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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:29,190 --> 00:00:31,060 HOST: Tonight’s stars. 2 00:00:31,260 --> 00:00:32,890 Burgess Meredith, 3 00:00:34,630 --> 00:00:36,260 Cameron Mitchell, 4 00:00:37,970 --> 00:00:39,700 and Barry Sullivan. 5 00:00:42,000 --> 00:00:45,000 Good evening, sports fans. In discerning circles, 6 00:00:45,070 --> 00:00:47,910 I'm known as the Howard Cosell of the crypt, 7 00:00:51,780 --> 00:00:55,110 which is to say, I'm more or less a professional practitioner 8 00:00:55,180 --> 00:00:57,180 of art that tells a story, 9 00:00:57,250 --> 00:00:59,380 and stories that dabble in themes 10 00:00:59,460 --> 00:01:02,120 that don't lend themselves to dinner conversation. 11 00:01:02,190 --> 00:01:04,350 Now here you have a study in penology, 12 00:01:04,490 --> 00:01:06,620 man imprisoned by his fellow man, 13 00:01:07,060 --> 00:01:10,360 caged in a barred cubicle and left alone far too long 14 00:01:10,430 --> 00:01:13,270 to contemplate both his sins and his sanity. 15 00:01:13,740 --> 00:01:15,900 This painting is called Finnegan's Fight. 16 00:01:15,970 --> 00:01:19,770 It touches upon prisons, hypnosis and the soaring wings of imagination, 17 00:01:19,840 --> 00:01:22,440 but as to the latter, a small warning, 18 00:01:23,110 --> 00:01:25,100 imagination can be a double-edged thing. 19 00:01:25,180 --> 00:01:27,510 It can take you out of the humdrum realities, 20 00:01:27,620 --> 00:01:30,640 but it can also fly you to a place much less pleasant. 21 00:01:30,720 --> 00:01:33,050 May I introduce to you now Mr. Finnegan 22 00:01:33,120 --> 00:01:36,320 in his first and last appearance in The Night Gallery. 23 00:02:56,870 --> 00:02:59,500 Give me a stick, I'll beat it to death. 24 00:02:59,980 --> 00:03:02,100 PRISONER: Does he always look like he's in a trance? 25 00:03:04,150 --> 00:03:05,640 Permission to leave? 26 00:03:06,520 --> 00:03:07,780 What're you talking about, Finnegan? 27 00:03:08,350 --> 00:03:10,180 Permission to leave, please. 28 00:03:10,350 --> 00:03:11,450 Get away from the wall. 29 00:03:11,790 --> 00:03:13,190 Let me out of here! 30 00:03:14,420 --> 00:03:15,450 GUARD: Finnegan! 31 00:03:15,920 --> 00:03:16,980 (BLOWS WHISTLE) 32 00:03:18,560 --> 00:03:19,550 (WHISTLE CONTINUES) 33 00:03:25,430 --> 00:03:27,030 (GRUNTING) 34 00:03:27,570 --> 00:03:29,040 Oh, dear God! 35 00:03:29,710 --> 00:03:31,140 Look what he's done to his hands! 36 00:04:01,870 --> 00:04:03,170 Charlie? 37 00:04:04,910 --> 00:04:07,600 Charlie! You know who I am? 38 00:04:10,880 --> 00:04:13,310 The prison doctor? 39 00:04:13,680 --> 00:04:15,450 Prison psychiatrist. 40 00:04:15,950 --> 00:04:17,940 I'm Dr. Simsich, Charlie. 41 00:04:20,360 --> 00:04:24,850 Now, where did you get the idea that you could knock a hole in a concrete wall? 42 00:04:26,090 --> 00:04:27,590 You remember that, don't you? 43 00:04:29,060 --> 00:04:30,190 Remember what? 44 00:04:30,670 --> 00:04:33,160 Trying to batter down the wall with your bare hands. 45 00:04:37,410 --> 00:04:39,340 (STAMMERING) I thought... 46 00:04:39,780 --> 00:04:40,830 Thought what? 47 00:04:41,740 --> 00:04:43,300 Come on, Charlie, tell me. What did you think? 48 00:04:43,580 --> 00:04:45,880 Where did you get the idea you could 49 00:04:45,980 --> 00:04:48,750 spring yourself by knocking a hole in a wall? 50 00:04:49,790 --> 00:04:53,050 Man, you've broken practically every bone in both of your hands. 51 00:04:55,060 --> 00:04:57,720 Not exactly a rational act, was it, Charlie? 52 00:04:58,260 --> 00:04:59,490 (EXHALES) 53 00:05:00,300 --> 00:05:01,320 Maybe not. 54 00:05:01,730 --> 00:05:03,960 But you're a very rational guy. 55 00:05:05,000 --> 00:05:08,800 You've served quite a stretch, a long stretch with no trouble. 56 00:05:09,300 --> 00:05:13,240 Let's see 1947. Thirty years for murder one, wasn't it? 57 00:05:14,410 --> 00:05:15,570 This time. 58 00:05:16,850 --> 00:05:21,720 Before that, five years for A and B. Before that, two burglaries, another assault. 59 00:05:22,550 --> 00:05:24,140 Then as a juvenile, 60 00:05:25,090 --> 00:05:26,180 you got a whole page full. 61 00:05:28,590 --> 00:05:31,530 Not designed to get you into heaven, Charlie. 62 00:05:32,530 --> 00:05:33,550 No? 63 00:05:35,000 --> 00:05:36,190 Well, what do you think? 64 00:05:36,900 --> 00:05:39,370 (CHUCKLES) I don't think. 65 00:05:41,270 --> 00:05:44,830 I just get up in the morning, I answer the roll, 66 00:05:45,470 --> 00:05:47,070 I eat the meals, 67 00:05:47,980 --> 00:05:50,380 I exercise in the yard, 68 00:05:51,150 --> 00:05:53,640 I say "Yes, sir" when I'm talked to. 69 00:05:54,820 --> 00:05:56,440 Then I go to bed. 70 00:05:57,950 --> 00:05:59,620 I dream sometimes. 71 00:05:59,760 --> 00:06:02,160 I dream about being out there... 72 00:06:04,090 --> 00:06:05,560 And up there. 73 00:06:11,530 --> 00:06:13,230 That's not very rational, is it? 74 00:06:14,170 --> 00:06:16,000 We all dream, Charlie. All of us. 75 00:06:16,070 --> 00:06:18,630 We dream about the things we care about most. 76 00:06:18,770 --> 00:06:21,010 Nothing irrational about that. 77 00:06:23,310 --> 00:06:28,310 You think you did all that damage to your hands while you were asleep? 78 00:06:30,090 --> 00:06:31,450 Not asleep. 79 00:06:31,950 --> 00:06:34,080 What, then? Come on, Charlie. 80 00:06:37,530 --> 00:06:38,690 You... 81 00:06:41,730 --> 00:06:43,220 Do you know... 82 00:06:44,900 --> 00:06:45,920 Pete Tuttle? 83 00:06:46,700 --> 00:06:47,730 What about him? 84 00:06:50,810 --> 00:06:52,970 Well, just between us, Doc, 85 00:06:54,940 --> 00:06:58,540 that's the only time I... I care about living. 86 00:07:00,450 --> 00:07:03,750 When Pete Tuttle makes me feel I'm... 87 00:07:05,190 --> 00:07:06,520 Something, 88 00:07:07,390 --> 00:07:08,650 somewhere 89 00:07:10,430 --> 00:07:11,720 that I'm not. 90 00:07:17,600 --> 00:07:18,970 SIMSICH: Professionally, Tuttle? 91 00:07:19,030 --> 00:07:20,300 TUTTLE: Yeah, professionally. 92 00:07:20,370 --> 00:07:22,030 SIMSICH: And just what does that mean? 93 00:07:22,170 --> 00:07:24,540 Well, I used to hypnotize people from the audience. 94 00:07:24,610 --> 00:07:27,440 Two-wagon circuses, carneys, that kind of thing. 95 00:07:27,980 --> 00:07:31,140 Some nightclubs out in the Midwest. I wasn't bad. 96 00:07:32,450 --> 00:07:34,580 Where did you learn hypnosis? 97 00:07:36,020 --> 00:07:38,180 Here and there. Out of books, 98 00:07:39,190 --> 00:07:40,950 watching other acts. 99 00:07:41,520 --> 00:07:44,930 I was a ward attendant in a sanitarium in Jersey a long time ago. 100 00:07:44,990 --> 00:07:46,720 They used to use hypnosis on the violent cases. 101 00:07:47,430 --> 00:07:50,730 What gave you the idea to use it on Charlie Finnegan? 102 00:07:51,330 --> 00:07:52,390 (EXHALING) 103 00:07:57,970 --> 00:07:59,740 You talked to Charlie? 104 00:07:59,810 --> 00:08:01,000 I have. 105 00:08:02,080 --> 00:08:04,070 Ever see his type before? 106 00:08:04,210 --> 00:08:05,980 What type is that, Tuttle? 107 00:08:06,420 --> 00:08:09,910 The type, Doctor, that's going around the bend. 108 00:08:10,390 --> 00:08:12,650 You keep him locked up inside four walls 109 00:08:12,720 --> 00:08:15,660 and then on a given day his head will explode. 110 00:08:17,330 --> 00:08:18,850 But I took him away from here. 111 00:08:18,930 --> 00:08:21,660 I mean, I took him away from here. 112 00:08:21,730 --> 00:08:25,670 I gave him the suggestion that his fists were made of pig iron. 113 00:08:25,730 --> 00:08:27,100 He could knock down the walls with them. 114 00:08:27,600 --> 00:08:30,540 Hmm... He took your suggestion, mangled both his hands. 115 00:08:31,210 --> 00:08:33,800 If you want to see him, he's still here and he's not leaving. 116 00:08:34,910 --> 00:08:36,670 You think you're doing him a favor? 117 00:08:36,750 --> 00:08:38,340 I think, Doctor, 118 00:08:38,680 --> 00:08:42,810 that without me, Charlie Finnegan will turn his block into a garbage dump, 119 00:08:42,880 --> 00:08:46,480 and maybe, maybe 20 prisoners nearest him into corpses. 120 00:08:46,920 --> 00:08:50,120 While he's at it, he'll burn down half this prison. 121 00:08:50,390 --> 00:08:52,290 That's how close to the old fracture he is! 122 00:08:52,690 --> 00:08:55,720 Apparently, you've turned Mr. Finnegan into a project, Tuttle. 123 00:08:57,430 --> 00:08:58,870 (SIGHS) 124 00:09:01,270 --> 00:09:04,600 Well, I'll tell you, Doc. I'm doing five years on a B and E, 125 00:09:04,670 --> 00:09:07,300 I got 11 months to go and when I get out, 126 00:09:07,380 --> 00:09:09,400 I figure on a hypnosis act. 127 00:09:09,680 --> 00:09:11,840 With a little class. Maybe open my own place, 128 00:09:11,910 --> 00:09:15,350 so I'd like to keep my hand in it, like to keep in practice. 129 00:09:15,420 --> 00:09:18,390 But as for Charlie Finnegan, well, he's something else, Doc. 130 00:09:18,450 --> 00:09:20,390 Let me tell you, he's something special. 131 00:09:20,460 --> 00:09:22,190 Let me bring him down here. Let me show you. 132 00:09:22,460 --> 00:09:26,120 Now, I've seen suggestible subjects before but nobody like him. 133 00:09:27,460 --> 00:09:32,420 Doc, I will show you things I can do with Charlie Finnegan 134 00:09:32,500 --> 00:09:35,840 that you'll want to devote a chapter to in a medical paper. 135 00:09:45,480 --> 00:09:47,540 Charlie Finnegan in the infirmary. 136 00:09:47,620 --> 00:09:49,710 Have a guard escort him to my office. 137 00:09:52,690 --> 00:09:55,160 TUTTLE: Close your eyes, Charlie. Close them. 138 00:09:56,490 --> 00:09:58,960 Now, you're beginning to feel sleepy. 139 00:09:59,530 --> 00:10:00,760 Sleep... 140 00:10:02,030 --> 00:10:05,300 That's it, Charlie. It's beautiful, you're drowsy. 141 00:10:06,430 --> 00:10:07,830 Sleep... 142 00:10:08,100 --> 00:10:10,500 There. Seven, eight seconds, wasn't it? 143 00:10:11,340 --> 00:10:12,860 And he's under? 144 00:10:15,380 --> 00:10:17,140 Raise your right arm, Charlie. 145 00:10:22,750 --> 00:10:25,020 Now, Charlie, try to lower it. 146 00:10:25,090 --> 00:10:28,020 You can't! No, it's chained to the ceiling. 147 00:10:28,360 --> 00:10:31,620 Well, you try and you try. But you can't lower it. 148 00:10:37,030 --> 00:10:38,160 All right, Charlie. Drop it. 149 00:10:40,200 --> 00:10:43,000 Now, Charlie, you're still gonna be asleep. 150 00:10:43,710 --> 00:10:46,140 I want you to open your eyes. Now! 151 00:10:46,680 --> 00:10:49,940 Now watch me. Look deep into my eyes, Charlie. 152 00:10:51,080 --> 00:10:53,480 Put your hands in front of you. Like that. 153 00:10:53,780 --> 00:10:55,680 And clasp them tightly together. 154 00:10:56,990 --> 00:10:58,150 Tight! 155 00:10:59,890 --> 00:11:01,360 No, no, there's no pain. 156 00:11:01,960 --> 00:11:03,980 No, Charlie, it doesn't hurt. 157 00:11:04,060 --> 00:11:06,760 No, the tighter you hold them together, the less the pain. 158 00:11:07,400 --> 00:11:08,560 Tight! 159 00:11:09,230 --> 00:11:11,670 See, the pain's gone away. It's gone. 160 00:11:11,770 --> 00:11:13,600 Now, Charlie, tighten them. 161 00:11:13,840 --> 00:11:16,430 They're stuck. They're becoming tighter and tighter together. 162 00:11:16,540 --> 00:11:18,700 They're locked, Charlie, they're locked. 163 00:11:19,840 --> 00:11:22,470 I'm going to tell you to pull 'em apart. 164 00:11:22,910 --> 00:11:25,040 You won't be able to pull 'em apart, 165 00:11:25,510 --> 00:11:27,510 but you're gonna try. Pull them! 166 00:11:29,320 --> 00:11:30,910 Pull, Charlie, pull! 167 00:11:36,190 --> 00:11:38,460 Now, you can pull 'em apart. 168 00:11:41,060 --> 00:11:43,400 You're gonna sleep now. Again asleep. 169 00:11:43,570 --> 00:11:45,470 A deep sleep. 170 00:11:46,770 --> 00:11:48,570 That's very impressive, Mr. Tuttle, 171 00:11:48,640 --> 00:11:50,330 but I've seen it all before. 172 00:11:50,410 --> 00:11:52,600 You haven't seen this before. 173 00:11:53,640 --> 00:11:55,040 All right, Charlie. 174 00:11:55,110 --> 00:11:57,050 You can open your eyes now, you're still asleep, 175 00:11:58,250 --> 00:11:59,840 but you can open your eyes. 176 00:12:01,780 --> 00:12:05,190 TUTTLE: Still asleep but you can see. Watch carefully, Doc. 177 00:12:10,330 --> 00:12:13,020 Charlie, see this? 178 00:12:14,300 --> 00:12:16,770 This is hot, boiling water. 179 00:12:17,370 --> 00:12:19,530 It's scalding hot, huh? 180 00:12:20,100 --> 00:12:23,130 Now, I want you to put your fingers in it. 181 00:12:24,270 --> 00:12:26,940 Boiling hot. Put your fingers in, Charlie. 182 00:12:30,780 --> 00:12:31,910 Put 'em in! 183 00:12:37,890 --> 00:12:38,980 (WHIMPERS) 184 00:12:42,760 --> 00:12:44,590 It's all right, Charlie. It's all right. 185 00:12:45,030 --> 00:12:46,390 Doesn't hurt anymore. 186 00:12:47,600 --> 00:12:49,060 Doesn't hurt. 187 00:12:49,860 --> 00:12:51,460 The pain's gone. 188 00:12:53,940 --> 00:12:56,430 Doctor, would you put your finger in there, please? 189 00:12:56,710 --> 00:12:59,140 Go ahead. Cool, isn't it? 190 00:12:59,210 --> 00:13:00,300 Uh-huh. 191 00:13:00,380 --> 00:13:02,340 Just regular water from your drinking cooler. 192 00:13:03,180 --> 00:13:07,740 Now, I'd like you to examine the fingers, please. 193 00:13:11,520 --> 00:13:12,850 All right, Charlie. 194 00:13:17,460 --> 00:13:18,550 Blistered, huh? 195 00:13:18,760 --> 00:13:20,730 Blistered because his mind told him 196 00:13:20,800 --> 00:13:23,390 that the water was boiling, boiling hot. 197 00:13:24,070 --> 00:13:26,760 Good Lord! I've never seen suggestion like that! 198 00:13:27,370 --> 00:13:28,960 No, you haven't. 199 00:13:29,270 --> 00:13:33,730 Because you read him as a number, Doctor. One of the inmates. 200 00:13:33,980 --> 00:13:37,880 I read him as a brain, a brain like an atomic stockpile. 201 00:13:39,180 --> 00:13:42,170 If those hands weren't made of skin, bone, sinew, 202 00:13:42,250 --> 00:13:44,520 what do you think they would've done to those wall, huh? 203 00:13:44,590 --> 00:13:45,610 Take him out of it, Tuttle. 204 00:13:45,820 --> 00:13:48,120 Have you ever seen anyone so receptive to... 205 00:13:48,190 --> 00:13:50,750 I told you to get him out of it, Tuttle! Right now! 206 00:13:51,860 --> 00:13:53,490 (CHUCKLES) 207 00:13:54,130 --> 00:13:56,660 What's the matter, Doc? You scared? 208 00:13:59,200 --> 00:14:00,290 Sure. 209 00:14:01,970 --> 00:14:04,100 Sure, Doc. We'll get him out. 210 00:14:04,310 --> 00:14:08,540 Charlie? Charlie, you're no longer asleep. 211 00:14:08,610 --> 00:14:10,310 You're beginning to waken. 212 00:14:11,280 --> 00:14:13,770 There. You're back with us, Charlie. 213 00:14:14,680 --> 00:14:17,950 Back inside these stinking walls! 214 00:14:40,210 --> 00:14:41,370 Good morning, Warden. 215 00:14:41,440 --> 00:14:42,670 How's it going today, Doc? 216 00:14:42,740 --> 00:14:45,650 Ah, pretty good. Did you get that paper I left on your desk last night? 217 00:14:45,910 --> 00:14:50,180 Oh, yes. You mean that business of hypnosis with one of the inmates? Finnegan? 218 00:14:50,250 --> 00:14:53,550 And a man in the same cell block. Tuttle his name is. 219 00:14:54,860 --> 00:14:56,650 Okay, Doc. Bring me up to date. What do you want? 220 00:14:56,930 --> 00:15:01,590 Well, I'd like the hypnosis to go on occasionally, under supervision of course. 221 00:15:01,700 --> 00:15:03,060 I'd like to observe. 222 00:15:03,130 --> 00:15:04,500 Okay, observe. 223 00:15:04,570 --> 00:15:07,800 But on your own time and theirs in your own office. 224 00:15:07,870 --> 00:15:08,930 Fair enough. 225 00:15:09,000 --> 00:15:10,870 I want this medical, not sideshow. 226 00:15:10,940 --> 00:15:12,970 And I don't want any of the other inmates observing, huh? 227 00:15:13,040 --> 00:15:14,130 Okay. 228 00:15:15,580 --> 00:15:17,550 (PLANE SOARING OVERHEAD) 229 00:15:26,920 --> 00:15:28,910 Charlie, how do you feel? 230 00:15:34,260 --> 00:15:37,490 They didn't have those when you first signed on here, did they? 231 00:15:38,230 --> 00:15:39,330 Jets. 232 00:15:41,100 --> 00:15:42,700 Nothing like it. 233 00:15:43,970 --> 00:15:45,300 Fast, huh? 234 00:15:45,970 --> 00:15:47,940 500 to 600 miles an hour. 235 00:15:49,780 --> 00:15:51,940 Tell me, Charlie boy, how'd you like to be up there, 236 00:15:52,010 --> 00:15:53,850 streaking through the sky, huh? 237 00:15:53,920 --> 00:15:56,040 (LAUGHING) Beautiful. 238 00:15:57,990 --> 00:15:59,320 Beautiful. 239 00:16:01,890 --> 00:16:05,590 High and free and beautiful. 240 00:16:07,900 --> 00:16:09,660 I wanna be up there. 241 00:16:10,700 --> 00:16:13,730 I wanna be up there where it's free. 242 00:16:15,440 --> 00:16:17,410 I want to be out of here! 243 00:16:17,470 --> 00:16:20,240 I gotta get out of here! 244 00:16:21,040 --> 00:16:24,480 Please... Somebody, anybody. 245 00:16:24,650 --> 00:16:25,980 Get me out of here! 246 00:16:26,880 --> 00:16:28,510 I wanna get out of here! 247 00:16:28,820 --> 00:16:30,750 Get me out of here! 248 00:16:31,090 --> 00:16:32,420 Get me out of here. 249 00:16:32,490 --> 00:16:33,550 Get me out! 250 00:16:33,620 --> 00:16:34,990 Get me out! 251 00:17:03,180 --> 00:17:04,850 (KNOCKING ON DOOR) 252 00:17:11,330 --> 00:17:12,790 We'd like to run some tests on him. 253 00:17:12,860 --> 00:17:14,020 On Finnegan? 254 00:17:14,100 --> 00:17:16,720 No visitors, Doc. That's what they told me, and keep my eye on him. 255 00:17:16,800 --> 00:17:18,790 I'll take the responsibility. 256 00:17:19,100 --> 00:17:21,260 I may have to ask you to put that in writing. 257 00:17:21,340 --> 00:17:22,500 This is a real nutsy here. 258 00:17:22,570 --> 00:17:24,230 We had to put the needle into him today. 259 00:17:24,310 --> 00:17:25,930 Took six guys to hold him down. 260 00:17:26,010 --> 00:17:28,070 It's all right. It's all right. 261 00:17:32,350 --> 00:17:34,610 What about the sedation? How will that affect it? 262 00:17:34,680 --> 00:17:36,550 I don't know, Doc. We'll see. 263 00:17:36,620 --> 00:17:37,710 What are you gonna do, Doc? 264 00:17:39,020 --> 00:17:43,320 We're going to give Mr. Finnegan's mind wings. Or something of that sort, 265 00:17:44,030 --> 00:17:45,290 and see what happens. 266 00:17:48,530 --> 00:17:49,720 Charlie? 267 00:17:51,270 --> 00:17:53,460 Wake up, Charlie. Wake up! 268 00:17:55,100 --> 00:17:57,540 Now, Charlie, you're going back to sleep again. 269 00:17:57,610 --> 00:17:59,510 But you're gonna keep your eyes open. 270 00:17:59,970 --> 00:18:01,370 You'll take instructions from me. 271 00:18:02,210 --> 00:18:04,150 Back to sleep. Eyes open. 272 00:18:05,450 --> 00:18:08,010 Deep, deep sleep. 273 00:18:10,950 --> 00:18:14,450 Charlie, now you're in a beautiful place. 274 00:18:15,120 --> 00:18:17,990 You're way high up in the sky, Charlie. 275 00:18:19,260 --> 00:18:21,630 You're up in that jet airplane. 276 00:18:22,230 --> 00:18:23,700 You're flying it. 277 00:18:24,030 --> 00:18:26,230 That's right, Charlie. You are flying it. 278 00:18:26,630 --> 00:18:30,260 You're way high in the clouds. Clouds all around you. 279 00:18:30,770 --> 00:18:32,540 They're pretty, aren't they? 280 00:18:32,610 --> 00:18:35,440 And far down below you is the ground. 281 00:18:36,680 --> 00:18:37,980 (MIMICKING JET ENGINE) 282 00:18:39,150 --> 00:18:40,310 That's it, Charlie. 283 00:18:44,490 --> 00:18:47,080 Now, Charlie, you're in that plane. 284 00:18:48,090 --> 00:18:51,790 You're picking up speed, you're moving faster and faster. 285 00:18:52,230 --> 00:18:55,530 You're flying faster. You're in that plane. 286 00:18:58,030 --> 00:19:00,190 That's right, Charlie, that's right. 287 00:19:03,670 --> 00:19:04,700 (LAUGHING) 288 00:19:04,770 --> 00:19:05,830 (SHUSHES) 289 00:19:08,780 --> 00:19:11,770 You fly high, you fly fast. You're moving it. 290 00:19:14,180 --> 00:19:15,840 (KNOCKING ON DOOR) 291 00:19:16,020 --> 00:19:18,180 TUTTLE: That's right, Charlie. That's right. 292 00:19:18,990 --> 00:19:21,580 Right. You fly high, you fly fast. 293 00:19:21,920 --> 00:19:23,550 You're moving it! 294 00:19:24,330 --> 00:19:26,120 What's going on here? You're flying it. 295 00:19:26,990 --> 00:19:29,590 We're running an experiment, Warden. 296 00:19:29,660 --> 00:19:31,160 It could prove highly significant. 297 00:19:31,230 --> 00:19:32,390 What's it all about? 298 00:19:32,470 --> 00:19:33,700 It has to do with prison psychosis, 299 00:19:33,770 --> 00:19:35,360 all the forms it might take... 300 00:19:35,440 --> 00:19:37,410 (COUGHING) Doc, you better look at this! 301 00:19:38,810 --> 00:19:40,800 (GASPING) 302 00:19:43,110 --> 00:19:44,480 What is it? 303 00:19:44,850 --> 00:19:47,280 Grogginess, lack of muscle control. 304 00:19:47,450 --> 00:19:48,780 (COUGHING) 305 00:19:49,620 --> 00:19:50,780 Charlie, you hear me? 306 00:19:50,890 --> 00:19:52,850 SIMSICH: He can't even see you. 307 00:19:54,060 --> 00:19:55,390 (LAUGHING) 308 00:19:55,460 --> 00:19:57,520 Those fits of laughing. It's a perfect case! 309 00:20:00,330 --> 00:20:01,920 You better pull the plug on this right now! 310 00:20:02,000 --> 00:20:04,730 Don't you see what's happening? He thinks he's up in a plane. 311 00:20:04,800 --> 00:20:08,530 He thinks he's in a jet! He thinks he's 10, 15, 20,000 feet up. 312 00:20:08,800 --> 00:20:10,100 He's suffering hypoxia. 313 00:20:10,240 --> 00:20:14,230 He is lying here on a bed and he's undergoing all the symptoms of hypoxia. 314 00:20:14,810 --> 00:20:15,830 What is that, Doctor? 315 00:20:16,480 --> 00:20:17,810 He's running out of air. 316 00:20:17,880 --> 00:20:20,870 His mind is making him believe that he's going sky high. 317 00:20:20,950 --> 00:20:24,350 And all those symptoms, the grogginess, the vision difficulties, 318 00:20:24,420 --> 00:20:27,390 the lack of eye coordination, that's all part of it. 319 00:20:27,490 --> 00:20:29,650 Hey, Doc, look at his face. Look! 320 00:20:30,830 --> 00:20:32,850 SIMSICH: He's beginning to blister. 321 00:20:35,630 --> 00:20:37,290 That's incredible! 322 00:20:37,900 --> 00:20:40,840 It's as though he were 40, 50,000 feet up! 323 00:20:41,140 --> 00:20:43,500 There's no air pressure to drive oxygen into his blood. 324 00:20:43,570 --> 00:20:45,040 It's as if... 325 00:20:45,110 --> 00:20:48,040 It's as if his blood were beginning to boil in his veins. 326 00:20:48,110 --> 00:20:49,600 It's as if he can't breathe. 327 00:20:49,980 --> 00:20:51,640 I want him out of this and I mean right now! 328 00:20:51,710 --> 00:20:52,770 I want him out of it! 329 00:20:52,850 --> 00:20:53,940 Yes, sir. 330 00:20:54,020 --> 00:20:55,880 Charlie, you're too high. 331 00:20:55,950 --> 00:20:58,890 Charlie listen to me, you're coming down now. You're too high. 332 00:20:58,950 --> 00:21:00,250 Slowly, Tuttle, gradually. 333 00:21:00,320 --> 00:21:02,420 Slow, Charlie. Very slow. 334 00:21:03,160 --> 00:21:04,890 You're coming down. 335 00:21:05,090 --> 00:21:06,990 You're able to breathe again, Charlie. 336 00:21:07,060 --> 00:21:08,790 Breathe. It's easy. 337 00:21:09,830 --> 00:21:12,630 You're getting your breath back. Good, Charlie. 338 00:21:14,440 --> 00:21:17,530 You're coming down. That's right, Charlie. That's right. 339 00:21:21,380 --> 00:21:25,070 Dr. Simsich, now you listen to me. I'm not a fancy student of Freud. 340 00:21:25,150 --> 00:21:27,740 I'm just a lousy warden. But you're playing with in there is dynamite. 341 00:21:27,820 --> 00:21:30,610 And I don't want it to happen again. You understand? 342 00:21:30,920 --> 00:21:34,080 What I'm playing with in there is a portion of man's mind 343 00:21:34,160 --> 00:21:36,890 that's never been visited before, let alone understood. 344 00:21:36,960 --> 00:21:40,090 Now, if I can unlock that in there, Warden, 345 00:21:40,160 --> 00:21:42,890 you may get answers to questions that man's been asking ever since... 346 00:21:42,960 --> 00:21:45,430 TUTTLE: Doc! You better come back here now! 347 00:21:45,500 --> 00:21:47,470 Charlie, you're coming down too fast. 348 00:21:47,540 --> 00:21:49,900 Charlie, it's too fast. Listen to me, Charlie. 349 00:21:49,970 --> 00:21:51,270 Charlie boy, bring her up! 350 00:21:51,340 --> 00:21:54,570 He don't know how to bring it down. He don't know how to bring a plane in. 351 00:21:54,640 --> 00:21:56,080 Bring him out of it. 352 00:21:57,980 --> 00:21:59,640 Come on, Tuttle, bring him out of it! 353 00:21:59,710 --> 00:22:01,150 Charlie you got to listen to me. 354 00:22:01,220 --> 00:22:04,310 You're coming down, Charlie. Pull back on the controls. 355 00:22:04,390 --> 00:22:07,220 Charlie, you can pull her out. Pull her out! 356 00:22:10,320 --> 00:22:12,660 Pull up at the controls, Charlie. 357 00:22:12,830 --> 00:22:15,020 You're in a dive. You can see that now. 358 00:22:15,400 --> 00:22:18,760 Pull her up. Pull her up. Pull her up. 359 00:22:22,640 --> 00:22:24,470 Pull her up. Pull her up. 360 00:22:29,180 --> 00:22:30,440 (PLANE ACCELERATING) 361 00:23:40,280 --> 00:23:42,180 Hey, Tuttle. What went on? 362 00:23:42,250 --> 00:23:44,810 Lots of scuttle about an explosion or something. 363 00:23:44,890 --> 00:23:47,980 They say Charlie Finnegan bought it. What's the scam? 364 00:23:51,460 --> 00:23:53,550 TUTTLE: Charlie Finnegan bought it. 365 00:24:07,210 --> 00:24:08,730 PRISONER: Dead? 366 00:24:10,010 --> 00:24:11,100 Very. 367 00:24:12,250 --> 00:24:13,310 How? 368 00:24:13,710 --> 00:24:14,770 How? 369 00:24:16,120 --> 00:24:18,420 He burned to death in a plane crash. 370 00:24:19,450 --> 00:24:20,650 In a plane crash? 371 00:24:21,090 --> 00:24:23,580 Look, Pete I knew old Charlie was off his rocker. 372 00:24:23,790 --> 00:24:25,950 But now I think maybe you are. 373 00:24:26,230 --> 00:24:28,860 Why don't you show us some of your hypnosis? 374 00:24:28,930 --> 00:24:30,590 Do your act for us. 375 00:24:30,770 --> 00:24:32,130 You go to... 376 00:24:57,930 --> 00:24:59,330 Oh, Charlie. 377 00:25:00,930 --> 00:25:02,560 Tell me, Charlie. 378 00:25:03,900 --> 00:25:05,370 Charlie boy. 379 00:25:06,170 --> 00:25:09,100 How... How does it feel to be 380 00:25:10,000 --> 00:25:11,100 free? 26362

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