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[Script Info]
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Collisions: Normal
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PlayResY: 1080
Timer: 100.0
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ScaledBorderAndShadow: yes
[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.60,0:00:02.36,Default,,0,0,0,,[ ROARS ]
Dialogue: 0,0:00:02.43,0:00:03.83,Default,,0,0,0,,Narrator: THE MINOTAUR.
Dialogue: 0,0:00:03.90,0:00:06.57,Default,,0,0,0,,A TERRIFYING MONSTER.
Dialogue: 0,0:00:06.63,0:00:09.27,Default,,0,0,0,,HALF MAN, HALF BULL.
Dialogue: 0,0:00:09.34,0:00:10.81,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:00:10.87,0:00:12.74,Default,,0,0,0,,THE MINOTAUR WAS\NBORN BECAUSE A WOMAN
Dialogue: 0,0:00:12.81,0:00:14.68,Default,,0,0,0,,FELL IN LOVE WITH A BULL.
Dialogue: 0,0:00:14.74,0:00:16.64,Default,,0,0,0,,Narrator: SO DANGEROUS,\NIT WAS IMPRISONED
Dialogue: 0,0:00:16.71,0:00:21.42,Default,,0,0,0,,IN A HUGE LABYRINTH\NAND FED ON HUMAN FLESH.
Dialogue: 0,0:00:21.48,0:00:25.69,Default,,0,0,0,,BEYOND THE SACRIFICE, THEY WERE\NINTENTIONALLY BUTCHERED.
Dialogue: 0,0:00:25.75,0:00:28.32,Default,,0,0,0,,Narrator: THE ANCIENT GREEKS\NCREATED THIS BLOODY MYTH
Dialogue: 0,0:00:28.39,0:00:30.99,Default,,0,0,0,,BECAUSE OF WHAT THEY SAW HERE.
Dialogue: 0,0:00:31.06,0:00:34.06,Default,,0,0,0,,THE PALACE OF KNOSSOS IN CRETE.
Dialogue: 0,0:00:34.13,0:00:36.10,Default,,0,0,0,,ARCHEOLOGISTS WERE\NCONVINCED THAT BURIED
Dialogue: 0,0:00:36.16,0:00:37.83,Default,,0,0,0,,BENEATH THE CITY OF KNOSSOS,
Dialogue: 0,0:00:37.90,0:00:40.20,Default,,0,0,0,,THEY WOULD FIND THE LABYRINTH.
Dialogue: 0,0:00:40.27,0:00:41.60,Default,,0,0,0,,Narrator:\NBUT WHAT ACTUALLY HAPPENED
Dialogue: 0,0:00:41.67,0:00:45.17,Default,,0,0,0,,TO INSPIRE THIS MONSTROUS TALE?
Dialogue: 0,0:00:45.24,0:00:48.24,Default,,0,0,0,,IT REALLY WAS A VERY\NLARGE, VERY TERRIFYING
Dialogue: 0,0:00:48.31,0:00:49.78,Default,,0,0,0,,BULL-LIKE ANIMAL.
Dialogue: 0,0:00:49.84,0:00:51.18,Default,,0,0,0,,Narrator:\NCOULD THERE BE FAR MORE
Dialogue: 0,0:00:51.25,0:00:54.95,Default,,0,0,0,,TO THIS ANCIENT MYTH\NTHAN WE REALIZE?
Dialogue: 0,0:00:55.02,0:00:56.68,Default,,0,0,0,,FOUND A REALLY,\NREALLY INTERESTING FEATURE HERE,
Dialogue: 0,0:00:56.75,0:00:59.72,Default,,0,0,0,,A SUBTERRANEAN FEATURE.
Dialogue: 0,0:00:59.79,0:01:01.59,Default,,0,0,0,,Narrator: AND WILL DECODING\NIT FINALLY REVEAL
Dialogue: 0,0:01:01.66,0:01:03.56,Default,,0,0,0,,THE TRUTH ABOUT\NTHE PEOPLE WHO LIVED HERE
Dialogue: 0,0:01:03.63,0:01:05.63,Default,,0,0,0,,THOUSANDS OF YEARS AGO
Dialogue: 0,0:01:05.69,0:01:07.73,Default,,0,0,0,,AND WHAT THEY REALLY DID?
Dialogue: 0,0:01:07.80,0:01:10.93,Default,,0,0,0,,TO WORSHIP A MONSTER,\NSACRIFICING OUR CHILDREN,
Dialogue: 0,0:01:11.00,0:01:13.80,Default,,0,0,0,,IT'S HARD TO RELATE TO TODAY.
Dialogue: 0,0:01:13.87,0:01:16.34,Default,,0,0,0,,Narrator: NOW EXPERTS USE\NTHE LATEST SCIENCE IN ARCHEOLOGY
Dialogue: 0,0:01:16.40,0:01:20.18,Default,,0,0,0,,TO INVESTIGATE CRETE'S\NMYSTERIOUS RUINS.
Dialogue: 0,0:01:20.24,0:01:22.08,Default,,0,0,0,,Woman: PRETTY LOOSE HERE,\NSO JUST BE CAREFUL.
Dialogue: 0,0:01:22.14,0:01:25.68,Default,,0,0,0,,Narrator: AND VENTURE DEEP INTO\NITS HIDDEN UNDERWORLD
Dialogue: 0,0:01:25.75,0:01:27.95,Default,,0,0,0,,TO UNCOVER\NTHE TERRIFYING REALITY
Dialogue: 0,0:01:28.02,0:01:32.89,Default,,0,0,0,,BEHIND THIS MYTHICAL BEAST\NOF ANCIENT TIMES.
Dialogue: 0,0:01:32.95,0:01:34.66,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:01:34.72,0:01:37.66,Default,,0,0,0,,-- Captions by VITAC --\Nwww.vitac.com
Dialogue: 0,0:01:37.73,0:01:40.66,Default,,0,0,0,,CAPTIONS PAID FOR BY\NDISCOVERY COMMUNICATIONS
Dialogue: 0,0:01:40.73,0:01:44.37,Default,,0,0,0,,♪♪
Dialogue: 0,0:01:44.43,0:01:46.73,Default,,0,0,0,,KNOSSOS IN CRETE,
Dialogue: 0,0:01:46.80,0:01:51.71,Default,,0,0,0,,SAID TO BE THE BIRTHPLACE\NOF THE MYTHICAL MINOTAUR.
Dialogue: 0,0:01:51.77,0:01:53.98,Default,,0,0,0,,WAY BEFORE THE X-MEN,\NGREEK MYTHOLOGY
Dialogue: 0,0:01:54.04,0:01:56.64,Default,,0,0,0,,WAS ALREADY COMBINING\NHUMANS AND ANIMALS
Dialogue: 0,0:01:56.71,0:01:58.85,Default,,0,0,0,,TO CREATE MONSTERS AND HEROES.
Dialogue: 0,0:01:58.91,0:02:00.72,Default,,0,0,0,,THE AVENGERS,\NYOUR "GAME OF THRONES" CAN RUN
Dialogue: 0,0:02:00.78,0:02:02.58,Default,,0,0,0,,FOR MULTIPLE SEASONS.
Dialogue: 0,0:02:02.65,0:02:04.99,Default,,0,0,0,,THE GREEK MYTHS, THOSE STORIES\NHAVE BEEN GOING ON
Dialogue: 0,0:02:05.05,0:02:07.76,Default,,0,0,0,,FOR OVER 3,000 YEARS.
Dialogue: 0,0:02:07.82,0:02:10.23,Default,,0,0,0,,MINOTAUR IS ONE OF\NTHE GREATEST MONSTERS
Dialogue: 0,0:02:10.29,0:02:12.19,Default,,0,0,0,,OF THE ANCIENT WORLD.
Dialogue: 0,0:02:12.26,0:02:15.20,Default,,0,0,0,,IT'S THE FIRST SUPER-VILLAIN.
Dialogue: 0,0:02:15.26,0:02:16.73,Default,,0,0,0,,Narrator:\NTHE MINOTAUR MYTH TELLS
Dialogue: 0,0:02:16.80,0:02:18.90,Default,,0,0,0,,OF A TERRIFYING RITUAL.
Dialogue: 0,0:02:18.97,0:02:22.64,Default,,0,0,0,,EVERY NINE YEARS, 14 YOUTHS\NFROM THE GREEK MAINLAND
Dialogue: 0,0:02:22.70,0:02:25.07,Default,,0,0,0,,ARE TORN FROM THEIR\NFAMILIES AND SHIPPED
Dialogue: 0,0:02:25.14,0:02:28.88,Default,,0,0,0,,TO A MAGNIFICENT PALACE\NON THE ISLAND OF CRETE.
Dialogue: 0,0:02:28.94,0:02:30.81,Default,,0,0,0,,♪♪
Dialogue: 0,0:02:30.88,0:02:33.82,Default,,0,0,0,,HERE THEY ARE FORCED INTO\NA GIGANTIC LABYRINTH
Dialogue: 0,0:02:33.88,0:02:36.38,Default,,0,0,0,,SO COMPLEX, THERE'S NO ESCAPE.
Dialogue: 0,0:02:36.45,0:02:38.69,Default,,0,0,0,,♪♪
Dialogue: 0,0:02:38.75,0:02:43.02,Default,,0,0,0,,THEY ARE A SACRIFICE TO\NA MUTANT MAN-EATING MONSTER.
Dialogue: 0,0:02:43.09,0:02:46.59,Default,,0,0,0,,♪♪
Dialogue: 0,0:02:46.66,0:02:47.76,Default,,0,0,0,,THE MINOTAUR.
Dialogue: 0,0:02:47.83,0:02:51.67,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:02:51.73,0:02:54.87,Default,,0,0,0,,BUT IS THIS JUST A TALE?
Dialogue: 0,0:02:54.94,0:02:58.01,Default,,0,0,0,,OR DID TERRIBLE THINGS\NREALLY HAPPEN ON THIS ISLAND
Dialogue: 0,0:02:58.07,0:02:59.91,Default,,0,0,0,,THAT INSPIRED THE ANCIENT GREEKS
Dialogue: 0,0:02:59.97,0:03:03.01,Default,,0,0,0,,TO CREATE THIS MYTH?
Dialogue: 0,0:03:03.08,0:03:05.45,Default,,0,0,0,,MOST MYTHOLOGY IS\NBASED IN SOME FACT,
Dialogue: 0,0:03:05.51,0:03:07.62,Default,,0,0,0,,SOMETHING THAT WAS\NREALLY OBSERVED.
Dialogue: 0,0:03:07.68,0:03:10.08,Default,,0,0,0,,Narrator: ARCHEOLOGIST,\NALEXANDER MacGILLIVRAY
Dialogue: 0,0:03:10.15,0:03:13.59,Default,,0,0,0,,SEARCHES FOR ANSWERS AT KNOSSOS.
Dialogue: 0,0:03:13.66,0:03:16.49,Default,,0,0,0,,THIS ANCIENT PALACE CITY\NWAS BUILT 4,000 YEARS AGO
Dialogue: 0,0:03:16.56,0:03:20.73,Default,,0,0,0,,BY A POWERFUL\NAND MYSTERIOUS CIVILIZATION --
Dialogue: 0,0:03:20.80,0:03:23.16,Default,,0,0,0,,THE MINOANS.
Dialogue: 0,0:03:23.23,0:03:25.53,Default,,0,0,0,,THE PALACE HERE AT\NKNOSSOS WAS EXCAVATED
Dialogue: 0,0:03:25.60,0:03:28.27,Default,,0,0,0,,120 YEARS AGO, AND YET,\NEVEN IN ALL THAT TIME,
Dialogue: 0,0:03:28.34,0:03:29.74,Default,,0,0,0,,WE'RE STILL KINDA\NSCRAMBLING TO UNDERSTAND
Dialogue: 0,0:03:29.80,0:03:32.41,Default,,0,0,0,,WHAT THIS PLACE IS.
Dialogue: 0,0:03:32.47,0:03:35.78,Default,,0,0,0,,Narrator:\NTHESE RUINS HOLD MANY SECRETS.
Dialogue: 0,0:03:35.84,0:03:37.68,Default,,0,0,0,,BUT EVIDENCE FOUND HERE CONFIRMS
Dialogue: 0,0:03:37.75,0:03:41.48,Default,,0,0,0,,THAT ALEXANDER IS DEFINITELY\NIN MINOTAUR TERRITORY.
Dialogue: 0,0:03:41.55,0:03:43.35,Default,,0,0,0,,MacGillivray: HUNDREDS OF THESE\NCOINS HAVE BEEN FOUND HERE
Dialogue: 0,0:03:43.42,0:03:44.82,Default,,0,0,0,,OVER THE CENTURIES.
Dialogue: 0,0:03:44.89,0:03:47.26,Default,,0,0,0,,WHAT WE HAVE ON THE FRONT\NSIDE IS THE MINOTAUR,
Dialogue: 0,0:03:47.32,0:03:49.86,Default,,0,0,0,,WE CAN SEE HIM SORT OF\NLEAPING THROUGH THE AIR.
Dialogue: 0,0:03:49.92,0:03:52.26,Default,,0,0,0,,AND WHEN YOU FLIP IT OVER,\NWE HAVE THE LABYRINTH,
Dialogue: 0,0:03:52.33,0:03:54.10,Default,,0,0,0,,SO THEY'RE BOTH\NREFERENCES TO THE MYTH
Dialogue: 0,0:03:54.16,0:03:56.26,Default,,0,0,0,,OF THE MINOTAUR\NAND ON MANY COINS,
Dialogue: 0,0:03:56.33,0:03:58.37,Default,,0,0,0,,THERE'S THE INSCRIPTION\NTHAT SAYS KNOSS.
Dialogue: 0,0:03:58.43,0:04:02.50,Default,,0,0,0,,AND SO WE KNOW\NTHAT IT'S KNOSSOS.
Dialogue: 0,0:04:02.57,0:04:03.91,Default,,0,0,0,,Narrator: THE MINOANS WERE ONCE
Dialogue: 0,0:04:03.97,0:04:07.78,Default,,0,0,0,,THE MOST POWERFUL CIVILIZATION\NIN THE MEDITERRANEAN.
Dialogue: 0,0:04:07.84,0:04:11.15,Default,,0,0,0,,FIERCE ENEMIES OF\NTHE MAINLAND GREEKS.
Dialogue: 0,0:04:11.21,0:04:12.38,Default,,0,0,0,,WHEN WE THINK ABOUT\NANCIENT GREECE,
Dialogue: 0,0:04:12.45,0:04:13.72,Default,,0,0,0,,A LOT OF TIMES WE THINK ABOUT IT
Dialogue: 0,0:04:13.78,0:04:15.52,Default,,0,0,0,,IN MODERN TERMS,\NLIKE IT'S A COUNTRY,
Dialogue: 0,0:04:15.58,0:04:17.69,Default,,0,0,0,,BUT AT THE TIME, IT WAS\NA LOT OF LITTLE CITY STATES
Dialogue: 0,0:04:17.75,0:04:21.36,Default,,0,0,0,,THAT WERE NOT ALWAYS\NGETTING ALONG VERY WELL.
Dialogue: 0,0:04:21.42,0:04:23.99,Default,,0,0,0,,THE ENTIRE MAINLAND OF GREECE
Dialogue: 0,0:04:24.06,0:04:28.90,Default,,0,0,0,,MUST HAVE BEEN TERRIFIED\NOF THE MINOAN CIVILIZATION.
Dialogue: 0,0:04:28.96,0:04:30.83,Default,,0,0,0,,Narrator:\NBUT DID A CREATURE REALLY KILL
Dialogue: 0,0:04:30.90,0:04:34.04,Default,,0,0,0,,GREEK YOUTHS HERE AND IF SO,
Dialogue: 0,0:04:34.10,0:04:36.60,Default,,0,0,0,,WHAT WAS IT?
Dialogue: 0,0:04:36.67,0:04:38.54,Default,,0,0,0,,ALEXANDER THINKS\NTHE ANSWER COULD LIE
Dialogue: 0,0:04:38.61,0:04:41.74,Default,,0,0,0,,IN THE MINOAN RELIGION\NAND THE MYSTERIOUS CEREMONIES
Dialogue: 0,0:04:41.81,0:04:45.81,Default,,0,0,0,,ONCE PERFORMED HERE.
Dialogue: 0,0:04:45.88,0:04:49.62,Default,,0,0,0,,THESE BUILDINGS ALL\NCONTAIN RITUAL ROOMS.
Dialogue: 0,0:04:49.68,0:04:53.05,Default,,0,0,0,,IT WAS UP IN THIS NEIGHBORHOOD\NTHAT OUR EXCAVATIONS CAME UP
Dialogue: 0,0:04:53.12,0:04:56.42,Default,,0,0,0,,WITH THIS VERY, VERY\NUNUSUAL COLLECTION OF BONES.
Dialogue: 0,0:04:56.49,0:04:58.16,Default,,0,0,0,,♪♪
Dialogue: 0,0:04:58.23,0:05:00.09,Default,,0,0,0,,Narrator:\NREMAINS OF ANIMAL SKELETONS
Dialogue: 0,0:05:00.16,0:05:02.46,Default,,0,0,0,,ARE COMMON ON\NARCHEOLOGICAL DIGS,
Dialogue: 0,0:05:02.53,0:05:06.53,Default,,0,0,0,,BUT THESE SPECIMENS REVEAL\NA VERY UNUSUAL STORY.
Dialogue: 0,0:05:06.60,0:05:07.90,Default,,0,0,0,,THIS IS WHAT WE'RE\NUSED TO FINDING
Dialogue: 0,0:05:07.97,0:05:10.71,Default,,0,0,0,,ON EXCAVATION,\NFRAGMENTS OF ANIMAL BONES
Dialogue: 0,0:05:10.77,0:05:12.54,Default,,0,0,0,,THAT HAVE BEEN DE-FLESHED.
Dialogue: 0,0:05:12.61,0:05:14.08,Default,,0,0,0,,YOU'LL FIND CUT MARKS,
Dialogue: 0,0:05:14.14,0:05:16.78,Default,,0,0,0,,AND THAT WAS THE STANDARD\NWAY OF PREPARING MEAT.
Dialogue: 0,0:05:16.84,0:05:19.01,Default,,0,0,0,,SOMETIMES, IF YOU'RE\NNEAR A FIREPLACE,
Dialogue: 0,0:05:19.08,0:05:23.89,Default,,0,0,0,,YOU'LL FIND THAT SOME OF\NTHESE BONES HAVE BEEN BURNT.
Dialogue: 0,0:05:23.95,0:05:25.49,Default,,0,0,0,,Narrator:\NBUT SOME SPECIMENS REVEAL
Dialogue: 0,0:05:25.55,0:05:28.12,Default,,0,0,0,,A PARTICULARLY DISTURBING\NASPECT OF LIFE HERE
Dialogue: 0,0:05:28.19,0:05:30.89,Default,,0,0,0,,THOUSANDS OF YEARS AGO.
Dialogue: 0,0:05:30.96,0:05:35.83,Default,,0,0,0,,WE FOUND BONES THAT WERE\NCOMPLETELY DIFFERENT.
Dialogue: 0,0:05:35.90,0:05:39.87,Default,,0,0,0,,VERY, VERY INTERESTING, INDEED.
Dialogue: 0,0:05:39.93,0:05:43.00,Default,,0,0,0,,THEY WERE HUMAN BONES.
Dialogue: 0,0:05:43.07,0:05:44.57,Default,,0,0,0,,Narrator:\NALEXANDER BELIEVES THESE PEOPLE
Dialogue: 0,0:05:44.64,0:05:48.98,Default,,0,0,0,,MET A BRUTAL AND VIOLENT DEATH.
Dialogue: 0,0:05:49.04,0:05:51.11,Default,,0,0,0,,SOME OF THE BONES,\NLIKE THIS FEMUR HERE,
Dialogue: 0,0:05:51.18,0:05:55.35,Default,,0,0,0,,WERE SMASHED UP,\NINTENTIONALLY BROKEN.
Dialogue: 0,0:05:55.42,0:05:57.95,Default,,0,0,0,,THESE ARE THE FRAGMENTS\NOF FOUR INDIVIDUALS,
Dialogue: 0,0:05:58.02,0:06:00.52,Default,,0,0,0,,AND THEY'RE ALL CHILDREN.
Dialogue: 0,0:06:00.59,0:06:04.03,Default,,0,0,0,,THEY'RE TOO YOUNG TO EVEN KNOW\NWHAT GENDER THEY ARE.
Dialogue: 0,0:06:04.09,0:06:06.09,Default,,0,0,0,,Narrator: COULD THESE BE\NTHE YOUTHS REFERRED TO
Dialogue: 0,0:06:06.16,0:06:07.56,Default,,0,0,0,,IN THE MYTH?
Dialogue: 0,0:06:07.63,0:06:13.27,Default,,0,0,0,,WHO, OR WHAT, WAS RESPONSIBLE\NFOR THESE GRIZZLY DEATHS?
Dialogue: 0,0:06:13.33,0:06:16.47,Default,,0,0,0,,HERE YOU CAN SEE EVEN\NON ONE OF THE VERTEBRAE
Dialogue: 0,0:06:16.54,0:06:19.51,Default,,0,0,0,,WHERE THERE'S BEEN\NCUTTING ON THE VERTEBRAE
Dialogue: 0,0:06:19.57,0:06:22.18,Default,,0,0,0,,AND THE BACKBONE ITSELF.
Dialogue: 0,0:06:22.24,0:06:25.45,Default,,0,0,0,,YOU CAN SEE\NTHE SORT OF CUT MARKS
Dialogue: 0,0:06:25.51,0:06:27.85,Default,,0,0,0,,SLICING AWAY\NEXACTLY THE SAME WAY
Dialogue: 0,0:06:27.92,0:06:30.72,Default,,0,0,0,,THAT YOU REMOVE\NTHE FLESH FROM ANIMALS
Dialogue: 0,0:06:30.79,0:06:32.79,Default,,0,0,0,,WHEN YOU'RE PREPARING A MEAL.
Dialogue: 0,0:06:32.85,0:06:36.66,Default,,0,0,0,,♪♪
Dialogue: 0,0:06:36.72,0:06:39.99,Default,,0,0,0,,WE SUSPECTED THAT\NTHEY WERE, PERHAPS, SACRIFICED,
Dialogue: 0,0:06:40.06,0:06:42.13,Default,,0,0,0,,BUT THEN\NBEYOND THE SACRIFICE,
Dialogue: 0,0:06:42.20,0:06:44.30,Default,,0,0,0,,THEY WERE INTENTIONALLY\NBUTCHERED.
Dialogue: 0,0:06:44.37,0:06:47.54,Default,,0,0,0,,♪♪
Dialogue: 0,0:06:47.60,0:06:52.01,Default,,0,0,0,,Narrator:\NTHIS DISCOVERY IS NOT UNIQUE.
Dialogue: 0,0:06:52.07,0:06:54.14,Default,,0,0,0,,INVESTIGATORS HAVE\NUNCOVERED EVIDENCE
Dialogue: 0,0:06:54.21,0:06:59.08,Default,,0,0,0,,OF SACRIFICIAL RITUALS\NRIGHT ACROSS THE ISLAND.
Dialogue: 0,0:06:59.15,0:07:01.35,Default,,0,0,0,,THREE MILES SOUTH OF KNOSSOS,
Dialogue: 0,0:07:01.42,0:07:05.39,Default,,0,0,0,,WHEN ARCHEOLOGISTS EXCAVATED\NTHE REMAINS OF A TEMPLE,
Dialogue: 0,0:07:05.45,0:07:09.59,Default,,0,0,0,,THEY MADE A GRIZZLY FIND\NIN ONE OF THE ROOMS.
Dialogue: 0,0:07:09.66,0:07:12.16,Default,,0,0,0,,LYING ON A TABLE,\NA TEENAGE MALE,
Dialogue: 0,0:07:12.23,0:07:15.43,Default,,0,0,0,,HIS LEGS CURLED BACK\NLIKE HE'D BEEN BOUND
Dialogue: 0,0:07:15.50,0:07:17.77,Default,,0,0,0,,AND A BRONZE DAGGER BY HIS SIDE,
Dialogue: 0,0:07:17.83,0:07:21.70,Default,,0,0,0,,SIGNS THAT HE WAS\NA VICTIM OF SACRIFICE.
Dialogue: 0,0:07:21.77,0:07:23.87,Default,,0,0,0,,AND AT THE WESTERN END OF CRETE,
Dialogue: 0,0:07:23.94,0:07:27.41,Default,,0,0,0,,IN THE PALACE OF KYDONIA,\NARCHEOLOGISTS UNEARTHED
Dialogue: 0,0:07:27.48,0:07:30.01,Default,,0,0,0,,CAREFULLY ARRANGED\NPILES OF ROCKS.
Dialogue: 0,0:07:30.08,0:07:33.01,Default,,0,0,0,,THEY CONCEALED ANIMAL\NBONES AND THE SKULL
Dialogue: 0,0:07:33.08,0:07:36.85,Default,,0,0,0,,OF A YOUNG WOMAN\NWHO COULD BE ANOTHER VICTIM
Dialogue: 0,0:07:36.92,0:07:40.49,Default,,0,0,0,,OF A DEADLY RITUAL.
Dialogue: 0,0:07:40.56,0:07:42.69,Default,,0,0,0,,THE EVIDENCE LEAVES NO DOUBT,
Dialogue: 0,0:07:42.76,0:07:46.33,Default,,0,0,0,,HUMAN SACRIFICE WAS\NHAPPENING HERE ON CRETE.
Dialogue: 0,0:07:46.39,0:07:49.93,Default,,0,0,0,,BUT WHY WAS THE FLESH\NBEING CUT OFF THEIR BONES?
Dialogue: 0,0:07:50.00,0:07:52.83,Default,,0,0,0,,WAS IT TO FEED A MONSTER?
Dialogue: 0,0:07:52.90,0:07:54.07,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:07:54.14,0:07:56.87,Default,,0,0,0,,THE IDEA THAT A MONSTER\NWOULD EAT HUMAN FLESH
Dialogue: 0,0:07:56.94,0:07:59.77,Default,,0,0,0,,IS SOMETHING THAT'S ALWAYS\NFREAKED HUMAN BEINGS OUT
Dialogue: 0,0:07:59.84,0:08:02.31,Default,,0,0,0,,AND SO ANY MONSTER\NTHAT DOES EAT PEOPLE,
Dialogue: 0,0:08:02.38,0:08:05.48,Default,,0,0,0,,THAT'S JUST ONE MORE\NTHING TO MAKE THAT MONSTER
Dialogue: 0,0:08:05.55,0:08:07.38,Default,,0,0,0,,SOMETHING TO BE FEARED.
Dialogue: 0,0:08:07.45,0:08:09.58,Default,,0,0,0,,Narrator: WAS THIS BEAST\NTHE INSPIRATION
Dialogue: 0,0:08:09.65,0:08:12.12,Default,,0,0,0,,FOR THE MINOTAUR?
Dialogue: 0,0:08:12.19,0:08:13.62,Default,,0,0,0,,THAT IS A HUGE HEAD.
Dialogue: 0,0:08:13.69,0:08:15.29,Default,,0,0,0,,I MEAN, WE'RE STARTING TO\NAPPROACH DINOSAUR SIZE NOW.
Dialogue: 0,0:08:15.36,0:08:17.93,Default,,0,0,0,,Narrator: CAN FINDING\NTHE MYTHICAL MONSTER'S PRISON,
Dialogue: 0,0:08:17.99,0:08:22.16,Default,,0,0,0,,THE GIANT LABYRINTH,\NFINALLY PROVIDE THE ANSWERS?
Dialogue: 0,0:08:22.23,0:08:24.03,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:08:24.10,0:08:26.90,Default,,0,0,0,,{\i1\b0\u0\1c&HFFFFFF&\1a&H00&}[ THUNDER CRASHING ]
Dialogue: 0,0:08:28.54,0:08:32.37,Default,,0,0,0,,♪♪
Dialogue: 0,0:08:32.44,0:08:35.34,Default,,0,0,0,,Narrator: AT THE ANCIENT PALACE\NOF KNOSSOS IN CRETE,
Dialogue: 0,0:08:35.41,0:08:37.88,Default,,0,0,0,,EXPERTS INVESTIGATE\NWHY THE ANCIENT GREEKS
Dialogue: 0,0:08:37.95,0:08:42.38,Default,,0,0,0,,CREATED THE TERRIFYING\NMINOTAUR MYTH.
Dialogue: 0,0:08:42.45,0:08:44.72,Default,,0,0,0,,WAS A MUTANT MONSTER\NEATING THE FLESH
Dialogue: 0,0:08:44.79,0:08:49.39,Default,,0,0,0,,OF PEOPLE SACRIFICED AT\NRELIGIOUS CEREMONIES HERE?
Dialogue: 0,0:08:49.46,0:08:52.99,Default,,0,0,0,,INVESTIGATORS TURN TO THE TALE\NTO HUNT FOR MORE CLUES.
Dialogue: 0,0:08:53.06,0:08:56.50,Default,,0,0,0,,♪♪
Dialogue: 0,0:08:56.56,0:09:00.20,Default,,0,0,0,,THE STORY GOES THAT THE GOD,\NPOSEIDON, GIVES KING MINOS
Dialogue: 0,0:09:00.27,0:09:02.54,Default,,0,0,0,,A WHITE BULL AS A GIFT.
Dialogue: 0,0:09:02.60,0:09:06.81,Default,,0,0,0,,HE THEN CURSES THE QUEEN\NTO FALL IN LOVE WITH IT.
Dialogue: 0,0:09:06.87,0:09:09.01,Default,,0,0,0,,SHE GIVES BIRTH\NTO A MUTANT BABY,
Dialogue: 0,0:09:09.08,0:09:14.02,Default,,0,0,0,,HALF BOY, HALF BULL AND TRIES TO\NNURSE THE CHILD HERSELF.
Dialogue: 0,0:09:14.08,0:09:17.55,Default,,0,0,0,,BUT SHE SOON DISCOVERS,\NHE'S CURSED.
Dialogue: 0,0:09:17.62,0:09:20.69,Default,,0,0,0,,A MONSTER THAT CAN ONLY EAT\NHUMAN FLESH,
Dialogue: 0,0:09:20.76,0:09:23.96,Default,,0,0,0,,THE MINOTAUR IS BORN.
Dialogue: 0,0:09:24.03,0:09:27.33,Default,,0,0,0,,THE KING IS SO ANGRY,\NHE IMPRISONS THE BEAST
Dialogue: 0,0:09:27.40,0:09:31.80,Default,,0,0,0,,IN A HUGE LABYRINTH, A GIANT\NMAZE SO LARGE AND COMPLEX
Dialogue: 0,0:09:31.87,0:09:37.10,Default,,0,0,0,,THAT NO ONE CAN EVER\NFIND THEIR WAY OUT.
Dialogue: 0,0:09:37.17,0:09:39.41,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:09:39.47,0:09:40.68,Default,,0,0,0,,THERE'S A NUMBER OF STORIES
Dialogue: 0,0:09:40.74,0:09:43.88,Default,,0,0,0,,THROUGHOUT GREEK\NMYTHOLOGY OF HUMANS
Dialogue: 0,0:09:43.95,0:09:46.68,Default,,0,0,0,,HAVING SEX WITH ANIMALS.
Dialogue: 0,0:09:46.75,0:09:48.28,Default,,0,0,0,,THIS DOES NOT SUGGEST\NTHAT COPULATION WITH BULLS
Dialogue: 0,0:09:48.35,0:09:51.25,Default,,0,0,0,,WAS PART OF THE EVERY\NDAY LIFE OF MINOANS.
Dialogue: 0,0:09:51.32,0:09:54.12,Default,,0,0,0,,I THINK IT WAS A CURIOSITY
Dialogue: 0,0:09:54.19,0:09:56.29,Default,,0,0,0,,THAT IS EXPLORED IN MYTH\NSO THAT IT DOESN'T HAVE
Dialogue: 0,0:09:56.36,0:09:59.89,Default,,0,0,0,,TO BE EXPLORED IN REAL LIFE.
Dialogue: 0,0:09:59.96,0:10:02.13,Default,,0,0,0,,Narrator: BUT WHAT REAL EVENT\NCOULD'VE INSPIRED
Dialogue: 0,0:10:02.20,0:10:05.73,Default,,0,0,0,,THE TALE OF A BOVINE\NMONSTER HERE AT KNOSSOS?
Dialogue: 0,0:10:05.80,0:10:08.84,Default,,0,0,0,,WHAT DID THE ANCIENT GREEKS SEE?
Dialogue: 0,0:10:08.90,0:10:10.67,Default,,0,0,0,,ARCHEOLOGIST\NALEXANDER MacGILLIVRAY
Dialogue: 0,0:10:10.74,0:10:14.68,Default,,0,0,0,,INVESTIGATES.
Dialogue: 0,0:10:14.74,0:10:16.38,Default,,0,0,0,,MacGillivray: THERE'S EVIDENCE\NFOR BULL ICONOGRAPHY
Dialogue: 0,0:10:16.44,0:10:18.81,Default,,0,0,0,,ALL OVER THIS BUILDING.
Dialogue: 0,0:10:18.88,0:10:22.62,Default,,0,0,0,,THIS IS A PLAN OF THE PALACE.
Dialogue: 0,0:10:22.68,0:10:25.92,Default,,0,0,0,,THERE IS THIS BULL'S HEAD.
Dialogue: 0,0:10:25.99,0:10:29.22,Default,,0,0,0,,ACROSS THE CENTRAL COURT,\NTHERE WERE FRAGMENTS
Dialogue: 0,0:10:29.29,0:10:33.73,Default,,0,0,0,,OF THESE MINOAN HORNS\NOF CONSECRATION.
Dialogue: 0,0:10:33.79,0:10:36.73,Default,,0,0,0,,A GREAT CHARGING, BELLOWING BULL
Dialogue: 0,0:10:36.80,0:10:39.17,Default,,0,0,0,,THAT WE HAVE IN\NTHE NORTH ENTRANCE PASSAGE
Dialogue: 0,0:10:39.23,0:10:41.87,Default,,0,0,0,,THAT GREETS YOU ON THE WAY IN.
Dialogue: 0,0:10:41.94,0:10:43.20,Default,,0,0,0,,THINK OF THE IMPRESSION\NTHAT WOULD MAKE
Dialogue: 0,0:10:43.27,0:10:44.87,Default,,0,0,0,,ON PEOPLE COMING IN\NFROM ALL OVER CRETE
Dialogue: 0,0:10:44.94,0:10:47.68,Default,,0,0,0,,AND EVEN FROM OVERSEAS.
Dialogue: 0,0:10:47.74,0:10:50.85,Default,,0,0,0,,Narrator: BULLS CLEARLY HAD\NINCREDIBLE STATUS HERE.
Dialogue: 0,0:10:50.91,0:10:53.38,Default,,0,0,0,,BUT DID THE MINOANS\NINCLUDE THEM IN A RITUAL
Dialogue: 0,0:10:53.45,0:10:55.28,Default,,0,0,0,,THAT INVOLVED HUMAN SACRIFICE?
Dialogue: 0,0:10:55.35,0:10:59.32,Default,,0,0,0,,♪♪
Dialogue: 0,0:10:59.39,0:11:00.66,Default,,0,0,0,,AT THE HEART OF THE PALACE,
Dialogue: 0,0:11:00.72,0:11:05.33,Default,,0,0,0,,ALEXANDER UNCOVERS MORE CLUES.
Dialogue: 0,0:11:05.39,0:11:07.60,Default,,0,0,0,,MacGillivray: THE WHOLE\NARCHITECTURE OF THIS BUILDING
Dialogue: 0,0:11:07.66,0:11:09.73,Default,,0,0,0,,LOOKS INTO THIS COURT.
Dialogue: 0,0:11:09.80,0:11:14.17,Default,,0,0,0,,THIS IS REALLY WHAT\NDEFINES THE PALACE.
Dialogue: 0,0:11:14.24,0:11:17.71,Default,,0,0,0,,Narrator: THIS CENTRAL PLAZA\NSTANDS OUT AT KNOSSOS.
Dialogue: 0,0:11:17.77,0:11:22.44,Default,,0,0,0,,IT'S HUGE AND IS THE ONLY\NAREA HERE LEFT EMPTY.
Dialogue: 0,0:11:22.51,0:11:25.61,Default,,0,0,0,,WAS THIS THE LOCATION OF\NTHE SPECTACULAR, BUT DEADLY,
Dialogue: 0,0:11:25.68,0:11:27.68,Default,,0,0,0,,BOVINE RITUAL?
Dialogue: 0,0:11:27.75,0:11:29.05,Default,,0,0,0,,MacGillivray:\NSO YOU'VE GOT BUILDINGS AROUND
Dialogue: 0,0:11:29.12,0:11:30.69,Default,,0,0,0,,IT ON ALL SIDES.
Dialogue: 0,0:11:30.75,0:11:33.89,Default,,0,0,0,,YOU COULD HAVE PEOPLE\NGAZING DOWN INTO THE COURT.
Dialogue: 0,0:11:33.95,0:11:35.82,Default,,0,0,0,,SO WHATEVER HAPPENED\NIN THIS COURT
Dialogue: 0,0:11:35.89,0:11:37.73,Default,,0,0,0,,WAS HUGELY IMPORTANT.
Dialogue: 0,0:11:37.79,0:11:39.93,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:11:39.99,0:11:41.96,Default,,0,0,0,,Narrator:\NTHE REMAINS OF A PALACE MURAL
Dialogue: 0,0:11:42.03,0:11:44.27,Default,,0,0,0,,COLD PROVIDE THE ANSWER.
Dialogue: 0,0:11:44.33,0:11:46.63,Default,,0,0,0,,SOME EXPERTS BELIEVE\NTHIS COULD BE EVIDENCE
Dialogue: 0,0:11:46.70,0:11:50.04,Default,,0,0,0,,THAT PEOPLE WERE, INDEED,\NKILLED BY BULLS HERE
Dialogue: 0,0:11:50.10,0:11:52.84,Default,,0,0,0,,IN A DRAMATIC EVENT.
Dialogue: 0,0:11:52.91,0:11:55.81,Default,,0,0,0,,THIS IS PART OF A MUCH,\NMUCH LARGER COMPOSITION
Dialogue: 0,0:11:55.88,0:11:57.34,Default,,0,0,0,,THAT WOULD HAVE\NCOVERED SOMETHING LIKE
Dialogue: 0,0:11:57.41,0:11:59.18,Default,,0,0,0,,THAT WHOLE SPACE UP THERE.
Dialogue: 0,0:11:59.25,0:12:01.38,Default,,0,0,0,,Narrator: PIECING TOGETHER\NTHE REMAINING FRAGMENTS
Dialogue: 0,0:12:01.45,0:12:06.65,Default,,0,0,0,,GIVES AN INCREDIBLE\NINSIGHT INTO THE EVENT.
Dialogue: 0,0:12:06.72,0:12:09.82,Default,,0,0,0,,WHEN RESEARCHERS UNEARTHED\NTHIS ANCIENT MEGASTRUCTURE,
Dialogue: 0,0:12:09.89,0:12:12.93,Default,,0,0,0,,THEY FOUND HUNDREDS OF\NFRAGMENTS OF PAINTED PLASTER
Dialogue: 0,0:12:12.99,0:12:18.63,Default,,0,0,0,,CREATING A HUGE PUZZLE\NNEARLY 3,500 YEARS OLD.
Dialogue: 0,0:12:18.70,0:12:21.47,Default,,0,0,0,,TOGETHER, THEY REVEALED\NTHE FIGURE OF A MIGHTY
Dialogue: 0,0:12:21.54,0:12:24.21,Default,,0,0,0,,CHARGING BULL.
Dialogue: 0,0:12:24.27,0:12:26.61,Default,,0,0,0,,AROUND IT, THREE MINOAN FIGURES.
Dialogue: 0,0:12:26.67,0:12:28.41,Default,,0,0,0,,ONE GRABBING THE BULL'S HORNS,
Dialogue: 0,0:12:28.48,0:12:31.05,Default,,0,0,0,,ONE SOMERSAULTING\NOVER IT'S BACK,
Dialogue: 0,0:12:31.11,0:12:34.88,Default,,0,0,0,,AND ONE TO\NCATCH THE PERSON JUMPING.
Dialogue: 0,0:12:34.95,0:12:36.98,Default,,0,0,0,,FIVE OF THESE\NPAINTINGS WERE FOUND,
Dialogue: 0,0:12:37.05,0:12:40.12,Default,,0,0,0,,FORMING A GIANT BILLBOARD\NOF WHAT COULD BE
Dialogue: 0,0:12:40.19,0:12:43.62,Default,,0,0,0,,AN EXTREME ANCIENT RITUAL --
Dialogue: 0,0:12:43.69,0:12:45.63,Default,,0,0,0,,BULL LEAPING.
Dialogue: 0,0:12:45.69,0:12:50.46,Default,,0,0,0,,ONE WRONG MOVE\NAND YOU CAN BE KILLED.
Dialogue: 0,0:12:50.53,0:12:51.90,Default,,0,0,0,,WHAT WE SEE FROM THE PAINTINGS
Dialogue: 0,0:12:51.97,0:12:56.77,Default,,0,0,0,,IS THAT BULL LEAPING WOULD'VE\NTAKEN PLACE RIGHT HERE.
Dialogue: 0,0:12:56.84,0:13:00.67,Default,,0,0,0,,THEY PROBABLY LED\NTHE BULLS UP THE RAMP HERE
Dialogue: 0,0:13:00.74,0:13:02.41,Default,,0,0,0,,IN THE NORTH ENTRANCE PASSAGE
Dialogue: 0,0:13:02.48,0:13:04.95,Default,,0,0,0,,AND THEN LEAPED OVER\NTHE BULLS RIGHT HERE
Dialogue: 0,0:13:05.01,0:13:07.25,Default,,0,0,0,,WITH EVERYBODY WATCHING.
Dialogue: 0,0:13:07.31,0:13:09.02,Default,,0,0,0,,Narrator:\NTHIS RITUAL COULD'VE INSPIRED
Dialogue: 0,0:13:09.08,0:13:13.62,Default,,0,0,0,,THE IDEA OF BULLS AS\NKILLERS AT KNOSSOS.
Dialogue: 0,0:13:13.69,0:13:15.09,Default,,0,0,0,,LEAPING OVER THE BULL IS LIKE,
Dialogue: 0,0:13:15.16,0:13:19.23,Default,,0,0,0,,IF YOU MAKE IT, YOU'VE\NSURVIVED THIS INCREDIBLE FEAT.
Dialogue: 0,0:13:19.29,0:13:23.06,Default,,0,0,0,,IT'S LIKE OVERCOMING\NYOUR FEAR OF DEATH.
Dialogue: 0,0:13:23.13,0:13:25.87,Default,,0,0,0,,WHAT I CONTINUE TO\NFIND SO FASCINATING
Dialogue: 0,0:13:25.93,0:13:27.37,Default,,0,0,0,,ABOUT THE MYTH OF THE MINOTAUR
Dialogue: 0,0:13:27.43,0:13:31.11,Default,,0,0,0,,IS THAT WE STILL HAVE\NTHE SAME FEATURES
Dialogue: 0,0:13:31.17,0:13:33.44,Default,,0,0,0,,IN RITUALS TODAY.
Dialogue: 0,0:13:33.51,0:13:36.31,Default,,0,0,0,,FOR EXAMPLE, IN THE RUNNING\NOF THE BULLS AT PAMPLONA,
Dialogue: 0,0:13:36.38,0:13:39.11,Default,,0,0,0,,WE SEE THE SAME MOTIFS.
Dialogue: 0,0:13:39.18,0:13:41.38,Default,,0,0,0,,HUMANS PUTTING THEMSELVES\NIN THE WAY OF DANGER,
Dialogue: 0,0:13:41.45,0:13:44.02,Default,,0,0,0,,USING BULLS TO SHOW STRENGTH.
Dialogue: 0,0:13:44.08,0:13:45.79,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:13:45.85,0:13:49.59,Default,,0,0,0,,THE MINOTAUR'S STILL AROUND\NIN DIFFERENT FORMS TODAY.
Dialogue: 0,0:13:49.66,0:13:53.33,Default,,0,0,0,,Narrator: BUT NOT ALL BULLS HERE\NWERE LIKE THE BEASTS OF TODAY.
Dialogue: 0,0:13:53.39,0:13:58.53,Default,,0,0,0,,ALEXANDER BELIEVES SOME\NWERE SUPERSIZED MONSTERS.
Dialogue: 0,0:13:58.60,0:14:01.97,Default,,0,0,0,,A PALACE ROOM DESTROYED\N3,500 YEARS AGO
Dialogue: 0,0:14:02.04,0:14:05.07,Default,,0,0,0,,PROVIDES THE EVIDENCE.
Dialogue: 0,0:14:05.14,0:14:08.94,Default,,0,0,0,,THESE BLOCKS HAVE BEEN HURLED\NBY A MASSIVE EARTHQUAKE
Dialogue: 0,0:14:09.01,0:14:11.78,Default,,0,0,0,,RIGHT OFF THE SOUTH FACADE\NOF THE PALACE.
Dialogue: 0,0:14:11.85,0:14:15.12,Default,,0,0,0,,AFTER THE EARTHQUAKE,\NTHE MINOANS WENT BACK
Dialogue: 0,0:14:15.18,0:14:20.05,Default,,0,0,0,,INTO THE ROOM AND PLACED\NTHESE TWO MASSIVE BULL SKULLS
Dialogue: 0,0:14:20.12,0:14:22.39,Default,,0,0,0,,AS A PART OF AN OFFERING.
Dialogue: 0,0:14:22.46,0:14:24.56,Default,,0,0,0,,Narrator: EXAMINING X-RAY\NIMAGES OF THE SKULLS
Dialogue: 0,0:14:24.63,0:14:28.90,Default,,0,0,0,,REVEALS THESE WERE, INDEED,\NNO ORDINARY CREATURES.
Dialogue: 0,0:14:28.96,0:14:31.57,Default,,0,0,0,,YOU CAN SEE THE BULL'S\NHEAD, GREAT LONG HEAD.
Dialogue: 0,0:14:31.63,0:14:33.87,Default,,0,0,0,,AND THEY WERE PLACED,\NTHEY WERE SEVERED FROM THE BODY
Dialogue: 0,0:14:33.93,0:14:36.57,Default,,0,0,0,,AND THEY WERE PLACED\NINTENTIONALLY IN THE CORNER
Dialogue: 0,0:14:36.64,0:14:38.01,Default,,0,0,0,,OF THE ROOM.
Dialogue: 0,0:14:38.07,0:14:39.71,Default,,0,0,0,,IF YOU LOOK AT THIS\NDETAIL OF THE HORNS,
Dialogue: 0,0:14:39.77,0:14:42.88,Default,,0,0,0,,YOU'LL SEE THAT,\NIN FACT, THEY'RE HUGE.
Dialogue: 0,0:14:42.94,0:14:45.11,Default,,0,0,0,,THESE ARE FROM VERY,\NVERY LARGE ANIMALS,
Dialogue: 0,0:14:45.18,0:14:46.48,Default,,0,0,0,,MUCH BIGGER THAN\NYOU WOULD EXPECT
Dialogue: 0,0:14:46.55,0:14:50.25,Default,,0,0,0,,FROM REGULAR DOMESTIC CATTLE.
Dialogue: 0,0:14:50.32,0:14:54.96,Default,,0,0,0,,Narrator: BUT JUST HOW LARGE\NAND POWERFUL WERE THESE BEASTS?
Dialogue: 0,0:14:55.02,0:14:58.36,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:14:58.43,0:15:00.90,Default,,0,0,0,,COMPARATIVE ANATOMIST,\NDR. JOY REIDENBERG
Dialogue: 0,0:15:00.96,0:15:03.40,Default,,0,0,0,,DISSECTS AND STUDIES\NTHE BIGGEST CREATURES
Dialogue: 0,0:15:03.46,0:15:06.83,Default,,0,0,0,,IN THE ANIMAL KINGDOM.
Dialogue: 0,0:15:06.90,0:15:10.37,Default,,0,0,0,,TODAY, SHE INVESTIGATES\NTHE REAL WORLD ORIGINS
Dialogue: 0,0:15:10.44,0:15:13.11,Default,,0,0,0,,OF MYTHICAL MONSTERS.
Dialogue: 0,0:15:13.17,0:15:14.84,Default,,0,0,0,,JOY BELIEVES THESE\NSKULLS ARE FROM
Dialogue: 0,0:15:14.91,0:15:19.51,Default,,0,0,0,,A GIANT ANCIENT SPECIES\NCALLED AN AUROCH.
Dialogue: 0,0:15:19.58,0:15:21.18,Default,,0,0,0,,THIS IS A PHOTO OF\NAN AUROCH SKULL.
Dialogue: 0,0:15:21.25,0:15:23.78,Default,,0,0,0,,THESE ARE THE TYPES OF SKULLS\NTHAT WERE IN THE PALACE
Dialogue: 0,0:15:23.85,0:15:25.75,Default,,0,0,0,,AND THIS IS ACTUALLY\NREDUCED PICTURE.
Dialogue: 0,0:15:25.82,0:15:28.26,Default,,0,0,0,,IF I WERE TO MEASURE THIS SKULL,\NEND TO END LIKE THIS,
Dialogue: 0,0:15:28.32,0:15:29.96,Default,,0,0,0,,IT WOULD, IN REALITY,\NBE ABOUT THIS BIG.
Dialogue: 0,0:15:30.02,0:15:31.63,Default,,0,0,0,,ALMOST AS WIDE AS I COULD REACH.
Dialogue: 0,0:15:31.69,0:15:33.13,Default,,0,0,0,,YOU COULD IMAGINE,\NTHAT IS A HUGE HEAD.
Dialogue: 0,0:15:33.19,0:15:36.50,Default,,0,0,0,,I MEAN, WE'RE STARTING TO\NAPPROACH DINOSAUR SIZE NOW.
Dialogue: 0,0:15:36.56,0:15:38.50,Default,,0,0,0,,Narrator:\NTHESE EXTINCT SUPER-BULLS
Dialogue: 0,0:15:38.57,0:15:40.53,Default,,0,0,0,,WERE ON A COMPLETELY\NDIFFERENT SCALE
Dialogue: 0,0:15:40.60,0:15:43.04,Default,,0,0,0,,THAN THE CATTLE OF TODAY.
Dialogue: 0,0:15:43.10,0:15:45.81,Default,,0,0,0,,BASED ON THE SIZE OF THE SKULLS\NTHAT WERE FOUND AT THE SITE,
Dialogue: 0,0:15:45.87,0:15:48.71,Default,,0,0,0,,ESTIMATES ARE THAT THEY\NWERE PROBABLY BETWEEN
Dialogue: 0,0:15:48.78,0:15:51.61,Default,,0,0,0,,1,500 AND 3,000 POUNDS
Dialogue: 0,0:15:51.68,0:15:54.15,Default,,0,0,0,,AND PROBABLY MORE THAN\NSEVEN FEET IN HEIGHT.
Dialogue: 0,0:15:54.21,0:15:57.22,Default,,0,0,0,,THAT WOULD BE\NA TERRIFYING SIGHT TO SEE.
Dialogue: 0,0:15:57.28,0:16:00.92,Default,,0,0,0,,Narrator: AUROCHS DIED OUT\NNEARLY 400 YEARS AGO,
Dialogue: 0,0:16:00.99,0:16:05.03,Default,,0,0,0,,BUT THESE BEASTS WERE COMMON IN\NANCIENT GREECE AND CRETE.
Dialogue: 0,0:16:05.09,0:16:06.66,Default,,0,0,0,,THERE MAY ACTUALLY BE SOME\NTRUTH BEHIND THIS LEGEND.
Dialogue: 0,0:16:06.73,0:16:08.33,Default,,0,0,0,,MOST LEGENDS REALLY\NSTART WITH A LITTLE FACT
Dialogue: 0,0:16:08.40,0:16:10.00,Default,,0,0,0,,THAT IS TRUE.
Dialogue: 0,0:16:10.06,0:16:13.23,Default,,0,0,0,,Narrator: GIANT BULLS CLEARLY\NHAD EXTRAORDINARY STATUS
Dialogue: 0,0:16:13.30,0:16:16.20,Default,,0,0,0,,AT KNOSSOS, BUT WAS\NAN EVEN BIGGER ONE
Dialogue: 0,0:16:16.27,0:16:19.64,Default,,0,0,0,,IMPRISONED SOMEWHERE\NIN THIS PALACE?
Dialogue: 0,0:16:19.71,0:16:22.54,Default,,0,0,0,,TO FIND OUT, EXPERTS\NNOW HUNT FOR EVIDENCE
Dialogue: 0,0:16:22.61,0:16:26.55,Default,,0,0,0,,OF THE GIANT LABYRINTH,\NSAID TO BE THE MINOTAUR'S HOME.
Dialogue: 0,0:16:26.61,0:16:28.08,Default,,0,0,0,,MacGillivray:\NIT'S LIKE A COMPLICATED
Dialogue: 0,0:16:28.15,0:16:30.35,Default,,0,0,0,,UNDERGROUND PASSAGEWAY.
Dialogue: 0,0:16:30.42,0:16:34.82,Default,,0,0,0,,Narrator: WAS A HUGE MAZE EVER\NBUILT AT KNOSSOS?
Dialogue: 0,0:16:34.89,0:16:39.03,Default,,0,0,0,,AND WHAT COULD IT REVEAL ABOUT\NWHAT REALLY HAPPENED HERE?
Dialogue: 0,0:16:39.09,0:16:41.50,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:16:41.56,0:16:44.53,Default,,0,0,0,,{\i1\b0\u0\1c&HFFFFFF&\1a&H00&}[ THUNDER CRASHING ]
Dialogue: 0,0:16:46.13,0:16:50.30,Default,,0,0,0,,♪♪
Dialogue: 0,0:16:50.37,0:16:51.87,Default,,0,0,0,,Narrator:\NEXPERTS UNCOVER THE TRUTH
Dialogue: 0,0:16:51.94,0:16:56.31,Default,,0,0,0,,BEHIND THE BLOODY LEGEND\NOF THE MUTANT MINOTAUR.
Dialogue: 0,0:16:56.38,0:16:58.05,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:16:58.11,0:17:01.85,Default,,0,0,0,,NOW, THE HUNT IS ON\NTO FIND THE MAZE,
Dialogue: 0,0:17:01.92,0:17:04.49,Default,,0,0,0,,THE PRISON SAID TO\NHOLD THE BEAST CAPTIVE.
Dialogue: 0,0:17:04.55,0:17:08.76,Default,,0,0,0,,♪♪
Dialogue: 0,0:17:08.82,0:17:12.93,Default,,0,0,0,,THE CLUE TO ITS LOCATION\NIS IN THE MYTH.
Dialogue: 0,0:17:12.99,0:17:14.36,Default,,0,0,0,,[ BIRDS CALL ]
Dialogue: 0,0:17:14.43,0:17:16.63,Default,,0,0,0,,ACCORDING TO LEGEND,\NTHE LABYRINTH IS SAID
Dialogue: 0,0:17:16.70,0:17:22.07,Default,,0,0,0,,TO LIE DEEP BENEATH\NTHE PALACE OF KNOSSOS.
Dialogue: 0,0:17:22.14,0:17:25.74,Default,,0,0,0,,IT'S A HUGE WEB OF\NWINDING TUNNELS SO COMPLEX
Dialogue: 0,0:17:25.81,0:17:28.84,Default,,0,0,0,,AND SO VAST THAT ONCE YOU ENTER,
Dialogue: 0,0:17:28.91,0:17:33.21,Default,,0,0,0,,IT'S IMPOSSIBLE TO FIND\NYOUR WAY OUT AGAIN.
Dialogue: 0,0:17:33.28,0:17:35.98,Default,,0,0,0,,THE CERTAIN FATE OF\NANYONE BROUGHT HERE
Dialogue: 0,0:17:36.05,0:17:40.65,Default,,0,0,0,,IS DEATH IN THE MINOTAUR'S JAWS.
Dialogue: 0,0:17:40.72,0:17:44.09,Default,,0,0,0,,WHEN THE PALACE WAS\NFIRST DISCOVERED,
Dialogue: 0,0:17:44.16,0:17:45.96,Default,,0,0,0,,I THINK A LOT OF\NTHE PEOPLE INVOLVED
Dialogue: 0,0:17:46.03,0:17:48.86,Default,,0,0,0,,DID GENUINELY THINK,\NNOW WE'LL FIND THE LABYRINTH.
Dialogue: 0,0:17:48.93,0:17:51.67,Default,,0,0,0,,YOU KNOW, IT'S GOTTA BE HERE.
Dialogue: 0,0:17:51.73,0:17:53.77,Default,,0,0,0,,ARCHEOLOGISTS WERE\NCONVINCED THAT BURIED BENEATH
Dialogue: 0,0:17:53.83,0:17:56.64,Default,,0,0,0,,IN THE CITY OF KNOSSOS\NTHEY WOULD FIND THE LABYRINTH.
Dialogue: 0,0:17:56.70,0:18:00.74,Default,,0,0,0,,♪♪
Dialogue: 0,0:18:00.81,0:18:02.68,Default,,0,0,0,,Narrator: BRITISH ARCHEOLOGIST,\NSIR ARTHUR EVANS
Dialogue: 0,0:18:02.74,0:18:07.25,Default,,0,0,0,,WAS ONE OF THESE.
Dialogue: 0,0:18:07.31,0:18:09.42,Default,,0,0,0,,HE DEDICATED MOST\NOF HIS WORKING LIFE
Dialogue: 0,0:18:09.48,0:18:12.95,Default,,0,0,0,,TO HUNTING DOWN\NTHE MINOTAUR'S LABYRINTH.
Dialogue: 0,0:18:13.02,0:18:15.96,Default,,0,0,0,,IN 1900, HE BEGAN\NHIS FIRST EXCAVATIONS
Dialogue: 0,0:18:16.02,0:18:19.29,Default,,0,0,0,,OF THE PALACE.
Dialogue: 0,0:18:19.36,0:18:22.56,Default,,0,0,0,,TODAY, ARCHEOLOGIST\NALEXANDER MacGILLIVRAY
Dialogue: 0,0:18:22.63,0:18:25.50,Default,,0,0,0,,CONTINUES THE INVESTIGATION.
Dialogue: 0,0:18:25.57,0:18:27.20,Default,,0,0,0,,WITHIN FIVE YEARS,
Dialogue: 0,0:18:27.27,0:18:29.44,Default,,0,0,0,,ARTHUR EVANS HAD GIVEN\NA PRETTY CLEAR
Dialogue: 0,0:18:29.50,0:18:34.34,Default,,0,0,0,,PICTURE OF THIS\NENORMOUS BUILDING.
Dialogue: 0,0:18:34.41,0:18:38.11,Default,,0,0,0,,Narrator: WHAT EVANS DISCOVERED\NWAS A TRULY BEHEMOTH STRUCTURE.
Dialogue: 0,0:18:38.18,0:18:40.81,Default,,0,0,0,,IN ANCIENT TIMES, IT WOULD\NHAVE DWARFED ANYTHING
Dialogue: 0,0:18:40.88,0:18:42.25,Default,,0,0,0,,IN EUROPE.
Dialogue: 0,0:18:42.32,0:18:44.92,Default,,0,0,0,,THIS PALACE WRAPPED AROUND\NA LAVISHLY DECORATED
Dialogue: 0,0:18:44.99,0:18:50.06,Default,,0,0,0,,THRONE ROOM AND TOWERED UP TO\NFOUR STORIES HIGH.
Dialogue: 0,0:18:50.12,0:18:52.33,Default,,0,0,0,,THERE WERE OVER 1,000 ROOMS
Dialogue: 0,0:18:52.39,0:18:56.06,Default,,0,0,0,,SPREADING OUT ACROSS\N200,000 SQUARE FEET.
Dialogue: 0,0:18:56.13,0:18:57.93,Default,,0,0,0,,BUT DID THE MINOANS CONSTRUCT
Dialogue: 0,0:18:58.00,0:19:00.60,Default,,0,0,0,,A CONCEALED LABYRINTH\NHERE, AS WELL?
Dialogue: 0,0:19:00.67,0:19:04.57,Default,,0,0,0,,♪♪
Dialogue: 0,0:19:04.64,0:19:07.61,Default,,0,0,0,,MYSTERIOUS SYMBOLS\NCARVED ACROSS THE PALACE
Dialogue: 0,0:19:07.67,0:19:09.74,Default,,0,0,0,,SUGGESTS THE MAZE COULD INDEED
Dialogue: 0,0:19:09.81,0:19:12.81,Default,,0,0,0,,BE MORE THAN JUST A STORY.
Dialogue: 0,0:19:12.88,0:19:15.78,Default,,0,0,0,,WHAT WE HAVE HERE\NIS A MASON'S MARK
Dialogue: 0,0:19:15.85,0:19:18.29,Default,,0,0,0,,IN THE SHAPE OF\NA DOUBLE BITTED AX.
Dialogue: 0,0:19:18.35,0:19:22.42,Default,,0,0,0,,YOU CAN SEE THE TWO TRIANGLES\NAND THE STAFF IN THE MIDDLE.
Dialogue: 0,0:19:22.49,0:19:27.19,Default,,0,0,0,,Narrator: THE ANCIENT GREEK WORD\NFOR THIS TYPE OF AX IS LABRYS.
Dialogue: 0,0:19:27.26,0:19:30.86,Default,,0,0,0,,IT CONVINCED EVANS\NHE WAS CLOSE TO HIS GOAL.
Dialogue: 0,0:19:30.93,0:19:34.03,Default,,0,0,0,,THIS GAVE HIM EVIDENCE\NFOR THE LABYRINTH,
Dialogue: 0,0:19:34.10,0:19:35.17,Default,,0,0,0,,THE PHYSICAL LABYRINTH.
Dialogue: 0,0:19:35.24,0:19:39.04,Default,,0,0,0,,♪♪
Dialogue: 0,0:19:39.11,0:19:41.91,Default,,0,0,0,,Narrator: EVANS DISCOVERED\NMORE CRUCIAL CLUES.
Dialogue: 0,0:19:41.98,0:19:43.68,Default,,0,0,0,,THE STRUCTURE OF\NTHE PALACE PROVED
Dialogue: 0,0:19:43.74,0:19:46.45,Default,,0,0,0,,THE MINOANS HAD\NTHE ENGINEERING EXPERTISE
Dialogue: 0,0:19:46.51,0:19:49.85,Default,,0,0,0,,TO BUILD A GIANT MAZE.
Dialogue: 0,0:19:49.92,0:19:52.42,Default,,0,0,0,,THE SCALE OF\NTHE BUILDING WAS ENORMOUS.
Dialogue: 0,0:19:52.49,0:19:56.09,Default,,0,0,0,,♪♪
Dialogue: 0,0:19:56.16,0:19:59.09,Default,,0,0,0,,ALL OF A SUDDEN, HE WAS\NEXCAVATING THIS BUILDING
Dialogue: 0,0:19:59.16,0:20:01.36,Default,,0,0,0,,OF 1,000 ROOMS.
Dialogue: 0,0:20:01.43,0:20:02.86,Default,,0,0,0,,Narrator:\NAT THE TIME MOST STRUCTURES
Dialogue: 0,0:20:02.93,0:20:06.83,Default,,0,0,0,,ON MAINLAND GREECE\NWERE SMALL AND SIMPLE,
Dialogue: 0,0:20:06.90,0:20:10.50,Default,,0,0,0,,KNOSSOS WAS ON\NA COMPLETELY DIFFERENT SCALE.
Dialogue: 0,0:20:10.57,0:20:12.77,Default,,0,0,0,,MacGillivray: SO IMAGINE\NSOMEBODY COMING TO CRETE
Dialogue: 0,0:20:12.84,0:20:14.51,Default,,0,0,0,,AND THEN WALKING\NINTO THIS BUILDING
Dialogue: 0,0:20:14.58,0:20:18.01,Default,,0,0,0,,WHERE YOU'VE GOT WINDING\NBASEMENT CORRIDORS,
Dialogue: 0,0:20:18.08,0:20:22.55,Default,,0,0,0,,DIFFERENT FLOOR LEVELS\NGOING UP AND DOWN STAIRS.
Dialogue: 0,0:20:22.62,0:20:26.55,Default,,0,0,0,,THEY WOULD HAVE BEEN\NCOMPLETELY BLOWN AWAY.
Dialogue: 0,0:20:26.62,0:20:28.62,Default,,0,0,0,,Narrator: BUT IS THERE EVIDENCE\NOF BUILDING WORK
Dialogue: 0,0:20:28.69,0:20:33.46,Default,,0,0,0,,BENEATH THE PALACE, WHERE\NTHE MYTH PLACES THE LABYRINTH?
Dialogue: 0,0:20:33.53,0:20:35.20,Default,,0,0,0,,MacGillivray: I FOUND A REALLY,\NREALLY INTERESTING FEATURE HERE.
Dialogue: 0,0:20:35.26,0:20:39.23,Default,,0,0,0,,A SUBTERRANEAN FEATURE.
Dialogue: 0,0:20:39.30,0:20:40.90,Default,,0,0,0,,Narrator: AT THE WESTERN\NEND OF THE PALACE,
Dialogue: 0,0:20:40.97,0:20:43.14,Default,,0,0,0,,ALEXANDER EVENTUALLY\NFINDS A WAY IN
Dialogue: 0,0:20:43.20,0:20:46.17,Default,,0,0,0,,TO THIS MYSTERIOUS NETWORK.
Dialogue: 0,0:20:46.24,0:20:50.14,Default,,0,0,0,,MacGillivray: IT GOES IN\NUNDERNEATH THE BUILDING.
Dialogue: 0,0:20:50.21,0:20:54.78,Default,,0,0,0,,IT'S LIKE A COMPLICATED\NUNDERGROUND PASSAGEWAY.
Dialogue: 0,0:20:54.85,0:20:57.42,Default,,0,0,0,,Narrator: WHERE DO THESE\NCHANNELS LEAD?
Dialogue: 0,0:20:57.48,0:21:01.66,Default,,0,0,0,,COULD THIS BE\NTHE ENTRANCE TO A MAZE?
Dialogue: 0,0:21:01.72,0:21:03.86,Default,,0,0,0,,IT LOOKS LIKE IT\NGOES IN A LONG WAY.
Dialogue: 0,0:21:03.92,0:21:06.16,Default,,0,0,0,,IT'S REALLY KINDA DARK\NAND CLAUSTROPHOBIC IN THERE
Dialogue: 0,0:21:06.23,0:21:08.23,Default,,0,0,0,,SO TO GET A BETTER IDEA,
Dialogue: 0,0:21:08.30,0:21:10.46,Default,,0,0,0,,I'M GONNA PUT THIS\NCAMERA IN ON A POLE
Dialogue: 0,0:21:10.53,0:21:13.80,Default,,0,0,0,,AND MONITOR IT ON THIS PHONE.
Dialogue: 0,0:21:13.87,0:21:18.04,Default,,0,0,0,,♪♪
Dialogue: 0,0:21:18.11,0:21:22.38,Default,,0,0,0,,OKAY AND AS WE GO IN\NDEEPER AND DEEPER,
Dialogue: 0,0:21:22.44,0:21:26.45,Default,,0,0,0,,WE FIND, IN FACT, THAT\NTHE CHANNEL IS BLOCKED.
Dialogue: 0,0:21:26.51,0:21:29.52,Default,,0,0,0,,♪♪
Dialogue: 0,0:21:29.58,0:21:31.65,Default,,0,0,0,,IT'S OBVIOUSLY\NINCREDIBLY WELL-BUILT.
Dialogue: 0,0:21:31.72,0:21:34.86,Default,,0,0,0,,IT'S PART OF A WELL\NENGINEERED SYSTEM,
Dialogue: 0,0:21:34.92,0:21:38.59,Default,,0,0,0,,BUT WE CAN'T GET\NANY FURTHER HERE.
Dialogue: 0,0:21:38.66,0:21:40.33,Default,,0,0,0,,Narrator:\NDIGGING UP THESE RUINS TO HUNT
Dialogue: 0,0:21:40.39,0:21:43.60,Default,,0,0,0,,FOR THE MINOTAUR'S\NMAZE IS NOT POSSIBLE.
Dialogue: 0,0:21:43.66,0:21:47.37,Default,,0,0,0,,THE PALACE IS\NSIMPLY TOO DELICATE.
Dialogue: 0,0:21:47.43,0:21:52.44,Default,,0,0,0,,BUT NEW TECHNOLOGY MAY\NFINALLY HAVE FOUND THE ANSWER.
Dialogue: 0,0:21:52.51,0:21:54.44,Default,,0,0,0,,GROUND PENETRATING RADAR WORKS
Dialogue: 0,0:21:54.51,0:21:57.54,Default,,0,0,0,,BY SENDING A RADIO\NSIGNAL INTO THE SOIL.
Dialogue: 0,0:21:57.61,0:22:01.05,Default,,0,0,0,,THIS DETECTS ANYTHING\NHIDDEN UNDERGROUND.
Dialogue: 0,0:22:01.11,0:22:03.08,Default,,0,0,0,,EXPERTS HAVE NOW\NCOMPLETED A NUMBER
Dialogue: 0,0:22:03.15,0:22:07.82,Default,,0,0,0,,OF DIFFERENT\NPAINSTAKING SURVEYS.
Dialogue: 0,0:22:07.89,0:22:10.46,Default,,0,0,0,,COMBINING THE RESULTS\NGIVES A DEFINITIVE ANSWER.
Dialogue: 0,0:22:10.52,0:22:15.86,Default,,0,0,0,,♪♪
Dialogue: 0,0:22:15.93,0:22:19.20,Default,,0,0,0,,THERE IS NO MAZE\NBENEATH THE PALACE.
Dialogue: 0,0:22:19.27,0:22:21.70,Default,,0,0,0,,THESE CHANNELS ARE\NBELIEVED TO BE THE REMAINS
Dialogue: 0,0:22:21.77,0:22:25.34,Default,,0,0,0,,OF A WATER NETWORK.
Dialogue: 0,0:22:25.41,0:22:28.74,Default,,0,0,0,,IT IS SUBTERRANEAN, IT IS\NBURIED BELOW THE PALACE,
Dialogue: 0,0:22:28.81,0:22:31.71,Default,,0,0,0,,BUT IT'S CLEARLY\NNOT THE LABYRINTH.
Dialogue: 0,0:22:31.78,0:22:33.75,Default,,0,0,0,,SO WITH OUR COIN,\NWE'VE GOT OUR EVIDENCE
Dialogue: 0,0:22:33.81,0:22:35.45,Default,,0,0,0,,FOR THE MINOTAUR.
Dialogue: 0,0:22:35.52,0:22:36.72,Default,,0,0,0,,WHAT ABOUT THE FLIP SIDE?
Dialogue: 0,0:22:36.78,0:22:39.29,Default,,0,0,0,,WHERE'S OUR EVIDENCE\NFOR THE LABYRINTH?
Dialogue: 0,0:22:39.35,0:22:41.52,Default,,0,0,0,,AND IF THERE'S\NA LABYRINTH DOWN HERE,
Dialogue: 0,0:22:41.59,0:22:44.32,Default,,0,0,0,,GROUND PENETRATING RADAR\NWOULD'VE FOUND IT.
Dialogue: 0,0:22:44.39,0:22:45.66,Default,,0,0,0,,MAYBE IT'S NOT HERE.
Dialogue: 0,0:22:45.73,0:22:47.09,Default,,0,0,0,,MAYBE WE HAVE TO\NLOOK SOMEWHERE ELSE,
Dialogue: 0,0:22:47.16,0:22:50.23,Default,,0,0,0,,BEYOND THE PALACE.
Dialogue: 0,0:22:50.30,0:22:52.83,Default,,0,0,0,,Narrator:\NTHE SEARCH IS FAR FROM OVER.
Dialogue: 0,0:22:52.90,0:22:55.34,Default,,0,0,0,,SOME EXPERTS NOW\NBELIEVE ARCHEOLOGISTS
Dialogue: 0,0:22:55.40,0:22:59.87,Default,,0,0,0,,HAVE BEEN LOOKING FOR\NTHE WRONG KIND OF MAZE.
Dialogue: 0,0:22:59.94,0:23:01.84,Default,,0,0,0,,THEY SUSPECT THE ANCIENT GREEKS
Dialogue: 0,0:23:01.91,0:23:04.71,Default,,0,0,0,,WERE DESCRIBING A NATURAL\NUNDERGROUND STRUCTURE
Dialogue: 0,0:23:04.78,0:23:06.78,Default,,0,0,0,,ELSEWHERE ON THE ISLAND.
Dialogue: 0,0:23:06.85,0:23:09.95,Default,,0,0,0,,ONCE THAT WAS USED FOR\NBLOODY RELIGIOUS RITUALS.
Dialogue: 0,0:23:10.02,0:23:12.95,Default,,0,0,0,,♪♪
Dialogue: 0,0:23:13.02,0:23:15.19,Default,,0,0,0,,THE LABYRINTH, ITSELF,\NMIGHT NOT BE
Dialogue: 0,0:23:15.26,0:23:17.06,Default,,0,0,0,,WHAT YOU THINK IT IS.
Dialogue: 0,0:23:17.12,0:23:20.56,Default,,0,0,0,,A LABYRINTH IS STRUCTURE\NCOMBINED WITH CONFUSION.
Dialogue: 0,0:23:20.63,0:23:22.60,Default,,0,0,0,,SO IT'S SOMETHING THAT\NMIGHT LURE YOU IN,
Dialogue: 0,0:23:22.66,0:23:25.63,Default,,0,0,0,,SOMETHING THAT CATCHES YOU\NAND KEEPS YOU IN THERE.
Dialogue: 0,0:23:25.70,0:23:27.03,Default,,0,0,0,,Narrator:\NCOULD THE MINOTAUR'S MAZE
Dialogue: 0,0:23:27.10,0:23:29.60,Default,,0,0,0,,HAVE BEEN A HUGE CAVE SYSTEM?
Dialogue: 0,0:23:29.67,0:23:30.87,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:23:30.94,0:23:32.11,Default,,0,0,0,,AND WHAT COULD THESE\NDARK CAVERNS REVEAL
Dialogue: 0,0:23:32.17,0:23:34.57,Default,,0,0,0,,ABOUT THE BEAST\NAND WHAT IT DID HERE?
Dialogue: 0,0:23:34.64,0:23:35.61,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:23:35.68,0:23:38.55,Default,,0,0,0,,{\i1\b0\u0\1c&HFFFFFF&\1a&H00&}[ THUNDER CRASHING ]
Dialogue: 0,0:23:40.25,0:23:44.85,Default,,0,0,0,,♪♪
Dialogue: 0,0:23:44.92,0:23:46.75,Default,,0,0,0,,Narrator: INVESTIGATORS\NSEARCH FOR THE TRUTH
Dialogue: 0,0:23:46.82,0:23:50.56,Default,,0,0,0,,BEHIND THE MONSTROUS\NMINOTAUR MYTH.
Dialogue: 0,0:23:50.62,0:23:52.93,Default,,0,0,0,,THEY WANNA LOCATE\NTHE LABYRINTH DEPICTED
Dialogue: 0,0:23:52.99,0:23:54.49,Default,,0,0,0,,IN THE LEGEND.
Dialogue: 0,0:23:54.56,0:23:56.36,Default,,0,0,0,,THEY HOPE FINDING IT WILL REVEAL
Dialogue: 0,0:23:56.43,0:23:58.67,Default,,0,0,0,,WHAT REALLY HAPPENED HERE
Dialogue: 0,0:23:58.73,0:24:00.43,Default,,0,0,0,,AND WHY THIS MYTH BEGAN.
Dialogue: 0,0:24:00.50,0:24:04.81,Default,,0,0,0,,♪♪
Dialogue: 0,0:24:04.87,0:24:07.91,Default,,0,0,0,,THE LEGEND CLAIMS THAT\NTHE MINOTAUR WAS IMPRISONED
Dialogue: 0,0:24:07.97,0:24:13.35,Default,,0,0,0,,INSIDE A VAST LABYRINTH\NUNDER THE PALACE OF KNOSSOS.
Dialogue: 0,0:24:13.41,0:24:16.65,Default,,0,0,0,,EVERY NINE YEARS,\N14 ATHENIAN YOUTHS
Dialogue: 0,0:24:16.72,0:24:21.32,Default,,0,0,0,,WERE FORCED INTO\NTHIS GIANT MAZE.
Dialogue: 0,0:24:21.39,0:24:24.83,Default,,0,0,0,,HERE, THE MINOTAUR\NWOULD HUNT THEM DOWN
Dialogue: 0,0:24:24.89,0:24:26.09,Default,,0,0,0,,AND EAT THEM.
Dialogue: 0,0:24:26.16,0:24:30.86,Default,,0,0,0,,♪♪
Dialogue: 0,0:24:30.93,0:24:32.60,Default,,0,0,0,,ARCHEOLOGISTS HAVE NEVER FOUND
Dialogue: 0,0:24:32.67,0:24:35.87,Default,,0,0,0,,ANY EVIDENCE OF\NA GIANT MAZE AT KNOSSOS.
Dialogue: 0,0:24:35.94,0:24:40.04,Default,,0,0,0,,BUT ARE THEY LOOKING\NIN THE WRONG PLACE?
Dialogue: 0,0:24:40.11,0:24:41.64,Default,,0,0,0,,ACCORDING TO SOME HISTORIANS,
Dialogue: 0,0:24:41.71,0:24:45.65,Default,,0,0,0,,THE LABYRINTH MIGHT NOT HAVE\NBEEN A MAN-MADE STRUCTURE,
Dialogue: 0,0:24:45.71,0:24:47.21,Default,,0,0,0,,BUT A NATURAL FEATURE.
Dialogue: 0,0:24:47.28,0:24:51.18,Default,,0,0,0,,♪♪
Dialogue: 0,0:24:51.25,0:24:54.72,Default,,0,0,0,,ARCHEOLOGISTS LOETA TYREE\NAND ANTONIA STAMOS
Dialogue: 0,0:24:54.79,0:24:57.52,Default,,0,0,0,,INVESTIGATE A SIGHT JUST\NOVER EIGHT MILES EAST
Dialogue: 0,0:24:57.59,0:25:02.63,Default,,0,0,0,,OF THE PALACE, DEEP IN\NTHE CRETAN COUNTRYSIDE.
Dialogue: 0,0:25:02.70,0:25:05.53,Default,,0,0,0,,THEIR WORK ON HOW THE MINOANS\NUSED CAVES LIKE THIS
Dialogue: 0,0:25:05.60,0:25:08.90,Default,,0,0,0,,COULD ALSO THROW LIGHT\NON THE REAL INSPIRATION
Dialogue: 0,0:25:08.97,0:25:11.04,Default,,0,0,0,,FOR THE LABYRINTH.
Dialogue: 0,0:25:11.10,0:25:13.34,Default,,0,0,0,,Tyree: I THINK IT'S QUITE\NPLAUSIBLE THAT A CAVE
Dialogue: 0,0:25:13.41,0:25:17.11,Default,,0,0,0,,COULD HAVE BROUGHT UPON\NTHE IDEA OF A LABYRINTH.
Dialogue: 0,0:25:17.18,0:25:19.28,Default,,0,0,0,,YOU ARE MOVING THROUGH A SPACE
Dialogue: 0,0:25:19.35,0:25:21.98,Default,,0,0,0,,THAT IS VERY COMPLICATED
Dialogue: 0,0:25:22.05,0:25:24.25,Default,,0,0,0,,AND YOU'RE HOPING TO\NBE ABLE TO RETURN.
Dialogue: 0,0:25:24.32,0:25:27.62,Default,,0,0,0,,♪♪
Dialogue: 0,0:25:27.69,0:25:29.69,Default,,0,0,0,,Narrator:\NTHE SKOTINO CAVE IS A COMPLETELY
Dialogue: 0,0:25:29.76,0:25:33.69,Default,,0,0,0,,NATURAL FEATURE OF\NCRETE'S LIMESTONE BEDROCK.
Dialogue: 0,0:25:33.76,0:25:36.60,Default,,0,0,0,,IT'S A COMPLEX WEB OF CHAMBERS.
Dialogue: 0,0:25:36.66,0:25:39.90,Default,,0,0,0,,BUT HOW LIKE A LABYRINTH\NCOULD IT REALLY BE?
Dialogue: 0,0:25:39.97,0:25:44.24,Default,,0,0,0,,[ SNARLING ]
Dialogue: 0,0:25:44.30,0:25:46.54,Default,,0,0,0,,THE TEAMS RESEARCH\NINVOLVES MAPPING
Dialogue: 0,0:25:46.61,0:25:48.04,Default,,0,0,0,,THIS PARTICULAR SYSTEM.
Dialogue: 0,0:25:48.11,0:25:51.65,Default,,0,0,0,,♪♪
Dialogue: 0,0:25:51.71,0:25:55.92,Default,,0,0,0,,Tyree: IT'S A WHOLE LOT MORE\NCAVE THAN WE WERE EXPECTING.
Dialogue: 0,0:25:55.98,0:26:00.85,Default,,0,0,0,,SOME PLACES ARE ACTUALLY\NCOMPLETELY INACCESSIBLE.
Dialogue: 0,0:26:00.92,0:26:03.36,Default,,0,0,0,,Narrator: THIS CAVE IS SO\NDARK AND COMPLEX,
Dialogue: 0,0:26:03.42,0:26:07.13,Default,,0,0,0,,IT'S ALMOST IMPOSSIBLE\NTO TELL WHAT'S DOWN HERE.
Dialogue: 0,0:26:07.19,0:26:08.13,Default,,0,0,0,,Tyree: YOU CANNOT\NUNDERSTAND THESE CAVES
Dialogue: 0,0:26:08.19,0:26:12.37,Default,,0,0,0,,IN A SIMPLE IMAGE.
Dialogue: 0,0:26:12.43,0:26:14.70,Default,,0,0,0,,YOU DON'T UNDERSTAND\NTHE SHEER SENSE OF THE SIZE,
Dialogue: 0,0:26:14.77,0:26:17.57,Default,,0,0,0,,THE SENSE OF THE DEPTH\NOR HOW THEY DROP OFF
Dialogue: 0,0:26:17.64,0:26:22.34,Default,,0,0,0,,SUDDENLY INTO THE DARKNESS.
Dialogue: 0,0:26:22.41,0:26:23.94,Default,,0,0,0,,IT'S PRETTY LOOSE HERE,\NSO JUST BE CAREFUL.
Dialogue: 0,0:26:24.01,0:26:27.81,Default,,0,0,0,,WOW.
Dialogue: 0,0:26:27.88,0:26:30.75,Default,,0,0,0,,Narrator: IF A CAVE SYSTEM\NDID HELP INSPIRE THE LABYRINTH,
Dialogue: 0,0:26:30.82,0:26:33.82,Default,,0,0,0,,IT WOULD NEED TO BE SO BIG\NAND COMPLEX THAT PEOPLE
Dialogue: 0,0:26:33.89,0:26:37.26,Default,,0,0,0,,COULD EASILY LOSE THEIR WAY.
Dialogue: 0,0:26:37.32,0:26:40.09,Default,,0,0,0,,ANTONIA AND LOETA USE\NA THEODOLITE TO BUILD UP
Dialogue: 0,0:26:40.16,0:26:44.06,Default,,0,0,0,,A VERY DETAILED PICTURE\NOF THIS SUBTERRANEAN LAIR.
Dialogue: 0,0:26:44.13,0:26:46.40,Default,,0,0,0,,♪♪
Dialogue: 0,0:26:46.47,0:26:49.17,Default,,0,0,0,,Stamos: IT'S A ELECTRONIC\NDISTANCE MEASURE
Dialogue: 0,0:26:49.24,0:26:52.41,Default,,0,0,0,,AND IT MEASURES ELEVATION\NAS WELL AS DISTANCE.
Dialogue: 0,0:26:52.47,0:26:53.61,Default,,0,0,0,,OKAY, I FOUND YOU.
Dialogue: 0,0:26:53.67,0:26:56.51,Default,,0,0,0,,START LEVELING.
Dialogue: 0,0:26:56.58,0:26:57.81,Default,,0,0,0,,LEVEL.
Dialogue: 0,0:26:57.88,0:26:59.25,Default,,0,0,0,,GOT IT.
Dialogue: 0,0:26:59.31,0:27:04.12,Default,,0,0,0,,GIVING US EXACT MEASUREMENTS,\NDOWN TO THE MILLIMETER.
Dialogue: 0,0:27:04.18,0:27:06.52,Default,,0,0,0,,Narrator: THE TEAM MUST COLLECT\NTHOUSANDS OF READINGS
Dialogue: 0,0:27:06.59,0:27:08.66,Default,,0,0,0,,TO MAP OUT ALL THE PASSAGEWAYS.
Dialogue: 0,0:27:08.72,0:27:12.49,Default,,0,0,0,,♪♪
Dialogue: 0,0:27:12.56,0:27:14.09,Default,,0,0,0,,OH, THERE WE GO.
Dialogue: 0,0:27:14.16,0:27:15.76,Default,,0,0,0,,Narrator:\NTHEY COMBINE THE DATA FROM MANY
Dialogue: 0,0:27:15.83,0:27:18.93,Default,,0,0,0,,PREVIOUS EXPEDITIONS.
Dialogue: 0,0:27:19.00,0:27:20.33,Default,,0,0,0,,YEAH, THAT'S KINDA INTERESTING.
Dialogue: 0,0:27:20.40,0:27:21.84,Default,,0,0,0,,THIS CAVE IS MUCH LARGER
Dialogue: 0,0:27:21.90,0:27:23.54,Default,,0,0,0,,THAN IT ACTUALLY APPEARS\NBECAUSE YOU CAN ONLY WALK
Dialogue: 0,0:27:23.60,0:27:26.97,Default,,0,0,0,,TO ABOUT HERE, ROUGHLY,\NAND THEN THE REST OF THAT
Dialogue: 0,0:27:27.04,0:27:31.08,Default,,0,0,0,,IS OFF INTO THE DEPTHS,\NTHE DARKNESS.
Dialogue: 0,0:27:31.14,0:27:32.55,Default,,0,0,0,,Narrator:\NTHE TEAM'S WORK REVEALS
Dialogue: 0,0:27:32.61,0:27:34.68,Default,,0,0,0,,THAT THIS CAVE\NSYSTEM IS MUCH BIGGER
Dialogue: 0,0:27:34.75,0:27:40.19,Default,,0,0,0,,THAN ANYONE FIRST THOUGHT.
Dialogue: 0,0:27:40.25,0:27:44.36,Default,,0,0,0,,THE SKOTINO CAVE OPENS LIKE\NA SUBTERRANEAN CATHEDRAL.
Dialogue: 0,0:27:44.42,0:27:47.76,Default,,0,0,0,,ALMOST 100 FEET WIDE.
Dialogue: 0,0:27:47.83,0:27:50.80,Default,,0,0,0,,IT DROPS OVER 200 FEET\NINTO THE EARTH.
Dialogue: 0,0:27:50.86,0:27:54.50,Default,,0,0,0,,♪♪
Dialogue: 0,0:27:54.57,0:27:57.34,Default,,0,0,0,,THERE'S ONLY ONE COMPLEX ROUTE\NOUT OF THESE CHAMBERS.
Dialogue: 0,0:27:57.40,0:28:00.11,Default,,0,0,0,,♪♪
Dialogue: 0,0:28:00.17,0:28:02.38,Default,,0,0,0,,SO GETTING DISORIENTED\NAND TRAPPED
Dialogue: 0,0:28:02.44,0:28:06.78,Default,,0,0,0,,IS A DEFINITE POSSIBILITY.
Dialogue: 0,0:28:06.85,0:28:10.98,Default,,0,0,0,,BUT HOW WAS THIS CAVE\NUSED BY THE MINOANS?
Dialogue: 0,0:28:11.05,0:28:13.72,Default,,0,0,0,,DID PEOPLE DIE HERE?
Dialogue: 0,0:28:13.79,0:28:16.49,Default,,0,0,0,,[ GROWLING ]
Dialogue: 0,0:28:16.56,0:28:18.69,Default,,0,0,0,,ARTIFACTS FOUND IN\NTHE CHAMBERS REVEAL
Dialogue: 0,0:28:18.76,0:28:20.89,Default,,0,0,0,,THAT THESE SUBTERRANEAN PASSAGES
Dialogue: 0,0:28:20.96,0:28:25.53,Default,,0,0,0,,WERE THE LOCATION FOR SOME\NKIND OF RELIGIOUS WORSHIP.
Dialogue: 0,0:28:25.60,0:28:28.64,Default,,0,0,0,,Tyree: WE DON'T KNOW IF THEY\NWERE SEVERAL HUGE RITUALS
Dialogue: 0,0:28:28.70,0:28:30.60,Default,,0,0,0,,OR NUMEROUS SMALL ONES.
Dialogue: 0,0:28:30.67,0:28:32.57,Default,,0,0,0,,BUT THE AMOUNT OF\NPOTTERY SUGGESTS
Dialogue: 0,0:28:32.64,0:28:35.64,Default,,0,0,0,,THAT IT WAS VERY\NWELL FREQUENTED.
Dialogue: 0,0:28:35.71,0:28:37.58,Default,,0,0,0,,Narrator: ARCHEOLOGISTS\NBELIEVE THE MINOANS
Dialogue: 0,0:28:37.64,0:28:42.05,Default,,0,0,0,,USED THESE ROCK\NFORMATIONS AS AN ALTAR.
Dialogue: 0,0:28:42.12,0:28:44.72,Default,,0,0,0,,IT SEEMS THAT THE MAIN FOCUS
Dialogue: 0,0:28:44.78,0:28:50.12,Default,,0,0,0,,WAS TOASTING, LIBATIONS,\NDRINKING, AND ALSO EATING.
Dialogue: 0,0:28:50.19,0:28:52.86,Default,,0,0,0,,♪♪
Dialogue: 0,0:28:52.93,0:28:54.99,Default,,0,0,0,,Narrator: THE EXACT NATURE\NOF THESE RITUALS
Dialogue: 0,0:28:55.06,0:28:56.56,Default,,0,0,0,,REMAINS A MYSTERY.
Dialogue: 0,0:28:56.63,0:28:59.23,Default,,0,0,0,,BUT WHAT HISTORIANS\NDO KNOW IS THAT BULLS
Dialogue: 0,0:28:59.30,0:29:01.57,Default,,0,0,0,,FEATURED PROMINENTLY\NIN MINOAN RITUALS
Dialogue: 0,0:29:01.63,0:29:03.14,Default,,0,0,0,,AND RELIGIOUS ICONOGRAPHY.
Dialogue: 0,0:29:03.20,0:29:07.01,Default,,0,0,0,,♪♪
Dialogue: 0,0:29:07.07,0:29:09.08,Default,,0,0,0,,WE ESTIMATED THAT\NMAYBE A HUNDRED PEOPLE
Dialogue: 0,0:29:09.14,0:29:10.94,Default,,0,0,0,,COULD HAVE GATHERED STANDING
Dialogue: 0,0:29:11.01,0:29:13.48,Default,,0,0,0,,AND MAYBE HEARING\NAND TRYING TO LOOK INTO
Dialogue: 0,0:29:13.55,0:29:15.22,Default,,0,0,0,,THE SACRED AREA.
Dialogue: 0,0:29:15.28,0:29:18.59,Default,,0,0,0,,ANYONE AT THIS AREA WOULD\NHAVE KNOWN ABOUT IT.
Dialogue: 0,0:29:18.65,0:29:21.76,Default,,0,0,0,,CAVES WERE NOT REMOTE TO\NPEOPLE 3,000 YEARS AGO.
Dialogue: 0,0:29:21.82,0:29:24.06,Default,,0,0,0,,♪♪
Dialogue: 0,0:29:24.12,0:29:26.19,Default,,0,0,0,,Narrator: FOR LOETA,\NIT'S IMPOSSIBLE TO SAY
Dialogue: 0,0:29:26.26,0:29:30.60,Default,,0,0,0,,IF A SPECIFIC CAVE\NDID INSPIRE THE MAZE.
Dialogue: 0,0:29:30.66,0:29:31.83,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:29:31.90,0:29:34.13,Default,,0,0,0,,BUT IT'S THE CLOSEST\NSOME EXPERTS THINK
Dialogue: 0,0:29:34.20,0:29:38.30,Default,,0,0,0,,WE CAN GET TO\NUNCOVERING THE TRUTH.
Dialogue: 0,0:29:38.37,0:29:40.34,Default,,0,0,0,,SCIENTISTS AND ARCHEOLOGISTS\NARE DISCOVERING
Dialogue: 0,0:29:40.41,0:29:42.34,Default,,0,0,0,,MORE AND MORE\NELEMENTS THAT SUGGEST
Dialogue: 0,0:29:42.41,0:29:44.88,Default,,0,0,0,,THE MINOTAUR MYTH COULD\NHAVE BEEN LOOSELY BASED
Dialogue: 0,0:29:44.94,0:29:48.95,Default,,0,0,0,,ON A NUMBER OF\NREAL WORLD SOURCES.
Dialogue: 0,0:29:49.02,0:29:50.92,Default,,0,0,0,,HUMAN SACRIFICE,
Dialogue: 0,0:29:50.98,0:29:53.35,Default,,0,0,0,,SUPERSIZED BULLS,
Dialogue: 0,0:29:53.42,0:29:55.76,Default,,0,0,0,,AND LABYRINTH-LIKE CAVES.
Dialogue: 0,0:29:55.82,0:29:57.89,Default,,0,0,0,,BUT WHY DID\NTHE ANCIENT GREEKS DISTORT
Dialogue: 0,0:29:57.96,0:30:02.40,Default,,0,0,0,,THESE EVENTS SO MUCH WHEN\NTHEY CREATED THE MYTH?
Dialogue: 0,0:30:02.46,0:30:04.80,Default,,0,0,0,,USUALLY WITH MYTHS,\NTHEY'RE TRYING TO EXPRESS
Dialogue: 0,0:30:04.86,0:30:06.03,Default,,0,0,0,,SOMETHING THAT WAS MEMORABLE.
Dialogue: 0,0:30:06.10,0:30:07.10,Default,,0,0,0,,KEEP IN MIND,\NA LOT OF PEOPLE DIDN'T KNOW
Dialogue: 0,0:30:07.17,0:30:09.80,Default,,0,0,0,,HOW TO WRITE IN HISTORY.
Dialogue: 0,0:30:09.87,0:30:11.37,Default,,0,0,0,,SO THEY WOULD'VE\NPASSED ON WHAT THEY LEARNED
Dialogue: 0,0:30:11.44,0:30:13.77,Default,,0,0,0,,IN AN ENCODED WAY.
Dialogue: 0,0:30:13.84,0:30:16.58,Default,,0,0,0,,MANY OF THESE STORIES\NWERE USED AS A WAY
Dialogue: 0,0:30:16.64,0:30:17.88,Default,,0,0,0,,OF SHARING INFORMATION.
Dialogue: 0,0:30:17.94,0:30:20.25,Default,,0,0,0,,BEING ABLE TO MAKE\NTHE STORY COMPELLING,
Dialogue: 0,0:30:20.31,0:30:23.62,Default,,0,0,0,,MAKE THE STORY MEMORABLE.
Dialogue: 0,0:30:23.68,0:30:25.72,Default,,0,0,0,,YOU OFTEN WOULD EXAGGERATE\NJUST LIKE WE DO TODAY.
Dialogue: 0,0:30:25.79,0:30:28.39,Default,,0,0,0,,♪♪
Dialogue: 0,0:30:28.45,0:30:29.62,Default,,0,0,0,,Narrator:\NDID THE ANCIENT GREEKS
Dialogue: 0,0:30:29.69,0:30:33.16,Default,,0,0,0,,ENCODE A MESSAGE IN\NTHE MINOTAUR MYTH?
Dialogue: 0,0:30:33.23,0:30:37.26,Default,,0,0,0,,IF WE CAN CRACK IT,\NWHAT WOULD IT REVEAL?
Dialogue: 0,0:30:37.33,0:30:39.70,Default,,0,0,0,,AND CAN INVESTIGATING\NANOTHER MYTHICAL MONSTER
Dialogue: 0,0:30:39.77,0:30:42.64,Default,,0,0,0,,GIVE US THE KEY TO THE CODE?
Dialogue: 0,0:30:42.70,0:30:45.57,Default,,0,0,0,,{\i1\b0\u0\1c&HFFFFFF&\1a&H00&}[ THUNDER CRASHING ]
Dialogue: 0,0:30:47.21,0:30:50.91,Default,,0,0,0,,♪♪
Dialogue: 0,0:30:50.98,0:30:54.01,Default,,0,0,0,,Narrator: ARCHEOLOGISTS ON\NTHE GREEK ISLAND OF CRETE
Dialogue: 0,0:30:54.08,0:30:56.25,Default,,0,0,0,,ARE UNCOVERING THE REAL\NEVENTS THAT INSPIRED
Dialogue: 0,0:30:56.32,0:30:58.52,Default,,0,0,0,,THE TERRIFYING TALE\NOF THE MINOTAUR.
Dialogue: 0,0:30:58.59,0:31:02.06,Default,,0,0,0,,♪♪
Dialogue: 0,0:31:02.12,0:31:04.49,Default,,0,0,0,,THIS GRUESOME STORY\NHAS CAPTIVATED PEOPLE
Dialogue: 0,0:31:04.56,0:31:06.33,Default,,0,0,0,,FOR OVER 3,000 YEARS.
Dialogue: 0,0:31:06.39,0:31:09.40,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:31:09.46,0:31:10.96,Default,,0,0,0,,Narrator:\NBUT WHY DID THE ANCIENT GREEKS
Dialogue: 0,0:31:11.03,0:31:13.93,Default,,0,0,0,,MISREPRESENT WHAT\NTHEY FOUND AT KNOSSOS?
Dialogue: 0,0:31:14.00,0:31:15.97,Default,,0,0,0,,♪♪
Dialogue: 0,0:31:16.04,0:31:18.20,Default,,0,0,0,,EXPERTS THINK IT\NCOULD BE TO ENCODE
Dialogue: 0,0:31:18.27,0:31:22.18,Default,,0,0,0,,A MESSAGE THEY\NWANTED TO PASS ON.
Dialogue: 0,0:31:22.24,0:31:24.48,Default,,0,0,0,,EVEN THOUGH MYTHS\NARE VERY FANTASTICAL,
Dialogue: 0,0:31:24.54,0:31:26.88,Default,,0,0,0,,THEY HAVE LITTLE SECRETS\NTHAT ARE ENCODED IN THEM,
Dialogue: 0,0:31:26.95,0:31:28.51,Default,,0,0,0,,THAT IF YOU PONDER\NTHE SYMBOLS IN THE RIGHT WAY,
Dialogue: 0,0:31:28.58,0:31:32.59,Default,,0,0,0,,YOU CAN START TO\NUNLOCK THEIR SECRET.
Dialogue: 0,0:31:32.65,0:31:34.39,Default,,0,0,0,,Narrator:\NCAN FINDING THE CODED MESSAGE
Dialogue: 0,0:31:34.45,0:31:36.32,Default,,0,0,0,,BEHIND ANOTHER LEGENDARY MONSTER
Dialogue: 0,0:31:36.39,0:31:40.86,Default,,0,0,0,,REVEAL WHY THE ANCIENT GREEKS\NCREATED THE MINOTAUR MYTH?
Dialogue: 0,0:31:40.93,0:31:42.40,Default,,0,0,0,,♪♪
Dialogue: 0,0:31:42.46,0:31:46.83,Default,,0,0,0,,WHILE THIS MUTANT BULL\NTERRORIZED PEOPLE ON LAND,
Dialogue: 0,0:31:46.90,0:31:52.04,Default,,0,0,0,,ANOTHER BLOOD-THIRSTY\NBEAST HUNTED THE SEAS --
Dialogue: 0,0:31:52.11,0:31:55.11,Default,,0,0,0,,MERMAIDS.
Dialogue: 0,0:31:55.17,0:31:58.78,Default,,0,0,0,,AT FIRST GLANCE, THEY'RE\NBEAUTIFUL WOMEN WITH FISHTAILS.
Dialogue: 0,0:31:58.85,0:32:00.71,Default,,0,0,0,,♪♪
Dialogue: 0,0:32:00.78,0:32:04.35,Default,,0,0,0,,BUT BEWARE,\NTHEY ARE AMBUSH PREDATORS
Dialogue: 0,0:32:04.42,0:32:09.49,Default,,0,0,0,,OUT TO SLAUGHTER\NPASSING SAILORS.
Dialogue: 0,0:32:09.56,0:32:13.63,Default,,0,0,0,,USING THEIR SEDUCTIVE LOOKS\NAND ANGELIC VOICES AS A TRAP,
Dialogue: 0,0:32:13.69,0:32:17.86,Default,,0,0,0,,THEY LURE MEN TOWARDS THE SHORE.
Dialogue: 0,0:32:17.93,0:32:21.00,Default,,0,0,0,,AND A DEADLY HUNT BEGINS.
Dialogue: 0,0:32:21.07,0:32:23.10,Default,,0,0,0,,BENEATH THEIR PRETTY FACES,
Dialogue: 0,0:32:23.17,0:32:26.87,Default,,0,0,0,,MERMAIDS ARE RAVENOUS\NMAN-EATING MONSTERS,
Dialogue: 0,0:32:26.94,0:32:29.68,Default,,0,0,0,,DRAGGING SAILORS TO THEIR DEATH
Dialogue: 0,0:32:29.74,0:32:33.75,Default,,0,0,0,,AND FEASTING ON THEIR FLESH.
Dialogue: 0,0:32:33.81,0:32:36.48,Default,,0,0,0,,THE ORIGINAL VERSIONS\NARE NOTHING LIKE "SPLASH"
Dialogue: 0,0:32:36.55,0:32:38.22,Default,,0,0,0,,OR LIKE THE DISNEY VERSION.
Dialogue: 0,0:32:38.28,0:32:42.89,Default,,0,0,0,,THEY TENDED TO BE A BIT\NMORE SINISTER THAN THAT.
Dialogue: 0,0:32:42.96,0:32:44.62,Default,,0,0,0,,NOTHING LIKE THE SORT\NOF CUTESY VERSION
Dialogue: 0,0:32:44.69,0:32:48.16,Default,,0,0,0,,THAT MOST PEOPLE THINK OF.
Dialogue: 0,0:32:48.23,0:32:49.83,Default,,0,0,0,,Narrator:\NCOMPARATIVE ANATOMIST,
Dialogue: 0,0:32:49.90,0:32:52.60,Default,,0,0,0,,DR. JOY REIDENBERG THINKS\NMINOTAURS AND MERMAIDS
Dialogue: 0,0:32:52.67,0:32:54.80,Default,,0,0,0,,HAVE A LOT IN COMMON.
Dialogue: 0,0:32:54.87,0:32:59.24,Default,,0,0,0,,SHE BELIEVES BOTH WERE\NINSPIRED BY REAL ANIMALS.
Dialogue: 0,0:32:59.31,0:33:01.14,Default,,0,0,0,,THE MERMAID'S ORIGINS MAY BE
Dialogue: 0,0:33:01.21,0:33:05.38,Default,,0,0,0,,A FAMILIAR MARINE\NCREATURE, THE SEAL.
Dialogue: 0,0:33:05.45,0:33:07.35,Default,,0,0,0,,WE'RE LOOKING AT A HARBOR SEAL.
Dialogue: 0,0:33:07.41,0:33:10.02,Default,,0,0,0,,BUT IT LOOKS VERY SIMILAR TO\NTHE MEDITERRANEAN MONK SEALS
Dialogue: 0,0:33:10.08,0:33:12.42,Default,,0,0,0,,WHICH ARE COMMON\NAROUND ANCIENT GREECE.
Dialogue: 0,0:33:12.49,0:33:13.79,Default,,0,0,0,,Narrator:\NBUT WHY WOULD SEALS HAVE BEEN
Dialogue: 0,0:33:13.85,0:33:17.86,Default,,0,0,0,,MISTAKEN FOR HALF-HUMAN,\NHALF-FISH CREATURES?
Dialogue: 0,0:33:17.92,0:33:20.53,Default,,0,0,0,,IT ACTUALLY HAS EYES\NTHAT ARE FACING FORWARD.
Dialogue: 0,0:33:20.59,0:33:22.50,Default,,0,0,0,,SO THIS ANIMAL'S EYES\NARE LOOKING AT YOU
Dialogue: 0,0:33:22.56,0:33:23.66,Default,,0,0,0,,THE WAY A HUMAN WOULD,
Dialogue: 0,0:33:23.73,0:33:25.20,Default,,0,0,0,,BECAUSE HUMANS\NHAVE BINOCULAR VISION,
Dialogue: 0,0:33:25.26,0:33:26.80,Default,,0,0,0,,TWO EYES FACING FORWARD.
Dialogue: 0,0:33:26.87,0:33:28.84,Default,,0,0,0,,VERY FEW ANIMALS HAVE THAT.
Dialogue: 0,0:33:28.90,0:33:31.50,Default,,0,0,0,,THEN WE GO DOWN\NTHIS FISH-LIKE BODY,
Dialogue: 0,0:33:31.57,0:33:33.51,Default,,0,0,0,,AND NOTICE THAT THESE\NTWO FEET CAN SPREAD OUT
Dialogue: 0,0:33:33.57,0:33:38.04,Default,,0,0,0,,AND LOOK JUST LIKE A FISH'S TAIL\NWITH THE WEBBING IN BETWEEN.
Dialogue: 0,0:33:38.11,0:33:40.11,Default,,0,0,0,,Narrator: IT'S NOT JUST\NTHE SEAL'S PHYSIOLOGY
Dialogue: 0,0:33:40.18,0:33:42.45,Default,,0,0,0,,THAT TIES IT TO\NTHE MERMAID MYTH.
Dialogue: 0,0:33:42.52,0:33:45.52,Default,,0,0,0,,ITS BEHAVIOR FITS, TOO.
Dialogue: 0,0:33:45.59,0:33:47.52,Default,,0,0,0,,Reidenberg: THESE SEALS LIKE TO\NLIVE ON ROCKY COASTLINES,
Dialogue: 0,0:33:47.59,0:33:48.82,Default,,0,0,0,,THEY LIKE TO CLIMB UP\NON THE ROCKS,
Dialogue: 0,0:33:48.89,0:33:50.16,Default,,0,0,0,,GET A NICE LOOK AROUND,
Dialogue: 0,0:33:50.22,0:33:51.79,Default,,0,0,0,,AND THAT'S THE KIND OF COASTLINE
Dialogue: 0,0:33:51.86,0:33:54.19,Default,,0,0,0,,YOU HAVE OFF OF ANCIENT GREECE.
Dialogue: 0,0:33:54.26,0:33:56.03,Default,,0,0,0,,Narrator: LIKE BULLS,\NSEALS ARE NOT
Dialogue: 0,0:33:56.10,0:33:58.63,Default,,0,0,0,,NORMALLY A THREAT TO HUMANS.
Dialogue: 0,0:33:58.70,0:34:00.37,Default,,0,0,0,,SO WHY DID\NTHE ANCIENT GREEKS CREATE
Dialogue: 0,0:34:00.43,0:34:03.87,Default,,0,0,0,,THE MINOTAUR\NAND MERMAIDS AS MAN-EATERS?
Dialogue: 0,0:34:03.94,0:34:05.10,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:34:05.17,0:34:08.24,Default,,0,0,0,,COULD THIS BE THE KEY\NTO THE ENCODED MESSAGE?
Dialogue: 0,0:34:08.31,0:34:12.38,Default,,0,0,0,,♪♪
Dialogue: 0,0:34:12.45,0:34:15.18,Default,,0,0,0,,MARITIME ARCHEOLOGIST,\NDR. DEREK IRWIN,
Dialogue: 0,0:34:15.25,0:34:17.65,Default,,0,0,0,,BELIEVES THE ANSWER\NCOULD LIE IN THE DANGEROUS
Dialogue: 0,0:34:17.72,0:34:19.95,Default,,0,0,0,,COASTLINE OF CRETE.
Dialogue: 0,0:34:20.02,0:34:23.26,Default,,0,0,0,,♪♪
Dialogue: 0,0:34:23.32,0:34:25.96,Default,,0,0,0,,THE AEGEAN SEA IS ACTUALLY\NLITTERED WITH SHIPWRECKS.
Dialogue: 0,0:34:26.03,0:34:28.29,Default,,0,0,0,,WE THINK THAT THERE ARE\NTHOUSANDS OF SHIPWRECKS
Dialogue: 0,0:34:28.36,0:34:31.50,Default,,0,0,0,,LAYING IN THE SEABEDS\NAROUND GREECE.
Dialogue: 0,0:34:31.56,0:34:33.53,Default,,0,0,0,,Narrator: DEREK BELIEVES\NTHE FLESH-EATING FAME
Dialogue: 0,0:34:33.60,0:34:35.94,Default,,0,0,0,,OF MERMAIDS IS\NA CODED MESSAGE ABOUT
Dialogue: 0,0:34:36.00,0:34:40.91,Default,,0,0,0,,THE MANY DEATHS THAT\NOCCURRED IN THESE WATERS.
Dialogue: 0,0:34:40.97,0:34:43.01,Default,,0,0,0,,Irwin: WE'VE FOUND SEVERAL\NSHIPWRECKS HERE
Dialogue: 0,0:34:43.08,0:34:45.34,Default,,0,0,0,,AROUND THE ISLAND OF DIAS,\NTHE SOUTHERN EAST
Dialogue: 0,0:34:45.41,0:34:49.28,Default,,0,0,0,,AND THE WEST COAST\NOF THE ISLAND.
Dialogue: 0,0:34:49.35,0:34:51.82,Default,,0,0,0,,[ SPEAKING FOREIGN LANGUAGE ]
Dialogue: 0,0:34:51.88,0:34:55.42,Default,,0,0,0,,♪♪
Dialogue: 0,0:34:55.49,0:34:57.99,Default,,0,0,0,,Narrator: HIDDEN UNDERWATER\NVOLCANOES HAVE CREATED
Dialogue: 0,0:34:58.06,0:35:01.56,Default,,0,0,0,,DEADLY SHIP SHREDDING GEOLOGY,\NCOVERING THE SEA BED
Dialogue: 0,0:35:01.63,0:35:05.83,Default,,0,0,0,,AND SHORELINE WITH SHARP ROCKS.
Dialogue: 0,0:35:05.90,0:35:07.83,Default,,0,0,0,,Irwin: SO ALONG HERE MOSTLY\NWE HAVE DROP OFFS
Dialogue: 0,0:35:07.90,0:35:09.64,Default,,0,0,0,,FROM THE SURFACE\NWE GO TO DEEP WATER
Dialogue: 0,0:35:09.70,0:35:13.44,Default,,0,0,0,,TO 40 OR 50 METERS\NSTRAIGHT DOWN.
Dialogue: 0,0:35:13.51,0:35:16.14,Default,,0,0,0,,THEN WE HAVE SOME ROCKS\NPROTRUDING OUT HERE.
Dialogue: 0,0:35:16.21,0:35:20.31,Default,,0,0,0,,♪♪
Dialogue: 0,0:35:20.38,0:35:22.68,Default,,0,0,0,,THE COMBINATION OF\NTHE BAD WEATHER, ROUGH SEAS,
Dialogue: 0,0:35:22.75,0:35:25.85,Default,,0,0,0,,AND ALL SORTS OF ROCKS ON\NTHE SURFACE, UNDER THE SURFACE,
Dialogue: 0,0:35:25.92,0:35:27.52,Default,,0,0,0,,NEAR THE COAST,\NCOULD'VE BEEN CATASTROPHIC
Dialogue: 0,0:35:27.59,0:35:31.19,Default,,0,0,0,,FOR ANY ANCIENT SAILING SHIP.
Dialogue: 0,0:35:31.26,0:35:32.73,Default,,0,0,0,,Narrator: DEREK THINKS\NTHE MERMAID'S HUNGER
Dialogue: 0,0:35:32.79,0:35:37.46,Default,,0,0,0,,FOR HUMAN FLESH WAS\NCREATED AS A STARK WARNING.
Dialogue: 0,0:35:37.53,0:35:42.17,Default,,0,0,0,,MERMAID TALES WERE ALL\NABOUT DANGER AND DECEPTION.
Dialogue: 0,0:35:42.24,0:35:44.67,Default,,0,0,0,,STORIES OF MERMAIDS WERE\NDEFINITELY LIKE A CODED MESSAGE
Dialogue: 0,0:35:44.74,0:35:48.67,Default,,0,0,0,,TO ANCIENT SAILORS NOT TO\NGO TOO CLOSE TO THE ROCKS.
Dialogue: 0,0:35:48.74,0:35:50.58,Default,,0,0,0,,Narrator: IT WAS THIS\NLIFE SAVING WARNING THAT
Dialogue: 0,0:35:50.64,0:35:55.78,Default,,0,0,0,,MEANT THE TALES OF MERMAIDS\NENDURE FOR MILLENNIA.
Dialogue: 0,0:35:55.85,0:35:58.92,Default,,0,0,0,,OUR HUMAN BRAIN IS\NWIRED TO PAY ATTENTION
Dialogue: 0,0:35:58.99,0:36:02.52,Default,,0,0,0,,TO STORYTELLING, TO THINGS\NTHAT WE CAN RELATE TO.
Dialogue: 0,0:36:02.59,0:36:05.59,Default,,0,0,0,,IF WE MAKE THEM MEANINGFUL\NWE ARE GOING TO STORE THEM
Dialogue: 0,0:36:05.66,0:36:07.83,Default,,0,0,0,,AND REMEMBER THEM BETTER.
Dialogue: 0,0:36:07.89,0:36:10.36,Default,,0,0,0,,Narrator: SO IF MERMAIDS WERE\NCREATED FOR A PURPOSE,
Dialogue: 0,0:36:10.43,0:36:13.93,Default,,0,0,0,,WHAT MESSAGE LIES BEHIND\NTHE MINOTAUR MYTH?
Dialogue: 0,0:36:14.00,0:36:16.87,Default,,0,0,0,,WHAT WERE THE ANCIENT\NGREEKS WARNING OF?
Dialogue: 0,0:36:16.94,0:36:19.07,Default,,0,0,0,,COULD THE SUDDEN\NDOWNFALL OF THEIR ENEMY,
Dialogue: 0,0:36:19.14,0:36:22.94,Default,,0,0,0,,THE FEARSOME\NMINOANS, BE THE KEY?
Dialogue: 0,0:36:23.01,0:36:25.98,Default,,0,0,0,,{\i1\b0\u0\1c&HFFFFFF&\1a&H00&}[ THUNDER CRASHING ]
Dialogue: 0,0:36:27.55,0:36:31.05,Default,,0,0,0,,♪♪
Dialogue: 0,0:36:31.12,0:36:32.35,Default,,0,0,0,,Narrator: THE MINOTAUR...
Dialogue: 0,0:36:32.42,0:36:33.82,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:36:33.89,0:36:38.32,Default,,0,0,0,,...A MUTANT BULL WITH\NA HUNGER FOR HUMAN FLESH.
Dialogue: 0,0:36:38.39,0:36:40.79,Default,,0,0,0,,DID THE ANCIENT GREEKS\NCREATED THIS TERRIFYING
Dialogue: 0,0:36:40.86,0:36:44.30,Default,,0,0,0,,MYTHICAL BEAST, FOR A PURPOSE?
Dialogue: 0,0:36:44.36,0:36:47.60,Default,,0,0,0,,COULD IT BE A STARK WARNING?
Dialogue: 0,0:36:47.67,0:36:50.74,Default,,0,0,0,,THE MYTH PROVIDES FURTHER CLUES.
Dialogue: 0,0:36:50.80,0:36:53.41,Default,,0,0,0,,IT RECOUNTS HOW A GREEK\NPRINCE DECIDES TO FIGHT
Dialogue: 0,0:36:53.47,0:36:55.51,Default,,0,0,0,,BACK AGAINST CRETE.
Dialogue: 0,0:36:55.58,0:36:59.41,Default,,0,0,0,,AND DISGUISES HIMSELF AS ONE\NOF THE MINOTAUR'S SACRIFICES.
Dialogue: 0,0:36:59.48,0:37:02.48,Default,,0,0,0,,♪♪
Dialogue: 0,0:37:02.55,0:37:05.79,Default,,0,0,0,,HE ENTERS THE LABYRINTH ARMED\NWITH A RAZOR SHARP SWORD
Dialogue: 0,0:37:05.85,0:37:11.06,Default,,0,0,0,,AND A MAGICAL BALL OF\NSTRING TO TRACE HIS PATH.
Dialogue: 0,0:37:11.12,0:37:14.73,Default,,0,0,0,,THE PRINCE TRACKS DOWN\NTHE MINOTAUR IN HIS LAIR,
Dialogue: 0,0:37:14.79,0:37:16.53,Default,,0,0,0,,AND THE BATTLE BEGINS.
Dialogue: 0,0:37:16.60,0:37:19.77,Default,,0,0,0,,♪♪
Dialogue: 0,0:37:19.83,0:37:24.14,Default,,0,0,0,,THE GREEK HERO FINALLY\NSLAYS THE BEAST.
Dialogue: 0,0:37:24.20,0:37:26.94,Default,,0,0,0,,COULD THE MINOTAUR'S\NDEATH BE A CODED MESSAGE
Dialogue: 0,0:37:27.01,0:37:29.81,Default,,0,0,0,,ABOUT THE END OF THE MINOANS?
Dialogue: 0,0:37:29.88,0:37:33.05,Default,,0,0,0,,ENVIRONMENTAL ENGINEER\NCOSTAS SYNOLAKIS,
Dialogue: 0,0:37:33.11,0:37:36.28,Default,,0,0,0,,INVESTIGATES HOW THE MYSTERIOUS\NMINOAN CIVILIZATION
Dialogue: 0,0:37:36.35,0:37:37.88,Default,,0,0,0,,MET ITS DOWNFALL.
Dialogue: 0,0:37:37.95,0:37:42.86,Default,,0,0,0,,♪♪
Dialogue: 0,0:37:42.92,0:37:44.82,Default,,0,0,0,,Synolakis: THE END OF\NTHE MINOANS IS VERY PUZZLING
Dialogue: 0,0:37:44.89,0:37:48.56,Default,,0,0,0,,AND WE SEARCH FOR\NEVIDENCE EVERYWHERE.
Dialogue: 0,0:37:48.63,0:37:52.13,Default,,0,0,0,,AND THE BIG QUESTION IS,\NWHAT HAPPENED?
Dialogue: 0,0:37:52.20,0:37:53.87,Default,,0,0,0,,Narrator:\NCOSTAS BELIEVES THE ROCKS FOUND
Dialogue: 0,0:37:53.93,0:37:56.97,Default,,0,0,0,,ON THE COASTS OF CRETE\NHOLD THE ANSWERS.
Dialogue: 0,0:37:57.04,0:37:59.71,Default,,0,0,0,,SEE THIS IS MINOAN PUMICE.
Dialogue: 0,0:37:59.77,0:38:04.24,Default,,0,0,0,,PUMICE COMES IN FROM\NVOLCANIC ERUPTIONS.
Dialogue: 0,0:38:04.31,0:38:06.25,Default,,0,0,0,,ABOUT 60 MILES NORTH OF HERE,
Dialogue: 0,0:38:06.31,0:38:10.78,Default,,0,0,0,,IN THAT DIRECTION\NTHERE IS A BIG VOLCANO.
Dialogue: 0,0:38:10.85,0:38:14.62,Default,,0,0,0,,Narrator: THIS VOLCANO ERUPTED\NAROUND 3,500 YEARS AGO
Dialogue: 0,0:38:14.69,0:38:18.02,Default,,0,0,0,,THE FACT THIS PUMICE IS FOUND\NHERE IN CRETE TELLS COSTAS
Dialogue: 0,0:38:18.09,0:38:22.03,Default,,0,0,0,,IT STARTED A CHAIN OF EVENTS\NTHAT BROUGHT DOWN THE MINOANS.
Dialogue: 0,0:38:22.09,0:38:26.23,Default,,0,0,0,,[ RUMBLING ]
Dialogue: 0,0:38:26.30,0:38:28.33,Default,,0,0,0,,SO YOU PUT ALL\NTHE CLUES TOGETHER
Dialogue: 0,0:38:28.40,0:38:31.74,Default,,0,0,0,,AND IT ALL POINTS OUT TO
Dialogue: 0,0:38:31.80,0:38:36.71,Default,,0,0,0,,A HUGE WAVE, WHICH IS\NTHE HALLMARK OF A TSUNAMI.
Dialogue: 0,0:38:36.78,0:38:39.01,Default,,0,0,0,,Narrator: THIS GIANT WAVE\NWOULD'VE CRUSHED
Dialogue: 0,0:38:39.08,0:38:43.45,Default,,0,0,0,,EVERYTHING IN ITS PATH.
Dialogue: 0,0:38:43.52,0:38:46.79,Default,,0,0,0,,WE KNOW THAT THE TSUNAMI\NREACHED THIS HIGH
Dialogue: 0,0:38:46.85,0:38:49.96,Default,,0,0,0,,AND IF WE LOOK AROUND, I MEAN,\NTHERE IS A HOTEL RIGHT THERE
Dialogue: 0,0:38:50.02,0:38:52.19,Default,,0,0,0,,AND WE ARE HIGHER
Dialogue: 0,0:38:52.26,0:38:55.66,Default,,0,0,0,,THAN THE TOP FLOOR OF THE HOTEL.
Dialogue: 0,0:38:55.73,0:38:58.30,Default,,0,0,0,,YOU CAN IMAGINE HOW\NDEVASTATING IT MUST HAVE BEEN
Dialogue: 0,0:38:58.36,0:39:02.57,Default,,0,0,0,,IF IN THIS LOCATION THE TSUNAMI\NWAS AS HIGH AS 50 METERS.
Dialogue: 0,0:39:02.64,0:39:07.64,Default,,0,0,0,,♪♪
Dialogue: 0,0:39:07.71,0:39:09.54,Default,,0,0,0,,Narrator: POWERLESS AGAINST\NTHE TSUNAMI,
Dialogue: 0,0:39:09.61,0:39:12.61,Default,,0,0,0,,THE ONCE FEARSOME MINOANS\NCOULD ONLY WATCH
Dialogue: 0,0:39:12.68,0:39:16.22,Default,,0,0,0,,AS THEIR HOME WAS DEVASTATED.
Dialogue: 0,0:39:16.28,0:39:19.39,Default,,0,0,0,,AFTER THE TSUNAMI,\NAFTER ALL OF THIS DESTRUCTION,
Dialogue: 0,0:39:19.45,0:39:23.92,Default,,0,0,0,,THE SURVIVING CRETANS ARE\NVERY, VERY HEAVILY WEAKENED
Dialogue: 0,0:39:23.99,0:39:26.86,Default,,0,0,0,,AND THIS MAKES THEM\NAN OPEN PREY TO THE GREEKS.
Dialogue: 0,0:39:26.93,0:39:29.60,Default,,0,0,0,,♪♪
Dialogue: 0,0:39:29.66,0:39:31.56,Default,,0,0,0,,Narrator:\NIN THE LEGEND A GREEK PRINCE
Dialogue: 0,0:39:31.63,0:39:33.70,Default,,0,0,0,,SLAYS THE MONSTROUS MINOTAUR.
Dialogue: 0,0:39:33.77,0:39:36.87,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:39:36.94,0:39:39.54,Default,,0,0,0,,♪♪
Dialogue: 0,0:39:39.61,0:39:41.54,Default,,0,0,0,,IT'S POSSIBLE THAT\NTHE STORY REFLECTS HOW
Dialogue: 0,0:39:41.61,0:39:45.58,Default,,0,0,0,,THE GREEKS THEMSELVES KILLED\NOFF THE MINOAN CIVILIZATION.
Dialogue: 0,0:39:45.64,0:39:47.91,Default,,0,0,0,,♪♪
Dialogue: 0,0:39:47.98,0:39:51.75,Default,,0,0,0,,THE MYTH OF THE MINOTAUR\NCOULD BE POLITICAL PROPAGANDA.
Dialogue: 0,0:39:51.82,0:39:53.39,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:39:53.45,0:39:55.35,Default,,0,0,0,,Narrator:\NAN ANCIENT ENEMY WAS PRESENTED
Dialogue: 0,0:39:55.42,0:39:58.26,Default,,0,0,0,,IN A BARBARIC\NBLOODTHIRSTY LIGHT.
Dialogue: 0,0:39:58.32,0:40:01.39,Default,,0,0,0,,THE MYTH OF THE MINOTAURS\NTOLD TO LITTLE GREEK CHILDREN
Dialogue: 0,0:40:01.46,0:40:03.83,Default,,0,0,0,,ON THE MAINLAND AD INFINITUM,
Dialogue: 0,0:40:03.90,0:40:06.93,Default,,0,0,0,,SAYING ONCE UPON A TIME\NWE WERE RULED BY THIS
Dialogue: 0,0:40:07.00,0:40:10.00,Default,,0,0,0,,VICIOUS SUPER POWER\NJUST A LITTLE BIT
Dialogue: 0,0:40:10.07,0:40:11.84,Default,,0,0,0,,TO THE SOUTH OF US ON CRETE.
Dialogue: 0,0:40:11.90,0:40:15.37,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:40:15.44,0:40:17.71,Default,,0,0,0,,Narrator: THE MINOTAUR IS ONE\NOF THE MOST TERRIFYING
Dialogue: 0,0:40:17.78,0:40:20.78,Default,,0,0,0,,MONSTERS TO COME OUT\NOF THE ANCIENT WORLD.
Dialogue: 0,0:40:20.85,0:40:24.38,Default,,0,0,0,,A MYTH SO FEROCIOUS\NAND EXTREME IT HAS SURVIVED
Dialogue: 0,0:40:24.45,0:40:28.35,Default,,0,0,0,,FOR THOUSAND OF YEARS.
Dialogue: 0,0:40:28.42,0:40:30.49,Default,,0,0,0,,WRAP INSIDE THIS TALE ARE CLUES
Dialogue: 0,0:40:30.56,0:40:33.43,Default,,0,0,0,,TO HOW THE MINOANS REALLY LIVED,
Dialogue: 0,0:40:33.49,0:40:35.73,Default,,0,0,0,,HOW THEY WORSHIPED,
Dialogue: 0,0:40:35.80,0:40:37.46,Default,,0,0,0,,AND THE RIVALRIES THAT DEFINE
Dialogue: 0,0:40:37.53,0:40:42.74,Default,,0,0,0,,THE HISTORY OF THIS REGION\NTHOUSAND OF YEARS AGO.
Dialogue: 0,0:40:42.80,0:40:44.67,Default,,0,0,0,,WHAT WE HAVE IS\NTHE DISTORTED VERSION
Dialogue: 0,0:40:44.74,0:40:46.01,Default,,0,0,0,,OF THE MINOANS CIVILIZATION.
Dialogue: 0,0:40:46.07,0:40:48.07,Default,,0,0,0,,WE HAVE A CULTURE\NWHO WORSHIPPED BULLS,
Dialogue: 0,0:40:48.14,0:40:50.38,Default,,0,0,0,,WERE ABLE TO BUILD\NGREAT STRUCTURES,
Dialogue: 0,0:40:50.44,0:40:54.48,Default,,0,0,0,,BUT ALSO ENGAGED IN\NHUMAN SACRIFICE.
Dialogue: 0,0:40:54.55,0:40:56.92,Default,,0,0,0,,ONE OF THE REASONS THAT\NMYTHS ENDURE IS BECAUSE
Dialogue: 0,0:40:56.98,0:40:58.62,Default,,0,0,0,,THEY DEAL WITH\NTHESE UNIVERSAL THEMES
Dialogue: 0,0:40:58.68,0:41:01.65,Default,,0,0,0,,THAT THE HUMAN SPECIES IS ALWAYS\NSTRUGGLING WITH.
Dialogue: 0,0:41:01.72,0:41:05.72,Default,,0,0,0,,SO THEMES OF SURVIVAL,\NOF FERTILITY, OF POWER,
Dialogue: 0,0:41:05.79,0:41:07.83,Default,,0,0,0,,OF WAR, OF CONFLICT,
Dialogue: 0,0:41:07.89,0:41:12.26,Default,,0,0,0,,ALL OF THAT IS TACKLED\NTHROUGH STORIES THAT WILL
Dialogue: 0,0:41:12.33,0:41:16.24,Default,,0,0,0,,HELP US KIND OF DEAL\NWITH THESE CHALLENGES.
Dialogue: 0,0:41:16.30,0:41:17.97,Default,,0,0,0,,Narrator:\NEXPERTS HAVE FINALLY DISCOVERED
Dialogue: 0,0:41:18.04,0:41:20.24,Default,,0,0,0,,HOW THE STORY OF\NTHE MINOTAUR IS MUCH MORE
Dialogue: 0,0:41:20.31,0:41:22.88,Default,,0,0,0,,THAN A SIMPLE FAIRYTALE.
Dialogue: 0,0:41:22.94,0:41:25.88,Default,,0,0,0,,IT REVEALS HOW A ONCE\NPOWERFUL CIVILIZATION
Dialogue: 0,0:41:25.95,0:41:30.28,Default,,0,0,0,,WAS ERADICATED BY\NITS GREATEST FOE.
Dialogue: 0,0:41:30.35,0:41:31.85,Default,,0,0,0,,[ ROARING ]
Dialogue: 0,0:41:31.92,0:41:38.92,Default,,0,0,0,,♪♪
Dialogue: 0,0:41:41.16,0:41:48.17,Default,,0,0,0,,♪♪
Dialogue: 0,0:41:50.50,0:41:57.51,Default,,0,0,0,,♪♪
Dialogue: 0,0:41:59.78,0:42:01.88,Default,,0,0,0,,♪♪
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