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HOST: Starring tonight,
James Farentino,
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John Astin,
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00:00:37,320 --> 00:00:40,960
and Joanna Pettet as
The Girl with the Hungry Eyes.
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00:00:41,890 --> 00:00:45,560
Good evening, let me welcome you
to this parlor of paintings.
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00:00:46,690 --> 00:00:49,700
We offer them to you, for your
enjoyment and edification.
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00:00:50,430 --> 00:00:52,700
Feel free to dwell on
them at your leisure
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00:00:52,760 --> 00:00:54,640
and in your own good fashion.
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00:00:54,870 --> 00:00:59,410
But, kindly don't touch, because
here, they frequently touch back.
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00:01:00,010 --> 00:01:02,040
Our number one painting
in tonight's exhibit,
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00:01:02,510 --> 00:01:04,850
this intriguing
portrait of a young lady,
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00:01:05,580 --> 00:01:08,890
curiously photogenic
and hauntingly familiar.
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00:01:09,450 --> 00:01:12,220
Recall seeing this face?
You've seen it.
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00:01:12,280 --> 00:01:15,260
On billboards and magazine ads
and television commercials.
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00:01:15,990 --> 00:01:21,490
Oh, yes, you've seen it, but there are
people who having seen it, wish they hadn't.
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00:01:22,090 --> 00:01:25,010
Our painting is called
The Girl with the Hungry Eyes.
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00:01:25,330 --> 00:01:29,780
And should I have failed to mention
it, this is the Night Gallery.
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DAVID: A dlllar, a dollar,
a 10 o' clock scholar.
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00:01:42,080 --> 00:01:44,690
What makes you come so soon?
You used to come at 10:00,
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and now you don't even
call, baby.
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(PHONE RINGING)
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00:02:29,230 --> 00:02:30,500
Faulkner Studios.
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00:02:31,060 --> 00:02:32,970
Oh, Harry, you know
you're really something.
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00:02:33,030 --> 00:02:35,530
How many times have I told you to
keep your hands off my camera?
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00:02:35,600 --> 00:02:37,940
Now, don't tell me you don't
know what I'm talking about.
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00:02:38,000 --> 00:02:41,140
I shot a test roll with this chick
and I must've stopped at number 11.
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00:02:41,210 --> 00:02:44,380
You came up here and clicked off
the last one on some broad who...
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00:02:44,510 --> 00:02:45,540
(BREATHES DEEPLY)
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00:02:45,610 --> 00:02:48,110
All right. Forget about it.
What about the 50?
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00:02:48,650 --> 00:02:50,890
You're hurting?
Harry, I'm hurting.
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00:02:51,350 --> 00:02:55,350
Overhead to you is available light. To
me, it's this whole cockamamie studio...
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00:02:58,190 --> 00:03:00,470
Hold on a minute.
What?
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00:03:07,930 --> 00:03:09,540
You.
Us.
33
00:03:10,500 --> 00:03:11,670
What?
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00:03:12,400 --> 00:03:14,110
You need a model.
I want to be a model.
35
00:03:14,840 --> 00:03:16,150
Well, what've you done?
36
00:03:16,210 --> 00:03:17,850
Why don't you hang
up the phone, David?
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00:03:19,980 --> 00:03:22,020
Harry Krell shot
this, didn't he?
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00:03:22,510 --> 00:03:23,930
She's rather pretty.
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00:03:24,480 --> 00:03:26,260
Who's Harry Krell?
I see.
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00:03:27,150 --> 00:03:29,190
Now, you're gonna stand there
and tell me
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that you and Harry Krell weren't
up here this afternoon and...
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00:03:33,090 --> 00:03:34,970
He didn't take this...
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00:03:39,000 --> 00:03:40,670
Are you all right?
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00:03:43,170 --> 00:03:44,200
Who are you?
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00:03:44,400 --> 00:03:45,750
Don't you know me, David?
46
00:04:08,390 --> 00:04:12,740
You look tired David. We'll do
it in the morning. Say, 10:00?
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00:04:13,130 --> 00:04:16,810
Just what agency are you with?
What've you been getting?
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00:04:17,870 --> 00:04:19,040
10:00.
49
00:04:19,970 --> 00:04:21,710
You never modeled
in your life.
50
00:04:23,470 --> 00:04:25,950
Well, I don't pay amateurs,
it's strictly on spec.
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00:04:26,580 --> 00:04:28,850
Hey, and I'm gonna need your
name, address and phone number
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00:04:28,910 --> 00:04:30,050
on a release form.
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00:04:30,110 --> 00:04:31,790
It's on the table.
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00:04:33,120 --> 00:04:34,290
(DOOR CLOSES)
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00:04:43,430 --> 00:04:46,030
Now, if I can get
just one good one
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00:04:46,100 --> 00:04:47,770
I'm sure
I'll work it into my rounds.
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00:04:48,030 --> 00:04:49,510
Now, let's have a big smile.
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00:04:49,570 --> 00:04:50,840
lam smiling.
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00:04:52,970 --> 00:04:55,980
If that's the best you can do, we're
gonna be in a lot of trouble.
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00:04:56,110 --> 00:04:57,680
Look in my eyes, David.
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00:05:07,190 --> 00:05:10,660
What was that shtick about the
release papers? They were empty.
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00:05:23,870 --> 00:05:25,140
Are we through, David?
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00:05:25,900 --> 00:05:27,780
No, just a minute.
Be patient.
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00:05:33,650 --> 00:05:36,460
This time before you go lam gonna
need your name and address.
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00:05:37,420 --> 00:05:38,720
I'll keep in touch.
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00:05:38,780 --> 00:05:40,320
What is it with you anyway?
Everybody...
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00:05:40,390 --> 00:05:41,520
My way, David.
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00:05:41,750 --> 00:05:44,460
Everything's going to
work out fine my way.
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00:05:47,690 --> 00:05:51,200
And David,
don't ever try to follow me.
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00:05:53,330 --> 00:05:54,330
(INAUDIBLE MUMBLING)
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00:05:54,970 --> 00:05:59,470
They say it takes all kinds.
Listen, I pay $25 an hour tops.
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00:05:59,570 --> 00:06:00,740
And I usually pay late.
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00:06:00,810 --> 00:06:02,220
The money's not important.
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00:06:06,140 --> 00:06:09,250
Look at me, David.
Do you see the smile now?
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00:06:10,180 --> 00:06:12,020
No.
What do you see?
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00:06:12,480 --> 00:06:14,190
I see a need.
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00:06:15,490 --> 00:06:16,490
A hunger.
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00:06:19,220 --> 00:06:20,600
You'll see.
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00:06:26,230 --> 00:06:29,470
Uh, look, why don't we
get a couple of bikini shots.
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00:06:29,570 --> 00:06:32,710
That's always a grabber. Try
the red one over there.
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00:06:39,040 --> 00:06:40,180
You don't mind, do you?
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00:06:40,550 --> 00:06:41,890
Why should I?
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00:06:43,450 --> 00:06:45,790
MUNSCH: Simple, unadorned
with claptrap.
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00:06:46,650 --> 00:06:49,630
Simplicity is at the heart
of endurance, David Faulkner
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00:06:49,690 --> 00:06:52,860
and this campaign will
endure, I promise you that.
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00:06:53,220 --> 00:06:54,930
That's very impressive,
Mr. Munsch.
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00:06:55,560 --> 00:06:57,470
Here, in this space,
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00:06:58,600 --> 00:07:00,510
will be the elusive
ingredient.
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00:07:00,970 --> 00:07:02,440
The girl.
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00:07:02,500 --> 00:07:04,380
The girl, Miss Munsch.
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00:07:05,500 --> 00:07:10,010
Been looking for her for seven months,
not gonna do the campaign without her.
92
00:07:10,070 --> 00:07:13,210
Now, the agency says you've
handled only very small accounts.
93
00:07:13,310 --> 00:07:15,850
Don't worry about that. I have
to turn over every stone.
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00:07:16,380 --> 00:07:17,550
How's your beer?
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00:07:17,620 --> 00:07:19,150
Mmm.
Fine, thank you.
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00:07:19,550 --> 00:07:20,550
(STUTTERING)
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00:07:20,750 --> 00:07:22,060
I'm sure, uh...
98
00:07:22,950 --> 00:07:24,060
My...
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00:07:25,290 --> 00:07:26,930
I have what your
looking for, Mr. Munsch.
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00:07:27,430 --> 00:07:29,530
Well,
I'll be the judge of that.
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00:07:29,590 --> 00:07:31,400
But before I look
at your pictures,
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I want you to
consider something.
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00:07:37,170 --> 00:07:39,810
The girl Munsch
Brewery is looking for,
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00:07:40,170 --> 00:07:43,640
must be the manifestation of
our materialism and our lust.
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00:07:44,210 --> 00:07:48,280
She must be the mystery that drives men
to victory in whatever arena we enter.
106
00:07:49,250 --> 00:07:50,590
Do you believe in telepathy?
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00:07:50,650 --> 00:07:52,090
Oh, yes, sir, very much so.
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00:07:52,280 --> 00:07:56,200
I believe that men have created
collectively in their minds a girl
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shaped into a single image.
A composite, so to speak.
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00:07:59,360 --> 00:08:03,430
Fame, power, sex,
immortality.
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00:08:03,860 --> 00:08:07,640
All these desires common to every man.
They have a look to them.
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00:08:08,730 --> 00:08:10,110
They have a face.
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00:08:10,170 --> 00:08:11,610
Oh, yes, sir.
They sure do.
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00:08:12,040 --> 00:08:13,980
I'll know that face
when I see it.
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00:08:14,040 --> 00:08:16,080
I'll know the eyes
in that face.
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00:08:16,810 --> 00:08:20,260
That face will be Miss Munsch.
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00:08:23,610 --> 00:08:26,030
Do you have that face
with you, David Faulkner?
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00:08:26,250 --> 00:08:27,460
Well...
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00:08:30,320 --> 00:08:32,670
Look, why don't you just flip
through these, Mr. Munsch?
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00:08:32,720 --> 00:08:34,070
All right.
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00:09:11,060 --> 00:09:12,470
Miss Munsch.
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00:09:17,870 --> 00:09:19,040
(EXHALES)
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00:09:30,720 --> 00:09:32,890
DAVID: To your
health, Miss Munsch.
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00:09:32,950 --> 00:09:35,260
Well, you're a lousy
traitor, David.
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00:09:35,320 --> 00:09:37,390
You could at least
toast her in beer.
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00:09:37,790 --> 00:09:40,060
Better yet,
why not introduce me?
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00:09:41,430 --> 00:09:43,910
Oh, that's the most I could do,
Harry and I'm not about to do that.
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00:09:43,960 --> 00:09:45,670
What?
Is she your private stock?
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00:09:46,130 --> 00:09:47,130
(STAMMERING)
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00:09:48,070 --> 00:09:50,880
We haven't so much as
shared a cheeseburger.
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00:09:51,900 --> 00:09:53,540
Oh, forget it, I don't
see her at all, Harry.
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00:09:53,600 --> 00:09:55,170
Well, I see her all the time.
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00:09:55,240 --> 00:09:58,620
Bimini swimwear
and Danielle Perfume.
134
00:09:59,080 --> 00:10:01,450
Come on, David
I'm a big boy.
135
00:10:02,080 --> 00:10:03,720
You can at least give me
her name.
136
00:10:03,810 --> 00:10:08,920
Well, since you're an old friend,
Harry, you can call her Miss Munsch.
137
00:10:09,320 --> 00:10:11,300
Hey, now cut it out, David,
I'm serious, man.
138
00:10:11,460 --> 00:10:13,060
There's something
about this chick.
139
00:10:14,160 --> 00:10:16,470
She's got me
climbing the walls.
140
00:10:17,430 --> 00:10:19,430
The way she makes me feel,
it's almost...
141
00:10:19,500 --> 00:10:20,600
What, Harry?
142
00:10:20,670 --> 00:10:21,910
Well, I never felt
that way before.
143
00:10:21,970 --> 00:10:24,000
Does she scare you, Harry?
Does she?
144
00:10:24,240 --> 00:10:26,740
Yeah.
Yeah, she scares me.
145
00:10:27,710 --> 00:10:29,450
And I'd like to
know why.
146
00:10:29,510 --> 00:10:31,320
So, help me, man.
When I look at that face...
147
00:10:32,610 --> 00:10:36,320
It's like she's looking back,
right through me.
148
00:10:37,080 --> 00:10:40,590
She knows me, man, she knows things
about me she couldn't possibly...
149
00:10:43,350 --> 00:10:44,560
You're laughing at me.
150
00:10:47,630 --> 00:10:48,630
(SCOFFS)
151
00:10:49,760 --> 00:10:52,300
No it's... Look, I'm gonna close up shop.
It's getting late.
152
00:10:54,300 --> 00:10:56,870
Well, thanks for nothing, pal.
153
00:11:01,510 --> 00:11:03,380
Hey, are you... David...
Harry, please.
154
00:11:11,420 --> 00:11:12,890
He's gone.
155
00:11:18,260 --> 00:11:20,330
Don't ever let that happen
again, David.
156
00:11:20,860 --> 00:11:23,960
I'm sorry. He just dropped in. He
only wanted to know your name.
157
00:11:25,400 --> 00:11:27,000
Why didn't you tell him?
158
00:11:27,060 --> 00:11:28,300
You know it.
159
00:11:28,370 --> 00:11:33,410
Sure. Elizabeth, Melissa,
Catherine, Rose.
160
00:11:33,470 --> 00:11:34,970
Teresa, Nancy...
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00:11:35,070 --> 00:11:36,070
All of them.
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00:11:59,960 --> 00:12:01,170
(GLASS SHATTERING)
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00:12:20,580 --> 00:12:22,430
Munsch was right, sweetheart.
164
00:12:23,050 --> 00:12:24,730
You're nothing
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00:12:26,320 --> 00:12:27,890
but the essence of dreams!
166
00:12:28,190 --> 00:12:29,500
(SPEAKING INAUDIBLY)
167
00:13:15,470 --> 00:13:17,680
GIRL: And, David,
don't ever try to follow me.
168
00:13:38,700 --> 00:13:40,640
(PHONE RINGING)
169
00:13:59,820 --> 00:14:00,820
Faulkner...
170
00:14:00,990 --> 00:14:02,930
(STAMMERING) Just a minute.
171
00:14:08,130 --> 00:14:09,160
(CLEARS THROAT)
172
00:14:09,230 --> 00:14:10,500
Faulkner Studios.
173
00:14:10,800 --> 00:14:12,870
A little excitement in your
neighborhood last night.
174
00:14:12,930 --> 00:14:15,930
According to the morning paper,
another one of the maybe murders.
175
00:14:16,200 --> 00:14:17,240
What?
176
00:14:17,300 --> 00:14:19,110
L keep forgetting.
Photographers don't read.
177
00:14:19,170 --> 00:14:20,270
They just look at pictures.
178
00:14:20,400 --> 00:14:22,680
The press calls them
"The Maybe Murders",
179
00:14:22,740 --> 00:14:23,980
because
the police can't decide
180
00:14:24,040 --> 00:14:26,420
whether they are homicides
or heart attacks.
181
00:14:26,680 --> 00:14:27,680
(GASPS)
182
00:14:28,250 --> 00:14:32,250
Mr. Munsch, I'm not very
clear this morning.
183
00:14:33,680 --> 00:14:34,960
In my neighborhood?
Where?
184
00:14:35,020 --> 00:14:36,790
In the park.
Just like all the others.
185
00:14:36,850 --> 00:14:39,800
Perfectly healthy man
alone in a quiet place.
186
00:14:39,890 --> 00:14:42,930
But I didn't call you
to discuss obituaries. Listen.
187
00:14:43,630 --> 00:14:46,270
With regard to Miss Munsch,
I think it's time we met.
188
00:14:46,360 --> 00:14:47,360
No!
189
00:14:48,670 --> 00:14:50,610
She's remained
anonymous long enough.
190
00:14:50,670 --> 00:14:52,940
I plan to be present
at the next shooting session.
191
00:14:53,170 --> 00:14:56,150
Please, Mr. Munsch, you don't understand.
You see...
192
00:14:56,210 --> 00:14:58,810
She's a very strange chick.
193
00:15:01,110 --> 00:15:03,680
She won't work with anyone
else in the studio.
194
00:15:03,950 --> 00:15:05,120
Then we'll chat.
195
00:15:05,180 --> 00:15:06,960
I've learnt over the years
that most models find the
196
00:15:07,020 --> 00:15:08,890
brewery business
utterly fascinating.
197
00:15:09,150 --> 00:15:10,790
Look...
(PHONE CLICKS)
198
00:15:43,120 --> 00:15:44,620
GIRL: Good morning, David.
199
00:15:44,690 --> 00:15:45,960
What are you doing here?
200
00:15:46,020 --> 00:15:47,370
Where else would I be?
201
00:15:50,360 --> 00:15:51,600
I don't know.
202
00:15:52,200 --> 00:15:54,270
I don't know
anything about you.
203
00:15:54,770 --> 00:15:58,540
You know how rich I've made you.
The rest shouldn't matter.
204
00:16:02,370 --> 00:16:05,450
What did you do after you left
here last night?
205
00:16:07,340 --> 00:16:09,950
Well, I was hungry.
What do you think I did?
206
00:16:11,520 --> 00:16:13,500
A man was murdered
in the park.
207
00:16:14,390 --> 00:16:15,660
A friend.
208
00:16:16,850 --> 00:16:18,600
A very good friend.
209
00:16:21,930 --> 00:16:23,600
Now, look, I saw you
from the window!
210
00:16:23,660 --> 00:16:25,800
You were talking to him.
You walked off together.
211
00:16:27,800 --> 00:16:30,900
You said this new account was a big one.
Shall we get started?
212
00:16:35,510 --> 00:16:37,080
What do you want, David?
213
00:16:37,680 --> 00:16:39,210
Do you know what you want?
214
00:16:40,780 --> 00:16:44,230
Revenge? Or justice?
Or what?
215
00:16:45,420 --> 00:16:46,690
Tell me, David.
216
00:16:47,450 --> 00:16:48,590
I want...
217
00:16:53,290 --> 00:16:54,560
I want you.
218
00:16:55,030 --> 00:16:56,600
You sound surprised.
219
00:16:59,230 --> 00:17:01,870
I never realized before,
but I do.
220
00:17:04,030 --> 00:17:05,540
I want you.
I need you.
221
00:17:06,740 --> 00:17:08,270
In time, David. Not yet.
222
00:17:09,740 --> 00:17:12,980
We need each other.
We have from the beginning.
223
00:17:14,240 --> 00:17:17,050
Me, giving you what you
wanted and needed,
224
00:17:18,250 --> 00:17:20,250
and you doing
the same for me.
225
00:17:21,450 --> 00:17:23,330
But it's not enough.
l want more.
226
00:17:27,290 --> 00:17:29,830
It either waits
or it ends right now.
227
00:17:31,330 --> 00:17:33,870
I can make it
without you now, David.
228
00:17:35,170 --> 00:17:36,640
Can you say the same?
229
00:17:41,610 --> 00:17:43,180
This new account, David.
What do I wear?
230
00:17:44,440 --> 00:17:46,580
DAVID: Doesn't matter, they
just want to use your face.
231
00:17:46,640 --> 00:17:48,120
GIRL: Is my hair all right?
232
00:17:48,710 --> 00:17:51,990
DAVID: I'm afraid of you.
You really scare me.
233
00:17:53,280 --> 00:17:56,730
Sometimes I think you only exist
because I photograph you.
234
00:17:56,950 --> 00:18:01,870
You're something I alone can see. Through
the camera lens or the lens in my eye.
235
00:18:02,530 --> 00:18:06,340
Everyone else, they see only the pictures.
Never you, not the real you.
236
00:18:06,630 --> 00:18:07,670
(KNOCKING ON DOOR)
237
00:18:07,730 --> 00:18:10,440
Except for Harry,
and the others like him.
238
00:18:11,440 --> 00:18:12,910
”The Maybe Murders.”
239
00:18:13,870 --> 00:18:15,040
MUNSCH: David Faulkner!
240
00:18:15,370 --> 00:18:17,220
I knocked, you didn't answer.
241
00:18:17,810 --> 00:18:18,980
Sorry.
242
00:18:22,010 --> 00:18:23,620
Can I get you something?
Her.
243
00:18:25,020 --> 00:18:27,190
You can get her for me,
David Faulkner.
244
00:18:27,650 --> 00:18:31,060
I have to see her,
I have to know her...
245
00:18:31,120 --> 00:18:32,230
Mr. Munsch, if there
were any way, l would...
246
00:18:32,290 --> 00:18:33,430
Find one.
247
00:18:33,490 --> 00:18:35,660
Arrange it. Manage.
Bring about! Do!
248
00:18:35,730 --> 00:18:37,300
Cause to be,
David Faulkner!
249
00:18:37,360 --> 00:18:39,030
Mr. Munsch, I tried to
explain to you on the phone.
250
00:18:39,100 --> 00:18:40,370
You don't seem to understand.
251
00:18:40,430 --> 00:18:41,930
No, no, it's you
who don't understand.
252
00:18:42,000 --> 00:18:43,980
You've seen her,
you've talked to her.
253
00:18:44,900 --> 00:18:45,940
Have you touched her?
254
00:18:46,170 --> 00:18:48,150
(FADED)
Then you know what I mean?
255
00:18:48,440 --> 00:18:51,510
It's different with her,
isn't it? It isn't sex.
256
00:18:52,440 --> 00:18:56,260
It's life or death
or everything in between.
257
00:18:57,050 --> 00:18:58,530
Who is she?
258
00:18:58,620 --> 00:19:00,320
(YELLS) Who is she?
DAVID: I don't know.
259
00:19:00,880 --> 00:19:02,660
MUNSCH: Find out!
Any way you can.
260
00:19:02,750 --> 00:19:04,990
For all of our sakes,
find out.
261
00:19:05,520 --> 00:19:08,200
Follow her home,
she must live somewhere.
262
00:19:08,290 --> 00:19:10,600
Where? Where? Where does she five?
DAVID: (YELLING) I don't know!
263
00:19:12,130 --> 00:19:17,740
Mr. Munsch, do you have any idea what
could happen to you if you do see her?
264
00:19:19,840 --> 00:19:21,440
MUNSCH:
I can't help that, can I?
265
00:19:45,100 --> 00:19:47,840
Last week Mr. Munsch
wanted me to follow you.
266
00:19:49,270 --> 00:19:51,080
And I thought about it,
but I was afraid.
267
00:19:51,340 --> 00:19:53,980
But last night because his...
268
00:19:55,510 --> 00:19:57,450
Patience gave out,
he followed you, didn't he?
269
00:19:57,510 --> 00:19:59,150
Let go.
Didn't he?
270
00:19:59,640 --> 00:20:01,780
He did because he wanted to.
271
00:20:02,980 --> 00:20:04,320
He had to.
272
00:20:05,280 --> 00:20:08,020
And now he's dead just like that
poor joker over there and Harry,
273
00:20:08,090 --> 00:20:09,660
and I don't know
how many others.
274
00:20:10,420 --> 00:20:12,060
And you too, maybe.
275
00:20:12,590 --> 00:20:13,800
Oh, no.
276
00:20:14,990 --> 00:20:16,840
Because I know you now.
277
00:20:17,290 --> 00:20:19,240
But you want me just the same.
278
00:20:20,560 --> 00:20:21,670
Don't you, David?
279
00:20:24,540 --> 00:20:26,310
Tell me how you want me.
280
00:20:29,010 --> 00:20:30,510
Your...
281
00:20:33,340 --> 00:20:34,720
Eyes are...
282
00:20:36,650 --> 00:20:38,250
Are hungry.
283
00:20:42,550 --> 00:20:45,360
It's time, David. Time.
284
00:21:31,740 --> 00:21:33,080
Don't do it, David.
285
00:21:33,870 --> 00:21:34,870
(BREATHING HEAVILY)
286
00:21:35,540 --> 00:21:37,210
You almost got to me.
287
00:21:38,110 --> 00:21:39,380
Hungry Eyes.
288
00:21:40,380 --> 00:21:42,250
Hungering for my soul.
289
00:21:45,780 --> 00:21:47,160
Then you understand.
290
00:21:47,890 --> 00:21:49,330
(YELLS) Understand what?
291
00:21:51,090 --> 00:21:54,730
That all a man has to do is look at
the promise of you on a billboard,
292
00:21:54,790 --> 00:21:57,100
in a magazine or a cover
and he's yours?
293
00:21:57,160 --> 00:21:58,300
Oh, I understand,
sweetheart.
294
00:21:58,360 --> 00:22:00,040
Because I know you now!
295
00:22:00,100 --> 00:22:01,800
Then have me. Enjoy me.
296
00:22:01,870 --> 00:22:05,180
You're every girl who ever promised
herself to every lonely guy.
297
00:22:07,100 --> 00:22:09,910
You're the smile that makes us
change our brand.
298
00:22:10,010 --> 00:22:13,220
You're the eyes that pick our
pockets and spend our lives.
299
00:22:14,010 --> 00:22:15,920
Are you so sure, David?
300
00:22:16,080 --> 00:22:17,680
You're the lure.
301
00:22:19,020 --> 00:22:20,290
The bait.
302
00:22:20,880 --> 00:22:24,300
We lust for you and what
those eyes hold out.
303
00:22:24,760 --> 00:22:28,260
And you, you suck
the love from us.
304
00:22:29,390 --> 00:22:32,030
Because that's what
feeds you, isn't it?
305
00:22:32,260 --> 00:22:35,330
Our greed is your nourishment,
right, sweetheart?
306
00:22:35,400 --> 00:22:36,540
David, I want you.
307
00:22:36,830 --> 00:22:38,280
It's too late, baby.
308
00:22:38,570 --> 00:22:40,480
I want your wanting me.
309
00:22:40,870 --> 00:22:43,550
You not only want my
wanting you, you require it.
310
00:22:44,570 --> 00:22:47,280
It's your survival kit,
your life force.
311
00:22:47,640 --> 00:22:50,650
And these...
These are what make you tick.
312
00:22:50,710 --> 00:22:53,520
Everything you are exists
right here on these negatives.
313
00:22:53,650 --> 00:22:56,790
It's your seed, your blood,
your heartbeat.
314
00:22:56,890 --> 00:22:58,230
That's murder, David.
315
00:22:58,690 --> 00:23:00,400
That's right, Hungry Eyes.
316
00:23:01,330 --> 00:23:04,930
And I'm going to kill off the
seed that spawned that smile.
317
00:23:07,060 --> 00:23:10,440
The eyes that
promise and betray.
318
00:23:12,500 --> 00:23:16,210
I'm going to destroy you before
you bleed the world dry.
319
00:23:25,920 --> 00:23:29,490
(SCREAMS)
David, stop it, no! No!
320
00:23:29,550 --> 00:23:31,900
No! David!
321
00:23:31,960 --> 00:23:34,660
No, no.
No, please, stop it, David!
322
00:23:34,890 --> 00:23:36,600
No! David!
323
00:23:36,790 --> 00:23:38,140
Stop it, please!
324
00:23:38,200 --> 00:23:41,470
David! No! No!
Stop it!
325
00:23:41,930 --> 00:23:43,610
Please, David! Stop it!
326
00:23:43,670 --> 00:23:45,080
I want to look at you now.
327
00:23:45,140 --> 00:23:46,440
Stop it! No!
328
00:23:46,500 --> 00:23:48,680
I want to find the horror
behind those eyes.
329
00:23:49,070 --> 00:23:51,210
Because that's where it
happens isn't it?
330
00:23:51,270 --> 00:23:55,250
Those vampire eyes sucking
out the last shred of desire,
331
00:23:55,310 --> 00:23:58,620
feeding on the curiosity
and passion. The eyes...
332
00:24:09,790 --> 00:24:11,140
(COUGHING)
23419
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