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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:25,460 --> 00:00:29,333 HEY, YOU ALL RIGHT? 2 00:00:29,377 --> 00:00:32,467 YEAH. 3 00:00:32,510 --> 00:00:35,774 YEAH. GOD DAMN HOTDOG'S BURNING A HOLE IN ME. 4 00:00:35,818 --> 00:00:38,255 WELL, COME ON, SIT DOWN. COME ON. 5 00:00:38,299 --> 00:00:40,736 YOU, ON THE FLOOR NOW. GET DOWN. 6 00:00:40,779 --> 00:00:42,738 ON THE GROUND. ALL THE WAY. 7 00:00:42,781 --> 00:00:44,131 WATCH HIM. 8 00:00:44,174 --> 00:00:46,481 I'M SORRY. I'M SORRY. 9 00:00:46,524 --> 00:00:48,091 OH, GOD! 10 00:00:48,135 --> 00:00:49,614 LET ME-- LET ME THINK OF SOMETHING. 11 00:00:49,658 --> 00:00:51,138 WHAT THE HELL IS TAKING SO LONG? 12 00:00:51,181 --> 00:00:52,965 WE GOT TWO MINUTES BEFORE LOCKUP. 13 00:00:53,009 --> 00:00:55,272 MY GUYS GOT THE BACK FOR YOU. WE GOT NO TIME HERE. 14 00:00:55,316 --> 00:00:57,187 HE'S HAVING A HEART ATTACK. I'M GETTING HIM TO A HOSPITAL. 15 00:00:57,231 --> 00:00:58,623 ARE YOU OUT OF YOUR MIND? WE GOTTA GO NOW! 16 00:01:01,191 --> 00:01:02,410 YOU GONNA SHOOT A COP? 17 00:01:02,453 --> 00:01:06,196 YEAH, YOU'RE THAT STUPID. 18 00:01:13,899 --> 00:01:17,251 GOOD BOY. GET THE MONEY. 19 00:01:24,127 --> 00:01:27,087 I'LL CLEAN UP HERE. 20 00:01:35,312 --> 00:01:37,706 GET AN AMBULANCE. 21 00:01:37,749 --> 00:01:41,101 GO ON, GET AN AMBULANCE! AND DON'T CALL THE COPS. 22 00:01:41,144 --> 00:01:44,016 CALL THE FBI. 23 00:01:48,064 --> 00:01:52,024 HEY... I'M GONNA GET YOU HELP. 24 00:01:52,068 --> 00:01:55,115 ALL RIGHT? HOLD ON. 25 00:02:04,472 --> 00:02:07,127 I WAS ONE OF THOSE KIDS WHO COULDN'T WAIT TO GROW UP... 26 00:02:07,170 --> 00:02:08,780 FOR A LOT OF REASONS. 27 00:02:08,824 --> 00:02:10,521 BUT MAINLY, I WAS SURE BEING A GROWN-UP 28 00:02:10,565 --> 00:02:12,523 HAD TO MEAN AT LEAST ONE THING-- 29 00:02:12,567 --> 00:02:14,525 NO MORE WAKING UP EVERY DAY 30 00:02:14,569 --> 00:02:16,397 WITH THE QUIET FEAR IN THE PIT OF YOUR STOMACH 31 00:02:16,440 --> 00:02:18,529 THAT EVERYONE AND EVERYTHING YOU CARE ABOUT 32 00:02:18,573 --> 00:02:20,183 WOULD JUST VANISH. 33 00:02:20,227 --> 00:02:22,707 OR WORSE, STICK AROUND JUST LONG ENOUGH 34 00:02:22,751 --> 00:02:24,187 TO LET YOU DOWN. 35 00:02:24,231 --> 00:02:26,320 TURNS OUT I WAS WRONG. 36 00:02:26,363 --> 00:02:29,584 IT TURNS OUT I KNEW THE TRUTH AT SEVEN. 37 00:02:29,627 --> 00:02:31,325 THAT ONE WAY OR ANOTHER, 38 00:02:31,368 --> 00:02:34,197 WHAT WE LOVE IS RARELY BUILT TO LAST. 39 00:02:34,241 --> 00:02:38,636 IT NEEDS A NEW TRANSMISSION AND AN ALTERNATOR. 40 00:02:38,680 --> 00:02:40,290 AND THE SQUIRRELS THAT RUN THE ENGINE 41 00:02:40,334 --> 00:02:43,206 SHOULD PROBABLY RETIRE. 42 00:02:43,250 --> 00:02:46,557 SO, WHAT, JUST SHOOT IT AND PUT IT OUT OF ITS MISERY? 43 00:02:46,601 --> 00:02:49,125 NO. BUT I FIGURE YOU NEED TIME TO MOURN 44 00:02:49,169 --> 00:02:50,648 BEFORE JUMPING INTO SOMETHING NEW, 45 00:02:50,692 --> 00:02:52,563 SO I HAVE A LOANER FOR YOU. 46 00:02:52,607 --> 00:02:56,176 - WOW. REALLY? - REALLY. 47 00:02:59,353 --> 00:03:01,833 SO...HEARD FROM YOUR SISTER LATELY? 48 00:03:01,877 --> 00:03:03,748 - MM-MM. YOU? - BEEN A WHILE. 49 00:03:03,792 --> 00:03:05,054 I'VE CALLED EVERY DAY THIS WEEK, 50 00:03:05,097 --> 00:03:07,099 BUT IT GOES STRAIGHT TO VOICE MAIL. 51 00:03:07,143 --> 00:03:09,537 AND I KINDA PROMISED NOT TO TELL YOU, 52 00:03:09,580 --> 00:03:12,235 BUT SHE BORROWED $20,000. 53 00:03:12,279 --> 00:03:16,108 WHAT? 54 00:03:16,152 --> 00:03:18,067 FROM YOU? - FROM ME. 55 00:03:18,110 --> 00:03:19,460 AND DID SHE TELL YOU WHY? 56 00:03:19,503 --> 00:03:20,852 NO. 57 00:03:20,896 --> 00:03:24,769 OH, WELL, YOU KNOW BRANDI. 58 00:03:24,813 --> 00:03:27,032 SO THE MONEY'S PROBABLY IN MUTUAL FUNDS 59 00:03:27,076 --> 00:03:28,120 EARNING 6% UNTIL SHE HAS ENOUGH 60 00:03:28,164 --> 00:03:31,123 TO OPEN THE REFUGEE CENTER. 61 00:03:31,167 --> 00:03:33,169 PETER...I'M SORRY. 62 00:03:33,213 --> 00:03:36,041 UM, I'LL-- I'LL TRY TO REACH HER, OKAY? 63 00:03:36,085 --> 00:03:38,043 YEAH. 64 00:03:38,087 --> 00:03:40,655 HOW ABOUT THIS ONE? 65 00:03:40,698 --> 00:03:43,310 COME ON, YOU CAN ACTUALLY SELL THIS ONE. 66 00:03:43,353 --> 00:03:45,573 JUST GIVE ME SOMETHING LIKE THE PROBE. 67 00:03:45,616 --> 00:03:47,009 I DON'T HAVE ANYTHING LIKE THE PROBE. 68 00:03:47,052 --> 00:03:49,533 I LIKE THE CARS I SELL. 69 00:03:49,577 --> 00:03:51,056 TRY IT OUT FOR A BIT. 70 00:03:51,100 --> 00:03:52,536 IF YOU WANT IT, I'LL GIVE YOU A DEAL. 71 00:03:52,580 --> 00:03:55,235 YOU SURE? 72 00:03:55,278 --> 00:03:59,674 UH, ALL RIGHT. 73 00:03:59,717 --> 00:04:02,720 YOU DRINKING AGAIN? MY GOD. 74 00:04:12,730 --> 00:04:15,298 CRAP. 75 00:04:24,264 --> 00:04:25,352 HI, IT'S BRANDI. 76 00:04:25,395 --> 00:04:26,962 PLEASE LEAVE A MESSAGE AT THE BEEP. 77 00:04:29,181 --> 00:04:30,835 HEY, BRANDI, THIS IS THE LAST MESSAGE I'M LEAVING. 78 00:04:30,879 --> 00:04:33,447 IF YOU DON'T CALL ME BACK IN 24 HOURS, 79 00:04:33,490 --> 00:04:35,318 I'M TELLING THE POLICE YOU DIED, HAVING A FUNERAL, 80 00:04:35,362 --> 00:04:36,841 SELLING EVERYTHING YOU OWN. 81 00:04:36,885 --> 00:04:38,147 AND IF YOU EVER SHOW UP AGAIN, 82 00:04:38,190 --> 00:04:41,629 I'LL HAVE YOU ARRESTED FOR IDENTITY THEFT. 83 00:04:41,672 --> 00:04:45,720 "HAPPY BIRTHDAY...MOM." THAT'S NICE. 84 00:04:45,763 --> 00:04:49,114 MY BIRTHDAY WAS THREE WEEKS AGO. 85 00:04:49,158 --> 00:04:51,160 YES. YES, I KNOW. 86 00:04:51,203 --> 00:04:53,031 BUT YOU KNOW HOW THE MAIL IN THE PROGRAM IS, RIGHT? 87 00:04:53,075 --> 00:04:54,642 THE REALLY SLOW SYSTEM? WE'VE GONE OVER THIS. 88 00:04:54,685 --> 00:04:56,470 IT HAS TO GO FROM YOUR MOM TO THE CENTRAL OFFICE 89 00:04:56,513 --> 00:04:57,688 TO OUR OFFICE. 90 00:04:57,732 --> 00:04:59,908 I JUST GOT IT YESTERDAY. WOW. 91 00:04:59,951 --> 00:05:02,040 THOSE LOOK GOOD. 92 00:05:05,043 --> 00:05:08,308 - YOU GONNA... - I CAN'T. 93 00:05:08,351 --> 00:05:11,354 NO. YOU MIND? 94 00:05:11,398 --> 00:05:15,837 I MISSED LUNCH. 95 00:05:15,880 --> 00:05:18,361 MMM...THAT IS SO GOOD. 96 00:05:18,405 --> 00:05:20,624 - MY MOM RAN A BAKERY. - I KNOW. 97 00:05:20,668 --> 00:05:21,799 I USED TO LOVE THE WAY THE OVENS SMELLED... 98 00:05:21,843 --> 00:05:23,018 SMELLED IN THE MORNING. I KNOW. 99 00:05:23,061 --> 00:05:25,063 YOU SAID. LOIS, LOOK, 100 00:05:25,107 --> 00:05:26,630 I KNOW IT'S HARD, OKAY? 101 00:05:26,674 --> 00:05:28,153 I KNOW SOMETIMES IT'S HARD BEING ALONE, BUT YOU REALLY-- 102 00:05:28,197 --> 00:05:30,155 YOU DON'T LIKE COMING TO SEE ME MUCH, DO YOU? 103 00:05:30,199 --> 00:05:31,418 THAT'S NOT TRUE. 104 00:05:31,461 --> 00:05:33,724 I TOLD YOU I LIKE COMING TO SEE YOU FINE. 105 00:05:33,768 --> 00:05:34,899 I DON'T BLAME YOU. 106 00:05:34,943 --> 00:05:36,640 I DON'T LOVE SEEING YOU EITHER. 107 00:05:36,684 --> 00:05:37,946 IT REMINDS ME HOW CUT OFF I AM. 108 00:05:37,989 --> 00:05:39,426 I'VE GOT A JOB TO DO. 109 00:05:39,469 --> 00:05:41,166 PART OF MY JOB IS HELPING YOU MOVE ON WITH YOUR LIFE. 110 00:05:41,210 --> 00:05:43,168 SO GO AHEAD. GO AHEAD. WHAT IS IT? 111 00:05:43,212 --> 00:05:47,303 THE APARTMENT AGAIN? - OKAY, YES, THE APARTMENT AGAIN. 112 00:05:47,347 --> 00:05:49,958 MY JOB, AGAIN. MY LIFE, AGAIN. 113 00:05:50,001 --> 00:05:51,568 I'M SO SORRY, AGAIN! 114 00:05:51,612 --> 00:05:53,048 HEY, LOIS, CALM DOWN. 115 00:05:53,091 --> 00:05:56,660 YEAH, STAN WHAT IS IT? 116 00:05:56,704 --> 00:05:58,401 LOIS. - KEEP THE COOKIES. 117 00:06:03,232 --> 00:06:05,408 THIS IS AN ODD ONE WE INHERITED 118 00:06:05,452 --> 00:06:06,409 FROM THE PHOENIX OFFICE. 119 00:06:06,453 --> 00:06:09,064 FRANK JEROME, EX-BANK ROBBER. 120 00:06:09,107 --> 00:06:10,587 TESTIFIED AGAINST A BUNCH OF DIRTY COPS 121 00:06:10,631 --> 00:06:12,415 HE WAS PULLING SCORES WITH. 122 00:06:12,459 --> 00:06:14,025 GOT HIMSELF ONE CRAP DEAL-- 123 00:06:14,069 --> 00:06:16,724 38 YEARS IN WITNESS PROTECTION... 124 00:06:16,767 --> 00:06:18,029 IN PRISON. 125 00:06:18,073 --> 00:06:19,117 CAN I PASS? 126 00:06:19,161 --> 00:06:20,292 SORRY? 127 00:06:20,336 --> 00:06:21,946 THE GUY SPENT FOUR DECADES INSIDE. 128 00:06:21,990 --> 00:06:23,600 I DON'T KNOW ANYTHING ABOUT HIM-- 129 00:06:23,644 --> 00:06:25,385 I KNOW EVERYTHING ABOUT HIM. EX-CONS ARE ALL THE SAME. 130 00:06:25,428 --> 00:06:26,864 HE'S GONNA SHOW ME WHAT I WANT TO SEE, 131 00:06:26,908 --> 00:06:28,605 TELL ME WHAT I WANT TO HEAR, SWEAR HE'S CHANGED, 132 00:06:28,649 --> 00:06:30,433 AND THE SECOND I BLINK, SHANK ME IN THE BACK. 133 00:06:30,477 --> 00:06:32,043 IT'S ALL JUST A WASTE OF MY TIME. 134 00:06:32,087 --> 00:06:34,132 COME ON, GIVE ME SOMETHING ELSE. 135 00:06:34,176 --> 00:06:35,612 ORPHAN WITH A CRUTCH, WIDOW WITH A PUPPY? 136 00:06:35,656 --> 00:06:37,092 ORPHAN PUPPY? 137 00:06:37,135 --> 00:06:39,399 SHUT UP AND GO? - THAT. 138 00:07:06,948 --> 00:07:08,906 FRANK. 139 00:07:08,950 --> 00:07:11,474 HEY. 140 00:07:11,518 --> 00:07:14,216 HEY... 141 00:07:16,044 --> 00:07:17,785 CALL ME TOMORROW. I GOT TROUBLE. 142 00:07:17,828 --> 00:07:19,134 JESUS, RAY, I TOLD YOU NOT TO-- 143 00:07:19,177 --> 00:07:21,353 HEY. - HEY, FRANK. 144 00:07:21,397 --> 00:07:22,529 WE GOTTA GO. WE'VE GOT THAT THING, REMEMBER? 145 00:07:22,572 --> 00:07:23,965 UH, JUST A SEC, HONEY. 146 00:07:24,008 --> 00:07:25,270 NO, IT CAN'T WAIT. COME ON. 147 00:07:25,314 --> 00:07:27,185 - WHO'S THIS? - UH, THIS IS, UH... 148 00:07:27,229 --> 00:07:28,535 PRISON GROUPIE. 149 00:07:28,578 --> 00:07:29,318 OLDIES BUT GOODIES GET ME ALL KINDS OF HORNY. 150 00:07:29,361 --> 00:07:30,406 LET'S GO. 151 00:07:30,450 --> 00:07:31,668 RAY PETEVICH. 152 00:07:31,712 --> 00:07:34,497 - HI, RAY. - PLEASED TO MEET YOU. 153 00:07:34,541 --> 00:07:36,325 RAY AND I NEED A MOMENT. HUH? 154 00:07:36,368 --> 00:07:38,719 YO, RAY, COME ON. 155 00:07:38,762 --> 00:07:40,372 YOU GAVE YOUR BOY HIS BIG WELCOME BACK. 156 00:07:40,416 --> 00:07:43,898 NOW WE GOTTA ROLL. - MIKE, WHAT'S DOING? 157 00:07:43,941 --> 00:07:46,944 NOT MUCH, FRANK. RAY? 158 00:07:46,988 --> 00:07:49,860 THIS IS FOR YOU, FRANK. 159 00:07:49,904 --> 00:07:51,514 HEY, MAN. 160 00:07:51,558 --> 00:07:54,082 LET'S GO. COME ON. 161 00:07:54,125 --> 00:07:59,087 WHAT'S WITH THE PRISON HOMECOMING DANCE? 162 00:07:59,130 --> 00:08:01,742 YOU WEREN'T SUPPOSED TO TELL ANYONE YOU WERE BEING RELEASED. 163 00:08:01,785 --> 00:08:03,700 OH, I MUST HAVE MISUNDERSTOOD THE RULES. 164 00:08:03,744 --> 00:08:05,093 MY APOLOGIES. 165 00:08:05,136 --> 00:08:07,269 YOU KNOW, THE OLD MEMORY AIN'T WHAT IT USED TO BE. 166 00:08:07,312 --> 00:08:08,313 THAT AND EVERYTHING ELSE IN YOUR LIFE. 167 00:08:08,357 --> 00:08:09,619 YEAH. 168 00:08:09,663 --> 00:08:11,012 FROM THIS POINT FORWARD, I AM YOUR PERSONAL 169 00:08:11,055 --> 00:08:13,057 WE-NEVER-SLEEP CLANGING IRON DOOR. 170 00:08:13,101 --> 00:08:14,450 YOU DO WHAT I SAY WHEN AND HOW I SAY IT, 171 00:08:14,494 --> 00:08:16,060 THE DOOR STAYS OPEN. YOU DON'T, 172 00:08:16,104 --> 00:08:18,149 I'LL SLAM IT ON YOUR NUTS TILL YOU'RE BEGGING FOR PRISON. 173 00:08:18,193 --> 00:08:20,630 WOW. 174 00:08:20,674 --> 00:08:22,589 NEVER HAD A GROUPIE BEFORE. 175 00:08:22,632 --> 00:08:24,416 YOU'RE A DREAM COME TRUE. 176 00:08:26,984 --> 00:08:30,205 SHUT UP AND BUCKLE. 177 00:08:30,248 --> 00:08:33,687 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 178 00:08:33,730 --> 00:08:35,993 HAS RELOCATED THOUSANDS OF WITNESSES, 179 00:08:36,037 --> 00:08:37,995 SOME CRIMINAL, SOME NOT, 180 00:08:38,039 --> 00:08:39,693 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 181 00:08:39,736 --> 00:08:42,652 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE, 182 00:08:42,696 --> 00:08:44,045 DISTINGUISHING THEM FROM THE REST 183 00:08:44,088 --> 00:08:45,525 OF THE GENERAL POPULATION. 184 00:08:45,568 --> 00:08:49,180 AND THAT IS, SOMEBODY WANTS THEM DEAD. 185 00:08:59,408 --> 00:09:01,671 CORRECT. YOU SENT THE DVDs. 186 00:09:01,715 --> 00:09:03,978 I ORDERED THE BLU-RAY, THE CHIEF DIFFERENCE BEING 187 00:09:04,021 --> 00:09:06,154 THE ABILITY TO TOGGLE BETWEEN 188 00:09:06,197 --> 00:09:08,809 THE CHARMINGLY INEPT ORIGINAL EFFECTS 189 00:09:08,852 --> 00:09:12,377 AND THE GLITTERING NEW, BUT STRANGELY ANTISEPTIC 190 00:09:12,421 --> 00:09:13,465 HI-DEF ONES. 191 00:09:13,509 --> 00:09:15,424 STAR TREK DEMANDS THE TOGGLE. 192 00:09:15,467 --> 00:09:18,862 THANK YOU. MANN OUT. 193 00:09:18,906 --> 00:09:21,430 INSPECTOR... 194 00:09:21,473 --> 00:09:25,260 I BELIEVE YOU KNOW LOIS TURNER. 195 00:09:25,303 --> 00:09:27,697 LOIS, GOOD TO SEE YOU. HOW ARE YOU? 196 00:09:27,741 --> 00:09:28,785 IS MARY HERE? 197 00:09:28,829 --> 00:09:32,006 SHE'S OUT FOR MOST OF THE DAY. 198 00:09:32,049 --> 00:09:33,094 IS EVERYTHING ALL RIGHT? 199 00:09:33,137 --> 00:09:34,791 TWO THINGS. 200 00:09:34,835 --> 00:09:39,187 FIRST THING, NOT THAT BIG A DEAL... 201 00:09:39,230 --> 00:09:42,712 I HAVE A STRANGE GROWTH... DOWNSTAIRS. 202 00:09:42,756 --> 00:09:46,629 IT LOOKS LIKE SOME KIND OF FUNGUS. 203 00:09:49,023 --> 00:09:52,113 I'M NOT SURE I'M QUALIFIED... 204 00:09:52,156 --> 00:09:53,854 I'VE HAD A GUY TAKE A LOOK AT IT, 205 00:09:53,897 --> 00:09:55,812 BUT HE THINKS IT'LL COST THOUSANDS TO GET RID OF. 206 00:09:55,856 --> 00:09:58,728 AND MY LANDLORD REFUSES TO DO ANYTHING. 207 00:09:58,772 --> 00:10:01,035 AND I-- 208 00:10:01,078 --> 00:10:02,340 I JUST WANT OUT OF THAT PLACE. 209 00:10:02,384 --> 00:10:05,866 AH, YOU HAVE MOLD IN YOUR APARTMENT, 210 00:10:05,909 --> 00:10:07,258 AND YOU WANT TO MOVE. 211 00:10:07,302 --> 00:10:08,956 HAVE YOU TOLD MARY? 212 00:10:12,437 --> 00:10:14,918 THIS IS AWKWARD, 213 00:10:14,962 --> 00:10:16,528 BUT THE OTHER PROBLEM IS MARY. 214 00:10:16,572 --> 00:10:18,661 I KNOW SHE'S YOUR FRIEND, 215 00:10:18,705 --> 00:10:20,881 BUT YOU KNOW, SHE CAN BE A LITTLE-- 216 00:10:20,924 --> 00:10:22,099 BRASH. 217 00:10:22,143 --> 00:10:23,535 BUT SHE'S THE BEST MARSHAL I'VE EVER MET. 218 00:10:23,579 --> 00:10:26,016 AM I ALLOWED TO FIRE HER? 219 00:10:37,027 --> 00:10:39,551 HEY, DID PEOPLE OUT HERE GET BIGGER? 220 00:10:39,595 --> 00:10:40,988 FATTER. 221 00:10:41,031 --> 00:10:44,165 QUADRUPLE-X SWEAT SUITS ARE A REAL GROWTH INDUSTRY. 222 00:10:44,208 --> 00:10:46,646 WELL, I'LL KEEP THAT IN MIND AS I MULL CAREER OPTIONS. 223 00:10:49,518 --> 00:10:53,391 HEY, NOBODY LOOKS AT ANYBODY ELSE NOW. 224 00:10:53,435 --> 00:10:56,003 IT'S NOT LIKE A SINGLE SECOND GOES BY 225 00:10:56,046 --> 00:10:58,179 WHEN PEOPLE AREN'T FED, DISTRACTED, ENTERTAINED, 226 00:10:58,222 --> 00:11:00,921 OR SPOUTING OFF ABOUT BEING FED, DISTRACTED, AND ENTERTAINED. 227 00:11:00,964 --> 00:11:02,574 WELCOME TO 2010. 228 00:11:02,618 --> 00:11:04,141 I WAS HOPING FOR JET PACKS. 229 00:11:04,185 --> 00:11:05,360 YOU COULD TWEET ABOUT IT. 230 00:11:05,403 --> 00:11:07,710 - WHAT? - YOU DON'T WANT TO KNOW. 231 00:11:07,754 --> 00:11:11,018 LOOK, ALL THIS STUFF, YOU'LL HATE IT FOR ABOUT AN HOUR, 232 00:11:11,061 --> 00:11:12,149 AND THEN YOU WON'T BE ABLE TO LIVE WITHOUT IT. 233 00:11:12,193 --> 00:11:13,194 TRUST ME. 234 00:11:17,502 --> 00:11:19,287 HEY, HERE WE GO. 235 00:11:19,330 --> 00:11:21,158 WELL, THESE HAVEN'T CHANGED MUCH. 236 00:11:21,202 --> 00:11:22,464 YOU PLAY? 237 00:11:22,507 --> 00:11:26,337 I JUST STARTED BEFORE I, UH, GOT CALLED UP. 238 00:11:26,381 --> 00:11:29,993 WORKED ON MY SHORT GAME INSIDE WITH A BROOM AND A DIXIE CUP. 239 00:11:30,037 --> 00:11:32,169 I'LL TAKE 'EM. 240 00:11:32,213 --> 00:11:34,171 YEAH, NOT ON YOUR BUDGET, TIGER. 241 00:11:34,215 --> 00:11:36,130 YOUR DEAL GOT MADE BACK IN '73 242 00:11:36,173 --> 00:11:38,175 WITH NO ADJUSTMENTS FOR INFLATION. 243 00:11:38,219 --> 00:11:40,874 EH...SO BE IT. 244 00:11:40,917 --> 00:11:44,704 AREN'T YOU GONNA WORK ME WITH SOME SOB STORY? 245 00:11:44,747 --> 00:11:47,315 TRY AND HUSTLE UP A SHINY NEW DEAL? 246 00:11:47,358 --> 00:11:49,056 I DON'T DO SOB STORIES. 247 00:11:49,099 --> 00:11:50,797 IF YOU CAN COME UP WITH MORE DOUGH, GREAT. 248 00:11:50,840 --> 00:11:54,148 IF NOT, I'LL GET BY. 249 00:11:54,191 --> 00:11:56,063 IN THE MEANTIME, 250 00:11:56,106 --> 00:11:57,194 HERE'S A COST-EFFECTIVE WAY 251 00:11:57,238 --> 00:11:58,543 OF BECOMING COMPLETELY SELF-INVOLVED, 252 00:11:58,587 --> 00:11:59,980 OBLIVIOUS TO EVERYONE AND EVERYTHING, 253 00:12:00,023 --> 00:12:01,155 A TOTAL PRO AT USELESS GAMES 254 00:12:01,198 --> 00:12:04,898 AND A GENIUS AT ACCESSING THE POINTLESS. 255 00:12:04,941 --> 00:12:07,248 WELL, I'M SO GRATEFUL. 256 00:12:16,126 --> 00:12:19,477 - HELLO? - HEY, IT'S ME. 257 00:12:19,521 --> 00:12:21,523 SQUISH? WOW. 258 00:12:21,566 --> 00:12:25,092 NICE TO HEAR THE UNRECORDED VERSION OF YOUR VOICE. 259 00:12:25,135 --> 00:12:27,137 WHAT'S THIS NUMBER YOU'RE CALLING FROM? 260 00:12:27,181 --> 00:12:29,923 I LOST MY CELL, BUT THIS IS JUST A TEMP, 261 00:12:29,966 --> 00:12:31,185 AND I CAN STILL GET MY VOICE MAIL. 262 00:12:31,228 --> 00:12:33,274 SO I HEARD THAT YOU CALLED. 263 00:12:33,317 --> 00:12:36,146 SO...WHERE ARE YOU? 264 00:12:36,190 --> 00:12:37,408 STILL IN JERSEY. 265 00:12:37,452 --> 00:12:40,324 RIGHT. JERSEY. COOL. WHAT YOU BEEN DOING? 266 00:12:40,368 --> 00:12:42,326 OH, STUFF. YOU KNOW. 267 00:12:42,370 --> 00:12:43,501 SURE, STUFF. 268 00:12:43,545 --> 00:12:45,721 - MARY... - NO, I GET IT. 269 00:12:45,765 --> 00:12:47,636 STUFF'S HUGE. STUFF MATTERS. 270 00:12:47,679 --> 00:12:50,117 ALL RIGHT, LOOK, I KNOW I'VE BEEN A BIT OF A FLAKE. 271 00:12:50,160 --> 00:12:51,814 YEAH, YOU THINK? 272 00:12:51,858 --> 00:12:54,338 BRANDI, I'M FINE WITH IT, OKAY? I'M WHATEVER. 273 00:12:54,382 --> 00:12:56,558 BUT I SAW PETER--HE SAID YOU HAVEN'T CALLED ALL WEEK. 274 00:12:56,601 --> 00:13:00,083 OH. YOU'RE RIGHT. YOU'RE RIGHT, I'LL CALL HIM. 275 00:13:00,127 --> 00:13:02,825 I--I GOTTA GO. 276 00:13:02,869 --> 00:13:04,174 NO, BRANDI, COME ON. 277 00:13:04,218 --> 00:13:06,350 BRANDI! 278 00:13:08,657 --> 00:13:11,007 WHAT'S THIS? 279 00:13:11,051 --> 00:13:13,096 IT'S MY NEWBIE, RIP VAN WINKLE. 280 00:13:13,140 --> 00:13:15,142 GOT THE GUY A CELL PHONE. IT'S EXCELLENT. 281 00:13:15,185 --> 00:13:16,230 HE HAS NO IDEA IT'S ALSO A GPS 282 00:13:16,273 --> 00:13:17,622 'CAUSE HE'S NEVER HEARD OF A GPS. 283 00:13:17,666 --> 00:13:19,320 HOW'S HIS FIRST NIGHT BEEN? 284 00:13:19,363 --> 00:13:21,975 STANDARD. HOME, LAUNDROMAT, HOME AGAIN. 285 00:13:22,018 --> 00:13:24,107 BUT SOMETHING'S UP. 286 00:13:24,151 --> 00:13:26,588 HE'S GOT THIS FRIEND ON THE INSIDE--RAY PETEVICH. 287 00:13:26,631 --> 00:13:28,851 WHEEL MAN, MOSTLY. STICK-UPS. NOTHING VIOLENT. 288 00:13:28,895 --> 00:13:31,158 BUT HE'S IN PLAY WITH THESE TWO GUYS. 289 00:13:31,201 --> 00:13:32,507 A COUPLE OF REAL WINNERS. 290 00:13:32,550 --> 00:13:35,031 THEY GO BY THE NAMES BIG MIKE AND LITTLE MIKE. 291 00:13:35,075 --> 00:13:39,122 "HOME INVASION, KIDNAPPING, ATTEMPTED MURDER." 292 00:13:39,166 --> 00:13:41,342 CAN'T SAY THEY'RE NOT DEDICATED. 293 00:13:41,385 --> 00:13:44,693 THESE TWO ARE WHY CIVILIZATION CREATED THE MAN-SIZED CAGE. 294 00:13:44,736 --> 00:13:45,955 I DON'T CARE ABOUT ANY OF THESE IDIOTS. 295 00:13:45,999 --> 00:13:47,000 I JUST WANT TO KNOW FRANK'S WORTH MY TIME. 296 00:13:47,043 --> 00:13:50,481 AM I SENSING RELUCTANT AFFECTION? 297 00:13:50,525 --> 00:13:52,266 NO, YOU'RE SENSING THAT IF FRANK'S A LOSER, 298 00:13:52,309 --> 00:13:53,876 I'D LIKE TO KNOW UP FRONT. 299 00:13:53,920 --> 00:13:55,791 HMM. AND YET YOUR PROTECTIVE MANNER, 300 00:13:55,835 --> 00:13:57,140 YOUR WARMISH, FOR YOU, VOCAL TONE... 301 00:13:57,184 --> 00:13:58,489 WRONG. 302 00:13:58,533 --> 00:13:59,621 SLIGHT FLUSH OF THE SKIN 303 00:13:59,664 --> 00:14:01,405 WHEN WE DISCUSS HIM... - EW, NAUSEA. 304 00:14:01,449 --> 00:14:02,711 ALL INDICATE A KIND OF WARMTH. 305 00:14:02,754 --> 00:14:06,628 AND FRANK JEROME, NEE JERGENS, IS A HANDSOME, 306 00:14:06,671 --> 00:14:09,196 CHARMING BANK ROBBER OF FATHERLY AGE. 307 00:14:09,239 --> 00:14:10,719 - I SEE. - NEED I SAY MORE? 308 00:14:10,762 --> 00:14:14,462 OR SHOULD WE CONSULT JUNGIANARCHETYPES.COM? 309 00:14:14,505 --> 00:14:17,073 SHOULD I LIE DOWN, DR. PHIL? GIVE ME A BREAK, MARSHALL. 310 00:14:17,117 --> 00:14:21,599 HONESTLY. - ONE BREAK COMING UP. 311 00:14:21,643 --> 00:14:23,950 THE DONUT HUT? WHAT'D YOU DO? 312 00:14:23,993 --> 00:14:26,169 - EAT FIRST. - YOU CAN'T SUGAR-MANAGE ME. 313 00:14:26,213 --> 00:14:28,476 THEN YOU SHOULD HAVE NO PROBLEM STAYING SURLY 314 00:14:28,519 --> 00:14:31,044 AS YOU MASTICATE. 315 00:14:31,087 --> 00:14:32,349 PBBBT. 316 00:14:32,393 --> 00:14:34,961 LOIS TURNER STOPPED BY AFTER YOUR HOUSE CALL. 317 00:14:35,004 --> 00:14:35,962 SHE WANTS A DIVORCE. 318 00:14:36,005 --> 00:14:38,747 SHE'S NOT MARRIED. 319 00:14:38,790 --> 00:14:40,009 AND DON'T SAY "MASTICATE." 320 00:14:40,053 --> 00:14:41,619 I KNOW IT'S HARD TO ACCEPT. 321 00:14:41,663 --> 00:14:46,886 PEOPLE CHANGE, GROW, MOVE ON. 322 00:14:46,929 --> 00:14:52,065 WAIT, YOU'RE SAYING SHE WANTS TO DIVORCE ME? 323 00:14:52,108 --> 00:14:53,936 SHE WANTS YOU OVER ME? 324 00:14:53,980 --> 00:14:55,459 OH, THREE WORDS-- 325 00:14:55,503 --> 00:14:56,721 GOOD LUCK, SUCKER. 326 00:14:56,765 --> 00:14:57,809 SHE'S SENSITIVE. 327 00:14:57,853 --> 00:14:58,810 YOU DON'T DO WELL WITH SENSITIVE. 328 00:14:58,854 --> 00:14:59,942 LOOK, I GET IT. 329 00:14:59,986 --> 00:15:01,161 FIRST LOIS SEEMS A LITTLE SAD, 330 00:15:01,204 --> 00:15:02,292 SLIGHTLY NEEDY, RIGHT 331 00:15:02,336 --> 00:15:03,859 LIKE A BIG HUG WILL CURE EVERYTHING. 332 00:15:03,903 --> 00:15:05,078 BUT TRUST ME, MARSHALL, 333 00:15:05,121 --> 00:15:06,209 I'VE BEEN DEALING WITH HER FOR SIX YEARS. 334 00:15:06,253 --> 00:15:08,646 SHE IS A FULL TANK OF UNLEADED CRAZY. 335 00:15:08,690 --> 00:15:11,040 YOU KNOW HOW MANY JOBS I HELPED HER GET JUST THIS YEAR? 336 00:15:11,084 --> 00:15:13,129 TWO. YOU KNOW HOW MANY APARTMENTS? FOUR. 337 00:15:13,173 --> 00:15:15,653 SHE'S AN ARTIST, A POET. 338 00:15:15,697 --> 00:15:16,828 YEAH, ALL RIGHT, 339 00:15:16,872 --> 00:15:18,526 IF EMOTIONAL TERRORISM IS AN ART FORM. 340 00:15:18,569 --> 00:15:20,397 LOOK, LOIS IS NEVER HAPPY NO MATTER WHAT, 341 00:15:20,441 --> 00:15:21,485 AND SHE MAKES YOU SUFFER FOR IT. 342 00:15:21,529 --> 00:15:22,922 SHE WILL TIE YOUR HAND TO THE TABLE 343 00:15:22,965 --> 00:15:24,314 AND THEN SMASH IT WITH A HAMMER 344 00:15:24,358 --> 00:15:26,273 MADE OF TEARS AND GUILT. 345 00:15:26,316 --> 00:15:28,014 DON'T LET HER SUCK YOU IN, MARSHALL, SHE NEEDS TOUGH LOVE. 346 00:15:28,057 --> 00:15:29,319 LET US BEAR IN MIND 347 00:15:29,363 --> 00:15:31,060 THAT IS THE ONLY LOVE YOU KNOW HOW TO GIVE. 348 00:15:31,104 --> 00:15:32,279 COME ON. 349 00:15:33,802 --> 00:15:37,937 YOUR WITNESS IS ON THE MOVE. 350 00:15:37,980 --> 00:15:43,029 LOOKS LIKE HE'S THIRSTY. 351 00:15:44,856 --> 00:15:47,990 YOU KNOW THE ONLY THING THAT EVER SCARED ME IN SCHOOL? 352 00:15:48,034 --> 00:15:49,818 GIRLS WHO HIT BACK? 353 00:15:49,861 --> 00:15:53,256 THE OLD POP QUIZ. 354 00:16:01,177 --> 00:16:02,613 - ANOTHER? - WHY NOT? 355 00:16:04,572 --> 00:16:07,053 HMM, THAT'S NICE. 356 00:16:07,096 --> 00:16:09,359 12 YEARS. OAK-BARRELED. 357 00:16:09,403 --> 00:16:12,014 NO, THE PERFUME. I HOPE I'M NOT OUT OF LINE. 358 00:16:12,058 --> 00:16:15,148 IT'S JUST, UH-- IT'S BEEN A WHILE. 359 00:16:15,191 --> 00:16:17,933 LET ME KNOW WHEN YOU NEED A REFILL. 360 00:16:26,594 --> 00:16:28,813 - HEY. - JESUS! 361 00:16:28,857 --> 00:16:31,991 IT'S LIKE BEING HAUNTED. HOW IN THE HELL DID YOU FIND ME? 362 00:16:32,034 --> 00:16:34,254 ESP. ALL THE LADIES HAVE IT THESE DAYS. 363 00:16:34,297 --> 00:16:36,473 A LOT'S CHANGED SINCE YOU WENT IN, FRANK. 364 00:16:36,517 --> 00:16:38,606 NOW WOMEN HAVE THE POWER TO READ MEN'S THOUGHTS. 365 00:16:38,649 --> 00:16:41,348 ALWAYS DID. 366 00:16:41,391 --> 00:16:45,308 EVERYBODY WAS JUST TOO POLITE TO TALK ABOUT IT. 367 00:16:45,352 --> 00:16:46,962 LISTEN, FRANK, HERE'S THE DEAL. 368 00:16:47,006 --> 00:16:50,183 I KNOW WHAT YOU DO, I KNOW WHERE YOU GO, EVERYTHING. 369 00:16:50,226 --> 00:16:52,576 SO FROM NOW ON, TOEING THE LINE'S NOT A CHOICE. 370 00:16:52,620 --> 00:16:56,015 IT'S A MATTER OF SURVIVAL. 371 00:16:56,058 --> 00:16:57,799 SPEAKING OF WHICH, WHAT'S YOUR BUDDY RAY PETEVICH DOING 372 00:16:57,842 --> 00:16:59,583 HOOKED UP WITH A COUPLE OF PSYCHOS 373 00:16:59,627 --> 00:17:01,281 LIKE BIG MIKE CATONE AND LITTLE MIKE VESEY? 374 00:17:01,324 --> 00:17:04,153 WHOA. 375 00:17:04,197 --> 00:17:08,201 YOU'RE GONNA TAKE A LITTLE GETTING USED TO. 376 00:17:08,244 --> 00:17:12,335 CAN I GET YOU-- - I'LL HAVE A COKE. 377 00:17:12,379 --> 00:17:13,467 UH, JANINE... 378 00:17:13,510 --> 00:17:15,208 CAN YOU BELIEVE SHE TOLD ME 379 00:17:15,251 --> 00:17:16,513 SHE LOVED ME, MAN? 380 00:17:16,557 --> 00:17:18,559 I NEARLY FELL OFF OUT OF MY CHAIR LIKE THAT. 381 00:17:18,602 --> 00:17:20,082 BOOM! 382 00:17:20,126 --> 00:17:20,996 HEY! HEY! HEY! HEY! 383 00:17:21,040 --> 00:17:24,043 OKAY, BOYS, DIAL IT DOWN, 384 00:17:24,086 --> 00:17:26,132 OR SETTLE UP AND GO-- YOUR CALL. 385 00:17:26,175 --> 00:17:27,133 SETTLE UP? 386 00:17:27,176 --> 00:17:28,177 BITCH THINKS WE'RE GONNA PAY 387 00:17:28,221 --> 00:17:29,439 FOR THIS PISS RIGHT HERE? LOOK. 388 00:17:29,483 --> 00:17:31,615 - HEY! - LEAVE IT, FRANK. 389 00:17:31,659 --> 00:17:33,356 - APOLOGIZE. - HEY, FRANK... 390 00:17:33,400 --> 00:17:34,488 - EXCUSE ME? - TO THE LADY. 391 00:17:34,531 --> 00:17:36,490 I DON'T SEE ANY LADIES IN HERE. 392 00:17:36,533 --> 00:17:39,275 ALL I SEE IS A BURNT-OUT PIECE OF JET TRASH BEHIND THE BAR. 393 00:17:39,319 --> 00:17:40,624 ALL RIGHT. 394 00:17:40,668 --> 00:17:42,844 AND THEN THERE'S YOU AND YOUR PET TRANNY. 395 00:17:53,420 --> 00:17:57,076 SORRY ABOUT THIS. I CAN PAY FOR THE DAMAGES. 396 00:17:57,119 --> 00:17:59,991 MIGHT TAKE ME ABOUT TEN YEARS. 397 00:18:00,035 --> 00:18:01,471 NAH. 398 00:18:01,515 --> 00:18:04,039 WORTH IT TO FINALLY SHUT THOSE ASSHOLES UP. 399 00:18:04,083 --> 00:18:05,649 HOPEFULLY MOVE 'EM ON DOWN THE ROAD 400 00:18:05,693 --> 00:18:07,347 TO A PLACE WITH PITA WRAPS AND KARAOKE. 401 00:18:07,390 --> 00:18:08,696 MM. 402 00:18:08,739 --> 00:18:11,307 HOW'S YOUR HAND DOING? 403 00:18:11,351 --> 00:18:13,004 - OH, IT'S FINE. - LET ME SEE. 404 00:18:13,048 --> 00:18:15,659 UGH. - EXCUSE ME. 405 00:18:15,703 --> 00:18:18,140 CAN I TALK TO YOU A SEC? - YEAH, SURE. 406 00:18:22,188 --> 00:18:25,713 WE'RE GOOD WITH THE COPS. NO CHARGES. 407 00:18:25,756 --> 00:18:27,323 CHARGES? IT WAS THREE AGAINST ONE. 408 00:18:27,367 --> 00:18:29,325 THREE AGAINST TWO. I SAVED YOUR ASS. 409 00:18:29,369 --> 00:18:31,936 TRUE. 410 00:18:31,980 --> 00:18:34,156 FRANK, YOU GOT A FREE PASS TONIGHT, ALL RIGHT? 411 00:18:34,200 --> 00:18:36,115 BUT THAT WAS YOUR ONE AND ONLY BADASS BRIDGE 412 00:18:36,158 --> 00:18:37,159 FROM PRISON LIFE TO THE REAL WORLD. 413 00:18:37,203 --> 00:18:38,987 NO MORE. 414 00:18:39,030 --> 00:18:41,511 NO FIGHTS, NO PARKING TICKETS, NO JAYWALKING. 415 00:18:41,555 --> 00:18:44,862 AND, FRANK, ABSOLUTELY NO CONTACT WITH ANY CRIMINALS. 416 00:18:44,906 --> 00:18:47,038 YOU READ ME? - LIKE THE BIBLE. 417 00:18:47,082 --> 00:18:52,957 BUT COULD YOU EXPLAIN SOMETHING TO ME? 418 00:18:53,001 --> 00:18:55,046 WHEN DID PEOPLE GET SO RUDE AND STUPID? HUH? 419 00:18:55,090 --> 00:18:57,484 SOMEBODY DROP A BOMB? 420 00:18:57,527 --> 00:19:00,313 I MEAN, THIS ISN'T THE WAY THE WORLD WAS. 421 00:19:00,356 --> 00:19:02,141 "PLEASE" IS GONE. 422 00:19:02,184 --> 00:19:04,099 "THANK YOU" IS HEADED OUT THE DOOR. 423 00:19:04,143 --> 00:19:06,057 PEOPLE ARE SAVAGES. 424 00:19:06,101 --> 00:19:08,190 AND I SAY THAT AFTER FOUR DECADES IN PRISON. 425 00:19:08,234 --> 00:19:11,150 I COULDN'T AGREE MORE. 426 00:19:14,109 --> 00:19:17,591 YOU KNOW, WHICH BRINGS ME TO THE FOLLOWING. 427 00:19:17,634 --> 00:19:22,204 THANK YOU, MARY. 428 00:19:42,790 --> 00:19:45,184 HEY, BUDDY. 429 00:19:45,227 --> 00:19:46,576 YOU GOT MY MESSAGE, HUH? 430 00:19:49,623 --> 00:19:52,452 RAY? 431 00:20:07,380 --> 00:20:09,208 HEY, WHAT HAPPENED? 432 00:20:09,251 --> 00:20:11,210 A LITTLE DISAGREEMENT. 433 00:20:11,253 --> 00:20:13,951 YEAH, WILD GUESS-- THE MIKES? 434 00:20:13,995 --> 00:20:16,040 LUCKILY IT WAS A-- 435 00:20:16,084 --> 00:20:19,174 IT WAS A FAIR FIGHT, MOSTLY. 436 00:20:19,218 --> 00:20:21,307 YEAH, YOU'RE A REAL TERROR. 437 00:20:21,350 --> 00:20:23,831 PROBABLY SHOT YOURSELF. 438 00:20:23,874 --> 00:20:26,921 LISTEN, I TOLD YOU WHEN YOU WERE INSIDE 439 00:20:26,964 --> 00:20:28,139 NOT TO GET MIXED UP WITH THEM. 440 00:20:28,183 --> 00:20:29,793 I OWE THEM. THEY WANT TO COLLECT. 441 00:20:29,837 --> 00:20:31,186 THEY'RE ANIMALS, RAY! 442 00:20:31,230 --> 00:20:36,322 OBVIOUSLY THEY'RE GUYS I CAN'T DO BUSINESS WITH. 443 00:20:36,365 --> 00:20:38,889 I WANTED TO GET OUT. THEY DIDN'T LIKE THAT MUCH. 444 00:20:38,933 --> 00:20:40,413 MAN, WE'VE GOTTA GET YOU TO A HOSPITAL. 445 00:20:40,456 --> 00:20:43,938 NO. NO, NO HOSPITALS, FRANK. 446 00:20:43,981 --> 00:20:46,201 THEY'LL LOOK THERE. PLUS THE COPS. NO. 447 00:20:46,245 --> 00:20:48,638 WELL, WHAT ARE YOU GONNA DO, BLEED OUT? HUH? 448 00:20:48,682 --> 00:20:49,944 THAT'S BRILLIANT! 449 00:20:49,987 --> 00:20:53,382 I KNOW A DOC. HE'S OFF THE BOOKS. 450 00:20:53,426 --> 00:20:55,123 HE DOES THIS KIND OF THING. 451 00:20:55,166 --> 00:20:58,126 HE'S GOOD, BUT HE AIN'T CHEAP. 452 00:21:05,220 --> 00:21:08,789 I'LL GET THE MONEY. 453 00:21:14,011 --> 00:21:15,056 HELP YOU? 454 00:21:15,099 --> 00:21:16,840 YEAH, I'M LOOKING FOR LOIS TURNER. 455 00:21:16,884 --> 00:21:17,841 A BUSINESS CALL? 456 00:21:17,885 --> 00:21:19,843 - PERSONAL. - I SEE. 457 00:21:21,802 --> 00:21:24,848 LOIS. 458 00:21:26,720 --> 00:21:29,070 UM, CLOCK OUT IF YOU'RE TAKING YOUR BREAK, OKAY? 459 00:21:29,113 --> 00:21:32,160 NO, NO, THIS WON'T TAKE LONG. 460 00:21:35,294 --> 00:21:39,646 GOOD NEWS, YOU'RE ABOUT TO BE FOOTLOOSE AND FUNGUS-FREE. 461 00:21:39,689 --> 00:21:41,343 I LED YOUR LANDLORD TO BELIEVE 462 00:21:41,387 --> 00:21:43,563 I WORK FOR THE COUNTY HEALTH INSPECTOR. 463 00:21:43,606 --> 00:21:47,044 THANK YOU, MARSHALL. THAT'S GREAT. 464 00:21:47,088 --> 00:21:50,178 I JUST THOUGHT YOU'D WANT TO LIVE WITHOUT 465 00:21:50,221 --> 00:21:53,007 RESPIRATORY DISTRESS WHILE DECIDING 466 00:21:53,050 --> 00:21:55,009 WHERE YOU WANT TO MOVE. 467 00:21:55,052 --> 00:21:57,968 LOIS, WHAT'S WRONG? 468 00:21:58,012 --> 00:22:01,015 NOTHING. 469 00:22:01,058 --> 00:22:03,234 I, UH... I JUST FOUND OUT 470 00:22:03,278 --> 00:22:04,758 THAT I'M UP FOR A PROMOTION. 471 00:22:04,801 --> 00:22:07,195 - THAT'S GREAT. - WAYLON'S LEAVING. 472 00:22:07,238 --> 00:22:11,939 SO IT'S MY BIG CHANCE TO BECOME WAYLON. 473 00:22:11,982 --> 00:22:13,549 ALL BECAUSE TWO DRUG DEALERS SHOT EACH OTHER 474 00:22:13,593 --> 00:22:15,508 IN MY FRONT YARD. 475 00:22:15,551 --> 00:22:18,380 SOMETHING I NEVER WANTED TO SEE, NEVER SHOULD HAVE SEEN. 476 00:22:18,424 --> 00:22:21,992 MY LIFE IS NOT REAL TO ME. 477 00:22:22,036 --> 00:22:25,039 NONE OF THIS IS MINE. 478 00:22:25,082 --> 00:22:26,127 I'M A WRITER. 479 00:22:26,170 --> 00:22:28,085 I KNOW. 480 00:22:28,129 --> 00:22:29,478 AND I WILL NEVER PUBLISH AGAIN. 481 00:22:29,522 --> 00:22:30,871 WHICH IS FINE. 482 00:22:30,914 --> 00:22:35,571 I MEAN, I HAVEN'T WRITTEN A WORD SINCE I GOT HERE. 483 00:22:35,615 --> 00:22:40,010 WRITING COMES FROM YOU. 484 00:22:40,054 --> 00:22:43,579 WHAT HAPPENS WHEN THERE'S NO MORE YOU? 485 00:22:43,623 --> 00:22:47,104 LOIS... 486 00:22:47,148 --> 00:22:49,890 EITHER TAKE YOUR BREAK OR FINISH THE CIRCUS POSTERS. 487 00:22:49,933 --> 00:22:52,109 WE'RE NINE MINUTES BEHIND. 488 00:22:52,153 --> 00:22:54,416 LOOK, MAYBE YOU SHOULD TAKE YOUR BREAK 489 00:22:54,460 --> 00:22:55,635 SO WE CAN TALK? 490 00:22:55,678 --> 00:22:58,551 ABOUT WHAT? 491 00:22:58,594 --> 00:23:03,077 SERIOUSLY, WHAT DO I HAVE TO TALK ABOUT? 492 00:23:08,648 --> 00:23:10,519 YOU KNOW, THE LAST REAL JOB I HAD 493 00:23:10,563 --> 00:23:12,129 WAS WORKING IN A GARAGE. 494 00:23:12,173 --> 00:23:13,174 I FIGURED I'D PICK IT UP AGAIN. 495 00:23:13,217 --> 00:23:17,613 BUT YOU SEE? NEED MY OWN TOOLS. 496 00:23:17,657 --> 00:23:21,095 YOU KNOW BETTER THAN ANYBODY THAT MY DEAL STINKS. 497 00:23:21,138 --> 00:23:23,140 I'M STARTING TO RUN SHORT HERE. 498 00:23:23,184 --> 00:23:25,578 I NEED A JOB. THIS IS MY BEST SHOT. 499 00:23:25,621 --> 00:23:26,883 WELL, UNFORTUNATELY 500 00:23:26,927 --> 00:23:29,146 I'M NOT IN CHARGE OF THE MONEY THESE DAYS. 501 00:23:29,190 --> 00:23:30,887 BUT LET ME SEE WHAT I CAN DO. 502 00:23:36,458 --> 00:23:39,635 $600 FOR A SET OF USED CAR TOOLS? 503 00:23:39,679 --> 00:23:41,202 YEP. 504 00:23:41,245 --> 00:23:43,987 IN ADDITION TO THE STIPEND WE'RE PAYING HIM? 505 00:23:44,031 --> 00:23:45,772 OR YOU COULD JUST MAKE IT AN ADVANCE. 506 00:23:48,122 --> 00:23:51,560 - OKAY. - REALLY? 507 00:23:51,604 --> 00:23:53,257 TAKES MONEY TO MAKE MONEY. 600 NOW WILL SAVE US A LOT 508 00:23:53,301 --> 00:23:54,650 WHEN MR. JEROME IS HOLDING DOWN A STEADY JOB. 509 00:23:54,694 --> 00:23:57,348 YOU SHOULD ALSO LOOK AT UPDATING HIS M.O.U. 510 00:23:57,392 --> 00:24:00,700 I SEE A LITTLE WIGGLE ROOM FOR COST OF LIVING INCREASES. 511 00:24:00,743 --> 00:24:02,919 WHOA, YOU'RE EXCEEDING MY EXPECTATIONS. 512 00:24:02,963 --> 00:24:05,008 MAKING ME DIZZY. 513 00:24:06,619 --> 00:24:07,968 HERE YOU GO. 514 00:24:08,011 --> 00:24:10,449 THANKS. 515 00:24:26,029 --> 00:24:28,379 HEY, FRANK. 516 00:24:28,423 --> 00:24:29,772 I'M SUPPOSED TO MEET A GUY HERE. 517 00:24:29,816 --> 00:24:32,209 I DON'T KNOW HIS NAME OR WHAT HE LOOKS LIKE. 518 00:24:32,253 --> 00:24:34,560 HE SAID HE'D BE WEARING A GRAY BALL CAP. 519 00:24:34,603 --> 00:24:37,084 - YEAH, HE'S IN THE BATHROOM. - ALL RIGHT. 520 00:24:37,127 --> 00:24:38,999 HOPE YOU DON'T NEED HIM FOR MUCH. 521 00:24:39,042 --> 00:24:40,522 HE GOT HERE ABOUT AN HOUR AGO. 522 00:24:40,566 --> 00:24:44,047 ALREADY PUT AWAY FOUR OR FIVE SHOTS. 523 00:24:46,049 --> 00:24:47,398 HEY, YOU'RE THE DOC? 524 00:24:47,442 --> 00:24:50,053 YOU GOTTA BE KIDDING ME. 525 00:24:50,097 --> 00:24:52,621 I'M FINE. WHAT'S YOUR PROBLEM? 526 00:24:52,665 --> 00:24:54,405 LET'S GO. 527 00:24:54,449 --> 00:24:55,537 MY FRIEND'S DYING. 528 00:24:55,581 --> 00:24:56,973 YOU PUT THAT GLASS DOWN OR I'LL BREAK IT 529 00:24:57,017 --> 00:24:58,758 AND CUT YOUR THROAT WITH IT. 530 00:24:58,801 --> 00:25:00,020 LET'S GET OUT OF HERE. 531 00:25:25,088 --> 00:25:26,960 HEY... - WHAT THE HELL? 532 00:25:27,003 --> 00:25:28,004 AW, PERFECT. 533 00:25:28,048 --> 00:25:30,006 WHAT THE HELL'S THIS? CHRIST! 534 00:25:30,050 --> 00:25:32,835 HE HAD NO PLACE TO GO. HE NEEDS A DOCTOR. 535 00:25:32,879 --> 00:25:34,968 HIM? FORGET IT. 536 00:25:35,011 --> 00:25:36,012 YOU, STUMBLE ON OUTTA HERE. 537 00:25:36,056 --> 00:25:37,231 FIND SOME OTHER PATIENT TO KILL. 538 00:25:37,274 --> 00:25:41,540 JESUS, YOU, YOUR BREATH! GO. COME ON, OUT! 539 00:25:41,583 --> 00:25:45,239 I NEED AN AMBULANCE AT 420 COPA DE ORO. 540 00:25:45,282 --> 00:25:47,067 GUNSHOT VICTIM. 541 00:25:47,110 --> 00:25:49,069 REAL GENIUS YOU ARE, FRANK. 542 00:25:49,112 --> 00:25:51,550 STAN, FRANK'S LOCATION HAS BEEN COMPROMISED. 543 00:25:51,593 --> 00:25:53,508 I NEED A SECURITY TEAM TO MEET ME AT THE HOSPITAL. 544 00:25:53,552 --> 00:25:56,032 COPY THAT? 545 00:25:56,076 --> 00:25:57,251 DON'T LOOK SO HAPPY. 546 00:25:57,294 --> 00:25:58,948 THE IRON DOOR JUST SLAMMED ON YOUR NUTS. 547 00:25:58,992 --> 00:26:00,123 IDIOT. 548 00:26:13,702 --> 00:26:18,185 - I HATE THESE FRIGGIN' PLACES. - TELL ME ABOUT IT. 549 00:26:18,228 --> 00:26:20,187 YOU EVER BEEN SHOT? 550 00:26:20,230 --> 00:26:23,843 YEAH. YOU? 551 00:26:23,886 --> 00:26:27,020 TWICE. 552 00:26:27,063 --> 00:26:29,196 ONCE IN THE JOINT. 553 00:26:29,239 --> 00:26:33,592 PRISON HOSPITALS MAKE THIS LOOK LIKE PEBBLE BEACH. 554 00:26:33,635 --> 00:26:37,726 IT WAS RAY THAT GOT ME THROUGH. 555 00:26:37,770 --> 00:26:41,556 GOT ME THE GOOD MEDS, THE REAL DOCTOR. 556 00:26:41,600 --> 00:26:44,037 BUT IT COST HIM. 557 00:26:44,080 --> 00:26:45,952 HE ENDED UP OWING SOME BIG FAVORS. 558 00:26:48,737 --> 00:26:49,869 - MARSHAL SHANNON? - YEAH. 559 00:26:49,912 --> 00:26:52,001 THE BULLET WENT THROUGH. 560 00:26:52,045 --> 00:26:54,177 NO FRAGMENTS, WHICH IS GOOD. 561 00:26:54,221 --> 00:26:55,657 BUT THERE'S BEEN SOME PRETTY SERIOUS DAMAGE 562 00:26:55,701 --> 00:26:56,876 TO THE LOWER INTESTINE, 563 00:26:56,919 --> 00:26:58,181 AND THAT'S TRIGGERED AN INFECTION. 564 00:26:58,225 --> 00:27:00,793 - OKAY. THANKS. - CAN I SEE HIM? 565 00:27:00,836 --> 00:27:02,490 HE'LL BE OUT FOR A WHILE. MAYBE IN THE MORNING. 566 00:27:02,533 --> 00:27:03,665 THANKS, DOCTOR. 567 00:27:15,068 --> 00:27:16,678 HELLO, LOIS. 568 00:27:16,722 --> 00:27:19,376 YOU GOT A MINUTE? - YEAH. 569 00:27:19,420 --> 00:27:22,162 IT'S NICE TO SEE YOU. 570 00:27:22,205 --> 00:27:24,077 I TOOK THE LIBERTY OF CONTACTING A COLLEGE 571 00:27:24,120 --> 00:27:26,209 WHERE I TAKE A FEW NIGHT CLASSES, 572 00:27:26,253 --> 00:27:28,995 AND THERE'S AN OPENING FOR A TEACHER. 573 00:27:29,038 --> 00:27:31,345 PART-TIME, UNTENURED, OBVIOUSLY. 574 00:27:31,388 --> 00:27:34,261 BUT IT'S 20th-CENTURY AMERICAN LITERATURE, 575 00:27:34,304 --> 00:27:36,959 AND I THOUGHT, WELL, YOU'RE A PART OF THAT, SO... 576 00:27:37,003 --> 00:27:40,659 I'M NOT A TEACHER. I'VE NEVER TAUGHT. 577 00:27:40,702 --> 00:27:42,225 I DIDN'T EVEN LIKE SCHOOL. 578 00:27:42,269 --> 00:27:47,056 I KNOW IT'S NOT PERFECT, BUT YOU'VE GOT A LOT TO GIVE. 579 00:27:47,100 --> 00:27:51,147 "AND IF IN THIS HOUSE, IN THIS FINE HOUSE, 580 00:27:51,191 --> 00:27:55,325 IF IN BED WE LIE." 581 00:27:55,369 --> 00:27:58,764 PARIS REVIEW, 2003. 582 00:27:58,807 --> 00:28:02,681 I LOVE THE CHIASMUS OF HOW THE "I-F" IN IF 583 00:28:02,724 --> 00:28:04,900 FLIPS TO BECOME THE "F-I" IN FINE, 584 00:28:04,944 --> 00:28:07,033 THEN IT FLIPS BACK AGAIN TO IF. 585 00:28:07,076 --> 00:28:10,601 THEN THE DOUBLE MEANING OF LIE IN BED. 586 00:28:10,645 --> 00:28:12,691 REALLY BEAUTIFUL. 587 00:28:12,734 --> 00:28:14,954 YOU LOOKED THAT UP? 588 00:28:16,782 --> 00:28:20,960 IT WAS THE LAST PIECE I DID BEFORE... 589 00:28:21,003 --> 00:28:24,964 SO I'M SUPPOSED TO TEACH MY WRITING 590 00:28:25,007 --> 00:28:28,184 AS SOMEONE ELSE'S WORK? 591 00:28:28,228 --> 00:28:30,317 YEAH... 592 00:28:30,360 --> 00:28:33,450 THAT WON'T MAKE ME WANT TO KILL MYSELF. 593 00:28:37,672 --> 00:28:39,152 I'M SORRY. 594 00:28:39,195 --> 00:28:41,328 I'M SORRY. NO, I MEAN YOU'RE RIGHT. 595 00:28:41,371 --> 00:28:44,505 I SHOULD JUST SHUT UP AND BE HAPPY. 596 00:28:44,548 --> 00:28:46,333 NO ONE'S SAYING THAT, LOIS. 597 00:28:46,376 --> 00:28:52,078 IT'S FINE. MARSHALL, IT'S FINE. 598 00:28:52,121 --> 00:28:54,297 I'M FINE. 599 00:29:07,615 --> 00:29:10,052 HEY, LOOK AT YOU, MAN. 600 00:29:11,967 --> 00:29:15,101 PROBABLY THE NICEST JOINT YOU EVER STAYED IN. 601 00:29:15,144 --> 00:29:18,452 I THOUGHT THE NURSES WOULD BE PRETTIER. 602 00:29:18,495 --> 00:29:21,803 YEAH, WELL, THEY'RE A LITTLE DISAPPOINTED IN YOU TOO. 603 00:29:26,242 --> 00:29:28,549 HOW YOU DOING? 604 00:29:28,592 --> 00:29:32,031 WELL, I'M ALIVE. 605 00:29:32,074 --> 00:29:33,728 I GUESS I WENT TO THE RIGHT GUY FOR HELP. 606 00:29:33,772 --> 00:29:36,165 WELL, LISTEN, MAN, IF IT'D BEEN UP TO ME, 607 00:29:36,209 --> 00:29:37,558 YOU'D HAVE BEEN OPERATED ON IN THE TUB 608 00:29:37,601 --> 00:29:38,951 BY A DRUNK WITH A BUTTER KNIFE. 609 00:29:38,994 --> 00:29:41,780 IF YOU WANT TO THANK SOMEBODY, THANK HER. 610 00:29:43,172 --> 00:29:45,261 OH, THE GROUPIE. 611 00:29:45,305 --> 00:29:49,831 EVERY CON SHOULD HAVE ONE. 612 00:29:49,875 --> 00:29:52,965 LISTEN, RAY, SHE WANTS TO ASK YOU SOMETHING, ALL RIGHT? 613 00:29:53,008 --> 00:29:54,401 BE STRAIGHT WITH HER. 614 00:29:54,444 --> 00:29:57,099 OKAY, FRANK. 615 00:30:02,409 --> 00:30:05,978 RAY, I NEED TO KNOW IF THE MIKES HAVE ANY IDEA 616 00:30:06,021 --> 00:30:07,240 YOU WENT TO FRANK. 617 00:30:07,283 --> 00:30:10,460 NO. 618 00:30:10,504 --> 00:30:12,854 RAY, THIS IS IMPORTANT. 619 00:30:12,898 --> 00:30:17,293 I NEVER TOLD THEM ANYTHING ABOUT FRANK. 620 00:30:17,337 --> 00:30:20,079 AND THEY DIDN'T FOLLOW ME. 621 00:30:20,122 --> 00:30:23,517 I'M A WHEEL MAN. I SHOOK 'EM. 622 00:30:26,085 --> 00:30:27,086 THANKS. 623 00:30:32,918 --> 00:30:35,181 HEY, GET SOME REST, MAN. 624 00:30:35,224 --> 00:30:36,443 AND I'LL GO TRY TO FIND YOU SOME NURSES 625 00:30:36,486 --> 00:30:40,229 UP TO YOUR HIGH STANDARDS. 626 00:30:45,104 --> 00:30:48,368 THANKS, FRANK. 627 00:30:48,411 --> 00:30:50,936 APPRECIATE IT. 628 00:31:04,166 --> 00:31:06,473 ALL RIGHT, SO THAT WAS THE TOUCHING PART. 629 00:31:06,516 --> 00:31:08,997 NOW'S THE YOU TELL ME EVERYTHING RIGHT THIS SECOND PART. 630 00:31:10,129 --> 00:31:12,958 FRANK, YOU'RE NOT IN THE YARD ANYMORE. 631 00:31:13,001 --> 00:31:14,350 OKAY, THIS IS THE REAL WORLD. 632 00:31:14,394 --> 00:31:15,830 AS LONG AS THE MIKES ARE IN IT, 633 00:31:15,874 --> 00:31:22,010 YOU'RE NOT EVEN CLOSE TO SAFE. 634 00:31:22,054 --> 00:31:25,535 WELL, JUST BEFORE HE GOT OUT, 635 00:31:25,579 --> 00:31:26,928 RAY HEARD FROM THIS BUDDY OF HIS 636 00:31:26,972 --> 00:31:29,061 WHO WORKS SECURITY AT THIS GROCERY STORE BANK... 637 00:31:29,104 --> 00:31:31,454 HOW IT'D BE AN EASY HIT, 638 00:31:31,498 --> 00:31:33,108 ESPECIALLY IF HE HAD THE ACCESS CODES 639 00:31:33,152 --> 00:31:35,023 TO GET BEHIND THE GLASS... 640 00:31:35,067 --> 00:31:36,895 WHICH RAY GOT OFF HIS BUDDY, 641 00:31:36,938 --> 00:31:39,245 WHICH HE THEN STUPIDLY GAVE TO THE MIKES 642 00:31:39,288 --> 00:31:40,376 TO PAY OFF AN OLD DEBT. 643 00:31:40,420 --> 00:31:44,119 WHAT KIND OF DEBT? 644 00:31:44,163 --> 00:31:48,515 WHEN I GOT SHOT IN THE JOINT, 645 00:31:48,558 --> 00:31:50,996 THE DOCTORS, THE MEDS... 646 00:31:51,039 --> 00:31:52,998 THE MIKES MADE THAT HAPPEN. 647 00:31:53,041 --> 00:31:55,217 RAY OWES 'EM BECAUSE OF ME. 648 00:31:55,261 --> 00:31:58,655 HE THOUGHT, YOU KNOW, GIVING 'EM THE CODES WOULD BE ENOUGH, 649 00:31:58,699 --> 00:32:01,223 BUT NO, UH-UH. 650 00:32:01,267 --> 00:32:04,096 THEY WANTED HIM IN ON IT. - WHY? 651 00:32:04,139 --> 00:32:05,445 BEST GETAWAY DRIVER THERE IS. 652 00:32:07,490 --> 00:32:09,928 AND, YOU KNOW, WHEN THEY FIND THE SECOND BEST, 653 00:32:09,971 --> 00:32:14,019 THEY'RE GONNA DO THIS THING. 654 00:32:31,210 --> 00:32:32,776 HEADS UP. 655 00:32:32,820 --> 00:32:35,475 THEY'RE EXITING A BLACK DODGE. BLACK SUIT, BLUE SUIT. 656 00:32:35,518 --> 00:32:39,914 AND THEY'RE NOW BOTH WITH CASES. 657 00:32:54,407 --> 00:32:55,712 NOW. 658 00:32:55,756 --> 00:32:58,454 U.S. MARSHALS! ON THE GROUND! FACE DOWN! 659 00:32:58,498 --> 00:33:01,066 ON THE GROUND! 660 00:33:04,112 --> 00:33:06,462 GOOD AFTERNOON, AND THANK YOU FOR SHOPPING WITH US. 661 00:33:06,506 --> 00:33:09,291 WE'RE HAVING A SPECIAL ON 8x12 CELLS. 662 00:33:09,335 --> 00:33:11,076 YOU GENTLEMEN HAVE THE RIGHT TO REMAIN SILENT. 663 00:33:11,119 --> 00:33:13,992 ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU 664 00:33:14,035 --> 00:33:15,080 IN A COURT OF LAW. 665 00:33:22,130 --> 00:33:26,395 HELLO? LOIS? 666 00:33:26,439 --> 00:33:28,615 JUST CALM DOWN. I'M ON MY WAY. 667 00:33:28,658 --> 00:33:30,747 - HA HA. - LOIS? 668 00:33:30,791 --> 00:33:33,011 HELLO? - WHAT HAPPENED? 669 00:33:33,054 --> 00:33:35,448 - SHE GOT PROMOTED. - AND... 670 00:33:35,491 --> 00:33:37,102 I DON'T KNOW, BUT IT SOUNDS BAD. 671 00:33:37,145 --> 00:33:38,364 SHE'S FUN, RIGHT? 672 00:33:40,627 --> 00:33:43,108 FUNDS ALLOCATION TO BACKTRACE A CELL NUMBER 673 00:33:43,151 --> 00:33:46,154 AND ACCESS CREDIT CARD ACTIVITY FOR BRANDI SHANNON? 674 00:33:46,198 --> 00:33:48,113 I GUESS I SHOULD HAVE RUN THAT BY YOU. 675 00:33:48,156 --> 00:33:50,158 IT'S MY SISTER, AND A NEEDED-- 676 00:33:50,202 --> 00:33:51,290 INSPECTOR, YOU'VE TAKEN ADVANTAGE OF YOUR POSITION 677 00:33:51,333 --> 00:33:53,161 TO INFRINGE ON YOUR SISTER'S PRIVACY, 678 00:33:53,205 --> 00:33:54,989 AND ILLEGALLY USED THIS OFFICE'S RESOURCES. 679 00:33:55,033 --> 00:33:56,164 YOU CAN PUT THIS IN HER JACKET 680 00:33:56,208 --> 00:33:57,296 ALONG WITH THE OFFICIAL REPRIMAND 681 00:33:57,339 --> 00:33:58,340 YOU SHOULD BE WRITING UP. 682 00:33:58,384 --> 00:34:00,168 STAN... 683 00:34:00,212 --> 00:34:02,083 - I DON'T WANT TO HEAR IT. - STAN... 684 00:34:02,127 --> 00:34:03,476 IF YOU'RE RIGHT AND SHE'S WRONG, 685 00:34:03,519 --> 00:34:04,955 I'VE GOT YOUR BACK, BUT YOU'RE WRONG HERE, MARY. 686 00:34:04,999 --> 00:34:07,045 STAN, COME ON. 687 00:34:07,088 --> 00:34:09,090 I'M SORRY, I JUST-- I REALLY NEED THIS. 688 00:34:09,134 --> 00:34:14,313 PLEASE. PLEASE? 689 00:34:14,356 --> 00:34:16,663 AND DON'T LET IT HAPPEN AGAIN. 690 00:34:19,840 --> 00:34:23,061 - I WON'T. - GOOD. 691 00:34:31,939 --> 00:34:34,898 UNH! 692 00:34:37,162 --> 00:34:39,120 WE'RE AT 1440 SANTA ANITA BOULEVARD. 693 00:34:42,863 --> 00:34:44,125 - IS THAT THE POLICE? - YES. 694 00:34:44,169 --> 00:34:45,213 TELL 'EM IT'S UNDER CONTROL. 695 00:34:45,257 --> 00:34:49,478 - OH-- - IT'S OKAY. IT'S OKAY. 696 00:34:49,522 --> 00:34:53,221 IT'S OKAY. 697 00:34:53,265 --> 00:34:55,049 IT'S OKAY. 698 00:34:59,184 --> 00:35:02,143 IT'S ALL RIGHT. 699 00:35:02,187 --> 00:35:06,016 SHH. 700 00:35:09,063 --> 00:35:10,499 HELLO? 701 00:35:10,543 --> 00:35:13,807 - HEY, WHERE ARE YOU? - UH, STILL IN JERSEY. 702 00:35:13,850 --> 00:35:16,070 REALLY? THEN HOW'D YOU MANAGE TO USE YOUR DEBIT CARD 703 00:35:16,114 --> 00:35:17,115 11 MINUTES AGO AT PELE'S COFFEE SHOP 704 00:35:17,158 --> 00:35:19,160 ON BISCAYNE BOULEVARD IN MIAMI? 705 00:35:19,204 --> 00:35:22,729 YOU'RE SPYING ON ME? UNBELIEVABLE. 706 00:35:22,772 --> 00:35:24,557 NO, WHAT'S UNBELIEVABLE IS THE AMOUNT OF TIME AND EFFORT 707 00:35:24,600 --> 00:35:26,167 YOU PUT INTO LYING-- IT'S GOTTA BE EXHAUSTING. 708 00:35:26,211 --> 00:35:28,387 SO HERE'S THE DEAL, YOU WANT TO LIE TO MOM AND PETER, 709 00:35:28,430 --> 00:35:31,041 GO RIGHT AHEAD, BUT JUST DON'T BOTHER WITH ME ANYMORE. 710 00:35:31,085 --> 00:35:33,174 'CAUSE I KNOW IF IT'S A SOUND, AND IT COMES OUT OF YOUR MOUTH, 711 00:35:33,218 --> 00:35:34,262 IT'S A LIE. - THAT'S NOT TRUE. 712 00:35:34,306 --> 00:35:36,177 BECAUSE YOU SAY SO SITTING THERE, 713 00:35:36,221 --> 00:35:37,178 NOWHERE NEAR NEW JERSEY? 714 00:35:37,222 --> 00:35:39,093 YOU SEE THE PROBLEM? 715 00:35:39,137 --> 00:35:41,139 MARY, LOOK, IT'S COMPLICATED. 716 00:35:41,182 --> 00:35:43,402 YEAH, THAT I'M SURE OF. 717 00:35:43,445 --> 00:35:45,839 I GOTTA GO. BYE. 718 00:35:45,882 --> 00:35:48,189 HELLO? 719 00:35:53,325 --> 00:35:55,109 WHAT HAPPENED? 720 00:35:55,153 --> 00:35:57,111 HE WENT INTO SEPTIC SHOCK ABOUT AN HOUR AGO, 721 00:35:57,155 --> 00:35:59,200 THEN CIRCULATORY COLLAPSE. 722 00:35:59,244 --> 00:36:02,203 I'M SORRY. 723 00:36:08,514 --> 00:36:13,083 DO YOU WANT TO HAVE SOME KIND OF SERVICE? 724 00:36:13,127 --> 00:36:15,434 I'D BE THE ONLY ONE THERE. 725 00:36:15,477 --> 00:36:17,392 WELL, HOW ABOUT I BUY YOU A DRINK? 726 00:36:17,436 --> 00:36:21,135 AM I ALLOWED TO GO HOME NOW? 727 00:36:21,179 --> 00:36:25,835 YEAH, YOU CAN. 728 00:36:25,879 --> 00:36:28,273 I'LL PULL OFF THE SECURITY DETAIL. 729 00:36:28,316 --> 00:36:33,756 YOU SURE YOU'RE OKAY? 730 00:36:33,800 --> 00:36:35,932 YEAH, YOU KNOW... 731 00:36:35,976 --> 00:36:39,458 IT IS WHAT IT IS. 732 00:36:39,501 --> 00:36:41,590 WHAT? 733 00:36:41,634 --> 00:36:43,766 HE DIED OVER WHAT, HUH? 734 00:36:43,810 --> 00:36:46,073 A COUPLE OF NUMBERS YOU PUNCH IN A KEYPAD? 735 00:36:48,031 --> 00:36:52,645 I MEAN, WHAT'S IT EVEN MEAN? 736 00:37:12,665 --> 00:37:13,927 LEO'S. 737 00:37:13,970 --> 00:37:16,103 JANINE? IT'S MARY, FRANK'S FRIEND. 738 00:37:16,146 --> 00:37:18,410 IS HE THERE? - NO, HE LEFT A WHILE AGO. 739 00:37:18,453 --> 00:37:20,063 HEY, DID HE FORGET HIS CELL? 740 00:37:20,107 --> 00:37:21,674 HE LEFT IT ON PURPOSE. 741 00:37:21,717 --> 00:37:23,589 SAID HE WAS DONE WITH IT. 742 00:37:23,632 --> 00:37:26,156 DID HE SAY ANYTHING ELSE? 743 00:37:26,200 --> 00:37:27,549 YEAH, THE HE WAS GOING BACK WHERE HE CAME FROM. 744 00:37:27,593 --> 00:37:29,247 I WASN'T REALLY SURE WHAT THAT MEANT. 745 00:37:29,290 --> 00:37:31,161 HE DIDN'T WANT TO TALK, BUT IT FELT KIND OF FINAL. 746 00:37:45,132 --> 00:37:47,308 HEY, FRANK. 747 00:37:47,352 --> 00:37:48,875 WHATCHA DOING? 748 00:37:50,659 --> 00:37:54,054 WELL, YOU'RE THE EXPERT ON EVERYTHING I DO. 749 00:37:54,097 --> 00:37:55,098 YOU TELL ME. 750 00:37:55,142 --> 00:37:58,798 ALL RIGHT. 751 00:37:58,841 --> 00:38:02,105 I THINK YOU KNOW THEY CHANGED THE ACCESS CODE. 752 00:38:02,149 --> 00:38:06,980 TWO NEW SECURITY GUARDS OVER THERE...RIGHT? 753 00:38:07,023 --> 00:38:09,983 I THINK YOU'RE HERE TO PULL THAT GUN 754 00:38:10,026 --> 00:38:12,899 THAT'S IN YOUR POCKET. 755 00:38:12,942 --> 00:38:15,728 AND I THINK YOU WANT TO GET POPPED... 756 00:38:15,771 --> 00:38:19,079 JUST SO YOU CAN GO BACK TO WHERE YOU THINK YOU BELONG. 757 00:38:19,122 --> 00:38:23,344 AND YOU'RE WRONG ABOUT THAT, BY THE WAY. 758 00:38:23,388 --> 00:38:26,826 YEAH. 759 00:38:26,869 --> 00:38:29,350 WELL, I SURVIVED THAT PLACE FOR ALMOST 40 YEARS. 760 00:38:29,394 --> 00:38:31,961 I GET OUT AND LOSE THE ONLY FRIEND 761 00:38:32,005 --> 00:38:33,572 I'VE GOT IN THE WORLD. 762 00:38:33,615 --> 00:38:35,008 THE WORLD HAS LOST ITS FRIGGIN' MIND! 763 00:38:35,051 --> 00:38:36,966 YOU WANT TO LIVE IN IT? GOOD. 764 00:38:37,010 --> 00:38:38,664 TAKE YOUR TWITTER AND YOUR IPOD 765 00:38:38,707 --> 00:38:41,362 AND YOUR FAT-ASS VIDEO-GAME-ADDICTED ZOMBIES 766 00:38:41,406 --> 00:38:43,364 WITH NO DECENCY, NO DISCIPLINE... 767 00:38:43,408 --> 00:38:45,018 YOU KNOW, YOU CAN HAVE IT. 768 00:38:45,061 --> 00:38:48,064 THE FUTURE'S ALL YOURS. I'M DONE. 769 00:38:48,108 --> 00:38:49,762 YOU'RE NOT DONE 770 00:38:49,805 --> 00:38:51,154 RAY'S DONE. 771 00:38:51,198 --> 00:38:53,983 YOU WANT TO END IT, THAT'S YOUR CALL. 772 00:38:54,027 --> 00:38:56,203 GREAT, YOU SURVIVED, YOU MADE IT--GOOD FOR YOU. 773 00:38:56,246 --> 00:39:01,208 YOU'RE TOUGH ENOUGH TO DO THAT AND TOO SCARED TO LIVE. 774 00:39:01,251 --> 00:39:05,081 SO COME ON... END IT, FRANK. 775 00:39:06,909 --> 00:39:09,259 RIGHT NOW. END IT. 776 00:39:28,844 --> 00:39:32,544 LOIS HAS ASKED TO LEAVE WITNESS PROTECTION. 777 00:39:32,587 --> 00:39:33,762 WHAT? 778 00:39:33,806 --> 00:39:35,634 SHE WANTS TO GO BACK TO HER OLD LIFE. 779 00:39:35,677 --> 00:39:37,418 HER MOM, FAMILY, FRIENDS. 780 00:39:37,462 --> 00:39:39,551 STAN, SHE CAN'T. 781 00:39:39,594 --> 00:39:42,118 SHE WAS THE KEY WITNESS IN A CALI CARTEL DRUG HIT. 782 00:39:42,162 --> 00:39:45,078 HER MOM LIVES IN SAN DIEGO. - IT'S DONE. 783 00:39:45,121 --> 00:39:47,559 I GOT HER A NEW JOB, A NEW PLACE. 784 00:39:47,602 --> 00:39:49,082 I UNDERSTAND, BUT IT'S NOT THAT. 785 00:39:49,125 --> 00:39:52,085 IT NEVER WAS. 786 00:39:52,128 --> 00:39:56,045 LOIS, PLEASE, STOP AND THINK THIS THROUGH. 787 00:39:56,089 --> 00:40:00,049 MARSHALL, THANK YOU. 788 00:40:00,093 --> 00:40:04,924 BUT I WANT TO BE WHAT I WAS BORN TO BE. 789 00:40:04,967 --> 00:40:08,101 WHO I WAS BORN TO BE. 790 00:40:22,507 --> 00:40:25,684 I HAD THESE TWO WITNESSES BACK WHEN I WAS AN INSPECTOR. 791 00:40:25,727 --> 00:40:27,207 ONE HATED THE PROGRAM, ONE LOVED IT. 792 00:40:27,250 --> 00:40:31,124 THE ONE THAT HATED IT LEFT, WENT BACK TO HIS HOMETOWN. 793 00:40:31,167 --> 00:40:34,519 THERE'S NO WAY THIS GUY MAKES IT A WEEK, RIGHT? 794 00:40:34,562 --> 00:40:38,348 THE ONE THE LOVED IT STAYS HERE, STARTS A FAMILY, GETS RICH. 795 00:40:38,392 --> 00:40:41,874 AND THEN HE DIES IN HIS BRAND NEW PORSCHE. 796 00:40:41,917 --> 00:40:43,876 THE ONE THAT HATED IT AND LEFT, 797 00:40:43,919 --> 00:40:47,488 HE'S ALIVE AND WELL IN HIS OLD LIFE. 798 00:40:47,532 --> 00:40:50,012 BETWEEN YOU AND MARY, SHE HAD THE BEST 799 00:40:50,056 --> 00:40:53,102 WE'VE GOT TO OFFER. 800 00:40:53,146 --> 00:40:58,064 SHE JUST DOESN'T WANT IT. 801 00:41:06,899 --> 00:41:10,685 WE LOVE WHAT WE LOVE, EVEN WHEN IT COULD KILL US. 802 00:41:10,729 --> 00:41:13,471 THE HARDEST THING IS TO REACH FOR SOMETHING 803 00:41:13,514 --> 00:41:15,168 WE'VE NEVER HAD BEFORE, 804 00:41:15,211 --> 00:41:16,996 KNOWING IF WE CAN SOMEHOW GET IT, 805 00:41:17,039 --> 00:41:20,478 PULL IT CLOSE AND MAKE IT OURS, IT WON'T LAST. 806 00:41:34,840 --> 00:41:36,189 BUT SOME OF US KEEP REACHING ANYWAY, 807 00:41:36,232 --> 00:41:38,757 BECAUSE SOME OF US FIGURE OUT 808 00:41:38,800 --> 00:41:43,370 IT'S NOT WHAT WE GET AHOLD OF THAT MATTERS. 809 00:41:43,413 --> 00:41:46,678 IT ALL SLIPS THROUGH OUR FINGERS EVENTUALLY. 810 00:41:46,721 --> 00:41:50,203 NO, WHAT COUNTS IS THAT WE JUST KEEP REACHING. 811 00:41:52,597 --> 00:41:54,773 Captioning byCaptionMax www.captionmax.com 57366

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