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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,698 --> 00:00:04,700 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 2 00:00:04,743 --> 00:00:06,397 HAS RELOCATED THOUSANDS OF WITNESSES, 3 00:00:06,441 --> 00:00:08,008 SOME CRIMINAL, SOME NOT, 4 00:00:08,051 --> 00:00:10,097 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 5 00:00:10,140 --> 00:00:11,489 EVERY ONE OF THOSE INDIVIDUALS 6 00:00:11,533 --> 00:00:12,882 SHARES A UNIQUE ATTRIBUTE, 7 00:00:12,925 --> 00:00:14,362 DISTINGUISHING THEM FROM THE REST 8 00:00:14,405 --> 00:00:16,146 OF THE GENERAL POPULATION. 9 00:00:16,190 --> 00:00:19,715 AND THAT IS... SOMEBODY WANTS THEM DEAD. 10 00:00:34,599 --> 00:00:36,645 ♪ YOU'RE A NO GOOD 11 00:00:36,688 --> 00:00:38,690 ♪ HEART BREAKER 12 00:00:38,734 --> 00:00:40,475 ♪ YOU'RE A LIAR 13 00:00:40,518 --> 00:00:44,522 ♪ AND YOU'RE A CHEAT 14 00:00:44,566 --> 00:00:46,568 SO YOU HAVE ANY TATTOOS? 15 00:00:46,611 --> 00:00:48,004 YOU'LL HAVE TO LOOK AND SEE. 16 00:00:49,701 --> 00:00:52,008 OH, MY. 17 00:00:52,052 --> 00:00:53,575 KEEP GOING. 18 00:00:53,618 --> 00:00:55,359 THERE'S MORE. 19 00:00:55,403 --> 00:00:58,667 ♪ THAT YOU AIN'T NO GOOD 20 00:00:58,710 --> 00:00:59,668 ♪ OH, OH 21 00:00:59,711 --> 00:01:02,453 ♪ BUT THEY DON'T KNOW 22 00:01:02,497 --> 00:01:07,545 ♪ THAT I'D LEAVE YOU IF I COULD ♪ 23 00:01:07,589 --> 00:01:09,547 WE SHOULD BE PARTNERS. 24 00:01:09,591 --> 00:01:11,506 I HAVE ENOUGH PARTNERS. 25 00:01:11,549 --> 00:01:13,682 I DON'T THINK YOUR PARTNER 26 00:01:13,725 --> 00:01:16,424 WOULD BE HAPPY WITH ME RAIDING HER HEN HOUSE. 27 00:01:16,467 --> 00:01:19,035 ♪ I AIN'T NEVER 28 00:01:19,079 --> 00:01:20,471 ♪ I AIN'T NEVER 29 00:01:20,515 --> 00:01:22,256 ♪ OH, NO 30 00:01:22,299 --> 00:01:23,996 ♪ LOVED A MAN 31 00:01:24,040 --> 00:01:25,781 ♪ THE WAY THAT I 32 00:01:25,824 --> 00:01:27,478 ♪ I LOVE YOU 33 00:01:31,743 --> 00:01:34,703 ♪ SOME TIME AGO I THOUGHT... 34 00:01:34,746 --> 00:01:36,183 WHO ARE YOUR PARTNERS? 35 00:01:36,226 --> 00:01:38,054 WHY HAVEN'T I EVER SEEN THEM? 36 00:01:38,098 --> 00:01:43,668 ♪ BUT I WAS SO WRONG 37 00:01:43,712 --> 00:01:45,583 ♪ YOU GOT ONE THAT YOU'LL NEVER LOSE ♪ 38 00:01:45,627 --> 00:01:47,629 MM. 39 00:01:47,672 --> 00:01:50,284 ♪ THE WAY YOU TREAT ME IS A SHAME ♪ 40 00:01:51,502 --> 00:01:55,985 ♪ HOW COULD YOU HURT ME SO BAD ♪ 41 00:01:56,028 --> 00:01:59,641 ♪ BABY YOU KNOW THAT I'M THE BEST THING ♪ 42 00:01:59,684 --> 00:02:02,992 ♪ THAT YOU EVER HAD 43 00:02:03,035 --> 00:02:06,909 ♪ KISS ME ONCE AGAIN 44 00:02:06,952 --> 00:02:10,826 ♪ DON'T YOU NEVER, NEVER SAY THAT WE'RE THROUGH ♪ 45 00:02:10,869 --> 00:02:13,350 ♪ 'CAUSE I AIN'T NEVER 46 00:02:13,394 --> 00:02:15,483 ♪ NEVER 47 00:02:15,526 --> 00:02:16,788 ♪ NEVER 48 00:02:16,832 --> 00:02:18,529 ♪ NO, NO 49 00:02:18,573 --> 00:02:21,097 ♪ LOVED A MAN 50 00:02:21,141 --> 00:02:22,142 ♪ THE WAY THAT I 51 00:02:22,185 --> 00:02:24,144 ♪ I LOVE YOU 52 00:02:27,234 --> 00:02:31,977 ♪ I CAN'T SLEEP AT NIGHT 53 00:02:32,021 --> 00:02:35,720 ♪ AND I CAN'T EAT A BITE 54 00:02:35,764 --> 00:02:39,115 ♪ I GUESS I'LL NEVER BE FREE 55 00:02:39,159 --> 00:02:40,638 ♪ SINCE YOU GOT 56 00:02:40,682 --> 00:02:42,684 ♪ YOUR HOOKS IN ME 57 00:02:42,727 --> 00:02:46,557 WASHINGTON, DC. 58 00:02:46,601 --> 00:02:49,517 SECRET SERVICE. 59 00:02:49,560 --> 00:02:51,649 ♪ OH YEAH 60 00:02:51,693 --> 00:02:54,565 ♪ I AIN'T NEVER LOVED A MAN 61 00:02:54,609 --> 00:02:57,525 ♪ I AIN'T NEVER LOVED A MAN 62 00:02:57,568 --> 00:02:58,526 ♪ AIN'T NEVER LOVED A MAN 63 00:02:58,569 --> 00:03:01,877 ♪ WHO HURT ME SO BAD 64 00:03:01,920 --> 00:03:03,922 HEY, STAN. IT'S MARSHALL AGAIN. 65 00:03:03,966 --> 00:03:06,055 UH, OKAY. WELL, CALL US. 66 00:03:06,098 --> 00:03:08,405 WE'RE GETTING A LITTLE BIT-- 67 00:03:08,449 --> 00:03:10,538 WORRIED. 68 00:03:10,581 --> 00:03:12,192 OH. 69 00:03:12,235 --> 00:03:14,629 I WON'T BE BAITED INTO THIS CONVERSATION. 70 00:03:14,672 --> 00:03:15,847 BAITING? I'M AMUSING. 71 00:03:15,891 --> 00:03:17,501 THE VERB. NOT THE ADJECTIVE. 72 00:03:17,545 --> 00:03:19,373 THANKS FOR CLEARING THAT UP. 73 00:03:19,416 --> 00:03:20,809 EITHER WAY, I'M NOT GIVING YOU THE NAME 74 00:03:20,852 --> 00:03:22,202 OF THE FIRST GIRL I HAD SEX WITH. 75 00:03:22,245 --> 00:03:23,507 WHY? 76 00:03:23,551 --> 00:03:25,292 IS IT BECAUSE YOU'RE A VIRGIN? 77 00:03:25,335 --> 00:03:27,250 NO, BECAUSE YOU'LL TRACK HER DOWN, 78 00:03:27,294 --> 00:03:29,034 CALL HER UP, AND MAKE HER TELL YOU ALL ABOUT IT. 79 00:03:29,078 --> 00:03:30,210 SO? I TOLD YOU MINE. 80 00:03:30,253 --> 00:03:31,559 NEIL ARMSTRONG WAS NOT YOUR FIRST. 81 00:03:31,602 --> 00:03:33,343 TECHNICALLY, NO, BUT WHO CAN EVER REMEMBER 82 00:03:33,387 --> 00:03:34,344 THAT OTHER GUY'S NAME? 83 00:03:34,388 --> 00:03:35,476 DO YOU EVEN CARE 84 00:03:35,519 --> 00:03:36,999 THAT STAN IS TWO HOURS LATE FOR WORK 85 00:03:37,042 --> 00:03:38,000 AND UNREACHABLE? 86 00:03:38,043 --> 00:03:39,001 OF COURSE I CARE. 87 00:03:39,044 --> 00:03:40,002 THIS IS HOW I COPE. 88 00:03:40,045 --> 00:03:41,264 COME ON. 89 00:03:41,308 --> 00:03:42,526 YOU KNOW I WON'T STOP UNTIL I GET WHAT I WANT. 90 00:03:42,570 --> 00:03:43,919 OH, GOD. FINE. 91 00:03:43,962 --> 00:03:45,877 KATINKA MAGNUSDOTTIR. 92 00:03:45,921 --> 00:03:48,489 TENTH GRADE FOREIGN EXCHANGE STUDENT FROM ICELAND. 93 00:03:48,532 --> 00:03:50,230 KATINKA? 94 00:03:50,273 --> 00:03:51,405 EXCELLENT. 95 00:03:51,448 --> 00:03:52,667 TELL HER I SAID HI. 96 00:03:52,710 --> 00:03:54,669 HOW DO YOU SPELL "MAGNUSDOTTIR"? 97 00:03:54,712 --> 00:03:55,844 THE USUAL WAY. 98 00:04:02,503 --> 00:04:04,069 JESUS, MARY, AND JOSEPH. 99 00:04:04,113 --> 00:04:06,681 THERE'S, LIKE, A THOUSAND K. MAGNUSDOTTIRS. 100 00:04:06,724 --> 00:04:09,466 I SWEAR TO GOD, IF THAT'S NOT HER REAL NAME... 101 00:04:11,816 --> 00:04:15,472 WE'LL THEN BRIEF YOU ON ALL WITSEC POLICIES, OKAY? 102 00:04:16,560 --> 00:04:17,692 THIS WAY HERE. 103 00:04:17,735 --> 00:04:20,303 THANKS, GUYS. I'LL TAKE IT FROM HERE. 104 00:04:22,653 --> 00:04:23,698 MORNING, PEOPLE. 105 00:04:23,741 --> 00:04:28,093 - MORNING. - MORNING. 106 00:04:28,137 --> 00:04:29,878 I THINK I MADE A TERRIBLE MISTAKE. 107 00:04:29,921 --> 00:04:31,575 I SHOULDN'T HAVE CALLED THE SECRET SERVICE. 108 00:04:31,619 --> 00:04:33,403 I WANT TO GO BACK. 109 00:04:33,447 --> 00:04:36,145 IT'S OKAY. COME ON. STEP INSIDE HERE. 110 00:04:36,188 --> 00:04:37,755 GOD. WHAT HAVE I DONE? 111 00:04:37,799 --> 00:04:42,412 I SHOULD HAVE KILLED MYSELF. 112 00:04:42,456 --> 00:04:44,240 TRY TO RELAX. 113 00:04:48,331 --> 00:04:49,593 - HEY. - KEEP GOING. 114 00:04:49,637 --> 00:04:50,855 WHO IS SHE AND WHERE HAVE YOU BEEN? 115 00:04:50,899 --> 00:04:52,596 AND SINCE WHEN DO YOU ESCORT WITNESSES? 116 00:04:52,640 --> 00:04:53,771 IF SHE EVEN IS A WITNESS. 117 00:04:53,815 --> 00:04:54,990 IS SHE A WITNESS? 118 00:04:55,033 --> 00:04:56,774 I'M SORRY. WHO ARE WE TALKING ABOUT? 119 00:04:56,818 --> 00:04:58,123 FINE. DON'T TELL US. 120 00:04:58,167 --> 00:04:59,386 WE DON'T CARE. DO WE, MARSHALL? 121 00:04:59,429 --> 00:05:02,954 ACTUALLY, I CARE A LITTLE. 122 00:05:02,998 --> 00:05:07,045 OKAY, YOU BROUGHT IT OUT OF ME. 123 00:05:07,089 --> 00:05:08,656 SO LAST NIGHT I GET A CALL FROM HQ 124 00:05:08,699 --> 00:05:09,831 SAYING THERE'S A PRIVATE JET 125 00:05:09,874 --> 00:05:11,354 WAITING AT THE AIRPORT. 126 00:05:11,398 --> 00:05:13,269 NEXT THING I KNOW I'M FLYING TO A SECRET LOCATION 127 00:05:13,313 --> 00:05:14,662 TO PICK UP... 128 00:05:14,705 --> 00:05:16,925 AND WHY DOES SHE RAID ALL THE TINKER TAILOR? 129 00:05:16,968 --> 00:05:18,622 SHE'S A COUNTERFEITER EXTRAORDINAIRE 130 00:05:18,666 --> 00:05:20,058 NAMED HELEN TRASK, 131 00:05:20,102 --> 00:05:21,669 WHO'S BEEN PRINTING TECHNICALLY PERFECT $100 BILLS. 132 00:05:21,712 --> 00:05:24,367 THAT IS RIGHT UP 133 00:05:24,411 --> 00:05:26,369 UNTIL SHE WALKED IN ON HER GIRLFRIEND IN FLAGRANTE 134 00:05:26,413 --> 00:05:28,153 WITH ONE OF HER NORTH KOREAN BUSINESS PARTNERS. 135 00:05:28,197 --> 00:05:29,503 IN RESPONSE TO IT, 136 00:05:29,546 --> 00:05:30,808 SHE TURNS HERSELF AND THE NORTH KOREAN 137 00:05:30,852 --> 00:05:32,201 OVER TO THE SECRET SERVICE. 138 00:05:32,244 --> 00:05:34,246 SHE WAS IN BUSINESS WITH NORTH KOREANS? 139 00:05:34,290 --> 00:05:35,596 SO SAY THE TREASURY DEPARTMENT, 140 00:05:35,639 --> 00:05:37,424 WHO CLAIM TO HAVE PROOF POSITIVE. 141 00:05:37,467 --> 00:05:38,773 YEAH, WHERE HAVE WE HEARD THAT BEFORE? 142 00:05:38,816 --> 00:05:40,514 HOWEVER THE SECOND THE GUY WAS IN CUSTODY, 143 00:05:40,557 --> 00:05:41,950 HE FLASHED DIPLOMATIC CREDENTIALS. 144 00:05:41,993 --> 00:05:43,865 THE STATE DEPARTMENT SWOOPED IN AND SENT HIM PACKING 145 00:05:43,908 --> 00:05:45,649 TO PYONG YANG, OR SO THEY SAY. 146 00:05:45,693 --> 00:05:47,564 NORTH KOREA CLAIMS NO SUCH PERSON EXISTS, 147 00:05:47,608 --> 00:05:49,392 NOR ANY INVOLVEMENT IN COUNTERFEITING. 148 00:05:49,436 --> 00:05:50,524 WELL, OF COURSE THAT'S WHAT THEY'RE GONNA SAY. 149 00:05:50,567 --> 00:05:52,482 YES, EXCEPT A WASHINGTON NEWSPAPER 150 00:05:52,526 --> 00:05:53,527 INVESTIGATED THE WHOLE AFFAIR, 151 00:05:53,570 --> 00:05:54,789 AND CAME TO THE CONCLUSION 152 00:05:54,832 --> 00:05:56,834 THE CIA WAS MORE LIKELY PRODUCING THE FAKES 153 00:05:56,878 --> 00:05:58,662 TO SUBSIDIZE COVERT OPS 154 00:05:58,706 --> 00:06:00,316 UNDER THE RADAR OF CONGRESSIONAL OVERSIGHT. 155 00:06:00,360 --> 00:06:01,709 SO THE SECRET SERVICE 156 00:06:01,752 --> 00:06:03,363 BROKE UP A CIA COUNTERFEITING RING? 157 00:06:03,406 --> 00:06:04,364 MAYBE. 158 00:06:04,407 --> 00:06:05,756 LET ME GUESS. 159 00:06:05,800 --> 00:06:07,410 THE CIA ALSO CLAIMS NO KNOWLEDGE OF THE MATTER? 160 00:06:07,454 --> 00:06:09,281 NATURALLY. 161 00:06:09,325 --> 00:06:10,848 AND TO MAKE THINGS EVEN MORE INTERESTING, 162 00:06:10,892 --> 00:06:12,154 HELEN THOUGHT HER PARTNER, 163 00:06:12,197 --> 00:06:13,764 THE GUY SHE CAUGHT SCHTUPPING HER GIRLFRIEND 164 00:06:13,808 --> 00:06:15,200 WAS A CHINESE GANGSTER. 165 00:06:15,244 --> 00:06:16,680 SO WE'RE HIDING OUR WITNESS FROM THE CIA? 166 00:06:16,724 --> 00:06:18,682 OR NORTH KOREA, OR THE CHINESE MOB, 167 00:06:18,726 --> 00:06:20,205 OR WHO KNOWS. 168 00:06:20,249 --> 00:06:22,033 IN ANY CASE, THE FBI AND INTERPOL 169 00:06:22,077 --> 00:06:24,253 BOTH REPORTED INTERNET CHATTER AMONG TERRORIST GROUPS 170 00:06:24,296 --> 00:06:25,515 ABOUT AN EIGHT-FIGURE BOUNTY 171 00:06:25,559 --> 00:06:27,169 FOR THE WHEREABOUTS OF LITTLE MISS SUNSHINE. 172 00:06:28,213 --> 00:06:29,519 WHAT ABOUT THE GIRLFRIEND? 173 00:06:29,563 --> 00:06:32,261 IT'S A WOMAN HELEN MET IN PRISON NAMED ANH LI. 174 00:06:32,304 --> 00:06:33,915 SECRET SERVICE INVESTIGATED 175 00:06:33,958 --> 00:06:36,221 AND DETERMINED SHE HAD NOTHING TO DO WITH THE COUNTERFEITING. 176 00:06:36,265 --> 00:06:37,440 SHE WAS RELEASED 177 00:06:37,484 --> 00:06:40,138 SHORTLY AFTER HELEN ENTERED THE PROGRAM. 178 00:06:40,182 --> 00:06:41,096 IT'S ALL YOURS. 179 00:06:41,139 --> 00:06:42,097 I GOT A MEETING. 180 00:06:42,140 --> 00:06:43,098 GOOD LUCK. 181 00:06:43,141 --> 00:06:44,447 CALL ME IF YOU NEED ANYTHING. 182 00:06:44,491 --> 00:06:46,580 I DON'T SUPPOSE YOU GOT A NUMBER TO CALL 183 00:06:46,623 --> 00:06:48,320 ABOUT THAT BOUNTY. 184 00:06:48,364 --> 00:06:50,410 OH, MAN. 185 00:06:52,716 --> 00:06:55,850 MAN. 186 00:06:55,893 --> 00:06:56,851 SORRY. 187 00:06:56,894 --> 00:06:57,852 WE'RE NORMALLY MORE 188 00:06:57,895 --> 00:06:58,983 UP TO SPEED ON THESE THINGS, 189 00:06:59,027 --> 00:07:01,421 BUT YOU SORT OF DROPPED IN UNEXPECTED. 190 00:07:01,464 --> 00:07:02,683 OH, MY... 191 00:07:02,726 --> 00:07:05,120 HOLY... 192 00:07:05,163 --> 00:07:06,251 I KNOW. I MEAN, LOOK AT HER. 193 00:07:06,295 --> 00:07:07,688 I MUST BE INSANE. 194 00:07:07,731 --> 00:07:09,603 SHE IS RIDICULOUSLY HOT. 195 00:07:09,646 --> 00:07:11,822 PLEASE, I--I WANT TO DEAL WITH HER. 196 00:07:11,866 --> 00:07:15,435 I--SO WHAT IF SHE WANTS TO BE WITH A MAN EVERY NOW AND THEN. 197 00:07:15,478 --> 00:07:18,176 I MEAN, WHO--WHO AM I TO JUDGE HER FOR THAT? 198 00:07:18,220 --> 00:07:20,744 I MEAN, SURELY-- SURELY YOU UNDERSTAND. 199 00:07:20,788 --> 00:07:22,485 WHAT? NO. I DON'T. 200 00:07:22,529 --> 00:07:23,834 WHY WOULD YOU SAY THAT? 201 00:07:23,878 --> 00:07:25,401 WHY WOULD SHE SAY THAT? 202 00:07:25,445 --> 00:07:26,750 CAN'T YOU JUST BRING HER HERE? 203 00:07:26,794 --> 00:07:28,839 PLEASE? 204 00:07:28,883 --> 00:07:30,667 I CAN'T LIVE WITHOUT HER. 205 00:07:30,711 --> 00:07:32,452 AND YOU CAN'T LIVE WITH HER. 206 00:07:32,495 --> 00:07:34,497 THERE IS A $10 MILLION BOUNTY OUT ON YOU, 207 00:07:34,541 --> 00:07:37,108 AND YOU CAN BE CERTAIN THAT ANY ATTEMPT TO CONTACT ANH LI 208 00:07:37,152 --> 00:07:38,719 OR ANYONE ELSE FROM YOUR PAST WILL GET YOU DEAD. 209 00:07:38,762 --> 00:07:42,505 DO YOU UNDERSTAND? - I DON'T CARE. 210 00:07:42,549 --> 00:07:44,725 WITHOUT HER, I HAVE NOTHING. 211 00:07:44,768 --> 00:07:46,422 I'M NOTHING. 212 00:07:46,466 --> 00:07:47,771 AYE-YI-YI. 213 00:07:47,815 --> 00:07:49,643 LOOK, HELEN, NO ONE IS GONNA ARGUE YOUR POINT. 214 00:07:49,686 --> 00:07:50,992 YOUR ANH LI IS SMOKING HOT, 215 00:07:51,035 --> 00:07:52,428 BUT THE WOMAN IS A MULTIPLE FELON. 216 00:07:52,472 --> 00:07:54,517 AGGRAVATED ASSAULT. MANSLAUGHTER. ARMED ROBBERY. 217 00:07:54,561 --> 00:07:55,779 SHE'S CLINICALLY DIAGNOSED 218 00:07:55,823 --> 00:07:57,520 WITH AN ANTI-SOCIAL PERSONALITY DISORDER, 219 00:07:57,564 --> 00:07:59,479 AND YOU CAUGHT HER SCREWING YOUR BUSINESS PARTNER. 220 00:07:59,522 --> 00:08:01,568 TECHNICALLY, SHE WASN'T SCREWING. 221 00:08:01,611 --> 00:08:04,527 SHE IS A CHEATING, LYING, VIOLENT, ANTI-SOCIAL SOCIOPATH. 222 00:08:04,571 --> 00:08:05,789 IS THAT REALLY THE KIND OF PERSON 223 00:08:05,833 --> 00:08:07,356 YOU WANT TO HANG YOUR FUTURE ON? 224 00:08:07,399 --> 00:08:10,402 I COULD DO WORSE. 225 00:08:12,361 --> 00:08:13,754 OKAY. 226 00:08:45,481 --> 00:08:46,569 JESUS, RAPH. 227 00:08:46,613 --> 00:08:48,571 WHAT THE HELL ARE YOU DOING? 228 00:08:48,615 --> 00:08:49,659 I'M SORRY. 229 00:08:49,703 --> 00:08:53,184 JUST LOOKED SO PRETTY ON YOUR HAND. 230 00:08:53,228 --> 00:08:54,185 ONLY THING THAT'S PRETTY ON THESE HANDS 231 00:08:54,229 --> 00:08:56,013 ARE OVEN MITTS. 232 00:08:56,057 --> 00:08:57,972 WHY ARE YOU DRESSED ALREADY? 233 00:08:58,015 --> 00:09:00,452 IT'S MOVING DAY, REMEMBER? 234 00:09:00,496 --> 00:09:01,584 OH, GOD. 235 00:09:01,628 --> 00:09:03,586 YOU SURE THIS IS WHAT YOU WANT TO DO? 236 00:09:03,630 --> 00:09:05,066 YOU ME, BRANDI, AND JINX? 237 00:09:05,109 --> 00:09:06,458 IT'LL BE FUN. YOU'LL SEE. 238 00:09:08,417 --> 00:09:09,418 SO WHO ARE YOU HIDING TODAY? 239 00:09:09,461 --> 00:09:11,115 SOME MAFIA HIT MAN? 240 00:09:11,159 --> 00:09:12,682 PLEASE. DON'T DO THAT. 241 00:09:12,726 --> 00:09:14,336 WHAT DID I DO? 242 00:09:14,379 --> 00:09:15,903 ASK QUESTIONS ABOUT MY JOB. 243 00:09:15,946 --> 00:09:17,208 IT WAS A JOKE. 244 00:09:17,252 --> 00:09:18,427 YOU CAN'T MAKE JOKES. 245 00:09:18,470 --> 00:09:19,994 PLEASE, RAPH, 246 00:09:20,037 --> 00:09:22,039 I TOLD YOU WHAT I DO SO YOU UNDERSTAND 247 00:09:22,083 --> 00:09:24,781 WHY I CAN'T TALK ABOUT IT. 248 00:09:24,825 --> 00:09:27,436 I'M SURE THAT MAKES SENSE TO YOU. 249 00:09:29,307 --> 00:09:31,745 IS IT OKAY IF I TAKE A DRAWER AND THE DRESSER? 250 00:09:31,788 --> 00:09:32,833 YEAH. 251 00:09:32,876 --> 00:09:33,921 TAKE IT BACK TO YOUR PLACE. 252 00:09:33,964 --> 00:09:35,357 HA. HA, HA. 253 00:09:35,400 --> 00:09:37,489 THAT WOULD BE FUNNY IF I THOUGHT YOU WERE JOKING. 254 00:09:37,533 --> 00:09:39,404 SORRY. 255 00:09:39,448 --> 00:09:41,842 JUST A LOT OF CHANGE ALL AT ONCE. 256 00:09:41,885 --> 00:09:43,147 YEAH. 257 00:09:43,191 --> 00:09:44,148 I APPRECIATE HOW HARD 258 00:09:44,192 --> 00:09:47,325 YOU'RE TRYING TO DEAL WITH IT. 259 00:09:47,369 --> 00:09:48,936 I DO. 260 00:09:58,902 --> 00:10:00,295 - OH, HI. - HI, IS MARY HERE? 261 00:10:00,338 --> 00:10:03,211 MARY, YOU GOT COMPANY. 262 00:10:03,254 --> 00:10:06,040 CHICO. COME ON. MOVE YOUR ASS. 263 00:10:06,083 --> 00:10:08,259 HEY. WHY ARE YOU DRESSED LIKE BOB THE BUILDER? 264 00:10:08,303 --> 00:10:10,392 IT'S MOVING DAY. I'M HELPING CHICO. 265 00:10:10,435 --> 00:10:12,742 MM. 266 00:10:12,786 --> 00:10:14,570 DERSHOWITZ, WHAT ARE YOU DOING HERE? 267 00:10:14,614 --> 00:10:15,658 HELLO TO YOU TOO. 268 00:10:15,702 --> 00:10:17,878 AW, JEEZ. YOU MUST WANT SOMETHING. 269 00:10:17,921 --> 00:10:18,879 YOU ARE SO MISTRUSTING. 270 00:10:18,922 --> 00:10:19,923 I BROUGHT YOU COFFEE. 271 00:10:19,967 --> 00:10:21,185 MM-HMM. 272 00:10:21,229 --> 00:10:23,666 SO I SEE YOU DECIDED TO KEEP THE FBI REMODEL. 273 00:10:23,710 --> 00:10:25,494 THANKS FOR THE COFFEE, 274 00:10:25,537 --> 00:10:26,669 BUT I GOT TO GET TO WORK, 275 00:10:26,713 --> 00:10:28,453 SO UNLESS THERE'S SOMETHING ELSE? 276 00:10:28,497 --> 00:10:29,890 WELL, AS A MATTER OF FACT, 277 00:10:29,933 --> 00:10:31,587 A SET OF PRINTS THAT WE LIFTED FROM A MURDER SCENE 278 00:10:31,631 --> 00:10:32,588 GOT KICKED BACK FROM AFIS 279 00:10:32,632 --> 00:10:33,937 AS AN OFFICIAL NO REPLY. 280 00:10:33,981 --> 00:10:35,547 THANK GOD. I WAS AFRAID YOU CAME HERE 281 00:10:35,591 --> 00:10:36,810 JUST TO BRING ME COFFEE. 282 00:10:36,853 --> 00:10:38,638 SO YOUNG, AND YET SO TRAGICALLY CYNICAL. 283 00:10:38,681 --> 00:10:39,726 YEAH, YEAH. SO WHAT DO YOU WANT? 284 00:10:39,769 --> 00:10:40,727 WELL, IT OCCURRED TO ME 285 00:10:40,770 --> 00:10:42,293 MAYBE YOU COULD RUN THE PRINTS, 286 00:10:42,337 --> 00:10:43,773 SEE IF THEY BELONG TO ANY OF YOUR PEOPLE. 287 00:10:43,817 --> 00:10:45,906 MAYBE THEY BELONG TO SOMEONE WHO'S NOT IN THE SYSTEM. 288 00:10:45,949 --> 00:10:47,298 IN THAT CASE, AFIS WOULD HAVE SAID, 289 00:10:47,342 --> 00:10:48,299 "NOT IN THE SYSTEM." 290 00:10:48,343 --> 00:10:49,431 AN OFFICIAL NO REPLY MEANS 291 00:10:49,474 --> 00:10:50,780 INFO ABOUT THIS PERSON HAS BEEN BLOCKED 292 00:10:50,824 --> 00:10:52,477 FROM BLUE-COLLAR LAW MEN SUCH AS MYSELF. 293 00:10:52,521 --> 00:10:53,696 POOR YOU. 294 00:10:53,740 --> 00:10:55,132 SO YOU'LL CHECK IT OUT, GET BACK TO ME? 295 00:10:55,176 --> 00:10:56,394 YEAH, FINE. WHEN I GET TO WORK. 296 00:10:56,438 --> 00:10:57,700 MUCH APPRECIATED. 297 00:10:57,744 --> 00:10:59,528 HEY, HOW DO YOU KNOW HOW I LIKE MY COFFEE? 298 00:10:59,571 --> 00:11:00,529 I'M A DETECTIVE. 299 00:11:00,572 --> 00:11:02,183 IT'S MY JOB TO KNOW THINGS. 300 00:11:02,226 --> 00:11:05,708 WALKING A FINE LINE BETWEEN CUTE AND CREEPY, DETECTIVE. 301 00:11:05,752 --> 00:11:06,927 CIAO, MAMACITA. 302 00:11:06,970 --> 00:11:08,363 SEE YOU, DERSHOWITZ. 303 00:11:08,406 --> 00:11:11,845 CAN'T EVEN SAY GOOD-BYE LIKE A NORMAL PERSON. 304 00:11:16,980 --> 00:11:18,068 YEAH, WHAT'S UP? 305 00:11:18,112 --> 00:11:19,679 YOU KNOW YOUR WITNESS HELEN TRAYLEN, 306 00:11:19,722 --> 00:11:21,158 THE COUNTERFEITER? 307 00:11:21,202 --> 00:11:22,551 LET ME GUESS. 308 00:11:22,594 --> 00:11:23,944 HER PRINTS SHOWED UP AT A MURDER SCENE. 309 00:11:23,987 --> 00:11:25,206 YEAH, HOW'D YOU KNOW? 310 00:11:25,249 --> 00:11:26,686 I'M A WITSEC INSPECTOR. 311 00:11:26,729 --> 00:11:29,689 IT'S MY JOB TO KNOW THINGS. 312 00:11:35,129 --> 00:11:37,000 ACCORDING TO THE DIRECTOR'S OFFICE, 313 00:11:37,044 --> 00:11:39,046 THE THREAT TO HELEN REMAINS UNABATED, 314 00:11:39,089 --> 00:11:40,525 ALONG WITH THE EIGHT-FIGURE BOUNTY. 315 00:11:40,569 --> 00:11:42,049 OF COURSE, AT THIS POINT, 316 00:11:42,092 --> 00:11:44,486 THE THREAT AND THE BOUNTY ARE A BIT LIKE COOK'S TREASURE, 317 00:11:44,529 --> 00:11:45,574 SINCE NO ONE CAN PIN DOWN 318 00:11:45,617 --> 00:11:47,750 EXACTLY FROM WHENCE THEY ORIGINATE. 319 00:11:47,794 --> 00:11:51,536 "FROM WHENCE"? 320 00:11:51,580 --> 00:11:52,537 THIS NEEDS ANOTHER COAT. 321 00:11:52,581 --> 00:11:54,104 OH, OKAY. 322 00:11:54,148 --> 00:11:56,759 I'LL RECONNOITER WHILST YOU INTERROGATE. 323 00:11:56,803 --> 00:11:58,195 WHENCE? WHILST? 324 00:11:58,239 --> 00:11:59,501 WHAT THE HELL HAVE YOU BEEN READING? 325 00:11:59,544 --> 00:12:02,591 HOW TO SPEAK LIKE AN ELIZABETHAN. 326 00:12:08,902 --> 00:12:12,557 THAT'S GOOD. 327 00:12:12,601 --> 00:12:14,516 HEY, STRANGER. 328 00:12:14,559 --> 00:12:16,083 MARY, HI. 329 00:12:16,126 --> 00:12:17,388 WH--WHAT BRINGS YOU? 330 00:12:17,432 --> 00:12:20,000 YOU KNOW, JUST-- JUST IN THE NEIGHBORHOOD. 331 00:12:20,043 --> 00:12:21,001 HOW'S IT GOING? 332 00:12:21,044 --> 00:12:22,002 IT'S GREAT. 333 00:12:22,045 --> 00:12:23,351 EVERYTHING'S GREAT. 334 00:12:23,394 --> 00:12:25,396 GOOD. 335 00:12:25,440 --> 00:12:27,572 LISTEN, SWEETIE, WE'RE ALL DONE HERE. 336 00:12:27,616 --> 00:12:32,055 I'M GONNA GO OVER THERE IF YOU NEED ANYTHING, OKAY? 337 00:12:32,099 --> 00:12:34,797 SO YOU WERE JUST IN THE NEIGHBORHOOD AND DROPPED BY? 338 00:12:34,841 --> 00:12:35,885 - YEAH, PRETTY MUCH. - YEAH? 339 00:12:35,929 --> 00:12:37,408 - HADN'T SEEN YOU IN A WHILE. - YEAH. 340 00:12:37,452 --> 00:12:38,496 JUST CHECKING IN. 341 00:12:38,540 --> 00:12:40,498 HOW'S THE NEW JOB? THE NEW LIFE? 342 00:12:40,542 --> 00:12:42,544 ANYTHING NEW TO REPORT? 343 00:12:42,587 --> 00:12:43,675 LIKE WHY YOUR FINGERPRINTS 344 00:12:43,719 --> 00:12:45,025 SHOWED UP AT THE SCENE OF A MURDER? 345 00:12:45,068 --> 00:12:46,722 WHAT? 346 00:12:46,766 --> 00:12:48,506 WHERE? WHO--WHO GOT KILLED? 347 00:12:48,550 --> 00:12:52,249 A WOMAN NAMED CAROLYN STRAUB. 348 00:12:52,293 --> 00:12:54,338 OH--OH, NO. 349 00:12:54,382 --> 00:12:55,818 NO! NO. 350 00:12:55,862 --> 00:12:58,647 TAKE IT YOU KNEW HER. 351 00:12:58,690 --> 00:13:01,041 TAKE A MINUTE TO COMPOSE YOURSELF, 352 00:13:01,084 --> 00:13:02,129 AND THEN YOU NEED TO EXPLAIN 353 00:13:02,172 --> 00:13:04,696 WHY YOUR PRINTS WERE IN HER HOUSE. 354 00:13:04,740 --> 00:13:09,484 OH. 355 00:13:09,527 --> 00:13:13,531 I WAS--WAS THERE NIGHT BEFORE LAST. 356 00:13:13,575 --> 00:13:20,060 AND WE, UH, WE ATE SOMETHING, WATCHED TV AND... 357 00:13:20,103 --> 00:13:23,759 I LEFT ABOUT 9:30. 358 00:13:23,803 --> 00:13:25,717 YOU CAN ASK HER DAUGHTER MAGGIE. 359 00:13:25,761 --> 00:13:26,718 OH, MY GOD. 360 00:13:26,762 --> 00:13:28,720 POOR MAGGIE. 361 00:13:28,764 --> 00:13:30,505 HOW DID YOU KNOW HER? 362 00:13:30,548 --> 00:13:34,857 SHE CAME IN HERE ONE DAY WITH MAGGIE. 363 00:13:34,901 --> 00:13:39,340 WE JUST TALKED, AND THEN-- AND--AND WE CONNECTED. 364 00:13:39,383 --> 00:13:42,343 AS IN CONNECTED? 365 00:13:42,386 --> 00:13:45,868 JUST CONNECTED LIKE FRIENDS. JUST GOOD FRIENDS. 366 00:13:45,912 --> 00:13:50,917 CAROLYN WAS GOING THROUGH A REALLY HARD TIME IN HER LIFE. 367 00:13:50,960 --> 00:13:54,616 ONE OF THOSE LATE-LIFE, CAN'T-KEEP-IT-BOTTLED-UP-ANYMORE 368 00:13:54,659 --> 00:13:55,878 KIND OF THINGS, 369 00:13:55,922 --> 00:13:59,795 AND I UNDERSTOOD WHAT SHE WAS GOING THROUGH. 370 00:13:59,839 --> 00:14:01,362 WHEN WAS THIS? 371 00:14:01,405 --> 00:14:06,323 UM... ABOUT FOUR MONTHS AGO. 372 00:14:06,367 --> 00:14:08,891 OKAY. 373 00:14:08,935 --> 00:14:09,892 HOW DID SHE-- 374 00:14:09,936 --> 00:14:13,983 SOMEONE FRACTURED HER SKULL. 375 00:14:14,027 --> 00:14:15,724 WHICH BRINGS ME TO WHERE WERE YOU LAST NIGHT 376 00:14:15,767 --> 00:14:20,642 BETWEEN 11:00 AND 1:00? 377 00:14:20,685 --> 00:14:22,774 PAGODA. IT'S A BAR. 378 00:14:22,818 --> 00:14:23,775 UP... 379 00:14:23,819 --> 00:14:25,081 I KNOW WHAT IT IS. 380 00:14:25,125 --> 00:14:26,909 OH. 381 00:14:26,953 --> 00:14:28,780 WAS CAROLYN THERE TOO? 382 00:14:28,824 --> 00:14:33,481 YEAH, FOR A WHILE. 383 00:14:33,524 --> 00:14:36,919 SHE LEFT EARLY. 384 00:14:36,963 --> 00:14:38,878 ALL RIGHT. 385 00:14:38,921 --> 00:14:42,142 ALL RIGHT. IT'S ALL RIGHT. 386 00:14:42,185 --> 00:14:43,273 LISTEN TO ME. 387 00:14:43,317 --> 00:14:44,927 CAN YOU THINK OF ANYTHING OR ANYONE 388 00:14:44,971 --> 00:14:45,928 WHO MIGHT HELP US FIND 389 00:14:45,972 --> 00:14:47,408 WHO KILLED YOUR FRIEND? 390 00:14:47,451 --> 00:14:49,932 WELL, CAROLYN'S EX, ALEX. 391 00:14:49,976 --> 00:14:55,372 SHE CAME OUT A FEW MONTHS EARLIER AND LEFT HIM, 392 00:14:55,416 --> 00:14:58,375 AND HE WAS REALLY PISSED ABOUT IT. 393 00:14:58,419 --> 00:15:02,423 IMAGINE THAT. 394 00:15:02,466 --> 00:15:03,815 OKAY. 395 00:15:03,859 --> 00:15:05,078 OKAY, FOR THE TIME BEING, 396 00:15:05,121 --> 00:15:07,384 JUST STICK TO YOUR NORMAL ROUTINE. 397 00:15:07,428 --> 00:15:08,646 I'LL DO MY BEST 398 00:15:08,690 --> 00:15:10,518 TO KEEP YOU OUT OF THE POLICE INVESTIGATION. 399 00:15:10,561 --> 00:15:13,173 I REALLY APPRECIATE IT. 400 00:15:13,216 --> 00:15:15,392 OKAY. 401 00:15:15,436 --> 00:15:17,873 HEY, SPECIAL ED, LET'S GO. 402 00:15:17,917 --> 00:15:20,745 , S'IL VOUS PLAIT. 403 00:15:20,789 --> 00:15:25,359 VERY WELL, GOOD FELLOW. 404 00:15:28,275 --> 00:15:30,930 SO? 405 00:15:30,973 --> 00:15:32,540 SHE WAS FRIENDS WITH THE VIC. 406 00:15:32,583 --> 00:15:33,845 SEEMED PRETTY SHAKEN UP BY THE NEWS. 407 00:15:33,889 --> 00:15:35,238 HAS AN ALIBI FOR THE TIME OF DEATH. 408 00:15:35,282 --> 00:15:36,631 CAN WE CHECK THE ALIBI? 409 00:15:36,674 --> 00:15:37,980 IT'S A LITTLE EARLY FOR PAGODA. 410 00:15:38,024 --> 00:15:39,112 LET'S HAVE BREAKFAST FIRST. 411 00:15:39,155 --> 00:15:40,113 - PAGODA? - YEAH, IT'S A-- 412 00:15:40,156 --> 00:15:44,552 I KNOW WHAT IT IS. 413 00:15:44,595 --> 00:15:47,990 I'LL HAVE THE OATMEAL WITH SKIM, SLICED BANANA, 414 00:15:48,034 --> 00:15:52,125 AND DO YOU HAVE CRAISINS? 415 00:15:52,168 --> 00:15:54,518 NO. 416 00:15:54,562 --> 00:15:55,606 WHAT'S WITH THE ATTITUDE? 417 00:15:55,650 --> 00:15:56,868 IS THAT HOW YOU LET PEOPLE KNOW 418 00:15:56,912 --> 00:15:58,348 YOU'RE WAY COOLER THAN SERVING BREAKFAST 419 00:15:58,392 --> 00:15:59,741 IN A CRAPPY CAFE MAKES YOU SEEM? 420 00:15:59,784 --> 00:16:00,742 I MEAN--PSSH. 421 00:16:00,785 --> 00:16:03,571 REGULAR RAISINS WILL BE FINE. 422 00:16:03,614 --> 00:16:07,096 HOW'S THE HOBO PLATTER? GOOD? 423 00:16:07,140 --> 00:16:11,187 ALL RIGHT. LET'S DO THE HOBO. 424 00:16:11,231 --> 00:16:13,146 OH, AND IF IT'S NOT TOO MUCH TROUBLE, 425 00:16:13,189 --> 00:16:16,584 TRY KEEPING THE SPITTING IN MY FOOD DOWN TO A MINIMUM. 426 00:16:16,627 --> 00:16:19,717 COME ON. YOU KNOW THEY DO. 427 00:16:19,761 --> 00:16:22,851 WHAT? 428 00:16:22,894 --> 00:16:24,461 GOD. 429 00:16:24,505 --> 00:16:27,334 WHY IS THERE A TAN LINE ON YOUR FINGER? 430 00:16:27,377 --> 00:16:28,335 WHAT? 431 00:16:28,378 --> 00:16:29,901 WHERE? I DON'T SEE ANYTHING. 432 00:16:29,945 --> 00:16:31,294 CRAZY. 433 00:16:31,338 --> 00:16:32,295 RIGHT THERE. 434 00:16:32,339 --> 00:16:33,601 FOURTH FINGER. 435 00:16:33,644 --> 00:16:35,124 LEFT HAND. 436 00:16:35,168 --> 00:16:37,474 LIKE FROM A RING. 437 00:16:37,518 --> 00:16:38,475 BUT YOU DON'T WEAR A RING. 438 00:16:38,519 --> 00:16:39,868 LET GO. 439 00:16:44,177 --> 00:16:45,830 FINE. IT'S FROM A RING. 440 00:16:45,874 --> 00:16:47,397 AN ENGAGEMENT RING. 441 00:16:47,441 --> 00:16:50,052 RAPH AND I ARE ENGAGED. 442 00:16:53,360 --> 00:16:55,536 THERE. I SAID IT. YOU HAPPY? 443 00:17:01,237 --> 00:17:02,586 ARE YOU? 444 00:17:08,418 --> 00:17:09,680 YEAH, OF COURSE I'M HAPPY. 445 00:17:09,724 --> 00:17:10,812 WHY WOULDN'T I BE? 446 00:17:10,855 --> 00:17:13,815 BECAUSE YOU ALMOST NEVER ARE. 447 00:17:16,165 --> 00:17:19,386 SO HOW COME YOU DIDN'T TELL ME? 448 00:17:19,429 --> 00:17:24,608 BECAUSE I DIDN'T WANT TO HAVE A MOMENT LIKE THIS? 449 00:17:24,652 --> 00:17:28,482 MAKES SENSE. 450 00:17:28,525 --> 00:17:31,398 PUT IT ON. LET ME SEE. 451 00:17:31,441 --> 00:17:36,446 NO WAY. 452 00:17:36,490 --> 00:17:38,274 IT'S BEAUTIFUL. 453 00:17:38,318 --> 00:17:39,667 YEAH. 454 00:17:51,505 --> 00:17:54,682 SO AREN'T YOU GONNA CONGRATULATE ME? 455 00:18:07,042 --> 00:18:11,351 CONGRATULATIONS. 456 00:18:11,394 --> 00:18:13,135 THANKS. 457 00:18:19,620 --> 00:18:20,838 DON'T WORRY ABOUT IT. 458 00:18:20,882 --> 00:18:22,971 WE'LL GET IT OFF WHEN WE GET TO THE OFFICE. 459 00:18:23,014 --> 00:18:24,929 - I'M RINGO. - WHAT? 460 00:18:24,973 --> 00:18:26,496 THE BEATLES' MOVIE HELP-- 461 00:18:26,540 --> 00:18:28,890 RINGO GETS A RING STUCK ON HIS FINGER. 462 00:18:28,933 --> 00:18:32,372 HOW DID I BECOME RINGO? 463 00:18:32,415 --> 00:18:34,417 SON OF A BITCH. 464 00:18:45,211 --> 00:18:46,995 GOODNESS GRACIOUS. 465 00:18:47,038 --> 00:18:48,649 HAS MY MYSTERY FINGERPRINT 466 00:18:48,692 --> 00:18:51,042 SUMMONED GOD'S OWN CRIME-FIGHTING ANGELS? 467 00:18:51,086 --> 00:18:52,261 HOW WE HAVEN'T HOOKED UP 468 00:18:52,305 --> 00:18:54,350 IS ONE OF THE GREAT MYSTERIES OF OUR TIME. 469 00:18:54,394 --> 00:18:55,786 YEAH, RIGHT? 470 00:18:55,830 --> 00:18:56,787 I ASSUME BY YOUR PRESENCE, 471 00:18:56,831 --> 00:18:58,354 HELEN'S ONE OF YOURS. 472 00:18:58,398 --> 00:18:59,790 WELL, IF SHE WERE, 473 00:18:59,834 --> 00:19:02,402 I WOULDN'T BE OVERJOYED BY THE PUBLIC ANNOUNCEMENT. 474 00:19:02,445 --> 00:19:04,273 I KNOW THE PRINTS DIDN'T BRING YOU HERE. 475 00:19:04,317 --> 00:19:05,666 - NO. - SO HOW DID YOU-- 476 00:19:05,709 --> 00:19:07,320 DEAD LADY'S EX SAID I SHOULD TALK TO HER. 477 00:19:07,363 --> 00:19:08,843 SAID THAT SHE EXERTED AN UNDO INFLUENCE 478 00:19:08,886 --> 00:19:10,453 ON HIS LATE WIFE. 479 00:19:10,497 --> 00:19:11,585 YOU SURE THE HUSBAND 480 00:19:11,628 --> 00:19:13,282 ISN'T JUST AN EX WITH AN AXE TO GRIND? 481 00:19:13,326 --> 00:19:14,370 OH, HE'S DEFINITELY GOT AN AXE. 482 00:19:14,414 --> 00:19:15,589 EIGHT YEARS INTO THE MARRIAGE 483 00:19:15,632 --> 00:19:16,807 WIFE DECIDES SHE'S GAY, 484 00:19:16,851 --> 00:19:18,331 MOVES OUT, TAKING THEIR DAUGHTER WITH HER. 485 00:19:18,374 --> 00:19:20,333 I COULD SEE WHERE THAT MIGHT CAUSE SOME FRICTION. 486 00:19:20,376 --> 00:19:22,378 HE SAYS TRAYLEN "INSTIGATED"-- 487 00:19:22,422 --> 00:19:25,251 HIS WORD-- HER LESBIAN METAMORPHOSIS, 488 00:19:25,294 --> 00:19:26,991 DRIVING A WEDGE BETWEEN THEM, 489 00:19:27,035 --> 00:19:29,994 AND SHORT-CIRCUITING ANY HOPE OF A AMICABLE DISILLUSION. 490 00:19:30,038 --> 00:19:34,390 THE OLD SAPPHIC FLY IN THE CONNUBIAL OINTMENT. 491 00:19:34,434 --> 00:19:37,698 THAT CAME OUT A LOT DIRTIER THAN I THOUGHT IT WOULD. 492 00:19:37,741 --> 00:19:39,526 SO CAN I SEE IF SHE ANSWERED ALL QUESTIONS 493 00:19:39,569 --> 00:19:40,570 TO YOUR SATISFACTION? 494 00:19:40,614 --> 00:19:41,702 UH-HUH. 495 00:19:41,745 --> 00:19:43,269 CAN I ASSUME THAT SHE'LL BE AVAILABLE 496 00:19:43,312 --> 00:19:44,270 FOR FURTHER QUESTIONING? 497 00:19:44,313 --> 00:19:46,272 JUST LET US KNOW. 498 00:19:48,535 --> 00:19:49,797 GOOD. 499 00:19:49,840 --> 00:19:51,581 THANKS FOR YOUR HELP. 500 00:19:51,625 --> 00:19:53,061 WILL ALL THESE BOXES, 501 00:19:53,104 --> 00:19:55,672 I WAS WORRIED THAT MAGAZINE WOULDN'T GET READ TODAY. 502 00:19:55,716 --> 00:19:58,197 I HELPED YOU AT YOUR PLACE ALL MORNING. 503 00:19:58,240 --> 00:19:59,676 I'M TAKING A BREAK NOW. 504 00:19:59,720 --> 00:20:04,899 YOU DRANK COFFEE AND READ MY MAGAZINES. 505 00:20:04,942 --> 00:20:06,944 I WAS HELPING YOU DECIDE WHAT TO KEEP 506 00:20:06,988 --> 00:20:08,859 AND WHAT TO GET RID OF. 507 00:20:13,342 --> 00:20:15,562 SO I GUESS WE'RE ROOMMATES NOW. 508 00:20:15,605 --> 00:20:19,305 NO. WE'RE ABOUT TO BE FAMILY. 509 00:20:19,348 --> 00:20:20,436 AW. 510 00:20:20,480 --> 00:20:22,264 AM I THE LITTLE SISTER YOU NEVER HAD? 511 00:20:22,308 --> 00:20:24,092 I HAVE THREE SISTERS. 512 00:20:24,135 --> 00:20:25,093 ALL LITTLE. 513 00:20:25,136 --> 00:20:26,137 HMM. 514 00:20:26,181 --> 00:20:28,357 SO ARE YOU FREAKING OUT A LITTLE 515 00:20:28,401 --> 00:20:30,011 ABOUT US LIVING UNDER THE SAME ROOF? 516 00:20:30,054 --> 00:20:31,273 NO, OF COURSE NOT. 517 00:20:31,317 --> 00:20:32,448 WHY WOULD I BE FREAKING? 518 00:20:32,492 --> 00:20:34,711 BECAUSE WE KIND OF HAD A PAST, 519 00:20:34,755 --> 00:20:36,278 AND WE ALMOST HAD A THING, 520 00:20:36,322 --> 00:20:38,149 AND NOW WE'RE GONNA BE LIVING UNDER THE SAME ROOF, 521 00:20:38,193 --> 00:20:39,760 AND I'LL ADMIT THAT THAT'S A LITTLE WEIRD, 522 00:20:39,803 --> 00:20:42,763 BUT I'M WITH PETER AND YOU'RE WITH MARY, 523 00:20:42,806 --> 00:20:44,243 AND IT DOESN'T HAVE TO BE A BIG DEAL. 524 00:20:44,286 --> 00:20:47,246 SO LET'S JUST TALK IT OUT, GET OVER IT, 525 00:20:47,289 --> 00:20:50,249 AND GET ON WITH OUR LIVES. 526 00:20:50,292 --> 00:20:51,641 OKAY. 527 00:20:51,685 --> 00:20:53,339 LET'S TALK. 528 00:21:10,486 --> 00:21:13,359 WE DON'T NEED TO TALK. 529 00:21:13,402 --> 00:21:15,056 NAH. 530 00:21:35,250 --> 00:21:36,904 SO WHAT'S THE STORY WITH THE WITNESS? 531 00:21:36,947 --> 00:21:38,340 IT'S A TALE AS OLD AS TIME. 532 00:21:38,384 --> 00:21:39,341 BOY MEETS GIRL. 533 00:21:39,385 --> 00:21:40,342 GIRL MEETS GIRL. 534 00:21:40,386 --> 00:21:41,909 GIRL LEAVES BOY FOR GIRL. 535 00:21:41,952 --> 00:21:45,347 BOY CRUSHES GIRL'S SKULL WITH A $3 LENGTH OF PIPE. 536 00:21:45,391 --> 00:21:46,566 THAT'S A SAD STORY. 537 00:21:46,609 --> 00:21:47,958 HELEN HAD A PERFECTLY GOOD EXPLANATION 538 00:21:48,002 --> 00:21:49,525 WHY HER PRINTS SHOWED UP AT THE MURDER SCENE. 539 00:21:49,569 --> 00:21:50,831 SHE AND THE VICTIM WERE FRIENDS. 540 00:21:50,874 --> 00:21:52,354 STILL GOT HIM ON A THREAT ASSESSMENT. 541 00:21:52,398 --> 00:21:53,703 ALREADY ON IT. 542 00:21:53,747 --> 00:21:55,488 TELL YOU WHAT, I'LL CHECK HER LOCAL CONTACTS. 543 00:21:55,531 --> 00:21:56,663 YOU RUN THE COUNTERFEITER ANGLE. 544 00:21:56,706 --> 00:21:59,187 DONE AND DONE. 545 00:21:59,230 --> 00:22:03,322 HEY, WHAT--WHAT IS THAT? 546 00:22:03,365 --> 00:22:08,065 UM, IT'S-- IT'S AN ENGAGEMENT RING. 547 00:22:08,109 --> 00:22:09,153 IT GOT STUCK ON MY FINGER. 548 00:22:09,197 --> 00:22:10,154 YOU TWO--OH, MY GOD. 549 00:22:10,198 --> 00:22:11,678 WHAT? NO. 550 00:22:11,721 --> 00:22:13,549 STAN--DAN--CH--CHIEF. COME--COME HERE. 551 00:22:13,593 --> 00:22:15,377 WHAT? STOP. NO, NOT US. 552 00:22:15,421 --> 00:22:17,510 NO, RAPHAEL MY BOYFRIEND AND I ARE ENGAGED. 553 00:22:17,553 --> 00:22:19,381 NOT ME AND MARSHALL, YOU NITWIT. 554 00:22:19,425 --> 00:22:21,470 YOU'RE ENGAGED? OH, MY GOD. 555 00:22:21,514 --> 00:22:22,471 THAT'S--THAT'S-- - YES. 556 00:22:22,515 --> 00:22:24,038 THAT'S--CONGRATULATIONS. 557 00:22:24,081 --> 00:22:27,258 OH, MARY. FINALLY HAPPENED FOR YOU. 558 00:22:27,302 --> 00:22:28,259 WHAT? 559 00:22:28,303 --> 00:22:32,089 LET ME SEE. LET ME SEE. 560 00:22:32,133 --> 00:22:33,961 OH. IT'S BEAUTIFUL. 561 00:22:34,004 --> 00:22:35,310 VERY CLASSIC. 562 00:22:35,354 --> 00:22:36,529 YOU MUST BE SO HAPPY. 563 00:22:36,572 --> 00:22:37,704 THIS IS UNBELIEVABLE. 564 00:22:37,747 --> 00:22:39,488 - WHEN? - YEAH, HOW'D HE ASK? 565 00:22:39,532 --> 00:22:41,055 BAKED IT IN A CUPCAKE A FEW MONTHS AGO. 566 00:22:41,098 --> 00:22:42,056 I THREW IT IN HIS FACE. 567 00:22:42,099 --> 00:22:43,274 HOW ROMANTIC. 568 00:22:43,318 --> 00:22:44,798 I DON'T SUPPOSE YOU HAVE ANY LOTION. 569 00:22:44,841 --> 00:22:45,799 OH, YOU POOR THING. 570 00:22:45,842 --> 00:22:47,191 LOOK HOW SWOLLEN THAT FINGER IS. 571 00:22:47,235 --> 00:22:48,410 GANGRENOUS. 572 00:22:48,454 --> 00:22:49,803 NO, NOT QUITE, BUT THAT LITTLE PIGGY'S 573 00:22:49,846 --> 00:22:50,934 WAY PAST LOTION. 574 00:22:50,978 --> 00:22:52,414 FIRE DEPARTMENT COULD CUT IT OFF. 575 00:22:52,458 --> 00:22:53,894 I HOPE YOU'RE TALKING ABOUT HIS FINGER. 576 00:22:53,937 --> 00:22:55,330 I GOT A MEETING. CONGRATULATIONS, KIDDO. 577 00:22:55,374 --> 00:22:56,331 WE'LL CELEBRATE LATER. 578 00:22:56,375 --> 00:22:57,376 HOW ABOUT WE DON'T? 579 00:22:57,419 --> 00:22:58,942 YOU KNOW, I CAN GET THAT OFF. 580 00:22:58,986 --> 00:23:01,249 NO THANKS. I GOT IT UNDER CONTROL. 581 00:23:01,292 --> 00:23:05,993 OKAY. 582 00:23:06,036 --> 00:23:06,994 CAROLYN STRAUB, 583 00:23:07,037 --> 00:23:08,517 PROFESSOR OF GRAPHIC ARTS. 584 00:23:08,561 --> 00:23:10,432 SPECIALTY IN INTAGLIO ENGRAVING 585 00:23:10,476 --> 00:23:12,565 AND TYPOGRAPHIC PRINTING PROCESSES. 586 00:23:12,608 --> 00:23:13,914 HUH. 587 00:23:13,957 --> 00:23:17,526 SO YOUR COUNTERFEITER WITNESS' MURDERED FRIEND 588 00:23:17,570 --> 00:23:20,442 TURNS OUT TO BE THE ONE LESBIAN IN ALBUQUERQUE 589 00:23:20,486 --> 00:23:21,878 WITH ACCESS TO EVERYTHING NECESSARY 590 00:23:21,922 --> 00:23:23,445 TO LITERALLY PRINT MONEY. 591 00:23:23,489 --> 00:23:25,316 WHAT ARE THE ODDS? 592 00:23:28,755 --> 00:23:30,321 SO WHAT'S THE MOVE? 593 00:23:30,365 --> 00:23:32,106 I SAY WE CHECK HER ALIBI FIRST. 594 00:23:32,149 --> 00:23:33,977 YOU KNOW, SEE WHAT ELSE SHE MIGHT BE LYING ABOUT. 595 00:23:34,021 --> 00:23:35,326 YOU WANT TO GO TO THE LESBIAN BAR? 596 00:23:35,370 --> 00:23:36,850 - OH, PAGODA? - YES, PLEASE. 597 00:23:36,893 --> 00:23:39,156 YOU KNOW THERE'S NOTHING THERE FOR YOU. 598 00:23:39,200 --> 00:23:40,506 SO? 599 00:23:40,549 --> 00:23:42,116 WHAT'S THE DEAL WITH THAT? YOU WERE MARRIED. 600 00:23:42,159 --> 00:23:43,683 I HAVE NO IDEA. 601 00:23:43,726 --> 00:23:45,598 MY JOHN WAS ALWAYS TRYING TO GET ME TO GO TO A STRIP CLUB, 602 00:23:45,641 --> 00:23:47,513 GET A LAP DANCE. 603 00:23:47,556 --> 00:23:48,644 ALL RIGHT, PAGODA IT IS, 604 00:23:48,688 --> 00:23:51,691 BUT I DO ALL THE TALKING. 605 00:24:00,526 --> 00:24:03,093 DON'T WORRY. THEY WON'T BITE. 606 00:24:03,137 --> 00:24:04,573 YOU, ANYWAY. 607 00:24:04,617 --> 00:24:06,140 HI, FOLKS. 608 00:24:06,183 --> 00:24:07,707 WHAT CAN I DO YOU FOR? 609 00:24:07,750 --> 00:24:09,143 I NEED A GINGER ALE. 610 00:24:09,186 --> 00:24:10,405 SURE. HOW ABOUT YOU? 611 00:24:10,449 --> 00:24:13,147 CAN I GET A CLUB SODA, LOTS OF ICE PLEASE? 612 00:24:13,190 --> 00:24:15,105 SO WE DON'T GET A LOT OF COPS IN HERE. 613 00:24:15,149 --> 00:24:17,238 IS THIS OFFICIAL BUSINESS 614 00:24:17,281 --> 00:24:19,762 OR ARE YOU TAKING HIM ON A FIELD TRIP? 615 00:24:19,806 --> 00:24:21,503 A LITTLE BIT OF BOTH. 616 00:24:21,547 --> 00:24:23,157 DID YOU MAKE US THAT QUICK? 617 00:24:23,200 --> 00:24:25,028 WELL, YOU NOT SO MUCH. 618 00:24:25,072 --> 00:24:28,641 BUT YOU'RE NOTHING BUT A LAW MAN FROM HEAD TO TOE. 619 00:24:28,684 --> 00:24:29,859 I TAKE THAT AS A COMPLIMENT. 620 00:24:29,903 --> 00:24:33,515 I MEANT IT AS ONE. 621 00:24:33,559 --> 00:24:36,910 ANYWAY, YOU KNOW A GIRL NAMED HELEN TRAYLEN? 622 00:24:36,953 --> 00:24:39,086 SURE. EVERYONE KNOWS HELEN. 623 00:24:39,129 --> 00:24:40,087 MEANING? 624 00:24:40,130 --> 00:24:41,480 SHE'S POPULAR. 625 00:24:41,523 --> 00:24:43,394 YOU CAN'T GET MUCH CLOSER THAN A DRINK OR A DANCE, 626 00:24:43,438 --> 00:24:46,006 BUT WE ALL LIKE WATCHING HER DANCE. 627 00:24:46,049 --> 00:24:47,747 WERE YOU WATCHING HER ON WEDNESDAY? 628 00:24:47,790 --> 00:24:50,053 YEAH. SHE WAS HERE. 629 00:24:50,097 --> 00:24:51,054 BETWEEN 11:00 AND 1:00? 630 00:24:51,098 --> 00:24:52,578 YEAH. YEAH, SHE WAS IN HERE 631 00:24:52,621 --> 00:24:55,972 WITH THAT NEWBIE, CAROL, I THINK? 632 00:24:56,016 --> 00:24:57,539 DID THEY LEAVE TOGETHER? 633 00:24:57,583 --> 00:25:00,629 I WASN'T WATCHING THE DOOR, BUT I DOUBT IT. 634 00:25:00,673 --> 00:25:02,239 THEY GOT IN SOME KIND OF ARGUMENT 635 00:25:02,283 --> 00:25:04,154 EARLY IN THE NIGHT. 636 00:25:04,198 --> 00:25:07,418 ALL RIGHT. THANKS. 637 00:25:07,462 --> 00:25:09,159 COME BACK SOME TIME 638 00:25:09,203 --> 00:25:10,639 WHEN YOU'RE NOT WORKING. 639 00:25:10,683 --> 00:25:13,686 OH, I'M IN A RELATIONSHIP. 640 00:25:13,729 --> 00:25:17,080 SO AM I, SHERIFF. 641 00:25:24,174 --> 00:25:25,393 HELEN, IT'S MARY. 642 00:25:25,436 --> 00:25:26,873 IF YOU'RE THERE, OPEN UP! 643 00:25:26,916 --> 00:25:28,483 SECURITY DETAIL DIDN'T SEE HER LEAVE. 644 00:25:28,527 --> 00:25:30,267 HOW DO YOU WANT TO DO THIS? NEAT OR MESSY? 645 00:25:30,311 --> 00:25:31,530 WHATEVER'S FASTEST. - YOU GOT IT. 646 00:25:39,799 --> 00:25:42,410 CLEAR. - CLEAR. 647 00:25:42,453 --> 00:25:43,933 CLEAR. 648 00:25:43,977 --> 00:25:46,196 NO SIGNS OF STRUGGLE OR FORCED ENTRY. 649 00:25:46,240 --> 00:25:47,284 EXCEPT FOR US, THAT IS. 650 00:25:47,328 --> 00:25:48,590 THINK SHE SLIPPED OUT ON HER OWN? 651 00:25:48,634 --> 00:25:52,289 AS OPPOSED TO SPIRITED AWAY BY FAIRIES? 652 00:25:55,205 --> 00:25:59,514 GUESS WE CAN RULE OUT A QUICK TRIP TO THE STORE. 653 00:25:59,558 --> 00:26:00,733 DARRYL PRESTON. 654 00:26:00,776 --> 00:26:02,169 540 SAGE BRUSH. 655 00:26:02,212 --> 00:26:03,518 HE'S LOCAL. 656 00:26:03,562 --> 00:26:06,913 HE MAY BE A FRIEND WHO LOST HIS LICENSE HERE. 657 00:26:06,956 --> 00:26:09,350 ANYTHING'S POSSIBLE. 658 00:26:14,834 --> 00:26:15,791 LET'S SEE. 659 00:26:15,835 --> 00:26:17,401 ACCORDING TO ABQ POLICE, 660 00:26:17,445 --> 00:26:20,927 DARRYL PRESTON REPORTED HE WAS HIT ON BY A WOMAN IN A BAR, 661 00:26:20,970 --> 00:26:23,233 THOUGHT HE WAS GONNA GET SOME, 662 00:26:23,277 --> 00:26:26,672 INSTEAD WOKE UP FOGGY HEADED IN A MOTEL ROOM ON CENTRAL. 663 00:26:26,715 --> 00:26:28,848 HIS WALLET AND THE REST OF HIS VALUABLES WERE GONE. 664 00:26:28,891 --> 00:26:31,459 I TOLD HELEN TO USE THOSE ROOFIES RESPONSIBLY. 665 00:26:31,502 --> 00:26:33,592 THEY DID GET A HIT ON SOME PRINTS. 666 00:26:33,635 --> 00:26:35,289 OH, BOY. 667 00:26:35,332 --> 00:26:37,857 ANH LI'S FINGERPRINTS WERE AT THE CRIME SCENE. 668 00:26:37,900 --> 00:26:40,947 WHICH MEANS ANH LI IS OR WAS AT HELEN'S. 669 00:26:40,990 --> 00:26:43,210 CONSORTING WITH KNOWN FELONS. THAT'S NOT GOOD. 670 00:26:43,253 --> 00:26:45,038 I'M JUST GONNA FOCUS ON THE MURDER-COUNTERFEITING 671 00:26:45,081 --> 00:26:46,692 ASPECT OF THE CRIME AT THIS POINT. 672 00:26:46,735 --> 00:26:51,261 SO IF ANH LI WAS HERE AND SHE RIPPED THIS GUY OFF, 673 00:26:51,305 --> 00:26:53,089 WHY LEAVE HIS STOLEN LICENSE OUT IN PLAIN SIGHT? 674 00:26:53,133 --> 00:26:54,656 WHY EVEN KEEP IT? 675 00:26:54,700 --> 00:26:55,962 AND SINCE WHEN DO COPS 676 00:26:56,005 --> 00:26:58,355 DUST THE SCENE OF A WALLET THEFT FOR PRINTS? 677 00:26:58,399 --> 00:27:00,053 I DON'T KNOW, BUT CHECK THIS OUT. 678 00:27:00,096 --> 00:27:02,490 THE LOCAL COPS AREN'T THE ONLY ONES LOOKING FOR ANH LI. 679 00:27:02,533 --> 00:27:04,666 A WHOLE LOT OF N.C.I.C. SEARCH INQUIRIES ON HER 680 00:27:04,710 --> 00:27:09,149 FROM A POLICE CAPTAIN XAIO XIANMEI IN HONG KONG. 681 00:27:09,192 --> 00:27:10,541 THREE DAYS AFTER HELEN MOVED HERE. 682 00:27:10,585 --> 00:27:11,673 DOES IT SAY WHY HE'S LOOKING FOR HER? 683 00:27:11,717 --> 00:27:14,720 LET'S SEE. NO WARRANTS ISSUED. 684 00:27:14,763 --> 00:27:16,199 WAIT. ADDITIONAL COMMENTS. 685 00:27:16,243 --> 00:27:18,549 "KNOWN ASSOCIATES: HELEN TRASK. 686 00:27:18,593 --> 00:27:21,117 "CONVICTED COUNTERFEITER, HIGHLY SKILLED 687 00:27:21,161 --> 00:27:23,206 "IN INTAGLIO AND TYPOGRAPHIC PRINTING. 688 00:27:23,250 --> 00:27:25,208 PLEASE ADD INFO ON WHEREABOUTS TO THIS FILE." 689 00:27:25,252 --> 00:27:27,167 THE INQUIRIES AREN'T ABOUT FINDING ANH LI. 690 00:27:27,210 --> 00:27:28,472 WHOEVER THIS GUY IS, HE'S LOOKING FOR HELEN. 691 00:27:28,516 --> 00:27:31,258 AND HE'S SMART ENOUGH TO KNOW HE CAN'T TRACK 692 00:27:31,301 --> 00:27:32,476 A PROTECTED WITNESS THROUGH N.C.I.C. 693 00:27:32,520 --> 00:27:34,261 BUT HE COULD TRAIL A KNOWN ASSOCIATE. 694 00:27:34,304 --> 00:27:36,132 HE WAS HOPING ANH LI WOULD LEAD HIM STRAIGHT TO HELEN. 695 00:27:36,176 --> 00:27:37,612 AND GIVEN THAT THE ALBUQUERQUE MUGGING 696 00:27:37,656 --> 00:27:38,787 WAS REPORTED THREE WEEKS AGO, 697 00:27:38,831 --> 00:27:40,223 I'D SAY WHOEVER THIS GUY IS, 698 00:27:40,267 --> 00:27:41,268 HE'S PROBABLY A LOT CLOSER 699 00:27:41,311 --> 00:27:42,791 TO HELEN AND ANH LI THAN WE ARE. 700 00:27:42,835 --> 00:27:46,795 DARRYL PRESTON, PLEASE. 701 00:27:46,839 --> 00:27:49,015 IT'S THE VIC'S OFFICE. I'M ON HOLD. 702 00:27:52,583 --> 00:27:55,108 SAVE THAT NUMBER 'CAUSE IT SEEMS TO MAKE YOU HAPPY. 703 00:27:55,151 --> 00:27:56,152 HOLD MUSIC. 704 00:27:56,196 --> 00:27:57,197 FROM A PLAY I DID IN HIGH SCHOOL. 705 00:27:57,240 --> 00:27:59,416 I KNOW, HARD TO BELIEVE. 706 00:27:59,460 --> 00:28:00,504 WHILE MOST KIDS WERE EXPERIMENTING WITH DRUGS, 707 00:28:00,548 --> 00:28:02,637 I EXPERIMENTED WITH MUSICALS. 708 00:28:02,681 --> 00:28:04,117 JUST AS HARMFUL. 709 00:28:04,160 --> 00:28:07,381 QUIT STARING. 710 00:28:07,424 --> 00:28:10,123 DO SOMETHING USEFUL. - OKAY. 711 00:28:14,083 --> 00:28:17,565 HI, OFFICER DAVID PALMER, PLEASE. SURE, THANKS. 712 00:28:17,608 --> 00:28:20,133 HEY, DARRYL PRESTON, DAVID PALMER. SAME INITIALS. 713 00:28:20,176 --> 00:28:23,745 UH-HUH. 714 00:28:26,139 --> 00:28:28,750 HI, MR. PRESTON. THIS IS MARY SHEPARD 715 00:28:28,794 --> 00:28:30,534 FROM THE ALBUQUERQUE POLICE DEPARTMENT. 716 00:28:30,578 --> 00:28:32,101 I WANTED TO ASK YOU A FEW QUESTIONS 717 00:28:32,145 --> 00:28:35,539 ABOUT THE INCIDENT YOU REPORTED BACK ON... 718 00:28:35,583 --> 00:28:38,891 SURE, I CAN HOLD FOR A SEC. 719 00:28:38,934 --> 00:28:41,241 HI, OFFICER PALMER. THIS IS MARSHALL MANN 720 00:28:41,284 --> 00:28:42,721 FROM THE MARSHALS SERVICE. 721 00:28:42,764 --> 00:28:43,939 HAVE YOU GOT A MINUTE TO TALK ABOUT AN INCIDENT REPORT 722 00:28:43,983 --> 00:28:45,898 YOU TOOK ON AUGUST 12th? 723 00:28:45,941 --> 00:28:49,075 ♪ MANY CHEERFUL FACTS ABOUT THE SQUARE OF A HYPOTENUSE ♪ 724 00:28:49,118 --> 00:28:50,467 SURE, I'LL HOLD. 725 00:28:50,511 --> 00:28:52,208 all: ♪ I'M VERY GOOD 726 00:28:52,252 --> 00:28:53,296 ♪ AT INTEGRAL AND DIFFERENTIAL CALCULUS ♪ 727 00:28:54,863 --> 00:28:56,386 ♪ I KNOW THE SCIENTIFIC NAMES OF BEINGS ANIMALCULOUS ♪ 728 00:28:56,430 --> 00:28:58,040 ♪ IN SHORT, IN MATTERS VEGETABLE, ANIMAL, AND MINERAL ♪ 729 00:28:58,084 --> 00:28:59,694 ♪ I AM THE VERY MODEL 730 00:28:59,738 --> 00:29:01,217 ♪ OF A MODERN MAJOR GENERAL 731 00:29:01,261 --> 00:29:02,653 ♪ IN SHORT, IN MATTERS VEGETABLE ♪ 732 00:29:02,697 --> 00:29:03,654 ♪ ANIMAL, AND MINERAL 733 00:29:03,698 --> 00:29:04,655 ♪ I AM THE VERY MODEL... 734 00:29:04,699 --> 00:29:07,484 COME ON. DON'T STOP. 735 00:29:10,661 --> 00:29:12,228 ♪ I ANSWER HARD ACROSTICS 736 00:29:12,272 --> 00:29:13,273 ♪ I'VE A PRETTY TASTE FOR PARADOX ♪ 737 00:29:13,316 --> 00:29:14,448 ♪ I QUOTE IN ELEGIACS 738 00:29:14,491 --> 00:29:16,058 ♪ ALL THE CRIMES OF HELIOGABALUS ♪ 739 00:29:16,102 --> 00:29:18,321 ♪ IN CONICS I CAN FLOOR PECULIARITIES PARABOLOUS ♪ 740 00:29:18,365 --> 00:29:21,368 WHO THE HELL ARE WE DEALING WITH? 741 00:29:26,460 --> 00:29:29,071 - WHAT WAS THAT ABOUT? - I HAVE NO IDEA. 742 00:29:29,115 --> 00:29:30,943 ELEANOR, I NEED YOU TO RUN THOROUGH BACKGROUND CHECKS 743 00:29:30,986 --> 00:29:32,901 ON THIS OFFICER PALMER, DARRYL PRESTON, 744 00:29:32,945 --> 00:29:33,902 AND THAT HONG KONG POLICE CAPTAIN. 745 00:29:33,946 --> 00:29:34,903 ALL OVER IT. 746 00:29:34,947 --> 00:29:37,123 OH, AND ANH LI TOO. 747 00:29:37,166 --> 00:29:40,256 SOMETHING IS REALLY WRONG. WHAT'S THIS FEEL LIKE TO YOU? 748 00:29:40,300 --> 00:29:44,347 LIKE THE WHOLE ANH LI ROLLING SOMEONE INCIDENT NEVER HAPPENED. 749 00:29:44,391 --> 00:29:47,002 LIKE SOMEONE'S DUMPING PHONY REPORTS INTO THE SYSTEM. 750 00:29:47,046 --> 00:29:49,570 YEAH, BUT WHO? AND WHY? 751 00:29:49,613 --> 00:29:50,963 AND IF THAT'S THE CASE, IT STANDS TO REASON 752 00:29:51,006 --> 00:29:52,616 THAT THE STOLEN DRIVER'S LICENSE WAS LEFT OUT 753 00:29:52,660 --> 00:29:54,183 AT HELEN'S INTENTIONALLY. 754 00:29:54,227 --> 00:29:56,011 I'M GETTING NOTHING BEYOND THE MOST SUPERFICIAL RECORDS 755 00:29:56,055 --> 00:29:57,708 ON DARRYL PRESTON. 756 00:29:57,752 --> 00:29:58,709 I THINK HE'S MADE-UP. - LIKE WHAT WE DO. 757 00:29:58,753 --> 00:29:59,841 ONLY NOT AS WELL. 758 00:29:59,885 --> 00:30:01,712 SOMEONE'S DROPPING BREAD CRUMBS, 759 00:30:01,756 --> 00:30:04,063 LEAVING A TRAIL TO ANH LI'S DOOR. 760 00:30:04,106 --> 00:30:06,500 WHERE'S HELEN TRAYLEN? 761 00:30:06,543 --> 00:30:08,067 WISH WE KNEW. 762 00:30:08,110 --> 00:30:11,418 PLEASE, PLEASE. OKAY, I THOUGHT WE WERE BEYOND THIS. 763 00:30:11,461 --> 00:30:12,854 YOU GAVE ME YOUR WORD YOU WERE GONNA KEEP HER 764 00:30:12,898 --> 00:30:13,899 AVAILABLE FOR THIS INVESTIGATION. 765 00:30:13,942 --> 00:30:15,726 SHE'S GONE. AS IN MISSING. 766 00:30:15,770 --> 00:30:17,511 IS THAT SUPPOSED TO MAKE ME FEEL BETTER? 767 00:30:17,554 --> 00:30:19,992 HEY, DOES ABQPD HAVE AN OFFICER DAVID PALMER? 768 00:30:20,035 --> 00:30:21,210 HOW THE HELL SHOULD I KNOW? 769 00:30:21,254 --> 00:30:22,429 DO YOU KNOW HOW BIG OUR DEPARTMENT IS? 770 00:30:22,472 --> 00:30:23,647 COULD YOU CHECK? 771 00:30:23,691 --> 00:30:25,780 SURE. 772 00:30:25,824 --> 00:30:28,478 ANYTHING FOR YOU, PAL. 773 00:30:28,522 --> 00:30:30,045 YEAH, THIS IS DERSHOWITZ. 774 00:30:30,089 --> 00:30:32,178 DO WE HAVE A DAVID PALMER ANYWHERE IN THE ROSTER? 775 00:30:32,221 --> 00:30:33,440 ALL RIGHT. 776 00:30:33,483 --> 00:30:36,051 YOUR MISSING WITNESS HAD A VERY PUBLIC FIGHT 777 00:30:36,095 --> 00:30:37,357 WITH MY VIC TWO DAYS BEFORE THE HOMICIDE. 778 00:30:37,400 --> 00:30:39,402 - REALLY? - WE KNOW. 779 00:30:44,712 --> 00:30:47,410 YEAH, I'M HERE. ALL RIGHT. THANKS. 780 00:30:47,454 --> 00:30:50,326 THERE'S NO DAVID PALMER LISTED ANYWHERE IN OUR DEPARTMENT. 781 00:30:50,370 --> 00:30:52,589 IT'S LOOKING LIKE THIS HONG KONG CAPTAIN IS A GHOST TOO. 782 00:30:55,114 --> 00:31:01,033 MARSHALL. 783 00:31:01,076 --> 00:31:02,904 HOW MUCH? 784 00:31:02,948 --> 00:31:05,298 ALL RIGHT. WE'RE ON OUR WAY. 785 00:31:05,341 --> 00:31:08,344 ISLETA CASINO JUST REPORTED, IN THE LAST FOUR HOURS, 786 00:31:08,388 --> 00:31:10,607 THEIR FAST-CASH READERS HAVE I.D.'D ALMOST $30,000 787 00:31:10,651 --> 00:31:12,522 IN BOGUS HUNDREDS. 788 00:31:12,566 --> 00:31:13,872 SO SHE'S A MURDERER AND A COUNTERFEITER? 789 00:31:13,915 --> 00:31:17,571 I CAN ONLY ATTEST TO ONE OF THOSE THINGS. 790 00:31:41,943 --> 00:31:43,379 I APPRECIATE YOU COMING DOWN, DETECTIVE. 791 00:31:43,423 --> 00:31:45,555 THE SECRET SERVICE IS ALREADY ON THEIR WAY. 792 00:31:45,599 --> 00:31:47,818 THEY HAVE JURISDICTION ON COUNTERFEITING. 793 00:31:47,862 --> 00:31:48,950 WE'RE HERE ABOUT A HOMICIDE. 794 00:31:48,994 --> 00:31:50,430 NO ONE'S BEEN KILLED HERE. 795 00:31:50,473 --> 00:31:52,345 BUT THE SUSPECT MAY BE SPREADING AROUND PHONY BILLS. 796 00:31:52,388 --> 00:31:54,129 ANY LEADS ON WHO IT MIGHT BE? 797 00:31:54,173 --> 00:31:55,957 I GOT A COUPLE BLACKJACK DEALERS WHO REMEMBER 798 00:31:56,001 --> 00:31:57,611 A HOT ASIAN WOMAN PLAYING HUNDRED-DOLLAR HANDS 799 00:31:57,654 --> 00:31:58,786 A FEW HOURS AGO. 800 00:31:58,829 --> 00:32:00,919 CAN I SEE ONE OF THOSE BILLS? 801 00:32:00,962 --> 00:32:02,877 KNOCK YOURSELF OUT. 802 00:32:02,921 --> 00:32:04,400 PRINCESS. 803 00:32:06,620 --> 00:32:08,970 IT'S A SO-SO FAKE. 804 00:32:09,014 --> 00:32:11,581 DEFINITELY NOT TO HELEN'S STANDARDS. 805 00:32:11,625 --> 00:32:13,192 SO IF YOU'RE LIVING 806 00:32:13,235 --> 00:32:14,193 WITH THE BEST COUNTERFEITER IN THE WORLD, 807 00:32:14,236 --> 00:32:16,195 WHY PASS AROUND MEDIOCRE BILLS? 808 00:32:16,238 --> 00:32:17,413 ANH LI'S THE ONE 809 00:32:17,457 --> 00:32:21,983 THAT'S BEEN DROPPING BREAD CRUMBS. 810 00:32:22,027 --> 00:32:25,421 SO SHE AND HELEN ARE SOMEWHERE IN THIS HOTEL. 811 00:32:25,465 --> 00:32:27,858 I'LL HAVE SECURITY SHUT DOWN THE EXITS 812 00:32:27,902 --> 00:32:28,990 AND SEND AROUND DESCRIPTIONS. 813 00:32:29,034 --> 00:32:31,036 THEY'RE NOT GOING ANYWHERE. 814 00:32:37,912 --> 00:32:39,696 WHERE'S YOUR MOST EXPENSIVE SUITE? 815 00:32:39,740 --> 00:32:41,829 THE GOVERNOR'S PENTHOUSE. 816 00:32:41,872 --> 00:32:42,830 UNFORTUNATELY, IT'S ALREADY BOOKED. 817 00:32:42,873 --> 00:32:44,005 WHO BOOKED IT? 818 00:32:44,049 --> 00:32:45,311 I'M SORRY, BUT WE DON'T SHARE 819 00:32:45,354 --> 00:32:47,661 THAT INFORMATION. 820 00:33:04,939 --> 00:33:10,031 MARY? WHAT'S HAPPENING? MARY? 821 00:33:12,512 --> 00:33:13,992 WHERE'S ANH LI? 822 00:33:15,080 --> 00:33:17,038 RIGHT HERE. DROP YOUR WEAPON. 823 00:33:17,082 --> 00:33:18,953 U.S. MARSHALS. YOU DROP YOUR WEAPON. 824 00:33:21,869 --> 00:33:24,219 PUT YOUR WEAPONS ON THE COUCH SLOWLY, 825 00:33:24,263 --> 00:33:25,394 OR I'LL BLOW HER HEAD OFF. 826 00:33:25,438 --> 00:33:27,788 GOD, ANH, WHAT ARE YOU DOING? 827 00:33:30,747 --> 00:33:33,924 RELAX, MARSHALL, SHE'S NOT SHOOTING ANYBODY. 828 00:33:33,968 --> 00:33:36,144 YOU THINK I WON'T SHOOT YOU? 829 00:33:36,188 --> 00:33:37,667 I THINK YOU WOULD. 830 00:33:37,711 --> 00:33:38,886 BUT I THINK MY PARTNER WOULD DROP YOU 831 00:33:38,929 --> 00:33:40,757 BEFORE YOU GOT OFF YOUR SECOND SHOT. 832 00:33:40,801 --> 00:33:42,585 HELEN, STAND UP. 833 00:33:42,629 --> 00:33:44,892 STAY BEHIND ME 834 00:33:44,935 --> 00:33:46,981 AND MAKE YOUR WAY INTO THE BEDROOM. 835 00:33:47,025 --> 00:33:49,201 ANH, WHY ARE YOU DOING THIS? 836 00:33:49,244 --> 00:33:51,072 BECAUSE I'D RATHER WE BOTH DIE 837 00:33:51,116 --> 00:33:52,030 THAN LET THEM SEPARATE US AGAIN. 838 00:33:52,073 --> 00:33:53,031 GO, HELEN, NOW. 839 00:33:53,074 --> 00:33:54,423 NO, I'D RATHER WE DIE TOO. 840 00:33:54,467 --> 00:33:55,903 - HELEN. MARSHALL. - LET HER GO. 841 00:33:55,946 --> 00:33:57,470 YOU SEE WHY WE SAY NO CONTACT 842 00:33:57,513 --> 00:33:58,558 WITH ANYONE FROM YOUR PAST? 843 00:33:58,601 --> 00:34:00,212 ANH, DON'T DO ANYTHING CRAZY. 844 00:34:00,255 --> 00:34:01,865 WHEREVER THEY SEND US, I'LL FIND YOU. 845 00:34:01,909 --> 00:34:04,955 THAT'S BEAUTIFUL. STAY IN HERE TILL I COME GET YOU. 846 00:34:04,999 --> 00:34:08,089 THIS IS GOING TO GET DOG-UGLY IF YOU DON'T STAND DOWN. 847 00:34:08,133 --> 00:34:10,309 WHAT DO YOU GUYS WANT FROM ME? 848 00:34:10,352 --> 00:34:12,354 PUTTING YOUR GUN DOWN WOULD BE A GREAT PLACE TO START. 849 00:34:12,398 --> 00:34:13,964 NO, 'CAUSE THEN YOU'LL JUST SPLIT US UP AGAIN, 850 00:34:14,008 --> 00:34:15,531 AND I'M NOT GONNA LET THAT HAPPEN. 851 00:34:15,575 --> 00:34:18,404 WOW, LOOKS LIKE SHE'S GONNA PLAY THIS OUT TO THE END. 852 00:34:18,447 --> 00:34:19,579 SHE'S GOOD AT IT TOO. 853 00:34:19,622 --> 00:34:21,059 WHAT ARE YOU GUYS TALKING ABOUT? 854 00:34:21,102 --> 00:34:24,584 YOUR TRAINING IS SHOWING. 855 00:34:24,627 --> 00:34:28,718 I MEAN, THE STANCE, THE WAY YOU HOLD YOUR WEAPON. 856 00:34:28,762 --> 00:34:29,893 THE FACT THAT YOU CALLED IT A WEAPON. 857 00:34:29,937 --> 00:34:31,895 I MEAN, COME ON. 858 00:34:31,939 --> 00:34:32,940 THE PHONY MUGGING ENTRY 859 00:34:32,983 --> 00:34:34,246 INTO N.C.I.C., 860 00:34:34,289 --> 00:34:35,899 PASSING EASILY-DETECTABLE COUNTERFEIT BILLS, 861 00:34:35,943 --> 00:34:39,903 YOU'VE GONE TO A LOT OF TROUBLE PLAYING THE CARELESS CRIMINAL. 862 00:34:39,947 --> 00:34:42,036 LEAVING CLUES FOR SOMEBODY TO FIND, 863 00:34:42,080 --> 00:34:43,124 PRESUMABLY SO THEY'D KNOW WHERE YOU ARE. 864 00:34:43,168 --> 00:34:44,995 WHAT DO YOU THINK? 865 00:34:45,039 --> 00:34:46,606 DOES THAT SOUND ABOUT RIGHT? 866 00:34:46,649 --> 00:34:48,521 I'D SAY SO. ABOUT THE ONLY THING 867 00:34:48,564 --> 00:34:50,088 WE DON'T KNOW IS WHO YOU REALLY ARE 868 00:34:50,131 --> 00:34:53,700 AND WHO YOU'RE EXPECTING TO WALK THROUGH THAT DOOR. 869 00:34:57,573 --> 00:34:59,532 MY NAME IS JANE KWAN. 870 00:34:59,575 --> 00:35:01,447 I'M A CIA OPERATIVE. 871 00:35:01,490 --> 00:35:05,451 AND THE MEN WHO ARE AFTER HELEN WILL BE HERE ANY MINUTE. 872 00:35:09,585 --> 00:35:11,109 FOUR YEARS AGO, WHEN THE STORY BROKE 873 00:35:11,152 --> 00:35:12,632 THAT THE AGENCY WAS RESPONSIBLE FOR THE COUNTERFEIT BILLS, 874 00:35:12,675 --> 00:35:14,677 WE DECIDED TO DO OUR OWN INVESTIGATION 875 00:35:14,721 --> 00:35:16,157 TO CLEAR OUR NAME. 876 00:35:16,201 --> 00:35:18,638 HELEN WAS ALREADY A SUSPECT. 877 00:35:18,681 --> 00:35:21,293 SHE'D BEEN ARRESTED TRYING TO ILLEGALLY OBTAIN 878 00:35:21,336 --> 00:35:22,598 THE OPTICALLY VARIABLE INK 879 00:35:22,642 --> 00:35:24,731 USED ON FEDERAL RESERVE NOTES. 880 00:35:24,774 --> 00:35:27,037 SO YOU WENT TO PRISON UNDERCOVER TO GET CLOSE TO HER. 881 00:35:29,388 --> 00:35:32,130 WE KNEW HER LAST GIRLFRIEND WAS ASIAN. 882 00:35:32,173 --> 00:35:35,350 HELEN. 883 00:35:38,571 --> 00:35:41,051 THEY'RE HERE. 884 00:35:42,575 --> 00:35:43,576 COME ON! 885 00:35:46,318 --> 00:35:47,493 GET IN THE BATHROOM. LOCK THE DOOR. 886 00:35:47,536 --> 00:35:50,148 LIE DOWN IN THE TUB TILL I COME GET YOU. 887 00:35:57,590 --> 00:36:00,549 U.S. MARSHALS. LOWER YOUR WEAPONS. 888 00:36:00,593 --> 00:36:03,378 JANE. 889 00:36:03,422 --> 00:36:05,989 MARY. - KEEP YOUR HANDS UP. 890 00:36:07,121 --> 00:36:09,297 UP AGAINST THE WALL. COME ON. 891 00:36:09,341 --> 00:36:10,777 DON'T MOVE. 892 00:36:19,351 --> 00:36:23,355 FOUND THIS GUY AT THE END OF THE HALL WITH THIS. 893 00:36:23,398 --> 00:36:25,444 ONCE AGAIN, WAY TO KEEP ME IN THE LOOP. 894 00:36:27,097 --> 00:36:28,490 I'M GLAD YOU SHOWED UP. 895 00:36:28,534 --> 00:36:30,884 WE DIDN'T GET TO SAY A PROPER GOOD-BYE THE LAST TIME. 896 00:36:36,542 --> 00:36:41,068 LET'S GO. 897 00:36:52,471 --> 00:36:56,562 - WILL I NEED TO BE RELOCATED? - DEPENDS. 898 00:36:56,605 --> 00:36:58,172 YOU READY TO TELL ME WHAT HAPPENED WITH CAROLYN? 899 00:36:58,216 --> 00:37:01,262 WHY YOU ARGUED WITH HER THE NIGHT SHE GOT KILLED? 900 00:37:01,306 --> 00:37:03,090 CAROLYN FOUND OUT 901 00:37:03,133 --> 00:37:04,874 THAT ANH HAD USED THE SCHOOL EQUIPMENT 902 00:37:04,918 --> 00:37:06,311 TO PRINT SOME BILLS. 903 00:37:06,354 --> 00:37:09,314 SHE WAS GONNA TURN HER IN. 904 00:37:09,357 --> 00:37:11,141 I TRIED TO TALK HER OUT OF IT, 905 00:37:11,185 --> 00:37:12,360 BUT I DID NOT KILL HER. 906 00:37:12,404 --> 00:37:16,146 I SWEAR. 907 00:37:16,190 --> 00:37:17,539 I KNOW YOU DON'T WANT TO HEAR THIS, 908 00:37:17,583 --> 00:37:22,544 BUT YOU WERE A NATIONAL SECURITY THREAT. 909 00:37:22,588 --> 00:37:24,372 SHE WAS JUST DOING HER JOB. 910 00:37:24,416 --> 00:37:28,550 I'M NOT A JOB. 911 00:37:28,594 --> 00:37:30,030 I'M A PERSON. 912 00:37:35,427 --> 00:37:37,385 COULD YOU GIVE US A MINUTE? 913 00:37:37,429 --> 00:37:39,387 SURE. 914 00:37:39,431 --> 00:37:42,042 LOOK, HELEN... 915 00:37:47,134 --> 00:37:49,528 IT STARTED OUT THAT WAY. 916 00:37:49,571 --> 00:37:51,791 BUT AFTER A WHILE, A SHORT WHILE... 917 00:37:53,532 --> 00:37:58,885 I STARTED TO HAVE REAL FEELINGS FOR YOU. 918 00:37:58,928 --> 00:38:02,018 THAT'S WHY I DID WHAT I DID WITH XIAO. 919 00:38:02,062 --> 00:38:03,933 I GOT CARELESS SO I COULD WRAP IT UP MORE QUICKLY 920 00:38:03,977 --> 00:38:04,978 AND WE COULD BE TOGETHER. 921 00:38:08,764 --> 00:38:11,680 MAN, TALK ABOUT A TOUGH ASSIGNMENT. 922 00:38:11,724 --> 00:38:14,814 WHAT, SPENDING TEN MONTHS UNDERCOVER IN A WOMEN'S PRISON? 923 00:38:14,857 --> 00:38:16,642 I CAN THINK OF WORSE. 924 00:38:16,685 --> 00:38:17,904 YOU DO KNOW IT'S NOT ALL LINGERIE 925 00:38:17,947 --> 00:38:19,471 AND PILLOW FIGHTS. 926 00:38:19,514 --> 00:38:22,474 BUT IT IS SOMETIMES, RIGHT? 927 00:38:22,517 --> 00:38:23,692 AFIS CAME BACK WITH A MATCH 928 00:38:23,736 --> 00:38:25,390 FROM ONE OF THE KOREANS AT MY MURDER SITE. 929 00:38:25,433 --> 00:38:27,217 MUST HAVE GONE THERE LOOKING FOR YOUR GIRL. 930 00:38:27,261 --> 00:38:28,262 I'M CHARGING THEM ALL. 931 00:38:28,306 --> 00:38:29,568 GOOD ENOUGH. 932 00:38:29,611 --> 00:38:32,919 OH, AND THANKS FOR THE ASSIST. 933 00:38:32,962 --> 00:38:34,573 OH, HEARD YOU GOT ENGAGED. 934 00:38:34,616 --> 00:38:35,748 CONGRATULATIONS. 935 00:38:35,791 --> 00:38:39,360 I THINK HE FEELS TAKEN ADVANTAGE OF. 936 00:38:39,404 --> 00:38:40,492 YOU THINK? 937 00:38:40,535 --> 00:38:43,451 SPEAKING OF WHICH, I BETTER GET BACK 938 00:38:43,495 --> 00:38:45,366 TO THE DAYS OF OUR LIVES. 939 00:38:53,635 --> 00:38:55,289 WHAT'S GOING ON? 940 00:38:55,333 --> 00:38:58,423 WE MIGHT HAVE A PROBLEM. 941 00:38:58,466 --> 00:39:00,381 ANY THOUGHTS? 942 00:39:00,425 --> 00:39:03,863 SO MANY. THE MIND FAIRLY BOGGLES. 943 00:39:32,413 --> 00:39:35,634 - HAPPY ENGAGEMENT! - CONGRATULATIONS, INSPECTOR. 944 00:39:35,677 --> 00:39:39,638 WOW, YOU GUYS, THIS IS, UM, TOTALLY UNNECESSARY. 945 00:39:40,943 --> 00:39:42,423 I THINK WHAT MY ILL-BRED FRIEND HERE 946 00:39:42,467 --> 00:39:44,599 IS TRYING TO SAY IS... 947 00:39:44,643 --> 00:39:45,600 THANK YOU. 948 00:39:45,644 --> 00:39:46,906 YOU'VE VERY WELCOME. 949 00:39:46,949 --> 00:39:48,211 CUPCAKES? 950 00:39:48,255 --> 00:39:50,605 WOW, RED VELVET. MY FAVORITE. 951 00:39:50,649 --> 00:39:52,520 IF ONLY THERE WERE A RING IN ONE OF THESE. 952 00:39:52,564 --> 00:39:54,348 PRINCESS STILL WON'T GIVE IT UP? 953 00:39:54,392 --> 00:39:55,654 IF YOU KNEW HOW MANY COMPLIMENTS I GOT, 954 00:39:55,697 --> 00:39:56,524 YOU WOULDN'T EITHER. 955 00:39:56,568 --> 00:39:58,221 ON WHAT, THE COLOR PURPLE? 956 00:39:58,265 --> 00:39:59,484 OKAY, THAT'S IT. SIT DOWN. COME ON. 957 00:39:59,527 --> 00:40:01,442 HERE. 958 00:40:01,486 --> 00:40:03,662 WHAT--WHAT ARE YOU GOING TO DO? 959 00:40:03,705 --> 00:40:05,011 I DON'T KNOW, BUT I'M GUESSING 960 00:40:05,054 --> 00:40:06,708 THAT'S SOMETHING SHE PICKED UP IN A STRIP CLUB. 961 00:40:06,752 --> 00:40:10,495 LOTION AND DENTAL FLOSS? 962 00:40:10,538 --> 00:40:13,802 THE HARDEST PART IS THE KNUCKLE. 963 00:40:13,846 --> 00:40:15,500 SORT OF LIKE THE BABY'S SHOULDERS 964 00:40:15,543 --> 00:40:17,240 IN THE BIRTHING PROCESS. 965 00:40:17,284 --> 00:40:19,547 YOU HAVE ANY IDEA WHAT THAT MAKES MY RING? 966 00:40:19,591 --> 00:40:20,853 AH. 967 00:40:20,896 --> 00:40:22,289 - IS THAT TOO TIGHT? - YES. 968 00:40:22,332 --> 00:40:25,597 GOOD. 969 00:40:25,640 --> 00:40:27,207 - WOW. - WHOA. 970 00:40:27,250 --> 00:40:28,469 SOME PARTY TRICK. 971 00:40:28,513 --> 00:40:30,471 YES, WAIT TILL THE BACHELORETTE PARTY. 972 00:40:30,515 --> 00:40:31,646 WELL, HOW SOON IS THAT? 973 00:40:31,690 --> 00:40:34,649 TOTALLY UP TO THE MAID OF HONOR. 974 00:40:34,693 --> 00:40:36,608 WHY IS EVERYBODY LOOKING AT ME? 975 00:40:36,651 --> 00:40:38,305 WELL, AS MARY'S ONLY FRIEND, NATURALLY WE JUST ASSUMED... 976 00:40:38,348 --> 00:40:39,828 RELAX, RINGO, YOU'VE SUFFERED ENOUGH. 977 00:40:39,872 --> 00:40:40,829 I'VE GOT A SISTER. 978 00:40:51,536 --> 00:40:54,669 SO HOW ABOUT A TOAST? 979 00:40:54,713 --> 00:40:58,630 EXCELLENT IDEA. 980 00:40:58,673 --> 00:41:00,762 OKAY. 981 00:41:00,806 --> 00:41:05,724 HERE'S TO THE BEST FRIEND I'VE EVER HAD... 982 00:41:08,030 --> 00:41:10,685 COULD EVER HOPE TO HAVE. 983 00:41:10,729 --> 00:41:13,035 THE GIRL FOR WHOM NO MAN WILL EVER BE GOOD ENOUGH. 984 00:41:13,079 --> 00:41:15,821 I HOPE YOU KNOW 985 00:41:15,864 --> 00:41:18,519 THAT I LOVE YOU. 986 00:41:18,563 --> 00:41:24,569 AND I WISH FOR YOU NOTHING BUT A LIFETIME OF HAPPINESS. 987 00:41:28,050 --> 00:41:30,444 TO HAPPINESS. 988 00:41:30,488 --> 00:41:31,706 HAPPINESS. 989 00:41:31,750 --> 00:41:34,492 TO HAPPINESS THEN. 990 00:41:41,586 --> 00:41:46,765 SO HOW ABOUT SOME CUPCAKES? YEAH. 991 00:41:46,808 --> 00:41:49,550 CUPCAKES? 992 00:41:54,337 --> 00:41:58,820 Captioning byCaptionMax www.captionmax.com 68307

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