
382
00:18:13,156 --> 00:18:16,560
TO MAKE IT AS REALISTIC
AS POSSIBLE.
383
00:18:16,595 --> 00:18:19,498
MY HOLODECK DESIGN IS COMPLETE.
384
00:18:19,530 --> 00:18:22,267
IT'S TIME TO REVEAL IT
TO THE SCI-FI FANS.
385
00:18:22,299 --> 00:18:25,369
I JUST HOPE IT'S GOOD ENOUGH
386
00:18:25,403 --> 00:18:27,739
TO FULFILL
THEIR WILDEST FANTASIES.
387
00:18:27,771 --> 00:18:29,706
Man:
I WOULD USE THE HOLODECK
388
00:18:29,740 --> 00:18:33,278
TO GO SEE AWESOME CONCERTS
THAT I NEVER WENT TO.
389
00:18:33,310 --> 00:18:35,646
I WOULD LOVE TO GO BE
WITH THE FOUNDING FATHERS
390
00:18:35,680 --> 00:18:37,148
WHEN THEY FOUNDED THE COUNTRY.
391
00:18:37,181 --> 00:18:39,417
THE COMEBACK OF ELVIS.
I'D GO SEE THAT.
392
00:18:39,450 --> 00:18:41,819
THE BEATLES AT SHEA.
I'D LOVE TO SEE THAT.
393
00:18:41,854 --> 00:18:44,489
I'D GO SEE THE BAND
DO THE LAST WALTZ IN PERSON.
394
00:18:44,521 --> 00:18:45,756
THAT WOULD BE AMAZING.
395
00:18:45,790 --> 00:18:48,659
I COULD ACTUALLY
BE IN "STAR TREK."
396
00:18:48,692 --> 00:18:50,561
[ CHEERS AND APPLAUSE ]
397
00:18:54,132 --> 00:18:58,336
TODAY I'M GONNA TEACH YOU
HOW TO BUILD YOUR OWN HOLODECK.
398
00:18:58,369 --> 00:19:01,372
NOW, HOW MANY OF YOU
WOULD LIKE TO TAKE A TRIP
399
00:19:01,405 --> 00:19:03,540
TO A DESERTED TROPICAL ISLAND
FOR A VACATION?
400
00:19:03,575 --> 00:19:04,542
RAISE YOUR HAND.
401
00:19:04,576 --> 00:19:06,111
YEAH!
402
00:19:04,576 --> 00:19:06,111
YEAH!
403
00:19:04,576 --> 00:19:06,111
YEAH!
404
00:19:04,576 --> 00:19:06,111
YEAH!
405
00:19:06,144 --> 00:19:08,479
AND HOW MANY OF YOU INSTEAD
WOULD RATHER CREATE
406
00:19:08,512 --> 00:19:10,447
A WORLD OF
MISCHIEF, MAYHEM, AND CHAOS
407
00:19:10,480 --> 00:19:12,650
TO CARRY OUT
ALL YOUR DEGENERATE FANTASIES?
408
00:19:12,683 --> 00:19:13,651
RAISE YOUR HAND.
409
00:19:13,684 --> 00:19:15,721
YEAH!
410
00:19:13,684 --> 00:19:15,721
YEAH!
411
00:19:13,684 --> 00:19:15,721
YEAH!
412
00:19:13,684 --> 00:19:15,721
YEAH!
413
00:19:15,753 --> 00:19:17,521
WELL, I'M GONNA SHOW YOU
HOW TO DO IT.
414
00:19:17,556 --> 00:19:19,525
LET'S PUT YOU IN A HOLODECK.
415
00:19:21,092 --> 00:19:24,862
NEARLY EVERY SURFACE WILL BE
COVERED BY LOUDSPEAKERS,
416
00:19:24,895 --> 00:19:27,865
FOR A TRULY REALISTIC
AUDIO EXPERIENCE.
417
00:19:27,898 --> 00:19:30,601
PRETTY UGLY,
BUT IT DOESN'T MATTER.
418
00:19:30,635 --> 00:19:31,802
BECAUSE LOOK.
419
00:19:31,836 --> 00:19:34,839
WE CREATE VIRTUAL REALITY
IN YOUR CONTACT LENS.
420
00:19:34,873 --> 00:19:36,607
EACH LENS PROJECTS AN IMAGE
421
00:19:36,641 --> 00:19:39,143
DIRECTLY ONTO
THE RETINA OF YOUR EYE
422
00:19:39,176 --> 00:19:42,847
SO THAT EVERYTHING YOU WILL SEE
IS COMPUTER-GENERATED.
423
00:19:42,881 --> 00:19:45,716
EVERYWHERE YOU LOOK,
A NEW REALITY.
424
00:19:45,750 --> 00:19:48,420
TO MAKE THESE WORLDS
AS BIG AS YOU LIKE,
425
00:19:48,452 --> 00:19:51,923
ROBOTIC PLATFORMS
ALLOW YOU TO WALK FOR MILES,
426
00:19:51,957 --> 00:19:54,059
INCLUDING UP AND DOWN SLOPES.
427
00:19:54,092 --> 00:19:56,594
VARIABLE PIN TECHNOLOGY
UNDER EACH FOOT
428
00:19:56,627 --> 00:20:00,131
MAKES THE EXPERIENCE
EVEN MORE REALISTIC.
429
00:20:00,164 --> 00:20:02,599
SO THAT
THIS IS INDISTINGUISHABLE
430
00:20:02,634 --> 00:20:06,038
FROM RUNNING OVER ROCKS,
RUNNING OVER VEGETATION,
431
00:20:06,070 --> 00:20:07,638
RUNNING OVER THE SNOW.
432
00:20:07,672 --> 00:20:09,374
AND THEN, OF COURSE, WE ALL KNOW
433
00:20:09,406 --> 00:20:11,408
THAT CAPTAIN PICARD
RIDES A HORSE.
434
00:20:11,442 --> 00:20:13,511
HOW ARE WE GONNA DUPLICATE THAT?
435
00:20:13,545 --> 00:20:16,348
WITH SOMETHING
CALLED CATOM TECHNOLOGY.
436
00:20:17,714 --> 00:20:21,051
MILLIONS OF TINY ROBOTS
LINE THE FLOOR OF THE HOLODECK
437
00:20:21,085 --> 00:20:23,388
AND SPRING UP TO ORDER.
438
00:20:23,421 --> 00:20:26,958
THEY CAN MORPH
INTO ANY CONCEIVABLE SHAPE,
439
00:20:26,990 --> 00:20:29,027
INCLUDING A TRUSTY STEED.
440
00:20:29,059 --> 00:20:31,162
THIS IS CALLED
PROGRAMMABLE MATTER,
441
00:20:31,194 --> 00:20:33,364
AND IT'S SOMETHING
THAT WE MAY HAVE,
442
00:20:33,397 --> 00:20:35,099
PERHAPS, IN THE COMING DECADES.
443
00:20:35,133 --> 00:20:38,937
AND THEN, LAST,
THE SENSE OF SMELL.
444
00:20:38,970 --> 00:20:41,873
MY HOLODECK
HOLDS 10,000 CANISTERS --
445
00:20:41,905 --> 00:20:44,608
ONE FOR EVERY POSSIBLE ODOR,
446
00:20:44,643 --> 00:20:49,913
ENSURING EACH VIRTUAL WORLD
SMELLS AS GOOD AS IT LOOKS.
447
00:20:49,946 --> 00:20:54,385
SO, HOW MANY OF YOU NOW WANT TO
TAKE A TRIP IN VIRTUAL REALITY?
448
00:20:54,419 --> 00:20:55,453
RAISE YOUR HANDS.
449
00:20:55,486 --> 00:20:56,788
[ CHEERS AND APPLAUSE ]
450
00:20:56,821 --> 00:20:59,824
I THINK THAT'S AS CLOSE
AS YOU CAN POSSIBLY GET
451
00:20:59,857 --> 00:21:01,259
TO HAVING A HOLODECK,
452
00:21:01,291 --> 00:21:04,828
USING THE WAY WE UNDERSTAND
SCIENCE AND TECHNOLOGY TODAY.
453
00:21:04,863 --> 00:21:08,466
THE WHOLE WALKING CONTRAPTION
WITH THE SURFACE TECHNOLOGY --
454
00:21:08,499 --> 00:21:11,568
THAT WAS JUST ONE
OF THE BEST REVEALS I'VE SEEN --
455
00:21:11,603 --> 00:21:13,204
I MEAN, JUST MIND-BLOWING.
456
00:21:13,238 --> 00:21:14,505
I LOVED IT ENTIRELY.
457
00:21:14,538 --> 00:21:16,274
THE HOLODECK IS JUST AWESOME.
458
00:21:16,307 --> 00:21:19,277
I'M JUST GONNA TRY TO FIGURE OUT
HOW TO DO BACKFLIPS IN IT,
459
00:21:19,309 --> 00:21:20,345
BUT...
460
00:21:20,377 --> 00:21:22,045
I THINK
"STAR TREK" FANS IN GENERAL
461
00:21:22,079 --> 00:21:23,848
WOULD THINK
THIS WAS THE CLOSEST THING
462
00:21:23,882 --> 00:21:26,217
THAT THEY'D EVER SEE
IN THEIR LIFETIME TO A HOLODECK.
463
00:21:26,250 --> 00:21:29,221
AND I THINK MAYBE IN OUR
LIFETIME, IT MIGHT BE POSSIBLE.
36848
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