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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,177 --> 00:00:07,094 ♪ HEY, YEAH, HEY 2 00:00:07,137 --> 00:00:08,530 CHECK, CHECK. 3 00:00:08,573 --> 00:00:10,401 UNO, DOS, TRES. 4 00:00:10,445 --> 00:00:13,752 UM, CAN I GET A LITTLE MORE MONITOR, PLEASE? 5 00:00:13,796 --> 00:00:15,841 YOU GOT IT. 6 00:00:15,885 --> 00:00:17,234 ♪ OOH, MMM 7 00:00:17,278 --> 00:00:19,019 - SAGE. - ♪ YEAH 8 00:00:19,062 --> 00:00:21,499 HEY, CRAIG. 9 00:00:21,543 --> 00:00:23,588 I DIDN'T KNOW THE LABEL WAS COMING OUT TONIGHT. 10 00:00:23,632 --> 00:00:26,243 THE SET'S ABOUT TO START, SO I'LL CUT TO THE CHASE. 11 00:00:26,287 --> 00:00:28,115 WE'RE CONCERNED ABOUT LITA. 12 00:00:28,158 --> 00:00:31,466 YOU GOTTA BE KIDDING ME. THE DEAL JUST CLOSED. CRAIG. 13 00:00:31,509 --> 00:00:33,424 I MEAN, THE BAND KICKED ASS IN LONDON. 14 00:00:33,468 --> 00:00:34,425 LITA WAS AMAZING. 15 00:00:34,469 --> 00:00:36,558 SHE WAS AMAZING. IS. 16 00:00:36,601 --> 00:00:40,779 OUR CONCERNS ARE LESS CREATIVE THAN PERSONAL. 17 00:00:40,823 --> 00:00:43,478 THE PARTYING, WHAT WENT DOWN AT THE DORCHESTER. 18 00:00:43,521 --> 00:00:45,958 I DON'T KNOW WHAT YOU HEARD, BUT EVERYTHING'S COOL, REALLY. 19 00:00:46,002 --> 00:00:49,310 LOOK, SAGE, LITA'S AWESOME. 20 00:00:49,353 --> 00:00:51,660 SHE'S TEN SECONDS FROM PUTTING AVRIL OUT TO PASTURE. 21 00:00:51,703 --> 00:00:53,705 I'D HATE FOR THINGS TO BLOW UP 22 00:00:53,749 --> 00:00:55,229 JUST 'CAUSE HER MOM DIDN'T KEEP HER IN LINE. 23 00:00:55,272 --> 00:00:57,535 YOU TELL THE LABEL TO... 24 00:00:59,972 --> 00:01:02,018 - WHAT'S GOING ON? - NOTHING. 25 00:01:02,062 --> 00:01:03,063 WHAT'D HE SAY? 26 00:01:03,106 --> 00:01:05,065 MOM, WORDS. 27 00:01:05,108 --> 00:01:06,805 JUST SOME STUPID RUMORS ABOUT LONDON. 28 00:01:06,849 --> 00:01:08,503 LONDON? 29 00:01:08,546 --> 00:01:10,983 MOM, THOSE AREN'T RUMORS. - LITA, DON'T START. 30 00:01:11,027 --> 00:01:12,985 MOM, IT'S BETWEEN ME AND THE LABEL, OKAY? 31 00:01:13,029 --> 00:01:15,031 YOU'RE 16 YEARS OLD AND I'M THE MOTHER. 32 00:01:15,075 --> 00:01:16,554 MOM, IT'S MY CAREER, NOT YOURS. 33 00:01:16,598 --> 00:01:18,513 I'LL HANDLE IT MYSELF. - YEAH, FINE. 34 00:01:18,556 --> 00:01:20,080 YOU CAN START RIGHT NOW. 35 00:01:20,123 --> 00:01:22,082 MOM! 36 00:01:24,345 --> 00:01:26,303 MOM! 37 00:01:26,347 --> 00:01:29,306 DUDE, THE SET'S ABOUT TO START. 38 00:01:29,350 --> 00:01:31,352 MAX, JESUS. ONE MINUTE. 39 00:01:43,799 --> 00:01:45,192 LOOK, IT'S ALL THERE! 40 00:01:45,235 --> 00:01:46,802 YOU MESSED WITH THE WRONG GUYS, HOMIE. 41 00:01:46,845 --> 00:01:49,239 WHERE'S MY MONEY, ESE? 42 00:01:52,895 --> 00:01:57,552 MAX! MAX! MAX, OPEN THEN DOOR! 43 00:01:57,595 --> 00:01:59,467 YO, THAT BITCH SAW US, MAN! 44 00:01:59,510 --> 00:02:01,512 HEY! - MAX, OPEN THE DOOR! 45 00:02:01,556 --> 00:02:04,124 HANDLE HER, MAN! GET HER! 46 00:02:04,167 --> 00:02:06,865 HEY, COME HERE! 47 00:02:06,909 --> 00:02:09,346 WE GOTTA BOUNCE, DOG! 48 00:02:09,390 --> 00:02:11,870 WE GOT YOU NOW. 49 00:02:11,914 --> 00:02:13,133 LET'S GO. 50 00:02:25,188 --> 00:02:26,842 MOUNTAIN STATES ADOPTION AGENCY. 51 00:02:26,885 --> 00:02:29,758 I'M FINE. JUST TELL STAN I'LL BE IN AFTER LUNCH. 52 00:02:29,801 --> 00:02:31,673 ANOTHER "OB-GINE" APPOINTMENT? 53 00:02:31,716 --> 00:02:34,110 NO, AND FOR THE LAST TIME, IT'S OB/GYN. 54 00:02:34,154 --> 00:02:35,894 "OB-GINE." WHO SAYS THAT? 55 00:02:35,938 --> 00:02:37,635 I'M AT THE, YOU KNOW-- 56 00:02:37,679 --> 00:02:39,942 I'M AT THE AGENCY. 57 00:02:39,985 --> 00:02:42,162 SO ANY WORD FROM MARK? 58 00:02:42,205 --> 00:02:44,860 YEAH, HE SAID, UM, YOU KNOW, 59 00:02:44,903 --> 00:02:47,254 HE'S FINE WITH WHATEVER I DECIDE, BABY-WISE, 60 00:02:47,297 --> 00:02:50,866 AS LONG AS THERE'S NO RESPONSIBILITY ON HIS END. 61 00:02:50,909 --> 00:02:52,607 HE SAID THAT? THOSE WORDS? 62 00:02:52,650 --> 00:02:54,261 THAT WAS THE IMPLICATION. 63 00:02:54,304 --> 00:02:56,698 YOU DIDN'T TELL HIM, DID YOU? 64 00:02:56,741 --> 00:02:59,135 TECHNICALLY, NO, BUT IF I HAD, 65 00:02:59,179 --> 00:03:01,703 TRUST ME, THAT WOULD HAVE BEEN THE IMPLICATION. 66 00:03:01,746 --> 00:03:03,357 SOUNDS LIKE A STAND-UP GUY. 67 00:03:03,400 --> 00:03:05,489 I'M SURE HE'S THE SAME OLD DICK. 68 00:03:05,533 --> 00:03:08,492 UH, OKAY. WELL, THAT'S FUNNY, DICK. 69 00:03:08,536 --> 00:03:10,755 OKAY. YEAH. I'LL CALL YOU LATER. OKAY. 70 00:03:10,799 --> 00:03:12,104 BYE, DICK. 71 00:03:12,148 --> 00:03:15,238 THAT WAS JUST MY FRIEND, DICK. 72 00:03:15,282 --> 00:03:16,805 - YOU MUST BE MARY. - YEAH. 73 00:03:16,848 --> 00:03:18,807 MRS. ANDERS, YOUR PLACEMENT COUNSELOR. 74 00:03:18,850 --> 00:03:20,243 SHALL WE? - SURE. 75 00:03:20,287 --> 00:03:22,289 I'LL JUST FOLLOW YOU IN THERE, THEN. 76 00:03:22,332 --> 00:03:23,333 OKAY. 77 00:03:25,335 --> 00:03:28,599 WELL, YOU DO MAKE AN IMPRESSION. 78 00:03:28,643 --> 00:03:31,515 ATTRACTIVE, COLLEGE-EDUCATED, 79 00:03:31,559 --> 00:03:35,171 A LAW ENFORCEMENT OFFICER IN PERFECT PHYSICAL HEALTH. 80 00:03:35,215 --> 00:03:38,174 OH, WOW. I MEAN, I DON'T KNOW ABOUT PERFECT. 81 00:03:38,218 --> 00:03:39,741 ON THE PHONE, YOU SEEMED PRETTY SURE 82 00:03:39,784 --> 00:03:41,308 ABOUT MAKING AN ADOPTION PLAN, 83 00:03:41,351 --> 00:03:43,266 BUT BEFORE WE GET TOO FAR DOWN THE ROAD, 84 00:03:43,310 --> 00:03:45,050 ARE YOU SURE ABOUT THIS? 85 00:03:45,094 --> 00:03:47,749 UH, AM I IN THE RIGHT OFFICE? 86 00:03:47,792 --> 00:03:49,185 I HAVE TO ASK. 87 00:03:49,229 --> 00:03:50,360 I SPEND MY DAYS 88 00:03:50,404 --> 00:03:51,883 ACROSS FROM FRANTIC TEENAGERS, 89 00:03:51,927 --> 00:03:52,884 CRYING ON THE COUCH. 90 00:03:52,928 --> 00:03:54,364 OH, WELL, LUCKILY, 91 00:03:54,408 --> 00:03:56,714 I'M NEITHER FRANTIC NOR A TEENAGER. 92 00:03:56,758 --> 00:03:58,499 IT'S JUST IMPORTANT TO MAKE SURE 93 00:03:58,542 --> 00:04:00,457 ADOPTION IS THE RIGHT CHOICE 94 00:04:00,501 --> 00:04:02,459 FOR YOU AND FOR YOUR CHILD. 95 00:04:02,503 --> 00:04:06,071 WELL, UM, I'VE THOUGHT ABOUT IT A LOT-- 96 00:04:06,115 --> 00:04:08,291 YOU KNOW, ABOUT ALL THE DIFFERENT CHOICES-- 97 00:04:08,335 --> 00:04:11,903 AND I JUST KNOW THIS IS THE RIGHT ONE 98 00:04:11,947 --> 00:04:13,949 FOR EVERYONE INVOLVED. 99 00:04:13,992 --> 00:04:16,386 GOOD. 100 00:04:16,430 --> 00:04:18,258 AT SOME POINT, WE'LL NEED THE FATHER 101 00:04:18,301 --> 00:04:19,824 TO SIGN THE WAIVER OF PARENTAL RIGHTS. 102 00:04:19,868 --> 00:04:22,044 I SUSPECT THAT WON'T BE A PROBLEM. 103 00:04:22,087 --> 00:04:25,787 MEANWHILE... 104 00:04:27,789 --> 00:04:30,182 YOU'RE ASSIGNING HOMEWORK? 105 00:04:30,226 --> 00:04:32,402 PROFILES OF POTENTIAL ADOPTIVE FAMILIES. 106 00:04:32,446 --> 00:04:35,187 PHOTOS, STATEMENTS ABOUT WHO THEY ARE, 107 00:04:35,231 --> 00:04:36,188 WHY THEY'RE CHOOSING ADOPTION. 108 00:04:36,232 --> 00:04:40,018 WOW. 109 00:04:40,062 --> 00:04:41,585 WOW, THIS IS-- 110 00:04:41,629 --> 00:04:42,847 EMPOWERING? 111 00:04:42,891 --> 00:04:44,327 SURREAL. 112 00:04:44,371 --> 00:04:46,590 THE IDEA IS TO FIND AN IDEAL MATCH 113 00:04:46,634 --> 00:04:48,157 FOR YOU AND YOUR CHILD. 114 00:04:48,200 --> 00:04:49,985 I'VE NARROWED IT TO TEN, 115 00:04:50,028 --> 00:04:53,815 AND IF NONE OF THESE WORKS, WE'LL LOOK AT OTHERS. 116 00:04:53,858 --> 00:04:57,732 SO THEN, I CHOOSE THE BABY'S FAMILY? 117 00:04:57,775 --> 00:05:00,343 YOU DO, AND CHOOSE WISELY. 118 00:05:00,387 --> 00:05:02,345 YOUR CHILD'S FUTURE MAY VERY WELL BE 119 00:05:02,389 --> 00:05:03,738 RIGHT THERE IN YOUR HANDS. 120 00:05:03,781 --> 00:05:06,001 TEENAGERS DO THIS? 121 00:05:06,044 --> 00:05:07,481 EVERY DAY. 122 00:05:12,399 --> 00:05:14,575 WHO KNEW THIS MANY PEOPLE OWNED A CANOE? 123 00:05:14,618 --> 00:05:16,881 NO. NO, NO, NO. 124 00:05:16,925 --> 00:05:19,014 NO ONE'S THIS PERFECT. THEY'RE HIDING SOMETHING. 125 00:05:19,057 --> 00:05:21,190 MARY, YOU'RE WORKING WITH A FAIRLY REPUTABLE AGENCY, 126 00:05:21,233 --> 00:05:23,671 I THINK IT'S SAFE TO SAY. - YEAH. GET A LOAD OF THIS. 127 00:05:23,714 --> 00:05:26,543 FIFTH GRADE TEACHER AND HER ATTORNEY HUSBAND? 128 00:05:26,587 --> 00:05:28,502 RIGHT. LIKE I'M BUYING THAT. 129 00:05:28,545 --> 00:05:31,026 I MEAN, IF YOU THINK I'M GONNA LET SOME SLEAZEBAG CON JOBS 130 00:05:31,069 --> 00:05:33,855 LIKE "THE TEMPLETONS" GET THEIR MITTS ON THIS, 131 00:05:33,898 --> 00:05:34,856 NOT ON MY WATCH, MISTER. 132 00:05:34,899 --> 00:05:36,423 MARY, GOOD NEWS 133 00:05:36,466 --> 00:05:38,076 ABOUT THOSE VACATION DAYS YOU'VE GOT COMING. 134 00:05:38,120 --> 00:05:40,992 YEAH, I'M ROLLING THOSE INTO MY MATERNITY LEAVE. 135 00:05:41,036 --> 00:05:42,385 OH, ROLL 'EM IN ALL YOU WANT, BUT I'M GONNA GIVE YOU 136 00:05:42,429 --> 00:05:44,474 AN EXTRA COUPLE DAYS NOW, CALL IT A BONUS. 137 00:05:44,518 --> 00:05:46,476 THANKS, BUT NOW IS NOT THE BEST TIME 138 00:05:46,520 --> 00:05:48,609 FOR ME TO TAKE OFF, SO-- 139 00:05:48,652 --> 00:05:50,262 MARY, YOU HAVEN'T HAD A DAY OFF IN MONTHS. 140 00:05:50,306 --> 00:05:54,441 THAT'S NO GOOD, EVEN IF YOU WEREN'T, YOU KNOW, 141 00:05:54,484 --> 00:05:56,051 LIKE-- 142 00:05:56,094 --> 00:05:58,183 - HE CAN'T SAY IT. - FUN TO WATCH HIM TRY. 143 00:05:58,227 --> 00:06:00,142 MARY, YOU HAVE TO RELAX, OKAY? 144 00:06:00,185 --> 00:06:01,665 IT'S NOT AN OPINION. IT'S A MEDICAL FACT. 145 00:06:01,709 --> 00:06:04,712 LOOK, I DO NOT NEED TO RELAX. I'M FINE. 146 00:06:04,755 --> 00:06:06,714 YES, MAYBE MY FEET ARE SWELLING UP, 147 00:06:06,757 --> 00:06:08,585 I'M WALKING AROUND ON A COUPLE OF CHRISTMAS HAMS, 148 00:06:08,629 --> 00:06:10,457 AND I MIGHT BE A TINY BIT IRRITABLE. 149 00:06:10,500 --> 00:06:12,894 - NEVER. - BUT I'M NOT AN INVALID, OKAY? 150 00:06:12,937 --> 00:06:14,722 DO YOU KNOW WHAT MY ANCESTORS DID WHEN THEY WERE PREGNANT? 151 00:06:14,765 --> 00:06:17,115 DOUBLE-FISTED WHISKEY WHILE CULTIVATING TATER TOTS. 152 00:06:17,159 --> 00:06:18,682 THEY NEVER EVEN LEFT THE FIELDS. 153 00:06:18,726 --> 00:06:20,162 THEY JUST PUSHED THOSE SUCKERS OUT THEIR HOO-HAS 154 00:06:20,205 --> 00:06:21,424 AND KEPT ON PLOWING. 155 00:06:21,468 --> 00:06:23,252 THEY ALSO DIED TOOTHLESS AT 28. 156 00:06:23,295 --> 00:06:24,601 MARSHALL, NOT HELPING. 157 00:06:24,645 --> 00:06:27,038 MARY, NOT A REQUEST. GO HOME. 158 00:06:27,082 --> 00:06:29,824 COME ON. 159 00:06:32,304 --> 00:06:34,306 SHUT UP. 160 00:06:40,443 --> 00:06:42,576 IT'S "PREGGIST" IS WHAT IT IS, 161 00:06:42,619 --> 00:06:44,099 AND YES, I JUST MADE UP THAT WORD. 162 00:06:44,142 --> 00:06:46,580 YOU CAN'T JUST ORDER SOMEONE TO RELAX. 163 00:06:46,623 --> 00:06:48,582 YEAH, WHAT KIND OF TYRANT DOES THAT? 164 00:06:48,625 --> 00:06:50,714 ONE LOOKING TO GET BITCH-SLAPPED BY GLORIA ALLRED, 165 00:06:50,758 --> 00:06:52,194 THAT'S WHAT KIND. 166 00:06:52,237 --> 00:06:53,848 HE'S HERE. I'LL CALL YOU BACK. 167 00:06:56,416 --> 00:06:59,419 NO. NO. NO, NO, NO. 168 00:06:59,462 --> 00:07:01,290 COME ON, I DON'T EVEN LIKE DOGS, 169 00:07:01,333 --> 00:07:03,379 AND I'M FIVE SECONDS FROM CALLING THE HUMANE SOCIETY. 170 00:07:03,423 --> 00:07:05,468 I SWEAR, I JUST WENT IN TO GET TREATS AND A COLLAR, 171 00:07:05,512 --> 00:07:07,035 BUT HOW COULD I RESIST? 172 00:07:07,078 --> 00:07:08,253 I MEAN, HE'S A PERFECT LITTLE BUMBLEBEE. 173 00:07:08,297 --> 00:07:09,254 I MEAN, LOOK AT HIM. 174 00:07:09,298 --> 00:07:10,473 I AM LOOKING AT HIM. 175 00:07:10,517 --> 00:07:12,170 I ASKED YOU TO DOG-SIT, BRANDI. 176 00:07:12,214 --> 00:07:13,345 THAT MEANS FEED HIM, WALK HIM, 177 00:07:13,389 --> 00:07:14,912 LET HIM CRASH ON YOUR COUCH. 178 00:07:14,956 --> 00:07:16,958 I MEAN, GOD, EVEN ON HALLOWEEN, WHO DOES THAT? 179 00:07:17,001 --> 00:07:19,743 OKAY, THINK ABOUT IT AS PRACTICE FOR THE BABY. 180 00:07:19,787 --> 00:07:22,180 OKAY, I'M JUST GONNA KEEP SAYING THIS TILL IT SINKS IN. 181 00:07:22,224 --> 00:07:23,486 I'M NOT KEEPING THE BABY. 182 00:07:23,530 --> 00:07:27,011 ARE YOU ABSOLUTELY, POSITIVELY SURE? 183 00:07:27,055 --> 00:07:28,491 YES, I'M SURE. 184 00:07:28,535 --> 00:07:30,537 LOOK, ADOPTIVE FAMILIES. 185 00:07:30,580 --> 00:07:31,538 I HAVE TO PICK. - HUH? 186 00:07:31,581 --> 00:07:32,800 NO, I DO. 187 00:07:32,843 --> 00:07:34,715 OKAY, THAT'S NOT THE ROYAL "I." 188 00:07:36,760 --> 00:07:37,805 I HAVE TO GO, ANYWAY. 189 00:07:37,848 --> 00:07:38,936 - AW, YOU DO? - YEAH. 190 00:07:38,980 --> 00:07:40,547 - SHAME. - LET'S GO, OSCAR. 191 00:07:40,590 --> 00:07:42,679 HEY, HAS STAN COME TO HIS SENSES 192 00:07:42,723 --> 00:07:43,985 ABOUT THE MANDATED TIME OFF, 193 00:07:44,028 --> 00:07:45,377 OR IS HE LOOKING TO GET HIS ASS KICKED 194 00:07:45,421 --> 00:07:47,684 BY ME AND MY SOON-TO-BE SIZE 16s? 195 00:07:47,728 --> 00:07:49,817 I SCOURED THE H.R. HANDBOOK. 196 00:07:49,860 --> 00:07:51,514 SADLY, THERE'S NOTHING TO SUPPORT YOUR CLAIM 197 00:07:51,558 --> 00:07:53,385 OF "PREGGISM" IN THE WORKPLACE. 198 00:07:53,429 --> 00:07:56,345 - HE'S STANDING RIGHT THERE? - TRUE. 199 00:07:56,388 --> 00:07:58,434 BUT I HAVE A SOLUTION THAT SHOULD MAKE YOU BOTH HAPPY. 200 00:07:58,478 --> 00:08:00,175 YEAH, WELL, WE'LL SEE ABOUT THAT. 201 00:08:00,218 --> 00:08:03,657 GOT A WITNESS OUT NEAR LAS CRUCES, CARLOS RAMIREZ. 202 00:08:03,700 --> 00:08:06,877 SOUNDS FAMILIAR. HE THE HUBCAP THIEF? 203 00:08:06,921 --> 00:08:10,141 DOJ SAW IT AS A LITTLE MORE INVOLVED THAN THAT, 204 00:08:10,185 --> 00:08:12,883 BUT YES, HE WORKED IN CAR ACCESSORIES. 205 00:08:12,927 --> 00:08:15,756 WE HAVE A MESSAGE FROM HIS FAMILY THAT NEEDS DELIVERING, 206 00:08:15,799 --> 00:08:17,497 AND CARLOS AND HIS PHONE AREN'T EXACTLY 207 00:08:17,540 --> 00:08:19,499 ON SPEAKING TERMS RIGHT NOW. 208 00:08:19,542 --> 00:08:21,501 HE GOES OFF THE GRID EVERY SO OFTEN. 209 00:08:21,544 --> 00:08:23,807 SO YOU WANT ME TO DRIVE OUT THERE 210 00:08:23,851 --> 00:08:25,374 AND DELIVER THE MESSAGE IN PERSON? 211 00:08:25,417 --> 00:08:26,810 OFFICIAL WITSEC BUSINESS. 212 00:08:26,854 --> 00:08:28,203 YOU'D BE ON THE CLOCK THE WHOLE TIME. 213 00:08:30,379 --> 00:08:32,033 HELLO? 214 00:08:32,076 --> 00:08:35,340 - DID SHE BITE? - I THINK SO. 215 00:08:35,384 --> 00:08:37,255 SHE JUST HUNG UP WITHOUT A SARCASTIC COMMENT. 216 00:08:37,299 --> 00:08:39,780 LUCKY BOUNCE WITH THE WITNESS. 217 00:08:39,823 --> 00:08:41,303 CONSIDERING THE MESSAGE, 218 00:08:41,346 --> 00:08:43,044 LUCKY'S NOT THE WORD THAT LEAPS TO MIND. 219 00:08:43,087 --> 00:08:45,916 I'LL FORWARD THE DETAILS NOW. 220 00:08:45,960 --> 00:08:47,614 A LITTLE WORKING ROAD TRIP. JUST WHAT THE DOCTOR ORDERED. 221 00:08:49,659 --> 00:08:52,314 THIS IS STAN. - STAN, I CAN'T REACH MARY. 222 00:08:52,357 --> 00:08:53,794 I DON'T KNOW WHAT TO DO! IT'S KENNA... 223 00:08:53,837 --> 00:08:55,491 IT'S OKAY, JUST CALM DOWN. CALM DOWN. 224 00:08:55,535 --> 00:08:56,797 STAN, SHE'S REALLY DONE IT THIS TIME. 225 00:08:56,840 --> 00:08:58,668 PLEASE, I NEED HELP. 226 00:08:58,712 --> 00:09:00,235 I MEAN, ACTING OUT IS ONE THING, BUT THIS--THIS IS SERIOUS. 227 00:09:00,278 --> 00:09:01,541 IT'S OKAY. JUST CALM DOWN. 228 00:09:01,584 --> 00:09:03,020 SHE'S PUTTING US BOTH IN DANGER! 229 00:09:03,064 --> 00:09:04,021 OKAY, JUST--JUST-- IT'S GONNA BE OKAY. 230 00:09:04,065 --> 00:09:05,370 JUST TAKE IT EASY. 231 00:09:05,414 --> 00:09:06,502 PLEASE, YOU'VE GOT TO TALK TO HER. 232 00:09:06,546 --> 00:09:08,330 ONE--BRITT, ONE SEC, ONE SEC. 233 00:09:08,373 --> 00:09:10,332 SOMETHING WITH KENNA, MARY'S ROCK STAR KID. 234 00:09:10,375 --> 00:09:11,768 MOM SAYS IT'S AN EMERGENCY. 235 00:09:11,812 --> 00:09:14,379 BRITT, JUST HOLD TIGHT. WE'RE ON OUR WAY. 236 00:09:14,423 --> 00:09:16,425 WE'RE ON OUR WAY. 237 00:09:18,253 --> 00:09:19,994 SINCE 1970, 238 00:09:20,037 --> 00:09:21,691 THE FEDERAL WITNESS PROTECTION PROGRAM 239 00:09:21,735 --> 00:09:23,998 HAS RELOCATED THOUSANDS OF WITNESSES-- 240 00:09:24,041 --> 00:09:25,695 SOME CRIMINAL, SOME NOT-- 241 00:09:25,739 --> 00:09:27,697 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 242 00:09:27,741 --> 00:09:29,307 EVERY ONE OF THOSE INDIVIDUALS 243 00:09:29,351 --> 00:09:31,309 SHARES A UNIQUE ATTRIBUTE, DISTINGUISHING THEM 244 00:09:31,353 --> 00:09:33,485 FROM THE REST OF THE GENERAL POPULATION, 245 00:09:33,529 --> 00:09:35,226 AND THAT IS... 246 00:09:35,270 --> 00:09:37,272 SOMEBODY WANTS THEM DEAD. 247 00:09:47,978 --> 00:09:49,850 THIS IS CARLOS RAMIREZ. 248 00:09:49,893 --> 00:09:51,286 I CAN'T COME TO THE PHONE RIGHT NOW, 249 00:09:51,329 --> 00:09:53,288 SO LEAVE A MESSAGE, AND REMEMBER, 250 00:09:53,331 --> 00:09:56,378 THE PATH OF HOT COALS IS ONE OF TRANSFORMATION. 251 00:09:56,421 --> 00:09:57,771 NAMASTE. 252 00:09:57,814 --> 00:09:59,686 CARLOS, THIS IS MARY SHANNON AGAIN. 253 00:09:59,729 --> 00:10:01,035 I WORK WITH MARSHALL. 254 00:10:01,078 --> 00:10:03,037 IF YOU COULD RETURN MY CALL ASAP, 255 00:10:03,080 --> 00:10:06,518 NUMBER'S THE SAME AS THE LAST THREE TIMES. 256 00:10:06,562 --> 00:10:09,957 THE GETAWAY, I GUESS, IS IN MY BLOOD. 257 00:10:10,000 --> 00:10:12,394 AWAY FROM THE SCREAMING CHAOS OF MY CHILDHOOD HOME, 258 00:10:12,437 --> 00:10:14,875 I WOULD FLY OUT THE DOOR AND HOP ON MY BIKE, 259 00:10:14,918 --> 00:10:16,616 WHITE KNUCKLING THE HANDLEBARS 260 00:10:16,659 --> 00:10:18,879 WITH NOWHERE TO GO, I'D PEDAL AS FAST AS IT TOOK 261 00:10:18,922 --> 00:10:22,056 TO FEEL MY HAIR IN THE WIND AND THE STING ON MY FACE. 262 00:10:22,099 --> 00:10:25,625 WHETHER I WANTED TO BE FOUND OR JUST MISSED, I'M NOT SURE. 263 00:10:25,668 --> 00:10:29,367 BUT NO ONE EVER SENT OUT A SEARCH PARTY. 264 00:10:29,411 --> 00:10:32,240 THANK GOD YOU'RE HERE. KENNA'S A NIGHTMARE. 265 00:10:33,720 --> 00:10:36,287 THE LAST TWO DAYS HAVE JUST BEEN SLAMMING DOORS 266 00:10:36,331 --> 00:10:37,375 AND KICKING WALLS. 267 00:10:37,419 --> 00:10:39,682 WHAT TRIGGERED ALL THIS? 268 00:10:39,726 --> 00:10:42,859 THAT. THAT TRIGGERED ALL THIS. 269 00:10:42,903 --> 00:10:44,644 GO AHEAD, SHOW THEM. 270 00:10:44,687 --> 00:10:48,560 THIS IS WHAT YOU CALL "BLENDING IN"? 271 00:10:53,827 --> 00:10:55,829 THOSE FRANTIC, FURIOUS BIKE RIDES 272 00:10:55,872 --> 00:10:58,701 NEVER TOOK ME MORE THAN A FEW MILES FROM MY HOUSE, 273 00:10:58,745 --> 00:11:00,094 BUT IT WAS FAR ENOUGH FOR ME TO LEARN 274 00:11:00,137 --> 00:11:02,400 THAT I COULD GET BACK ON MY OWN, 275 00:11:02,444 --> 00:11:05,099 AND THAT SOMETIMES THE BEST WAY TO FIND YOURSELF 276 00:11:05,142 --> 00:11:07,405 IS TO GET YOURSELF LOST. 277 00:11:09,407 --> 00:11:11,671 LIKE I'M GONNA GET RECOGNIZED. 278 00:11:11,714 --> 00:11:13,934 WE LIVE IN NOWHERESVILLE. RELAX. 279 00:11:13,977 --> 00:11:16,284 SEE THAT? WHO CARES ABOUT THE RULES. 280 00:11:16,327 --> 00:11:18,155 PUT US BOTH IN DANGER. WHAT'S THE BIG DEAL, RIGHT? 281 00:11:18,199 --> 00:11:19,722 WELL, MAYBE IF YOU WEREN'T SUCH A CONTROL FREAK. 282 00:11:19,766 --> 00:11:22,290 ALL RIGHT, JUST KNOCK IT OFF, BOTH OF YOU, OKAY? 283 00:11:22,333 --> 00:11:24,596 KENNA, THE BLUE STREAK, NOT SAFE. 284 00:11:24,640 --> 00:11:26,250 I'M TALKING LIFE-THREATENING. 285 00:11:26,294 --> 00:11:28,426 - I WANT TO TALK TO MARY. - NO CAN DO. 286 00:11:28,470 --> 00:11:29,863 YOU'RE GONNA HAVE TO WORK THIS ONE OUT WITH US. 287 00:11:29,906 --> 00:11:31,647 THERE IS NO WORKING THINGS OUT. 288 00:11:31,691 --> 00:11:33,867 SHE'S LIKE STICK UP HER ASS, 24/7. 289 00:11:33,910 --> 00:11:36,870 SIX MONTHS AGO, SHE WAS LISTENING TO ANIMAL COLLECTIVE 290 00:11:36,913 --> 00:11:38,567 AND PLAYING ROLLER DERBY. 291 00:11:38,610 --> 00:11:40,525 NOW IT'S LIKE SOME KATE GOSSELIN POD PERSON 292 00:11:40,569 --> 00:11:41,962 TOOK HER OVER. 293 00:11:42,005 --> 00:11:43,877 I'M DOING THIS, ALL OF IT, FOR YOU, 294 00:11:43,920 --> 00:11:45,356 AND I'M NOT A CONTROL FREAK. 295 00:11:45,400 --> 00:11:46,880 OH. OH, AND THIS IS THE PART 296 00:11:46,923 --> 00:11:48,316 WHERE SHE BRINGS UP LETTING ME DO CHOIR. 297 00:11:48,359 --> 00:11:50,753 I THOUGHT YOU WERE EXCITED ABOUT CHOIR. 298 00:11:50,797 --> 00:11:52,407 - WHOA, WHOA, WAIT A MINUTE. - I AM EXCITED. 299 00:11:52,450 --> 00:11:54,148 - WHAT ABOUT CHOIR? - IT'S NOT THE CHOIR PART. 300 00:11:54,191 --> 00:11:56,454 IT'S THE LETTING ME. - FINE. SKIP THE CONCERT. 301 00:11:56,498 --> 00:11:57,891 UP TO YOU. - WHAT CONCERT? 302 00:11:57,934 --> 00:11:59,501 I'M NOT SKIPPING IT. 303 00:11:59,544 --> 00:12:00,981 SINGING IN PUBLIC IS A VIOLATION OF THE RULES. 304 00:12:01,024 --> 00:12:03,592 THAT'S ON BOTH OF YOU. 305 00:12:03,635 --> 00:12:05,812 IT'S TODAY. I CAN'T NOT GO. 306 00:12:05,855 --> 00:12:08,640 PLEASE. 307 00:12:08,684 --> 00:12:12,557 I'LL TAG ALONG, KEEP AN EYE ON THINGS. 308 00:12:12,601 --> 00:12:14,081 THANK YOU. 309 00:12:14,124 --> 00:12:15,560 AND I'M NOT TAKING THIS OUT. 310 00:12:15,604 --> 00:12:19,042 IT'S THE ONE THING I HAVE CONTROL OF. 311 00:12:19,086 --> 00:12:20,435 IT'S A TRICKY SITUATION. 312 00:12:20,478 --> 00:12:21,915 WHEN WE MAKE HER TAKE IT OUT, 313 00:12:21,958 --> 00:12:23,525 SHE COULD REBEL EVEN HARDER, 314 00:12:23,568 --> 00:12:26,006 RUN AWAY, PUT HERSELF IN REAL DANGER. 315 00:12:26,049 --> 00:12:27,747 YEAH, BUT KEEPING THE STREAK IS OUT OF THE QUESTION. 316 00:12:27,790 --> 00:12:29,792 IT WAS HER TRADEMARK. IT'S HER NUMBER ONE IDENTIFIER. 317 00:12:29,836 --> 00:12:32,186 I'M TURNING AROUND. - RELAX. 318 00:12:32,229 --> 00:12:33,970 "RELAX"? ET TU, MARSHALL? 319 00:12:34,014 --> 00:12:36,059 JUST GIVE ME A LITTLE TIME. I'LL HANDLE IT. 320 00:12:36,103 --> 00:12:37,974 ANYWAY, I NEED YOU TO DELIVER THAT MESSAGE, 321 00:12:38,018 --> 00:12:39,933 AND CARLOS NEEDS TO HEAR IT. 322 00:12:39,976 --> 00:12:42,892 OH, WELL, THEN, YOU KNOW WHAT HE SHOULD TRY? 323 00:12:42,936 --> 00:12:44,502 ANSWERING HIS GODDAMN PHONE. 324 00:12:44,546 --> 00:12:46,766 YEAH, HE'S KIND OF NEO-LUDDITE THAT WAY. 325 00:12:46,809 --> 00:12:48,071 LET ME KNOW WHEN YOU GET THERE. 326 00:12:48,115 --> 00:12:49,420 I'LL TAKE ANOTHER SHOT AT KENNA, 327 00:12:49,464 --> 00:12:50,639 SEE IF I CAN TALK SOME SENSE INTO HER. 328 00:12:52,423 --> 00:12:53,990 DID YOU JUST YELP? 329 00:12:54,034 --> 00:12:56,079 - NOPE. - AW. 330 00:12:56,123 --> 00:12:57,689 ROAD-TRIPPING WITH OSCAR. 331 00:12:57,733 --> 00:12:59,474 I THOUGHT FINDING HIM A NEW HOME 332 00:12:59,517 --> 00:13:00,867 WAS GONNA BE--YOUR WORDS-- 333 00:13:00,910 --> 00:13:03,304 "EASIER THAN A DIVORCEE AT OKTOBERFEST." 334 00:13:03,347 --> 00:13:05,567 YEAH, WELL, I MAY HAVE OVERESTIMATED. 335 00:13:05,610 --> 00:13:07,656 AND IT TURNS OUT THE KENNEL BUSINESS IS A TOTAL RACKET. 336 00:13:07,699 --> 00:13:10,572 TOSS A HANDFUL OF KIBBLE IN A CAGE TWICE A DAY, 337 00:13:10,615 --> 00:13:12,008 80 BUCKS A POP? 338 00:13:12,052 --> 00:13:13,575 FORGET WITSEC. WE SHOULD GET IN ON THIS. 339 00:13:13,618 --> 00:13:14,619 WE'LL RETIRE AT 40. 340 00:13:14,663 --> 00:13:16,099 WELL, I WILL. 341 00:13:16,143 --> 00:13:20,277 UH-HUH. AND YOUR OTHER CANDIDATE FOR PLACEMENT? 342 00:13:21,322 --> 00:13:22,584 WORKING ON IT. 343 00:13:22,627 --> 00:13:24,064 JUST GOTTA SMOKE OUT THE DIRTBAGS. 344 00:13:24,107 --> 00:13:26,806 THAT'S THE SPIRIT. CALL YOU LATER. 345 00:13:39,035 --> 00:13:42,865 SERIOUSLY? YOU JUST WENT. 346 00:13:42,909 --> 00:13:44,867 NO MORE SCRATCHING! NO! 347 00:13:44,911 --> 00:13:45,868 OKAY. 348 00:13:45,912 --> 00:13:49,393 OKAY. OKAY. 349 00:13:55,051 --> 00:13:57,619 GOD. 350 00:13:58,925 --> 00:14:02,102 OW, OW. OOH. 351 00:14:03,277 --> 00:14:04,931 OSCAR. OSCAR! 352 00:14:04,974 --> 00:14:08,456 HEY! YOU WANT TO BE COYOTE FOOD, THAT'S ON YOU! 353 00:14:20,685 --> 00:14:24,864 LOOK, I WANTED TO TALK TO YOU, 354 00:14:24,907 --> 00:14:27,040 MUSICIAN TO MUSICIAN. 355 00:14:27,083 --> 00:14:30,870 MUSICIAN TO MUSICIAN? THAT'S A JOKE, RIGHT? 356 00:14:30,913 --> 00:14:33,263 NO. WHEN I WAS A KID, I PLAYED THE OBOE. 357 00:14:33,307 --> 00:14:35,570 I WAS GOOD. LIKE QUASI-PRODIGY GOOD. 358 00:14:35,613 --> 00:14:40,662 THE OBOE. WOW. THAT'S, LIKE, SUPER NERDY. 359 00:14:40,705 --> 00:14:44,709 ANYWAY, ONE DAY, MY DAD TOOK IT AWAY. 360 00:14:44,753 --> 00:14:46,886 LIKE, HE WOULDN'T LET YOU PURSUE YOUR DREAM? 361 00:14:46,929 --> 00:14:48,365 NO, HE JUST HID THE THING. 362 00:14:48,409 --> 00:14:49,845 SAID IF I COULD FIGURE OUT WHERE IT WAS, 363 00:14:49,889 --> 00:14:51,325 I COULD PLAY IT ALL I WANTED. 364 00:14:51,368 --> 00:14:52,935 MY DAD'S ALWAYS BEEN A BIT UNORTHODOX 365 00:14:52,979 --> 00:14:55,068 WHEN IT COMES TO MOTIVATION. 366 00:14:55,111 --> 00:14:57,897 ANYWAY, THAT WHOLE EPISODE WAS HOW I DISCOVERED 367 00:14:57,940 --> 00:14:59,289 MY LOVE OF DETECTIVE WORK, 368 00:14:59,333 --> 00:15:01,639 WHICH EVENTUALLY LED ME TO THE MARSHAL SERVICE, 369 00:15:01,683 --> 00:15:03,250 WHICH LED ME TO YOU. 370 00:15:03,293 --> 00:15:06,688 DO YOU KNOW HOW MANY TEENAGE GIRLS STREAK THEIR HAIR? 371 00:15:06,731 --> 00:15:08,951 KENNA, IT WAS YOUR SIGNATURE THING. 372 00:15:08,995 --> 00:15:13,347 SO MAYBE I'M A FAN, A FAN OF LITA, 373 00:15:13,390 --> 00:15:14,957 WEARING A BLUE STREAK 374 00:15:15,001 --> 00:15:17,220 IN TRIBUTE TO HER MYSTERIOUS DISAPPEARANCE. 375 00:15:17,264 --> 00:15:20,876 LISTEN, I LOOKED FOR MY OBOE FOR THREE DAYS, 376 00:15:20,920 --> 00:15:22,878 AND AS LONG AS THOSE THREE DAYS WERE, 377 00:15:22,922 --> 00:15:25,011 I CAN'T IMAGINE WHAT YOU'RE GOING THROUGH. 378 00:15:25,054 --> 00:15:27,883 TO LOSE YOUR BAND, A RECORD DEAL. 379 00:15:27,927 --> 00:15:31,887 FOR ME, IT WAS JUST THE MUSIC. 380 00:15:31,931 --> 00:15:34,411 YOU KNOW, TEACHING KIDS GUITAR AT SILVER LAKE. 381 00:15:34,455 --> 00:15:36,022 I DUG IT. 382 00:15:36,065 --> 00:15:39,068 YEAH, BUT FROM PLAYING GIGS ALL OVER THE WORLD 383 00:15:39,112 --> 00:15:41,201 TO SITTING IN AN ALBUQUERQUE MATH CLASS? 384 00:15:41,244 --> 00:15:43,638 BELIEVE ME, I KNOW. 385 00:15:43,681 --> 00:15:45,988 I'VE GONE FROM SKYROCKETING PHENOM 386 00:15:46,032 --> 00:15:48,686 TO LIVING IN RURAL OBSCURITY. 387 00:15:48,730 --> 00:15:50,123 CHOIR MEMBERS, PLACES, PLEASE. 388 00:15:50,166 --> 00:15:52,560 I'VE GOTTA GET OUT THERE. 389 00:15:58,348 --> 00:15:59,828 HI. 390 00:16:03,440 --> 00:16:08,054 ♪ WHY SHOULD I FEEL 391 00:16:08,097 --> 00:16:12,188 ♪ DISCOURAGED? 392 00:16:12,232 --> 00:16:20,370 ♪ WHY SHOULD THE SHADOWS COME? ♪ 393 00:16:20,414 --> 00:16:28,074 ♪ WHY SHOULD MY HEART BE LONELY ♪ 394 00:16:28,117 --> 00:16:37,387 ♪ AND LONG FOR HEAVEN AND HOME? ♪ 395 00:16:37,431 --> 00:16:46,831 ♪ WHEN JESUS IS MY PORTION ♪ 396 00:16:46,875 --> 00:16:55,797 ♪ A CONSTANT FRIEND IS HE ♪ 397 00:16:55,840 --> 00:16:58,408 ♪ HIS EYE 398 00:16:58,452 --> 00:17:04,501 ♪ IS ON THE SPARROW 399 00:17:04,545 --> 00:17:07,200 ♪ AND I KNOW 400 00:17:07,243 --> 00:17:13,162 ♪ HE WATCHES ME 401 00:17:20,343 --> 00:17:21,910 DETOUR? WHAT KIND OF DETOUR? 402 00:17:21,953 --> 00:17:26,175 OH, JUST TAKING A STROLL, ENJOYING NATURE, 403 00:17:26,219 --> 00:17:28,047 YOU KNOW, THE WAY I DO. 404 00:17:28,090 --> 00:17:32,051 YEAH, YOU'RE A REGULAR SACAJAWEA. 405 00:17:32,094 --> 00:17:34,053 YOU WERE LEWIS AND CLARK'S NEXT PHONE CALL. 406 00:17:34,096 --> 00:17:36,403 YOU GET A HOLD OF CARLOS? - HE'S STILL NOT ANSWERING. 407 00:17:36,446 --> 00:17:37,665 IF THIS GUY'S A NO-SHOW WHEN I GET TO HIS RANCH, 408 00:17:37,708 --> 00:17:39,188 I SWEAR TO GOD. 409 00:17:39,232 --> 00:17:42,757 IT'S MORE AN ALPACA FARM THAN A RANCH. 410 00:17:42,800 --> 00:17:46,152 WHAT? WHAT THE HELL IS AN ALPACA? OW! 411 00:17:46,195 --> 00:17:48,850 THE DOMESTICATED SPECIES OF THE SOUTH AMERICAN CAMELID. 412 00:17:48,893 --> 00:17:51,722 - SWEET JESUS, JUST-- - IT'S A LLAMA, BUT SMALL. 413 00:17:51,766 --> 00:17:55,161 SINCE TAKING AN EARLY RETIREMENT FROM THE HUBCAP BUSINESS, 414 00:17:55,204 --> 00:17:58,555 CARLOS HAS GONE A LITTLE HIPPIE GRANOLA. 415 00:17:58,599 --> 00:18:01,819 IN ADDITION TO HIS ALPACA-NOMICS, 416 00:18:01,863 --> 00:18:05,345 HE FANCIES HIMSELF A BIT OF A SHAMAN. 417 00:18:05,388 --> 00:18:08,478 A SHAMAN? HOLY GOD. OW! 418 00:18:08,522 --> 00:18:09,784 OH! 419 00:18:09,827 --> 00:18:11,612 EVERYTHING OKAY? 420 00:18:11,655 --> 00:18:13,875 EVERYTHING BUT MY FEET. 421 00:18:15,268 --> 00:18:17,618 WHAT ABOUT-- WHAT ABOUT KENNA? 422 00:18:17,661 --> 00:18:19,707 DID YOU GET THE HAIR THING SQUARED AWAY OR WHAT? 423 00:18:19,750 --> 00:18:23,276 YEP, YEP. EVERYTHING'S COPACETIC. 424 00:18:23,319 --> 00:18:25,843 - DON'T SAY COPACETIC. - TALK LATER? 425 00:18:25,887 --> 00:18:27,671 BETTER THAN SOONER. 426 00:18:27,715 --> 00:18:30,718 OW, OW, OW. 427 00:18:30,761 --> 00:18:33,851 OSCAR! OSCAR! 428 00:18:37,333 --> 00:18:39,205 OH. 429 00:18:39,248 --> 00:18:41,685 HUH. 430 00:18:41,729 --> 00:18:44,471 - DAD! - HI. 431 00:18:44,514 --> 00:18:46,342 HI. - DAD. 432 00:18:46,386 --> 00:18:48,910 SORRY. JUST, UH, MY CAR IS-- 433 00:18:48,953 --> 00:18:51,130 OH, ANYWAY, I'M LOOKING FOR-- 434 00:18:51,173 --> 00:18:53,393 HAVE YOU SEEN A DOG? PIT BULL? 435 00:18:53,436 --> 00:18:56,831 HE'S ABOUT THE SIZE OF A...PIT BULL? 436 00:18:56,874 --> 00:18:59,312 - WE HAVE SEEN HIM. - OH. 437 00:18:59,355 --> 00:19:01,183 OH, THAT'S GREAT. THANK YOU SO MUCH. 438 00:19:01,227 --> 00:19:06,754 WHOO! THIS IS, UH, SOME PLACE. 439 00:19:06,797 --> 00:19:08,930 GREAT BOTTLE COLLECTION. 440 00:19:10,410 --> 00:19:13,195 OH, BOY. 441 00:19:14,675 --> 00:19:16,155 HE ISN'T FEELING TOO GOOD. 442 00:19:16,198 --> 00:19:18,635 POOPED ALL OVER OUR ENERGY GARDEN. 443 00:19:18,679 --> 00:19:21,203 WELL, YOU'VE GOT AN ENERGY GARDEN. 444 00:19:21,247 --> 00:19:23,640 KINDA HAD IT COMING. 445 00:19:23,684 --> 00:19:27,731 OH! DON'T MOVE. I MEAN IT. 446 00:19:29,385 --> 00:19:31,257 WE TOLD HER WHEN SHE ENTERED WITSEC 447 00:19:31,300 --> 00:19:32,910 THAT ANY PUBLIC SINGING WAS OUT OF BOUNDS. 448 00:19:32,954 --> 00:19:34,564 SHE KNEW THE RULES. 449 00:19:34,608 --> 00:19:36,392 IT'S A HIGH SCHOOL CHOIR, NOT THE VIPER ROOM. 450 00:19:36,436 --> 00:19:39,265 THE M.O.U. DIDN'T SPECIFY THE WHERE, JUST THE WHAT. 451 00:19:39,308 --> 00:19:41,223 NOW LOOK, I FEEL FOR THE KID TOO. I DO. 452 00:19:41,267 --> 00:19:43,225 BUT SHE'S COMPROMISING HER SAFETY AND HER MOTHER'S. 453 00:19:43,269 --> 00:19:44,792 IF SHE WANTS OUR PROTECTION, 454 00:19:44,835 --> 00:19:46,228 KENNA'S GOT TO FOLLOW THE LETTER. 455 00:19:46,272 --> 00:19:48,012 I PUT A CALL IN TO SHELLY FINKEL, ALL RIGHT? 456 00:19:48,056 --> 00:19:49,971 MAYBE A FEW THERAPY SESSIONS WILL HELP KENNA SEE THE LIGHT. 457 00:19:50,014 --> 00:19:51,581 I WOULDN'T COUNT ON THAT. 458 00:19:51,625 --> 00:19:53,104 HER ATTORNEY WANTS TO SPEAK TO YOU. 459 00:19:53,148 --> 00:19:54,454 WHAT ATTORNEY? 460 00:19:54,497 --> 00:19:56,760 THE ONE THAT'S WAITING DOWNSTAIRS. 461 00:19:59,633 --> 00:20:02,244 "BLOAT"? WHAT'S BLOAT? 462 00:20:02,288 --> 00:20:04,812 I'M NOT REALLY A DOG PERSON. 463 00:20:04,855 --> 00:20:08,076 WELL, IT'S WHEN A TUMMY OF A DOG OR A CAT 464 00:20:08,119 --> 00:20:10,209 OR ANYTHING REALLY GETS STRETCHED OUT 465 00:20:10,252 --> 00:20:12,254 ON ACCOUNT OF EXCESS GAS. 466 00:20:12,298 --> 00:20:14,256 OR IT COULD JUST BE HIS DIET. 467 00:20:14,300 --> 00:20:20,001 OH, SURE. I MEAN, BEEF JERKY AND GRILLED CHEESE 468 00:20:20,044 --> 00:20:22,656 WOULD BE REALLY BAD FOR HIM, OBVIOUSLY, SO NONE OF THAT. 469 00:20:22,699 --> 00:20:25,093 I COULD TRY AN ENERGY CLEANSE IF YOU'D LIKE. 470 00:20:25,136 --> 00:20:27,878 ANOINT HIM WITH SOME HOMEMADE PEPPERMINT OIL? 471 00:20:27,922 --> 00:20:31,273 YEAH. NO, THANKS. NO TO THE ENERGY CLEANSE. 472 00:20:31,317 --> 00:20:33,232 I THINK WE'LL PROBABLY JUST HEAD OUT. 473 00:20:36,974 --> 00:20:41,805 DO YOU MIND ME ASKING, WHAT DO YOU...DO? 474 00:20:41,849 --> 00:20:44,982 I MEAN, DO YOU JUST SORT OF LIVE HERE? 475 00:20:45,026 --> 00:20:47,376 NOT JUST. WE DO EVERYTHING. 476 00:20:47,420 --> 00:20:50,031 WE HOME-SCHOOL THE KIDS, WE SEW OUR OWN CLOTHES, 477 00:20:50,074 --> 00:20:51,380 GROW ORGANIC VEGETABLES. 478 00:20:51,424 --> 00:20:55,254 AND THE REST OF THE WIVES? 479 00:20:55,297 --> 00:20:57,517 JUST GOT THE ONE. - HUH. 480 00:20:57,560 --> 00:20:59,388 IT'S AN OFFBEAT WAY TO RAISE A FAMILY, 481 00:20:59,432 --> 00:21:02,348 I'LL GRANT YOU THAT, BUT IT WORKS FOR US. 482 00:21:02,391 --> 00:21:06,656 OUR KIDS ARE HAPPY AND SAFE. 483 00:21:06,700 --> 00:21:08,745 WHAT ELSE MATTERS? 484 00:21:10,530 --> 00:21:12,967 I PRACTICE FAMILY LAW WITH A SUBSPECIALITY 485 00:21:13,010 --> 00:21:14,490 IN JUVENILE MATTERS AND GUARDIANSHIP. 486 00:21:14,534 --> 00:21:16,362 KENNA ASKED ME TO HANDLE HER CASE. 487 00:21:16,405 --> 00:21:19,539 SHE'S TOLD YOU HER SITUATION? 488 00:21:19,582 --> 00:21:20,975 YOU'RE REFERRING TO THE FACT 489 00:21:21,018 --> 00:21:22,411 THAT KENNA'S IN WITNESS PROTECTION? 490 00:21:22,455 --> 00:21:24,413 KENNA, WHAT ARE YOU DOING? 491 00:21:24,457 --> 00:21:27,460 WHEN YOU SAY YOU'RE HANDLING HER "CASE"-- 492 00:21:27,503 --> 00:21:30,289 I'M FILING FOR EMANCIPATION FROM MY MOTHER. 493 00:21:30,332 --> 00:21:33,857 I DON'T WANT TO LEAVE WITNESS PROTECTION, JUST HER. 494 00:21:33,901 --> 00:21:39,123 GIVE US A MINUTE. 495 00:21:39,167 --> 00:21:41,343 YOU REALIZE WHAT YOU'VE DONE HERE? 496 00:21:41,387 --> 00:21:43,389 I HAVE A RIGHT TO AN ATTORNEY. 497 00:21:43,432 --> 00:21:45,521 OR IS THAT ONLY FOR THE BAD GUYS? 498 00:21:45,565 --> 00:21:47,262 OF COURSE YOU DO, BUT YOU BREACHED SECURITY. 499 00:21:47,306 --> 00:21:49,351 YOU'RE PROBABLY GONNA HAVE TO BE MOVED AGAIN. 500 00:21:49,395 --> 00:21:52,398 WHAT ABOUT MY SCHOOL? MY CHOIR? 501 00:21:52,441 --> 00:21:53,921 NO MORE CHOIR EVER. 502 00:21:53,964 --> 00:21:55,401 BRAND-NEW SCHOOL IN A BRAND-NEW CITY. 503 00:21:55,444 --> 00:21:58,360 THAT IS COMPLETELY UNACCEPTABLE. 504 00:21:58,404 --> 00:22:01,232 I WANT TO TALK TO MARY. 505 00:22:01,276 --> 00:22:03,060 NOW! - NO! 506 00:22:03,104 --> 00:22:05,019 INSPECTORS MANN AND PARMALEE ARE GONNA TAKE YOU HOME TO PACK. 507 00:22:05,062 --> 00:22:06,760 YOU WILL HAVE NO CONTACT WITH YOUR ATTORNEY 508 00:22:06,803 --> 00:22:07,978 UNTIL I SAY SO. 509 00:22:08,022 --> 00:22:09,328 CLEAR? 510 00:22:09,371 --> 00:22:11,591 AM I CLEAR? 511 00:22:14,333 --> 00:22:16,291 HEY, WHAT'S UP? 512 00:22:16,335 --> 00:22:18,685 CARLOS' NEIGHBOR JUST CALLED ME FROM HIS CELL. 513 00:22:18,728 --> 00:22:20,251 SHE CAN'T FIND HIM. 514 00:22:20,295 --> 00:22:22,384 HOUSE IS EMPTY. FRONT DOOR IS WIDE OPEN. 515 00:22:22,428 --> 00:22:24,734 YOUR WITNESS IS IN THE WIND. 516 00:22:33,613 --> 00:22:35,354 HOW LONG HAS HE BEEN MISSING AGAIN? 517 00:22:35,397 --> 00:22:36,964 NOT SURE. 518 00:22:37,007 --> 00:22:38,182 THE LAST TIME THE NEIGHBORS SAW HIM WAS THREE DAYS AGO. 519 00:22:38,226 --> 00:22:39,880 YOU NOTIFY THE LOCALS? 520 00:22:39,923 --> 00:22:41,882 THE SHERIFF'S MEETING MARY AT CARLOS' RANCH. 521 00:22:41,925 --> 00:22:43,666 TESTIFIED LATE '90s. 522 00:22:43,710 --> 00:22:45,538 THE GUY HE ROLLED ON, VAZQUEZ, 523 00:22:45,581 --> 00:22:47,017 GOT PAROLE THREE YEARS BACK, BUT-- 524 00:22:47,061 --> 00:22:48,410 MAYBE REACH OUT TO HIS P.O., 525 00:22:48,454 --> 00:22:49,890 MAKE SURE VAZQUEZ IS NOWHERE CLOSE. 526 00:22:49,933 --> 00:22:51,457 ALREADY DID. WE'RE GOOD, MARSHALL. 527 00:22:51,500 --> 00:22:54,111 MARY'S FINE. SHE'S A BIG GIRL AND SHE-- 528 00:22:54,155 --> 00:22:57,071 WELL, YOU KNOW... 529 00:22:57,114 --> 00:22:58,420 NOT LITERALLY, BUT YOU KNOW, JUST-- 530 00:22:58,464 --> 00:23:00,030 NO, I UNDERSTAND. 531 00:23:00,074 --> 00:23:02,076 YEAH. 532 00:23:24,185 --> 00:23:26,143 GET GOING. 533 00:23:27,928 --> 00:23:29,320 - INSPECTOR SHANNON? - YEAH, HEY. 534 00:23:29,364 --> 00:23:30,974 - SHERIFF TAYLOR. - NICE TO MEET YOU. 535 00:23:31,018 --> 00:23:32,367 YOU MADE PRETTY GOOD TIME. 536 00:23:32,411 --> 00:23:33,716 WELL, IS THAT A COMPLIMENT OR AM I 537 00:23:33,760 --> 00:23:36,545 GETTING A RETROACTIVE SPEEDING TICKET? 538 00:23:36,589 --> 00:23:41,289 NOTHING? OKAY. 539 00:23:41,332 --> 00:23:43,247 SHE THE ONE WHO FOUND HIS PHONE? - YEAH, THE NEIGHBOR. 540 00:23:43,291 --> 00:23:44,771 WE JUST SEARCHED THE HOUSE. 541 00:23:44,814 --> 00:23:46,163 NO SIGN OF MR. RAMIREZ. 542 00:23:46,207 --> 00:23:47,426 DID YOU GO OVER THE PROPERTY? 543 00:23:47,469 --> 00:23:51,517 NOT YET. 544 00:24:06,053 --> 00:24:10,492 HEY! 545 00:24:10,536 --> 00:24:13,756 I'M CARLOS. 546 00:24:13,800 --> 00:24:17,151 YOU'VE BEEN LOOKING FOR ME. 547 00:24:17,194 --> 00:24:18,805 WHAT, I'M SUPPOSED TO BE IMPRESSED BY THAT? 548 00:24:18,848 --> 00:24:20,197 I'M WEARING A BADGE, I BROUGHT THE SHERIFF, 549 00:24:20,241 --> 00:24:21,634 AND I JUST PULLED BACK THE WELCOME MAT 550 00:24:21,677 --> 00:24:23,157 ON YOUR HOLE IN THE GROUND. 551 00:24:23,200 --> 00:24:25,507 YEAH, CARNAC, I'VE BEEN LOOKING FOR YOU. 552 00:24:25,551 --> 00:24:27,988 YOU HAVE A MESSAGE ABOUT MY FAMILY. 553 00:24:28,031 --> 00:24:31,644 ALL RIGHT, I'LL ADMIT, THAT'S KIND OF SPOOKY. 554 00:24:31,687 --> 00:24:32,993 I'VE BEEN ON A VISION QUEST. 555 00:24:33,036 --> 00:24:34,908 OF COURSE YOU HAVE. 556 00:24:34,951 --> 00:24:37,519 COME, I'LL TELL YOU ALL ABOUT IT. 557 00:24:37,563 --> 00:24:42,263 PLEASE DON'T. 558 00:24:42,306 --> 00:24:43,917 COME ON, LET'S GO. 559 00:24:51,141 --> 00:24:53,013 UNDER NORMAL CIRCUMSTANCES, 560 00:24:53,056 --> 00:24:54,754 EMANCIPATION FOR A MINOR WITNESS 561 00:24:54,797 --> 00:24:57,104 WOULDN'T EVEN BE A CONSIDERATION. 562 00:24:57,147 --> 00:24:58,801 IN KENNA'S CASE THOUGH, 563 00:24:58,845 --> 00:25:02,239 THERE ARE EXTENUATING CIRCUMSTANCES. 564 00:25:02,283 --> 00:25:05,852 I'M NOT SURE I FOLLOW. 565 00:25:05,895 --> 00:25:10,334 MY MOM, LONDON, EVERYTHING. 566 00:25:10,378 --> 00:25:12,119 YOU HAVE TO ADMIT, 567 00:25:12,162 --> 00:25:14,556 BRITT'S SPOTTY RECORD AS A PARENT 568 00:25:14,600 --> 00:25:16,515 GIVES KENNA A PRETTY GOOD CASE. 569 00:25:16,558 --> 00:25:18,995 WHOA, WHOA, WHOA. SPOTTY RECORD? 570 00:25:19,039 --> 00:25:22,782 THE DRUG USE, THE EMBEZZLEMENT. 571 00:25:22,825 --> 00:25:26,568 ALL RIGHT, DID YOU TELL HER THAT, HMM? 572 00:25:26,612 --> 00:25:28,222 DID YOU TELL HER? THOSE ARE LIES. 573 00:25:28,265 --> 00:25:29,876 SHE'S BEEN IN OUR PROGRAM FOR SIX MONTHS NOW. 574 00:25:29,919 --> 00:25:31,138 BRITT'S AN OUTSTANDING PARENT. 575 00:25:31,181 --> 00:25:34,707 YEAH, NOW. BUT-- 576 00:25:34,750 --> 00:25:39,668 GOD, MOM, SERIOUSLY? 577 00:25:39,712 --> 00:25:45,587 OKAY, THIS IS-- 578 00:25:45,631 --> 00:25:47,981 AFTER KENNA SIGNED HER RECORD DEAL, 579 00:25:48,024 --> 00:25:51,071 I STARTED PARTYING ON THE ROAD. 580 00:25:51,114 --> 00:25:52,899 "PARTYING" IS MILD. 581 00:25:52,942 --> 00:25:54,814 I WISH "PARTYING." 582 00:25:54,857 --> 00:25:57,164 OKAY. 583 00:25:57,207 --> 00:25:58,992 KENNA COVERED FOR ME. 584 00:25:59,035 --> 00:26:01,081 THE RUMOR--SHE LET THE LABEL THINK IT WAS HER. 585 00:26:01,124 --> 00:26:03,387 EVERY NIGHT AFTER OUR SET, 586 00:26:03,431 --> 00:26:06,173 WE'D BE AT SOME BAR WITH HER DANCING ON TABLES, 587 00:26:06,216 --> 00:26:07,478 COKED OUT OF HER HEAD. 588 00:26:07,522 --> 00:26:09,306 RANDOM GUYS. 589 00:26:09,350 --> 00:26:12,832 THEN THERE'S, UM, THE DORCHESTER. 590 00:26:12,875 --> 00:26:14,398 KENNA, PLEASE. 591 00:26:14,442 --> 00:26:16,226 I WOKE UP AT 3:00 IN THE MORNING, MOM, 592 00:26:16,270 --> 00:26:18,794 ON MY BIRTHDAY. 593 00:26:18,838 --> 00:26:21,405 THE SUITE WAS TRASHED. 594 00:26:21,449 --> 00:26:24,800 I FOUND HER PASSED OUT IN A BATHTUB. 595 00:26:24,844 --> 00:26:26,933 SPENT THE NIGHT IN THE E.R. 596 00:26:26,976 --> 00:26:29,544 HELL OF A SWEET 16. 597 00:26:29,588 --> 00:26:32,721 THAT WAS THE WORST NIGHT OF MY LIFE, 598 00:26:32,765 --> 00:26:36,464 BECAUSE THAT WAS THE WORST NIGHT OF YOURS. 599 00:26:36,507 --> 00:26:38,248 KENNA--LONDON, 600 00:26:38,292 --> 00:26:40,729 YOU SUDDENLY BEING THE BREADWINNER, 601 00:26:40,773 --> 00:26:42,818 THE GROWN-UP IN ME, SO OUT OF CONTROL. 602 00:26:42,862 --> 00:26:45,342 IT WASN'T RIGHT. IT WASN'T FAIR. 603 00:26:45,386 --> 00:26:49,390 AND IF I COULD TAKE IT BACK, I WOULD. 604 00:26:49,433 --> 00:26:51,958 I DON'T KNOW WHAT TO SAY. 605 00:26:52,001 --> 00:26:56,310 ALL I KNOW IS IT HAPPENED. 606 00:26:56,353 --> 00:26:58,704 AND I AM SORRY. 607 00:26:58,747 --> 00:27:01,881 I AM SO SORRY. 608 00:27:05,754 --> 00:27:09,628 SO...WHAT NOW? 609 00:27:09,671 --> 00:27:12,805 KENNA WILL MOVE FORWARD WITH HER EMANCIPATION SUIT 610 00:27:12,848 --> 00:27:14,676 WITH PERMISSION FROM OUR OFFICE. 611 00:27:14,720 --> 00:27:16,199 AND THEIR RELOCATION? 612 00:27:16,243 --> 00:27:17,940 WE'VE CONTACTED JUSTICE AND ASKED 613 00:27:17,984 --> 00:27:19,594 TO EXPEDITE A JUVENILE HEARING. 614 00:27:19,638 --> 00:27:22,031 UNTIL THEN, KENNA AND BRITT 615 00:27:22,075 --> 00:27:23,685 WILL STAY PUT IN THE SAFE HOUSE. 616 00:27:23,729 --> 00:27:25,513 TOGETHER? 617 00:27:25,556 --> 00:27:28,081 UNTIL THE HEARING, YES. 618 00:27:28,124 --> 00:27:30,431 TOGETHER. 619 00:27:32,085 --> 00:27:35,175 CAN I TALK TO YOU FOR A SECOND? 620 00:27:35,218 --> 00:27:36,829 WOW. 621 00:27:36,872 --> 00:27:38,265 ALPACAS ARE KIND OF CUTE. 622 00:27:38,308 --> 00:27:40,093 CAN YOU EAT 'EM? 623 00:27:40,136 --> 00:27:42,312 WELL, YOU COULD, BUT I-- 624 00:27:42,356 --> 00:27:45,664 I SELL THE FLEECE TO A FRIEND IN MILWAUKEE 625 00:27:45,707 --> 00:27:49,189 WHO MAKES STEERING WHEEL SKINS AND CUSTOM SEAT COVERS. 626 00:27:49,232 --> 00:27:51,060 IT'S A LONG WAY FROM HUBCAPS, 627 00:27:51,104 --> 00:27:53,802 BUT YOU'RE STILL IN THE ACCESSORY BUSINESS, I GUESS. 628 00:27:55,543 --> 00:27:57,893 THIS IS TRUE. 629 00:27:57,937 --> 00:27:59,895 YOU KNOW, IT'S ODD... 630 00:27:59,939 --> 00:28:02,768 YOU KNOW, THAT A LIFE OF PETTY CRIME 631 00:28:02,811 --> 00:28:05,901 LED ME TO THIS PLACE. 632 00:28:05,945 --> 00:28:07,294 I WAS ON THE RIGHT PATH ALL ALONG, 633 00:28:07,337 --> 00:28:10,036 WHETHER I REALIZED IT OR NOT. 634 00:28:10,079 --> 00:28:12,299 LISTEN, CARLOS. 635 00:28:12,342 --> 00:28:15,128 THIS MESSAGE MARSHALL ASKED ME TO GIVE YOU, 636 00:28:15,171 --> 00:28:16,651 THERE'S NO EASY WAY TO SAY IT. 637 00:28:16,695 --> 00:28:20,263 MY MOTHER. 638 00:28:20,307 --> 00:28:25,399 SHE'S WITH THE ANGELS. 639 00:28:25,442 --> 00:28:27,662 I KNOW WHEN IT HAPPENED. 640 00:28:27,706 --> 00:28:29,403 I SAW IT MANIFESTED IN MY VISION. 641 00:28:29,446 --> 00:28:32,101 OH, YOUR VISION. RIGHT. 642 00:28:32,145 --> 00:28:35,322 YOU DON'T BELIEVE. I UNDERSTAND. 643 00:28:35,365 --> 00:28:36,758 I KNEW THE MINUTE SHE PASSED. 644 00:28:36,802 --> 00:28:39,630 IT WAS THREE DAYS AGO. 645 00:28:39,674 --> 00:28:42,808 SO THAT'S WHY YOU WENT ON YOUR SPIDER HOLE 646 00:28:42,851 --> 00:28:45,811 CAMPING TRIP WITH THE LOINCLOTH AND-- 647 00:28:45,854 --> 00:28:47,813 WELL, JUST THE LOINCLOTH, REALLY. 648 00:28:47,856 --> 00:28:51,033 IT IS, YES. 649 00:28:52,469 --> 00:28:55,646 IT'S HARD TO LOSE A PARENT. 650 00:28:55,690 --> 00:28:57,648 YES. 651 00:28:57,692 --> 00:29:00,477 A PARENT IS A HOLY THING. 652 00:29:00,521 --> 00:29:04,394 BUT HER TIME WITH HER CHILDREN WAS DONE, YOU KNOW? 653 00:29:04,438 --> 00:29:06,266 OKAY THEN. 654 00:29:06,309 --> 00:29:08,747 WELL, TAKE CARE, CARLOS. 655 00:29:08,790 --> 00:29:12,141 GOOD LUCK WITH THE ALPACAS. 656 00:29:12,185 --> 00:29:15,362 HEY, LET'S GO. 657 00:29:17,233 --> 00:29:18,800 THANKS. 658 00:29:18,844 --> 00:29:22,108 MARY? 659 00:29:22,151 --> 00:29:23,370 I HEARD YOUR MESSAGE. 660 00:29:23,413 --> 00:29:24,806 WOULD YOU LIKE TO HEAR MINE? 661 00:29:24,850 --> 00:29:27,461 YOU HAVE A MESSAGE FOR ME? 662 00:29:27,504 --> 00:29:29,680 - FROM MY VISION QUEST. - AHH. 663 00:29:29,724 --> 00:29:31,291 YEAH, THANKS. 664 00:29:31,334 --> 00:29:34,816 NO, I'M NOT MUCH INTO SIGNS AND STUFF, SO. 665 00:29:34,860 --> 00:29:38,341 ANYWAY, TAKE CARE. 666 00:29:53,617 --> 00:29:56,359 NO. OH, NO! 667 00:29:56,403 --> 00:29:58,579 NO, NO. 668 00:29:58,622 --> 00:30:00,407 OH, GOD. 669 00:30:00,450 --> 00:30:03,584 NOT A WORD. 670 00:30:03,627 --> 00:30:06,674 WHY DIDN'T YOU SAY ANYTHING? 671 00:30:08,023 --> 00:30:10,939 WHAT, THAT MY MOM WAS A COKEHEAD 672 00:30:10,983 --> 00:30:13,289 WHO CHARLIE SHEEN'D HOTEL ROOMS AND BLEW MY PAYCHECKS 673 00:30:13,333 --> 00:30:16,640 ON NEW JIMMY CHOOS? 674 00:30:16,684 --> 00:30:18,947 WHEN WE CAME INTO THE PROGRAM, 675 00:30:18,991 --> 00:30:23,343 I DON'T KNOW IF I FELT SORRY FOR HER OR JUST-- 676 00:30:23,386 --> 00:30:24,779 RELIEVED? 677 00:30:24,823 --> 00:30:27,086 THAT IT WAS ALL OVER? 678 00:30:27,129 --> 00:30:28,870 YEAH. 679 00:30:28,914 --> 00:30:30,741 I BET. 680 00:30:30,785 --> 00:30:32,874 WHEN WE GOT TO ALBUQUERQUE, 681 00:30:32,918 --> 00:30:35,790 I GUESS THE WORLD 682 00:30:35,834 --> 00:30:38,619 STOPPED SPINNING SO FAST, HER HEAD CLEARED. 683 00:30:38,662 --> 00:30:40,577 I'M CONFUSED. 684 00:30:40,621 --> 00:30:42,841 YOU COVERED FOR HER ON TOUR 685 00:30:42,884 --> 00:30:46,757 AND NOW IT SEEMS LIKE SHE'S CLEANED UP HER ACT. 686 00:30:46,801 --> 00:30:48,368 YEAH. 687 00:30:48,411 --> 00:30:51,501 WELL, MAYBE MY HEAD CLEARED TOO. 688 00:30:51,545 --> 00:30:54,374 WHAT SHE DID TO ME WASN'T RIGHT. 689 00:30:54,417 --> 00:30:57,638 IT'S NOT. 690 00:30:57,681 --> 00:31:00,989 AND NOW I FINALLY MAKE SOME FRIENDS. 691 00:31:01,033 --> 00:31:04,645 NOT ROADIES. FRIENDS. 692 00:31:04,688 --> 00:31:07,866 GOD. 693 00:31:07,909 --> 00:31:10,390 CAN I AT LEAST GO TO CHOIR, SAY GOOD-BYE? 694 00:31:10,433 --> 00:31:12,566 I'M SORRY. NO. 695 00:31:12,609 --> 00:31:14,742 IT'S TOO DANGEROUS. 696 00:31:14,785 --> 00:31:17,092 NO ONE KNOWS I'M HERE. 697 00:31:17,136 --> 00:31:18,746 I'M NOT GONNA SAY WHERE I'M GOING. 698 00:31:18,789 --> 00:31:22,010 THERE ARE PEOPLE OUT THERE WHO ARE LOOKING FOR YOU. 699 00:31:22,054 --> 00:31:24,360 MARSHALL. 700 00:31:24,404 --> 00:31:26,580 LOOK AT THIS. 701 00:31:26,623 --> 00:31:29,191 ONE OF BRITT'S PTA FRIENDS CALLS HER ALL EXCITED, 702 00:31:29,235 --> 00:31:32,760 SOMETHING ABOUT 50,000 HITS IN THE FIRST 90 MINUTES. 703 00:31:35,545 --> 00:31:38,592 ALL THESE MAN-HOURS, RESOURCES TO KEEP HER SAFE, 704 00:31:38,635 --> 00:31:41,290 WE GET JAMMED UP BY A DAD WITH A CAMERA 705 00:31:41,334 --> 00:31:42,813 AND AN ITCHY POSTING FINGER. 706 00:31:42,857 --> 00:31:44,467 UNBELIEVABLE. 707 00:31:44,511 --> 00:31:46,034 FROM FLIP PHONE TO YOUTUBE. 708 00:31:46,078 --> 00:31:47,906 YEP, OUR WITNESS JUST WENT VIRAL. 709 00:32:03,008 --> 00:32:04,966 HEY. 710 00:32:05,010 --> 00:32:07,316 I MADE HIM A LEASH. 711 00:32:07,360 --> 00:32:09,840 IT'S ORGANIC HEMP. - REALLY? 712 00:32:09,884 --> 00:32:12,452 BRINGS ME BACK TO MY HIGH SCHOOL BOYFRIEND'S VAN. 713 00:32:12,495 --> 00:32:14,845 THANKS. 714 00:32:14,889 --> 00:32:16,108 WE'LL BE GOING NOW. 715 00:32:16,151 --> 00:32:18,153 IT ISN'T TIME, MARY. 716 00:32:18,197 --> 00:32:19,807 OH, I SEE. 717 00:32:19,850 --> 00:32:22,592 IS THIS WHERE YOU GO ALL PEYOTE ON ME, 718 00:32:22,636 --> 00:32:24,290 HIT ME WITH THE FOLKLORE-HEAVY MYSTIC TALK, 719 00:32:24,333 --> 00:32:26,379 SOME CLICHED, HANDMADE NATIVE-AMERICAN TRINKET 720 00:32:26,422 --> 00:32:29,121 LIKE A DREAM CATCHER OR TURQUOISE SUNDIAL? 721 00:32:29,164 --> 00:32:30,557 THEN WHAT? 722 00:32:30,600 --> 00:32:32,298 I SEE THE LIGHT, AND THIS TIME NEXT YEAR, 723 00:32:32,341 --> 00:32:35,736 I'M AT INTERSTATE OFF-RAMPS HANDING OUT PAMPHLETS? 724 00:32:35,779 --> 00:32:37,999 LOOK, I'M SORRY TO BURST YOUR CRYSTAL, 725 00:32:38,043 --> 00:32:39,914 BUT IT'S NOT GONNA HAPPEN. 726 00:32:39,958 --> 00:32:43,091 YOUR LOVED ONES HURT YOU WHEN YOU WERE A CHILD. 727 00:32:43,135 --> 00:32:44,788 IT MADE YOU FEAR GETTING CLOSE TO ANYONE 728 00:32:44,832 --> 00:32:46,312 BECAUSE THEY MAY HURT YOU TOO. 729 00:32:47,966 --> 00:32:49,445 MY FAMILY WASN'T PERFECT AND KIDS 730 00:32:49,489 --> 00:32:51,143 ARE HARDWIRED FROM AN EARLY AGE. 731 00:32:51,186 --> 00:32:53,101 I MEAN, I'VE SEEN MORE SAVVY INSIGHT 732 00:32:53,145 --> 00:32:55,060 ON $2 T-SHIRTS AND NOVELTY MUGS. 733 00:32:55,103 --> 00:32:58,889 NOW YOU HAVE A CHILD ON ITS WAY. 734 00:32:58,933 --> 00:33:00,674 AND A VERY IMPORTANT CHOICE TO MAKE. 735 00:33:00,717 --> 00:33:03,068 - SAYS WHO? - THE UNIVERSE. 736 00:33:03,111 --> 00:33:04,895 WOW, YOU'RE REALLY DIGGING YOUR HEELS IN 737 00:33:04,939 --> 00:33:07,550 ON THIS WHOLE UNIVERSE THING, HUH? 738 00:33:11,424 --> 00:33:14,775 FOLLOW YOUR SPIRIT GUIDE, MARY. 739 00:33:14,818 --> 00:33:17,169 THE DOG? 740 00:33:17,212 --> 00:33:19,084 OKAY, WELL, GIVE MY REGARDS 741 00:33:19,127 --> 00:33:21,564 TO THE SWEAT LODGE AND/OR ASYLUM. 742 00:33:21,608 --> 00:33:23,001 TURN THE ENYA UP TO 11. 743 00:33:23,044 --> 00:33:25,351 SEE YA. 744 00:33:25,394 --> 00:33:27,005 MARY? 745 00:33:29,311 --> 00:33:32,053 OH, THANKS. 746 00:33:32,097 --> 00:33:35,013 YOU OPENED YOUR HEART TO HIM. THAT'S A START. 747 00:33:35,056 --> 00:33:37,276 GO HOME. 748 00:33:37,319 --> 00:33:39,234 LET THE SPIRITS GUIDE YOU. 749 00:33:45,458 --> 00:33:48,069 WE COULD SCOUR THE WEB ALL DAY, 750 00:33:48,113 --> 00:33:50,115 PULL DOWN EVERY VERSION OF THE VIDEO OUT THERE. 751 00:33:50,158 --> 00:33:51,812 IT'S NOT GONNA MAKE A DENT. 752 00:33:51,855 --> 00:33:54,858 SOMEONE HAS IT CACHED PERMANENTLY AND DOWNLOADED. 753 00:33:54,902 --> 00:33:56,251 WE MAY AS WELL BE TAKING A MOP 754 00:33:56,295 --> 00:33:57,731 TO THE INCOMING TIDE. 755 00:33:57,774 --> 00:33:59,646 MMM, THERE ARE MILLIONS OF TEENAGE GIRLS 756 00:33:59,689 --> 00:34:00,821 SINGING ON THE INTERNET. 757 00:34:00,864 --> 00:34:01,865 ODDS ARE ON OUR SIDE. 758 00:34:01,909 --> 00:34:03,084 YEAH, ONE IN A MILLION. 759 00:34:03,128 --> 00:34:04,390 THAT'S ALL IT TAKES FOR IT 760 00:34:04,433 --> 00:34:05,782 TO BITE US IN THE ASS. 761 00:34:05,826 --> 00:34:07,567 SECURITY DETAIL THE SAFE HOUSE. 762 00:34:07,610 --> 00:34:09,003 WE DON'T WAIT TILL TOMORROW. SEND THEM NOW. 763 00:34:09,047 --> 00:34:10,135 I CAN HEAD OVER IF YOU WANT, 764 00:34:10,178 --> 00:34:11,571 WAIT TILL THEY ARRIVE. 765 00:34:11,614 --> 00:34:13,138 CHIEF, HERE'S THAT LINK. 766 00:34:13,181 --> 00:34:15,575 WE'RE BACK WITH 101.7, INDIE ROCK L.A. 767 00:34:15,618 --> 00:34:17,881 NEW AMATEUR VIDEO ON YOUTUBE LEADS SOME FANS 768 00:34:17,925 --> 00:34:19,405 OF LITA AND THE ECHOES TO WONDER 769 00:34:19,448 --> 00:34:22,016 IF LITA'S SINGING IN A HIGH SCHOOL CHOIR 770 00:34:22,060 --> 00:34:25,324 IN ALBUQUERQUE OF ALL PLACES. CALLER ONE? 771 00:34:25,367 --> 00:34:26,847 YEAH, DUDE, THAT BAND WAS KILLER... 772 00:34:26,890 --> 00:34:28,544 WHEN WAS THAT BROADCAST? 773 00:34:28,588 --> 00:34:30,590 L.A. MORNING DRIVE. 774 00:34:30,633 --> 00:34:32,244 BRITT, I'M GLAD YOU CALLED. 775 00:34:32,287 --> 00:34:34,898 NOW LISTEN, AS A PRECAUTION-- - KENNA'S GONE. 776 00:34:34,942 --> 00:34:36,987 OKAY, WHOA, WHOA, WHOA, OKAY, SLOW DOWN, SLOW DOWN. 777 00:34:37,031 --> 00:34:39,294 I DON'T KNOW WHAT TO DO. I'M FREAKING OUT! 778 00:34:39,338 --> 00:34:40,339 I'M SENDING A TEAM OVER, TEN MINUTES. 779 00:34:40,382 --> 00:34:41,905 STAY PUT AND LOCK UP. 780 00:34:41,949 --> 00:34:43,690 - TEL THEM TO HURRY, PLEASE. - BYE. 781 00:34:43,733 --> 00:34:45,561 KENNA TOOK OFF. 782 00:34:45,605 --> 00:34:48,912 BRITT DOESN'T KNOW WHERE. 783 00:34:53,656 --> 00:34:55,658 I'M GUESSING SHE WENT TO SAY GOOD-BYE 784 00:34:55,702 --> 00:34:56,964 TO HER FRIENDS IN THE CHOIR. 785 00:34:57,007 --> 00:34:58,313 I TOLD HER THAT WAS OUT OF THE QUESTION. 786 00:34:58,357 --> 00:35:00,010 WELL, THAT ALWAYS WORKS WITH TEENAGERS, 787 00:35:00,054 --> 00:35:01,751 "OUT OF THE QUESTION." 788 00:35:01,795 --> 00:35:03,623 NEXT TIME, MAYBE TAKE "OVER MY DEAD BODY" OUT FOR A SPIN. 789 00:35:03,666 --> 00:35:05,015 DID YOU CHECK WITH LAPD? 790 00:35:05,059 --> 00:35:07,235 DELIA DID AND ONE OF THE GUYS 791 00:35:07,279 --> 00:35:08,889 KENNA'S TESTIFYING AGAINST 792 00:35:08,932 --> 00:35:10,630 MISSED A COURT APPEARANCE TODAY. 793 00:35:10,673 --> 00:35:12,153 AND THE HITS JUST KEEP ON COMING. 794 00:35:19,073 --> 00:35:21,380 DON'T BE STUPID. 795 00:35:24,818 --> 00:35:30,215 ♪ BECAUSE I'M FREE 796 00:35:30,258 --> 00:35:37,483 ♪ HIS EYE IS ON THE SPARROW 797 00:35:37,526 --> 00:35:40,399 OH, SHOOT. 798 00:35:44,620 --> 00:35:47,145 OKAY, JEANNIE, YOU CAN PLAY, PLEASE. 799 00:35:47,188 --> 00:35:49,147 ALL RIGHT, EVERYONE, LET'S BEGIN. 800 00:35:57,067 --> 00:35:58,982 CALIFORNIA PLATES. 801 00:35:59,026 --> 00:36:01,028 ALL RIGHT. YOU HIT THE AUDITORIUM. 802 00:36:01,071 --> 00:36:02,943 I'LL BE WITH THE PRINCIPAL, LET HIM KNOW APD'S ON THE WAY. 803 00:36:02,986 --> 00:36:04,945 - SOON AS I GET KENNA-- - WE EVACUATE THE SCHOOL. 804 00:36:04,988 --> 00:36:07,687 GO. 805 00:36:20,395 --> 00:36:25,487 choir: ♪ LET ME HIDE MYSELF IN THEE ♪ 806 00:36:25,531 --> 00:36:28,098 ♪ ROCK OF AGES 807 00:36:28,142 --> 00:36:30,492 ♪ CLEFT FOR ME 808 00:36:30,536 --> 00:36:35,889 ♪ LET ME HIDE MYSELF IN THEE ♪ 809 00:36:35,932 --> 00:36:37,456 ♪ LET THE WATER... 810 00:36:37,499 --> 00:36:41,938 ♪ LET THE WATER AND THE BLOOD ♪ 811 00:36:41,982 --> 00:36:44,854 ♪ FROM THY RIVEN-- 812 00:36:59,304 --> 00:37:01,175 NO, NO! COME ON! 813 00:37:12,447 --> 00:37:13,840 U.S. MARSHALS! DROP YOUR WEAPON! 814 00:37:13,883 --> 00:37:15,276 DROP IT! 815 00:37:15,320 --> 00:37:18,192 THE MAN SAID DROP YOUR WEAPON. 816 00:37:18,236 --> 00:37:20,107 KENNA? KENNA! 817 00:37:20,150 --> 00:37:21,500 - MARY, WE'RE GOOD HERE. - MARY? 818 00:37:21,543 --> 00:37:22,718 WE GOT THIS, MARY. 819 00:37:22,762 --> 00:37:24,894 OKAY. ALL RIGHT, IT'S OKAY. 820 00:37:24,938 --> 00:37:25,982 YOU'RE GOOD. IT'S OKAY. 821 00:37:26,026 --> 00:37:27,810 HEY, THANKS. - THANK HIM. 822 00:37:27,854 --> 00:37:31,597 YEAH...THANK HIM. 823 00:37:31,640 --> 00:37:33,468 YEAH, I DON'T TALK TO DOGS. 824 00:37:33,512 --> 00:37:35,078 ALL RIGHT, KIDDO. 825 00:37:35,122 --> 00:37:36,428 OKAY. - I'M SO SORRY. 826 00:37:36,471 --> 00:37:37,951 IT'S OKAY. IT'S OKAY. 827 00:37:37,994 --> 00:37:39,518 - WALK. - YOU ALL RIGHT? 828 00:37:39,561 --> 00:37:40,997 WHAT THE HELL? 829 00:37:46,568 --> 00:37:52,095 YOU'RE SURE? 830 00:37:52,139 --> 00:37:53,314 - HEY! - WHAT? 831 00:37:53,358 --> 00:37:54,620 YOU SAID YOU WERE SURE! 832 00:37:54,663 --> 00:37:57,318 I AM, BUT...EASY. RELAX. 833 00:37:57,362 --> 00:37:59,451 DON'T TELL HER TO RELAX. 834 00:37:59,494 --> 00:38:00,887 SCALPING A WITNESS? NICE. 835 00:38:00,930 --> 00:38:03,150 - WITH PERMISSION. - IT'S FINE. 836 00:38:03,193 --> 00:38:04,586 I LIKED IT AND ALL, BUT THE THING IS 837 00:38:04,630 --> 00:38:06,936 THE STREAK WAS NEVER REALLY ME. 838 00:38:06,980 --> 00:38:09,243 IT WAS ALL MY MOM AND THE LABEL. 839 00:38:09,287 --> 00:38:12,420 AND I'M DONE WITH ALL OF THEM. 840 00:38:12,464 --> 00:38:14,161 YEAH, KENNA, LISTEN. 841 00:38:14,204 --> 00:38:18,861 ABOUT YOUR MOM, SHE ASKED US TO TALK TO YOU. 842 00:38:18,905 --> 00:38:20,385 THE EMANCIPATION AND ALL THAT-- 843 00:38:20,428 --> 00:38:22,561 SHE'S REALLY HOPING YOU'LL RECONSIDER. 844 00:38:22,604 --> 00:38:25,172 SHE WANTS ANOTHER SHOT. 845 00:38:25,215 --> 00:38:27,435 SHE HAD HER SHOT. 846 00:38:27,479 --> 00:38:29,785 SHE'S THE ONE WHO WENT ALL DINA LOHAN ON ME. 847 00:38:29,829 --> 00:38:33,398 YEAH, PARTY MOMS ARE NEVER AS MUCH FUN AS THEY THINK. 848 00:38:33,441 --> 00:38:35,530 LOOK, OF COURSE YOU'RE RIGHT. 849 00:38:35,574 --> 00:38:37,315 SHE HAD HER SHOT. 850 00:38:37,358 --> 00:38:39,360 AND THERE'S NOTHING MORE SOUL-SUCKING THAN FORGIVENESS, 851 00:38:39,404 --> 00:38:41,014 BUT SOMETIMES YOU GOTTA JUST TAKE A DEEP BREATH 852 00:38:41,057 --> 00:38:45,497 AND CLOSE YOUR EYES AND FALL ON YOUR SWORD. 853 00:38:45,540 --> 00:38:48,195 LOOK, FAMILY'S NEVER PERFECT. 854 00:38:48,238 --> 00:38:51,894 ALL IT IS REALLY IS YOURS. 855 00:39:00,512 --> 00:39:04,429 SO...THE OBOE. 856 00:39:04,472 --> 00:39:05,778 KENNA SQUEALED. 857 00:39:05,821 --> 00:39:07,127 I MEAN, IT'S SORTA NERDY, 858 00:39:07,170 --> 00:39:08,781 BUT KIND OF COOL, YOU KNOW? 859 00:39:08,824 --> 00:39:10,391 "FAMILY'S NOT PERFECT, 860 00:39:10,435 --> 00:39:12,611 BUT ALL IT IS REALLY IS YOURS, MAN." 861 00:39:12,654 --> 00:39:14,613 I DIDN'T SAY "MAN," JACKASS. 862 00:39:14,656 --> 00:39:16,658 WHAT THE HELL HAPPENED TO YOU ON THAT ROAD TRIP? 863 00:39:16,702 --> 00:39:19,835 WELL, MY FRIEND, I MET SOME ROADSIDE NEW-AGERS, 864 00:39:19,879 --> 00:39:23,622 GOT MY PSYCHIC TEA LEAVES READ BY AN EX-FELON IN A LOINCLOTH, 865 00:39:23,665 --> 00:39:24,971 HAD A FEW RANDOM EPIPHANIES, 866 00:39:25,014 --> 00:39:26,494 AND ONE HELL OF A TOP-NOTCH BURGER. 867 00:39:26,538 --> 00:39:28,583 YOU KNOW, THE USUAL. - EPIPHANIES, HUH? 868 00:39:28,627 --> 00:39:30,411 ANY PROGRESS WITH THE PARENT TRAP? 869 00:39:30,455 --> 00:39:32,282 PLEASE. I'VE GOT TO GET RID OF THIS DOG. 870 00:39:32,326 --> 00:39:33,806 ONE THING AT A TIME. 871 00:39:33,849 --> 00:39:35,416 WELL, JUST TO PUT IT OUT THERE, 872 00:39:35,460 --> 00:39:38,506 I MAY BE ABLE TO HELP YOU WITH, YOU KNOW, PLACEMENT. 873 00:39:38,550 --> 00:39:40,116 I MEAN THE DOG. 874 00:39:40,160 --> 00:39:42,249 ABIGAIL AND I WERE TALKING AND WE WERE THINKING 875 00:39:42,292 --> 00:39:43,946 SINCE THERE ARE TWO OF US AND ONE OF YOU-- 876 00:39:43,990 --> 00:39:45,644 I MEAN, THERE ARE TWO OF YOU SORT OF, 877 00:39:45,687 --> 00:39:47,950 BUT YOU KNOW WHAT I MEAN. - SURE. 878 00:39:47,994 --> 00:39:49,430 YOU CAN TAKE BETTER CARE OF HIM THAN I CAN. 879 00:39:49,474 --> 00:39:51,606 LOGISTICALLY SPEAKING. 880 00:39:51,650 --> 00:39:54,783 UNLESS, YOU KNOW, YOU'RE GETTING TOO ATTACHED. 881 00:39:54,827 --> 00:39:56,829 PLEASE. 882 00:39:56,872 --> 00:39:58,352 TAKE HIM. HE'S YOURS. 883 00:39:58,396 --> 00:39:59,875 JUST WORD OF ADVICE THOUGH. 884 00:39:59,919 --> 00:40:01,921 HE'LL ACT LIKE HE CAN HANDLE JERKY. 885 00:40:01,964 --> 00:40:03,792 HE'S BLUFFING. COME ON. 886 00:40:03,836 --> 00:40:05,968 NOTED. 887 00:40:06,012 --> 00:40:08,884 SO SHOULD WE SWING BY SATURDAY TO PICK HIM UP? 888 00:40:08,928 --> 00:40:10,756 OH, YEAH, YOU KNOW, 889 00:40:10,799 --> 00:40:12,758 I'VE GOT KIND OF A BUSY WEEKEND. 890 00:40:12,801 --> 00:40:15,761 SO, YOU KNOW, LET'S TALK MONDAY FIRST THING. 891 00:40:15,804 --> 00:40:18,851 SURE. 892 00:40:18,894 --> 00:40:21,288 COOL. 893 00:40:23,812 --> 00:40:25,466 OH, YEAH, THAT'S RIGHT. 894 00:40:25,510 --> 00:40:27,555 JUST FART THE JERKY OUT. 895 00:40:27,599 --> 00:40:29,209 UGH. 896 00:40:32,212 --> 00:40:35,476 WHEW! 897 00:40:35,520 --> 00:40:39,262 ♪ I'M GONNA LET IT SHINE 898 00:40:39,306 --> 00:40:42,352 ♪ THIS LITTLE LIGHT OF MINE 899 00:40:42,396 --> 00:40:46,356 ♪ I'M GONNA LET IT SHINE 900 00:40:46,400 --> 00:40:48,968 ♪ THIS LITTLE LIGHT OF MINE ♪ 901 00:40:49,011 --> 00:40:51,797 ♪ I'M GONNA LET IT SHINE 902 00:40:51,840 --> 00:40:55,278 ♪ LET IT SHINE, LET IT SHINE ♪ 903 00:40:55,322 --> 00:40:57,019 ♪ LET IT SHINE 904 00:41:02,764 --> 00:41:05,027 THOSE THINGS WE LOVE IN CHILDHOOD, 905 00:41:05,071 --> 00:41:06,420 WHETHER IT'S TAKING OFF ON YOUR OWN 906 00:41:06,464 --> 00:41:07,943 OR PLAYING THE OBOE, 907 00:41:07,987 --> 00:41:10,772 THEY'RE PLANTED DEEP IN THE GROUND WITH YOU, 908 00:41:10,816 --> 00:41:12,731 WHICH IS WHY TRUE TRANSFORMATION 909 00:41:12,774 --> 00:41:15,255 TAKES MORE THAN HOT COALS AND DRUM CIRCLES, 910 00:41:15,298 --> 00:41:18,737 WANDERING THE WOODS FOR A SIGN OR A PATH. 911 00:41:18,780 --> 00:41:20,869 BUT I'LL SAY THIS. 912 00:41:20,913 --> 00:41:24,003 ROBERT FROST HAD IT RIGHT ABOUT THE ROAD LESS TRAVELLED. 913 00:41:24,046 --> 00:41:26,005 BECAUSE NOT KNOWING WHERE YOU'RE HEADED 914 00:41:26,048 --> 00:41:28,790 LEAVES YOU SOMETIMES RIGHT WHERE YOU BELONG. 915 00:41:28,834 --> 00:41:31,010 NO! 916 00:41:31,053 --> 00:41:32,533 NO! NO, NO, NO! 917 00:41:32,577 --> 00:41:34,709 WHAT'D YOU DO? 918 00:41:39,540 --> 00:41:41,716 OH, MAN. 919 00:41:46,416 --> 00:41:47,809 THE TEMPLETONS? 920 00:41:47,853 --> 00:41:51,596 NO! 921 00:41:51,639 --> 00:41:53,511 YOU ARE NOT MY SPIRIT GUIDE. 922 00:41:53,554 --> 00:41:56,514 Captioning byCaptionMax www.captionmax.com 65024

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