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ROD SERLING: Starring tonight,
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Steve Forrest,
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Dina Merrill
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and Fernando Lamas.
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Good evening.
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00:00:43,340 --> 00:00:45,740
For the benefit of those
of you who are perhaps
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still uninitiated
into this particular
item of art,
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this is a special display.
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00:00:55,990 --> 00:01:00,580
Now, anyone can show you
a Rembrandt or a Picasso
or a Jackson Pollock,
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00:01:01,390 --> 00:01:04,490
but we dig much deeper
with our paintings.
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00:01:04,860 --> 00:01:06,800
Frequently,
six feet underground,
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00:01:07,330 --> 00:01:09,090
as is the case
with this painting.
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It's called
Hatred Unto Death.
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00:01:12,100 --> 00:01:13,400
And it makes comment
on the fact
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that there are certain
anthropologists
and psychologists,
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who hold the conviction
that blood memories are
passed along in the genes.
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00:01:21,140 --> 00:01:24,140
You scratch the surface
of the 20th century man,
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and you uncover
a Neanderthal.
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00:01:26,420 --> 00:01:28,280
Now, if we were to
accept this theory,
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00:01:28,350 --> 00:01:31,290
it suggests a kind of
unending reincarnation.
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00:01:32,090 --> 00:01:36,720
But if man has a Mr. Hyde
perpetually struggling
deep within him,
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00:01:37,390 --> 00:01:40,160
what lies beneath the surface
of the lower beasts?
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00:01:40,230 --> 00:01:42,720
We offer neither
a postulate nor a promise.
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We simply suggest that
you watch and listen.
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This is the Night Gallery.
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What are you doing?
27
00:02:19,270 --> 00:02:21,000
I'm trying to compose
a foreword.
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00:02:21,440 --> 00:02:23,460
Foreword? We haven't even
written the book yet.
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00:02:23,840 --> 00:02:25,310
Anyway, we're not
supposed to do that.
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00:02:25,370 --> 00:02:28,830
We get some big authority
to say how sensational
a book is
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and it doesn't look like
we're bragging.
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RUTH: You really think it's
gonna be sensational?
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A book about
the social life of
a tribe of monkeys?
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00:02:36,250 --> 00:02:38,910
GRANT: It better be.
I didn't spend six months
in a treetop house
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00:02:38,990 --> 00:02:40,920
to wind up on
a remainder shelf.
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I need a refill.
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Six months.
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00:02:48,060 --> 00:02:51,090
I never loved life so much.
I never loved you so much.
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00:02:52,000 --> 00:02:53,090
I never loved...
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00:02:53,170 --> 00:02:54,570
(YELLING IN LOCAL LANGUAGE)
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00:03:05,010 --> 00:03:06,850
Can you understand
what he's saying?
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00:03:07,220 --> 00:03:09,310
Something about
a lion pit.
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00:03:10,120 --> 00:03:11,680
(SPEAKING LOCAL LANGUAGE)
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(LOW GROWLING)
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(SPEAKING LOCAL LANGUAGE)
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(GROWLING)
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Oh, he's tremendous!
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He is beautiful!
He's magnificent!
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00:04:08,780 --> 00:04:11,210
Hey, chief, aren't you
going to look up?
50
00:04:13,380 --> 00:04:14,540
Hey, chief!
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00:04:15,680 --> 00:04:19,140
Let's get look at those eyes.
We're not going to harm you,
we're going to set you free.
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00:04:19,220 --> 00:04:20,380
Chief?
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00:04:23,430 --> 00:04:25,290
Hello, beautiful.
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00:04:27,700 --> 00:04:29,160
How about me?
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(SNARLING)
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00:04:36,000 --> 00:04:38,000
Look at the hatred
in those eyes!
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00:04:40,040 --> 00:04:41,700
It's almost
as if he knew me!
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00:04:47,820 --> 00:04:51,150
What's the matter with you?
I never did anything to you.
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00:04:52,990 --> 00:04:55,120
Come on, Grant,
let's get in the car!
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00:04:55,590 --> 00:04:57,060
Why does he hate me so?
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00:04:57,330 --> 00:04:59,090
He could get
out of there!
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00:04:59,660 --> 00:05:01,290
(SPEAKING LOCAL LANGUAGE)
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00:05:07,670 --> 00:05:09,800
Grant, you're
not safe here.
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00:05:10,940 --> 00:05:14,070
Please, Grant,
get in the truck.
Let the men free him.
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00:05:14,710 --> 00:05:16,200
Who says I'm going
to free him?
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00:05:16,480 --> 00:05:17,740
What?
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00:05:17,810 --> 00:05:20,040
Who says I'm going
to free him?
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00:05:21,320 --> 00:05:23,340
(SPEAKING LOCAL LANGUAGE)
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00:05:30,360 --> 00:05:31,920
Grant, what's
the matter with you?
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00:05:32,190 --> 00:05:35,190
So you hate me, huh?
So we've met before, huh?
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00:05:35,430 --> 00:05:37,870
When? A million years ago?
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00:05:39,270 --> 00:05:41,240
I've got news
for you, old boy.
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00:05:42,040 --> 00:05:43,770
I'm still the boss.
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00:05:43,840 --> 00:05:45,070
(SNARLING)
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00:05:47,640 --> 00:05:49,700
(SPEAKING LOCAL LANGUAGE)
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00:05:57,850 --> 00:05:59,050
(SPEAKING LOCAL LANGUAGE)
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00:06:11,800 --> 00:06:14,070
Grant, I beg you,
let him go!
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00:06:14,140 --> 00:06:15,760
No, I need the money.
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00:06:15,840 --> 00:06:17,500
You don't need the money!
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00:06:18,210 --> 00:06:21,770
$4000. $4000 would give us
time to write our book!
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00:06:22,010 --> 00:06:24,070
You mean,
you'd sell him to a zoo?
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00:06:24,250 --> 00:06:26,980
Darling, that's against
everything we stand for.
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00:06:28,150 --> 00:06:30,880
Look, you don't
have to do this.
I beg you.
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00:06:30,950 --> 00:06:32,510
Cut the ropes and free him.
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00:06:32,920 --> 00:06:34,150
Shut up.
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00:06:34,890 --> 00:06:40,260
This godly creature.
You torture him by
locking him up in a zoo.
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00:06:40,330 --> 00:06:43,790
Not a zoo. It's the
Neurological Institute.
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00:06:44,100 --> 00:06:47,900
Ramirez would like him.
He's never had
a gorilla there before.
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00:06:49,470 --> 00:06:51,130
You put micro-electrodes
in his head,
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00:06:51,210 --> 00:06:53,730
there's no telling
what you might find out.
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00:06:54,380 --> 00:06:56,040
Maybe why he hates me so.
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00:06:57,580 --> 00:06:59,380
Maybe why I hate him.
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00:07:01,780 --> 00:07:03,780
(SPEAKING LOCAL LANGUAGE)
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PERKINS:
I'm delighted you're back.
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00:08:10,650 --> 00:08:12,990
You both look wonderful.
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00:08:13,360 --> 00:08:15,620
You must've had
a great six months there.
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00:08:15,920 --> 00:08:17,590
(THUNDER RUMBLING)
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00:08:24,770 --> 00:08:27,240
PERKINS:
I'm glad you can keep him
here for a week or so.
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00:08:27,470 --> 00:08:30,000
GRANT: It's a good place.
The temperature is controlled.
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00:08:30,110 --> 00:08:32,440
PERKINS: We're building him
an air-conditioned room.
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00:08:32,510 --> 00:08:36,810
Since we've just been working
with monkeys, nothing we have
here is strong enough for him.
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00:08:39,350 --> 00:08:41,080
I'll get the light.
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00:08:42,580 --> 00:08:44,450
PERKINS:
Everything all right
between you and Grant?
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00:08:45,390 --> 00:08:46,450
Yes.
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00:08:47,160 --> 00:08:49,560
I thought things were
a little bit tense.
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00:08:50,260 --> 00:08:52,560
Well, we're both
a little tired.
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00:08:53,360 --> 00:08:54,730
Here we go.
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00:08:57,100 --> 00:08:59,000
(EXCLAIMING)
Mi madre, what is this?
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00:08:59,600 --> 00:09:02,000
Storage.
For the Natural
History Museum.
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00:09:02,070 --> 00:09:03,800
Everybody else
puts his junk in here.
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00:09:03,940 --> 00:09:06,030
You have great
publicity here,
you know?
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00:09:06,110 --> 00:09:07,440
Did you see the article
in Life on you?
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00:09:07,510 --> 00:09:10,340
Yes, The National Geographic
and the Sunday Times magazine.
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00:09:10,410 --> 00:09:11,540
Right.
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00:09:11,610 --> 00:09:12,770
(THUNDER CRASHING)
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This is where we
do most of our
restoration work.
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00:09:33,470 --> 00:09:36,170
In the next room,
we build our displays.
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00:09:41,240 --> 00:09:43,140
Get ready, Ramirez.
Hmm?
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00:09:44,950 --> 00:09:46,280
Get ready.
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00:09:49,020 --> 00:09:51,110
You're going to see
some gorilla.
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00:09:58,030 --> 00:10:01,220
RUTH: We've got an enormous
new show coming up
on the endangered species.
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00:10:01,300 --> 00:10:05,430
We're going to show not only
the species itself but
why and how it's endangered.
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00:10:05,630 --> 00:10:06,800
I see.
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00:10:12,270 --> 00:10:13,610
(SNARLING)
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00:10:21,080 --> 00:10:24,140
Fantastic! Just fantastic!
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00:10:26,450 --> 00:10:27,550
What do you call him?
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00:10:27,620 --> 00:10:30,680
N’gi. That's
Watusi for "chief."
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00:10:31,360 --> 00:10:33,120
It's also their word for God.
129
00:10:33,560 --> 00:10:37,120
One of their gods.
He's the god of destruction.
130
00:10:37,200 --> 00:10:40,260
Earthquake, tidal waves,
wars and pestilence.
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00:10:41,040 --> 00:10:45,940
I can't for the life of me
figure out why Grant wanted
to bring this beauty here.
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00:10:46,170 --> 00:10:49,240
For science. I brought him
here for science.
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00:10:53,920 --> 00:10:57,750
Be interesting to see
if I can control
all that malevolence.
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00:10:58,220 --> 00:10:59,980
You don't need to worry.
He can't get out.
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00:11:00,360 --> 00:11:03,020
And besides,
I keep the doors locked.
They're solid oak.
136
00:11:03,120 --> 00:11:05,720
I don't suppose he knows
how to run an elevator, huh?
137
00:11:05,960 --> 00:11:07,450
(ALL LAUGHING)
138
00:11:08,160 --> 00:11:10,160
Hey, who cleans the cage?
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00:11:10,270 --> 00:11:11,360
Ruth.
140
00:11:12,530 --> 00:11:13,900
It's amazing.
141
00:11:13,970 --> 00:11:18,030
She feeds him, gives him
clean bedding. I think
they have a thing going.
142
00:11:18,110 --> 00:11:20,410
Well, Ruth has always
had a way with animals.
143
00:11:21,580 --> 00:11:26,170
Yes, all the way across
the ocean, she sat by him,
holding his hand.
144
00:11:26,920 --> 00:11:28,780
He was in shock.
He was lonely.
145
00:11:29,620 --> 00:11:30,710
Shall we go now?
146
00:11:32,490 --> 00:11:33,480
Ruth?
147
00:11:34,720 --> 00:11:36,990
I think she prefers
gorillas to men.
148
00:11:39,660 --> 00:11:42,830
Gorillas don't drop
napalm on children.
149
00:11:42,960 --> 00:11:44,490
Are you coming or aren't you?
150
00:11:44,770 --> 00:11:48,460
You know,
this earth doesn't need man.
He's only ruining it.
151
00:11:48,840 --> 00:11:52,170
Come on, Ruth.
There's a thunderstorm coming,
I want to get home.
152
00:11:52,240 --> 00:11:55,110
The gorillas and the elephants
and the porpoises would manage
153
00:11:55,180 --> 00:11:58,370
and work things out
very well by themselves.
154
00:11:58,450 --> 00:12:00,810
Without man, this would be
a fabulous place.
155
00:12:01,520 --> 00:12:03,010
I said, "Are you coming?"
156
00:12:03,220 --> 00:12:07,120
No. This is his first night
here and I'm going to stay
here for a little while.
157
00:12:07,760 --> 00:12:10,190
All right. I'll go
to the office
and check the mail.
158
00:12:10,260 --> 00:12:13,850
Phone me when you're ready.
I'll meet you at the
back door. Here's the flash.
159
00:12:15,730 --> 00:12:18,260
And your keys.
Be sure to lock the door.
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00:12:33,980 --> 00:12:34,970
Hi, N’gi.
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00:12:36,450 --> 00:12:40,390
Want to say something to me?
Want me to tell you a story?
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00:12:44,660 --> 00:12:45,890
Ramirez,
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00:12:48,430 --> 00:12:51,330
that miserable gorilla
is breaking up our marriage.
164
00:12:51,400 --> 00:12:55,030
It's my fault.
I should have let him go.
165
00:12:56,500 --> 00:12:58,630
But when I saw him looking
up at me from that pit,
166
00:12:58,740 --> 00:13:00,770
I felt such
a message of hatred.
167
00:13:01,010 --> 00:13:03,670
Such a blast of hatred
that I got this hunch.
168
00:13:04,550 --> 00:13:06,140
No, not a hunch.
169
00:13:06,580 --> 00:13:08,780
I knew that he recognized me.
170
00:13:09,020 --> 00:13:11,110
How could he recognize you?
171
00:13:11,320 --> 00:13:13,050
You've never worked
with gorillas before.
172
00:13:13,120 --> 00:13:16,180
I'd never
seen one before.
Not even in the wild.
173
00:13:19,230 --> 00:13:21,320
But when I saw that
he knew me,
174
00:13:21,400 --> 00:13:25,030
then I got this
crazy compulsion that
I must have known him.
175
00:13:25,100 --> 00:13:28,470
And I hated him.
I had to master him.
176
00:13:28,740 --> 00:13:30,600
And that's why
I'm giving him to you.
177
00:13:31,970 --> 00:13:34,200
I want you to turn him
into a vegetable.
178
00:13:34,340 --> 00:13:38,110
Grant, you're freaking out
just because you think
the animal hates you.
179
00:13:38,450 --> 00:13:40,040
I can't help it.
180
00:13:40,850 --> 00:13:44,150
There's something
in that ugly skull of his
that I ought to know.
181
00:13:46,190 --> 00:13:49,180
And I want to crush him
just as he wants to crush me.
182
00:13:49,960 --> 00:13:51,450
And he tried to once.
183
00:13:51,690 --> 00:13:54,600
Do you remember
the pale man-creature, N’gi?
184
00:13:57,630 --> 00:14:02,730
He was hairy and dark
like you once,
a long time ago.
185
00:14:03,970 --> 00:14:06,200
Remember, N’gi?
You fought him.
186
00:14:08,310 --> 00:14:11,300
You fought him
in the moonlight
forest opening.
187
00:14:12,150 --> 00:14:13,810
From tree to tree.
188
00:14:14,650 --> 00:14:16,140
And why, N’gi?
189
00:14:16,890 --> 00:14:18,110
For her.
190
00:14:18,320 --> 00:14:21,980
She was dark and fuzzy
and beautiful.
191
00:14:25,090 --> 00:14:28,960
And you fought him for her,
and to be head of your tribe.
192
00:14:29,930 --> 00:14:31,190
But he...
193
00:14:32,030 --> 00:14:33,500
He conquered.
194
00:14:34,570 --> 00:14:36,330
He won the fight,
and he won her.
195
00:14:37,710 --> 00:14:41,370
And he dug a pit
and he trapped you.
196
00:14:42,080 --> 00:14:44,310
And he stoned you to death.
197
00:14:47,050 --> 00:14:49,640
N’gi, shh, boy.
198
00:14:49,720 --> 00:14:52,120
All right,
come on, you.
Come on.
199
00:14:52,850 --> 00:14:56,310
Maybe some racial memory,
brute instinct.
200
00:14:57,690 --> 00:15:00,290
Ruth was petting him
on the ship once.
201
00:15:00,930 --> 00:15:03,330
I tried to pull her
away from him.
202
00:15:03,800 --> 00:15:07,530
And the swipe he took at me
would have shattered my skull
if he had succeeded.
203
00:15:08,040 --> 00:15:09,900
Now, why should he feel
that way about me?
204
00:15:09,970 --> 00:15:11,740
Grant, I believe
that brute instinct
205
00:15:11,810 --> 00:15:15,370
is the sum total of
all the knowledge
a creature acquires.
206
00:15:15,780 --> 00:15:18,680
Not only in his own
lifetime and experience,
207
00:15:18,910 --> 00:15:22,010
but from the accumulated
experience of
all his ancestors.
208
00:15:22,380 --> 00:15:26,320
Then you're saying that
animal instinct is
a kind of memory in the blood.
209
00:15:26,490 --> 00:15:30,020
Yes, going back
eons and eons.
210
00:15:31,460 --> 00:15:36,060
Well, then,
maybe we did meet once,
a million years ago.
211
00:15:36,460 --> 00:15:40,490
Maybe I outsmarted him
and he still hasn't
gotten over it.
212
00:15:44,410 --> 00:15:47,240
Good boy.
That's the way now.
213
00:15:48,080 --> 00:15:51,340
Down we go.
Good boy. Good boy.
214
00:15:54,480 --> 00:15:57,380
Down through the eons,
he's changed.
215
00:15:58,950 --> 00:16:01,920
He's grown pale and weak.
216
00:16:02,760 --> 00:16:04,390
Oh, and hairless.
217
00:16:05,330 --> 00:16:08,020
But still,
he's your captor,
218
00:16:08,630 --> 00:16:10,100
still your master.
219
00:16:10,630 --> 00:16:11,960
Why, N’gi?
220
00:16:12,400 --> 00:16:14,460
What's happened
to your power?
221
00:16:14,600 --> 00:16:17,330
Man. The weak one
wins again.
222
00:16:17,970 --> 00:16:20,910
N’gi. What? Come on.
223
00:16:21,340 --> 00:16:22,810
Give 'em back.
224
00:16:36,220 --> 00:16:38,250
All right now.
Stay there.
225
00:16:38,590 --> 00:16:40,490
That's a good boy.
226
00:16:44,800 --> 00:16:46,320
That's the way.
227
00:16:50,570 --> 00:16:54,010
No! Bad boy, N’gi. Bad boy.
Take your paws off there.
228
00:16:54,640 --> 00:16:55,910
(SCREAMS)
229
00:17:00,280 --> 00:17:01,610
(GRUNTING)
230
00:17:15,130 --> 00:17:16,860
(TELEPHONE RINGING)
231
00:17:18,270 --> 00:17:19,530
Yes?
232
00:17:19,900 --> 00:17:21,160
(SCREAMS)
233
00:17:21,240 --> 00:17:22,330
Ruth?
234
00:17:24,710 --> 00:17:25,700
(SNARLING)
235
00:17:26,310 --> 00:17:27,300
Ruth!
236
00:17:27,380 --> 00:17:28,870
(RUTH SCREAMS)
237
00:18:00,270 --> 00:18:01,440
(SCREAMS)
238
00:18:20,030 --> 00:18:21,690
(THUNDER RUMBLING)
239
00:18:27,070 --> 00:18:28,400
(SNARLING)
240
00:18:34,710 --> 00:18:36,080
(CRIES OUT)
241
00:19:00,230 --> 00:19:01,260
(WHISPERS) Power failure!
242
00:19:01,340 --> 00:19:02,860
Will the elevator run?
243
00:19:03,440 --> 00:19:06,030
No. If there's no power
for lights, there's
none for the elevator.
244
00:19:18,920 --> 00:19:20,150
(BUST SHATTERING)
245
00:19:22,360 --> 00:19:23,980
Look, Ruth.
246
00:19:25,560 --> 00:19:26,890
In here.
247
00:19:28,830 --> 00:19:32,290
Now, you stay here.
He doesn't want you.
He wants me.
248
00:19:32,870 --> 00:19:35,700
And don't worry,
I've got three shots left.
249
00:20:04,470 --> 00:20:05,630
Grant!
250
00:20:06,400 --> 00:20:07,800
(ROARING)
251
00:20:47,210 --> 00:20:49,110
Ruth, have you see him?
No.
252
00:20:50,010 --> 00:20:53,410
Grant, be careful.
You only have
two more shots left.
253
00:20:56,920 --> 00:20:58,010
N’gi!
254
00:21:00,190 --> 00:21:01,520
Here I am.
255
00:21:03,830 --> 00:21:05,260
I'm coming after you.
256
00:21:08,630 --> 00:21:10,760
Your time has come, old boy.
257
00:21:22,910 --> 00:21:25,570
Hey, gorilla!
You remember me?
258
00:21:27,110 --> 00:21:28,910
Well, I remember you!
259
00:21:31,050 --> 00:21:33,180
I'm coming to get you, N’gi.
260
00:21:34,060 --> 00:21:35,920
I'm coming to get you.
261
00:21:54,910 --> 00:21:56,240
(SNARLING)
262
00:22:48,130 --> 00:22:49,460
RUTH: Look out, Grant!
263
00:22:49,530 --> 00:22:50,930
(GUN FIRING)
264
00:23:13,420 --> 00:23:14,910
N’gi, old boy.
265
00:23:15,390 --> 00:23:19,220
This has
all 00:23:24,060
And it will happen again,
some time.
267
00:23:27,000 --> 00:23:28,330
But where?
268
00:23:29,440 --> 00:23:31,570
Who will be the winner then?
269
00:23:54,800 --> 00:23:56,020
RUTH: Look out, Grant!
270
00:23:56,660 --> 00:23:57,690
No!
271
00:24:00,230 --> 00:24:01,500
(SCREAMS)
272
00:24:13,180 --> 00:24:14,440
(SOBBING)
273
00:25:04,070 --> 00:25:05,330
(SNORING)
274
00:25:16,580 --> 00:25:18,050
Are you sure?
275
00:25:18,410 --> 00:25:20,310
Well, it couldn't hurt.
18867
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