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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: [Script Info] ScriptType: v4.00+ Collisions: Normal PlayResX: 1920 PlayResY: 1080 Timer: 100.0 WrapStyle: 0 ScaledBorderAndShadow: yes [V4+ Styles] Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2.37,1.97,2,20,20,20,0 [Events] Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:02.24,0:00:07.60,Default,,0,0,0,,Narrator: THE SPHINX,\NA MONSTROUS LIVING STATUE, Dialogue: 0,0:00:07.68,0:00:11.72,Default,,0,0,0,,A TERRIFYING HUMAN-LION HYBRID. Dialogue: 0,0:00:11.80,0:00:15.88,Default,,0,0,0,,THESE GREAT MYTHICAL BEASTS\NINSPIRED BOTH AWE AND RESPECT Dialogue: 0,0:00:15.96,0:00:18.36,Default,,0,0,0,,BUT ALSO FEAR. Dialogue: 0,0:00:18.40,0:00:20.80,Default,,0,0,0,,Narrator: THEY BORE THE FACES OF\NEGYPTIAN PHARAOHS Dialogue: 0,0:00:20.88,0:00:25.60,Default,,0,0,0,,WHO BELIEVED THESE CREATURES\NCOULD GRANT THEM HUGE POWER. Dialogue: 0,0:00:25.64,0:00:27.24,Default,,0,0,0,,THE BUILDINGS AND THE ARTWORKS Dialogue: 0,0:00:27.28,0:00:32.64,Default,,0,0,0,,THAT THE ANCIENT EGYPTIANS\NCREATED HAD A MAGICAL FUNCTION. Dialogue: 0,0:00:32.72,0:00:35.56,Default,,0,0,0,,Narrator: WHAT INSPIRED THIS\NFORMIDABLE MUTANT? Dialogue: 0,0:00:35.64,0:00:39.08,Default,,0,0,0,,WHY WAS IT CREATED,\NAND WHAT RULE DID IT PLAY Dialogue: 0,0:00:39.12,0:00:42.08,Default,,0,0,0,,IN THE PHARAOH'S QUEST\NFOR IMMORTALITY? Dialogue: 0,0:00:42.12,0:00:45.00,Default,,0,0,0,,♪♪ Dialogue: 0,0:00:45.08,0:00:48.44,Default,,0,0,0,,TODAY, TEAMS OF EXPERTS USE\NTHE LATEST SCIENCE Dialogue: 0,0:00:48.52,0:00:49.84,Default,,0,0,0,,AND ARCHAEOLOGY Dialogue: 0,0:00:49.92,0:00:54.36,Default,,0,0,0,,TO UNCOVER THE TRUTH\NABOUT THIS INCREDIBLE BEAST... Dialogue: 0,0:00:59.04,0:01:01.88,Default,,0,0,0,,...AND REVEAL\NHOW THE GREAT SPHINX Dialogue: 0,0:01:01.96,0:01:07.20,Default,,0,0,0,,BECAME AS MIGHTY\NAS THE PHARAOHS THEMSELVES. Dialogue: 0,0:01:07.28,0:01:10.20,Default,,0,0,0,,-- Captions by VITAC --\Nwww.vitac.com Dialogue: 0,0:01:10.28,0:01:13.20,Default,,0,0,0,,CAPTIONS PAID FOR BY\NDISCOVERY COMMUNICATIONS Dialogue: 0,0:01:13.28,0:01:14.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:01:15.04,0:01:17.96,Default,,0,0,0,,THE SPHINX -- Dialogue: 0,0:01:18.04,0:01:20.48,Default,,0,0,0,,FOR OVER 2,000 YEARS, Dialogue: 0,0:01:20.56,0:01:23.56,Default,,0,0,0,,THIS STRANGE\NAND TERRIFYING HYBRID CREATURE Dialogue: 0,0:01:23.64,0:01:26.76,Default,,0,0,0,,HAS HELD US IN ITS THRALL. Dialogue: 0,0:01:26.80,0:01:29.60,Default,,0,0,0,,THE SPHINX CAN BE SEEN\NIN REPRESENTATIONS Dialogue: 0,0:01:29.68,0:01:34.68,Default,,0,0,0,,ACROSS CULTURES FROM EGYPT\NTO GREECE TO INDIA TO ASIA. Dialogue: 0,0:01:34.76,0:01:36.44,Default,,0,0,0,,♪♪ Dialogue: 0,0:01:36.52,0:01:40.40,Default,,0,0,0,,Narrator: THE GREEKS FEARED IT\NAS A FEROCIOUS MAN-EATER. Dialogue: 0,0:01:40.48,0:01:44.36,Default,,0,0,0,,THE ARABIC WORLD KNEW IT\NAS THE FATHER OF TERROR. Dialogue: 0,0:01:44.44,0:01:46.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:01:46.88,0:01:49.92,Default,,0,0,0,,THE IMAGERY OF A SPHINX\NWAS OBVIOUSLY VERY POWERFUL, Dialogue: 0,0:01:50.00,0:01:52.76,Default,,0,0,0,,AND IT APPEARS\NIN MANY OTHER CULTURES Dialogue: 0,0:01:52.84,0:01:54.28,Default,,0,0,0,,BUT OFTENTIMES VERY DIFFERENT. Dialogue: 0,0:01:54.36,0:01:58.92,Default,,0,0,0,,IN GREECE, FOR EXAMPLE, IT CAME\NOUT DOWNRIGHT NASTY AND MEAN. Dialogue: 0,0:01:59.00,0:02:01.00,Default,,0,0,0,,♪♪ Dialogue: 0,0:02:01.04,0:02:03.28,Default,,0,0,0,,Narrator: BUT NOWHERE WAS\NTHE SPHINX MORE POWERFUL Dialogue: 0,0:02:03.36,0:02:07.12,Default,,0,0,0,,AND REVERED THAN IN EGYPT. Dialogue: 0,0:02:07.20,0:02:10.28,Default,,0,0,0,,♪♪ Dialogue: 0,0:02:10.36,0:02:15.80,Default,,0,0,0,,THE MOST FAMOUS SPHINX SITS\NALONGSIDE THE PYRAMIDS OF GIZA, Dialogue: 0,0:02:15.88,0:02:21.48,Default,,0,0,0,,BUT COUNTLESS MORE ONCE\NCOVERED THIS DESERT KINGDOM. Dialogue: 0,0:02:21.52,0:02:24.92,Default,,0,0,0,,EACH ONE BORE THE FACE\NOF A PHARAOH, Dialogue: 0,0:02:25.00,0:02:29.28,Default,,0,0,0,,INCLUDING THE BOY-KING,\NTUTANKHAMUN. Dialogue: 0,0:02:29.36,0:02:32.76,Default,,0,0,0,,THERE AREN'T MANY CREATURES\NIN WORLD HISTORY Dialogue: 0,0:02:32.80,0:02:37.08,Default,,0,0,0,,THAT HAVE SUCH A LASTING LEGACY\NAS THE ANCIENT EGYPTIAN SPHINX. Dialogue: 0,0:02:37.16,0:02:42.24,Default,,0,0,0,,♪♪ Dialogue: 0,0:02:42.28,0:02:45.56,Default,,0,0,0,,Narrator: WHY DID THIS BIZARRE\NMUTANT HAVE SUCH A STRONG Dialogue: 0,0:02:45.64,0:02:49.88,Default,,0,0,0,,AND POWERFUL HOLD\NON SO MANY CULTURES? Dialogue: 0,0:02:49.92,0:02:55.52,Default,,0,0,0,,WHAT DID IT OFFER ITS DEVOTED\NFOLLOWERS? Dialogue: 0,0:02:55.56,0:02:59.12,Default,,0,0,0,,EGYPTOLOGIST DR. CAMPBELL PRICE\NIS ON A MISSION Dialogue: 0,0:02:59.20,0:03:03.52,Default,,0,0,0,,TO UNCOVER THE TRUTH BEHIND THIS\NBEAST AND HOW IT WAS CREATED. Dialogue: 0,0:03:03.60,0:03:09.48,Default,,0,0,0,,♪♪ Dialogue: 0,0:03:09.56,0:03:12.60,Default,,0,0,0,,THE GREAT SPHINX HERE AT GIZA\NIS THE OLDEST Dialogue: 0,0:03:12.64,0:03:17.64,Default,,0,0,0,,AND LARGEST COLOSSAL STATUE\NFROM ANCIENT EGYPT. Dialogue: 0,0:03:17.72,0:03:21.28,Default,,0,0,0,,WE KNOW REMARKABLY LITTLE\NABOUT WHY IT WAS BUILT Dialogue: 0,0:03:21.32,0:03:24.16,Default,,0,0,0,,OR EVEN REALLY\NWHAT IT REPRESENTS. Dialogue: 0,0:03:24.24,0:03:27.36,Default,,0,0,0,,♪♪ Dialogue: 0,0:03:27.44,0:03:28.64,Default,,0,0,0,,Narrator:\NCAMPBELL HAS DISCOVERED THAT Dialogue: 0,0:03:28.72,0:03:31.32,Default,,0,0,0,,THE ANCIENT EGYPTIANS\NHAD A VERY DIFFERENT VIEW Dialogue: 0,0:03:31.36,0:03:33.76,Default,,0,0,0,,OF STATUES THAN WE HAVE TODAY. Dialogue: 0,0:03:33.80,0:03:36.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:03:37.04,0:03:40.64,Default,,0,0,0,,THIS IS THE ANCIENT EGYPTIAN\NWORD, IN HIEROGLYPHS, Dialogue: 0,0:03:40.72,0:03:46.16,Default,,0,0,0,,FOR SPHINX,\NSHESEP ANKH, OR LIVING IMAGE. Dialogue: 0,0:03:46.24,0:03:49.04,Default,,0,0,0,,ALTHOUGH WE TEND TO THINK\NOF SCULPTURES AS ARTWORKS, Dialogue: 0,0:03:49.12,0:03:53.48,Default,,0,0,0,,IN ANCIENT EGYPT, STATUES WERE\NPOWERFUL, MAGICAL OBJECTS. Dialogue: 0,0:03:53.56,0:03:58.48,Default,,0,0,0,,THEY HAD A LIFE OF THEIR OWN. Dialogue: 0,0:03:58.52,0:04:00.88,Default,,0,0,0,,Narrator:\NIN THE AGE OF THE PHARAOHS, Dialogue: 0,0:04:00.92,0:04:05.04,Default,,0,0,0,,THERE WAS NOTHING MYTHICAL\NABOUT THIS CREATURE. Dialogue: 0,0:04:05.12,0:04:10.08,Default,,0,0,0,,THIS STATUE IS NOT\NA REPRESENTATION OF THE SPHINX. Dialogue: 0,0:04:10.16,0:04:11.48,Default,,0,0,0,,THIS IS THE SPHINX. Dialogue: 0,0:04:11.56,0:04:16.48,Default,,0,0,0,,♪♪ Dialogue: 0,0:04:16.56,0:04:19.28,Default,,0,0,0,,BUT WHY DID THE PHARAOHS WANT\NTO TRANSFORM THEMSELVES Dialogue: 0,0:04:19.36,0:04:22.76,Default,,0,0,0,,INTO A LIVING STATUE\NOF A HUMAN-ANIMAL MUTANT? Dialogue: 0,0:04:22.84,0:04:25.44,Default,,0,0,0,,[ BIRDS CALLING ] Dialogue: 0,0:04:25.52,0:04:27.48,Default,,0,0,0,,CAMPBELL THINKS THE ANSWER\NCOULD LIE Dialogue: 0,0:04:27.56,0:04:29.44,Default,,0,0,0,,IN THE ONE ELEMENT OF THE SPHINX Dialogue: 0,0:04:29.48,0:04:34.36,Default,,0,0,0,,THAT REMAINS CONSTANT\NACROSS CULTURES -- Dialogue: 0,0:04:34.44,0:04:39.52,Default,,0,0,0,,THE LION'S BODY. Dialogue: 0,0:04:39.56,0:04:42.88,Default,,0,0,0,,HE EXAMINES A 500-YEAR-OLD\NCARVING TO INVESTIGATE Dialogue: 0,0:04:42.96,0:04:46.88,Default,,0,0,0,,HOW EGYPT'S RULERS FIRST\NDEPICTED THEMSELVES AS LIONS. Dialogue: 0,0:04:46.96,0:04:50.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:04:50.24,0:04:52.60,Default,,0,0,0,,IT'S A SCENE OF TOTAL CARNAGE. Dialogue: 0,0:04:52.64,0:04:56.60,Default,,0,0,0,,IN THE CENTER AMIDST\NPRISONERS BOUND UP Dialogue: 0,0:04:56.64,0:05:01.56,Default,,0,0,0,,AND PRISONERS BEING MAULED\NIS A GIANT DEPICTION OF A LION. Dialogue: 0,0:05:01.64,0:05:03.04,Default,,0,0,0,,THIS ISN'T JUST ANY LION. Dialogue: 0,0:05:03.08,0:05:05.76,Default,,0,0,0,,THIS IS A DEPICTION\NOF THE PHARAOH HIMSELF, Dialogue: 0,0:05:05.84,0:05:08.52,Default,,0,0,0,,IN CONTROL,\NBATTLING EGYPT'S ENEMIES, Dialogue: 0,0:05:08.60,0:05:11.20,Default,,0,0,0,,AND MEETING OUT VENGEANCE\NTO ANYONE WHO OPPOSES HIM. Dialogue: 0,0:05:11.28,0:05:14.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:05:14.28,0:05:16.68,Default,,0,0,0,,THE LION IS ALWAYS\NIN EVERY CULTURE Dialogue: 0,0:05:16.76,0:05:18.16,Default,,0,0,0,,CONSIDERED THE KING\NOF THE BEASTS. Dialogue: 0,0:05:18.20,0:05:21.60,Default,,0,0,0,,IT'S A KILLING MACHINE. Dialogue: 0,0:05:21.68,0:05:24.20,Default,,0,0,0,,THROUGHOUT TIME\NAND WITHIN SPECIFIC CULTURES, Dialogue: 0,0:05:24.28,0:05:28.32,Default,,0,0,0,,YOU CAN TYPICALLY FIND\NTHAT THE MOST DOMINANT BEAST, Dialogue: 0,0:05:28.40,0:05:31.44,Default,,0,0,0,,SO THE LARGEST WILD ANIMAL,\NTHE MOST POWERFUL, Dialogue: 0,0:05:31.48,0:05:35.00,Default,,0,0,0,,THE STRONGEST,\NCOMES TO REPRESENT THE ROYALTY, Dialogue: 0,0:05:35.08,0:05:38.88,Default,,0,0,0,,THE NOBLES,\NTHE LEADERS IN THAT SOCIETY. Dialogue: 0,0:05:38.92,0:05:41.08,Default,,0,0,0,,Narrator: BUT IF THESE BEASTS\NWERE SO POWERFUL, Dialogue: 0,0:05:41.12,0:05:42.80,Default,,0,0,0,,WHY DIDN'T THE PHARAOHS CONTINUE Dialogue: 0,0:05:42.88,0:05:48.12,Default,,0,0,0,,DEPICTING THEMSELVES\NSIMPLY AS LIONS? Dialogue: 0,0:05:48.16,0:05:53.20,Default,,0,0,0,,WHY DID A PHARAOH DECIDE\NTO BECOME THE SPHINX? Dialogue: 0,0:05:53.24,0:05:55.60,Default,,0,0,0,,THE ANSWER COULD LIE IN HOW GODS Dialogue: 0,0:05:55.68,0:05:59.04,Default,,0,0,0,,WERE REPRESENTED\NIN EGYPT'S GREATEST TEMPLE. Dialogue: 0,0:05:59.12,0:06:02.08,Default,,0,0,0,,♪♪ Dialogue: 0,0:06:02.16,0:06:05.20,Default,,0,0,0,,THE ANCIENT EGYPTIAN GODS\NWERE SUPER HUMAN BEINGS, Dialogue: 0,0:06:05.28,0:06:07.68,Default,,0,0,0,,AND THE BEST WAY TO DEPICT\NSUPER HUMAN BEINGS Dialogue: 0,0:06:07.76,0:06:10.08,Default,,0,0,0,,WAS TO GIVE THEM\NTHE POWERS OF ANIMALS. Dialogue: 0,0:06:10.16,0:06:13.56,Default,,0,0,0,,♪♪ Dialogue: 0,0:06:13.64,0:06:15.92,Default,,0,0,0,,Narrator:\NTHE TEMPLE OF KARNAK AT LUXOR Dialogue: 0,0:06:15.96,0:06:19.96,Default,,0,0,0,,IS COVERED\NIN HUMAN-ANIMAL HYBRIDS. Dialogue: 0,0:06:20.04,0:06:21.36,Default,,0,0,0,,EVEN TODAY, EGYPTIAN GODS Dialogue: 0,0:06:21.40,0:06:23.36,Default,,0,0,0,,ARE RECOGNIZABLE\NBY THEIR ANIMAL HEADS, Dialogue: 0,0:06:23.44,0:06:27.00,Default,,0,0,0,,AND IN ANCIENT EGYPT, THIS WOULD\NBE THE HALLMARK OF A GOD -- Dialogue: 0,0:06:27.08,0:06:30.40,Default,,0,0,0,,ANIMAL HEAD, HUMAN BODY. Dialogue: 0,0:06:30.44,0:06:33.60,Default,,0,0,0,,Narrator: SIMILAR TO MODERN DAY\NSUPERHEROES LIKE WOLVERINE Dialogue: 0,0:06:33.64,0:06:36.68,Default,,0,0,0,,OR SPIDER-MAN,\NEACH GOD'S ANIMAL Dialogue: 0,0:06:36.76,0:06:41.48,Default,,0,0,0,,REPRESENTED THEIR NATURE\NAND FUNCTION. Dialogue: 0,0:06:41.56,0:06:44.80,Default,,0,0,0,,HECATE, THE GODDESS\NOF CHILDBIRTH AND FERTILITY, Dialogue: 0,0:06:44.88,0:06:47.32,Default,,0,0,0,,HAS THE HEAD OF A FROG. Dialogue: 0,0:06:47.40,0:06:51.60,Default,,0,0,0,,WHEN THE NILE FLOODS, TADPOLES\NAPPEAR IN THEIR THOUSANDS, Dialogue: 0,0:06:51.68,0:06:54.12,Default,,0,0,0,,WHICH IS WHY THE TADPOLE\NIS THE HIEROGLYPH Dialogue: 0,0:06:54.16,0:06:57.64,Default,,0,0,0,,FOR THE NUMBER 100,000. Dialogue: 0,0:06:57.72,0:07:01.44,Default,,0,0,0,,ANUBIS IS THE JACKAL-HEADED\NGOD OF THE DEAD. Dialogue: 0,0:07:01.52,0:07:04.84,Default,,0,0,0,,JACKALS OFTEN SCAVENGE\NAROUND CEMETERIES, Dialogue: 0,0:07:04.92,0:07:08.84,Default,,0,0,0,,SO ANCIENT EGYPTIANS\NCONNECT THEM WITH DEATH, Dialogue: 0,0:07:08.92,0:07:14.76,Default,,0,0,0,,AND KHEPRI, THE CREATOR GOD,\NHAS A SCARAB-BEETLE HEAD. Dialogue: 0,0:07:14.84,0:07:17.52,Default,,0,0,0,,SCARABS LAY THEIR EGGS\NIN DUNG BALLS, Dialogue: 0,0:07:17.60,0:07:21.88,Default,,0,0,0,,SO THEIR YOUNG SEEM\NTO EMERGE FROM NOTHING, Dialogue: 0,0:07:21.92,0:07:26.80,Default,,0,0,0,,A FITTING TRAIT\NFOR THE GOD OF CREATION. Dialogue: 0,0:07:26.88,0:07:30.32,Default,,0,0,0,,IT'S OFTEN DIFFICULT FOR US\NTO GRASP IN A SOCIETY Dialogue: 0,0:07:30.36,0:07:35.16,Default,,0,0,0,,WHERE WE'RE USED TO ONE GOD,\NBUT IN THOSE SOCIETIES, Dialogue: 0,0:07:35.20,0:07:37.60,Default,,0,0,0,,THE DIVINE WOULD TAKE\NON THE SHAPE Dialogue: 0,0:07:37.68,0:07:41.84,Default,,0,0,0,,THAT WAS MOST APPROPRIATE\NTO GET THE JOB DONE. Dialogue: 0,0:07:41.88,0:07:45.08,Default,,0,0,0,,Narrator: IF YOU HAD THE BODY OF\NA LION, AS A GOD, Dialogue: 0,0:07:45.16,0:07:49.12,Default,,0,0,0,,THIS GAVE YOU STRENGTH,\NMIGHT, AND FEROCITY. Dialogue: 0,0:07:49.20,0:07:52.72,Default,,0,0,0,,♪♪ Dialogue: 0,0:07:52.80,0:07:56.52,Default,,0,0,0,,ACCORDING TO MYTH, THE SUN GOD,\NRA, SENDS HIS DAUGHTER, SEKHMET, Dialogue: 0,0:07:56.60,0:07:58.68,Default,,0,0,0,,DOWN TO EARTH Dialogue: 0,0:07:58.76,0:08:03.48,Default,,0,0,0,,TO PUNISH HUMANS\NWHO DESERTED HIM. Dialogue: 0,0:08:03.56,0:08:07.04,Default,,0,0,0,,THE GODDESS OF WAR, SEKHMET,\NDOESN'T TAKE ANY PRISONERS. Dialogue: 0,0:08:07.12,0:08:09.84,Default,,0,0,0,,SHE GOES ON A KILLING SPREE Dialogue: 0,0:08:09.92,0:08:14.84,Default,,0,0,0,,THAT THREATENS TO\NWIPE OUT HUMANITY. Dialogue: 0,0:08:14.92,0:08:18.80,Default,,0,0,0,,TO STOP THE BLOODSHED,\NRA TRICKS HIS DAUGHTER, Dialogue: 0,0:08:18.88,0:08:23.56,Default,,0,0,0,,FLOODING THE EARTH WITH BEER\NAND POMEGRANATE JUICE. Dialogue: 0,0:08:23.64,0:08:25.68,Default,,0,0,0,,THINKING IT'S THE BLOOD\NOF HER VICTIMS, Dialogue: 0,0:08:25.72,0:08:30.04,Default,,0,0,0,,SEKHMET DRINKS RA'S COCKTAIL. Dialogue: 0,0:08:30.12,0:08:33.28,Default,,0,0,0,,SHE PASSES OUT FOR THREE DAYS. Dialogue: 0,0:08:33.36,0:08:36.40,Default,,0,0,0,,WHEN SHE AWAKES,\NHER RAGE HAS GONE. Dialogue: 0,0:08:36.48,0:08:38.76,Default,,0,0,0,,♪♪ Dialogue: 0,0:08:38.84,0:08:40.64,Default,,0,0,0,,THE MESSAGE IS CLEAR. Dialogue: 0,0:08:40.72,0:08:43.72,Default,,0,0,0,,ONLY A GOD CAN HARNESS\NTHE POWER OF A LION. Dialogue: 0,0:08:43.80,0:08:49.76,Default,,0,0,0,,♪♪ Dialogue: 0,0:08:49.84,0:08:52.04,Default,,0,0,0,,BY MERGING THEMSELVES\NWITH THIS ANIMAL, Dialogue: 0,0:08:52.12,0:08:56.28,Default,,0,0,0,,THE PHARAOHS WANTED TO PROCLAIM\NTHEIR DIVINE STATUS. Dialogue: 0,0:08:56.36,0:08:58.56,Default,,0,0,0,,Szpakowska: THE PHARAOHS WOULD\NREPRESENT THEMSELVES Dialogue: 0,0:08:58.64,0:09:02.12,Default,,0,0,0,,AS HAVING HEADS\NOR DIFFERENT PARTS OF ANIMALS. Dialogue: 0,0:09:02.20,0:09:05.44,Default,,0,0,0,,THIS WASN'T SOMETHING THAT\NAN ORDINARY PERSON LIKE YOU Dialogue: 0,0:09:05.52,0:09:08.60,Default,,0,0,0,,OR ME COULD DO. Dialogue: 0,0:09:08.68,0:09:10.44,Default,,0,0,0,,Narrator: THERE'S A MYSTERY. Dialogue: 0,0:09:10.52,0:09:15.44,Default,,0,0,0,,MOST EGYPTIAN HYBRID BEASTS HAVE\NANIMAL HEADS AND HUMAN BODIES. Dialogue: 0,0:09:15.52,0:09:19.60,Default,,0,0,0,,♪♪ Dialogue: 0,0:09:19.64,0:09:24.88,Default,,0,0,0,,WHY IS THE SPHINX\NTHE OTHER WAY AROUND? Dialogue: 0,0:09:24.96,0:09:28.76,Default,,0,0,0,,WE KNOW WE HAVE THIS VERY WISE\NAND ADVANCED MIND, Dialogue: 0,0:09:28.84,0:09:31.28,Default,,0,0,0,,BUT WHEN IT COMES\NTO OUR PHYSICAL BODY, Dialogue: 0,0:09:31.36,0:09:35.00,Default,,0,0,0,,WE REALLY DON'T MATCH UP\NAGAINST A LOT OF WILD ANIMALS. Dialogue: 0,0:09:35.08,0:09:37.12,Default,,0,0,0,,SO BEING ABLE TO CREATE A BEAST Dialogue: 0,0:09:37.20,0:09:41.60,Default,,0,0,0,,THAT IS THE COMBINATION\NOF OUR BEST TRAIT, OUR MIND, Dialogue: 0,0:09:41.68,0:09:45.76,Default,,0,0,0,,AND THE BEST TRAIT\NOF THE WILD ANIMAL KINGDOM Dialogue: 0,0:09:45.80,0:09:49.60,Default,,0,0,0,,MAKES A LOT OF SENSE. Dialogue: 0,0:09:49.68,0:09:52.48,Default,,0,0,0,,Narrator: THE SPHINX WAS\NTHE BEST OF BOTH WORLDS. Dialogue: 0,0:09:52.56,0:09:55.76,Default,,0,0,0,,♪♪ Dialogue: 0,0:09:55.84,0:09:59.12,Default,,0,0,0,,BUT WHO FIRST DECIDED\NTO TRANSFORM HIMSELF Dialogue: 0,0:09:59.20,0:10:03.36,Default,,0,0,0,,INTO THIS MYTHICAL MONSTER\NAND WHY? Dialogue: 0,0:10:03.44,0:10:07.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:10:08.80,0:10:12.56,Default,,0,0,0,,♪♪ Dialogue: 0,0:10:12.60,0:10:16.08,Default,,0,0,0,,THE SPHINX -- Dialogue: 0,0:10:16.16,0:10:18.56,Default,,0,0,0,,THE ULTIMATE STATUS SYMBOL Dialogue: 0,0:10:18.60,0:10:21.08,Default,,0,0,0,,OF A GODLY EGYPTIAN PHARAOH. Dialogue: 0,0:10:21.16,0:10:24.64,Default,,0,0,0,,♪♪ Dialogue: 0,0:10:24.72,0:10:26.28,Default,,0,0,0,,THE SPHINX OF GIZA Dialogue: 0,0:10:26.36,0:10:30.68,Default,,0,0,0,,IS THE OLDEST\NMONUMENTAL SCULPTURE IN EGYPT. Dialogue: 0,0:10:30.72,0:10:35.72,Default,,0,0,0,,BY HAVING THIS CARVED\NWITH HIS REPRESENTATION, Dialogue: 0,0:10:35.80,0:10:38.92,Default,,0,0,0,,HE WAS MAKING A STATEMENT\NTO THE POPULACE, Dialogue: 0,0:10:39.00,0:10:44.68,Default,,0,0,0,,WHO WOULD'VE BEEN IN AWE\NOF THE POWER OF THE KING. Dialogue: 0,0:10:44.76,0:10:46.40,Default,,0,0,0,,Narrator:\NBUT WHICH RULER WAS BOLD ENOUGH Dialogue: 0,0:10:46.48,0:10:50.28,Default,,0,0,0,,TO FIRST TURN HIMSELF\NINTO A GIANT LIVING STATUE? Dialogue: 0,0:10:50.36,0:10:53.44,Default,,0,0,0,,♪♪ Dialogue: 0,0:10:53.52,0:10:55.00,Default,,0,0,0,,THERE ARE NO RECORDS AS TO WHY Dialogue: 0,0:10:55.04,0:10:58.48,Default,,0,0,0,,OR HOW THIS MYTHICAL BEAST\NWAS CREATED. Dialogue: 0,0:10:58.56,0:11:01.00,Default,,0,0,0,,Narrator:\NEGYPTOLOGIST DR. CAMPBELL PRICE Dialogue: 0,0:11:01.08,0:11:04.08,Default,,0,0,0,,THINKS ANSWERS MAY LIE HERE, Dialogue: 0,0:11:04.16,0:11:07.24,Default,,0,0,0,,IN THE LAYER OF EGYPT'S\NVERY FIRST SPHINX. Dialogue: 0,0:11:07.32,0:11:09.92,Default,,0,0,0,,♪♪ Dialogue: 0,0:11:10.00,0:11:13.84,Default,,0,0,0,,SO HERE, WE CAN SEE ON OUR VIEW\NOF THE GIZA NECROPOLIS, Dialogue: 0,0:11:13.92,0:11:16.44,Default,,0,0,0,,WE'VE GOT THE GREAT SPHINX\NDOWN HERE Dialogue: 0,0:11:16.52,0:11:19.36,Default,,0,0,0,,AND THE PYRAMID OF KHAFRE\NUP AT THE TOP, Dialogue: 0,0:11:19.40,0:11:23.00,Default,,0,0,0,,AND IT SEEMS VERY\NPARTICULARLY CLEAR ON THIS IMAGE Dialogue: 0,0:11:23.04,0:11:25.60,Default,,0,0,0,,THAT THE TWO OF THESE\NARE ASSOCIATED. Dialogue: 0,0:11:25.68,0:11:28.32,Default,,0,0,0,,THEY'RE CONNECTED TOGETHER. Dialogue: 0,0:11:28.40,0:11:31.04,Default,,0,0,0,,SO IT SEEMS SAFE TO ASSUME\NTHAT KHAFRE BUILT Dialogue: 0,0:11:31.12,0:11:35.32,Default,,0,0,0,,BOTH THE PYRAMID\NAND THE GREAT SPHINX. Dialogue: 0,0:11:35.40,0:11:39.08,Default,,0,0,0,,Narrator: KING KHAFRE RULED\NEGYPT AROUND 2500 B.C. Dialogue: 0,0:11:39.12,0:11:42.76,Default,,0,0,0,,♪♪ Dialogue: 0,0:11:42.84,0:11:47.32,Default,,0,0,0,,HE'S FAMOUS FOR BUILDING\NONE OF THE THREE GREAT PYRAMIDS, Dialogue: 0,0:11:47.36,0:11:50.72,Default,,0,0,0,,YET HE REMAINS\NA MYSTERIOUS FIGURE. Dialogue: 0,0:11:50.76,0:11:53.44,Default,,0,0,0,,WE KNOW ALMOST NOTHING\NABOUT KHAFRE THE MAN, Dialogue: 0,0:11:53.52,0:11:57.44,Default,,0,0,0,,BUT WE DO HAVE AN ACCOUNT FROM\NTHE GREEK HISTORIAN HERODOTUS Dialogue: 0,0:11:57.52,0:11:59.84,Default,,0,0,0,,WHO WROTE IN\NTHE 5th CENTURY B.C., Dialogue: 0,0:11:59.92,0:12:02.00,Default,,0,0,0,,SO CENTURIES AFTER KHAFRE\NHAD DIED, Dialogue: 0,0:12:02.04,0:12:05.36,Default,,0,0,0,,AND HERODOTUS SAID THAT KHAFRE,\NLIKE HIS FATHER KHUFU, Dialogue: 0,0:12:05.44,0:12:07.04,Default,,0,0,0,,WERE DETESTED. Dialogue: 0,0:12:07.12,0:12:10.48,Default,,0,0,0,,THEY WERE DESPOTIC RULERS\NWHO FORCED THE PEOPLE TO BUILD Dialogue: 0,0:12:10.56,0:12:12.88,Default,,0,0,0,,THE GREAT PYRAMIDS. Dialogue: 0,0:12:12.92,0:12:15.48,Default,,0,0,0,,SO THE ONLY ACCOUNT WE HAVE OF\NKHAFRE HIMSELF Dialogue: 0,0:12:15.52,0:12:17.12,Default,,0,0,0,,MAKES HIM OUT\NTO BE A MEGALOMANIAC. Dialogue: 0,0:12:17.16,0:12:21.72,Default,,0,0,0,,♪♪ Dialogue: 0,0:12:21.76,0:12:24.20,Default,,0,0,0,,Narrator: KHAFRE\NNEEDED A MONUMENTAL EFFORT Dialogue: 0,0:12:24.28,0:12:26.32,Default,,0,0,0,,TO CREATE THE MIGHTY SPHINX. Dialogue: 0,0:12:26.40,0:12:32.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:12:32.12,0:12:34.64,Default,,0,0,0,,FOUR AND A HALF THOUSAND\NYEARS AGO, Dialogue: 0,0:12:34.72,0:12:37.64,Default,,0,0,0,,IN THE SHADOW OF THE PYRAMIDS, Dialogue: 0,0:12:37.72,0:12:42.00,Default,,0,0,0,,WORKERS RIPPED THOUSANDS OF TONS\NOF ROCK FROM THE GROUND Dialogue: 0,0:12:42.08,0:12:47.28,Default,,0,0,0,,TO CARVE OUT A COLOSSAL CREATURE\NTHE SIZE OF A JUMBO JET. Dialogue: 0,0:12:47.32,0:12:49.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:12:49.28,0:12:53.92,Default,,0,0,0,,IT HAD A HUMAN HEAD THAT TOWERED\N66 FEET HIGH, Dialogue: 0,0:12:53.96,0:12:58.16,Default,,0,0,0,,AND LION'S CLAWS\NTHAT STRETCHED 60 FEET IN FRONT. Dialogue: 0,0:12:58.20,0:13:01.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:13:01.12,0:13:03.24,Default,,0,0,0,,THE FUSION OF KING AND BEAST Dialogue: 0,0:13:03.32,0:13:06.60,Default,,0,0,0,,CREATED A TRULY EPIC\NMYTHICAL CREATURE. Dialogue: 0,0:13:06.68,0:13:11.32,Default,,0,0,0,,♪♪ Dialogue: 0,0:13:11.40,0:13:15.24,Default,,0,0,0,,HOW DID KHAFRE HOPE TO USE\NTHIS GIANT STONE MONSTER Dialogue: 0,0:13:15.28,0:13:19.72,Default,,0,0,0,,TO GAIN MORE POWER\NIN THIS WORLD AND THE NEXT? Dialogue: 0,0:13:19.80,0:13:22.28,Default,,0,0,0,,♪♪ Dialogue: 0,0:13:22.32,0:13:24.92,Default,,0,0,0,,THE ANSWER COULD LIE\NIN THE TEMPLE Dialogue: 0,0:13:25.00,0:13:27.64,Default,,0,0,0,,AT THE SPHINX'S MONUMENTAL FEET. Dialogue: 0,0:13:27.72,0:13:30.28,Default,,0,0,0,,♪♪ Dialogue: 0,0:13:30.36,0:13:33.84,Default,,0,0,0,,I'M WALKING DOWN THE MIDDLE LINE\NOF THE TEMPLE, Dialogue: 0,0:13:33.92,0:13:35.56,Default,,0,0,0,,AND THE COMPASS SHOWS ME Dialogue: 0,0:13:35.60,0:13:40.80,Default,,0,0,0,,THAT THAT LINE\NIS EXACTLY ORIENTATED EAST-WEST. Dialogue: 0,0:13:40.88,0:13:44.24,Default,,0,0,0,,Narrator: SOME ARCHAEOLOGISTS\NTHINK THIS IS TOO EXACT Dialogue: 0,0:13:44.28,0:13:48.24,Default,,0,0,0,,TO BE A MERE COINCIDENCE. Dialogue: 0,0:13:48.28,0:13:50.48,Default,,0,0,0,,THE SPHINX AND ITS TEMPLE ALIGN Dialogue: 0,0:13:50.56,0:13:52.80,Default,,0,0,0,,WITH THE PATH\NOF THE SETTING SUN. Dialogue: 0,0:13:52.88,0:13:56.28,Default,,0,0,0,,♪♪ Dialogue: 0,0:13:56.32,0:13:58.32,Default,,0,0,0,,WE KNOW THE ANCIENT EGYPTIANS\NWERE VERY INTERESTED Dialogue: 0,0:13:58.36,0:14:01.16,Default,,0,0,0,,IN THE MOVEMENTS OF THE SUN,\NSO AT TWO TIMES OF YEAR, Dialogue: 0,0:14:01.24,0:14:03.56,Default,,0,0,0,,SOMETHING AMAZING HAPPENS\NWHICH GIVES US A CLUE Dialogue: 0,0:14:03.60,0:14:04.84,Default,,0,0,0,,OF THE SIGNIFICANCE OF Dialogue: 0,0:14:04.92,0:14:08.96,Default,,0,0,0,,THE CREATION OF\NTHIS COLOSSAL BEAST. Dialogue: 0,0:14:09.00,0:14:13.04,Default,,0,0,0,,Narrator: THE GIGANTIC PYRAMIDS\NDOMINATE THE GIZA PLATEAU, Dialogue: 0,0:14:13.12,0:14:14.60,Default,,0,0,0,,BUT TWICE A YEAR, Dialogue: 0,0:14:14.64,0:14:19.04,Default,,0,0,0,,THE MONSTER SPHINX TAKES CENTER\NSTAGE IN A GIANT SPECIAL EFFECT. Dialogue: 0,0:14:19.12,0:14:21.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:14:21.12,0:14:23.20,Default,,0,0,0,,SEEN FROM THE SPHINX TEMPLE\NON THE MARCH Dialogue: 0,0:14:23.28,0:14:26.04,Default,,0,0,0,,AND SEPTEMBER EQUINOXES, Dialogue: 0,0:14:26.08,0:14:32.00,Default,,0,0,0,,THE SETTING SUN SINKS INTO\NTHE SHOULDER OF THE GREAT BEAST Dialogue: 0,0:14:32.08,0:14:37.68,Default,,0,0,0,,AND INTO KHAFRE'S PYRAMID\NON THE HORIZON. Dialogue: 0,0:14:37.76,0:14:40.12,Default,,0,0,0,,FROM ABOVE,\NTHE SHADOWS OF THE SPHINX Dialogue: 0,0:14:40.20,0:14:43.20,Default,,0,0,0,,AND THE PYRAMID MERGE\NAT THE TEMPLE, Dialogue: 0,0:14:43.24,0:14:47.16,Default,,0,0,0,,FORGING A CONNECTION BETWEEN\NTHE SPHINX AND THE SUN GOD. Dialogue: 0,0:14:47.24,0:14:54.24,Default,,0,0,0,,♪♪ Dialogue: 0,0:14:55.40,0:14:58.00,Default,,0,0,0,,THE GUYS WHO BUILT THE BIG\NPYRAMIDS, KHUFU, Dialogue: 0,0:14:58.08,0:15:00.08,Default,,0,0,0,,KHAFRE, AND MENKAURE, Dialogue: 0,0:15:00.16,0:15:04.32,Default,,0,0,0,,ALL HAD A VERY CLOSE AND SPECIAL\NRELATIONSHIP WITH THE SUN GOD Dialogue: 0,0:15:04.40,0:15:06.52,Default,,0,0,0,,BECAUSE THEIR FAMILY\NDESCRIBED THEMSELVES Dialogue: 0,0:15:06.56,0:15:09.40,Default,,0,0,0,,AS SONS OF THE SUN GOD. Dialogue: 0,0:15:09.48,0:15:11.12,Default,,0,0,0,,FOR THE ANCIENT EGYPTIANS, Dialogue: 0,0:15:11.16,0:15:13.52,Default,,0,0,0,,THE CYCLE OF THE SUN\NWAS VERY IMPORTANT. Dialogue: 0,0:15:13.60,0:15:17.04,Default,,0,0,0,,JUST AS THE SUN ROSE\NAND SET EVERY DAY, Dialogue: 0,0:15:17.12,0:15:20.48,Default,,0,0,0,,THE KING, THE PHARAOH,\NHOPED TO DO THE SAME THING, Dialogue: 0,0:15:20.56,0:15:23.44,Default,,0,0,0,,AND SO BY CONNECTING HIMSELF\NWITH THE SUN GOD, Dialogue: 0,0:15:23.48,0:15:26.68,Default,,0,0,0,,HE COULD HAVE THIS ETERNAL LIFE. Dialogue: 0,0:15:26.76,0:15:31.28,Default,,0,0,0,,Narrator: THE ANCIENT EGYPTIANS\NHAD MANY DEITIES, Dialogue: 0,0:15:31.32,0:15:32.88,Default,,0,0,0,,BUT TO THE PHARAOHS, Dialogue: 0,0:15:32.96,0:15:36.72,Default,,0,0,0,,THE SUN WASN'T JUST ANOTHER GOD. Dialogue: 0,0:15:36.80,0:15:41.04,Default,,0,0,0,,HE WAS THEIR FATHER\NAND OFFERED THEM IMMORTALITY. Dialogue: 0,0:15:41.12,0:15:44.88,Default,,0,0,0,,♪♪ Dialogue: 0,0:15:44.96,0:15:48.56,Default,,0,0,0,,ONE THEORY SUGGESTS THAT\NTHE SPHINX AND THE PYRAMID Dialogue: 0,0:15:48.60,0:15:50.28,Default,,0,0,0,,WERE TWO HALVES OF A PLAN Dialogue: 0,0:15:50.36,0:15:53.80,Default,,0,0,0,,THAT WOULD ALLOW KHAFRE\NTO LIVE ON FOREVER. Dialogue: 0,0:15:53.88,0:15:56.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:15:56.84,0:16:00.00,Default,,0,0,0,,THE PYRAMIDS, THE SPHINX,\NAND THE SURROUNDING TEMPLES Dialogue: 0,0:16:00.08,0:16:02.48,Default,,0,0,0,,WERE PART OF A MACHINE,\NAN ENGINE, Dialogue: 0,0:16:02.56,0:16:06.20,Default,,0,0,0,,TO LAUNCH THE SPIRIT OF\NTHE PHARAOH INTO THE AFTERLIFE Dialogue: 0,0:16:06.28,0:16:09.04,Default,,0,0,0,,TO JOIN THE DIVINE FATHER,\NTHE SUN GOD. Dialogue: 0,0:16:09.12,0:16:12.84,Default,,0,0,0,,♪♪ Dialogue: 0,0:16:12.92,0:16:15.12,Default,,0,0,0,,Narrator: BUT THE SPHINX\NWOULDN'T JUST HELP KHAFRE Dialogue: 0,0:16:15.16,0:16:19.16,Default,,0,0,0,,BE A GOD IN THE AFTERLIFE. Dialogue: 0,0:16:19.24,0:16:20.64,Default,,0,0,0,,LIKE THE PYRAMID, Dialogue: 0,0:16:20.72,0:16:24.40,Default,,0,0,0,,IT WAS AN ETERNAL REMINDER OF\NHIS STATUS AS A GOD ON EARTH. Dialogue: 0,0:16:24.48,0:16:29.92,Default,,0,0,0,,♪♪ Dialogue: 0,0:16:30.00,0:16:33.44,Default,,0,0,0,,BUT WOULD THE PHARAOH'S\NAMBITIONS FOR HIS GIANT SPHINX Dialogue: 0,0:16:33.52,0:16:36.96,Default,,0,0,0,,GO TO PLAN? Dialogue: 0,0:16:37.04,0:16:39.16,Default,,0,0,0,,AND WHAT CAUSED LATER RULERS Dialogue: 0,0:16:39.24,0:16:42.24,Default,,0,0,0,,TO BUILD WHOLE ARMIES\NOF SPHINXES? Dialogue: 0,0:16:42.32,0:16:49.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:16:51.60,0:16:55.36,Default,,0,0,0,,♪♪ Dialogue: 0,0:16:55.44,0:16:58.48,Default,,0,0,0,,Narrator:\NTHE GREAT SPHINX OF GIZA -- Dialogue: 0,0:16:58.56,0:17:02.24,Default,,0,0,0,,IT WAS CREATED ABOUT\N4,500 YEARS AGO Dialogue: 0,0:17:02.28,0:17:06.92,Default,,0,0,0,,BY AN ALL-POWERFUL PHARAOH,\NKHAFRE. Dialogue: 0,0:17:07.00,0:17:13.20,Default,,0,0,0,,A MYTHICAL BEAST IN THE FORM\NOF A LIVING STATUE, Dialogue: 0,0:17:13.28,0:17:15.44,Default,,0,0,0,,IT WOULD SHOW HIM\NAS A GOD ON EARTH Dialogue: 0,0:17:15.52,0:17:18.76,Default,,0,0,0,,AND HELP HIS SOUL\NREACH THE AFTERLIFE. Dialogue: 0,0:17:18.84,0:17:21.64,Default,,0,0,0,,♪♪ Dialogue: 0,0:17:21.72,0:17:24.68,Default,,0,0,0,,BUT THE POWER OF THIS\NTERRIFYING CREATURE Dialogue: 0,0:17:24.76,0:17:29.44,Default,,0,0,0,,FADED AFTER THE PHARAOH'S DEATH. Dialogue: 0,0:17:29.52,0:17:34.04,Default,,0,0,0,,BUILDING COLOSSAL MONUMENTS\NIS AN EXPENSIVE BUSINESS. Dialogue: 0,0:17:34.08,0:17:36.04,Default,,0,0,0,,DURING KHAFRE'S DYNASTY, Dialogue: 0,0:17:36.12,0:17:40.48,Default,,0,0,0,,THESE OVERAMBITIOUS\NPYRAMID PROJECTS PEAKED. Dialogue: 0,0:17:40.52,0:17:45.40,Default,,0,0,0,,KHAFRE'S SON, MENKAURE,\NBUILT A MUCH MORE MODEST TOMB, Dialogue: 0,0:17:45.48,0:17:49.96,Default,,0,0,0,,JUST HALF THE SIZE\NOF HIS FATHER'S. Dialogue: 0,0:17:50.04,0:17:53.52,Default,,0,0,0,,EVENTUALLY,\NRESOURCES STARTED TO DRY UP, Dialogue: 0,0:17:53.56,0:17:55.32,Default,,0,0,0,,AND THE GIZA PLATEAU Dialogue: 0,0:17:55.40,0:17:59.40,Default,,0,0,0,,BECAME IMPOSSIBLE TO MAINTAIN. Dialogue: 0,0:17:59.48,0:18:03.00,Default,,0,0,0,,GRAVE ROBBERS\NLOOTED THE PYRAMIDS. Dialogue: 0,0:18:03.08,0:18:06.84,Default,,0,0,0,,THE GREAT SPHINX\NLAY HALF-BURIED, Dialogue: 0,0:18:06.88,0:18:10.24,Default,,0,0,0,,A CURIOSITY FOR LATER\NGENERATIONS TO WONDER AT. Dialogue: 0,0:18:10.32,0:18:14.08,Default,,0,0,0,,♪♪ Dialogue: 0,0:18:14.16,0:18:17.08,Default,,0,0,0,,IT LOOKED LIKE THE SPHINX'S DAYS\NWERE OVER, Dialogue: 0,0:18:17.16,0:18:20.92,Default,,0,0,0,,AND IT WOULD BE COMPLETELY\NSWALLOWED BY THE DESERT SAND. Dialogue: 0,0:18:20.96,0:18:25.72,Default,,0,0,0,,♪♪ Dialogue: 0,0:18:25.76,0:18:29.36,Default,,0,0,0,,HOW DID THIS HYBRID CREATURE\NMANAGE TO CLAW ITS WAY BACK Dialogue: 0,0:18:29.40,0:18:33.32,Default,,0,0,0,,INTO THE CENTER\NOF EGYPTIAN POWER? Dialogue: 0,0:18:33.40,0:18:35.44,Default,,0,0,0,,THE FIGURE OF THE ANCIENT\NEGYPTIAN SPHINX Dialogue: 0,0:18:35.52,0:18:38.84,Default,,0,0,0,,INSPIRED PHARAOHS\NFOR THOUSANDS OF YEARS. Dialogue: 0,0:18:38.88,0:18:41.20,Default,,0,0,0,,IT WASN'T JUST SOMETHING\NTHAT WAS A MOMENT IN TIME. Dialogue: 0,0:18:41.24,0:18:43.36,Default,,0,0,0,,IT WAS PART OF\NTHEIR HISTORY FOREVER. Dialogue: 0,0:18:43.44,0:18:46.48,Default,,0,0,0,,♪♪ Dialogue: 0,0:18:46.56,0:18:49.04,Default,,0,0,0,,Narrator: SEARCHING BETWEEN\NTHE COLOSSAL PAWS, Dialogue: 0,0:18:49.12,0:18:52.08,Default,,0,0,0,,DR. CAMPBELL PRICE\NINVESTIGATES A CARVING Dialogue: 0,0:18:52.12,0:18:55.64,Default,,0,0,0,,THAT MAY PROVIDE THE ANSWER. Dialogue: 0,0:18:55.72,0:18:59.40,Default,,0,0,0,,A STELE IS, LIKE,\NAN ANCIENT EGYPTIAN BILLBOARD. Dialogue: 0,0:18:59.48,0:19:01.96,Default,,0,0,0,,IT'S AN ADVERT TO LIVING PEOPLE Dialogue: 0,0:19:02.04,0:19:06.52,Default,,0,0,0,,AND ALSO TO THE GODS\NOF AN IMPORTANT MESSAGE. Dialogue: 0,0:19:06.60,0:19:10.04,Default,,0,0,0,,REALLY BIG ONES, LIKE THIS,\NMADE OF STONE, BELONG TO KINGS. Dialogue: 0,0:19:10.12,0:19:13.40,Default,,0,0,0,,♪♪ Dialogue: 0,0:19:13.44,0:19:18.28,Default,,0,0,0,,THIS 4-METER-HIGH TABLET\NIS COVERED IN HIEROGLYPHS, Dialogue: 0,0:19:18.36,0:19:24.12,Default,,0,0,0,,THE PICTURE-BASED WRITING SYSTEM\NUSED BY THE ANCIENT EGYPTIANS. Dialogue: 0,0:19:24.20,0:19:26.68,Default,,0,0,0,,SO HERE WE'RE LOOKING\NFOR A KING'S NAME, AND INDEED, Dialogue: 0,0:19:26.72,0:19:31.80,Default,,0,0,0,,I CAN SEE SEVERAL INDICATIONS\NOF A ROYAL NAME ON THERE. Dialogue: 0,0:19:31.88,0:19:36.36,Default,,0,0,0,,WE SEE THERE ARE THREE DISTINCT\NSYMBOLS IN THIS OVAL SHAPE, Dialogue: 0,0:19:36.44,0:19:38.72,Default,,0,0,0,,CALLED A CARTOUCHE. Dialogue: 0,0:19:38.80,0:19:41.72,Default,,0,0,0,,WE KNOW THAT CAN ONLY BE\NTHUTMOSE IV, Dialogue: 0,0:19:41.80,0:19:44.28,Default,,0,0,0,,A VERY IMPORTANT KING\NIN THE 18th DYNASTY Dialogue: 0,0:19:44.36,0:19:49.48,Default,,0,0,0,,WHO LIVED ABOUT 1400 B.C. Dialogue: 0,0:19:49.56,0:19:52.52,Default,,0,0,0,,Narrator: THIS WAS OVER\N1,000 YEARS AFTER KHAFRE. Dialogue: 0,0:19:52.60,0:19:55.92,Default,,0,0,0,,♪♪ Dialogue: 0,0:19:56.00,0:19:58.12,Default,,0,0,0,,THE TEXT ON THE STELE RECORDS Dialogue: 0,0:19:58.16,0:20:00.80,Default,,0,0,0,,WHEN PRINCE THUTMOSE IS INDEED\NJUST A PRINCE. Dialogue: 0,0:20:00.88,0:20:02.80,Default,,0,0,0,,HE'S NOT THE KING. Dialogue: 0,0:20:02.88,0:20:04.36,Default,,0,0,0,,HE ENCOUNTERS THE SPHINX, Dialogue: 0,0:20:04.44,0:20:07.76,Default,,0,0,0,,BUT, IN FACT, IT'S ALMOST\NCOMPLETELY COVERED IN SAND. Dialogue: 0,0:20:07.84,0:20:11.16,Default,,0,0,0,,Narrator: THE INSCRIPTION\NDESCRIBES PRINCE THUTMOSE Dialogue: 0,0:20:11.20,0:20:16.20,Default,,0,0,0,,RESTING IN THE SHADOW\NOF THE SPHINX. Dialogue: 0,0:20:16.28,0:20:20.68,Default,,0,0,0,,IN THE MID-DAY HEAT,\NTHUTMOSE FALLS ASLEEP, Dialogue: 0,0:20:20.76,0:20:23.24,Default,,0,0,0,,AND THE SPHINX COMES TO HIM\NIN A DREAM. Dialogue: 0,0:20:23.28,0:20:26.88,Default,,0,0,0,,♪♪ Dialogue: 0,0:20:26.92,0:20:30.80,Default,,0,0,0,,SPEAKING WITH THE VOICE\NOF THE GOD OF THE RISING SUN, Dialogue: 0,0:20:30.88,0:20:32.88,Default,,0,0,0,,"IF YOU FREE ME FROM THE SAND," Dialogue: 0,0:20:32.92,0:20:37.12,Default,,0,0,0,,IT SAYS, "I'LL MAKE YOU KING." Dialogue: 0,0:20:37.20,0:20:40.56,Default,,0,0,0,,WHEN HE WAKES, THE PRINCE\NDOES AS HE'S TOLD Dialogue: 0,0:20:40.60,0:20:43.68,Default,,0,0,0,,AND UNEARTHS THE SPHINX. Dialogue: 0,0:20:43.76,0:20:48.40,Default,,0,0,0,,SOON AFTER, THUTMOSE'S OLDER\NBROTHER DIES MYSTERIOUSLY, Dialogue: 0,0:20:48.48,0:20:51.48,Default,,0,0,0,,AND HE INHERITS THE THRONE. Dialogue: 0,0:20:51.56,0:20:56.96,Default,,0,0,0,,THE SPHINX HAS KEPT ITS WORD. Dialogue: 0,0:20:57.04,0:20:59.96,Default,,0,0,0,,ONE OF THE WAYS THAT THE ANCIENT\NEGYPTIANS COULD INTERACT Dialogue: 0,0:21:00.04,0:21:02.48,Default,,0,0,0,,WITH THEIR GODS\NWAS THROUGH DREAMS. Dialogue: 0,0:21:02.52,0:21:04.84,Default,,0,0,0,,THE EGYPTIANS BELIEVED THAT GODS Dialogue: 0,0:21:04.92,0:21:06.48,Default,,0,0,0,,COULD COME TO THEM\NIN THEIR DREAMS Dialogue: 0,0:21:06.52,0:21:08.92,Default,,0,0,0,,AND HELP THEM SOLVE PROBLEMS Dialogue: 0,0:21:08.96,0:21:13.48,Default,,0,0,0,,OR RECEIVE CURES FROM THE GODS. Dialogue: 0,0:21:13.56,0:21:15.84,Default,,0,0,0,,SO THIS WAS ONE WAY\NFOR THE EGYPTIANS Dialogue: 0,0:21:15.92,0:21:18.68,Default,,0,0,0,,TO HAVE THAT INTERACTION\NWITH THE DIVINE. Dialogue: 0,0:21:18.76,0:21:21.60,Default,,0,0,0,,♪♪ Dialogue: 0,0:21:21.68,0:21:23.20,Default,,0,0,0,,THE SPHINX NOW SPOKE WITH Dialogue: 0,0:21:23.28,0:21:25.76,Default,,0,0,0,,THE VOICE OF\NEGYPT'S GREATEST GOD. Dialogue: 0,0:21:25.84,0:21:31.12,Default,,0,0,0,,♪♪ Dialogue: 0,0:21:31.20,0:21:35.20,Default,,0,0,0,,THUTMOSE'S DREAM HAD MADE IT\NSTRONGER THAN EVER. Dialogue: 0,0:21:35.28,0:21:40.32,Default,,0,0,0,,IT WAS NOW THE POWER\NBEHIND THE THRONE. Dialogue: 0,0:21:40.40,0:21:41.80,Default,,0,0,0,,IT'S A PLACE OF PILGRIMAGE, Dialogue: 0,0:21:41.88,0:21:46.88,Default,,0,0,0,,WHERE NEW KINGS COME TO ASSERT\NTHEIR RIGHT TO THE THRONE. Dialogue: 0,0:21:46.96,0:21:49.00,Default,,0,0,0,,♪♪ Dialogue: 0,0:21:49.08,0:21:51.88,Default,,0,0,0,,THIS ANCIENT GOD HAS TO BE\NSOUGHT OUT Dialogue: 0,0:21:51.96,0:21:54.96,Default,,0,0,0,,TO GIVE HIS STAMP\NOF APPROVAL TO EVERY NEW KING. Dialogue: 0,0:21:55.00,0:21:58.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:21:58.24,0:22:01.04,Default,,0,0,0,,Narrator:\NTHIS MONSTROUS HYBRID ONCE AGAIN Dialogue: 0,0:22:01.08,0:22:03.84,Default,,0,0,0,,STOOD AT THE CENTER\NOF EGYPTIAN LIFE. Dialogue: 0,0:22:03.92,0:22:07.56,Default,,0,0,0,,♪♪ Dialogue: 0,0:22:07.64,0:22:11.16,Default,,0,0,0,,BUT WHY WOULD LATER PHARAOHS\NBUILD NOT ONE, Dialogue: 0,0:22:11.24,0:22:13.52,Default,,0,0,0,,BUT WHOLE ARMIES OF SPHINXES? Dialogue: 0,0:22:13.60,0:22:19.60,Default,,0,0,0,,♪♪ Dialogue: 0,0:22:19.68,0:22:22.36,Default,,0,0,0,,AND WHAT WOULD HAPPEN TO THIS\NMIGHTY BEAST Dialogue: 0,0:22:22.40,0:22:26.08,Default,,0,0,0,,WHEN THE AGE OF THE PHARAOHS\NCAME TO AN END? Dialogue: 0,0:22:26.16,0:22:32.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:22:33.64,0:22:36.76,Default,,0,0,0,,♪♪ Dialogue: 0,0:22:36.84,0:22:42.20,Default,,0,0,0,,Narrator: THE GREAT SPHINX OF\NGIZA IN EGYPT, Dialogue: 0,0:22:42.28,0:22:44.76,Default,,0,0,0,,CREATED BY THE PHARAOH KHAFRE, Dialogue: 0,0:22:44.84,0:22:46.88,Default,,0,0,0,,THIS POWERFUL AND NOBLE CREATURE Dialogue: 0,0:22:46.92,0:22:51.92,Default,,0,0,0,,HAD BEEN ABANDONED\NBEFORE BEING REBORN. Dialogue: 0,0:22:51.96,0:22:53.80,Default,,0,0,0,,BUT WHY WOULD LATER GENERATIONS Dialogue: 0,0:22:53.88,0:22:58.52,Default,,0,0,0,,CREATE WHOLE ARMIES\NOF THESE MONSTERS? Dialogue: 0,0:22:58.60,0:23:02.20,Default,,0,0,0,,IT DOESN'T GET MUCH MORE\NANCIENT EGYPTIAN THAN THIS, Dialogue: 0,0:23:02.24,0:23:06.40,Default,,0,0,0,,A MULTITUDE OF SPHINXES. Dialogue: 0,0:23:06.48,0:23:11.04,Default,,0,0,0,,Narrator: THE AVENUE OF\NTHE SPHINXES IN LUXOR, Dialogue: 0,0:23:11.12,0:23:14.24,Default,,0,0,0,,STRETCHING AS FAR\NAS THE EYE CAN SEE, Dialogue: 0,0:23:14.28,0:23:17.08,Default,,0,0,0,,A HUGE ARMY OF THESE PART-LION, Dialogue: 0,0:23:17.16,0:23:20.20,Default,,0,0,0,,PART-HUMAN BEASTS. Dialogue: 0,0:23:20.28,0:23:25.20,Default,,0,0,0,,A CLUE TO WHY THEY'RE HERE\NLIES IN THE TWO RELIGIOUS SITES Dialogue: 0,0:23:25.28,0:23:30.60,Default,,0,0,0,,THAT ARE LINKED BY THE AVENUE. Dialogue: 0,0:23:30.68,0:23:32.52,Default,,0,0,0,,AT ONE END IS KARNAK, Dialogue: 0,0:23:32.60,0:23:37.84,Default,,0,0,0,,THE HOME OF AMUN,\NKING OF ALL GODS. Dialogue: 0,0:23:37.92,0:23:40.64,Default,,0,0,0,,OVER A MILE TO THE SOUTH\NIS LUXOR, Dialogue: 0,0:23:40.72,0:23:45.84,Default,,0,0,0,,A VAST TEMPLE WHERE THE PHARAOHS\NMAKE OFFERINGS TO THE GODS. Dialogue: 0,0:23:45.88,0:23:49.08,Default,,0,0,0,,BETWEEN THEM, AN AVENUE LINED\NWITH AN INCREDIBLE Dialogue: 0,0:23:49.16,0:23:54.12,Default,,0,0,0,,1,350 SPHINX STATUES, Dialogue: 0,0:23:54.20,0:23:58.44,Default,,0,0,0,,FORMING A SPIRITUAL HIGHWAY\NJOINING THE TWO SACRED SITES. Dialogue: 0,0:23:58.52,0:24:02.12,Default,,0,0,0,,♪♪ Dialogue: 0,0:24:02.16,0:24:05.52,Default,,0,0,0,,WHY ARE THE SPHINXES HERE? Dialogue: 0,0:24:05.60,0:24:09.64,Default,,0,0,0,,THE FIRST STEP IS TO DISCOVER\NWHOSE FACE IS ON THEM. Dialogue: 0,0:24:09.72,0:24:12.00,Default,,0,0,0,,♪♪ Dialogue: 0,0:24:12.04,0:24:14.72,Default,,0,0,0,,ARCHAEOLOGIST\NDR. MOSTAFA AL-SAGHIR Dialogue: 0,0:24:14.80,0:24:16.72,Default,,0,0,0,,IS STILL FINDING STATUES. Dialogue: 0,0:24:16.80,0:24:20.52,Default,,0,0,0,,♪♪ Dialogue: 0,0:24:28.44,0:24:30.48,Default,,0,0,0,,MOSTAFA AND HIS TEAM\NARE REBUILDING Dialogue: 0,0:24:30.52,0:24:34.56,Default,,0,0,0,,ONE OF THESE MAGNIFICENT BEASTS,\NPIECE BY PIECE. Dialogue: 0,0:24:44.20,0:24:46.76,Default,,0,0,0,,A MISTAKE NOW COULD SEND\NTHE ANCIENT SCULPTURE Dialogue: 0,0:24:46.84,0:24:49.20,Default,,0,0,0,,CRASHING TO THE GROUND. Dialogue: 0,0:24:59.52,0:25:01.40,Default,,0,0,0,,WITH THE STATUE NOW COMPLETE, Dialogue: 0,0:25:01.48,0:25:04.40,Default,,0,0,0,,IT'S POSSIBLE TO TAKE A CLOSE\NLOOK AT THE FACE. Dialogue: 0,0:25:04.48,0:25:06.92,Default,,0,0,0,,♪♪ Dialogue: 0,0:25:06.96,0:25:09.36,Default,,0,0,0,,WHO IS IT? Dialogue: 0,0:25:18.76,0:25:24.16,Default,,0,0,0,,NECTANEBO THE FIRST RULED EGYPT\NIN 400 B.C., Dialogue: 0,0:25:24.24,0:25:27.84,Default,,0,0,0,,OVER 2,000 YEARS AFTER\NTHE FIRST SPHINX WAS CREATED. Dialogue: 0,0:25:27.88,0:25:31.08,Default,,0,0,0,,♪♪ Dialogue: 0,0:25:31.16,0:25:32.68,Default,,0,0,0,,CAMPBELL PRICE THINKS A CLUE Dialogue: 0,0:25:32.76,0:25:36.64,Default,,0,0,0,,TO WHY NECTANEBO COMMISSIONED\NA WHOLE ARMY OF SPHINXES Dialogue: 0,0:25:36.72,0:25:41.60,Default,,0,0,0,,LIES WITH THE AVENUE ITSELF. Dialogue: 0,0:25:41.68,0:25:44.48,Default,,0,0,0,,WHEN WE LOOK AT THIS BANK\NOF SPHINXES Dialogue: 0,0:25:44.56,0:25:47.80,Default,,0,0,0,,LINED UP LIKE SENTINELS\NON EITHER SIDE OF THE AVENUE, Dialogue: 0,0:25:47.84,0:25:49.20,Default,,0,0,0,,THEIR PURPOSE\NMUST'VE BEEN TO DO Dialogue: 0,0:25:49.28,0:25:53.32,Default,,0,0,0,,WITH THE ACTION IN THE MIDDLE. Dialogue: 0,0:25:53.40,0:25:55.48,Default,,0,0,0,,Narrator: THIS HUGE BOULEVARD\NWAS THE CENTERPIECE Dialogue: 0,0:25:55.56,0:25:58.60,Default,,0,0,0,,FOR ONE OF ANCIENT EGYPT'S\NMOST SACRED FESTIVALS. Dialogue: 0,0:25:58.68,0:26:05.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:26:05.12,0:26:07.32,Default,,0,0,0,,ONCE A YEAR,\NALL EYES IN EGYPT Dialogue: 0,0:26:07.36,0:26:13.00,Default,,0,0,0,,ARE ON THE AVENUE\NOF THE SPHINXES Dialogue: 0,0:26:13.08,0:26:15.64,Default,,0,0,0,,AS PRIESTS CARRY A STATUE OF\NTHE GOD AMUN Dialogue: 0,0:26:15.72,0:26:17.96,Default,,0,0,0,,FROM KARNAK TO LUXOR. Dialogue: 0,0:26:18.04,0:26:21.32,Default,,0,0,0,,♪♪ Dialogue: 0,0:26:21.40,0:26:23.00,Default,,0,0,0,,JUST LIKE THE SPHINXES, Dialogue: 0,0:26:23.04,0:26:27.88,Default,,0,0,0,,THE STATUE OF AMUN\NIS THOUGHT TO BE ALIVE. Dialogue: 0,0:26:27.96,0:26:29.84,Default,,0,0,0,,THESE FEROCIOUS\NLIVING SCULPTURES Dialogue: 0,0:26:29.92,0:26:31.52,Default,,0,0,0,,KEPT WATCH TO MAKE SURE Dialogue: 0,0:26:31.60,0:26:36.68,Default,,0,0,0,,THE GOD COULD TRAVEL SAFELY DOWN\NTHE AVENUE TO LUXOR. Dialogue: 0,0:26:36.72,0:26:39.28,Default,,0,0,0,,THERE, HE COULD RECEIVE\NHIS ANNUAL OFFERINGS Dialogue: 0,0:26:39.36,0:26:43.08,Default,,0,0,0,,FROM THE PHARAOH,\NA SACRED RITUAL THAT REMINDED Dialogue: 0,0:26:43.12,0:26:48.68,Default,,0,0,0,,EGYPTIANS OF THEIR KING'S\NDIVINE AUTHORITY. Dialogue: 0,0:26:48.76,0:26:50.64,Default,,0,0,0,,CAMPBELL THINKS\NTHE ARMY OF SPHINXES Dialogue: 0,0:26:50.72,0:26:54.60,Default,,0,0,0,,PLAYED AN INTEGRAL ROLE\NIN THIS CEREMONY. Dialogue: 0,0:26:54.64,0:26:59.00,Default,,0,0,0,,THEY ENSURED IT COULD\NTAKE PLACE. Dialogue: 0,0:26:59.04,0:27:02.68,Default,,0,0,0,,ALTHOUGH THE ANCIENT EGYPTIAN\NGODS WERE INCREDIBLY POWERFUL, Dialogue: 0,0:27:02.76,0:27:04.40,Default,,0,0,0,,THEY WERE ALSO RATHER\NVULNERABLE, Dialogue: 0,0:27:04.44,0:27:07.36,Default,,0,0,0,,ESPECIALLY WHEN THEY LEFT\NTHEIR TEMPLE HOMES. Dialogue: 0,0:27:07.44,0:27:10.48,Default,,0,0,0,,THEY NEEDED MAGICAL\NRITUAL PROTECTION. Dialogue: 0,0:27:10.56,0:27:13.52,Default,,0,0,0,,SO THAT'S WHAT THIS SQUADRON\NOF SPHINXES IS DOING HERE. Dialogue: 0,0:27:13.60,0:27:16.12,Default,,0,0,0,,THEY'RE ACTING AS GUARDIANS\NFOR THE GODS Dialogue: 0,0:27:16.16,0:27:19.12,Default,,0,0,0,,ON THEIR RITUAL JOURNEYS. Dialogue: 0,0:27:19.16,0:27:20.96,Default,,0,0,0,,Narrator:\NTHE DIVINE SPHINX WAS BECOMING Dialogue: 0,0:27:21.04,0:27:24.56,Default,,0,0,0,,THE PROTECTOR OF OTHER GODS, Dialogue: 0,0:27:24.60,0:27:28.00,Default,,0,0,0,,A FIGURE OF BENEVOLENCE. Dialogue: 0,0:27:28.08,0:27:31.76,Default,,0,0,0,,THE KEY THING IN THE SUCCESS\NOF THIS FORM Dialogue: 0,0:27:31.84,0:27:33.96,Default,,0,0,0,,IS ITS ADAPTABILITY,\NITS FLEXIBILITY. Dialogue: 0,0:27:34.04,0:27:36.08,Default,,0,0,0,,THAT ACCOUNTS FOR THE FACT\NTHE SPHINX, Dialogue: 0,0:27:36.16,0:27:37.84,Default,,0,0,0,,THAT BEAST,\NTHAT IMAGE OF THE BEAST, Dialogue: 0,0:27:37.92,0:27:40.28,Default,,0,0,0,,IS SO SUCCESSFUL\NFOR MORE THAN 2,000 YEARS. Dialogue: 0,0:27:40.36,0:27:43.60,Default,,0,0,0,,♪♪ Dialogue: 0,0:27:43.68,0:27:47.76,Default,,0,0,0,,Narrator: WHY WERE ITS DAYS\NFINALLY NUMBERED IN EGYPT? Dialogue: 0,0:27:47.84,0:27:51.16,Default,,0,0,0,,AND WHAT CAUSED IT TO EMERGE\NAS A TERRIFYING Dialogue: 0,0:27:51.24,0:27:54.28,Default,,0,0,0,,AND RUTHLESS\NMAN-EATER ELSEWHERE? Dialogue: 0,0:27:54.36,0:27:59.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:01.48,0:28:05.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:05.24,0:28:06.40,Default,,0,0,0,,Narrator: IN EGYPT, Dialogue: 0,0:28:06.44,0:28:09.68,Default,,0,0,0,,THE SPHINX ENDURED\NFOR OVER 2,000 YEARS. Dialogue: 0,0:28:09.72,0:28:14.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:14.12,0:28:18.32,Default,,0,0,0,,THIS HYBRID MUTANT CONSTANTLY\NADAPTED AND TOOK ON NEW POWERS. Dialogue: 0,0:28:18.40,0:28:21.72,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:21.80,0:28:26.48,Default,,0,0,0,,BUT WHY DID THIS MIGHTY BEAST\NFINALLY FALL FROM GLORY? Dialogue: 0,0:28:26.56,0:28:29.20,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:29.28,0:28:31.20,Default,,0,0,0,,AT THE AVENUE OF THE SPHINXES, Dialogue: 0,0:28:31.28,0:28:34.88,Default,,0,0,0,,ARCHAEOLOGIST\NDR. MOSTAFA AL-SAGHIR UNCOVERS Dialogue: 0,0:28:34.96,0:28:36.28,Default,,0,0,0,,A POTENTIAL CLUE. Dialogue: 0,0:28:36.36,0:28:41.08,Default,,0,0,0,,♪♪ Dialogue: 0,0:28:52.04,0:28:54.60,Default,,0,0,0,,THE FAMOUS QUEEN CLEOPATRA Dialogue: 0,0:28:54.68,0:28:59.76,Default,,0,0,0,,WAS EGYPT'S LAST PHARAOH. Dialogue: 0,0:28:59.80,0:29:03.36,Default,,0,0,0,,SHE OVERSAW HUGE BUILDING WORKS, Dialogue: 0,0:29:03.40,0:29:07.60,Default,,0,0,0,,EACH INSCRIBED\NWITH HER ROYAL TITLE, Dialogue: 0,0:29:07.64,0:29:12.12,Default,,0,0,0,,BUT THERE'S SOMETHING WRONG\NWITH THIS INSCRIPTION. Dialogue: 0,0:29:22.32,0:29:25.64,Default,,0,0,0,,THE FACT THAT THE NAME\NIS THE WRONG WAY UP PROVES Dialogue: 0,0:29:25.72,0:29:31.52,Default,,0,0,0,,THIS STONE WAS TAKEN FROM ITS\NORIGINAL BUILDING AND REUSED. Dialogue: 0,0:29:43.76,0:29:46.96,Default,,0,0,0,,A FEARSOME ARMY OF SPHINXES\NSTOOD GUARD, Dialogue: 0,0:29:47.04,0:29:49.72,Default,,0,0,0,,PERHAPS TO PROTECT ONE\NOF CLEOPATRA'S SACRED Dialogue: 0,0:29:49.80,0:29:53.12,Default,,0,0,0,,ROYAL BUILDINGS, Dialogue: 0,0:29:53.20,0:29:56.84,Default,,0,0,0,,BUT THEY WERE TO WITNESS IT\NMERCILESSLY TORN DOWN. Dialogue: 0,0:30:07.00,0:30:10.32,Default,,0,0,0,,♪♪ Dialogue: 0,0:30:10.40,0:30:13.20,Default,,0,0,0,,WHEN THE ROMANS CONQUERED EGYPT, Dialogue: 0,0:30:13.28,0:30:17.60,Default,,0,0,0,,CLEOPATRA'S BUILDING MAY HAVE\NBEEN BRUTALLY REPURPOSED Dialogue: 0,0:30:17.64,0:30:23.40,Default,,0,0,0,,FOR THEIR OWN CONSTRUCTION\NPROJECTS, RIGHT HERE, Dialogue: 0,0:30:23.48,0:30:27.96,Default,,0,0,0,,UNDER THE VERY NOSES\NOF THE ROYAL STONE PROTECTORS. Dialogue: 0,0:30:28.04,0:30:30.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:30:31.04,0:30:35.12,Default,,0,0,0,,THE ERA OF THE SPHINX IN EGYPT\NWAS COMING TO AN END. Dialogue: 0,0:30:35.20,0:30:40.84,Default,,0,0,0,,♪♪ Dialogue: 0,0:30:40.92,0:30:43.72,Default,,0,0,0,,BUT IT WASN'T THE ROMANS\NWHO DROVE THE FINAL NAIL Dialogue: 0,0:30:43.80,0:30:46.44,Default,,0,0,0,,INTO THE SPHINX'S COFFIN. Dialogue: 0,0:30:46.52,0:30:49.76,Default,,0,0,0,,THE CLUES LIE IN THE MIGHTY\NKARNAK TEMPLE. Dialogue: 0,0:30:49.84,0:30:52.84,Default,,0,0,0,,♪♪ Dialogue: 0,0:30:52.88,0:30:54.44,Default,,0,0,0,,I'VE BEEN COMING TO KARNAK\NFOR YEARS, Dialogue: 0,0:30:54.48,0:30:56.44,Default,,0,0,0,,AND THIS IS THE FIRST TIME\NI'VE SEEN, Dialogue: 0,0:30:56.48,0:30:58.12,Default,,0,0,0,,AT THE BACK OF THE TEMPLE, Dialogue: 0,0:30:58.20,0:31:01.48,Default,,0,0,0,,A VERY SPECIAL\NAND INTERESTING MONUMENT. Dialogue: 0,0:31:01.52,0:31:04.08,Default,,0,0,0,,Narrator:\NTHE DAMAGE TO THIS STATUE Dialogue: 0,0:31:04.12,0:31:08.60,Default,,0,0,0,,IS THE RESULT OF MORE\NTHAN JUST EROSION. Dialogue: 0,0:31:08.68,0:31:11.04,Default,,0,0,0,,HERE IS A STATUE OF\NTHUTMOSE III, Dialogue: 0,0:31:11.12,0:31:13.04,Default,,0,0,0,,THE BUILDER OF THIS\NFESTIVAL HALL. Dialogue: 0,0:31:13.12,0:31:14.12,Default,,0,0,0,,IT'S BEEN CHANGED. Dialogue: 0,0:31:14.20,0:31:15.72,Default,,0,0,0,,IT'S BEEN VICIOUSLY ATTACKED, Dialogue: 0,0:31:15.80,0:31:19.08,Default,,0,0,0,,RESCULPTED INTO THE IMAGE\NOF A CROSS. Dialogue: 0,0:31:19.16,0:31:21.28,Default,,0,0,0,,THAT GIVES US A CLUE AS TO\NTHE FATE Dialogue: 0,0:31:21.36,0:31:24.48,Default,,0,0,0,,OF THE IMAGE OF THE SPHINX. Dialogue: 0,0:31:24.56,0:31:27.96,Default,,0,0,0,,Narrator: CAMPBELL FINDS MORE\NEVIDENCE JUST AROUND THE CORNER. Dialogue: 0,0:31:28.04,0:31:32.24,Default,,0,0,0,,♪♪ Dialogue: 0,0:31:32.28,0:31:35.88,Default,,0,0,0,,AMONGST PAINTINGS THAT ARE\NOVER 3,000 YEARS OLD, Dialogue: 0,0:31:35.92,0:31:40.40,Default,,0,0,0,,THERE'S A SURPRISE INTRUDER. Dialogue: 0,0:31:40.48,0:31:43.08,Default,,0,0,0,,HERE, IN THIS BEAUTIFUL\NPAINTED HALL, Dialogue: 0,0:31:43.16,0:31:45.00,Default,,0,0,0,,AMIDST THE GLORIOUS COLORS, Dialogue: 0,0:31:45.08,0:31:47.64,Default,,0,0,0,,THERE IS AN IMAGE\NOF A CHRISTIAN SAINT. Dialogue: 0,0:31:47.72,0:31:51.40,Default,,0,0,0,,♪♪ Dialogue: 0,0:31:51.44,0:31:53.88,Default,,0,0,0,,Narrator:\NFLEEING ROMAN PERSECUTION, Dialogue: 0,0:31:53.96,0:31:55.64,Default,,0,0,0,,SOME OF THE VERY\NFIRST CHRISTIANS Dialogue: 0,0:31:55.72,0:31:59.64,Default,,0,0,0,,LIVED AMONG\NTHESE ABANDONED HALLS. Dialogue: 0,0:31:59.72,0:32:03.32,Default,,0,0,0,,THEY QUICKLY TURNED FROM\NOPPRESSED MINORITY Dialogue: 0,0:32:03.40,0:32:06.20,Default,,0,0,0,,TO DOMINANT MAJORITY. Dialogue: 0,0:32:06.28,0:32:11.72,Default,,0,0,0,,ALL OF A SUDDEN,\NTHE SPHINX WAS CORNERED. Dialogue: 0,0:32:11.80,0:32:14.20,Default,,0,0,0,,THE CHRISTIANS WERE HIDING OUT\NFROM THE ROMANS, Dialogue: 0,0:32:14.28,0:32:15.92,Default,,0,0,0,,BUT THEY WOULDN'T BE\NHIDING OUT FOR LONG Dialogue: 0,0:32:15.96,0:32:18.44,Default,,0,0,0,,BECAUSE WHEN CHRISTIANITY\NTOOK HOLD IN EGYPT, Dialogue: 0,0:32:18.52,0:32:21.00,Default,,0,0,0,,THAT SPELLED THE END\NOF THE ANCIENT GODS. Dialogue: 0,0:32:21.08,0:32:23.88,Default,,0,0,0,,AS IT SAYS IN THE BIBLE,\NTHE FIRST COMMANDMENT, Dialogue: 0,0:32:23.96,0:32:29.12,Default,,0,0,0,,"THOU SHALT HAVE NO\NOTHER GODS BEFORE ME." Dialogue: 0,0:32:29.20,0:32:33.48,Default,,0,0,0,,Narrator: THE CHRISTIANS BANNED\NWORSHIP OF PAGAN ICONS, Dialogue: 0,0:32:33.56,0:32:35.96,Default,,0,0,0,,BRINGING AN END TO MORE\NTHAN TWO MILLENNIA Dialogue: 0,0:32:36.04,0:32:39.68,Default,,0,0,0,,OF SPHINX\NDOMINATION IN EGYPT. Dialogue: 0,0:32:39.72,0:32:42.48,Default,,0,0,0,,BUT THE NATURE OF THE SPHINX\NWOULD CHANGE AGAIN, Dialogue: 0,0:32:42.52,0:32:46.36,Default,,0,0,0,,AND ELSEWHERE\NIT WOULD RISE ONCE MORE. Dialogue: 0,0:32:46.44,0:32:50.40,Default,,0,0,0,,HOW DID THIS MAJESTIC CREATURE\NEND UP AS THE TREACHEROUS, Dialogue: 0,0:32:50.48,0:32:54.96,Default,,0,0,0,,RAVENOUS MAN-EATER\NOF GREEK MYTHOLOGY? Dialogue: 0,0:32:55.00,0:32:58.56,Default,,0,0,0,,A CLUE COULD LIE WITH ANOTHER\NMUTANT MONSTER, Dialogue: 0,0:32:58.60,0:33:02.40,Default,,0,0,0,,THE PART-LION,\NPART-BIRD GRIFFIN. Dialogue: 0,0:33:02.44,0:33:05.60,Default,,0,0,0,,♪♪ Dialogue: 0,0:33:07.20,0:33:11.24,Default,,0,0,0,,♪♪ Dialogue: 0,0:33:11.32,0:33:13.08,Default,,0,0,0,,Narrator:\NFOR MORE THAN TWO MILLENNIA, Dialogue: 0,0:33:13.16,0:33:17.04,Default,,0,0,0,,THE SPHINX RULED SUPREME\NIN EGYPT. Dialogue: 0,0:33:17.12,0:33:21.08,Default,,0,0,0,,IT WAS POWERFUL AND REVERED. Dialogue: 0,0:33:21.12,0:33:26.76,Default,,0,0,0,,BUT ELSEWHERE, THE SPHINX WOULD\NBECOME SEEN AS A SYMBOL OF EVIL. Dialogue: 0,0:33:26.84,0:33:31.16,Default,,0,0,0,,WHY DID THIS PROUD GUARDIAN\NOF THE EGYPTIAN GODS Dialogue: 0,0:33:31.24,0:33:33.36,Default,,0,0,0,,TURN INTO A MALEVOLENT MONSTER? Dialogue: 0,0:33:33.40,0:33:38.24,Default,,0,0,0,,♪♪ Dialogue: 0,0:33:38.28,0:33:44.04,Default,,0,0,0,,A CLUE LIES AT OLYMPIA\NIN GREECE. Dialogue: 0,0:33:44.08,0:33:47.00,Default,,0,0,0,,HERE, ARCHAEOLOGIST\NANTHI DIPLA INVESTIGATES Dialogue: 0,0:33:47.08,0:33:51.56,Default,,0,0,0,,ANOTHER HYBRID BEAST WITH\NTHE BODY OF A LION, Dialogue: 0,0:33:51.64,0:33:53.28,Default,,0,0,0,,THE GRIFFIN. Dialogue: 0,0:34:11.48,0:34:14.56,Default,,0,0,0,,THE GREEKS BELIEVED\NTHAT GRIFFINS LIVED FAR AWAY Dialogue: 0,0:34:14.64,0:34:17.16,Default,,0,0,0,,IN CENTRAL ASIA. Dialogue: 0,0:34:17.24,0:34:19.84,Default,,0,0,0,,HERE, THEY NESTED. Dialogue: 0,0:34:19.88,0:34:24.28,Default,,0,0,0,,AMONG ITS EGGS ARE NUGGETS\NOF GOLD, Dialogue: 0,0:34:24.36,0:34:29.44,Default,,0,0,0,,DUG UP WHEN BUILDING ITS NEST. Dialogue: 0,0:34:29.52,0:34:34.48,Default,,0,0,0,,IN THE DAY, THE GRIFFIN SHIELDS\NITS EGGS FROM THE BLAZING SUN. Dialogue: 0,0:34:34.56,0:34:38.04,Default,,0,0,0,,AND AT NIGHT, IT MUST PROTECT\NTHEM FROM TREASURE HUNTERS Dialogue: 0,0:34:38.12,0:34:42.56,Default,,0,0,0,,TRYING TO STEAL THE GOLD\NFROM UNDER THE GRIFFIN'S BEAK. Dialogue: 0,0:34:42.60,0:34:46.36,Default,,0,0,0,,BUT ITS ACUTE HEARING\NDETECTS ANY INTRUDER, Dialogue: 0,0:34:46.44,0:34:48.56,Default,,0,0,0,,AND IT'S READY TO KILL. Dialogue: 0,0:34:48.64,0:34:50.92,Default,,0,0,0,,[ SCREECHING ] Dialogue: 0,0:34:51.00,0:34:56.00,Default,,0,0,0,,IN GREECE, GRIFFINS AND SPHINXES\NHAVE MANY SIMILARITIES. Dialogue: 0,0:34:56.08,0:34:57.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:34:58.04,0:35:01.48,Default,,0,0,0,,BOTH CREATURES HAVE THE BODY\NOF A POWERFUL LION. Dialogue: 0,0:35:01.52,0:35:06.72,Default,,0,0,0,,BOTH HAVE WINGS AND COME FROM\NDISTANT LANDS VIA THE NEAR EAST. Dialogue: 0,0:35:06.76,0:35:09.96,Default,,0,0,0,,♪♪ Dialogue: 0,0:35:29.20,0:35:31.08,Default,,0,0,0,,THE GREEKS WERE FASCINATED Dialogue: 0,0:35:31.12,0:35:33.72,Default,,0,0,0,,BY HYBRID CREATURES Dialogue: 0,0:35:33.80,0:35:37.84,Default,,0,0,0,,LIKE THE GRIFFIN\NAND THE SPHINX. Dialogue: 0,0:35:37.92,0:35:42.76,Default,,0,0,0,,THEY DEPICTED THEM\NIN COUNTLESS ARTWORKS. Dialogue: 0,0:35:42.80,0:35:47.32,Default,,0,0,0,,BOTH MUTANT BEASTS\NCOULD BE FEROCIOUS. Dialogue: 0,0:36:09.64,0:36:12.16,Default,,0,0,0,,IT'S LIKELY THAT TRAVELERS\NBROUGHT BACK TALES Dialogue: 0,0:36:12.20,0:36:15.48,Default,,0,0,0,,OF BOTH THE SPHINX\NAND THE GRIFFIN TO GREECE. Dialogue: 0,0:36:15.56,0:36:17.72,Default,,0,0,0,,[ SCREECHING ] Dialogue: 0,0:36:17.80,0:36:19.84,Default,,0,0,0,,♪♪ Dialogue: 0,0:36:19.92,0:36:22.84,Default,,0,0,0,,COMPARATIVE ANATOMIST\NDR. JOY REIDENBERG Dialogue: 0,0:36:22.92,0:36:26.76,Default,,0,0,0,,INVESTIGATES WHAT MIGHT\NLIE BEHIND THE GRIFFIN STORIES Dialogue: 0,0:36:26.84,0:36:30.24,Default,,0,0,0,,THAT MADE IT\NSUCH A TERRIFYING PROTECTOR. Dialogue: 0,0:36:30.28,0:36:32.48,Default,,0,0,0,,THERE'S A NEW THEORY\NTHAT THE GRIFFIN MAY ACTUALLY Dialogue: 0,0:36:32.56,0:36:35.96,Default,,0,0,0,,BE BASED ON A FOSSIL FIND,\NSOMETHING LIKE THIS. Dialogue: 0,0:36:36.04,0:36:39.72,Default,,0,0,0,,THIS IS A CAST OF\NA PROTOCERATOPS. Dialogue: 0,0:36:39.80,0:36:45.56,Default,,0,0,0,,Narrator: THERE'S ONE ASPECT OF\NTHE SKULL THAT STANDS OUT. Dialogue: 0,0:36:45.60,0:36:48.36,Default,,0,0,0,,THIS ICONIC BEAK IS WHAT\NREALLY CAPTURES THE IMAGINATION Dialogue: 0,0:36:48.44,0:36:51.28,Default,,0,0,0,,BECAUSE THIS BEAK LOOKS\NLIKE AN EAGLE'S BEAK. Dialogue: 0,0:36:51.36,0:36:54.24,Default,,0,0,0,,YOU CAN SEE THE POINT\NRIGHT IN THE FRONT HERE Dialogue: 0,0:36:54.32,0:36:55.52,Default,,0,0,0,,MEETING A BOTTOM JAW HERE, Dialogue: 0,0:36:55.60,0:36:58.24,Default,,0,0,0,,AND IT WAS MASSIVE,\NAND IT WAS POWERFUL. Dialogue: 0,0:36:58.32,0:36:59.72,Default,,0,0,0,,THEY COULD GIVE YOU A REALLY\NHARD BITE Dialogue: 0,0:36:59.80,0:37:03.84,Default,,0,0,0,,AND PROBABLY SNAP\NYOUR BODY IN TWO. Dialogue: 0,0:37:03.92,0:37:05.56,Default,,0,0,0,,Narrator:\NACCORDING TO THE THEORY, Dialogue: 0,0:37:05.64,0:37:08.28,Default,,0,0,0,,THE IMMENSE FRAME\NOF THE PROTOCERATOPS Dialogue: 0,0:37:08.36,0:37:13.28,Default,,0,0,0,,COULD ALSO HAVE INSPIRED\NTHE NOTION OF A LION'S BODY. Dialogue: 0,0:37:13.32,0:37:14.72,Default,,0,0,0,,SO IF YOU DON'T KNOW\NABOUT DINOSAURS, Dialogue: 0,0:37:14.76,0:37:16.16,Default,,0,0,0,,Reidenberg: WHAT ARE YOU GOING\NTO RELATE THIS TO? Dialogue: 0,0:37:16.24,0:37:18.56,Default,,0,0,0,,IF YOU'VE GOT SOMETHING\NWITH A BIRD-SHAPED BEAK Dialogue: 0,0:37:18.64,0:37:21.76,Default,,0,0,0,,AND IT'S GOT A BODY\NROUGHLY THE SIZE OF A LION, Dialogue: 0,0:37:21.80,0:37:24.68,Default,,0,0,0,,AND WE KNEW LIONS\NWERE IN THE AREA AT THE TIME, Dialogue: 0,0:37:24.76,0:37:28.00,Default,,0,0,0,,PUT THOSE TWO TOGETHER, AND NOW,\NYOU'VE GOT A BIRD-HEADED LION. Dialogue: 0,0:37:28.08,0:37:31.40,Default,,0,0,0,,THAT'S YOUR GRIFFIN. Dialogue: 0,0:37:31.44,0:37:33.68,Default,,0,0,0,,Narrator: THE GREEKS LOVED\NTHE BIZARRE BIOLOGY Dialogue: 0,0:37:33.76,0:37:37.84,Default,,0,0,0,,OF THESE DANGEROUS\NHYBRID BEASTS. Dialogue: 0,0:37:37.92,0:37:39.24,Default,,0,0,0,,IN THE MIDDLE EAST, Dialogue: 0,0:37:39.28,0:37:43.88,Default,,0,0,0,,THE SPHINX\NWAS NASTY AND AGGRESSIVE, Dialogue: 0,0:37:43.92,0:37:46.96,Default,,0,0,0,,SO THEY ASSIMILATED IT\NINTO THEIR MYTHOLOGICAL WORLD Dialogue: 0,0:37:47.04,0:37:51.00,Default,,0,0,0,,OF EVIL MONSTERS. Dialogue: 0,0:37:51.08,0:37:55.28,Default,,0,0,0,,IT BECAME THE SIBLING\NOF THE CHIMERA, Dialogue: 0,0:37:55.36,0:37:57.96,Default,,0,0,0,,THE MULTIHEADED HYDRA Dialogue: 0,0:37:58.04,0:38:01.00,Default,,0,0,0,,AND THE HELLHOUND, CERBERUS. Dialogue: 0,0:38:01.04,0:38:02.88,Default,,0,0,0,,♪♪ Dialogue: 0,0:38:15.04,0:38:19.12,Default,,0,0,0,,BUT IT HADN'T ONLY MUTATED INTO\NAN EVIL AND TERRIFYING CREATURE. Dialogue: 0,0:38:19.16,0:38:21.08,Default,,0,0,0,,♪♪ Dialogue: 0,0:38:21.12,0:38:24.52,Default,,0,0,0,,IT HAD BECOME FEMALE. Dialogue: 0,0:38:51.64,0:38:54.44,Default,,0,0,0,,THIS WAS A SYMBOL OF HORROR Dialogue: 0,0:38:54.52,0:38:57.40,Default,,0,0,0,,FOR A MALE-DOMINATED SOCIETY. Dialogue: 0,0:39:16.48,0:39:18.44,Default,,0,0,0,,ACCORDING TO GREEK MYTHOLOGY, Dialogue: 0,0:39:18.48,0:39:22.96,Default,,0,0,0,,A SPHINX TERRORIZES THE PEOPLE\NOF THEBES WITH A DEADLY RIDDLE. Dialogue: 0,0:39:23.04,0:39:24.68,Default,,0,0,0,,♪♪ Dialogue: 0,0:39:24.72,0:39:27.28,Default,,0,0,0,,WHAT HAS FOUR FEET\NIN THE MORNING, Dialogue: 0,0:39:27.32,0:39:32.40,Default,,0,0,0,,TWO FEET IN THE AFTERNOON,\NAND THREE FEET AT NIGHT? Dialogue: 0,0:39:32.48,0:39:34.48,Default,,0,0,0,,ANYONE WHO CAN'T ANSWER\NTHE QUESTION Dialogue: 0,0:39:34.56,0:39:36.84,Default,,0,0,0,,PAYS WITH THEIR LIFE, Dialogue: 0,0:39:36.92,0:39:41.88,Default,,0,0,0,,BUT A HERO CALLED OEDIPUS\NCRACKS HER RIDDLE -- HUMANS. Dialogue: 0,0:39:41.96,0:39:47.20,Default,,0,0,0,,FIRST THEY CRAWL ON ALL FOURS,\NTHEN WALK ON TWO LEGS, Dialogue: 0,0:39:47.24,0:39:52.64,Default,,0,0,0,,AND FINALLY, THEY NEED A WALKING\NSTICK WHEN THEY'RE OLD. Dialogue: 0,0:39:52.68,0:39:56.36,Default,,0,0,0,,HUMILIATED, THE SPHINX\NDEVOURS HERSELF. Dialogue: 0,0:39:56.44,0:40:00.56,Default,,0,0,0,,♪♪ Dialogue: 0,0:40:00.64,0:40:03.24,Default,,0,0,0,,THE GREEKS TENDED TO TAKE\NON OTHER PEOPLE'S STORIES Dialogue: 0,0:40:03.32,0:40:06.32,Default,,0,0,0,,AND THEN MAKE THEM THEIR OWN. Dialogue: 0,0:40:06.36,0:40:08.40,Default,,0,0,0,,IN THE CHANGING OF THE STORY\NOF THE SPHINX, Dialogue: 0,0:40:08.48,0:40:09.88,Default,,0,0,0,,IT LOST ITS ORIGINAL MEANING Dialogue: 0,0:40:09.96,0:40:12.08,Default,,0,0,0,,AND WAS TURNED\NINTO A COMPLETE MONSTER. Dialogue: 0,0:40:12.16,0:40:16.04,Default,,0,0,0,,♪♪ Dialogue: 0,0:40:16.12,0:40:19.36,Default,,0,0,0,,Narrator: STARTING OUT AS\NTHE LIVING BODY OF A KING, Dialogue: 0,0:40:19.44,0:40:24.32,Default,,0,0,0,,THE SPHINX DEVELOPED\NEXTRAORDINARY POWER Dialogue: 0,0:40:24.40,0:40:27.52,Default,,0,0,0,,AND BECAME A SACRED GUARDIAN Dialogue: 0,0:40:27.60,0:40:30.36,Default,,0,0,0,,FOR THE GODS THEMSELVES. Dialogue: 0,0:40:30.44,0:40:33.00,Default,,0,0,0,,SYMBOLS LIKE THE SPHINX\NWERE THE BRIDGE Dialogue: 0,0:40:33.08,0:40:38.20,Default,,0,0,0,,BETWEEN THE DIVINE WORLD\NAND THE ACTUAL WORLD. Dialogue: 0,0:40:38.28,0:40:42.04,Default,,0,0,0,,WHEN WE THINK ABOUT\NTHESE MYTHICAL CREATURES, Dialogue: 0,0:40:42.12,0:40:46.52,Default,,0,0,0,,ONE OF THE REASONS\NWHY THEIR STORIES ENDURE Dialogue: 0,0:40:46.60,0:40:50.32,Default,,0,0,0,,IS BECAUSE ALL OF THESE\NCREATURES SHARE POWER, Dialogue: 0,0:40:50.40,0:40:55.04,Default,,0,0,0,,AND THAT IS WHAT THE ANCIENT\NPEOPLES WERE INTERESTED IN, Dialogue: 0,0:40:55.12,0:40:57.56,Default,,0,0,0,,A WAY TO HARNESS THIS POWER Dialogue: 0,0:40:57.64,0:41:02.20,Default,,0,0,0,,AND USE IT FOR THEIR BENEFIT. Dialogue: 0,0:41:02.28,0:41:05.76,Default,,0,0,0,,Narrator: THE SPHINX'S FAME\NSPREAD BEYOND EGYPT'S BORDERS, Dialogue: 0,0:41:05.84,0:41:10.56,Default,,0,0,0,,WHERE IT CHANGED ONCE MORE. Dialogue: 0,0:41:10.64,0:41:15.16,Default,,0,0,0,,IT BECAME A MAN-EATING MONSTER\NTHAT WAS VERY DIFFERENT Dialogue: 0,0:41:15.20,0:41:18.36,Default,,0,0,0,,FROM THE ORIGINAL DIVINE BEAST. Dialogue: 0,0:41:18.40,0:41:22.84,Default,,0,0,0,,BY PIECING TOGETHER CLUES\NAND UNCOVERING ITS SECRETS, Dialogue: 0,0:41:22.92,0:41:25.20,Default,,0,0,0,,WE'RE COMING CLOSER\NTO UNDERSTANDING Dialogue: 0,0:41:25.28,0:41:29.72,Default,,0,0,0,,ONE OF THE WORLD'S GREATEST\NMYTHICAL BEASTS. Dialogue: 0,0:41:29.80,0:41:36.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:41:39.80,0:41:46.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:41:49.80,0:41:56.80,Default,,0,0,0,,♪♪ Dialogue: 0,0:41:59.84,0:42:01.44,Default,,0,0,0,,♪♪ 59775

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