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00:00:29,710 --> 00:00:32,410
HOST:Starring tonight,
Stuart Whitman
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00:00:35,950 --> 00:00:37,750
and Barbara Anderson.
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00:00:42,150 --> 00:00:44,320
We are truly delighted,
that you've come.
4
00:00:44,820 --> 00:00:46,690
I mean anyone can go
to the movies
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00:00:46,760 --> 00:00:49,690
or a night doubleheader
or a discotheque
or what have you.
6
00:00:50,100 --> 00:00:52,860
But only the tasteful
visit a place like this.
7
00:00:57,570 --> 00:01:01,470
Their taste, of course,
must, of necessity,
run toward the slightly odd.
8
00:01:01,810 --> 00:01:04,110
Or at the very least,
the bizarre.
9
00:01:04,510 --> 00:01:07,000
That's what we deal
with here, the bizarre.
10
00:01:07,150 --> 00:01:09,670
The expected unexpected
if you will.
11
00:01:09,980 --> 00:01:11,780
As in the case of
the painting here.
12
00:01:12,120 --> 00:01:13,520
It's called Fright Night.
13
00:01:13,850 --> 00:01:16,820
Featuring that beloved
star of stage and screen.
14
00:01:17,690 --> 00:01:21,090
The name eludes me,
but there is you'll note
a familiarity about it.
15
00:01:21,590 --> 00:01:23,190
Actually this fiery
apparition is
16
00:01:23,260 --> 00:01:25,660
the sort of thing
that appears
in strange houses.
17
00:01:26,060 --> 00:01:28,120
Because that's what
this painting depicts,
18
00:01:28,230 --> 00:01:29,760
a very strange house.
19
00:01:29,830 --> 00:01:31,300
And you're welcome
to share it with us,
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00:01:31,370 --> 00:01:33,930
because this is
The Night Gallery.
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00:01:53,560 --> 00:01:56,360
Oh, I see it, darling!
It's just beyond those trees.
22
00:02:04,540 --> 00:02:07,510
LEONA: Why, it's not
the way you said at all.
It's lovely.
23
00:02:07,640 --> 00:02:10,130
TOM: Well, the old place might
seem a little more pleasant
24
00:02:10,210 --> 00:02:13,700
now that Cousin Zachariah
has gone to meet his maker.
25
00:02:28,860 --> 00:02:29,850
(DOG BARKING)
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00:02:32,960 --> 00:02:34,760
Tom,
it's completely furnished!
27
00:02:36,330 --> 00:02:38,100
Well, I think
we've been stood up.
28
00:02:38,640 --> 00:02:40,540
Miss Patience Allison,
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00:02:40,970 --> 00:02:43,810
my cousin's housekeeper,
was supposed to meet us
here by now.
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00:02:52,550 --> 00:02:56,250
Tom, these look like
genuine antiques.
31
00:02:56,350 --> 00:02:57,910
Well, they should be.
32
00:02:58,320 --> 00:03:01,490
The Ogilvys have been
in this country
for over 300 years.
33
00:03:08,330 --> 00:03:09,730
(GASPS)
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00:03:10,100 --> 00:03:11,870
This is a silent burner
35
00:03:11,940 --> 00:03:13,500
made out of pewter.
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00:03:13,570 --> 00:03:14,900
Isn't it lovely.
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00:03:20,910 --> 00:03:23,380
PATIENCE: You dawdle much
longer and I'll be gone.
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00:03:28,590 --> 00:03:31,110
Not my practice
to stay here after dark!
39
00:03:31,190 --> 00:03:32,210
Well, sorry,
Miss Patience.
40
00:03:32,590 --> 00:03:34,860
We didn't see a car.
We didn't know
you were here.
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00:03:35,190 --> 00:03:38,160
Homer brought me.
He does the deliveries
in these parts.
42
00:03:38,860 --> 00:03:40,020
Well, come on!
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00:04:14,600 --> 00:04:16,360
TOM: I seem to remember
the stairs to the attic
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00:04:16,470 --> 00:04:18,600
being right through here,
Miss Patience.
45
00:04:22,140 --> 00:04:24,200
PATIENCE: I'm glad
you reminded me.
46
00:04:24,310 --> 00:04:26,140
I have to show
you the trunk
47
00:04:26,810 --> 00:04:29,540
or the old crabstick
won't rest in his grave.
48
00:04:31,220 --> 00:04:35,210
I don't mind telling you,
I'll be glad to be
quit of this job.
49
00:04:37,390 --> 00:04:41,220
I stayed on only
because he scared
off everybody else.
50
00:04:42,030 --> 00:04:44,790
TOM: Hmm.
PATIENCE: With all due respect
to the dear departed,
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00:04:44,860 --> 00:04:46,420
Zachariah Ogilvy
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00:04:46,730 --> 00:04:49,860
could snip away at even
my sweet disposition.
53
00:04:50,170 --> 00:04:52,970
Well, it's the perfect
study to finish the book.
54
00:04:53,040 --> 00:04:54,770
Hmm!
PATIENCE: Mr. Ogilvy...
55
00:04:54,910 --> 00:04:56,570
Don't you touch that trunk!
56
00:04:56,880 --> 00:04:59,110
Your cousin's last
words on his deathbed.
57
00:04:59,810 --> 00:05:01,580
That trunk is not
to be moved,
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00:05:01,650 --> 00:05:04,310
and under no circumstances
is it to be opened.
59
00:05:04,550 --> 00:05:05,680
What's in it,
Miss Patience?
60
00:05:05,880 --> 00:05:07,280
He didn't tell me.
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00:05:07,690 --> 00:05:11,350
He only mentioned
that someone would
be calling for it.
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00:05:11,790 --> 00:05:14,260
(LAUGHS) Well,
it's a marvelous
conversation piece.
63
00:05:14,790 --> 00:05:17,280
And the least we can do
is honor a deathbed wish.
64
00:05:17,830 --> 00:05:19,490
Isn't that kind of sacred?
65
00:05:20,700 --> 00:05:23,130
You're a very sweet
person, Ms. Ogilvy.
66
00:05:23,530 --> 00:05:27,160
If you could only cook,
on a wood-burning stove.
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00:05:40,520 --> 00:05:44,150
PATIENCE: It's nigh onto dark.
If you want to see
the ground floor...
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00:06:26,600 --> 00:06:28,160
LEONA: Cousin Zachariah?
69
00:06:33,170 --> 00:06:35,770
Still the intimidating
martinet.
70
00:06:36,140 --> 00:06:38,080
LEONA: Is it his stare that
gives me the chills
71
00:06:38,210 --> 00:06:40,240
or is it really
cold in here?
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00:06:40,310 --> 00:06:42,040
Cold as
a warlock's heart.
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00:06:42,510 --> 00:06:44,280
It's always cold
in this room.
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00:06:44,820 --> 00:06:49,310
Was Zachariah Ogilvy
turned on by witchcraft,
Miss Patience?
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00:06:49,520 --> 00:06:52,150
(CAR HONKING)
Homer's late.
76
00:07:04,640 --> 00:07:05,630
(CRICKETS CHIRPING)
77
00:07:07,970 --> 00:07:09,800
(CAR HONKING)
78
00:07:10,140 --> 00:07:11,370
Why doesn't
he pull closer?
79
00:07:12,540 --> 00:07:16,210
You're not likely to find
anyone from the village
willing to come any closer.
80
00:07:17,050 --> 00:07:18,450
No need to help me.
81
00:07:18,920 --> 00:07:21,610
I've been leaving here alone
every night for 20 years.
82
00:07:22,820 --> 00:07:24,190
20 years!
83
00:07:33,930 --> 00:07:35,400
It's not
New York, huh?
84
00:07:37,470 --> 00:07:38,460
(CAR DOOR CLOSES)
85
00:07:39,370 --> 00:07:40,360
(CAR DRIVING AWAY)
86
00:07:46,880 --> 00:07:49,810
(CRICKETS CONTINUE CHIRPING)
87
00:07:55,720 --> 00:07:58,120
You awake?
Yeah, I am.
88
00:08:00,560 --> 00:08:02,390
I'm counting crickets.
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00:08:04,430 --> 00:08:05,690
Darling.
90
00:08:06,930 --> 00:08:09,490
Do you think
Miss Patience
was exaggerating?
91
00:08:10,470 --> 00:08:11,660
I mean,
92
00:08:12,470 --> 00:08:14,840
about nobody coming
close to the house?
93
00:08:15,910 --> 00:08:18,340
The old ninny?
Of course, she was.
94
00:08:19,610 --> 00:08:21,200
We're here,
aren't we?
95
00:08:24,720 --> 00:08:26,510
(CRICKETS CEASE CHIRPING)
96
00:08:26,580 --> 00:08:29,420
(TAPPING ON WOOD)
97
00:08:32,020 --> 00:08:34,960
(CRICKETS RESUME CHIRPING)
98
00:08:37,030 --> 00:08:38,830
(SIGHS)
99
00:08:42,570 --> 00:08:44,900
(BIRDS CHIRPING)
100
00:08:47,470 --> 00:08:49,740
(FLOORBOARD CREAKING)
101
00:08:50,310 --> 00:08:53,610
That's the most productive
bit of pacing I've seen
since we've settled in.
102
00:08:54,550 --> 00:08:57,410
I think I've finally
mastered my curiosity
about the trunk.
103
00:08:57,920 --> 00:09:00,440
I thought somebody would
have picked that up by now.
104
00:09:00,550 --> 00:09:02,650
(SNIFFS) Smells
like cocoa, hmm?
105
00:09:02,720 --> 00:09:04,420
I went shopping.
106
00:09:04,720 --> 00:09:07,350
I even went
to the library and
researched crickets.
107
00:09:07,890 --> 00:09:09,420
The noise they make.
Mmm-hmm?
108
00:09:09,490 --> 00:09:11,020
It's their mating call.
109
00:09:12,400 --> 00:09:14,730
Am I bothering you?
Mm-hmm.
110
00:09:15,800 --> 00:09:19,030
Very much.
Well, your publisher
wants that book
111
00:09:19,400 --> 00:09:21,240
and we do
need the money.
(EXHALES)
112
00:09:21,310 --> 00:09:24,540
In spite of the fact
that we now own
zillions of antiques.
113
00:09:26,980 --> 00:09:30,540
Did that book explain
why the crickets
stopped all at once?
114
00:09:34,850 --> 00:09:36,290
(GRUNTS)
115
00:09:36,650 --> 00:09:38,950
(BIRDS CEASE CHIRPING)
116
00:09:39,690 --> 00:09:41,630
(WIND BLOWING)
117
00:09:42,290 --> 00:09:44,850
(SOFT CLANKING)
118
00:09:51,070 --> 00:09:52,060
(GLASS SHATTERS)
119
00:09:54,370 --> 00:09:56,500
(TRUNK RATTLING)
120
00:10:38,020 --> 00:10:41,710
(BIRDS RESUME CHIRPING)
121
00:10:49,290 --> 00:10:52,060
(CRICKETS CHIRPING)
122
00:10:57,900 --> 00:11:00,960
(SIGHING HEAVILY)
123
00:11:07,650 --> 00:11:08,640
(FLOORBOARD CREAKING)
124
00:11:31,440 --> 00:11:33,730
(FOOTSTEPS TREDDING AWAY)
125
00:11:35,440 --> 00:11:37,310
(FOOTSTEPS APPROACHING)
126
00:11:41,250 --> 00:11:42,650
Oh, sorry.
127
00:11:43,850 --> 00:11:46,320
I'm not gonna
put in those long
stretches again.
128
00:11:46,580 --> 00:11:49,580
Using a typewriter
for a pillow makes
for lousy dreams.
129
00:11:50,050 --> 00:11:52,990
Just now?
Hmm, I was cooking
along pretty good,
130
00:11:54,030 --> 00:11:56,960
then that damn trunk
got to me again.
It's like a magnet.
131
00:11:57,360 --> 00:12:01,390
It must be.
Pull you out of bed
and back up those stairs.
132
00:12:01,770 --> 00:12:04,130
What do you mean?
I haven't been to bed.
133
00:12:06,500 --> 00:12:08,600
Sweetheart, you hit
the sack hours ago.
134
00:12:08,870 --> 00:12:11,100
(LAUGHS) Now you're dreaming.
135
00:12:15,210 --> 00:12:16,870
I am not dreaming.
136
00:12:17,180 --> 00:12:19,980
You came to bed right after
I brought you the cocoa.
137
00:12:20,320 --> 00:12:23,850
Oh, sure, then I got up
and I got dressed again.
138
00:12:40,500 --> 00:12:42,560
(WIND HOWLING)
139
00:12:48,180 --> 00:12:51,640
GOBLIN 1:
I charge thee,
be done with it!
140
00:12:51,920 --> 00:12:53,780
Possess her now!
141
00:12:54,120 --> 00:12:56,590
(THUNDER CRACKING)
142
00:12:56,950 --> 00:13:00,550
GOBLIN 2:
Have I not tried?
Her innocence confounds me!
143
00:13:00,620 --> 00:13:05,060
GOBLIN 1:
Beyond the grave,
there is no innocence.
144
00:13:08,170 --> 00:13:10,400
(GRUNTING)
145
00:13:10,700 --> 00:13:15,140
GOBLIN 2: Aye.
The young man is
of a pliant nature.
146
00:13:15,210 --> 00:13:20,240
GOBLIN 1: Then
by all the infernal spirits
and their malefic hosts,
147
00:13:20,310 --> 00:13:25,110
I conjure thee
in the name of
the Prince of Darkness,
148
00:13:25,320 --> 00:13:27,980
hurry him to the deed!
149
00:13:28,050 --> 00:13:31,610
Through his offices,
you shall yet possess her!
150
00:13:33,290 --> 00:13:36,490
(THUNDER RUMBLING)
151
00:13:52,010 --> 00:13:54,600
(TYPEWRITER CLACKING)
152
00:13:55,250 --> 00:13:56,240
(THUNDER CRACKING)
153
00:14:47,200 --> 00:14:50,070
The redoubtable Miss Patience
was right about this room,
154
00:14:50,770 --> 00:14:52,070
it's always cold.
155
00:14:53,570 --> 00:14:56,340
Darling, come on
into the kitchen,
156
00:14:56,410 --> 00:14:57,930
before your
breakfast gets cold.
157
00:14:58,010 --> 00:14:59,410
I can smell it.
158
00:15:00,210 --> 00:15:03,380
To tell you the truth,
Leona, I've had it
with oatmeal.
159
00:15:03,780 --> 00:15:05,510
Well, it's just that
it's so cheap.
160
00:15:05,620 --> 00:15:08,090
But, I can fix
you something else.
Oh, skip it!
161
00:15:27,340 --> 00:15:31,330
"Yet a ruthless demons
and their unholy masters
will not desist.
162
00:15:31,880 --> 00:15:35,610
"And in their
foul determination,
they won't..." Leona!
163
00:15:35,710 --> 00:15:37,810
"...will they persevere.
164
00:15:37,880 --> 00:15:41,050
"For it must come to pass
that a young woman shall
165
00:15:41,120 --> 00:15:45,110
"with a white liquid scalding
hot pressed to her lips
166
00:15:45,190 --> 00:15:47,420
"and thence forced
down her throat
167
00:15:47,560 --> 00:15:51,090
"on the Sabbat-day night
be executed by the young man,
168
00:15:51,600 --> 00:15:53,760
"her everlasting soul
in forfeit."
169
00:15:54,160 --> 00:15:56,930
You read it so
incredibly straight.
170
00:15:57,170 --> 00:15:59,470
Well, I know,
it doesn't sound like
anything you'd write.
171
00:15:59,540 --> 00:16:01,560
Oh, come off it, Leona!
What'd you do?
172
00:16:01,640 --> 00:16:03,510
Copy it out
of one of those
books downstairs?
173
00:16:03,570 --> 00:16:04,670
You think,
I typed this?
174
00:16:04,740 --> 00:16:07,680
Well, I certainly didn't!
That's straight
out of the 1600s.
175
00:16:10,880 --> 00:16:12,940
Darling, what is it?
176
00:16:13,980 --> 00:16:15,250
Or maybe...
177
00:16:16,750 --> 00:16:18,380
Maybe somebody
got in here.
178
00:16:19,790 --> 00:16:21,280
Yes, of course,
that's what it is.
179
00:16:21,890 --> 00:16:23,690
One of the kids
on a dare.
180
00:16:25,130 --> 00:16:26,290
"Go out to
the Ogilvy's house
181
00:16:26,360 --> 00:16:28,660
"and write something scary
on his typewriter."
182
00:16:29,870 --> 00:16:32,960
Of course,
that's what it was.
183
00:16:33,870 --> 00:16:35,000
That's it!
184
00:16:35,170 --> 00:16:37,370
(BREATHES HEAVILY)
185
00:16:38,810 --> 00:16:41,970
Let's see if I can be
half as productive
as those kids, hmm?
186
00:16:42,750 --> 00:16:43,870
Now get you
to a scullery.
187
00:16:44,050 --> 00:16:45,450
I have got
some work to do.
188
00:16:53,420 --> 00:16:55,330
(TYPEWRITER CLACKING)
189
00:16:55,390 --> 00:16:56,380
(TRUNK RATTLING)
190
00:17:04,170 --> 00:17:07,140
My guess would be books.
That's the heaviest
stuff around.
191
00:17:07,970 --> 00:17:09,700
I hate to have
to charge you
so much, ma'am,
192
00:17:09,770 --> 00:17:11,640
but it's a long haul
in to Longworth.
193
00:17:12,110 --> 00:17:14,270
I guess you know
there's a village nearby.
194
00:17:14,410 --> 00:17:15,970
Could've got some
local there to do this.
195
00:17:16,980 --> 00:17:18,640
There's no storehouse
in the village.
196
00:17:20,850 --> 00:17:24,250
(GRUNTS) Say,
this wouldn't be a body
in here now, would it?
197
00:17:30,790 --> 00:17:31,780
(DOOR OPENS)
198
00:17:33,660 --> 00:17:34,650
(FLOORBOARD CREAKING)
199
00:17:37,700 --> 00:17:40,730
(FOOTSTEPS ECHOING)
200
00:17:41,370 --> 00:17:43,470
(FLOORBOARD CREAKING)
201
00:17:44,740 --> 00:17:46,140
(SIGHS)
202
00:17:46,840 --> 00:17:49,210
(CRICKETS CHIRPING)
203
00:17:51,550 --> 00:17:54,140
(FOOTSTEPS CONTINUE TREADING)
204
00:18:21,210 --> 00:18:22,440
The same thing again?
205
00:18:24,950 --> 00:18:28,110
(SIGHS) Now that it's gone,
I seem to think
about it more than ever.
206
00:18:29,050 --> 00:18:31,580
I thought it would help if...
Go back to bed, please.
207
00:18:34,730 --> 00:18:36,090
I'll write something.
208
00:18:41,970 --> 00:18:43,230
Anything.
209
00:18:53,040 --> 00:18:54,030
(SIGHS)
210
00:18:59,080 --> 00:19:00,570
(CRICKETS CEASE CHIRPING)
211
00:19:01,590 --> 00:19:03,650
(WIND BLOWING)
212
00:19:13,300 --> 00:19:16,390
(LEONA SCREAMING)
213
00:19:21,640 --> 00:19:23,940
He was here. Somebody...
214
00:19:24,110 --> 00:19:26,170
Something was here
in bed with me.
215
00:19:26,240 --> 00:19:27,340
Did you see?
216
00:19:27,410 --> 00:19:31,510
No! No, I felt it.
It touched me here.
217
00:19:32,920 --> 00:19:36,880
Oh, Tom. (CRYING)
Tom, I'm so scared!
218
00:19:37,420 --> 00:19:39,690
It's like a fear
I've never known.
219
00:19:40,460 --> 00:19:43,190
Tom, something's
trying to destroy us!
220
00:19:43,330 --> 00:19:44,850
(SOBBING)
221
00:19:44,930 --> 00:19:48,060
It's the trunk.
It's back again.
222
00:19:49,170 --> 00:19:50,630
(SOBBING)
Try not to worry.
223
00:19:52,140 --> 00:19:54,830
I'll get rid of it.
Permanently, this time.
224
00:20:12,060 --> 00:20:14,290
(THUNDER RUMBLING)
225
00:20:14,390 --> 00:20:16,990
(CRICKETS CHIRPING)
226
00:20:28,070 --> 00:20:29,730
Can I fix you anything?
227
00:20:31,710 --> 00:20:32,840
Cocoa.
228
00:20:34,080 --> 00:20:38,010
I ran out.
I'm having some hot milk.
229
00:20:38,320 --> 00:20:39,510
You ran out of cocoa?
230
00:20:39,650 --> 00:20:41,210
Well, that's unbelievable!
231
00:20:41,850 --> 00:20:44,120
You have one responsibility
in this whole world
232
00:20:44,190 --> 00:20:45,990
and that's to feed
two people.
233
00:20:46,160 --> 00:20:47,390
And you've run
out of rations.
234
00:20:47,490 --> 00:20:49,390
That's a ridiculous
exaggeration.
235
00:20:49,460 --> 00:20:52,490
Exaggeration?
In this household,
cocoa is a staple.
236
00:20:52,630 --> 00:20:55,900
Look, if you must know,
it's more of a luxury.
237
00:20:55,970 --> 00:20:58,600
Luxury?
Or have you
conveniently forgotten,
238
00:20:58,670 --> 00:21:01,040
that it's three months
since you've earned a cent!
239
00:21:01,100 --> 00:21:02,600
There's money in
the savings account.
240
00:21:02,940 --> 00:21:04,700
(BANGING)
LEONA: I closed
that weeks ago!
241
00:21:04,880 --> 00:21:07,310
Well, thou shouldest
try to manage better!
242
00:21:07,540 --> 00:21:09,840
And you should try writing
a little better!
243
00:21:09,910 --> 00:21:10,940
You take that back!
244
00:21:11,010 --> 00:21:12,810
Or writing anything
for that matter!
245
00:21:12,880 --> 00:21:14,680
You know why you've
stopped working?
246
00:21:15,020 --> 00:21:18,420
Because you're afraid that
that precious publisher
of yours
247
00:21:18,490 --> 00:21:21,860
will spot your work
for the pap and
prattle it really is!
248
00:21:21,930 --> 00:21:23,220
I said take that back!
249
00:21:23,290 --> 00:21:26,060
I warned thee.
I warned thee.
250
00:21:26,200 --> 00:21:27,430
Now you...
(SCREAMS)
251
00:21:27,530 --> 00:21:28,860
(KNOCKING AT DOOR)
252
00:21:28,970 --> 00:21:30,300
(BOTH GASP)
253
00:21:30,830 --> 00:21:34,740
LEONA: Tom, "A white liquid
scalding hot pressed
to her lips."
254
00:21:34,970 --> 00:21:36,340
(KNOCKING AT DOOR)
255
00:21:43,210 --> 00:21:44,440
(GASPS)
256
00:21:44,850 --> 00:21:46,150
BOTH: Trick or treat!
257
00:21:47,180 --> 00:21:49,420
(LAUGHING)
258
00:21:52,660 --> 00:21:54,560
(BOTH LAUGHING)
259
00:22:01,270 --> 00:22:02,760
Get them a treat.
260
00:22:08,910 --> 00:22:10,070
BOYS: Thank you!
261
00:22:10,370 --> 00:22:11,360
(THUNDER RUMBLING)
262
00:22:13,880 --> 00:22:17,410
It's Halloween.
Of course,
All Hallows Eve.
263
00:22:18,380 --> 00:22:20,110
Witches and Warlocks.
264
00:22:20,550 --> 00:22:22,110
Abroad in their land.
265
00:22:23,920 --> 00:22:27,620
Dead souls revisiting
their former haunts.
266
00:22:32,330 --> 00:22:34,390
(TRUNK RATTLING)
267
00:22:42,910 --> 00:22:45,970
(KNOCKING)
268
00:22:57,250 --> 00:22:59,120
The trunk.
269
00:22:59,460 --> 00:23:01,360
(SCREAMING)
270
00:23:08,870 --> 00:23:10,490
Cousin Zachariah?
271
00:23:12,770 --> 00:23:16,260
I've come for the trunk.
272
00:23:24,150 --> 00:23:26,840
(LEONA SCREAMING)
273
00:23:49,340 --> 00:23:52,100
You get some sleep now.
274
00:23:52,940 --> 00:23:55,340
I'll fix breakfast
and I'll bring it up to you.
275
00:23:55,880 --> 00:23:58,750
Tom.
Those words written
on the typewriter...
276
00:23:59,750 --> 00:24:01,180
Cousin Zachariah
did that.
277
00:24:01,850 --> 00:24:03,050
To warn us?
278
00:24:04,320 --> 00:24:06,980
But we're safe now,
because he took the trunk.
279
00:24:08,030 --> 00:24:09,650
And no matter
what it was,
it's gone.
280
00:24:10,430 --> 00:24:11,520
Now I'll be able
to work again.
281
00:24:11,600 --> 00:24:14,900
You just watch,
no more pacing,
only typing.
282
00:24:20,270 --> 00:24:22,670
(BIRDS CHIRPING)
283
00:24:25,840 --> 00:24:27,170
TOM: Leona!
284
00:24:48,470 --> 00:24:49,690
(GASPS)
285
00:24:54,170 --> 00:24:55,970
He'll come for it
next Halloween.
286
00:24:56,910 --> 00:24:58,740
It's a year from now.
(ECHOING)
19613
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