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1
00:00:54,090 --> 00:00:56,484
I humbly beg your pardon,
Madame Pavlova — your passport.
2
00:00:56,875 --> 00:00:57,730
There you are.
3
00:00:57,970 --> 00:01:00,210
I'm delighted to welcome you
within the Russian Empire.
4
00:01:00,370 --> 00:01:01,130
Thank you.
5
00:01:53,570 --> 00:01:57,810
Anya!
6
00:02:07,390 --> 00:02:07,890
Anya.
7
00:04:06,721 --> 00:04:09,340
Miss, what's the matter?
8
00:04:10,860 --> 00:04:15,220
Your little face is frostbitten.
9
00:04:15,380 --> 00:04:16,260
I think so, anyway.
10
00:04:17,370 --> 00:04:18,330
Sir, take a look.
11
00:04:49,860 --> 00:04:50,620
Little girl!
12
00:04:50,740 --> 00:04:52,220
Little girl, who are you here for?
13
00:04:52,340 --> 00:04:53,220
My mama.
14
00:04:53,380 --> 00:04:54,620
Lyuba, you mean?
15
00:04:55,660 --> 00:04:56,460
Lyuba!
16
00:04:56,820 --> 00:04:57,780
Annushka.
17
00:04:58,020 --> 00:04:59,460
Lord, Annushka!
18
00:04:59,580 --> 00:05:00,340
What's gotten into you?
19
00:05:00,340 --> 00:05:02,260
Mama, I saw them!
20
00:05:02,340 --> 00:05:03,740
Lord, come here.
21
00:05:03,860 --> 00:05:05,700
They're like little white angels.
22
00:05:06,246 --> 00:05:08,860
Light as feathers.
23
00:05:09,700 --> 00:05:11,620
Mama, I saw them.
24
00:05:12,140 --> 00:05:13,500
Little ballerinas.
25
00:05:17,310 --> 00:05:18,350
Sleep, Anechka.
26
00:05:18,550 --> 00:05:20,150
I'll buy you colored thread.
27
00:05:20,270 --> 00:05:21,550
You love to embroider, don't you?
28
00:05:22,230 --> 00:05:22,730
You do.
29
00:05:24,440 --> 00:05:27,240
And you'll be the finest
seamstress in the city.
30
00:05:28,670 --> 00:05:30,790
They'll send a carriage just for you.
31
00:05:32,240 --> 00:05:35,800
And fine people will
be waiting on you.
32
00:05:41,840 --> 00:05:42,440
Mama!
33
00:05:42,800 --> 00:05:43,440
Mama!
34
00:05:43,840 --> 00:05:44,340
Lord.
35
00:05:44,560 --> 00:05:46,040
They're just like me.
36
00:05:46,200 --> 00:05:47,320
Lord, Anechka.
37
00:05:47,320 --> 00:05:47,840
Mama!
38
00:05:48,200 --> 00:05:48,600
Mama!
39
00:05:48,600 --> 00:05:49,520
Anechka, Anechka.
40
00:05:49,520 --> 00:05:53,200
Promise me you'll take me
to the school for little ballerinas.
41
00:05:53,200 --> 00:05:54,280
All right, Anechka.
42
00:05:54,760 --> 00:05:55,480
Now go to sleep.
43
00:05:55,520 --> 00:05:56,200
Please.
44
00:05:56,240 --> 00:05:56,840
Come on now.
45
00:05:56,840 --> 00:05:58,440
Otherwise I won't get better, Mama.
46
00:05:58,520 --> 00:05:59,020
Sleep.
47
00:05:59,160 --> 00:05:59,680
Sleep.
48
00:06:00,040 --> 00:06:01,200
Sleep, Anechka.
49
00:06:57,810 --> 00:06:58,450
Anushka.
50
00:07:00,040 --> 00:07:02,640
Would you like to dance
like those boys and girls?
51
00:07:04,340 --> 00:07:04,840
No.
52
00:07:10,260 --> 00:07:10,760
Mama.
53
00:07:24,020 --> 00:07:25,780
I will be the Sleeping Beauty.
54
00:07:26,700 --> 00:07:29,420
I will dance here,
in this theater.
55
00:07:29,740 --> 00:07:31,380
I promise you, Mama.
56
00:07:43,600 --> 00:07:44,520
Good day!
57
00:07:45,360 --> 00:07:46,280
Good day.
58
00:07:46,760 --> 00:07:47,600
Good day.
59
00:07:48,000 --> 00:07:48,720
Good day.
60
00:07:49,160 --> 00:07:50,200
What is your name?
61
00:07:50,960 --> 00:07:52,960
Dear young lady.
62
00:07:53,040 --> 00:07:54,320
Anna Pavlova.
63
00:07:56,070 --> 00:07:56,750
And yours?
64
00:07:57,510 --> 00:07:58,510
Oh.
65
00:07:59,240 --> 00:08:04,080
Marius Petipa,
your most humble servant.
66
00:08:04,670 --> 00:08:07,910
And what would you like to dance,
lovely young lady?
67
00:08:08,030 --> 00:08:08,530
Everything.
68
00:08:09,980 --> 00:08:10,700
That is difficult.
69
00:08:11,060 --> 00:08:12,180
Do you think you can?
70
00:08:12,820 --> 00:08:14,420
Well, if I can't—
71
00:08:16,160 --> 00:08:17,160
Then I'd rather die.
72
00:08:19,350 --> 00:08:20,030
Give me your foot.
73
00:08:21,470 --> 00:08:23,030
More, more, more, more.
74
00:08:24,145 --> 00:08:25,510
Easy now.
75
00:08:27,070 --> 00:08:28,230
Easy, easy.
76
00:08:28,430 --> 00:08:29,630
Bend back lower.
77
00:08:30,190 --> 00:08:31,910
The girl has wonderful flexibility.
78
00:08:32,270 --> 00:08:33,630
Don't be afraid, don't be afraid.
79
00:08:36,660 --> 00:08:37,160
Good.
80
00:08:37,340 --> 00:08:38,060
Well then.
81
00:08:38,340 --> 00:08:40,700
Yours to teach, yours to decide.
82
00:08:44,680 --> 00:08:48,160
And one, and two, three, four!
83
00:08:48,480 --> 00:08:50,600
One, Pavlova — the knee.
84
00:08:50,880 --> 00:08:53,400
One, two, three, four!
85
00:08:53,760 --> 00:08:54,960
Your back, Pavlova!
86
00:09:02,490 --> 00:09:05,490
Cou-de-pied, the angle!
87
00:09:07,810 --> 00:09:08,310
Your fingers.
88
00:09:10,550 --> 00:09:12,870
Pull the knee — pull.
89
00:09:16,630 --> 00:09:17,430
Now, don't cry.
90
00:09:19,310 --> 00:09:20,230
Pavlova.
91
00:09:20,670 --> 00:09:21,590
Don't cry.
92
00:09:22,230 --> 00:09:24,710
One, two, three, four.
93
00:09:25,190 --> 00:09:26,590
One, two, three.
94
00:09:26,790 --> 00:09:27,910
God be with you.
95
00:09:27,990 --> 00:09:28,490
Break.
96
00:09:35,110 --> 00:09:37,070
I'm afraid to think about her future.
97
00:09:37,990 --> 00:09:40,070
Talented, but so frail.
98
00:09:40,150 --> 00:09:42,030
Kate, she is a tenacious little plant,
believe me.
99
00:09:42,150 --> 00:09:43,750
No turnout in her legs at all.
100
00:09:47,030 --> 00:09:49,350
She doesn't know that in ballet
there can be another path,
101
00:09:49,430 --> 00:09:52,750
at the end of which muscles wither
and bones become deformed.
102
00:09:53,370 --> 00:09:58,490
That the heart may one day stop obeying
the will and shatter to pieces.
103
00:09:59,250 --> 00:10:00,490
Pavlova, stand up.
104
00:10:14,980 --> 00:10:16,613
Pour it.
105
00:10:18,070 --> 00:10:20,013
Go on, pour it, pour it!
106
00:10:20,741 --> 00:10:22,279
You'll freeze to death!
107
00:10:23,010 --> 00:10:23,650
No.
108
00:10:24,710 --> 00:10:26,030
Pour it.
109
00:10:26,800 --> 00:10:27,760
Are you cold?
110
00:10:28,080 --> 00:10:28,800
No, no.
111
00:10:29,160 --> 00:10:30,240
How brave you are.
112
00:10:39,470 --> 00:10:40,310
Good Lord!
113
00:10:42,550 --> 00:10:44,630
Girls, have you lost your minds?
114
00:10:45,430 --> 00:10:47,030
Good heavens, they'll be the death of me!
115
00:10:47,350 --> 00:10:48,110
Stanislava!
116
00:10:49,110 --> 00:10:50,270
It wasn't us — she did it herself.
117
00:10:50,470 --> 00:10:52,870
Varvara Ivanovna, I was so sickly
as a child.
118
00:10:53,230 --> 00:10:55,879
You know yourself — I'm so frail.
119
00:10:56,830 --> 00:10:59,150
If I don't toughen myself up,
I'll die.
120
00:10:59,270 --> 00:11:00,190
You'll see.
121
00:11:07,820 --> 00:11:10,620
Girls, imagine yourselves as a flower.
122
00:11:12,030 --> 00:11:12,530
A butterfly.
123
00:11:14,400 --> 00:11:19,680
Let your imagination run free,
and fear nothing.
124
00:11:21,280 --> 00:11:23,080
I will teach you many things.
125
00:11:24,250 --> 00:11:26,130
We will learn from nature itself.
126
00:11:26,290 --> 00:11:30,090
We will love it, hear it,
see it, understand it.
127
00:11:30,730 --> 00:11:31,770
I am the wind.
128
00:11:32,210 --> 00:11:33,570
I am a swan.
129
00:11:35,320 --> 00:11:36,400
I am a little cloud.
130
00:11:36,720 --> 00:11:39,600
I am a dragonfly.
131
00:11:52,980 --> 00:11:53,780
Pavlova!
132
00:11:54,260 --> 00:11:55,860
Are you all right?
133
00:11:56,460 --> 00:11:57,100
Of course.
134
00:11:57,420 --> 00:11:59,420
I'm a maple leaf that has fallen.
135
00:11:59,700 --> 00:12:02,220
But it so desperately wants
to rise up,
136
00:12:02,460 --> 00:12:03,220
up high.
137
00:12:03,380 --> 00:12:05,500
Close, so close to the sun.
138
00:12:25,240 --> 00:12:26,480
What are you doing here?
139
00:12:28,640 --> 00:12:29,360
Thinking.
140
00:12:29,920 --> 00:12:31,040
Let's think together.
141
00:12:31,280 --> 00:12:32,200
What's your name?
142
00:12:33,350 --> 00:12:34,030
Fokin.
143
00:12:34,150 --> 00:12:35,670
Mikhail Mikhalych.
144
00:12:37,150 --> 00:12:39,470
And what, exactly,
do you want here?
145
00:12:40,030 --> 00:12:41,230
You're disturbing me.
146
00:12:41,590 --> 00:12:42,150
Why?
147
00:12:43,070 --> 00:12:45,270
I'm composing a ballet
in her style.
148
00:12:45,430 --> 00:12:46,230
And who is that?
149
00:12:46,630 --> 00:12:48,190
You really don't know anything.
150
00:12:48,750 --> 00:12:50,950
That is the incomparable Taglioni.
151
00:12:51,270 --> 00:12:52,070
And who is she?
152
00:12:52,750 --> 00:12:55,190
La ballerina assoluta.
153
00:12:55,310 --> 00:12:56,710
She could do anything.
154
00:13:00,410 --> 00:13:02,690
I've tried so many times —
nothing works.
155
00:13:03,130 --> 00:13:03,690
What are you doing?
156
00:13:03,970 --> 00:13:04,770
Get up!
157
00:13:07,930 --> 00:13:09,490
You can see it's not working, right?
158
00:13:09,610 --> 00:13:10,110
Get up.
159
00:13:13,130 --> 00:13:14,610
Die if you must — but get up!
160
00:13:26,580 --> 00:13:28,020
Misha, I can do it!
161
00:13:30,100 --> 00:13:30,600
I can!
162
00:13:35,980 --> 00:13:38,220
Ladies and gentlemen.
163
00:13:39,060 --> 00:13:40,380
Colleagues!
164
00:13:40,700 --> 00:13:44,860
This photograph will capture you
for eternity.
165
00:13:45,460 --> 00:13:48,060
Oh, when history is watching you,
166
00:13:48,420 --> 00:13:50,580
you cannot make faces.
167
00:13:52,530 --> 00:13:54,770
Ladies and gentlemen.
168
00:13:54,890 --> 00:14:01,850
Colleagues, you are our future,
and all our hopes rest with you.
169
00:14:32,060 --> 00:14:35,540
Miss Pavlova the Second, you take
far too long tying your ribbons.
170
00:14:35,660 --> 00:14:37,340
Just a moment, just a moment,
I'm almost done.
171
00:14:38,460 --> 00:14:42,220
Mr. Sergeyev, please do not
offend my protégées.
172
00:14:42,380 --> 00:14:44,620
And your place, Mr. Fokine,
is in the wings.
173
00:14:44,940 --> 00:14:45,580
If you please.
174
00:14:46,100 --> 00:14:46,600
What?
175
00:14:55,690 --> 00:14:57,570
Easy, General.
176
00:14:58,560 --> 00:15:01,640
Marius Ivanich, when I watch ballet,
I feel truly alive.
177
00:15:03,150 --> 00:15:05,550
It's time you put in
for retirement.
178
00:15:06,750 --> 00:15:09,110
What is this cavalry regiment
doing on stage?
179
00:15:10,440 --> 00:15:11,640
No, no, no.
180
00:15:11,800 --> 00:15:13,560
You want to be the death of me.
181
00:15:17,180 --> 00:15:18,060
No, no!
182
00:15:18,260 --> 00:15:20,020
I said no!
183
00:15:24,960 --> 00:15:28,440
There — the one that has turned
into mothballs.
184
00:15:28,840 --> 00:15:29,400
Are you talking to me?
185
00:15:29,680 --> 00:15:31,000
No, my dear, not to you.
186
00:15:31,320 --> 00:15:33,840
To all of modern Russian ballet.
187
00:15:34,160 --> 00:15:35,680
Then say it louder.
188
00:15:37,570 --> 00:15:38,210
You're new here?
189
00:15:38,330 --> 00:15:39,130
What is your name?
190
00:15:39,450 --> 00:15:40,210
And yours?
191
00:15:41,350 --> 00:15:43,310
Mine is Diaghilev. Remember that.
192
00:15:43,390 --> 00:15:46,030
And mine is Pavlova. Remember that too.
193
00:15:46,390 --> 00:15:54,070
My dear young ladies, your walk
reminds me of a military parade.
194
00:15:54,550 --> 00:15:56,190
Could you manage something more graceful?
195
00:15:56,310 --> 00:15:57,590
Marius Ivanich!
196
00:15:57,790 --> 00:15:58,830
Marius Ivanich!
197
00:15:59,340 --> 00:16:01,860
I wish to voice an opinion aloud,
198
00:16:01,940 --> 00:16:06,300
for otherwise I risk being seen
as a pitiful whisperer and a coward.
199
00:16:06,460 --> 00:16:08,540
Speak, Mr. Diaghilev.
200
00:16:08,900 --> 00:16:13,380
You see, the sweat of Russian artists
turns to mothballs every single day.
201
00:16:14,100 --> 00:16:16,860
Let us together write a new chapter
in Russian ballet.
202
00:16:18,780 --> 00:16:19,500
Bravo!
203
00:16:20,780 --> 00:16:21,380
Bravo!
204
00:16:23,020 --> 00:16:28,020
Forgive me, sir, but we have
very different handwriting.
205
00:16:28,220 --> 00:16:29,820
Well, in that case, Marius Ivanich,
206
00:16:29,860 --> 00:16:32,300
it seems the two of us
cannot avoid a duel.
207
00:16:32,580 --> 00:16:33,780
Oh, good Lord!
208
00:16:34,380 --> 00:16:36,740
And they still let you
into this theater?
209
00:16:37,620 --> 00:16:39,820
Ladies and gentlemen, ballet lovers!
210
00:16:40,540 --> 00:16:42,140
These precious gems.
211
00:16:42,860 --> 00:16:47,380
Tonight, for the first time,
on the stage of the Mariinsky Theater.
212
00:16:47,620 --> 00:16:50,420
I entrust their fate to you.
213
00:16:50,540 --> 00:16:53,100
Love them and be gentle with them!
214
00:16:53,580 --> 00:16:54,080
Vivat!
215
00:16:57,480 --> 00:17:00,200
I congratulate you on your debut,
my darling girl.
216
00:17:00,800 --> 00:17:03,760
Mama, I can't believe I'm really here.
217
00:17:05,650 --> 00:17:07,850
I bought you a blue lamp.
218
00:17:09,650 --> 00:17:11,450
To match the color of the Mariinsky.
219
00:17:13,380 --> 00:17:17,940
On it is written: "To Pavlova the Second,
from her loving mother."
220
00:17:29,180 --> 00:17:30,780
And I shall become Pavlova the First.
221
00:17:31,020 --> 00:17:31,780
I promise.
222
00:17:34,470 --> 00:17:36,670
Diaghilev is cruel, but he's right.
223
00:17:36,830 --> 00:17:40,030
One morning you must wake up and say
with courage: "I'm burning my bridges."
224
00:17:40,310 --> 00:17:41,630
Which bridges, Mishenka?
225
00:17:41,910 --> 00:17:42,410
This one?
226
00:17:42,430 --> 00:17:43,710
If you burn them, burn them all at once.
227
00:17:43,790 --> 00:17:44,290
Or that one?
228
00:17:44,310 --> 00:17:45,350
That one too.
229
00:17:47,400 --> 00:17:51,200
I know which bridge —
the one Petipa is standing on.
230
00:17:51,990 --> 00:17:55,230
The one he's been dragging
Russian ballet across for half a century.
231
00:17:55,550 --> 00:17:57,110
That's cruel, Misha!
232
00:17:57,510 --> 00:17:59,470
Madame, I adore you!
233
00:17:59,550 --> 00:18:00,050
Six fouettés!
234
00:18:01,230 --> 00:18:02,590
Madame, I am passionately in love with you!
235
00:18:02,670 --> 00:18:04,110
Twelve fouettés!
236
00:18:04,190 --> 00:18:07,390
Madame, I burn with love!
Thirty-two fouettés!
237
00:18:07,510 --> 00:18:10,310
You do it better onstage.
238
00:18:12,650 --> 00:18:14,450
We speak a beautiful
but dead language,
239
00:18:14,490 --> 00:18:14,990
Anna.
240
00:18:15,090 --> 00:18:16,250
Ancient Latin.
241
00:18:16,690 --> 00:18:17,570
And what comes next?
242
00:18:20,110 --> 00:18:22,710
What comes next, Mishenka, is eternity.
243
00:18:24,070 --> 00:18:25,910
I have no regrets, Anna.
244
00:18:26,470 --> 00:18:28,710
When we're old, they'll discard us
in no time.
245
00:18:28,790 --> 00:18:30,470
Thrown out like old galoshes.
246
00:18:30,670 --> 00:18:33,510
Just as they'll one day discard
this remarkable little icon.
247
00:18:33,630 --> 00:18:34,390
That's all.
248
00:18:35,380 --> 00:18:36,340
Will you come with me?
249
00:18:36,420 --> 00:18:37,300
Where?
250
00:18:37,540 --> 00:18:38,100
You know.
251
00:18:38,180 --> 00:18:38,820
I know.
252
00:18:38,940 --> 00:18:40,180
Where to?
253
00:18:42,040 --> 00:18:42,600
Further.
254
00:18:42,920 --> 00:18:45,960
As far back as possible —
three thousand years.
255
00:18:48,790 --> 00:18:50,990
Anna, come to me.
256
00:18:51,890 --> 00:18:52,530
Why?
257
00:18:54,050 --> 00:18:58,050
The most beautiful movement
a person can make is forward.
258
00:18:59,410 --> 00:19:00,810
Will you come with me?
259
00:19:01,950 --> 00:19:02,710
Mishenka...
260
00:19:08,160 --> 00:19:08,840
Misha!
261
00:19:09,160 --> 00:19:10,560
Will you come with me?
262
00:19:19,560 --> 00:19:20,200
Hold it!
263
00:19:21,320 --> 00:19:22,000
Merci!
264
00:19:22,440 --> 00:19:24,200
Yes, splendid, mademoiselle.
265
00:19:24,360 --> 00:19:25,920
Now watch me.
266
00:19:26,400 --> 00:19:30,160
You do the préparation —
softer with the arm!
267
00:19:30,320 --> 00:19:31,000
Softer!
268
00:19:31,040 --> 00:19:31,920
Marius Ivanich!
269
00:19:31,960 --> 00:19:32,460
The arm!
270
00:19:32,520 --> 00:19:33,560
I adore you!
271
00:19:34,240 --> 00:19:36,120
Likewise, Mathilde Feliksovna.
272
00:19:37,230 --> 00:19:38,150
Allongé.
273
00:19:38,230 --> 00:19:39,430
Eyes on the hand.
274
00:19:39,830 --> 00:19:44,030
Ah yes, Pavlova — I expect you
at my studio on Rossi Street.
275
00:19:44,150 --> 00:19:46,230
We will rehearse Giselle.
276
00:19:47,790 --> 00:19:48,830
Very well.
277
00:19:49,150 --> 00:19:50,030
Thank you.
278
00:19:50,150 --> 00:19:52,630
Good heavens, why aren't you dressed,
279
00:19:52,710 --> 00:19:53,430
Mathilde?
280
00:19:53,590 --> 00:19:56,350
A migraine, Marius Ivanich —
I'm in a dreadful mood.
281
00:19:56,390 --> 00:19:58,510
But you have a performance tonight.
282
00:19:58,510 --> 00:20:00,350
There's still so much time until evening.
283
00:20:00,550 --> 00:20:01,830
An eternity.
284
00:20:09,060 --> 00:20:11,500
Softer, softer.
285
00:20:13,890 --> 00:20:17,010
Not only the lines, my dear.
286
00:20:17,250 --> 00:20:20,530
Not only lines — the flight
of a soul in full expression,
287
00:20:20,650 --> 00:20:23,170
give me diamond-sharp edges.
288
00:20:23,290 --> 00:20:26,290
Pull back your shoulder blades —
give me diamond-sharp edges.
289
00:20:26,450 --> 00:20:28,610
I saw them sparkle in Taglioni,
290
00:20:28,650 --> 00:20:30,704
in Lignane, in Sokolova.
291
00:20:30,730 --> 00:20:34,050
Now it's your turn,
little Pavlova.
292
00:20:36,390 --> 00:20:36,890
Please.
293
00:20:40,047 --> 00:20:41,099
Merci!
294
00:20:41,500 --> 00:20:42,000
Good.
295
00:20:43,120 --> 00:20:43,800
Hold still!
296
00:20:44,080 --> 00:20:44,920
Straighter!
297
00:20:45,120 --> 00:20:45,840
Hold still!
298
00:20:47,900 --> 00:20:53,540
I leave you Giselle
for the rest of your long life,
299
00:20:53,660 --> 00:20:57,900
to the rising Pavlova,
from the departing Petipa.
300
00:20:58,660 --> 00:20:59,900
Kschessinska, look!
301
00:21:00,100 --> 00:21:00,980
Kschessinska!
302
00:21:01,140 --> 00:21:01,860
Kschessinska!
303
00:21:22,920 --> 00:21:26,400
Hello, eternal Panopticon.
304
00:21:26,760 --> 00:21:27,760
Everyone has arrived.
305
00:21:28,770 --> 00:21:32,130
From my tailor
to the Grand Duke himself.
306
00:21:32,570 --> 00:21:35,130
Serge, you're speaking too loudly —
it's inappropriate.
307
00:21:35,290 --> 00:21:39,210
Pardon me, madame —
I'm perfectly comfortable here.
308
00:22:16,270 --> 00:22:17,590
You're behaving disgracefully.
309
00:22:20,010 --> 00:22:22,690
I'm tired of this tedium,
gentlemen.
310
00:22:23,290 --> 00:22:24,770
I'm taking my leave.
311
00:22:25,330 --> 00:22:27,050
Diaghilev stood up.
312
00:22:27,910 --> 00:22:30,390
Your Highness, a scandal is brewing.
313
00:22:30,910 --> 00:22:33,110
Baron, please — no police.
314
00:22:33,980 --> 00:22:34,620
Sit down.
315
00:22:34,700 --> 00:22:37,340
Only for your sake, colleagues.
316
00:22:37,420 --> 00:22:38,540
Sit down, I beg you.
317
00:22:39,780 --> 00:22:40,340
Thank you.
318
00:24:10,800 --> 00:24:11,640
What's wrong?
319
00:24:11,720 --> 00:24:12,960
I'm frightened.
320
00:24:13,000 --> 00:24:14,680
There's nothing to be afraid of.
321
00:24:15,040 --> 00:24:16,720
Nothing at all to fear.
322
00:24:17,280 --> 00:24:18,280
Everything's fine.
323
00:24:22,890 --> 00:24:23,390
Third.
324
00:24:24,570 --> 00:24:25,450
Go.
325
00:25:33,250 --> 00:25:34,410
An ordinary genius.
326
00:25:39,930 --> 00:25:41,370
Look — an ordinary genius!
327
00:25:41,730 --> 00:25:42,490
What did you say?
328
00:25:45,410 --> 00:25:46,370
My God.
329
00:25:47,010 --> 00:25:47,930
Pass it along.
330
00:25:48,570 --> 00:25:49,070
Petipa.
331
00:26:21,760 --> 00:26:22,720
Marius Ivanich!
332
00:26:23,440 --> 00:26:24,400
Marius Ivanich!
333
00:26:25,000 --> 00:26:27,080
From us — from Diaghilev.
334
00:26:28,671 --> 00:26:30,320
Petipa, Pavlova — bravo!
335
00:26:31,040 --> 00:26:32,000
Bravo!
336
00:26:32,640 --> 00:26:33,680
Bravo!
337
00:26:35,160 --> 00:26:35,800
Bravo!
338
00:26:39,120 --> 00:26:40,360
Farewell!
339
00:26:46,550 --> 00:26:47,590
Madame Yegorova!
340
00:26:47,710 --> 00:26:48,210
Bravo!
341
00:26:48,470 --> 00:26:49,470
Bravo, madame!
342
00:26:49,590 --> 00:26:50,790
I'm not Egorova.
343
00:26:50,870 --> 00:26:51,550
I'm Pavlova.
344
00:26:51,950 --> 00:26:53,710
Pa, pa... Pavlova!
345
00:26:53,870 --> 00:26:55,230
No matter, bravo all the same!
346
00:26:55,470 --> 00:26:56,790
Madame Pavlova, bravo!
347
00:26:57,270 --> 00:26:57,770
Gentlemen!
348
00:26:57,830 --> 00:26:59,030
This is Madame Egorova!
349
00:26:59,230 --> 00:27:02,710
I wish to express my deepest gratitude
for everything
350
00:27:02,750 --> 00:27:04,230
you do on stage.
351
00:27:05,240 --> 00:27:06,400
Put your top hat on!
352
00:27:06,720 --> 00:27:07,560
You'll catch cold!
353
00:27:07,600 --> 00:27:08,720
Congratulations, madame!
354
00:27:09,360 --> 00:27:09,960
Thank you.
355
00:27:10,160 --> 00:27:12,720
Our warmest congratulations
on the premiere.
356
00:27:13,340 --> 00:27:14,820
Allow me to introduce myself.
357
00:27:15,580 --> 00:27:19,100
Collegiate Counselor, member of the
City Council — Viktor Dandré.
358
00:27:19,500 --> 00:27:21,500
Yes, yes, your face is familiar to me.
359
00:27:22,180 --> 00:27:23,980
You come often to our Mariinsky.
360
00:27:24,100 --> 00:27:24,780
Hmm, yes.
361
00:27:25,300 --> 00:27:27,020
The weather is truly dreadful.
362
00:27:27,980 --> 00:27:31,820
Please accept my offer
and ride in my carriage.
363
00:27:33,010 --> 00:27:34,130
If you have no objection...
364
00:27:34,290 --> 00:27:34,790
Thank you!
365
00:27:34,810 --> 00:27:35,290
Bravo!
366
00:27:35,290 --> 00:27:35,790
Bravo!
367
00:27:36,010 --> 00:27:36,510
Bravo!
368
00:27:36,650 --> 00:27:37,150
Bravo!
369
00:27:37,330 --> 00:27:37,830
Bravo, Pavlova!
370
00:27:37,930 --> 00:27:38,610
Bravo!
371
00:27:49,730 --> 00:27:51,210
Your hand is ice cold.
372
00:27:51,810 --> 00:27:54,130
Yes, yes, I lost my gloves.
373
00:27:58,890 --> 00:28:00,770
Here, put mine on.
374
00:28:01,290 --> 00:28:02,290
May I?
375
00:28:02,850 --> 00:28:03,530
Please.
376
00:28:04,900 --> 00:28:06,500
A perfect fit.
377
00:28:13,340 --> 00:28:14,900
Everything is so white.
378
00:28:16,690 --> 00:28:17,190
Pure.
379
00:28:20,180 --> 00:28:23,420
I'm working on a complex
but thrilling project.
380
00:28:23,540 --> 00:28:27,020
A bridge across the Neva,
right here.
381
00:28:28,190 --> 00:28:31,950
As delicate and light
as your dancing.
382
00:28:32,790 --> 00:28:34,710
It will be the bridge of the century.
383
00:28:35,680 --> 00:28:36,800
What are you thinking about?
384
00:28:37,720 --> 00:28:41,640
I've dreamed my whole life
of having a large white hall.
385
00:28:43,840 --> 00:28:45,800
A portrait of Taglioni
on the white wall.
386
00:28:48,740 --> 00:28:52,540
I would always look at it
while I practiced.
387
00:28:53,340 --> 00:28:55,620
The hall would be my sanctuary.
388
00:28:56,610 --> 00:29:00,210
I'd spend my whole life there
and be happy.
389
00:29:26,880 --> 00:29:28,640
Coo-coo.
390
00:29:30,520 --> 00:29:31,600
Over here, over here.
391
00:29:31,920 --> 00:29:32,560
Excuse me.
392
00:29:41,190 --> 00:29:41,690
Anna!
393
00:29:44,070 --> 00:29:45,030
I've been looking for you.
394
00:29:45,350 --> 00:29:46,950
You're late for rehearsal.
395
00:29:47,150 --> 00:29:48,830
Fokin won't forgive you for this.
396
00:29:49,110 --> 00:29:50,030
Viktor.
397
00:29:50,870 --> 00:29:53,990
Breathe. Enjoy it.
398
00:29:55,710 --> 00:29:57,670
More, more.
399
00:30:03,960 --> 00:30:06,720
You know, Viktor, when I die...
400
00:30:08,110 --> 00:30:09,790
my soul will live in this park.
401
00:30:11,420 --> 00:30:14,380
I'll drift above the blooming
lilac bushes.
402
00:30:15,340 --> 00:30:17,340
Those who speak of death so often
403
00:30:17,420 --> 00:30:19,580
usually live to a ripe old age.
404
00:30:19,780 --> 00:30:22,660
Just wait a little longer.
405
00:30:29,300 --> 00:30:31,500
I don't need this damned makeup!
406
00:30:31,700 --> 00:30:33,660
You're taking my face away from me!
407
00:30:34,830 --> 00:30:36,790
Close your eyes and be still.
408
00:30:41,100 --> 00:30:48,580
I wouldn't want you to spend
your whole life on the Mariinsky stage
as a porcelain figurine.
409
00:30:50,800 --> 00:30:51,300
There.
410
00:30:53,410 --> 00:30:54,570
Please close the door.
411
00:30:54,930 --> 00:30:57,450
Mr. Fokin, I'm yours.
412
00:30:57,690 --> 00:30:58,650
We're with you!
413
00:30:58,770 --> 00:30:59,270
Get up!
414
00:30:59,290 --> 00:30:59,890
Bravo!
415
00:31:00,370 --> 00:31:01,130
Bravo!
416
00:31:02,220 --> 00:31:06,900
The safest, most rewarding path,
Annushka, is to go with the flow.
417
00:31:07,580 --> 00:31:10,140
If you want things to be
simpler and easier,
418
00:31:10,220 --> 00:31:11,380
go with the flow.
419
00:31:11,660 --> 00:31:14,580
But if you want to reach
your own goal your own way,
420
00:31:15,340 --> 00:31:18,780
swim against the current,
no matter what.
421
00:31:20,760 --> 00:31:22,480
We must never be apart.
422
00:31:23,080 --> 00:31:26,320
Together we create
some kind of devilish balance.
423
00:31:26,720 --> 00:31:27,880
Say: "I am Taor."
424
00:31:28,480 --> 00:31:29,640
I am Taor.
425
00:31:29,960 --> 00:31:30,760
Again.
426
00:31:31,820 --> 00:31:32,980
I am Taor.
427
00:31:33,220 --> 00:31:33,820
Again.
428
00:31:34,220 --> 00:31:35,380
I am Taor.
429
00:31:36,060 --> 00:31:36,560
Fingers.
430
00:31:38,160 --> 00:31:41,960
You and I are playing
a beautiful, dangerous game, Anna.
431
00:32:06,850 --> 00:32:11,810
One, two, three, four, five,
six, seven, eight.
432
00:32:11,970 --> 00:32:13,410
One.
433
00:33:39,060 --> 00:33:43,820
My dear, for heaven's sake,
please take my word for it.
434
00:33:44,420 --> 00:33:46,260
Give up these gymnastic exercises.
435
00:33:46,300 --> 00:33:47,980
Give up Fokin, madame!
436
00:33:48,820 --> 00:33:50,420
I have known glory on this stage,
437
00:33:50,540 --> 00:33:53,700
and I am far from jealousy
or any such nonsense.
438
00:33:54,060 --> 00:33:55,260
I want only one thing.
439
00:33:55,600 --> 00:33:56,600
Your salvation.
440
00:33:56,800 --> 00:33:57,480
Thank you.
441
00:33:57,640 --> 00:34:00,720
Don't bury yourself alive
in these fruitless pursuits.
442
00:34:00,960 --> 00:34:01,480
Bravo!
443
00:34:01,760 --> 00:34:02,800
Bravo!
444
00:34:03,120 --> 00:34:03,600
Bravo!
445
00:34:03,600 --> 00:34:04,280
Bravo!
446
00:34:04,920 --> 00:34:05,480
Bravo!
447
00:34:05,720 --> 00:34:06,220
Bravo!
448
00:34:06,480 --> 00:34:07,320
Bravo!
449
00:34:09,120 --> 00:34:10,920
The whole house is buzzing!
450
00:34:12,480 --> 00:34:14,480
They're carrying Fokin
on their shoulders.
451
00:34:16,210 --> 00:34:17,410
Are they coming up to you?
452
00:34:17,530 --> 00:34:18,770
No, there's booing and stomping.
453
00:34:20,910 --> 00:34:22,230
My enemies.
454
00:34:22,390 --> 00:34:23,430
Fokine's enemies.
455
00:34:24,930 --> 00:34:26,170
I will not forgive them for this.
456
00:34:26,690 --> 00:34:42,050
Like a fragrant bouquet
that spreads its scent,
457
00:34:44,210 --> 00:34:49,490
and a full glass
that begs to be drunk.
458
00:34:50,250 --> 00:35:03,010
Let us drink to Anna,
our dear Anna —
the world has never seen
one so glorious.
459
00:35:03,090 --> 00:35:05,290
Slowly, gentlemen, slowly.
460
00:35:11,180 --> 00:35:14,540
The world has never seen
one so glorious.
461
00:35:16,731 --> 00:35:22,710
Annushka, not all words have been invented yet —
that's why dance exists.
462
00:35:23,110 --> 00:35:25,630
And you are its spirit and flesh.
463
00:35:26,750 --> 00:35:30,531
Drink it down, Annushka,
drink it down.
464
00:35:31,097 --> 00:35:33,502
To Annushka's health!
465
00:35:50,850 --> 00:35:54,710
Come on, you swift ones!
466
00:35:55,277 --> 00:35:57,277
Sit down.
467
00:36:00,610 --> 00:36:03,570
I need to have a confidential
word with you.
468
00:36:06,700 --> 00:36:08,060
I'm in need of money.
469
00:36:08,660 --> 00:36:10,820
Well, finances are in your hands.
470
00:36:11,660 --> 00:36:12,460
Just give the word and...
471
00:36:12,860 --> 00:36:14,420
This is a private matter.
472
00:36:15,060 --> 00:36:17,340
I have a small estate.
473
00:36:17,620 --> 00:36:20,100
I'll sell it soon, but I need
the money now.
474
00:36:21,140 --> 00:36:22,540
Forgive me, my dear fellow.
475
00:36:23,320 --> 00:36:27,880
Viktor Emilyevich, but you've
already borrowed money — more than once —
476
00:36:28,080 --> 00:36:29,440
and it's public funds.
477
00:36:29,840 --> 00:36:31,840
Why not go to a bank?
478
00:36:33,660 --> 00:36:35,500
A bank can't give me that much.
479
00:36:35,660 --> 00:36:36,820
Nothing to be done.
480
00:36:39,720 --> 00:36:40,520
No, why not?
481
00:36:41,000 --> 00:36:41,720
It's possible.
482
00:36:44,160 --> 00:36:45,120
Anything is possible.
483
00:36:46,240 --> 00:36:49,080
You can even pluck a crane
right out of the sky.
484
00:36:50,610 --> 00:36:54,650
Do this for me,
if you can.
485
00:36:55,210 --> 00:36:56,770
You must understand me.
486
00:37:01,570 --> 00:37:02,850
I'm asking you, Anna.
487
00:37:18,330 --> 00:37:20,370
Dear Anna, please forgive me.
488
00:37:20,530 --> 00:37:23,450
We've been trying for three days
to get rid of the smell of paint.
489
00:37:24,870 --> 00:37:26,990
Unfortunately, nothing has worked.
490
00:37:32,340 --> 00:37:34,220
This is your home, Anna.
491
00:37:35,350 --> 00:37:36,950
Your white hall.
492
00:37:39,290 --> 00:37:40,570
Come closer.
493
00:37:43,410 --> 00:37:44,090
Who is this?
494
00:37:46,460 --> 00:37:46,980
Is that me?
495
00:37:48,100 --> 00:37:49,420
Yes, of course.
496
00:37:50,590 --> 00:37:51,090
Viktor...
497
00:37:52,470 --> 00:37:53,310
Thank you.
498
00:38:09,800 --> 00:38:10,720
How wonderful.
499
00:38:15,070 --> 00:38:18,550
You can't imagine what
Taglioni means to me.
500
00:38:22,630 --> 00:38:23,630
My God.
501
00:38:25,120 --> 00:38:25,840
My God.
502
00:38:26,320 --> 00:38:30,000
I have watched you from
the same spot for eight years.
503
00:38:31,040 --> 00:38:34,520
First seat on the right,
the baignoire box.
504
00:38:35,750 --> 00:38:38,550
I know everything about you.
505
00:38:39,390 --> 00:38:41,510
At least, that's how it feels.
506
00:38:42,490 --> 00:38:44,610
You wanted a white hall.
507
00:38:45,630 --> 00:38:46,590
You have it.
508
00:38:50,580 --> 00:38:51,460
You want the world.
509
00:38:53,300 --> 00:38:54,820
All of it — and you shall have it.
510
00:38:54,940 --> 00:38:56,820
Viktor, I am not vain.
511
00:38:57,020 --> 00:38:57,660
I know.
512
00:38:58,220 --> 00:38:59,700
If it wouldn't be a burden to you,
513
00:39:00,060 --> 00:39:04,340
receive your old friend Viktor Dandré
in this house from time to time.
514
00:39:04,660 --> 00:39:05,160
He will be
515
00:39:07,120 --> 00:39:08,600
most grateful to you.
516
00:39:08,960 --> 00:39:12,920
A woman like me...
517
00:39:14,080 --> 00:39:16,000
cannot burden herself with a family.
518
00:39:19,200 --> 00:39:19,960
All my life...
519
00:39:22,110 --> 00:39:25,230
I will pursue a single goal.
520
00:39:26,870 --> 00:39:28,430
Dance.
521
00:39:29,300 --> 00:39:32,220
And you, Anna, you refuse
to have children?
522
00:39:32,540 --> 00:39:34,580
Children who would look just like you?
523
00:39:35,660 --> 00:39:36,460
Arabesque!
524
00:39:38,360 --> 00:39:39,160
Avanti!
525
00:39:39,280 --> 00:39:41,680
Avanti, avanti, Pavlova!
526
00:39:43,550 --> 00:39:44,510
Preparation!
527
00:39:47,890 --> 00:39:48,390
Jeté!
528
00:39:48,650 --> 00:39:49,150
Jeté!
529
00:39:49,370 --> 00:39:49,890
Jeté!
530
00:39:50,130 --> 00:39:50,730
Jeté!
531
00:39:51,090 --> 00:39:51,730
Jeté!
532
00:39:53,370 --> 00:39:53,890
Largo!
533
00:39:54,170 --> 00:39:55,810
Largo, carissimo!
534
00:39:56,970 --> 00:39:58,090
Arabesque!
535
00:39:58,290 --> 00:39:59,330
Carissimo, jeté!
536
00:40:00,050 --> 00:40:02,130
Alto, alto, alto!
537
00:40:02,410 --> 00:40:03,330
Preparation!
538
00:40:06,420 --> 00:40:06,920
Jeté!
539
00:40:07,140 --> 00:40:07,700
Jeté!
540
00:40:08,060 --> 00:40:08,620
Jeté!
541
00:40:08,900 --> 00:40:09,420
Jeté!
542
00:40:10,780 --> 00:40:11,540
Get up!
543
00:40:12,900 --> 00:40:13,940
We continue!
544
00:40:15,050 --> 00:40:15,650
Jeté!
545
00:40:15,970 --> 00:40:16,610
Jeté!
546
00:40:16,850 --> 00:40:17,370
Jeté!
547
00:40:17,610 --> 00:40:18,210
Alto!
548
00:40:18,330 --> 00:40:18,830
Well?
549
00:40:19,410 --> 00:40:20,770
Preparation, turn!
550
00:40:22,410 --> 00:40:24,850
Cou-de-pied, cou-de-pied,
cou-de-pied!
551
00:40:24,970 --> 00:40:26,690
Cou-de-pied, higher!
552
00:40:27,090 --> 00:40:27,930
Leg higher!
553
00:40:28,210 --> 00:40:29,090
Higher, the leg!
554
00:40:29,290 --> 00:40:29,770
Higher!
555
00:40:29,770 --> 00:40:30,490
Cou-de-pied!
556
00:40:30,730 --> 00:40:32,330
Higher, higher, higher!
557
00:40:32,650 --> 00:40:33,150
That's it!
558
00:40:33,650 --> 00:40:34,150
That's it!
559
00:40:34,410 --> 00:40:35,090
Carissimo!
560
00:40:35,930 --> 00:40:36,450
What?
561
00:40:37,130 --> 00:40:37,810
What is it?
562
00:40:39,750 --> 00:40:42,550
I can't.
563
00:40:42,790 --> 00:40:44,310
I can't. That's it.
564
00:40:48,130 --> 00:40:49,210
Bluff!
565
00:40:49,810 --> 00:40:52,050
You can do anything, carissimo!
566
00:40:52,810 --> 00:41:00,050
Who told me, Maestro Cecchetti,
"I need your whip and your inquisition"?
567
00:41:00,890 --> 00:41:03,290
When have you ever deceived me,
you little pretender?
568
00:41:03,650 --> 00:41:04,930
Then or now.
569
00:41:07,020 --> 00:41:10,580
I'm dying.
570
00:41:10,780 --> 00:41:12,820
Die to your heart's content,
but get up first.
571
00:41:13,620 --> 00:41:14,420
But why?
572
00:41:14,980 --> 00:41:19,900
Because you are divine,
la divine!
573
00:41:24,030 --> 00:41:24,630
We continue.
574
00:41:26,170 --> 00:41:26,670
Good.
575
00:41:31,460 --> 00:41:33,420
Magnificent.
576
00:41:40,610 --> 00:41:42,770
Your Excellency,
awaiting your orders.
577
00:41:44,550 --> 00:41:45,550
Stop them.
578
00:41:45,790 --> 00:41:46,310
Yes, sir.
579
00:41:47,150 --> 00:41:48,510
Move in, Captain.
580
00:41:52,080 --> 00:41:53,240
Arms!
581
00:41:54,120 --> 00:41:55,080
Present arms!
582
00:41:56,610 --> 00:41:57,730
Forward march!
583
00:41:58,010 --> 00:41:58,650
March!
584
00:42:02,100 --> 00:42:03,140
Disperse!
585
00:42:06,340 --> 00:42:07,140
Disperse!
586
00:42:16,060 --> 00:42:17,700
Get down, miss — you can't pass through.
587
00:42:17,820 --> 00:42:19,420
The road to the Winter Palace is blocked.
588
00:42:23,650 --> 00:42:25,410
Excuse me — are you Pavlova?
589
00:42:25,410 --> 00:42:25,890
Yes.
590
00:42:25,890 --> 00:42:27,210
I'll try to help you.
591
00:42:27,410 --> 00:42:28,810
My sister works at the theater.
592
00:42:28,810 --> 00:42:29,610
Thank you.
593
00:42:34,790 --> 00:42:35,310
Forward!
594
00:42:35,630 --> 00:42:37,630
Come on, girl, let's go!
595
00:42:38,230 --> 00:42:39,310
Make way!
596
00:42:40,640 --> 00:42:41,680
Make way!
597
00:42:45,720 --> 00:42:49,240
General, forgive me! An actress —
the Imperial Theatre — Madame Pavlova.
598
00:42:49,560 --> 00:42:50,480
Let her through.
599
00:42:51,280 --> 00:42:51,920
Go on!
600
00:42:52,520 --> 00:42:53,240
Giddyup!
601
00:42:56,180 --> 00:42:58,980
Anna — wrist, head.
602
00:42:59,700 --> 00:43:00,740
Good.
603
00:43:08,010 --> 00:43:10,690
Préparation — more expression!
604
00:43:13,510 --> 00:43:14,550
Please, Misha.
605
00:43:15,590 --> 00:43:16,470
Lengthen your arms.
606
00:43:19,130 --> 00:43:20,290
Sweep wider!
607
00:43:20,850 --> 00:43:21,570
Wider!
608
00:43:22,370 --> 00:43:24,930
Misha, bend lower!
609
00:43:30,900 --> 00:43:31,400
There.
610
00:43:32,410 --> 00:43:33,210
Good.
611
00:43:33,890 --> 00:43:34,390
Head.
612
00:43:41,330 --> 00:43:42,610
Good, thank you.
613
00:43:42,810 --> 00:43:43,850
Madame, please.
614
00:43:45,680 --> 00:43:47,440
The adagio went well.
615
00:43:47,560 --> 00:43:48,060
And now...
616
00:43:56,030 --> 00:43:57,430
Stand back!
617
00:43:58,910 --> 00:43:59,710
Murderers!
618
00:44:01,670 --> 00:44:02,950
Monsters!
619
00:44:03,750 --> 00:44:04,430
Killers!
620
00:44:06,350 --> 00:44:07,630
Stop!
621
00:44:08,430 --> 00:44:09,150
Help!
622
00:44:12,190 --> 00:44:13,910
What have you done to him?!
623
00:44:16,610 --> 00:44:17,290
Mama!
624
00:44:18,050 --> 00:44:18,770
Stand back!
625
00:44:18,850 --> 00:44:19,690
Swine!
626
00:44:20,690 --> 00:44:21,610
Madame Pavlova!
627
00:44:22,690 --> 00:44:23,730
Lower the curtain!
628
00:44:25,150 --> 00:44:26,550
And continue the rehearsal.
629
00:44:57,340 --> 00:44:57,840
Ladies.
630
00:45:00,580 --> 00:45:01,080
Gentlemen.
631
00:45:03,385 --> 00:45:04,385
Take courage.
632
00:45:07,980 --> 00:45:08,480
Friends.
633
00:45:10,960 --> 00:45:16,200
I-I don't know who brought
these flowers to the theater today.
634
00:45:18,920 --> 00:45:20,280
Inside them I found a note.
635
00:45:22,130 --> 00:45:25,810
"Remember us —
your brothers and sisters."
636
00:45:27,650 --> 00:45:28,290
"We loved life."
637
00:45:30,040 --> 00:45:30,960
"We loved Russia."
638
00:45:35,510 --> 00:45:38,510
The Mariinsky company
refuses to perform tonight.
639
00:45:39,190 --> 00:45:40,110
Traitors!
640
00:45:43,750 --> 00:45:44,870
They've disgraced Russia!
641
00:45:49,070 --> 00:45:50,230
How can they cancel?
642
00:45:50,350 --> 00:45:52,550
I warned you, Your Excellency.
643
00:45:52,710 --> 00:45:58,630
Calm yourself, dear Vladimir Arkadyevich.
Empires don't fall over such things.
644
00:46:43,890 --> 00:46:44,390
Can't sleep, Anna?
645
00:46:47,870 --> 00:46:48,990
Wandering around at night?
646
00:46:49,190 --> 00:46:49,790
What's wrong?
647
00:46:50,270 --> 00:46:51,230
Is your throat sore?
648
00:46:53,030 --> 00:46:53,950
No, no, it's nothing.
649
00:46:54,150 --> 00:46:55,470
I'm a little chilled.
650
00:47:00,070 --> 00:47:01,110
Have some tea.
651
00:47:01,710 --> 00:47:02,470
No.
652
00:47:05,850 --> 00:47:06,770
Some champagne, then?
653
00:47:07,610 --> 00:47:09,610
You know, I woke up this morning...
654
00:47:10,880 --> 00:47:12,520
...and I felt the earth
tilting beneath me.
655
00:47:13,780 --> 00:47:14,540
And I was sliding somewhere...
656
00:47:15,260 --> 00:47:16,740
Sliding.
657
00:47:18,170 --> 00:47:18,770
Misha, dear.
658
00:47:20,400 --> 00:47:23,360
I was falling into a cold abyss,
dissolving into it completely.
659
00:47:24,080 --> 00:47:25,120
Stop imagining things, Anna.
660
00:47:25,200 --> 00:47:26,400
You seem so sad, Anna.
661
00:47:26,600 --> 00:47:31,040
Would you like me to play you
a gypsy romance?
662
00:47:31,440 --> 00:47:35,200
I'm probably just a mediocrity
who simply got lucky.
663
00:47:38,160 --> 00:47:39,120
What are you playing?
664
00:47:41,970 --> 00:47:42,730
Saint-Saëns.
665
00:47:46,187 --> 00:47:47,297
"The Swan."
666
00:47:48,200 --> 00:47:49,680
Stand up.
667
00:47:51,230 --> 00:47:52,030
Come to me.
668
00:47:56,100 --> 00:47:56,940
Turn around.
669
00:47:59,810 --> 00:48:00,890
Go to the mirror.
670
00:48:11,250 --> 00:48:12,090
Raise your arms.
671
00:48:12,850 --> 00:48:13,530
Higher.
672
00:48:14,770 --> 00:48:15,650
Higher, higher.
673
00:48:18,990 --> 00:48:20,350
Waves, waves, waves, waves, waves, waves,
674
00:48:20,350 --> 00:48:22,510
waves, waves, waves, waves.
675
00:48:22,790 --> 00:48:24,150
Careful, don't rush!
676
00:48:25,020 --> 00:48:25,660
Come to me.
677
00:48:25,860 --> 00:48:26,900
Slowly, slowly with the arms.
678
00:48:27,020 --> 00:48:27,900
Higher, higher.
679
00:48:28,660 --> 00:48:29,160
Ah!
680
00:48:29,220 --> 00:48:30,740
No, smoothly, smoothly.
681
00:48:31,960 --> 00:48:33,000
The curve, the curve.
682
00:48:34,120 --> 00:48:35,680
The soul is in the curve, you understand?
683
00:48:36,080 --> 00:48:37,000
Yes, yes, yes, yes, yes, yes,
684
00:48:37,040 --> 00:48:37,680
yes, yes, yes, yes — there.
685
00:48:37,800 --> 00:48:38,800
Ah, good, good, good.
686
00:48:39,080 --> 00:48:39,580
Higher.
687
00:48:39,720 --> 00:48:40,320
Rise up.
688
00:48:41,000 --> 00:48:42,400
Rise up, rise up, rise up.
689
00:48:42,960 --> 00:48:43,520
Yes.
690
00:48:43,960 --> 00:48:45,760
That's not a swan, not a swan, not a swan.
691
00:48:46,120 --> 00:48:46,720
A board!
692
00:48:47,160 --> 00:48:47,720
Soul!
693
00:48:48,640 --> 00:48:49,720
Yes, yes, yes, yes, yes, yes,
694
00:48:49,760 --> 00:48:50,260
yes, yes, yes.
695
00:48:50,360 --> 00:48:50,880
Like that.
696
00:48:51,040 --> 00:48:51,540
Like that.
697
00:48:51,760 --> 00:48:53,040
Ah, turn just a little.
698
00:48:53,240 --> 00:48:53,960
Yes, good.
699
00:48:54,120 --> 00:48:54,600
Good.
700
00:48:54,600 --> 00:48:55,200
Come down.
701
00:48:55,400 --> 00:48:55,900
Fade.
702
00:48:56,080 --> 00:48:56,720
Fade.
703
00:48:58,480 --> 00:48:59,400
Back, back.
704
00:48:59,800 --> 00:49:00,360
Go.
705
00:49:00,680 --> 00:49:02,080
Yes, yes, yes, yes, yes,
706
00:49:03,040 --> 00:49:04,040
That's it, that's it, that's it,
707
00:49:04,080 --> 00:49:04,920
that's it, that's it.
708
00:49:07,030 --> 00:49:09,510
Your arm, Anna — higher, higher.
709
00:49:09,910 --> 00:49:10,630
There.
710
00:49:12,500 --> 00:49:13,100
Pas de bourrée.
711
00:49:13,140 --> 00:49:15,236
Pas de bourrée.
712
00:49:28,390 --> 00:49:29,270
Drop the waves.
713
00:49:29,350 --> 00:49:30,150
No waves.
714
00:49:30,310 --> 00:49:31,030
Wait.
715
00:49:31,710 --> 00:49:32,670
Wait.
716
00:49:34,390 --> 00:49:35,190
A state of stillness.
717
00:49:36,960 --> 00:49:38,160
Arms here.
718
00:49:38,440 --> 00:49:39,320
Hold them like this.
719
00:49:41,790 --> 00:49:42,350
Complete stillness.
720
00:49:46,080 --> 00:49:47,760
Go.
721
00:49:49,830 --> 00:49:52,670
Pas de bourrée, pas de bourrée,
pas de bourrée, pas de bourrée.
722
00:49:52,870 --> 00:49:53,910
Open up.
723
00:49:54,710 --> 00:49:55,790
Open up, Anya.
724
00:49:56,350 --> 00:49:57,030
There.
725
00:49:57,190 --> 00:49:57,990
There, good.
726
00:49:58,470 --> 00:49:59,150
Softer.
727
00:50:02,990 --> 00:50:03,590
Higher.
728
00:50:03,830 --> 00:50:04,350
Yes.
729
00:50:04,950 --> 00:50:05,450
There.
730
00:50:05,710 --> 00:50:06,430
Good.
731
00:50:06,750 --> 00:50:07,550
Good.
732
00:50:07,950 --> 00:50:08,790
Well done.
733
00:50:10,450 --> 00:50:11,130
Fade away.
734
00:50:11,490 --> 00:50:12,410
Fade away!
735
00:50:14,290 --> 00:50:14,810
Good.
736
00:50:15,130 --> 00:50:16,330
Don't rush, softer.
737
00:50:17,010 --> 00:50:17,970
There, softer.
738
00:50:18,250 --> 00:50:20,330
Lower your arms.
739
00:50:22,514 --> 00:50:25,640
It's stuffy. Let's go outside, Misha.
740
00:50:34,230 --> 00:50:36,030
I'm flying.
741
00:50:36,400 --> 00:50:37,680
There's no need to fly anywhere.
742
00:50:38,840 --> 00:50:39,720
Hold on, wait.
743
00:50:40,560 --> 00:50:41,400
No, that's not it.
744
00:50:41,800 --> 00:50:43,840
So, what?
745
00:50:43,880 --> 00:50:49,200
What?
But what if...?
746
00:50:49,440 --> 00:50:50,960
I saw it so clearly.
747
00:50:52,480 --> 00:50:54,160
What if we try...
748
00:50:57,050 --> 00:51:01,610
If we go from...
749
00:51:01,930 --> 00:51:03,330
Yes.
750
00:51:03,660 --> 00:51:04,460
From the arms.
751
00:51:05,020 --> 00:51:05,460
Hm?
752
00:51:05,460 --> 00:51:05,960
What?
753
00:51:06,460 --> 00:51:08,020
No, the whole body.
754
00:51:11,340 --> 00:51:11,840
No.
755
00:51:12,300 --> 00:51:12,800
What?
756
00:51:14,150 --> 00:51:15,950
Misha.
757
00:51:16,290 --> 00:51:17,210
We'll figure it out.
758
00:51:18,010 --> 00:51:19,170
We need to start like this first.
759
00:51:19,730 --> 00:51:20,850
What do you mean, from the start?
760
00:51:23,510 --> 00:51:24,630
Aren't you sleepy?
761
00:51:25,070 --> 00:51:26,950
Not in the slightest.
762
00:51:55,860 --> 00:51:56,360
Go.
763
00:54:35,480 --> 00:54:36,720
Why aren't they applauding?
764
00:54:39,130 --> 00:54:40,330
Why aren't they applauding?
765
00:54:45,280 --> 00:54:46,160
I'll go out for a bow.
766
00:54:46,280 --> 00:54:47,000
No.
767
00:54:48,320 --> 00:54:48,960
What are you doing?
768
00:55:03,320 --> 00:55:03,880
Misha, go.
769
00:55:05,110 --> 00:55:06,430
Go, Misha!
770
00:55:06,430 --> 00:55:07,230
No.
771
00:55:07,430 --> 00:55:07,910
Why?
772
00:55:07,910 --> 00:55:08,830
Go out there.
773
00:55:39,290 --> 00:55:40,290
Yes, ladies and gentlemen!
774
00:55:40,690 --> 00:55:41,190
Yes.
775
00:55:41,950 --> 00:55:47,230
Everything that is finest in Russia today
is here, in Paris.
776
00:55:48,880 --> 00:55:49,380
With me.
777
00:55:50,630 --> 00:55:54,190
In this magnificent Châtelet,
which has seen so much,
778
00:55:54,830 --> 00:55:58,910
in this hall where the voice
of the great Chaliapin once rang out,
779
00:55:59,310 --> 00:56:05,910
I present today new names that will become
legendary — not only in Russia,
780
00:56:06,030 --> 00:56:07,350
but in France as well.
781
00:56:08,730 --> 00:56:09,690
Nijinsky!
782
00:56:12,330 --> 00:56:13,290
Karsavina!
783
00:56:13,530 --> 00:56:14,250
Fokin!
784
00:56:14,570 --> 00:56:15,370
Mordkin!
785
00:56:15,610 --> 00:56:16,330
Benois!
786
00:56:18,970 --> 00:56:19,570
Volm!
787
00:56:19,730 --> 00:56:20,690
Antonova!
788
00:56:20,890 --> 00:56:23,010
My precious Bakst!
789
00:56:23,320 --> 00:56:26,240
Lyonya, check on the tailors —
they're probably fast asleep.
790
00:56:26,360 --> 00:56:27,400
Calm down, Seryozha.
791
00:56:27,640 --> 00:56:29,840
Sewing and sleeping
two nights in a row.
792
00:56:30,000 --> 00:56:31,240
And now we're out of paint.
793
00:56:31,360 --> 00:56:32,080
Open your wallet.
794
00:56:32,360 --> 00:56:33,320
Monsieur Diaghilev.
795
00:56:33,480 --> 00:56:36,240
Why is Anna Pavlova absent
here in Paris?
796
00:56:36,430 --> 00:56:41,550
Does her triumph in Italy owe anything
to your shared aesthetic platform?
797
00:56:41,630 --> 00:56:42,130
No.
798
00:56:42,390 --> 00:56:44,590
Nor, for that matter,
does our triumph in Paris
799
00:56:44,670 --> 00:56:47,230
owe anything
to Madame Pavlova.
800
00:56:47,230 --> 00:56:50,830
Monsieur Diaghilev! They say
you greatly resemble Peter the Great.
801
00:56:50,830 --> 00:56:53,430
Yes — and not only
in appearance.
802
00:56:53,430 --> 00:56:55,910
Is it true, Monsieur Diaghilev,
that you are his descendant?
803
00:56:55,950 --> 00:56:57,550
Pardon, gentlemen, please!
804
00:56:57,630 --> 00:57:00,150
I have no strength
to deny it.
805
00:57:00,240 --> 00:57:01,480
Leave me alone, for God's sake!
806
00:57:01,480 --> 00:57:02,040
You're in my way!
807
00:57:02,040 --> 00:57:02,560
I'm going, I'm going.
808
00:57:03,840 --> 00:57:04,280
Get out!
809
00:57:04,280 --> 00:57:05,760
You're not bothering me,
do you understand?
810
00:57:05,760 --> 00:57:06,600
Sergei, tell them.
811
00:57:07,080 --> 00:57:07,520
What's the matter?
812
00:57:07,520 --> 00:57:08,640
Everyone out!
813
00:57:08,640 --> 00:57:11,760
For God's sake!
814
00:57:27,160 --> 00:57:27,660
Seryozha...
815
00:57:29,150 --> 00:57:30,310
Pavlova has arrived!
816
00:57:31,270 --> 00:57:33,870
Oh, oh, oh — and what exactly
am I supposed to celebrate?
817
00:57:34,870 --> 00:57:36,070
Ah, madame!
818
00:57:36,310 --> 00:57:37,390
Ah, madame!
819
00:57:37,670 --> 00:57:39,150
Late as always!
820
00:57:39,590 --> 00:57:41,670
The source of all our troubles!
821
00:57:42,590 --> 00:57:44,030
Come now, give me your hand.
822
00:57:45,230 --> 00:57:46,870
Everyone come kiss my hand, please.
823
00:57:46,950 --> 00:57:47,750
Hello, my dear.
824
00:57:48,150 --> 00:57:50,150
I hear they're breaking chairs
at my production in Vienna.
825
00:57:50,230 --> 00:57:50,730
Hello.
826
00:57:51,590 --> 00:57:51,990
Hello!
827
00:57:51,990 --> 00:57:52,710
Please, come.
828
00:57:52,830 --> 00:57:53,830
Delighted to meet you.
829
00:57:54,390 --> 00:57:58,670
Mikhail Mortkin — the finest
the Bolshoi in Moscow has to offer.
830
00:57:58,870 --> 00:57:59,370
Indeed.
831
00:58:00,750 --> 00:58:06,030
Marie, this is Pavlova.
832
00:58:06,150 --> 00:58:09,190
Oh, why does my blue blood
give you no peace?
833
00:58:09,350 --> 00:58:11,430
Love me as I am —
834
00:58:11,590 --> 00:58:13,470
the world is worse off without me.
835
00:58:13,670 --> 00:58:14,510
Well, enough?
836
00:58:14,630 --> 00:58:16,350
Your face is plastered
all over Paris.
837
00:58:16,510 --> 00:58:18,510
So much glory it makes one sick.
838
00:58:18,870 --> 00:58:21,310
Gentlemen, gentlemen,
we've quite worn out our Annushka.
839
00:58:22,170 --> 00:58:23,370
You are the best in the world!
840
00:58:23,730 --> 00:58:26,610
And the best are always with me,
for the glory of Russia.
841
00:58:28,070 --> 00:58:28,670
Curtain.
842
01:00:10,920 --> 01:00:11,640
Bravo!
843
01:00:12,160 --> 01:00:12,660
Bravo!
844
01:00:12,680 --> 01:00:13,180
Bravo!
845
01:00:13,240 --> 01:00:13,740
Bravo!
846
01:00:13,760 --> 01:00:14,920
Magnificent!
847
01:00:15,360 --> 01:00:15,920
Bravo!
848
01:00:16,520 --> 01:00:17,160
Bravo!
849
01:00:17,720 --> 01:00:18,560
Bravo!
850
01:00:19,080 --> 01:00:19,520
Bravo!
851
01:00:19,520 --> 01:00:20,040
Bravo!
852
01:00:20,400 --> 01:00:21,040
Bravo!
853
01:00:21,280 --> 01:00:21,780
Bravo!
854
01:00:22,200 --> 01:00:22,720
Bravo!
855
01:00:23,040 --> 01:00:23,920
Bravo!
856
01:00:26,080 --> 01:00:27,000
Why aren't you dressed?
857
01:00:28,100 --> 01:00:29,260
I'm not in top form.
858
01:00:29,340 --> 01:00:31,220
Nonsense. Get dressed.
859
01:00:31,420 --> 01:00:33,220
You'll dance with Mordkin.
860
01:00:33,300 --> 01:00:36,140
But I was supposed to dance
with Nijinsky.
861
01:00:36,180 --> 01:00:37,140
You will dance with whomever
862
01:00:37,180 --> 01:00:38,580
I see fit.
863
01:00:39,620 --> 01:00:42,100
Shall I pay the penalty
or return to Petersburg?
864
01:00:42,100 --> 01:00:43,380
I said I can replace you,
865
01:00:43,420 --> 01:00:44,220
madame, with anyone.
866
01:00:44,340 --> 01:00:46,500
Anyone, at any time —
867
01:00:46,620 --> 01:00:48,620
I will not tolerate hysteria
from anyone!
868
01:00:49,880 --> 01:00:52,440
I warned you — I'm not
in top form.
869
01:00:52,680 --> 01:00:53,180
What?
870
01:00:53,560 --> 01:00:54,600
What form, madame?
871
01:00:54,640 --> 01:00:55,200
What nonsense?
872
01:00:55,280 --> 01:00:55,780
Go!
873
01:00:55,880 --> 01:00:57,440
Gentlemen, there's Diaghilev!
874
01:00:57,760 --> 01:00:59,280
They're heading upstairs.
875
01:00:59,800 --> 01:01:00,320
Forward!
876
01:01:01,760 --> 01:01:02,400
Forward!
877
01:01:03,800 --> 01:01:06,360
No shoes, madame — none!
878
01:01:07,760 --> 01:01:08,400
Look.
879
01:01:09,210 --> 01:01:10,690
They need you alive.
880
01:01:11,570 --> 01:01:12,450
Never mind the form.
881
01:01:14,770 --> 01:01:17,250
The legend of Russian ballet
works in your favor.
882
01:01:18,410 --> 01:01:23,210
We created it here without you
in seven biblical days.
883
01:01:24,170 --> 01:01:25,570
I need a rehearsal.
884
01:01:26,550 --> 01:01:27,950
Do as you please!
885
01:01:39,150 --> 01:01:39,830
Water!
886
01:01:45,270 --> 01:01:45,770
Go.
887
01:01:45,790 --> 01:01:47,590
They won't be getting
a third encore.
888
01:01:49,270 --> 01:01:51,230
A third encore is
the privilege of gods.
889
01:01:52,270 --> 01:01:53,470
Wipe your face.
890
01:01:54,840 --> 01:01:57,040
Sergei Pavlovich, you must
spare Vaslav.
891
01:01:57,040 --> 01:01:58,680
Why aren't you dressed?
892
01:01:58,760 --> 01:02:00,160
I need a rehearsal.
893
01:02:00,160 --> 01:02:01,680
Go on, go on, go on!
894
01:02:01,760 --> 01:02:02,800
Order them.
895
01:02:03,080 --> 01:02:04,520
Order them to be quiet,
Serge!
896
01:02:04,560 --> 01:02:05,720
I can't take it anymore!
897
01:02:05,920 --> 01:02:06,960
I can't, I can't!
898
01:02:10,540 --> 01:02:16,420
Paris is at your feet —
step over it. Beyond lies immortality.
899
01:02:18,140 --> 01:02:18,820
Go.
900
01:02:41,420 --> 01:02:43,140
Bravo, Nijinsky!
901
01:03:17,110 --> 01:03:19,790
Serge, I'm tired of sitting
in these feathers.
902
01:03:20,430 --> 01:03:21,390
I'm exhausted.
903
01:03:21,950 --> 01:03:23,990
All right, all right, take them off.
904
01:03:27,870 --> 01:03:35,590
Monsieur Diaghilev, how magnificent
Madame Pavlova and Monsieur Nijinsky
would be united in marble.
905
01:03:35,670 --> 01:03:38,150
I spoke with Rodin —
he has agreed.
906
01:03:38,350 --> 01:03:41,190
They cannot be united,
even in marble.
907
01:03:41,390 --> 01:03:42,310
Forgive me, Madame.
908
01:03:43,350 --> 01:03:44,070
Is that so?
909
01:03:44,350 --> 01:03:47,350
Don't worry, Madame Duval,
we will unite them —
910
01:03:47,430 --> 01:03:48,310
don't worry.
911
01:03:49,450 --> 01:03:49,950
Mechanic!
912
01:03:51,960 --> 01:03:52,960
Where's the mechanic?
913
01:03:53,240 --> 01:03:55,280
Please close the curtain.
914
01:03:55,360 --> 01:03:57,720
Diaghilev let everyone go — cutting costs.
915
01:03:58,320 --> 01:03:59,880
He kept only the accompanist.
916
01:03:59,920 --> 01:04:01,280
I'll help you.
917
01:04:06,950 --> 01:04:08,110
Why are you here?
918
01:04:08,350 --> 01:04:10,110
I will always be by your side
919
01:04:10,190 --> 01:04:11,510
whenever you need me.
920
01:04:20,000 --> 01:04:20,680
Thank you.
921
01:04:20,840 --> 01:04:21,600
I'm ready.
922
01:04:21,920 --> 01:04:22,640
Please.
923
01:04:23,040 --> 01:04:23,920
Go ahead.
924
01:04:38,900 --> 01:04:39,460
Begin.
925
01:05:19,590 --> 01:05:22,870
Misha, they say you'll replace Nijinsky.
926
01:05:23,430 --> 01:05:24,950
I don't know, I don't know.
927
01:05:25,970 --> 01:05:27,130
It's Diaghilev's decision.
928
01:05:27,450 --> 01:05:31,770
Believe me, these will be
the best days of your life.
929
01:05:32,175 --> 01:05:33,275
We'll see.
930
01:05:33,437 --> 01:05:40,070
I left affairs of state to come
see this little one — and you?
931
01:05:44,540 --> 01:05:46,700
You play with great inspiration, but —
932
01:05:46,740 --> 01:05:47,980
please, follow the score.
933
01:05:48,340 --> 01:05:49,660
There's a small pause here.
934
01:05:49,740 --> 01:05:50,240
Yes.
935
01:05:50,340 --> 01:05:52,900
But I have a legato here...
936
01:05:52,980 --> 01:05:54,980
You have nothing — not even a score.
937
01:05:54,980 --> 01:05:57,020
Forgive me, I play from memory.
938
01:05:57,060 --> 01:05:59,780
In Saint-Saëns, I believe
there is a pause there.
939
01:06:00,380 --> 01:06:04,900
Well, if you prefer,
we can change it.
940
01:06:06,790 --> 01:06:07,950
Thank you.
941
01:06:08,430 --> 01:06:08,930
Monsieur...
942
01:06:10,170 --> 01:06:11,410
Camille Saint-Saëns.
943
01:06:18,070 --> 01:06:18,630
It can't be.
944
01:06:28,410 --> 01:06:29,650
Bravo!
945
01:06:29,770 --> 01:06:31,050
Bravo, Pavlova!
946
01:06:31,450 --> 01:06:32,490
Saint-Saëns!
947
01:06:32,770 --> 01:06:33,890
How tiny you are!
948
01:06:34,130 --> 01:06:34,730
Saint-Saëns.
949
01:06:46,560 --> 01:06:48,920
Are you free, monsieur?
950
01:06:49,200 --> 01:06:51,560
Yes, just let me turn around.
951
01:07:00,780 --> 01:07:01,980
Forgive me, madame.
952
01:07:02,100 --> 01:07:03,740
Spare me a few minutes.
953
01:07:07,750 --> 01:07:08,590
Thank you.
954
01:07:08,710 --> 01:07:10,870
There are even tulips here.
955
01:07:10,870 --> 01:07:12,590
Impresario Budd.
956
01:07:13,030 --> 01:07:15,710
I'm offering you a tour of England
on any terms you choose.
957
01:07:15,870 --> 01:07:18,270
But this is hardly the time
for such a conversation.
958
01:07:18,350 --> 01:07:21,270
I'm afraid that tomorrow
it will already be too late,
959
01:07:21,470 --> 01:07:25,030
because by tomorrow morning every
impresario in London will rush here.
960
01:07:25,670 --> 01:07:29,030
And I don't want you
to choose the worst of them.
961
01:07:29,830 --> 01:07:31,670
My card.
962
01:07:31,710 --> 01:07:32,270
Thank you.
963
01:07:34,280 --> 01:07:35,560
Good night, Mr. Budd.
964
01:07:59,030 --> 01:07:59,870
Thank you.
965
01:08:00,270 --> 01:08:00,830
For what?
966
01:08:01,710 --> 01:08:02,710
For everything.
967
01:08:03,270 --> 01:08:04,070
For "The Swan."
968
01:08:08,710 --> 01:08:11,310
Allow me.
969
01:08:15,350 --> 01:08:19,870
Monsieur Saint-Saëns, at our age
one needn't dance anymore.
970
01:08:19,950 --> 01:08:21,390
That's a young person's affair.
971
01:08:24,500 --> 01:08:25,380
Allow me, General.
972
01:08:27,220 --> 01:08:28,180
Alas.
973
01:08:28,660 --> 01:08:30,850
I want to talk with you.
974
01:08:30,850 --> 01:08:32,283
You rascal.
975
01:08:35,940 --> 01:08:37,700
We won't let them grow old.
976
01:08:37,900 --> 01:08:43,580
Remember, Misha — you said Fokin
and Pavlova make a devilish balance.
977
01:08:47,300 --> 01:08:48,940
You want us to have a company?
978
01:08:49,460 --> 01:08:51,860
Our own company. Yours and mine.
979
01:08:52,010 --> 01:08:53,130
Diaghilev needs us.
980
01:08:55,810 --> 01:08:57,770
I'm a stranger here.
981
01:09:01,380 --> 01:09:02,900
No tears, Anna. Please.
982
01:09:03,460 --> 01:09:04,380
I feel sick about it myself.
983
01:09:06,800 --> 01:09:09,880
We danced so much together
and talked so little.
984
01:09:10,920 --> 01:09:11,720
A shame.
985
01:09:13,310 --> 01:09:18,630
Annushka, don't be sad. The Swan
is a fine sketch for a student,
986
01:09:18,710 --> 01:09:21,950
but you must go further.
Do you understand me?
987
01:09:22,110 --> 01:09:22,710
Further?
988
01:09:22,990 --> 01:09:23,550
Where?
989
01:09:23,950 --> 01:09:25,230
To Stravinsky.
990
01:09:25,830 --> 01:09:30,190
We must break free from
this primitive sentimentality.
991
01:09:31,270 --> 01:09:34,310
Ah, my dear sir, when we're dying,
we'll ask for Tchaikovsky.
992
01:09:34,680 --> 01:09:36,240
We'll ask for Tchaikovsky.
993
01:09:36,520 --> 01:09:38,360
Don't be cross with Seryozha.
994
01:09:38,680 --> 01:09:39,280
I'll go.
995
01:09:39,440 --> 01:09:42,280
He's leading where no ballet
has ever set foot before.
996
01:09:42,520 --> 01:09:45,880
He creaks and stoops,
but he keeps pulling forward.
997
01:09:46,720 --> 01:09:51,880
He feels the brevity of life
more than any of us.
998
01:09:53,960 --> 01:09:56,960
And so he rushes toward the unknown.
999
01:09:58,400 --> 01:10:00,440
I drink to him.
1000
01:10:00,920 --> 01:10:03,120
To you, Annushka,
and to all of us.
1001
01:10:06,800 --> 01:10:08,440
I'll walk you out.
1002
01:10:13,190 --> 01:10:16,510
Gentlemen, I should tell you —
Annushka has left.
1003
01:10:16,990 --> 01:10:18,870
Serge, you should have seen her eyes.
1004
01:10:19,310 --> 01:10:21,150
I have a feeling she's gone for good.
1005
01:10:21,350 --> 01:10:23,110
Serge, let's go call her back.
1006
01:10:26,750 --> 01:10:27,710
No one walks out on me.
1007
01:10:29,220 --> 01:10:30,700
Pavlova, stop!
1008
01:10:31,340 --> 01:10:31,980
Never!
1009
01:10:32,340 --> 01:10:33,140
Pavlova!
1010
01:10:33,740 --> 01:10:36,260
All the best to you,
Mr. Diaghilev!
1011
01:10:37,160 --> 01:10:40,840
I'm telling you one last time —
stop, or you'll regret it!
1012
01:10:47,390 --> 01:10:51,830
First she left me, then she'll
leave you, then...
1013
01:10:53,580 --> 01:10:55,420
I wonder who she'll leave next.
1014
01:10:55,900 --> 01:10:58,620
Dasha, change the water
in the flowers.
1015
01:10:59,140 --> 01:11:01,900
In Paris, eager hands
reached out to her —
1016
01:11:01,940 --> 01:11:05,420
trembling with excitement —
Rodin, Mirbeau,
1017
01:11:05,500 --> 01:11:09,420
Saint-Saëns, Cocteau, Sarah Bernhardt —
they all reached out to her!
1018
01:11:09,620 --> 01:11:16,900
Like a blind man reaching for a healer —
and she threw it all away for her pathetic little cabaret.
1019
01:11:17,860 --> 01:11:19,220
Does it hurt, Seryozha?
1020
01:11:19,700 --> 01:11:20,340
I know.
1021
01:11:20,860 --> 01:11:21,360
It hurts.
1022
01:11:22,820 --> 01:11:25,820
No. I only felt real pain
once in my life.
1023
01:11:27,200 --> 01:11:29,520
In early childhood, when I first
came to understand...
1024
01:11:30,770 --> 01:11:34,090
...that I came into this world
at the cost of my own mother's life.
1025
01:11:36,140 --> 01:11:39,020
That my life
was her death sentence.
1026
01:11:40,370 --> 01:11:42,770
Since then, no woman in this world
has existed for me
1027
01:11:42,890 --> 01:11:44,770
who could cause me pain.
1028
01:11:45,650 --> 01:11:46,850
Viktor!
1029
01:11:47,370 --> 01:11:49,530
Don't torment yourself, Viktor,
1030
01:11:49,690 --> 01:11:50,330
dear friend!
1031
01:11:52,960 --> 01:11:58,560
In this fine city of St. Petersburg,
on such occasions one puts on a new tailcoat,
1032
01:11:58,840 --> 01:12:03,560
fresh kid gloves, a chrysanthemum
in the lapel — and off to the tavern.
1033
01:12:06,290 --> 01:12:10,530
To cleanse one's conscience
with champagne and gypsy songs.
1034
01:12:11,290 --> 01:12:12,370
How does she look?
1035
01:12:13,800 --> 01:12:14,840
Impeccable.
1036
01:12:15,480 --> 01:12:20,640
Her new address: London,
the Café-Chantant Palace.
1037
01:12:20,800 --> 01:12:22,920
The bottom of civilization.
1038
01:12:24,050 --> 01:12:24,730
Bravo!
1039
01:12:25,130 --> 01:12:25,850
Bravo!
1040
01:12:44,560 --> 01:12:46,920
Mr. Beatty, we'd like to rehearse.
1041
01:12:47,120 --> 01:12:48,200
Closer, closer!
1042
01:12:49,400 --> 01:12:50,280
Rehearse?
1043
01:12:50,400 --> 01:12:52,760
Here everyone rehearses
at the same time!
1044
01:12:53,600 --> 01:12:55,000
Sir, closer, closer!
1045
01:12:55,360 --> 01:12:59,520
Ah, you want the stage?
Everything is at your disposal.
1046
01:13:00,040 --> 01:13:00,920
Wonderful.
1047
01:13:01,320 --> 01:13:02,520
I can't do that.
1048
01:13:03,900 --> 01:13:04,780
Neither can you.
1049
01:13:16,660 --> 01:13:22,940
From this day forward, our company
will be graced by the incomparable Anna Pavlova.
1050
01:13:23,140 --> 01:13:24,420
Bravo, bravo!
1051
01:13:26,980 --> 01:13:28,340
Embezzlement!
1052
01:13:29,030 --> 01:13:30,670
Bribery!
1053
01:13:31,590 --> 01:13:33,110
Fraud!
1054
01:13:33,950 --> 01:13:40,910
Everyday corruption taking place
here, within the walls of City Hall!
1055
01:13:42,510 --> 01:13:47,350
The Bridge of the Century is
an illusion for fools!
1056
01:13:48,550 --> 01:13:52,510
The Bridge of the Century
is a cleverly
1057
01:13:52,870 --> 01:13:54,310
contrived swindle!
1058
01:13:56,750 --> 01:13:58,190
Gentlemen Lidvald!
1059
01:13:58,910 --> 01:13:59,550
Esther!
1060
01:14:00,990 --> 01:14:01,630
Dondré!
1061
01:14:02,910 --> 01:14:04,790
I demand you be put on trial!
1062
01:14:08,510 --> 01:14:11,350
I've never had luck at gambling.
1063
01:14:11,710 --> 01:14:13,670
You've been lucky in what matters most —
1064
01:14:13,710 --> 01:14:14,550
that I'm by your side.
1065
01:14:15,660 --> 01:14:16,580
You're a child!
1066
01:14:16,620 --> 01:14:18,300
Oh, a great child!
1067
01:14:18,340 --> 01:14:21,540
Hmm, a big child, but a foolish one.
1068
01:14:21,740 --> 01:14:24,180
But we shall share the burden
of glory together.
1069
01:14:25,220 --> 01:14:27,260
For now, let's share the grapes.
1070
01:14:27,420 --> 01:14:28,100
Ah!
1071
01:14:28,580 --> 01:14:29,500
With pleasure.
1072
01:14:30,300 --> 01:14:34,420
Look — either a detective or
an English ballet enthusiast,
1073
01:14:34,820 --> 01:14:36,380
which is equally dangerous.
1074
01:14:44,500 --> 01:14:45,000
Look.
1075
01:14:47,190 --> 01:14:50,230
Between toothpaste, whiskey,
and horses.
1076
01:14:50,430 --> 01:14:53,630
But you stand out — as it should be —
just a little bit higher.
1077
01:14:53,710 --> 01:14:54,790
Stop it.
1078
01:14:56,560 --> 01:14:57,920
My sympathies, my sympathies.
1079
01:14:58,280 --> 01:15:01,120
I'm a soloist of the Imperial Theatre —
they seem to forget that.
1080
01:15:02,260 --> 01:15:03,260
Well, I'll remind them.
1081
01:15:03,380 --> 01:15:04,740
Mishenka, have no doubt.
1082
01:15:05,380 --> 01:15:07,220
You are a soloist
at the London Variety Theatre.
1083
01:15:07,340 --> 01:15:08,780
I haven't signed the contract yet.
1084
01:15:11,860 --> 01:15:13,300
Good day, Madame Pavlova!
1085
01:15:14,260 --> 01:15:15,580
Albert Dondre.
1086
01:15:16,420 --> 01:15:18,140
Are you Victor Dondre's brother?
1087
01:15:18,300 --> 01:15:18,800
Yes.
1088
01:15:19,100 --> 01:15:21,580
His younger brother — and his only one.
1089
01:15:22,260 --> 01:15:24,460
Oh, I won't intrude — my respects.
1090
01:15:25,420 --> 01:15:26,820
You seem troubled.
1091
01:15:26,980 --> 01:15:27,660
What's happened to Victor?
1092
01:15:27,780 --> 01:15:30,220
Please don't worry,
Madame Pavlova, I beg you.
1093
01:15:31,600 --> 01:15:34,040
I know you are his
closest friend,
1094
01:15:34,200 --> 01:15:35,560
that he has no one
in this world
1095
01:15:35,600 --> 01:15:36,100
but you.
1096
01:15:36,280 --> 01:15:37,480
Tell me — what's happened to Victor?
1097
01:15:37,800 --> 01:15:40,520
Please, Madame Pavlova,
don't worry.
1098
01:15:41,120 --> 01:15:44,120
Victor is about to
be put on trial.
1099
01:15:45,530 --> 01:15:46,770
Forgive me, Madame.
1100
01:15:47,090 --> 01:15:48,330
I wasn't expecting you.
1101
01:15:48,530 --> 01:15:49,970
What a surprise!
1102
01:15:50,170 --> 01:15:51,650
I'm so delighted to see you!
1103
01:15:52,010 --> 01:15:53,610
I am endlessly delighted!
1104
01:15:53,810 --> 01:15:55,170
And all of London is delighted.
1105
01:15:55,250 --> 01:15:57,010
It happens so rarely, Madame.
1106
01:15:57,250 --> 01:15:59,530
Once in a hundred years —
I am overjoyed!
1107
01:15:59,930 --> 01:16:02,890
I am prepared to sign
a two-year contract with you.
1108
01:16:03,090 --> 01:16:03,810
Really?
1109
01:16:04,620 --> 01:16:06,460
Two years at my theater?
1110
01:16:06,740 --> 01:16:09,780
Oh, I shall do everything to make
you feel right at home here,
1111
01:16:09,900 --> 01:16:10,540
believe me.
1112
01:16:10,820 --> 01:16:11,780
Oh, Madame!
1113
01:16:12,860 --> 01:16:13,820
How happy I am!
1114
01:16:14,140 --> 01:16:14,780
Mr. Budd.
1115
01:16:16,170 --> 01:16:17,330
I need all the money now.
1116
01:16:19,150 --> 01:16:23,590
The full amount, and a promissory note
payable in St. Petersburg.
1117
01:16:24,070 --> 01:16:25,470
Good Lord!
1118
01:16:25,710 --> 01:16:28,030
You may have the money
whenever you wish.
1119
01:16:28,510 --> 01:16:29,110
Immediately.
1120
01:16:29,230 --> 01:16:30,750
I'll write the note at once.
1121
01:16:31,190 --> 01:16:32,510
Two years in my theater.
1122
01:16:32,630 --> 01:16:34,150
I can hardly believe it.
1123
01:16:35,090 --> 01:16:40,650
Also, you should know — I must
go to Russia for a week.
1124
01:16:42,470 --> 01:16:43,030
What?
1125
01:16:44,420 --> 01:16:46,060
That's impossible, miss!
1126
01:16:46,140 --> 01:16:48,660
It's simply unthinkable!
1127
01:16:49,180 --> 01:16:50,620
Please, understand!
1128
01:16:50,660 --> 01:16:52,700
Just one week, Mr. Budd!
1129
01:16:52,820 --> 01:16:55,900
London awaits your appearance
every evening.
1130
01:16:56,180 --> 01:16:57,900
Your name is on everyone's lips.
1131
01:16:58,940 --> 01:17:02,540
We are so happy that the queen
of ballet is finally with us,
1132
01:17:02,660 --> 01:17:04,620
and now you want to leave.
1133
01:17:05,060 --> 01:17:06,580
I don't want to hear a word of it.
1134
01:17:07,220 --> 01:17:08,900
Ask me for anything you wish,
1135
01:17:09,100 --> 01:17:10,620
I'll refuse you nothing.
1136
01:17:11,060 --> 01:17:12,060
Just don't go.
1137
01:17:12,220 --> 01:17:12,740
Will you stay?
1138
01:17:13,380 --> 01:17:15,540
The queen will kneel before you.
1139
01:17:15,700 --> 01:17:16,460
Please, madam, what are you doing?
1140
01:17:16,900 --> 01:17:17,820
Please rise, madam!
1141
01:17:17,940 --> 01:17:20,660
I beg you, please —
you're embarrassing me.
1142
01:17:21,420 --> 01:17:23,220
Is something wrong?
1143
01:17:23,620 --> 01:17:25,700
I'll do everything I can, but please—
1144
01:17:27,420 --> 01:17:29,020
Don't leave me.
1145
01:17:30,900 --> 01:17:31,780
I really must go.
1146
01:18:00,000 --> 01:18:00,500
Mama.
1147
01:18:01,650 --> 01:18:04,890
We must sell everything right away.
1148
01:18:06,460 --> 01:18:11,060
The furniture, the piano,
the portraits, the hall.
1149
01:18:11,340 --> 01:18:11,840
Everything.
1150
01:18:12,020 --> 01:18:12,520
But—
1151
01:18:14,500 --> 01:18:15,500
Darlings!
1152
01:18:16,420 --> 01:18:16,920
Let's go.
1153
01:18:19,080 --> 01:18:20,960
Hey, cheer up!
1154
01:18:23,200 --> 01:18:25,000
The money is needed in two days.
1155
01:18:25,440 --> 01:18:28,080
The full amount, all of it.
1156
01:18:29,670 --> 01:18:31,750
My darling, you don't know...
1157
01:18:34,580 --> 01:18:36,990
Mama, go.
1158
01:18:38,220 --> 01:18:41,540
Everything we're doing is in the name
of his own brother, Albert.
1159
01:18:42,140 --> 01:18:44,340
Give the money to the lawyer
in his brother's name.
1160
01:18:44,460 --> 01:18:45,380
I was never here.
1161
01:18:45,660 --> 01:18:47,020
Everything in his brother's name.
1162
01:18:47,140 --> 01:18:47,640
Understood?
1163
01:18:47,700 --> 01:18:48,580
All right, my darling.
1164
01:18:48,940 --> 01:18:49,620
Go on now.
1165
01:18:49,780 --> 01:18:50,300
All right.
1166
01:18:56,230 --> 01:18:56,730
Mama.
1167
01:19:03,090 --> 01:19:03,590
Mama...
1168
01:19:29,850 --> 01:19:32,410
Anna, I beg you, don't worry.
1169
01:19:39,430 --> 01:19:41,230
Hello! Hello, hello!
1170
01:19:44,910 --> 01:19:45,410
Hi!
1171
01:19:54,990 --> 01:19:55,510
Anna!
1172
01:19:56,750 --> 01:19:57,590
Victor, dear.
1173
01:20:03,580 --> 01:20:04,695
Forgive me...
1174
01:20:04,695 --> 01:20:05,780
For what?
1175
01:20:06,428 --> 01:20:07,390
Stand up straight.
1176
01:20:09,210 --> 01:20:10,050
Thank you.
1177
01:20:10,330 --> 01:20:11,370
For what?
1178
01:20:11,730 --> 01:20:13,370
What are you talking about?
1179
01:20:13,410 --> 01:20:17,370
That money you sent.
1180
01:20:17,730 --> 01:20:19,370
I'm disgusted with myself.
1181
01:20:19,530 --> 01:20:21,210
Enough of that.
1182
01:20:22,460 --> 01:20:22,960
It's over.
1183
01:20:25,810 --> 01:20:27,050
It never happened.
1184
01:20:28,350 --> 01:20:28,850
That's it.
1185
01:20:29,710 --> 01:20:31,550
Viktor, everything will be fine.
1186
01:20:31,750 --> 01:20:32,590
You'll see.
1187
01:20:32,910 --> 01:20:34,550
I'll work myself to the bone
from morning till night,
1188
01:20:34,590 --> 01:20:35,950
but I will have a company.
1189
01:20:36,390 --> 01:20:37,310
My own company.
1190
01:20:37,550 --> 01:20:39,390
Diaghilev devoted himself
to the chosen few.
1191
01:20:39,590 --> 01:20:40,910
I choose everyone else.
1192
01:20:41,470 --> 01:20:42,270
Stay by my side.
1193
01:20:42,590 --> 01:20:44,830
Never question, never judge,
never doubt.
1194
01:20:45,710 --> 01:20:49,070
The world is so small, and none
of us has time to spare.
1195
01:20:49,470 --> 01:20:51,990
I know a language
that everyone understands.
1196
01:20:52,070 --> 01:20:53,350
The language of dance!
1197
01:20:53,830 --> 01:20:56,150
Look — some lady
has been following you.
1198
01:20:56,310 --> 01:20:56,810
Who is she?
1199
01:20:57,030 --> 01:20:59,030
Oh, that's Anastasia.
1200
01:20:59,590 --> 01:21:00,350
Let me introduce you.
1201
01:21:00,350 --> 01:21:01,110
Hello!
1202
01:21:01,150 --> 01:21:02,070
Anastasia.
1203
01:21:02,070 --> 01:21:03,150
A pleasure, miss.
1204
01:21:03,310 --> 01:21:03,750
Please.
1205
01:21:03,750 --> 01:21:04,670
Do you have a company?
1206
01:21:04,670 --> 01:21:05,350
Yes, thank you.
1207
01:21:05,430 --> 01:21:07,470
And we're heading on tour
to America.
1208
01:21:10,390 --> 01:21:12,510
Careful, Jacob, hold it.
What's in there?
1209
01:21:13,700 --> 01:21:14,660
Is it made of lead?
1210
01:21:14,660 --> 01:21:16,117
Lord only knows...
1211
01:21:37,070 --> 01:21:39,590
Madame Pavlova, I'm Hurok.
1212
01:21:39,910 --> 01:21:40,870
Sol Hurok.
1213
01:21:41,150 --> 01:21:42,470
Please, speak to me in Russian.
1214
01:21:43,070 --> 01:21:44,430
I was born in Odessa.
1215
01:21:44,910 --> 01:21:47,470
I'm delighted to welcome you
to American soil.
1216
01:21:48,070 --> 01:21:49,590
Very pleased, believe me.
1217
01:21:50,430 --> 01:21:51,470
How charming.
1218
01:21:55,100 --> 01:21:56,300
Hello, Mr. Hurok.
1219
01:21:56,340 --> 01:21:57,180
Where are the journalists?
1220
01:21:57,380 --> 01:21:57,980
Madame.
1221
01:21:58,500 --> 01:22:00,620
I know you are Europe's
greatest ballerina,
1222
01:22:00,700 --> 01:22:03,100
but in America, you'll have
to start from scratch.
1223
01:22:03,900 --> 01:22:07,620
The press will come, but only
after your performance — or not at all.
1224
01:22:07,780 --> 01:22:11,420
So, at 7:15 our bus
leaves the port.
1225
01:22:11,740 --> 01:22:14,060
At 8:13 we're at the hotel,
at 9:05,
1226
01:22:14,140 --> 01:22:16,660
dinner at 10:43,
departure for the Metropolitan,
1227
01:22:16,660 --> 01:22:18,700
at 11:15 you are
in your costume,
1228
01:22:18,820 --> 01:22:20,740
curtain precisely at midnight.
1229
01:22:20,980 --> 01:22:23,980
Was there no other time
for us in America?
1230
01:22:24,220 --> 01:22:27,260
Madame, I am a small soldier,
but a loyal one.
1231
01:22:27,700 --> 01:22:29,660
Please, ask no
unnecessary questions.
1232
01:22:30,620 --> 01:22:31,860
Your car is waiting.
1233
01:22:42,490 --> 01:22:44,890
So, first the opera —
two, two and a half hours,
1234
01:22:44,970 --> 01:22:48,610
then an intermission, exactly
30, 35, 40 minutes to prepare the stage.
1235
01:22:48,770 --> 01:22:52,370
In short, you may begin
your dances at precisely midnight.
1236
01:22:53,730 --> 01:22:56,090
So, you begin at midnight.
1237
01:22:56,210 --> 01:22:58,130
Not a second earlier,
not a second later,
1238
01:22:58,210 --> 01:22:59,090
because here that is
1239
01:22:59,450 --> 01:22:59,950
the law.
1240
01:23:00,290 --> 01:23:01,490
Please, hand me the score.
1241
01:23:08,970 --> 01:23:09,530
Understood.
1242
01:23:10,730 --> 01:23:11,610
Tchaikovsky.
1243
01:23:13,530 --> 01:23:16,690
Poor fellow — to think they perform him
with their feet.
1244
01:23:16,810 --> 01:23:20,090
Ballet, with all those pirouettes
and kicking legs —
1245
01:23:20,090 --> 01:23:20,650
no thought whatsoever.
1246
01:23:20,690 --> 01:23:23,730
It simply cannot express
the full range of human feeling.
1247
01:23:23,970 --> 01:23:27,570
Now take opera, for instance.
1248
01:23:27,975 --> 01:23:29,851
Magnificent!
1249
01:23:38,350 --> 01:23:39,670
Begin!
1250
01:23:40,630 --> 01:23:41,950
Begin!
1251
01:23:43,630 --> 01:23:44,110
Curtain!
1252
01:23:44,110 --> 01:23:44,870
Begin!
1253
01:23:45,870 --> 01:23:47,030
Begin!
1254
01:23:47,630 --> 01:23:48,630
Begin!
1255
01:23:48,950 --> 01:23:50,190
Anna, it's time to start.
1256
01:23:50,350 --> 01:23:51,230
The audience is waiting.
1257
01:23:52,030 --> 01:23:53,110
They can wait.
1258
01:23:59,430 --> 01:24:01,030
Not until the warm-up is finished.
1259
01:24:01,390 --> 01:24:03,310
There can be no talk
of any performance.
1260
01:24:06,140 --> 01:24:07,020
Begin!
1261
01:24:11,820 --> 01:24:12,540
What are you doing here?
1262
01:24:12,620 --> 01:24:14,900
Those scoundrels won't let me
into the orchestra pit.
1263
01:24:14,940 --> 01:24:16,460
They've put a lock like this
on the door.
1264
01:24:16,580 --> 01:24:18,100
Jump over the railing!
1265
01:24:21,040 --> 01:24:23,880
Gentlemen, I'm off to jump
into the orchestra pit!
1266
01:24:25,200 --> 01:24:26,760
Martin, where are you going, dear?
1267
01:24:26,800 --> 01:24:28,880
I-I can't take it anymore.
1268
01:24:29,160 --> 01:24:30,880
Well, this should be interesting to watch.
1269
01:24:30,880 --> 01:24:32,280
I have to leave.
1270
01:24:32,320 --> 01:24:33,400
Come on, let's watch!
1271
01:24:34,080 --> 01:24:35,800
Begin!
1272
01:24:36,480 --> 01:24:41,560
Begin!
1273
01:24:43,380 --> 01:24:44,100
Do you hear that?
1274
01:24:44,220 --> 01:24:45,460
What I'm hearing.
1275
01:24:45,580 --> 01:24:46,180
Do you hear it?
1276
01:24:46,300 --> 01:24:46,800
What?
1277
01:24:46,980 --> 01:24:47,480
Do you hear it?
1278
01:24:47,620 --> 01:24:48,180
Do you see that?
1279
01:24:48,260 --> 01:24:49,180
What I'm seeing!
1280
01:24:49,180 --> 01:24:51,860
I see it and I hear it — in a word —
1281
01:24:52,100 --> 01:24:54,540
If you don't start the performance
in 15 seconds,
1282
01:24:54,780 --> 01:24:55,660
you can get out.
1283
01:24:55,780 --> 01:24:57,020
Back to Europe.
1284
01:24:57,100 --> 01:24:58,380
I have my own conductor.
1285
01:24:58,460 --> 01:24:59,740
I protest.
1286
01:24:59,740 --> 01:25:00,740
Protest noted.
1287
01:25:00,860 --> 01:25:02,380
And I protest as well.
1288
01:25:02,380 --> 01:25:03,540
Yours noted too.
1289
01:25:04,140 --> 01:25:04,820
Please.
1290
01:25:06,050 --> 01:25:08,010
Curtain.
1291
01:25:15,600 --> 01:25:16,360
Bravo!
1292
01:25:16,480 --> 01:25:17,080
Bravo!
1293
01:25:19,586 --> 01:25:21,320
Ladies and gentlemen.
1294
01:25:23,900 --> 01:25:26,020
Forgive me, but everything is fine.
1295
01:25:28,820 --> 01:25:30,220
Madame Pavlova.
1296
01:25:30,700 --> 01:25:32,020
Ladies and gentlemen.
1297
01:25:32,700 --> 01:25:34,660
Columbus discovered America at dawn.
1298
01:25:36,240 --> 01:25:38,880
You are discovering it at midnight!
1299
01:25:39,800 --> 01:25:41,080
Good luck to you!
1300
01:26:14,310 --> 01:26:15,230
What's wrong?
1301
01:26:16,190 --> 01:26:17,950
My legs are like wood.
1302
01:26:19,250 --> 01:26:20,730
Maybe we should cancel the show?
1303
01:26:20,930 --> 01:26:22,170
Madame, what's wrong?
1304
01:26:23,700 --> 01:26:24,460
Carissimo!
1305
01:26:24,660 --> 01:26:25,380
Hold on!
1306
01:26:27,900 --> 01:26:28,740
What's happening?
1307
01:26:29,970 --> 01:26:31,410
Get a doctor.
1308
01:26:32,130 --> 01:26:33,130
Gentlemen.
1309
01:26:33,290 --> 01:26:35,250
My God!
1310
01:26:35,330 --> 01:26:36,850
It's all right, Mashenka.
1311
01:26:38,270 --> 01:26:39,070
It's all right.
1312
01:26:39,970 --> 01:26:40,490
Carissimo...
1313
01:26:41,527 --> 01:26:42,564
it's time!
1314
01:26:45,680 --> 01:26:46,180
I still have
1315
01:26:48,480 --> 01:26:49,160
Sixteen bars...
1316
01:27:01,760 --> 01:27:06,360
I have a full eight bars left.
1317
01:27:42,612 --> 01:27:43,341
Jerry, it's Rich.
1318
01:27:44,510 --> 01:27:45,710
It's unbelievable.
1319
01:27:46,190 --> 01:27:47,510
She was lying there, I saw it.
1320
01:27:47,990 --> 01:27:49,270
She had a seizure.
1321
01:27:49,430 --> 01:27:50,590
Then she jumped right back up.
1322
01:27:50,990 --> 01:27:54,310
Save space on the front page —
I'll file after every act.
1323
01:29:22,240 --> 01:29:23,320
Jerry, I'm dictating.
1324
01:29:23,560 --> 01:29:24,440
The house is silent.
1325
01:29:25,080 --> 01:29:26,760
Dead silence!
1326
01:29:27,160 --> 01:29:29,240
No, no, you've got it wrong.
1327
01:29:29,480 --> 01:29:30,280
They're not asleep.
1328
01:29:31,000 --> 01:29:34,440
They're watching her
like sleepwalkers.
1329
01:31:14,100 --> 01:31:17,300
Jerry, she's still asleep,
not knowing
1330
01:31:17,340 --> 01:31:18,900
that America has fallen for her
no less
1331
01:31:18,940 --> 01:31:19,740
than Russia has!
1332
01:31:20,260 --> 01:31:23,020
Tonight at midnight, a new era
of ballet began in America.
1333
01:31:23,140 --> 01:31:25,940
Jerry, God is in her!
1334
01:31:26,740 --> 01:31:27,580
Who said that?
1335
01:31:28,340 --> 01:31:29,380
I did.
1336
01:31:29,900 --> 01:31:31,380
And you can trust me.
1337
01:31:31,580 --> 01:31:32,740
Mr. Dandré.
1338
01:31:32,810 --> 01:31:35,610
What does Madame Pavlova love
most in the world?
1339
01:31:35,650 --> 01:31:36,930
Tulips.
1340
01:31:36,930 --> 01:31:37,690
Is that all?
1341
01:31:37,770 --> 01:31:40,210
And to be left in peace.
1342
01:31:41,410 --> 01:31:42,410
Perfect!
1343
01:31:42,570 --> 01:31:44,450
Tulips and solitude!
1344
01:31:44,570 --> 01:31:46,410
Please, put that on the front page!
1345
01:31:46,450 --> 01:31:47,050
Yes!
1346
01:31:49,683 --> 01:31:52,450
America has said yes.
1347
01:31:53,910 --> 01:31:57,390
I'd like to know just one thing:
who am I?
1348
01:31:57,950 --> 01:32:00,990
Your husband, Anna, or
your impresario?
1349
01:32:06,500 --> 01:32:07,180
Now go.
1350
01:33:03,710 --> 01:33:06,070
Little maple leaf!
1351
01:33:09,190 --> 01:33:11,230
Little maple leaf.
1352
01:33:13,360 --> 01:33:13,860
Hey!
1353
01:33:14,200 --> 01:33:18,400
Little maple leaf, don't walk on by!
1354
01:33:19,730 --> 01:33:20,490
It can't be!
1355
01:33:20,850 --> 01:33:23,250
Children, children, it's Pavlova!
1356
01:33:24,130 --> 01:33:25,570
Pavlova!
1357
01:33:58,780 --> 01:34:03,020
Now show us, Anna, how
a maple leaf falls.
1358
01:34:05,120 --> 01:34:06,760
Or maybe a dragonfly?
1359
01:34:06,960 --> 01:34:08,960
Or a moth?
1360
01:34:09,160 --> 01:34:09,760
Where are you from?
1361
01:34:09,800 --> 01:34:11,680
Same as always — from everywhere.
1362
01:34:12,320 --> 01:34:14,320
What lovely students you have!
1363
01:34:14,800 --> 01:34:19,480
Dear Oganson, the girls are wonderful.
1364
01:34:20,290 --> 01:34:23,450
Anna Pavlovna, do your children
study ballet as well?
1365
01:34:25,850 --> 01:34:28,250
Children, children, children.
1366
01:34:29,130 --> 01:34:29,690
Children!
1367
01:34:29,970 --> 01:34:31,250
Let's spin around!
1368
01:34:31,570 --> 01:34:34,570
Spin, spin, spin!
1369
01:34:35,930 --> 01:34:36,430
No.
1370
01:34:37,730 --> 01:34:41,090
I refuse to dance in
"King Candaules."
1371
01:34:41,330 --> 01:34:43,850
Anna Pavlovna, you restless soul.
1372
01:34:44,370 --> 01:34:47,490
If you cancel the performance,
you'll have to pay a penalty.
1373
01:34:48,010 --> 01:34:51,450
You won't have enough money
left even for a cab, my dear.
1374
01:34:52,450 --> 01:34:55,210
That would be too great
a luxury even for you.
1375
01:34:55,530 --> 01:34:56,490
Do you understand?
1376
01:34:56,770 --> 01:34:58,050
Please.
1377
01:34:58,410 --> 01:34:59,250
I'm ready.
1378
01:34:59,530 --> 01:35:01,690
I'm proud of you, Anna.
1379
01:35:02,370 --> 01:35:03,970
You are Russia's glory.
1380
01:35:04,450 --> 01:35:07,090
But I am obliged to uphold
the traditions of this theater.
1381
01:35:07,670 --> 01:35:08,870
Discipline.
1382
01:35:09,150 --> 01:35:10,110
Without exception.
1383
01:35:10,310 --> 01:35:13,430
Vladimir Arkadyevich, I want
to dance — but only what
1384
01:35:13,510 --> 01:35:14,310
I love.
1385
01:35:14,550 --> 01:35:16,710
Are you planning to leave
the theater?
1386
01:35:18,440 --> 01:35:22,640
I... I have belonged to
the Mariinsky since the day...
1387
01:35:24,520 --> 01:35:25,800
When I first set foot in it.
1388
01:35:27,130 --> 01:35:28,890
Invite Fokine.
1389
01:35:29,170 --> 01:35:31,090
Have him stage Swan Lake for me.
1390
01:35:32,490 --> 01:35:33,250
I've been waiting for this.
1391
01:35:33,770 --> 01:35:36,690
I've been waiting for this moment
since the day I left school.
1392
01:35:37,090 --> 01:35:39,050
I'll rehearse through the night
if I have to.
1393
01:35:40,490 --> 01:35:44,050
In July you have London,
in August, Berlin,
1394
01:35:44,130 --> 01:35:45,090
then your holiday.
1395
01:35:45,810 --> 01:35:48,010
We'll return to this matter
in September.
1396
01:35:48,410 --> 01:35:50,930
For now — King Candaules.
1397
01:35:51,250 --> 01:35:51,930
I'm begging you.
1398
01:35:52,290 --> 01:35:52,790
No.
1399
01:35:53,210 --> 01:35:54,610
It's a dead production.
1400
01:35:55,580 --> 01:35:59,540
I assure you, your refusal
will displease the Court.
1401
01:35:59,740 --> 01:36:02,660
If Russia knows me
and loves me,
1402
01:36:04,870 --> 01:36:06,710
it is not by the Court's favor.
1403
01:36:13,000 --> 01:36:13,800
Misha!
1404
01:36:15,760 --> 01:36:17,880
Are you swimming against
the current, Anna?
1405
01:36:18,520 --> 01:36:20,360
I'm not alone — there are two of us.
1406
01:36:21,080 --> 01:36:21,720
I held my ground.
1407
01:36:21,800 --> 01:36:25,480
My bruises teach you nothing?
1408
01:36:26,710 --> 01:36:27,210
Hmm?
1409
01:36:27,630 --> 01:36:28,870
They do, they do.
1410
01:36:30,270 --> 01:36:31,910
Why are you looking at me
so strangely?
1411
01:36:32,350 --> 01:36:33,590
I missed you.
1412
01:36:35,010 --> 01:36:37,850
By the way, Anna, have you read
today's papers?
1413
01:36:38,290 --> 01:36:39,170
What do they say?
1414
01:36:39,330 --> 01:36:40,010
You haven't read them?
1415
01:36:41,890 --> 01:36:42,930
Don't.
1416
01:36:43,330 --> 01:36:43,850
Come on.
1417
01:36:44,050 --> 01:36:44,770
Let's go.
1418
01:36:58,260 --> 01:36:59,420
What principles?
1419
01:36:59,580 --> 01:37:01,900
Madame Pavlova couldn't care less
about your principles!
1420
01:37:02,140 --> 01:37:04,020
She couldn't care less about you
or about the theater!
1421
01:37:04,060 --> 01:37:04,660
How do you like that?
1422
01:37:04,660 --> 01:37:06,740
She'll dance this tsar role.
1423
01:37:06,740 --> 01:37:07,580
She refuses.
1424
01:37:07,580 --> 01:37:08,620
It's a wooden image!
1425
01:37:08,620 --> 01:37:09,780
It's Pavlova.
1426
01:37:09,780 --> 01:37:11,700
Do the interests of the theater
matter or not?
1427
01:37:11,700 --> 01:37:12,220
So what?
1428
01:37:12,380 --> 01:37:14,060
We're sick of it too,
and we still dance.
1429
01:37:14,220 --> 01:37:15,900
That's exactly what infuriates you —
1430
01:37:15,940 --> 01:37:17,180
her uniqueness.
1431
01:37:18,120 --> 01:37:19,840
Just leave Pavlova alone, will you.
1432
01:37:20,200 --> 01:37:20,700
Quiet!
1433
01:37:20,720 --> 01:37:24,000
I ask that all debate stop
and we begin rehearsal.
1434
01:37:26,350 --> 01:37:27,190
Forgive me.
1435
01:37:27,430 --> 01:37:29,870
But who gave her the right
to act this way?
1436
01:37:30,910 --> 01:37:32,070
Our brief life did.
1437
01:37:33,590 --> 01:37:35,750
Such a brief life in ballet.
1438
01:37:41,120 --> 01:37:41,960
My dears.
1439
01:37:43,680 --> 01:37:45,360
I've come to say goodbye to you.
1440
01:37:49,400 --> 01:37:50,160
This is for you.
1441
01:37:50,440 --> 01:37:53,160
Uncle Yasha, this is for you.
1442
01:37:53,240 --> 01:37:54,320
Most grateful.
1443
01:37:54,320 --> 01:37:55,360
Girls, thank you.
1444
01:37:55,360 --> 01:37:55,920
Boys.
1445
01:37:55,920 --> 01:37:57,160
Thank you, Anna Pavlovna.
1446
01:37:57,200 --> 01:37:58,960
But only for a while, as always.
1447
01:37:59,320 --> 01:38:00,360
Only for a while.
1448
01:38:26,470 --> 01:38:32,030
We melt into the music —
softer, softer, softer!
1449
01:38:32,910 --> 01:38:34,510
What are you playing up there?
1450
01:38:37,310 --> 01:38:39,310
Stop, stop, stop —
it's impossible to play like that!
1451
01:38:39,350 --> 01:38:41,030
Forgive me, madame, but the thing is,
1452
01:38:41,070 --> 01:38:43,550
that you are dancing something
which, unfortunately, isn't in the score.
1453
01:38:43,630 --> 01:38:44,910
I'm afraid he's right.
1454
01:38:45,030 --> 01:38:46,070
Yes, that's true.
1455
01:38:46,350 --> 01:38:47,030
Is he right?
1456
01:38:47,230 --> 01:38:49,750
If I feel it, then it exists.
1457
01:38:50,020 --> 01:38:52,100
I expected no other answer.
1458
01:38:52,180 --> 01:38:54,500
Gentlemen, after D minor
we drop the eighth notes.
1459
01:38:54,580 --> 01:38:55,300
Full note.
1460
01:38:55,300 --> 01:38:57,380
Madame, does the pause remain the same?
1461
01:38:57,420 --> 01:38:59,860
The pause, gentlemen,
is at the tip of my baton.
1462
01:38:59,940 --> 01:39:01,620
Everyone watch me
with the eyes of a hawk.
1463
01:39:01,620 --> 01:39:02,860
Dear Steyr.
1464
01:39:03,750 --> 01:39:06,670
After the fermata, when I move
into the pas de bourrée,
1465
01:39:07,070 --> 01:39:09,830
you must drift up to heaven
together with me.
1466
01:39:10,110 --> 01:39:12,350
But then who will stay here
to conduct, madame?
1467
01:39:12,750 --> 01:39:13,350
You.
1468
01:39:13,630 --> 01:39:14,550
I'm waiting.
1469
01:39:16,030 --> 01:39:17,110
Here's how it is, gentlemen.
1470
01:39:17,390 --> 01:39:19,150
Madame dances, I dance after her,
1471
01:39:19,190 --> 01:39:23,110
you dance after me, and at the right
moments we all soar to heaven together.
1472
01:39:29,330 --> 01:39:30,050
Listen to the music.
1473
01:39:32,120 --> 01:39:33,200
Excuse me, madame.
1474
01:39:33,200 --> 01:39:34,920
The Kaiser will be here shortly.
1475
01:39:35,080 --> 01:39:36,960
He will extend his hand to you —
you must kiss it.
1476
01:39:37,000 --> 01:39:38,640
Don't interrupt — we're rehearsing!
1477
01:39:38,680 --> 01:39:39,840
You're falling behind.
1478
01:39:40,160 --> 01:39:42,240
A whirl, whirl, whirl, whirl,
1479
01:39:42,320 --> 01:39:43,240
whirl, whirl.
1480
01:39:43,600 --> 01:39:44,640
Congratulations — now leave.
1481
01:39:44,720 --> 01:39:45,320
Anna!
1482
01:39:51,090 --> 01:39:51,730
What a storm.
1483
01:39:58,759 --> 01:40:02,290
Girls, the jump must be lighter,
more like air!
1484
01:40:46,920 --> 01:40:47,920
Madame!
1485
01:40:48,400 --> 01:40:50,520
Why are you late?
1486
01:40:50,640 --> 01:40:52,480
Madame, please forgive me.
1487
01:40:52,720 --> 01:40:54,360
But I — I'm not to blame!
1488
01:40:54,400 --> 01:40:55,560
Who is to blame?
1489
01:40:55,720 --> 01:40:56,360
Madame!
1490
01:40:56,520 --> 01:41:01,200
Crown Prince Ferdinand, the heir apparent,
has been assassinated in Sarajevo.
1491
01:41:02,320 --> 01:41:03,960
Russia is at war.
1492
01:41:04,160 --> 01:41:05,440
Madame, it's not my fault!
1493
01:41:05,600 --> 01:41:06,100
War!
1494
01:41:06,120 --> 01:41:07,080
What war?
1495
01:41:07,200 --> 01:41:09,280
Russia and Germany.
1496
01:41:12,220 --> 01:41:12,720
Hello.
1497
01:41:18,440 --> 01:41:19,600
One moment, please.
1498
01:41:21,330 --> 01:41:24,810
Trains to Petersburg, Warsaw,
Riga, and Vilna are cancelled.
1499
01:41:26,070 --> 01:41:27,750
Both passenger and freight.
1500
01:41:30,870 --> 01:41:31,470
Thank you.
1501
01:41:36,700 --> 01:41:40,340
Russian subjects residing
on Imperial territory
1502
01:41:40,460 --> 01:41:41,660
are to be interned.
1503
01:41:41,780 --> 01:41:43,980
But my company is not
only Russians.
1504
01:41:44,940 --> 01:41:47,100
English, French, Polish...
1505
01:41:47,540 --> 01:41:48,140
What are we to do?
1506
01:41:48,300 --> 01:41:50,380
Only Russians are subject
to internment.
1507
01:41:50,660 --> 01:41:52,980
But we submitted a petition
to the Kaiser.
1508
01:41:53,620 --> 01:41:55,500
Victor Dandré received
many assurances.
1509
01:41:55,540 --> 01:41:57,100
Victor Dandré is my impresario.
1510
01:41:57,820 --> 01:41:58,320
I know.
1511
01:42:01,050 --> 01:42:03,770
I'm very sorry, but the petition
has been denied.
1512
01:42:07,660 --> 01:42:10,220
I can offer you a pass
to the Belgian border.
1513
01:42:11,910 --> 01:42:13,510
That is all I can do for you.
1514
01:42:23,420 --> 01:42:25,980
You must leave
by tomorrow morning.
1515
01:42:28,974 --> 01:42:30,140
Thank you.
1516
01:42:33,043 --> 01:42:34,643
You don't have much time.
1517
01:42:40,520 --> 01:42:44,960
I don't know — to the right,
I think. Over that way.
1518
01:42:45,040 --> 01:42:46,400
Or wherever you like.
1519
01:42:46,600 --> 01:42:50,040
Madame Pavlova,
I've done the impossible!
1520
01:42:50,400 --> 01:42:54,720
A two-year engagement
throughout Latin America.
1521
01:42:54,880 --> 01:42:56,560
You'll start with Mexico.
1522
01:42:57,480 --> 01:43:00,240
It's fairly quiet there.
1523
01:43:24,040 --> 01:43:25,480
Signora, don't worry.
1524
01:43:25,720 --> 01:43:28,320
This is the safest place
in all of Mexico.
1525
01:43:28,640 --> 01:43:30,720
The post office and telegraph
are never blown up.
1526
01:43:31,000 --> 01:43:33,240
All warring nations
respect and value us.
1527
01:43:33,400 --> 01:43:36,640
Write — Ciudad de México.
1528
01:43:36,940 --> 01:43:38,140
The Presidential Palace.
1529
01:43:39,720 --> 01:43:46,160
His Excellency, President
of the Mexican Republic,
Alfredo Carranza.
1530
01:43:47,320 --> 01:43:48,440
Mr. President.
1531
01:43:50,620 --> 01:43:53,020
I have come to your country
to dance.
1532
01:43:55,910 --> 01:43:59,390
I ask you to ensure
the safety of my company.
1533
01:44:00,070 --> 01:44:00,710
Stop.
1534
01:44:00,950 --> 01:44:03,070
With the deepest respect.
1535
01:44:03,710 --> 01:44:05,190
Anna Pavlova.
1536
01:44:06,090 --> 01:44:06,850
Señor!
1537
01:44:07,410 --> 01:44:10,330
Are you certain this telegram
will reach its destination?
1538
01:44:10,530 --> 01:44:13,970
We live in times when
no one is certain of anything.
1539
01:44:55,610 --> 01:44:56,490
Good day, Madame.
1540
01:45:00,220 --> 01:45:01,100
Good afternoon!
1541
01:45:02,180 --> 01:45:03,140
My respects.
1542
01:45:04,420 --> 01:45:05,980
Which of you is Madame Pavlova?
1543
01:45:06,620 --> 01:45:07,900
I am Pavlova.
1544
01:45:10,180 --> 01:45:12,700
Captain Ortiz Francisco Romero.
1545
01:45:12,900 --> 01:45:17,540
By personal order of the President
of the Republic of Mexico, I am charged—
1546
01:45:19,440 --> 01:45:27,040
—with escorting you and ensuring
your safety and that of your company
during your stay in our beautiful
and hospitable country.
1547
01:45:27,400 --> 01:45:28,960
You need not worry.
1548
01:45:29,640 --> 01:45:32,720
In Mexico, we know how to honor
great artists
1549
01:45:32,800 --> 01:45:33,400
such as yourself.
1550
01:45:37,220 --> 01:45:41,300
Officer, are these regular troops
or rebels?
1551
01:45:41,500 --> 01:45:45,660
Believe me, señora, these are
the finest soldiers of the Republic.
1552
01:45:45,780 --> 01:45:46,460
Attention!
1553
01:45:47,700 --> 01:45:52,540
In honor of Señora Anna Pavlova,
the divine— fire!
1554
01:46:09,870 --> 01:46:11,510
What could be more wonderful?
1555
01:46:12,230 --> 01:46:17,190
Third-class carriages,
third-class hotels,
1556
01:46:17,510 --> 01:46:19,790
and a third-class audience to match.
1557
01:46:20,030 --> 01:46:21,190
Ha-ha-ha!
1558
01:46:21,390 --> 01:46:24,430
Ha-ha-ha.
1559
01:46:29,280 --> 01:46:32,640
Moscow with its golden domes.
1560
01:46:34,610 --> 01:46:37,010
The ringing of the bells.
1561
01:46:38,350 --> 01:46:40,350
The mighty Tsar Cannon.
1562
01:46:42,750 --> 01:46:45,430
The fragrance of fresh pies.
1563
01:46:47,750 --> 01:46:52,790
Little candies and round bread rings.
1564
01:46:53,080 --> 01:46:57,160
Sleighs gliding like swans.
1565
01:46:58,380 --> 01:47:02,820
For his beloved, for dear Anya,
a song drifts from the coachman's seat.
1566
01:47:05,060 --> 01:47:07,180
Rosy-cheeked schoolgirls.
1567
01:47:09,100 --> 01:47:15,620
Giddy from the frost,
gracefully shaking
1568
01:47:16,640 --> 01:47:18,280
the soft snow from their heels.
1569
01:47:34,040 --> 01:47:34,600
Anna!
1570
01:47:36,940 --> 01:47:37,540
Anna!
1571
01:47:38,100 --> 01:47:39,300
Mr. Dandré!
1572
01:47:39,500 --> 01:47:40,660
She's gone mad!
1573
01:47:41,260 --> 01:47:42,820
Look at what she's doing!
1574
01:47:42,980 --> 01:47:43,480
Anna!
1575
01:47:44,260 --> 01:47:44,980
Anna!
1576
01:47:48,080 --> 01:47:48,760
Anna!
1577
01:47:49,280 --> 01:47:50,880
Don't touch me.
1578
01:47:55,570 --> 01:47:56,850
I'm flying.
1579
01:47:58,990 --> 01:47:59,490
Anna...
1580
01:48:13,300 --> 01:48:15,700
Welcome, Madame Pavlova.
1581
01:48:17,230 --> 01:48:21,510
Do me the honor of allowing me
to offer you a cup of coffee.
1582
01:48:25,220 --> 01:48:25,860
Yes, gentlemen.
1583
01:48:27,330 --> 01:48:28,890
The governor is right.
1584
01:48:29,730 --> 01:48:32,050
Our coming here was
a grave mistake.
1585
01:48:32,090 --> 01:48:33,770
That is your opinion,
Mr. Steyer.
1586
01:48:35,100 --> 01:48:39,380
On my part, signora, it would be
criminal to allow you to perform
1587
01:48:40,890 --> 01:48:43,210
with your troupe
in any venue.
1588
01:48:43,410 --> 01:48:45,850
Yellow fever is raging
through the city.
1589
01:48:45,970 --> 01:48:49,770
Together we would unwittingly
create a hotbed of infection,
1590
01:48:49,850 --> 01:48:50,610
signora.
1591
01:48:51,370 --> 01:48:52,610
But, Governor...
1592
01:48:54,320 --> 01:48:57,400
The people of your city are
gathering in crowds in the squares.
1593
01:49:16,240 --> 01:49:18,560
They are mourning their dead.
1594
01:49:23,260 --> 01:49:24,420
Governor.
1595
01:49:25,500 --> 01:49:27,620
Give me the square
for one evening.
1596
01:52:31,370 --> 01:52:36,930
Anna Pavlova, our souls are
warmed by your tenderness.
1597
01:52:37,290 --> 01:52:41,250
You have come to us
like a messiah.
1598
01:52:41,910 --> 01:52:43,950
Last night we looked
at the map.
1599
01:52:45,180 --> 01:52:48,180
We searched for the country
where you were born.
1600
01:52:49,940 --> 01:52:51,020
It is far away.
1601
01:52:51,420 --> 01:52:52,980
On the other side of the world.
1602
01:52:56,172 --> 01:52:58,340
Anna Pavlova.
1603
01:52:59,234 --> 01:53:00,720
Daughter of Russia.
1604
01:53:02,770 --> 01:53:06,970
Our hands reach out to you,
to touch her greatness.
1605
01:53:07,570 --> 01:53:13,010
May God keep you, and in His
generosity return to you all
1606
01:53:13,610 --> 01:53:17,570
that you so generously give
to those you hold dear.
1607
01:53:18,430 --> 01:53:22,670
Light, warmth, joy,
and a love of life.
1608
01:53:23,270 --> 01:53:25,190
Farewell, Anna Pavlova.
1609
01:54:06,800 --> 01:54:08,880
Madame, this is the finest
corner of London.
1610
01:54:08,880 --> 01:54:11,040
Come with me.
1611
01:54:11,040 --> 01:54:12,360
Coming, ma'am.
1612
01:54:17,810 --> 01:54:20,690
I want to plant 8,000
tulips here.
1613
01:54:20,810 --> 01:54:22,610
That will cost you dearly.
1614
01:54:22,610 --> 01:54:23,770
Not one less?
1615
01:54:23,850 --> 01:54:25,650
I understand — I'll find
you the very best.
1616
01:54:25,730 --> 01:54:26,770
And where would you
like to plant them?
1617
01:54:26,770 --> 01:54:28,010
On that lawn over there.
1618
01:54:28,090 --> 01:54:28,890
My!
1619
01:54:29,130 --> 01:54:30,250
8,000 tulips.
1620
01:54:30,370 --> 01:54:31,930
Beautiful, but very expensive.
1621
01:54:32,050 --> 01:54:33,730
Beauty will save the world.
1622
01:54:33,810 --> 01:54:35,330
Fine words. Very fine words.
1623
01:54:35,490 --> 01:54:36,610
Who said that?
1624
01:54:38,050 --> 01:54:42,210
A Russian man — we lived
in the same city.
1625
01:54:42,450 --> 01:54:42,950
I see.
1626
01:54:42,970 --> 01:54:43,530
Who was he?
1627
01:54:43,810 --> 01:54:44,370
A gardener?
1628
01:54:44,730 --> 01:54:46,130
No, a writer.
1629
01:54:47,570 --> 01:54:51,130
I imagine he bought his tulips
at a much lower price,
1630
01:54:51,250 --> 01:54:51,750
yes?
1631
01:54:59,730 --> 01:55:00,890
Where to, madame?
1632
01:55:00,890 --> 01:55:01,930
Which way do we turn?
1633
01:55:02,010 --> 01:55:03,290
Where is north?
1634
01:55:03,370 --> 01:55:04,810
And Madame...
1635
01:55:10,070 --> 01:55:11,750
Victor, where is north?
1636
01:55:11,830 --> 01:55:13,150
Oh, I don't know.
1637
01:55:13,190 --> 01:55:15,470
Madame, do you see the moss
on that tree?
1638
01:55:15,470 --> 01:55:16,550
That's north.
1639
01:55:16,630 --> 01:55:17,710
Is Russia that way?
1640
01:55:17,790 --> 01:55:19,430
No, Madame, that's my home.
1641
01:55:19,590 --> 01:55:23,710
A bit further is Denmark,
and Russia is to the right.
1642
01:55:40,480 --> 01:55:43,920
Anna, come along. The tea's getting cold.
1643
01:55:46,270 --> 01:55:46,950
Anna?
1644
01:55:47,590 --> 01:55:49,710
I bought you every paper in England.
1645
01:55:50,190 --> 01:55:52,990
There's nothing new in them.
1646
01:55:53,520 --> 01:55:55,440
There's still war in Russia.
1647
01:55:56,200 --> 01:55:59,120
They write about some unrest
among the soldiers.
1648
01:56:00,000 --> 01:56:01,360
Don't be sad.
1649
01:56:01,720 --> 01:56:02,400
Anna.
1650
01:56:02,800 --> 01:56:04,000
Come, let's have tea.
1651
01:56:47,630 --> 01:56:48,230
Anna!
1652
01:56:48,790 --> 01:56:50,310
Victor, where have you been?
1653
01:56:51,110 --> 01:56:51,710
Masha!
1654
01:56:52,390 --> 01:56:53,950
Revolution in Russia.
1655
01:56:54,430 --> 01:56:56,030
The Tsar has abdicated.
1656
01:56:56,430 --> 01:56:56,930
What?
1657
01:56:57,110 --> 01:56:57,990
Revolution?
1658
01:57:00,270 --> 01:57:01,110
Where is Anna?
1659
01:57:01,510 --> 01:57:03,310
She's waiting for you at the station.
1660
01:57:03,390 --> 01:57:04,550
You're late.
1661
01:57:06,050 --> 01:57:08,290
Revolution in Russia.
1662
01:57:10,980 --> 01:57:12,180
Madame, what a wind.
1663
01:57:19,950 --> 01:57:21,190
Victor, we must go back.
1664
01:57:33,100 --> 01:57:36,140
We must break the contracts
and go to Russia.
1665
01:57:37,770 --> 01:57:39,370
You'll be in debt to the whole world.
1666
01:57:40,620 --> 01:57:43,060
A lifetime wouldn't be enough
to pay it all back.
1667
01:57:44,690 --> 01:57:45,570
What are we to do?
1668
01:57:47,030 --> 01:57:49,670
Honor the contracts and dance.
1669
02:01:31,380 --> 02:01:31,900
Annushka...
1670
02:01:33,190 --> 02:01:33,870
Anna!
1671
02:01:33,950 --> 02:01:34,450
What?
1672
02:01:34,750 --> 02:01:35,990
We've arrived.
1673
02:01:36,940 --> 02:01:37,440
Where are we?
1674
02:01:39,300 --> 02:01:40,900
I don't know.
1675
02:01:41,140 --> 02:01:41,640
Where are we?
1676
02:01:45,550 --> 02:01:47,630
Lord.
1677
02:01:49,320 --> 02:01:50,600
The end of the earth.
1678
02:01:51,520 --> 02:01:52,520
No land at all.
1679
02:01:53,360 --> 02:01:54,200
Nothing but sand.
1680
02:01:58,110 --> 02:02:00,470
Well, sand isn't fire.
1681
02:02:00,750 --> 02:02:03,110
Grab the bags — we walk from here.
1682
02:02:03,230 --> 02:02:08,710
Dear Madame, how strange it all is.
1683
02:02:09,690 --> 02:02:14,810
All 8,000 of your tulips
have bloomed,
1684
02:02:14,930 --> 02:02:18,490
and still you haven't come.
1685
02:02:19,210 --> 02:02:20,010
Who's there?
1686
02:02:25,250 --> 02:02:25,750
Who's there?!
1687
02:02:27,020 --> 02:02:28,820
Don't worry, it's me.
1688
02:02:45,780 --> 02:02:47,500
Well, Seryozha, what do you think
of our home?
1689
02:02:49,260 --> 02:02:51,460
America to the left.
1690
02:02:53,240 --> 02:02:54,160
Europe to the right.
1691
02:02:55,670 --> 02:02:56,470
And you — right in the middle.
1692
02:02:58,010 --> 02:03:00,090
Swan Landing.
1693
02:03:04,080 --> 02:03:08,120
Aren't you afraid they'll eat you
sooner or later?
1694
02:03:08,200 --> 02:03:10,160
They're vegetarians.
1695
02:03:10,200 --> 02:03:11,120
Yes.
1696
02:03:11,520 --> 02:03:12,880
A rare case.
1697
02:03:13,000 --> 02:03:13,960
Seryozha.
1698
02:03:15,170 --> 02:03:16,410
How's our air treating you?
1699
02:03:17,410 --> 02:03:18,370
Wonderful!
1700
02:03:19,010 --> 02:03:23,290
Oh, Anya, Anyushka, let all these
creatures go and be free.
1701
02:03:23,730 --> 02:03:25,090
And off to Paris.
1702
02:03:25,810 --> 02:03:29,490
That same Paris which awarded you
the Academic Palm.
1703
02:03:30,110 --> 02:03:32,670
That is recognition, but not love.
1704
02:03:33,510 --> 02:03:37,430
Paris, Sergei Pavlovich, always was,
is, and will be yours.
1705
02:03:37,550 --> 02:03:39,350
Let's drink to our new union.
1706
02:03:41,240 --> 02:03:43,640
In the name of Russian ballet's triumph.
1707
02:03:45,175 --> 02:03:48,260
Let us drink instead
to Nijinsky's health.
1708
02:03:48,660 --> 02:03:50,420
God grant that he finds himself again.
1709
02:03:52,540 --> 02:03:58,460
In eight years of ballet,
Nijinsky created not only his immortality,
1710
02:03:58,580 --> 02:04:01,740
but an entire era
in world ballet.
1711
02:04:03,340 --> 02:04:07,540
I've spoken with the finest
psychiatrists.
1712
02:04:09,365 --> 02:04:10,490
There is hope.
1713
02:04:11,724 --> 02:04:13,330
I will save Vaslav.
1714
02:04:13,850 --> 02:04:15,850
But what of the company
without Nijinsky?
1715
02:04:16,130 --> 02:04:17,330
You want to know the truth?
1716
02:04:19,090 --> 02:04:20,090
The old company is gone.
1717
02:04:21,740 --> 02:04:25,340
Serge Lifar and Sergei Diaghilev —
c'est tout.
1718
02:04:27,820 --> 02:04:33,460
And my beloved Paris devours
ten geniuses a night.
1719
02:04:34,100 --> 02:04:35,900
There are no more geniuses!
1720
02:04:36,020 --> 02:04:38,420
Into the Seine or onto a noose.
1721
02:04:43,580 --> 02:04:44,140
Anyushka.
1722
02:04:46,420 --> 02:04:50,540
Don't you want a triumphant
return to Paris?
1723
02:04:51,180 --> 02:04:52,660
You'd have everything.
1724
02:04:53,060 --> 02:04:54,460
A company.
1725
02:04:54,980 --> 02:04:55,500
Fokine.
1726
02:04:57,160 --> 02:04:57,760
Me.
1727
02:04:58,280 --> 02:05:00,040
Victor will always be by your side.
1728
02:05:00,640 --> 02:05:02,600
I don't want to, and I can't.
1729
02:05:04,810 --> 02:05:06,250
But why can't you?
1730
02:05:07,530 --> 02:05:10,610
I can't sign a death warrant
for my own company.
1731
02:05:17,300 --> 02:05:17,800
Russian Season.
1732
02:05:21,030 --> 02:05:21,550
Russian Season.
1733
02:05:23,680 --> 02:05:24,280
Russian Season.
1734
02:05:24,360 --> 02:05:25,040
Blinis.
1735
02:05:25,080 --> 02:05:26,040
Russian Season.
1736
02:05:26,600 --> 02:05:28,360
Hot blinis!
1737
02:05:29,120 --> 02:05:30,960
I'll take them by the recipe.
1738
02:05:30,960 --> 02:05:32,960
I'll allow myself just one.
1739
02:05:33,040 --> 02:05:35,240
No, no, no, madame,
good heavens, no.
1740
02:05:35,320 --> 02:05:37,160
You must keep your figure —
stay slim and trim.
1741
02:05:37,240 --> 02:05:38,160
I have nothing to lose.
1742
02:05:38,320 --> 02:05:39,400
I'll eat them all myself.
1743
02:05:43,420 --> 02:05:45,220
Oh, Mr. Hurok!
1744
02:05:46,340 --> 02:05:49,820
Oh, my dear, my joy!
1745
02:05:50,260 --> 02:05:50,980
It's you!
1746
02:05:51,180 --> 02:05:52,420
Good morning, my darling!
1747
02:05:53,780 --> 02:05:55,340
You grow lovelier every day!
1748
02:05:55,700 --> 02:05:56,200
Anna!
1749
02:05:56,860 --> 02:05:58,780
How do you do it?
1750
02:05:59,460 --> 02:06:01,007
You look radiant and fresh.
1751
02:06:01,007 --> 02:06:02,660
And you are disarmingly gallant!
1752
02:06:02,660 --> 02:06:04,100
It's incomprehensible.
1753
02:06:04,470 --> 02:06:09,430
Oh, Anna, darling, how your
company has grown!
1754
02:06:10,190 --> 02:06:10,690
Yes.
1755
02:06:13,000 --> 02:06:15,720
Victor, another panic
on the stock exchange.
1756
02:06:16,040 --> 02:06:17,120
That was to be expected.
1757
02:06:17,200 --> 02:06:18,160
We're on the brink of disaster.
1758
02:06:18,200 --> 02:06:20,560
Anna, try to look at everything
that's happening realistically.
1759
02:06:20,600 --> 02:06:21,240
Everything that's happening.
1760
02:06:21,440 --> 02:06:23,120
Nobody wants to watch
ballet anymore.
1761
02:06:23,280 --> 02:06:24,360
They're rushing to
the stock exchange.
1762
02:06:24,480 --> 02:06:26,760
That game excites them,
not ballet and theater.
1763
02:06:26,960 --> 02:06:28,920
America is in crisis.
1764
02:06:29,160 --> 02:06:30,880
It's a typhoon that
won't spare us either.
1765
02:06:32,305 --> 02:06:33,430
Anna!
1766
02:06:33,710 --> 02:06:34,510
Anna!
1767
02:06:34,910 --> 02:06:39,230
Dissolve the company, we'll pay
severance, send everyone home.
1768
02:06:39,510 --> 02:06:42,750
As for you, I promise to keep
the very same terms for you.
1769
02:06:43,110 --> 02:06:44,710
You won't lose a thing.
1770
02:06:45,390 --> 02:06:51,990
Anna, darling, you'll remain
the highest-paid ballerina
in America, just as before.
1771
02:06:52,210 --> 02:06:57,570
Anna, I'm afraid the theaters
in Boston and Philadelphia
will be empty.
1772
02:06:57,690 --> 02:06:59,250
Completely empty?
1773
02:06:59,450 --> 02:07:01,250
Nearly empty!
1774
02:07:01,450 --> 02:07:03,290
So, not empty then.
1775
02:07:03,410 --> 02:07:05,490
I said nearly!
1776
02:07:05,770 --> 02:07:07,410
Read the newspapers, Anna!
1777
02:07:07,530 --> 02:07:08,450
And finally understand.
1778
02:07:08,490 --> 02:07:10,090
Yes, of course he's right, dear.
1779
02:07:10,250 --> 02:07:12,170
Dismiss the company,
at least for a while.
1780
02:07:12,330 --> 02:07:12,850
And then...
1781
02:07:12,890 --> 02:07:13,770
Be quiet!
1782
02:07:14,440 --> 02:07:16,520
Mr. Hurok, you said "almost."
1783
02:07:17,000 --> 02:07:19,120
So wherever the halls are empty,
1784
02:07:19,240 --> 02:07:21,920
please don't pay me — only the company!
1785
02:07:22,440 --> 02:07:24,760
Anna, my contract isn't with the company —
1786
02:07:25,000 --> 02:07:27,360
it's with you. You must honor it.
1787
02:07:28,400 --> 02:07:29,560
I don't want to hear it.
1788
02:07:29,640 --> 02:07:33,960
You'll be back on pointe
before I ever dismiss my company.
1789
02:07:34,200 --> 02:07:35,320
Faster, everyone!
1790
02:07:35,600 --> 02:07:37,680
All is well — we're going to rehearse.
1791
02:07:39,415 --> 02:07:40,980
Work, girls, work.
1792
02:07:52,124 --> 02:07:54,690
You think of me sometimes.
1793
02:07:55,130 --> 02:07:57,010
Anna, so much of you
is in this house.
1794
02:07:57,090 --> 02:07:57,850
Yes, yes.
1795
02:07:58,410 --> 02:08:01,890
Look — you unwittingly
make everyone around you envious.
1796
02:08:07,390 --> 02:08:08,990
Misha, my dear.
1797
02:08:09,630 --> 02:08:10,950
Are you happy with your life?
1798
02:08:11,910 --> 02:08:12,870
Yes.
1799
02:08:13,230 --> 02:08:16,190
I have my school, students I love —
everything's fine.
1800
02:08:16,643 --> 02:08:18,330
I'm so happy for you.
1801
02:08:20,805 --> 02:08:21,305
You know...
1802
02:08:22,513 --> 02:08:23,953
If you don't look at the shore —
1803
02:08:25,927 --> 02:08:27,567
the Hudson looks like the Neva.
1804
02:08:32,160 --> 02:08:34,040
No, Annushka, it doesn't.
1805
02:08:34,280 --> 02:08:35,880
And the stage?
1806
02:08:36,520 --> 02:08:37,680
I tried.
1807
02:08:38,590 --> 02:08:39,950
I need a company.
1808
02:08:40,230 --> 02:08:41,190
A large one.
1809
02:08:42,910 --> 02:08:44,230
Like the Mariinsky.
1810
02:08:44,550 --> 02:08:47,590
I'm tired of making miniatures —
I've had my fill of them.
1811
02:08:48,450 --> 02:08:49,170
Get out!
1812
02:08:49,370 --> 02:08:50,770
Even Diaghilev.
1813
02:08:50,850 --> 02:08:53,210
The almighty Diaghilev!
1814
02:08:53,250 --> 02:08:54,490
Your Diaghilev.
1815
02:08:54,530 --> 02:08:57,730
Your Diaghilev couldn't build
a company either.
1816
02:08:59,040 --> 02:09:00,080
Misha, Misha!
1817
02:09:00,080 --> 02:09:01,520
Come with me?
1818
02:09:04,920 --> 02:09:06,800
I saw your Don Quixote.
1819
02:09:07,200 --> 02:09:08,720
A most magnificent spectacle!
1820
02:09:09,280 --> 02:09:10,960
The mule was real.
1821
02:09:12,050 --> 02:09:13,170
The rest — forgive me.
1822
02:09:13,530 --> 02:09:14,030
And me?
1823
02:09:14,690 --> 02:09:20,570
You need old Cecchetti, young Fokine,
and the Mariinsky stage.
1824
02:09:22,850 --> 02:09:24,450
Your health, my lady.
1825
02:09:30,850 --> 02:09:31,450
Ah, Misha...
1826
02:09:33,220 --> 02:09:36,460
Do you remember that day
I came running to you in the spring?
1827
02:09:36,780 --> 02:09:37,660
It seems to me...
1828
02:09:39,650 --> 02:09:41,450
...that I have lived before.
1829
02:09:43,290 --> 02:09:45,610
And in that previous life,
everything was better.
1830
02:09:46,450 --> 02:09:47,210
Yes, Misha.
1831
02:09:47,370 --> 02:09:47,810
Yes.
1832
02:09:47,810 --> 02:09:49,410
Including your visit.
1833
02:09:51,150 --> 02:09:53,230
Never mind. Let it be.
1834
02:09:56,150 --> 02:09:58,150
Don't make films, Anya.
1835
02:09:59,020 --> 02:10:03,820
Neither film nor painting nor photography
can capture you in your true dimensions.
1836
02:10:04,100 --> 02:10:08,220
You become Pavlova only when
the living breath of the audience is there.
1837
02:10:08,460 --> 02:10:10,580
Remain a legend — that's better.
1838
02:10:13,480 --> 02:10:14,440
We'll hold on, Misha.
1839
02:10:14,520 --> 02:10:15,020
We will.
1840
02:10:17,300 --> 02:10:18,180
Diaghilev is finished.
1841
02:10:19,560 --> 02:10:20,520
Nijinsky is in a hospital.
1842
02:10:21,920 --> 02:10:23,920
Mordkin and I have been reduced
to ballet nursemaids.
1843
02:10:24,000 --> 02:10:25,240
You're the only one left.
1844
02:10:29,100 --> 02:10:30,300
You're still in the saddle.
1845
02:10:30,820 --> 02:10:32,340
As the Americans say.
1846
02:10:32,780 --> 02:10:34,220
Hold on, Annushka.
1847
02:10:37,240 --> 02:10:38,160
It's stuffy in there.
1848
02:10:38,600 --> 02:10:39,880
Let's go outside.
1849
02:10:45,790 --> 02:10:46,950
How is your son?
1850
02:10:47,270 --> 02:10:48,910
Wonderful.
1851
02:10:49,590 --> 02:10:51,230
He dances better than I do.
1852
02:10:51,390 --> 02:10:52,670
Your wife?
1853
02:10:53,070 --> 02:10:54,790
Fine, thank you.
1854
02:10:56,230 --> 02:10:56,990
How is Viktor?
1855
02:10:57,350 --> 02:10:58,630
Fine, thank you.
1856
02:11:00,340 --> 02:11:01,100
Misha?
1857
02:11:03,500 --> 02:11:05,420
You know, I woke up
in the middle of the night,
1858
02:11:05,500 --> 02:11:06,380
and I was frightened.
1859
02:11:06,420 --> 02:11:07,700
Don't be foolish, Anya.
1860
02:11:07,940 --> 02:11:08,820
What's the matter?
1861
02:11:10,080 --> 02:11:12,880
I thought — what if I die?
1862
02:11:13,370 --> 02:11:16,090
And remain forever
in a foreign land.
1863
02:11:17,130 --> 02:11:20,850
We are small islands
scattered across the ocean,
1864
02:11:21,010 --> 02:11:23,410
but we always remained
part of the mainland.
1865
02:11:23,770 --> 02:11:25,450
That's an illusion, Mishenka.
1866
02:11:26,980 --> 02:11:28,180
We are not islands.
1867
02:11:28,700 --> 02:11:31,180
We are prisoners of our fate.
1868
02:11:32,300 --> 02:11:34,340
Without our homeland,
we are nothing.
1869
02:11:35,100 --> 02:11:38,580
We've done something for Russia,
and we will be remembered.
1870
02:11:38,940 --> 02:11:39,860
I'm certain of it.
1871
02:11:40,790 --> 02:11:45,030
Russia has done
far more for us.
1872
02:12:04,130 --> 02:12:04,850
Look who's here!
1873
02:12:05,130 --> 02:12:06,010
Hello, Victor!
1874
02:12:06,170 --> 02:12:08,250
So glad to see you,
Mr. Hurok!
1875
02:12:08,410 --> 02:12:09,730
Wonderful, old friend!
1876
02:12:09,850 --> 02:12:10,350
Very glad.
1877
02:12:18,070 --> 02:12:18,870
Thank you.
1878
02:12:24,790 --> 02:12:26,950
Madame Pavlova,
the Sunday Times asks—
1879
02:12:27,070 --> 02:12:28,230
You've traveled
the entire world.
1880
02:12:28,310 --> 02:12:30,150
Where would you ultimately
wish to live?
1881
02:12:31,430 --> 02:12:33,910
Somewhere in Russia.
1882
02:12:34,670 --> 02:12:35,750
New York Times!
1883
02:12:35,870 --> 02:12:36,990
New York Times!
1884
02:12:37,430 --> 02:12:38,510
Madame Pavlova!
1885
02:12:39,110 --> 02:12:40,270
Madame Pavlova!
1886
02:12:40,950 --> 02:12:41,950
Excuse me, please.
1887
02:12:42,310 --> 02:12:43,750
Madame Pavlova,
I'm a correspondent—
1888
02:12:44,130 --> 02:12:45,010
New York Times.
1889
02:12:45,130 --> 02:12:48,290
Forgive me — what could
a ballerina of your stature
1890
02:12:48,330 --> 02:12:50,170
wish for, at the very
height of her fame?
1891
02:12:51,170 --> 02:12:53,250
To dance until
my very last day.
1892
02:12:53,330 --> 02:12:55,690
Madame, I represent
the Miami Herald.
1893
02:12:55,770 --> 02:12:58,690
How have you managed
to bring audiences back?
1894
02:12:59,390 --> 02:13:01,350
Gentlemen, it's
really quite simple!
1895
02:13:01,910 --> 02:13:03,590
You just have to
want it enough.
1896
02:13:05,190 --> 02:13:07,550
I remember you when
you were still so...
1897
02:13:07,590 --> 02:13:09,030
New York Mirror, Ken Miller.
1898
02:13:09,190 --> 02:13:10,390
Forgive me, Madame Pavlova.
1899
02:13:10,470 --> 02:13:14,430
As I understand it, Russia
has caused you considerable grief.
1900
02:13:15,030 --> 02:13:16,110
Excuse me, excuse me.
1901
02:13:16,430 --> 02:13:18,030
What would you say
on that matter?
1902
02:13:19,060 --> 02:13:24,100
Never confuse, gentlemen, Russia
with the Imperial Theatre directorate.
1903
02:13:29,530 --> 02:13:30,770
Madame, I'm Kari Goodman.
1904
02:13:30,890 --> 02:13:31,690
I would very much like to—
1905
02:13:32,410 --> 02:13:36,370
No wishing, please. I don't have
another ship waiting in reserve.
1906
02:13:36,490 --> 02:13:37,970
And this one is already coming in.
1907
02:13:38,050 --> 02:13:40,050
So please forgive us, gentlemen.
1908
02:13:45,050 --> 02:13:46,530
Madame Pavlova!
1909
02:13:46,890 --> 02:13:49,770
What are you taking with you
as a memory of New York?
1910
02:13:50,930 --> 02:13:51,490
Ah!
1911
02:13:52,730 --> 02:13:55,330
The inscription on the facade
of the main post office.
1912
02:13:57,260 --> 02:14:05,500
Neither snow, nor rain, nor storm
shall stay the American Post
from the swift completion of its duties.
1913
02:14:05,940 --> 02:14:07,340
That's about me.
1914
02:14:53,870 --> 02:14:54,670
Misha!
1915
02:14:56,740 --> 02:14:57,540
Misha!
1916
02:15:27,800 --> 02:15:32,840
Dear Serge Lifar, they say you're
the most fashionable dancer in Paris now.
1917
02:15:34,140 --> 02:15:35,380
Unfortunately, that's true.
1918
02:15:35,420 --> 02:15:36,100
Why so?
1919
02:15:36,140 --> 02:15:37,020
Unfortunately?
1920
02:15:37,340 --> 02:15:38,420
Do you mind if I smoke?
1921
02:15:38,460 --> 02:15:39,580
Not at all, please.
1922
02:15:39,740 --> 02:15:40,260
So why?
1923
02:15:40,340 --> 02:15:41,180
Unfortunately?
1924
02:15:42,470 --> 02:15:43,070
The peak of fame—
1925
02:15:44,720 --> 02:15:47,280
It's the point from which
the decline begins.
1926
02:15:47,400 --> 02:15:49,960
Have you, dear Anna Pavlovna,
never thought about that?
1927
02:15:50,000 --> 02:15:51,560
I never had time for that.
1928
02:15:51,720 --> 02:15:52,640
Would you like some tea?
1929
02:15:53,040 --> 02:15:55,880
Please — real Russian tea,
I brewed it myself.
1930
02:15:55,880 --> 02:15:57,240
Thank you.
1931
02:15:57,240 --> 02:15:58,240
Help yourself.
1932
02:16:00,130 --> 02:16:01,330
Anna Pavlovna.
1933
02:16:07,350 --> 02:16:08,990
Dear Anna Pavlovna.
1934
02:16:10,890 --> 02:16:12,770
Do you not notice the passage of time?
1935
02:16:14,010 --> 02:16:16,770
There are now two Pavlovas.
1936
02:16:17,210 --> 02:16:21,730
One real, one a legend.
1937
02:16:22,420 --> 02:16:26,940
I would gladly destroy the real Pavlova
to preserve the one from before —
1938
02:16:27,140 --> 02:16:29,180
the one who drove us mad.
1939
02:16:31,260 --> 02:16:33,740
Anna Pavlovna, you're constantly
rushing off somewhere —
1940
02:16:33,780 --> 02:16:34,820
now in the sands of Africa,
1941
02:16:34,820 --> 02:16:36,900
now on some remote island in Sweden.
1942
02:16:37,220 --> 02:16:39,780
I understand, but protect yourself —
1943
02:16:39,820 --> 02:16:42,580
remain an untouchable
goddess of dance.
1944
02:16:42,700 --> 02:16:44,660
You must not be touched
by a crowd of philistines
1945
02:16:44,740 --> 02:16:48,420
who understand nothing
of ballet's subtleties.
1946
02:16:48,980 --> 02:16:50,140
You are one of a kind.
1947
02:16:50,980 --> 02:16:52,380
Remain so.
1948
02:16:59,300 --> 02:16:59,800
Madame!
1949
02:17:00,180 --> 02:17:02,500
Please, teach us how
to do fouettés!
1950
02:17:03,540 --> 02:17:04,940
Teach us to do fouettés!
1951
02:17:05,380 --> 02:17:06,860
Girls, back — quickly!
1952
02:17:07,380 --> 02:17:08,940
You're disrupting the rehearsal, girls!
1953
02:17:09,140 --> 02:17:09,640
Madame!
1954
02:17:09,820 --> 02:17:10,620
Can you hear me?
1955
02:17:11,100 --> 02:17:12,140
Madame, forgive us.
1956
02:17:12,420 --> 02:17:15,540
A newspaper wrote that you only teach us
what you can do yourself —
1957
02:17:15,660 --> 02:17:18,340
that you...
1958
02:17:18,420 --> 02:17:20,900
that you've nearly lost
your technical command of dance!
1959
02:17:21,820 --> 02:17:25,380
I was ashamed and grieved
to read and hear that.
1960
02:17:25,740 --> 02:17:27,660
But they kept shoving
that newspaper in my face.
1961
02:17:28,880 --> 02:17:30,240
Show us the fouetté.
1962
02:17:30,320 --> 02:17:31,560
Quiet, quiet!
1963
02:17:31,680 --> 02:17:34,200
I beg you, girls, do you hear me?
1964
02:17:34,240 --> 02:17:35,720
Calm down!
1965
02:17:36,040 --> 02:17:38,160
Madame, I can't do anything with them.
1966
02:17:38,240 --> 02:17:39,680
These children are absolutely impossible.
1967
02:17:39,680 --> 02:17:40,180
Please.
1968
02:18:04,320 --> 02:18:06,600
Now, dear girls, this is not ballet.
1969
02:18:06,920 --> 02:18:09,480
This is technique. But ballet...
1970
02:18:10,120 --> 02:18:12,040
Ballet is not the legs.
1971
02:18:12,280 --> 02:18:13,480
It is the soul.
1972
02:18:17,260 --> 02:18:19,300
Girls, that's enough — you've seen it.
1973
02:18:19,380 --> 02:18:21,220
Off to rehearsal, come on, come on.
1974
02:18:21,620 --> 02:18:22,300
Seryozha, I...
1975
02:18:24,230 --> 02:18:26,910
I received a letter from Leningrad.
1976
02:18:27,350 --> 02:18:28,310
How lovely.
1977
02:18:28,750 --> 02:18:29,630
From whom?
1978
02:18:32,920 --> 02:18:33,420
There...
1979
02:18:34,670 --> 02:18:36,590
The signatures of the principal...
1980
02:18:38,100 --> 02:18:38,820
...artists...
1981
02:18:40,590 --> 02:18:41,310
...of our theater.
1982
02:18:44,410 --> 02:18:45,770
They're calling me...
1983
02:18:47,220 --> 02:18:47,940
...back.
1984
02:18:51,300 --> 02:18:53,060
Oh, how agitated madame is!
1985
02:18:53,140 --> 02:18:55,140
Oh, how she's agitated!
1986
02:18:58,940 --> 02:18:59,440
Yes.
1987
02:18:59,780 --> 02:19:01,980
Cards can earn you a fortune.
1988
02:19:02,460 --> 02:19:04,540
Dancing — never!
1989
02:19:05,340 --> 02:19:06,420
Gaga's coming soon.
1990
02:19:06,780 --> 02:19:08,260
Win quickly.
1991
02:19:12,100 --> 02:19:13,220
Gentlemen, I've won!
1992
02:19:14,060 --> 02:19:16,500
I won four francs for the first time
in my life!
1993
02:19:18,100 --> 02:19:19,540
Ten francs!
1994
02:19:20,060 --> 02:19:20,940
Can you imagine?!
1995
02:19:21,060 --> 02:19:21,580
Sasha!
1996
02:19:22,100 --> 02:19:24,060
Sasha, I won — can you believe it?!
1997
02:19:24,100 --> 02:19:24,740
Sasha?!
1998
02:19:25,260 --> 02:19:26,700
I must make a wish right now.
1999
02:19:29,140 --> 02:19:33,780
In a year I will perform on the stage
of the Mariinsky Theatre.
2000
02:19:33,900 --> 02:19:34,940
God help me.
2001
02:19:35,100 --> 02:19:35,600
Bravo.
2002
02:19:36,940 --> 02:19:37,700
Bravo, madame!
2003
02:19:37,780 --> 02:19:38,280
Bravo!
2004
02:19:43,540 --> 02:19:44,380
Hold on!
2005
02:19:45,940 --> 02:19:46,660
Stop!
2006
02:19:47,900 --> 02:19:49,500
Stop, I tell you!
2007
02:19:50,180 --> 02:19:51,460
Can't you see?
2008
02:19:52,180 --> 02:19:52,940
Excuse me.
2009
02:19:53,500 --> 02:19:54,000
Hey!
2010
02:19:54,420 --> 02:19:54,980
What's going on?
2011
02:19:55,260 --> 02:19:56,020
What happened?
2012
02:20:00,630 --> 02:20:01,130
Girls!
2013
02:20:01,830 --> 02:20:05,590
Girls, Anna, be careful —
the rocks here are very sharp.
2014
02:20:05,910 --> 02:20:07,390
Please, watch your step.
2015
02:20:09,230 --> 02:20:10,270
Well, how about that.
2016
02:20:10,950 --> 02:20:11,870
What luck we've had.
2017
02:20:12,030 --> 02:20:13,150
We can't go any further.
2018
02:20:13,710 --> 02:20:14,590
The road's washed out.
2019
02:20:14,830 --> 02:20:15,670
Lord, nothing is
2020
02:20:15,830 --> 02:20:16,310
clear at all.
2021
02:20:16,310 --> 02:20:17,590
There's a village nearby.
2022
02:20:17,670 --> 02:20:18,790
We can spend the night there.
2023
02:20:19,070 --> 02:20:19,710
I'll show you the way.
2024
02:20:20,790 --> 02:20:22,230
We'll go on foot. Come on.
2025
02:20:22,310 --> 02:20:22,710
Let's go.
2026
02:20:22,710 --> 02:20:23,310
Let's go, quickly.
2027
02:20:23,390 --> 02:20:25,390
Everyone, follow me.
2028
02:20:26,340 --> 02:20:27,700
Afraid of a little water?
2029
02:20:27,820 --> 02:20:28,580
Everyone, follow me!
2030
02:20:28,740 --> 02:20:29,660
It's just rain.
2031
02:20:32,200 --> 02:20:32,700
Straight ahead!
2032
02:20:32,760 --> 02:20:33,260
Straight ahead!
2033
02:20:58,310 --> 02:20:59,110
Are you feeling better?
2034
02:20:59,990 --> 02:21:00,950
I'm better.
2035
02:21:01,470 --> 02:21:02,270
You can see for yourself.
2036
02:21:05,080 --> 02:21:06,280
What's your temperature?
2037
02:21:06,320 --> 02:21:07,280
It's too early to tell.
2038
02:21:07,400 --> 02:21:08,480
Let me have a look.
2039
02:21:08,480 --> 02:21:09,840
No, it's still too early.
2040
02:21:14,000 --> 02:21:15,240
Did you take your medicine?
2041
02:21:17,620 --> 02:21:18,260
Good.
2042
02:21:19,530 --> 02:21:20,330
What time is it?
2043
02:21:22,510 --> 02:21:23,510
Half past one.
2044
02:21:25,290 --> 02:21:26,210
Lie down.
2045
02:21:27,400 --> 02:21:28,800
Please, leave me.
2046
02:21:31,490 --> 02:21:32,250
All right.
2047
02:21:33,240 --> 02:21:34,880
Go — I need to get dressed.
2048
02:21:34,920 --> 02:21:36,120
I'm going.
2049
02:21:36,440 --> 02:21:37,280
I'm going.
2050
02:21:40,520 --> 02:21:41,800
Her Majesty the Queen
2051
02:21:43,330 --> 02:21:48,690
has sent her personal physician,
Dr. Clauson.
2052
02:21:49,010 --> 02:21:49,410
Yes.
2053
02:21:49,410 --> 02:21:51,370
She asks you to receive him.
2054
02:21:53,730 --> 02:21:55,890
Yes.
2055
02:22:10,710 --> 02:22:11,910
The thermometer.
2056
02:22:12,110 --> 02:22:13,350
Go away.
2057
02:22:13,390 --> 02:22:13,990
Anna.
2058
02:22:13,990 --> 02:22:14,590
Go away.
2059
02:22:14,590 --> 02:22:15,710
Give me the thermometer.
2060
02:22:15,790 --> 02:22:17,670
My temperature is normal.
2061
02:22:17,710 --> 02:22:18,550
Anna.
2062
02:22:18,990 --> 02:22:20,110
Why are you doing this?
2063
02:22:20,350 --> 02:22:21,350
Go away.
2064
02:22:21,510 --> 02:22:22,390
Go away.
2065
02:22:26,540 --> 02:22:28,740
Madame Pavlova refuses the operation.
2066
02:22:28,940 --> 02:22:30,380
But you're her husband, you must
2067
02:22:32,090 --> 02:22:33,010
Persuade her...
2068
02:22:33,050 --> 02:22:35,770
I've always deferred
to my wife in everything.
2069
02:22:35,850 --> 02:22:39,170
Mr. Dandré, the situation
is serious.
2070
02:22:39,410 --> 02:22:40,850
You must understand that.
2071
02:22:41,050 --> 02:22:43,330
I've done everything in my power.
2072
02:22:44,250 --> 02:22:46,210
After the operation,
she will never dance again.
2073
02:22:47,660 --> 02:22:49,100
And she knows that.
2074
02:22:50,460 --> 02:22:52,620
Mr. Dandré.
2075
02:22:53,740 --> 02:22:54,860
She will die.
2076
02:22:58,120 --> 02:22:58,880
Allow me, I
2077
02:23:00,370 --> 02:23:02,010
will speak with your wife.
2078
02:23:09,080 --> 02:23:09,760
Anna!
2079
02:23:10,120 --> 02:23:11,840
Victor, I...
2080
02:23:11,960 --> 02:23:13,400
Anna, what are you doing?
2081
02:23:13,560 --> 02:23:15,080
This is madness!
2082
02:23:15,160 --> 02:23:16,547
The performance...
2083
02:23:16,547 --> 02:23:18,187
It's too early!
2084
02:23:19,320 --> 02:23:20,360
I'll be late.
2085
02:23:21,640 --> 02:23:22,160
You can't do this.
2086
02:23:24,110 --> 02:23:24,610
Are you feeling better?
2087
02:23:25,850 --> 02:23:28,290
Yes. How much time until the performance?
2088
02:23:28,290 --> 02:23:30,290
It's three o'clock — plenty of time.
2089
02:23:30,410 --> 02:23:31,450
Try to sleep.
2090
02:23:31,490 --> 02:23:33,050
Wake me in an hour?
2091
02:23:33,330 --> 02:23:35,010
I promise.
2092
02:23:35,530 --> 02:23:36,010
Sleep.
2093
02:23:36,010 --> 02:23:37,370
When will the car arrive?
2094
02:23:37,490 --> 02:23:39,050
The car will be here at six.
2095
02:23:39,170 --> 02:23:40,690
Have it come at five.
2096
02:23:40,730 --> 02:23:42,570
All right, it'll come at five.
2097
02:23:43,770 --> 02:23:45,850
Here, drink this.
2098
02:23:52,490 --> 02:23:53,410
Sleep.
2099
02:23:56,485 --> 02:23:57,445
Sleep.
2100
02:24:21,940 --> 02:24:22,440
Misha...
2101
02:24:27,100 --> 02:24:28,700
It can't be.
2102
02:24:33,370 --> 02:24:33,870
You?
2103
02:24:43,440 --> 02:24:45,680
I'm so glad to see you.
2104
02:24:45,730 --> 02:24:46,330
So am I.
2105
02:24:46,410 --> 02:24:47,353
This is so unexpected.
2106
02:24:47,353 --> 02:24:48,810
For me as well.
2107
02:24:48,810 --> 02:24:49,610
How wonderful.
2108
02:24:49,890 --> 02:24:50,410
Thank you.
2109
02:24:50,450 --> 02:24:52,210
But your car is waiting.
2110
02:24:52,370 --> 02:24:54,170
Yes, I must hurry.
2111
02:24:54,490 --> 02:24:55,250
Forgive me.
2112
02:24:55,370 --> 02:24:56,450
Oh, come on, Anya.
2113
02:24:56,570 --> 02:24:58,090
I'm afraid I'll be late.
2114
02:24:58,130 --> 02:24:59,050
I understand.
2115
02:24:59,730 --> 02:25:00,450
Forgive me.
2116
02:25:01,590 --> 02:25:02,230
It's all right.
2117
02:25:02,910 --> 02:25:05,590
We have all the time in the world.
2118
02:25:06,350 --> 02:25:08,390
We'll still do such great things together.
2119
02:25:10,100 --> 02:25:11,100
Goodbye.
2120
02:25:11,860 --> 02:25:13,020
Go on, go.
2121
02:25:14,680 --> 02:25:15,360
Go.
2122
02:25:16,080 --> 02:25:17,640
Until tonight, Misha.
2123
02:25:56,650 --> 02:25:57,650
They all...
2124
02:25:58,410 --> 02:26:01,810
They all came to see my performance.
2125
02:26:02,850 --> 02:26:04,570
How lovely.
2126
02:26:10,280 --> 02:26:11,680
Prepare it.
2127
02:26:14,110 --> 02:26:16,070
Prepare my costume.
2128
02:26:18,400 --> 02:26:18,900
The Swan.130046
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