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MY NAME IS STEVE SCHIRRIPA,
2
00:00:03,693 --> 00:00:05,798
AND I WANT TO TALK TO YOU
ABOUT REVENGE.
3
00:00:05,798 --> 00:00:08,974
YOU GET CHEATED ON, LIED TO.
4
00:00:08,974 --> 00:00:10,424
YOU'VE BEEN PLAYED.
5
00:00:10,424 --> 00:00:12,184
YOU WANT TO GET EVEN...
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00:00:12,184 --> 00:00:12,978
[ GUNSHOT ]
AAH!
7
00:00:16,361 --> 00:00:20,434
WE TERMED HIM
"THE ULTIMATE DEADBEAT DAD."
8
00:00:20,434 --> 00:00:25,370
I WAS SO HEARTBROKEN,
THIS TOTAL REJECTION.
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00:00:25,370 --> 00:00:27,268
I HAD TO DO SOMETHING
WITH THAT ENERGY.
10
00:00:27,268 --> 00:00:28,545
I COULDN'T JUST SWALLOW IT.
11
00:00:28,545 --> 00:00:31,893
...BECAUSE WHAT GOES AROUND
DOES COME AROUND.
12
00:00:31,893 --> 00:00:34,344
IT'S CALLED KARMA,
AND THERE'S A SAYING --
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00:00:37,037 --> 00:00:40,040
--Captions by VITAC--
www.vitac.com
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00:00:40,040 --> 00:00:43,008
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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00:00:50,843 --> 00:00:51,706
[ SLAP ]
OW!
16
00:00:55,814 --> 00:00:58,782
Schirripa: THIS IS A STORY OF
HOW KARMA CAUGHT UP WITH A GUY
17
00:00:58,782 --> 00:01:00,888
NAMED JOHNNY STERLING MARTIN,
18
00:01:00,888 --> 00:01:04,823
WHO HAD JUST NO INTEREST
IN SUPPORTING HIS KIDS.
19
00:01:04,823 --> 00:01:08,033
IT STARTS OUT IN HAPPIER TIMES.
20
00:01:08,033 --> 00:01:12,451
THE YEAR IS 1967 --
SOUTH CAROLINA.
21
00:01:12,451 --> 00:01:15,937
JOHNNY MARTIN AND GAYLE FOWLER
ARE YOUNG LOVEBIRDS.
22
00:01:15,937 --> 00:01:17,698
JOHNNY'S 19.
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00:01:17,698 --> 00:01:20,080
GAYLE'S A SWEET 16.
24
00:01:20,080 --> 00:01:24,049
GAYLE MIGHT BE SWEET,
BUT SHE'S GOT SOME GRIT TO HER.
25
00:01:24,049 --> 00:01:26,845
YEAH.
THAT'S HER A FEW YEARS LATER,
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00:01:26,845 --> 00:01:29,848
AND IT'S HER RACECAR, TOO.
27
00:01:29,848 --> 00:01:34,266
GAYLE FIGURES SHE CAN HANDLE
A GUY WHO THINKS HE'S TOUGH.
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00:01:42,412 --> 00:01:44,276
DESPITE HIS MONIKER,
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00:01:44,276 --> 00:01:48,038
THERE'S NOTHING STERLING
ABOUT JOHNNY STERLING MARTIN.
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00:01:48,038 --> 00:01:49,109
HE'S TROUBLE.
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00:01:49,109 --> 00:01:52,940
GAYLE'S DAD SPOTS THAT
A MILE OFF.
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00:01:58,083 --> 00:02:00,775
[ LAUGHS ]
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00:02:00,775 --> 00:02:04,296
Schirripa: GAYLE'S DAD
TRIES TO END THE ROMANCE.
34
00:02:04,296 --> 00:02:08,576
INSTEAD, HE GETS JOHNNY
AS A SON-IN-LAW.
35
00:02:16,308 --> 00:02:17,551
[ CAR HORN HONKS ]
36
00:02:17,551 --> 00:02:20,347
SO, GAYLE'S TEENAGE MARRIAGE
STARTS WITH A LIE,
37
00:02:20,347 --> 00:02:23,315
AND IT GOES DOWNHILL FAST.
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00:02:33,325 --> 00:02:36,086
GAYLE'S DAD WAS RIGHT
ABOUT JOHNNY MARTIN,
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00:02:36,086 --> 00:02:40,090
BUT HE DOESN'T KNOW
THE HALF OF IT.
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00:02:44,198 --> 00:02:45,544
[ SLAP ]
AAH!
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00:02:48,754 --> 00:02:50,515
IT'S THE EARLY '70s.
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00:02:50,515 --> 00:02:52,620
GAYLE'S GOT TWO KIDS NOW.
43
00:02:52,620 --> 00:02:56,417
AND SHE'S DETERMINED
TO KEEP HER FAMILY TOGETHER.
44
00:03:03,459 --> 00:03:07,773
BUT JOHNNY GIVES HER
NOTHING TO WORK WITH.
45
00:03:07,773 --> 00:03:11,467
IN FACT, HE'S A DANGER
TO HER AND THE KIDS.
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00:03:14,470 --> 00:03:16,679
ONE DAY
JOHNNY GETS PISSED OFF
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00:03:16,679 --> 00:03:19,302
AND SETS THE HOUSE AFIRE
WITH THE KIDS INSIDE.
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00:03:19,302 --> 00:03:20,372
[ SIREN WAILS ]
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00:03:20,372 --> 00:03:23,651
GAYLE GRABS THE KIDS,
GUNS THE V-8,
50
00:03:23,651 --> 00:03:26,033
AND DOESN'T LOOK BACK.
51
00:03:26,033 --> 00:03:27,931
THAT'S WHEN I WAS LIKE...
52
00:03:32,902 --> 00:03:35,594
Schirripa:
SHE DIVORCES JOHNNY.
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00:03:35,594 --> 00:03:38,597
THE COURT ORDERS HIM
TO PAY 50 BUCKS A WEEK
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00:03:38,597 --> 00:03:41,151
TO FEED AND CLOTHE
HIS CHILDREN.
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00:03:41,151 --> 00:03:44,362
50 BUCKS A WEEK
IS 50 BUCKS MORE
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00:03:44,362 --> 00:03:47,813
THAN JOHNNY MARTIN WANTS TO PAY
TO SUPPORT HIS TWO KIDS.
57
00:03:47,813 --> 00:03:50,264
HE'D RATHER SPEND HIS MONEY
ON BOURBON AND BABES,
58
00:03:50,264 --> 00:03:54,337
EVEN IF IT MEANS
A TRIP TO THE SLAMMER.
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00:03:54,337 --> 00:03:58,410
HE'S NOT BEHIND BARS LONG
BEFORE HE MAKES A RUN FOR IT.
60
00:03:58,410 --> 00:04:00,585
[ GLASS BREAKING ]
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00:04:00,585 --> 00:04:04,451
AND ONCE HE ESCAPES, HE GOES
BACK TO HIS SHIFTLESS LIFE.
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00:04:04,451 --> 00:04:06,763
AND FOR SOME REASON,
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00:04:06,763 --> 00:04:11,354
SOUTH CAROLINA'S LEGAL SYSTEM
DOESN'T CHASE HIM.
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00:04:11,354 --> 00:04:13,494
[ SIREN WAILS ]
65
00:04:15,462 --> 00:04:17,602
SO, WHAT DO YOU THINK
ABOUT PEOPLE THAT DON'T
PAY CHILD SUPPORT?
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00:04:17,602 --> 00:04:19,397
THEY SHOULD ROT IN JAIL.
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00:04:19,397 --> 00:04:21,778
WELL, I THINK HE'S GONNA BE
DEALING WITH CHILDREN
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00:04:21,778 --> 00:04:23,711
THAT HAVE
A LOT OF ABANDONMENT ISSUES.
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00:04:23,711 --> 00:04:26,127
KARMICALLY,
HE'S GONNA BE REALLY SCREWED.
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00:04:26,127 --> 00:04:27,888
A GUY DOESN'T PAY
CHILD SUPPORT,
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00:04:27,888 --> 00:04:29,890
TAKE CARE OF
HIS RESPONSIBILITY --
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00:04:29,890 --> 00:04:32,375
WHAT DO YOU THINK
THE PENALTY SHOULD BE?
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00:04:32,375 --> 00:04:34,584
HE SHOULD HAVE REALLY,
REALLY CUTE GRANDCHILDREN
74
00:04:34,584 --> 00:04:36,137
THAT DON'T WANT
TO TALK TO HIM.
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00:04:38,381 --> 00:04:40,107
[ CROW CAWS ]
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00:04:40,107 --> 00:04:41,419
JOHNNY MOVES TO ALABAMA.
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00:04:41,419 --> 00:04:43,455
HE DOESN'T MEND HIS WAYS.
78
00:04:43,455 --> 00:04:45,526
BUT THE COPS THERE
NEVER FIND OUT
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00:04:45,526 --> 00:04:47,839
HE'S WANTED IN SOUTH CAROLINA.
80
00:04:47,839 --> 00:04:52,706
SOMEHOW HE FINDS ANOTHER WOMAN
TO MARRY HIM.
81
00:04:52,706 --> 00:04:56,779
THE LUCKY GIRL'S NAME IS MARY,
AND SHE'S JUST HIS TYPE --
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00:04:56,779 --> 00:04:59,299
THE TYPE WHO'D GO IN ON A PLAN
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00:04:59,299 --> 00:05:02,854
TO KIDNAP THE TWO KIDS
HE'S NEVER BOTHERED TO SUPPORT.
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00:05:05,374 --> 00:05:09,101
THEY THINK GAYLE
WON'T BE ABLE TO FIND THEM.
85
00:05:18,525 --> 00:05:21,079
DRAG-RACER GAYLE
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00:05:21,079 --> 00:05:24,324
SCORCHES THE 400 MILES
TO BIRMINGHAM, ALABAMA.
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00:05:24,324 --> 00:05:28,362
SHE'S GONNA GET HER KIDS BACK
OR DIE TRYING.
88
00:05:37,509 --> 00:05:42,169
SHE FINDS HER KIDS,
BUT MARY'S BETWEEN HER AND THEM,
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00:05:42,169 --> 00:05:45,068
AND THE NEW MRS. MARTIN'S
GOT A GUN.
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00:05:50,902 --> 00:05:53,939
[ GUNSHOT ]
AAH!
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00:06:01,119 --> 00:06:02,638
[ CRYING ]
92
00:06:02,638 --> 00:06:04,225
[ SIREN WAILS ]
93
00:06:04,225 --> 00:06:06,331
GAYLE'S
RUSHED TO THE HOSPITAL.
94
00:06:06,331 --> 00:06:08,091
LUCKILY FOR EVERYONE,
95
00:06:08,091 --> 00:06:10,577
MARY'S AIM IS
AS BAD AS HER JUDGMENT,
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00:06:10,577 --> 00:06:13,062
AND GAYLE'S ONE TOUGH COOKIE.
97
00:06:13,062 --> 00:06:15,685
IT'S ONLY A FEW DAYS
BEFORE SHE AND THE KIDS
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00:06:15,685 --> 00:06:18,654
ARE SAFE IN SOUTH CAROLINA.
99
00:06:20,034 --> 00:06:23,659
THE ALABAMA POLICE ARREST MARY,
100
00:06:23,659 --> 00:06:26,731
BUT NOW GAYLE HAS TO MAKE
A PAINFUL CHOICE.
101
00:06:37,707 --> 00:06:40,952
SO, GAYLE STAYS
WITH HER DYING DAD,
102
00:06:40,952 --> 00:06:44,473
AND, ONCE AGAIN, JOHNNY MARTIN
GETS OFF SCOT-FREE.
103
00:06:48,822 --> 00:06:51,549
GAYLE NEVER GETS HER DAY
IN COURT,
104
00:06:51,549 --> 00:06:53,827
WHILE HER ABUSIVE EX
JUST KEEPS ON TRUCKING
105
00:06:53,827 --> 00:06:56,864
THROUGH HIS LIFE OF CRIME.
106
00:06:56,864 --> 00:06:59,142
HE'S BEEN CHARGED
WITH EVERYTHING
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00:06:59,142 --> 00:07:04,113
FROM ASSAULT AND BATTERY
OF A HIGH AND AGGRAVATED NATURE.
108
00:07:04,113 --> 00:07:06,805
HE'S BEEN CHARGED
WITH PUBLIC DRUNKENNESS,
109
00:07:06,805 --> 00:07:11,189
TAKING A CHILD OVER STATE LINE.
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00:07:17,091 --> 00:07:19,922
Schirripa:
SHE NEVER GETS A DIME,
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00:07:19,922 --> 00:07:21,648
BUT AFTER ALL JOHNNY'S DONE,
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00:07:21,648 --> 00:07:24,892
GAYLE'S NOT GONNA
PUT HER LIFE ON THE LINE AGAIN.
113
00:07:35,834 --> 00:07:37,767
THE YEARS GO BY.
114
00:07:37,767 --> 00:07:39,148
THE KIDS GROW UP,
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00:07:39,148 --> 00:07:43,014
AND JOHNNY MARTIN
IS JUST A PAINFUL MEMORY.
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00:07:43,014 --> 00:07:46,914
ONE DAY ON TV
GAYLE SEES A STORY
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00:07:46,914 --> 00:07:51,056
ABOUT A FUGITIVE WHO WAS CAUGHT
AFTER 20 YEARS ON THE LAMB.
118
00:07:51,056 --> 00:07:52,955
THE STORY GETS GAYLE THINKING.
119
00:07:52,955 --> 00:07:55,164
SHE WORKED
HER FINGERS TO THE BONE
120
00:07:55,164 --> 00:07:57,235
TO GIVE HER KIDS A DECENT LIFE.
121
00:07:57,235 --> 00:08:00,031
JOHNNY NEVER CONTRIBUTED
ANYTHING BUT TROUBLE.
122
00:08:00,031 --> 00:08:03,103
HE OWES HER MORE THAN 30 GRAND,
123
00:08:03,103 --> 00:08:05,795
AND NOW SHE'S READY
TO MAKE HIM PAY.
124
00:08:05,795 --> 00:08:07,383
[ SIREN WAILS ]
125
00:08:07,383 --> 00:08:09,868
SO, GAYLE GOES DOWN
TO THE FAMILY COURT.
126
00:08:09,868 --> 00:08:12,664
WHEN SHE LOOKS INSIDE
THE JOHNNY MARTIN FILE,
127
00:08:12,664 --> 00:08:16,047
WHAT SHE GETS
IS THE SHOCK OF HER LIFE.
128
00:08:16,047 --> 00:08:17,876
ACCORDING
TO THE COURT'S RECORDS,
129
00:08:17,876 --> 00:08:22,467
JOHNNY STERLING MARTIN'S
BEEN DEAD FOR ALMOST 30 YEARS.
130
00:08:22,467 --> 00:08:23,848
[ DOG BARKING ]
131
00:08:31,131 --> 00:08:35,722
SO, KARMA FINALLY CAUGHT UP WITH
JOHNNY STERLING MARTIN, RIGHT?
132
00:08:35,722 --> 00:08:37,862
I MEAN, HE LIED TO EVERYBODY.
133
00:08:37,862 --> 00:08:40,899
HE BEAT HIS WIFE,
SET THE HOUSE ON FIRE,
134
00:08:40,899 --> 00:08:42,901
KIDNAPPED THE KIDS
HE WOULDN'T PAY TO SUPPORT,
135
00:08:42,901 --> 00:08:44,351
AND RAN FROM THE LAW.
136
00:08:44,351 --> 00:08:47,423
BUT THEN THE SCUMBAG ENDS UP
GETTING KILLED IN A BAR FIGHT.
137
00:08:47,423 --> 00:08:50,253
SOMETIMES BAD THINGS
DO HAPPEN TO BAD PEOPLE.
138
00:08:50,253 --> 00:08:51,703
THAT'S KARMA, RIGHT?
139
00:08:51,703 --> 00:08:54,464
THERE'S ONLY ONE PROBLEM --
A LOT OF THAT STUFF HAPPENED
140
00:08:54,464 --> 00:08:57,364
AFTER
JOHNNY WAS SUPPOSEDLY DEAD.
141
00:08:57,364 --> 00:09:00,850
HEY, KARMA,
WHAT'S GOING ON HERE?
142
00:09:06,062 --> 00:09:08,927
[ BIRD SQUAWKING ]
143
00:09:08,927 --> 00:09:12,310
Schirripa: SOUTH CAROLINA
SINGLE MOM GAYLE PRINCE
144
00:09:12,310 --> 00:09:13,760
FINALLY GOT THE GUTS
145
00:09:13,760 --> 00:09:16,521
TO GO AFTER HER ABUSIVE
EX-HUSBAND, JOHNNY MARTIN,
146
00:09:16,521 --> 00:09:20,076
FOR THE TRUCKLOAD
OF CHILD SUPPORT HE OWES HER.
147
00:09:20,076 --> 00:09:21,906
LOOKS LIKE SHE'S OUT OF LUCK.
148
00:09:21,906 --> 00:09:25,599
COURT RECORDS SAY JOHNNY DIED
NEARLY 30 YEARS AGO,
149
00:09:25,599 --> 00:09:28,706
BUT GAYLE KNOWS
HER EX'S COLD AND GREEDY HEART
150
00:09:28,706 --> 00:09:30,190
IS STILL THUMPING.
151
00:09:30,190 --> 00:09:33,434
AND SHE ALSO KNOWS
WHERE THEY CAN FIND HIM.
152
00:09:33,434 --> 00:09:35,367
[ DOG BARKING ]
153
00:09:35,367 --> 00:09:39,164
HELLO. I'M CALLING ABOUT
JOHNNY STERLING MARTIN.
154
00:09:39,164 --> 00:09:40,510
I SAID...
155
00:09:42,720 --> 00:09:45,136
Schirripa: GOOD QUESTION.
156
00:09:45,136 --> 00:09:48,380
WHY DID SOUTH CAROLINA
PUT IN ITS RECORDS
157
00:09:48,380 --> 00:09:51,487
THAT JOHNNY MARTIN DIED IN 1979,
158
00:09:51,487 --> 00:09:55,595
WHEN GAYLE SAW HIM AT HER
MOTHER'S FUNERAL JUST LAST YEAR?
159
00:09:55,595 --> 00:09:57,320
SO, HOW DID HE DO IT?
160
00:09:57,320 --> 00:09:58,494
IT WAS EASY.
161
00:09:58,494 --> 00:10:00,807
JOHNNY GOT SOMEBODY
TO CALL THE COURT
162
00:10:00,807 --> 00:10:02,843
AND TELL THE CLERK
THAT HE WAS DEAD.
163
00:10:11,541 --> 00:10:12,957
AND NO CHASE.
164
00:10:12,957 --> 00:10:17,099
THE LONG ARM OF THE LAW
DOESN'T REACH INTO THE GRAVE.
165
00:10:17,099 --> 00:10:20,343
THERE WAS NO LONGER ANY REASON
TO LOOK FOR HIM.
166
00:10:20,343 --> 00:10:23,553
THE COURT VACATED
ITS ARREST WARRANT
167
00:10:23,553 --> 00:10:26,211
FOR JOHNNY STERLING MARTIN.
168
00:10:26,211 --> 00:10:29,698
AND, OF COURSE, THE ESCAPE
WARRANT WAS VACATED, AS WELL.
169
00:10:29,698 --> 00:10:33,218
Schirripa: GAYLE PRINCE
HAS ABOUT 30,000 REASONS
170
00:10:33,218 --> 00:10:36,912
TO RESURRECT JOHNNY --
AT LEAST, IN THE COURT RECORDS.
171
00:10:36,912 --> 00:10:39,431
HE'S BEEN PLAYING POSSUM
172
00:10:39,431 --> 00:10:42,503
TO DODGE PAYING WHAT HE OWES
FOR THREE DECADES.
173
00:10:42,503 --> 00:10:44,574
GAYLE DECIDES IT'S HIGH TIME
174
00:10:44,574 --> 00:10:47,267
JOHNNY'S KARMA
COMES MARCHING HOME.
175
00:10:57,104 --> 00:11:00,314
GAYLE PRINCE WANTS REVENGE,
176
00:11:00,314 --> 00:11:03,766
BUT SHE GOES ABOUT IT
THE RIGHT WAY.
177
00:11:12,119 --> 00:11:13,293
[ KNOCK ON DOOR ]
178
00:11:13,293 --> 00:11:14,674
IT TOOK AWHILE,
179
00:11:14,674 --> 00:11:19,402
BUT WHO'S KNOCKING ON
JOHNNY MARTIN'S DOOR IS KARMA.
180
00:11:19,402 --> 00:11:23,130
IT'S SHERIFF METTS WHO SENT HER.
181
00:11:23,130 --> 00:11:28,826
Metts: NEVER IN MY 40 YEARS OF
SERVICE AS SHERIFF OF THE COUNTY
182
00:11:28,826 --> 00:11:33,140
HAVE I EVER SEEN THE UNIQUENESS
OF THIS INDIVIDUAL
183
00:11:33,140 --> 00:11:37,213
THAT ACTUALLY PUT IN JAIL,
WALKED OFF,
184
00:11:37,213 --> 00:11:40,320
AND THEN WENT OUT
AND FAKED HIS OWN DEATH
185
00:11:40,320 --> 00:11:43,426
SO THAT HE COULD AVOID
PAYING CHILD SUPPORT.
186
00:11:43,426 --> 00:11:45,049
WE'VE NEVER SEEN THAT.
187
00:11:45,049 --> 00:11:49,122
Schirripa: OF COURSE,
JOHNNY'S ALSO KEEN TO AVOID
188
00:11:49,122 --> 00:11:52,953
GOING BACK TO JAIL
FOR ESCAPING IN THE FIRST PLACE.
189
00:11:52,953 --> 00:11:55,956
WE TERMED HIM
"THE ULTIMATE DEADBEAT DAD"
190
00:11:55,956 --> 00:11:57,406
BECAUSE
HE WAS SUPPOSED TO BE DEAD
191
00:11:57,406 --> 00:12:00,064
AND HE BEAT THE SYSTEM
FOR ALL THIS PERIOD OF TIME.
192
00:12:00,064 --> 00:12:03,136
Schirripa: JOHNNY WAS
SO SURE THAT HE HAD IT BEAT
193
00:12:03,136 --> 00:12:06,311
THAT HE WAS BACK
IN SOUTH CAROLINA.
194
00:12:06,311 --> 00:12:07,796
WITH GAYLE'S HELP,
195
00:12:07,796 --> 00:12:11,213
SHERIFF METTS TRACKS HIM DOWN
IN MYRTLE BEACH.
196
00:12:13,871 --> 00:12:18,254
GAYLE NEVER DOES GET ANY OF
THAT 30 GRAND JOHNNY OWES HER.
197
00:12:44,729 --> 00:12:47,456
30 YEARS IS A LONG TIME TO WAIT.
198
00:12:47,456 --> 00:12:49,976
EVEN THEN,
GAYLE PRINCE HAD TO GIVE KARMA
199
00:12:49,976 --> 00:12:51,874
A SERIOUS KICK IN THE BUTT.
200
00:12:51,874 --> 00:12:54,532
IF YOU DON'T HAVE
THAT KIND OF PATIENCE,
201
00:12:54,532 --> 00:12:56,430
YOU MIGHT LIKE THIS STORY.
202
00:12:56,430 --> 00:12:59,951
IT'S ABOUT DENTIST NAMED ANNA.
203
00:12:59,951 --> 00:13:02,851
FOR AWHILE,
EVERYTHING'S GREAT
204
00:13:02,851 --> 00:13:05,681
BETWEEN ANNA
AND BOYFRIEND MERRICK.
205
00:13:05,681 --> 00:13:08,097
CORRECTION -- EX-BOYFRIEND.
206
00:13:08,097 --> 00:13:11,135
MERRICK DUMPS HER
FOR ANOTHER WOMAN.
207
00:13:11,135 --> 00:13:13,033
BUT THEY'RE STILL FRIENDS,
RIGHT?
208
00:13:13,033 --> 00:13:16,657
IN FACT,
ANNA'S STILL HIS DENTIST.
209
00:13:16,657 --> 00:13:21,283
SO, WHEN MERRICK GETS
A BAD TOOTHACHE, HE GOES TO HER.
210
00:13:21,283 --> 00:13:23,319
BIG MISTAKE.
211
00:13:23,319 --> 00:13:26,564
ANNA PULLS MERRICK'S BAD MOLAR.
UGH!
212
00:13:26,564 --> 00:13:28,014
TOOTHACHE GONE.
213
00:13:28,014 --> 00:13:29,774
[ DRILL WHIRRING ]
214
00:13:29,774 --> 00:13:33,295
THEN SHE YANKS
ALL THE GOOD TEETH, TOO,
215
00:13:33,295 --> 00:13:35,849
AND HIS HEARTACHE -- GONE.
216
00:13:35,849 --> 00:13:38,300
WHEN THE GAUZE COMES OUT,
217
00:13:38,300 --> 00:13:42,304
MERRICK IS FILLED
WITH TOOTHLESS RAGE.
218
00:13:42,304 --> 00:13:46,549
AND THINGS GET EVEN WORSE
WHEN HIS NEW SQUEEZE CONFESSES
219
00:13:46,549 --> 00:13:51,175
IT WAS HIS WINNING SMILE
SHE ADORED.
220
00:13:51,175 --> 00:13:54,523
SO, KARMA DOESN'T JUST BRING
CRIMINALS TO JUSTICE.
221
00:13:54,523 --> 00:13:58,907
SHE'S ALSO THERE TO HELP
BROKEN HEARTS GET SWEET REVENGE.
222
00:13:58,907 --> 00:14:01,254
THAT DENTIST STORY
IS AN URBAN LEGEND,
223
00:14:01,254 --> 00:14:04,360
BUT THERE'S A REASON
PEOPLE TELL STORIES LIKE THAT.
224
00:14:04,360 --> 00:14:06,984
WE'VE ALL BEEN RAISED
TO FORGIVE, FORGET,
225
00:14:06,984 --> 00:14:08,364
TURN THE OTHER CHEEK,
226
00:14:08,364 --> 00:14:11,678
BUT WHEN SOMEONE DOES YOU WRONG,
IT EATS AT YOU.
227
00:14:11,678 --> 00:14:13,197
YOU WANT THE TABLES TO TURN.
228
00:14:13,197 --> 00:14:14,267
IT'S HUMAN NATURE.
229
00:14:14,267 --> 00:14:15,682
ROLL CAMERA.
230
00:14:15,682 --> 00:14:18,098
IT'S NOT ALWAYS EASY,
BUT IF YOU GOT GUTS
231
00:14:18,098 --> 00:14:21,688
AND A LITTLE CREATIVITY,
YOU JUST MIGHT PULL IT OFF.
232
00:14:21,688 --> 00:14:23,483
[ APPLAUSE ]
233
00:14:23,483 --> 00:14:25,450
I WAS SO HEARTBROKEN.
234
00:14:25,450 --> 00:14:27,314
I HAD TO DO SOMETHING
WITH THAT ENERGY.
235
00:14:27,314 --> 00:14:29,316
I COULDN'T JUST SWALLOW IT.
236
00:14:32,837 --> 00:14:35,115
THERE'S ALL KINDS OF WAYS TO
TAKE MATTERS INTO YOUR OWN HANDS
237
00:14:35,115 --> 00:14:37,014
WHEN IT'S REVENGE YOU WANT.
238
00:14:37,014 --> 00:14:38,325
MOST OF THE TIME,
239
00:14:38,325 --> 00:14:41,225
VENGEANCE IS
A DO-IT-YOURSELF PROJECT.
240
00:14:41,225 --> 00:14:43,952
BUT WHAT'S
THE RIGHT THING TO DO?
241
00:14:43,952 --> 00:14:47,231
OKAY, SO, HERE'S THE SCENE --
YOU'RE AN ACTRESS.
242
00:14:47,231 --> 00:14:48,853
YOU'RE JUST OUT OF SCHOOL.
243
00:14:48,853 --> 00:14:52,270
YOU GET CAST
IN YOUR FIRST PROFESSIONAL ROLE.
244
00:14:52,270 --> 00:14:56,205
AND IT'S A BIG ROLE THAT SHOWS
YOUR TALENT FOR COMEDY.
245
00:14:56,205 --> 00:14:57,586
[ CHEERS AND APPLAUSE ]
246
00:14:57,586 --> 00:14:59,415
YOU'RE LUCIA BRIZZI,
247
00:14:59,415 --> 00:15:02,660
AND YOU'RE LIVING
THE ACTOR'S DREAM.
248
00:15:02,660 --> 00:15:04,973
GRAZIE A TUTTI.
249
00:15:04,973 --> 00:15:06,975
Brizzi: IT WAS SUCH A HUGE PART,
YOU KNOW?
250
00:15:06,975 --> 00:15:09,874
COMEDY -- ALREADY YOU HAVE
SO MUCH FREEDOM TO BE BIG,
251
00:15:09,874 --> 00:15:12,290
AND THEN BEING AN ITALIAN
IN A COMEDY,
252
00:15:12,290 --> 00:15:14,637
IT WAS JUST LIKE
ALL EMOTIONS CAN COME OUT.
253
00:15:14,637 --> 00:15:17,123
WHAT, YOU THINK I'M HERE TO
ENTERTAIN YOU, I'M HERE TO BE...
254
00:15:17,123 --> 00:15:20,298
Schirripa: LUCIA'S PLAYING
THE FIERY ALITALIA STEWARDESS
255
00:15:20,298 --> 00:15:23,612
IN A BEDROOM FARCE
CALLED "BOEING-BOEING."
256
00:15:23,612 --> 00:15:25,855
AS SOON AS MY HUSBAND
GETS OUT OF JAIL,
257
00:15:25,855 --> 00:15:27,788
I KNEW A FEW PEOPLE, OKAY?
258
00:15:27,788 --> 00:15:29,859
[ CHEERS AND APPLAUSE ]
259
00:15:33,794 --> 00:15:37,591
THEN THE BIG-CITY REVIEWER
COMES CALLING.
260
00:15:37,591 --> 00:15:39,662
Brizzi:
THE BOSTON GLOBE
WROTE A REVIEW,
261
00:15:39,662 --> 00:15:45,461
AND IT WAS SO INCREDIBLY,
HORRIFICALLY BAD.
262
00:15:48,533 --> 00:15:51,433
SHE SAID, "LUCIA BRIZZI
DOES NOT UNDERSTAND
263
00:15:51,433 --> 00:15:54,056
HOW A PASSIONATE ITALIAN WOMAN
ACTS."
264
00:15:54,056 --> 00:15:56,576
Schirripa:
WHY WOULD THE CRITIC
265
00:15:56,576 --> 00:15:59,475
LAND SO HARD
ON POOR LITTLE LUCIA?
266
00:15:59,475 --> 00:16:02,754
MEET TERRY BYRNE.
267
00:16:02,754 --> 00:16:06,966
SHE SEES HERSELF
AS KIND OF A CONSUMER REPORTER,
268
00:16:06,966 --> 00:16:10,072
PROTECTING HER READERS
FROM BAD ACTING.
269
00:16:10,072 --> 00:16:13,869
NO ONE WAS FUNNY IN THIS PLAY,
WHICH IS DEADLY FOR A FARCE.
270
00:16:13,869 --> 00:16:15,422
Brizzi:
WHAT ARE YOU LOOKING AT?
271
00:16:15,422 --> 00:16:17,562
[ SHOUTING INDISTINCTLY ]
272
00:16:17,562 --> 00:16:20,531
EVERYTHING ABOUT HER PERFORMANCE
WAS CHEESY.
273
00:16:20,531 --> 00:16:24,362
SHE WAS BEYOND
BEING AN ITALIAN STEREOTYPE.
274
00:16:24,362 --> 00:16:27,365
SHE WAS JUST BEING
BIG AND LOUD AND OBNOXIOUS,
275
00:16:27,365 --> 00:16:29,643
AND I DON'T THINK
IT WAS ITALIAN.
276
00:16:29,643 --> 00:16:31,611
I THINK
IT WAS JUST BIG AND LOUD.
277
00:16:31,611 --> 00:16:34,234
[ Italian accent ]
IS THIS ITALIAN ENOUGH FOR YOU?
278
00:16:34,234 --> 00:16:34,890
OH!
279
00:16:34,890 --> 00:16:36,409
[ IMITATING CRYING ]
280
00:16:36,409 --> 00:16:38,342
[ SNIFFLES ]
281
00:16:38,342 --> 00:16:40,723
I WAS SHOCKED.
282
00:16:40,723 --> 00:16:45,073
AND I WAS EMBARRASSED,
REALLY EMBARRASSED.
283
00:16:45,073 --> 00:16:47,178
I WAS ASHAMED.
284
00:16:47,178 --> 00:16:49,767
I
AM
A PASSIONATE ITALIAN WOMAN.
285
00:16:51,044 --> 00:16:54,254
I'M NOT GONNA LET SOME LADY
QUESTION THAT.
286
00:16:56,912 --> 00:16:59,501
Schirripa: IT'S NOT HARD
TO HURT AN ACTOR'S FEELINGS.
287
00:16:59,501 --> 00:17:02,055
AND WITH
A NAME LIKE LUCIA BRIZZI,
288
00:17:02,055 --> 00:17:06,508
YOU'RE PRETTY SURE YOUR ITALIAN
BONA FIDES ARE UP TO SNUFF.
289
00:17:06,508 --> 00:17:08,924
[ SIREN WAILING IN DISTANCE ]
290
00:17:10,270 --> 00:17:11,789
SUPPOSE IF SOMEONE
SAYS TO YOU,
291
00:17:11,789 --> 00:17:14,102
"CLAUDIO,
YOU'RE NOT ITALIAN ENOUGH."
292
00:17:14,102 --> 00:17:15,310
WHAT WOULD YOU DO?
293
00:17:15,310 --> 00:17:17,174
[ Italian accent ] I'D SWEAR
BACK TO HIM IN ITALIAN.
294
00:17:17,174 --> 00:17:18,727
WHAT ABOUT YOU?
[ Italian accent] THE SAME.
295
00:17:18,727 --> 00:17:20,418
I WOULD SAY --
I WOULD SPEAK IN ITALIAN.
296
00:17:20,418 --> 00:17:22,351
WE'D BE LIKE, "OF COURSE
I'M ITALIAN. COME ON."
297
00:17:22,351 --> 00:17:24,077
I'LL SHOW YOU
HOW ITALIAN YOU ARE.
298
00:17:24,077 --> 00:17:25,113
[ SPEAKING ITALIAN ]
299
00:17:25,113 --> 00:17:26,286
Woman:
WHAT DOES THAT MEAN, THOUGH?
300
00:17:26,286 --> 00:17:27,494
WHAT DOES IT MEAN,
"YOU'RE NOT ITALIAN ENOUGH"?
301
00:17:27,494 --> 00:17:29,048
WHAT PROVES
HOW ITALIAN YOU ARE?
302
00:17:30,532 --> 00:17:33,328
ON BEHALF OF MY ITALIAN
SISTERS AND BROTHERS,
303
00:17:33,328 --> 00:17:36,710
LET ME TELL YOU
HOW MUCH
WE
DON'T LIKE
304
00:17:36,710 --> 00:17:39,506
BEING CALLED
"NOT ITALIAN ENOUGH."
305
00:17:39,506 --> 00:17:44,270
I MEAN, WHO'S
THE GOOMBAH HERE -- YOU OR ME?
306
00:17:44,270 --> 00:17:47,445
THERE'S NO WAY
LUCIA CAN LET THIS GO.
307
00:17:47,445 --> 00:17:50,828
BUT WHAT'S SHE GONNA COME UP
WITH TO HEAL HER WOUNDED PRIDE?
308
00:17:50,828 --> 00:17:54,418
AND WILL THINGS GET WORSE
BEFORE THEY GET BETTER?
309
00:17:54,418 --> 00:17:58,456
THE PROSCIUTTO
IS ABOUT TO HIT THE FAN.
310
00:18:08,017 --> 00:18:08,949
[ CHEERS AND APPLAUSE ]
311
00:18:08,949 --> 00:18:11,193
IS THAT ITALIAN ENOUGH
FOR YOU?
312
00:18:12,919 --> 00:18:16,750
ACTORS --
WE'RE EMOTIONAL PEOPLE.
313
00:18:16,750 --> 00:18:18,269
WE PUT IT ALL OUT THERE,
314
00:18:18,269 --> 00:18:21,169
AND WHAT WE NEED TO GET BACK
IS APPROVAL, RESPECT,
315
00:18:21,169 --> 00:18:22,687
MAYBE EVEN LOVE.
316
00:18:22,687 --> 00:18:26,174
THE PEOPLE WHO CAN REALLY HURT
OUR FEELINGS ARE CRITICS.
317
00:18:26,174 --> 00:18:28,797
THAT REVIEW STINGS.
318
00:18:28,797 --> 00:18:30,971
NOW, ACTRESS LUCIA BRIZZI
319
00:18:30,971 --> 00:18:33,077
IS DETERMINED
TO GET HER PRIDE BACK.
320
00:18:33,077 --> 00:18:34,423
[ SIGHS DRAMATICALLY ]
321
00:18:34,423 --> 00:18:36,494
LUCIA FIGHTS BACK
WITH THE VERY THINGS
322
00:18:36,494 --> 00:18:40,947
REVIEWER BYRNE
SAID HER PERFORMANCE LACKED.
323
00:18:40,947 --> 00:18:44,123
I THOUGHT,
"HOW FUN WOULD IT BE TO DO
324
00:18:44,123 --> 00:18:46,332
"ALL THE ITALIAN-AMERICAN
STEREOTYPES
325
00:18:46,332 --> 00:18:48,023
IN ONE LITTLE VIDEO?"
326
00:18:48,023 --> 00:18:50,405
Schirripa: THERE IS
ONE GOOD THING IN LUC'S LIFE --
327
00:18:50,405 --> 00:18:51,475
HER BOYFRIEND.
328
00:18:51,475 --> 00:18:54,857
AND HE KNOWS
HOW TO HANDLE A CAMERA.
329
00:18:54,857 --> 00:18:57,205
WE SHOOT IT IN ONE AFTERNOON,
330
00:18:57,205 --> 00:19:00,691
AND THEN THAT NIGHT I EDITED IT,
WOKE UP IN THE MORNING,
331
00:19:00,691 --> 00:19:03,003
PUT IT ON YouTube,
AND IT WAS DONE.
332
00:19:03,003 --> 00:19:05,005
[ ITALIAN MUSIC PLAYING ]
333
00:19:08,526 --> 00:19:12,116
Schirripa:
PREMIERING "REVENGE ITALIANIO"
ON THE WEB PAYS OFF.
334
00:19:15,395 --> 00:19:19,227
AND LUCIA'S LITTLE VIDEO
IS A HIT.
335
00:19:19,227 --> 00:19:21,332
I WAS A LITTLE CELEBRITY
IN THE TOWN.
336
00:19:21,332 --> 00:19:24,197
EVERYONE WAS ALL EXCITED ABOUT
THIS VIDEO THAT I'D MADE.
337
00:19:24,197 --> 00:19:26,475
Schirripa:
BUT WHAT ABOUT THE TARGET?
338
00:19:26,475 --> 00:19:28,650
A GUY AT THE THEATER
SENDS TERRY BYRNE
339
00:19:28,650 --> 00:19:31,273
A LINK TO LUCIA'S VIDEO.
340
00:19:31,273 --> 00:19:32,619
DOES THAT HEARTLESS CRITIC
341
00:19:32,619 --> 00:19:36,313
FEEL THE STING
OF RIGHTEOUS VENGEANCE?
342
00:19:36,313 --> 00:19:38,246
Byrne:
I THOUGHT IT WAS HILARIOUS.
343
00:19:38,246 --> 00:19:39,695
I THOUGHT IT WAS SO CLEVER.
344
00:19:39,695 --> 00:19:42,042
HERE'S THE PERFORMANCE
THAT I DID NOT SEE
345
00:19:42,042 --> 00:19:44,321
ONSTAGE
IN THAT PRODUCTION.
346
00:19:44,321 --> 00:19:48,290
Schirripa:
OKAY. MAYBE TERRY'S NOT SO BAD.
347
00:19:48,290 --> 00:19:51,086
I WAS SO HAPPY THAT SHE WAS,
YOU KNOW,
348
00:19:51,086 --> 00:19:53,053
SUCH A COOL SPORT ABOUT IT.
349
00:19:53,053 --> 00:19:58,576
SO, ACTRESS LUCIA BRIZZI
HAS GRABBED KARMA BY THE HORNS.
350
00:19:58,576 --> 00:20:00,889
SHE SHOWED THAT SNOBBY REVIEWER
351
00:20:00,889 --> 00:20:03,616
THAT SHE'S AS ITALIAN
AS PASTA FAZOOL.
352
00:20:03,616 --> 00:20:05,134
LUCIA'S GOT HER PRIDE BACK.
353
00:20:05,134 --> 00:20:06,377
BUT WAIT.
354
00:20:06,377 --> 00:20:09,380
REMEMBER THAT HUNKY NEW LOVE
WHO HELPED OUT?
355
00:20:09,380 --> 00:20:10,726
HE DUMPS HER.
356
00:20:10,726 --> 00:20:11,865
[ SHOUTING INDISTINCTLY ]
357
00:20:11,865 --> 00:20:13,695
"YOU CRY TOO MUCH," HE SAYS,
358
00:20:13,695 --> 00:20:15,421
"AND YOU'RE NOT PRETTY
WHEN YOU CRY."
359
00:20:15,421 --> 00:20:16,387
[ IMITATING CRYING ]
360
00:20:16,387 --> 00:20:17,526
TOO EMOTIONAL?
361
00:20:17,526 --> 00:20:19,459
BUCKLE YOUR SEATBELT, BIFF.
362
00:20:19,459 --> 00:20:24,015
"REVENGE ITALIANIO"
IS GETTING A SEQUEL.
363
00:20:24,015 --> 00:20:27,847
Brizzi: WELL, I MADE
"REVENGE ITALIANIO PART II."
364
00:20:30,643 --> 00:20:33,473
I WANT TO MAKE HIM, LIKE, "UGH,"
LIKE, "WHAT DID I LET GO OF?"
365
00:20:33,473 --> 00:20:34,819
ACTUALLY...
366
00:20:34,819 --> 00:20:37,788
Schirripa: THE CRUCIAL ROLE --
HER EX'S HOT REPLACEMENT.
367
00:20:40,342 --> 00:20:43,172
YOU CAN PUT YOUR SHIRT BACK ON
IF YOU NEED TO.
368
00:20:43,172 --> 00:20:45,140
MM-HMM. THANKS.
369
00:20:45,140 --> 00:20:46,624
THANK YOU.
370
00:20:46,624 --> 00:20:50,835
YOU DON'T MESS
WITH THE REVENGE VIDEOGRAPHER.
371
00:20:50,835 --> 00:20:55,599
LUCIA'S EX, OF ALL PEOPLE,
SHOULD HAVE KNOWN THAT.
372
00:20:55,599 --> 00:20:59,085
Brizzi:
I AM A PASSIONATE ITALIAN WOMAN,
373
00:20:59,085 --> 00:21:02,088
AND THAT MEANS I'M GONNA HAVE
A VERY PASSIONATE ITALIAN LIFE.
374
00:21:02,088 --> 00:21:08,163
THAT IS MY DESTINY,
SO CAN'T NOBODY TAKE THAT AWAY.
375
00:21:08,163 --> 00:21:11,339
IT TOOK GAYLE PRINCE
HALF HER LIFETIME
376
00:21:11,339 --> 00:21:15,135
TO GIVE KARMA THE NUDGE
SHE NEEDED TO DO RIGHT BY HER.
377
00:21:15,135 --> 00:21:18,207
THE YOUNGER GENERATION
AREN'T SO PATIENT.
378
00:21:18,207 --> 00:21:20,900
LUCIA BRIZZI
AVENGED HER BAD REVIEW
379
00:21:20,900 --> 00:21:23,799
WITHIN DAYS
OF THE PAPER HITTING THE STANDS.
380
00:21:23,799 --> 00:21:26,250
KARMA'S PACE IS PICKING UP.
381
00:21:26,250 --> 00:21:27,872
SO, A WORD TO THE WISE --
382
00:21:27,872 --> 00:21:29,564
TRY TO DO RIGHT BY PEOPLE,
383
00:21:29,564 --> 00:21:33,222
BECAUSE KARMA -- SHE'S A BITCH.
29081
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