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1
00:00:01,479 --> 00:00:02,915
SINCE 1970,
2
00:00:02,959 --> 00:00:05,135
THE FEDERAL WITNESS PROTECTION
PROGRAM HAS RELOCATED
3
00:00:05,179 --> 00:00:06,745
THOUSANDS OF WITNESSES
TO NEIGHBORHOODS
4
00:00:06,789 --> 00:00:08,095
ALL ACROSS THE COUNTRY.
5
00:00:08,138 --> 00:00:10,271
THESE INDIVIDUALS
6
00:00:10,314 --> 00:00:12,055
THOSE WHO COMMITTED CRIMES,
7
00:00:12,099 --> 00:00:14,188
AND THOSE WHO MERELY WITNESSED
CRIMINAL ACTIVITY.
8
00:00:14,231 --> 00:00:15,232
THEY ALL, HOWEVER,
9
00:00:15,276 --> 00:00:17,017
SHARE A SINGLE,
UNIQUE ATTRIBUTE
10
00:00:17,060 --> 00:00:19,280
DISTINGUISHING THEM FROM THE
REST OF THE GENERAL POPULATION,
11
00:00:19,323 --> 00:00:23,284
AND THAT IS,
SOMEBODY WANTS THEM DEAD.
12
00:00:36,819 --> 00:00:38,429
I CAN'T DO THIS
ANYMORE, JAY.
13
00:00:38,473 --> 00:00:41,084
CAN WE DO THIS LATER,
PLEASE?
14
00:00:41,128 --> 00:00:42,564
I'M A LITTLE
UNDER THE GUN RIGHT NOW.
15
00:00:42,607 --> 00:00:44,740
NO, I NEED TO KNOW
THAT YOU'RE GOING TO STOP.
16
00:00:44,783 --> 00:00:46,350
I NEED TO KNOW
THAT YOU HAVE STOPPED.
17
00:00:46,394 --> 00:00:48,309
STOPPED WHAT,
MARCI?
18
00:00:48,352 --> 00:00:50,876
WHAT IS IT THAT YOU
WANT ME TO DO NOW?
19
00:00:50,920 --> 00:00:51,964
STOP SEEING HER!
20
00:00:52,008 --> 00:00:53,662
MY GOD, WHEN DID
YOU TURN INTO THIS?
21
00:00:53,705 --> 00:00:55,707
WHEN DID YOU BECOME
SO NEEDY?
22
00:00:57,144 --> 00:00:59,146
FINE, OKAY.
23
00:00:59,189 --> 00:01:01,539
I'LL STOP.
I MEAN, I HAVE STOPPED.
24
00:01:01,583 --> 00:01:02,975
BUT SHE IS
THE PUBLICITY DIRECTOR
25
00:01:03,019 --> 00:01:04,281
FOR THE MUSEUM.
26
00:01:04,325 --> 00:01:06,022
OUR PATHS ARE GOING TO CROSS
FROM TIME TO TIME.
27
00:01:06,066 --> 00:01:07,458
YOU GET THAT, RIGHT?
28
00:01:07,502 --> 00:01:09,547
YOU JUST NEED
TO GROW UP.
29
00:01:13,986 --> 00:01:15,727
YOU'RE RIGHT.
30
00:01:18,426 --> 00:01:20,863
YOU...
ARE RIGHT.
31
00:01:22,430 --> 00:01:23,953
SO WHAT ARE YOU DOING?
32
00:01:25,868 --> 00:01:27,957
I THOUGHT YOU DIDN'T WANNA...
KNOW ABOUT THIS.
33
00:01:28,000 --> 00:01:29,219
I CHANGED MY MIND.
34
00:01:29,263 --> 00:01:31,961
OKAY, I'M GETTING
THESE READY
35
00:01:32,004 --> 00:01:35,007
TO DELIVER TO SOME
OVERSEAS INVESTORS.
36
00:01:35,051 --> 00:01:38,707
DO THEY BELONG
TO THE MUSEUM?
37
00:01:38,750 --> 00:01:40,012
NO.
38
00:01:40,056 --> 00:01:43,015
I ACQUIRED THEM FROM
A LOCAL PRIVATE COLLECTION.
39
00:01:43,059 --> 00:01:44,408
BY "ACQUIRE"
YOU MEAN STOLE?
40
00:01:44,452 --> 00:01:45,409
OH, GOOD GOD, LOOK,
41
00:01:45,453 --> 00:01:46,671
JUST FOCUS ON THIS,
OKAY?
42
00:01:46,715 --> 00:01:48,282
I MEAN THESE ARE WORTH
TWO AND A HALF MILLION,
43
00:01:48,325 --> 00:01:50,284
OF WHICH OUR TAKE
IS 10%.
44
00:01:50,327 --> 00:01:52,155
NOW, IF I DO NOT
GET THESE READY,
45
00:01:52,199 --> 00:01:54,026
AND OFF TO THE HARBOR
IN THE NEXT HALF HOUR,
46
00:01:54,070 --> 00:01:55,376
SOME VERY BAD PEOPLE
ARE GONNA DO
47
00:01:55,419 --> 00:01:57,029
SOME VERY BAD THINGS
TO ME.
48
00:01:57,073 --> 00:02:00,032
ANY MORE QUESTIONS,
MARCI?
49
00:02:00,076 --> 00:02:01,033
UH, NO.
50
00:02:01,077 --> 00:02:03,123
THAT SHOULD DO IT.
51
00:02:04,167 --> 00:02:05,212
FBI!
52
00:02:05,255 --> 00:02:07,301
JAY ALLEN,
YOU'RE UNDER ARREST!
53
00:02:24,144 --> 00:02:26,581
SO IS THERE ANYTHING
ABOUT WHAT WE JUST COVERED
54
00:02:26,624 --> 00:02:27,582
YOU DON'T UNDERSTAND?
55
00:02:27,625 --> 00:02:28,583
NO, I THINK
WE'VE GOT IT.
56
00:02:28,626 --> 00:02:29,975
GOOD.
WHAT ABOUT YOU?
57
00:02:30,019 --> 00:02:32,282
HEY!
58
00:02:32,326 --> 00:02:35,198
PAY ATTENTION!
59
00:02:35,242 --> 00:02:36,504
HEY, WHAT?
60
00:02:36,547 --> 00:02:38,027
IS THERE ANYTHING ABOUT
WHAT WE JUST COVERED
61
00:02:38,070 --> 00:02:39,333
YOU DON'T UNDERSTAND?
62
00:02:39,376 --> 00:02:40,986
NO.
GOOD. WELL, THEN,
63
00:02:41,030 --> 00:02:43,075
CONGRATULATIONS,
YOU'RE THE FIRST PEOPLE
64
00:02:43,119 --> 00:02:45,077
IN THE HISTORY OF WITSEC
WITHOUT QUESTIONS.
65
00:02:45,121 --> 00:02:46,514
THANK YOU.
66
00:02:46,557 --> 00:02:48,385
THANK YOU SO MUCH.
67
00:02:48,429 --> 00:02:50,344
FOR SAVING OUR LIVES.
68
00:02:50,387 --> 00:02:51,519
THIS IS GONNA BE GREAT.
69
00:02:51,562 --> 00:02:52,650
I KNOW IT.
70
00:02:52,694 --> 00:02:55,218
EXCUSE ME, I HAVE TO GO
TO THE RESTROOM.
71
00:02:59,179 --> 00:03:01,006
SO WHEN DOES KAY
GET HERE?
72
00:03:01,050 --> 00:03:03,095
UM...
73
00:03:03,139 --> 00:03:04,706
WHO'S KAY, STAN?
74
00:03:04,749 --> 00:03:05,924
SHH.
75
00:03:05,968 --> 00:03:09,319
PROBABLY BEST
IF MARCI DOESN'T KNOW.
76
00:03:09,363 --> 00:03:10,538
GOTTA BE KIDDING ME.
77
00:03:10,581 --> 00:03:12,148
THIS SCHMUCK GETS
TO BRING HIS MISTRESS
78
00:03:12,192 --> 00:03:13,193
INTO THE PROGRAM?
79
00:03:13,236 --> 00:03:14,237
APPARENTLY,
80
00:03:14,281 --> 00:03:15,630
THE SCHMUCK'S GOT JUICE.
81
00:03:15,673 --> 00:03:17,153
PART OF HIS DEAL
WITH DOJ.WHAT ABOUT MARCI'S DEAL?
82
00:03:17,197 --> 00:03:18,415
SHE ORCHESTRATES
THIS WHOLE THING.
83
00:03:18,459 --> 00:03:19,808
SHE BRINGS HIM
INTO THE PROGRAM,
84
00:03:19,851 --> 00:03:21,113
AND THIS IS HOW
THEY REPAY HER?
85
00:03:21,157 --> 00:03:23,507
YEAH, THAT'S ROUGH,
EVEN BY DOJ STANDARDS.
86
00:03:23,551 --> 00:03:25,117
ACTUALLY, THIS IS HOW
I REPAY HER.
87
00:03:25,161 --> 00:03:26,249
SHUT YOUR HOLE.
88
00:03:27,294 --> 00:03:28,295
COME ON.
89
00:03:28,338 --> 00:03:29,339
STAN, SHE THINKS SHE'S GETTING
90
00:03:29,383 --> 00:03:31,123
A FRESH START
WITH THIS [bleep].
91
00:03:31,167 --> 00:03:32,212
I CAN'T HELP THAT.
92
00:03:33,735 --> 00:03:35,171
WHAT AM I SUPPOSED TO DO?
SMILE TO HER FACE,
93
00:03:35,215 --> 00:03:36,346
WHILE I HELP HIM GET LAID?
94
00:03:37,391 --> 00:03:38,870
NOT EXACTLY
HOW I WOULD PHRASE IT,
95
00:03:38,914 --> 00:03:40,698
BUT, UH...YES.
96
00:03:40,742 --> 00:03:42,178
YEAH, WELL, I WON'T.
97
00:03:42,222 --> 00:03:43,266
I SWEAR I'LL QUIT MY JOB,
98
00:03:43,310 --> 00:03:46,835
BEFORE I'M PART
OF ANY OF THIS.
99
00:03:48,271 --> 00:03:50,317
SO IS THERE ANYTHING
ABOUT WHAT WE JUST COVERED
100
00:03:50,360 --> 00:03:51,448
THAT YOU DON'T UNDERSTAND?
101
00:03:51,492 --> 00:03:53,145
NO? GOOD, SIGN HERE.
102
00:03:53,189 --> 00:03:56,279
IT'S FUNNY HOW THINGS
LIKE MORTGAGE PAYMENTS,
103
00:03:56,323 --> 00:03:57,628
AND A DESIRE
TO NOT EAT CAT FOOD
104
00:03:57,672 --> 00:04:00,240
CAN GET BETWEEN A PERSON
AND THEIR PRINCIPLES.
105
00:04:02,067 --> 00:04:04,026
DAMN, I HATE PRINCIPLES.
106
00:04:08,422 --> 00:04:09,771
IF THERE'S ONE THING
107
00:04:09,814 --> 00:04:11,773
WORKING IN WITNESS
108
00:04:11,816 --> 00:04:13,775
IT'S THAT PEOPLE
HATE CHANGE.
109
00:04:13,818 --> 00:04:15,385
OH, WE ALL SAY
WE WANNA CHANGE.
110
00:04:15,429 --> 00:04:19,128
GET THINNER, QUIT SMOKING,
LEARN TO SPEAK PORTUGUESE...
111
00:04:19,171 --> 00:04:20,869
BUT WE DON'T.
112
00:04:20,912 --> 00:04:22,610
FOR BETTER OR WORSE,
OUR HABITS DEFINE US.
113
00:04:22,653 --> 00:04:25,743
WE TURN THE PAGES OF THE SAME
TATTERED SCRIPT OVER AND OVER,
114
00:04:25,787 --> 00:04:30,835
CLINGING TO OUR WELL-REHEARSED
ROUTINES LIKE BARNACLES.
115
00:04:30,879 --> 00:04:32,097
SEE, WE'LL HAVE YOU
ON YOUR FEET
116
00:04:32,141 --> 00:04:33,316
IN NO TIME.
117
00:04:33,360 --> 00:04:35,318
GOOD AS NEW.
118
00:04:35,362 --> 00:04:36,493
RIGHT.
119
00:04:36,537 --> 00:04:37,929
AND NOTHING RANKLES US MORE
120
00:04:37,973 --> 00:04:40,062
THAN HAVING TO LEARN NEW LINES.
121
00:04:40,105 --> 00:04:41,063
LISTEN TO ME,
122
00:04:41,106 --> 00:04:42,282
THIS IS JUST
A MINOR SETBACK.
123
00:04:42,325 --> 00:04:43,283
AH.
124
00:04:43,326 --> 00:04:44,893
LOTS OF PEOPLE
TEAR ACL'S.
125
00:04:44,936 --> 00:04:46,851
I KNOW.
126
00:04:46,895 --> 00:04:48,200
LISTEN...
127
00:04:48,244 --> 00:04:50,028
I KNOW THIS IS
A HUGE IMPOSITION,
128
00:04:50,072 --> 00:04:52,248
AND I REALLY
APPRECIATE YOU...
129
00:04:52,292 --> 00:04:53,858
YOU KNOW.IT'S NOT AN IMPOSITION.
130
00:04:53,902 --> 00:04:55,599
WHY WOULD YOU EVEN
SAY THAT?
131
00:04:55,643 --> 00:04:56,644
ANYWAY...
132
00:04:56,687 --> 00:04:58,123
IT WILL JUST BE
FOR A COUPLE OF DAYS
133
00:04:58,167 --> 00:04:59,299
UNTIL THE SWELLING
GOES DOWN.
134
00:04:59,342 --> 00:05:01,126
THEN I'LL GO BACK
TO MY PLACE.
135
00:05:01,170 --> 00:05:02,127
RALPH--IT'S OKAY.
136
00:05:02,171 --> 00:05:03,128
IT'S LIKE YOU SAID,
137
00:05:03,172 --> 00:05:05,087
THIS IS AS FAR
AS WE GO.
138
00:05:05,130 --> 00:05:06,349
PLEASE, DON'T THROW THAT
ON MY FACE, OKAY?
139
00:05:06,393 --> 00:05:07,568
WHAT'S GOING ON
BETWEEN YOU AND ME
140
00:05:07,611 --> 00:05:08,786
AND WHAT'S GOING ON
WITH YOUR KNEE,
141
00:05:08,830 --> 00:05:09,961
THEY'RE TWO
SEPARATE ISSUES,
142
00:05:10,005 --> 00:05:11,267
AND I CAN ONLY DEAL
WITH ONE AT A TIME.
143
00:05:11,311 --> 00:05:12,660
I'M SORRY.
I DON'T WANT TO ARGUE.
144
00:05:12,703 --> 00:05:13,965
WE'RE NOT ARGUING.
145
00:05:14,009 --> 00:05:14,966
JEEZ...
146
00:05:16,316 --> 00:05:17,360
I'M SORRY, RALPH.
147
00:05:17,404 --> 00:05:19,231
I DO WANNA TAKE CARE
OF YOU, REALLY.
148
00:05:19,275 --> 00:05:21,495
AND THE REST, I JUST--
149
00:05:21,538 --> 00:05:22,887
WHAT?
150
00:05:22,931 --> 00:05:24,585
CAN WE PLEASE JUST
DEAL WITH THIS FOR NOW?
151
00:05:24,628 --> 00:05:26,543
SURE.
152
00:05:26,587 --> 00:05:28,328
GOOD.
153
00:05:33,333 --> 00:05:35,117
I GOTTA GET
TO THIS WORK THING.
154
00:05:37,249 --> 00:05:38,947
WHAT THE HELL
ARE YOU DOING HERE?
155
00:05:38,990 --> 00:05:40,731
OH, CRAP.I WAS INVITED.
156
00:05:40,775 --> 00:05:42,124
WHICH IS MORE
THAN YOU CAN SAY.
157
00:05:42,167 --> 00:05:44,822
OH, WHERE AM I
SUPPOSED TO WATCH TV?
158
00:05:44,866 --> 00:05:46,215
THIS WAS A MISTAKE.
I SHOULD GO.
159
00:05:46,258 --> 00:05:47,216
LIE DOWN.
YOU'RE NOT GOING ANYWHERE.
160
00:05:47,259 --> 00:05:48,739
BRANDY,
RALPH'S WELCOME TO STAY
161
00:05:48,783 --> 00:05:49,871
AS LONG AS HE WANTS.
162
00:05:49,914 --> 00:05:51,133
SO WHY CAN'T HE STAY
IN YOUR ROOM?
163
00:05:51,176 --> 00:05:53,353
BECAUSE.
164
00:05:56,312 --> 00:05:58,053
BECAUSE I DON'T HAVE
TO EXPLAIN MYSELF TO YOU
165
00:05:58,096 --> 00:05:59,054
IN MY OWN HOUSE.
166
00:05:59,097 --> 00:06:00,055
OH, GOOD ANSWER.
167
00:06:00,098 --> 00:06:01,056
SO, WHAT--
168
00:06:01,099 --> 00:06:02,100
NOW WE'RE A NURSING HOME
169
00:06:02,144 --> 00:06:03,885
FOR WASHED UP
MEXICAN PITCHERS?
170
00:06:03,928 --> 00:06:06,061
I'M A DOMINICAN
SHORTSTOP.
171
00:06:06,104 --> 00:06:07,192
HMM.
172
00:06:07,236 --> 00:06:08,411
YEAH, THERE'S
A DISTINCTION.
173
00:06:08,455 --> 00:06:10,239
PUT THEM DOWN.
174
00:06:10,282 --> 00:06:12,284
OH, AT LEAST THEY GAVE YOU
THE GOOD STUFF.
175
00:06:12,328 --> 00:06:14,156
BRANDI, I SAID
PUT THEM DOWN.OW, OW, OW.
176
00:06:14,199 --> 00:06:15,462
OKAY, I WAS JUST
GONNA PUT THEM
177
00:06:15,505 --> 00:06:17,159
IN A SAFE PLACE.DO NOT LET HER
NEAR THESE.
178
00:06:17,202 --> 00:06:18,508
I WON'T BE LATE.
179
00:06:19,770 --> 00:06:21,337
OKAY, THEN.
YOU TWO KIDS HAVE FUN.
180
00:06:21,381 --> 00:06:22,643
HE BETTER NOT NEED
ANY HELP
181
00:06:22,686 --> 00:06:23,644
GOING POTTY OR WHATEVER,
182
00:06:23,687 --> 00:06:24,862
CAUSE I'M NOT DOING JACK!
183
00:06:26,647 --> 00:06:28,039
HOW IS THAT DIFFERENT
FROM THE WAY
184
00:06:28,083 --> 00:06:29,127
YOU ALWAYS ACT?
185
00:06:29,171 --> 00:06:30,346
EH...
186
00:06:53,630 --> 00:06:54,588
WELL, WELL.
187
00:06:54,631 --> 00:06:55,589
LOOK AT YOU.
188
00:06:55,632 --> 00:06:57,721
ALL UPRIGHT
AND NOT DEAD.
189
00:06:57,765 --> 00:06:59,810
AND A MATCHING SLING,
EVEN.
190
00:06:59,854 --> 00:07:00,855
BET THE LADIES
DIG THAT.
191
00:07:00,898 --> 00:07:02,204
IT'S NOT
WITHOUT EFFECT.
192
00:07:02,247 --> 00:07:03,510
THIS IS FASCINATING.
193
00:07:03,553 --> 00:07:05,250
ALL THESE WORKS WERE PAINTED
ON SCRAPS OF WOOD
194
00:07:05,294 --> 00:07:06,295
BY A WOMAN WHO WORKED
195
00:07:06,338 --> 00:07:07,862
AT THE LOCAL MOTOR
REPAIR FACILITY.
196
00:07:07,905 --> 00:07:10,212
RIGHT HERE IN ALBUQUERQUE
IN THE LATE 19TH CENTURY.
197
00:07:10,255 --> 00:07:11,213
THAT'S GREAT.
198
00:07:11,256 --> 00:07:12,301
HOW ABOUT WE SAY
OUR HELLOS,
199
00:07:12,344 --> 00:07:13,476
STAY JUST LONG ENOUGH
NOT TO BE RUDE,
200
00:07:13,520 --> 00:07:14,695
AND THEN GET THE HELL
OUT OF DODGE, DEAL?
201
00:07:14,738 --> 00:07:16,566
WHAT EXACTLY IS YOUR BEEF
WITH HUMANITY?
202
00:07:16,610 --> 00:07:18,089
I HAVE NO BEEF
WITH HUMANITY.
203
00:07:18,133 --> 00:07:19,482
IT'S PEOPLE
I CAN'T STAND.
204
00:07:19,526 --> 00:07:20,265
HOW MUCH CASH
DID YOU BRING?
205
00:07:20,309 --> 00:07:21,353
I'M KIDDING.
206
00:07:21,397 --> 00:07:22,442
OH.
207
00:07:27,447 --> 00:07:28,404
HEY.
208
00:07:28,448 --> 00:07:29,405
HOT STUFF!
209
00:07:29,449 --> 00:07:30,406
CAN I BUY YOU A DRINK?
210
00:07:30,450 --> 00:07:31,451
HEY, MARCI.
211
00:07:31,494 --> 00:07:32,452
THANK YOU.
212
00:07:32,495 --> 00:07:33,453
WOW, LOOK AT YOU.
213
00:07:33,496 --> 00:07:34,671
ALL PRETTY AND GLOWY.
214
00:07:34,715 --> 00:07:35,672
YEAH.
215
00:07:35,716 --> 00:07:37,108
THIS IS ONE
OF THE BEST NIGHTS
216
00:07:37,152 --> 00:07:38,196
I'VE HAD IN YEARS.
217
00:07:38,240 --> 00:07:39,328
I JUST FEEL LIKE
MY OLD JAY BACK.
218
00:07:39,371 --> 00:07:40,634
HE'S FUN,
219
00:07:40,677 --> 00:07:41,939
AND AFFECTIONATE,
AND THE ART.
220
00:07:41,983 --> 00:07:43,114
HE'S EXCITED
ABOUT ART AGAIN.
221
00:07:43,158 --> 00:07:44,115
THAT'S GREAT.
222
00:07:44,159 --> 00:07:45,421
I'M REALLY HAPPYFOR YOU.
223
00:07:45,465 --> 00:07:47,336
WE WOULDN'T HAVE MADE IT
WITHOUT YOU.
224
00:07:47,379 --> 00:07:48,598
YOU KNOW THAT,
THOSE FIRST FEW MONTHS
225
00:07:48,642 --> 00:07:50,339
YOU WERE LIKE THE GLUE
THAT KEPT US TOGETHER.
226
00:07:50,382 --> 00:07:52,515
JUST CALL ME ELMER.
227
00:07:52,559 --> 00:07:53,995
HEY, GIRLS.
HOW 'BOUT A SMILE?
228
00:07:54,038 --> 00:07:54,996
HEY.
229
00:07:56,476 --> 00:07:58,695
AH, MORE BEAUTIFUL
THAN MUNCH'S MADONNA.
230
00:07:58,739 --> 00:07:59,696
UH-HUH.
231
00:08:01,437 --> 00:08:03,352
AND YOU'RE NOT EXACTLY
FOIE GRAS.
232
00:08:03,395 --> 00:08:04,484
WHOA, WHOA!
233
00:08:04,527 --> 00:08:05,572
OW, OW.
234
00:08:05,615 --> 00:08:07,095
OKAY, I'M NOT
KISSING YOU ANYMORE.
235
00:08:07,138 --> 00:08:08,357
GROSS, GROSS.
236
00:08:08,400 --> 00:08:10,533
WHO KNOWS WHERE
THAT MOUTH HAS BEEN.
237
00:08:10,577 --> 00:08:11,534
I DO.
238
00:08:11,578 --> 00:08:12,753
HM, DO YOU?
239
00:08:14,755 --> 00:08:15,973
ALL BETTER.
240
00:08:16,017 --> 00:08:17,540
ON THAT NOTE, I'D BETTER GO
CHECK OUR GUESTS.
241
00:08:17,584 --> 00:08:19,542
MAKE SURE THEY'RE
WELL LUBRICATED.
242
00:08:19,586 --> 00:08:22,153
DON'T WANDER OFF.
243
00:08:22,197 --> 00:08:24,939
DON'T YOU JUST
WANT TO EAT HER UP?
244
00:08:24,982 --> 00:08:27,811
TODAY I CONSIDER MYSELF
THE LUCKIEST MAN ALIVE.
245
00:08:27,855 --> 00:08:28,812
WHAT ARE YOU ON?
246
00:08:28,856 --> 00:08:29,944
I'M STONE COLD SOBER.
247
00:08:29,987 --> 00:08:33,164
I'M HEALTHIER, HAPPIER,
248
00:08:33,208 --> 00:08:35,253
AND WISER THAN
I'VE EVER BEEN BEFORE.
249
00:08:35,297 --> 00:08:36,951
WHICH IS WHY
I NEED YOUR HELP.
250
00:08:36,994 --> 00:08:38,474
HERE WE GO.
KNEW THERE HAD TO BE AN ANGLE.
251
00:08:38,518 --> 00:08:40,781
NO, THERE'S NO ANGLE.
252
00:08:40,824 --> 00:08:42,347
THIS IS STRICTLY
STRAIGHT UP.
253
00:08:42,391 --> 00:08:44,175
UH-HUH.MARY,
I STAND BEFORE YOU
254
00:08:44,219 --> 00:08:46,047
A CHANGED MAN.
255
00:08:46,090 --> 00:08:49,311
AT LEAST, I WANT TO BE
A BETTER MAN FOR MARCI.
256
00:08:49,354 --> 00:08:50,747
SHE'S SO GOOD,
AND GIVING.
257
00:08:50,791 --> 00:08:52,836
SHE JUST DESERVES
SO MUCH BETTER
258
00:08:52,880 --> 00:08:54,359
THAN WHAT SHE'S GOTTEN
BACK FROM ME.
259
00:08:54,403 --> 00:08:56,405
OKAY...
260
00:08:56,448 --> 00:08:57,754
GO PEE IN THIS GLASS.
261
00:08:57,798 --> 00:08:59,800
I WANNA MAKE THINGS
RIGHT WITH HER, MAR.
262
00:08:59,843 --> 00:09:02,063
BUT I CANNOT DO THAT
263
00:09:02,106 --> 00:09:04,152
WITH YOU-KNOW-WHOAROUND.
264
00:09:04,195 --> 00:09:06,241
KAY?
265
00:09:06,284 --> 00:09:08,678
YOU WANNA BREAK UP
WITH KAY.YES.
266
00:09:08,722 --> 00:09:11,463
WELL, ACTUALLY I'D LIKE YOU
TO BREAK UP WITH KAY FOR ME.
267
00:09:11,507 --> 00:09:13,465
AND HOWEVER YOU CHOOSE
TO HANDLE IT, IS FINE WITH ME.
268
00:09:13,509 --> 00:09:15,555
JUST SO LONG AS YOU GET HER
THE HELL OUT OF ALBUQUERQUE.
269
00:09:15,598 --> 00:09:17,731
AND DON'T THINK
I DON'T APPRECIATE IT.
270
00:09:17,774 --> 00:09:18,732
CASPER, BILL!
271
00:09:18,775 --> 00:09:19,776
COME HERE.
272
00:09:25,652 --> 00:09:27,523
WOULD YOU
EXCUSE US, PLEASE?
273
00:09:31,048 --> 00:09:32,876
LISTEN TO ME,
YOU CRAZY BASTARD.
274
00:09:32,920 --> 00:09:34,530
AS MUCH AS I WOULD LOVE
TO STOP DECEIVING MARCI,
275
00:09:34,574 --> 00:09:36,837
STICKING KAY ON THE NEXT PLANE
OUT OF HERE ISN'T THAT SIMPLE.
276
00:09:36,880 --> 00:09:38,055
WHY NOT?
277
00:09:38,099 --> 00:09:39,361
YOU BROUGHT HER HERE.
NOW MAKE HER GO AWAY.
278
00:09:39,404 --> 00:09:41,624
HEY, I DIDN'T BRING HER HERE,
NUMBNUTS.
279
00:09:41,668 --> 00:09:43,104
I WAS FORCED, AGAINST
EVERY FIBER OF MY BEING,
280
00:09:43,147 --> 00:09:44,453
TO COMPLY WITH
YOUR IMMORAL REQUEST.
281
00:09:44,496 --> 00:09:45,846
AND NOW I'M REQUESTING
282
00:09:45,889 --> 00:09:47,195
THAT YOU COMPLY
WITH MY MORAL REQUEST
283
00:09:47,238 --> 00:09:48,413
AND MAKE HER DISAPPEAR.
284
00:09:48,457 --> 00:09:49,850
I DON'T UNDERSTAND
WHY YOU'RE MAKING THIS
285
00:09:49,893 --> 00:09:51,678
SO DIFFICULT.
286
00:09:51,721 --> 00:09:52,766
THERE SHE IS!
THE WOMAN OF THE HOUR.
287
00:09:52,809 --> 00:09:54,594
AGAIN WITH THE INTERRUPTIONS.
288
00:09:54,637 --> 00:09:55,595
HOW ARE YOU, SWEETIE?
289
00:09:55,638 --> 00:09:56,987
MARY...
290
00:09:57,031 --> 00:09:59,686
THIS IS MY PATRON SAINT,
MARGARET CHAPMAN.
291
00:09:59,729 --> 00:10:01,601
MARGARET, THIS IS
MY GOOD FRIEND MARY SHEPHERD.
292
00:10:01,644 --> 00:10:03,385
NICE TO MEET YOU.AND YOU.
293
00:10:03,428 --> 00:10:04,516
HEY!
294
00:10:04,560 --> 00:10:06,214
HEY!
295
00:10:06,257 --> 00:10:07,519
YOU THINK YOU'RE
THE ONLY ONE HERE?
296
00:10:07,563 --> 00:10:08,782
TAKE THAT OUTSIDE.
297
00:10:13,743 --> 00:10:14,875
JAY, JAY, JAY.
298
00:10:14,918 --> 00:10:16,746
TELL ME HOW YOU
KNOW MARGARET.
299
00:10:16,790 --> 00:10:19,009
MARGARET IS--
MARGARET IS
300
00:10:19,053 --> 00:10:20,489
RESPONSIBLE FOR
ALL OF THIS.
301
00:10:20,532 --> 00:10:21,838
UH, THESE PAINTINGS
302
00:10:21,882 --> 00:10:22,839
ARE IN HER COLLECTION.
303
00:10:22,883 --> 00:10:23,840
THEY'VE BEEN IN HER FAMILY
304
00:10:23,884 --> 00:10:25,407
FOR OVER 100 YEARS.
305
00:10:25,450 --> 00:10:27,409
IT MUST BE VERY DIFFICULT
FOR YOU TO PART WITH THEM.
306
00:10:27,452 --> 00:10:28,453
NOT REALLY.
307
00:10:28,497 --> 00:10:29,846
THE PROCEEDS
GO TO CHARITY,
308
00:10:29,890 --> 00:10:30,891
AND BESIDES,
309
00:10:30,934 --> 00:10:32,022
I'VE ALWAYS THOUGHTOF THEM
310
00:10:32,066 --> 00:10:33,545
AS RATHER PEDESTRIAN
EARLY AMERICAN CRAP.
311
00:10:33,589 --> 00:10:35,983
OH, THANK GOD.
THOUGHT I WAS THE ONLY ONE.
312
00:10:36,026 --> 00:10:37,114
NOT HARDLY.
313
00:10:37,158 --> 00:10:39,247
LOVELY TO MEET YOU, MARY.AND YOU.
314
00:10:46,036 --> 00:10:48,430
SHOULD GET SOME WATER
FOR THAT.
315
00:10:51,215 --> 00:10:52,260
HEY, AS LONG
AS YOU'RE GOING,
316
00:10:52,303 --> 00:10:53,522
COULD YOU
BRING ME BACK A BEER?
317
00:10:56,264 --> 00:10:57,874
OH, GOOD GOD!
318
00:10:59,833 --> 00:11:01,008
CLUMSY AND A WUSS,
319
00:11:01,051 --> 00:11:02,705
NO WONDER YOU COULDN'T
HACK IT IN THE PROS.
320
00:11:08,015 --> 00:11:09,712
HAVE YOU EVER
CONSIDERED A CAREER
321
00:11:09,756 --> 00:11:11,627
IN THE NURSING PROFESSION?
322
00:11:11,671 --> 00:11:13,585
I TRIED, BUT I COULDN'T
HACK THE SCIENCE.
323
00:11:13,629 --> 00:11:15,283
OR THE DRUG SCREEN.
324
00:11:15,326 --> 00:11:16,719
BUT THANK YOU SO MUCH
FOR MAKING ME
325
00:11:16,763 --> 00:11:17,720
FEEL BAD ABOUT MYSELF.
326
00:11:20,505 --> 00:11:21,985
TELL YOU ONE THING, THOUGH.
327
00:11:22,029 --> 00:11:23,421
I CAN SURE AS HELL
DO A BETTER JOB
328
00:11:23,465 --> 00:11:25,380
THAN WHATEVER RETARD
WRAPPED THAT.
329
00:11:27,208 --> 00:11:28,775
LET ME SEE. WHOA, WHOA.
330
00:11:28,818 --> 00:11:30,341
MAYBE ANOTHER TIME.
331
00:11:30,385 --> 00:11:32,953
RELAX, I USED TO DATE
A GUY WHO GOT STABBED.
332
00:11:32,996 --> 00:11:34,041
A LOT.
333
00:11:37,827 --> 00:11:38,828
ENJOYING THE SHOW?
334
00:11:38,872 --> 00:11:40,003
OH, YEAH.
335
00:11:40,047 --> 00:11:42,310
HEY, TELL JAY WHAT HAPPENS
IF HE DUMPS KAY
336
00:11:42,353 --> 00:11:43,441
AND WE MOVE HER
OUT OF TOWN?
337
00:11:43,485 --> 00:11:45,356
IF YOU BREAK UP WITH KAY,
338
00:11:45,400 --> 00:11:47,228
SHE ISN'T THE ONLY ONE
WHO GETS MOVED.
339
00:11:47,271 --> 00:11:48,969
YOU AND MARCI
HAVE TO BE RELOCATED TOO.
340
00:11:49,012 --> 00:11:51,014
WELL, THAT DOESN'T
SEEM FAIR.
341
00:11:51,058 --> 00:11:53,060
IT'S A REASONABLE ALTERNATIVE
342
00:11:53,103 --> 00:11:55,062
TO HAVING THE WOMAN SCORNED
GIVE YOUR ADDRESS
343
00:11:55,105 --> 00:11:57,238
TO THE FOLKS
WHO WANT YOU DEAD.
344
00:11:57,281 --> 00:11:58,239
YEAH.
345
00:11:58,282 --> 00:11:59,327
OH.
346
00:11:59,370 --> 00:12:00,371
SO, BY THE WAY,
347
00:12:00,415 --> 00:12:01,938
YOUR PROGRAM SAYS
348
00:12:01,982 --> 00:12:03,766
THAT THE ARTIST
PAINTED HER WORKS
349
00:12:03,810 --> 00:12:05,507
ON PLANKS OF POPLAR
350
00:12:05,550 --> 00:12:07,161
TAKEN FROM
THE RAIL YARDS.
351
00:12:07,204 --> 00:12:08,771
YEAH, SO?
352
00:12:08,815 --> 00:12:10,120
SO IT SHOULD BE
PLANKS OF COTTONWOOD,
353
00:12:10,164 --> 00:12:12,383
SINCE THAT IS, IN FACT,
ON WHAT THEY'RE PAINTED.
354
00:12:12,427 --> 00:12:14,995
I'M QUITE CERTAIN
THEY'RE PAINTED ON POPLAR.
355
00:12:15,038 --> 00:12:15,952
AND I'M ABSOLUTELY POSITIVE
356
00:12:15,996 --> 00:12:17,737
THEY'RE PAINTED
ON COTTONWOOD.
357
00:12:17,780 --> 00:12:19,173
THANKS
FOR THE INPUT,
358
00:12:19,216 --> 00:12:20,609
BUT I THINK
I KNOW MY ART.
359
00:12:20,652 --> 00:12:23,351
APPARENTLY NOT AS WELL
AS I KNOW MY WOOD.
360
00:12:23,394 --> 00:12:24,482
DON'T.
361
00:12:26,615 --> 00:12:27,964
OH, WELL, WELL.
362
00:12:28,008 --> 00:12:29,923
THIS IS SOME PARTY.
363
00:12:29,966 --> 00:12:30,924
OH, ISN'T THAT...?KAY.
364
00:12:30,967 --> 00:12:32,099
OH, GOD.
365
00:12:32,142 --> 00:12:33,665
WE HAVE TO GET HER
OUT OF HERE.OH, JAY!
366
00:12:33,709 --> 00:12:36,364
GUESS MY INVITE
GOT LOST IN THE MAIL, HUH?
367
00:12:36,407 --> 00:12:37,495
IS THAT WHAT HAPPENED,
JAY?
368
00:12:37,539 --> 00:12:38,932
KAY?
369
00:12:38,975 --> 00:12:39,933
WHAT ARE YOU DOING HERE?
370
00:12:39,976 --> 00:12:41,412
JAY, WHY IS SHE HERE?
371
00:12:41,456 --> 00:12:42,849
OH, HONEY, HONEY.
372
00:12:42,892 --> 00:12:45,982
DID HE FORGET
TO TELL YOU?
373
00:12:46,026 --> 00:12:48,158
SEE, HE MOVED ME HERE,
374
00:12:48,202 --> 00:12:50,987
SO WE COULD BE
TOGETHER.
375
00:12:51,031 --> 00:12:52,032
OW!
376
00:12:54,643 --> 00:12:56,079
MARCI!
377
00:12:57,298 --> 00:12:58,429
NO, MARCI!
378
00:12:58,473 --> 00:12:59,430
NO!
379
00:12:59,474 --> 00:13:00,692
MARCI, MARCI,
COME ON.
380
00:13:00,736 --> 00:13:01,737
MARCI...
381
00:13:05,262 --> 00:13:06,394
LIAR.
382
00:13:12,443 --> 00:13:14,271
IT'S OKAY, BABY.
383
00:13:14,315 --> 00:13:16,230
I'M HERE.
384
00:13:16,273 --> 00:13:18,188
GET OUT OF HERE.
385
00:13:18,232 --> 00:13:19,624
WHAT'S WRONG WITH YOU?
386
00:13:21,539 --> 00:13:24,020
BABY--GET OUT!
387
00:13:28,720 --> 00:13:30,853
OKAY, FOLKS.
388
00:13:30,897 --> 00:13:33,029
SHOW'S OVER.
NOTHING TO SEE HERE.
389
00:13:33,073 --> 00:13:34,901
GO BACK TO YOUR CHAMPAGNE
390
00:13:34,944 --> 00:13:37,512
AND MID-19TH CENTURY
FOLK ART.
391
00:13:39,340 --> 00:13:41,559
I'LL JUST...
CHECK ON HER.
392
00:13:47,391 --> 00:13:49,045
HEY, STAN, IT'S MARY.
393
00:13:49,089 --> 00:13:51,047
IMAGINE MY SURPRISE
WHEN KAY SWENSEN
394
00:13:51,091 --> 00:13:52,744
SHOWED UP DRUNK
AT JAY ARNSTEIN'S GALLERY
395
00:13:52,788 --> 00:13:54,485
AND GOT INTO A FIST FIGHT
WITH MARCI ARNSTEIN.
396
00:13:54,529 --> 00:13:56,052
I MEAN, WHO COULD HAVE
POSSIBLY PREDICTED
397
00:13:56,096 --> 00:13:57,184
THAT DECEIVING A WITNESS
398
00:13:57,227 --> 00:13:58,838
BY HELPING HER HUSBAND
COMMIT ADULTERY
399
00:13:58,881 --> 00:14:00,317
WITH HIS TRAMP MISTRESS
WOULD END BADLY?
400
00:14:00,361 --> 00:14:01,318
YOU'D HAVE TO BE A GENIUS
401
00:14:01,362 --> 00:14:02,972
TO SEE THAT ONE COMING, RIGHT?
402
00:14:03,016 --> 00:14:04,321
ANYWAY, STAN,
403
00:14:04,365 --> 00:14:06,149
I'LL NEED IMMEDIATE
RELOCATION AUTHORIZATIONS.
404
00:14:06,193 --> 00:14:07,455
CALL ME.
BYE.
405
00:14:07,498 --> 00:14:11,589
GOTTA LOVE
THE IRONIC PHONE MESSAGE.
406
00:14:11,633 --> 00:14:12,939
DID KAY GET HOME
ALL RIGHT?
407
00:14:12,982 --> 00:14:13,940
ALL RIGHT BEING
408
00:14:13,983 --> 00:14:15,245
A RELATIVE CONDITION,BUT YES.
409
00:14:15,289 --> 00:14:16,246
PIE?
410
00:14:16,290 --> 00:14:17,769
THIS WHOLE DAMN MESS
IS MY FAULT.
411
00:14:17,813 --> 00:14:19,075
I SHOULD HAVE JUST
SAID, "SORRY, STAN
412
00:14:19,119 --> 00:14:20,207
I WON'T BE PARTY TO THIS,"
413
00:14:20,250 --> 00:14:21,817
AND ACCEPTED
THE CONSEQUENCES.
414
00:14:21,861 --> 00:14:25,168
IT'S NOT LIKE I HAD
A GUN TO MY HEAD.
415
00:14:25,212 --> 00:14:26,387
ACTUALLY,
A GUN TO YOUR HEAD
416
00:14:26,430 --> 00:14:27,867
WOULDN'T HAVE MADE YOU
ANY LESS CULPABLE.
417
00:14:27,910 --> 00:14:29,999
AN IMMORAL DECISION
MADE UNDER THE DURESS
418
00:14:30,043 --> 00:14:32,045
OF MORTAL PERIL,
IS STILL AN IMMORAL DECISION.
419
00:14:32,088 --> 00:14:35,222
UNDERSTANDABLE, YES.
FORGIVABLE, PERHAPS.
420
00:14:35,265 --> 00:14:38,878
BUT STILL,
DEFINITELY IMMORAL.
421
00:14:38,921 --> 00:14:40,836
I'M JUST SAYING.
422
00:14:40,880 --> 00:14:43,360
ANYWAY, THEY JUST WOULD HAVE
GOTTEN SOMEONE ELSE TO DO IT.
423
00:14:43,404 --> 00:14:45,188
EAT YOUR PIE.
PIE MAKES EVERYTHING BETTER.
424
00:14:45,232 --> 00:14:46,886
IT DOES HELP.
425
00:14:48,888 --> 00:14:50,890
HOUSE OF PIE.
426
00:14:52,065 --> 00:14:53,153
YEAH, IT IS.
427
00:14:54,197 --> 00:14:55,459
WHEN?
428
00:14:55,503 --> 00:14:56,939
WHERE?
429
00:14:56,983 --> 00:15:00,334
IS HE DEAD?
430
00:15:00,377 --> 00:15:01,988
WE'RE ON OUR WAY.
431
00:15:02,031 --> 00:15:04,033
SOMEBODY SHOT JAY ARNSTEIN.
432
00:15:07,602 --> 00:15:09,212
AND I NEED YOU TO TRACK DOWN
433
00:15:09,256 --> 00:15:10,822
A SPECIAL AGENT FRAWLEY
OUT OF MANHATTAN.
434
00:15:10,866 --> 00:15:12,041
OH, GOD.
435
00:15:12,085 --> 00:15:14,087
JAY...JAY.
436
00:15:14,130 --> 00:15:15,740
JAY, CAN YOU HEAR ME?
437
00:15:15,784 --> 00:15:17,786
JAY, IT'S MARY.
CAN YOU HEAR ME?
438
00:15:17,829 --> 00:15:19,353
JUST TELL HIM
OUR BOY WAS SHOT.
439
00:15:19,396 --> 00:15:21,833
I KNOW WHAT TIME IT IS.
JUST GET HIM ON THE PHONE.
440
00:15:21,877 --> 00:15:23,923
WHO DID THIS, JAY?
441
00:15:23,966 --> 00:15:24,924
WHO DID THIS TO YOU?
442
00:15:24,967 --> 00:15:26,012
JAY!
443
00:15:26,055 --> 00:15:27,665
HEY, END OF THE ROAD
FOR YOU.
444
00:15:27,709 --> 00:15:30,668
YOU KEEP HIM ISOLATED,
UNDER GUARD 24/7.
445
00:15:30,712 --> 00:15:32,018
FULL SECURITY DETAIL.
446
00:15:32,061 --> 00:15:33,715
AND GET THE NAMES OF ALL
ATTENDING MDS AND NURSES.
447
00:15:33,758 --> 00:15:34,759
NO ONE ELSE
GETS NEAR HIM.
448
00:15:34,803 --> 00:15:36,239
I GOTTA MOVE MARCI.
449
00:15:36,283 --> 00:15:37,240
AND...?
450
00:15:37,284 --> 00:15:38,241
AND KAY.
COME ON.
451
00:15:38,285 --> 00:15:40,069
THEY'RE BOTH
IN POLICE CUSTODY.
452
00:15:40,113 --> 00:15:41,114
ARRESTED?
453
00:15:41,157 --> 00:15:42,419
NOT SO FAR,
BUT DEFINITELY DETAINED.
454
00:15:42,463 --> 00:15:43,725
AT LEAST THEY'RE
OFF THE STREET.
455
00:15:43,768 --> 00:15:45,422
ANYTHING ON THE ART-SMUGGLERS
SIDE OF THIS?
456
00:15:45,466 --> 00:15:46,946
WAITING TO HEAR BACK
FROM FRAWLEY.
457
00:15:46,989 --> 00:15:48,425
INTERPOL RATES
THE EUROPEAN CONNECTION
458
00:15:48,469 --> 00:15:50,166
HIGHLY UNLIKELY.
459
00:15:50,210 --> 00:15:51,341
WHAT'S LEFT OF
THE SMUGGLING RING
460
00:15:51,385 --> 00:15:52,952
IS IN PRISON,
OR UNDER SURVEILLANCE.
461
00:15:52,995 --> 00:15:55,780
JUST LEAVES THE AMERICAN SIDE
TO WORRY ABOUT.
462
00:15:55,824 --> 00:15:57,260
OR KAY...
OR MARCI.
463
00:15:57,304 --> 00:15:58,348
MARCI DIDN'T DO THIS.
464
00:15:58,392 --> 00:15:59,610
YOU DON'T HAVE
TO CONVINCE ME.
465
00:15:59,654 --> 00:16:00,742
BUT IF
THE ALBUQUERQUE P.D.
466
00:16:00,785 --> 00:16:02,091
DOESN'T SHARE
YOUR CONVICTION,
467
00:16:02,135 --> 00:16:03,310
YOU GOT A PLAN
TO GET THEM OUT?
468
00:16:03,353 --> 00:16:04,659
IF NEITHER ARE ARRESTED,
I DON'T NEED A PLAN.
469
00:16:04,702 --> 00:16:05,660
THEY'RE COMING WITH ME.
470
00:16:05,703 --> 00:16:06,661
AND IF THEY ARE ARRESTED?
471
00:16:06,704 --> 00:16:07,879
THEN WE COOPERATE
472
00:16:07,923 --> 00:16:09,403
WITH ALL LOCAL
LAW ENFORCEMENT AGENCIES,
473
00:16:09,446 --> 00:16:10,491
AS IS OUR OBLIGATION.
474
00:16:10,534 --> 00:16:12,623
I DO LOVE
WHEN YOU TALK PROTOCOL.
475
00:16:18,107 --> 00:16:20,196
WATCH ME WORK.
476
00:16:20,240 --> 00:16:21,241
HEY.
477
00:16:21,284 --> 00:16:22,416
WHAT ARE YOU,
478
00:16:22,459 --> 00:16:23,939
THE ONLY COP IN ALBUQUERQUE?MARSHALS,
479
00:16:23,983 --> 00:16:25,767
LOVE THE NEW UNIFORMS.
480
00:16:25,810 --> 00:16:26,768
YEAH, IT'S THE NEW WAVE
481
00:16:26,811 --> 00:16:28,161
IN FASHION-FORWARD
LAW ENFORCEMENT.
482
00:16:28,204 --> 00:16:29,379
MARY, THEY'RE KEEPING ME HERE
483
00:16:29,423 --> 00:16:31,251
AGAINST MY WILL.
484
00:16:31,294 --> 00:16:32,252
WILL YOU TELL THIS MORON
485
00:16:32,295 --> 00:16:34,558
I HAVE DIPLOMATIC
IMMUNITY?
486
00:16:34,602 --> 00:16:36,212
KAY, SWEETIE,
487
00:16:36,256 --> 00:16:38,301
I'M SURE DETECTIVE DERSHOWITZ
HAS A VERY GOOD REASON
488
00:16:38,345 --> 00:16:40,216
FOR KEEPING YOU HERE.
489
00:16:40,260 --> 00:16:41,261
DETECTIVE,
IS MY FRIEND KAY
490
00:16:41,304 --> 00:16:43,045
UNDER ARREST? NO, NOT SO FAR.
491
00:16:43,089 --> 00:16:45,047
THOUGH SHOOTING HER
HAS CROSSED MY MIND.
492
00:16:45,091 --> 00:16:46,092
EITHER OF YOU
WANT COFFEE?
493
00:16:46,135 --> 00:16:47,093
I'M GOOD.
494
00:16:47,136 --> 00:16:48,355
I'D ABSOLUTELY
LOVE A CUP.
495
00:16:55,144 --> 00:16:56,537
FOR FUTURE REFERENCE,
496
00:16:56,580 --> 00:16:58,582
DIPLOMATS HAVE
497
00:16:58,626 --> 00:17:00,367
DIPLOMATIC IMMUNITY,
498
00:17:00,410 --> 00:17:02,673
YOU'RE IN
WITNESS PROTECTION,
499
00:17:02,717 --> 00:17:04,066
AND HAVE NO IMMUNITY
500
00:17:04,110 --> 00:17:05,937
FROM ANYTHING
WHATSOEVER.
501
00:17:05,981 --> 00:17:08,853
CAN YOU SEE
THE DIFFERENCE THERE?
502
00:17:10,507 --> 00:17:12,379
WHY DON'T YOU
COME ON BACK HERE
503
00:17:12,422 --> 00:17:13,684
WITH ME.
504
00:17:21,344 --> 00:17:23,259
MM, THANKS.
505
00:17:23,303 --> 00:17:25,044
THAT'S GREAT.
506
00:17:25,087 --> 00:17:26,523
YEAH, THE SUNNY
DISPOSITION ACT
507
00:17:26,567 --> 00:17:28,134
IS ABOUT TO PUT ME
IN A DIABETIC COMA.
508
00:17:28,177 --> 00:17:29,135
FINE.
509
00:17:29,178 --> 00:17:30,484
WHERE'S MARCI?
510
00:17:30,527 --> 00:17:32,660
I ASSUME ONE OR BOTH
OF THESE PEOPLE BELONG TO YOU.
511
00:17:32,703 --> 00:17:33,922
BELONG TO ME?
512
00:17:33,965 --> 00:17:35,228
ARE THESE PEOPLE
PROTECTED WITNESSES?
513
00:17:35,271 --> 00:17:36,359
I CAN'T TELL YOU THAT.
514
00:17:36,403 --> 00:17:37,360
WE'RE DONE.
515
00:17:37,404 --> 00:17:38,709
BOBBY, WAIT.WAIT.
516
00:17:38,753 --> 00:17:40,320
I'LL SHARE EVERYTHING
I KNOW ABOUT THE EVENTS
517
00:17:40,363 --> 00:17:41,408
OF THIS EVENING WITH YOU,
BUT YOU KNOW
518
00:17:41,451 --> 00:17:42,626
I CAN'T TALK
ABOUT YOU-KNOW-WHAT,
519
00:17:42,670 --> 00:17:43,932
SO PLEASE, DON'T ASK.
520
00:17:43,975 --> 00:17:45,368
ALL RIGHT, FINE.
WHAT DO YOU KNOW ABOUT TONIGHT?
521
00:17:45,412 --> 00:17:46,761
ALMOST NOTHING.
HOW ABOUT YOU?
522
00:17:46,804 --> 00:17:48,328
GOOD NIGHT, INSPECTOR.
523
00:17:48,371 --> 00:17:49,416
I'M SERIOUS,
I WAS A GUEST
524
00:17:49,459 --> 00:17:51,244
AT THE OPENING,
LIKE EVERYBODY ELSE.
525
00:17:51,287 --> 00:17:52,636
I SAW WHAT THEY SAW.
526
00:17:52,680 --> 00:17:54,421
SO THEN, YOU'RE NOT HERE
IN ANY OFFICIAL CAPACITY.
527
00:17:54,464 --> 00:17:55,857
DID I SAY THAT?
528
00:17:55,900 --> 00:17:57,337
YOU KNOW WHAT?
I DON'T HAVE TIME FOR THIS.
529
00:17:57,380 --> 00:17:58,338
YOU GO TALK TO YOUR FRIEND,
530
00:17:58,381 --> 00:17:59,556
THEN YOU COME BACK
AND SEE ME.
531
00:17:59,600 --> 00:18:01,210
THE OTHER ONE'S IN THERE.
532
00:18:01,254 --> 00:18:02,820
YOU REALLY MADE ME
WORK FOR IT THIS TIME.
533
00:18:02,864 --> 00:18:04,126
I RESPECT THAT.
534
00:18:06,737 --> 00:18:07,738
MARCI.
535
00:18:09,784 --> 00:18:11,264
WHAT HAPPENED?
536
00:18:11,307 --> 00:18:13,614
IS JAY DEAD?
537
00:18:13,657 --> 00:18:15,181
NO.
538
00:18:16,225 --> 00:18:17,444
HE'S IN SURGERY.
539
00:18:17,487 --> 00:18:19,924
LISTEN...
540
00:18:19,968 --> 00:18:20,925
WHAT HAPPENED?
541
00:18:20,969 --> 00:18:23,189
DID YOU SHOOT JAY?
542
00:18:23,232 --> 00:18:26,366
NO, OF COURSE NOT.
543
00:18:26,409 --> 00:18:27,715
WHEN CAN I SEE HIM?
544
00:18:27,758 --> 00:18:30,109
NOT FOR A WHILE,
UNTIL WE KNOW WHO SHOT HIM.
545
00:18:30,152 --> 00:18:31,240
THE POLICE THINK
I DID IT.
546
00:18:31,284 --> 00:18:33,851
THEY TOOK MY DRESS
FOR EVIDENCE.
547
00:18:33,895 --> 00:18:36,289
YOU WERE SUPPOSED
TO BE MY FRIEND.
548
00:18:36,332 --> 00:18:38,421
YOU KNEW ABOUT HER
ALL ALONG.
549
00:18:38,465 --> 00:18:39,640
YOU BROUGHT HER HERE.
550
00:18:41,381 --> 00:18:43,774
MARCI, WHATEVER YOU THINK
ABOUT ME,
551
00:18:43,818 --> 00:18:45,167
I ABSOLUTELY DESERVE.
552
00:18:45,211 --> 00:18:46,299
BUT LISTEN TO ME,
553
00:18:46,342 --> 00:18:48,910
IF THE POLICE LIKE YOU
FOR THIS SHOOTING,
554
00:18:48,953 --> 00:18:50,259
I'M THE BEST FRIEND
YOU'VE GOT RIGHT NOW.
555
00:18:50,303 --> 00:18:51,434
SO PLEASE,
TELL ME WHAT HAPPENED,
556
00:18:51,478 --> 00:18:53,306
SO I CAN HELP YOU.
557
00:18:53,349 --> 00:18:55,743
I WAS, UM...
558
00:18:55,786 --> 00:18:57,397
AT THE FRONT
OF THE GALLERY.
559
00:18:57,440 --> 00:18:58,876
AND THEN I--
560
00:18:58,920 --> 00:19:01,923
I HEARD A SHOT COME
FROM THE BACK OFFICE,
561
00:19:01,966 --> 00:19:04,186
AND I SCREAMED,
AND I RAN BACK,
562
00:19:04,230 --> 00:19:06,928
AND JAY WAS ON THE FLOOR,
563
00:19:06,971 --> 00:19:09,148
AND HE WAS COVERED
IN BLOOD.
564
00:19:09,191 --> 00:19:11,454
WAS JAY HAVING ANY PROBLEMS
WITH ANYONE?
565
00:19:11,498 --> 00:19:13,587
MAYBE, SOMEONE
AT THE PARTY?
566
00:19:13,630 --> 00:19:15,284
THERE WAS
SOME GUY THERE
567
00:19:15,328 --> 00:19:16,372
WHO WAS SMOKING,
568
00:19:16,416 --> 00:19:18,200
AND I THOUGHT
UNDER THE CIRCUMSTANCES,
569
00:19:18,244 --> 00:19:19,419
JAY SEEMED
UNUSUALLY HOSTILE.
570
00:19:19,462 --> 00:19:20,463
I DON'T KNOW.
571
00:19:20,507 --> 00:19:22,509
I DON'T KNOW
WHO THAT WOULD BE, OR...
572
00:19:22,552 --> 00:19:26,295
I'M NOT INVOLVED
IN THE GALLERY BUSINESS.
573
00:19:26,339 --> 00:19:28,645
OKAY.
574
00:19:28,689 --> 00:19:30,604
TRY TO HOLD ON,
OKAY?
575
00:19:32,432 --> 00:19:34,173
I'M GONNA GET YOU
OUT OF HERE.
576
00:19:44,531 --> 00:19:46,010
OH, GOD.
577
00:19:46,054 --> 00:19:47,055
I'M TELLING YOU, BOBBY.
578
00:19:47,098 --> 00:19:48,535
SHE'S INCAPABLE.REALLY?
579
00:19:48,578 --> 00:19:50,058
'CAUSE SHE JUST FOUND OUT
ABOUT HIS MISTRESS,
580
00:19:50,101 --> 00:19:51,233
SHE WAS COVERED
IN HIS BLOOD,
581
00:19:51,277 --> 00:19:52,321
AND SHE'S GOT NO ALIBI.
582
00:19:52,365 --> 00:19:53,583
IN THIS BUSINESS,
THAT'S THE TRIFECTA.
583
00:19:53,627 --> 00:19:55,411
OKAY, THEN,
WHY HAVEN'T YOU ARRESTED HER?
584
00:19:55,455 --> 00:19:56,934
BECAUSE WE HAVEN'T FOUND
A MURDER WEAPON
585
00:19:56,978 --> 00:19:58,806
AND MY D.A. DOESN'T LIKE
CIRCUMSTANTIAL CASES.
586
00:19:58,849 --> 00:20:00,677
THEN I'M PUTTING HER AND KAY
INTO PROTECTIVE CUSTODY.
587
00:20:00,721 --> 00:20:02,201
YOU KNOW, TECHNICALLY
I DON'T NEED
588
00:20:02,244 --> 00:20:03,419
THE D.A.'S APPROVAL
TO ARREST HER.
589
00:20:03,463 --> 00:20:04,638
AND TECHNICALLY
IF THEY'RE HERE,
590
00:20:04,681 --> 00:20:06,335
I'M HERE.
EVERY WAKING MINUTE.
591
00:20:06,379 --> 00:20:07,815
STICKING MY FEDERALLY
AUTHORIZED NOSE
592
00:20:07,858 --> 00:20:09,251
INTO EVERY ASPECT
OF YOUR INVESTIGATION.
593
00:20:09,295 --> 00:20:10,644
IS THAT WHAT YOU WANT?
594
00:20:10,687 --> 00:20:12,341
I NEED TO KNOW WHERE
THEY'RE BEING KEPT AT ALL TIMES.
595
00:20:12,385 --> 00:20:13,473
YOU KNOW I CAN'T DO THAT.
596
00:20:13,516 --> 00:20:15,344
AH, JESUS, YOU GOTTA
GIVE ME SOMETHING.
597
00:20:15,388 --> 00:20:16,824
HOW 'BOUT THIS?
598
00:20:16,867 --> 00:20:18,739
YOU ISSUE THE ARREST WARRANT,
I'LL TURN HER OVER TO YOU.
599
00:20:18,782 --> 00:20:20,219
AND YOU MAKE
BOTH OF THEM AVAILABLE
600
00:20:20,262 --> 00:20:21,220
FOR FURTHER QUESTIONING.
601
00:20:21,263 --> 00:20:24,179
DEAL.
DEAL?
602
00:20:24,223 --> 00:20:25,398
IT'S A GOOD THING
YOU'RE HOT.
603
00:20:25,441 --> 00:20:27,574
YOU THINK I'M HOT?
604
00:20:27,617 --> 00:20:28,575
DAMN, GIRL.
605
00:20:28,618 --> 00:20:29,793
YOU DIDN'T KNOW?
606
00:20:31,447 --> 00:20:33,014
THANK YOU.
607
00:20:39,760 --> 00:20:41,327
THERE'LL BE A SECURITY TEAM
608
00:20:41,370 --> 00:20:43,285
POSTED IN THE PARKING LOT
AT ALL TIMES.
609
00:20:43,329 --> 00:20:44,286
NO, NO, NO.
610
00:20:44,330 --> 00:20:45,418
SEE, I HAVE
611
00:20:45,461 --> 00:20:48,159
LIFE-THREATENING
ALLERGIES.
612
00:20:48,203 --> 00:20:49,552
DUST, POLLEN, SMOKE, DANDER,
613
00:20:49,596 --> 00:20:51,337
ALL OF WHICH SEEM
TO BE COATING
614
00:20:51,380 --> 00:20:53,339
EVERY INCH OF THIS ROOM.
615
00:20:53,382 --> 00:20:55,254
GOD, I CAN ALREADY FEEL
MY THROAT SWELLING SHUT.
616
00:20:57,517 --> 00:21:00,171
HERE,
THESE ARE ITEMS
617
00:21:00,215 --> 00:21:01,564
I WILL NEED FROM MY HOME,
618
00:21:01,608 --> 00:21:04,088
IF I'M EXPECTED
TO SURVIVE THESE CONDITIONS.
619
00:21:04,132 --> 00:21:06,003
HYPOALLERGENIC SHEETS,
620
00:21:06,047 --> 00:21:07,701
HUMIDIFIER, GIN...
621
00:21:07,744 --> 00:21:08,832
CIGARETTES?
622
00:21:08,876 --> 00:21:10,094
I THOUGHT YOU WERE
ALLERGIC TO SMOKE.
623
00:21:10,138 --> 00:21:11,400
GOOD POINT.
624
00:21:13,533 --> 00:21:16,884
SMOKELESS ASHTRAY.
625
00:21:24,848 --> 00:21:27,416
OH, BOY.
626
00:21:27,460 --> 00:21:29,723
OKAY, THANKS.
627
00:21:29,766 --> 00:21:30,985
HE'S IN ICU.
628
00:21:31,028 --> 00:21:32,813
THE DOCTOR SAID THE NEXT
24 HOURS WILL TELL.
629
00:21:32,856 --> 00:21:34,597
PLEASE, YOU'VE GOT
TO TAKE ME TO HIM.
630
00:21:34,641 --> 00:21:36,469
I WILL,
AS SOON AS IT'S SAFE.
631
00:21:36,512 --> 00:21:38,122
BUT I NEED THE KEYS
632
00:21:38,166 --> 00:21:39,602
TO YOUR HOUSE
AND THE GALLERY.
633
00:21:45,521 --> 00:21:46,653
THANKS.
634
00:21:52,659 --> 00:21:53,616
MARCI...
635
00:21:53,660 --> 00:21:55,444
I WANT YOU TO KNOW
636
00:21:55,488 --> 00:21:57,403
HOW BAD I FEEL
ABOUT THIS.
637
00:21:57,446 --> 00:21:59,448
HOW BAD I FELT
THE WHOLE TIME.
638
00:21:59,492 --> 00:22:01,929
OH, JEEZ,
I AM SO SORRY.
639
00:22:01,972 --> 00:22:04,235
IT NEVER OCCURRED TO ME
640
00:22:04,279 --> 00:22:06,063
THAT HELPING MY HUSBAND
CHEAT ON ME
641
00:22:06,107 --> 00:22:07,282
WOULD MAKE YOU
FEEL BAD.
642
00:22:07,326 --> 00:22:10,111
WELL, I MUST BE
A REALLY SELFISH BITCH.
643
00:22:15,899 --> 00:22:17,031
OKAY.
644
00:22:17,074 --> 00:22:18,467
YOU GOT MY ATTENTION.
645
00:22:18,511 --> 00:22:20,295
THEY'RE SLIDING PANTS.
646
00:22:20,339 --> 00:22:22,341
I'LL BET THEY ARE.
647
00:22:24,778 --> 00:22:25,866
UH-OH.
648
00:22:28,129 --> 00:22:29,957
CHICO...
WHAT'S THIS?
649
00:22:30,000 --> 00:22:31,175
THAT'S NOTHING.
PUT IT BACK.
650
00:22:31,219 --> 00:22:32,612
YOU, SLY DOG.
651
00:22:32,655 --> 00:22:33,613
PLEASE.
652
00:22:33,656 --> 00:22:34,614
OH, MY GOD.
653
00:22:34,657 --> 00:22:36,659
THIS IS BEAUTIFUL!
654
00:22:36,703 --> 00:22:38,574
WHO KNEW YOU ACTUALLY
HAD TASTE?BRANDI--
655
00:22:38,618 --> 00:22:40,533
DON'T WORRY, YOUR SECRET'S
TOTALLY SAFE WITH ME.
656
00:22:40,576 --> 00:22:42,230
UNLESS, OF COURSE,
I GET MY DRUNK ON,
657
00:22:42,273 --> 00:22:43,231
THEN ALL BETS ARE OFF.
658
00:22:43,274 --> 00:22:44,319
CAN YOU PLEASE
PUT IT AWAY?
659
00:22:44,363 --> 00:22:45,625
I WILL,
AS SOON AS YOU TELL ME
660
00:22:45,668 --> 00:22:46,756
WHEN AND HOW
661
00:22:46,800 --> 00:22:48,410
YOU PLAN ON
PROPOSING TO MY SISTER.
662
00:22:48,454 --> 00:22:49,716
AND JUST A WORD
TO THE WISE,
663
00:22:49,759 --> 00:22:51,935
OKAY, NO SKYWRITING,
NO SCOREBOARDS, ALL RIGHT?
664
00:22:51,979 --> 00:22:53,546
AND WHATEVER YOU DO,
DON'T PUT IT IN HER FOOD
665
00:22:53,589 --> 00:22:55,243
CAUSE MARY HATES
THAT KIND OF CRAP.
666
00:22:55,286 --> 00:22:56,723
I ALREADY ASKED HER.
667
00:22:56,766 --> 00:22:59,639
YOU DID?
668
00:22:59,682 --> 00:23:00,640
OH.
669
00:23:00,683 --> 00:23:02,946
OH, NO.
670
00:23:02,990 --> 00:23:04,557
POOR CHICO.
671
00:23:09,866 --> 00:23:11,955
WHEN SOMETHING BAD HAPPENS
TO A WITNESS,
672
00:23:11,999 --> 00:23:13,740
THE FIRST THING EVERY
WITSEC INSPECTOR DOES
673
00:23:13,783 --> 00:23:15,568
IS LOOK HOW HE OR SHE
MIGHT HAVE SCREWED UP.
674
00:23:15,611 --> 00:23:19,006
WAS I SOMEHOW RESPONSIBLE?
COULD I HAVE PREVENTED IT?
675
00:23:19,049 --> 00:23:20,790
IF IT TURNED OUT
676
00:23:20,834 --> 00:23:23,053
MARCI ARNSTEIN
SHOT HER HUSBAND,
677
00:23:23,097 --> 00:23:25,404
I WAS PRETTY SURE THE ANSWER
WAS STARING ME IN THE FACE.
678
00:23:38,678 --> 00:23:40,941
YOUR WORK THING RUN LATE?
679
00:23:40,984 --> 00:23:44,597
HEY, GOOD MORNING.
680
00:23:44,640 --> 00:23:46,555
YES, SOMEONE GOT SHOT,
681
00:23:46,599 --> 00:23:48,644
SO I SPENT THE NIGHT
AT THE HOSPITAL.
682
00:23:48,688 --> 00:23:50,254
LISTEN, I GOTTA CHANGE
AND HEAD BACK OUT,
683
00:23:50,298 --> 00:23:51,386
DO YOU NEED ANYTHING?
684
00:23:51,430 --> 00:23:53,780
NO, YOUR SISTER'S TAKING
GOOD CARE OF ME.
685
00:23:53,823 --> 00:23:55,651
I'M SO SORRY.
I'LL TALK TO HER.
686
00:23:55,695 --> 00:23:56,652
NO, I'M SERIOUS.
687
00:23:56,696 --> 00:23:58,437
SHE'S BEEN GREAT.
688
00:23:58,480 --> 00:24:00,526
ACTUALLY SHE'S VERY NURTURING.
689
00:24:01,657 --> 00:24:02,658
YEAH, LOOK AT THE JOB SHE DID
690
00:24:02,702 --> 00:24:04,486
WRAPPING MY KNEE.
691
00:24:04,530 --> 00:24:05,487
REALLY?
692
00:24:05,531 --> 00:24:07,489
WOW.
GOOD.
693
00:24:07,533 --> 00:24:09,491
I'M GLAD.
694
00:24:09,535 --> 00:24:10,623
GO BACK TO SLEEP.
695
00:24:24,114 --> 00:24:25,942
IT'S ABOUT TIME.
696
00:24:25,986 --> 00:24:27,988
I WAS UP ALL NIGHT
ITCHING AND WHEEZING.
697
00:24:28,031 --> 00:24:31,382
I HOPE THIS FILLS
THE VOID.
698
00:24:32,862 --> 00:24:34,777
WHAT IS THAT
SUPPOSED TO MEAN?
699
00:24:34,821 --> 00:24:35,865
HEY!
700
00:24:35,909 --> 00:24:37,824
HEY!
701
00:24:38,825 --> 00:24:40,435
HEY, DON'T YOU GET ALL...
702
00:24:40,479 --> 00:24:41,784
ENIGMATIC WITH ME.
703
00:24:41,828 --> 00:24:43,525
ALL RIGHT?
704
00:24:43,569 --> 00:24:45,353
YOU ARE JUST A CIVIL SERVANT!
705
00:24:47,398 --> 00:24:48,835
A MAIL MAN WITH A GUN!
706
00:24:49,836 --> 00:24:51,751
WHAT VOID?
707
00:24:58,497 --> 00:24:59,889
THE FIRST RULE
OF POLICE WORK IS
708
00:24:59,933 --> 00:25:01,674
"WHEN IN DOUBT,
REVIEW THE CRIME SCENE."
709
00:25:01,717 --> 00:25:03,240
OKAY, TRUTH IS
710
00:25:03,284 --> 00:25:04,894
I HAVE NO IDEA WHAT THE FIRST
RULE OF POLICE WORK IS,
711
00:25:04,938 --> 00:25:06,896
BUT IF MEMORY SERVES,
IT HAS SOMETHING TO DO
712
00:25:06,940 --> 00:25:08,985
WITH KEEPING YOUR SHOES
POLISHED TO A GLOSSY SHEEN.
713
00:25:09,029 --> 00:25:10,204
JESUS, MARCI.
714
00:25:10,247 --> 00:25:11,771
WHAT ARE YOU,
MOONLIGHTING AS A JANITOR?
715
00:25:57,991 --> 00:25:59,819
U.S. MARSHALL, FREEZE!
716
00:25:59,862 --> 00:26:02,430
OH.
717
00:26:02,473 --> 00:26:03,866
HI.
718
00:26:04,867 --> 00:26:06,869
YOU KNOW YOU CONTAMINATED
MY CRIME SCENE, RIGHT?
719
00:26:06,913 --> 00:26:08,001
LET ME TELL YOU
SOMETHING.
720
00:26:08,044 --> 00:26:09,568
I KNOW HOW TO PROCESS
A CRIME SCENE.
721
00:26:09,611 --> 00:26:11,700
OH, YEAH?
THEN WHERE ARE YOUR BOOTIES?
722
00:26:11,744 --> 00:26:12,919
YEAH, THAT'S
WHAT I THOUGHT.
723
00:26:12,962 --> 00:26:14,268
YOU DON'T EVEN KNOW
ABOUT BOOTIES.
724
00:26:14,311 --> 00:26:16,313
I KNOW ABOUT BOOTIES.
725
00:26:16,357 --> 00:26:17,967
UH-HUH.
PUT THESE ON.
726
00:26:19,752 --> 00:26:21,318
YOU CARRY EXTRA BOOTIES?
727
00:26:25,584 --> 00:26:27,020
SO DOES YOUR REEXAMINING
THE CRIME SCENE
728
00:26:27,063 --> 00:26:28,717
MEAN YOU'VE...
729
00:26:28,761 --> 00:26:30,153
CHANGED YOUR MIND
ABOUT MARCI'S GUILT?
730
00:26:30,197 --> 00:26:31,938
I NEVER MADE UP MY MIND
IN THE FIRST PLACE.
731
00:26:31,981 --> 00:26:34,897
IF I DID, SHE'D BE IN JAIL.
732
00:26:37,987 --> 00:26:39,249
I'M GLAD TO HEAR
733
00:26:39,293 --> 00:26:40,860
YOU'RE AT LEAST CONSIDERING
OTHER OPTIONS.
734
00:26:40,903 --> 00:26:41,904
DOESN'T MEAN
I WON'T BE STUNNED
735
00:26:41,948 --> 00:26:43,253
IF IT TURNED OUT
SHE DIDN'T DO IT.
736
00:26:59,356 --> 00:27:00,314
WHOA!
737
00:27:00,357 --> 00:27:02,446
FOUND SOMETHING?
738
00:27:02,490 --> 00:27:03,796
WHOA.
739
00:27:03,839 --> 00:27:05,188
YEAH, RIGHT?
740
00:27:05,232 --> 00:27:07,190
THINK THAT'S DRAWN
TO PROPORTION?
741
00:27:07,234 --> 00:27:09,758
MAYBE IT'S ONE OF THOSE
PERSPECTIVE THINGS,
742
00:27:09,802 --> 00:27:10,890
WHERE THE OBJECTS IN FRONT
743
00:27:10,933 --> 00:27:12,282
APPEAR LARGER
THAN THE ONES IN THE BACK.
744
00:27:12,326 --> 00:27:15,546
YEAH, THAT'S PROBABLY IT.
745
00:27:21,030 --> 00:27:22,597
I'VE SEEN THIS GUY BEFORE.
746
00:27:22,641 --> 00:27:24,338
WHO, MR. ANACONDA?
747
00:27:24,381 --> 00:27:26,514
NO, HIM.
748
00:27:30,039 --> 00:27:31,824
HE WAS AT THE PARTY.
749
00:27:31,867 --> 00:27:32,912
MARCI SAID SHE DIDN'T
KNOW HIM
750
00:27:32,955 --> 00:27:33,913
OR ANYONE ELSE THERE.
751
00:27:33,956 --> 00:27:34,914
HMM.
752
00:27:49,755 --> 00:27:51,060
NO!
753
00:27:52,322 --> 00:27:53,323
PLEASE TELL ME THAT YOU KNOW
754
00:27:53,367 --> 00:27:54,542
WHAT KEY OPENS THAT DOOR.
755
00:27:57,937 --> 00:27:59,329
OKAY, WHAT IS
TAKING YOU SO LONG?
756
00:27:59,373 --> 00:28:00,374
CAN'T YOU GO ANY FASTER?
757
00:28:00,417 --> 00:28:01,723
I COULD,
BUT THEN I'D MISS THE FUN
758
00:28:01,767 --> 00:28:03,072
OF WATCHING YOU
LAPSE INTO HYSTERIA.
759
00:28:03,116 --> 00:28:04,857
OKAY, I--I'M NOT
HYSTERICAL, OKAY?
760
00:28:04,900 --> 00:28:05,858
I--I'M BAKING.
761
00:28:05,901 --> 00:28:06,946
THERE'S A DIFFERENCE.DAMMIT!
762
00:28:06,989 --> 00:28:08,774
I LOST MY PLACE.
763
00:28:10,210 --> 00:28:11,820
OKAY, I'M GONNA SHOOT
THE LOCK. LOOK OUT.
764
00:28:11,864 --> 00:28:13,953
NO, NO, NO!
DON'T DO THAT.
765
00:28:13,996 --> 00:28:15,737
THAT ONLY WORKS
IN THE MOVIES.
766
00:28:15,781 --> 00:28:17,913
YOU'RE MORE LIKELY
TO JAM THE DEADBOLT IN PLACE.
767
00:28:17,957 --> 00:28:18,914
DAMMIT! PLEASE TELL ME
768
00:28:18,958 --> 00:28:19,915
YOU DIDN'T
LOSE YOUR PLACE AGAIN!
769
00:28:19,959 --> 00:28:21,656
SIX THOUSAND FRIGGIN' KEYS,
770
00:28:21,700 --> 00:28:23,179
AND NOT ONE OF THEM
OPENS THE BACK DOOR?
771
00:28:23,223 --> 00:28:24,920
GOOD GOD, WOMAN!
WHAT ARE YOU DOING?
772
00:28:24,964 --> 00:28:26,182
LOOK OUT OUT THERE!
773
00:28:33,799 --> 00:28:35,539
HUH, I GUESS THAT DOES WORK.
774
00:28:49,249 --> 00:28:51,294
JUST THOUGHT
I'D LET YOU KNOW.
775
00:28:51,338 --> 00:28:54,297
THESE ARE DEFINITELY
MOLOTOV COCKTAILS.
776
00:28:54,341 --> 00:28:55,516
YOU'RE VERY LUCKY.
777
00:28:55,559 --> 00:28:57,561
THANKS FOR
THE UPDATE, CAPTAIN.
778
00:28:57,605 --> 00:28:58,606
NO PROBLEM.
779
00:29:02,958 --> 00:29:04,220
ANYWAY, I THINK
WE COULD ASSUME
780
00:29:04,264 --> 00:29:05,700
THAT THE SHOOTING
AND ARSON ARE CONNECTED.
781
00:29:05,744 --> 00:29:07,180
THAT ELIMINATES MARCI.
782
00:29:07,223 --> 00:29:09,138
SHE'S UNDER
24-HOUR PROTECTION.
783
00:29:09,182 --> 00:29:10,836
UNLESS SHE HAD
AN ACCOMPLICE.
784
00:29:10,879 --> 00:29:13,621
SOMEONE WHO SHE LIED ABOUT
EVEN KNOWING.
785
00:29:13,664 --> 00:29:15,318
OH, MARCI.
786
00:29:15,362 --> 00:29:16,537
WHAT DID YOU DO?
787
00:29:20,367 --> 00:29:21,934
HEY.
788
00:29:21,977 --> 00:29:23,936
WHAT ARE YOU DOING
TO THIS POOR GUY?
789
00:29:23,979 --> 00:29:25,154
HE'S BEEN HERE
TWO DAYS,
790
00:29:25,198 --> 00:29:26,677
AND YOU HAVEN'T SPENT
TWO MINUTES WITH HIM.
791
00:29:26,721 --> 00:29:27,809
I'VE BEEN WORKING.
792
00:29:27,853 --> 00:29:29,071
HE UNDERSTANDS,
AND BY THE WAY,
793
00:29:29,115 --> 00:29:30,116
NONE OF YOUR BUSINESS.
794
00:29:31,552 --> 00:29:32,771
UH...
795
00:29:32,814 --> 00:29:34,163
REALLY, MARY?
796
00:29:34,207 --> 00:29:35,164
DOES HE UNDERSTAND?
797
00:29:35,208 --> 00:29:36,731
WHERE DID YOU GET THAT?
798
00:29:36,775 --> 00:29:38,254
I ROBBED HIS HOUSE.
799
00:29:38,298 --> 00:29:39,255
IT WAS IN HIS SUITCASE.
800
00:29:39,299 --> 00:29:40,866
WHERE DO YOU THINK
I GOT IT?
801
00:29:40,909 --> 00:29:42,824
YOU ROBBED
HIS SUITCASE?
802
00:29:42,868 --> 00:29:44,304
NO, YOU NITWIT.
803
00:29:44,347 --> 00:29:45,522
I WAS PUTTING
HIS STUFF AWAY.
804
00:29:45,566 --> 00:29:46,523
YEAH, WELL...
805
00:29:46,567 --> 00:29:48,830
DON'T READ TOO MUCHINTO IT.
806
00:29:48,874 --> 00:29:51,050
AND HOW COME YOU'RE
SO CONCERNED
807
00:29:51,093 --> 00:29:52,703
WITH RAPHAEL
ALL OF A SUDDEN?
808
00:29:52,747 --> 00:29:54,140
BECAUSE WHILE
YOU'VE BEEN RUNNING AROUND
809
00:29:54,183 --> 00:29:55,141
WITH GOD KNOWS WHO
810
00:29:55,184 --> 00:29:56,664
DOING WHO KNOWS WHAT,
811
00:29:56,707 --> 00:29:58,709
I'VE GOTTEN TO KNOW HIM
A LITTLE BETTER, AND...
812
00:29:58,753 --> 00:30:01,060
AND WHAT?
813
00:30:01,103 --> 00:30:02,148
AND I'VE COME TO SEE
814
00:30:02,191 --> 00:30:03,149
THAT HE'S NOT
TOTALLY TERRIBLE.
815
00:30:03,192 --> 00:30:04,150
I'M HAPPY TO HEAR THAT.
816
00:30:04,193 --> 00:30:05,151
THANKS FOR HELPING OUT,
817
00:30:05,194 --> 00:30:06,369
BUT WELL...
818
00:30:06,413 --> 00:30:07,675
I DON'T KNOW WHAT I WANT.
819
00:30:07,718 --> 00:30:09,155
EXCEPT THAT I DON'T WANT
TO DISCUSS IT WITH YOU.
820
00:30:09,198 --> 00:30:11,200
I DON'T KNOW,
YOU'D BETTER FIGURE IT OUT SOON,
821
00:30:11,244 --> 00:30:13,333
BECAUSE SOMEONE
THAT GREAT OR...WHATEVER
822
00:30:13,376 --> 00:30:14,682
ISN'T GONNA
WAIT AROUND.
823
00:30:27,390 --> 00:30:28,739
LUNCH!
824
00:30:29,784 --> 00:30:30,829
WAIT.
825
00:30:32,482 --> 00:30:33,657
WHAT IS THIS?
826
00:30:33,701 --> 00:30:35,616
CHICKEN SALAD
827
00:30:35,659 --> 00:30:37,444
IN A BAGUETTE
WITH GARLIC AIOLI.
828
00:30:39,446 --> 00:30:41,361
YOU'RE WELCOME.
829
00:30:41,404 --> 00:30:44,799
EXPLAIN THE "VOID"
REMARK.
830
00:30:44,843 --> 00:30:46,714
I THINK YOU KNOW.
831
00:30:51,240 --> 00:30:52,459
COME IN.
832
00:30:55,941 --> 00:30:58,204
DON'T JUST DRAW
BODY PARTS, PEOPLE.
833
00:30:58,247 --> 00:31:00,641
FIND THE SUBJECT'S
ESSENCE.
834
00:31:00,684 --> 00:31:03,209
FIND IT?
835
00:31:03,252 --> 00:31:06,386
ALMOST TRIPPEDOVER IT.
836
00:31:06,429 --> 00:31:07,866
THIS IS A PRIVATE CLASS.
837
00:31:07,909 --> 00:31:08,867
UH-HUH.
WE'D LIKE A WORD.
838
00:31:08,910 --> 00:31:10,433
WHAT'S HE MAKE
AN HOUR?
839
00:31:10,477 --> 00:31:11,826
OR DOES HE CHARGE
BY THE FOOT?
840
00:31:14,002 --> 00:31:15,351
STAY FOCUSED, CLASS.
841
00:31:17,266 --> 00:31:18,311
WHAT CAN I DO FOR YOU?
842
00:31:18,354 --> 00:31:19,399
MAYBE YOU DON'T
REMEMBER.
843
00:31:19,442 --> 00:31:20,791
WE MET AT THE OPENING
LAST NIGHT.
844
00:31:20,835 --> 00:31:22,097
YOU'RE RIGHT.
I DON'T REMEMBER YOU.
845
00:31:22,141 --> 00:31:23,664
WHERE WERE YOU
TWO HOURS AGO?
846
00:31:23,707 --> 00:31:25,709
RIGHT HERE,
WORKING ON A PROJECT.
847
00:31:25,753 --> 00:31:27,233
ARE YOU SURE
YOU DON'T REMEMBER ME?
848
00:31:27,276 --> 00:31:28,930
I WAS WEARING THIS KILLER
LITTLE BLACK NUMBER...
849
00:31:28,974 --> 00:31:30,366
I LOOKED HOT.
850
00:31:31,541 --> 00:31:32,760
CAN ANYONE
CORROBORATE THAT?
851
00:31:32,803 --> 00:31:34,327
YEAH, PLENTY
OF PEOPLE.
852
00:31:34,370 --> 00:31:35,328
I MEANT HIS ALIBI.
853
00:31:35,371 --> 00:31:36,372
OH.
854
00:31:36,416 --> 00:31:37,373
NO.
855
00:31:37,417 --> 00:31:38,418
WHY WOULD THEY
NEED TO?
856
00:31:40,550 --> 00:31:42,117
WELL, BECAUSE THAT IS
WHEN SOMEONE
857
00:31:42,161 --> 00:31:44,424
TORCHED ARNSTEIN'S GALLERY.
858
00:31:44,467 --> 00:31:46,382
WHY WOULD I SET FIRE
TO AN ART GALLERY?
859
00:31:46,426 --> 00:31:48,254
I DON'T KNOW, HOW DO YOU KNOW
JAY ARNSTEIN?
860
00:31:48,297 --> 00:31:50,256
I DIDN'T
BEFORE LAST NIGHT.
861
00:31:50,299 --> 00:31:51,648
INTERESTING.
862
00:31:51,692 --> 00:31:53,476
HE SEEMED TO HAVE
A STRONG DISLIKE FOR YOU.
863
00:31:53,520 --> 00:31:54,564
ANY EXPLANATION
FOR THAT?
864
00:31:54,608 --> 00:31:55,609
NONE WHATSOEVER.
865
00:31:55,652 --> 00:31:57,219
WHAT ABOUT MARCI ARNSTEIN?
866
00:31:57,263 --> 00:31:59,395
I WOULDN'T KNOW HER
IF SHE FELL ON ME.
867
00:31:59,439 --> 00:32:02,355
FUNNY, 'CAUSE
SHE DREW THIS.
868
00:32:05,010 --> 00:32:07,882
AH, YES...MARCI.
869
00:32:07,926 --> 00:32:10,363
NOT MUCH OF AN ARTIST.
870
00:32:10,406 --> 00:32:11,451
BETTER AT OTHER THINGS.
871
00:32:13,453 --> 00:32:15,281
WHY DID YOU JUST SAY
YOU DIDN'T KNOW HER?
872
00:32:15,324 --> 00:32:16,543
A GENTLEMAN
873
00:32:16,586 --> 00:32:18,240
LIKES TO KEEP
THOSE THINGS TO HIMSELF.
874
00:32:18,284 --> 00:32:19,285
ESPECIALLY WHEN
875
00:32:19,328 --> 00:32:20,895
A MARRIED WOMAN'S REPUTATION
876
00:32:20,939 --> 00:32:22,505
IS AT STAKE.
877
00:32:22,549 --> 00:32:23,898
WHAT ARE THESE?
878
00:32:23,942 --> 00:32:26,814
THESE DORIC, BYZANTINE,
SOMETHING LIKE THAT?
879
00:32:26,857 --> 00:32:28,337
ACTUALLY THEY REPRESENT
THE SYNTHESIS
880
00:32:28,381 --> 00:32:30,122
OF CLASSICAL GREEK
881
00:32:30,165 --> 00:32:31,123
AND NATIVE AMERICAN.
882
00:32:31,166 --> 00:32:32,428
THEY'RE REALLY
QUITE BEAUTIFUL.
883
00:32:32,472 --> 00:32:33,429
POWERFUL...
884
00:32:33,473 --> 00:32:34,778
ALIVE.
885
00:32:34,822 --> 00:32:35,779
YES.
886
00:32:35,823 --> 00:32:36,780
IT'S ALMOST HUMAN.
887
00:32:36,824 --> 00:32:38,739
YES.
888
00:32:38,782 --> 00:32:41,133
YES, THAT'S EXACTLY
THE POINT.
889
00:32:41,176 --> 00:32:42,525
HMM.
890
00:32:42,569 --> 00:32:44,484
YEAH, I CAN ALMOST
FEEL ITS PULSE.
891
00:32:46,051 --> 00:32:48,096
WHAT KIND OF WOOD IS THIS?
892
00:32:48,140 --> 00:32:49,315
COTTONWOOD.
893
00:32:51,795 --> 00:32:52,927
WOW.
894
00:32:52,971 --> 00:32:54,276
SORRY.
DIZZY.
895
00:32:54,320 --> 00:32:55,582
WOULD YOU EXCUSE ME?
896
00:32:55,625 --> 00:32:57,497
I'M JUST GONNA
STEP OUTSIDE,
897
00:32:57,540 --> 00:32:58,715
AND GET SOME AIR.
898
00:33:02,502 --> 00:33:06,071
WHAT A MAGICAL PLACE
THIS IS.
899
00:33:09,552 --> 00:33:11,467
BUT CAN'T YOU...
900
00:33:11,511 --> 00:33:13,948
CAN'T YOU AT LEAST
ALLOW FOR THE POSSIBILITY
901
00:33:13,992 --> 00:33:16,603
THAT I'M THE ONE
THAT'S SUPPOSED TO BE WITH JAY,
902
00:33:16,646 --> 00:33:17,647
NOT HER.
903
00:33:17,691 --> 00:33:20,476
THAT OURS IS THE TRUE,
PURE LOVE.
904
00:33:20,520 --> 00:33:22,435
NO.
NOT POSSIBLE.
905
00:33:22,478 --> 00:33:24,567
OUR UNIVERSE SEEKS ORDER,
906
00:33:24,611 --> 00:33:26,743
AND I'M AFRAID
IN THIS SITUATION,
907
00:33:26,787 --> 00:33:29,877
YOU REPRESENT ENTROPY.
908
00:33:31,966 --> 00:33:34,229
I DON'T WANT
TO REPRESENT ENTROPY.
909
00:33:37,058 --> 00:33:38,625
EXCUSE ME.
910
00:33:38,668 --> 00:33:39,756
HEY, WHAT'S UP?
911
00:33:39,800 --> 00:33:41,541
I'M KIND OF
IN THE MIDDLE OF SOMETHING.
912
00:33:41,584 --> 00:33:43,238
HEY, HOW SURE ARE YOU
913
00:33:43,282 --> 00:33:44,848
THESE PAINTINGS
WERE DONE IN COTTONWOOD?
914
00:33:44,892 --> 00:33:46,285
I GREW UP PLAYING
915
00:33:46,328 --> 00:33:48,200
IN A STAND OF COTTONWOODS.
IT'S A DECIDUOUS WOOD.
916
00:33:48,243 --> 00:33:50,028
QUITE STRONG,
BUT AT THE SAME TIME
917
00:33:50,071 --> 00:33:51,159
MUCH LIGHTER THAN, SAY, OAK.
918
00:33:51,203 --> 00:33:52,160
SO IF THE ARTIST
919
00:33:52,204 --> 00:33:53,422
ACTUALLY
DID PAINT ON POPLAR,
920
00:33:53,466 --> 00:33:54,467
YOU WOULD CONCLUDE...
921
00:33:54,510 --> 00:33:56,121
THE GALLERY PAINTINGS
ARE FAKES.
922
00:33:56,164 --> 00:33:57,122
ANYTHING ELSE?
923
00:33:57,165 --> 00:33:58,123
NO. THAT'S IT FOR NOW.
924
00:33:58,166 --> 00:33:59,211
THANKS, POINTDEXTER.
925
00:33:59,254 --> 00:34:00,516
ROCK STEADY.
926
00:34:00,560 --> 00:34:02,083
THAT'S IT.
927
00:34:02,127 --> 00:34:03,258
LET IT OUT.
928
00:34:03,302 --> 00:34:04,433
THIS IS TOUGH STUFF
WE'RE DOING.
929
00:34:08,872 --> 00:34:11,310
YOU'RE RIGHT, YOU KNOW?
930
00:34:11,353 --> 00:34:13,094
YOU'RE RIGHT.
931
00:34:13,138 --> 00:34:14,661
I SHOULD HAVE NEVER STEPPED
932
00:34:14,704 --> 00:34:16,924
IN THE MIDDLE OF
SOMEONE ELSE'S MARRIAGE.
933
00:34:16,967 --> 00:34:19,579
AND WITH THE ONSET
OF WISDOM,
934
00:34:19,622 --> 00:34:21,320
COMES TRANSFORMATION.
935
00:34:22,669 --> 00:34:24,236
I SHOULD HAVE INSISTED
HE GET A DIVORCE.
936
00:34:24,279 --> 00:34:26,716
WELL, I DON'T THINK THAT'S...
937
00:34:26,760 --> 00:34:28,718
QUITE THE DIRECTION THAT WE...
938
00:34:28,762 --> 00:34:30,590
WANNA...
939
00:34:30,633 --> 00:34:31,982
LOOK INTO.
940
00:34:32,026 --> 00:34:35,203
MAKE LOVE TO ME,
MARSHALL.
941
00:34:38,337 --> 00:34:39,294
OKAY.
942
00:34:39,338 --> 00:34:40,295
I SEE, WE'VE...
943
00:34:40,339 --> 00:34:41,601
STILL GOT SOME
WORK TO DO.
944
00:34:44,647 --> 00:34:45,822
WHAT HAPPENED, MARCI?
945
00:34:45,866 --> 00:34:49,391
THE THING
WITH VIDONNE...
946
00:34:49,435 --> 00:34:52,829
WAS A HUGE MISTAKE.
947
00:34:52,873 --> 00:34:54,092
IT WAS A WEAK MOMENT
948
00:34:54,135 --> 00:34:56,616
AT THE LOWEST POINT
IN MY LIFE.
949
00:34:56,659 --> 00:34:58,879
I FIND MYSELF IN ALBUQUERQUE,
WITH NO FRIENDS,
950
00:34:58,922 --> 00:35:01,969
A HUSBAND THAT WILL BARELY
SPEAK TO ME...
951
00:35:02,012 --> 00:35:03,579
I JUST WANTED
SOME HUMAN CONTACT,
952
00:35:03,623 --> 00:35:06,495
SOME TENDERNESS.
953
00:35:06,539 --> 00:35:08,584
INSTEAD, I GOT
VIDONNE GUZZONE.
954
00:35:08,628 --> 00:35:11,674
AND WHY SHOULD
I BELIEVE YOU NOW?
955
00:35:11,718 --> 00:35:13,372
I KNOW YOU ONLY KNOW
THE LYING, CHEATING JAY,
956
00:35:13,415 --> 00:35:14,503
BUT WHEN I MET HIM
957
00:35:14,547 --> 00:35:16,592
HE WAS THE NICEST,
958
00:35:16,636 --> 00:35:18,116
MOST INTERESTING,
MOST INTELLIGENT MAN
959
00:35:18,159 --> 00:35:19,508
I'D EVER MET.
960
00:35:19,552 --> 00:35:22,207
AND THAT'S THE MAN
I THOUGHT I WAS GETTING BACK.
961
00:35:22,250 --> 00:35:23,556
SHOOT JAY?
962
00:35:24,861 --> 00:35:27,255
I'D RATHER CUT OFF
MY OWN LEGS.
963
00:35:33,914 --> 00:35:35,872
MARCI ARNSTEIN,
YOU'RE UNDER ARREST.
964
00:35:37,526 --> 00:35:39,093
YOU HAVE THE RIGHT
TO REMAIN SILENT.
965
00:35:39,137 --> 00:35:41,226
ANYTHING YOU SAY
CAN AND WILL BE
966
00:35:41,269 --> 00:35:43,141
USED AGAINST YOU
IN A COURT OF LAW.
967
00:35:43,184 --> 00:35:44,403
YOU HAVE THE RIGHT
TO AN ATTORNEY.
968
00:35:44,446 --> 00:35:45,665
IF YOU CANNOT AFFORD
AN ATTORNEY,
969
00:35:45,708 --> 00:35:46,709
ONE WILL BE APPOINTED
TO YOU.
970
00:35:48,624 --> 00:35:49,799
LET'S GO.
971
00:35:58,199 --> 00:35:59,896
SO THIS IS
HOW WE SEE IT.
972
00:35:59,940 --> 00:36:00,941
YOU AND MARCI
973
00:36:00,984 --> 00:36:01,942
WERE GOING TO RIP JAY OFF,
974
00:36:01,985 --> 00:36:03,030
THEN SPLIT
WITH THE MONEY.
975
00:36:03,073 --> 00:36:04,379
BUT THEN JAY FOUND OUT,
976
00:36:04,423 --> 00:36:05,685
MARCI SHOT HIM,
977
00:36:05,728 --> 00:36:07,643
AND YOU CAME BACK LATER
TO BURN THE EVIDENCE.
978
00:36:07,687 --> 00:36:08,775
INTERESTING THEORY.
979
00:36:08,818 --> 00:36:10,385
SHOULD I SIGN IT?
980
00:36:10,429 --> 00:36:11,995
IT COULD BE WORTH
SOMETHING SOME DAY.
981
00:36:12,039 --> 00:36:13,606
YOU THINK
IT'S A JOKE, HUH?
982
00:36:13,649 --> 00:36:14,694
EXCUSE ME.
983
00:36:14,737 --> 00:36:16,261
LOOK, THAT'S IT,
VIDONNE,
984
00:36:16,304 --> 00:36:17,653
MARCI JUST CONFESSED
AND SOLD YOU OUT.
985
00:36:17,697 --> 00:36:19,177
IS THIS THE PART
WHERE I'M SUPPOSED
986
00:36:19,220 --> 00:36:20,439
TO BREAK DOWN
AND TELL YOU EVERYTHING?
987
00:36:20,482 --> 00:36:21,788
THAT'D BE HELPFUL.
988
00:36:21,831 --> 00:36:23,485
YOU'VE BEEN WATCHING
TOO MUCH LAW & ORDER.
989
00:36:23,529 --> 00:36:24,965
YEAH, HE HAS A POINT.WHAT'S THIS?
990
00:36:25,008 --> 00:36:26,880
A WRITTEN CONFESSION?
991
00:36:26,923 --> 00:36:28,403
LOOK, WE KNOW
YOU FORGED THOSE PAINTINGS,
992
00:36:28,447 --> 00:36:29,491
THE ORIGINALS WERE DONE
ON POPLAR.
993
00:36:29,535 --> 00:36:30,753
THE ONES IN THE GALLERY
994
00:36:30,797 --> 00:36:31,798
WERE ON COTTONWOOD,
YOUR FAVORITE MEDIUM.
995
00:36:31,841 --> 00:36:33,321
PLEASE,
I WOULDN'T DIRTY MY BRUSHES
996
00:36:33,365 --> 00:36:35,976
FORGING THAT PEDESTRIAN
EARLY AMERICAN CRAP.
997
00:36:36,019 --> 00:36:38,239
WHAT DID YOU JUST SAY?
998
00:36:38,283 --> 00:36:39,414
YOU CALLED THE PAINTINGS
999
00:36:39,458 --> 00:36:41,503
"PEDESTRIAN EARLY
AMERICAN CRAP."
1000
00:36:41,547 --> 00:36:43,113
SORRY.
DIDN'T KNOW YOU WERE A FAN.
1001
00:36:43,157 --> 00:36:44,463
CAN I HAVE A WORD,
PLEASE?
1002
00:36:51,252 --> 00:36:52,775
HOW DARE YOU
JACK MY INTERROGATION?
1003
00:36:52,819 --> 00:36:54,473
GET OVER YOURSELF.
MARCI DIDN'T DO IT.
1004
00:36:54,516 --> 00:36:55,474
I'M SURE OF IT.
1005
00:36:55,517 --> 00:36:56,997
OH, MY GOD.LISTEN TO ME, BOBBY.
1006
00:36:57,040 --> 00:36:58,433
IN ORDER FOR VIDONNE
OR ANYONE ELSE
1007
00:36:58,477 --> 00:36:59,913
TO MAKE CREDIBLE FAKES,
1008
00:36:59,956 --> 00:37:01,393
THEY WOULD HAVE NEEDED ACCESS
TO THE ORIGINALS, RIGHT?
1009
00:37:01,436 --> 00:37:02,394
I GUESS.
1010
00:37:02,437 --> 00:37:03,395
SO WHO GAVE HIM ACCESS?
1011
00:37:03,438 --> 00:37:04,918
MARCI.WHEN?
1012
00:37:04,961 --> 00:37:06,485
THE PAINTINGS ONLY
GOT TO THE GALLERY
1013
00:37:06,528 --> 00:37:07,877
DAYS BEFORE THE OPENING.
1014
00:37:07,921 --> 00:37:09,139
OKAY, SO MAYBE JAY
WAS IN ON IT TOO
1015
00:37:09,183 --> 00:37:10,402
AND GOT GREEDY
AT THE LAST MINUTE.
1016
00:37:10,445 --> 00:37:11,359
OR MAYBE HE FOUND OUT
ABOUT THE AFFAIR
1017
00:37:11,403 --> 00:37:12,360
AND THINGS GOT UGLY.
1018
00:37:12,404 --> 00:37:13,579
I DON'T THINK SO.
1019
00:37:13,622 --> 00:37:15,145
JAY WAS TURNING
HIS LIFE AROUND.
1020
00:37:15,189 --> 00:37:16,321
HE'S NOT
IN A FRAME OF MIND
1021
00:37:16,364 --> 00:37:17,409
TO PULL OFF
A SCAM LIKE THIS.
1022
00:37:17,452 --> 00:37:18,497
BUT THERE IS
ANOTHER PERSON
1023
00:37:18,540 --> 00:37:20,020
WHO COULD HAVE
COMMISSIONED VIDONNE
1024
00:37:20,063 --> 00:37:22,152
TO FORGE THOSE PAINTINGS.
1025
00:37:22,196 --> 00:37:25,808
HI, THIS IS MARY SHEPHERD,
JAY'S FRIEND.
1026
00:37:25,852 --> 00:37:27,506
WE MET AT THE GALLERY.
1027
00:37:27,549 --> 00:37:28,985
RIGHT, HI.
1028
00:37:29,029 --> 00:37:31,423
WELL, I'M SORRY TO CALL SO LATE,
1029
00:37:31,466 --> 00:37:34,730
BUT I HAVE SOME AMAZING NEWS
I KNEW YOU'D WANT TO HEAR.
1030
00:37:34,774 --> 00:37:36,515
WELL...
1031
00:37:36,558 --> 00:37:40,388
THEY'VE ARRESTED JAY'S WIFE,
MARCI, FOR THE SHOOTING.
1032
00:37:40,432 --> 00:37:42,347
I KNOW.
1033
00:37:42,390 --> 00:37:43,522
I KNOW.
1034
00:37:43,565 --> 00:37:45,741
YEAH, BUT WAIT,
HERE'S THE BEST PART.
1035
00:37:45,785 --> 00:37:48,744
JAY WOKE UP BRIEFLY,
AND ASKED FOR YOU.
1036
00:37:50,180 --> 00:37:53,271
WELL, NO, HE'S SLEEPING NOW,
BUT I HAVE TO GO.
1037
00:37:53,314 --> 00:37:54,924
YOU SHOULD COME BY.
1038
00:37:54,968 --> 00:37:56,839
THE DOCTORS SAY
IT'D BE GOOD FOR HIM.
1039
00:37:56,883 --> 00:37:59,189
IT'S NO PROBLEM AT ALL.
1040
00:37:59,233 --> 00:38:01,104
RIGHT, THEN.
1041
00:38:01,148 --> 00:38:02,497
BYE-BYE.
1042
00:38:05,065 --> 00:38:06,936
LYING COMES EASILY TO YOU,
DOESN'T IT?
1043
00:38:14,683 --> 00:38:16,555
JAY?
1044
00:38:16,598 --> 00:38:18,383
JAY, CAN YOU HEAR ME?
1045
00:38:18,426 --> 00:38:20,123
JAY.
1046
00:38:20,167 --> 00:38:21,690
OH, JAY.
1047
00:38:21,734 --> 00:38:23,431
I--I...
1048
00:38:23,475 --> 00:38:25,259
I JUST WANT YOU TO KNOW
1049
00:38:25,303 --> 00:38:26,956
THAT...
1050
00:38:27,000 --> 00:38:27,957
I FEEL TERRIBLE
1051
00:38:28,001 --> 00:38:30,482
ABOUT THIS WHOLE MESS.
1052
00:38:30,525 --> 00:38:31,831
IT'S JUST THAT UM...
1053
00:38:31,874 --> 00:38:35,138
I CAN'T GO TO JAIL.
1054
00:38:35,182 --> 00:38:36,270
AND, UM...
1055
00:38:38,533 --> 00:38:40,274
I'M VERY SORRY.
1056
00:38:40,318 --> 00:38:42,450
I REALLY HOPE...
1057
00:38:42,494 --> 00:38:45,497
THAT THIS DOESN'T HURT.
1058
00:38:55,550 --> 00:38:56,551
OKAY, OKAY.
1059
00:39:03,645 --> 00:39:04,690
OH.
1060
00:39:05,604 --> 00:39:07,170
UH, HELP, PLEASE!
1061
00:39:07,214 --> 00:39:08,171
SOMEBODY...
1062
00:39:08,215 --> 00:39:09,651
SOMETHING'S WRONG WITH JAY.
1063
00:39:09,695 --> 00:39:11,131
COME--
1064
00:39:11,174 --> 00:39:12,393
HI, THERE.
1065
00:39:12,437 --> 00:39:14,221
WHAT ARE YOU DOING?
1066
00:39:14,264 --> 00:39:15,657
UM, I'M--
1067
00:39:15,701 --> 00:39:16,789
UH, SOMETHING'S
WRONG WITH JAY.
1068
00:39:16,832 --> 00:39:18,399
I--IT--
1069
00:39:18,443 --> 00:39:19,618
HE, UM...
HE STARTED SHAKING.
1070
00:39:19,661 --> 00:39:20,880
AND--AND--
1071
00:39:20,923 --> 00:39:22,229
AND...
1072
00:39:22,272 --> 00:39:23,230
I'M SO GLAD YOU'RE HERE,
1073
00:39:23,273 --> 00:39:24,579
'CAUSE YOU CAN...
1074
00:39:24,623 --> 00:39:26,102
YEAH,
I THINK IT WAS
1075
00:39:26,146 --> 00:39:29,105
THE POISON YOU INJECTED
INTO MY I.V.
1076
00:39:30,455 --> 00:39:31,891
VERY PHOTOGENIC.
1077
00:39:36,852 --> 00:39:39,638
I'M REALLY GLAD
YOU COULD COME.
1078
00:39:47,646 --> 00:39:49,561
NEWTON'S FIRST LAW OF MOTION
1079
00:39:49,604 --> 00:39:50,779
"EVERY OBJECT
IN A STATE OF MOTION
1080
00:39:50,823 --> 00:39:52,433
"TENDS TO REMAIN
IN THAT STATE OF MOTION,
1081
00:39:52,477 --> 00:39:54,783
UNLESS AN EXTERNAL FORCE
IS APPLIED TO IT."
1082
00:39:54,827 --> 00:39:56,263
NOW DRIVE HOME SAFELY.
1083
00:39:56,306 --> 00:39:58,308
WE ARE ALL OBJECTS IN MOTION,
1084
00:39:58,352 --> 00:39:59,571
UNWAVERING FROM OUR COURSE,
1085
00:39:59,614 --> 00:40:01,921
UNTIL ACTED UPON
BY EXTERNAL FORCES.
1086
00:40:03,444 --> 00:40:05,838
SO HOW DOES
AN UPSTANDING CITIZEN
1087
00:40:05,881 --> 00:40:07,535
LIKE MARGARET CHAPMAN
SUDDENLY BECOME
1088
00:40:07,579 --> 00:40:09,624
A FORGER, MURDERER, ARSONIST?
1089
00:40:09,668 --> 00:40:10,712
EASY.
1090
00:40:10,756 --> 00:40:12,410
HER HUSBAND DIED
AND ALL HIS CREDITORS
1091
00:40:12,453 --> 00:40:14,063
CAME CALLING,
SO SHE COMMISSIONED
1092
00:40:14,107 --> 00:40:16,414
VIDONNE GUZZONE
TO COPY HER ART.
1093
00:40:16,457 --> 00:40:18,067
THE IDEA BEING
TO BURN THE GALLERY,
1094
00:40:18,111 --> 00:40:20,287
COLLECT ON THE INSURANCE
AND SELL THE REAL PAINTINGS
1095
00:40:20,330 --> 00:40:21,723
TO A PRIVATE
OVERSEAS COLLECTOR.
1096
00:40:21,767 --> 00:40:22,724
WOULD HAVE WORKED TOO,
1097
00:40:22,768 --> 00:40:23,943
IF JOHNNY COTTONWOOD, HERE,
1098
00:40:23,986 --> 00:40:25,771
HADN'T TIPPED JAY OFF
TO THE FORGERIES.
1099
00:40:26,728 --> 00:40:28,469
GOOD NIGHT, STAN.
1100
00:40:30,776 --> 00:40:32,734
YOU KNOW, YOU REALLY
DON'T HAVE TO DO THIS.
1101
00:40:32,778 --> 00:40:34,649
WHEN WE SPEAK OF "CLEANSING,"
IT'S FIGURATIVE;
1102
00:40:34,693 --> 00:40:36,216
MORE METAPHORICAL
THAN AN ACTUAL
1103
00:40:36,259 --> 00:40:37,478
"SOAP AND WATER" DEAL.
1104
00:40:37,522 --> 00:40:39,262
YEAH, WELL.
I TEND TO TAKE THINGS LITERALLY.
1105
00:40:43,789 --> 00:40:45,486
AND IT WAS THAT SAME MARSHAL,
1106
00:40:45,530 --> 00:40:47,532
AN AGENT OF UNIVERSAL ORDER
1107
00:40:47,575 --> 00:40:49,838
WITH UNCOMMON INSIGHT
INTO HUMAN FRAILTY,
1108
00:40:49,882 --> 00:40:51,623
THAT BLASTED KATE SWANSON
1109
00:40:51,666 --> 00:40:53,320
OFF HER LIFELONG
SELF-INVOLVED PATH,
1110
00:40:53,363 --> 00:40:56,366
AND OUT OF THE WITNESS
PROTECTION PROGRAM.
1111
00:41:16,299 --> 00:41:17,344
WHAT'S THAT?
1112
00:41:17,387 --> 00:41:18,824
OH IT'S PICTURES
JAY TOOK.
1113
00:41:18,867 --> 00:41:22,915
AS FOR JAY ARNSTEIN,
HE WAS AN AMORAL USER OF PEOPLE,
1114
00:41:22,958 --> 00:41:26,309
A HEARTLESS CAD, A CHISELER, A
SKINFLINT.
1115
00:41:26,353 --> 00:41:29,269
AND THEN A REMARKABLE
THING HAPPENED
1116
00:41:29,312 --> 00:41:31,184
JAY ARNSTEIN WAS HIT WITH
THE GRAPHIC REALIZATION
1117
00:41:31,227 --> 00:41:35,362
THAT HE HAD CAUSED THE ONE
TRUE CONSTANT IN HIS LIFE
1118
00:41:35,405 --> 00:41:36,798
HIS NORTH STAR
1119
00:41:36,842 --> 00:41:38,757
THE THING THAT ALLOWED HIM TO
SEE THE GOOD IN HIMSELF
1120
00:41:38,800 --> 00:41:40,193
TO STRAY FROM HER PATH.
1121
00:41:40,236 --> 00:41:41,499
IT WAS MARCI'S INFIDELITY
1122
00:41:41,542 --> 00:41:43,588
THAT MADE JAY SO DETERMINED
TO CHANGE,
1123
00:41:43,631 --> 00:41:44,850
TO BE A BETTER MAN.
1124
00:41:53,293 --> 00:41:55,034
AND IN THE STRANGE,
TWISTY WAY
1125
00:41:55,077 --> 00:41:56,818
OF CAUSE AND EFFECT,
IT WAS THE SHARED SECRET
1126
00:41:56,862 --> 00:41:58,254
JAY AND MARCI
KEPT FROM EACH OTHER
1127
00:41:58,298 --> 00:41:59,342
OF HER INFIDELITY,
1128
00:41:59,386 --> 00:42:00,430
THAT OPENED MARCI'S HEART
1129
00:42:00,474 --> 00:42:01,780
TO FORGIVENESS,
1130
00:42:01,823 --> 00:42:03,912
AND ALLOWED THEM
TO MOVE ON TOGETHER,
1131
00:42:03,956 --> 00:42:07,786
TO ANOTHER CITY,
AND ANOTHER SECOND CHANCE.
1132
00:42:09,352 --> 00:42:10,571
AND FOR OTHERS,
1133
00:42:10,615 --> 00:42:12,268
IT'LL TAKE MORE THAN A BULLET,
1134
00:42:12,312 --> 00:42:13,226
OR INFIDELITY,
1135
00:42:13,269 --> 00:42:14,706
OR FINANCIAL RUIN
1136
00:42:14,749 --> 00:42:16,621
TO AFFECT CHANGE.
1137
00:42:32,854 --> 00:42:36,858
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