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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,201 --> 00:00:02,334 [ SCREAMING ] 2 00:00:02,367 --> 00:00:05,003 I'M GONNA SHOW YOU HOW TO CREATE A WORLD 3 00:00:05,036 --> 00:00:08,340 WHERE REALITY COLLIDES WITH MIND-BENDING TECHNOLOGY. 4 00:00:08,374 --> 00:00:09,909 AH, AH, AH! 5 00:00:09,942 --> 00:00:12,076 IT'S THE ULTIMATE VIRTUAL REALITY. 6 00:00:12,111 --> 00:00:15,915 Dr. Kaku: ONE ROOM WHERE YOU CAN DO ANYTHING AND BE ANYONE. 7 00:00:15,948 --> 00:00:18,083 WHOA. [ LAUGHS ] 8 00:00:18,117 --> 00:00:22,621 AND I'VE GOT TO CONVINCE THESE GUYS I CAN DO IT RIGHT. 9 00:00:22,655 --> 00:00:24,591 COMPUTER, FEMALE STAR FLEET OFFICER. 10 00:00:25,658 --> 00:00:28,094 HMM, NOT DOING THE RED HAIR. 11 00:00:28,128 --> 00:00:33,466 I'M GONNA BUILD A HOLODECK STRAIGHT OUT OF "STAR TREK." 12 00:00:33,499 --> 00:00:35,067 I'M DR. MICHIO KAKU. 13 00:00:35,100 --> 00:00:36,703 I'M A THEORETICAL PHYSICIST 14 00:00:36,735 --> 00:00:40,405 AND A SCIENCE-FICTION [Echoing] FAN. 15 00:00:41,340 --> 00:00:44,410 JOIN ME AS I SHOW YOU HOW TO MAKE SCI-FI [Echoing] SCIENCE. 16 00:00:44,442 --> 00:00:46,411 -- Captions by VITAC -- www.vitac.com 17 00:00:46,445 --> 00:00:48,414 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 18 00:00:48,448 --> 00:00:51,417 THE HOLODECK IS A ROOM ON THE STARSHIP ENTERPRISE 19 00:00:51,450 --> 00:00:54,821 IN WHICH YOU CAN CONJURE UP VIRTUALLY ANY IMAGINARY WORLD 20 00:00:54,853 --> 00:00:58,256 WHICH IS NOW INDISTINGUISHABLE FROM THE REAL THING. 21 00:00:58,289 --> 00:01:02,128 I BELIEVE IT'S ONE OF SCI-FI'S MOST IMAGINATIVE CREATIONS, 22 00:01:02,161 --> 00:01:04,930 AND I'M NOT THE ONLY ONE. 23 00:01:04,963 --> 00:01:07,966 I HAVE TO CONVINCE DIE-HARD TREKKERS 24 00:01:08,000 --> 00:01:09,968 THAT MY DESIGN WILL WORK. 25 00:01:10,001 --> 00:01:13,272 AND IT'S NOT GONNA BE EASY -- THEY REALLY KNOW THEIR STUFF. 26 00:01:14,507 --> 00:01:15,606 WHAT IS A HOLODECK? 27 00:01:15,641 --> 00:01:18,311 A HOLODECK IS A PROGRAM THAT BASICALLY SIMULATES 28 00:01:18,343 --> 00:01:21,313 ANY PLACE, ANY PERSON YOU MIGHT WANT TO INTERACT WITH, 29 00:01:21,346 --> 00:01:23,415 AND YOU DON'T ACTUALLY GO ANYWHERE. 30 00:01:23,448 --> 00:01:25,617 AS LONG AS YOUR IMAGINATION CAN CREATE IT 31 00:01:25,650 --> 00:01:28,220 AND THE COMPUTER HAS INFORMATION ABOUT IT ON FILE, 32 00:01:28,254 --> 00:01:30,189 YOU CAN GO THERE. 33 00:01:30,221 --> 00:01:32,191 YOU COULD TAKE EARTH WITH YOU INTO SPACE. 34 00:01:38,263 --> 00:01:40,632 THE HOLODECK IS A WORK OF FICTION, 35 00:01:40,665 --> 00:01:43,968 BUT I BELIEVE THAT EVERY SPACESHIP SHOULD HAVE ONE. 36 00:01:44,003 --> 00:01:47,272 JUST IMAGINE DIALING UP CONEY ISLAND 37 00:01:47,305 --> 00:01:50,977 TO ESCAPE THE DRUDGERY OF A LONG-HAUL MISSION. 38 00:01:51,010 --> 00:01:53,078 BUT WHAT WOULD IT TAKE 39 00:01:53,111 --> 00:01:56,647 TO CREATE A VIRTUAL WORLD THAT STIMULATES ALL THE SENSES? 40 00:01:56,682 --> 00:01:59,918 MY HOLODECK MUST PERFORM THREE BASIC FUNCTIONS. 41 00:01:59,951 --> 00:02:02,822 FIRST, THE ABILITY TO CREATE IMAGINARY WORLDS 42 00:02:02,855 --> 00:02:04,724 THAT ARE THOROUGHLY REALISTIC. 43 00:02:04,757 --> 00:02:08,361 TWO, THE ABILITY TO INTERACT WITH, TOUCH, AND FEEL OBJECTS 44 00:02:08,394 --> 00:02:09,929 IN THESE VIRTUAL WORLDS. 45 00:02:09,962 --> 00:02:12,497 AND THREE, THE ABILITY TO CREATE WORLDS 46 00:02:12,531 --> 00:02:15,100 THAT ARE LIMITLESS, WITHOUT BOUNDARIES. 47 00:02:19,070 --> 00:02:22,174 MY FIRST CHALLENGE IS TO MAKE MY HOLODECK LOOK CONVINCING, 48 00:02:22,206 --> 00:02:23,442 SO I'M HEADING TO NEW JERSEY 49 00:02:23,475 --> 00:02:25,377 TO VISIT ONE OF THE MOST ADVANCED 50 00:02:25,411 --> 00:02:29,983 VIRTUAL-REALITY SYSTEMS IN THE WORLD -- THE CAVE. 51 00:02:31,150 --> 00:02:32,283 SOME PEOPLE BELIEVE 52 00:02:32,318 --> 00:02:34,887 THAT THE CAVE IS AS CLOSE AS WE CAN COME TODAY 53 00:02:34,920 --> 00:02:37,389 TO A REAL HOLODECK. 54 00:02:37,423 --> 00:02:39,891 [ CLASSICAL MUSIC PLAYING ] 55 00:02:39,925 --> 00:02:41,427 JUST LIKE THE HOLODECK, 56 00:02:41,460 --> 00:02:44,830 THE CAVE IS A VIRTUAL WORLD THAT YOU STEP RIGHT INTO. 57 00:02:44,862 --> 00:02:46,131 LET ME SEE. WHOA. 58 00:02:46,164 --> 00:02:48,935 OH, MY GOD. LOOK AT THAT. [ CHUCKLES ] 59 00:02:48,967 --> 00:02:51,536 YOU WANT TO GRAB THIS THING, RIGHT? 60 00:02:51,569 --> 00:02:55,007 SPECIAL GLASSES ALLOW YOU TO SEE THE ACTION IN 3-D. 61 00:02:55,040 --> 00:02:57,909 BUT THIS IS NO TRIP TO THE MOVIES. 62 00:02:57,943 --> 00:02:59,112 I CAN HAND YOU THIS CONTROLLER, 63 00:02:59,145 --> 00:03:00,612 AND YOU CAN FLY AROUND ANY WAY YOU'D LIKE. 64 00:03:00,645 --> 00:03:03,515 WHOA. I'M REALLY THERE. 65 00:03:03,549 --> 00:03:04,516 RIGHT? 66 00:03:04,550 --> 00:03:05,985 THE CAVE IS INTELLIGENT. 67 00:03:06,019 --> 00:03:08,153 IT RESPONDS TO YOUR EVERY COMMAND, 68 00:03:08,187 --> 00:03:11,824 CREATING A SENSATION OF COMPLETE IMMERSION. 69 00:03:11,856 --> 00:03:17,295 MY VIRTUAL TOUR GUIDE FOR THE DAY IS GEORGE LECAKES. 70 00:03:17,329 --> 00:03:19,698 THIS IS THE FUTURE OF VIRTUAL REALITY, HUH? 71 00:03:19,731 --> 00:03:22,467 THIS IS THE WAY IT'S LOOKING LIKE IT'S GOING TO GO. 72 00:03:22,501 --> 00:03:24,270 TOTAL IMMERSION. LOOK AT THIS. 73 00:03:24,302 --> 00:03:28,106 THE CAVE AT ROWAN HAS FOUR PROJECTED SCREENS, 74 00:03:28,139 --> 00:03:31,542 EACH CONTROLLED BY A SEPARATE COMPUTER. 75 00:03:31,576 --> 00:03:34,579 UM, MIKE, WOULD YOU MIND DIALING IN THE DINOSAUR DEMO, PLEASE? 76 00:03:34,614 --> 00:03:36,481 D[ CHUCKLES ]? 77 00:03:34,614 --> 00:03:36,481 YES. 78 00:03:36,514 --> 00:03:38,583 I HOPE I'M NOT GONNA BE BREAKFAST, NOW. 79 00:03:38,616 --> 00:03:39,852 LIKE IN THE HOLODECK, 80 00:03:39,885 --> 00:03:42,954 NO TWO CAVE ADVENTURES ARE EVER THE SAME. 81 00:03:42,989 --> 00:03:46,725 THEY UNFOLD, DEPENDING UPON THE DECISIONS YOU MAKE. 82 00:03:46,758 --> 00:03:48,927 HERE COMES A T-REX, RIGHT AT US. 83 00:03:48,961 --> 00:03:52,564 AND THAT FEELING OF BEING RIGHT IN THE ACTION 84 00:03:52,598 --> 00:03:54,400 IS DOWN TO PERSPECTIVE SHIFT. 85 00:03:54,432 --> 00:03:55,634 WOW, LOOK AT THAT. 86 00:03:55,668 --> 00:03:58,037 AS I MOVE MY HEAD, EVERYTHING AROUND ME MOVES. 87 00:03:58,069 --> 00:03:59,338 HOW'S THAT? 88 00:03:59,372 --> 00:04:01,874 WELL, IT'S ACTUALLY THE CAMERAS THAT ARE ALL AROUND YOU -- 89 00:04:01,907 --> 00:04:03,342 EIGHT OF THEM, EXACTLY. 90 00:04:03,376 --> 00:04:06,177 AND THEY'RE PICKING UP ON THE LITTLE TRACKER ON YOUR GLASSES. 91 00:04:06,211 --> 00:04:07,745 IT'S EMITTING INFRARED LIGHT. 92 00:04:07,780 --> 00:04:09,814 NOW, WE CAN'T SEE IT, BUT THE CAMERAS CAN. 93 00:04:09,848 --> 00:04:11,884 SO AS YOU MOVE, IT'S TELLING THE CAVE 94 00:04:11,918 --> 00:04:13,686 HOW TO MOVE IN RESPONSE TO YOU. 95 00:04:13,719 --> 00:04:16,622 AH. SO THE CAVE KNOWS EXACTLY WHERE MY HEAD IS POINTING. 96 00:04:16,654 --> 00:04:17,856 PERFECTLY. 97 00:04:17,889 --> 00:04:20,158 AND THAT'S WHY THE SCREENS CHANGE SO MUCH AS YOU MOVE. 98 00:04:20,192 --> 00:04:22,662 SO, HOW CLOSE CAN I GET TO THE T-REX? 99 00:04:22,694 --> 00:04:23,661 AS CLOSE AS YOU'D LIKE. 100 00:04:23,696 --> 00:04:24,997 YOU CAN GET IN HIS MOUTH, ACTUALLY. 101 00:04:25,031 --> 00:04:26,732 DON'T DO THIS AT HOME, KIDS. 102 00:04:26,764 --> 00:04:29,100 I CAN SEE THE TEETH. 103 00:04:26,764 --> 00:04:29,100 AAH! 104 00:04:29,134 --> 00:04:30,802 IT'S A SURREAL EXPERIENCE. 105 00:04:30,836 --> 00:04:32,538 BUT I CAN'T HELP WONDERING 106 00:04:32,572 --> 00:04:35,206 WHAT CAPTAIN PICARD AND COMMANDER RIKER 107 00:04:35,240 --> 00:04:37,909 FROM "STAR TREK" WOULD MAKE OF IT. 108 00:04:37,944 --> 00:04:41,146 WHOA. LOOK AT THAT. OH, MY GOD. LOOK AT THAT. 109 00:04:41,180 --> 00:04:42,882 AH, AH, AH! 110 00:04:47,119 --> 00:04:49,522 NOW, THAT WAS REALLY COOL. 111 00:04:49,555 --> 00:04:51,723 MUCH BETTER THAN THOSE CLUNKY HELMETS 112 00:04:51,757 --> 00:04:53,992 THAT YOU PUT ON AT THOSE COMPUTER FAIRS 113 00:04:54,026 --> 00:04:55,894 AND YOU WORK IN VIRTUAL REALITY. 114 00:04:55,927 --> 00:04:57,829 I THINK THIS IS A GIANT LEAP FORWARD. 115 00:04:57,862 --> 00:04:59,264 BUT TO BE FAIR, 116 00:04:59,298 --> 00:05:02,634 I DON'T THINK PICARD OR RIKER WOULD BE SATISFIED JUST YET. 117 00:05:02,668 --> 00:05:05,304 IT STILL NEEDS SOME MORE IMPROVEMENTS, 118 00:05:05,336 --> 00:05:08,341 AND I THINK I KNOW WHERE THAT MAY COME FROM. 119 00:05:11,043 --> 00:05:13,745 WALL PROJECTION MAY BE FINE FOR THE 21st CENTURY, 120 00:05:13,778 --> 00:05:18,117 BUT IT HAS NO PLACE IN MY HOLODECK DESIGN. 121 00:05:18,149 --> 00:05:21,120 RESEARCHERS HAVE ALREADY PLACED L.E.D.s 122 00:05:21,153 --> 00:05:23,254 DIRECTLY ONTO A CONTACT LENS. 123 00:05:23,288 --> 00:05:25,324 I BELIEVE THAT IN THE COMING YEARS, 124 00:05:25,358 --> 00:05:28,160 WE'LL BE ABLE TO PROJECT AN ENTIRE VIRTUAL UNIVERSE 125 00:05:28,194 --> 00:05:30,528 ONTO THE BACK OF OUR EYES. 126 00:05:30,562 --> 00:05:32,031 PUT IN A HOLODECK LENS, 127 00:05:32,064 --> 00:05:34,300 AND YOUR EYE IS INSTANTLY FILLED 128 00:05:34,333 --> 00:05:35,901 WITH AN ALTERNATE REALITY 129 00:05:35,935 --> 00:05:39,372 THAT'S PROJECTED DIRECTLY ONTO YOUR RETINA. 130 00:05:39,404 --> 00:05:42,540 ALL YOU CAN SEE IS COMPUTER-GENERATED. 131 00:05:42,574 --> 00:05:44,944 I'LL STRENGTHEN THE ILLUSION 132 00:05:44,976 --> 00:05:49,847 BY SYNCHING AUDIO SPEAKERS INTO THE WALLS OF THE ROOM. 133 00:05:49,882 --> 00:05:51,550 IT'S A GOOD START. 134 00:05:51,583 --> 00:05:53,986 BUT TO SATISFY THESE GUYS, 135 00:05:54,019 --> 00:05:58,690 MY HOLODECK NEEDS TO BE UP TO FEDERATION STANDARDS. 136 00:05:58,723 --> 00:06:01,293 CAPTAIN PICARD LIKED TO RIDE HORSES A LOT. 137 00:06:01,326 --> 00:06:04,362 CAPTAIN PICARD SEEMED TO FIND A WAY TO RIDE A HORSE 138 00:06:04,396 --> 00:06:06,932 EVERY TIME HE WALKED THROUGH THOSE DOORS. 139 00:06:06,966 --> 00:06:09,268 SO HE COULD BE ON THE PLANET VULCAN, RIDING A HORSE. 140 00:06:09,300 --> 00:06:11,269 EXACTLY. IT WOULD HAVE POINTY EARS, THOUGH. 141 00:06:11,303 --> 00:06:12,270 POINTIER EARS. 142 00:06:12,305 --> 00:06:15,040 [ HORSE NEIGHS ] 143 00:06:15,074 --> 00:06:18,143 IF I HAVE ANY CHANCE OF CONVINCING THE SCI-FI FANS 144 00:06:18,177 --> 00:06:20,713 THAT MY DESIGN IS WORTHY OF "STAR TREK," 145 00:06:20,745 --> 00:06:22,382 THEN OBJECTS IN MY HOLODECK 146 00:06:22,415 --> 00:06:27,218 MUST NOT ONLY LOOK, BUT FEEL LIKE THE REAL THING. 147 00:06:27,252 --> 00:06:32,223 COMING UP, I GO NOWHERE FAST ON A MILITARY SIMULATOR. 148 00:06:32,257 --> 00:06:34,192 WHOA. [ LAUGHS ] 149 00:06:34,225 --> 00:06:38,329 AND I SUIT UP FOR AN EXCLUSIVE GLIMPSE OF THE FUTURE. 150 00:06:38,362 --> 00:06:40,966 YOU'RE TELLING ME THAT YOU COULD GET IT DOWN 151 00:06:40,999 --> 00:06:43,703 TO SOMETHING SMALLER THAN THE HEAD OF A PIN? 152 00:06:47,673 --> 00:06:50,875 TO MAKE A HOLODECK JUST LIKE THE ONE IN "STAR TREK," 153 00:06:50,908 --> 00:06:52,844 I HAVE TO CREATE A VIRTUAL WORLD 154 00:06:52,877 --> 00:06:55,848 THAT FEELS JUST FEELS JUST AS REAL AS IT LOOKS. 155 00:06:57,382 --> 00:06:59,984 CAPTAIN PICARD LIKED TO RIDE HORSES ON THE HOLODECK. 156 00:07:00,019 --> 00:07:04,189 REPLICATING THAT IS THE ULTIMATE TEST OF MY DESIGN, 157 00:07:04,223 --> 00:07:07,393 BECAUSE THERE ARE SO MANY SENSATIONS 158 00:07:07,425 --> 00:07:09,495 THAT I HAVE TO REPRODUCE. 159 00:07:09,528 --> 00:07:12,898 IF I CLOSE MY EYES, I STILL KNOW THAT I'M RIDING A HORSE. 160 00:07:12,932 --> 00:07:15,834 I CAN FEEL THE WIND ON MY FACE, 161 00:07:15,867 --> 00:07:18,202 I CAN FEEL THE ROCKING MOTION OF THE SADDLE, 162 00:07:18,237 --> 00:07:20,673 AND I CAN FEEL THE TEXTURE OF THE HORSE'S SKIN. 163 00:07:20,706 --> 00:07:25,677 I BELIEVE THAT THE ONLY WAY TO SIMULATE THIS WHOLE EXPERIENCE 164 00:07:25,711 --> 00:07:27,545 IS TO TAKE REAL MATTER 165 00:07:27,579 --> 00:07:31,317 AND MOLD IT INTO THE SHAPE OF A LIVING HORSE. 166 00:07:31,350 --> 00:07:33,685 FOR THAT, I NEED TO LEAVE NEW YORK 167 00:07:33,718 --> 00:07:36,588 TO MEET A MAN WHO'S DEVELOPING A TECHNOLOGY 168 00:07:36,622 --> 00:07:39,057 THAT COULD REVOLUTIONIZE OUR LIVES. 169 00:07:42,560 --> 00:07:47,065 THIS IS A VISION OF THE NEAR FUTURE -- PROGRAMMABLE MATTER. 170 00:07:47,098 --> 00:07:51,269 INSTEAD OF ATOMS, THIS CAR IS MADE UP OF CATOMS -- 171 00:07:51,302 --> 00:07:53,872 TINY ROBOTIC BALLS THAT WORK TOGETHER 172 00:07:53,906 --> 00:07:57,576 TO TAKE ON ANY SHAPE OR COLOR. 173 00:07:57,610 --> 00:08:00,012 CARNEGIE MELLON UNIVERSITY IN PITTSBURGH 174 00:08:00,045 --> 00:08:03,782 IS AT THE FOREFRONT OF CATOM RESEARCH. 175 00:08:03,814 --> 00:08:07,519 AND SCIENTISTS HERE BELIEVE THAT IN THE FUTURE, 176 00:08:07,552 --> 00:08:11,589 EVERYTHING WE OWN WILL BE MADE FROM SHAPE-SHIFTING CATOMS. 177 00:08:11,624 --> 00:08:14,894 ALL YOU DO IS DOWNLOAD THE SOFTWARE ON THE WEB, 178 00:08:14,927 --> 00:08:17,663 AND THERE'S YOUR FURNITURE, YOUR HOUSE, 179 00:08:17,696 --> 00:08:19,498 YOUR APPLIANCES, YOUR CITY. 180 00:08:19,531 --> 00:08:22,233 FOR PROGRAMMABLE MATTER TO WORK, 181 00:08:22,266 --> 00:08:26,237 EACH MICROSCOPIC CATOM NEEDS ITS OWN COMPUTER BRAIN. 182 00:08:26,271 --> 00:08:29,540 TRANSISTORS SMALL ENOUGH TO DO THE JOB 183 00:08:29,574 --> 00:08:31,911 MAY BE JUST A FEW YEARS AWAY. 184 00:08:31,944 --> 00:08:34,779 AND SETH GOLDSTEIN IS ALREADY WORKING 185 00:08:34,813 --> 00:08:37,882 ON HOW TO BUILD THE SHELLS TO HOUSE THEM. 186 00:08:37,916 --> 00:08:40,619 Goldstein: THE ENTIRE THING THAT YOU SEE THERE HAS 12 CATOMS. 187 00:08:40,653 --> 00:08:43,154 IF WE LOOK AT ONE CATOM, THERE'S TWO PARTS TO IT. 188 00:08:43,187 --> 00:08:46,223 THERE'S THE SOLID, SILVER PART. THAT'S WHERE A CHIP WOULD GO. 189 00:08:46,258 --> 00:08:50,396 AND THEN THE LINES ARE WHERE WE'RE GOING TO PLACE THE CHARGE 190 00:08:50,428 --> 00:08:53,398 TO GET IT TO EITHER MOVE, STICK TOGETHER, 191 00:08:53,431 --> 00:08:55,634 COMMUNICATE, OR SHARE POWER. 192 00:08:55,667 --> 00:08:59,405 SO, ESSENTIALLY, THAT ONE MECHANISM DOES ALL FOUR FUNCTIONS. 193 00:08:59,437 --> 00:09:02,807 OUR GOAL IS TO MAKE THESE SMALLER AND SMALLER AND SMALLER 194 00:09:02,841 --> 00:09:05,144 UNTIL YOU GET ABOUT 120 OF THEM LINED UP TO AN INCH. 195 00:09:06,912 --> 00:09:10,516 SETH'S SIMPLE TUBE DESIGN WILL WORK IN TWO DIMENSIONS. 196 00:09:10,548 --> 00:09:14,653 BUT AS THE TECHNOLOGY ADVANCES, THEY'LL BE REPLACED BY SPHERES, 197 00:09:14,686 --> 00:09:19,425 ALLOWING THE 3-D SIMULATION OF ANY OBJECT YOU CAN IMAGINE. 198 00:09:21,159 --> 00:09:24,962 YOU KNOW, COMING OUT OF THAT CLEAN ROOM AND TALKING TO SETH, 199 00:09:24,996 --> 00:09:26,630 I GET THE DISTINCT FEELING 200 00:09:26,664 --> 00:09:29,634 THAT I'VE BEEN TALKING TO MODERN-DAY SORCERERS. 201 00:09:29,668 --> 00:09:33,572 AND YET HERE WE ARE DOING IT, USING HIGH TECHNOLOGY. 202 00:09:33,605 --> 00:09:35,307 ABSOLUTELY INCREDIBLE. 203 00:09:35,341 --> 00:09:38,110 TO MAKE A CAR OR A HOLODECK HORSE, 204 00:09:38,143 --> 00:09:42,114 MILLIONS OF CATOMS NEED TO COORDINATE THEIR MOVEMENTS 205 00:09:42,147 --> 00:09:45,350 TO PERFECTION -- A PROGRAMMING NIGHTMARE. 206 00:09:45,384 --> 00:09:47,853 SO SETH HAS DEVELOPED THESE COLORED BLOCKS 207 00:09:47,885 --> 00:09:51,322 TO REFINE HOW CATOMS COMMUNICATE. 208 00:09:51,355 --> 00:09:57,196 THEY EACH HAVE A COMPUTER BRAIN AND THE ABILITY TO TAKE ORDERS. 209 00:09:57,229 --> 00:09:59,931 THESE ARE COLORED IN THE RAINBOW AS YOU GO UP HIGHER. 210 00:09:59,965 --> 00:10:02,067 SO IF I SORT OF TURN THIS OFF AND START OVER, 211 00:10:02,100 --> 00:10:03,635 THEY DON'T KNOW WHERE THEY ARE. 212 00:10:03,668 --> 00:10:04,735 THEY ALL START OUT RED. 213 00:10:04,769 --> 00:10:06,371 THEY THINK THEY'RE AT THE BOTTOM. 214 00:10:06,404 --> 00:10:08,774 AND SLOWLY, BY TALKING TO THEIR NEIGHBORS, 215 00:10:08,807 --> 00:10:10,942 THEY CAN FIGURE OUT HOW HIGH THEY ARE 216 00:10:10,975 --> 00:10:13,445 AND WORK OUT WHERE THEY ARE IN THE ENSEMBLE. 217 00:10:13,479 --> 00:10:15,180 AND THIS ACTUALLY REQUIRES THEM 218 00:10:15,214 --> 00:10:17,316 TO ALL BE COMMUNICATING WITH EACH OTHER. 219 00:10:17,349 --> 00:10:18,682 MM-HMM. 220 00:10:18,716 --> 00:10:20,918 AND IT TAKES A LITTLE WHILE FOR THE INFORMATION TO PERCOLATE. 221 00:10:20,952 --> 00:10:22,520 SO IT'S COMPUTING RIGHT NOW. 222 00:10:22,553 --> 00:10:24,490 IT IS, EXACTLY, COMPUTING RIGHT NOW. 223 00:10:24,523 --> 00:10:27,826 AND I CAN DO SOMETHING LIKE I CAN TAKE ONE OF THESE BLOCKS, 224 00:10:27,860 --> 00:10:30,128 AND WE WANT THE BOTTOM ONES TO BE RED, 225 00:10:30,162 --> 00:10:32,398 SO I CAN PUT THIS IN THE BOTTOM HERE. 226 00:10:32,431 --> 00:10:33,932 AND NOW WHAT WILL HAPPEN 227 00:10:33,966 --> 00:10:36,435 IS THE INFORMATION WILL START TO PERCOLATE THROUGH 228 00:10:36,467 --> 00:10:38,971 THAT WHAT THEIR LEVEL WAS THAT THEY WERE ON BEFORE 229 00:10:39,004 --> 00:10:40,171 IS NOT CORRECT, 230 00:10:40,205 --> 00:10:42,274 AND THEY ALL HAVE TO RECALCULATE WHAT'S GOING ON. 231 00:10:42,307 --> 00:10:46,311 SETH'S IDEA IS A REVELATION. 232 00:10:46,344 --> 00:10:47,780 IT MEANS THAT NO MATTER 233 00:10:47,812 --> 00:10:50,316 HOW MANY CATOMS I HAVE IN MY HOLODECK -- 234 00:10:50,349 --> 00:10:52,150 10 OR 10 MILLION -- 235 00:10:52,183 --> 00:10:55,920 THEY'RE ALL CONTROLLED BY THE SAME SIMPLE PROGRAM. 236 00:10:55,955 --> 00:10:57,689 SO THAT COULD BE IT. 237 00:10:57,722 --> 00:11:00,324 INSTEAD OF BILLIONS AND BILLIONS AND TRILLIONS 238 00:11:00,359 --> 00:11:01,793 OF LINES OF COMPUTER CODE, 239 00:11:01,826 --> 00:11:02,894 ALL YOU DO IS TELL 240 00:11:02,927 --> 00:11:05,397 HOW EACH BLOCK INTERACTS WITH ITS NEIGHBOR. 241 00:11:05,429 --> 00:11:06,964 HOW SIMPLE. 242 00:11:06,998 --> 00:11:09,668 USING CATOM TECHNOLOGY, 243 00:11:09,701 --> 00:11:13,071 I'M ONE STEP CLOSER TO CONVINCING THE "STAR TREK" FANS 244 00:11:13,104 --> 00:11:15,440 THAT MY HOLODECK DESIGN WILL WORK. 245 00:11:15,472 --> 00:11:19,377 THE FLOOR WILL BE COVERED BY THESE INTELLIGENT ROBOTS, 246 00:11:19,412 --> 00:11:22,781 ALLOWING THE SIMULATION OF ANY PHYSICAL FORM, 247 00:11:22,813 --> 00:11:26,351 INCLUDING A FULLY RIDEABLE HORSE. 248 00:11:26,384 --> 00:11:29,254 I THINK MY HOLODECK DESIGN IS TAKING SHAPE. 249 00:11:29,288 --> 00:11:31,023 BUT I STILL HAVE A PROBLEM. 250 00:11:31,056 --> 00:11:34,091 YOU SEE, IF I WALK A FEW STEPS IN ANY DIRECTION, 251 00:11:34,125 --> 00:11:35,494 I GET A BLOODY NOSE. 252 00:11:35,527 --> 00:11:37,963 SO I HAVE TO CREATE A HOLODECK ROOM 253 00:11:37,996 --> 00:11:41,131 WHICH IS COMPACT, FINITE ON THE OUTSIDE -- 254 00:11:41,166 --> 00:11:44,870 BUT ON THE INSIDE, IS INFINITE. 255 00:11:49,941 --> 00:11:51,410 [ ELEVATOR BELL DINGS ] 256 00:11:51,442 --> 00:11:53,410 Dr. Kaku: HOLODECKS ARE A GREAT PLACE 257 00:11:53,445 --> 00:11:57,282 TO HAVE FUN, RUN AROUND, AND INDULGE YOUR WILDEST FANTASIES. 258 00:11:57,315 --> 00:12:00,786 BUT I'VE COME UP AGAINST AN OBSTACLE... 259 00:12:00,818 --> 00:12:02,620 WALLS. 260 00:12:02,654 --> 00:12:08,058 ON REAL SPACESHIPS, SPACE ITSELF IS AT A PREMIUM. 261 00:12:08,092 --> 00:12:10,995 IT'S NO FUN HAVING A VIRTUAL PLAYGROUND 262 00:12:11,028 --> 00:12:13,398 THE SIZE OF AN ELEVATOR. 263 00:12:13,432 --> 00:12:16,802 BUT I MAY HAVE FOUND THE PERFECT SOLUTION 264 00:12:16,835 --> 00:12:21,907 HERE AT THE U.S. ARMY'S PROVING GROUND IN ABERDEEN, MARYLAND. 265 00:12:21,941 --> 00:12:25,610 THE TECHNOLOGY THAT I'VE COME TO SEE IS RIGHT BEHIND THESE DOORS. 266 00:12:25,644 --> 00:12:29,181 I'VE HEARD SO MUCH ABOUT IT, AND NOW I GET A CHANCE TO SEE IT. 267 00:12:29,214 --> 00:12:31,650 THIS SHOULD BE A LOT OF FUN. 268 00:12:39,390 --> 00:12:42,461 THIS IS CALLED THE OMNI-DIRECTIONAL TREADMILL. 269 00:12:42,494 --> 00:12:45,830 IT ALLOWS YOU TO CREATE A LIMITLESS VIRTUAL UNIVERSE 270 00:12:45,864 --> 00:12:47,166 WITHOUT BOUNDARIES. 271 00:12:47,198 --> 00:12:50,835 IN CHARGE OF THIS REMARKABLE MACHINE 272 00:12:50,869 --> 00:12:53,639 IS MILITARY PSYCHOLOGIST KATHY KEHRING. 273 00:12:53,672 --> 00:12:55,541 KATHY, HI. 274 00:12:53,672 --> 00:12:55,541 HELLO. 275 00:12:55,573 --> 00:12:57,541 THIS IS TRULY AMAZING. 276 00:12:57,576 --> 00:13:00,545 CAN YOU TELL ME, WHAT IS THIS TREADMILL USED FOR? 277 00:13:00,577 --> 00:13:02,079 WHAT WE'VE TRIED TO DO HERE 278 00:13:02,114 --> 00:13:04,216 IS CREATE A MORE REALISTIC VIRTUAL WORLD 279 00:13:04,249 --> 00:13:06,951 SO THAT THEY'RE ACTUALLY PHYSICALLY EXERTING THEMSELVES 280 00:13:06,985 --> 00:13:08,986 WHEN THEY MOVE THROUGH THE ENVIRONMENT 281 00:13:09,019 --> 00:13:12,057 INSTEAD OF JUST SITTING AT A DESK WITH A KEYBOARD OR A MOUSE. 282 00:13:12,090 --> 00:13:15,660 THE SYSTEM RELIES ON MOTION TRACKING, 283 00:13:15,693 --> 00:13:17,995 THE SAME TECHNOLOGY HOLLYWOOD USES 284 00:13:18,029 --> 00:13:20,533 TO BRING ANIMATED CHARACTERS TO LIFE. 285 00:13:22,033 --> 00:13:23,302 AS MAJOR MOYERS WALKS, 286 00:13:23,335 --> 00:13:25,437 THE SYSTEM INSTRUCTS THE TREADMILL 287 00:13:25,470 --> 00:13:27,605 TO MOVE IN THE OPPOSITE DIRECTION, 288 00:13:27,639 --> 00:13:31,909 THANKS TO AN INGENIOUS SYSTEM OF STRAPS. 289 00:13:31,943 --> 00:13:34,478 THERE ARE TWO BASIC MOTIONS OF THE TREADMILL. 290 00:13:34,511 --> 00:13:37,648 FIRST OF ALL, WE HAVE THE LARGER MOTION OF THE TREADMILL. 291 00:13:37,682 --> 00:13:40,085 BUT NOTICE THAT THERE ARE 80 SMALL STRAPS. 292 00:13:40,118 --> 00:13:42,187 EACH ONE IS A MINI-TREADMILL. 293 00:13:42,220 --> 00:13:45,456 AND WHEN YOU PUT THESE TWO MOTIONS TOGETHER, 294 00:13:45,490 --> 00:13:49,060 YOU CAN NOW SIMULATE ANY MOTION IN TWO DIMENSIONS. 295 00:13:49,094 --> 00:13:51,663 INGENIOUS. 296 00:13:51,696 --> 00:13:54,199 OF COURSE, I COULDN'T LEAVE HERE 297 00:13:54,232 --> 00:13:55,799 WITHOUT TRYING IT FOR MYSELF. 298 00:13:55,833 --> 00:13:58,369 I'M NOT SURE WHETHER ALL THESE HARNESSES 299 00:13:58,403 --> 00:13:59,671 ARE NECESSARY, THOUGH. 300 00:13:59,703 --> 00:14:01,239 I MEAN, HOW HARD CAN IT BE? 301 00:14:01,273 --> 00:14:03,908 I FEEL LIKE AN ASTRONAUT ABOUT TO BE SHOT INTO SPACE. 302 00:14:03,942 --> 00:14:05,543 IT'S FOR SAFETY PURPOSES. 303 00:14:05,576 --> 00:14:06,544 UH-HUH. 304 00:14:06,578 --> 00:14:08,012 WELL, HERE I GO. 305 00:14:08,046 --> 00:14:09,948 [ MECHANICAL WHIRRING ] 306 00:14:09,981 --> 00:14:12,083 WHOA. [ LAUGHS ] 307 00:14:12,116 --> 00:14:14,118 WHOA. 308 00:14:16,053 --> 00:14:17,322 YOU KNOW, ONE PROBLEM IS 309 00:14:17,355 --> 00:14:19,791 I KEEP LOOKING AT MY FEET AND THINKING ABOUT MY FEET. 310 00:14:19,825 --> 00:14:21,727 NOW, THAT'S WHERE I GET ALL MESSED UP. 311 00:14:21,759 --> 00:14:23,694 HOWEVER, ONCE YOU REALIZE 312 00:14:23,729 --> 00:14:27,466 THAT YOU'RE IMMERSED IN THIS IMAGINARY UNIVERSE, 313 00:14:27,499 --> 00:14:29,067 THEN EVERYTHING GOES SMOOTHLY. 314 00:14:32,303 --> 00:14:35,341 MY FIRST DOOR IN VIRTUAL REALITY. 315 00:14:37,775 --> 00:14:40,611 YOU KNOW, FOR THE 21st CENTURY, THIS IS GREAT. 316 00:14:40,645 --> 00:14:42,514 BUT, HEY, LET'S BE HONEST. 317 00:14:42,547 --> 00:14:46,618 "STAR TREK" -- THAT TAKES PLACE IN THE 23rd, 24th CENTURY. 318 00:14:46,650 --> 00:14:49,854 PICARD AND RIKER, THEY WOULD WANT MOUNTAINS, 319 00:14:49,888 --> 00:14:52,023 CRATERS LIKE ON THE MOON, VALLEYS. 320 00:14:52,056 --> 00:14:54,626 AND FOR THAT, I THINK WE HAVE TO INTRODUCE 321 00:14:54,658 --> 00:14:57,495 SOME RADICALLY NEW IDEAS. 322 00:14:57,528 --> 00:14:59,664 OKAY, WHERE'S THE "OFF" BUTTON? 323 00:15:00,399 --> 00:15:02,467 AHH. 324 00:15:02,500 --> 00:15:04,636 WHOA. 325 00:15:06,671 --> 00:15:09,141 TO BRING MY HOLODECK UP TO "STAR TREK" STANDARDS, 326 00:15:09,173 --> 00:15:12,076 I NEED TO UPGRADE KATHY'S TREADMILL 327 00:15:12,110 --> 00:15:14,379 FROM TWO TO THREE DIMENSIONS. 328 00:15:14,412 --> 00:15:16,215 I BELIEVE THE SOLUTION 329 00:15:16,248 --> 00:15:19,818 IS TO CREATE SEPARATE DEVICES FOR EACH FOOT. 330 00:15:19,850 --> 00:15:24,288 WHEREVER YOU PLACE YOUR FEET, ROBOTIC PLATFORMS WILL FOLLOW. 331 00:15:24,322 --> 00:15:27,125 AND BY ADJUSTING THEIR ANGLE AND HEIGHT, 332 00:15:27,158 --> 00:15:29,093 I CAN EVEN SIMULATE CLIMBING. 333 00:15:29,128 --> 00:15:31,262 THE PLATFORMS WILL ALSO BE COVERED 334 00:15:31,296 --> 00:15:34,499 BY THOUSANDS OF PINLIKE ACTUATORS. 335 00:15:34,532 --> 00:15:36,768 BY ADJUSTING THE HEIGHT OF THE PINS, 336 00:15:36,801 --> 00:15:39,504 YOU CAN THEREBY CREATE ANY TEXTURE YOU WANT -- 337 00:15:39,538 --> 00:15:41,840 WHETHER YOU'RE WALKING ON CRUNCHY SNOW 338 00:15:41,874 --> 00:15:43,408 OR SPLASHING THROUGH WATER 339 00:15:43,442 --> 00:15:46,477 OR EVEN CLIMBING OVER HARD GRANITE. 340 00:15:48,046 --> 00:15:50,382 MY HOLODECK DESIGN IS ALMOST COMPLETE. 341 00:15:50,414 --> 00:15:53,684 WITH ROBOTIC ARMS, I CAN MAKE MY VIRTUAL WORLD INFINITE. 342 00:15:53,717 --> 00:15:55,019 WITH CATOMS, 343 00:15:55,052 --> 00:15:57,621 I CAN TAKE IMAGINARY OBJECTS AND MAKE THEM PHYSICAL. 344 00:15:57,654 --> 00:16:01,592 AND WITH L.E.D. CONTACT LENSES, I CAN MAKE THEM SPRING TO LIFE. 345 00:16:01,625 --> 00:16:04,596 BUT I STILL HAVE THIS NAGGING SUSPICION 346 00:16:04,629 --> 00:16:06,632 THAT I'M MISSING SOMETHING. 347 00:16:26,183 --> 00:16:28,453 TO FIND OUT MORE, GO TO... 348 00:16:35,360 --> 00:16:38,563 I'VE GOT THE LOOK OF THE HOLODECK JUST RIGHT. 349 00:16:38,596 --> 00:16:40,465 I EVEN HAVE THE FEEL RIGHT. 350 00:16:40,499 --> 00:16:43,769 AND HEY, MY HOLODECK IS EVEN INFINITE IN SIZE. 351 00:16:43,802 --> 00:16:46,238 BUT IT'S STILL MISSING ONE IMPORTANT INGREDIENT. 352 00:16:46,270 --> 00:16:50,875 AND THAT IS [SNIFFS] THE SENSE OF SMELL. 353 00:16:50,908 --> 00:16:55,313 WE'RE SENSITIVE TO AROUND 10,000 DIFFERENT AROMAS. 354 00:16:55,346 --> 00:16:59,116 SO SIMULATING SMELL IS QUITE A CHALLENGE. 355 00:16:59,149 --> 00:17:01,218 BUT I THINK IT'S WORTH IT... 356 00:17:01,251 --> 00:17:04,422 SOME OF THE TURKISH COFFEE? 357 00:17:01,251 --> 00:17:04,422 SURE. 358 00:17:04,455 --> 00:17:06,924 ...BECAUSE IT'S SO CLOSELY LINKED TO OUR EMOTIONS, 359 00:17:06,959 --> 00:17:10,796 OUR SENSE OF PLACE, AND OUR MEMORIES. 360 00:17:10,828 --> 00:17:12,897 YOU KNOW, WHEN I WAS A CHILD, 361 00:17:12,931 --> 00:17:16,468 MY MOTHER USED TO MAKE THE MOST DELICIOUS MEAT PIE, 362 00:17:16,501 --> 00:17:20,239 AND I CAN STILL SMELL THE AROMA AFTER ALL THESE YEARS. 363 00:17:20,271 --> 00:17:22,640 IF I'M GONNA BUILD A REALISTIC HOLODECK, 364 00:17:22,673 --> 00:17:25,777 I'VE SIMPLY GOT TO INCORPORATE THE SENSE OF SMELL. 365 00:17:25,809 --> 00:17:28,445 YOUR RECEIPT. THANK YOU. HAVE A GOOD DAY. 366 00:17:28,480 --> 00:17:30,781 THANK YOU. 367 00:17:30,816 --> 00:17:33,985 IT'S EASY TO SIMULATE ANY COLOR 368 00:17:34,019 --> 00:17:37,655 BY BLENDING THE PRIMARIES -- RED, GREEN, AND BLUE -- 369 00:17:37,689 --> 00:17:39,391 IN THE RIGHT PROPORTION. 370 00:17:39,424 --> 00:17:42,760 BUT SIMULATING AN AROMA IS MUCH MORE DIFFICULT, 371 00:17:42,794 --> 00:17:45,697 BECAUSE THERE'S NO PRIMARY SMELL TO MIX. 372 00:17:45,730 --> 00:17:48,066 EACH SMELL MOLECULE IS UNIQUE, 373 00:17:48,099 --> 00:17:50,934 AND THERE'S AN AWFUL LOT OF THEM. 374 00:17:50,969 --> 00:17:53,872 MY HOLODECK HAS TO HAVE A PALATE OF SMELLS, 375 00:17:53,904 --> 00:17:57,241 A LIBRARY OF THOUSANDS OF DIFFERENT KINDS OF SMELLS 376 00:17:57,275 --> 00:17:59,211 TO EVOKE A CERTAIN ATMOSPHERE. 377 00:17:59,243 --> 00:18:00,511 LET'S SAY ONE DAY 378 00:18:00,545 --> 00:18:03,715 YOU WANT TO RE-CREATE A SCENE FROM THE WILD WEST. 379 00:18:03,749 --> 00:18:06,317 MY HOLODECK HAS TO HAVE ON CALL 380 00:18:06,351 --> 00:18:09,354 THE SMELLS OF LEATHER, HAY, 381 00:18:09,386 --> 00:18:13,124 HORSES, FARM ANIMALS, AND GUNPOWDER 382 00:18:13,156 --> 00:18:16,560 TO MAKE IT AS REALISTIC AS POSSIBLE. 383 00:18:16,595 --> 00:18:19,498 MY HOLODECK DESIGN IS COMPLETE. 384 00:18:19,530 --> 00:18:22,267 IT'S TIME TO REVEAL IT TO THE SCI-FI FANS. 385 00:18:22,299 --> 00:18:25,369 I JUST HOPE IT'S GOOD ENOUGH 386 00:18:25,403 --> 00:18:27,739 TO FULFILL THEIR WILDEST FANTASIES. 387 00:18:27,771 --> 00:18:29,706 Man: I WOULD USE THE HOLODECK 388 00:18:29,740 --> 00:18:33,278 TO GO SEE AWESOME CONCERTS THAT I NEVER WENT TO. 389 00:18:33,310 --> 00:18:35,646 I WOULD LOVE TO GO BE WITH THE FOUNDING FATHERS 390 00:18:35,680 --> 00:18:37,148 WHEN THEY FOUNDED THE COUNTRY. 391 00:18:37,181 --> 00:18:39,417 THE COMEBACK OF ELVIS. I'D GO SEE THAT. 392 00:18:39,450 --> 00:18:41,819 THE BEATLES AT SHEA. I'D LOVE TO SEE THAT. 393 00:18:41,854 --> 00:18:44,489 I'D GO SEE THE BAND DO THE LAST WALTZ IN PERSON. 394 00:18:44,521 --> 00:18:45,756 THAT WOULD BE AMAZING. 395 00:18:45,790 --> 00:18:48,659 I COULD ACTUALLY BE IN "STAR TREK." 396 00:18:48,692 --> 00:18:50,561 [ CHEERS AND APPLAUSE ] 397 00:18:54,132 --> 00:18:58,336 TODAY I'M GONNA TEACH YOU HOW TO BUILD YOUR OWN HOLODECK. 398 00:18:58,369 --> 00:19:01,372 NOW, HOW MANY OF YOU WOULD LIKE TO TAKE A TRIP 399 00:19:01,405 --> 00:19:03,540 TO A DESERTED TROPICAL ISLAND FOR A VACATION? 400 00:19:03,575 --> 00:19:04,542 RAISE YOUR HAND. 401 00:19:04,576 --> 00:19:06,111 YEAH! 402 00:19:04,576 --> 00:19:06,111 YEAH! 403 00:19:04,576 --> 00:19:06,111 YEAH! 404 00:19:04,576 --> 00:19:06,111 YEAH! 405 00:19:06,144 --> 00:19:08,479 AND HOW MANY OF YOU INSTEAD WOULD RATHER CREATE 406 00:19:08,512 --> 00:19:10,447 A WORLD OF MISCHIEF, MAYHEM, AND CHAOS 407 00:19:10,480 --> 00:19:12,650 TO CARRY OUT ALL YOUR DEGENERATE FANTASIES? 408 00:19:12,683 --> 00:19:13,651 RAISE YOUR HAND. 409 00:19:13,684 --> 00:19:15,721 YEAH! 410 00:19:13,684 --> 00:19:15,721 YEAH! 411 00:19:13,684 --> 00:19:15,721 YEAH! 412 00:19:13,684 --> 00:19:15,721 YEAH! 413 00:19:15,753 --> 00:19:17,521 WELL, I'M GONNA SHOW YOU HOW TO DO IT. 414 00:19:17,556 --> 00:19:19,525 LET'S PUT YOU IN A HOLODECK. 415 00:19:21,092 --> 00:19:24,862 NEARLY EVERY SURFACE WILL BE COVERED BY LOUDSPEAKERS, 416 00:19:24,895 --> 00:19:27,865 FOR A TRULY REALISTIC AUDIO EXPERIENCE. 417 00:19:27,898 --> 00:19:30,601 PRETTY UGLY, BUT IT DOESN'T MATTER. 418 00:19:30,635 --> 00:19:31,802 BECAUSE LOOK. 419 00:19:31,836 --> 00:19:34,839 WE CREATE VIRTUAL REALITY IN YOUR CONTACT LENS. 420 00:19:34,873 --> 00:19:36,607 EACH LENS PROJECTS AN IMAGE 421 00:19:36,641 --> 00:19:39,143 DIRECTLY ONTO THE RETINA OF YOUR EYE 422 00:19:39,176 --> 00:19:42,847 SO THAT EVERYTHING YOU WILL SEE IS COMPUTER-GENERATED. 423 00:19:42,881 --> 00:19:45,716 EVERYWHERE YOU LOOK, A NEW REALITY. 424 00:19:45,750 --> 00:19:48,420 TO MAKE THESE WORLDS AS BIG AS YOU LIKE, 425 00:19:48,452 --> 00:19:51,923 ROBOTIC PLATFORMS ALLOW YOU TO WALK FOR MILES, 426 00:19:51,957 --> 00:19:54,059 INCLUDING UP AND DOWN SLOPES. 427 00:19:54,092 --> 00:19:56,594 VARIABLE PIN TECHNOLOGY UNDER EACH FOOT 428 00:19:56,627 --> 00:20:00,131 MAKES THE EXPERIENCE EVEN MORE REALISTIC. 429 00:20:00,164 --> 00:20:02,599 SO THAT THIS IS INDISTINGUISHABLE 430 00:20:02,634 --> 00:20:06,038 FROM RUNNING OVER ROCKS, RUNNING OVER VEGETATION, 431 00:20:06,070 --> 00:20:07,638 RUNNING OVER THE SNOW. 432 00:20:07,672 --> 00:20:09,374 AND THEN, OF COURSE, WE ALL KNOW 433 00:20:09,406 --> 00:20:11,408 THAT CAPTAIN PICARD RIDES A HORSE. 434 00:20:11,442 --> 00:20:13,511 HOW ARE WE GONNA DUPLICATE THAT? 435 00:20:13,545 --> 00:20:16,348 WITH SOMETHING CALLED CATOM TECHNOLOGY. 436 00:20:17,714 --> 00:20:21,051 MILLIONS OF TINY ROBOTS LINE THE FLOOR OF THE HOLODECK 437 00:20:21,085 --> 00:20:23,388 AND SPRING UP TO ORDER. 438 00:20:23,421 --> 00:20:26,958 THEY CAN MORPH INTO ANY CONCEIVABLE SHAPE, 439 00:20:26,990 --> 00:20:29,027 INCLUDING A TRUSTY STEED. 440 00:20:29,059 --> 00:20:31,162 THIS IS CALLED PROGRAMMABLE MATTER, 441 00:20:31,194 --> 00:20:33,364 AND IT'S SOMETHING THAT WE MAY HAVE, 442 00:20:33,397 --> 00:20:35,099 PERHAPS, IN THE COMING DECADES. 443 00:20:35,133 --> 00:20:38,937 AND THEN, LAST, THE SENSE OF SMELL. 444 00:20:38,970 --> 00:20:41,873 MY HOLODECK HOLDS 10,000 CANISTERS -- 445 00:20:41,905 --> 00:20:44,608 ONE FOR EVERY POSSIBLE ODOR, 446 00:20:44,643 --> 00:20:49,913 ENSURING EACH VIRTUAL WORLD SMELLS AS GOOD AS IT LOOKS. 447 00:20:49,946 --> 00:20:54,385 SO, HOW MANY OF YOU NOW WANT TO TAKE A TRIP IN VIRTUAL REALITY? 448 00:20:54,419 --> 00:20:55,453 RAISE YOUR HANDS. 449 00:20:55,486 --> 00:20:56,788 [ CHEERS AND APPLAUSE ] 450 00:20:56,821 --> 00:20:59,824 I THINK THAT'S AS CLOSE AS YOU CAN POSSIBLY GET 451 00:20:59,857 --> 00:21:01,259 TO HAVING A HOLODECK, 452 00:21:01,291 --> 00:21:04,828 USING THE WAY WE UNDERSTAND SCIENCE AND TECHNOLOGY TODAY. 453 00:21:04,863 --> 00:21:08,466 THE WHOLE WALKING CONTRAPTION WITH THE SURFACE TECHNOLOGY -- 454 00:21:08,499 --> 00:21:11,568 THAT WAS JUST ONE OF THE BEST REVEALS I'VE SEEN -- 455 00:21:11,603 --> 00:21:13,204 I MEAN, JUST MIND-BLOWING. 456 00:21:13,238 --> 00:21:14,505 I LOVED IT ENTIRELY. 457 00:21:14,538 --> 00:21:16,274 THE HOLODECK IS JUST AWESOME. 458 00:21:16,307 --> 00:21:19,277 I'M JUST GONNA TRY TO FIGURE OUT HOW TO DO BACKFLIPS IN IT, 459 00:21:19,309 --> 00:21:20,345 BUT... 460 00:21:20,377 --> 00:21:22,045 I THINK "STAR TREK" FANS IN GENERAL 461 00:21:22,079 --> 00:21:23,848 WOULD THINK THIS WAS THE CLOSEST THING 462 00:21:23,882 --> 00:21:26,217 THAT THEY'D EVER SEE IN THEIR LIFETIME TO A HOLODECK. 463 00:21:26,250 --> 00:21:29,221 AND I THINK MAYBE IN OUR LIFETIME, IT MIGHT BE POSSIBLE. 36848

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