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00:00:02,033 --> 00:00:03,701
PREVIOUSLY ON GHOST WHISPERER...
2
00:00:03,767 --> 00:00:06,868
THE DAY OF THE ACCIDENT,
I SAW JIM'S GHOST
STEP INTO SAM'S BODY.
3
00:00:06,934 --> 00:00:08,801
[COUGHS]
YOU'RE BACK.
4
00:00:08,868 --> 00:00:10,033
DO I KNOW YOU?
5
00:00:10,100 --> 00:00:12,767
I SEE THE SAME GUY
THAT YOU SEE.
IT'S NOT JIM.
6
00:00:12,834 --> 00:00:15,000
I JUST KNOW WHAT
I SEE WHEN I LOOK
IN THOSE EYES,
7
00:00:15,067 --> 00:00:16,834
AND JIM IS
IN THERE SOMEWHERE.
8
00:00:16,901 --> 00:00:18,400
WAIT, YOU'RE NOT GONNA
TELL ME YOU THINK
9
00:00:18,467 --> 00:00:19,400
I'M YOUR HUSBAND
REINCARNATED.
10
00:00:19,467 --> 00:00:21,200
I SEE GHOSTS.
11
00:00:21,267 --> 00:00:22,901
IT'S THIS THING
THAT I DO.
12
00:00:22,968 --> 00:00:24,634
IT'S A REALLY BIG
PART OF ME,
13
00:00:24,701 --> 00:00:26,868
AND IF YOU--IF YOU DON'T
BELIEVE IN IT, I--
14
00:00:26,934 --> 00:00:28,968
HEY, YOU NEEDED
A LITTLE TIME AND
A LITTLE SPACE
15
00:00:29,033 --> 00:00:30,467
TO GET READY
TO TELL ME THIS.
16
00:00:30,534 --> 00:00:33,000
TAKE THE ALL TIME YOU NEED.
17
00:00:38,133 --> 00:00:40,934
NO, NO, NO, NO, NO.
IT'S EASY, OK?
18
00:00:41,000 --> 00:00:42,601
I'LL WALK YOU
THROUGH IT.
19
00:00:42,667 --> 00:00:44,400
DO YOU SEE THE LIGHT?
20
00:00:44,467 --> 00:00:45,834
NO?
21
00:00:45,901 --> 00:00:48,567
ALL RIGHT,
WE'LL TRY IT AGAIN.
22
00:00:49,767 --> 00:00:52,834
OK! GREAT. SO YOU DO
SEE THE LIGHT. OK.
23
00:00:52,901 --> 00:00:57,634
SO NOW JUST
PRESS THE STAR KEY
AND ENTER THE CODE.
24
00:00:57,701 --> 00:00:59,167
OK.
25
00:00:59,234 --> 00:01:00,534
[LAUGHS]
GOOD. ALL RIGHT.
26
00:01:00,601 --> 00:01:02,200
I'LL SEE YOU LATER.
BYE.
27
00:01:02,267 --> 00:01:03,200
MORNING.
28
00:01:03,267 --> 00:01:04,200
SORRY.
29
00:01:04,267 --> 00:01:06,300
UM, DELIA IS HAVING
SOME TROUBLE
30
00:01:06,367 --> 00:01:07,767
WITH OUR
SECURITY SYSTEM.
31
00:01:07,834 --> 00:01:09,901
AH, THAT'S GOOD.
32
00:01:12,234 --> 00:01:14,567
OH. OH, YOU THOUGHT
THAT I--
33
00:01:14,634 --> 00:01:15,601
"INTO THE LIGHT."
YOU KNOW.
34
00:01:15,667 --> 00:01:17,501
WELL, TO BE FAIR,
35
00:01:17,567 --> 00:01:19,868
IT LOOKS SIMILAR,
ONLY MINUS THE EARPIECE.
36
00:01:19,934 --> 00:01:22,167
DO YOU MIND? I REALLY
NEED SOME COFFEE NOW.
37
00:01:22,234 --> 00:01:24,968
NO, IT'S FINE.
HELP YOURSELF.
38
00:01:25,033 --> 00:01:28,968
LOOK, I KNOW THAT
THIS IS HARD TO WRAP
YOUR HEAD AROUND,
39
00:01:29,033 --> 00:01:31,968
BUT I WANNA BE
AN OPEN BOOK WITH YOU,
40
00:01:32,033 --> 00:01:34,033
ESPECIALLY WITH YOU.
41
00:01:34,100 --> 00:01:36,901
OK. UH, WELL, THAT'S GOOD,
42
00:01:36,968 --> 00:01:38,767
BECAUSE I GOT
A LOT OF QUESTIONS.
43
00:01:38,834 --> 00:01:40,634
WELL, I HAVE
SOME ANSWERS.
44
00:01:40,701 --> 00:01:41,934
ALL RIGHT, SO...
45
00:01:42,000 --> 00:01:44,167
THIS IS WHAT
IT LOOKS LIKE, RIGHT,
46
00:01:44,234 --> 00:01:45,567
WHEN YOU TALK TO THEM?
47
00:01:45,634 --> 00:01:48,100
AND HOW THEY--
WAIT A MINUTE. FIRST OF ALL,
48
00:01:48,167 --> 00:01:50,501
ARE THERE ANY OF THEM
AROUND HERE RIGHT NOW?
49
00:01:50,567 --> 00:01:52,367
NO, BUT THEY DO
VISIT ME HERE,
50
00:01:52,434 --> 00:01:54,934
I MEAN, SOME BECAUSE
THEY NEED MY HELP
51
00:01:55,000 --> 00:01:57,234
AND THEY KNOW
THAT I HAVE A GIFT,
52
00:01:57,300 --> 00:02:00,067
AND OTHERS JUST
POP UP WHEN YOU
LEAST EXPECT IT.
53
00:02:00,133 --> 00:02:01,501
AND YOU JUST
TALK TO THEM.
54
00:02:01,567 --> 00:02:03,000
YEAH. I HELP THEM
FIGURE OUT
55
00:02:03,067 --> 00:02:04,501
WHY THEY'RE STILL
EARTHBOUND, YOU KNOW,
56
00:02:04,567 --> 00:02:05,767
GET THEM INTO THE LIGHT.
57
00:02:05,834 --> 00:02:07,167
AND ELI DOES
THE SAME THING.
58
00:02:07,234 --> 00:02:09,667
IN HIS OWN WAY, YES.
59
00:02:09,734 --> 00:02:10,667
WOW.
60
00:02:10,734 --> 00:02:13,033
ALL PART OF THE DAY'S WORK,
I GUESS.
61
00:02:13,100 --> 00:02:14,767
IT'S NOT EVERY DAY.
IT'S JUST...
62
00:02:14,834 --> 00:02:18,467
WHEN THEY DO SHOW UP,
I FEEL LIKE IT'S
MY JOB TO HELP.
63
00:02:18,534 --> 00:02:20,400
RIGHT.
64
00:02:20,467 --> 00:02:22,634
MELINDA,
I WANNA BELIEVE YOU.
65
00:02:22,701 --> 00:02:24,434
I MEAN, "A," BECAUSE I'M
CRAZY ABOUT YOU,
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00:02:24,501 --> 00:02:28,300
BUT, "B," BECAUSE IT'S
JUST SO AMAZING. I...
67
00:02:30,300 --> 00:02:31,901
LOOK, I'M OFF TODAY,
AND I JUST--
68
00:02:31,968 --> 00:02:35,133
I WANNA GO DOWN AND
CHECK IN TO THE JOB SITE,
BUT CAN I COME BACK
69
00:02:35,200 --> 00:02:37,434
AND JUST HANG OUT
WITH YOU AND...
70
00:02:37,501 --> 00:02:39,467
WATCH YOU DO
WHAT YOU DO?
71
00:02:41,167 --> 00:02:42,300
BAD IDEA.
WHAT'S WRONG?
72
00:02:42,367 --> 00:02:44,367
NO, IT--
73
00:02:44,434 --> 00:02:48,701
NO, IT'S JUST THIS IS
MORE THAN WHAT I DO.
74
00:02:48,767 --> 00:02:50,033
IT'S WHO I AM.
75
00:02:50,100 --> 00:02:51,767
HEY, NO, NO.
NO GHOST JOKES, I PROMISE.
76
00:02:51,834 --> 00:02:53,334
CROSS MY HEART
AND HOPE TO DIE.
77
00:02:54,701 --> 00:02:56,501
MM. MMM.
78
00:03:06,200 --> 00:03:07,133
NOPE.
79
00:03:07,200 --> 00:03:08,801
NOT A GHOST IN SIGHT.
80
00:03:09,901 --> 00:03:11,467
NOW, WAIT A MINUTE.
WHAT ABOUT, UH--
81
00:03:11,534 --> 00:03:13,968
WHAT ABOUT WHEN THE
LIGHTS WENT OFF IN
THE HARDWARE STORE?
82
00:03:14,033 --> 00:03:15,167
POWER FAILURE.
83
00:03:15,234 --> 00:03:17,667
OH, AND THOSE BOXES THAT FELL
AT THE POST OFFICE...
84
00:03:17,734 --> 00:03:18,868
JUST GRAVITY.
YEP.
85
00:03:18,934 --> 00:03:21,133
I GOTTA SAY,
I'M A LITTLE
DISAPPOINTED SO FAR.
86
00:03:21,200 --> 00:03:22,133
ARE YOU KIDDING?
87
00:03:22,200 --> 00:03:24,067
A DAY WITHOUT GHOSTS
IS LIKE A VACATION.
88
00:03:24,133 --> 00:03:27,400
I MEAN, IT IS NICE
TO BE ABLE TO RUN ERRANDS
WITHOUT BEING HARASSED,
89
00:03:27,467 --> 00:03:28,567
ALTHOUGH THE DAY IS YOUNG.
90
00:03:28,634 --> 00:03:30,567
HMM. ALL RIGHT,
WHATEVER YOU SAY.
91
00:03:30,634 --> 00:03:31,934
LOOK, I GOTTA
RUN IN HERE
92
00:03:32,000 --> 00:03:33,534
AND GRAB A CHECK
FROM MY BOSS.
93
00:03:33,601 --> 00:03:35,067
HE'S, UH, REDEVELOPING
THIS WHOLE PLACE
94
00:03:35,133 --> 00:03:36,634
AS A SCHOOL,
GRADE BY GRADE.
95
00:03:36,701 --> 00:03:37,667
COOL.
YEAH.
96
00:03:39,901 --> 00:03:41,834
Woman: COME ON, KIDS.
EVERYBODY TOGETHER.
97
00:03:41,901 --> 00:03:43,834
Sam: OH, WOW. CUTE KIDS.
98
00:03:43,901 --> 00:03:45,534
YEAH.
99
00:03:45,601 --> 00:03:47,200
I DO REMEMBER
LIKIN' THEM.
100
00:03:48,901 --> 00:03:51,834
Woman: YOU GO DOWN
THE SLIDE FIRST, OK?
101
00:03:51,901 --> 00:03:54,267
* ALOUETTE *
102
00:03:54,334 --> 00:03:56,801
* GENTILLE ALOUETTE *
103
00:03:56,868 --> 00:03:59,467
* ALOUETTE *
104
00:03:59,534 --> 00:04:01,901
* JE TE PLUMERAI... *
105
00:04:03,400 --> 00:04:04,834
BECAUSE--'CAUSE YOU DON'T
BELIEVE ANYTHING THAT I SAY.
106
00:04:04,901 --> 00:04:06,467
WHAT IS IT?
107
00:04:07,901 --> 00:04:08,834
Man: COME ON.
TAKE YOUR TIME.
108
00:04:08,901 --> 00:04:10,567
YOU LOOK LIKE
YOU'VE SEEN A GHOST.
109
00:04:10,634 --> 00:04:12,968
3, ACTUALLY. THERE'S--
110
00:04:13,033 --> 00:04:14,567
THERE'S ONE
BY THE TREE,
111
00:04:14,634 --> 00:04:15,801
ONE ON THE
MERRY-GO-ROUND, AND...
112
00:04:15,868 --> 00:04:18,267
* AH AH AH AH *
113
00:04:18,334 --> 00:04:19,434
ONE ON THE SWING.
114
00:04:22,300 --> 00:04:23,567
REALLY?
115
00:04:23,634 --> 00:04:25,801
WHAT WAS THIS PLACE
BEFORE YOU GUYS
RENOVATED IT?
116
00:04:25,868 --> 00:04:28,267
SOME KIND OF CLINIC,
I THINK.
117
00:04:28,334 --> 00:04:29,868
OK, EVERYBODY,
LET'S LINE UP.
118
00:04:29,934 --> 00:04:31,400
SNACK TIME.
119
00:04:33,234 --> 00:04:36,367
* ALOUETTE... *
WHY?
120
00:04:36,434 --> 00:04:38,868
I THINK SOME
OF THE PATIENTS
ARE STILL HERE.
121
00:04:38,934 --> 00:04:41,100
* ALOUETTE *
122
00:04:41,167 --> 00:04:43,133
* JE TE PLUMERAI *
123
00:04:43,200 --> 00:04:46,200
* JE TE PLUMERAI
LA T�TE *
124
00:04:46,267 --> 00:04:48,968
* JE TE PLUMERAI
LA T�TE *
125
00:04:49,033 --> 00:04:51,300
* AH AH AH AH *
126
00:04:52,400 --> 00:04:54,400
Child, whispering:
Can you see us?
127
00:05:25,300 --> 00:05:27,000
OK, SO PRIOR
TO LAST YEAR,
128
00:05:27,067 --> 00:05:28,701
PARKDALE ACADEMY WAS
PROVIDENCE CARE CLINIC,
129
00:05:28,767 --> 00:05:31,367
ESTABLISHED 1962,
AND PRIOR TO THAT...
130
00:05:31,434 --> 00:05:34,667
IT WAS THE VALLEY SPRINGS
SANATORIUM.
131
00:05:34,734 --> 00:05:37,133
A MENTAL HOSPITAL,
WHICH WOULD EXPLAIN
THE GHOSTS I SAW.
132
00:05:37,200 --> 00:05:39,133
Delia: I KNOW EXACTLY
WHAT YOU'RE THINKING.
133
00:05:39,200 --> 00:05:41,567
MAYBE THIS WAS SOMETHING
SHE ALREADY KNEW
134
00:05:41,634 --> 00:05:44,501
OR SOMETHING SHE ONCE HEARD
AND THEN SHE JUST FORGOT.
135
00:05:44,567 --> 00:05:46,067
YOU HAD YOUR DOUBTS, TOO?
136
00:05:46,133 --> 00:05:48,434
[ALL CHUCKLE]
137
00:05:48,501 --> 00:05:49,434
AH, BIG DOUBTS.
138
00:05:49,501 --> 00:05:51,968
WELL, WHAT FINALLY
CONVINCED YOU?
139
00:05:53,634 --> 00:05:58,067
I JUST SAW ALL THE
PEOPLE THAT SHE HELPED,
140
00:05:58,133 --> 00:06:01,901
YOU KNOW, MOST OF WHICH
DIDN'T EVEN BELIEVE HER
EITHER AT FIRST, SO...
141
00:06:03,000 --> 00:06:05,267
OK. THERE ARE GHOSTS.
142
00:06:05,334 --> 00:06:07,067
BUT HOW CAN THEY
BE THREATENING?
143
00:06:07,133 --> 00:06:09,067
UH, IT DEPENDS.
I MEAN,
144
00:06:09,133 --> 00:06:10,534
SOMETIMES THE GHOSTS
CAN BE BENIGN.
145
00:06:10,601 --> 00:06:12,934
OTHER TIMES, THEY'RE
A COMPLETE NUISANCE,
146
00:06:13,000 --> 00:06:14,934
AND THEN THE REALLY
TROUBLED ONES,
147
00:06:15,000 --> 00:06:16,267
THEY CAN
BE DANGEROUS.
148
00:06:16,334 --> 00:06:17,701
HOW SO?
149
00:06:17,767 --> 00:06:19,667
WELL, IN THIS CASE,
FOR EXAMPLE,
150
00:06:19,734 --> 00:06:21,000
YOU'RE DEALING
WITH CHILDREN
151
00:06:21,067 --> 00:06:23,267
UNDER THE AGE OF 10,
SO THEY COULD BE
152
00:06:23,334 --> 00:06:25,467
INFLUENCED BY THEM,
'CAUSE KIDS THAT AGE,
153
00:06:25,534 --> 00:06:27,601
THEY CAN SEE
AND TALK TO GHOSTS.
154
00:06:27,667 --> 00:06:29,701
WE GROW UP,
AND IT GOES AWAY,
155
00:06:29,767 --> 00:06:31,534
THERE'S NO ROOM
IN THE RATIONAL ADULT BRAIN.
156
00:06:31,601 --> 00:06:33,901
WELL, I HAVE NO MEMORY
OF EVER SEEING GHOSTS.
157
00:06:35,601 --> 00:06:38,667
WHICH, IN MY CASE,
WOULD MAKE THAT COMPLETELY
MEANINGLESS, SO...
158
00:06:38,734 --> 00:06:41,334
NOW THAT
THEIR HOME HAS BEEN
TURNED INTO A SCHOOL,
159
00:06:41,400 --> 00:06:43,734
THE GHOSTS COULD
SCARE THE CHILDREN
OR EVEN WORSE.
160
00:06:43,801 --> 00:06:45,267
AND THAT'S
WHERE YOU COME IN.
161
00:06:46,334 --> 00:06:47,767
WHAT'S YOUR NEXT STEP?
162
00:06:47,834 --> 00:06:49,400
WELL, I HAVE TO
TALK TO THEM,
163
00:06:49,467 --> 00:06:51,234
YOU KNOW,
FIGURE OUT WHAT'S
KEEPING THEM HERE,
164
00:06:51,300 --> 00:06:53,467
AND THEN
HOPEFULLY GET THEM
INTO THE LIGHT.
165
00:06:53,534 --> 00:06:55,133
YEAH, BUT IT'S
A KINDERGARTEN.
166
00:06:55,200 --> 00:06:57,434
I MEAN, THEY'RE NOT GONNA
LET YOU IN AND LET YOU SAY,
167
00:06:57,501 --> 00:06:58,834
"HEY, I WANNA
TALK TO GHOSTS."
168
00:06:58,901 --> 00:06:59,901
HOW ARE YOU GONNA DO THAT?
169
00:06:59,968 --> 00:07:01,601
I THINK YOU MEAN "WE."
170
00:07:03,334 --> 00:07:05,167
Woman: NOT AT ALL.
WE'RE DELIGHTED.
171
00:07:05,234 --> 00:07:06,501
I MEAN, ALL THIS TIME
YOU WERE WORKING HERE,
172
00:07:06,567 --> 00:07:08,467
AND YOU NEVER
ONCE MENTIONED
YOU HAD A CHILD.
173
00:07:08,534 --> 00:07:09,467
WELL, WE DON'T.
174
00:07:09,534 --> 00:07:10,868
WAIT. NOT YET.
175
00:07:10,934 --> 00:07:13,133
OH. WHEN IS
YOUR DUE DATE?
176
00:07:13,200 --> 00:07:14,467
OH, LOOK.
NOT PREGNANT. NOPE.
177
00:07:14,534 --> 00:07:15,801
OH. [LAUGHS]
[LAUGHS]
178
00:07:15,868 --> 00:07:17,567
RIGHT. WE'RE JUST
PLANNING AHEAD.
179
00:07:17,634 --> 00:07:19,234
OH.
WAY, WAY AHEAD.
180
00:07:19,300 --> 00:07:21,734
'CAUSE, YOU KNOW,
WE DON'T EVEN KNOW IF WE
WANNA STAY HERE OR--
181
00:07:21,801 --> 00:07:23,133
MOVE TO THE CITY.
RIGHT.
182
00:07:23,200 --> 00:07:25,667
AND IF WE DO STAY HERE,
YOU KNOW, WHAT ARE
THE BEST SCHOOLS?
183
00:07:25,734 --> 00:07:27,601
SCHOOLS. IT JUST
SEEMS A LITTLE CRAZY, HUH?
184
00:07:27,667 --> 00:07:29,133
NO, NOT AT ALL.
IT'S SMART.
185
00:07:29,200 --> 00:07:30,934
I WISH MORE PARENTS
HAD YOUR FORESIGHT.
186
00:07:31,033 --> 00:07:32,767
SO, HOW LONG HAVE
YOU BEEN MARRIED?
187
00:07:32,834 --> 00:07:34,801
W-WE'RE NOT YET.
6 MONTHS.
188
00:07:34,868 --> 00:07:36,634
HE MEANS THAT WE'RE
GETTING MARRIED...
189
00:07:36,701 --> 00:07:38,167
Both: IN 6 MONTHS.
190
00:07:38,234 --> 00:07:39,834
WELL, CONGRATULATIONS.
THANK YOU.
191
00:07:39,901 --> 00:07:41,534
WELL, LET ME FINISH
SHOWING YOU AROUND,
192
00:07:41,601 --> 00:07:45,501
AND THEN WE'LL STOP BY
THE ADMISSIONS OFFICE
AND PICK UP A BROCHURE.
193
00:07:45,567 --> 00:07:46,501
GO AHEAD. THANKS.
194
00:07:46,567 --> 00:07:49,200
Children:
* ALOUETTE *
195
00:07:49,267 --> 00:07:51,100
* JE TE PLUMERAI *
196
00:07:51,167 --> 00:07:53,300
* JE TE PLUMERAI LA T�TE *
197
00:07:53,367 --> 00:07:54,300
* JE TE PLUMERAI... *
198
00:07:54,367 --> 00:07:55,300
Teacher:
OH, HELLO.
199
00:07:55,367 --> 00:07:57,234
HEY, THIS IS
SAM AND MELINDA.
200
00:07:57,300 --> 00:07:58,834
THEY'RE CHECKING OUT
THE ACADEMY.
201
00:07:58,901 --> 00:07:59,934
HI. NICE TO MEET YOU.
202
00:08:00,000 --> 00:08:02,100
WELL, WE'RE ALL VERY
PROUD OF THE SCHOOL.
203
00:08:02,167 --> 00:08:05,000
* GENTILLE ALOUETTE,
ALOUETTE... *
204
00:08:05,067 --> 00:08:07,501
DID THEY LEARN
THAT BEAUTIFUL FRENCH
PHONETICALLY?
205
00:08:07,567 --> 00:08:08,601
I DIDN'T TEACH THEM.
206
00:08:08,667 --> 00:08:10,367
THEY MUST
HAVE LEARNED IT
IN MUSIC CLASS.
207
00:08:10,434 --> 00:08:13,334
HMM. I THOUGHT JAN WAS
TEACHING THEM RHYTHMS
WITH SIGN LANGUAGE.
208
00:08:13,400 --> 00:08:14,467
* ET LE COU *
209
00:08:14,534 --> 00:08:16,234
[CHILDREN LAUGH]
210
00:08:16,300 --> 00:08:17,767
THAT WAS FUN.
211
00:08:21,534 --> 00:08:23,968
YOU THINK A GHOST TAUGHT
THE KIDS THAT SONG?
212
00:08:24,033 --> 00:08:25,400
WELL, YOU HEARD IT
FOR YOURSELF.
213
00:08:25,467 --> 00:08:26,734
IT WASN'T
ONE OF THE TEACHERS.
214
00:08:26,801 --> 00:08:28,267
WELL, THERE'S GOTTA BE
A LOGICAL EXPLANATION.
215
00:08:28,334 --> 00:08:30,667
ONE OF THE KIDS
LEARNED IT AND THEN
TAUGHT THE OTHERS.
216
00:08:30,734 --> 00:08:32,100
YEAH, I WOULD THINK
THE SAME THING, TOO,
217
00:08:32,167 --> 00:08:33,534
IF I HADN'T SEEN
THE GHOST FOR MYSELF.
218
00:08:33,601 --> 00:08:35,734
WELL, WAIT. SINCE YOU
DIDN'T TALK TO HER--
219
00:08:35,801 --> 00:08:37,400
IT--THEM,
WHAT DO YOU DO NOW?
220
00:08:37,467 --> 00:08:38,767
WE GO AND SEE ELI.
221
00:08:38,834 --> 00:08:40,100
'CAUSE HE
CAN HEAR GHOSTS?
222
00:08:40,167 --> 00:08:41,934
NO, BECAUSE THE GHOSTS
WERE MENTAL PATIENTS,
223
00:08:42,000 --> 00:08:43,267
AND HE'S A SHRINK.
OH.
224
00:08:44,567 --> 00:08:46,734
ALL THE FILES
FROM THE VALLEY SPRINGS
SANATORIUM,
225
00:08:46,801 --> 00:08:48,400
THEY WERE DONATED
TO THE PSYCH DEPARTMENT
226
00:08:48,467 --> 00:08:50,033
WHEN THE PLACE
SHUT DOWN IN '61.
227
00:08:50,100 --> 00:08:52,868
YOU'RE TELLING ME YOU GOT ALL
THE FILES FOR THIS PLACE HERE?
228
00:08:52,934 --> 00:08:54,701
OF ALL THE THINGS
YOU NEED TO DIGEST,
229
00:08:54,767 --> 00:08:56,100
I'M THINKING THAT'S
THE LEAST STRANGE.
230
00:08:56,167 --> 00:08:57,534
RIGHT.
231
00:09:01,400 --> 00:09:02,734
YEAH. THAT'S HER.
OH. WOW.
232
00:09:02,801 --> 00:09:05,267
I PULLED PICTURES OF WOMEN
WHO FIT THE DESCRIPTION.
233
00:09:05,334 --> 00:09:07,767
GREER CLARKSON. IS THAT
THE GHOST THAT YOU SAW?
234
00:09:07,834 --> 00:09:08,934
WELL,
ACCORDING TO HER FILE,
235
00:09:09,000 --> 00:09:10,167
SHE WAS COMMITTED
SHORTLY AFTER
GIVING BIRTH.
236
00:09:10,234 --> 00:09:12,868
SHE SAID THAT SHE WAS
HAVING DARK THOUGHTS.
237
00:09:12,934 --> 00:09:14,701
SOUNDS LIKE P.P.D.,
POSTPARTUM DEPRESSION,
238
00:09:14,767 --> 00:09:17,367
WHICH WASN'T EXACTLY
TAKEN SERIOUSLY IN THE FIFTIES.
239
00:09:17,434 --> 00:09:20,400
IT ALSO SAYS HERE
THAT SHE WAS DELUSIONAL,
THAT SHE HEARD VOICES.
240
00:09:20,467 --> 00:09:23,267
OK, SHE DIED
IN THE ASYLUM IN '59,
241
00:09:23,334 --> 00:09:25,601
BUT THE CAUSE OF DEATH
ISN'T LISTED.
242
00:09:25,667 --> 00:09:27,734
YOU THINK THE HOSPITAL MIGHT
HAVE HAD SOMETHING TO HIDE?
243
00:09:27,801 --> 00:09:30,734
WELL, IT'S POSSIBLE.
MAYBE THAT'S WHAT'S
KEEPING HER EARTHBOUND.
244
00:09:30,801 --> 00:09:32,968
OR THIS. OH, MY GOD.
245
00:09:33,033 --> 00:09:34,734
WHAT? WHAT IS IT?
246
00:09:36,300 --> 00:09:37,767
IT'S A THERAPY JOURNAL.
247
00:09:37,834 --> 00:09:41,200
SHE WRITES ABOUT HOW
SHE DROWNED HER BABY.
248
00:09:41,267 --> 00:09:44,300
GOD, WHO WOULD DO THAT?
249
00:09:44,367 --> 00:09:46,501
SOMEONE WITH
POSTPARTUM PSYCHOSIS.
250
00:09:46,567 --> 00:09:48,501
AND NOW SHE'S
SURROUNDED BY CHILDREN,
251
00:09:48,567 --> 00:09:51,234
LIVING CHILDREN.
252
00:09:51,300 --> 00:09:54,100
OK, LET'S ALL QUIET DOWN.
253
00:09:54,167 --> 00:09:55,901
WE'RE GONNA GET IN LINE
FOR A PLAY BREAK.
254
00:09:55,968 --> 00:09:57,901
[LAUGHTER]
255
00:09:59,968 --> 00:10:01,467
CHILDREN.
256
00:10:01,534 --> 00:10:03,767
[LAUGHTER QUIETS]
257
00:10:06,834 --> 00:10:07,767
TODD.
258
00:10:07,834 --> 00:10:09,868
[LAUGHTER]
259
00:10:11,534 --> 00:10:13,367
WHAT ARE YOU...
260
00:10:22,601 --> 00:10:25,133
OK, SWEETIE. GO SIT DOWN.
261
00:10:35,400 --> 00:10:36,534
ROSALYN.
262
00:10:36,601 --> 00:10:38,467
I THINK WE NEED TO CALL
TODD LANGSTON'S PARENTS.
263
00:10:38,534 --> 00:10:39,934
HE'S JUST DONE
THE STRANGEST THING.
264
00:10:40,000 --> 00:10:41,200
IS HE OK?
I DON'T KNOW.
265
00:10:41,267 --> 00:10:43,033
AND I'M GONNA
NEED HELP GETTING
PERMANENT MARKER
266
00:10:43,100 --> 00:10:44,033
OFF THE DRY-ERASE
BOARD.
267
00:10:44,100 --> 00:10:45,434
YOU WON'T BELIEVE
WHAT HE WROTE.
268
00:10:45,501 --> 00:10:47,067
I DIDN'T EVEN KNOW
HE COULD WRITE.
269
00:10:50,367 --> 00:10:51,334
OH, MY GOD.
270
00:10:53,434 --> 00:10:55,367
THEY WERE ALL
JUST RIGHT HERE.
271
00:10:55,434 --> 00:10:58,067
THEN WHERE DID THEY GO?
272
00:11:03,100 --> 00:11:06,033
THE GHOST YOU SAW,
YOU'RE SURE SHE WANTS
TO HARM THE KIDS?
273
00:11:06,100 --> 00:11:07,033
NO, BUT IT'S POSSIBLE.
274
00:11:07,100 --> 00:11:08,400
AND YOU'RE SURE
IT'S THAT LADY,
275
00:11:08,467 --> 00:11:09,667
THE--THE ONE
WHO KILLED HER KID?
276
00:11:09,734 --> 00:11:11,934
I COULD SEE HER FACE
AS CLEARLY AS I SEE YOURS.
277
00:11:12,000 --> 00:11:13,367
AND YOU'RE GONNA GO
INTO THIS PLACE
278
00:11:13,434 --> 00:11:14,567
AND TELL THE PEOPLE
WHO RUN--
279
00:11:14,634 --> 00:11:15,567
AS LITTLE AS POSSIBLE, OK?
280
00:11:15,634 --> 00:11:16,968
I KNOW HOW
THIS SOUNDS TO PEOPLE,
281
00:11:17,033 --> 00:11:20,000
AND I DON'T KNOW.
I TRY TO KEEP WHAT
I CAN DO QUIET.
282
00:11:20,067 --> 00:11:21,167
[POLICE DISPATCH CHATTER]
OH, NO.
283
00:11:21,234 --> 00:11:22,834
Rosalyn: I'LL GO
CHECK INSIDE.
284
00:11:22,901 --> 00:11:24,167
JILL. HEY,
WHAT'S HAPPENING?
285
00:11:24,234 --> 00:11:25,200
HEY, MELINDA.
HI.
286
00:11:25,267 --> 00:11:27,167
YOU DON'T HAVE
ANYONE HERE, DO YOU?
287
00:11:27,234 --> 00:11:29,200
NO, NO, NO, NO.
WE'RE JUST PASSING BY.
288
00:11:29,267 --> 00:11:30,767
THIS IS SAM LUCAS.
OFFICER. HI.
289
00:11:31,868 --> 00:11:32,934
IT'S UNBELIEVABLE.
290
00:11:33,000 --> 00:11:34,667
I DON'T KNOW WHO'S
RUNNING THE SCHOOL.
291
00:11:34,734 --> 00:11:36,167
THERE'S A WHOLE
KINDERGARTEN CLASS
MISSING.
292
00:11:36,234 --> 00:11:38,367
YOU KNOW, UM, SAM,
HE WORKED IN THIS BUILDING,
293
00:11:38,434 --> 00:11:39,767
SO MAYBE
HE COULD HELP YOU.
294
00:11:39,834 --> 00:11:40,801
UH, SURE.
295
00:11:40,868 --> 00:11:43,400
UM, I NEED TO TRY
TO FIND THIS GHOST.
296
00:11:43,467 --> 00:11:45,100
I'LL MEET YOU IN THERE.
ALL RIGHT. YEAH.
297
00:11:45,167 --> 00:11:46,100
OOH. VERY SORRY.
298
00:11:50,968 --> 00:11:53,534
HOW COULD A 5-YEAR-OLD
HAVE WRITTEN THIS?
299
00:11:53,601 --> 00:11:55,868
HOW COULD 14 STUDENTS
LEAVE THE PREMISES
300
00:11:55,934 --> 00:11:59,300
WITHOUT A SINGLE ADULT
OR SECURITY CAMERA
CAPTURING THEIR EXIT?
301
00:11:59,367 --> 00:12:00,968
AND ONLY ONE WAY OUT.
302
00:12:01,033 --> 00:12:03,334
[RADIO] UNIT 6, PLEASE
RESPOND TO VILLAGE SQUARE,
MAIN AND OAK.
303
00:12:03,400 --> 00:12:05,601
WE'VE LOCATED
THOSE MISSING JUVENILES
FROM PARKDALE ACADEMY.
304
00:12:05,667 --> 00:12:06,601
COPY THAT.
305
00:12:06,667 --> 00:12:09,133
HOW THE HELL
DID THEY GET THERE?
306
00:12:09,200 --> 00:12:11,467
* ALOUETTE *
307
00:12:11,534 --> 00:12:14,300
* GENTILLE ALOUETTE *
308
00:12:14,367 --> 00:12:16,968
* ALOUETTE *
309
00:12:17,033 --> 00:12:19,634
* JE TE PLUMERAI *
310
00:12:19,701 --> 00:12:22,601
* JE TE PLUMERAI LA T�TE *
311
00:12:22,667 --> 00:12:25,667
* JE TE PLUMERAI LA T�TE *
312
00:12:25,734 --> 00:12:27,200
* ET LA T�TE *
313
00:12:27,267 --> 00:12:28,501
* ET LA T�TE *
314
00:12:28,567 --> 00:12:30,300
JENNIFER!
* AH AH AH AH *
315
00:12:30,367 --> 00:12:32,000
TODD. TODD, BABY,
COME HERE, HONEY.
316
00:12:32,067 --> 00:12:34,033
BRAD, RIGHT NOW.
317
00:12:34,100 --> 00:12:35,701
COME HERE. OH, GOD.
318
00:12:35,767 --> 00:12:37,000
TODD, YOU SCARED ME.
319
00:12:37,067 --> 00:12:38,601
HOW DID YOU
GET HERE?
320
00:12:38,667 --> 00:12:40,234
WE HAVE TO
FINISH THE SONG.
321
00:12:40,300 --> 00:12:42,334
IF WE DON'T
SING, SHE GETS
SO SAD.
322
00:12:42,400 --> 00:12:44,667
HONEY, WHO?
323
00:12:45,968 --> 00:12:47,701
WHERE ARE THEY
TAKING THEM?
324
00:12:47,767 --> 00:12:51,167
HOME, I'M SURE.
DID YOU DO THIS?
325
00:12:51,234 --> 00:12:52,901
DID YOU LEAD
THESE CHILDREN AWAY?
326
00:12:52,968 --> 00:12:56,133
UH, I'M NOT EXACTLY
SURE WHAT'S HAPPENING
RIGHT HERE.
327
00:12:56,200 --> 00:12:58,133
SORRY. I'M JUST GONNA PRETEND
LIKE I'M TALKING TO YOU,
328
00:12:58,200 --> 00:12:59,167
SO KEEP LOOKING AT ME.
329
00:12:59,234 --> 00:13:00,567
RIGHT.
330
00:13:00,634 --> 00:13:02,501
I CAN HELP YOU.
331
00:13:03,634 --> 00:13:05,734
BUT PLEASE DON'T
HURT THOSE CHILDREN.
332
00:13:05,801 --> 00:13:07,334
I DON'T WANT TO.
333
00:13:08,934 --> 00:13:10,868
I'VE DONE SUCH
A TERRIBLE THING.
334
00:13:10,934 --> 00:13:12,801
BUT YOU DON'T
HAVE TO DO THIS.
335
00:13:12,868 --> 00:13:14,534
YOU CAN JUST
LET THE CHILDREN BE.
336
00:13:14,601 --> 00:13:16,234
THEY WANT
TO BE WITH ME.
337
00:13:16,300 --> 00:13:17,367
THEY HEARD ME
SINGING.
338
00:13:17,434 --> 00:13:18,767
THEY DON'T BELONG TO YOU.
339
00:13:18,834 --> 00:13:19,934
YOU'RE DEAD.
340
00:13:20,000 --> 00:13:21,734
OK, THIS PLACE
IS A SCHOOL NOW.
341
00:13:21,801 --> 00:13:23,601
THEY BELONG WITH THE LIVING.
JUST NOD.
342
00:13:23,667 --> 00:13:26,267
THEY NEED
TO BE QUIETER.
343
00:13:26,334 --> 00:13:28,234
IS THAT WHY YOU WROTE THAT
ON THE BLACKBOARD?
344
00:13:29,400 --> 00:13:31,234
"I'LL BE QUIET
WHEN I'M DEAD."
345
00:13:31,300 --> 00:13:32,234
WERE YOU THREATENING THEM?
346
00:13:34,334 --> 00:13:35,367
I...
347
00:13:36,934 --> 00:13:38,267
KEEP THEM AWAY.
348
00:13:38,334 --> 00:13:40,067
THEY MUSTN'T
COME BACK.
349
00:13:41,534 --> 00:13:43,067
IT'S NOT SAFE.
350
00:13:45,567 --> 00:13:46,501
SHE'S GONE.
351
00:13:51,834 --> 00:13:52,767
I'LL GET THE CAR READY.
352
00:13:52,834 --> 00:13:55,100
Eli: KEEP THEM
AWAY FROM WHAT,
353
00:13:55,167 --> 00:13:56,634
THE SCHOOL
OR FROM HER?
354
00:13:56,701 --> 00:13:58,701
I DON'T KNOW. I'M JUST
GLAD THAT THE PLACE
355
00:13:58,767 --> 00:14:00,334
IS CLOSED DOWN
FOR A FEW DAYS.
356
00:14:00,400 --> 00:14:02,634
YOU KNOW, MAYBE THERE
IS A--A BAD TEACHER
357
00:14:02,701 --> 00:14:03,801
OR SOMETHING
AT THE SCHOOL ITSELF.
358
00:14:03,868 --> 00:14:05,968
LIKE WHAT,
TOXIC MOLD?
359
00:14:06,033 --> 00:14:07,400
THE WOMAN KILLED
HER OWN BABY.
360
00:14:07,467 --> 00:14:09,234
SHE SUFFERED
FROM POSTPARTUM
PSYCHOSIS.
361
00:14:09,300 --> 00:14:10,501
I'M JUST CONSIDERING
OUR OPTIONS.
362
00:14:10,567 --> 00:14:12,267
I MEAN,
WE KNOW WHO SHE IS.
363
00:14:12,334 --> 00:14:14,033
WE HAVE NO IDEA
WHAT SHE WANTS,
364
00:14:14,100 --> 00:14:16,033
AND ALL WE KNOW
IS THAT SHE SEEMED,
365
00:14:16,100 --> 00:14:17,767
YOU KNOW, GENUINELY
CONCERNED ABOUT THOSE KIDS.
366
00:14:17,834 --> 00:14:19,868
THEN WHY DOES SHE
KEEP KIDNAPPING THEM
367
00:14:19,934 --> 00:14:22,200
AND WRITING
DEATH THREATS
ON THEIR BOARD?
368
00:14:22,267 --> 00:14:24,501
OK, SHE DID NOT WRITE THAT.
A BOY DID.
369
00:14:24,567 --> 00:14:26,267
OH, WHEN HE WAS 5?
DID SHE POSSESS HIM?
370
00:14:26,334 --> 00:14:28,501
OR MAYBE IT WAS
AUTOMATIC WRITING.
371
00:14:28,567 --> 00:14:30,534
WHAT KIND OF WRITING?
372
00:14:30,601 --> 00:14:32,834
AUTOMATIC WRITING--
CHANNELING A SPIRIT
373
00:14:32,901 --> 00:14:34,634
WITHOUT
BEING COMPLETELY
TAKEN OVER BY IT.
374
00:14:34,701 --> 00:14:36,167
YOU MEAN
VERSUS POSSESSION.
375
00:14:36,234 --> 00:14:37,834
YEAH.
376
00:14:37,901 --> 00:14:41,033
YOU KNOW, IT'S KIND OF
LIKE IF YOU CAN BELIEVE
377
00:14:41,100 --> 00:14:44,501
THAT A--
A SPIRIT CAN EXIST
OUTSIDE A BODY...
378
00:14:44,567 --> 00:14:48,834
THEN IS IT SUCH A STRETCH
TO THINK IT COULD PUSH
INTO ANOTHER BODY?
379
00:14:53,033 --> 00:14:54,133
HOW ARE YOU DOIN'?
380
00:14:55,701 --> 00:14:57,767
YOU KNOW, ALL RIGHT,
I'M HERE TO LEARN.
I'M HERE TO SUPPORT.
381
00:14:57,834 --> 00:14:59,868
I DON'T WANNA GET IN THE WAY
OF YOU GUYS SOLVING THIS.
382
00:14:59,934 --> 00:15:01,634
OK, GOOD, BECAUSE WE
HAVE TO FIGURE OUT
383
00:15:01,701 --> 00:15:03,634
HOW SHE GOT THOSE KIDS
OUT OF THE SCHOOL
384
00:15:03,701 --> 00:15:05,300
AND STOP IT
FROM HAPPENING AGAIN,
385
00:15:05,367 --> 00:15:07,534
WHICH MEANS WE
HAVE TO GO BACK THERE.
386
00:15:07,601 --> 00:15:09,367
SO, WHAT?
WE'RE LOOKING
FOR ANOTHER WAY
387
00:15:09,434 --> 00:15:10,434
TO LEAVE
THE BUILDING?
388
00:15:10,501 --> 00:15:12,801
BUT THERE WAS ONLY
ONE EXIT TO THE BUILDING.
389
00:15:12,868 --> 00:15:14,801
UH, FOR THE GROUNDS.
390
00:15:14,868 --> 00:15:16,467
WHERE ELSE
WOULD AN EXIT GO?
391
00:15:17,634 --> 00:15:19,100
TO THE TUNNELS.
392
00:15:20,167 --> 00:15:21,434
THE WHAT?
393
00:15:21,501 --> 00:15:23,801
I CAN'T BELIEVE
I'M GONNA HAVE
TO TELL YOU THIS.
394
00:15:23,868 --> 00:15:25,234
UNDERNEATH
GRANDVIEW,
THERE'S A SERIES
395
00:15:25,300 --> 00:15:27,167
OF TUNNELS, A TOWN
UNDER THE TOWN.
396
00:15:27,234 --> 00:15:29,501
AND A LOT OF PEOPLE
DIED THERE.
397
00:15:29,567 --> 00:15:31,834
THEY STILL THINK
IT'S THEIR HOME,
398
00:15:31,901 --> 00:15:33,167
IF YOU CATCH
MY DRIFT.
399
00:15:33,234 --> 00:15:34,567
UH, YOU FOUND THIS?
400
00:15:34,634 --> 00:15:37,067
NO. THE ONLY PERSON
THAT'S BEEN DOWN
THERE IS MELINDA.
401
00:15:37,133 --> 00:15:39,767
AND I'M SORRY.
I CAN'T HAVE YOUR
BACK ON THIS ONE.
402
00:15:39,834 --> 00:15:41,534
I'M SCARED
OF SMALL SPACES.
403
00:15:43,434 --> 00:15:44,367
I'M NOT.
404
00:15:49,400 --> 00:15:52,033
Melinda: GOOD JOB GETTING
PAST THE SECURITY GUARD.
405
00:15:52,100 --> 00:15:53,167
RIGHT.
406
00:16:01,868 --> 00:16:03,167
SAM.
407
00:16:03,234 --> 00:16:04,400
HUH?
408
00:16:08,701 --> 00:16:10,601
Sam: IS THAT
ANOTHER DOOR? WHAT THE?
409
00:16:10,667 --> 00:16:12,133
DO YOU THINK THE KIDS
FOUND THIS?
410
00:16:12,200 --> 00:16:13,701
YEAH, OR WERE
LED TO IT.
411
00:16:13,767 --> 00:16:14,934
HANG ON.
412
00:16:20,701 --> 00:16:22,634
[DOOR CREAKS]
413
00:16:28,634 --> 00:16:29,701
[CREAKS, SLAMS]
414
00:16:31,200 --> 00:16:33,734
I DON'T REMEMBER
THAT DOOR BEING
SPRING-LOADED.
415
00:16:33,801 --> 00:16:36,701
YEAH, THAT'S 'CAUSE
IT WASN'T.
416
00:16:52,868 --> 00:16:53,801
WHAT IS IT?
417
00:17:00,734 --> 00:17:02,467
WHAT'S GOIN' ON?
418
00:17:04,033 --> 00:17:05,501
[SCREAMS]
419
00:17:12,167 --> 00:17:15,467
[HUMMING ALOUETTE]
420
00:17:15,534 --> 00:17:18,434
SING YOUR LITTLE SONG,
GREER, IF IT CALMS YOU.
421
00:17:18,501 --> 00:17:20,100
DOESN'T BOTHER ME A BIT.
422
00:17:20,167 --> 00:17:23,167
SOOTHE YOURSELF, AS YOU
SOOTHED YOUR CHILD,
423
00:17:23,234 --> 00:17:25,467
AND SAY GOOD-BYE
TO HIM NOW,
424
00:17:25,534 --> 00:17:29,133
TO ALL THE BAD MEMORIES,
ALL THE THOUGHTS.
425
00:17:29,200 --> 00:17:31,167
LET IT ALL GO.
426
00:17:31,234 --> 00:17:33,634
[ELECTRICITY CRACKLES]
427
00:17:33,701 --> 00:17:34,667
WHAT?
428
00:17:34,734 --> 00:17:35,901
MELINDA.
429
00:17:35,968 --> 00:17:38,234
[ELECTRICITY CRACKLING]
430
00:17:38,300 --> 00:17:39,567
SHE NEEDS MORE.
431
00:17:40,634 --> 00:17:41,667
WAIT, MELINDA.
432
00:17:41,734 --> 00:17:42,667
WHAT'S GOING ON?
STOP.
433
00:17:46,267 --> 00:17:48,367
[THUNDER]
434
00:17:58,133 --> 00:18:01,133
MELINDA, MELINDA, HEY.
435
00:18:01,200 --> 00:18:02,501
HEY.
436
00:18:02,567 --> 00:18:03,601
ARE YOU OK?
437
00:18:03,667 --> 00:18:05,634
YEAH. OH, YEAH.
438
00:18:07,934 --> 00:18:10,167
[PANTING] UM...
439
00:18:10,234 --> 00:18:12,501
SOMETIMES I GET--
I GET VISIONS.
WHAT?
440
00:18:12,567 --> 00:18:15,100
IT'S LIKE I WAS GREER,
AND NOW I KNOW.
441
00:18:15,167 --> 00:18:16,834
YOU KNOW WHAT?
442
00:18:18,300 --> 00:18:19,634
HOW SHE DIED.
443
00:18:28,501 --> 00:18:30,267
SAM PRETTY MUCH
HAS REACHED HIS LIMIT.
444
00:18:30,334 --> 00:18:32,601
I MEAN, MENTAL PATIENTS
HAUNTING CHILDREN
AND THEN POSSESSIONS,
445
00:18:32,667 --> 00:18:35,133
AND, OH, YEAH, LET'S NOT
FORGET THE TUNNELS.
446
00:18:35,200 --> 00:18:37,033
THAT'S A LOT
TO SWALLOW.
447
00:18:37,100 --> 00:18:38,133
MAKE SENSE, THOUGH.
448
00:18:38,200 --> 00:18:40,300
THE COURTHOUSE IS
RIGHT IN THE TOWN SQUARE.
449
00:18:40,367 --> 00:18:42,434
THE TUNNELS
LET THEM TRANSPORT
THE CRIMINALLY INSANE.
450
00:18:42,501 --> 00:18:44,067
YEAH, SO THAT PEOPLE
COULDN'T SEE THEM.
451
00:18:44,133 --> 00:18:45,067
BUT ELECTRIC
SHOCK THERAPY?
452
00:18:45,133 --> 00:18:46,868
I MEAN, HOW DID THEY
GET AWAY WITH THAT?
453
00:18:46,934 --> 00:18:48,200
WELL,
IN THE FIFTIES,
IT WAS STILL
454
00:18:48,267 --> 00:18:49,968
KIND OF
AN EXPERIMENTAL
TREATMENT.
455
00:18:50,033 --> 00:18:51,767
YOU KNOW, PATIENTS
HAD DIFFERENT
REACTIONS,
456
00:18:51,834 --> 00:18:52,968
AND HOSPITALS
WEREN'T EXACTLY
457
00:18:53,033 --> 00:18:54,467
ADVERTISING
THEIR FATALITIES.
458
00:18:54,534 --> 00:18:56,167
IT WAS SO SAD.
SHE WAS JUST TRYING
TO CALM HERSELF,
459
00:18:56,234 --> 00:18:57,734
YOU KNOW, AND SHE
KEPT SINGING THAT SONG.
460
00:18:57,801 --> 00:18:59,200
ALOUETTE.
YEAH.
461
00:18:59,267 --> 00:19:00,801
YOU KNOW WHAT THAT
SONG EVEN MEANS?
462
00:19:00,868 --> 00:19:03,367
IT'S A BUNCH OF FRENCH WORDS
THAT NOBODY UNDERSTANDS.
463
00:19:03,434 --> 00:19:04,501
IT'S ABOUT A BIRD,
464
00:19:04,567 --> 00:19:06,467
AND THE REFRAIN MEANS
TO "PLUCK YOUR HEAD."
465
00:19:06,534 --> 00:19:08,100
THAT'S DISGUSTING.
466
00:19:08,167 --> 00:19:09,534
NO, IT'S INSULTING...
467
00:19:09,601 --> 00:19:10,868
TO PSYCHIATRY...
468
00:19:10,934 --> 00:19:11,868
TO ME.
469
00:19:11,934 --> 00:19:14,267
TO PLUCK YOUR HEAD.
GET IT?
470
00:19:14,334 --> 00:19:15,968
ALL RIGHT, FINE,
SO IT'S NOT EXACTLY SUBTLE,
471
00:19:16,033 --> 00:19:18,734
BUT WHY DO YOU THINK
SHE'D BE TAKING A SWIPE
AT HER DOCTORS?
472
00:19:18,801 --> 00:19:20,234
NOT DOCTORS, DOCTOR.
473
00:19:20,300 --> 00:19:23,200
THE ONE THAT SHE
KEEPS MENTIONING IN ALL
OF HER THERAPY JOURNALS
474
00:19:23,267 --> 00:19:24,934
IS THIS DR. BYRD,
A CALVIN BYRD.
475
00:19:25,000 --> 00:19:27,300
SO THAT'S THE GUY
THAT I SAW IN MY VISION.
476
00:19:27,367 --> 00:19:30,367
IF IT IS, HE MIGHT HAVE
DONE MORE THAN OVERSEE
HER FINAL ZAP.
477
00:19:30,434 --> 00:19:32,267
HE MAY HAVE
PLUCKED HER HEAD,
478
00:19:32,334 --> 00:19:33,767
GOT INSIDE OF HER MIND.
479
00:19:33,834 --> 00:19:35,634
YEAH, BUT THAT STILL
DOESN'T TELL ME
WHAT SHE WANTS.
480
00:19:35,701 --> 00:19:37,868
IT WOULD HELP
TO KNOW WHAT HE FOUND
INSIDE OF HER MIND,
481
00:19:37,934 --> 00:19:40,801
BECAUSE IF GREER'S NUTS,
WE'LL NEVER BE ABLE
TO REASON WITH HER,
482
00:19:40,868 --> 00:19:43,501
AND YOU'LL NEVER
BE ABLE TO GET HER
INTO THE LIGHT.
483
00:19:45,400 --> 00:19:47,901
[TELEPHONE RINGS]
484
00:19:47,968 --> 00:19:49,267
HELLO.
485
00:19:49,334 --> 00:19:50,934
Sam: HEY. HI. IT'S ME.
486
00:19:51,000 --> 00:19:54,300
I KNOW IT'S LATE,
BUT, UH, CAN WE TALK?
487
00:19:54,367 --> 00:19:56,701
ARE YOU HOME?
488
00:19:56,767 --> 00:19:58,734
I'M ACTUALLY
ON YOUR FRONT PORCH.
489
00:19:58,801 --> 00:20:00,534
WELL, THEN, COME IN.
490
00:20:02,801 --> 00:20:06,033
HEY. I JUST DIDN'T WANT
TO, UH, SCARE YOU.
491
00:20:06,100 --> 00:20:07,033
RIGHT.
492
00:20:07,100 --> 00:20:09,701
KIND OF LIKE
I SCARED YOU TONIGHT.
493
00:20:09,767 --> 00:20:11,100
NO, IT'S OK.
494
00:20:12,667 --> 00:20:15,033
I'M REALLY--
I'M OK IF--
495
00:20:15,100 --> 00:20:16,200
IF YOU ARE.
496
00:20:16,267 --> 00:20:17,200
I AM.
497
00:20:17,267 --> 00:20:19,133
I'M OK.
498
00:20:20,801 --> 00:20:22,434
ARE THOSE
BUNNY SLIPPERS?
499
00:20:22,501 --> 00:20:23,901
SORRY.
500
00:20:23,968 --> 00:20:24,901
HEH.
501
00:20:24,968 --> 00:20:27,801
REALLY WASN'T
EXPECTING COMPANY.
502
00:20:27,868 --> 00:20:31,467
IN FACT, I THOUGHT
I WOULD NEVER
SEE YOU AGAIN.
503
00:20:34,868 --> 00:20:36,467
I LIVE IN YOUR GARAGE.
504
00:20:36,534 --> 00:20:38,033
YOU KNOW WHAT I MEAN.
505
00:20:40,033 --> 00:20:44,734
MELINDA, THIS THING YOU
WENT THROUGH IN THE SCHOOL...
506
00:20:44,801 --> 00:20:46,234
THE VISION.
507
00:20:46,300 --> 00:20:47,901
DID IT HURT? I MEAN,
WERE YOU IN ANY PAIN?
508
00:20:49,300 --> 00:20:51,300
IT'S KIND OF
LIKE A DREAM.
509
00:20:51,367 --> 00:20:55,000
BUT, YOU KNOW,
I MEAN, I-IT FEELS REAL
WHEN IT'S HAPPENING,
510
00:20:55,067 --> 00:20:57,000
BUT IT'S ALSO
KIND OF REMOVED.
511
00:20:57,067 --> 00:20:58,934
JUST PLEASE...
512
00:20:59,000 --> 00:21:00,634
DON'T WORRY ABOUT ME.
513
00:21:01,868 --> 00:21:04,701
HAVE YOU EVER MET ANYBODY
WHO CAN DO WHAT YOU DO?
514
00:21:04,767 --> 00:21:05,701
BESIDES ELI.
515
00:21:05,767 --> 00:21:08,000
SOME, BUT NOT MANY.
516
00:21:09,334 --> 00:21:12,000
I JUST WISH
YOU COULD SUBCONTRACT
TO THEM RIGHT NOW.
517
00:21:12,067 --> 00:21:13,801
YOU KNOW...
518
00:21:16,501 --> 00:21:18,067
YOU COULD
KEEP HELPING ME.
519
00:21:21,601 --> 00:21:22,834
OK.
520
00:21:24,334 --> 00:21:25,701
ALL RIGHT,
WHERE ARE WE?
521
00:21:25,767 --> 00:21:27,801
WELL, WE THINK
THAT THE GHOST DIED
522
00:21:27,868 --> 00:21:29,667
AS A RESULT OF
ELECTROSHOCK THERAPY,
523
00:21:29,734 --> 00:21:32,167
BUT THAT DOESN'T EXPLAIN
WHAT'S KEEPING HER
EARTHBOUND.
524
00:21:32,234 --> 00:21:34,968
ELI THINKS IT'S MORE
ABOUT HER TREATMENT
WITH THIS--
525
00:21:35,033 --> 00:21:37,033
THIS DR. BYRD GUY.
526
00:21:37,100 --> 00:21:39,534
DR. BYRD. OK.
WHAT DOES THAT HAVE TO DO
527
00:21:39,601 --> 00:21:41,167
WITH HER WARNINGS
ABOUT THE CHILDREN?
528
00:21:41,234 --> 00:21:42,167
I DON'T KNOW.
529
00:21:42,234 --> 00:21:44,667
I MEAN, HONESTLY
I THINK WHAT DRIVES HER
530
00:21:44,734 --> 00:21:48,467
IS HER GUILT ABOUT,
YOU KNOW, WHAT SHE DID
TO HER CHILD.
531
00:21:48,534 --> 00:21:51,934
I'M GUESSING IT WAS
TOO LONG AGO FOR DR. BYRD
TO GIVE YOU ANY INSIGHT.
532
00:21:52,000 --> 00:21:54,033
WELL, HE LOOKED LIKE
HE WAS IN HIS FIFTIES,
533
00:21:54,100 --> 00:21:55,801
AND THAT WAS
50 YEARS AGO, SO...
534
00:21:55,868 --> 00:21:56,801
HE'S DEAD.
535
00:21:56,868 --> 00:21:58,067
HOW OLD WAS GREER?
536
00:21:58,133 --> 00:21:59,067
23.
537
00:21:59,133 --> 00:22:00,067
[SIGHS]
538
00:22:02,734 --> 00:22:03,701
HER HUSBAND...
539
00:22:06,968 --> 00:22:09,534
LEIGHTON. YOU KNOW,
I SAW HIS NAME
IN THE FILES,
540
00:22:09,601 --> 00:22:12,968
'CAUSE HE WAS THE--
HE WAS THE PERSON THAT
CHECKED HER IN. I'M...
541
00:22:15,434 --> 00:22:18,400
OK, THERE'S A FEW
CLARKSONS. HERE.
542
00:22:20,167 --> 00:22:23,167
LEIGHTON DIED IN 2001.
543
00:22:23,234 --> 00:22:24,501
WAIT A MINUTE.
WHAT'S THAT?
544
00:22:24,567 --> 00:22:27,300
IT'S A WEDDING
ANNOUNCEMENT.
545
00:22:27,367 --> 00:22:30,367
"DOUGLAS CLARKSON,
THE SON OF LEIGHTON
AND GREER CLARKSON."
546
00:22:30,434 --> 00:22:31,434
WAIT.
SHE HAD ANOTHER KID.
547
00:22:31,501 --> 00:22:32,567
NO.
548
00:22:32,634 --> 00:22:35,100
DOUGLAS WAS THE NAME OF
THE CHILD SHE DROWNED.
549
00:22:35,167 --> 00:22:37,100
SHE WAS COMMITTED
FOR KILLING HER SON...
550
00:22:39,267 --> 00:22:40,567
BUT HE'S ALIVE.
551
00:22:46,767 --> 00:22:48,467
I NEVER KNEW MY MOTHER.
552
00:22:48,534 --> 00:22:50,267
I WAS 2 1/2
WHEN SHE DIED,
553
00:22:50,334 --> 00:22:52,367
SO I DON'T REALLY HAVE
ANY MEMORIES OF HER.
554
00:22:54,100 --> 00:22:57,400
I KNOW SHE DIED
IN THE HOSPITAL.
I JUST DON'T KNOW THE CAUSE.
555
00:22:57,467 --> 00:22:58,400
HOSPITAL?
556
00:22:58,467 --> 00:23:00,667
THAT'S A KIND WORD.
557
00:23:00,734 --> 00:23:02,467
IT WAS AN ASYLUM.
558
00:23:02,534 --> 00:23:05,067
SHE DIED
OF HEART FAILURE.
559
00:23:05,133 --> 00:23:07,133
WHY WASN'T IT
IN THE HOSPITAL'S RECORDS?
560
00:23:07,200 --> 00:23:08,167
I DON'T KNOW.
561
00:23:08,234 --> 00:23:10,968
THEY KEPT A LOT OF
THINGS HIDDEN BACK THEN,
562
00:23:11,033 --> 00:23:12,801
MY MOTHER
BEING ONE OF THEM.
563
00:23:12,868 --> 00:23:14,267
YOU DON'T THINK
SHE BELONGED THERE?
564
00:23:15,367 --> 00:23:17,601
MY DAD DIDN'T KNOW
WHAT ELSE TO DO.
565
00:23:17,667 --> 00:23:19,334
ONE DAY, HE'S READING
THE NEWSPAPER,
566
00:23:19,400 --> 00:23:22,234
AND SHE'S
GIVING ME A BATH
IN THE KITCHEN SINK,
567
00:23:22,300 --> 00:23:25,434
AND SHE TURNS
TO HIM, TELLS HIM,
"TAKE THE BABY AWAY,"
568
00:23:25,501 --> 00:23:29,133
AND THEN SHE
TELLS HIM SHE NEEDS
TO BE TAKEN AWAY.
569
00:23:29,200 --> 00:23:32,234
DO YOU KNOW,
ACCORDING TO HER FILES,
570
00:23:32,300 --> 00:23:34,667
SAYS SHE ACTUALLY
DROWNED YOU.
571
00:23:34,734 --> 00:23:36,934
OBVIOUSLY THERE WAS
SOME CONFUSION.
572
00:23:40,734 --> 00:23:43,534
BY ALL ACCOUNTS,
BEFORE I WAS BORN,
573
00:23:43,601 --> 00:23:47,167
MY MOTHER WAS A LOVING,
574
00:23:47,234 --> 00:23:51,234
SMART, SANE WOMAN.
575
00:23:52,901 --> 00:23:55,501
YOU CAN'T BLAME YOURSELF
FOR YOUR MOTHER'S ILLNESS.
576
00:23:55,567 --> 00:23:58,234
"HER DARK THOUGHTS,"
577
00:23:58,300 --> 00:24:01,000
THAT'S WHAT MY DAD
SAID SHE CALLED 'EM.
578
00:24:01,067 --> 00:24:03,334
AND SHE WAS AFRAID
OF HURTING ME,
579
00:24:03,400 --> 00:24:04,667
BUT SHE NEVER DID.
580
00:24:04,734 --> 00:24:07,334
WHY WAS SHE IN THERE
FOR SO LONG?
581
00:24:07,400 --> 00:24:08,501
SHE NEVER RECOVERED.
582
00:24:08,567 --> 00:24:10,934
SHE JUST GOT WORSE.
583
00:24:11,000 --> 00:24:13,067
DID YOU KNOW THAT SHE GOT
ELECTROSHOCK THERAPY?
584
00:24:13,133 --> 00:24:14,467
MM-HMM.
585
00:24:16,300 --> 00:24:18,234
THEY SAID
SHE REQUESTED IT.
586
00:24:18,300 --> 00:24:19,534
SHE WANTED
TO GET BETTER.
587
00:24:19,601 --> 00:24:21,901
BUT DAD SAID SHE
CAME OUT OF THE SESSIONS
588
00:24:21,968 --> 00:24:24,000
RAMBLING
WORSE THAN EVER.
589
00:24:24,067 --> 00:24:26,667
SAYS IN HER FILES
TIME AND TIME AGAIN,
590
00:24:26,734 --> 00:24:29,501
HER SESSIONS
WITH A DR. BYRD.
591
00:24:29,567 --> 00:24:31,868
DID YOUR FATHER
EVER MENTION HIM?
592
00:24:31,934 --> 00:24:33,334
NO, NOT A WORD.
593
00:24:33,400 --> 00:24:35,667
AND BELIEVE ME,
I HEARD HIM RANT
594
00:24:35,734 --> 00:24:38,000
ABOUT EVERY OTHER SOUL
IN THAT PLACE.
595
00:24:39,567 --> 00:24:41,467
SO, WHO IS THIS DOCTOR?
596
00:24:41,534 --> 00:24:44,000
THAT'S WHAT I'M WONDERING.
597
00:24:44,067 --> 00:24:46,033
I DID A SEARCH
OF RECORDS AT THE TIME,
598
00:24:46,100 --> 00:24:49,067
AND THERE'S NO MENTION
AT THE HOSPITAL
OF A DR. BYRD
599
00:24:49,133 --> 00:24:50,300
OR WITH PRIVILEGES.
600
00:24:50,367 --> 00:24:52,167
WELL, HOW COULD THAT BE?
601
00:24:52,234 --> 00:24:54,868
I DON'T KNOW.
MAYBE HE WAS A FIGMENT
OF HER IMAGINATION.
602
00:24:54,934 --> 00:24:56,834
THINK ABOUT IT.
THE HUSBAND ALWAYS
VISITED HER.
603
00:24:56,901 --> 00:24:58,934
HE NEVER KNEW HIM.
I MEAN, SHE WAS GETTIN'
604
00:24:59,000 --> 00:25:00,868
ENOUGH SHOCK THERAPY
TO KILL HER.
605
00:25:00,934 --> 00:25:03,767
ALONG THE WAY,
MAYBE SHE LOST
HER RATIONAL MIND
606
00:25:03,834 --> 00:25:05,801
WAIT A MINUTE.
607
00:25:05,868 --> 00:25:07,534
THE RATIONAL MIND.
608
00:25:07,601 --> 00:25:09,400
MM-HMM.
609
00:25:09,467 --> 00:25:11,000
OK...
610
00:25:11,067 --> 00:25:12,934
WHAT ELSE
DOES SHOCK THERAPY DO?
611
00:25:13,000 --> 00:25:14,000
IT CALMS PEOPLE.
612
00:25:14,067 --> 00:25:16,234
IT SUPPRESSES COGNITIVE
AREAS OF THE BRAIN.
613
00:25:16,300 --> 00:25:19,267
ARE YOU TALKING ABOUT
THE PART OF THE BRAIN
614
00:25:19,334 --> 00:25:23,467
THAT ALLOWS PEOPLE TO ONLY
BELIEVE WHAT THEY CAN
ACTUALLY SEE AND TOUCH,
615
00:25:23,534 --> 00:25:25,434
LIKE THE PART I HAD
WAY TOO MUCH OF?
616
00:25:25,501 --> 00:25:26,901
HE'S GOTTA BE IN HERE.
617
00:25:26,968 --> 00:25:29,801
THERE'S GOTTA BE
A REASON HE'S CONNECTED
TO THE HOSPITAL.
618
00:25:30,934 --> 00:25:33,701
WELL, DID YOU CHECK
ALL THE STAFF RECORDS,
619
00:25:33,767 --> 00:25:35,634
I MEAN, BEFORE GREER
WAS ADMITTED?
620
00:25:35,701 --> 00:25:38,868
I DID, FROM 1950 TO '59
AND '40 TO '49.
621
00:25:38,934 --> 00:25:41,267
WE GO BACK ANY FURTHER,
I'M GONNA BE AT
SIGMUND FREUD.
622
00:25:41,334 --> 00:25:43,434
WELL, KEEP GOIN',
623
00:25:43,501 --> 00:25:46,100
ALL THE WAY BACK
IF YOU HAVE TO.
624
00:25:46,167 --> 00:25:47,334
[SIGHS]
625
00:25:50,000 --> 00:25:53,133
SORRY TO BARGE IN,
BUT YOUR DOOR
WAS WIDE OPEN.
626
00:25:53,200 --> 00:25:54,167
ALWAYS.
627
00:25:54,234 --> 00:25:57,701
YOU HAVE TO SEE WHAT
ELI AND I FOUND. LOOK.
628
00:25:59,200 --> 00:26:00,968
WAIT. THAT'S HIM.
THAT'S DR. BYRD.
629
00:26:01,033 --> 00:26:03,834
YEAH, BUT LOOK WHAT IT
SAYS AT THE BOTTOM.
630
00:26:03,901 --> 00:26:05,667
"DR. CALVIN BYRD AND STAFF,
631
00:26:05,734 --> 00:26:07,601
VALLEY SPRINGS SANATORIUM.
APRIL, 1922."
632
00:26:07,667 --> 00:26:09,801
GREER DIDN'T EVEN
GO INTO THE ASYLUM
UNTIL 1956.
633
00:26:09,868 --> 00:26:13,167
YEAH, BUT THIS IS
THE MAN I SAW.
HE WAS A DOCTOR THERE.
634
00:26:13,234 --> 00:26:15,467
EXACTLY, SO HE MUST HAVE
DIED NOT LONG AFTER THAT,
635
00:26:15,534 --> 00:26:17,501
STAYED AT THE HOSPITAL,
BUT OUT OF THE LIGHT.
636
00:26:17,567 --> 00:26:20,000
ELI SAYS THAT SHOCK THERAPY
CAN REWIRE YOUR BRAIN,
637
00:26:20,067 --> 00:26:22,334
TAKE AWAY THAT PART
THAT SAYS GHOSTS
DON'T MAKE SENSE.
638
00:26:22,400 --> 00:26:24,567
WHAT IF SHE
COULD SEE HIM
639
00:26:24,634 --> 00:26:26,133
AND HE GOT
INSIDE HER HEAD?
640
00:26:26,200 --> 00:26:28,234
AND PLUCKED IT.
HE WASN'T A DELUSION.
641
00:26:28,300 --> 00:26:30,968
SO GREER'S MIND
WAS BEING TWISTED
BY A GHOST
642
00:26:31,033 --> 00:26:32,734
WHILE SHE WAS
STILL ALIVE.
643
00:26:42,667 --> 00:26:45,234
Sam: LOOK, JUST TO
GET IT ALL STRAIGHT,
644
00:26:45,300 --> 00:26:47,167
THIS GHOST
THAT'S HAUNTING THE KIDS,
645
00:26:47,234 --> 00:26:48,834
SHE WAS HAUNTED HERSELF
BY ANOTHER GHOST?
646
00:26:48,901 --> 00:26:50,200
YEAH, AND BASED
ON HER JOURNALS,
647
00:26:50,267 --> 00:26:52,067
WE KNOW IT'S WHEN
SHE WAS STILL ALIVE.
648
00:26:52,133 --> 00:26:54,234
AND THIS OTHER GHOST
WAS THE GHOST OF A DOCTOR.
649
00:26:54,300 --> 00:26:56,400
THAT'S WHY HE WAS ABLE
TO DO SO MUCH DAMAGE.
650
00:26:56,467 --> 00:26:58,567
SHE TRUSTED HIM,
YOU KNOW. HE WAS
AN AUTHORITY FIGURE.
651
00:26:58,634 --> 00:26:59,601
A GHOST?
652
00:26:59,667 --> 00:27:01,534
YEAH. HE KNEW
HOW TO TALK TO HER.
653
00:27:01,601 --> 00:27:03,234
I MEAN, HE WAS
PROBABLY THE ONE
654
00:27:03,300 --> 00:27:05,434
WHO CONVINCED HER
THAT SHE KILLED
HER OWN CHILD.
655
00:27:05,501 --> 00:27:08,434
HER ABILITY TO DO THIS,
I MEAN, TALK TO GHOSTS,
656
00:27:08,501 --> 00:27:09,601
WAS FROM
ELECTROSHOCK THERAPY.
657
00:27:09,667 --> 00:27:11,400
THAT'S MY BEST GUESS
SO FAR.
658
00:27:11,467 --> 00:27:12,734
WHY'S SHE DOIN' THIS AT ALL?
659
00:27:12,801 --> 00:27:14,634
I MEAN, I THOUGHT
YOU SAID GHOSTS ONLY HAUNT
660
00:27:14,701 --> 00:27:16,133
THINGS THAT THEY KNOW,
PEOPLE THEY KNOW.
661
00:27:16,200 --> 00:27:17,968
I DON'T KNOW. HE WAS
A DOCTOR, YOU KNOW.
662
00:27:18,033 --> 00:27:19,400
MAYBE HE HAD A--
A GOD COMPLEX,
663
00:27:19,467 --> 00:27:21,033
OR MAYBE THEY WERE
CONNECTED IN SOME WAY
664
00:27:21,100 --> 00:27:22,467
THAT WE DON'T
EVEN KNOW ABOUT YET.
665
00:27:22,534 --> 00:27:24,701
AT LEAST I'M NOT
THE ONLY ONE WHO'S
IN THE DARK.
666
00:27:24,767 --> 00:27:26,100
I HAVE TO GET IN THERE, OK?
667
00:27:26,167 --> 00:27:27,968
I NEED TO FIND OUT
WHAT SHE'S PROTECTING
THOSE KIDS FROM.
668
00:27:28,033 --> 00:27:30,033
IT'S SATURDAY.
IT'S CLOSED.
669
00:27:30,100 --> 00:27:31,200
THERE'S NO ONE...
670
00:27:32,901 --> 00:27:35,267
HERE TO LET US IN.
671
00:27:35,334 --> 00:27:37,834
YOU'D JUST BREAK IN
THERE, WOULDN'T YOU?
YEAH.
672
00:27:37,901 --> 00:27:39,601
I GOT A KEY
FROM THE CONTRACTOR.
673
00:27:39,667 --> 00:27:41,234
LET'S GO.
674
00:27:41,300 --> 00:27:42,667
WAIT.
WHERE ARE WE GOING?
675
00:27:42,734 --> 00:27:45,534
I MEAN, CAN'T YOU
JUST YELL OUT
THE GHOST'S NAME?
676
00:27:45,601 --> 00:27:47,534
I DON'T THINK
THAT'S A GOOD IDEA.
677
00:27:47,601 --> 00:27:50,167
SHE KEEPS GIVING
WARNINGS TO PEOPLE
ABOUT BEING QUIET.
678
00:27:50,234 --> 00:27:51,501
WHY? CAN GHOSTS SLEEP?
679
00:27:51,567 --> 00:27:53,133
ARE--ARE WE GONNA
WAKE ONE UP?
680
00:27:53,200 --> 00:27:57,334
IF YOU MAKE NOISE,
YOU CAN'T HEAR HIM
WHISPERING.
681
00:27:57,400 --> 00:27:58,934
GREER.
682
00:28:00,200 --> 00:28:03,234
MAKES HIM ANGRY WHEN
HE CAN'T BE HEARD.
683
00:28:03,300 --> 00:28:05,300
DR. BYRD?
684
00:28:05,367 --> 00:28:08,167
IS THAT WHAT YOU WERE
PROTECTING THOSE CHILDREN FROM?
685
00:28:09,267 --> 00:28:10,934
THAT'S WHY YOU
TAUGHT THEM THAT SONG,
686
00:28:11,000 --> 00:28:13,801
SO THAT THEY COULD
GIVE YOU A WARNING
ANYTIME HE GOT CLOSE.
687
00:28:13,868 --> 00:28:17,434
I DON'T WANT HIM
TO PLUCK THEIR HEADS.
688
00:28:18,801 --> 00:28:21,067
THAT'S HOW HE GOT
THAT LITTLE BOY
689
00:28:21,133 --> 00:28:23,400
TO WRITE ON THE BLACKBOARD,
ISN'T IT?
690
00:28:23,467 --> 00:28:24,434
THEY'RE SO TRUSTING,
691
00:28:24,501 --> 00:28:27,701
AND THEN
WHEN HE WHISPERS
IN THEIR EARS,
692
00:28:27,767 --> 00:28:30,934
IT'S HARD
NOT TO LISTEN,
693
00:28:31,000 --> 00:28:33,334
EVEN WHEN
YOU CAN'T BELIEVE
WHAT HE'S SAYING.
694
00:28:33,400 --> 00:28:37,000
LIKE WHEN HE TOLD YOU
THAT YOU HURT YOUR OWN CHILD.
695
00:28:37,067 --> 00:28:38,767
DR. BYRD UNDERSTOOD.
696
00:28:38,834 --> 00:28:42,067
I LOVED MY SON SO MUCH,
697
00:28:42,133 --> 00:28:45,434
SOMETIMES IT HURT
TO EVEN LOOK AT HIM.
698
00:28:45,501 --> 00:28:47,501
HE WAS SO SMALL
AND FRAGILE.
699
00:28:48,934 --> 00:28:53,834
I DON'T KNOW WHY
I DID WHAT I DID,
700
00:28:53,901 --> 00:28:55,200
NOT ANYMORE.
701
00:28:55,267 --> 00:28:56,968
I WAS SICK.
702
00:28:57,033 --> 00:28:59,167
Y-YOUR SON
IS STILL ALIVE.
703
00:28:59,234 --> 00:29:01,634
NO, I REMEMBER HOLDING
HIM IN THE WATER.
704
00:29:01,701 --> 00:29:03,033
NO, YOU GAVE HIM BATHS.
705
00:29:03,100 --> 00:29:04,901
YOU CARED FOR HIM,
AND THEN WHEN YOU THOUGHT
706
00:29:04,968 --> 00:29:07,968
THAT YOU WERE GONNA HURT HIM,
Y-YOU TURNED HIM OVER.
707
00:29:08,033 --> 00:29:11,334
NO, THAT'S NOT POSSIBLE.
THE DOCTOR SAID--
708
00:29:11,400 --> 00:29:12,734
WELL, THE DOCTOR LIED.
709
00:29:12,801 --> 00:29:16,234
OK, MY FRIEND,
HE TALKED TO YOUR SON.
710
00:29:16,300 --> 00:29:19,567
DOUG, HE'S STILL ALIVE,
AND HE'S MARRIED WITH
CHILDREN OF HIS OWN.
711
00:29:19,634 --> 00:29:21,400
HERE. JUST LOOK.
712
00:29:23,667 --> 00:29:28,434
BUT WH-WHY WOULD HE
TELL ME THOSE THINGS,
713
00:29:28,501 --> 00:29:31,767
MY OWN DOCTOR?
714
00:29:31,834 --> 00:29:33,167
HE WASN'T A DOCTOR.
715
00:29:34,267 --> 00:29:35,400
HE WAS A GHOST.
716
00:29:37,601 --> 00:29:39,367
LOOK, YOU KNEW TO--
717
00:29:39,434 --> 00:29:41,334
TO KEEP HIM AWAY
FROM THOSE CHILDREN,
718
00:29:41,400 --> 00:29:43,367
SO WHY WOULD YOU BELIEVE
WHAT HE HAD TO SAY TO YOU?
719
00:29:43,434 --> 00:29:47,400
THEY DON'T DESERVE TO
BE PUNISHED, BUT I DO.
720
00:29:47,467 --> 00:29:49,734
EVEN IF I DIDN'T
HURT MY CHILD,
721
00:29:49,801 --> 00:29:51,300
I STILL ABANDONED HIM.
722
00:29:51,367 --> 00:29:52,300
THAT'S NOT TRUE.
723
00:29:52,367 --> 00:29:54,367
YOU ASKED FOR
THOSE SHOCK TREATMENTS.
724
00:29:54,434 --> 00:29:56,601
YOU TOLD YOUR DOCTORS
THAT YOU WOULD DO ANYTHING
725
00:29:56,667 --> 00:29:58,701
JUST TO GET HOME
TO BE WITH YOUR SON.
726
00:30:00,367 --> 00:30:02,100
THINK.
727
00:30:02,167 --> 00:30:04,767
PLEASE, I KNOW THAT YOU
CAN REMEMBER THAT.
728
00:30:10,467 --> 00:30:11,434
M-MAYBE I DO.
729
00:30:11,501 --> 00:30:14,100
GOOD. THEN PLEASE JUST
LOOK FOR THE LIGHT,
730
00:30:14,167 --> 00:30:16,133
BECAUSE YOU'RE READY
TO MOVE ON.
731
00:30:16,200 --> 00:30:18,434
NO, NO. I--
I CAN'T LEAVE THEM.
732
00:30:18,501 --> 00:30:20,601
DON'T WORRY ABOUT THEM.
I'LL PROTECT THOSE CHILDREN.
733
00:30:20,667 --> 00:30:23,267
NOT JUST THEM,
ALL MY FRIENDS HERE.
734
00:30:23,334 --> 00:30:26,334
HE WHISPERS BAD THINGS
TO THEM, TOO.
735
00:30:26,400 --> 00:30:27,834
THE PATIENTS.
736
00:30:27,901 --> 00:30:29,767
WHERE ARE THEY?
737
00:30:29,834 --> 00:30:31,701
HE'S DANGEROUS.
738
00:30:31,767 --> 00:30:33,667
DON'T MAKE HIM ANGRY.
739
00:30:33,734 --> 00:30:36,300
I'LL TAKE CARE OF HIM.
WHERE ARE YOUR FRIENDS?
740
00:30:38,167 --> 00:30:40,434
IT'S A BAD PLACE
DOWN THERE.
741
00:30:40,501 --> 00:30:41,734
DON'T GO.
742
00:30:50,567 --> 00:30:52,534
SHE'S GONE.
743
00:30:52,601 --> 00:30:54,734
WHAT WAS THAT ABOUT?
744
00:30:56,534 --> 00:30:57,934
LET'S GO.
745
00:31:06,167 --> 00:31:07,434
THE TUNNELS
ARE THROUGH HERE.
746
00:31:07,501 --> 00:31:10,000
YOU DON'T WANNA GO
THROUGH THAT, DO YOU?
747
00:31:10,067 --> 00:31:13,267
YEAH. THAT'S THE WAY
THAT THE KIDS WENT
TO GET TO THE SQUARE.
748
00:31:13,334 --> 00:31:14,968
THROUGH A LOCKED
METAL DOOR?
749
00:31:15,033 --> 00:31:17,501
GREER MUST HAVE
HELPED THEM.
750
00:31:17,567 --> 00:31:19,834
I MEAN, YOU'VE SEEN
GHOSTS SLAM DOORS NOW,
MOVE THINGS AROUND.
751
00:31:19,901 --> 00:31:21,734
NO, I'VE SEEN DOORS SLAM
AND THINGS MOVE AROUND.
752
00:31:21,801 --> 00:31:23,000
I HAVEN'T SEEN GHOSTS
DO ANYTHING.
753
00:31:23,067 --> 00:31:25,067
OK, WELL, WHATEVER IT IS
THAT YOU'VE SEEN,
754
00:31:25,133 --> 00:31:26,868
I NEED TO GET
IN HERE, SO...
755
00:31:26,934 --> 00:31:27,868
HEY, MELINDA, WHY?
756
00:31:27,934 --> 00:31:29,033
WHY NOW?
WHY DO YOU GOTTA DO THAT?
757
00:31:29,100 --> 00:31:30,567
BECAUSE THERE'S SOULS
IN THERE
758
00:31:30,634 --> 00:31:32,801
THAT NEED HELP.
LOOK, IF THIS IS
759
00:31:32,868 --> 00:31:35,300
TOO MUCH FOR YOU TO
ABSORB IN ONE SITTING,
760
00:31:35,367 --> 00:31:37,100
IT'S--IT'S OK.
YOU CAN GO, AND I--
761
00:31:37,167 --> 00:31:38,400
WHY CAN'T YOU?
762
00:31:38,467 --> 00:31:41,467
WHY HAVE WE GOTTA TAKE THIS
TO THE END OF THE STORY, HUH?
763
00:31:41,534 --> 00:31:43,300
THE STORY?
764
00:31:43,367 --> 00:31:45,834
LOOK, IF YOU'RE
TELLIN' ME THAT GHOSTS CAN,
765
00:31:45,901 --> 00:31:48,667
YOU KNOW, MOVE THINGS,
IF THEY HAVE MIND CONTROL,
766
00:31:48,734 --> 00:31:51,200
THEY CAN DISAPPEAR,
THEY CAN REAPPEAR,
767
00:31:51,267 --> 00:31:53,567
WHY CAN'T THEY
JUST CROSS THEMSELVES
INTO THE LIGHT,
768
00:31:53,634 --> 00:31:54,834
AND THEN WE'RE JUST
DONE HERE, HUH?
769
00:31:54,901 --> 00:31:55,834
YOU ARE DONE,
AREN'T YOU?
770
00:32:01,934 --> 00:32:03,868
LOOK, I'M JUST--
I'M JUST TIRED.
771
00:32:03,934 --> 00:32:05,200
NO, YOU'RE DONE TRYING.
772
00:32:05,267 --> 00:32:06,467
NO, IT'S NOT ABOUT TRYING.
773
00:32:06,534 --> 00:32:07,901
IT'S ABOUT
SOME THINGS MAKE SENSE,
774
00:32:07,968 --> 00:32:09,701
AND SOME THINGS DON'T.
I'M SORRY IF THAT--
775
00:32:09,767 --> 00:32:11,167
I'M SORRY,
BUT YOU'RE WRONG.
776
00:32:11,234 --> 00:32:12,567
AND IF YOU
DON'T KEEP TRYING,
777
00:32:12,634 --> 00:32:14,701
YOU'RE NEVER GONNA
GET BACK WHAT YOU LOST.
778
00:32:14,767 --> 00:32:16,567
ME? WE WERE JUST
TALKING ABOUT GHOSTS.
779
00:32:16,634 --> 00:32:17,868
YEAH, WE ARE.
780
00:32:19,100 --> 00:32:21,434
YOUR MEMORIES...
781
00:32:21,501 --> 00:32:25,567
THE REASON THAT YOU CAN
NEVER MAKE SENSE OF THEM
IS THEY'RE NOT YOURS.
782
00:32:27,434 --> 00:32:29,934
THEY BELONG
TO A GHOST...
783
00:32:30,000 --> 00:32:31,734
OK. NOW, LOOK--
784
00:32:31,801 --> 00:32:35,601
SOMEONE WHO DIED
AND THEN WENT
INTO SAM'S BODY.
785
00:32:35,667 --> 00:32:38,901
S-SAM? YOU'RE TALKIN'
ABOUT SAM AS IF HE'S--
786
00:32:38,968 --> 00:32:40,300
HE'S GONE.
787
00:32:40,367 --> 00:32:42,300
HE WENT INTO THE LIGHT.
788
00:32:42,367 --> 00:32:43,567
YOU'RE NOT SAM ANYMORE.
789
00:32:43,634 --> 00:32:45,000
WHO AM I?
JIM.
790
00:32:47,033 --> 00:32:48,000
MY HUSBAND.
791
00:32:49,100 --> 00:32:51,934
OR AT LEAST,
WHAT'S LEFT OF HIM.
792
00:32:52,000 --> 00:32:54,234
YOU MAY NOT
REMEMBER THAT NOW,
AND YOU MAY NEVER
793
00:32:54,300 --> 00:32:57,267
REMEMBER THAT,
BUT I TOLD YOU TO GO
INTO THE LIGHT,
794
00:32:57,334 --> 00:32:58,934
AND YOU WOULDN'T,
AND THEN SAM'S BODY
795
00:32:59,000 --> 00:33:00,400
OFFERED
A SECOND CHANCE--
796
00:33:00,467 --> 00:33:01,868
OK, OK, LISTEN, MELINDA.
LOOK--
797
00:33:01,934 --> 00:33:03,567
I KNOW HOW HARD IT
IS TO ACCEPT THIS, OK?
798
00:33:03,634 --> 00:33:05,567
BUT JUST THINK
ABOUT WHAT'S HAPPENED.
799
00:33:05,634 --> 00:33:06,968
ALL THE RANDOM MEMORIES,
800
00:33:07,033 --> 00:33:08,200
THE GUNSHOT,
ALL THOSE THINGS
801
00:33:08,267 --> 00:33:10,133
THAT YOU
SUDDENLY REMEMBERED
ABOUT MEDICINE--
802
00:33:10,200 --> 00:33:12,734
THOSE THINGS CAME
FROM JIM, AND THEN...
803
00:33:14,033 --> 00:33:16,200
THEN THERE'S ME.
804
00:33:19,701 --> 00:33:20,834
WHAT YOU FEEL...
805
00:33:22,400 --> 00:33:24,234
WHAT WE BOTH FEEL,
806
00:33:24,300 --> 00:33:27,067
YOU REMEMBERING THAT
YOU WANTED CHILDREN--
807
00:33:27,133 --> 00:33:28,734
THAT ALL CAME
FROM SOMEPLACE.
808
00:33:31,300 --> 00:33:34,968
IT CAME FROM A LIFE
THAT YOU SHARED WITH ME.
809
00:33:39,667 --> 00:33:42,334
THAT HAS TO MEAN
SOMETHING, RIGHT?
810
00:33:50,701 --> 00:33:52,801
YES, IT MEANS SOMETHING.
811
00:33:55,033 --> 00:33:57,868
IT MEANS THAT--
THAT YOU LOST YOUR HUSBAND,
812
00:33:57,934 --> 00:33:59,467
AND IT TURNED
YOUR LIFE UPSIDE DOWN,
813
00:33:59,534 --> 00:34:02,100
AND IT'S WORSE THAN
ANYTHING I LOST, BECAUSE
YOU KNOW WHAT YOU LOST.
814
00:34:02,167 --> 00:34:04,400
WE HAVE TO FACE FACTS,
YOU AND I,
815
00:34:04,467 --> 00:34:07,300
AND THE FACT IS
THAT WHAT IS GONE IS GONE.
816
00:34:08,434 --> 00:34:10,300
I'M NOT JIM.
817
00:34:12,300 --> 00:34:14,767
I'M--I'M NOT YOUR HUSBAND.
818
00:34:26,934 --> 00:34:29,567
IN THE BASEMENT
OF A FORMER ASYLUM,
YOU TOLD HIM EVERYTHING?
819
00:34:29,634 --> 00:34:31,534
YEAH. WHAT ELSE WAS I
SUPPOSED TO DO?
820
00:34:31,601 --> 00:34:34,434
I DON'T KNOW.
WAIT TILL HE HAS
A COUPLE DRINKS IN HIM
821
00:34:34,501 --> 00:34:36,467
OR, YOU KNOW,
RIGHT UNTIL AFTER SEX.
822
00:34:36,534 --> 00:34:37,567
WAIT. YOU HAVEN'T
HAD SEX YET?
823
00:34:37,634 --> 00:34:38,801
I'M NOT
TELLING YOU THAT.
824
00:34:38,868 --> 00:34:40,067
WHAT PLANET ARE YOU FROM?
825
00:34:40,133 --> 00:34:42,367
DON'T YOU KNOW YOU NEVER
OPEN THE CLOSET DOOR
826
00:34:42,434 --> 00:34:43,701
UNTIL YOU MAKE SEX.
827
00:34:43,767 --> 00:34:46,534
PLEASE HOLD
THE FLASHLIGHT.
828
00:34:49,434 --> 00:34:51,067
WHAT--
829
00:34:51,133 --> 00:34:52,400
OH, JEEZ!
830
00:34:52,467 --> 00:34:54,100
OH, MY--OH, MY GOD!
831
00:34:54,167 --> 00:34:56,367
YOU'RE PSYCHO!
I'M NOT GOIN' IN THERE WITH YOU.
832
00:34:56,434 --> 00:34:57,801
DR. BYRD IS A SHRINK.
833
00:34:57,868 --> 00:35:00,400
YOU DON'T GO INTO
A KNIFE FIGHT WITHOUT
TAKING YOUR KNIFE.
834
00:35:00,467 --> 00:35:02,000
OH, I'M REALLY
NOT THAT SHARP.
835
00:35:02,067 --> 00:35:03,400
GET IN THERE.
836
00:35:03,467 --> 00:35:04,667
I DON'T--
GO!
837
00:35:04,734 --> 00:35:05,934
GAHH!
838
00:35:06,000 --> 00:35:08,834
TOO CREEPY!
839
00:35:13,934 --> 00:35:15,501
Ghost: WHY ARE YOU HERE?
840
00:35:15,567 --> 00:35:17,434
Second ghost:
WHAT ARE YOU DOING?
841
00:35:17,501 --> 00:35:18,434
WHO SAID THAT?
842
00:35:18,501 --> 00:35:19,968
YOU BETTER
SHOW YOURSELF.
843
00:35:20,033 --> 00:35:23,167
OR BETTER YET,
SHOW YOURSELF
SOMEWHERE ELSE.
844
00:35:23,234 --> 00:35:25,133
CALM DOWN.
THEY'RE JUST GHOSTS.
845
00:35:25,200 --> 00:35:27,667
Third ghost:
CAN YOU HELP ME?
846
00:35:27,734 --> 00:35:30,033
Fourth ghost:
MY BELL IS GONE.
847
00:35:32,200 --> 00:35:34,033
HELP US.
848
00:35:36,400 --> 00:35:37,701
CAN YOU SEE US?
849
00:35:40,267 --> 00:35:42,868
Eli: WAY TOO SPOOKY.
NEED MORE LIGHT.
850
00:35:42,934 --> 00:35:43,868
[MUFFLED]
GOOD.
851
00:35:43,934 --> 00:35:45,634
THAT'S MUCH BETTER.
852
00:35:53,868 --> 00:35:55,067
WHAT DO YOU SEE?
853
00:35:55,133 --> 00:35:57,567
GREER...
854
00:35:57,634 --> 00:35:59,367
SHOW US THE WAY.
855
00:35:59,434 --> 00:36:01,701
WE'LL HELP YOUR FRIENDS
FIND THE LIGHT.
856
00:36:13,868 --> 00:36:16,067
IT'S THE TREATMENT ROOM,
857
00:36:16,133 --> 00:36:18,234
WHERE SHE GOT HER
SHOCK THERAPY.
858
00:36:30,400 --> 00:36:32,934
THE DOCTOR'S
LOOKING FOR ME.
859
00:36:33,000 --> 00:36:34,100
HE'LL BE HERE SOON.
860
00:36:34,167 --> 00:36:35,834
THEN WE DON'T
HAVE MUCH TIME.
861
00:36:35,901 --> 00:36:37,000
WE NEED YOUR HELP.
862
00:36:37,067 --> 00:36:38,000
HOW?
863
00:36:38,067 --> 00:36:39,000
YOUR FRIENDS...
864
00:36:40,300 --> 00:36:42,567
THEY'RE TROUBLED.
HELP US TALK TO THEM.
865
00:36:44,234 --> 00:36:45,434
HELP THEM
BRING THE LIGHT.
866
00:36:45,501 --> 00:36:47,133
Greer: OK.
867
00:36:49,567 --> 00:36:52,501
Melinda: HE'S TRAPPED
YOU HERE WITH FEAR,
FEAR OF THE LIGHT,
868
00:36:52,567 --> 00:36:54,601
BUT YOU DON'T
HAVE TO BE AFRAID.
869
00:36:54,667 --> 00:36:57,167
TIME IS RUNNING OUT.
JUST BELIEVE US.
870
00:36:57,234 --> 00:36:59,100
WHAT'S GOING ON?
871
00:37:05,000 --> 00:37:06,601
ARE WE MAKING
NEW FRIENDS?
872
00:37:08,033 --> 00:37:10,367
I TRUST WE'RE NOT
FORGETTING OUR OLD ONES.
873
00:37:10,434 --> 00:37:12,067
THEY ALL KNOW THAT YOU'VE
BEEN LYING TO THEM.
874
00:37:12,133 --> 00:37:13,701
IF PART OF YOUR JOB
WAS TO HELP THEM,
875
00:37:13,767 --> 00:37:15,167
YOU MIGHT WANNA REMEMBER
HOW TO DO THAT.
876
00:37:15,234 --> 00:37:16,467
I THINK I HELP 'EM.
877
00:37:16,534 --> 00:37:20,167
WHO BRINGS YOU NEWS
OF YOUR LOVED ONES?
878
00:37:20,234 --> 00:37:23,000
WHO TELLS YOUR FAMILY
WHAT YOU WANT THEM TO KNOW,
879
00:37:23,067 --> 00:37:25,968
NOT THE TRUE THINGS,
THE BAD THOUGHTS,
880
00:37:26,033 --> 00:37:29,367
THE SECRETS,
THE NASTY THINGS I KNOW,
BUT KEEP SAFE?
881
00:37:29,434 --> 00:37:30,367
YOU, DOCTOR.
882
00:37:30,434 --> 00:37:33,734
AND WHO REALLY
KNOWS YOU DEEP DOWN,
883
00:37:33,801 --> 00:37:35,300
BUT TAKES CARE
OF YOU ANYWAY?
884
00:37:35,367 --> 00:37:37,367
THESE PEOPLE?
STRANGERS?
885
00:37:37,434 --> 00:37:39,033
DON'T TRUST THEM.
886
00:37:39,100 --> 00:37:40,767
THEY SAID YOU LIED
ABOUT THE LIGHT.
887
00:37:40,834 --> 00:37:42,000
OH? DID I?
888
00:37:42,067 --> 00:37:45,334
IS THERE SOMEONE HERE
WHO WANTS TO GO INTO THE LIGHT?
889
00:37:45,400 --> 00:37:47,033
WE MIGHT.
890
00:37:47,100 --> 00:37:48,067
THEN GO AHEAD.
891
00:37:48,133 --> 00:37:50,734
WHAT DO YOU THINK
THE LIGHT'S GONNA DO
892
00:37:50,801 --> 00:37:55,000
WHEN IT KNOWS
ALL YOUR SECRETS
JUST LIKE I DO?
893
00:37:57,567 --> 00:37:59,567
YOU'LL GO INTO OBLIVION.
894
00:37:59,634 --> 00:38:01,734
GREER,
LOOK INTO THE LIGHT.
895
00:38:01,801 --> 00:38:04,901
TELL THEM.
TELL YOUR FRIENDS
WHAT YOU SEE.
896
00:38:11,367 --> 00:38:12,667
MY PARENTS.
897
00:38:14,634 --> 00:38:16,100
MY BROTHERS AND SISTERS.
898
00:38:16,167 --> 00:38:19,200
WHAT DO YOU
SEE IN THEIR EYES?
IS IT JUDGMENT?
899
00:38:19,267 --> 00:38:22,634
NO. JUST...
900
00:38:22,701 --> 00:38:24,133
LOVE.
901
00:38:24,200 --> 00:38:27,634
PLEASE, TELL THEM.
902
00:38:27,701 --> 00:38:30,634
OVER HERE, EVERYONE.
LOOK INSIDE.
903
00:38:30,701 --> 00:38:33,901
DON'T TRUST 'EM.
YOU CAN'T GO.
904
00:38:36,501 --> 00:38:38,934
TRUST YOUR FEARS.
THEY'LL PROTECT YOU.
905
00:38:44,200 --> 00:38:46,300
IT'S A MISTAKE! [SCOFFS]
906
00:38:48,367 --> 00:38:50,968
YOU'RE NOT GONNA TRICK ME
INTO THAT HOLE.
907
00:38:51,033 --> 00:38:53,200
YOU MIGHT FIND
FORGIVENESS THERE.
908
00:38:54,467 --> 00:38:57,634
OH, I'LL BE STAYING
RIGHT HERE, WHERE YOU LIVE.
909
00:39:02,567 --> 00:39:04,000
WHAT ARE YOU
WAITING FOR?
910
00:39:04,067 --> 00:39:05,601
GO.
911
00:39:05,667 --> 00:39:08,767
I HAVE SOMETHING
TO DO FIRST.
912
00:39:12,200 --> 00:39:15,667
YOUR MOTHER
WANTS YOU TO KNOW
HOW BADLY SHE FEELS.
913
00:39:20,801 --> 00:39:23,067
THE TIME THAT YOU
SPENT WITHOUT HER,
914
00:39:23,133 --> 00:39:24,868
SHE--SHE THINKS
IT'S HER FAULT.
915
00:39:24,934 --> 00:39:25,901
HER FAULT?
916
00:39:27,334 --> 00:39:29,100
HOW WAS IT HER FAULT?
917
00:39:29,167 --> 00:39:31,934
SHE WAS HAPPY AND HEALTHY
UNTIL I WAS BORN.
918
00:39:32,000 --> 00:39:38,000
MY BODY, IT JUST
WASN'T STRONG ENOUGH.
919
00:39:38,067 --> 00:39:40,434
SHE STILL
DOESN'T REALIZE
THAT DOCTORS THEN,
920
00:39:40,501 --> 00:39:44,100
THEY HAD NO IDEA,
NO IDEA WHAT COULD
HAPPEN TO MOTHERS.
921
00:39:44,167 --> 00:39:47,234
NONE OF THAT
MATTERS ANYMORE.
922
00:39:47,300 --> 00:39:51,367
LOOKING AT YOU,
I FEEL SO STRONG NOW.
923
00:39:51,434 --> 00:39:53,300
BUT SEEING YOU
GROWN UP,
924
00:39:53,367 --> 00:39:57,400
SHE FEELS
HEALTHY AND STRONG.
925
00:40:04,868 --> 00:40:06,133
I'M ALL BETTER.
926
00:40:06,200 --> 00:40:09,167
THE BAD THOUGHTS
ARE GONE,
927
00:40:09,234 --> 00:40:12,634
AND THE LIFETIME
TOGETHER THAT WE
MISSED--
928
00:40:12,701 --> 00:40:14,000
YOU'LL SPEND IT...
929
00:40:14,067 --> 00:40:16,767
ON THE OTHER SIDE.
930
00:40:17,868 --> 00:40:20,234
WILL YOU TELL HIM
I'LL WAIT FOR HIM?
931
00:40:23,567 --> 00:40:25,767
BUT TO TAKE HIS TIME.
932
00:40:25,834 --> 00:40:31,501
HE HAS CHILDREN
WHO NEED HIM,
933
00:40:31,567 --> 00:40:33,000
MY GRANDCHILDREN.
934
00:40:33,067 --> 00:40:35,267
I PROMISE.
935
00:40:35,334 --> 00:40:36,400
I'LL TELL HIM.
936
00:41:07,968 --> 00:41:09,334
HEY.
937
00:41:09,400 --> 00:41:11,901
HI.
938
00:41:11,968 --> 00:41:14,434
WELL, THAT WAS
A PRETTY BIG BOMBSHELL
YOU DROPPED ON ME BACK THERE.
939
00:41:14,501 --> 00:41:15,634
I KNOW. I'M SORRY.
940
00:41:15,701 --> 00:41:17,701
I REALLY WISH
THAT THERE'D BEEN
ANOTHER WAY.
941
00:41:17,767 --> 00:41:19,567
LOOK, I UNDERSTAND THIS.
I DO.
942
00:41:19,634 --> 00:41:21,534
REALLY?
YEAH.
943
00:41:21,601 --> 00:41:22,901
I THINK I FINALLY DO.
944
00:41:22,968 --> 00:41:25,701
I MEAN, IT DIDN'T MAKE ANY SENSE
TO ME BEFORE, BUT THEN...
945
00:41:25,767 --> 00:41:27,601
I REMEMBERED SOME STUFF.
946
00:41:27,667 --> 00:41:28,601
WELL, LIKE WHAT?
947
00:41:29,901 --> 00:41:31,834
WELL, FIRST THERE
WAS THE HOSPITAL.
948
00:41:31,901 --> 00:41:35,167
YOU KNOW, EVERY TIME
I WOKE UP, YOU WERE THERE.
949
00:41:35,234 --> 00:41:37,667
YEAH. I--I WAS
WORRIED ABOUT YOU.
950
00:41:37,734 --> 00:41:39,834
YEAH. I MEAN, YOU WERE
THERE EVERY MINUTE,
951
00:41:39,901 --> 00:41:41,968
WHETHER I WAS ASLEEP
OR I WAS AWAKE.
952
00:41:42,033 --> 00:41:43,067
YEAH.
953
00:41:43,133 --> 00:41:45,434
I KEPT ASKING MYSELF,
"WHY WOULD SHE DO THAT?"
954
00:41:45,501 --> 00:41:50,067
YOU KNOW, UNLESS IT
WAS ABOUT NOT ME,
BUT YOUR HUSBAND.
955
00:41:50,133 --> 00:41:53,901
WHICH YOU SAID, YOU KNOW,
BUT THEN I REMEMBERED
SOME OTHER STUFF
956
00:41:53,968 --> 00:41:56,467
WAS THAT YOU KEPT TALKIN'
ABOUT THAT GHOST DOCTOR
957
00:41:56,534 --> 00:41:59,801
AND HOW HE MADE PEOPLE DO THINGS
BY WHISPERING IN THEIR EAR.
958
00:41:59,868 --> 00:42:00,834
NO. WAIT. I--
959
00:42:00,901 --> 00:42:01,968
THAT'S WHAT YOU DID.
960
00:42:02,033 --> 00:42:03,434
YOU WHISPERED IN MY EAR.
961
00:42:03,501 --> 00:42:05,667
ALL THOSE HOURS
YOU SAT BY MY BED,
962
00:42:05,734 --> 00:42:10,634
I MEA--YOU DECIDED
YOU COULDN'T ACCEPT
THAT YOUR HUSBAND IS DEAD,
963
00:42:10,701 --> 00:42:13,634
SO YOU MADE UP YOUR MIND
THAT HIS SPIRIT IS IN ME,
964
00:42:13,701 --> 00:42:15,868
AND SO YOU FILLED MY HEAD
WITH HIS MEMORIES.
965
00:42:15,934 --> 00:42:17,501
YOU WANTED TO MAKE IT REAL
FOR YOURSELF. THE GUNSHOTS...
966
00:42:17,567 --> 00:42:18,534
PLEASE DON'T DO THIS.
967
00:42:18,601 --> 00:42:20,200
THE PARAMEDIC STUFF,
WANTING TO HAVE KIDS.
968
00:42:20,267 --> 00:42:21,667
THE LONGER THAT YOU
DON'T ACCEPT IT--
969
00:42:21,734 --> 00:42:23,100
NO, NO.
YOU HAVE TO STOP, OK?
970
00:42:23,167 --> 00:42:24,667
IT'S ALL A FANTASY.
971
00:42:24,734 --> 00:42:26,601
STOP.
972
00:42:26,667 --> 00:42:27,601
YOU NEED HELP.
973
00:42:27,667 --> 00:42:29,701
I WANNA BE THERE
FOR YOU, ALL RIGHT,
974
00:42:29,767 --> 00:42:31,000
BUT YOU NEED
PROFESSIONAL HELP.
975
00:42:31,067 --> 00:42:32,200
I'LL DO WHATEVER IT TAKES.
976
00:42:32,267 --> 00:42:34,334
I'LL GET THE BEST DOCTORS.
I'LL WAIT FOR YOU.
977
00:42:34,400 --> 00:42:35,968
NO, I THINK
YOU'VE GOT IT BACKWARDS.
978
00:42:36,033 --> 00:42:39,100
I THINK YOU'RE THE ONE
THAT NEEDS HELP.
979
00:42:39,167 --> 00:42:42,367
NO, MELINDA.
YOU'RE ANGRY RIGHT NOW.
980
00:42:42,434 --> 00:42:43,801
I CAN'T DO THIS ANYMORE.
981
00:42:45,834 --> 00:42:47,968
I CAN'T.
982
00:42:49,467 --> 00:42:53,667
YOU HAVE A--
A LIFETIME OF MEMORIES
BURIED SOMEWHERE,
983
00:42:53,734 --> 00:42:56,968
BUT THE OBSTACLE THAT
YOU NEED TO MOVE IS YOU.
984
00:42:57,033 --> 00:42:57,968
NO.
985
00:42:58,033 --> 00:42:59,934
I TRIED.
986
00:43:02,334 --> 00:43:04,968
I REALLY, REALLY TRIED.
987
00:43:07,601 --> 00:43:10,901
I THINK YOU SHOULD
JUST GET YOUR THINGS
AND LEAVE.
988
00:43:10,968 --> 00:43:12,334
MELINDA--
GOOD-BYE.
989
00:43:13,734 --> 00:43:14,934
[SIGHS]
990
00:43:15,000 --> 00:43:15,934
991
00:43:16,934 --> 00:43:26,934
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