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These are the user uploaded subtitles that are being translated: 1 00:00:02,132 --> 00:00:03,481 SINCE 1970, 2 00:00:03,525 --> 00:00:04,874 THE FEDERAL WITNESS PROTECTION PROGRAM 3 00:00:04,917 --> 00:00:06,180 HAS RELOCATED THOUSANDS OF WITNESSES-- 4 00:00:06,223 --> 00:00:08,399 SOME CRIMINAL, SOME NOT-- 5 00:00:08,443 --> 00:00:10,793 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 6 00:00:10,836 --> 00:00:12,316 EVERY ONE OF THOSE INDIVIDUALS 7 00:00:12,360 --> 00:00:14,231 SHARES A UNIQUE ATTRIBUTE, DISTINGUISHING THEM 8 00:00:14,275 --> 00:00:16,494 FROM THE REST OF THE GENERAL POPULATION, 9 00:00:16,538 --> 00:00:21,543 SOMEBODY WANTS THEM DEAD. 10 00:00:27,723 --> 00:00:30,900 ♪ I CAN'T SEE ME LOVIN' NOBODY BUT YOU ♪ 11 00:00:30,943 --> 00:00:32,554 YOU PUT ON SUN BLOCK? 12 00:00:32,597 --> 00:00:34,164 I'LL PUT IT ON WHEN WE GET TO THE BEACH. 13 00:00:34,208 --> 00:00:36,514 NO, NO, YOU GOTTA PUT IT ON A HALF HOUR BEFORE. 14 00:00:36,558 --> 00:00:37,950 BABE. ALL RIGHT. 15 00:00:37,994 --> 00:00:39,082 I'LL PUT THE SUNSCREEN ON. 16 00:00:39,126 --> 00:00:40,127 GOOD. 17 00:00:40,170 --> 00:00:42,390 YOU TWO ARE MAKING ME CARSICK. 18 00:00:42,433 --> 00:00:44,000 OH, YEAH? 19 00:00:44,044 --> 00:00:45,480 I CAN'T WAIT TILL YOU HAVE KIDS AND THEY THINK 20 00:00:45,523 --> 00:00:47,090 YOU'RE A RIDICULOUS OLD FOOL. 21 00:00:47,134 --> 00:00:49,266 SORRY TO RUN YOUR FUN, BUT I'M NOT HAVING KIDS. 22 00:00:49,310 --> 00:00:51,399 BITE YOUR TONGUE, YOU. 23 00:00:51,442 --> 00:00:52,878 YOU'RE GIVING ME GRANDBABIES. 24 00:00:52,922 --> 00:00:54,576 OR ELSE... 25 00:00:54,619 --> 00:00:55,881 WHY ARE WE STOPPING? 26 00:00:55,925 --> 00:00:57,448 WELL, PETEY'S SICK, 27 00:00:57,492 --> 00:01:00,103 AND I PROMISED DOMINICI'D, UH, 28 00:01:00,147 --> 00:01:02,018 I'D DROP OFF SOME STUFF FOR HIM. 29 00:01:02,062 --> 00:01:03,106 ALL RI-- 30 00:01:03,150 --> 00:01:05,108 TRY AND HURRY, BECAUSE IF NOT, 31 00:01:05,152 --> 00:01:06,762 WE DON'T GET A GOOD SPOT, FRANK. 32 00:01:06,805 --> 00:01:08,372 DON'T WORRY, I'LL JUST BE A MINUTE. 33 00:01:08,416 --> 00:01:13,203 NOT EVEN. 34 00:01:13,247 --> 00:01:15,945 TELL PETEY I HOPE HE FEELS BETTER. 35 00:01:15,988 --> 00:01:17,990 WILL DO. 36 00:01:18,034 --> 00:01:19,949 AND YOU, DON'T SCREW WITH ME. 37 00:01:19,992 --> 00:01:21,124 YOU'RE GONNA GIVE ME GRANDCHILDREN. 38 00:01:21,168 --> 00:01:22,734 YOU HEAR ME?YES, MOM. 39 00:01:22,778 --> 00:01:26,260 THAT'S RIGHT. 40 00:01:26,303 --> 00:01:28,871 OH, MY GOD. 41 00:01:28,914 --> 00:01:31,047 HOW DOES THAT FAT BASTARD GET UP AND DOWN 42 00:01:31,091 --> 00:01:34,094 THOSE STAIRS EVERY DAY? 43 00:01:37,097 --> 00:01:38,098 WHO IS IT? 44 00:01:38,141 --> 00:01:39,360 IT'S CAPTAIN KANGAROO. 45 00:01:39,403 --> 00:01:40,404 FRANKIE, IS THAT YOU? 46 00:01:40,448 --> 00:01:42,145 YEAH, YEAH, IT'S FRANKIE. 47 00:01:42,189 --> 00:01:46,454 COME ON, COME ON. I'M IN A HURRY, PETEY. 48 00:01:46,497 --> 00:01:47,455 YO, FRANKIE. 49 00:01:47,498 --> 00:01:49,761 HEY, PETEY. 50 00:01:49,805 --> 00:01:51,459 I GOT A DELIVERY FOR YOU FROM DOMINIC. 51 00:01:51,502 --> 00:01:53,069 OH, YEAH? 52 00:01:53,113 --> 00:01:54,592 YEAH. 53 00:02:06,213 --> 00:02:08,911 PETEY? 54 00:02:08,954 --> 00:02:10,695 WHERE ARE YOU? 55 00:02:10,739 --> 00:02:13,611 ARE YOU DEAD? 56 00:02:16,136 --> 00:02:19,922 OH, NO. 57 00:02:19,965 --> 00:02:22,620 OH... 58 00:02:22,664 --> 00:02:24,274 ♪ I CAN'T SEE ME 59 00:02:24,318 --> 00:02:26,885 ♪ LOVIN' NOBODY BUT YOU 60 00:02:26,929 --> 00:02:29,018 ♪ FOR ALL MY LIFE 61 00:02:29,061 --> 00:02:32,195 I HAVE NO IDEA HOW THAT HAPPENED. 62 00:02:33,457 --> 00:02:36,199 ♪ THE SKIES WILL BE BLUE 63 00:02:36,243 --> 00:02:39,246 ALL RIGHT, GET BACK. LET'S GO. 64 00:03:04,967 --> 00:03:07,056 GOD, IT'S SO BEYOND RETARDED. 65 00:03:07,099 --> 00:03:08,275 FIRST OF ALL, 66 00:03:08,318 --> 00:03:11,321 WE DON'T SAY "RETARDED" ANYMORE. 67 00:03:15,586 --> 00:03:18,023 DON'T EVEN THINK ABOUT PARKING THERE. 68 00:03:18,067 --> 00:03:19,808 U.S. MARSHALS. 69 00:03:19,851 --> 00:03:21,984 CARS BETTER BE HERE WHEN WE GET BACK. 70 00:03:22,027 --> 00:03:24,595 AND SECOND, 71 00:03:24,639 --> 00:03:25,901 IT'S NOT RETARDED-- IT'S MARKETING. 72 00:03:25,944 --> 00:03:27,468 THEN IT'S RETARDED MARKETING. 73 00:03:27,511 --> 00:03:29,165 LOOK, IMAGERY AND METAPHOR HAVE BEEN USED-- 74 00:03:29,209 --> 00:03:31,123 OH, THANK GOD. 75 00:03:31,167 --> 00:03:32,908 HEY, WHAT'S UP? 76 00:03:32,951 --> 00:03:34,214 IT SEEMS YOUR SISTER WOULD PREFER 77 00:03:34,257 --> 00:03:35,650 SOMEONE ELSE TO PICK HER UP. 78 00:03:35,693 --> 00:03:37,608 WHAT? PUT HER ON. 79 00:03:37,652 --> 00:03:40,220 MARY WOULD LIKE A WORD. 80 00:03:40,263 --> 00:03:41,525 HEY. 81 00:03:41,569 --> 00:03:42,918 DON'T "HEY" ME. 82 00:03:42,961 --> 00:03:44,267 WHAT THE HELL DO YOU THINK YOU'RE DOING? 83 00:03:44,311 --> 00:03:45,486 NOTHING, BUT THERE'S NO WAY IN HELL 84 00:03:45,529 --> 00:03:46,617 I'M TAKING A RIDE FROM SOME 85 00:03:46,661 --> 00:03:48,315 RICO SUAVE WANNABE 86 00:03:48,358 --> 00:03:50,012 I'VE NEVER EVEN SEEN BEFORE. 87 00:03:50,055 --> 00:03:51,796 WHY CAN'T YOU PICK ME UP? 88 00:03:51,840 --> 00:03:53,189 BECAUSE I'M WORKING... 89 00:03:53,233 --> 00:03:54,364 ALL THE WAY ON THE OTHER SIDE OF TOWN. 90 00:03:54,408 --> 00:03:55,757 BUT I'M YOUR SISTER. 91 00:03:55,800 --> 00:03:58,325 HEY, YOU KNOW WHAT-- YOU CAN EITHER 92 00:03:58,368 --> 00:04:00,588 ACCEPT MY FRIEND'S GENEROUS OFFER OR START WALKING. 93 00:04:00,631 --> 00:04:02,111 FINE, I'LL TAKE THE RIDE. 94 00:04:02,154 --> 00:04:04,679 YOU DO THAT. 95 00:04:04,722 --> 00:04:07,595 HERE. 96 00:04:07,638 --> 00:04:08,770 PROBLEMS? 97 00:04:08,813 --> 00:04:10,337 BRANDI GOT IN THIS MORNING. 98 00:04:10,380 --> 00:04:12,600 FOR MY SURPRISE PARTY, NO DOUBT. 99 00:04:12,643 --> 00:04:13,992 MY CONDOLENCES. 100 00:04:14,036 --> 00:04:15,516 NOW, AS I WAS SAYING-- 101 00:04:15,559 --> 00:04:18,519 IMAGERY AND METAPHOR HAVE BEEN USED 102 00:04:18,562 --> 00:04:19,650 TO SELL PRODUCTS FOREVER. 103 00:04:19,694 --> 00:04:21,522 PLEASE, JESUS, TAKE ME NOW. 104 00:04:21,565 --> 00:04:23,219 TAKE THE FORD MUSTANG, FOR INSTANCE. 105 00:04:23,263 --> 00:04:25,961 NAMED FOR A POWERFUL AND AGILE ANIMAL, 106 00:04:26,004 --> 00:04:28,137 QUALITIES WE ALSO SEEK IN AN AUTOMOBILE. 107 00:04:28,180 --> 00:04:29,704 IT'S CALLED "TRANSFERENCE." 108 00:04:29,747 --> 00:04:31,314 YEAH, OKAY. WHAT ABOUT MY PROBE? 109 00:04:31,358 --> 00:04:33,534 EXACTLY WHAT IMAGE IS THAT SUPPOSED TO TRANSFER? 110 00:04:33,577 --> 00:04:34,926 'CAUSE ALL I'M GETTING IS PAPER DRESS, 111 00:04:34,970 --> 00:04:36,885 METAL STIRRUPS, AND LEGS AKIMBO. 112 00:04:36,928 --> 00:04:38,278 EXACTLY WHAT WAS THE THOUGHT PROCESS 113 00:04:38,321 --> 00:04:39,409 BEHIND THAT MARKETING COUP? 114 00:04:39,453 --> 00:04:40,802 "SAY, BOB, 115 00:04:40,845 --> 00:04:42,543 "WHAT'S A METAPHOR FOR AN INVASIVE, 116 00:04:42,586 --> 00:04:44,066 "SOMEWHAT HUMILIATING PROCEDURE? 117 00:04:44,109 --> 00:04:45,328 "'CAUSE WE REALLY NEED SOMETHING 118 00:04:45,372 --> 00:04:48,026 TO COMPETE WITH THE CHEVY SPECULUM." 119 00:04:48,070 --> 00:04:50,159 UGH, WHY AM I EATING THIS CRAP? 120 00:04:50,202 --> 00:04:53,293 YOU GONNA BE LIKE THIS ALL DAY? 121 00:04:53,336 --> 00:04:54,337 WHAT? 122 00:04:54,381 --> 00:04:56,600 LIKE-- YOU KNOW. 123 00:04:56,644 --> 00:04:59,037 GUESS IT DEPENDS HOW LONG IT'S GONNA BE MY BIRTHDAY. 124 00:04:59,081 --> 00:05:00,125 ALL DAY. 125 00:05:00,169 --> 00:05:03,477 THERE YOU GO. 126 00:05:05,174 --> 00:05:08,177 HERE WE GO. 127 00:05:12,703 --> 00:05:14,270 IT'S A COMMON MISCONCEPTION 128 00:05:14,314 --> 00:05:16,490 THAT THE MEMBERSHIP IN THE FRATERNITY OF GOODFELLAS 129 00:05:16,533 --> 00:05:18,187 IS A PREREQUISITE FOR ADMISSION 130 00:05:18,230 --> 00:05:21,233 INTO THE FEDERAL WITNESS PROTECTION PROGRAM. 131 00:05:22,626 --> 00:05:25,586 GOD, IF ONLY THAT WERE TRUE. 132 00:05:28,458 --> 00:05:30,721 MANY WITNESSES ARE EVERYDAY FOLK WHO, 133 00:05:30,765 --> 00:05:32,636 THROUGH NO CRIMINAL ENTERPRISE OF THEIR OWN, 134 00:05:32,680 --> 00:05:34,290 HAVE COME TO POSSESS DAMNING INFO 135 00:05:34,334 --> 00:05:35,813 ABOUT SOME VERY DANGEROUS PEOPLE. 136 00:05:35,857 --> 00:05:38,250 THESE UNLUCKY LOSERS ARE TROUBLE MAGNETS 137 00:05:38,294 --> 00:05:39,904 AND SHOULD BE AVOIDED WHENEVER POSSIBLE. 138 00:05:39,948 --> 00:05:41,384 THANKS. 139 00:05:41,428 --> 00:05:42,429 UH-HUH. 140 00:05:42,472 --> 00:05:43,430 WHICH, IN MY LINE OF WORK, 141 00:05:43,473 --> 00:05:45,562 IS ALMOST NEVER. 142 00:05:45,606 --> 00:05:48,391 A TICKET? ARE YOU KIDDING ME? 143 00:05:48,435 --> 00:05:50,785 CAR'S STILL THERE, AIN'T IT? 144 00:05:50,828 --> 00:05:51,829 ASS-WIPE. 145 00:05:51,873 --> 00:05:53,178 IT'S ALL RIGHT. 146 00:05:53,222 --> 00:05:54,658 WE'LL TAKE CARE OF YOU. YOU'RE SAFE. 147 00:05:54,702 --> 00:05:56,878 SO THIS IS HOW WE'RE TRANSPORTING WITNESSES NOW? 148 00:05:56,921 --> 00:05:58,401 IT'S A METAPHOR. 149 00:05:58,445 --> 00:05:59,750 OH, YEAH? FOR WHAT, CRAP? 150 00:05:59,794 --> 00:06:01,273 LET'S GO. 151 00:06:02,449 --> 00:06:05,452 THANK YOU.YOU'RE WELCOME. 152 00:06:23,295 --> 00:06:25,428 SO WELCOME TO ALBUQUERQUE. IS THIS YOUR FIRST TIME? 153 00:06:25,472 --> 00:06:27,430 DA. UH, YES. 154 00:06:27,474 --> 00:06:29,301 HOW LONG YOU BEEN IN THE STATES? 155 00:06:29,345 --> 00:06:31,913 THREE YEARS IN NEW YORK. 156 00:06:31,956 --> 00:06:34,785 WELL, THIS IS A FAR CRY FROM MANHATTAN. 157 00:06:34,829 --> 00:06:36,787 AND A UNIVERSE FROM MOSCOW. 158 00:06:36,831 --> 00:06:38,310 I AM FROM KIEV. 159 00:06:42,402 --> 00:06:44,578 YOU SPEAK RUSSIAN. 160 00:06:44,621 --> 00:06:45,579 A LITTLE. 161 00:06:45,622 --> 00:06:46,710 I LEARNED IT IN THE '80s 162 00:06:46,754 --> 00:06:49,191 WHEN YOU GUYS WERE STILL COMMIES. 163 00:06:49,234 --> 00:06:51,019 IN UKRAINE, WE SPEAK UKRAINIAN. 164 00:06:52,107 --> 00:06:55,980 UH... 165 00:06:56,024 --> 00:06:57,504 SHUT UP. 166 00:06:59,506 --> 00:07:00,550 HI, STAN. 167 00:07:00,594 --> 00:07:01,725 HI, MARY. IT'S STAN. 168 00:07:01,769 --> 00:07:03,074 I KNOW IT'S YOU, STAN. 169 00:07:03,118 --> 00:07:04,119 THAT'S WHY I SAID, "HI, STAN." 170 00:07:04,162 --> 00:07:05,512 OH, RIGHT. 171 00:07:05,555 --> 00:07:07,165 SO DID YOU PICK UP THE WITNESS? 172 00:07:07,209 --> 00:07:08,166 YEAH, WE'RE ON THE WAY TO THE APARTMENT NOW. 173 00:07:08,210 --> 00:07:09,429 LISTEN, I JUST GOT A CALL 174 00:07:09,472 --> 00:07:10,778 FROM ALBUQUERQUE P.D. AND, UH-- 175 00:07:10,821 --> 00:07:12,083 OH, BOY. 176 00:07:12,127 --> 00:07:13,476 AND "OH, BOY" WHAT,STAN? 177 00:07:13,520 --> 00:07:15,130 I KNOW THAT TONE. SOMETHING HAPPENED. 178 00:07:15,173 --> 00:07:16,740 YEAH, FRANKIE SANTORO'S KID 179 00:07:16,784 --> 00:07:18,133 MIGHT HAVE BEEN SHOT LAST NIGHT. 180 00:07:18,176 --> 00:07:19,351 WHAT? WHERE? IS HE DEAD? 181 00:07:19,395 --> 00:07:20,396 I SAID "MIGHT." 182 00:07:20,440 --> 00:07:21,745 ALL RIGHT, MIGHT. 183 00:07:21,789 --> 00:07:23,181 THEY FOUND A BODY ON ONE OF THOSE 184 00:07:23,225 --> 00:07:24,313 DEVELOPMENT SITES OUT THE PAN AM FREEWAY. 185 00:07:24,356 --> 00:07:25,836 I'M ON MY WAY. 186 00:07:25,880 --> 00:07:27,403 THAT'S ONE CHOICE, BUT BRINGING A WITNESS 187 00:07:27,447 --> 00:07:29,361 TO THE MURDER SITE OF ANOTHER WITNESS-- 188 00:07:29,405 --> 00:07:30,798 THAT VIOLATES AT LEAST SIX WITSEC CODES OF CONDUCT. 189 00:07:30,841 --> 00:07:32,147 STAN? I KNOW WHAT YOU'RE DOING. 190 00:07:32,190 --> 00:07:34,062 YOU'RE HOLDING THE PHONE OUT THE WINDOW. 191 00:07:34,105 --> 00:07:35,063 WHAT'S THAT? I CAN'T HEAR YOU. 192 00:07:35,106 --> 00:07:36,412 YOU'RE BREAKING UP. 193 00:07:36,456 --> 00:07:37,674 SHE'S HOLDING THE PHONE OUT THE WINDOW. 194 00:07:37,718 --> 00:07:38,806 MARY, YOU LISTEN-- STAN? 195 00:07:38,849 --> 00:07:39,894 I ABSOLUTELY FOR-- 196 00:07:39,937 --> 00:07:42,897 CHANGE OF PLANS. 197 00:07:42,940 --> 00:07:46,074 FRANKIE SANTORO'S KID MAY HAVE BEEN HIT LAST NIGHT. 198 00:07:46,117 --> 00:07:47,162 GOTTA SEE FOR MYSELF. 199 00:07:47,205 --> 00:07:48,816 WHAT ABOUT... 200 00:07:48,859 --> 00:07:51,122 SHE'S COMING WITH. 201 00:07:51,166 --> 00:07:52,123 FUN. 202 00:07:56,171 --> 00:07:57,520 HI, STAN. 203 00:07:57,564 --> 00:07:58,652 MARSHALL. 204 00:07:58,695 --> 00:08:00,392 WHAT? 205 00:08:00,436 --> 00:08:03,918 I'M SORRY, STAN. YOU'RE BREAKING UP. 206 00:08:03,961 --> 00:08:07,399 FRANKIE SANTORO, A.K.A. FRANKIE NUTS-- 207 00:08:07,443 --> 00:08:09,706 A NICKNAME NOT BESTOWED FOR HIS LOVE OF FILBERTS-- 208 00:08:09,750 --> 00:08:11,665 EARNED HIS TICKET INTO WITNESS PROTECTION 209 00:08:11,708 --> 00:08:14,015 BY AGREEING TO TESTIFY AGAINST HIS FORMER BOSS, 210 00:08:14,058 --> 00:08:17,235 DOMINIC MASTRO, LAST OF THE BIG-TIME DONS. 211 00:08:17,279 --> 00:08:19,716 FRANKIE HAD THE MISFORTUNE OF WHACKING PETEY LORUSSO 212 00:08:19,760 --> 00:08:21,544 WHILE HE WAS UNDER FBI SURVEILLANCE, 213 00:08:21,588 --> 00:08:26,418 WHICH, COINCIDENTALLY, WAS ALSO PETEY'S MISFORTUNE. 214 00:08:33,643 --> 00:08:37,691 WOW, JUST LIKE THE MOTION PICTURES. 215 00:08:37,734 --> 00:08:39,562 CAN I GET YOU SOMETHING? A BROMO? 216 00:08:39,606 --> 00:08:40,998 TASHA, JUST STAY IN THE CAR. 217 00:08:41,042 --> 00:08:42,173 THIS'LL JUST TAKE A FEW MINUTES. 218 00:08:42,217 --> 00:08:45,394 OKAY. 219 00:08:45,437 --> 00:08:48,266 PLEASE DON'T LET THIS BE FRANKIE'S KID. 220 00:08:48,310 --> 00:08:49,398 SHOULD I CALL JINX NOW 221 00:08:49,441 --> 00:08:50,660 AND TELL HER TO CANCEL YOUR PARTY? 222 00:08:50,704 --> 00:08:51,966 IF YOU WERE ANY KIND OF FRIEND, 223 00:08:52,009 --> 00:08:56,753 YOU WOULD HAVE DONE IT A LONG TIME AGO. 224 00:08:56,797 --> 00:08:57,798 YOU THE LEAD ON THIS? 225 00:08:57,841 --> 00:09:00,191 YEAH, UNFORTUNATELY. 226 00:09:00,235 --> 00:09:01,584 DETECTIVE DERSHOWITZ. 227 00:09:01,628 --> 00:09:03,891 DERSHOWITZ.REALLY? 228 00:09:03,934 --> 00:09:04,979 YEAH, A LONG STORY. 229 00:09:05,022 --> 00:09:06,284 I'LL BET. 230 00:09:06,328 --> 00:09:07,764 EVERYONE CALLS ME "BOBBY." 231 00:09:07,808 --> 00:09:08,939 OR "BOBBY D." 232 00:09:08,983 --> 00:09:10,985 MARY SHANNON. U.S. MARSHALS. 233 00:09:11,028 --> 00:09:12,900 SO WHY'D YOU CALL THE MARSHALS, DETECTIVE? 234 00:09:12,943 --> 00:09:14,292 WELL, WE GOT TWO DEAD KIDS. 235 00:09:14,336 --> 00:09:16,512 WE HAVE A GIRL NAMED SIENNA BURKE OVER THERE. 236 00:09:16,556 --> 00:09:17,905 AND A BOY WITH THIS IN HIS WALLET. 237 00:09:17,948 --> 00:09:19,559 AND THIS. 238 00:09:19,602 --> 00:09:21,386 IT WAS TUCKED BEHIND THE OTHER ONE. 239 00:09:21,430 --> 00:09:22,866 KID WITH TWO IDENTITIES, 240 00:09:22,910 --> 00:09:24,868 OCCURRED TO ME HE MIGHT BE IN WITNESS PROTECTION. 241 00:09:24,912 --> 00:09:26,827 YOU GOT ALL THAT FROM A FAKE I.D.? 242 00:09:26,870 --> 00:09:30,004 YEAH, I'M INTUITIVE THAT WAY. 243 00:09:30,047 --> 00:09:31,092 ALL RIGHT, THANKS. 244 00:09:31,135 --> 00:09:32,789 UH, THAT'S EVIDENCE. 245 00:09:32,833 --> 00:09:34,138 UH-HUH. 246 00:09:34,182 --> 00:09:36,097 ANY THOUGHTS ABOUT WHAT HAPPENED? 247 00:09:36,140 --> 00:09:38,708 YOU'RE ASKING ME, WHAT, OUT OF PROFESSIONAL CURIOSITY? 248 00:09:38,752 --> 00:09:41,363 SURE, LET'S GO WITH THAT. 249 00:09:41,406 --> 00:09:43,844 WELL, THE GIRL'S FATHER IS CALE BURKE. 250 00:09:43,887 --> 00:09:45,019 HE'S THE DEVELOPER OF THIS LAND, 251 00:09:45,062 --> 00:09:46,324 A PROJECT THAT'S BEEN CONTESTED 252 00:09:46,368 --> 00:09:47,935 IN AND OUT OF COURT FOR ABOUT A DECADE. 253 00:09:47,978 --> 00:09:49,153 AND YOU THINK SOMEBODY UNHAPPY ABOUT THE PROJECT 254 00:09:49,197 --> 00:09:50,590 MIGHT HAVE DONE THIS? 255 00:09:50,633 --> 00:09:52,200 HELL IF I KNOW, BUT IT'S A PLACE TO START. 256 00:09:52,243 --> 00:09:53,636 RIGHT? 257 00:09:53,680 --> 00:09:54,985 UNLESS OF COURSE YOU THINK I SHOULD BE LOOKING 258 00:09:55,029 --> 00:09:55,986 SOMEPLACE ELSE. 259 00:09:56,030 --> 00:09:57,901 NOPE, SOUNDS TO ME 260 00:09:57,945 --> 00:10:00,164 LIKE YOU'RE HEADING IN THE RIGHT DIRECTION. 261 00:10:00,208 --> 00:10:02,036 THAT'S WHAT I THOUGHT. 262 00:10:02,079 --> 00:10:03,428 THANKS FOR THE CALL.MM-HMM. 263 00:10:03,472 --> 00:10:05,692 HEY, WHAT'S WITH THE SILENT SENTINELS? 264 00:10:05,735 --> 00:10:07,519 HUH? GUYS ON THE BIKES. 265 00:10:07,563 --> 00:10:09,173 OH, THEY'VE BEEN WATCHING ALL MORNING. 266 00:10:09,217 --> 00:10:10,827 YOU'RE NOT QUESTIONING THEM 'CAUSE... 267 00:10:10,871 --> 00:10:13,003 BECAUSE CHASING INDIANS ON DIRT BIKES 268 00:10:13,047 --> 00:10:15,745 THROUGH THE DESERT SEEMS LIKE A POOR USE OF MY TALENT. 269 00:10:15,789 --> 00:10:17,355 MAKES SENSE. 270 00:10:17,399 --> 00:10:18,966 HEY, HOW 'BOUT IT? 271 00:10:19,009 --> 00:10:20,097 HE ONE OF YOURS? 272 00:10:20,141 --> 00:10:22,099 OH, AFRAID I DON'T KNOW 273 00:10:22,143 --> 00:10:23,710 WHAT YOU'RE TALKING ABOUT. 274 00:10:23,753 --> 00:10:25,581 THANKS AGAIN FOR THE CALL. 275 00:10:25,625 --> 00:10:27,627 THAT'S RIGHT, YOU'RE THE BRANCH OF LAW ENFORCEMENT 276 00:10:27,670 --> 00:10:29,019 THAT PUTS CRIMINALS BACK ON THE STREET, 277 00:10:29,063 --> 00:10:32,066 RIGHT? 278 00:10:38,333 --> 00:10:39,987 OH, GOD. 279 00:10:40,030 --> 00:10:42,032 WHAT A WASTE. 280 00:10:42,076 --> 00:10:44,339 HEY. 281 00:10:44,382 --> 00:10:45,688 DON'T TOUCH THAT. 282 00:10:45,732 --> 00:10:47,472 CAN'T YOU SHUT HIS EYES? 283 00:10:47,516 --> 00:10:51,085 ONLY IF YOU GOT A NEEDLE AND THREAD. 284 00:11:00,660 --> 00:11:02,618 ANY THOUGHTS ON WHY HE GETS IT IN THE BACK OF THE HEAD 285 00:11:02,662 --> 00:11:03,706 AND SHE GETS HERS IN THE FACE? 286 00:11:03,750 --> 00:11:05,142 SHE WAS RUNNING. 287 00:11:05,186 --> 00:11:06,883 TOOK TWO IN THE SPINE, TAKING OUT HER LEGS. 288 00:11:06,927 --> 00:11:08,711 THEN THEY TURNED HER OVER. 289 00:11:08,755 --> 00:11:10,408 AND FINISHED HER OFF IN THE FACE? 290 00:11:10,452 --> 00:11:13,455 NOT QUITE. 291 00:11:13,498 --> 00:11:15,631 GOOD GOD. 292 00:11:15,675 --> 00:11:17,067 SOMEBODY WAS PISSED OFF. 293 00:11:17,111 --> 00:11:19,156 THIS GOES WAY BEYOND PISSED OFF. 294 00:11:19,200 --> 00:11:22,203 SHE WAS ALIVE FOR MOST OF THIS. 295 00:11:30,037 --> 00:11:31,212 SO YOU THINK THIS WAS A MESSAGE 296 00:11:31,255 --> 00:11:32,517 TO FRANKIE SENIOR? 297 00:11:32,561 --> 00:11:34,041 I DON'T KNOW-- THAT KINDA VIOLENCE, 298 00:11:34,084 --> 00:11:35,956 YOU GOTTA BELIEVE SHE WAS THE TARGET. 299 00:11:35,999 --> 00:11:37,914 PLUS, THEY FIND JUNIOR, THEY FOUND SENIOR. 300 00:11:37,958 --> 00:11:39,960 SO WHY NOT JUST TAKE FRANKIE OUT? 301 00:11:40,003 --> 00:11:41,918 WHY NOT JUST TAKE FRANKIE OUT? 302 00:11:41,962 --> 00:11:43,441 UNLESS THEY DON'T WANT HIM DEAD. 303 00:11:43,485 --> 00:11:45,313 MAYBE THEY JUST WANT HIM TO QUEER HIS TESTIMONY. 304 00:11:45,356 --> 00:11:47,968 THAT COULD HURT A CASE WORSE THAN HIM NOT SHOWING UP. 305 00:11:48,011 --> 00:11:50,274 THAT COULD HURT A CASE WORSE THAN HIM NOT SHOWING UP. 306 00:11:50,318 --> 00:11:52,407 PLEASE STOP THAT. 307 00:11:52,450 --> 00:11:54,061 THEN AGAIN, ANYONE WHO KNOWS FRANKIE 308 00:11:54,104 --> 00:11:55,802 KNOWS KILLING HIS KID'S NOT THE WAY TO MOTIVATE HIM. 309 00:11:55,845 --> 00:11:57,629 SO YOU THINK HE'S NOT GONNA BE HAPPY ABOUT THIS? 310 00:11:57,673 --> 00:11:59,631 HAVE YOU NOTICED I'M NOT IN A JOKING MOOD? 311 00:11:59,675 --> 00:12:00,763 SORRY. 312 00:12:00,807 --> 00:12:03,766 I GOTTA GO FIND FRANKIE. 313 00:12:03,810 --> 00:12:05,072 TASHA. 314 00:12:05,115 --> 00:12:06,421 I TOLD YOU TO WAIT IN THE CAR. 315 00:12:06,464 --> 00:12:08,118 IT'S OKAY.COME ON. 316 00:12:08,162 --> 00:12:11,165 LET'S GET YOU HOME. 317 00:12:13,341 --> 00:12:15,212 AWW, THAT MAKES ME SAD. 318 00:12:23,917 --> 00:12:25,701 WHY ARE WE STOPPING HERE? 319 00:12:25,745 --> 00:12:28,008 JUST STAY IN THE CAR AND DON'T TOUCH ANYTHING. 320 00:12:28,051 --> 00:12:29,183 NO-- HEY, WAIT! 321 00:12:29,226 --> 00:12:30,662 NO. 322 00:12:30,706 --> 00:12:32,360 HEY, AMIGO. QUE PASA? 323 00:12:32,403 --> 00:12:33,361 YO, G. TODO BIEN. 324 00:12:33,404 --> 00:12:34,536 HEY, WHAT'S UP? 325 00:12:34,579 --> 00:12:36,103 JUST KEEP AN EYE ON THE RIDE FOR ME. 326 00:12:36,146 --> 00:12:39,019 MAKE SURE NOTHING BAD HAPPENS TO THE CAR OR TO HER. 327 00:12:41,021 --> 00:12:42,805 MOSTLY TO THE CAR. 328 00:12:42,849 --> 00:12:44,154 ALL RIGHT. 329 00:12:45,199 --> 00:12:46,591 HEY, MAMI. 330 00:12:46,635 --> 00:12:47,767 WHAT'S CRACKIN'? 331 00:12:47,810 --> 00:12:49,464 YOU WANNA EFF OFF? 332 00:12:54,034 --> 00:12:55,078 HERE YOU GO, PADRE. 333 00:12:55,122 --> 00:12:57,080 20 TICKETS FOR WEDNESDAY NIGHT. 334 00:12:57,124 --> 00:12:58,212 GRACIAS. 335 00:12:58,255 --> 00:12:59,213 DE NADA. 336 00:12:59,256 --> 00:13:01,868 "BLEACHERS"? 337 00:13:04,479 --> 00:13:06,089 SO DID YOU TAKE HER TO MY HOUSE? 338 00:13:06,133 --> 00:13:07,438 NOT EXACTLY. 339 00:13:07,482 --> 00:13:08,613 RAPH, WHAT DID YOU DO? 340 00:13:08,657 --> 00:13:10,093 I LEFT HER SITTING IN MY CAR 341 00:13:10,137 --> 00:13:11,355 IN FRONT OF THE YOUTH CENTER, 342 00:13:11,399 --> 00:13:12,617 WITH A COUPLE OF 343 00:13:12,661 --> 00:13:15,403 JUNIOR CHOLOS SCOPING HER OUT. 344 00:13:15,446 --> 00:13:16,447 SHE'S TOTALLY FREAKING OUT. 345 00:13:16,491 --> 00:13:17,535 YOU DID THAT? 346 00:13:17,579 --> 00:13:19,233 YEAH. PRETTY FUNNY, HUH? 347 00:13:19,276 --> 00:13:20,669 OH, YEAH. 348 00:13:20,712 --> 00:13:21,801 BUT NOT THE WAY YOU THINK. 349 00:13:21,844 --> 00:13:23,019 WHAT'S THAT MEAN? 350 00:13:23,063 --> 00:13:24,847 IT MEANS MY SISTER HAS A PENCHANT 351 00:13:24,891 --> 00:13:26,849 FOR BOOSTING CARS. 352 00:13:26,893 --> 00:13:27,937 A PENCHANT? 353 00:13:27,981 --> 00:13:29,721 MORE LIKE A COMPULSION. 354 00:13:34,988 --> 00:13:37,686 SON OF A BITCH. 355 00:13:37,729 --> 00:13:39,819 I THOUGHT I TOLD YOU TO WATCH THE CAR. 356 00:13:39,862 --> 00:13:40,907 WE DID, ESE. 357 00:13:40,950 --> 00:13:43,997 YEAH, G. THERE IT GO. 358 00:13:44,040 --> 00:13:47,217 MARY, YOU BETTER COME PICK ME UP. 359 00:13:47,261 --> 00:13:49,176 AHH, I'M SORRY, I CAN'T HEAR YOU. 360 00:13:49,219 --> 00:13:52,832 YOU'RE BREAKING UP. 361 00:14:01,144 --> 00:14:02,406 JUST A SECOND. 362 00:14:08,108 --> 00:14:10,023 OKAY. 363 00:14:10,066 --> 00:14:11,894 PHONE WORKS. 364 00:14:11,938 --> 00:14:13,548 PHONES WORK. 365 00:14:13,591 --> 00:14:15,855 NO. 366 00:14:15,898 --> 00:14:17,857 NO, NO, NO, I CAN'T. 367 00:14:17,900 --> 00:14:19,597 I WISH TO GO HOME. 368 00:14:19,641 --> 00:14:20,729 THIS IS YOUR HOME NOW. 369 00:14:20,772 --> 00:14:22,383 NO, PLEASE! 370 00:14:22,426 --> 00:14:23,601 IT'S NOT POSSIBLE. 371 00:14:23,645 --> 00:14:24,776 TASHA, LISTEN TO ME. 372 00:14:24,820 --> 00:14:25,777 YOU CAN'T GO BACK. 373 00:14:25,821 --> 00:14:26,953 YOU CAN NEVER GO BACK. 374 00:14:26,996 --> 00:14:28,389 YOU KNOW WHAT THEY'LL DO TO YOU. 375 00:14:28,432 --> 00:14:30,521 I AM JUST BOOKKEEPER. 376 00:14:30,565 --> 00:14:32,306 I KNOW. 377 00:14:33,655 --> 00:14:36,136 I KNOW. I KNOW. 378 00:14:36,179 --> 00:14:37,354 SHH. 379 00:14:37,398 --> 00:14:38,486 LET IT OUT. 380 00:14:38,529 --> 00:14:39,574 OKAY. OKAY. 381 00:14:39,617 --> 00:14:41,315 SHH, IT'S OKAY. 382 00:14:41,358 --> 00:14:44,100 LET IT OUT. 383 00:14:44,144 --> 00:14:46,668 HOW THIS CAN HAPPEN? 384 00:14:46,711 --> 00:14:48,017 MY LIFE. 385 00:14:48,061 --> 00:14:51,934 MY...FAMILY. 386 00:14:51,978 --> 00:14:56,504 EVERYTHING GONE. 387 00:14:56,547 --> 00:14:59,681 THEY DON'T EVEN LET ME BRING PICTURES. 388 00:14:59,724 --> 00:15:02,771 I KNOW, IT ISN'T FAIR. 389 00:15:02,814 --> 00:15:04,599 BUT LISTEN TO ME-- 390 00:15:04,642 --> 00:15:07,863 YOU DID A GREAT, COURAGEOUS THING, TESTIFYING. 391 00:15:07,907 --> 00:15:10,692 OKAY, AND NOW IT'S TIME TO FOCUS ON THE FUTURE. 392 00:15:10,735 --> 00:15:12,128 THINK OF IT AS A CHANCE 393 00:15:12,172 --> 00:15:14,870 TO BUILD A WHOLE NEW LIFE. 394 00:15:14,914 --> 00:15:18,308 EVEN BETTER THAN THE ONE YOU HAD BEFORE. 395 00:15:18,352 --> 00:15:21,790 BUT YOU CANNOT UNDER ANY CIRCUMSTANCES, 396 00:15:21,833 --> 00:15:24,227 NOT MATTER HOW HOMESICK OR LONELY YOU GET, 397 00:15:24,271 --> 00:15:25,489 GO BACK HOME 398 00:15:25,533 --> 00:15:27,970 OR CONTACT ANYONE FROM YOUR PAST. 399 00:15:28,014 --> 00:15:30,973 IN THE HISTORY OF THE WITNESS PROTECTION PROGRAM, 400 00:15:31,017 --> 00:15:33,497 NO ONE WHO'S FOLLOWED THE RULES HAS EVER BEEN HARMED. 401 00:15:33,541 --> 00:15:35,499 YOU CAN DO THIS. OKAY? 402 00:15:35,543 --> 00:15:37,675 I KNOW YOU CAN. 403 00:15:37,719 --> 00:15:40,287 COME ON. OKAY, COME ON. 404 00:15:40,330 --> 00:15:43,333 STAND UP. COME ON. 405 00:15:43,377 --> 00:15:45,292 HOW 'BOUT YOU REST FOR A LITTLE WHILE, 406 00:15:45,335 --> 00:15:46,597 WATCH SOME TV-- 407 00:15:46,641 --> 00:15:48,382 CABLE'S NOT HOOKED UP YET. 408 00:15:48,425 --> 00:15:49,992 YEAH, ALL RIGHT. 409 00:15:50,036 --> 00:15:52,038 UM, I'LL GET THE CABLE TURNED ON. 410 00:15:52,081 --> 00:15:53,387 AND A LITTLE LATER, 411 00:15:53,430 --> 00:15:55,955 I'LL COME BY WITH SOME GROCERIES. 412 00:15:55,998 --> 00:15:59,871 IS THERE ANYTHING SPECIAL YOU NEED? 413 00:15:59,915 --> 00:16:03,353 THEY PROMISED ME NEW BREASTS. 414 00:16:05,051 --> 00:16:08,706 WHEN I CAN GET THEM? 415 00:16:10,273 --> 00:16:11,927 NO, BETWEEN 1:00 AND 5:00 416 00:16:11,971 --> 00:16:13,146 ISN'T GOOD ENOUGH, FEDERICO. 417 00:16:13,189 --> 00:16:15,322 OUR FRIEND NEEDS HER CABLE ON NOW. 418 00:16:15,365 --> 00:16:17,585 SO GET IT DONE OR WE'RE SWITCHING TO SATELLITE. 419 00:16:17,628 --> 00:16:18,890 THAT'S FUNNY? 420 00:16:18,934 --> 00:16:19,935 HOW ABOUT WE SWITCH TO SATELLITE, 421 00:16:19,979 --> 00:16:20,936 THEN I PUNCH YOU IN THE FACE? 422 00:16:20,980 --> 00:16:22,459 SHE'S HOME NOW. 423 00:16:22,503 --> 00:16:23,939 I'LL TELL HER YOU'RE ON YOUR WAY. 424 00:16:23,983 --> 00:16:25,723 SO ANYWAY, IF YOU COULD START PROCESSING INFO-- 425 00:16:25,767 --> 00:16:27,421 LITTLE FRANKIE, THE GIRL, HER FATHER, 426 00:16:27,464 --> 00:16:28,770 FRIENDS AND FAMILY OF EVERYONE 427 00:16:28,813 --> 00:16:30,076 FRANKIE'S TESTIFYING AGAINST. 428 00:16:30,119 --> 00:16:32,295 WHATEVER ELSE YOU CAN THINK OF. 429 00:16:32,339 --> 00:16:33,775 YOU KNOW, 430 00:16:33,818 --> 00:16:35,646 I'M NOT YOUR ASSISTANT. 431 00:16:35,690 --> 00:16:37,300 I HAVE A COUPLE DOZEN WITNESSES 432 00:16:37,344 --> 00:16:38,388 OF MY OWN TO DEAL WITH. 433 00:16:38,432 --> 00:16:39,781 OH, YEAH? 434 00:16:39,824 --> 00:16:41,130 ANY OF THEIR KIDS GET MURDERED LAST NIGHT? 435 00:16:41,174 --> 00:16:44,873 I'LL HAVE TO CHECK. 436 00:16:44,916 --> 00:16:46,179 OH, FINE. 437 00:16:46,222 --> 00:16:48,137 THANK YOU. 438 00:16:48,181 --> 00:16:49,704 PISSY LITTLE GIRL. 439 00:16:49,747 --> 00:16:51,358 I HEARD THAT. 440 00:16:56,580 --> 00:16:58,234 I DON'T GIVE A RAT'S ASS ABOUT YOUR PROTOCOL. 441 00:16:58,278 --> 00:17:00,280 I'VE GOT TWO PARENTS ON THEIR WAY DOWN HERE 442 00:17:00,323 --> 00:17:01,890 TO SEE THEIR SON, AND TRUST ME ON THIS ONE, 443 00:17:01,933 --> 00:17:03,500 THIS IS NOT WHERE YOU WANT THEM TO FIND HIM. 444 00:17:03,544 --> 00:17:04,675 THEN YOU BETTER KEEP THEM OUTTA HERE. 445 00:17:04,719 --> 00:17:06,025 BECAUSE A VAN FULL OF ILLEGALS 446 00:17:06,068 --> 00:17:08,114 PLOWED INTO A BRIDGE ABUTMENT THIS MORNING. 447 00:17:08,157 --> 00:17:09,463 AND I'M UNDER-STAFFED. 448 00:17:09,506 --> 00:17:10,638 I WON'T KNOW WHICH ONE OF THESE IS YOURS 449 00:17:10,681 --> 00:17:11,943 UNTIL I START PROCESSING THEM. 450 00:17:11,987 --> 00:17:13,075 WELL, HOW LONG IS THAT GONNA TAKE? 451 00:17:13,119 --> 00:17:14,685 AS LONG AS IT TAKES. 452 00:17:14,729 --> 00:17:17,123 WELL, WORK QUICKLY. 453 00:17:17,166 --> 00:17:18,907 FRANKIE, FELICIA. LOOK, COME ON. 454 00:17:18,950 --> 00:17:19,908 WHERE IS HE? 455 00:17:19,951 --> 00:17:20,996 COME BACK INSIDE. 456 00:17:21,040 --> 00:17:22,171 IS MY BOY IN ONE OF THESE BAGS? 457 00:17:22,215 --> 00:17:23,477 EXCUSE ME, SIR, YOU CANNOT-- 458 00:17:23,520 --> 00:17:26,480 HEY, YOU CAN'T--OKAY, OKAY. 459 00:17:26,523 --> 00:17:28,047 WHERE'S MY BOY? 460 00:17:28,090 --> 00:17:29,309 WHERE'S MY BOY?! 461 00:17:29,352 --> 00:17:31,311 OKAY, FRANKIE, PLEASE. PLEASE STOP THIS. 462 00:17:34,270 --> 00:17:36,142 FRANKIE, STOP IT! STOP IT! 463 00:17:36,185 --> 00:17:39,797 GET OFF ME. 464 00:17:43,845 --> 00:17:46,761 FELICIA. 465 00:17:46,804 --> 00:17:47,805 FELICIA. 466 00:17:47,849 --> 00:17:49,329 FELICIA. 467 00:17:49,372 --> 00:17:51,287 OH, MY GOD. FELICIA. 468 00:17:51,331 --> 00:17:55,248 OH, GOD. I'M SORRY. 469 00:17:55,291 --> 00:17:58,294 I'M SORRY. 470 00:18:05,301 --> 00:18:07,782 FRANKIE, WAIT. 471 00:18:07,825 --> 00:18:11,220 FRANKIE! 472 00:18:11,264 --> 00:18:12,830 FRANKIE... 473 00:18:12,874 --> 00:18:14,397 FRANKIE! 474 00:18:14,441 --> 00:18:15,964 FRANKIE, WAIT! 475 00:18:16,007 --> 00:18:16,965 WHAT, WHAT DO YOU WANT?! 476 00:18:17,008 --> 00:18:18,314 DON'T "WHAT" ME. 477 00:18:18,358 --> 00:18:19,446 I KNOW YOU. I KNOW WHAT YOU'RE THINKING. 478 00:18:19,489 --> 00:18:20,969 OH, CONGRATULATIONS. 479 00:18:21,012 --> 00:18:22,144 YOU'RE THE AMAZING FREAKIN' KRESKIN. 480 00:18:22,188 --> 00:18:23,624 NO IDEA WHO THAT IS, BUT LISTEN TO ME. 481 00:18:23,667 --> 00:18:25,191 IF YOU GO OFF GUNNING FOR WHOEVER DID THIS, 482 00:18:25,234 --> 00:18:26,583 YOU'RE GONNA BLOW YOUR WHOLE PLEA AGREEMENT. 483 00:18:26,627 --> 00:18:29,238 DID YOU JUST SEE MY BOY IN THERE? 484 00:18:29,282 --> 00:18:31,066 I KNOW, FRANKIE. I KNOW. 485 00:18:31,110 --> 00:18:32,763 I'M SO SORRY. 486 00:18:32,807 --> 00:18:34,330 BUT FELICIA NEEDS YOU NOW. 487 00:18:34,374 --> 00:18:35,636 OKAY, PLEASE. 488 00:18:35,679 --> 00:18:37,159 PLEASE, GO TAKE CARE OF HER. 489 00:18:37,203 --> 00:18:39,335 I SWEAR TO YOU, 490 00:18:39,379 --> 00:18:41,163 YOU'LL GET YOUR JUSTICE. 491 00:18:41,207 --> 00:18:44,166 YOU GOT 24 HOURS. 492 00:18:44,210 --> 00:18:46,255 AFTER THAT, I TAKE MATTERS INTO MY OWN HANDS. 493 00:18:46,299 --> 00:18:47,561 AND TO HELL WITH THIS PLEA. 494 00:18:47,604 --> 00:18:48,562 FRANKIE-- 495 00:18:48,605 --> 00:18:50,172 AS FAR AS JUSTICE, 496 00:18:50,216 --> 00:18:53,828 YOU'VE GOT YOUR VERSION, I'VE GOT MINE. 497 00:19:07,929 --> 00:19:08,886 WHAT ARE YOU DOING HERE? 498 00:19:08,930 --> 00:19:10,323 I WORK HERE, STAN. 499 00:19:10,366 --> 00:19:12,194 WHY AREN'T YOU HELPING MARY MOVE FRANKIE NUTS? 500 00:19:12,238 --> 00:19:13,369 SHE WANTED ME HERE DOING THIS. 501 00:19:13,413 --> 00:19:14,805 AND YOU THOUGHT IT WAS OKAY 502 00:19:14,849 --> 00:19:16,503 TO LET HER HANDLE THAT SICK BASTARD BY HERSELF? 503 00:19:16,546 --> 00:19:18,200 HER WITNESS, HER CALL. 504 00:19:18,244 --> 00:19:21,551 IT HOW WE DO, G. 505 00:19:21,595 --> 00:19:22,857 IF ANYTHING HAPPENS TO HER-- 506 00:19:22,900 --> 00:19:24,554 RELAX. 507 00:19:24,598 --> 00:19:29,385 MARY KNOWS WHAT SHE'S DOING. 508 00:19:29,429 --> 00:19:31,518 SO'D YOU GET HER A BIRTHDAY PRESENT? 509 00:19:31,561 --> 00:19:33,172 I'M WORKING HER CASE. 510 00:19:33,215 --> 00:19:34,303 YOU DON'T THINK THAT'S ENOUGH? 511 00:19:34,347 --> 00:19:35,609 YOU'RE NOT THAT DUMB. 512 00:19:35,652 --> 00:19:36,871 I'M SMART ENOUGH TO KNOW 513 00:19:36,914 --> 00:19:40,918 YOU CAN'T SHOP FOR MARY. 514 00:19:40,962 --> 00:19:42,529 WHAT ABOUT YOU? 515 00:19:42,572 --> 00:19:45,662 OH, WELL, I JUST GOT HER A... 516 00:19:45,706 --> 00:19:48,665 BOTTLE OF REALLY EXPENSIVE PERFUME. 517 00:19:48,709 --> 00:19:50,319 MARY DOESN'T WEAR PERFUME. 518 00:19:50,363 --> 00:19:51,494 YES, SHE DOES. 519 00:19:51,538 --> 00:19:52,539 NUH-UH. 520 00:19:52,582 --> 00:19:53,975 YOU SURE? 521 00:19:54,018 --> 00:19:55,237 I MEAN, SHE ALWAYS SMELLS SO GOOD. 522 00:19:55,281 --> 00:20:00,111 THAT'S JUST HER. 523 00:20:00,155 --> 00:20:01,983 HUH. 524 00:20:02,026 --> 00:20:04,377 THE CARE AND FEEDING OF CAREER CRIMINALS, 525 00:20:04,420 --> 00:20:06,814 LIKE FRANKIE NUTS, IS A DICEY PROPOSITION AT BEST. 526 00:20:06,857 --> 00:20:08,250 ON ANY GIVEN DAY, I GET TO PLAY 527 00:20:08,294 --> 00:20:09,773 MOTHER, FATHER, 528 00:20:09,817 --> 00:20:12,428 BEST FRIEND, PRIEST, RABBI, MARRIAGE COUNSELOR, 529 00:20:12,472 --> 00:20:13,734 AND YES, UNFORTUNATELY, 530 00:20:13,777 --> 00:20:15,736 OCCASIONALLY HOMICIDE DETECTIVE. 531 00:20:15,779 --> 00:20:17,172 WHICH IS WHY I FIND MYSELF DRIVING 532 00:20:17,216 --> 00:20:18,956 MY MISOGYNIST METAPHOR ACROSS THE DESERT 533 00:20:19,000 --> 00:20:20,436 WITH A BUSTED AIR CONDITIONER 534 00:20:20,480 --> 00:20:22,003 TO HUNT DOWN THE MURDERER OF THE SON 535 00:20:22,046 --> 00:20:23,613 OF MY MURDERER WITNESS. 536 00:20:23,657 --> 00:20:25,920 NO BACKUP. NO PLAN TO SPEAK OF. 537 00:20:25,963 --> 00:20:27,443 NO ALTERNATIVE. 538 00:20:27,487 --> 00:20:29,663 ALSO, FRANKIE JUNIOR GOT KILLED ON MY WATCH. 539 00:20:29,706 --> 00:20:31,926 THAT JUST PISSES ME OFF. 540 00:20:43,503 --> 00:20:46,027 NICE CHAPS. 541 00:20:48,551 --> 00:20:52,163 AW. 542 00:20:52,207 --> 00:20:55,819 WRITE DOWN YOUR CUSTOMERS' NAMES. 543 00:20:55,863 --> 00:20:57,691 I'VE NEVER SEEN THESE PEOPLE BEFORE. 544 00:20:57,734 --> 00:21:00,998 LISTEN. 545 00:21:01,042 --> 00:21:02,391 HERE'S THE DEAL-- 546 00:21:02,435 --> 00:21:04,175 TWO KIDS WERE KILLED ABOUT A MILE FROM HERE, 547 00:21:04,219 --> 00:21:05,655 AND AT LEAST A FEW OF THESE GUYS 548 00:21:05,699 --> 00:21:07,091 WERE AT THE MURDER SITE. 549 00:21:07,135 --> 00:21:08,092 SO PLEASE, 550 00:21:08,136 --> 00:21:09,311 SAVE US BOTH A LOT OF TROUBLE 551 00:21:09,355 --> 00:21:10,791 AND JUST WRITE THE DAMN NAMES 552 00:21:10,834 --> 00:21:12,967 BEFORE GREAT WHITE FATHER BACK IN WASHINGTON 553 00:21:13,010 --> 00:21:14,795 GOES ALL LITTLE BIGHORN ON YOUR ASS. 554 00:21:14,838 --> 00:21:17,885 YOU'RE KIDDING ME, RIGHT? 555 00:21:17,928 --> 00:21:20,627 WAS THAT OVER THE TOP? 556 00:21:20,670 --> 00:21:22,629 LOOK, FIRST OF ALL, IT WAS YOU GUYS 557 00:21:22,672 --> 00:21:23,717 THAT GOT YOUR ASSES KICKED 558 00:21:23,760 --> 00:21:24,805 AT LITTLE BIGHORN. 559 00:21:24,848 --> 00:21:26,110 REALLY? 560 00:21:26,154 --> 00:21:27,851 AND SECOND OF ALL, 561 00:21:27,895 --> 00:21:29,897 TODAY'S MY FIRST DAY OF WORK HERE. 562 00:21:29,940 --> 00:21:32,465 AND I HAVE REALLY NEVER SEEN THESE PEOPLE BEFORE. 563 00:21:32,508 --> 00:21:33,640 SORRY. 564 00:21:33,683 --> 00:21:37,557 THOUGHT YOU WERE BEING DIFFICULT. 565 00:21:43,737 --> 00:21:47,088 EXCUSE ME. 566 00:21:49,090 --> 00:21:51,440 WHEW! 567 00:21:51,484 --> 00:21:53,094 GOOD LORD. 568 00:21:53,137 --> 00:21:55,052 WHAT IS IT WITH MEN'S RESTROOMS? 569 00:21:55,096 --> 00:21:56,793 DO YOU ALL LIKE THE SMELL OF STALE URINE? 570 00:21:56,837 --> 00:21:57,925 IS THAT WHAT IT IS? 571 00:21:57,968 --> 00:21:59,143 OKAY, ENOUGH CHIT-CHAT. 572 00:21:59,187 --> 00:22:00,406 WHAT'S YOUR NAME? 573 00:22:00,449 --> 00:22:02,408 AND DID YOU KILL THOSE TWO KIDS? 574 00:22:02,451 --> 00:22:04,105 I'M SORRY. 575 00:22:04,148 --> 00:22:06,629 ARE YOU TALKING TO ME? 576 00:22:07,891 --> 00:22:08,892 AW. 577 00:22:08,936 --> 00:22:10,067 WHAT'S SO FUNNY? 578 00:22:10,111 --> 00:22:11,678 WELL, IT'S SO CUTE. 579 00:22:11,721 --> 00:22:13,375 IT'S LIKE ONE OF THOSE MINI-TAQUITOS 580 00:22:13,419 --> 00:22:14,463 THEY SERVE AT HAPPY HOUR. 581 00:22:14,507 --> 00:22:16,247 OH, YEAH? YOU WANT SOME? 582 00:22:16,291 --> 00:22:17,640 EW. 583 00:22:19,338 --> 00:22:21,644 MANLY, YES, BUT I LIKE IT TOO. 584 00:22:21,688 --> 00:22:23,298 NOW, WHAT DO YOU SAY YOU ANSWER MY QUESTIONS 585 00:22:23,342 --> 00:22:24,517 BEFORE I DRAG YOU OUTTA HERE 586 00:22:24,560 --> 00:22:25,996 BY YOUR SURPRISINGLY SMALL WEE-WEE. 587 00:22:26,040 --> 00:22:28,390 OKAY. OKAY. 588 00:22:28,434 --> 00:22:30,218 MY NAME IS GEORGE PARKER. 589 00:22:30,261 --> 00:22:32,525 AND NO, I DIDN'T KILL THOSE TWO KIDS. 590 00:22:32,568 --> 00:22:34,135 SO WHAT WERE YOU DOING THERE THIS MORNING, GEORGE? 591 00:22:34,178 --> 00:22:36,224 PULLING UP SURVEYOR'S STAKES, 592 00:22:36,267 --> 00:22:37,573 HASSLING WORKERS. 593 00:22:37,617 --> 00:22:38,792 WHAT'S YOUR BEEF WITH THE PROJECT? 594 00:22:38,835 --> 00:22:40,010 SAME OLD STORY. 595 00:22:40,054 --> 00:22:42,883 INDIANS GETTING THEIR LAND RIPPED OFF 596 00:22:42,926 --> 00:22:44,319 FOR COMMERCIAL DEVELOPMENT. 597 00:22:44,363 --> 00:22:45,581 HUH. 598 00:22:45,625 --> 00:22:46,756 SO KILLING THE DEVELOPER'S DAUGHTER 599 00:22:46,800 --> 00:22:47,801 SOUNDS LIKE PRETTY GOOD PAYBACK. 600 00:22:47,844 --> 00:22:49,368 MAYBE. 601 00:22:49,411 --> 00:22:50,412 EXCEPT THE DEVELOPER ISN'T THE ONE 602 00:22:50,456 --> 00:22:51,805 THAT SCREWED US OUT OF THE LAND. 603 00:22:51,848 --> 00:22:54,721 HUH? 604 00:22:54,764 --> 00:22:57,245 TALK TO A DUDE NAMED EDWIN TALLTREES. 605 00:22:57,288 --> 00:22:58,594 HE'S THE GUY THAT RIPPED US OFF. 606 00:22:58,638 --> 00:22:59,987 AN INDIAN? 607 00:23:00,030 --> 00:23:01,684 THAT'S RIGHT. 608 00:23:01,728 --> 00:23:03,686 WHY WOULD HE KILL TWO KIDS ON HIS OWN LAND? 609 00:23:03,730 --> 00:23:05,558 BECAUSE IT ISN'T HIS LAND ANYMORE. 610 00:23:05,601 --> 00:23:06,950 AFTER HE SCREWED US, 611 00:23:06,994 --> 00:23:08,865 THE DEAD GIRL'S FATHER SCREWED HIM. 612 00:23:08,909 --> 00:23:11,520 SOUNDS LIKE A LOT OF SCREWING GOING ON. 613 00:23:11,564 --> 00:23:13,174 UH-HUH. 614 00:23:13,217 --> 00:23:14,915 ALL RIGHT, THEN, GEORGE, 615 00:23:14,958 --> 00:23:16,656 YOU CAN ZIP IT UP. 616 00:23:16,699 --> 00:23:18,614 SORRY ABOUT THE SMALL WEE-WEE CRACK. 617 00:23:18,658 --> 00:23:21,225 IT'S BEEN A BITCH OF A DAY. 618 00:23:25,273 --> 00:23:28,102 THAT IS ONE SPECIAL GUY. 619 00:23:28,145 --> 00:23:31,758 GOD, I HOPE HE CALLS. 620 00:23:46,120 --> 00:23:48,383 APPARENTLY, RIPPING OFF YOUR OWN PEOPLE 621 00:23:48,427 --> 00:23:52,039 HAS ITS UPSIDE. 622 00:23:52,082 --> 00:23:56,173 WISH I HAD PEOPLE TO RIP OFF. 623 00:23:56,217 --> 00:23:58,219 CAN I HELP YOU?HI. 624 00:23:58,262 --> 00:24:00,177 MARY SHANNON WITH THE U.S. MARSHALS. 625 00:24:00,221 --> 00:24:02,092 YOU EDWIN TALLTREES? I AM. 626 00:24:02,136 --> 00:24:05,531 ALL RIGHT. 627 00:24:05,574 --> 00:24:08,621 MUST BE A BITCH GETTING PIZZA DELIVERED UP HERE. 628 00:24:12,668 --> 00:24:15,366 HI. 629 00:24:15,410 --> 00:24:16,542 HAVE A SEAT. 630 00:24:16,585 --> 00:24:17,630 THANKS. 631 00:24:19,675 --> 00:24:21,764 I SUPPOSE YOU'RE HERE ABOUT SIENNA BURKE 632 00:24:21,808 --> 00:24:22,939 AND THAT BOY. 633 00:24:22,983 --> 00:24:24,114 WHY WOULD YOU SUPPOSE THAT? 634 00:24:24,158 --> 00:24:26,073 IT'S NO SECRET CALE BURKE AND I 635 00:24:26,116 --> 00:24:28,597 HAD A DISPUTE ABOUT THAT SPECIFIC PIECE OF LAND. 636 00:24:28,641 --> 00:24:30,643 YOU'D BE REMISS NOT TO QUESTION ME. 637 00:24:30,686 --> 00:24:34,211 GOD KNOWS I HATE BEING REMISS. 638 00:24:34,255 --> 00:24:38,128 WHAT CAN YOU TELL ME ABOUT THE MURDERS? 639 00:24:38,172 --> 00:24:41,175 I'M CURIOUS. 640 00:24:41,218 --> 00:24:42,959 WHY IS THE U.S. MARSHAL SERVICE 641 00:24:43,003 --> 00:24:46,572 INTERESTED IN A LOCAL MURDER? 642 00:24:48,661 --> 00:24:50,880 HEY. 643 00:24:50,924 --> 00:24:52,534 HERE'S AN IDEA. 644 00:24:52,578 --> 00:24:54,667 SINCE I'M THE ONE WEARING THE BADGE 645 00:24:54,710 --> 00:24:57,757 AND YOU'RE THE MURDER SUSPECT, 646 00:24:57,800 --> 00:25:01,804 HOW 'BOUT WE STICK TO ME ASKING THE QUESTIONS? 647 00:25:01,848 --> 00:25:03,371 ALL RIGHT. 648 00:25:03,414 --> 00:25:06,330 CALE BURKE AND I ATTENDED STANFORD TOGETHER. 649 00:25:06,374 --> 00:25:08,245 I STOOD UP FOR HIM AT HIS WEDDING. 650 00:25:08,289 --> 00:25:11,248 I WAS AT THE HOSPITAL THE DAY SIENNA WAS BORN. 651 00:25:11,292 --> 00:25:13,903 SHE AND MY SON KYLE PLAYED TOGETHER 652 00:25:13,947 --> 00:25:16,079 EVERY DAY... 653 00:25:16,123 --> 00:25:18,604 UNTIL THEY WENT OFF TO DIFFERENT PRIVATE SCHOOLS. 654 00:25:18,647 --> 00:25:20,301 I WOULD GIVE ANYTHING, 655 00:25:20,344 --> 00:25:21,781 EVERYTHING, 656 00:25:21,824 --> 00:25:24,740 TO BRING HER BACK. 657 00:25:24,784 --> 00:25:27,830 WHAT ELSE? 658 00:25:27,874 --> 00:25:29,789 WHERE WERE YOU LAST NIGHT? 659 00:25:29,832 --> 00:25:30,964 HERE. 660 00:25:31,007 --> 00:25:32,269 WITH KYLE. 661 00:25:32,313 --> 00:25:33,488 WATCHING THE KARATE CHAMPIONSHIPS 662 00:25:33,532 --> 00:25:34,707 ON PAY-PER-VIEW. 663 00:25:34,750 --> 00:25:37,100 WE'RE BOTH STUDENTS OF TAE KWAN DO. 664 00:25:37,144 --> 00:25:40,321 GET MUCH CALL FOR THAT IN REAL ESTATE? 665 00:25:40,364 --> 00:25:43,672 IS THERE ANYTHING ELSE, MARSHAL? 666 00:25:43,716 --> 00:25:46,719 IS KYLE AVAILABLE? 667 00:25:46,762 --> 00:25:48,808 I'D RATHER YOU DIDN'T SPEAK TO KYLE. 668 00:25:48,851 --> 00:25:50,505 HE'S VERY UPSET ABOUT SIENNA. 669 00:25:50,549 --> 00:25:54,161 WOULD YOU RATHER I TAKE HIM IN FOR QUESTIONING? 670 00:25:56,729 --> 00:25:57,686 KYLE, 671 00:25:57,730 --> 00:25:59,253 COME DOWN HERE, PLEASE. 672 00:25:59,296 --> 00:26:02,909 OKAY. 673 00:26:05,564 --> 00:26:07,696 AHH. 674 00:26:07,740 --> 00:26:11,352 YUMMY. 675 00:26:13,746 --> 00:26:15,225 KYLE. 676 00:26:15,269 --> 00:26:16,923 THIS IS MARSHAL SHANNON. 677 00:26:16,966 --> 00:26:19,752 SHE WANTS TO ASK YOU ABOUT SIENNA. 678 00:26:19,795 --> 00:26:20,970 OKAY. 679 00:26:21,014 --> 00:26:22,972 I UNDERSTAND YOU WERE GOOD FRIENDS. 680 00:26:23,016 --> 00:26:25,105 WERE. 681 00:26:25,148 --> 00:26:26,541 SINCE DAD AND UNCLE CALE 682 00:26:26,585 --> 00:26:28,064 HAD THEIR DISAGREEMENT, 683 00:26:28,108 --> 00:26:30,414 WE WEREN'T ALLOWED TO SEE EACH OTHER ANYMORE. 684 00:26:30,458 --> 00:26:32,634 DID YOU KNOW THE BOY SHE WAS WITH? 685 00:26:32,678 --> 00:26:34,549 UH-UH. 686 00:26:34,593 --> 00:26:36,072 I JUST HEARD HE WENT TO HER SCHOOL. 687 00:26:36,116 --> 00:26:37,639 CAN YOU THINK OF ANYONE WHO WOULD WANT 688 00:26:37,683 --> 00:26:40,163 TO DO THIS TO SIENNA? 689 00:26:40,207 --> 00:26:41,687 EVERYBODY LOVED HER. 690 00:26:41,730 --> 00:26:45,952 SHE WAS LIKE... 691 00:26:45,995 --> 00:26:48,563 WELL, YOU JUST COULDN'T HELP IT, YOU KNOW? 692 00:26:48,607 --> 00:26:51,261 IS THAT ENOUGH? 693 00:26:51,305 --> 00:26:52,698 SURE. 694 00:26:52,741 --> 00:26:54,438 JUST ONE MORE THING. 695 00:26:54,482 --> 00:26:55,744 WHERE WERE YOU LAST NIGHT? 696 00:26:55,788 --> 00:26:57,703 I WAS HERE WITH MY DAD 697 00:26:57,746 --> 00:26:59,182 WATCHING THE KARATE CHAMPIONSHIP. 698 00:26:59,226 --> 00:27:02,664 THAT'S WHAT I THOUGHT. 699 00:27:02,708 --> 00:27:04,144 BY THE WAY, WHO WON? 700 00:27:04,187 --> 00:27:08,931 EDGAR SANCHEZ. EDGAR SANCHEZ. 701 00:27:08,975 --> 00:27:11,499 I'M REALLY SORRY ABOUT YOUR FRIEND. 702 00:27:11,542 --> 00:27:12,718 YEAH, IT SUCKS. 703 00:27:12,761 --> 00:27:16,373 THANKS. 704 00:27:19,289 --> 00:27:20,813 I REALLY WANTED TO TURN AROUND 705 00:27:20,856 --> 00:27:22,684 AND POP OFF ONE OF THOSE COLUMBO QUESTIONS. 706 00:27:22,728 --> 00:27:24,555 YOU KNOW, THE INNOCUOUS AFTERTHOUGHT 707 00:27:24,599 --> 00:27:26,557 THAT LETS THE KILLER KNOW THAT I KNOW HE DID IT. 708 00:27:26,601 --> 00:27:27,994 EXCUSE ME, 709 00:27:28,037 --> 00:27:30,692 DO YOU ALWAYS WEAR WHITE SHOES AFTER LABOR DAY? 710 00:27:30,736 --> 00:27:32,302 UNFORTUNATELY, I HAD NO IDEA 711 00:27:32,346 --> 00:27:34,261 IF TALLTREES HAD ANYTHING TO DO WITH THE MURDERS. 712 00:27:34,304 --> 00:27:37,917 AND, MORE IMPORTANTLY, HE WASN'T WEARING SHOES. 713 00:27:40,746 --> 00:27:42,269 AS GOOD AS I AM AT SORTING OUT 714 00:27:42,312 --> 00:27:43,618 OTHER PEOPLE'S LIVES-- 715 00:27:43,662 --> 00:27:44,924 YOU'LL JUST HAVE TO TAKE MY WORD FOR IT, 716 00:27:44,967 --> 00:27:46,403 I'M REALLY GOOD-- 717 00:27:46,447 --> 00:27:48,362 THAT TALENT PALES COMPARED TO MY GENIUS 718 00:27:48,405 --> 00:27:49,668 FOR KEEPING MY OWN LIFE 719 00:27:49,711 --> 00:27:52,975 IN A CONSTANT STATE OF TURMOIL. 720 00:27:53,019 --> 00:27:56,065 I SHOULD HAVE JUST LET YOU WALK FROM THE AIRPORT, 721 00:27:56,109 --> 00:27:58,154 YOU PSYCHO WHACK-JOB. 722 00:27:58,198 --> 00:28:00,156 JUST GIVE ME-- JUST GIVE ME THE KEYS. 723 00:28:00,200 --> 00:28:01,941 A COUPLE OF YEARS FROM NOW, YOU'RE JUST GONNA BE 724 00:28:01,984 --> 00:28:04,247 ANOTHER HAIRNET-WEARIN' CHOLO. 725 00:28:04,291 --> 00:28:05,553 JUST PLEASE GIVE ME MY KEYS. 726 00:28:05,596 --> 00:28:06,728 ARE YOU GONNA HIT ME? 727 00:28:06,772 --> 00:28:07,947 NO, BUT GIVE ME THE KEYS. 728 00:28:07,990 --> 00:28:08,948 COME ON, HIT ME. 729 00:28:08,991 --> 00:28:10,123 ENOUGH. ENOUGH. 730 00:28:10,166 --> 00:28:12,081 JUST GIVE ME MY KEYS.ENOUGH. 731 00:28:12,125 --> 00:28:13,300 I'VE GOT ENOUGH GOING ON WITHOUT HAVING TO DEAL 732 00:28:13,343 --> 00:28:14,736 WITH THIS B.S. 733 00:28:14,780 --> 00:28:16,259 MARY, THANK GOD YOU'RE HERE. 734 00:28:16,303 --> 00:28:17,304 THEY'VE BEEN LIKE THIS FOR HALF AN HOUR. 735 00:28:17,347 --> 00:28:18,958 SHE STOLE MY CAR. 736 00:28:19,001 --> 00:28:20,307 YOU LEFT ME SITTING IN THE MIDDLE OF THE GHETTO. 737 00:28:20,350 --> 00:28:21,743 MARY, PLEASE, WOULD YOU DO SOMETHING 738 00:28:21,787 --> 00:28:23,049 BEFORE THE NEIGHBORS THINK 739 00:28:23,092 --> 00:28:24,485 WE'RE POOR WHITE TRASH? 740 00:28:24,528 --> 00:28:27,314 OH, OBVIOUSLY NOT YOU, RAPHAEL. 741 00:28:27,357 --> 00:28:28,968 GOD, MY HEAD IS JUST SPLITTING. 742 00:28:29,011 --> 00:28:30,709 SHE'S LUCKY I DON'T CALL THE COPS. 743 00:28:30,752 --> 00:28:32,449 RAPHAEL, SHE WAS SCARED. 744 00:28:32,493 --> 00:28:33,973 GO AHEAD, YOU KNOW WHAT, CALL THE COPS. 745 00:28:34,016 --> 00:28:35,801 I'LL JUST TELL THEM ABOUT THAT DIME BAG 746 00:28:35,844 --> 00:28:37,280 I FOUND IN THE CENTER CONSOLE. 747 00:28:37,324 --> 00:28:38,281 IT'S NOT MINE. 748 00:28:38,325 --> 00:28:39,326 DIME BAG OF WHAT? 749 00:28:39,369 --> 00:28:40,457 YOU DON'T GET HIGH? 750 00:28:40,501 --> 00:28:41,763 IS THAT WHAT YOU'RE TELLING ME? 751 00:28:41,807 --> 00:28:42,764 I DON'T GET HIGH. 752 00:28:42,808 --> 00:28:44,026 OKAY, ALL RIGHT. 753 00:28:44,070 --> 00:28:45,811 BOTH OF YOU, STOP IT, STOP IT. 754 00:28:45,854 --> 00:28:46,812 I DON'T KNOW WHOSE DOPE IT IS, AND I DON'T CARE. 755 00:28:46,855 --> 00:28:48,422 I WANT IT OUT OF HERE NOW. 756 00:28:48,465 --> 00:28:50,598 I'M A U.S. MARSHAL, FOR CHRIST'S SAKE. 757 00:28:50,641 --> 00:28:51,947 MA, GO INSIDE AND TAKE SOME ASPIRIN. 758 00:28:51,991 --> 00:28:53,993 BRANDI, GIVE HIM HIS KEYS. 759 00:28:54,036 --> 00:28:55,298 YOU BETTER DON'T THINK THAT STUFF IS MINE. 760 00:28:55,342 --> 00:28:56,343 WHAT KIND OF STUFF? 761 00:28:56,386 --> 00:28:57,779 "YOU BETTER DON'T"? 762 00:28:57,823 --> 00:28:58,954 OH, GOD. IT DOESN'T MATTER, RAPHAEL. 763 00:28:58,998 --> 00:29:00,129 NO, THE HELL IT DOESN'T. 764 00:29:00,173 --> 00:29:01,609 YOU'RE TAKING HER WORD OVER MINE. 765 00:29:01,652 --> 00:29:03,002 I'M NOT TAKING ANYBODY'S WORD. 766 00:29:03,045 --> 00:29:04,003 WHAT PART OF "I DON'T CARE WHOSE IT IS" 767 00:29:04,046 --> 00:29:05,004 IS DIFFICULT FOR YOU? 768 00:29:05,047 --> 00:29:06,222 IS THIS HOW YOU THANK ME 769 00:29:06,266 --> 00:29:07,354 FOR TAKING TIME OUT OF MY DAY OFF 770 00:29:07,397 --> 00:29:08,877 TO PICK UP YOUR PSYCHOTIC SISTER? 771 00:29:08,921 --> 00:29:10,400 YOU WERE SUPPOSED TO DRIVE HER TO MY HOUSE, 772 00:29:10,444 --> 00:29:11,662 NOT INTENTIONALLY SCARE THE CRAP OUTTA HER. 773 00:29:11,706 --> 00:29:13,839 I HAD TO STOP AT THE YOUTH CENTER. 774 00:29:13,882 --> 00:29:14,840 THE SCARING THE CRAP OUT OF HER PART 775 00:29:14,883 --> 00:29:16,537 WAS JUST A BONUS. 776 00:29:16,580 --> 00:29:18,539 IT'S A JUVENILE PRANK THAT BLEW UP IN YOUR FACE. 777 00:29:18,582 --> 00:29:19,801 THEN AFTER SHE STEALS MY CAR, 778 00:29:19,845 --> 00:29:20,802 YOU DON'T EVEN COME AND PICK ME UP. 779 00:29:20,846 --> 00:29:22,325 I WAS BUSY. 780 00:29:22,369 --> 00:29:23,370 WHY CAN'T ANYONE GET IT THROUGH THEIR HEADS? 781 00:29:23,413 --> 00:29:24,371 I HAVE A JOB. 782 00:29:24,414 --> 00:29:26,025 OH, THAT'S RIGHT-- 783 00:29:26,068 --> 00:29:27,417 EVERYBODY'S GOTTA MAKE TIME IN THEIR DAY, BUT NOT MARY. 784 00:29:27,461 --> 00:29:29,158 CRY ME A RIVER. 785 00:29:29,202 --> 00:29:30,420 WHAT DID I PULL YOU AWAY FROM, AN EXTRA SET OF CRUNCHES? 786 00:29:30,464 --> 00:29:31,900 IS THAT ALL YOU THINK I DO? 787 00:29:31,944 --> 00:29:33,946 NO, SOMETIMES I THINK YOU WORK ON YOUR LATS. 788 00:29:33,989 --> 00:29:36,557 HAVE A HAPPY BIRTHDAY. 789 00:29:36,600 --> 00:29:39,081 I'M OUTTA HERE.SEE YA. 790 00:29:39,125 --> 00:29:40,474 YOU HAPPY? 791 00:29:40,517 --> 00:29:41,475 WHAT, I ALREADY GOT RID OF THE STUFF. 792 00:29:41,518 --> 00:29:42,998 WHAT'S THE BIG DRAMA? 793 00:29:43,042 --> 00:29:44,783 OH, MY GOD, BRANDI, WHEN ARE YOU GONNA GROW UP 794 00:29:44,826 --> 00:29:46,480 AND STOP MAKING LIFE MISERABLE 795 00:29:46,523 --> 00:29:47,916 FOR EVERYONE AROUND YOU? 796 00:29:47,960 --> 00:29:49,352 OH, COME ON. 797 00:29:49,396 --> 00:29:50,701 YOU COULDN'T TAKE AN HOUR OFF 798 00:29:50,745 --> 00:29:52,486 FROM SERVING WARRANTS? 799 00:29:52,529 --> 00:29:54,053 OR DRINKING COFFEE AT THE COURTHOUSE? 800 00:29:54,096 --> 00:29:56,185 OR WHATEVER THE HELL IT IS YOU DO 801 00:29:56,229 --> 00:29:58,448 TO PICK UP YOUR SISTER? 802 00:29:58,492 --> 00:30:00,886 OKAY, MA, I KNOW YOU THINK BRANDI'S YOUR PRECIOUS BABY. 803 00:30:00,929 --> 00:30:02,713 SHE'S NOT. 804 00:30:02,757 --> 00:30:04,498 SHE'S A VIRUS, INFECTING EVERYONE AROUND HER. 805 00:30:04,541 --> 00:30:06,021 ALL RIGHT, THAT'S ENOUGH. 806 00:30:06,065 --> 00:30:07,762 AS LONG AS YOU KEEP PROPPING HER UP AND MAKING EXCUSES, 807 00:30:07,806 --> 00:30:09,459 THAT'S ALL SHE'S EVER GONNA BE. 808 00:30:09,503 --> 00:30:10,721 GOD, WOULD YOU STOP IT? 809 00:30:10,765 --> 00:30:11,984 THIS IS YOUR BABY SISTER-- 810 00:30:12,027 --> 00:30:13,855 NOW SHE'S GONNA CRY, 811 00:30:13,899 --> 00:30:15,291 AND YOU'RE GONNA TELL HER EVERYTHING'S OKAY. 812 00:30:15,335 --> 00:30:16,858 AND SOMEHOW, THIS IS ALL GONNA WIND UP MY FAULT. 813 00:30:16,902 --> 00:30:18,338 SO IF YOU DON'T MIND, 814 00:30:18,381 --> 00:30:19,861 I'M GONNA SKIP THE NEXT PART OF THE PROGRAM. 815 00:30:19,905 --> 00:30:21,602 I HAVE TO GET BACK TO WHATEVER THE HELL IT IS I DO. 816 00:30:21,645 --> 00:30:22,603 UGH! 817 00:30:22,646 --> 00:30:25,388 EXCUSE ME. 818 00:30:25,432 --> 00:30:28,043 JUST GIVE ME THE DAMN KEYS. 819 00:30:28,087 --> 00:30:29,392 YOU WANT 'EM? 820 00:30:29,436 --> 00:30:33,048 YEAH. 821 00:30:35,442 --> 00:30:37,357 GO GET 'EM. 822 00:30:40,447 --> 00:30:42,188 NO! DON'T TOUCH ME! 823 00:30:42,231 --> 00:30:44,146 GET YOUR HANDS OFF OF ME! PUT ME DOWN! 824 00:30:48,542 --> 00:30:50,239 YOU GET OUT WHEN I GET THE KEYS. 825 00:30:50,283 --> 00:30:51,414 UP YOURS! 826 00:30:51,458 --> 00:30:53,416 OH, CLASSY. 827 00:30:57,594 --> 00:30:58,813 MARSHALL. 828 00:30:58,857 --> 00:30:59,814 HEY, HOW'S IT COMING? 829 00:30:59,858 --> 00:31:01,163 DRIPS AND DRABS. 830 00:31:01,207 --> 00:31:02,861 I TRACKED DOWN THE GIRL'S BEST FRIEND. 831 00:31:02,904 --> 00:31:04,732 SHE'S AT WORK AT ELSA ROSS. 832 00:31:04,775 --> 00:31:06,299 SO SHE DOESN'T KNOW? 833 00:31:06,342 --> 00:31:08,257 EITHER THAT OR SHE'S GOT A GREAT WORK ETHIC. 834 00:31:08,301 --> 00:31:09,737 ALL RIGHT, I'M ON MY WAY. 835 00:31:09,780 --> 00:31:11,130 TREAD LIGHTLY. 836 00:31:11,173 --> 00:31:14,437 HEY, GIVE ME A LITTLE CREDIT. 837 00:31:16,526 --> 00:31:18,920 OH, GOD. 838 00:31:18,964 --> 00:31:20,922 I CAN'T BELIEVE SHE'S DEAD. 839 00:31:20,966 --> 00:31:22,968 I'M SO SORRY. 840 00:31:23,011 --> 00:31:24,621 AND I CAN'T BELIEVE YOU TRIED ON CLOTHES 841 00:31:24,665 --> 00:31:26,232 BEFORE TELLING ME. 842 00:31:26,275 --> 00:31:28,234 YEAH, AGAIN, 843 00:31:28,277 --> 00:31:30,801 I'M REALLY SORRY. 844 00:31:30,845 --> 00:31:32,629 THOUGHT IT WOULD HELP EASE INTO IT. 845 00:31:34,066 --> 00:31:36,503 I CAN SEE NOW THAT WAS A MISTAKE. 846 00:31:36,546 --> 00:31:37,721 I DON'T KNOW ANYONE 847 00:31:37,765 --> 00:31:40,246 WHO WOULD DO ANYTHING LIKE THIS. 848 00:31:40,289 --> 00:31:42,204 ALL MY FRIENDS ARE REALLY NICE. 849 00:31:42,248 --> 00:31:43,553 WHAT ABOUT FRANKIE? 850 00:31:43,597 --> 00:31:44,946 DID HE HAVE ANY ENEMIES? 851 00:31:44,990 --> 00:31:46,687 I DON'T KNOW. 852 00:31:46,730 --> 00:31:48,210 HE WAS NEW. 853 00:31:48,254 --> 00:31:50,909 HOW LONG HAD HE AND SIENNA BEEN GOING OUT? 854 00:31:50,952 --> 00:31:52,519 THEY WEREN'T GOING OUT. 855 00:31:52,562 --> 00:31:55,870 SIENNA WAS JUST BEING NICE TO HIM. 856 00:31:55,914 --> 00:31:57,916 HE WAS A VIRGIN. 857 00:31:57,959 --> 00:32:01,006 SO SHE WAS GONNA... 858 00:32:01,049 --> 00:32:04,096 YOU KNOW. 859 00:32:04,139 --> 00:32:06,228 THAT IS NICE. 860 00:32:06,272 --> 00:32:08,056 SIENNA WAS LIKE THAT. 861 00:32:08,100 --> 00:32:09,797 OKAY. OKAY. 862 00:32:09,840 --> 00:32:11,712 IS THERE ANYONE WE SHOULD TALK TO? 863 00:32:11,755 --> 00:32:13,148 ANYONE YOU'D WANT TO TALK TO IF YOU WERE ME? 864 00:32:13,192 --> 00:32:15,368 SHE HAD A BOYFRIEND. 865 00:32:15,411 --> 00:32:17,631 I'D WANT TO TALK TO HIM. 866 00:32:17,674 --> 00:32:19,502 OKAY, GOOD. 867 00:32:19,546 --> 00:32:21,461 HE WAS THIS BIG SECRET. 868 00:32:21,504 --> 00:32:22,984 AND I MEAN, REALLY BIG. 869 00:32:23,028 --> 00:32:25,030 SHE WOULDN'T EVEN TELL ME WHAT HE LOOKED LIKE, 870 00:32:25,073 --> 00:32:27,510 AND SHE TOLD ME EVERYTHING. 871 00:32:27,554 --> 00:32:28,772 DID SHE TELL YOU ANYTHING ABOUT HIM? 872 00:32:28,816 --> 00:32:30,165 ANYTHING AT ALL? 873 00:32:30,209 --> 00:32:32,385 JUST THAT HE MADE HER GET THIS STUPID TATTOO. 874 00:32:32,428 --> 00:32:34,430 YOU MEAN THE ONE ON HER CHEST? 875 00:32:34,474 --> 00:32:36,084 OVER HER HEART. 876 00:32:36,128 --> 00:32:38,173 SO HOW COME SHE WAS WITH FRANKIE? 877 00:32:38,217 --> 00:32:39,609 I MEAN, IF SHE HAD 878 00:32:39,653 --> 00:32:41,568 THIS SECRET BOYFRIENDAND ALL? 879 00:32:41,611 --> 00:32:45,964 'CAUSE THEY BROKE UP, LIKE, A MONTH AGO. 880 00:32:46,007 --> 00:32:48,009 DID I FORGET TO MENTION THAT? 881 00:32:48,053 --> 00:32:49,619 YEAH. 882 00:32:49,663 --> 00:32:51,012 YOU KINDA DID. 883 00:32:51,056 --> 00:32:52,840 I'M SORRY. 884 00:32:52,883 --> 00:32:56,496 IT'S OKAY. I'M SORRY. 885 00:32:58,454 --> 00:33:00,239 BEFORE YOU HEAR IT FROM SOMEBODY ELSE, 886 00:33:00,282 --> 00:33:03,503 I SMACKED AN INDIAN'S JOHNSON WITH A BAR OF SOAP TODAY. 887 00:33:03,546 --> 00:33:05,374 JUST THOUGHT YOU SHOULD KNOW. 888 00:33:05,418 --> 00:33:06,941 HAVEN'T WE DONE ENOUGH TO THOSE PEOPLE? 889 00:33:06,985 --> 00:33:08,290 I'M NOT PROUD OF MYSELF. 890 00:33:08,334 --> 00:33:09,596 DID YOU COME UP WITH ANYTHING? 891 00:33:09,639 --> 00:33:11,032 NOT REALLY. 892 00:33:11,076 --> 00:33:12,468 OH, EXCEPT THAT TWO DAYS AGO 893 00:33:12,512 --> 00:33:14,775 A THREE-SECOND CALL CAME INTO SANTORO'S HOUSE 894 00:33:14,818 --> 00:33:17,430 FROM A CELL REGISTERED TO RICHIE MASTRO. 895 00:33:17,473 --> 00:33:19,562 RICHIE MASTRO, SON OF DOMINIC MASTRO. 896 00:33:19,606 --> 00:33:20,607 DON OF DONS, HEAD OF THE FIVE FAMILIES, 897 00:33:20,650 --> 00:33:22,043 CALLED MY FRANKIE? 898 00:33:22,087 --> 00:33:23,697 YES, FREDO. 899 00:33:23,740 --> 00:33:25,046 YOU SURE? 900 00:33:25,090 --> 00:33:26,439 YOU KNOW, IT HURTS WHEN YOU DOUBT ME. 901 00:33:26,482 --> 00:33:27,440 ALL RIGHT, LET'S GO. 902 00:33:27,483 --> 00:33:29,007 NOW WHERE? 903 00:33:29,050 --> 00:33:30,704 FRANKIE NUTS HAS GOT SOME 'SPLAINING TO DO. 904 00:33:30,747 --> 00:33:32,401 DO I GET TO PLAY BAD COP? 905 00:33:32,445 --> 00:33:33,576 LIKE YOU COULD. 906 00:33:33,620 --> 00:33:36,710 OH, DAMN. 907 00:33:36,753 --> 00:33:38,016 WHAT'S THE MATTER? 908 00:33:40,018 --> 00:33:41,541 HI, TASHA. IT'S ME, MARY. 909 00:33:41,584 --> 00:33:43,630 IS YOUR CABLEON YET? 910 00:33:43,673 --> 00:33:46,676 GOOD. 911 00:33:46,720 --> 00:33:48,939 NO, WE CAN ONLY PAY FOR THE BASIC PACKAGE. 912 00:33:48,983 --> 00:33:51,768 HBO AND SHOWTIME ARE EXTRA. 913 00:33:51,812 --> 00:33:54,510 LISTEN, ABOUT YOUR GROCERIES, 914 00:33:54,554 --> 00:33:55,859 SOMETHING'S COME UP. 915 00:33:55,903 --> 00:33:58,862 SO WHAT'S THE BOOK ON YOUNG RICHIE? 916 00:33:58,906 --> 00:34:00,821 WELL, FOR STARTERS, YOU'D HAVE TO SAY 917 00:34:00,864 --> 00:34:02,475 HE'S OF QUESTIONABLE CHARACTER. 918 00:34:02,518 --> 00:34:04,042 TOSSED OUT OF CHOATE, WAS HE? 919 00:34:04,085 --> 00:34:06,087 NYPD HAS HIM UNDER INVESTIGATION 920 00:34:06,131 --> 00:34:07,654 FOR A HANDFUL OF MURDERS. 921 00:34:07,697 --> 00:34:09,395 AND OF PARTICULAR INTEREST, 922 00:34:09,438 --> 00:34:11,701 A FORMER GIRLFRIEND GOT A RESTRAINING ORDER AGAINST HIM 923 00:34:11,745 --> 00:34:14,269 AFTER HE BROKE FOUR OF HER RIBS. 924 00:34:14,313 --> 00:34:16,271 THEN, GUESS WHAT, TWO DAYS LATER 925 00:34:16,315 --> 00:34:17,620 SHE TURNS UP HACKED TO BITS. 926 00:34:17,664 --> 00:34:18,839 NO. 927 00:34:18,882 --> 00:34:20,275 AFRAID SO. 928 00:34:20,319 --> 00:34:22,103 APPARENTLY, OUR BOY'S GOT GIRL ISSUES. 929 00:34:22,147 --> 00:34:23,452 AND LIKES KNIVES. 930 00:34:23,496 --> 00:34:24,627 SO HE DOES JUNIOR, 931 00:34:24,671 --> 00:34:25,628 THEN HAS HIS JOLLIES WITH THE GIRL? 932 00:34:25,672 --> 00:34:26,977 COULD BE. 933 00:34:27,021 --> 00:34:28,370 SOMEHOW HE GOT FRANKIE'S NUMBER. 934 00:34:28,414 --> 00:34:29,415 SO IT WOULD SEEM. 935 00:34:29,458 --> 00:34:30,720 SON OF A BITCH. 936 00:34:30,764 --> 00:34:33,114 A WEEK BEFORE HE TESTIFIES AGAINST DOMINIC. 937 00:34:33,158 --> 00:34:35,769 I BET YOU ANYTHING FRANKIE WAS TRYING TO BROKER A DEAL. 938 00:34:35,812 --> 00:34:37,597 YOU KNOW WHAT I THINK?WHAT? 939 00:34:37,640 --> 00:34:39,512 I THINK FRANKIE MIGHT HAVE BEEN TRYING TO BROKER A DEAL. 940 00:34:39,555 --> 00:34:43,124 YOU'RE AN IDIOT. 941 00:35:02,274 --> 00:35:06,016 WHERE ARE THE PEOPLE WHO WERE STAYING HERE? 942 00:35:06,060 --> 00:35:08,149 LA GENTE, A DONDE ESTAN? 943 00:35:08,193 --> 00:35:10,847 DAMN IT, WHAT LANGUAGE DO YOU SPEAK? 944 00:35:10,891 --> 00:35:12,414 OH, PERFECT, SHE'S DEAF. 945 00:35:12,458 --> 00:35:16,070 YOU HAVE A PEN? 946 00:35:17,767 --> 00:35:18,812 THEY'RE GONE. 947 00:35:18,855 --> 00:35:21,554 SHE DOESN'T KNOW WHERE. 948 00:35:21,597 --> 00:35:23,425 WHAT? 949 00:35:23,469 --> 00:35:27,081 COME ON. 950 00:35:43,228 --> 00:35:44,185 YOU CALLING IN A PHONE TRACE? 951 00:35:44,229 --> 00:35:45,273 THAT'LL TAKE HOURS. 952 00:35:45,317 --> 00:35:46,709 GET A WARRANT, BLAH, BLAH, BLAH. 953 00:35:46,753 --> 00:35:48,407 I NEED TO FIND MASTRO BEFORE HE FINDS FRANKIE, 954 00:35:48,450 --> 00:35:49,625 OR VICE VERSA. 955 00:35:49,669 --> 00:35:51,932 SINCE WHEN DO YOU KNOW SIGN LANGUAGE? 956 00:35:51,975 --> 00:35:53,716 APPARENTLY I DON'T. 957 00:35:53,760 --> 00:35:54,935 HELLO? 958 00:35:54,978 --> 00:35:56,589 HELLO, IS THIS RICHIE? 959 00:35:56,632 --> 00:35:57,764 YOU GOTTA BE KIDDING. 960 00:35:57,807 --> 00:35:59,244 YEAH, WHO'S THIS? 961 00:35:59,287 --> 00:36:01,463 THIS IS NOMI. 962 00:36:01,507 --> 00:36:02,682 I DON'T KNOW IF YOU REMEMBER, 963 00:36:02,725 --> 00:36:04,423 ME AND MY GIRLFRIEND PIAMET YOU 964 00:36:04,466 --> 00:36:06,076 AT COSMO'S A FEW WEEKS AGO. 965 00:36:06,120 --> 00:36:07,904 MAYBE, I MEET A LOT OF CHICKS. 966 00:36:07,948 --> 00:36:09,210 WHAT'S UP? 967 00:36:09,254 --> 00:36:10,907 WELL, PIA AND I WERE JUST TALKING 968 00:36:10,951 --> 00:36:13,345 ABOUT HOW MUCH FUN IT WAS TO HANG OUT WITH YOU, 969 00:36:13,388 --> 00:36:15,956 AND HOW MUCH WE WANTED TO PARTY WITH YOU THAT NIGHT. 970 00:36:15,999 --> 00:36:17,697 AND PIA SAID WE SHOULD JUST CALL YOU 971 00:36:17,740 --> 00:36:18,698 AND SEE WHAT YOU WAS DOING. 972 00:36:18,741 --> 00:36:19,960 NO WAY IN HELL THIS WORKS. 973 00:36:20,003 --> 00:36:22,136 YEAH, MAYBE SOME OTHER TIME. 974 00:36:22,180 --> 00:36:23,442 OH. OH! 975 00:36:23,485 --> 00:36:25,531 OH! 976 00:36:25,574 --> 00:36:27,185 PIA. 977 00:36:27,228 --> 00:36:28,403 WHAT ARE YOU DOING? 978 00:36:28,447 --> 00:36:30,100 PLEASE DON'T TALK DIRTY. 979 00:36:30,144 --> 00:36:32,190 OH, RICHIE, I WISH YOU COULD SEE THIS. 980 00:36:32,233 --> 00:36:33,713 ME TOO. 981 00:36:33,756 --> 00:36:36,890 WHAT EXACTLY IS, UH, PIA DOING TO YOU? 982 00:36:36,933 --> 00:36:40,067 WELL, FIRST OF ALL, I'M LYING ON MY TUMMY, 983 00:36:40,110 --> 00:36:41,590 AND I'M WEARING 984 00:36:41,634 --> 00:36:43,853 THIS REAL SHORT SKIRT. 985 00:36:43,897 --> 00:36:45,507 AND PIA'S TAKING HER TONGUE 986 00:36:45,551 --> 00:36:47,292 AND RUNNING IT ALL THE WAY UP MY-- 987 00:36:47,335 --> 00:36:48,902 OY. 988 00:36:48,945 --> 00:36:50,773 OH! 989 00:36:50,817 --> 00:36:53,254 SWEET MOTHER. 990 00:36:53,298 --> 00:36:54,821 OH! 991 00:36:54,864 --> 00:36:57,040 OH! 992 00:36:57,084 --> 00:36:58,216 OH! 993 00:36:58,259 --> 00:36:59,956 AHH! 994 00:37:00,000 --> 00:37:02,002 AH! 995 00:37:02,045 --> 00:37:03,395 AHHHH. 996 00:37:03,438 --> 00:37:05,962 SHE'S TALKING TO HER MOTHER. 997 00:37:06,006 --> 00:37:08,226 OHH. 998 00:37:08,269 --> 00:37:10,184 AHH. 999 00:37:10,228 --> 00:37:12,708 OH, RICHIE. 1000 00:37:12,752 --> 00:37:15,145 I WANT TO DO YOU LIKE PIA JUST DID ME. 1001 00:37:15,189 --> 00:37:16,408 TELL ME WHERE YOU ARE. 1002 00:37:16,451 --> 00:37:18,279 WE'LL COME OVER IN A CAB. 1003 00:37:18,323 --> 00:37:21,456 THAT IS, IF YOU THINK YOU CAN HANDLE BOTH OF US. 1004 00:37:21,500 --> 00:37:23,197 LISTEN, UH, ROMY-- 1005 00:37:23,241 --> 00:37:24,198 NOMI. 1006 00:37:24,242 --> 00:37:26,069 OKAY, LISTEN, NOMI, 1007 00:37:26,113 --> 00:37:27,897 AS MUCH AS I'D LOVE TO PARTY WITH YOU AND PIA-- 1008 00:37:27,941 --> 00:37:29,377 AND TRUST ME, 1009 00:37:29,421 --> 00:37:31,074 I GOT MORE THAN ENOUGH FOR BOTH OF YOU-- 1010 00:37:31,118 --> 00:37:32,511 THAT'S GONNA BE AN AWFULLY PRICEY CAB RIDE. 1011 00:37:32,554 --> 00:37:34,208 WHY'S THAT? 1012 00:37:34,252 --> 00:37:37,472 'CAUSE I'M IN ALBUQUERQUE, CUPCAKE. 1013 00:37:37,516 --> 00:37:38,995 ALBUQUERQUE?! 1014 00:37:39,039 --> 00:37:40,258 UNBELIEVABLE. 1015 00:37:40,301 --> 00:37:41,476 HOW FUNNY. 1016 00:37:41,520 --> 00:37:42,869 SOME GUY JUST INVITED ME OUT THERE 1017 00:37:42,912 --> 00:37:44,174 TO SOME BALLOON FESTIVAL, 1018 00:37:44,218 --> 00:37:45,915 WHATEVER THE HELL THAT IS. 1019 00:37:45,959 --> 00:37:47,177 NO KIDDING? 1020 00:37:47,221 --> 00:37:49,005 SOME COINCIDENCE, RIGHT? 1021 00:37:49,049 --> 00:37:50,616 HEY, ARE THERE ANY DECENT PLACES 1022 00:37:50,659 --> 00:37:52,226 TO STAY OUT THERE? 1023 00:37:52,270 --> 00:37:53,575 YEAH, THEY GOT ONE REALLY NICE RESORT 1024 00:37:53,619 --> 00:37:54,837 JUST OUTTA TOWN. 1025 00:37:54,881 --> 00:37:57,884 GOLF, SPA, THE WHOLE DEAL. 1026 00:37:57,927 --> 00:37:59,364 THAT SOUNDS-- 1027 00:37:59,407 --> 00:38:02,802 UH-OH, I THINK MY HUSBAND JUST GOT HOME. 1028 00:38:08,286 --> 00:38:10,113 HONEY, I'M HOME. 1029 00:38:10,157 --> 00:38:13,073 MOTHER MARY AND JOSEPH, 1030 00:38:13,116 --> 00:38:14,944 WHAT'S GOING ON HERE? 1031 00:38:14,988 --> 00:38:16,946 WHERE ARE YOUR PANTIES? 1032 00:38:16,990 --> 00:38:20,080 YOU BAD, BAD GIRL. 1033 00:38:20,123 --> 00:38:22,343 I GOTTA GO. 1034 00:38:22,387 --> 00:38:25,346 I'LL CALL YOU BACK. 1035 00:38:25,390 --> 00:38:27,740 THAT'S JUST... 1036 00:38:27,783 --> 00:38:29,829 NOMI? 1037 00:38:29,872 --> 00:38:32,179 FROM SHOWGIRLS. 1038 00:38:32,222 --> 00:38:35,835 SWEET. 1039 00:38:42,755 --> 00:38:43,886 WHO IS IT? 1040 00:38:43,930 --> 00:38:45,540 ROOM SERVICE, MR. MARTELL. 1041 00:38:45,584 --> 00:38:47,107 I HAVE A FRUIT BASKET 1042 00:38:47,150 --> 00:38:48,151 COMPLIMENTS OF THE HOTEL. 1043 00:38:48,195 --> 00:38:51,024 LEAVE IT BY THE DOOR. 1044 00:38:51,067 --> 00:38:54,506 AND A BOTTLE OF DOM PERIGNON. 1045 00:38:54,549 --> 00:38:56,812 I'M NOT ALLOWED TO LEAVE IT OUTSIDE. 1046 00:38:56,856 --> 00:38:58,336 ALL RIGHT, HOLD ON. 1047 00:38:58,379 --> 00:39:02,427 PAIN IN THE ASS. 1048 00:39:02,470 --> 00:39:06,082 FREEZE! 1049 00:39:09,303 --> 00:39:10,391 DON'T EVEN FART. 1050 00:39:10,435 --> 00:39:11,697 MY WALLET'S ON THE BAR. 1051 00:39:11,740 --> 00:39:13,220 TAKE WHATEVER YOU WANT. 1052 00:39:13,263 --> 00:39:14,874 WE'RE NOT HERE TO ROB YOU, YOU STUPID HUMP. 1053 00:39:14,917 --> 00:39:16,441 WE'RE U.S. MARSHALS. 1054 00:39:16,484 --> 00:39:17,877 I DIDN'T DO NOTHING. 1055 00:39:17,920 --> 00:39:19,357 OH, YEAH? 1056 00:39:19,400 --> 00:39:20,358 ISN'T THAT CUTE? 1057 00:39:20,401 --> 00:39:24,492 THAT AIN'T MINE. 1058 00:39:28,409 --> 00:39:29,628 WHERE'S FRANKIE? 1059 00:39:29,671 --> 00:39:30,977 FRANKIE WHO? 1060 00:39:31,020 --> 00:39:33,240 SANTORO, WHERE IS HE? 1061 00:39:33,283 --> 00:39:36,417 FRANKIE NUTS, HOW THE HELL SHOULD I KNOW? 1062 00:39:36,461 --> 00:39:37,984 AHH, WHAT ARE YOU, A NUN? 1063 00:39:38,027 --> 00:39:39,420 QUIT SCREWING WITH ME. 1064 00:39:39,464 --> 00:39:40,726 I KNOW YOUR FATHER SENT YOU TO KILL HIM. 1065 00:39:40,769 --> 00:39:42,423 NOW TELL ME WHERE HE IS, OR SO HELP ME 1066 00:39:42,467 --> 00:39:44,599 I WILL FEED THIS EAR TO MY MOTHER'S POODLES. 1067 00:39:44,643 --> 00:39:45,861 I THOUGHT THEY WERE SHIH TZUS. 1068 00:39:45,905 --> 00:39:47,167 FOCUS, MARSHALL. 1069 00:39:50,300 --> 00:39:52,215 WHERE THE HELL ARE YOU? 1070 00:39:52,259 --> 00:39:54,653 I THOUGHT I TOLD YOU TO STAY PUT. 1071 00:39:54,696 --> 00:39:56,698 NO, IT ISN'T ALL RIGHT. STAY THERE. 1072 00:39:56,742 --> 00:39:58,178 I'M COMING OVER. 1073 00:39:58,221 --> 00:39:59,875 SOMETHING'S COME UP. 1074 00:39:59,919 --> 00:40:01,442 BE A DEAR AND TAKE HIM IN. 1075 00:40:01,486 --> 00:40:02,661 YES, HONEY. 1076 00:40:02,704 --> 00:40:04,053 SHALL I PICK UP YOUR DRY CLEANING 1077 00:40:04,097 --> 00:40:05,315 WHILE I'M AT IT? 1078 00:40:05,359 --> 00:40:06,491 TAKE ME IN? 1079 00:40:06,534 --> 00:40:08,101 WHAT FOR? 1080 00:40:08,144 --> 00:40:10,277 FOR ENDING AN INTERROGATORY WITH A PREPOSITION. 1081 00:40:10,320 --> 00:40:12,758 HEY, THAT'S A $6 CANDY BAR. 1082 00:40:12,801 --> 00:40:14,324 PUT THESE ON, AND SHUT UP. 1083 00:40:14,368 --> 00:40:17,937 EASY. 1084 00:40:30,515 --> 00:40:32,473 HEY. 1085 00:40:32,517 --> 00:40:33,953 LET ME EXPLAIN SOMETHING TO YOU. 1086 00:40:33,996 --> 00:40:34,997 WHEN I TELL YOU TO STAY SOMEPLACE, 1087 00:40:35,041 --> 00:40:36,172 YOU STAY THERE. 1088 00:40:36,216 --> 00:40:37,391 YOU CAN'T JUST CHANGE LOCATIONS 1089 00:40:37,435 --> 00:40:38,697 WITHOUT TELLING ME. 1090 00:40:38,740 --> 00:40:40,133 I DON'T HAVE TIME TO GO CHASING 1091 00:40:40,176 --> 00:40:42,657 ALL OVER HELL AND HIGH WATER LOOKING FOR YOU. 1092 00:40:42,701 --> 00:40:44,703 THIS GOES FOR YOU, TOO, FELICIA. 1093 00:40:44,746 --> 00:40:49,185 I NEEDED TO LIGHT A CANDLE. 1094 00:40:49,229 --> 00:40:50,622 LISTEN, I KNOW YOU TWO ARE HURTING, 1095 00:40:50,665 --> 00:40:52,319 BUT THIS-- 1096 00:40:52,362 --> 00:40:55,627 THIS IS NOT HOW THE PROGRAM WORKS. 1097 00:40:55,670 --> 00:40:57,237 WE CHECKED INTO THE MARRIOTT. 1098 00:40:57,280 --> 00:40:59,108 THE OTHER PLACE WAS TOO DEPRESSING. 1099 00:40:59,152 --> 00:41:02,155 THE BEDSPREADS HAD STAINS. 1100 00:41:04,244 --> 00:41:06,420 HOW DOES RICHIE MASTRO HAVE YOUR PHONE NUMBER? 1101 00:41:06,464 --> 00:41:07,943 WHAT? 1102 00:41:07,987 --> 00:41:09,336 YOU HEARD ME. 1103 00:41:09,379 --> 00:41:10,511 HE CALLED YOUR HOUSE TWO DAYS AGO AND HUNG UP 1104 00:41:10,555 --> 00:41:11,991 LIKE HE WAS CHECKING THE NUMBER. 1105 00:41:12,034 --> 00:41:12,992 I KNOW I DIDN'T GIVE IT TO HIM. 1106 00:41:13,035 --> 00:41:14,297 SO WHO DID? 1107 00:41:14,341 --> 00:41:15,734 WELL, IT CERTAINLY WASN'T ME. 1108 00:41:15,777 --> 00:41:17,779 I HAVEN'T CONTACTED ANYBODY. 1109 00:41:17,823 --> 00:41:18,780 OH, GOD. 1110 00:41:18,824 --> 00:41:20,042 WHAT? 1111 00:41:20,086 --> 00:41:23,132 OH, GOD, DID I GET FRANKIE KILLED? 1112 00:41:23,176 --> 00:41:24,482 WHAT? TELL US WHAT YOU DID, FELICIA. 1113 00:41:24,525 --> 00:41:25,657 YOU STUPID-- 1114 00:41:25,700 --> 00:41:26,658 SHH! 1115 00:41:26,701 --> 00:41:28,050 WHAT HAPPENED? 1116 00:41:28,094 --> 00:41:29,095 HAVE YOU BEEN TALKING TO SOMEONE? 1117 00:41:29,138 --> 00:41:31,358 NO, NO. NO, I SWEAR. 1118 00:41:31,401 --> 00:41:33,229 NOT ON THE PHONE. 1119 00:41:33,273 --> 00:41:35,101 ON THE INTERNET. 1120 00:41:35,144 --> 00:41:36,711 ME AND CATHY, WE BEEN EMAILING EACH OTHER. 1121 00:41:36,755 --> 00:41:38,452 BUT I NEVER TOLD HER WHERE WE WERE. 1122 00:41:38,496 --> 00:41:39,584 AND I DIDN'T GIVE OUR NUMBER. 1123 00:41:39,627 --> 00:41:40,628 I SWEAR ON MY LIFE. 1124 00:41:40,672 --> 00:41:41,673 WHO'S CATHY? 1125 00:41:41,716 --> 00:41:43,239 IT'S MASTRO'S WIFE. 1126 00:41:43,283 --> 00:41:44,763 THEY'VE BEEN FRIENDS SINCE GRADE SCHOOL. 1127 00:41:44,806 --> 00:41:46,199 HE MUST HAVE FOUND OUT, 1128 00:41:46,242 --> 00:41:47,983 AND HE TAPPED OUR ISP. 1129 00:41:48,027 --> 00:41:49,550 LISTEN, FELICIA, WE DON'T KNOW 1130 00:41:49,594 --> 00:41:51,160 THAT MASTRO HAD ANYTHING TO DO WITH THIS. 1131 00:41:51,204 --> 00:41:53,206 I KILLED MY SON. 1132 00:41:53,249 --> 00:41:55,687 HEY, DON'T DO THIS TO YOURSELF. 1133 00:41:55,730 --> 00:41:57,123 YOU TELL ME WHERE 1134 00:41:57,166 --> 00:41:59,560 THAT SON OF A BITCH MASTRO IS RIGHT NOW. 1135 00:41:59,604 --> 00:42:01,257 OH. 1136 00:42:01,301 --> 00:42:03,129 DO WE HAVE ANYTHING TO HOLD HIM ON? 1137 00:42:03,172 --> 00:42:04,522 TAMPERING WITH A WITNESS. 1138 00:42:04,565 --> 00:42:05,653 MAYBE HAMPERING A PROSECUTION. 1139 00:42:05,697 --> 00:42:07,699 YEAH. WHAT ABOUT THE MURDER? 1140 00:42:07,742 --> 00:42:10,397 UNLESS SOMETHING TURNS UP, HE WALKS IN 48 HOURS. 1141 00:42:10,440 --> 00:42:11,572 YEAH, YEAH, THAT'S WHAT I FIGURED. 1142 00:42:11,616 --> 00:42:15,315 SO, I, UH... 1143 00:42:15,358 --> 00:42:17,143 RETURNED THE PERFUME. 1144 00:42:17,186 --> 00:42:18,927 SMART MOVE. 1145 00:42:18,971 --> 00:42:22,496 AND... 1146 00:42:22,540 --> 00:42:23,628 I GOT HER THESE. 1147 00:42:23,671 --> 00:42:24,716 WOW. 1148 00:42:24,759 --> 00:42:26,239 I'LL BET THESE SET YOU BACK. 1149 00:42:26,282 --> 00:42:27,283 OH, SURE. 1150 00:42:27,327 --> 00:42:28,502 VERY PRETTY. 1151 00:42:28,546 --> 00:42:29,547 SO YOU THINK SHE'LL LIKE 'EM? 1152 00:42:29,590 --> 00:42:31,810 HAVE YOU EVER MET MARY? 1153 00:42:31,853 --> 00:42:33,594 WHAT? WHAT? THEY'RE SHOES. 1154 00:42:33,638 --> 00:42:35,291 ALL WOMEN LOVE SHOES. MARY'S A WOMAN. 1155 00:42:35,335 --> 00:42:37,076 IPSO FACTO, MARY LOVES SHOES. 1156 00:42:37,119 --> 00:42:38,599 SO SAD. 1157 00:42:38,643 --> 00:42:39,818 NO, NO, OKAY, THIS TIME YOU'RE WRONG. 1158 00:42:39,861 --> 00:42:41,297 MARY'S GONNA LO--HEY, GUYS. 1159 00:42:41,341 --> 00:42:43,038 OH, MY GOD. 1160 00:42:43,082 --> 00:42:44,997 THAT'S JUST EVIDENCE--EVIDENCE 1161 00:42:45,040 --> 00:42:46,302 FROM A CASE-- ANOTHER CASE. 1162 00:42:46,346 --> 00:42:47,695 CAN YOU BELIEVE WOMEN ACTUALLY WEAR THESE? 1163 00:42:47,739 --> 00:42:49,262 "OH, MY GOD, LOOK AT ME. 1164 00:42:49,305 --> 00:42:52,047 I'M A COSMO-DRINKING MANHATTAN WHORE." 1165 00:42:52,091 --> 00:42:54,441 IMAGINE THAT. 1166 00:42:54,484 --> 00:42:55,921 NOT A WORD. 1167 00:42:55,964 --> 00:42:57,662 ANYONE TALK TO HIM YET? 1168 00:42:57,705 --> 00:42:59,272 YEAH, THE FBI'S SENDING SOMEBODY DOWN. 1169 00:42:59,315 --> 00:43:00,490 I NEED TO TALK TO HIM FIRST. 1170 00:43:00,534 --> 00:43:01,709 JUST HANG ON A SECOND, MARY. 1171 00:43:01,753 --> 00:43:02,841 ALL RIGHT, YOUR WITNESS IS SAFE. 1172 00:43:02,884 --> 00:43:04,190 YOU DID YOUR JOB. 1173 00:43:04,233 --> 00:43:05,670 HOW 'BOUT WE JUST LET THE FBI DO THEIRS? 1174 00:43:05,713 --> 00:43:07,193 HOW 'BOUT WE SCREW THE FBI? 1175 00:43:07,236 --> 00:43:08,498 I NEED TO KNOW IF MASTRO KILLED FRANKIE JUNIOR. 1176 00:43:08,542 --> 00:43:09,935 AND YOU KNOW AS SOON AS THE FEDS GET HERE 1177 00:43:09,978 --> 00:43:11,153 WE'RE OUT OF THE LOOP. 1178 00:43:11,197 --> 00:43:12,241 AM I RIGHT, STAN? 1179 00:43:12,285 --> 00:43:14,243 ALL RIGHT, DO WHAT YOU GOTTA DO. 1180 00:43:14,287 --> 00:43:17,246 THE FEDS SHOW UP, I'LL DEAL WITH 'EM. 1181 00:43:17,290 --> 00:43:21,468 ALL RIGHT THEN. 1182 00:43:21,511 --> 00:43:22,904 WHAT ARE YOU GONNA DO, 1183 00:43:22,948 --> 00:43:25,777 BEAT THEM OFF WITH YOUR STRAPPY LITTLE PUMPS? 1184 00:43:25,820 --> 00:43:27,866 WAKE UP, DOUCHEBAG. 1185 00:43:27,909 --> 00:43:29,084 WISH I HAD A NICKEL 1186 00:43:29,128 --> 00:43:30,608 FOR EVERY TIME I HEARD THAT. 1187 00:43:30,651 --> 00:43:31,696 WHY ARE YOU IN ALBUQUERQUE? 1188 00:43:31,739 --> 00:43:32,871 WHY ARE YOU BUSTING MY BALLS? 1189 00:43:32,914 --> 00:43:33,872 'CAUSE I CAN. 1190 00:43:33,915 --> 00:43:35,308 NOW ANSWER MY QUESTION. 1191 00:43:35,351 --> 00:43:38,180 I BET YOU'RE A TIGHT LITTLE RIDE. 1192 00:43:38,224 --> 00:43:41,793 OOH, THAT WAS A MISTAKE. 1193 00:43:44,709 --> 00:43:45,971 YOU LITTLE BITCH. 1194 00:43:46,014 --> 00:43:47,494 DID YOU KILL FRANKIE JUNIOR? 1195 00:43:47,537 --> 00:43:49,322 I ASSUME THAT'S A RHETORICAL QUESTION. 1196 00:43:49,365 --> 00:43:50,758 "RHETORICAL." 1197 00:43:50,802 --> 00:43:52,586 THAT'S A PRETTY BIG WORD FOR A MORON. 1198 00:43:52,630 --> 00:43:55,589 INTERESTING INTERROGATION TECHNIQUE. 1199 00:43:55,633 --> 00:43:57,809 DOES THE NAME CALLING THING USUALLY GET GUYS TO CONFESS? 1200 00:43:57,852 --> 00:44:00,289 'CAUSE FRANKLY, I FIND IT A LITTLE OFF-PUTTING. 1201 00:44:00,333 --> 00:44:02,422 OH, COME ON. JUST TELL ME. 1202 00:44:02,465 --> 00:44:04,250 NO ONE ELSE HAS TO KNOW. 1203 00:44:04,293 --> 00:44:05,947 ARE THOSE REAL? 1204 00:44:05,991 --> 00:44:09,168 GO AHEAD, TAKE A GOOD LONG LOOK. 1205 00:44:09,211 --> 00:44:10,778 'CAUSE IT'S THE LAST PAIR YOU'RE EVER GONNA SEE. 1206 00:44:10,822 --> 00:44:13,128 AND WHY'S THAT, PUSSYCAT? 1207 00:44:13,172 --> 00:44:15,522 'CAUSE, RICHIE BABY, 1208 00:44:15,565 --> 00:44:18,090 ME AND MY FRIEND PIA WOULD DOUBLE-TEAM DICK CHENEY, 1209 00:44:18,133 --> 00:44:20,005 IF THAT'S WHAT IT TAKES TO PUT YOU AWAY. 1210 00:44:26,751 --> 00:44:28,013 DID HE DO IT? 1211 00:44:28,056 --> 00:44:31,494 DON'T KNOW. 1212 00:44:33,714 --> 00:44:35,237 SO WHO'S PIA? 1213 00:44:35,281 --> 00:44:37,631 AND WHAT DOES DICK CHENEY HAVE TO DO WITH THIS? 1214 00:44:37,675 --> 00:44:39,241 HMM? 1215 00:44:39,285 --> 00:44:40,852 AND WHY IS IT I NEVER KNOW WHAT'S GOING ON? 1216 00:44:40,895 --> 00:44:44,159 YOU'RE A BIG PICTURE GUY, STAN. 1217 00:44:44,203 --> 00:44:48,729 MM-HMM. 1218 00:44:57,564 --> 00:45:00,045 SO THIS IS WHERE THE REAL POLICE WORK, HUH? 1219 00:45:00,088 --> 00:45:01,220 HEY, MARSHAL. 1220 00:45:01,263 --> 00:45:04,571 AND MAY I ADD, HAPPY BIRTHDAY. 1221 00:45:04,614 --> 00:45:06,181 YEAH. 1222 00:45:06,225 --> 00:45:08,401 SO FAR IT'S BEEN A REAL PISSER. 1223 00:45:08,444 --> 00:45:10,925 SO YOU COME UP WITH ANYTHING INTERESTING? 1224 00:45:10,969 --> 00:45:12,274 OH, IT'S ALL INTERESTING. 1225 00:45:12,318 --> 00:45:13,928 SPOKE WITH THE GIRL'S PARENTS, FRIENDS. 1226 00:45:13,972 --> 00:45:15,321 CHECKED THE CELL PHONE RECORDS. 1227 00:45:15,364 --> 00:45:16,583 ACCORDING TO SIENNA'S BEST FRIEND, 1228 00:45:16,626 --> 00:45:17,584 SHE HAD A SECRET BOYFRIEND. 1229 00:45:17,627 --> 00:45:19,281 NOBODY'S EVER SEEN HIM. 1230 00:45:19,325 --> 00:45:21,283 DOESN'T EVEN GET A MENTION IN HER DIARY. 1231 00:45:21,327 --> 00:45:22,502 SO IF THERE WAS A BOYFRIEND, 1232 00:45:22,545 --> 00:45:23,546 THE GUY'S A GHOST. 1233 00:45:23,590 --> 00:45:25,026 MAYBE IT'S SOMEONE OLDER. 1234 00:45:25,070 --> 00:45:26,071 NEEDED PROTECTION? 1235 00:45:26,114 --> 00:45:27,594 LIKE A TEACHER,OR MAYBE 1236 00:45:27,637 --> 00:45:29,552 AN EX-BUSINESS ASSOCIATE OF HER FATHER. 1237 00:45:29,596 --> 00:45:32,164 HEY, YOU THINK JUST LIKE A COP. 1238 00:45:32,207 --> 00:45:33,861 GO FIGURE. 1239 00:45:33,905 --> 00:45:34,906 WHAT ABOUT FORENSICS? 1240 00:45:34,949 --> 00:45:36,211 ANYTHING COME IN YET? 1241 00:45:36,255 --> 00:45:37,778 NO, WON'T SEE ANYTHING UNTIL TOMORROW. 1242 00:45:37,822 --> 00:45:39,998 I WAS JUST ABOUT TO PACK IT IN FOR THE DAY. 1243 00:45:40,041 --> 00:45:42,087 THAT'S PROBABLY A GOOD IDEA. 1244 00:45:42,130 --> 00:45:45,264 DID YOU CHECK OUT TALLTREES AND HIS SON? 1245 00:45:45,307 --> 00:45:47,483 YEAH, GUY'S A REAL PIECE OF WORK. 1246 00:45:47,527 --> 00:45:49,572 UNFORTUNATELY, THERE'S NOTHING TO CONNECT 1247 00:45:49,616 --> 00:45:51,183 HIM OR HIS SON TO ANY OF THIS. 1248 00:45:51,226 --> 00:45:52,967 KINDA WHAT I GOT TOO. 1249 00:45:53,011 --> 00:45:56,754 SO, UH, HOW 'BOUT YOU? 1250 00:45:56,797 --> 00:45:59,191 WHAT CAN YOU TELL ME ABOUT THE BOY WITH TWO NAMES? 1251 00:45:59,234 --> 00:46:00,888 I WAS SUPPOSED TO INTERVIEW HIS PARENTS, 1252 00:46:00,932 --> 00:46:02,411 BUT GUESS WHAT-- THEY'RE SUDDENLY 1253 00:46:02,455 --> 00:46:03,804 NOWHERE TO BE FOUND. 1254 00:46:03,848 --> 00:46:07,068 HUH, MAYBE THEY'RE ON VACATION. 1255 00:46:07,112 --> 00:46:09,375 LOOK, MARSHAL, 1256 00:46:09,418 --> 00:46:10,637 I GET IT. 1257 00:46:10,680 --> 00:46:13,248 YOU OPERATE UNDER THE CLOAK OF DARKNESS. 1258 00:46:13,292 --> 00:46:14,989 ONLY BOY WONDER KNOWS YOUR TRUE IDENTITY. 1259 00:46:15,033 --> 00:46:16,251 BUT GUESS WHAT, 1260 00:46:16,295 --> 00:46:17,905 I TAKE THIS MURDER-SOLVING BUSINESS 1261 00:46:17,949 --> 00:46:19,733 PRETTY SERIOUSLY. 1262 00:46:19,777 --> 00:46:20,952 SO EITHER SHARE WHAT YOU'VE GOT 1263 00:46:20,995 --> 00:46:24,782 OR QUIT WASTING MY TIME. 1264 00:46:31,223 --> 00:46:32,572 OH, AND BY THE WAY, 1265 00:46:32,615 --> 00:46:34,182 TOOK ME ALL OF TWO MINUTES TO GET ON THE PHONE 1266 00:46:34,226 --> 00:46:35,662 WITH AN NYPD CAPTAIN, 1267 00:46:35,705 --> 00:46:38,926 GET THE WHOLE 411 ON FRANKIE NUTS. 1268 00:46:38,970 --> 00:46:41,494 SO WHAT'S IT GONNA BE? 1269 00:46:41,537 --> 00:46:43,888 SORRY. 1270 00:46:43,931 --> 00:46:47,195 I GOT NOTHING. 1271 00:46:47,239 --> 00:46:49,023 THAT'S WHAT I FIGURED. 1272 00:46:49,067 --> 00:46:50,459 IT'S MARY'S WORLD. 1273 00:46:50,503 --> 00:46:52,026 THE REST OF US ARE JUST HERE FOR HOUSEKEEPING. 1274 00:46:52,070 --> 00:46:53,071 HEY, YOU DON'T KNOW ME. 1275 00:46:53,114 --> 00:46:54,899 REALLY? 1276 00:46:54,942 --> 00:46:56,552 LET'S SEE. 1277 00:46:56,596 --> 00:46:58,816 TYPICAL RELATIONSHIP HAS A SHELF LIFE 1278 00:46:58,859 --> 00:47:01,862 OF, OH, I'D SAY ABOUT A MONTH TOPS. 1279 00:47:01,906 --> 00:47:03,472 NO REAL FRIENDS. 1280 00:47:03,516 --> 00:47:04,909 CAN'T QUITE FIGURE OUT WHY YOU'RE ALWAYS 1281 00:47:04,952 --> 00:47:06,084 ON THE OUTSIDE LOOKING IN. 1282 00:47:06,127 --> 00:47:07,868 NO ONE "GETS YOU." 1283 00:47:07,912 --> 00:47:09,957 BUT HEY, THAT'S THEIR PROBLEM. 1284 00:47:10,001 --> 00:47:13,656 HOW AM I DOING? 1285 00:47:27,061 --> 00:47:32,023 THAT'S REAL MATURE. 1286 00:47:32,066 --> 00:47:36,157 AND SHE STOLE MY DAMN PEN. 1287 00:47:36,201 --> 00:47:38,464 OKAY, IT'S BEEN SAID I DON'T ALWAYS 1288 00:47:38,507 --> 00:47:39,987 PLAY WELL WITH OTHERS. 1289 00:47:40,031 --> 00:47:41,206 MAYBE EVEN AT TIMES 1290 00:47:41,249 --> 00:47:43,861 I PROJECT A PRICKLY EXTERIOR. 1291 00:47:43,904 --> 00:47:48,300 BUT IN RESPONSE TO THAT, AND IN MY DEFENSE... 1292 00:47:48,343 --> 00:47:49,954 I HAVE SOMETHING TO SAY. 1293 00:47:49,997 --> 00:47:51,390 COME IN. 1294 00:47:51,433 --> 00:47:52,870 NO, I STILL HAVE WORK TO DO. 1295 00:47:52,913 --> 00:47:54,219 AND WE BOTH KNOW WHAT'LL HAPPEN IF I COME IN. 1296 00:47:54,262 --> 00:47:56,961 WELL, BUT IT'S, LIKE, 112 OUT THERE. 1297 00:47:57,004 --> 00:47:59,702 THIS'LL JUST TAKE A MINUTE. 1298 00:47:59,746 --> 00:48:01,879 EARLIER AT MY HOUSE, 1299 00:48:01,922 --> 00:48:03,358 I MAY HAVE GIVEN 1300 00:48:03,402 --> 00:48:05,752 THE IMPRESSION THAT I DIDN'T BELIEVE YOU, 1301 00:48:05,795 --> 00:48:10,017 OR THAT I WASN'T APPRECIATIVE OF YOU PICKING UP BRANDI. 1302 00:48:10,061 --> 00:48:11,932 IS THIS AN APOLOGY? 1303 00:48:11,976 --> 00:48:15,196 PLEASE DON'T PUT WORDS IN MY MOUTH. 1304 00:48:15,240 --> 00:48:17,807 I JUST WANT TO CLARIFY. 1305 00:48:17,851 --> 00:48:19,418 THAT IS, UM, 1306 00:48:19,461 --> 00:48:22,377 EXPLAIN-- 1307 00:48:22,421 --> 00:48:24,814 MY GOD, IT'S HOT OUT HERE. 1308 00:48:24,858 --> 00:48:26,425 WOULD YOU PLEASE COME INSIDE? 1309 00:48:26,468 --> 00:48:31,082 YOU'RE LETTING ALL THE COOL AIR OUT. 1310 00:48:31,125 --> 00:48:32,735 OKAY, BUT JUST SO I CAN EXPLAIN. 1311 00:48:32,779 --> 00:48:37,566 YEAH. 1312 00:48:46,271 --> 00:48:48,664 YOUR EXPLANATIONS HAVE-- 1313 00:48:48,708 --> 00:48:52,016 HAVE A CERTAIN JE NE SAIS QUOI. 1314 00:48:56,194 --> 00:48:57,847 IS THAT WHAT I JUST DID?YEAH. 1315 00:48:57,891 --> 00:48:59,284 I MEAN, I KNEW IT WAS FRENCH. 1316 00:48:59,327 --> 00:49:01,416 I JUST DIDN'T KNOW THEY HAD A NAME FOR IT. 1317 00:49:01,460 --> 00:49:05,638 OH, THEY HAVE A NAME FOR EVERYTHING. 1318 00:49:05,681 --> 00:49:09,250 OH, MAN. 1319 00:49:18,868 --> 00:49:21,132 I'M SORRY ABOUT BEFORE. 1320 00:49:21,175 --> 00:49:23,569 I KNOW. 1321 00:49:23,612 --> 00:49:25,092 HAPPY BIRTHDAY. 1322 00:49:25,136 --> 00:49:29,836 HAPPY BIRTHDAY. 1323 00:49:29,879 --> 00:49:31,055 HEY, WOULD YOU BE UPSET 1324 00:49:31,098 --> 00:49:34,754 IF I SKIP YOUR SURPRISE PARTY? 1325 00:49:36,974 --> 00:49:39,367 UH, I DON'T KNOW. 1326 00:49:39,411 --> 00:49:40,586 I GUESS NOT. 1327 00:49:40,629 --> 00:49:41,891 WHY? 1328 00:49:41,935 --> 00:49:44,590 WELL, TRUTH, I KINDA HAD MY FILL 1329 00:49:44,633 --> 00:49:47,549 OF YOUR FAMILY FOR ONE DAY. 1330 00:49:47,593 --> 00:49:51,205 AND BESIDES, YOU AND ME KINDA 1331 00:49:51,249 --> 00:49:52,946 ALREADY DID OUR THING. 1332 00:49:52,990 --> 00:49:55,383 YOU KNOW? 1333 00:49:55,427 --> 00:49:58,734 OKAY. 1334 00:49:58,778 --> 00:49:59,735 YOU WANT ME TO COME? 1335 00:49:59,779 --> 00:50:01,302 NO, I DON'T. 1336 00:50:01,346 --> 00:50:02,347 YOU SHOULD DO WHAT YOU WANT. 1337 00:50:02,390 --> 00:50:03,565 YOU DON'T CARE, HUH? 1338 00:50:03,609 --> 00:50:05,002 NO, I DON'T. 1339 00:50:05,045 --> 00:50:07,569 LIKE YOU SAID, WE ALREADY DID OUR THING. 1340 00:50:07,613 --> 00:50:09,484 WHEN IT COMES RIGHT DOWN TO IT, 1341 00:50:09,528 --> 00:50:12,835 I DON'T HAVE A REASONABLE RIGHT TO CARE. 1342 00:50:12,879 --> 00:50:15,534 WELL, YOU'RE GONNA HAVE TO EXPLAIN THAT ONE. 1343 00:50:15,577 --> 00:50:16,578 THIS IS WHAT WE DO. 1344 00:50:16,622 --> 00:50:17,579 RAPHAEL, THIS IS OUR THING. 1345 00:50:17,623 --> 00:50:19,016 WE HAVE SEX, 1346 00:50:19,059 --> 00:50:21,366 THEN WE SAY GOOD-BYE, WHICH IS FINE. 1347 00:50:21,409 --> 00:50:25,022 WE'RE BOTH SMART ENOUGH TO KNOW WE'RE NEVER-- 1348 00:50:25,065 --> 00:50:26,023 I DON'T HAVE A REASONABLE RIGHT TO CARE 1349 00:50:26,066 --> 00:50:27,372 WHAT YOU DO BEYOND THIS, 1350 00:50:27,415 --> 00:50:32,203 BECAUSE THIS IS AS FAR AS WE GO. 1351 00:50:32,246 --> 00:50:35,075 HOW CAN SOMEONE THAT BURNS SO HOT 1352 00:50:35,119 --> 00:50:38,513 BE SO COLD? 1353 00:50:38,557 --> 00:50:39,906 I DON'T KNOW, IT'S A GREAT QUESTION. 1354 00:50:39,949 --> 00:50:41,690 GIVE ME A CALL IF YOU FIGURE IT OUT. 1355 00:50:48,958 --> 00:50:53,224 ♪ YOU GOT THE COOL WATER ♪ 1356 00:50:53,267 --> 00:50:56,401 ♪ WHEN THE FEVER RUNS HIGH ♪ 1357 00:51:00,970 --> 00:51:02,450 ♪ YOU GOT THE LOOK 1358 00:51:02,494 --> 00:51:05,758 ♪ OF LOVE LIGHT IN YOUR EYES ♪ 1359 00:51:05,801 --> 00:51:08,543 ♪ AND I WAS IN CRAZY MOTION 1360 00:51:08,587 --> 00:51:10,415 WE ALL LIVE IN HIDING. 1361 00:51:10,458 --> 00:51:11,807 IN ONE WAY OR ANOTHER, 1362 00:51:11,851 --> 00:51:13,157 EACH OF US CONCEALS PIECES OF OURSELVES 1363 00:51:13,200 --> 00:51:14,636 FROM THE REST OF THE WORLD. 1364 00:51:14,680 --> 00:51:15,942 SOME PEOPLE HIDE 1365 00:51:15,985 --> 00:51:17,987 BECAUSE THEIR LIVES DEPEND ON IT. 1366 00:51:18,031 --> 00:51:20,381 OTHERS BECAUSE THEY DON'T LIKE BEING SEEN. 1367 00:51:20,425 --> 00:51:22,470 AND THEN THERE ARE THOSE SPECIAL CASES-- 1368 00:51:22,514 --> 00:51:24,733 THE ONES WHO HIDE BECAUSE... 1369 00:51:24,777 --> 00:51:26,431 BECAUSE... 1370 00:51:26,474 --> 00:51:29,042 BECAUSE THEY JUST WANT SOMEONE TO CARE ENOUGH 1371 00:51:29,086 --> 00:51:30,478 TO LOOK FOR THEM. 1372 00:51:30,522 --> 00:51:33,046 ♪ I'M THE FIRST TO ADMIT IT ♪ 1373 00:51:33,090 --> 00:51:36,354 ♪ AND THE LAST ONE TO KNOW ♪ 1374 00:51:36,397 --> 00:51:38,747 ♪ WHEN SOMETHING GOES RIGHT 1375 00:51:38,791 --> 00:51:43,187 ♪ OH, IT'S LIKELY TO LOSE ME ♪ 1376 00:51:43,230 --> 00:51:45,363 ♪ IT'S APT TO CONFUSE ME 1377 00:51:45,406 --> 00:51:47,539 ♪ IT'S SUCH AN UNUSUAL SIGHT ♪ 1378 00:51:47,582 --> 00:51:49,802 ♪ OH, I CAN'T 1379 00:51:49,845 --> 00:51:53,240 ♪ I CAN'T GET USED TO SOMETHING SO RIGHT ♪ 1380 00:51:53,284 --> 00:51:55,982 ♪ SOMETHING SO RIGHT 1381 00:52:07,211 --> 00:52:08,777 DID YOU TELL THAT HOMICIDE DETECTIVE 1382 00:52:08,821 --> 00:52:11,911 TODAY'S MY BIRTHDAY? 1383 00:52:11,954 --> 00:52:14,870 WHAT HOMICIDE-- WHO? 1384 00:52:14,914 --> 00:52:16,350 FORGET IT. 1385 00:52:16,394 --> 00:52:18,135 MAYBE I SHOULD TALK TO MASTRO AGAIN. 1386 00:52:18,178 --> 00:52:19,875 I DON'T KNOW. 1387 00:52:19,919 --> 00:52:21,225 YOU THINK THE FBI 1388 00:52:21,268 --> 00:52:22,617 WILL LET ME TAKE ANOTHER CRACK AT HIM? 1389 00:52:22,661 --> 00:52:24,880 IF I CAN'T I.D. THE KILLER, 1390 00:52:24,924 --> 00:52:27,405 I NEED TO AT LEAST START ELIMINATING SUSPECTS. 1391 00:52:27,448 --> 00:52:30,321 YOU'RE GONNA HAVE A TOUGH TIME ELIMINATING MASTRO. 1392 00:52:30,364 --> 00:52:31,626 WHAT'S THAT MEAN? 1393 00:52:31,670 --> 00:52:34,063 20 MINUTES AFTER YOU LEFT, 1394 00:52:34,107 --> 00:52:35,761 THE FBI SHOWED UP WITH DNA 1395 00:52:35,804 --> 00:52:37,676 ON HIS DEAD GIRLFRIEND. 1396 00:52:37,719 --> 00:52:40,200 HE AGREED TO FLIP ON HIS FAMILY. 1397 00:52:40,244 --> 00:52:42,637 AND THEY CUT HIM A DEAL. 1398 00:52:42,681 --> 00:52:44,552 HE'S IN THE PROGRAM. 1399 00:52:44,596 --> 00:52:48,252 PLEASE TELL ME THIS IS ONE OF YOUR UNFUNNY JOKES. 1400 00:52:48,295 --> 00:52:50,210 THAT'S NOT THE WORST OF IT. 1401 00:52:50,254 --> 00:52:52,473 WHAT? 1402 00:52:52,517 --> 00:52:54,997 HALF HOUR AGO, MASTRO WALKED OUT 1403 00:52:55,041 --> 00:52:57,130 THE BACK DOOR OF THE FED'S SAFE HOUSE. 1404 00:52:57,174 --> 00:52:58,784 HE'S IN THE WIND. 1405 00:52:58,827 --> 00:53:01,134 OH, CRAP. 1406 00:53:01,178 --> 00:53:03,049 I TOLD FRANKIE THEY COULD SPEND 1407 00:53:03,092 --> 00:53:06,183 ONE LAST NIGHT AT HOME. 1408 00:53:09,708 --> 00:53:13,712 COME ON, FRANKIE. ANSWER YOUR DAMN PHONE. 1409 00:53:25,245 --> 00:53:26,507 FRANKIE? 1410 00:53:26,551 --> 00:53:30,163 OPEN UP. IT'S ME, MARY. 1411 00:53:32,209 --> 00:53:33,253 WHAT ARE YOU DOING? 1412 00:53:33,297 --> 00:53:37,475 CALLING MASTRO. 1413 00:53:47,180 --> 00:53:48,529 FRANKIE, 1414 00:53:48,573 --> 00:53:49,748 OPEN UP! 1415 00:53:49,791 --> 00:53:52,054 ALL RIGHT. ALL RIGHT. 1416 00:53:52,098 --> 00:53:53,273 WHAT? 1417 00:53:58,409 --> 00:53:59,758 FELICIA, WHAT ARE YOU DOING? 1418 00:53:59,801 --> 00:54:02,021 IS THIS WHAT YOU WERE EXPECTING? 1419 00:54:02,064 --> 00:54:03,065 BECAUSE I, FOR ONE, AM FLABBERGASTED. 1420 00:54:03,109 --> 00:54:04,893 WHAT'S GOING ON, FELICIA? 1421 00:54:04,937 --> 00:54:06,330 RICHIE FOUND OUT I WAS EMAILING CATHY, 1422 00:54:06,373 --> 00:54:07,896 AND HE CAME HERE TO KILL US ALL. 1423 00:54:07,940 --> 00:54:09,376 BUT I SHOT HIM. 1424 00:54:09,420 --> 00:54:10,812 I CAN SEE THAT. 1425 00:54:10,856 --> 00:54:11,813 WHY ARE YOU POINTING THE GUN AT FRANKIE? 1426 00:54:11,857 --> 00:54:13,728 BECAUSE THIS BASTARD 1427 00:54:13,772 --> 00:54:15,948 RUINED MY WHOLE LIFE. 1428 00:54:15,991 --> 00:54:18,298 AND NOW I'M GONNA SHOOT HIM, TOO. 1429 00:54:18,342 --> 00:54:19,386 OKAY, OKAY. 1430 00:54:19,430 --> 00:54:20,909 WELL, YOU COULD DO THAT. 1431 00:54:20,953 --> 00:54:22,694 BUT LET'S JUST THINK THIS THROUGH. 1432 00:54:22,737 --> 00:54:24,739 IF YOU KILL FRANKIE, I'M GONNA HAVE TO KILL YOU. 1433 00:54:24,783 --> 00:54:26,350 I DON'T CARE. 1434 00:54:26,393 --> 00:54:28,177 I HAVE NOTHING TO LIVE FOR ANYMORE. 1435 00:54:28,221 --> 00:54:30,092 OKAY, LOOK. 1436 00:54:30,136 --> 00:54:31,311 HERE'S THE THING-- 1437 00:54:31,355 --> 00:54:33,966 MEN LIE, THEY CHEAT, THEY START WARS. 1438 00:54:34,009 --> 00:54:35,707 THEY'RE SLOBS UNLESS THEY'RE GAY, 1439 00:54:35,750 --> 00:54:36,925 AND THERE'S PRECIOUS FEW OF THEM WALKING THE PLANET 1440 00:54:36,969 --> 00:54:38,144 WORTH PUTTING ON LIPSTICK FOR, 1441 00:54:38,187 --> 00:54:39,406 LET ALONE THROWING YOUR LIFE AWAY. 1442 00:54:39,450 --> 00:54:41,060 WHICH IS WHAT YOU'LL BE DOING 1443 00:54:41,103 --> 00:54:43,497 IF YOU SHOOT YOUR FESTERING CRAP-BAG OF A HUSBAND. 1444 00:54:43,541 --> 00:54:44,585 IS THAT REALLY NECESSARY? 1445 00:54:44,629 --> 00:54:45,934 SHUT UP OR I'LL SHOOT YOU. 1446 00:54:45,978 --> 00:54:49,155 I CAN'T LIVE WITH HIM ANYMORE. 1447 00:54:49,198 --> 00:54:51,549 THEN DON'T. YOU DON'T HAVE TO. 1448 00:54:51,592 --> 00:54:54,856 OKAY. 1449 00:54:54,900 --> 00:54:58,077 FELICIA, AS HARD AS IT IS TO IMAGINE, 1450 00:54:58,120 --> 00:54:59,513 YOU HAVE DAYS AHEAD OF YOU 1451 00:54:59,557 --> 00:55:01,907 WHERE YOU WILL SMILE AND LAUGH 1452 00:55:01,950 --> 00:55:03,648 AND LOOK FORWARD TO THINGS. 1453 00:55:03,691 --> 00:55:05,650 AND MAYBE EVEN FALL IN LOVE AGAIN. 1454 00:55:05,693 --> 00:55:09,567 IF YOU DON'T THROW IT ALL AWAY. 1455 00:55:09,610 --> 00:55:12,700 I PROMISE. 1456 00:55:12,744 --> 00:55:14,267 OH, GOD. 1457 00:55:17,009 --> 00:55:18,837 IT'S OKAY. 1458 00:55:18,880 --> 00:55:20,621 SHH. 1459 00:55:31,980 --> 00:55:35,593 I'LL CATCH UP WITH YOU LATER. 1460 00:55:37,638 --> 00:55:41,381 SO WHAT'S GONNA HAPPEN TO HER? 1461 00:55:41,425 --> 00:55:43,165 WELL, SINCE SHE SHOT MASTRO IN SELF-DEFENSE, 1462 00:55:43,209 --> 00:55:44,558 SHE'LL PROBABLY GET A NEW IDENTITY 1463 00:55:44,602 --> 00:55:47,082 AND BE MOVED SOMEPLACE YOU CAN'T FIND HER. 1464 00:55:47,126 --> 00:55:49,171 YOU KNOW, IT'S A HELL OF A THING-- 1465 00:55:49,215 --> 00:55:50,390 LOSING YOUR WIFE AND YOUR SON 1466 00:55:50,434 --> 00:55:51,957 ALL IN THE SAME DAY. 1467 00:55:52,000 --> 00:55:54,176 DO YOU EVER THINK ABOUT ALL THE PEOPLE, THE FAMILIES, 1468 00:55:54,220 --> 00:55:56,918 HAD DAYS LIKE THIS 'CAUSE OF YOU? 1469 00:55:56,962 --> 00:55:58,529 THE CLOCK'S STILL TICKING. 1470 00:55:58,572 --> 00:56:00,226 EITHER YOU GET ME A NAME BY THIS TIME TOM-- 1471 00:56:00,269 --> 00:56:02,141 ACTUALLY, FRANKIE, NAME OR NO NAME, 1472 00:56:02,184 --> 00:56:03,316 THIS TIME TOMORROW 1473 00:56:03,360 --> 00:56:04,317 YOU'RE ON YOUR WAY TO A NEW CITY, 1474 00:56:04,361 --> 00:56:05,318 AND OUT OF MY HAIR. 1475 00:56:05,362 --> 00:56:06,537 I'M SORRY FOR YOUR LOSS, 1476 00:56:06,580 --> 00:56:10,192 BUT SCREW YOU AND YOUR CLOCK. 1477 00:56:25,860 --> 00:56:27,514 I JUST WANNA WASH THE STENCH OF THIS DAY OFF 1478 00:56:27,558 --> 00:56:28,994 AND GO TO BED. 1479 00:56:29,037 --> 00:56:31,388 I KNOW, BUT THERE ARE ABOUT 60 PEOPLE IN THERE 1480 00:56:31,431 --> 00:56:32,519 HIDING BEHIND FURNITURE 1481 00:56:32,563 --> 00:56:33,955 JUST WAITING FOR YOU TO OPEN THE DOOR 1482 00:56:33,999 --> 00:56:36,175 SO THEY CAN JUMP UP AND YELL "SURPRISE." 1483 00:56:36,218 --> 00:56:37,568 YUCK. 1484 00:56:37,611 --> 00:56:39,134 COME ON, IT'S YOUR BIRTHDAY. 1485 00:56:39,178 --> 00:56:40,614 THIS ISN'T ABOUT YOU. 1486 00:56:40,658 --> 00:56:43,617 NOW GET READY TO ACT SURPRISED. 1487 00:56:43,661 --> 00:56:44,879 ALL RIGHT, ALL RIGHT. 1488 00:56:44,923 --> 00:56:46,664 LET'S GET IT OVER WITH. 1489 00:56:46,707 --> 00:56:48,927 THAT'S MY GIRL. 1490 00:56:54,541 --> 00:56:57,979 SURPRISE. 1491 00:56:58,023 --> 00:56:59,807 OH, HAPPY BIRTHDAY, SWEET PEA. 1492 00:56:59,851 --> 00:57:01,243 THANKS, MOM.AWW, YOU'RE WELCOME. 1493 00:57:01,287 --> 00:57:03,507 WHOOP, OKAY. 1494 00:57:03,550 --> 00:57:05,204 HOW'D YOU KEEP THIS A SECRET? 1495 00:57:05,247 --> 00:57:07,075 PFFT. 1496 00:57:07,119 --> 00:57:08,729 YOU KNEW THAT I KNEW. 1497 00:57:08,773 --> 00:57:10,209 I KNEW THAT YOU KNEW. 1498 00:57:10,252 --> 00:57:12,080 AT LEAST THAT WAS A SURPRISE. 1499 00:57:12,124 --> 00:57:14,431 I KNEW IT WOULD BE. 1500 00:57:14,474 --> 00:57:15,606 HEY, MARY, 1501 00:57:15,649 --> 00:57:17,564 A LITTLE SOMETHING FOR YOU. 1502 00:57:17,608 --> 00:57:19,131 OH, STAN. I KNOW, I GOT IT. 1503 00:57:19,174 --> 00:57:21,046 OPEN IT. OPEN IT.OKAY. 1504 00:57:21,089 --> 00:57:23,352 IT'S... 1505 00:57:23,396 --> 00:57:24,571 A 50. 1506 00:57:24,615 --> 00:57:27,052 YOU GAVE HER MONEY? 1507 00:57:27,095 --> 00:57:29,184 IT'S JUST WHAT I ALWAYS WANTED. 1508 00:57:29,228 --> 00:57:30,272 THANK YOU. 1509 00:57:30,316 --> 00:57:31,622 SEE? SEE THAT? 1510 00:57:31,665 --> 00:57:33,493 IS, UM-- 1511 00:57:33,537 --> 00:57:34,581 IS RAPH HERE? 1512 00:57:34,625 --> 00:57:35,843 NO, I'M SORRY. 1513 00:57:35,887 --> 00:57:37,932 THAT'S OKAY. I TOLD HIM NOT TO. 1514 00:57:37,976 --> 00:57:41,153 WHAT ABOUT BRANDI? 1515 00:57:41,196 --> 00:57:44,809 SHE THINKS YOU DON'T WANT HER AT YOUR PARTY. 1516 00:57:44,852 --> 00:57:46,680 I SEE. 1517 00:57:46,724 --> 00:57:48,900 YOU'RE GONNA KEEP LOOKING AT ME WITH THOSE SAD EYES 1518 00:57:48,943 --> 00:57:49,901 UNTIL I GO TALK TO HER, AREN'T YOU? 1519 00:57:49,944 --> 00:57:53,644 MM. 1520 00:57:53,687 --> 00:57:56,473 I KNOW YOU MEAN WELL. 1521 00:57:56,516 --> 00:57:58,257 BUT YOU'RE NOT A VERY GOOD MOTHER. 1522 00:57:58,300 --> 00:58:01,521 OH. 1523 00:58:01,565 --> 00:58:04,306 I CAN'T BELIEVE YOU GAVE HER CASH. 1524 00:58:04,350 --> 00:58:06,091 HUH... 1525 00:58:06,134 --> 00:58:08,441 THIS IS A GOOD PARTY, HUH? 1526 00:58:10,617 --> 00:58:11,836 HEY, SQUISH, 1527 00:58:11,879 --> 00:58:14,012 WHAT'S GOING ON? 1528 00:58:14,055 --> 00:58:18,495 NOTHING. 1529 00:58:18,538 --> 00:58:19,496 YOU OKAY? 1530 00:58:19,539 --> 00:58:22,237 YEAH. 1531 00:58:23,630 --> 00:58:25,719 OKAY, COME HERE. 1532 00:58:25,763 --> 00:58:28,156 IT'S OKAY. 1533 00:58:28,200 --> 00:58:29,288 COME ON. 1534 00:58:29,331 --> 00:58:30,855 COME ON. 1535 00:58:30,898 --> 00:58:34,554 I'M SO SORRY I MAKE YOUR LIFE SO MISERABLE. 1536 00:58:34,598 --> 00:58:35,599 OH, GOD. 1537 00:58:35,642 --> 00:58:36,904 LISTEN TO ME. 1538 00:58:36,948 --> 00:58:39,646 YOU DON'T MAKE MY LIFE MISERABLE, OKAY? 1539 00:58:39,690 --> 00:58:42,170 I GET FRUSTRATED SOMETIMES. 1540 00:58:42,214 --> 00:58:43,737 YOU KNOW, I WANT YOU TO BE HAPPY. 1541 00:58:43,781 --> 00:58:46,000 AND I WANT YOU 1542 00:58:46,044 --> 00:58:47,306 TO STOP DOING STUFF THAT HURTS YOURSELF 1543 00:58:47,349 --> 00:58:49,177 AND MAKES YOU MISERABLE. 1544 00:58:49,221 --> 00:58:50,352 THAT'S ALL. 1545 00:58:50,396 --> 00:58:51,615 COME ON. 1546 00:58:51,658 --> 00:58:54,705 SHH. 1547 00:58:54,748 --> 00:58:56,184 STOP. 1548 00:58:56,228 --> 00:58:57,621 STOP. 1549 00:58:57,664 --> 00:59:00,188 COME ON. 1550 00:59:00,232 --> 00:59:01,320 SHH. 1551 00:59:01,363 --> 00:59:04,932 THERE'S MY PRETTY BABY SISTER. 1552 00:59:08,893 --> 00:59:13,027 I GOT YOU SOMETHING FOR YOUR BIRTHDAY. 1553 00:59:13,071 --> 00:59:14,028 REALLY? 1554 00:59:14,072 --> 00:59:16,465 YEAH. 1555 00:59:16,509 --> 00:59:17,771 YOU DIDN'T HAVE TO. 1556 00:59:17,815 --> 00:59:21,427 I KNOW, I KNOW. I JUST WANTED TO. 1557 00:59:25,387 --> 00:59:29,000 AWW. 1558 00:59:30,654 --> 00:59:31,872 WOW. 1559 00:59:31,916 --> 00:59:34,745 IT'S AN INDIAN TALISMAN. 1560 00:59:34,788 --> 00:59:36,485 OR TOTEM? 1561 00:59:36,529 --> 00:59:37,748 MAYBE. 1562 00:59:37,791 --> 00:59:39,880 I FORGET WHICH,BUT, UM, 1563 00:59:39,924 --> 00:59:42,840 I GOT IT FROM THIS INDIAN STAND 1564 00:59:42,883 --> 00:59:44,363 AFTER I TOOK OFF WITH CHICO'S CAR. 1565 00:59:44,406 --> 00:59:45,538 RAPHAEL. 1566 00:59:45,582 --> 00:59:46,713 RIGHT. 1567 00:59:46,757 --> 00:59:49,760 IT'S FROM THE LOS LOBOS TRIBE. 1568 00:59:49,803 --> 00:59:51,631 SWEETIE, 1569 00:59:51,675 --> 00:59:53,894 LOS LOBOS IS A BAND. 1570 00:59:53,938 --> 00:59:55,592 A BAND OF INDIANS? 1571 00:59:55,635 --> 00:59:57,942 NO, JUST A BAND. 1572 00:59:57,985 --> 01:00:01,032 OH, WELL, ANYWAY, 1573 01:00:01,075 --> 01:00:05,123 MAY YOU ALWAYS SLEEP UNDER THE TALL TREES, SO... 1574 01:00:05,166 --> 01:00:08,779 THAT'S NICE, RIGHT? 1575 01:00:12,913 --> 01:00:14,436 THAT'S REALLY NICE. 1576 01:00:14,480 --> 01:00:18,266 SO YOU LIKE IT? 1577 01:00:18,310 --> 01:00:19,833 I LIKE IT. 1578 01:00:19,877 --> 01:00:21,879 I LIKE IT A LOT. 1579 01:00:21,922 --> 01:00:26,231 THANK YOU. THANK YOU SO MUCH. 1580 01:00:26,274 --> 01:00:28,363 LISTEN, I HAVE TO GO DO SOMETHING, 1581 01:00:28,407 --> 01:00:29,408 BUT WHEN I COME BACK, 1582 01:00:29,451 --> 01:00:30,975 I WANT TO TALK, OKAY? 1583 01:00:31,018 --> 01:00:32,063 OKAY. 1584 01:00:32,106 --> 01:00:35,719 OKAY. 1585 01:01:15,759 --> 01:01:17,412 OKAY, HERE'S HOW I THINK WE SHOULD PROCEED. 1586 01:01:17,456 --> 01:01:19,284 OPEN UP, TALLTREES! 1587 01:01:19,327 --> 01:01:20,807 I THINK I'LL JUST STAND HERE WITH MY THUMB UP MY ASS 1588 01:01:20,851 --> 01:01:22,809 WHILE YOU START SHOUTING LIKE A CRAZY PERSON. 1589 01:01:22,853 --> 01:01:25,159 AFTER A WHILE IT BECOMES CHARMING. 1590 01:01:25,203 --> 01:01:27,422 WHAT IS ALL THIS? 1591 01:01:27,466 --> 01:01:29,163 WHAT HAPPENED? 1592 01:01:29,207 --> 01:01:31,688 SIENNA GET TIRED OF SLEEPING UNDER THE TALL TREES? 1593 01:01:31,731 --> 01:01:34,081 YOU THINK I WAS HAVING AN AFFAIR WITH SIENNA? 1594 01:01:34,125 --> 01:01:36,780 NOT ONLY IS THAT DISGUSTING, 1595 01:01:36,823 --> 01:01:38,346 IT'S SLANDER. 1596 01:01:38,390 --> 01:01:40,522 AND YOU HAD BETTER BE VERY CAREFUL WITH YOUR-- 1597 01:01:40,566 --> 01:01:43,395 EXCUSE ME. DO YOU MIND? 1598 01:01:43,438 --> 01:01:44,396 GO AHEAD. 1599 01:01:44,439 --> 01:01:46,703 EDWIN TALLTREES, 1600 01:01:46,746 --> 01:01:48,400 I HAVE A WARRANT TO SEARCH THIS PROPERTY 1601 01:01:48,443 --> 01:01:50,315 FOR ANY AND ALL EVIDENCE RELATING TO THE MURDER 1602 01:01:50,358 --> 01:01:52,665 OF FRANCIS AMATO JUNIOR AND SIENNA BURKE. 1603 01:01:52,709 --> 01:01:56,277 PLEASE STEP OUTSIDE. 1604 01:02:07,680 --> 01:02:11,815 WAIT. 1605 01:02:11,858 --> 01:02:13,033 WHAT? 1606 01:02:13,077 --> 01:02:15,340 LOOK. 1607 01:02:15,383 --> 01:02:16,341 AT WHAT? 1608 01:02:16,384 --> 01:02:19,997 OH. 1609 01:02:28,179 --> 01:02:30,050 STOP RIGHT THERE. 1610 01:02:30,094 --> 01:02:31,660 DON'T COME ANY CLOSER. I SWEAR I'LL-- 1611 01:02:31,704 --> 01:02:33,401 WHAT? 1612 01:02:33,445 --> 01:02:37,057 KICK THE STOOL OUT? 1613 01:02:40,495 --> 01:02:42,106 PLEASE. 1614 01:02:42,149 --> 01:02:43,107 LET ME. 1615 01:02:43,150 --> 01:02:46,763 HEY, WHAT ARE YOU DOING? 1616 01:02:47,938 --> 01:02:50,070 SO AFTER SPENDING 1617 01:02:50,114 --> 01:02:52,203 ALMOST THEIR ENTIRE LIVES TOGETHER, 1618 01:02:52,246 --> 01:02:53,770 SIENNA BURKE BROKE UP WITH KYLE 1619 01:02:53,813 --> 01:02:55,119 BECAUSE SHE COULDN'T TELL HER FRIENDS 1620 01:02:55,162 --> 01:02:56,990 SHE WAS WITH AN INDIAN. 1621 01:02:57,034 --> 01:02:58,383 SHE BROKE HIS HEART. 1622 01:02:58,426 --> 01:03:00,689 SO HE CUT OUT HERS. 1623 01:03:00,733 --> 01:03:02,126 IT ALMOST SEEMS FAIR. 1624 01:03:06,173 --> 01:03:09,133 THANKS FOR THE CALL. 1625 01:03:09,176 --> 01:03:10,438 IT'S YOUR CASE. 1626 01:03:10,482 --> 01:03:12,440 U.S. MARSHALS HAVE A LONG HISTORY 1627 01:03:12,484 --> 01:03:14,312 OF COOPERATING WITH LOCAL LAW ENFORCEMENT. 1628 01:03:14,355 --> 01:03:16,488 UH-HUH. 1629 01:03:16,531 --> 01:03:18,664 AFTER ALL I'VE DONE TO GET US OFF THE RESERVATION, 1630 01:03:18,707 --> 01:03:21,623 TO GIVE MY SON THE SAME OPPORTUNITIES AS THE WHITES, 1631 01:03:21,667 --> 01:03:23,408 THEY STILL TREAT HIM LIKE A REDSKIN. 1632 01:03:23,451 --> 01:03:25,236 BUT HE WON'T BE TRIED LIKE ONE. 1633 01:03:25,279 --> 01:03:26,890 WHATEVER. 1634 01:03:26,933 --> 01:03:27,891 I'VE GOT WHITE MAN'S MONEY, 1635 01:03:27,934 --> 01:03:28,892 A WHITE MAN'S LAWYER, 1636 01:03:28,935 --> 01:03:30,241 AND I PROMISE YOU-- 1637 01:03:30,284 --> 01:03:33,113 MY SON WON'T SPEND A DAY IN PRISON. 1638 01:03:33,157 --> 01:03:35,246 HEY, CHUCKLES. 1639 01:03:35,289 --> 01:03:37,161 YOUR SON'S A MONSTER. 1640 01:03:37,204 --> 01:03:38,205 HE GUTTED SIENNA BURKE 1641 01:03:38,249 --> 01:03:39,250 WHILE SHE WAS STILL ALIVE, 1642 01:03:39,293 --> 01:03:40,251 AND HE NEEDS TO BE PUT DOWN. 1643 01:03:40,294 --> 01:03:42,296 BUT GUESS WHAT, 1644 01:03:42,340 --> 01:03:43,341 HE'S NOT THE ONLY MONSTER ON THE BLOCK. 1645 01:03:43,384 --> 01:03:44,646 NOT BY A LONG SHOT. 1646 01:03:44,690 --> 01:03:46,344 PRISON OR NO PRISON, 1647 01:03:46,387 --> 01:03:48,694 TOMORROW MORNING THE VERY WORST OF THOSE MONSTERS 1648 01:03:48,737 --> 01:03:50,261 IS COMING FOR HIM. 1649 01:03:50,304 --> 01:03:51,871 SO GOOD LUCK WITH YOUR WHITE MAN'S DEFENSE. 1650 01:03:51,915 --> 01:03:56,441 LET ME KNOW HOW THAT WORKS OUT FOR YOU. 1651 01:03:56,484 --> 01:03:58,660 OH, AND YOU MIGHT WANT TO THINK ABOUT 1652 01:03:58,704 --> 01:04:00,880 ADDING A LITTLE SECURITY FOR YOURSELF. 1653 01:04:03,361 --> 01:04:06,407 HEY, HEY, HEY. 1654 01:04:06,451 --> 01:04:07,931 SHE SEEING ANYONE? 1655 01:04:50,277 --> 01:04:53,890 OH, CRUD. 1656 01:04:58,329 --> 01:04:59,286 HI. 1657 01:04:59,330 --> 01:05:00,679 YOU'RE AWAKE. 1658 01:05:00,722 --> 01:05:02,202 DA. 1659 01:05:02,246 --> 01:05:04,596 I DIDN'T WANT TO MISS MY GROCERIES. 1660 01:05:04,639 --> 01:05:05,945 SORRY. 1661 01:05:05,989 --> 01:05:07,555 I GOT HUNG UP. 1662 01:05:07,599 --> 01:05:08,948 IS THIS WHAT YOU MEAN WHEN YOU SAY, 1663 01:05:08,992 --> 01:05:10,732 "I BE BACK A LITTLE LATER"? 1664 01:05:10,776 --> 01:05:12,778 I WISH TO KNOW FOR FUTURE. 1665 01:05:12,821 --> 01:05:14,432 NO, I'M USUALLY VERY PROMPT. 1666 01:05:14,475 --> 01:05:15,433 I--I-- 1667 01:05:15,476 --> 01:05:18,088 SOMETHING HAPPENED. 1668 01:05:18,131 --> 01:05:21,743 ANYWAY, IT'S LATE. AND HERE'S YOUR GROCERIES. 1669 01:05:26,618 --> 01:05:29,186 YOU BRING ME PORNO. 1670 01:05:29,229 --> 01:05:32,624 TO HELP YOU PICK OUT YOUR NEW BREASTS. 1671 01:05:41,633 --> 01:05:45,680 SEE, ALL DIFFERENT SHAPES AND SIZES. 1672 01:05:49,902 --> 01:05:51,425 MY NAME IS MARY. 1673 01:05:51,469 --> 01:05:52,687 TODAY'S MY BIRTHDAY. 1674 01:05:52,731 --> 01:05:54,080 AND IF I EVER 1675 01:05:54,124 --> 01:05:55,995 RUN INTO THE SON OF A BITCH THAT PROMISED ME 1676 01:05:56,039 --> 01:05:57,736 A LIFE OF EXCITEMENT AND UNLIMITED OPPORTUNITY 1677 01:05:57,779 --> 01:05:59,564 AS A U.S. MARSHAL, 1678 01:05:59,607 --> 01:06:02,741 I'LL SHOOT OFF BOTH HIS KNEECAPS. 112159

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