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SINCE 1970,
2
00:00:03,525 --> 00:00:04,874
THE FEDERAL
WITNESS PROTECTION PROGRAM
3
00:00:04,917 --> 00:00:06,180
HAS RELOCATED
THOUSANDS OF WITNESSES--
4
00:00:06,223 --> 00:00:08,399
SOME CRIMINAL,
SOME NOT--
5
00:00:08,443 --> 00:00:10,793
TO NEIGHBORHOODS
ALL ACROSS THE COUNTRY.
6
00:00:10,836 --> 00:00:12,316
EVERY ONE
OF THOSE INDIVIDUALS
7
00:00:12,360 --> 00:00:14,231
SHARES A UNIQUE ATTRIBUTE,
DISTINGUISHING THEM
8
00:00:14,275 --> 00:00:16,494
FROM THE REST OF
THE GENERAL POPULATION,
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00:00:16,538 --> 00:00:21,543
SOMEBODY WANTS THEM DEAD.
10
00:00:27,723 --> 00:00:30,900
♪ I CAN'T SEE ME
LOVIN' NOBODY BUT YOU ♪
11
00:00:30,943 --> 00:00:32,554
YOU PUT ON SUN BLOCK?
12
00:00:32,597 --> 00:00:34,164
I'LL PUT IT ON
WHEN WE GET TO THE BEACH.
13
00:00:34,208 --> 00:00:36,514
NO, NO, YOU GOTTA
PUT IT ON A HALF HOUR BEFORE.
14
00:00:36,558 --> 00:00:37,950
BABE.
ALL RIGHT.
15
00:00:37,994 --> 00:00:39,082
I'LL PUT
THE SUNSCREEN ON.
16
00:00:39,126 --> 00:00:40,127
GOOD.
17
00:00:40,170 --> 00:00:42,390
YOU TWO ARE
MAKING ME CARSICK.
18
00:00:42,433 --> 00:00:44,000
OH, YEAH?
19
00:00:44,044 --> 00:00:45,480
I CAN'T WAIT TILL
YOU HAVE KIDS AND THEY THINK
20
00:00:45,523 --> 00:00:47,090
YOU'RE A RIDICULOUS
OLD FOOL.
21
00:00:47,134 --> 00:00:49,266
SORRY TO RUN YOUR FUN,
BUT I'M NOT HAVING KIDS.
22
00:00:49,310 --> 00:00:51,399
BITE YOUR TONGUE, YOU.
23
00:00:51,442 --> 00:00:52,878
YOU'RE GIVING ME
GRANDBABIES.
24
00:00:52,922 --> 00:00:54,576
OR ELSE...
25
00:00:54,619 --> 00:00:55,881
WHY ARE WE STOPPING?
26
00:00:55,925 --> 00:00:57,448
WELL, PETEY'S SICK,
27
00:00:57,492 --> 00:01:00,103
AND I PROMISED DOMINICI'D, UH,
28
00:01:00,147 --> 00:01:02,018
I'D DROP OFF
SOME STUFF FOR HIM.
29
00:01:02,062 --> 00:01:03,106
ALL RI--
30
00:01:03,150 --> 00:01:05,108
TRY AND HURRY,
BECAUSE IF NOT,
31
00:01:05,152 --> 00:01:06,762
WE DON'T GET
A GOOD SPOT, FRANK.
32
00:01:06,805 --> 00:01:08,372
DON'T WORRY,
I'LL JUST BE A MINUTE.
33
00:01:08,416 --> 00:01:13,203
NOT EVEN.
34
00:01:13,247 --> 00:01:15,945
TELL PETEY
I HOPE HE FEELS BETTER.
35
00:01:15,988 --> 00:01:17,990
WILL DO.
36
00:01:18,034 --> 00:01:19,949
AND YOU,
DON'T SCREW WITH ME.
37
00:01:19,992 --> 00:01:21,124
YOU'RE GONNA
GIVE ME GRANDCHILDREN.
38
00:01:21,168 --> 00:01:22,734
YOU HEAR ME?YES, MOM.
39
00:01:22,778 --> 00:01:26,260
THAT'S RIGHT.
40
00:01:26,303 --> 00:01:28,871
OH, MY GOD.
41
00:01:28,914 --> 00:01:31,047
HOW DOES THAT FAT BASTARD
GET UP AND DOWN
42
00:01:31,091 --> 00:01:34,094
THOSE STAIRS
EVERY DAY?
43
00:01:37,097 --> 00:01:38,098
WHO IS IT?
44
00:01:38,141 --> 00:01:39,360
IT'S CAPTAIN KANGAROO.
45
00:01:39,403 --> 00:01:40,404
FRANKIE, IS THAT YOU?
46
00:01:40,448 --> 00:01:42,145
YEAH, YEAH, IT'S FRANKIE.
47
00:01:42,189 --> 00:01:46,454
COME ON, COME ON.
I'M IN A HURRY, PETEY.
48
00:01:46,497 --> 00:01:47,455
YO, FRANKIE.
49
00:01:47,498 --> 00:01:49,761
HEY, PETEY.
50
00:01:49,805 --> 00:01:51,459
I GOT A DELIVERY FOR YOU
FROM DOMINIC.
51
00:01:51,502 --> 00:01:53,069
OH, YEAH?
52
00:01:53,113 --> 00:01:54,592
YEAH.
53
00:02:06,213 --> 00:02:08,911
PETEY?
54
00:02:08,954 --> 00:02:10,695
WHERE ARE YOU?
55
00:02:10,739 --> 00:02:13,611
ARE YOU DEAD?
56
00:02:16,136 --> 00:02:19,922
OH, NO.
57
00:02:19,965 --> 00:02:22,620
OH...
58
00:02:22,664 --> 00:02:24,274
♪ I CAN'T SEE ME
59
00:02:24,318 --> 00:02:26,885
♪ LOVIN' NOBODY BUT YOU
60
00:02:26,929 --> 00:02:29,018
♪ FOR ALL MY LIFE
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00:02:29,061 --> 00:02:32,195
I HAVE NO IDEA
HOW THAT HAPPENED.
62
00:02:33,457 --> 00:02:36,199
♪ THE SKIES WILL BE BLUE
63
00:02:36,243 --> 00:02:39,246
ALL RIGHT, GET BACK.
LET'S GO.
64
00:03:04,967 --> 00:03:07,056
GOD, IT'S SO
BEYOND RETARDED.
65
00:03:07,099 --> 00:03:08,275
FIRST OF ALL,
66
00:03:08,318 --> 00:03:11,321
WE DON'T SAY "RETARDED"
ANYMORE.
67
00:03:15,586 --> 00:03:18,023
DON'T EVEN THINK
ABOUT PARKING THERE.
68
00:03:18,067 --> 00:03:19,808
U.S. MARSHALS.
69
00:03:19,851 --> 00:03:21,984
CARS BETTER BE HERE
WHEN WE GET BACK.
70
00:03:22,027 --> 00:03:24,595
AND SECOND,
71
00:03:24,639 --> 00:03:25,901
IT'S NOT RETARDED--
IT'S MARKETING.
72
00:03:25,944 --> 00:03:27,468
THEN IT'S
RETARDED MARKETING.
73
00:03:27,511 --> 00:03:29,165
LOOK, IMAGERY AND METAPHOR
HAVE BEEN USED--
74
00:03:29,209 --> 00:03:31,123
OH, THANK GOD.
75
00:03:31,167 --> 00:03:32,908
HEY, WHAT'S UP?
76
00:03:32,951 --> 00:03:34,214
IT SEEMS YOUR SISTER
WOULD PREFER
77
00:03:34,257 --> 00:03:35,650
SOMEONE ELSE
TO PICK HER UP.
78
00:03:35,693 --> 00:03:37,608
WHAT?
PUT HER ON.
79
00:03:37,652 --> 00:03:40,220
MARY WOULD LIKE A WORD.
80
00:03:40,263 --> 00:03:41,525
HEY.
81
00:03:41,569 --> 00:03:42,918
DON'T "HEY" ME.
82
00:03:42,961 --> 00:03:44,267
WHAT THE HELL
DO YOU THINK YOU'RE DOING?
83
00:03:44,311 --> 00:03:45,486
NOTHING, BUT THERE'S
NO WAY IN HELL
84
00:03:45,529 --> 00:03:46,617
I'M TAKING A RIDE
FROM SOME
85
00:03:46,661 --> 00:03:48,315
RICO SUAVE WANNABE
86
00:03:48,358 --> 00:03:50,012
I'VE NEVER EVEN
SEEN BEFORE.
87
00:03:50,055 --> 00:03:51,796
WHY CAN'T
YOU PICK ME UP?
88
00:03:51,840 --> 00:03:53,189
BECAUSE I'M WORKING...
89
00:03:53,233 --> 00:03:54,364
ALL THE WAY
ON THE OTHER SIDE OF TOWN.
90
00:03:54,408 --> 00:03:55,757
BUT I'M YOUR SISTER.
91
00:03:55,800 --> 00:03:58,325
HEY, YOU KNOW WHAT--
YOU CAN EITHER
92
00:03:58,368 --> 00:04:00,588
ACCEPT MY FRIEND'S GENEROUS
OFFER OR START WALKING.
93
00:04:00,631 --> 00:04:02,111
FINE, I'LL TAKE THE RIDE.
94
00:04:02,154 --> 00:04:04,679
YOU DO THAT.
95
00:04:04,722 --> 00:04:07,595
HERE.
96
00:04:07,638 --> 00:04:08,770
PROBLEMS?
97
00:04:08,813 --> 00:04:10,337
BRANDI GOT IN
THIS MORNING.
98
00:04:10,380 --> 00:04:12,600
FOR MY SURPRISE PARTY,
NO DOUBT.
99
00:04:12,643 --> 00:04:13,992
MY CONDOLENCES.
100
00:04:14,036 --> 00:04:15,516
NOW, AS I WAS SAYING--
101
00:04:15,559 --> 00:04:18,519
IMAGERY AND METAPHOR
HAVE BEEN USED
102
00:04:18,562 --> 00:04:19,650
TO SELL PRODUCTS FOREVER.
103
00:04:19,694 --> 00:04:21,522
PLEASE, JESUS,
TAKE ME NOW.
104
00:04:21,565 --> 00:04:23,219
TAKE THE FORD MUSTANG,
FOR INSTANCE.
105
00:04:23,263 --> 00:04:25,961
NAMED FOR A POWERFUL
AND AGILE ANIMAL,
106
00:04:26,004 --> 00:04:28,137
QUALITIES WE ALSO SEEK
IN AN AUTOMOBILE.
107
00:04:28,180 --> 00:04:29,704
IT'S CALLED
"TRANSFERENCE."
108
00:04:29,747 --> 00:04:31,314
YEAH, OKAY.
WHAT ABOUT MY PROBE?
109
00:04:31,358 --> 00:04:33,534
EXACTLY WHAT IMAGE
IS THAT SUPPOSED TO TRANSFER?
110
00:04:33,577 --> 00:04:34,926
'CAUSE ALL I'M GETTING
IS PAPER DRESS,
111
00:04:34,970 --> 00:04:36,885
METAL STIRRUPS,
AND LEGS AKIMBO.
112
00:04:36,928 --> 00:04:38,278
EXACTLY WHAT WAS
THE THOUGHT PROCESS
113
00:04:38,321 --> 00:04:39,409
BEHIND THAT
MARKETING COUP?
114
00:04:39,453 --> 00:04:40,802
"SAY, BOB,
115
00:04:40,845 --> 00:04:42,543
"WHAT'S A METAPHOR
FOR AN INVASIVE,
116
00:04:42,586 --> 00:04:44,066
"SOMEWHAT HUMILIATING
PROCEDURE?
117
00:04:44,109 --> 00:04:45,328
"'CAUSE WE REALLY
NEED SOMETHING
118
00:04:45,372 --> 00:04:48,026
TO COMPETE WITH
THE CHEVY SPECULUM."
119
00:04:48,070 --> 00:04:50,159
UGH, WHY AM I
EATING THIS CRAP?
120
00:04:50,202 --> 00:04:53,293
YOU GONNA BE LIKE THIS
ALL DAY?
121
00:04:53,336 --> 00:04:54,337
WHAT?
122
00:04:54,381 --> 00:04:56,600
LIKE--
YOU KNOW.
123
00:04:56,644 --> 00:04:59,037
GUESS IT DEPENDS HOW LONG
IT'S GONNA BE MY BIRTHDAY.
124
00:04:59,081 --> 00:05:00,125
ALL DAY.
125
00:05:00,169 --> 00:05:03,477
THERE YOU GO.
126
00:05:05,174 --> 00:05:08,177
HERE WE GO.
127
00:05:12,703 --> 00:05:14,270
IT'S A COMMON MISCONCEPTION
128
00:05:14,314 --> 00:05:16,490
THAT THE MEMBERSHIP IN THE
FRATERNITY OF GOODFELLAS
129
00:05:16,533 --> 00:05:18,187
IS A PREREQUISITE
FOR ADMISSION
130
00:05:18,230 --> 00:05:21,233
INTO THE FEDERAL
WITNESS PROTECTION PROGRAM.
131
00:05:22,626 --> 00:05:25,586
GOD, IF ONLY THAT WERE TRUE.
132
00:05:28,458 --> 00:05:30,721
MANY WITNESSES
ARE EVERYDAY FOLK WHO,
133
00:05:30,765 --> 00:05:32,636
THROUGH NO CRIMINAL ENTERPRISE
OF THEIR OWN,
134
00:05:32,680 --> 00:05:34,290
HAVE COME TO POSSESS
DAMNING INFO
135
00:05:34,334 --> 00:05:35,813
ABOUT SOME VERY
DANGEROUS PEOPLE.
136
00:05:35,857 --> 00:05:38,250
THESE UNLUCKY LOSERS
ARE TROUBLE MAGNETS
137
00:05:38,294 --> 00:05:39,904
AND SHOULD BE AVOIDED
WHENEVER POSSIBLE.
138
00:05:39,948 --> 00:05:41,384
THANKS.
139
00:05:41,428 --> 00:05:42,429
UH-HUH.
140
00:05:42,472 --> 00:05:43,430
WHICH, IN MY LINE OF WORK,
141
00:05:43,473 --> 00:05:45,562
IS ALMOST NEVER.
142
00:05:45,606 --> 00:05:48,391
A TICKET?
ARE YOU KIDDING ME?
143
00:05:48,435 --> 00:05:50,785
CAR'S STILL THERE,
AIN'T IT?
144
00:05:50,828 --> 00:05:51,829
ASS-WIPE.
145
00:05:51,873 --> 00:05:53,178
IT'S ALL RIGHT.
146
00:05:53,222 --> 00:05:54,658
WE'LL TAKE CARE OF YOU.
YOU'RE SAFE.
147
00:05:54,702 --> 00:05:56,878
SO THIS IS HOW WE'RE
TRANSPORTING WITNESSES NOW?
148
00:05:56,921 --> 00:05:58,401
IT'S A METAPHOR.
149
00:05:58,445 --> 00:05:59,750
OH, YEAH?
FOR WHAT, CRAP?
150
00:05:59,794 --> 00:06:01,273
LET'S GO.
151
00:06:02,449 --> 00:06:05,452
THANK YOU.YOU'RE WELCOME.
152
00:06:23,295 --> 00:06:25,428
SO WELCOME TO ALBUQUERQUE.
IS THIS YOUR FIRST TIME?
153
00:06:25,472 --> 00:06:27,430
DA.
UH, YES.
154
00:06:27,474 --> 00:06:29,301
HOW LONG YOU BEEN
IN THE STATES?
155
00:06:29,345 --> 00:06:31,913
THREE YEARS
IN NEW YORK.
156
00:06:31,956 --> 00:06:34,785
WELL, THIS IS A FAR CRY
FROM MANHATTAN.
157
00:06:34,829 --> 00:06:36,787
AND A UNIVERSE
FROM MOSCOW.
158
00:06:36,831 --> 00:06:38,310
I AM FROM KIEV.
159
00:06:42,402 --> 00:06:44,578
YOU SPEAK RUSSIAN.
160
00:06:44,621 --> 00:06:45,579
A LITTLE.
161
00:06:45,622 --> 00:06:46,710
I LEARNED IT IN THE '80s
162
00:06:46,754 --> 00:06:49,191
WHEN YOU GUYS
WERE STILL COMMIES.
163
00:06:49,234 --> 00:06:51,019
IN UKRAINE,
WE SPEAK UKRAINIAN.
164
00:06:52,107 --> 00:06:55,980
UH...
165
00:06:56,024 --> 00:06:57,504
SHUT UP.
166
00:06:59,506 --> 00:07:00,550
HI, STAN.
167
00:07:00,594 --> 00:07:01,725
HI, MARY.
IT'S STAN.
168
00:07:01,769 --> 00:07:03,074
I KNOW IT'S YOU, STAN.
169
00:07:03,118 --> 00:07:04,119
THAT'S WHY I SAID,
"HI, STAN."
170
00:07:04,162 --> 00:07:05,512
OH, RIGHT.
171
00:07:05,555 --> 00:07:07,165
SO DID YOU
PICK UP THE WITNESS?
172
00:07:07,209 --> 00:07:08,166
YEAH, WE'RE ON THE WAY
TO THE APARTMENT NOW.
173
00:07:08,210 --> 00:07:09,429
LISTEN, I JUST GOT A CALL
174
00:07:09,472 --> 00:07:10,778
FROM ALBUQUERQUE P.D.
AND, UH--
175
00:07:10,821 --> 00:07:12,083
OH, BOY.
176
00:07:12,127 --> 00:07:13,476
AND "OH, BOY" WHAT,STAN?
177
00:07:13,520 --> 00:07:15,130
I KNOW THAT TONE.
SOMETHING HAPPENED.
178
00:07:15,173 --> 00:07:16,740
YEAH,
FRANKIE SANTORO'S KID
179
00:07:16,784 --> 00:07:18,133
MIGHT HAVE BEEN SHOT
LAST NIGHT.
180
00:07:18,176 --> 00:07:19,351
WHAT? WHERE?
IS HE DEAD?
181
00:07:19,395 --> 00:07:20,396
I SAID "MIGHT."
182
00:07:20,440 --> 00:07:21,745
ALL RIGHT, MIGHT.
183
00:07:21,789 --> 00:07:23,181
THEY FOUND A BODY
ON ONE OF THOSE
184
00:07:23,225 --> 00:07:24,313
DEVELOPMENT SITES
OUT THE PAN AM FREEWAY.
185
00:07:24,356 --> 00:07:25,836
I'M ON MY WAY.
186
00:07:25,880 --> 00:07:27,403
THAT'S ONE CHOICE,
BUT BRINGING A WITNESS
187
00:07:27,447 --> 00:07:29,361
TO THE MURDER SITE
OF ANOTHER WITNESS--
188
00:07:29,405 --> 00:07:30,798
THAT VIOLATES AT LEAST SIX
WITSEC CODES OF CONDUCT.
189
00:07:30,841 --> 00:07:32,147
STAN? I KNOW WHAT YOU'RE DOING.
190
00:07:32,190 --> 00:07:34,062
YOU'RE HOLDING THE PHONE
OUT THE WINDOW.
191
00:07:34,105 --> 00:07:35,063
WHAT'S THAT?
I CAN'T HEAR YOU.
192
00:07:35,106 --> 00:07:36,412
YOU'RE BREAKING UP.
193
00:07:36,456 --> 00:07:37,674
SHE'S HOLDING THE PHONE
OUT THE WINDOW.
194
00:07:37,718 --> 00:07:38,806
MARY, YOU LISTEN-- STAN?
195
00:07:38,849 --> 00:07:39,894
I ABSOLUTELY FOR--
196
00:07:39,937 --> 00:07:42,897
CHANGE OF PLANS.
197
00:07:42,940 --> 00:07:46,074
FRANKIE SANTORO'S KID
MAY HAVE BEEN HIT LAST NIGHT.
198
00:07:46,117 --> 00:07:47,162
GOTTA SEE FOR MYSELF.
199
00:07:47,205 --> 00:07:48,816
WHAT ABOUT...
200
00:07:48,859 --> 00:07:51,122
SHE'S COMING WITH.
201
00:07:51,166 --> 00:07:52,123
FUN.
202
00:07:56,171 --> 00:07:57,520
HI, STAN.
203
00:07:57,564 --> 00:07:58,652
MARSHALL.
204
00:07:58,695 --> 00:08:00,392
WHAT?
205
00:08:00,436 --> 00:08:03,918
I'M SORRY, STAN.
YOU'RE BREAKING UP.
206
00:08:03,961 --> 00:08:07,399
FRANKIE SANTORO,
A.K.A. FRANKIE NUTS--
207
00:08:07,443 --> 00:08:09,706
A NICKNAME NOT BESTOWED
FOR HIS LOVE OF FILBERTS--
208
00:08:09,750 --> 00:08:11,665
EARNED HIS TICKET
INTO WITNESS PROTECTION
209
00:08:11,708 --> 00:08:14,015
BY AGREEING TO TESTIFY
AGAINST HIS FORMER BOSS,
210
00:08:14,058 --> 00:08:17,235
DOMINIC MASTRO,
LAST OF THE BIG-TIME DONS.
211
00:08:17,279 --> 00:08:19,716
FRANKIE HAD THE MISFORTUNE
OF WHACKING PETEY LORUSSO
212
00:08:19,760 --> 00:08:21,544
WHILE HE WAS
UNDER FBI SURVEILLANCE,
213
00:08:21,588 --> 00:08:26,418
WHICH, COINCIDENTALLY,
WAS ALSO PETEY'S MISFORTUNE.
214
00:08:33,643 --> 00:08:37,691
WOW, JUST LIKE
THE MOTION PICTURES.
215
00:08:37,734 --> 00:08:39,562
CAN I GET YOU SOMETHING?
A BROMO?
216
00:08:39,606 --> 00:08:40,998
TASHA, JUST STAY
IN THE CAR.
217
00:08:41,042 --> 00:08:42,173
THIS'LL JUST TAKE
A FEW MINUTES.
218
00:08:42,217 --> 00:08:45,394
OKAY.
219
00:08:45,437 --> 00:08:48,266
PLEASE DON'T LET THIS
BE FRANKIE'S KID.
220
00:08:48,310 --> 00:08:49,398
SHOULD I CALL JINX NOW
221
00:08:49,441 --> 00:08:50,660
AND TELL HER
TO CANCEL YOUR PARTY?
222
00:08:50,704 --> 00:08:51,966
IF YOU WERE
ANY KIND OF FRIEND,
223
00:08:52,009 --> 00:08:56,753
YOU WOULD HAVE DONE IT
A LONG TIME AGO.
224
00:08:56,797 --> 00:08:57,798
YOU THE LEAD ON THIS?
225
00:08:57,841 --> 00:09:00,191
YEAH, UNFORTUNATELY.
226
00:09:00,235 --> 00:09:01,584
DETECTIVE DERSHOWITZ.
227
00:09:01,628 --> 00:09:03,891
DERSHOWITZ.REALLY?
228
00:09:03,934 --> 00:09:04,979
YEAH, A LONG STORY.
229
00:09:05,022 --> 00:09:06,284
I'LL BET.
230
00:09:06,328 --> 00:09:07,764
EVERYONE
CALLS ME "BOBBY."
231
00:09:07,808 --> 00:09:08,939
OR "BOBBY D."
232
00:09:08,983 --> 00:09:10,985
MARY SHANNON.
U.S. MARSHALS.
233
00:09:11,028 --> 00:09:12,900
SO WHY'D YOU CALL
THE MARSHALS, DETECTIVE?
234
00:09:12,943 --> 00:09:14,292
WELL, WE GOT
TWO DEAD KIDS.
235
00:09:14,336 --> 00:09:16,512
WE HAVE A GIRL NAMED
SIENNA BURKE OVER THERE.
236
00:09:16,556 --> 00:09:17,905
AND A BOY WITH THIS
IN HIS WALLET.
237
00:09:17,948 --> 00:09:19,559
AND THIS.
238
00:09:19,602 --> 00:09:21,386
IT WAS TUCKED BEHIND
THE OTHER ONE.
239
00:09:21,430 --> 00:09:22,866
KID WITH TWO IDENTITIES,
240
00:09:22,910 --> 00:09:24,868
OCCURRED TO ME HE MIGHT
BE IN WITNESS PROTECTION.
241
00:09:24,912 --> 00:09:26,827
YOU GOT ALL THAT
FROM A FAKE I.D.?
242
00:09:26,870 --> 00:09:30,004
YEAH, I'M INTUITIVE
THAT WAY.
243
00:09:30,047 --> 00:09:31,092
ALL RIGHT, THANKS.
244
00:09:31,135 --> 00:09:32,789
UH, THAT'S EVIDENCE.
245
00:09:32,833 --> 00:09:34,138
UH-HUH.
246
00:09:34,182 --> 00:09:36,097
ANY THOUGHTS
ABOUT WHAT HAPPENED?
247
00:09:36,140 --> 00:09:38,708
YOU'RE ASKING ME, WHAT, OUT OF
PROFESSIONAL CURIOSITY?
248
00:09:38,752 --> 00:09:41,363
SURE, LET'S GO WITH THAT.
249
00:09:41,406 --> 00:09:43,844
WELL, THE GIRL'S FATHER
IS CALE BURKE.
250
00:09:43,887 --> 00:09:45,019
HE'S THE DEVELOPER
OF THIS LAND,
251
00:09:45,062 --> 00:09:46,324
A PROJECT
THAT'S BEEN CONTESTED
252
00:09:46,368 --> 00:09:47,935
IN AND OUT OF COURT
FOR ABOUT A DECADE.
253
00:09:47,978 --> 00:09:49,153
AND YOU THINK SOMEBODY
UNHAPPY ABOUT THE PROJECT
254
00:09:49,197 --> 00:09:50,590
MIGHT HAVE DONE THIS?
255
00:09:50,633 --> 00:09:52,200
HELL IF I KNOW,
BUT IT'S A PLACE TO START.
256
00:09:52,243 --> 00:09:53,636
RIGHT?
257
00:09:53,680 --> 00:09:54,985
UNLESS OF COURSE YOU THINK
I SHOULD BE LOOKING
258
00:09:55,029 --> 00:09:55,986
SOMEPLACE ELSE.
259
00:09:56,030 --> 00:09:57,901
NOPE, SOUNDS TO ME
260
00:09:57,945 --> 00:10:00,164
LIKE YOU'RE HEADING
IN THE RIGHT DIRECTION.
261
00:10:00,208 --> 00:10:02,036
THAT'S WHAT I THOUGHT.
262
00:10:02,079 --> 00:10:03,428
THANKS FOR THE CALL.MM-HMM.
263
00:10:03,472 --> 00:10:05,692
HEY, WHAT'S WITH
THE SILENT SENTINELS?
264
00:10:05,735 --> 00:10:07,519
HUH?
GUYS ON THE BIKES.
265
00:10:07,563 --> 00:10:09,173
OH, THEY'VE BEEN
WATCHING ALL MORNING.
266
00:10:09,217 --> 00:10:10,827
YOU'RE NOT
QUESTIONING THEM 'CAUSE...
267
00:10:10,871 --> 00:10:13,003
BECAUSE CHASING
INDIANS ON DIRT BIKES
268
00:10:13,047 --> 00:10:15,745
THROUGH THE DESERT SEEMS LIKE
A POOR USE OF MY TALENT.
269
00:10:15,789 --> 00:10:17,355
MAKES SENSE.
270
00:10:17,399 --> 00:10:18,966
HEY, HOW 'BOUT IT?
271
00:10:19,009 --> 00:10:20,097
HE ONE OF YOURS?
272
00:10:20,141 --> 00:10:22,099
OH, AFRAID I DON'T KNOW
273
00:10:22,143 --> 00:10:23,710
WHAT YOU'RE TALKING ABOUT.
274
00:10:23,753 --> 00:10:25,581
THANKS AGAIN
FOR THE CALL.
275
00:10:25,625 --> 00:10:27,627
THAT'S RIGHT, YOU'RE
THE BRANCH OF LAW ENFORCEMENT
276
00:10:27,670 --> 00:10:29,019
THAT PUTS CRIMINALS
BACK ON THE STREET,
277
00:10:29,063 --> 00:10:32,066
RIGHT?
278
00:10:38,333 --> 00:10:39,987
OH, GOD.
279
00:10:40,030 --> 00:10:42,032
WHAT A WASTE.
280
00:10:42,076 --> 00:10:44,339
HEY.
281
00:10:44,382 --> 00:10:45,688
DON'T TOUCH THAT.
282
00:10:45,732 --> 00:10:47,472
CAN'T YOU SHUT HIS EYES?
283
00:10:47,516 --> 00:10:51,085
ONLY IF YOU GOT
A NEEDLE AND THREAD.
284
00:11:00,660 --> 00:11:02,618
ANY THOUGHTS ON WHY HE GETS IT
IN THE BACK OF THE HEAD
285
00:11:02,662 --> 00:11:03,706
AND SHE GETS HERS
IN THE FACE?
286
00:11:03,750 --> 00:11:05,142
SHE WAS RUNNING.
287
00:11:05,186 --> 00:11:06,883
TOOK TWO IN THE SPINE,
TAKING OUT HER LEGS.
288
00:11:06,927 --> 00:11:08,711
THEN THEY TURNED HER OVER.
289
00:11:08,755 --> 00:11:10,408
AND FINISHED HER OFF
IN THE FACE?
290
00:11:10,452 --> 00:11:13,455
NOT QUITE.
291
00:11:13,498 --> 00:11:15,631
GOOD GOD.
292
00:11:15,675 --> 00:11:17,067
SOMEBODY WAS PISSED OFF.
293
00:11:17,111 --> 00:11:19,156
THIS GOES WAY BEYOND
PISSED OFF.
294
00:11:19,200 --> 00:11:22,203
SHE WAS ALIVE
FOR MOST OF THIS.
295
00:11:30,037 --> 00:11:31,212
SO YOU THINK
THIS WAS A MESSAGE
296
00:11:31,255 --> 00:11:32,517
TO FRANKIE SENIOR?
297
00:11:32,561 --> 00:11:34,041
I DON'T KNOW--
THAT KINDA VIOLENCE,
298
00:11:34,084 --> 00:11:35,956
YOU GOTTA BELIEVE
SHE WAS THE TARGET.
299
00:11:35,999 --> 00:11:37,914
PLUS, THEY FIND JUNIOR,
THEY FOUND SENIOR.
300
00:11:37,958 --> 00:11:39,960
SO WHY NOT JUST
TAKE FRANKIE OUT?
301
00:11:40,003 --> 00:11:41,918
WHY NOT JUST
TAKE FRANKIE OUT?
302
00:11:41,962 --> 00:11:43,441
UNLESS THEY DON'T
WANT HIM DEAD.
303
00:11:43,485 --> 00:11:45,313
MAYBE THEY JUST WANT HIM
TO QUEER HIS TESTIMONY.
304
00:11:45,356 --> 00:11:47,968
THAT COULD HURT A CASE WORSE
THAN HIM NOT SHOWING UP.
305
00:11:48,011 --> 00:11:50,274
THAT COULD HURT A CASE WORSE
THAN HIM NOT SHOWING UP.
306
00:11:50,318 --> 00:11:52,407
PLEASE STOP THAT.
307
00:11:52,450 --> 00:11:54,061
THEN AGAIN,
ANYONE WHO KNOWS FRANKIE
308
00:11:54,104 --> 00:11:55,802
KNOWS KILLING HIS KID'S
NOT THE WAY TO MOTIVATE HIM.
309
00:11:55,845 --> 00:11:57,629
SO YOU THINK HE'S NOT
GONNA BE HAPPY ABOUT THIS?
310
00:11:57,673 --> 00:11:59,631
HAVE YOU NOTICED
I'M NOT IN A JOKING MOOD?
311
00:11:59,675 --> 00:12:00,763
SORRY.
312
00:12:00,807 --> 00:12:03,766
I GOTTA GO FIND FRANKIE.
313
00:12:03,810 --> 00:12:05,072
TASHA.
314
00:12:05,115 --> 00:12:06,421
I TOLD YOU
TO WAIT IN THE CAR.
315
00:12:06,464 --> 00:12:08,118
IT'S OKAY.COME ON.
316
00:12:08,162 --> 00:12:11,165
LET'S GET YOU HOME.
317
00:12:13,341 --> 00:12:15,212
AWW, THAT MAKES ME SAD.
318
00:12:23,917 --> 00:12:25,701
WHY ARE WE STOPPING HERE?
319
00:12:25,745 --> 00:12:28,008
JUST STAY IN THE CAR
AND DON'T TOUCH ANYTHING.
320
00:12:28,051 --> 00:12:29,183
NO--
HEY, WAIT!
321
00:12:29,226 --> 00:12:30,662
NO.
322
00:12:30,706 --> 00:12:32,360
HEY, AMIGO.
QUE PASA?
323
00:12:32,403 --> 00:12:33,361
YO, G. TODO BIEN.
324
00:12:33,404 --> 00:12:34,536
HEY, WHAT'S UP?
325
00:12:34,579 --> 00:12:36,103
JUST KEEP AN EYE
ON THE RIDE FOR ME.
326
00:12:36,146 --> 00:12:39,019
MAKE SURE NOTHING BAD HAPPENS
TO THE CAR OR TO HER.
327
00:12:41,021 --> 00:12:42,805
MOSTLY TO THE CAR.
328
00:12:42,849 --> 00:12:44,154
ALL RIGHT.
329
00:12:45,199 --> 00:12:46,591
HEY, MAMI.
330
00:12:46,635 --> 00:12:47,767
WHAT'S CRACKIN'?
331
00:12:47,810 --> 00:12:49,464
YOU WANNA EFF OFF?
332
00:12:54,034 --> 00:12:55,078
HERE YOU GO, PADRE.
333
00:12:55,122 --> 00:12:57,080
20 TICKETS
FOR WEDNESDAY NIGHT.
334
00:12:57,124 --> 00:12:58,212
GRACIAS.
335
00:12:58,255 --> 00:12:59,213
DE NADA.
336
00:12:59,256 --> 00:13:01,868
"BLEACHERS"?
337
00:13:04,479 --> 00:13:06,089
SO DID YOU TAKE HER
TO MY HOUSE?
338
00:13:06,133 --> 00:13:07,438
NOT EXACTLY.
339
00:13:07,482 --> 00:13:08,613
RAPH, WHAT DID YOU DO?
340
00:13:08,657 --> 00:13:10,093
I LEFT HER SITTING
IN MY CAR
341
00:13:10,137 --> 00:13:11,355
IN FRONT OF
THE YOUTH CENTER,
342
00:13:11,399 --> 00:13:12,617
WITH A COUPLE OF
343
00:13:12,661 --> 00:13:15,403
JUNIOR CHOLOS
SCOPING HER OUT.
344
00:13:15,446 --> 00:13:16,447
SHE'S TOTALLY
FREAKING OUT.
345
00:13:16,491 --> 00:13:17,535
YOU DID THAT?
346
00:13:17,579 --> 00:13:19,233
YEAH.
PRETTY FUNNY, HUH?
347
00:13:19,276 --> 00:13:20,669
OH, YEAH.
348
00:13:20,712 --> 00:13:21,801
BUT NOT THE WAY YOU THINK.
349
00:13:21,844 --> 00:13:23,019
WHAT'S THAT MEAN?
350
00:13:23,063 --> 00:13:24,847
IT MEANS MY SISTER
HAS A PENCHANT
351
00:13:24,891 --> 00:13:26,849
FOR BOOSTING CARS.
352
00:13:26,893 --> 00:13:27,937
A PENCHANT?
353
00:13:27,981 --> 00:13:29,721
MORE LIKE A COMPULSION.
354
00:13:34,988 --> 00:13:37,686
SON OF A BITCH.
355
00:13:37,729 --> 00:13:39,819
I THOUGHT I TOLD YOU
TO WATCH THE CAR.
356
00:13:39,862 --> 00:13:40,907
WE DID, ESE.
357
00:13:40,950 --> 00:13:43,997
YEAH, G.
THERE IT GO.
358
00:13:44,040 --> 00:13:47,217
MARY, YOU BETTER
COME PICK ME UP.
359
00:13:47,261 --> 00:13:49,176
AHH, I'M SORRY,
I CAN'T HEAR YOU.
360
00:13:49,219 --> 00:13:52,832
YOU'RE BREAKING UP.
361
00:14:01,144 --> 00:14:02,406
JUST A SECOND.
362
00:14:08,108 --> 00:14:10,023
OKAY.
363
00:14:10,066 --> 00:14:11,894
PHONE WORKS.
364
00:14:11,938 --> 00:14:13,548
PHONES WORK.
365
00:14:13,591 --> 00:14:15,855
NO.
366
00:14:15,898 --> 00:14:17,857
NO, NO, NO,
I CAN'T.
367
00:14:17,900 --> 00:14:19,597
I WISH TO GO HOME.
368
00:14:19,641 --> 00:14:20,729
THIS IS YOUR HOME NOW.
369
00:14:20,772 --> 00:14:22,383
NO, PLEASE!
370
00:14:22,426 --> 00:14:23,601
IT'S NOT POSSIBLE.
371
00:14:23,645 --> 00:14:24,776
TASHA, LISTEN TO ME.
372
00:14:24,820 --> 00:14:25,777
YOU CAN'T GO BACK.
373
00:14:25,821 --> 00:14:26,953
YOU CAN NEVER GO BACK.
374
00:14:26,996 --> 00:14:28,389
YOU KNOW WHAT
THEY'LL DO TO YOU.
375
00:14:28,432 --> 00:14:30,521
I AM JUST BOOKKEEPER.
376
00:14:30,565 --> 00:14:32,306
I KNOW.
377
00:14:33,655 --> 00:14:36,136
I KNOW.
I KNOW.
378
00:14:36,179 --> 00:14:37,354
SHH.
379
00:14:37,398 --> 00:14:38,486
LET IT OUT.
380
00:14:38,529 --> 00:14:39,574
OKAY. OKAY.
381
00:14:39,617 --> 00:14:41,315
SHH, IT'S OKAY.
382
00:14:41,358 --> 00:14:44,100
LET IT OUT.
383
00:14:44,144 --> 00:14:46,668
HOW THIS CAN HAPPEN?
384
00:14:46,711 --> 00:14:48,017
MY LIFE.
385
00:14:48,061 --> 00:14:51,934
MY...FAMILY.
386
00:14:51,978 --> 00:14:56,504
EVERYTHING GONE.
387
00:14:56,547 --> 00:14:59,681
THEY DON'T EVEN LET ME
BRING PICTURES.
388
00:14:59,724 --> 00:15:02,771
I KNOW,
IT ISN'T FAIR.
389
00:15:02,814 --> 00:15:04,599
BUT LISTEN TO ME--
390
00:15:04,642 --> 00:15:07,863
YOU DID A GREAT,
COURAGEOUS THING, TESTIFYING.
391
00:15:07,907 --> 00:15:10,692
OKAY, AND NOW IT'S TIME
TO FOCUS ON THE FUTURE.
392
00:15:10,735 --> 00:15:12,128
THINK OF IT
AS A CHANCE
393
00:15:12,172 --> 00:15:14,870
TO BUILD
A WHOLE NEW LIFE.
394
00:15:14,914 --> 00:15:18,308
EVEN BETTER THAN THE ONE
YOU HAD BEFORE.
395
00:15:18,352 --> 00:15:21,790
BUT YOU CANNOT
UNDER ANY CIRCUMSTANCES,
396
00:15:21,833 --> 00:15:24,227
NOT MATTER HOW HOMESICK
OR LONELY YOU GET,
397
00:15:24,271 --> 00:15:25,489
GO BACK HOME
398
00:15:25,533 --> 00:15:27,970
OR CONTACT ANYONE
FROM YOUR PAST.
399
00:15:28,014 --> 00:15:30,973
IN THE HISTORY OF
THE WITNESS PROTECTION PROGRAM,
400
00:15:31,017 --> 00:15:33,497
NO ONE WHO'S FOLLOWED THE RULES
HAS EVER BEEN HARMED.
401
00:15:33,541 --> 00:15:35,499
YOU CAN DO THIS.
OKAY?
402
00:15:35,543 --> 00:15:37,675
I KNOW YOU CAN.
403
00:15:37,719 --> 00:15:40,287
COME ON.
OKAY, COME ON.
404
00:15:40,330 --> 00:15:43,333
STAND UP.
COME ON.
405
00:15:43,377 --> 00:15:45,292
HOW 'BOUT YOU REST
FOR A LITTLE WHILE,
406
00:15:45,335 --> 00:15:46,597
WATCH SOME TV--
407
00:15:46,641 --> 00:15:48,382
CABLE'S NOT HOOKED UP YET.
408
00:15:48,425 --> 00:15:49,992
YEAH, ALL RIGHT.
409
00:15:50,036 --> 00:15:52,038
UM, I'LL GET THE CABLE
TURNED ON.
410
00:15:52,081 --> 00:15:53,387
AND A LITTLE LATER,
411
00:15:53,430 --> 00:15:55,955
I'LL COME BY
WITH SOME GROCERIES.
412
00:15:55,998 --> 00:15:59,871
IS THERE ANYTHING SPECIAL
YOU NEED?
413
00:15:59,915 --> 00:16:03,353
THEY PROMISED ME
NEW BREASTS.
414
00:16:05,051 --> 00:16:08,706
WHEN I CAN GET THEM?
415
00:16:10,273 --> 00:16:11,927
NO, BETWEEN 1:00 AND 5:00
416
00:16:11,971 --> 00:16:13,146
ISN'T GOOD ENOUGH,
FEDERICO.
417
00:16:13,189 --> 00:16:15,322
OUR FRIEND
NEEDS HER CABLE ON NOW.
418
00:16:15,365 --> 00:16:17,585
SO GET IT DONE OR WE'RE
SWITCHING TO SATELLITE.
419
00:16:17,628 --> 00:16:18,890
THAT'S FUNNY?
420
00:16:18,934 --> 00:16:19,935
HOW ABOUT WE SWITCH
TO SATELLITE,
421
00:16:19,979 --> 00:16:20,936
THEN I PUNCH YOU IN THE FACE?
422
00:16:20,980 --> 00:16:22,459
SHE'S HOME NOW.
423
00:16:22,503 --> 00:16:23,939
I'LL TELL HER
YOU'RE ON YOUR WAY.
424
00:16:23,983 --> 00:16:25,723
SO ANYWAY, IF YOU COULD
START PROCESSING INFO--
425
00:16:25,767 --> 00:16:27,421
LITTLE FRANKIE,
THE GIRL, HER FATHER,
426
00:16:27,464 --> 00:16:28,770
FRIENDS AND FAMILY
OF EVERYONE
427
00:16:28,813 --> 00:16:30,076
FRANKIE'S
TESTIFYING AGAINST.
428
00:16:30,119 --> 00:16:32,295
WHATEVER ELSE
YOU CAN THINK OF.
429
00:16:32,339 --> 00:16:33,775
YOU KNOW,
430
00:16:33,818 --> 00:16:35,646
I'M NOT YOUR ASSISTANT.
431
00:16:35,690 --> 00:16:37,300
I HAVE
A COUPLE DOZEN WITNESSES
432
00:16:37,344 --> 00:16:38,388
OF MY OWN
TO DEAL WITH.
433
00:16:38,432 --> 00:16:39,781
OH, YEAH?
434
00:16:39,824 --> 00:16:41,130
ANY OF THEIR KIDS
GET MURDERED LAST NIGHT?
435
00:16:41,174 --> 00:16:44,873
I'LL HAVE TO CHECK.
436
00:16:44,916 --> 00:16:46,179
OH, FINE.
437
00:16:46,222 --> 00:16:48,137
THANK YOU.
438
00:16:48,181 --> 00:16:49,704
PISSY LITTLE GIRL.
439
00:16:49,747 --> 00:16:51,358
I HEARD THAT.
440
00:16:56,580 --> 00:16:58,234
I DON'T GIVE A RAT'S ASS
ABOUT YOUR PROTOCOL.
441
00:16:58,278 --> 00:17:00,280
I'VE GOT TWO PARENTS
ON THEIR WAY DOWN HERE
442
00:17:00,323 --> 00:17:01,890
TO SEE THEIR SON,
AND TRUST ME ON THIS ONE,
443
00:17:01,933 --> 00:17:03,500
THIS IS NOT WHERE
YOU WANT THEM TO FIND HIM.
444
00:17:03,544 --> 00:17:04,675
THEN YOU BETTER
KEEP THEM OUTTA HERE.
445
00:17:04,719 --> 00:17:06,025
BECAUSE A VAN
FULL OF ILLEGALS
446
00:17:06,068 --> 00:17:08,114
PLOWED INTO A BRIDGE ABUTMENT
THIS MORNING.
447
00:17:08,157 --> 00:17:09,463
AND I'M UNDER-STAFFED.
448
00:17:09,506 --> 00:17:10,638
I WON'T KNOW
WHICH ONE OF THESE IS YOURS
449
00:17:10,681 --> 00:17:11,943
UNTIL I START
PROCESSING THEM.
450
00:17:11,987 --> 00:17:13,075
WELL, HOW LONG
IS THAT GONNA TAKE?
451
00:17:13,119 --> 00:17:14,685
AS LONG AS IT TAKES.
452
00:17:14,729 --> 00:17:17,123
WELL, WORK QUICKLY.
453
00:17:17,166 --> 00:17:18,907
FRANKIE, FELICIA.
LOOK, COME ON.
454
00:17:18,950 --> 00:17:19,908
WHERE IS HE?
455
00:17:19,951 --> 00:17:20,996
COME BACK INSIDE.
456
00:17:21,040 --> 00:17:22,171
IS MY BOY
IN ONE OF THESE BAGS?
457
00:17:22,215 --> 00:17:23,477
EXCUSE ME, SIR,
YOU CANNOT--
458
00:17:23,520 --> 00:17:26,480
HEY, YOU CAN'T--OKAY, OKAY.
459
00:17:26,523 --> 00:17:28,047
WHERE'S MY BOY?
460
00:17:28,090 --> 00:17:29,309
WHERE'S MY BOY?!
461
00:17:29,352 --> 00:17:31,311
OKAY, FRANKIE, PLEASE.
PLEASE STOP THIS.
462
00:17:34,270 --> 00:17:36,142
FRANKIE, STOP IT!
STOP IT!
463
00:17:36,185 --> 00:17:39,797
GET OFF ME.
464
00:17:43,845 --> 00:17:46,761
FELICIA.
465
00:17:46,804 --> 00:17:47,805
FELICIA.
466
00:17:47,849 --> 00:17:49,329
FELICIA.
467
00:17:49,372 --> 00:17:51,287
OH, MY GOD.
FELICIA.
468
00:17:51,331 --> 00:17:55,248
OH, GOD.
I'M SORRY.
469
00:17:55,291 --> 00:17:58,294
I'M SORRY.
470
00:18:05,301 --> 00:18:07,782
FRANKIE, WAIT.
471
00:18:07,825 --> 00:18:11,220
FRANKIE!
472
00:18:11,264 --> 00:18:12,830
FRANKIE...
473
00:18:12,874 --> 00:18:14,397
FRANKIE!
474
00:18:14,441 --> 00:18:15,964
FRANKIE, WAIT!
475
00:18:16,007 --> 00:18:16,965
WHAT, WHAT DO YOU WANT?!
476
00:18:17,008 --> 00:18:18,314
DON'T "WHAT" ME.
477
00:18:18,358 --> 00:18:19,446
I KNOW YOU.
I KNOW WHAT YOU'RE THINKING.
478
00:18:19,489 --> 00:18:20,969
OH, CONGRATULATIONS.
479
00:18:21,012 --> 00:18:22,144
YOU'RE THE AMAZING
FREAKIN' KRESKIN.
480
00:18:22,188 --> 00:18:23,624
NO IDEA WHO THAT IS,
BUT LISTEN TO ME.
481
00:18:23,667 --> 00:18:25,191
IF YOU GO OFF GUNNING
FOR WHOEVER DID THIS,
482
00:18:25,234 --> 00:18:26,583
YOU'RE GONNA BLOW
YOUR WHOLE PLEA AGREEMENT.
483
00:18:26,627 --> 00:18:29,238
DID YOU JUST SEE
MY BOY IN THERE?
484
00:18:29,282 --> 00:18:31,066
I KNOW, FRANKIE.
I KNOW.
485
00:18:31,110 --> 00:18:32,763
I'M SO SORRY.
486
00:18:32,807 --> 00:18:34,330
BUT FELICIA
NEEDS YOU NOW.
487
00:18:34,374 --> 00:18:35,636
OKAY, PLEASE.
488
00:18:35,679 --> 00:18:37,159
PLEASE, GO TAKE CARE
OF HER.
489
00:18:37,203 --> 00:18:39,335
I SWEAR TO YOU,
490
00:18:39,379 --> 00:18:41,163
YOU'LL GET
YOUR JUSTICE.
491
00:18:41,207 --> 00:18:44,166
YOU GOT 24 HOURS.
492
00:18:44,210 --> 00:18:46,255
AFTER THAT, I TAKE MATTERS
INTO MY OWN HANDS.
493
00:18:46,299 --> 00:18:47,561
AND TO HELL
WITH THIS PLEA.
494
00:18:47,604 --> 00:18:48,562
FRANKIE--
495
00:18:48,605 --> 00:18:50,172
AS FAR AS JUSTICE,
496
00:18:50,216 --> 00:18:53,828
YOU'VE GOT YOUR VERSION,
I'VE GOT MINE.
497
00:19:07,929 --> 00:19:08,886
WHAT ARE YOU DOING HERE?
498
00:19:08,930 --> 00:19:10,323
I WORK HERE, STAN.
499
00:19:10,366 --> 00:19:12,194
WHY AREN'T YOU HELPING MARY
MOVE FRANKIE NUTS?
500
00:19:12,238 --> 00:19:13,369
SHE WANTED ME HERE
DOING THIS.
501
00:19:13,413 --> 00:19:14,805
AND YOU THOUGHT
IT WAS OKAY
502
00:19:14,849 --> 00:19:16,503
TO LET HER HANDLE THAT
SICK BASTARD BY HERSELF?
503
00:19:16,546 --> 00:19:18,200
HER WITNESS,
HER CALL.
504
00:19:18,244 --> 00:19:21,551
IT HOW WE DO, G.
505
00:19:21,595 --> 00:19:22,857
IF ANYTHING HAPPENS
TO HER--
506
00:19:22,900 --> 00:19:24,554
RELAX.
507
00:19:24,598 --> 00:19:29,385
MARY KNOWS
WHAT SHE'S DOING.
508
00:19:29,429 --> 00:19:31,518
SO'D YOU GET HER
A BIRTHDAY PRESENT?
509
00:19:31,561 --> 00:19:33,172
I'M WORKING HER CASE.
510
00:19:33,215 --> 00:19:34,303
YOU DON'T THINK
THAT'S ENOUGH?
511
00:19:34,347 --> 00:19:35,609
YOU'RE NOT THAT DUMB.
512
00:19:35,652 --> 00:19:36,871
I'M SMART ENOUGH TO KNOW
513
00:19:36,914 --> 00:19:40,918
YOU CAN'T SHOP FOR MARY.
514
00:19:40,962 --> 00:19:42,529
WHAT ABOUT YOU?
515
00:19:42,572 --> 00:19:45,662
OH, WELL,
I JUST GOT HER A...
516
00:19:45,706 --> 00:19:48,665
BOTTLE OF REALLY
EXPENSIVE PERFUME.
517
00:19:48,709 --> 00:19:50,319
MARY DOESN'T WEAR PERFUME.
518
00:19:50,363 --> 00:19:51,494
YES, SHE DOES.
519
00:19:51,538 --> 00:19:52,539
NUH-UH.
520
00:19:52,582 --> 00:19:53,975
YOU SURE?
521
00:19:54,018 --> 00:19:55,237
I MEAN,
SHE ALWAYS SMELLS SO GOOD.
522
00:19:55,281 --> 00:20:00,111
THAT'S JUST HER.
523
00:20:00,155 --> 00:20:01,983
HUH.
524
00:20:02,026 --> 00:20:04,377
THE CARE AND FEEDING
OF CAREER CRIMINALS,
525
00:20:04,420 --> 00:20:06,814
LIKE FRANKIE NUTS,
IS A DICEY PROPOSITION AT BEST.
526
00:20:06,857 --> 00:20:08,250
ON ANY GIVEN DAY,
I GET TO PLAY
527
00:20:08,294 --> 00:20:09,773
MOTHER, FATHER,
528
00:20:09,817 --> 00:20:12,428
BEST FRIEND, PRIEST,
RABBI, MARRIAGE COUNSELOR,
529
00:20:12,472 --> 00:20:13,734
AND YES, UNFORTUNATELY,
530
00:20:13,777 --> 00:20:15,736
OCCASIONALLY
HOMICIDE DETECTIVE.
531
00:20:15,779 --> 00:20:17,172
WHICH IS WHY
I FIND MYSELF DRIVING
532
00:20:17,216 --> 00:20:18,956
MY MISOGYNIST METAPHOR
ACROSS THE DESERT
533
00:20:19,000 --> 00:20:20,436
WITH A BUSTED
AIR CONDITIONER
534
00:20:20,480 --> 00:20:22,003
TO HUNT DOWN
THE MURDERER OF THE SON
535
00:20:22,046 --> 00:20:23,613
OF MY MURDERER WITNESS.
536
00:20:23,657 --> 00:20:25,920
NO BACKUP.
NO PLAN TO SPEAK OF.
537
00:20:25,963 --> 00:20:27,443
NO ALTERNATIVE.
538
00:20:27,487 --> 00:20:29,663
ALSO, FRANKIE JUNIOR
GOT KILLED ON MY WATCH.
539
00:20:29,706 --> 00:20:31,926
THAT JUST PISSES ME OFF.
540
00:20:43,503 --> 00:20:46,027
NICE CHAPS.
541
00:20:48,551 --> 00:20:52,163
AW.
542
00:20:52,207 --> 00:20:55,819
WRITE DOWN
YOUR CUSTOMERS' NAMES.
543
00:20:55,863 --> 00:20:57,691
I'VE NEVER SEEN
THESE PEOPLE BEFORE.
544
00:20:57,734 --> 00:21:00,998
LISTEN.
545
00:21:01,042 --> 00:21:02,391
HERE'S THE DEAL--
546
00:21:02,435 --> 00:21:04,175
TWO KIDS WERE KILLED
ABOUT A MILE FROM HERE,
547
00:21:04,219 --> 00:21:05,655
AND AT LEAST
A FEW OF THESE GUYS
548
00:21:05,699 --> 00:21:07,091
WERE AT THE MURDER SITE.
549
00:21:07,135 --> 00:21:08,092
SO PLEASE,
550
00:21:08,136 --> 00:21:09,311
SAVE US BOTH
A LOT OF TROUBLE
551
00:21:09,355 --> 00:21:10,791
AND JUST WRITE
THE DAMN NAMES
552
00:21:10,834 --> 00:21:12,967
BEFORE GREAT WHITE FATHER
BACK IN WASHINGTON
553
00:21:13,010 --> 00:21:14,795
GOES ALL LITTLE BIGHORN
ON YOUR ASS.
554
00:21:14,838 --> 00:21:17,885
YOU'RE KIDDING ME,
RIGHT?
555
00:21:17,928 --> 00:21:20,627
WAS THAT OVER THE TOP?
556
00:21:20,670 --> 00:21:22,629
LOOK, FIRST OF ALL,
IT WAS YOU GUYS
557
00:21:22,672 --> 00:21:23,717
THAT GOT YOUR ASSES KICKED
558
00:21:23,760 --> 00:21:24,805
AT LITTLE BIGHORN.
559
00:21:24,848 --> 00:21:26,110
REALLY?
560
00:21:26,154 --> 00:21:27,851
AND SECOND OF ALL,
561
00:21:27,895 --> 00:21:29,897
TODAY'S MY FIRST DAY
OF WORK HERE.
562
00:21:29,940 --> 00:21:32,465
AND I HAVE REALLY NEVER SEEN
THESE PEOPLE BEFORE.
563
00:21:32,508 --> 00:21:33,640
SORRY.
564
00:21:33,683 --> 00:21:37,557
THOUGHT YOU WERE
BEING DIFFICULT.
565
00:21:43,737 --> 00:21:47,088
EXCUSE ME.
566
00:21:49,090 --> 00:21:51,440
WHEW!
567
00:21:51,484 --> 00:21:53,094
GOOD LORD.
568
00:21:53,137 --> 00:21:55,052
WHAT IS IT
WITH MEN'S RESTROOMS?
569
00:21:55,096 --> 00:21:56,793
DO YOU ALL LIKE THE SMELL
OF STALE URINE?
570
00:21:56,837 --> 00:21:57,925
IS THAT WHAT IT IS?
571
00:21:57,968 --> 00:21:59,143
OKAY, ENOUGH CHIT-CHAT.
572
00:21:59,187 --> 00:22:00,406
WHAT'S YOUR NAME?
573
00:22:00,449 --> 00:22:02,408
AND DID YOU KILL
THOSE TWO KIDS?
574
00:22:02,451 --> 00:22:04,105
I'M SORRY.
575
00:22:04,148 --> 00:22:06,629
ARE YOU TALKING
TO ME?
576
00:22:07,891 --> 00:22:08,892
AW.
577
00:22:08,936 --> 00:22:10,067
WHAT'S SO FUNNY?
578
00:22:10,111 --> 00:22:11,678
WELL, IT'S SO CUTE.
579
00:22:11,721 --> 00:22:13,375
IT'S LIKE ONE OF
THOSE MINI-TAQUITOS
580
00:22:13,419 --> 00:22:14,463
THEY SERVE AT HAPPY HOUR.
581
00:22:14,507 --> 00:22:16,247
OH, YEAH?
YOU WANT SOME?
582
00:22:16,291 --> 00:22:17,640
EW.
583
00:22:19,338 --> 00:22:21,644
MANLY, YES,
BUT I LIKE IT TOO.
584
00:22:21,688 --> 00:22:23,298
NOW, WHAT DO YOU SAY
YOU ANSWER MY QUESTIONS
585
00:22:23,342 --> 00:22:24,517
BEFORE I DRAG YOU OUTTA HERE
586
00:22:24,560 --> 00:22:25,996
BY YOUR
SURPRISINGLY SMALL WEE-WEE.
587
00:22:26,040 --> 00:22:28,390
OKAY. OKAY.
588
00:22:28,434 --> 00:22:30,218
MY NAME IS GEORGE PARKER.
589
00:22:30,261 --> 00:22:32,525
AND NO, I DIDN'T KILL
THOSE TWO KIDS.
590
00:22:32,568 --> 00:22:34,135
SO WHAT WERE YOU DOING THERE
THIS MORNING, GEORGE?
591
00:22:34,178 --> 00:22:36,224
PULLING UP
SURVEYOR'S STAKES,
592
00:22:36,267 --> 00:22:37,573
HASSLING WORKERS.
593
00:22:37,617 --> 00:22:38,792
WHAT'S YOUR BEEF
WITH THE PROJECT?
594
00:22:38,835 --> 00:22:40,010
SAME OLD STORY.
595
00:22:40,054 --> 00:22:42,883
INDIANS GETTING
THEIR LAND RIPPED OFF
596
00:22:42,926 --> 00:22:44,319
FOR COMMERCIAL
DEVELOPMENT.
597
00:22:44,363 --> 00:22:45,581
HUH.
598
00:22:45,625 --> 00:22:46,756
SO KILLING
THE DEVELOPER'S DAUGHTER
599
00:22:46,800 --> 00:22:47,801
SOUNDS LIKE
PRETTY GOOD PAYBACK.
600
00:22:47,844 --> 00:22:49,368
MAYBE.
601
00:22:49,411 --> 00:22:50,412
EXCEPT THE DEVELOPER
ISN'T THE ONE
602
00:22:50,456 --> 00:22:51,805
THAT SCREWED US
OUT OF THE LAND.
603
00:22:51,848 --> 00:22:54,721
HUH?
604
00:22:54,764 --> 00:22:57,245
TALK TO A DUDE
NAMED EDWIN TALLTREES.
605
00:22:57,288 --> 00:22:58,594
HE'S THE GUY
THAT RIPPED US OFF.
606
00:22:58,638 --> 00:22:59,987
AN INDIAN?
607
00:23:00,030 --> 00:23:01,684
THAT'S RIGHT.
608
00:23:01,728 --> 00:23:03,686
WHY WOULD HE KILL TWO KIDS
ON HIS OWN LAND?
609
00:23:03,730 --> 00:23:05,558
BECAUSE IT ISN'T
HIS LAND ANYMORE.
610
00:23:05,601 --> 00:23:06,950
AFTER HE SCREWED US,
611
00:23:06,994 --> 00:23:08,865
THE DEAD GIRL'S FATHER
SCREWED HIM.
612
00:23:08,909 --> 00:23:11,520
SOUNDS LIKE A LOT
OF SCREWING GOING ON.
613
00:23:11,564 --> 00:23:13,174
UH-HUH.
614
00:23:13,217 --> 00:23:14,915
ALL RIGHT, THEN, GEORGE,
615
00:23:14,958 --> 00:23:16,656
YOU CAN ZIP IT UP.
616
00:23:16,699 --> 00:23:18,614
SORRY ABOUT
THE SMALL WEE-WEE CRACK.
617
00:23:18,658 --> 00:23:21,225
IT'S BEEN
A BITCH OF A DAY.
618
00:23:25,273 --> 00:23:28,102
THAT IS ONE SPECIAL GUY.
619
00:23:28,145 --> 00:23:31,758
GOD, I HOPE HE CALLS.
620
00:23:46,120 --> 00:23:48,383
APPARENTLY,
RIPPING OFF YOUR OWN PEOPLE
621
00:23:48,427 --> 00:23:52,039
HAS ITS UPSIDE.
622
00:23:52,082 --> 00:23:56,173
WISH I HAD PEOPLE
TO RIP OFF.
623
00:23:56,217 --> 00:23:58,219
CAN I HELP YOU?HI.
624
00:23:58,262 --> 00:24:00,177
MARY SHANNON
WITH THE U.S. MARSHALS.
625
00:24:00,221 --> 00:24:02,092
YOU EDWIN TALLTREES? I AM.
626
00:24:02,136 --> 00:24:05,531
ALL RIGHT.
627
00:24:05,574 --> 00:24:08,621
MUST BE A BITCH GETTING PIZZA
DELIVERED UP HERE.
628
00:24:12,668 --> 00:24:15,366
HI.
629
00:24:15,410 --> 00:24:16,542
HAVE A SEAT.
630
00:24:16,585 --> 00:24:17,630
THANKS.
631
00:24:19,675 --> 00:24:21,764
I SUPPOSE YOU'RE HERE
ABOUT SIENNA BURKE
632
00:24:21,808 --> 00:24:22,939
AND THAT BOY.
633
00:24:22,983 --> 00:24:24,114
WHY WOULD YOU
SUPPOSE THAT?
634
00:24:24,158 --> 00:24:26,073
IT'S NO SECRET
CALE BURKE AND I
635
00:24:26,116 --> 00:24:28,597
HAD A DISPUTE ABOUT THAT
SPECIFIC PIECE OF LAND.
636
00:24:28,641 --> 00:24:30,643
YOU'D BE REMISS
NOT TO QUESTION ME.
637
00:24:30,686 --> 00:24:34,211
GOD KNOWS
I HATE BEING REMISS.
638
00:24:34,255 --> 00:24:38,128
WHAT CAN YOU TELL ME
ABOUT THE MURDERS?
639
00:24:38,172 --> 00:24:41,175
I'M CURIOUS.
640
00:24:41,218 --> 00:24:42,959
WHY IS
THE U.S. MARSHAL SERVICE
641
00:24:43,003 --> 00:24:46,572
INTERESTED
IN A LOCAL MURDER?
642
00:24:48,661 --> 00:24:50,880
HEY.
643
00:24:50,924 --> 00:24:52,534
HERE'S AN IDEA.
644
00:24:52,578 --> 00:24:54,667
SINCE I'M THE ONE
WEARING THE BADGE
645
00:24:54,710 --> 00:24:57,757
AND YOU'RE
THE MURDER SUSPECT,
646
00:24:57,800 --> 00:25:01,804
HOW 'BOUT WE STICK TO ME
ASKING THE QUESTIONS?
647
00:25:01,848 --> 00:25:03,371
ALL RIGHT.
648
00:25:03,414 --> 00:25:06,330
CALE BURKE AND I
ATTENDED STANFORD TOGETHER.
649
00:25:06,374 --> 00:25:08,245
I STOOD UP FOR HIM
AT HIS WEDDING.
650
00:25:08,289 --> 00:25:11,248
I WAS AT THE HOSPITAL
THE DAY SIENNA WAS BORN.
651
00:25:11,292 --> 00:25:13,903
SHE AND MY SON KYLE
PLAYED TOGETHER
652
00:25:13,947 --> 00:25:16,079
EVERY DAY...
653
00:25:16,123 --> 00:25:18,604
UNTIL THEY WENT OFF
TO DIFFERENT PRIVATE SCHOOLS.
654
00:25:18,647 --> 00:25:20,301
I WOULD GIVE ANYTHING,
655
00:25:20,344 --> 00:25:21,781
EVERYTHING,
656
00:25:21,824 --> 00:25:24,740
TO BRING HER BACK.
657
00:25:24,784 --> 00:25:27,830
WHAT ELSE?
658
00:25:27,874 --> 00:25:29,789
WHERE WERE YOU
LAST NIGHT?
659
00:25:29,832 --> 00:25:30,964
HERE.
660
00:25:31,007 --> 00:25:32,269
WITH KYLE.
661
00:25:32,313 --> 00:25:33,488
WATCHING
THE KARATE CHAMPIONSHIPS
662
00:25:33,532 --> 00:25:34,707
ON PAY-PER-VIEW.
663
00:25:34,750 --> 00:25:37,100
WE'RE BOTH STUDENTS
OF TAE KWAN DO.
664
00:25:37,144 --> 00:25:40,321
GET MUCH CALL FOR THAT
IN REAL ESTATE?
665
00:25:40,364 --> 00:25:43,672
IS THERE ANYTHING ELSE,
MARSHAL?
666
00:25:43,716 --> 00:25:46,719
IS KYLE AVAILABLE?
667
00:25:46,762 --> 00:25:48,808
I'D RATHER YOU DIDN'T
SPEAK TO KYLE.
668
00:25:48,851 --> 00:25:50,505
HE'S VERY UPSET
ABOUT SIENNA.
669
00:25:50,549 --> 00:25:54,161
WOULD YOU RATHER
I TAKE HIM IN FOR QUESTIONING?
670
00:25:56,729 --> 00:25:57,686
KYLE,
671
00:25:57,730 --> 00:25:59,253
COME DOWN HERE, PLEASE.
672
00:25:59,296 --> 00:26:02,909
OKAY.
673
00:26:05,564 --> 00:26:07,696
AHH.
674
00:26:07,740 --> 00:26:11,352
YUMMY.
675
00:26:13,746 --> 00:26:15,225
KYLE.
676
00:26:15,269 --> 00:26:16,923
THIS IS MARSHAL SHANNON.
677
00:26:16,966 --> 00:26:19,752
SHE WANTS TO ASK YOU
ABOUT SIENNA.
678
00:26:19,795 --> 00:26:20,970
OKAY.
679
00:26:21,014 --> 00:26:22,972
I UNDERSTAND
YOU WERE GOOD FRIENDS.
680
00:26:23,016 --> 00:26:25,105
WERE.
681
00:26:25,148 --> 00:26:26,541
SINCE DAD AND UNCLE CALE
682
00:26:26,585 --> 00:26:28,064
HAD THEIR DISAGREEMENT,
683
00:26:28,108 --> 00:26:30,414
WE WEREN'T ALLOWED
TO SEE EACH OTHER ANYMORE.
684
00:26:30,458 --> 00:26:32,634
DID YOU KNOW
THE BOY SHE WAS WITH?
685
00:26:32,678 --> 00:26:34,549
UH-UH.
686
00:26:34,593 --> 00:26:36,072
I JUST HEARD
HE WENT TO HER SCHOOL.
687
00:26:36,116 --> 00:26:37,639
CAN YOU THINK OF ANYONE
WHO WOULD WANT
688
00:26:37,683 --> 00:26:40,163
TO DO THIS TO SIENNA?
689
00:26:40,207 --> 00:26:41,687
EVERYBODY LOVED HER.
690
00:26:41,730 --> 00:26:45,952
SHE WAS LIKE...
691
00:26:45,995 --> 00:26:48,563
WELL, YOU JUST
COULDN'T HELP IT, YOU KNOW?
692
00:26:48,607 --> 00:26:51,261
IS THAT ENOUGH?
693
00:26:51,305 --> 00:26:52,698
SURE.
694
00:26:52,741 --> 00:26:54,438
JUST ONE MORE THING.
695
00:26:54,482 --> 00:26:55,744
WHERE WERE YOU
LAST NIGHT?
696
00:26:55,788 --> 00:26:57,703
I WAS HERE WITH MY DAD
697
00:26:57,746 --> 00:26:59,182
WATCHING
THE KARATE CHAMPIONSHIP.
698
00:26:59,226 --> 00:27:02,664
THAT'S WHAT I THOUGHT.
699
00:27:02,708 --> 00:27:04,144
BY THE WAY, WHO WON?
700
00:27:04,187 --> 00:27:08,931
EDGAR SANCHEZ. EDGAR SANCHEZ.
701
00:27:08,975 --> 00:27:11,499
I'M REALLY SORRY
ABOUT YOUR FRIEND.
702
00:27:11,542 --> 00:27:12,718
YEAH, IT SUCKS.
703
00:27:12,761 --> 00:27:16,373
THANKS.
704
00:27:19,289 --> 00:27:20,813
I REALLY WANTED
TO TURN AROUND
705
00:27:20,856 --> 00:27:22,684
AND POP OFF ONE OF THOSE
COLUMBO QUESTIONS.
706
00:27:22,728 --> 00:27:24,555
YOU KNOW,
THE INNOCUOUS AFTERTHOUGHT
707
00:27:24,599 --> 00:27:26,557
THAT LETS THE KILLER KNOW
THAT I KNOW HE DID IT.
708
00:27:26,601 --> 00:27:27,994
EXCUSE ME,
709
00:27:28,037 --> 00:27:30,692
DO YOU ALWAYS WEAR WHITE SHOES
AFTER LABOR DAY?
710
00:27:30,736 --> 00:27:32,302
UNFORTUNATELY,
I HAD NO IDEA
711
00:27:32,346 --> 00:27:34,261
IF TALLTREES HAD ANYTHING
TO DO WITH THE MURDERS.
712
00:27:34,304 --> 00:27:37,917
AND, MORE IMPORTANTLY,
HE WASN'T WEARING SHOES.
713
00:27:40,746 --> 00:27:42,269
AS GOOD AS I AM
AT SORTING OUT
714
00:27:42,312 --> 00:27:43,618
OTHER PEOPLE'S LIVES--
715
00:27:43,662 --> 00:27:44,924
YOU'LL JUST HAVE
TO TAKE MY WORD FOR IT,
716
00:27:44,967 --> 00:27:46,403
I'M REALLY GOOD--
717
00:27:46,447 --> 00:27:48,362
THAT TALENT PALES
COMPARED TO MY GENIUS
718
00:27:48,405 --> 00:27:49,668
FOR KEEPING MY OWN LIFE
719
00:27:49,711 --> 00:27:52,975
IN A CONSTANT STATE
OF TURMOIL.
720
00:27:53,019 --> 00:27:56,065
I SHOULD HAVE JUST LET YOU
WALK FROM THE AIRPORT,
721
00:27:56,109 --> 00:27:58,154
YOU PSYCHO WHACK-JOB.
722
00:27:58,198 --> 00:28:00,156
JUST GIVE ME--
JUST GIVE ME THE KEYS.
723
00:28:00,200 --> 00:28:01,941
A COUPLE OF YEARS FROM NOW,
YOU'RE JUST GONNA BE
724
00:28:01,984 --> 00:28:04,247
ANOTHER HAIRNET-WEARIN'
CHOLO.
725
00:28:04,291 --> 00:28:05,553
JUST PLEASE
GIVE ME MY KEYS.
726
00:28:05,596 --> 00:28:06,728
ARE YOU GONNA HIT ME?
727
00:28:06,772 --> 00:28:07,947
NO, BUT GIVE ME
THE KEYS.
728
00:28:07,990 --> 00:28:08,948
COME ON, HIT ME.
729
00:28:08,991 --> 00:28:10,123
ENOUGH. ENOUGH.
730
00:28:10,166 --> 00:28:12,081
JUST GIVE ME MY KEYS.ENOUGH.
731
00:28:12,125 --> 00:28:13,300
I'VE GOT ENOUGH GOING ON
WITHOUT HAVING TO DEAL
732
00:28:13,343 --> 00:28:14,736
WITH THIS B.S.
733
00:28:14,780 --> 00:28:16,259
MARY,
THANK GOD YOU'RE HERE.
734
00:28:16,303 --> 00:28:17,304
THEY'VE BEEN LIKE THIS
FOR HALF AN HOUR.
735
00:28:17,347 --> 00:28:18,958
SHE STOLE MY CAR.
736
00:28:19,001 --> 00:28:20,307
YOU LEFT ME SITTING
IN THE MIDDLE OF THE GHETTO.
737
00:28:20,350 --> 00:28:21,743
MARY, PLEASE,
WOULD YOU DO SOMETHING
738
00:28:21,787 --> 00:28:23,049
BEFORE THE NEIGHBORS THINK
739
00:28:23,092 --> 00:28:24,485
WE'RE POOR WHITE TRASH?
740
00:28:24,528 --> 00:28:27,314
OH, OBVIOUSLY NOT YOU,
RAPHAEL.
741
00:28:27,357 --> 00:28:28,968
GOD, MY HEAD
IS JUST SPLITTING.
742
00:28:29,011 --> 00:28:30,709
SHE'S LUCKY
I DON'T CALL THE COPS.
743
00:28:30,752 --> 00:28:32,449
RAPHAEL, SHE WAS SCARED.
744
00:28:32,493 --> 00:28:33,973
GO AHEAD, YOU KNOW WHAT,
CALL THE COPS.
745
00:28:34,016 --> 00:28:35,801
I'LL JUST TELL THEM
ABOUT THAT DIME BAG
746
00:28:35,844 --> 00:28:37,280
I FOUND
IN THE CENTER CONSOLE.
747
00:28:37,324 --> 00:28:38,281
IT'S NOT MINE.
748
00:28:38,325 --> 00:28:39,326
DIME BAG OF WHAT?
749
00:28:39,369 --> 00:28:40,457
YOU DON'T GET HIGH?
750
00:28:40,501 --> 00:28:41,763
IS THAT WHAT
YOU'RE TELLING ME?
751
00:28:41,807 --> 00:28:42,764
I DON'T GET HIGH.
752
00:28:42,808 --> 00:28:44,026
OKAY, ALL RIGHT.
753
00:28:44,070 --> 00:28:45,811
BOTH OF YOU,
STOP IT, STOP IT.
754
00:28:45,854 --> 00:28:46,812
I DON'T KNOW WHOSE DOPE
IT IS, AND I DON'T CARE.
755
00:28:46,855 --> 00:28:48,422
I WANT IT OUT OF HERE NOW.
756
00:28:48,465 --> 00:28:50,598
I'M A U.S. MARSHAL,
FOR CHRIST'S SAKE.
757
00:28:50,641 --> 00:28:51,947
MA, GO INSIDE
AND TAKE SOME ASPIRIN.
758
00:28:51,991 --> 00:28:53,993
BRANDI, GIVE HIM HIS KEYS.
759
00:28:54,036 --> 00:28:55,298
YOU BETTER DON'T THINK
THAT STUFF IS MINE.
760
00:28:55,342 --> 00:28:56,343
WHAT KIND OF STUFF?
761
00:28:56,386 --> 00:28:57,779
"YOU BETTER DON'T"?
762
00:28:57,823 --> 00:28:58,954
OH, GOD.
IT DOESN'T MATTER, RAPHAEL.
763
00:28:58,998 --> 00:29:00,129
NO, THE HELL IT DOESN'T.
764
00:29:00,173 --> 00:29:01,609
YOU'RE TAKING HER WORD
OVER MINE.
765
00:29:01,652 --> 00:29:03,002
I'M NOT TAKING
ANYBODY'S WORD.
766
00:29:03,045 --> 00:29:04,003
WHAT PART OF
"I DON'T CARE WHOSE IT IS"
767
00:29:04,046 --> 00:29:05,004
IS DIFFICULT FOR YOU?
768
00:29:05,047 --> 00:29:06,222
IS THIS HOW YOU THANK ME
769
00:29:06,266 --> 00:29:07,354
FOR TAKING TIME
OUT OF MY DAY OFF
770
00:29:07,397 --> 00:29:08,877
TO PICK UP
YOUR PSYCHOTIC SISTER?
771
00:29:08,921 --> 00:29:10,400
YOU WERE SUPPOSED
TO DRIVE HER TO MY HOUSE,
772
00:29:10,444 --> 00:29:11,662
NOT INTENTIONALLY
SCARE THE CRAP OUTTA HER.
773
00:29:11,706 --> 00:29:13,839
I HAD TO STOP
AT THE YOUTH CENTER.
774
00:29:13,882 --> 00:29:14,840
THE SCARING THE CRAP
OUT OF HER PART
775
00:29:14,883 --> 00:29:16,537
WAS JUST A BONUS.
776
00:29:16,580 --> 00:29:18,539
IT'S A JUVENILE PRANK
THAT BLEW UP IN YOUR FACE.
777
00:29:18,582 --> 00:29:19,801
THEN AFTER
SHE STEALS MY CAR,
778
00:29:19,845 --> 00:29:20,802
YOU DON'T EVEN COME
AND PICK ME UP.
779
00:29:20,846 --> 00:29:22,325
I WAS BUSY.
780
00:29:22,369 --> 00:29:23,370
WHY CAN'T ANYONE
GET IT THROUGH THEIR HEADS?
781
00:29:23,413 --> 00:29:24,371
I HAVE A JOB.
782
00:29:24,414 --> 00:29:26,025
OH, THAT'S RIGHT--
783
00:29:26,068 --> 00:29:27,417
EVERYBODY'S GOTTA MAKE TIME
IN THEIR DAY, BUT NOT MARY.
784
00:29:27,461 --> 00:29:29,158
CRY ME A RIVER.
785
00:29:29,202 --> 00:29:30,420
WHAT DID I PULL YOU AWAY FROM,
AN EXTRA SET OF CRUNCHES?
786
00:29:30,464 --> 00:29:31,900
IS THAT ALL
YOU THINK I DO?
787
00:29:31,944 --> 00:29:33,946
NO, SOMETIMES I THINK
YOU WORK ON YOUR LATS.
788
00:29:33,989 --> 00:29:36,557
HAVE A HAPPY BIRTHDAY.
789
00:29:36,600 --> 00:29:39,081
I'M OUTTA HERE.SEE YA.
790
00:29:39,125 --> 00:29:40,474
YOU HAPPY?
791
00:29:40,517 --> 00:29:41,475
WHAT, I ALREADY
GOT RID OF THE STUFF.
792
00:29:41,518 --> 00:29:42,998
WHAT'S THE BIG DRAMA?
793
00:29:43,042 --> 00:29:44,783
OH, MY GOD, BRANDI,
WHEN ARE YOU GONNA GROW UP
794
00:29:44,826 --> 00:29:46,480
AND STOP
MAKING LIFE MISERABLE
795
00:29:46,523 --> 00:29:47,916
FOR EVERYONE AROUND YOU?
796
00:29:47,960 --> 00:29:49,352
OH, COME ON.
797
00:29:49,396 --> 00:29:50,701
YOU COULDN'T
TAKE AN HOUR OFF
798
00:29:50,745 --> 00:29:52,486
FROM SERVING WARRANTS?
799
00:29:52,529 --> 00:29:54,053
OR DRINKING COFFEE
AT THE COURTHOUSE?
800
00:29:54,096 --> 00:29:56,185
OR WHATEVER THE HELL
IT IS YOU DO
801
00:29:56,229 --> 00:29:58,448
TO PICK UP YOUR SISTER?
802
00:29:58,492 --> 00:30:00,886
OKAY, MA, I KNOW YOU THINK
BRANDI'S YOUR PRECIOUS BABY.
803
00:30:00,929 --> 00:30:02,713
SHE'S NOT.
804
00:30:02,757 --> 00:30:04,498
SHE'S A VIRUS,
INFECTING EVERYONE AROUND HER.
805
00:30:04,541 --> 00:30:06,021
ALL RIGHT, THAT'S ENOUGH.
806
00:30:06,065 --> 00:30:07,762
AS LONG AS YOU KEEP PROPPING
HER UP AND MAKING EXCUSES,
807
00:30:07,806 --> 00:30:09,459
THAT'S ALL
SHE'S EVER GONNA BE.
808
00:30:09,503 --> 00:30:10,721
GOD, WOULD YOU STOP IT?
809
00:30:10,765 --> 00:30:11,984
THIS IS YOUR BABY SISTER--
810
00:30:12,027 --> 00:30:13,855
NOW SHE'S GONNA CRY,
811
00:30:13,899 --> 00:30:15,291
AND YOU'RE GONNA TELL HER
EVERYTHING'S OKAY.
812
00:30:15,335 --> 00:30:16,858
AND SOMEHOW, THIS IS ALL
GONNA WIND UP MY FAULT.
813
00:30:16,902 --> 00:30:18,338
SO IF YOU DON'T MIND,
814
00:30:18,381 --> 00:30:19,861
I'M GONNA SKIP
THE NEXT PART OF THE PROGRAM.
815
00:30:19,905 --> 00:30:21,602
I HAVE TO GET BACK TO
WHATEVER THE HELL IT IS I DO.
816
00:30:21,645 --> 00:30:22,603
UGH!
817
00:30:22,646 --> 00:30:25,388
EXCUSE ME.
818
00:30:25,432 --> 00:30:28,043
JUST GIVE ME
THE DAMN KEYS.
819
00:30:28,087 --> 00:30:29,392
YOU WANT 'EM?
820
00:30:29,436 --> 00:30:33,048
YEAH.
821
00:30:35,442 --> 00:30:37,357
GO GET 'EM.
822
00:30:40,447 --> 00:30:42,188
NO!
DON'T TOUCH ME!
823
00:30:42,231 --> 00:30:44,146
GET YOUR HANDS OFF OF ME!
PUT ME DOWN!
824
00:30:48,542 --> 00:30:50,239
YOU GET OUT
WHEN I GET THE KEYS.
825
00:30:50,283 --> 00:30:51,414
UP YOURS!
826
00:30:51,458 --> 00:30:53,416
OH, CLASSY.
827
00:30:57,594 --> 00:30:58,813
MARSHALL.
828
00:30:58,857 --> 00:30:59,814
HEY, HOW'S IT COMING?
829
00:30:59,858 --> 00:31:01,163
DRIPS AND DRABS.
830
00:31:01,207 --> 00:31:02,861
I TRACKED DOWN
THE GIRL'S BEST FRIEND.
831
00:31:02,904 --> 00:31:04,732
SHE'S AT WORK
AT ELSA ROSS.
832
00:31:04,775 --> 00:31:06,299
SO SHE DOESN'T KNOW?
833
00:31:06,342 --> 00:31:08,257
EITHER THAT OR SHE'S GOT
A GREAT WORK ETHIC.
834
00:31:08,301 --> 00:31:09,737
ALL RIGHT,
I'M ON MY WAY.
835
00:31:09,780 --> 00:31:11,130
TREAD LIGHTLY.
836
00:31:11,173 --> 00:31:14,437
HEY, GIVE ME
A LITTLE CREDIT.
837
00:31:16,526 --> 00:31:18,920
OH, GOD.
838
00:31:18,964 --> 00:31:20,922
I CAN'T BELIEVE
SHE'S DEAD.
839
00:31:20,966 --> 00:31:22,968
I'M SO SORRY.
840
00:31:23,011 --> 00:31:24,621
AND I CAN'T BELIEVE
YOU TRIED ON CLOTHES
841
00:31:24,665 --> 00:31:26,232
BEFORE TELLING ME.
842
00:31:26,275 --> 00:31:28,234
YEAH, AGAIN,
843
00:31:28,277 --> 00:31:30,801
I'M REALLY SORRY.
844
00:31:30,845 --> 00:31:32,629
THOUGHT IT WOULD HELP
EASE INTO IT.
845
00:31:34,066 --> 00:31:36,503
I CAN SEE NOW
THAT WAS A MISTAKE.
846
00:31:36,546 --> 00:31:37,721
I DON'T KNOW ANYONE
847
00:31:37,765 --> 00:31:40,246
WHO WOULD DO ANYTHING
LIKE THIS.
848
00:31:40,289 --> 00:31:42,204
ALL MY FRIENDS
ARE REALLY NICE.
849
00:31:42,248 --> 00:31:43,553
WHAT ABOUT FRANKIE?
850
00:31:43,597 --> 00:31:44,946
DID HE HAVE
ANY ENEMIES?
851
00:31:44,990 --> 00:31:46,687
I DON'T KNOW.
852
00:31:46,730 --> 00:31:48,210
HE WAS NEW.
853
00:31:48,254 --> 00:31:50,909
HOW LONG HAD HE AND SIENNA
BEEN GOING OUT?
854
00:31:50,952 --> 00:31:52,519
THEY WEREN'T GOING OUT.
855
00:31:52,562 --> 00:31:55,870
SIENNA WAS JUST
BEING NICE TO HIM.
856
00:31:55,914 --> 00:31:57,916
HE WAS A VIRGIN.
857
00:31:57,959 --> 00:32:01,006
SO SHE WAS GONNA...
858
00:32:01,049 --> 00:32:04,096
YOU KNOW.
859
00:32:04,139 --> 00:32:06,228
THAT IS NICE.
860
00:32:06,272 --> 00:32:08,056
SIENNA WAS LIKE THAT.
861
00:32:08,100 --> 00:32:09,797
OKAY. OKAY.
862
00:32:09,840 --> 00:32:11,712
IS THERE ANYONE
WE SHOULD TALK TO?
863
00:32:11,755 --> 00:32:13,148
ANYONE YOU'D WANT TO TALK TO
IF YOU WERE ME?
864
00:32:13,192 --> 00:32:15,368
SHE HAD A BOYFRIEND.
865
00:32:15,411 --> 00:32:17,631
I'D WANT TO TALK TO HIM.
866
00:32:17,674 --> 00:32:19,502
OKAY, GOOD.
867
00:32:19,546 --> 00:32:21,461
HE WAS THIS BIG SECRET.
868
00:32:21,504 --> 00:32:22,984
AND I MEAN, REALLY BIG.
869
00:32:23,028 --> 00:32:25,030
SHE WOULDN'T EVEN TELL ME
WHAT HE LOOKED LIKE,
870
00:32:25,073 --> 00:32:27,510
AND SHE TOLD ME
EVERYTHING.
871
00:32:27,554 --> 00:32:28,772
DID SHE TELL YOU
ANYTHING ABOUT HIM?
872
00:32:28,816 --> 00:32:30,165
ANYTHING AT ALL?
873
00:32:30,209 --> 00:32:32,385
JUST THAT HE MADE HER GET
THIS STUPID TATTOO.
874
00:32:32,428 --> 00:32:34,430
YOU MEAN THE ONE
ON HER CHEST?
875
00:32:34,474 --> 00:32:36,084
OVER HER HEART.
876
00:32:36,128 --> 00:32:38,173
SO HOW COME
SHE WAS WITH FRANKIE?
877
00:32:38,217 --> 00:32:39,609
I MEAN, IF SHE HAD
878
00:32:39,653 --> 00:32:41,568
THIS SECRET BOYFRIENDAND ALL?
879
00:32:41,611 --> 00:32:45,964
'CAUSE THEY BROKE UP,
LIKE, A MONTH AGO.
880
00:32:46,007 --> 00:32:48,009
DID I FORGET
TO MENTION THAT?
881
00:32:48,053 --> 00:32:49,619
YEAH.
882
00:32:49,663 --> 00:32:51,012
YOU KINDA DID.
883
00:32:51,056 --> 00:32:52,840
I'M SORRY.
884
00:32:52,883 --> 00:32:56,496
IT'S OKAY.
I'M SORRY.
885
00:32:58,454 --> 00:33:00,239
BEFORE YOU HEAR IT
FROM SOMEBODY ELSE,
886
00:33:00,282 --> 00:33:03,503
I SMACKED AN INDIAN'S JOHNSON
WITH A BAR OF SOAP TODAY.
887
00:33:03,546 --> 00:33:05,374
JUST THOUGHT
YOU SHOULD KNOW.
888
00:33:05,418 --> 00:33:06,941
HAVEN'T WE DONE ENOUGH
TO THOSE PEOPLE?
889
00:33:06,985 --> 00:33:08,290
I'M NOT PROUD
OF MYSELF.
890
00:33:08,334 --> 00:33:09,596
DID YOU COME UP
WITH ANYTHING?
891
00:33:09,639 --> 00:33:11,032
NOT REALLY.
892
00:33:11,076 --> 00:33:12,468
OH, EXCEPT
THAT TWO DAYS AGO
893
00:33:12,512 --> 00:33:14,775
A THREE-SECOND CALL
CAME INTO SANTORO'S HOUSE
894
00:33:14,818 --> 00:33:17,430
FROM A CELL
REGISTERED TO RICHIE MASTRO.
895
00:33:17,473 --> 00:33:19,562
RICHIE MASTRO,
SON OF DOMINIC MASTRO.
896
00:33:19,606 --> 00:33:20,607
DON OF DONS,
HEAD OF THE FIVE FAMILIES,
897
00:33:20,650 --> 00:33:22,043
CALLED MY FRANKIE?
898
00:33:22,087 --> 00:33:23,697
YES, FREDO.
899
00:33:23,740 --> 00:33:25,046
YOU SURE?
900
00:33:25,090 --> 00:33:26,439
YOU KNOW,
IT HURTS WHEN YOU DOUBT ME.
901
00:33:26,482 --> 00:33:27,440
ALL RIGHT, LET'S GO.
902
00:33:27,483 --> 00:33:29,007
NOW WHERE?
903
00:33:29,050 --> 00:33:30,704
FRANKIE NUTS HAS GOT
SOME 'SPLAINING TO DO.
904
00:33:30,747 --> 00:33:32,401
DO I GET TO PLAY BAD COP?
905
00:33:32,445 --> 00:33:33,576
LIKE YOU COULD.
906
00:33:33,620 --> 00:33:36,710
OH, DAMN.
907
00:33:36,753 --> 00:33:38,016
WHAT'S THE MATTER?
908
00:33:40,018 --> 00:33:41,541
HI, TASHA.
IT'S ME, MARY.
909
00:33:41,584 --> 00:33:43,630
IS YOUR CABLEON YET?
910
00:33:43,673 --> 00:33:46,676
GOOD.
911
00:33:46,720 --> 00:33:48,939
NO, WE CAN ONLY PAY
FOR THE BASIC PACKAGE.
912
00:33:48,983 --> 00:33:51,768
HBO AND SHOWTIME
ARE EXTRA.
913
00:33:51,812 --> 00:33:54,510
LISTEN,
ABOUT YOUR GROCERIES,
914
00:33:54,554 --> 00:33:55,859
SOMETHING'S COME UP.
915
00:33:55,903 --> 00:33:58,862
SO WHAT'S THE BOOK
ON YOUNG RICHIE?
916
00:33:58,906 --> 00:34:00,821
WELL, FOR STARTERS,
YOU'D HAVE TO SAY
917
00:34:00,864 --> 00:34:02,475
HE'S OF QUESTIONABLE
CHARACTER.
918
00:34:02,518 --> 00:34:04,042
TOSSED OUT OF CHOATE,
WAS HE?
919
00:34:04,085 --> 00:34:06,087
NYPD HAS HIM
UNDER INVESTIGATION
920
00:34:06,131 --> 00:34:07,654
FOR A HANDFUL
OF MURDERS.
921
00:34:07,697 --> 00:34:09,395
AND OF PARTICULAR INTEREST,
922
00:34:09,438 --> 00:34:11,701
A FORMER GIRLFRIEND GOT
A RESTRAINING ORDER AGAINST HIM
923
00:34:11,745 --> 00:34:14,269
AFTER HE BROKE
FOUR OF HER RIBS.
924
00:34:14,313 --> 00:34:16,271
THEN, GUESS WHAT,
TWO DAYS LATER
925
00:34:16,315 --> 00:34:17,620
SHE TURNS UP
HACKED TO BITS.
926
00:34:17,664 --> 00:34:18,839
NO.
927
00:34:18,882 --> 00:34:20,275
AFRAID SO.
928
00:34:20,319 --> 00:34:22,103
APPARENTLY,
OUR BOY'S GOT GIRL ISSUES.
929
00:34:22,147 --> 00:34:23,452
AND LIKES KNIVES.
930
00:34:23,496 --> 00:34:24,627
SO HE DOES JUNIOR,
931
00:34:24,671 --> 00:34:25,628
THEN HAS HIS JOLLIES
WITH THE GIRL?
932
00:34:25,672 --> 00:34:26,977
COULD BE.
933
00:34:27,021 --> 00:34:28,370
SOMEHOW HE GOT
FRANKIE'S NUMBER.
934
00:34:28,414 --> 00:34:29,415
SO IT WOULD SEEM.
935
00:34:29,458 --> 00:34:30,720
SON OF A BITCH.
936
00:34:30,764 --> 00:34:33,114
A WEEK BEFORE HE TESTIFIES
AGAINST DOMINIC.
937
00:34:33,158 --> 00:34:35,769
I BET YOU ANYTHING FRANKIE
WAS TRYING TO BROKER A DEAL.
938
00:34:35,812 --> 00:34:37,597
YOU KNOW WHAT I THINK?WHAT?
939
00:34:37,640 --> 00:34:39,512
I THINK FRANKIE MIGHT HAVE
BEEN TRYING TO BROKER A DEAL.
940
00:34:39,555 --> 00:34:43,124
YOU'RE AN IDIOT.
941
00:35:02,274 --> 00:35:06,016
WHERE ARE THE PEOPLE
WHO WERE STAYING HERE?
942
00:35:06,060 --> 00:35:08,149
LA GENTE,
A DONDE ESTAN?
943
00:35:08,193 --> 00:35:10,847
DAMN IT,
WHAT LANGUAGE DO YOU SPEAK?
944
00:35:10,891 --> 00:35:12,414
OH, PERFECT,
SHE'S DEAF.
945
00:35:12,458 --> 00:35:16,070
YOU HAVE A PEN?
946
00:35:17,767 --> 00:35:18,812
THEY'RE GONE.
947
00:35:18,855 --> 00:35:21,554
SHE DOESN'T KNOW WHERE.
948
00:35:21,597 --> 00:35:23,425
WHAT?
949
00:35:23,469 --> 00:35:27,081
COME ON.
950
00:35:43,228 --> 00:35:44,185
YOU CALLING IN
A PHONE TRACE?
951
00:35:44,229 --> 00:35:45,273
THAT'LL TAKE HOURS.
952
00:35:45,317 --> 00:35:46,709
GET A WARRANT,
BLAH, BLAH, BLAH.
953
00:35:46,753 --> 00:35:48,407
I NEED TO FIND MASTRO
BEFORE HE FINDS FRANKIE,
954
00:35:48,450 --> 00:35:49,625
OR VICE VERSA.
955
00:35:49,669 --> 00:35:51,932
SINCE WHEN DO YOU
KNOW SIGN LANGUAGE?
956
00:35:51,975 --> 00:35:53,716
APPARENTLY I DON'T.
957
00:35:53,760 --> 00:35:54,935
HELLO?
958
00:35:54,978 --> 00:35:56,589
HELLO, IS THIS RICHIE?
959
00:35:56,632 --> 00:35:57,764
YOU GOTTA BE KIDDING.
960
00:35:57,807 --> 00:35:59,244
YEAH, WHO'S THIS?
961
00:35:59,287 --> 00:36:01,463
THIS IS NOMI.
962
00:36:01,507 --> 00:36:02,682
I DON'T KNOW IF YOU REMEMBER,
963
00:36:02,725 --> 00:36:04,423
ME AND MY GIRLFRIEND PIAMET YOU
964
00:36:04,466 --> 00:36:06,076
AT COSMO'S
A FEW WEEKS AGO.
965
00:36:06,120 --> 00:36:07,904
MAYBE,
I MEET A LOT OF CHICKS.
966
00:36:07,948 --> 00:36:09,210
WHAT'S UP?
967
00:36:09,254 --> 00:36:10,907
WELL, PIA AND I
WERE JUST TALKING
968
00:36:10,951 --> 00:36:13,345
ABOUT HOW MUCH FUN IT WAS
TO HANG OUT WITH YOU,
969
00:36:13,388 --> 00:36:15,956
AND HOW MUCH WE WANTED
TO PARTY WITH YOU THAT NIGHT.
970
00:36:15,999 --> 00:36:17,697
AND PIA SAID
WE SHOULD JUST CALL YOU
971
00:36:17,740 --> 00:36:18,698
AND SEE
WHAT YOU WAS DOING.
972
00:36:18,741 --> 00:36:19,960
NO WAY IN HELL THIS WORKS.
973
00:36:20,003 --> 00:36:22,136
YEAH,
MAYBE SOME OTHER TIME.
974
00:36:22,180 --> 00:36:23,442
OH. OH!
975
00:36:23,485 --> 00:36:25,531
OH!
976
00:36:25,574 --> 00:36:27,185
PIA.
977
00:36:27,228 --> 00:36:28,403
WHAT ARE YOU DOING?
978
00:36:28,447 --> 00:36:30,100
PLEASE DON'T TALK DIRTY.
979
00:36:30,144 --> 00:36:32,190
OH, RICHIE,
I WISH YOU COULD SEE THIS.
980
00:36:32,233 --> 00:36:33,713
ME TOO.
981
00:36:33,756 --> 00:36:36,890
WHAT EXACTLY IS, UH,
PIA DOING TO YOU?
982
00:36:36,933 --> 00:36:40,067
WELL, FIRST OF ALL,
I'M LYING ON MY TUMMY,
983
00:36:40,110 --> 00:36:41,590
AND I'M WEARING
984
00:36:41,634 --> 00:36:43,853
THIS REAL SHORT SKIRT.
985
00:36:43,897 --> 00:36:45,507
AND PIA'S
TAKING HER TONGUE
986
00:36:45,551 --> 00:36:47,292
AND RUNNING IT
ALL THE WAY UP MY--
987
00:36:47,335 --> 00:36:48,902
OY.
988
00:36:48,945 --> 00:36:50,773
OH!
989
00:36:50,817 --> 00:36:53,254
SWEET MOTHER.
990
00:36:53,298 --> 00:36:54,821
OH!
991
00:36:54,864 --> 00:36:57,040
OH!
992
00:36:57,084 --> 00:36:58,216
OH!
993
00:36:58,259 --> 00:36:59,956
AHH!
994
00:37:00,000 --> 00:37:02,002
AH!
995
00:37:02,045 --> 00:37:03,395
AHHHH.
996
00:37:03,438 --> 00:37:05,962
SHE'S TALKING
TO HER MOTHER.
997
00:37:06,006 --> 00:37:08,226
OHH.
998
00:37:08,269 --> 00:37:10,184
AHH.
999
00:37:10,228 --> 00:37:12,708
OH, RICHIE.
1000
00:37:12,752 --> 00:37:15,145
I WANT TO DO YOU
LIKE PIA JUST DID ME.
1001
00:37:15,189 --> 00:37:16,408
TELL ME WHERE YOU ARE.
1002
00:37:16,451 --> 00:37:18,279
WE'LL COME OVER
IN A CAB.
1003
00:37:18,323 --> 00:37:21,456
THAT IS, IF YOU THINK
YOU CAN HANDLE BOTH OF US.
1004
00:37:21,500 --> 00:37:23,197
LISTEN, UH, ROMY--
1005
00:37:23,241 --> 00:37:24,198
NOMI.
1006
00:37:24,242 --> 00:37:26,069
OKAY, LISTEN, NOMI,
1007
00:37:26,113 --> 00:37:27,897
AS MUCH AS I'D LOVE
TO PARTY WITH YOU AND PIA--
1008
00:37:27,941 --> 00:37:29,377
AND TRUST ME,
1009
00:37:29,421 --> 00:37:31,074
I GOT MORE THAN ENOUGH
FOR BOTH OF YOU--
1010
00:37:31,118 --> 00:37:32,511
THAT'S GONNA BE
AN AWFULLY PRICEY CAB RIDE.
1011
00:37:32,554 --> 00:37:34,208
WHY'S THAT?
1012
00:37:34,252 --> 00:37:37,472
'CAUSE I'M IN ALBUQUERQUE,
CUPCAKE.
1013
00:37:37,516 --> 00:37:38,995
ALBUQUERQUE?!
1014
00:37:39,039 --> 00:37:40,258
UNBELIEVABLE.
1015
00:37:40,301 --> 00:37:41,476
HOW FUNNY.
1016
00:37:41,520 --> 00:37:42,869
SOME GUY
JUST INVITED ME OUT THERE
1017
00:37:42,912 --> 00:37:44,174
TO SOME BALLOON FESTIVAL,
1018
00:37:44,218 --> 00:37:45,915
WHATEVER THE HELL THAT IS.
1019
00:37:45,959 --> 00:37:47,177
NO KIDDING?
1020
00:37:47,221 --> 00:37:49,005
SOME COINCIDENCE, RIGHT?
1021
00:37:49,049 --> 00:37:50,616
HEY, ARE THERE
ANY DECENT PLACES
1022
00:37:50,659 --> 00:37:52,226
TO STAY OUT THERE?
1023
00:37:52,270 --> 00:37:53,575
YEAH, THEY GOT
ONE REALLY NICE RESORT
1024
00:37:53,619 --> 00:37:54,837
JUST OUTTA TOWN.
1025
00:37:54,881 --> 00:37:57,884
GOLF, SPA,
THE WHOLE DEAL.
1026
00:37:57,927 --> 00:37:59,364
THAT SOUNDS--
1027
00:37:59,407 --> 00:38:02,802
UH-OH, I THINK MY HUSBAND
JUST GOT HOME.
1028
00:38:08,286 --> 00:38:10,113
HONEY, I'M HOME.
1029
00:38:10,157 --> 00:38:13,073
MOTHER MARY AND JOSEPH,
1030
00:38:13,116 --> 00:38:14,944
WHAT'S GOING ON HERE?
1031
00:38:14,988 --> 00:38:16,946
WHERE ARE YOUR PANTIES?
1032
00:38:16,990 --> 00:38:20,080
YOU BAD, BAD GIRL.
1033
00:38:20,123 --> 00:38:22,343
I GOTTA GO.
1034
00:38:22,387 --> 00:38:25,346
I'LL CALL YOU BACK.
1035
00:38:25,390 --> 00:38:27,740
THAT'S JUST...
1036
00:38:27,783 --> 00:38:29,829
NOMI?
1037
00:38:29,872 --> 00:38:32,179
FROM SHOWGIRLS.
1038
00:38:32,222 --> 00:38:35,835
SWEET.
1039
00:38:42,755 --> 00:38:43,886
WHO IS IT?
1040
00:38:43,930 --> 00:38:45,540
ROOM SERVICE,
MR. MARTELL.
1041
00:38:45,584 --> 00:38:47,107
I HAVE A FRUIT BASKET
1042
00:38:47,150 --> 00:38:48,151
COMPLIMENTS OF THE HOTEL.
1043
00:38:48,195 --> 00:38:51,024
LEAVE IT BY THE DOOR.
1044
00:38:51,067 --> 00:38:54,506
AND A BOTTLE
OF DOM PERIGNON.
1045
00:38:54,549 --> 00:38:56,812
I'M NOT ALLOWED
TO LEAVE IT OUTSIDE.
1046
00:38:56,856 --> 00:38:58,336
ALL RIGHT,
HOLD ON.
1047
00:38:58,379 --> 00:39:02,427
PAIN IN THE ASS.
1048
00:39:02,470 --> 00:39:06,082
FREEZE!
1049
00:39:09,303 --> 00:39:10,391
DON'T EVEN FART.
1050
00:39:10,435 --> 00:39:11,697
MY WALLET'S ON THE BAR.
1051
00:39:11,740 --> 00:39:13,220
TAKE WHATEVER YOU WANT.
1052
00:39:13,263 --> 00:39:14,874
WE'RE NOT HERE TO ROB YOU,
YOU STUPID HUMP.
1053
00:39:14,917 --> 00:39:16,441
WE'RE U.S. MARSHALS.
1054
00:39:16,484 --> 00:39:17,877
I DIDN'T DO NOTHING.
1055
00:39:17,920 --> 00:39:19,357
OH, YEAH?
1056
00:39:19,400 --> 00:39:20,358
ISN'T THAT CUTE?
1057
00:39:20,401 --> 00:39:24,492
THAT AIN'T MINE.
1058
00:39:28,409 --> 00:39:29,628
WHERE'S FRANKIE?
1059
00:39:29,671 --> 00:39:30,977
FRANKIE WHO?
1060
00:39:31,020 --> 00:39:33,240
SANTORO,
WHERE IS HE?
1061
00:39:33,283 --> 00:39:36,417
FRANKIE NUTS,
HOW THE HELL SHOULD I KNOW?
1062
00:39:36,461 --> 00:39:37,984
AHH, WHAT ARE YOU,
A NUN?
1063
00:39:38,027 --> 00:39:39,420
QUIT SCREWING WITH ME.
1064
00:39:39,464 --> 00:39:40,726
I KNOW YOUR FATHER
SENT YOU TO KILL HIM.
1065
00:39:40,769 --> 00:39:42,423
NOW TELL ME WHERE HE IS,
OR SO HELP ME
1066
00:39:42,467 --> 00:39:44,599
I WILL FEED THIS EAR
TO MY MOTHER'S POODLES.
1067
00:39:44,643 --> 00:39:45,861
I THOUGHT
THEY WERE SHIH TZUS.
1068
00:39:45,905 --> 00:39:47,167
FOCUS, MARSHALL.
1069
00:39:50,300 --> 00:39:52,215
WHERE THE HELL
ARE YOU?
1070
00:39:52,259 --> 00:39:54,653
I THOUGHT I TOLD YOU
TO STAY PUT.
1071
00:39:54,696 --> 00:39:56,698
NO, IT ISN'T ALL RIGHT.
STAY THERE.
1072
00:39:56,742 --> 00:39:58,178
I'M COMING OVER.
1073
00:39:58,221 --> 00:39:59,875
SOMETHING'S COME UP.
1074
00:39:59,919 --> 00:40:01,442
BE A DEAR
AND TAKE HIM IN.
1075
00:40:01,486 --> 00:40:02,661
YES, HONEY.
1076
00:40:02,704 --> 00:40:04,053
SHALL I PICK UP
YOUR DRY CLEANING
1077
00:40:04,097 --> 00:40:05,315
WHILE I'M AT IT?
1078
00:40:05,359 --> 00:40:06,491
TAKE ME IN?
1079
00:40:06,534 --> 00:40:08,101
WHAT FOR?
1080
00:40:08,144 --> 00:40:10,277
FOR ENDING AN INTERROGATORY
WITH A PREPOSITION.
1081
00:40:10,320 --> 00:40:12,758
HEY,
THAT'S A $6 CANDY BAR.
1082
00:40:12,801 --> 00:40:14,324
PUT THESE ON,
AND SHUT UP.
1083
00:40:14,368 --> 00:40:17,937
EASY.
1084
00:40:30,515 --> 00:40:32,473
HEY.
1085
00:40:32,517 --> 00:40:33,953
LET ME EXPLAIN
SOMETHING TO YOU.
1086
00:40:33,996 --> 00:40:34,997
WHEN I TELL YOU
TO STAY SOMEPLACE,
1087
00:40:35,041 --> 00:40:36,172
YOU STAY THERE.
1088
00:40:36,216 --> 00:40:37,391
YOU CAN'T JUST
CHANGE LOCATIONS
1089
00:40:37,435 --> 00:40:38,697
WITHOUT TELLING ME.
1090
00:40:38,740 --> 00:40:40,133
I DON'T HAVE TIME
TO GO CHASING
1091
00:40:40,176 --> 00:40:42,657
ALL OVER HELL AND HIGH WATER
LOOKING FOR YOU.
1092
00:40:42,701 --> 00:40:44,703
THIS GOES FOR YOU, TOO,
FELICIA.
1093
00:40:44,746 --> 00:40:49,185
I NEEDED
TO LIGHT A CANDLE.
1094
00:40:49,229 --> 00:40:50,622
LISTEN, I KNOW
YOU TWO ARE HURTING,
1095
00:40:50,665 --> 00:40:52,319
BUT THIS--
1096
00:40:52,362 --> 00:40:55,627
THIS IS NOT
HOW THE PROGRAM WORKS.
1097
00:40:55,670 --> 00:40:57,237
WE CHECKED INTO
THE MARRIOTT.
1098
00:40:57,280 --> 00:40:59,108
THE OTHER PLACE
WAS TOO DEPRESSING.
1099
00:40:59,152 --> 00:41:02,155
THE BEDSPREADS HAD STAINS.
1100
00:41:04,244 --> 00:41:06,420
HOW DOES RICHIE MASTRO
HAVE YOUR PHONE NUMBER?
1101
00:41:06,464 --> 00:41:07,943
WHAT?
1102
00:41:07,987 --> 00:41:09,336
YOU HEARD ME.
1103
00:41:09,379 --> 00:41:10,511
HE CALLED YOUR HOUSE
TWO DAYS AGO AND HUNG UP
1104
00:41:10,555 --> 00:41:11,991
LIKE HE WAS
CHECKING THE NUMBER.
1105
00:41:12,034 --> 00:41:12,992
I KNOW I DIDN'T
GIVE IT TO HIM.
1106
00:41:13,035 --> 00:41:14,297
SO WHO DID?
1107
00:41:14,341 --> 00:41:15,734
WELL,
IT CERTAINLY WASN'T ME.
1108
00:41:15,777 --> 00:41:17,779
I HAVEN'T CONTACTED
ANYBODY.
1109
00:41:17,823 --> 00:41:18,780
OH, GOD.
1110
00:41:18,824 --> 00:41:20,042
WHAT?
1111
00:41:20,086 --> 00:41:23,132
OH, GOD,
DID I GET FRANKIE KILLED?
1112
00:41:23,176 --> 00:41:24,482
WHAT? TELL US
WHAT YOU DID, FELICIA.
1113
00:41:24,525 --> 00:41:25,657
YOU STUPID--
1114
00:41:25,700 --> 00:41:26,658
SHH!
1115
00:41:26,701 --> 00:41:28,050
WHAT HAPPENED?
1116
00:41:28,094 --> 00:41:29,095
HAVE YOU BEEN TALKING
TO SOMEONE?
1117
00:41:29,138 --> 00:41:31,358
NO, NO.
NO, I SWEAR.
1118
00:41:31,401 --> 00:41:33,229
NOT ON THE PHONE.
1119
00:41:33,273 --> 00:41:35,101
ON THE INTERNET.
1120
00:41:35,144 --> 00:41:36,711
ME AND CATHY,
WE BEEN EMAILING EACH OTHER.
1121
00:41:36,755 --> 00:41:38,452
BUT I NEVER TOLD HER
WHERE WE WERE.
1122
00:41:38,496 --> 00:41:39,584
AND I DIDN'T GIVE
OUR NUMBER.
1123
00:41:39,627 --> 00:41:40,628
I SWEAR ON MY LIFE.
1124
00:41:40,672 --> 00:41:41,673
WHO'S CATHY?
1125
00:41:41,716 --> 00:41:43,239
IT'S MASTRO'S WIFE.
1126
00:41:43,283 --> 00:41:44,763
THEY'VE BEEN FRIENDS
SINCE GRADE SCHOOL.
1127
00:41:44,806 --> 00:41:46,199
HE MUST HAVE FOUND OUT,
1128
00:41:46,242 --> 00:41:47,983
AND HE TAPPED OUR ISP.
1129
00:41:48,027 --> 00:41:49,550
LISTEN, FELICIA,
WE DON'T KNOW
1130
00:41:49,594 --> 00:41:51,160
THAT MASTRO HAD ANYTHING
TO DO WITH THIS.
1131
00:41:51,204 --> 00:41:53,206
I KILLED MY SON.
1132
00:41:53,249 --> 00:41:55,687
HEY, DON'T DO THIS
TO YOURSELF.
1133
00:41:55,730 --> 00:41:57,123
YOU TELL ME WHERE
1134
00:41:57,166 --> 00:41:59,560
THAT SON OF A BITCH MASTRO
IS RIGHT NOW.
1135
00:41:59,604 --> 00:42:01,257
OH.
1136
00:42:01,301 --> 00:42:03,129
DO WE HAVE ANYTHING
TO HOLD HIM ON?
1137
00:42:03,172 --> 00:42:04,522
TAMPERING
WITH A WITNESS.
1138
00:42:04,565 --> 00:42:05,653
MAYBE HAMPERING
A PROSECUTION.
1139
00:42:05,697 --> 00:42:07,699
YEAH.
WHAT ABOUT THE MURDER?
1140
00:42:07,742 --> 00:42:10,397
UNLESS SOMETHING TURNS UP,
HE WALKS IN 48 HOURS.
1141
00:42:10,440 --> 00:42:11,572
YEAH, YEAH,
THAT'S WHAT I FIGURED.
1142
00:42:11,616 --> 00:42:15,315
SO, I, UH...
1143
00:42:15,358 --> 00:42:17,143
RETURNED THE PERFUME.
1144
00:42:17,186 --> 00:42:18,927
SMART MOVE.
1145
00:42:18,971 --> 00:42:22,496
AND...
1146
00:42:22,540 --> 00:42:23,628
I GOT HER THESE.
1147
00:42:23,671 --> 00:42:24,716
WOW.
1148
00:42:24,759 --> 00:42:26,239
I'LL BET
THESE SET YOU BACK.
1149
00:42:26,282 --> 00:42:27,283
OH, SURE.
1150
00:42:27,327 --> 00:42:28,502
VERY PRETTY.
1151
00:42:28,546 --> 00:42:29,547
SO YOU THINK
SHE'LL LIKE 'EM?
1152
00:42:29,590 --> 00:42:31,810
HAVE YOU EVER MET MARY?
1153
00:42:31,853 --> 00:42:33,594
WHAT? WHAT?
THEY'RE SHOES.
1154
00:42:33,638 --> 00:42:35,291
ALL WOMEN LOVE SHOES.
MARY'S A WOMAN.
1155
00:42:35,335 --> 00:42:37,076
IPSO FACTO,
MARY LOVES SHOES.
1156
00:42:37,119 --> 00:42:38,599
SO SAD.
1157
00:42:38,643 --> 00:42:39,818
NO, NO, OKAY,
THIS TIME YOU'RE WRONG.
1158
00:42:39,861 --> 00:42:41,297
MARY'S GONNA LO--HEY, GUYS.
1159
00:42:41,341 --> 00:42:43,038
OH, MY GOD.
1160
00:42:43,082 --> 00:42:44,997
THAT'S JUST EVIDENCE--EVIDENCE
1161
00:42:45,040 --> 00:42:46,302
FROM A CASE--
ANOTHER CASE.
1162
00:42:46,346 --> 00:42:47,695
CAN YOU BELIEVE WOMEN
ACTUALLY WEAR THESE?
1163
00:42:47,739 --> 00:42:49,262
"OH, MY GOD,
LOOK AT ME.
1164
00:42:49,305 --> 00:42:52,047
I'M A COSMO-DRINKING
MANHATTAN WHORE."
1165
00:42:52,091 --> 00:42:54,441
IMAGINE THAT.
1166
00:42:54,484 --> 00:42:55,921
NOT A WORD.
1167
00:42:55,964 --> 00:42:57,662
ANYONE TALK TO HIM YET?
1168
00:42:57,705 --> 00:42:59,272
YEAH, THE FBI'S
SENDING SOMEBODY DOWN.
1169
00:42:59,315 --> 00:43:00,490
I NEED TO TALK
TO HIM FIRST.
1170
00:43:00,534 --> 00:43:01,709
JUST HANG ON A SECOND, MARY.
1171
00:43:01,753 --> 00:43:02,841
ALL RIGHT,
YOUR WITNESS IS SAFE.
1172
00:43:02,884 --> 00:43:04,190
YOU DID YOUR JOB.
1173
00:43:04,233 --> 00:43:05,670
HOW 'BOUT WE JUST LET
THE FBI DO THEIRS?
1174
00:43:05,713 --> 00:43:07,193
HOW 'BOUT
WE SCREW THE FBI?
1175
00:43:07,236 --> 00:43:08,498
I NEED TO KNOW IF MASTRO
KILLED FRANKIE JUNIOR.
1176
00:43:08,542 --> 00:43:09,935
AND YOU KNOW
AS SOON AS THE FEDS GET HERE
1177
00:43:09,978 --> 00:43:11,153
WE'RE OUT OF THE LOOP.
1178
00:43:11,197 --> 00:43:12,241
AM I RIGHT, STAN?
1179
00:43:12,285 --> 00:43:14,243
ALL RIGHT,
DO WHAT YOU GOTTA DO.
1180
00:43:14,287 --> 00:43:17,246
THE FEDS SHOW UP,
I'LL DEAL WITH 'EM.
1181
00:43:17,290 --> 00:43:21,468
ALL RIGHT THEN.
1182
00:43:21,511 --> 00:43:22,904
WHAT ARE YOU GONNA DO,
1183
00:43:22,948 --> 00:43:25,777
BEAT THEM OFF
WITH YOUR STRAPPY LITTLE PUMPS?
1184
00:43:25,820 --> 00:43:27,866
WAKE UP,
DOUCHEBAG.
1185
00:43:27,909 --> 00:43:29,084
WISH I HAD A NICKEL
1186
00:43:29,128 --> 00:43:30,608
FOR EVERY TIME
I HEARD THAT.
1187
00:43:30,651 --> 00:43:31,696
WHY ARE YOU IN ALBUQUERQUE?
1188
00:43:31,739 --> 00:43:32,871
WHY ARE YOU
BUSTING MY BALLS?
1189
00:43:32,914 --> 00:43:33,872
'CAUSE I CAN.
1190
00:43:33,915 --> 00:43:35,308
NOW ANSWER MY QUESTION.
1191
00:43:35,351 --> 00:43:38,180
I BET YOU'RE
A TIGHT LITTLE RIDE.
1192
00:43:38,224 --> 00:43:41,793
OOH, THAT WAS A MISTAKE.
1193
00:43:44,709 --> 00:43:45,971
YOU LITTLE BITCH.
1194
00:43:46,014 --> 00:43:47,494
DID YOU KILL
FRANKIE JUNIOR?
1195
00:43:47,537 --> 00:43:49,322
I ASSUME THAT'S
A RHETORICAL QUESTION.
1196
00:43:49,365 --> 00:43:50,758
"RHETORICAL."
1197
00:43:50,802 --> 00:43:52,586
THAT'S A PRETTY BIG WORD
FOR A MORON.
1198
00:43:52,630 --> 00:43:55,589
INTERESTING
INTERROGATION TECHNIQUE.
1199
00:43:55,633 --> 00:43:57,809
DOES THE NAME CALLING THING
USUALLY GET GUYS TO CONFESS?
1200
00:43:57,852 --> 00:44:00,289
'CAUSE FRANKLY, I FIND IT
A LITTLE OFF-PUTTING.
1201
00:44:00,333 --> 00:44:02,422
OH, COME ON.
JUST TELL ME.
1202
00:44:02,465 --> 00:44:04,250
NO ONE ELSE
HAS TO KNOW.
1203
00:44:04,293 --> 00:44:05,947
ARE THOSE REAL?
1204
00:44:05,991 --> 00:44:09,168
GO AHEAD,
TAKE A GOOD LONG LOOK.
1205
00:44:09,211 --> 00:44:10,778
'CAUSE IT'S THE LAST PAIR
YOU'RE EVER GONNA SEE.
1206
00:44:10,822 --> 00:44:13,128
AND WHY'S THAT,
PUSSYCAT?
1207
00:44:13,172 --> 00:44:15,522
'CAUSE, RICHIE BABY,
1208
00:44:15,565 --> 00:44:18,090
ME AND MY FRIEND PIA
WOULD DOUBLE-TEAM DICK CHENEY,
1209
00:44:18,133 --> 00:44:20,005
IF THAT'S WHAT IT TAKES
TO PUT YOU AWAY.
1210
00:44:26,751 --> 00:44:28,013
DID HE DO IT?
1211
00:44:28,056 --> 00:44:31,494
DON'T KNOW.
1212
00:44:33,714 --> 00:44:35,237
SO WHO'S PIA?
1213
00:44:35,281 --> 00:44:37,631
AND WHAT DOES DICK CHENEY
HAVE TO DO WITH THIS?
1214
00:44:37,675 --> 00:44:39,241
HMM?
1215
00:44:39,285 --> 00:44:40,852
AND WHY IS IT I NEVER KNOW
WHAT'S GOING ON?
1216
00:44:40,895 --> 00:44:44,159
YOU'RE A BIG PICTURE GUY,
STAN.
1217
00:44:44,203 --> 00:44:48,729
MM-HMM.
1218
00:44:57,564 --> 00:45:00,045
SO THIS IS WHERE
THE REAL POLICE WORK, HUH?
1219
00:45:00,088 --> 00:45:01,220
HEY, MARSHAL.
1220
00:45:01,263 --> 00:45:04,571
AND MAY I ADD,
HAPPY BIRTHDAY.
1221
00:45:04,614 --> 00:45:06,181
YEAH.
1222
00:45:06,225 --> 00:45:08,401
SO FAR IT'S BEEN
A REAL PISSER.
1223
00:45:08,444 --> 00:45:10,925
SO YOU COME UP
WITH ANYTHING INTERESTING?
1224
00:45:10,969 --> 00:45:12,274
OH, IT'S ALL INTERESTING.
1225
00:45:12,318 --> 00:45:13,928
SPOKE WITH THE GIRL'S
PARENTS, FRIENDS.
1226
00:45:13,972 --> 00:45:15,321
CHECKED
THE CELL PHONE RECORDS.
1227
00:45:15,364 --> 00:45:16,583
ACCORDING TO
SIENNA'S BEST FRIEND,
1228
00:45:16,626 --> 00:45:17,584
SHE HAD A SECRET BOYFRIEND.
1229
00:45:17,627 --> 00:45:19,281
NOBODY'S EVER SEEN HIM.
1230
00:45:19,325 --> 00:45:21,283
DOESN'T EVEN GET A MENTION
IN HER DIARY.
1231
00:45:21,327 --> 00:45:22,502
SO IF THERE WAS
A BOYFRIEND,
1232
00:45:22,545 --> 00:45:23,546
THE GUY'S A GHOST.
1233
00:45:23,590 --> 00:45:25,026
MAYBE IT'S SOMEONE OLDER.
1234
00:45:25,070 --> 00:45:26,071
NEEDED PROTECTION?
1235
00:45:26,114 --> 00:45:27,594
LIKE A TEACHER,OR MAYBE
1236
00:45:27,637 --> 00:45:29,552
AN EX-BUSINESS ASSOCIATE
OF HER FATHER.
1237
00:45:29,596 --> 00:45:32,164
HEY, YOU THINK
JUST LIKE A COP.
1238
00:45:32,207 --> 00:45:33,861
GO FIGURE.
1239
00:45:33,905 --> 00:45:34,906
WHAT ABOUT FORENSICS?
1240
00:45:34,949 --> 00:45:36,211
ANYTHING COME IN YET?
1241
00:45:36,255 --> 00:45:37,778
NO, WON'T SEE ANYTHING
UNTIL TOMORROW.
1242
00:45:37,822 --> 00:45:39,998
I WAS JUST ABOUT
TO PACK IT IN FOR THE DAY.
1243
00:45:40,041 --> 00:45:42,087
THAT'S PROBABLY
A GOOD IDEA.
1244
00:45:42,130 --> 00:45:45,264
DID YOU CHECK OUT
TALLTREES AND HIS SON?
1245
00:45:45,307 --> 00:45:47,483
YEAH, GUY'S A REAL
PIECE OF WORK.
1246
00:45:47,527 --> 00:45:49,572
UNFORTUNATELY,
THERE'S NOTHING TO CONNECT
1247
00:45:49,616 --> 00:45:51,183
HIM OR HIS SON
TO ANY OF THIS.
1248
00:45:51,226 --> 00:45:52,967
KINDA WHAT I GOT TOO.
1249
00:45:53,011 --> 00:45:56,754
SO, UH, HOW 'BOUT YOU?
1250
00:45:56,797 --> 00:45:59,191
WHAT CAN YOU TELL ME
ABOUT THE BOY WITH TWO NAMES?
1251
00:45:59,234 --> 00:46:00,888
I WAS SUPPOSED
TO INTERVIEW HIS PARENTS,
1252
00:46:00,932 --> 00:46:02,411
BUT GUESS WHAT--
THEY'RE SUDDENLY
1253
00:46:02,455 --> 00:46:03,804
NOWHERE TO BE FOUND.
1254
00:46:03,848 --> 00:46:07,068
HUH, MAYBE THEY'RE
ON VACATION.
1255
00:46:07,112 --> 00:46:09,375
LOOK, MARSHAL,
1256
00:46:09,418 --> 00:46:10,637
I GET IT.
1257
00:46:10,680 --> 00:46:13,248
YOU OPERATE UNDER
THE CLOAK OF DARKNESS.
1258
00:46:13,292 --> 00:46:14,989
ONLY BOY WONDER
KNOWS YOUR TRUE IDENTITY.
1259
00:46:15,033 --> 00:46:16,251
BUT GUESS WHAT,
1260
00:46:16,295 --> 00:46:17,905
I TAKE THIS
MURDER-SOLVING BUSINESS
1261
00:46:17,949 --> 00:46:19,733
PRETTY SERIOUSLY.
1262
00:46:19,777 --> 00:46:20,952
SO EITHER SHARE
WHAT YOU'VE GOT
1263
00:46:20,995 --> 00:46:24,782
OR QUIT WASTING MY TIME.
1264
00:46:31,223 --> 00:46:32,572
OH, AND BY THE WAY,
1265
00:46:32,615 --> 00:46:34,182
TOOK ME ALL OF TWO MINUTES
TO GET ON THE PHONE
1266
00:46:34,226 --> 00:46:35,662
WITH AN NYPD CAPTAIN,
1267
00:46:35,705 --> 00:46:38,926
GET THE WHOLE 411
ON FRANKIE NUTS.
1268
00:46:38,970 --> 00:46:41,494
SO WHAT'S IT GONNA BE?
1269
00:46:41,537 --> 00:46:43,888
SORRY.
1270
00:46:43,931 --> 00:46:47,195
I GOT NOTHING.
1271
00:46:47,239 --> 00:46:49,023
THAT'S WHAT I FIGURED.
1272
00:46:49,067 --> 00:46:50,459
IT'S MARY'S WORLD.
1273
00:46:50,503 --> 00:46:52,026
THE REST OF US ARE JUST HERE
FOR HOUSEKEEPING.
1274
00:46:52,070 --> 00:46:53,071
HEY, YOU DON'T KNOW ME.
1275
00:46:53,114 --> 00:46:54,899
REALLY?
1276
00:46:54,942 --> 00:46:56,552
LET'S SEE.
1277
00:46:56,596 --> 00:46:58,816
TYPICAL RELATIONSHIP
HAS A SHELF LIFE
1278
00:46:58,859 --> 00:47:01,862
OF, OH, I'D SAY
ABOUT A MONTH TOPS.
1279
00:47:01,906 --> 00:47:03,472
NO REAL FRIENDS.
1280
00:47:03,516 --> 00:47:04,909
CAN'T QUITE FIGURE OUT
WHY YOU'RE ALWAYS
1281
00:47:04,952 --> 00:47:06,084
ON THE OUTSIDE
LOOKING IN.
1282
00:47:06,127 --> 00:47:07,868
NO ONE "GETS YOU."
1283
00:47:07,912 --> 00:47:09,957
BUT HEY,
THAT'S THEIR PROBLEM.
1284
00:47:10,001 --> 00:47:13,656
HOW AM I DOING?
1285
00:47:27,061 --> 00:47:32,023
THAT'S REAL MATURE.
1286
00:47:32,066 --> 00:47:36,157
AND SHE STOLE
MY DAMN PEN.
1287
00:47:36,201 --> 00:47:38,464
OKAY, IT'S BEEN SAID
I DON'T ALWAYS
1288
00:47:38,507 --> 00:47:39,987
PLAY WELL WITH OTHERS.
1289
00:47:40,031 --> 00:47:41,206
MAYBE EVEN AT TIMES
1290
00:47:41,249 --> 00:47:43,861
I PROJECT
A PRICKLY EXTERIOR.
1291
00:47:43,904 --> 00:47:48,300
BUT IN RESPONSE TO THAT,
AND IN MY DEFENSE...
1292
00:47:48,343 --> 00:47:49,954
I HAVE SOMETHING TO SAY.
1293
00:47:49,997 --> 00:47:51,390
COME IN.
1294
00:47:51,433 --> 00:47:52,870
NO, I STILL
HAVE WORK TO DO.
1295
00:47:52,913 --> 00:47:54,219
AND WE BOTH KNOW
WHAT'LL HAPPEN IF I COME IN.
1296
00:47:54,262 --> 00:47:56,961
WELL, BUT IT'S,
LIKE, 112 OUT THERE.
1297
00:47:57,004 --> 00:47:59,702
THIS'LL JUST
TAKE A MINUTE.
1298
00:47:59,746 --> 00:48:01,879
EARLIER AT MY HOUSE,
1299
00:48:01,922 --> 00:48:03,358
I MAY HAVE GIVEN
1300
00:48:03,402 --> 00:48:05,752
THE IMPRESSION
THAT I DIDN'T BELIEVE YOU,
1301
00:48:05,795 --> 00:48:10,017
OR THAT I WASN'T APPRECIATIVE
OF YOU PICKING UP BRANDI.
1302
00:48:10,061 --> 00:48:11,932
IS THIS AN APOLOGY?
1303
00:48:11,976 --> 00:48:15,196
PLEASE DON'T PUT WORDS
IN MY MOUTH.
1304
00:48:15,240 --> 00:48:17,807
I JUST WANT TO CLARIFY.
1305
00:48:17,851 --> 00:48:19,418
THAT IS, UM,
1306
00:48:19,461 --> 00:48:22,377
EXPLAIN--
1307
00:48:22,421 --> 00:48:24,814
MY GOD,
IT'S HOT OUT HERE.
1308
00:48:24,858 --> 00:48:26,425
WOULD YOU PLEASE
COME INSIDE?
1309
00:48:26,468 --> 00:48:31,082
YOU'RE LETTING
ALL THE COOL AIR OUT.
1310
00:48:31,125 --> 00:48:32,735
OKAY, BUT JUST
SO I CAN EXPLAIN.
1311
00:48:32,779 --> 00:48:37,566
YEAH.
1312
00:48:46,271 --> 00:48:48,664
YOUR EXPLANATIONS HAVE--
1313
00:48:48,708 --> 00:48:52,016
HAVE A CERTAIN
JE NE SAIS QUOI.
1314
00:48:56,194 --> 00:48:57,847
IS THAT WHAT I JUST DID?YEAH.
1315
00:48:57,891 --> 00:48:59,284
I MEAN,
I KNEW IT WAS FRENCH.
1316
00:48:59,327 --> 00:49:01,416
I JUST DIDN'T KNOW
THEY HAD A NAME FOR IT.
1317
00:49:01,460 --> 00:49:05,638
OH, THEY HAVE A NAME
FOR EVERYTHING.
1318
00:49:05,681 --> 00:49:09,250
OH, MAN.
1319
00:49:18,868 --> 00:49:21,132
I'M SORRY ABOUT BEFORE.
1320
00:49:21,175 --> 00:49:23,569
I KNOW.
1321
00:49:23,612 --> 00:49:25,092
HAPPY BIRTHDAY.
1322
00:49:25,136 --> 00:49:29,836
HAPPY BIRTHDAY.
1323
00:49:29,879 --> 00:49:31,055
HEY, WOULD YOU BE UPSET
1324
00:49:31,098 --> 00:49:34,754
IF I SKIP
YOUR SURPRISE PARTY?
1325
00:49:36,974 --> 00:49:39,367
UH, I DON'T KNOW.
1326
00:49:39,411 --> 00:49:40,586
I GUESS NOT.
1327
00:49:40,629 --> 00:49:41,891
WHY?
1328
00:49:41,935 --> 00:49:44,590
WELL, TRUTH,
I KINDA HAD MY FILL
1329
00:49:44,633 --> 00:49:47,549
OF YOUR FAMILY
FOR ONE DAY.
1330
00:49:47,593 --> 00:49:51,205
AND BESIDES,
YOU AND ME KINDA
1331
00:49:51,249 --> 00:49:52,946
ALREADY DID OUR THING.
1332
00:49:52,990 --> 00:49:55,383
YOU KNOW?
1333
00:49:55,427 --> 00:49:58,734
OKAY.
1334
00:49:58,778 --> 00:49:59,735
YOU WANT ME TO COME?
1335
00:49:59,779 --> 00:50:01,302
NO, I DON'T.
1336
00:50:01,346 --> 00:50:02,347
YOU SHOULD DO WHAT YOU WANT.
1337
00:50:02,390 --> 00:50:03,565
YOU DON'T CARE, HUH?
1338
00:50:03,609 --> 00:50:05,002
NO, I DON'T.
1339
00:50:05,045 --> 00:50:07,569
LIKE YOU SAID,
WE ALREADY DID OUR THING.
1340
00:50:07,613 --> 00:50:09,484
WHEN IT COMES
RIGHT DOWN TO IT,
1341
00:50:09,528 --> 00:50:12,835
I DON'T HAVE
A REASONABLE RIGHT TO CARE.
1342
00:50:12,879 --> 00:50:15,534
WELL, YOU'RE GONNA HAVE
TO EXPLAIN THAT ONE.
1343
00:50:15,577 --> 00:50:16,578
THIS IS WHAT WE DO.
1344
00:50:16,622 --> 00:50:17,579
RAPHAEL,
THIS IS OUR THING.
1345
00:50:17,623 --> 00:50:19,016
WE HAVE SEX,
1346
00:50:19,059 --> 00:50:21,366
THEN WE SAY GOOD-BYE,
WHICH IS FINE.
1347
00:50:21,409 --> 00:50:25,022
WE'RE BOTH SMART ENOUGH
TO KNOW WE'RE NEVER--
1348
00:50:25,065 --> 00:50:26,023
I DON'T HAVE
A REASONABLE RIGHT TO CARE
1349
00:50:26,066 --> 00:50:27,372
WHAT YOU DO BEYOND THIS,
1350
00:50:27,415 --> 00:50:32,203
BECAUSE THIS IS AS FAR
AS WE GO.
1351
00:50:32,246 --> 00:50:35,075
HOW CAN SOMEONE
THAT BURNS SO HOT
1352
00:50:35,119 --> 00:50:38,513
BE SO COLD?
1353
00:50:38,557 --> 00:50:39,906
I DON'T KNOW,
IT'S A GREAT QUESTION.
1354
00:50:39,949 --> 00:50:41,690
GIVE ME A CALL
IF YOU FIGURE IT OUT.
1355
00:50:48,958 --> 00:50:53,224
♪ YOU GOT
THE COOL WATER ♪
1356
00:50:53,267 --> 00:50:56,401
♪ WHEN THE FEVER
RUNS HIGH ♪
1357
00:51:00,970 --> 00:51:02,450
♪ YOU GOT THE LOOK
1358
00:51:02,494 --> 00:51:05,758
♪ OF LOVE LIGHT
IN YOUR EYES ♪
1359
00:51:05,801 --> 00:51:08,543
♪ AND I WAS IN CRAZY MOTION
1360
00:51:08,587 --> 00:51:10,415
WE ALL LIVE IN HIDING.
1361
00:51:10,458 --> 00:51:11,807
IN ONE WAY OR ANOTHER,
1362
00:51:11,851 --> 00:51:13,157
EACH OF US
CONCEALS PIECES OF OURSELVES
1363
00:51:13,200 --> 00:51:14,636
FROM THE REST OF THE WORLD.
1364
00:51:14,680 --> 00:51:15,942
SOME PEOPLE HIDE
1365
00:51:15,985 --> 00:51:17,987
BECAUSE THEIR LIVES
DEPEND ON IT.
1366
00:51:18,031 --> 00:51:20,381
OTHERS BECAUSE THEY
DON'T LIKE BEING SEEN.
1367
00:51:20,425 --> 00:51:22,470
AND THEN THERE
ARE THOSE SPECIAL CASES--
1368
00:51:22,514 --> 00:51:24,733
THE ONES WHO HIDE BECAUSE...
1369
00:51:24,777 --> 00:51:26,431
BECAUSE...
1370
00:51:26,474 --> 00:51:29,042
BECAUSE THEY JUST WANT
SOMEONE TO CARE ENOUGH
1371
00:51:29,086 --> 00:51:30,478
TO LOOK FOR THEM.
1372
00:51:30,522 --> 00:51:33,046
♪ I'M THE FIRST
TO ADMIT IT ♪
1373
00:51:33,090 --> 00:51:36,354
♪ AND THE LAST ONE
TO KNOW ♪
1374
00:51:36,397 --> 00:51:38,747
♪ WHEN SOMETHING GOES RIGHT
1375
00:51:38,791 --> 00:51:43,187
♪ OH, IT'S LIKELY
TO LOSE ME ♪
1376
00:51:43,230 --> 00:51:45,363
♪ IT'S APT TO CONFUSE ME
1377
00:51:45,406 --> 00:51:47,539
♪ IT'S SUCH
AN UNUSUAL SIGHT ♪
1378
00:51:47,582 --> 00:51:49,802
♪ OH, I CAN'T
1379
00:51:49,845 --> 00:51:53,240
♪ I CAN'T GET USED
TO SOMETHING SO RIGHT ♪
1380
00:51:53,284 --> 00:51:55,982
♪ SOMETHING SO RIGHT
1381
00:52:07,211 --> 00:52:08,777
DID YOU TELL
THAT HOMICIDE DETECTIVE
1382
00:52:08,821 --> 00:52:11,911
TODAY'S MY BIRTHDAY?
1383
00:52:11,954 --> 00:52:14,870
WHAT HOMICIDE--
WHO?
1384
00:52:14,914 --> 00:52:16,350
FORGET IT.
1385
00:52:16,394 --> 00:52:18,135
MAYBE I SHOULD
TALK TO MASTRO AGAIN.
1386
00:52:18,178 --> 00:52:19,875
I DON'T KNOW.
1387
00:52:19,919 --> 00:52:21,225
YOU THINK THE FBI
1388
00:52:21,268 --> 00:52:22,617
WILL LET ME
TAKE ANOTHER CRACK AT HIM?
1389
00:52:22,661 --> 00:52:24,880
IF I CAN'T
I.D. THE KILLER,
1390
00:52:24,924 --> 00:52:27,405
I NEED TO AT LEAST START
ELIMINATING SUSPECTS.
1391
00:52:27,448 --> 00:52:30,321
YOU'RE GONNA HAVE A TOUGH TIME
ELIMINATING MASTRO.
1392
00:52:30,364 --> 00:52:31,626
WHAT'S THAT MEAN?
1393
00:52:31,670 --> 00:52:34,063
20 MINUTES AFTER YOU LEFT,
1394
00:52:34,107 --> 00:52:35,761
THE FBI SHOWED UP
WITH DNA
1395
00:52:35,804 --> 00:52:37,676
ON HIS DEAD GIRLFRIEND.
1396
00:52:37,719 --> 00:52:40,200
HE AGREED TO FLIP
ON HIS FAMILY.
1397
00:52:40,244 --> 00:52:42,637
AND THEY CUT HIM A DEAL.
1398
00:52:42,681 --> 00:52:44,552
HE'S IN THE PROGRAM.
1399
00:52:44,596 --> 00:52:48,252
PLEASE TELL ME THIS
IS ONE OF YOUR UNFUNNY JOKES.
1400
00:52:48,295 --> 00:52:50,210
THAT'S NOT
THE WORST OF IT.
1401
00:52:50,254 --> 00:52:52,473
WHAT?
1402
00:52:52,517 --> 00:52:54,997
HALF HOUR AGO,
MASTRO WALKED OUT
1403
00:52:55,041 --> 00:52:57,130
THE BACK DOOR
OF THE FED'S SAFE HOUSE.
1404
00:52:57,174 --> 00:52:58,784
HE'S IN THE WIND.
1405
00:52:58,827 --> 00:53:01,134
OH, CRAP.
1406
00:53:01,178 --> 00:53:03,049
I TOLD FRANKIE
THEY COULD SPEND
1407
00:53:03,092 --> 00:53:06,183
ONE LAST NIGHT AT HOME.
1408
00:53:09,708 --> 00:53:13,712
COME ON, FRANKIE.
ANSWER YOUR DAMN PHONE.
1409
00:53:25,245 --> 00:53:26,507
FRANKIE?
1410
00:53:26,551 --> 00:53:30,163
OPEN UP.
IT'S ME, MARY.
1411
00:53:32,209 --> 00:53:33,253
WHAT ARE YOU DOING?
1412
00:53:33,297 --> 00:53:37,475
CALLING MASTRO.
1413
00:53:47,180 --> 00:53:48,529
FRANKIE,
1414
00:53:48,573 --> 00:53:49,748
OPEN UP!
1415
00:53:49,791 --> 00:53:52,054
ALL RIGHT.
ALL RIGHT.
1416
00:53:52,098 --> 00:53:53,273
WHAT?
1417
00:53:58,409 --> 00:53:59,758
FELICIA,
WHAT ARE YOU DOING?
1418
00:53:59,801 --> 00:54:02,021
IS THIS WHAT
YOU WERE EXPECTING?
1419
00:54:02,064 --> 00:54:03,065
BECAUSE I, FOR ONE,
AM FLABBERGASTED.
1420
00:54:03,109 --> 00:54:04,893
WHAT'S GOING ON,
FELICIA?
1421
00:54:04,937 --> 00:54:06,330
RICHIE FOUND OUT
I WAS EMAILING CATHY,
1422
00:54:06,373 --> 00:54:07,896
AND HE CAME HERE
TO KILL US ALL.
1423
00:54:07,940 --> 00:54:09,376
BUT I SHOT HIM.
1424
00:54:09,420 --> 00:54:10,812
I CAN SEE THAT.
1425
00:54:10,856 --> 00:54:11,813
WHY ARE YOU
POINTING THE GUN AT FRANKIE?
1426
00:54:11,857 --> 00:54:13,728
BECAUSE THIS BASTARD
1427
00:54:13,772 --> 00:54:15,948
RUINED MY WHOLE LIFE.
1428
00:54:15,991 --> 00:54:18,298
AND NOW I'M GONNA
SHOOT HIM, TOO.
1429
00:54:18,342 --> 00:54:19,386
OKAY, OKAY.
1430
00:54:19,430 --> 00:54:20,909
WELL, YOU COULD DO THAT.
1431
00:54:20,953 --> 00:54:22,694
BUT LET'S JUST
THINK THIS THROUGH.
1432
00:54:22,737 --> 00:54:24,739
IF YOU KILL FRANKIE,
I'M GONNA HAVE TO KILL YOU.
1433
00:54:24,783 --> 00:54:26,350
I DON'T CARE.
1434
00:54:26,393 --> 00:54:28,177
I HAVE NOTHING
TO LIVE FOR ANYMORE.
1435
00:54:28,221 --> 00:54:30,092
OKAY, LOOK.
1436
00:54:30,136 --> 00:54:31,311
HERE'S THE THING--
1437
00:54:31,355 --> 00:54:33,966
MEN LIE, THEY CHEAT,
THEY START WARS.
1438
00:54:34,009 --> 00:54:35,707
THEY'RE SLOBS
UNLESS THEY'RE GAY,
1439
00:54:35,750 --> 00:54:36,925
AND THERE'S PRECIOUS FEW
OF THEM WALKING THE PLANET
1440
00:54:36,969 --> 00:54:38,144
WORTH PUTTING ON
LIPSTICK FOR,
1441
00:54:38,187 --> 00:54:39,406
LET ALONE
THROWING YOUR LIFE AWAY.
1442
00:54:39,450 --> 00:54:41,060
WHICH IS WHAT
YOU'LL BE DOING
1443
00:54:41,103 --> 00:54:43,497
IF YOU SHOOT YOUR FESTERING
CRAP-BAG OF A HUSBAND.
1444
00:54:43,541 --> 00:54:44,585
IS THAT REALLY NECESSARY?
1445
00:54:44,629 --> 00:54:45,934
SHUT UP OR I'LL SHOOT YOU.
1446
00:54:45,978 --> 00:54:49,155
I CAN'T LIVE
WITH HIM ANYMORE.
1447
00:54:49,198 --> 00:54:51,549
THEN DON'T.
YOU DON'T HAVE TO.
1448
00:54:51,592 --> 00:54:54,856
OKAY.
1449
00:54:54,900 --> 00:54:58,077
FELICIA, AS HARD
AS IT IS TO IMAGINE,
1450
00:54:58,120 --> 00:54:59,513
YOU HAVE DAYS
AHEAD OF YOU
1451
00:54:59,557 --> 00:55:01,907
WHERE YOU WILL
SMILE AND LAUGH
1452
00:55:01,950 --> 00:55:03,648
AND LOOK FORWARD
TO THINGS.
1453
00:55:03,691 --> 00:55:05,650
AND MAYBE EVEN
FALL IN LOVE AGAIN.
1454
00:55:05,693 --> 00:55:09,567
IF YOU DON'T
THROW IT ALL AWAY.
1455
00:55:09,610 --> 00:55:12,700
I PROMISE.
1456
00:55:12,744 --> 00:55:14,267
OH, GOD.
1457
00:55:17,009 --> 00:55:18,837
IT'S OKAY.
1458
00:55:18,880 --> 00:55:20,621
SHH.
1459
00:55:31,980 --> 00:55:35,593
I'LL CATCH UP
WITH YOU LATER.
1460
00:55:37,638 --> 00:55:41,381
SO WHAT'S
GONNA HAPPEN TO HER?
1461
00:55:41,425 --> 00:55:43,165
WELL, SINCE SHE SHOT MASTRO
IN SELF-DEFENSE,
1462
00:55:43,209 --> 00:55:44,558
SHE'LL PROBABLY
GET A NEW IDENTITY
1463
00:55:44,602 --> 00:55:47,082
AND BE MOVED SOMEPLACE
YOU CAN'T FIND HER.
1464
00:55:47,126 --> 00:55:49,171
YOU KNOW,
IT'S A HELL OF A THING--
1465
00:55:49,215 --> 00:55:50,390
LOSING YOUR WIFE
AND YOUR SON
1466
00:55:50,434 --> 00:55:51,957
ALL IN THE SAME DAY.
1467
00:55:52,000 --> 00:55:54,176
DO YOU EVER THINK ABOUT
ALL THE PEOPLE, THE FAMILIES,
1468
00:55:54,220 --> 00:55:56,918
HAD DAYS LIKE THIS
'CAUSE OF YOU?
1469
00:55:56,962 --> 00:55:58,529
THE CLOCK'S STILL TICKING.
1470
00:55:58,572 --> 00:56:00,226
EITHER YOU GET ME A NAME
BY THIS TIME TOM--
1471
00:56:00,269 --> 00:56:02,141
ACTUALLY, FRANKIE,
NAME OR NO NAME,
1472
00:56:02,184 --> 00:56:03,316
THIS TIME TOMORROW
1473
00:56:03,360 --> 00:56:04,317
YOU'RE ON YOUR WAY
TO A NEW CITY,
1474
00:56:04,361 --> 00:56:05,318
AND OUT OF MY HAIR.
1475
00:56:05,362 --> 00:56:06,537
I'M SORRY FOR YOUR LOSS,
1476
00:56:06,580 --> 00:56:10,192
BUT SCREW YOU
AND YOUR CLOCK.
1477
00:56:25,860 --> 00:56:27,514
I JUST WANNA WASH
THE STENCH OF THIS DAY OFF
1478
00:56:27,558 --> 00:56:28,994
AND GO TO BED.
1479
00:56:29,037 --> 00:56:31,388
I KNOW, BUT THERE ARE
ABOUT 60 PEOPLE IN THERE
1480
00:56:31,431 --> 00:56:32,519
HIDING BEHIND FURNITURE
1481
00:56:32,563 --> 00:56:33,955
JUST WAITING FOR YOU
TO OPEN THE DOOR
1482
00:56:33,999 --> 00:56:36,175
SO THEY CAN JUMP UP
AND YELL "SURPRISE."
1483
00:56:36,218 --> 00:56:37,568
YUCK.
1484
00:56:37,611 --> 00:56:39,134
COME ON,
IT'S YOUR BIRTHDAY.
1485
00:56:39,178 --> 00:56:40,614
THIS ISN'T ABOUT YOU.
1486
00:56:40,658 --> 00:56:43,617
NOW GET READY
TO ACT SURPRISED.
1487
00:56:43,661 --> 00:56:44,879
ALL RIGHT,
ALL RIGHT.
1488
00:56:44,923 --> 00:56:46,664
LET'S GET IT OVER WITH.
1489
00:56:46,707 --> 00:56:48,927
THAT'S MY GIRL.
1490
00:56:54,541 --> 00:56:57,979
SURPRISE.
1491
00:56:58,023 --> 00:56:59,807
OH, HAPPY BIRTHDAY,
SWEET PEA.
1492
00:56:59,851 --> 00:57:01,243
THANKS, MOM.AWW, YOU'RE WELCOME.
1493
00:57:01,287 --> 00:57:03,507
WHOOP, OKAY.
1494
00:57:03,550 --> 00:57:05,204
HOW'D YOU KEEP THIS
A SECRET?
1495
00:57:05,247 --> 00:57:07,075
PFFT.
1496
00:57:07,119 --> 00:57:08,729
YOU KNEW THAT I KNEW.
1497
00:57:08,773 --> 00:57:10,209
I KNEW THAT YOU KNEW.
1498
00:57:10,252 --> 00:57:12,080
AT LEAST
THAT WAS A SURPRISE.
1499
00:57:12,124 --> 00:57:14,431
I KNEW
IT WOULD BE.
1500
00:57:14,474 --> 00:57:15,606
HEY, MARY,
1501
00:57:15,649 --> 00:57:17,564
A LITTLE SOMETHING
FOR YOU.
1502
00:57:17,608 --> 00:57:19,131
OH, STAN. I KNOW, I GOT IT.
1503
00:57:19,174 --> 00:57:21,046
OPEN IT. OPEN IT.OKAY.
1504
00:57:21,089 --> 00:57:23,352
IT'S...
1505
00:57:23,396 --> 00:57:24,571
A 50.
1506
00:57:24,615 --> 00:57:27,052
YOU GAVE HER MONEY?
1507
00:57:27,095 --> 00:57:29,184
IT'S JUST WHAT
I ALWAYS WANTED.
1508
00:57:29,228 --> 00:57:30,272
THANK YOU.
1509
00:57:30,316 --> 00:57:31,622
SEE?
SEE THAT?
1510
00:57:31,665 --> 00:57:33,493
IS, UM--
1511
00:57:33,537 --> 00:57:34,581
IS RAPH HERE?
1512
00:57:34,625 --> 00:57:35,843
NO, I'M SORRY.
1513
00:57:35,887 --> 00:57:37,932
THAT'S OKAY.
I TOLD HIM NOT TO.
1514
00:57:37,976 --> 00:57:41,153
WHAT ABOUT BRANDI?
1515
00:57:41,196 --> 00:57:44,809
SHE THINKS YOU DON'T
WANT HER AT YOUR PARTY.
1516
00:57:44,852 --> 00:57:46,680
I SEE.
1517
00:57:46,724 --> 00:57:48,900
YOU'RE GONNA KEEP LOOKING AT ME
WITH THOSE SAD EYES
1518
00:57:48,943 --> 00:57:49,901
UNTIL I GO TALK TO HER,
AREN'T YOU?
1519
00:57:49,944 --> 00:57:53,644
MM.
1520
00:57:53,687 --> 00:57:56,473
I KNOW YOU MEAN WELL.
1521
00:57:56,516 --> 00:57:58,257
BUT YOU'RE NOT
A VERY GOOD MOTHER.
1522
00:57:58,300 --> 00:58:01,521
OH.
1523
00:58:01,565 --> 00:58:04,306
I CAN'T BELIEVE
YOU GAVE HER CASH.
1524
00:58:04,350 --> 00:58:06,091
HUH...
1525
00:58:06,134 --> 00:58:08,441
THIS IS A GOOD PARTY, HUH?
1526
00:58:10,617 --> 00:58:11,836
HEY, SQUISH,
1527
00:58:11,879 --> 00:58:14,012
WHAT'S GOING ON?
1528
00:58:14,055 --> 00:58:18,495
NOTHING.
1529
00:58:18,538 --> 00:58:19,496
YOU OKAY?
1530
00:58:19,539 --> 00:58:22,237
YEAH.
1531
00:58:23,630 --> 00:58:25,719
OKAY, COME HERE.
1532
00:58:25,763 --> 00:58:28,156
IT'S OKAY.
1533
00:58:28,200 --> 00:58:29,288
COME ON.
1534
00:58:29,331 --> 00:58:30,855
COME ON.
1535
00:58:30,898 --> 00:58:34,554
I'M SO SORRY I MAKE YOUR LIFE
SO MISERABLE.
1536
00:58:34,598 --> 00:58:35,599
OH, GOD.
1537
00:58:35,642 --> 00:58:36,904
LISTEN TO ME.
1538
00:58:36,948 --> 00:58:39,646
YOU DON'T MAKE
MY LIFE MISERABLE, OKAY?
1539
00:58:39,690 --> 00:58:42,170
I GET FRUSTRATED
SOMETIMES.
1540
00:58:42,214 --> 00:58:43,737
YOU KNOW, I WANT YOU
TO BE HAPPY.
1541
00:58:43,781 --> 00:58:46,000
AND I WANT YOU
1542
00:58:46,044 --> 00:58:47,306
TO STOP DOING STUFF
THAT HURTS YOURSELF
1543
00:58:47,349 --> 00:58:49,177
AND MAKES YOU MISERABLE.
1544
00:58:49,221 --> 00:58:50,352
THAT'S ALL.
1545
00:58:50,396 --> 00:58:51,615
COME ON.
1546
00:58:51,658 --> 00:58:54,705
SHH.
1547
00:58:54,748 --> 00:58:56,184
STOP.
1548
00:58:56,228 --> 00:58:57,621
STOP.
1549
00:58:57,664 --> 00:59:00,188
COME ON.
1550
00:59:00,232 --> 00:59:01,320
SHH.
1551
00:59:01,363 --> 00:59:04,932
THERE'S
MY PRETTY BABY SISTER.
1552
00:59:08,893 --> 00:59:13,027
I GOT YOU SOMETHING
FOR YOUR BIRTHDAY.
1553
00:59:13,071 --> 00:59:14,028
REALLY?
1554
00:59:14,072 --> 00:59:16,465
YEAH.
1555
00:59:16,509 --> 00:59:17,771
YOU DIDN'T HAVE TO.
1556
00:59:17,815 --> 00:59:21,427
I KNOW, I KNOW.
I JUST WANTED TO.
1557
00:59:25,387 --> 00:59:29,000
AWW.
1558
00:59:30,654 --> 00:59:31,872
WOW.
1559
00:59:31,916 --> 00:59:34,745
IT'S AN INDIAN TALISMAN.
1560
00:59:34,788 --> 00:59:36,485
OR TOTEM?
1561
00:59:36,529 --> 00:59:37,748
MAYBE.
1562
00:59:37,791 --> 00:59:39,880
I FORGET WHICH,BUT, UM,
1563
00:59:39,924 --> 00:59:42,840
I GOT IT
FROM THIS INDIAN STAND
1564
00:59:42,883 --> 00:59:44,363
AFTER I TOOK OFF
WITH CHICO'S CAR.
1565
00:59:44,406 --> 00:59:45,538
RAPHAEL.
1566
00:59:45,582 --> 00:59:46,713
RIGHT.
1567
00:59:46,757 --> 00:59:49,760
IT'S FROM
THE LOS LOBOS TRIBE.
1568
00:59:49,803 --> 00:59:51,631
SWEETIE,
1569
00:59:51,675 --> 00:59:53,894
LOS LOBOS IS A BAND.
1570
00:59:53,938 --> 00:59:55,592
A BAND OF INDIANS?
1571
00:59:55,635 --> 00:59:57,942
NO, JUST A BAND.
1572
00:59:57,985 --> 01:00:01,032
OH, WELL, ANYWAY,
1573
01:00:01,075 --> 01:00:05,123
MAY YOU ALWAYS SLEEP
UNDER THE TALL TREES, SO...
1574
01:00:05,166 --> 01:00:08,779
THAT'S NICE, RIGHT?
1575
01:00:12,913 --> 01:00:14,436
THAT'S REALLY NICE.
1576
01:00:14,480 --> 01:00:18,266
SO YOU LIKE IT?
1577
01:00:18,310 --> 01:00:19,833
I LIKE IT.
1578
01:00:19,877 --> 01:00:21,879
I LIKE IT A LOT.
1579
01:00:21,922 --> 01:00:26,231
THANK YOU.
THANK YOU SO MUCH.
1580
01:00:26,274 --> 01:00:28,363
LISTEN, I HAVE
TO GO DO SOMETHING,
1581
01:00:28,407 --> 01:00:29,408
BUT WHEN I COME BACK,
1582
01:00:29,451 --> 01:00:30,975
I WANT TO TALK, OKAY?
1583
01:00:31,018 --> 01:00:32,063
OKAY.
1584
01:00:32,106 --> 01:00:35,719
OKAY.
1585
01:01:15,759 --> 01:01:17,412
OKAY, HERE'S HOW
I THINK WE SHOULD PROCEED.
1586
01:01:17,456 --> 01:01:19,284
OPEN UP, TALLTREES!
1587
01:01:19,327 --> 01:01:20,807
I THINK I'LL JUST STAND HERE
WITH MY THUMB UP MY ASS
1588
01:01:20,851 --> 01:01:22,809
WHILE YOU START SHOUTING
LIKE A CRAZY PERSON.
1589
01:01:22,853 --> 01:01:25,159
AFTER A WHILE
IT BECOMES CHARMING.
1590
01:01:25,203 --> 01:01:27,422
WHAT IS ALL THIS?
1591
01:01:27,466 --> 01:01:29,163
WHAT HAPPENED?
1592
01:01:29,207 --> 01:01:31,688
SIENNA GET TIRED OF SLEEPING
UNDER THE TALL TREES?
1593
01:01:31,731 --> 01:01:34,081
YOU THINK I WAS HAVING
AN AFFAIR WITH SIENNA?
1594
01:01:34,125 --> 01:01:36,780
NOT ONLY
IS THAT DISGUSTING,
1595
01:01:36,823 --> 01:01:38,346
IT'S SLANDER.
1596
01:01:38,390 --> 01:01:40,522
AND YOU HAD BETTER BE
VERY CAREFUL WITH YOUR--
1597
01:01:40,566 --> 01:01:43,395
EXCUSE ME.
DO YOU MIND?
1598
01:01:43,438 --> 01:01:44,396
GO AHEAD.
1599
01:01:44,439 --> 01:01:46,703
EDWIN TALLTREES,
1600
01:01:46,746 --> 01:01:48,400
I HAVE A WARRANT
TO SEARCH THIS PROPERTY
1601
01:01:48,443 --> 01:01:50,315
FOR ANY AND ALL EVIDENCE
RELATING TO THE MURDER
1602
01:01:50,358 --> 01:01:52,665
OF FRANCIS AMATO JUNIOR
AND SIENNA BURKE.
1603
01:01:52,709 --> 01:01:56,277
PLEASE STEP OUTSIDE.
1604
01:02:07,680 --> 01:02:11,815
WAIT.
1605
01:02:11,858 --> 01:02:13,033
WHAT?
1606
01:02:13,077 --> 01:02:15,340
LOOK.
1607
01:02:15,383 --> 01:02:16,341
AT WHAT?
1608
01:02:16,384 --> 01:02:19,997
OH.
1609
01:02:28,179 --> 01:02:30,050
STOP RIGHT THERE.
1610
01:02:30,094 --> 01:02:31,660
DON'T COME ANY CLOSER.
I SWEAR I'LL--
1611
01:02:31,704 --> 01:02:33,401
WHAT?
1612
01:02:33,445 --> 01:02:37,057
KICK THE STOOL OUT?
1613
01:02:40,495 --> 01:02:42,106
PLEASE.
1614
01:02:42,149 --> 01:02:43,107
LET ME.
1615
01:02:43,150 --> 01:02:46,763
HEY, WHAT ARE YOU DOING?
1616
01:02:47,938 --> 01:02:50,070
SO AFTER SPENDING
1617
01:02:50,114 --> 01:02:52,203
ALMOST THEIR ENTIRE LIVES
TOGETHER,
1618
01:02:52,246 --> 01:02:53,770
SIENNA BURKE
BROKE UP WITH KYLE
1619
01:02:53,813 --> 01:02:55,119
BECAUSE SHE COULDN'T
TELL HER FRIENDS
1620
01:02:55,162 --> 01:02:56,990
SHE WAS WITH AN INDIAN.
1621
01:02:57,034 --> 01:02:58,383
SHE BROKE HIS HEART.
1622
01:02:58,426 --> 01:03:00,689
SO HE CUT OUT HERS.
1623
01:03:00,733 --> 01:03:02,126
IT ALMOST SEEMS FAIR.
1624
01:03:06,173 --> 01:03:09,133
THANKS FOR THE CALL.
1625
01:03:09,176 --> 01:03:10,438
IT'S YOUR CASE.
1626
01:03:10,482 --> 01:03:12,440
U.S. MARSHALS
HAVE A LONG HISTORY
1627
01:03:12,484 --> 01:03:14,312
OF COOPERATING
WITH LOCAL LAW ENFORCEMENT.
1628
01:03:14,355 --> 01:03:16,488
UH-HUH.
1629
01:03:16,531 --> 01:03:18,664
AFTER ALL I'VE DONE
TO GET US OFF THE RESERVATION,
1630
01:03:18,707 --> 01:03:21,623
TO GIVE MY SON THE SAME
OPPORTUNITIES AS THE WHITES,
1631
01:03:21,667 --> 01:03:23,408
THEY STILL TREAT HIM
LIKE A REDSKIN.
1632
01:03:23,451 --> 01:03:25,236
BUT HE WON'T
BE TRIED LIKE ONE.
1633
01:03:25,279 --> 01:03:26,890
WHATEVER.
1634
01:03:26,933 --> 01:03:27,891
I'VE GOT WHITE MAN'S MONEY,
1635
01:03:27,934 --> 01:03:28,892
A WHITE MAN'S LAWYER,
1636
01:03:28,935 --> 01:03:30,241
AND I PROMISE YOU--
1637
01:03:30,284 --> 01:03:33,113
MY SON WON'T SPEND
A DAY IN PRISON.
1638
01:03:33,157 --> 01:03:35,246
HEY, CHUCKLES.
1639
01:03:35,289 --> 01:03:37,161
YOUR SON'S A MONSTER.
1640
01:03:37,204 --> 01:03:38,205
HE GUTTED SIENNA BURKE
1641
01:03:38,249 --> 01:03:39,250
WHILE SHE WAS
STILL ALIVE,
1642
01:03:39,293 --> 01:03:40,251
AND HE NEEDS
TO BE PUT DOWN.
1643
01:03:40,294 --> 01:03:42,296
BUT GUESS WHAT,
1644
01:03:42,340 --> 01:03:43,341
HE'S NOT THE ONLY MONSTER
ON THE BLOCK.
1645
01:03:43,384 --> 01:03:44,646
NOT BY A LONG SHOT.
1646
01:03:44,690 --> 01:03:46,344
PRISON OR NO PRISON,
1647
01:03:46,387 --> 01:03:48,694
TOMORROW MORNING THE VERY
WORST OF THOSE MONSTERS
1648
01:03:48,737 --> 01:03:50,261
IS COMING FOR HIM.
1649
01:03:50,304 --> 01:03:51,871
SO GOOD LUCK
WITH YOUR WHITE MAN'S DEFENSE.
1650
01:03:51,915 --> 01:03:56,441
LET ME KNOW
HOW THAT WORKS OUT FOR YOU.
1651
01:03:56,484 --> 01:03:58,660
OH, AND YOU MIGHT WANT
TO THINK ABOUT
1652
01:03:58,704 --> 01:04:00,880
ADDING A LITTLE SECURITY
FOR YOURSELF.
1653
01:04:03,361 --> 01:04:06,407
HEY, HEY, HEY.
1654
01:04:06,451 --> 01:04:07,931
SHE SEEING ANYONE?
1655
01:04:50,277 --> 01:04:53,890
OH, CRUD.
1656
01:04:58,329 --> 01:04:59,286
HI.
1657
01:04:59,330 --> 01:05:00,679
YOU'RE AWAKE.
1658
01:05:00,722 --> 01:05:02,202
DA.
1659
01:05:02,246 --> 01:05:04,596
I DIDN'T WANT
TO MISS MY GROCERIES.
1660
01:05:04,639 --> 01:05:05,945
SORRY.
1661
01:05:05,989 --> 01:05:07,555
I GOT HUNG UP.
1662
01:05:07,599 --> 01:05:08,948
IS THIS WHAT YOU MEAN
WHEN YOU SAY,
1663
01:05:08,992 --> 01:05:10,732
"I BE BACK
A LITTLE LATER"?
1664
01:05:10,776 --> 01:05:12,778
I WISH TO KNOW
FOR FUTURE.
1665
01:05:12,821 --> 01:05:14,432
NO, I'M USUALLY
VERY PROMPT.
1666
01:05:14,475 --> 01:05:15,433
I--I--
1667
01:05:15,476 --> 01:05:18,088
SOMETHING HAPPENED.
1668
01:05:18,131 --> 01:05:21,743
ANYWAY, IT'S LATE.
AND HERE'S YOUR GROCERIES.
1669
01:05:26,618 --> 01:05:29,186
YOU BRING ME PORNO.
1670
01:05:29,229 --> 01:05:32,624
TO HELP YOU PICK OUT
YOUR NEW BREASTS.
1671
01:05:41,633 --> 01:05:45,680
SEE, ALL DIFFERENT
SHAPES AND SIZES.
1672
01:05:49,902 --> 01:05:51,425
MY NAME IS MARY.
1673
01:05:51,469 --> 01:05:52,687
TODAY'S MY BIRTHDAY.
1674
01:05:52,731 --> 01:05:54,080
AND IF I EVER
1675
01:05:54,124 --> 01:05:55,995
RUN INTO THE SON OF A BITCH
THAT PROMISED ME
1676
01:05:56,039 --> 01:05:57,736
A LIFE OF EXCITEMENT
AND UNLIMITED OPPORTUNITY
1677
01:05:57,779 --> 01:05:59,564
AS A U.S. MARSHAL,
1678
01:05:59,607 --> 01:06:02,741
I'LL SHOOT OFF
BOTH HIS KNEECAPS.
112159
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