All language subtitles for YTDown.com_YouTube_The-Steel-Claw-1961-WWII-ACTION_Media_v14Cpol3YQ8_001_480p

Hey, block, John.

Here's your hospital release.

And the three-day pass, you lucky stiff.

Thanks. Now, don't get lost.

Manila's a big city. Okay, Mother.

Just don't wait up for me, huh?

Where to, Captain?

Downtown? Yes, sir.

I heard they might be climbing over an
open city.

Yeah, that's the way it looks, all
right.

Oh, hello, Cosby.

Where have you been?

I've been looking for you.

Well, I'll tell her you're here. Right.

Not now, honey.

Sooner or later.

Maybe sooner.

Hi, honey.

Merry Christmas.

I brought something for you.

Merry Christmas.

I shall crack this over your thick
skull.

I'll let you get away with murder.

How much am I, sir?

Three weeks.

For three weeks I tried to see you.

To see what? To see this?

It could have been worse.

Not for me.

How good is a man with one hand?

I can't even tie my own shoes.

Fourteen years and in one split second,
I'm a freak. Oh, stop it.

The doctors can work miracles.

They can't give me back a hand.

There must be a place for you, John.

Sure. When I change the rules, every man
fights with one hand tied behind his

back. Oh, come on. You're impossible.

Some ice.

Eeny, meeny, miny, moe.

Catch a pretty girl by the toe.

Eeny,

meeny, miny, moe. Catch a pretty girl
by...

Big boy now.

You don't play on the floor.

Wow.

What a head.

Hey, how'd I get here?

Never mind.

Here's some black coffee.

John, what is it?

Sure not wasting any time.

Hello.

Larson. All leaves have been canceled.

Look, boy, I just got here.

MacArthur's evacuating Manila.

What?

Catch the next launch to the base.

Okay.

Okay, Mother.

We've got to report back to base.

Vanilla is surrendering.

All U.S. personnel are to pull out
immediately.

Oh, no, John.

When will we ever see each other again?

I wish I could answer that.

Good morning, Captain.

Mander aboard and down below, sir.

Hi, cowboy.

Miserable character. When did you get
in?

A minute ago.

Where are you heading with the pea
shooter?

I got no friend in there.

Mind if I tag along?

I can sure use some fresh air.

You get your fresh air and I'd get my
tail in the fling.

Hey, you've got your shipping order down
at the Colonel's office.

You'll be heading home now. I'll take
you out of here.

That's great.

Captain John Larson, U.S. Marine Corps,
retired.

Combat service?

None.

Fourteen years. What a crock.

The ship's ready whenever you are, sir.
Okay, I'll be ready in about ten

minutes. I'll see you when I get back
tonight.

And stay away from that nurse of mine
while I'm gone.

Coffee?

What?

What?

There you are.

Okay, you win.

Where are you headed?

Down the coast of Lausanne.

What's the mission?

Pick up an army officer parachuted out
of a plane.

Top brass?

Brigadier General.

MacArthur wants to make sure the Japs
don't grab him.

And a personal friend, Paul.

West Point.

Any jets where you're going?

Latest reports say it's still clear.

This general was rescued by a kind of a
half-bandit. A character by the name of

Santana. One of the kidnappers he asked
me about.

Oh, how so?

He's asking $5,000 American dollars for
the cost of the operation.

$5,000?

Wow.

He's picking up the tab.

No kidding.

I got it right here.

Hey, uh, buddy, uh, I'm gonna go to the
trap game, huh? Uh-huh.

The plate's all right.

Probably isn't much waiting for us.

What time are you supposed to meet him?

I don't know.

Here, take a look.

Mike, I'm all right.

Road ready, Skipper? Aye, aye.

Simple milk run.

Stinking milk run.

I could take a couple of men ashore and
try to contact Santana.

All you'd contact a belly full of
Japanese lead.

They want the general pretty bad,
Captain.

Yeah.

Hold on, sailor.

I'm expendable.

With that hand, sir?

Drop me off a couple of miles down the
coast, fast.

I'll send two of my men along with you.

No nursemaids.

Give me three days to find this Santana.

I'll meet you here on the third night at
2200.

If I'm not here then, return the next
night at 2300.

Hold it, Captain.

Take this.

You may need it.

Thanks.

Good luck, Captain.

I'm American.

American?

We're, uh... Um... Sunsea, uh...
Santana.

Santana? Yeah, Santana. Gorilla.

The mountains?

Right up... Right up across there, huh?

Oh, um, look.

Salamat po.

Salamat.

Hey! Come here!

I can't hold it. You have to give it
back to me.

What?

This money is for you. Do you
understand?

That's American money, Santana. It's a
lot of money.

I can't hold it. You have to give it
back to me.

What?

Stop right there!

That's American money, Santana.

It's a lot of money. You have to give it
back to me.

Hold him!

Hold him!

Captain, forgive my men.

They are stupid peasants.

Get their greasy mitts off of me.

In your position, Captain, how could you
command me?

The Marines know I'm here, Santana.

Under those circumstances, I believe it
would be better for us to be friends.

Who do you want?

At your service.

Santana.

Patriot.

Patriot.

Professional kidnapper and bounty
hunter.

I heard this, Joker.

What is my ransom pegged at, Santana?

Five thousand dollars for a general?

A thousand for a captain?

Enlisted men must be dirt cheap, huh?

Captain, you grieve me.

I love Americans.

We are like brothers.

Sure. You'd love anybody for money.

A man must leave.

I believe that is a destiny, huh? Only
our delivery of General Fuller.

Not one minute sooner.

Why weren't you at that pier yesterday?

The Japanese were there first.

Who tipped them off?

Captain, you're a very suspicious man.

Why should I go to the Japanese when you
are paying me 5,000 American dollars?

Maybe they made you a better offer.

Captain.

How can I convince you that I can be
trusted?

When the mission is completed.

Now, where is he?

Oh, a terrible luck.

We almost had him.

What do you mean, almost?

You mean you never had him?

Oh, no.

We had him for a while, but too many
Japanese.

Some things you cannot help.

Fortunes of war.

We went into that rendezvous point like
sitting ducks.

An American officer was... killed. I'll
light a candle for him the next time

I'll be here. Get this straight,
Santana. I want that general and no more

double talk, see?

My friend, you are too patient.

We will get him.

There must be plans.

All right, make them. They are holding
him at the sugar central.

Adolf, Mr. Rodriguez is the manager of
the sugar central before the Japanese

took over.

Captain. We overlooked a name.

Larson. About Rodriguez, Captain.

You had an accident?

Regrettable.

Don't let it bother you, Santana.

I can take care of myself.

Captain? You are a captain?

Yes.

I hear you're from Manila.

Me too.

Oh? I have been to Manila Hotel many
times.

And the officer's club.

Honey, I never met you.

You married, maybe?

No.

You have girls?

Say, you will, Marine?

14 years.

What are you doing in Manila?

Where you go?

Oh, here and there.

Christina's. Ah, girls are beautiful
there.

Me?

I could get a job there.

I can see where you could.

Thank you, Captain.

Larson.

Lolita.

Lolita Smith.

Are you going back to Manila soon?

I don't think any of us will be going
back there for a while.

You shouldn't have any trouble.

Manila's been declared an open city.

But there's no boat.

There's no way to go back.

I'll be heading for Corregidor myself.

Hey, Captain, I'll go with you, okay?

Captain, you see, I'm a part American.

I see. Well, I don't think it would be
possible to take you with me.

This is not really my home. I only came
here when a relative died.

I'm afraid there isn't much I could do
about that, Miss Smith.

Captain, I'm not just a Filipino.

I told you, I'm part American.

Sure.

Look, I'll see what I can do.

Now, if you don't mind, Miss Smith, I've
got to meet Santana and Mr. Rodriguez.

Thank you, Captain.

We have prepared this food map, but I
think it will serve your purpose.

We are here, about 45 kilometers from
the central.

This is the central area, and this is
where the general is being held, the man

you look for.

Is the central being operated now?

Well, the Japanese are trying to
operate.

They are referring some kind of fuel,
alcohol.

What are the routes into the central?

The road is heavily guarded, but this
railroad runs through the whole

plantation.

Before the Japanese, it was used for
transporting the sugar.

We're going to have to scout this
railroad.

Santana, what's wrong?

Aye, Captain, I'm very sorry.

This old man is trying to get out of the
buggy. I paid for his miserable pig.

He pays the Japanese pagers, Mickey
Mouse money.

Santana has already taken four other
pigs belonging to him and pays in

worthless pagers.

Is that true, Santana?

Aye, Captain.

Watchers of war, we have no other money.

Miss Smith, ask him if he'll take
American dollars for this pig and the

other four that Santana took.

He feels embarrassed that you are so
concerned.

Well, he needn't be.

Here's $25.

Ask him if that'll cover it.

Take it.

He would like to have dinner at his home
this evening.

I'm afraid that's not possible.

Thank him.

He would be terribly offended.

We will have plenty of time.

However, it's okay.

What did

he say?

Well, he's expecting both of us, if you
don't mind.

I don't mind.

Don't mind translating.

I'm sorry about this unpleasantness,
Captain.

Uh-huh.

That's $25 less I owe you, Santana.

The fortunes of war.

In a way.

Miss Smith, I'll see you later.

Yes, Captain.

Rodriguez, let's take a look at that
truck.

At your convenience, Captain.

Why the rope?

Oh, the cliff. We climbed down.

Never mentioned this before?

I forgot.

There is another way.

Is that true, Santana? Yes, but it's too
far from here. We'll have to go back

halfway to the barrier.

Okay, you've proved your point, Santana.

You know what I mean.

Perhaps if we helped you?

No, I'll wait here for you.

You go.

Get back as soon as you can.

You haven't beaten me yet.

Well?

We're lucky.

The thing came by just after we got
there.

What's the layout?

There's no rust on the rail.

That means this train goes to at least
one today.

It's loaded with supplies.

How about soldiers?

Twelve. Two engineers.

Good.

We'll be on our way tomorrow.

Tomorrow? So soon?

Time is one thing we don't have much of.

Train's our answer.

Let's go.

Like this,

Captain?

That's in memory of his older son.

and his wife, the baby's parents.

They were both killed in the Japanese
London.

Tell him I'm sorry.

I hope the war will end soon.

He speaks

of your hand in the

miseries of war.

He says...

The real pain must be in the heart.

What are they saying?

He talks about me.

I'll tell you later.

He

wants

to destroy your life, Hugh, and fight
the Japanese.

A good farmer is as important as a
soldier.

What did the farmer say about you?

He asked if I was your woman.

Oh?

What did you tell him?

That we were friends.

Uh-huh.

At all?

He says we make fine couple.

We make fine, mystic children.

Yes, we would at that.

When I was a little girl, I used to play
all over this field with his older son.

I thought you were from Manila.

I was born in the barrio.

The farmer is my uncle.

Here in the Philippines, we have big
families.

Is it so in America?

Yeah, some.

I have aunt in Manila.

My mother was very sick.

I had to make some money.

No jobs here, but I go to Manila.

I met a man named Smith.

He treated me very nice.

Gave me money for mother.

How long have you been married?

Oh, no, no.

But he promised we would.

He has wife and some children.

I haven't seen him for eight months.

When he went away, I had to work.

I had no training.

Did Santana tell you what I did in
Manila?

She said you were an actress.

That's a story.

Just like my being an American.

Or my name is Smith.

Sure, I'm an actress.

Like Christina's girl.

Hostess captain.

I entertained men.

They're only gentlemen.

High class.

I made good money.

My mother, she would not move to Manila.

She want to die here.

Now I'm alone.

Sorry, Lolita.

Many people suffer.

Not only in war like you.

War had nothing to do with this.

It happened three days before the
Japanese attack.

An accident?

Yeah, if you call being crazy drunk an
accident.

We were on the officer's launch, headed
back to base.

See, we got caught in the prop.

You ever been plastered?

Plastered? Yeah.

Pie-eyed.

Drunk.

Oh, once.

It makes me sleepy.

Out of a boatload of drunken clowns, I
had to be the prize idiot.

I dove in with my clothes on.

I was working on the prop. The bosom
accidentally started the engine.

He was drunk, too.

Let me help you.

Let me help you, life soldier.

It's nothing.

Just go to sleep.

Don't worry about it.

Hey, what's that?

Nothing. Just go to sleep.

What's that?

How many men can you count on for
tomorrow?

Well, 45,

maybe more.

Then all the guns you have?

With luck, we'll get plenty from the
Japanese.

We have a lot of grenades.

Two submissive guns in Godot there.

U.S. Army.

Any other guerrillas in the area?

Yes, but they are in a budget.

They may cost... Yeah.

When can we meet them?

I speak to them myself first, huh?

Maybe chop rice.

Nothing doing.

I'll be there too. No more pig swindles.

Nothing like that, Captain.

It's sort of a personal thing.

In a way.

I'm already left.

I wouldn't leave without saying goodbye,
Lolita.

Please take me.

I'll be a woman.

What? Please take me.

Take me.

Lolita, I'm not going on a picnic.

I won't be afraid with you.

When we get the general, we'll be coming
back through here.

I'll see you then.

Understand?

I'll be a woman.

Yes, yes, Lolita, if you wish.

I'm late.

Be careful.

John.

Please.

Later.

Santana, you ready to move?

Yes, Captain.

Good morning, John.

Morning, Dolph.

Thanks, sir.

Rosa, my pet.

It's been a long time.

Hey, you're glad to see me?

I've brought wonderful news, Rosa.

I've got an American officer.

He wants to talk to you.

Hey, Rosa, now, Rosa.

I should kill you.

Hey, Rosa, what you do to me?

Do you know how much you embarrass me in
front of my people?

I have no more pride left.

Does this American know what a snake you
are? Does he know what a snake you are?

Easy there. Hold it there now.

We've got important business to discuss.

You are an American. How can you have
anything to do with this?

The fortunes of war.

Chief.

Bandit. Where is the money you owe me?

Soon, Rosa. Soon.

I have many expenses.

Expenses? What expenses? For whiskey and
for the women?

Hey, the captain.

If we help him, he will pay us.

Is this true?

We have agreed to pay $5,000 for the
delivery of an American general.

You want me to help?

That's right.

I have many men with good guns.

And I am the best shot.

I will take half of the money.

Half?

Please. Half? Rosa, we can discuss that
when we get the general.

Now, how many men do you have?

Fifty, sixty, a hundred if you need. We
could use fifty, well armed.

That would be easy.

We need them by two o'clock.

We can be ready.

Fine.

Santana, tell the men where we'll meet.

I'll explain the mission to you on the
way.

John!

John! What is it?

What?

All the American money.

Lousy 25 bucks.

We must get back and make an event.

Hold him, Santana.

How many men would you say were there?

Two truckloads. Made a machine gun.

You'd only get yourselves killed.

Too late.

We've got to move on at fast.

Rosa, have a couple of your men take her
back to a barrio where she'll be safe

until we get back.

No! No!

Oh, Lisa.

Oh, Lisa. Oh, Lisa.

Look, I want you to go back to your big
safe. You understand?

Oh, please.

Please, take me.

Please, take me.

The drug is just below the bigger castle
tree.

We'll have a look at it.

All the men back here.

Let's take a good look at it

Gone haywire.

John, they must have had delays.

They won't return to the central until
tomorrow.

How many hours to make this run?

About five, six.

With two, three hours to load supplies,
they could be through here any time

after three in the morning.

Well, it looks like we'll be here most
of the night.

Move the men on down to the river and
relax.

Santana, do you suppose they could
rustle up some grub? Sure.

Bananas and papayas are fine.

Hello there, Captain.

Oh, hi, Santa. Hey.

What do they call it in America?

Cooling off dogs?

Yeah, that's what they call it, all
right. Got a little hot.

Hey, papaya?

I don't mind.

Thanks.

Okay.

It doesn't do much good to talk to you,
does it?

You're just a child, and there's only
one way to take care of a child.

Now, maybe next time you'll listen to
me.

Child, am I?

No.

Am I a child?

Oh!

you again.

Lolita, come back here.

No.

Go to hell.

Lolita. Lolita, come back.

Where's your home, Jenny?

Where do you live?

How good are you in American geography?

Geography?

Oh, I was terrible.

I hated it. And the teacher.

You've probably never heard of Montana.

Montana?

Mountain? You live in a mountain?

Well, no, not right in the mountain. In
the valley, on a cow ranch.

Oh, you're a cowboy.

Like O'Fallon Cassidy in the movie?

No, not exactly.

But when I was 19 years old, I won the
Montana State Championship rock riding.

My buddy and I, we took two days to
drink up my prize money.

And when we sobered up, we found
ourselves in the Marine Corps.

Your buddy, is he here in the
Philippines with you?

No.

No, he was killed in Nicaragua.

Fighting against guerrilla bandits.

Tell me about it.

Some other time.

You'd better try to get some sleep now.

I could sure you some.

Good night, John.

Good night.

Move the men in along the track.

Rosa. I think you can keep those
carabaos on the track long enough to

slow that train down.

I will try.

Don't take any chances. As the train
slows down, you head for cover.

Look, there's a tree about halfway up
that cut.

Move the carabao under that.

Better get rid of that artillery, too.

Santana. Get all the men in that cane.

Get them on both sides of the track.
Yes, Captain.

One, two. One,

two.

Rosa, remember what I said.

No chances.

No chances?

Get back to your man.

Are you undercover?

Yes, Captain. Almost.

Montana! Yes, Captain?

Get some of your men in those Japanese
uniforms.

Yes, Captain.

There are a couple down here. Move them
out.

Nita! Yes?

You know how to run this thing? I used
to.

Come over here and run it.

Santana, have the men in uniform take
the same positions we found the Japanese

soldiers in.

Yes, Captain.

Rosa,

move the rest of your men out of sight
and keep them there.

We've only begun.

Give her full steam.

That is fast as she'll go.

Maybe a little faster, Captain.

Captain, barricade ahead.

Must be a checkpoint.

Santana, get four men in uniform.

Two on the controls and two to cover us.

Slow her down.

Stop if we have to.

Santana! Make it look like we're
prisoners.

Everybody move back where you were.

Seaton, get her moving.

Give her the gun!

Santana! Rosa!

Now we'll slow up just outside the
central.

Rosa, you'll take about 30 of your men
and you'll go in there.

Santana, you will take your men this
way.

We'll take the train through as slow as
possible and give you a chance to get

into position.

When we're right about in here, I'll
give you two short blasts on the

whistle. By that time, you should be
ready for the attack.

Understand?

All right, get back to your men.

Okay, CSUN, take her in.

I'm a woman.

But I can still fight.

You've got to just hold it.

Wait.

They've pulled out with the generals.

Get back to our train.

Lower down. Pick them up.

Bring her back.

General Fuller.

General Fuller.

Hold it. Hold it.

General. Welcome aboard, General.

Glad to see you, man.

Well, the feeling is mutual, sir. How do
you find me?

Navy intelligence.

Inmanella got word through Santana here.

Captain John Larson, 4th Marine
Regiment, sir.

Brigadier General William R. Fuller.

Were you hit, sir?

I sprained it when I jumped.

You got a cigarette, Captain? Oh, in
general, sir.

Would you try one of these?

I would be honored.

With your permission, sir, we'd better
move on.

By all means, Captain.

Back her up!

Make yourself comfortable, sir.

Thanks.

Captain. Thank you, sir.

Santana, move all your men in that front
car. Drop that last one.

Did they give you a rough time, General?

Three days and three nights without
sleep.

But they didn't crack me.

I'll leave them this school.

By the way, General Albright will be on
hand to greet you at Corregidor when we

get in.

Albright? Yes, your old school chum.

West Point.

Oh, yes, yes, I...

Hadn't realized he made general all that
long.

I think you'll be a lot safer up in that
car ahead of the engine.

Your valuable cargo, sir.

Are we going back through the central?

There is no other way.

Captain, what kind of tactics are these?

If we can't go back through the central,
they'll blow us off the tracks.

We've got to pick up as many men as
possible, sir. They're not worth the

risk, Captain.

They can make their own way back.

Shooting may start any time.

You'd better take cover, sir.

Captain, I'll hold you responsible.

Yes, sir.

You step on my toes, Captain. I may have
to take over.

If it weren't for these men, General,
you'd still be riding north.

Lieutenant.

Control! Don't! Get down there!

Seek her! Keep her going!

Lolita. First day!

I'll be right back.

That's to save ammunition, General.

The jungle's full of them.

Stop this train. We can't let them get
away.

Captain, I ordered you to stop this
train.

We can wipe them out in no time.

You've wiped out quite enough, General.

My orders are to try to get you back
alive.

Till that's over, I'm in command.

I'll have you caught, Marshal, Captain.

If and when we get back, General.

How is she?

She's unconscious.

Yeah.

Stop the bleeding. Yes.

Captain, it would take her ten, three
more miles. It would be closer to the

depicting village I told you about. All
right, pull up when we get there. Okay.

Lolita.

Lolita. Can you hear me?

Lolita.

Captain.

Captain.

I need help.

If they could kill me.

The train is on track, I think.

All right, open it up and cut her loose.

Dolph, give me some water.

Santana.

Rosa.

Here on in, we'll travel light.

We'll take about a dozen men.

Send the rest back to their families.

Aye, Captain.

Rosa,

tell them thanks.

Captain,

I'm sorry.

I must have lost my head for a moment.

This ankle.

Gov, have a couple men help him.

Right.

Captain, they're ready.

All right, let's move.

We're going to get that boat tonight.

We must

be careful in crossing this cliff.

Captain!

I've got to rest.

My ankle's killing me.

John, we will have to stop soon. There's
a stream on the other side of this

cliff. We can rest there.

Send four men ahead to cover us. We'll
go across in small groups.

We'll go across first.

Let's go.

Let's go.

Sorry it was so rough.

Captain, it's safe.

How's it going?

Critical. There's some things you've got
to fix.

Santana.

Rosa, this is your father.

Get it on.

John.

I'd better address it first.

I said get it on.

Get the men ready to move.

Where's the general?

What did you do with him?

Dead. Died.

How did he die?

As you broke his neck.

I didn't kill him.

You decided to play general.

Captain.

What about him?

Drag him along.

Where's Zartala?

Hey, hey, Zartala!

Hey, hey, hey!

I figured this would be positive.

We're going to move now.

All right, see you, son.

Hey, give me a hand, will ya?

The general broke his neck in a fall.

I figured I had a better chance of
staying alive if I put on his outfit.

Three non-coms were killed by the Japs
the minute they caught up to us.

Can't you see?

This piece of tin saved me.

Why didn't you drop the act when we
picked you up?

Not I know who you really were.

That steel hook?

Bunch of guys in Jap outfits?

You could have been a lousy corporal.

Knock it off, Sergeant.

You could tell it to a court martial if
we get back.

Why don't you guys take orders from that
one-armed Marine, huh?

Lousy officers.

All alike.

Hey,

fellas, give me a hand.

You heard me. I said give me a hand.

Come back here, you yellow bellies.

Come back or I'll blow your heads off.

Oh, you sit that up.

Get up here.

And when I do, I'll blow you all to
hell.

You and your hook arm, Captain.

Lieutenant! Lieutenant!

You're not going to surrender again, are
you?

Decided.

Now, take over.

Boys, keep moving.

When you see the whites of their eye.

Three days.

Three nights.

That's the mother.

The surgeon got four.

Amado killed the last two.

How does he know there were only six?

Have the sergeant buried first chance
yet.

Let's move.

How is she?

I'm afraid the fever is slipping in.

Any more sulfur powder on that first aid
kit?

No, Darth used it all when he reduced
the wound.

Grain pills?

Give me a couple.

Let's give her.

We're very close to the visit, Billy.
I'll go take a look. Fine.

Now, Lisa, these pills, you must take
them.

Lisa, give me the top of the canteen.

Move her under cover.

Santana, over here.

We've got to move fast.

Hold it, Santana. Where to?

A funeral procession is crossing the bay
for the graveyard.

I have made a resume to join them.

A jet patrol's near here.

We must be careful, fast, and quiet.

They have taken the village, but the
Milo's still up today for the

headquarter.

Just how do you figure to get us across?

You will be dead.

Be what?

How I will be dead, Skipper. You will be
going to play dead.

We'll have to put you in a lieutenant's
coffin.

This is another one of your harebrained
ideas, Santana.

Skipper, aren't you ever going to trust
me?

Yeah, be right back.

We've got to move fast.

Antenna, behind that tree.

They will meet up here.

If we move in closer, when their
preparations are made, they'll come for

us.

They're coming.

Keep your voice down.

Where's Maria?

A few feet ahead.

We'll be putting you aboard in a couple
of minutes.

Take it easy, Santana.

Quiet, Skipper.

Santana, did I hear motors?

Yes.

But I think they're guessing.

How far are we?

Halfway across the bay.

We're catching up with the other
procession.

We are trying to work our way to the
mill.

We're almost there, Skipper.

We'll make our way to the far side of
the procession as soon as we're out of

sight. Of the town.

Where will it start, my lord?

Well, that'll sure be music to my ears.

Can I come out now, Santana?

In a minute. I'll help you.

Whoa.

What a relief that is.

We should be on that ship in a few
hours.

miles out.

The ship should pass within a mile of
us.

Keep listening and listen hard.

hear the ship.

That's coming from that direction.

40 millimeters.

When they pull out, they'll be going
like a bat out of hell.

We've got to find a way to signal them.

Season, get me about a half a gallon of
gas out of the tank.

Rosa, give me a hand.

Santana, throw me the black ropes out of
your boat.

I think it's almost passing us.

Have you got a match?

I don't have any.

Santana. I did have some.

Grab onto it.

Can you reach it now?

A little further.

That's it.

Get it lit.

Hurry.

Get the damn match with Santana.

I hope it's one of ours.

Circle around the coffin.

It is Captain Locke.

Man, the luck of the Marines.

Captain Locke!

Welcome back, Captain.

Good to be back, sailor.

Pretty bad hit.

Bring us Fletcher.

Any luck with the general, sir?

That's a long story, sailor.

You're in good hands now.

Take her to sickbay.

Rosa.

Thank you.

Thank you.

See, son?

Thanks.

Salamat, Skipper.

Skipper.

It's a shame you're leaving.

Things have been very exciting.

Santana, if it were any more exciting,
I'm afraid none of us would be here.

Oh, by the way, you've earned this.

Well, to me, you'd get a darn sight
more.

You have bought us many things, more
than we've earned money.

I'm afraid you don't need this anymore.

No, but your families do.

I hope soon you can use it.

Good luck.

Roger, I think you have a new man.

So long, Joe.

Goodbye, Captain John.

Godspeed.

Santana.

Hang on to this for me.

With my life.