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1
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After weeks of relentless rehearsals and
unforgettable performances.
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I couldn't take my eyes off you. That
could be. I'm dancing with the stars
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00:00:11,300 --> 00:00:17,160
tomorrow. We're down to the final four.
It's the semi-finals. I just want to
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show young girls that this dream is
possible.
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Selena, fire.
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This means fulfilling not only my dream,
also my mark. It was one of the most
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beautiful things I've ever witnessed. I
sacrificed so much. I've had to move my
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wedding. This had swag.
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This had cool.
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In this competition, I've learned that
there is no limit to what I can do. You
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are one of the best dancers I've ever
seen in 66 countries.
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Who will make it to the final?
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Welcome, welcome, welcome.
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Now, just because it's semi-finals.
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Yes! Yes!
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Come on.
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Well, let's welcome the judges who will
be deciding our finalists tonight.
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Mark and Shirley Ballas!
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Welcome, Mighty Mark.
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Welcome, Shirley. Good to see you.
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Tonight's guest judge is twice a
Mirrorball winner. She's also a winner
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on the Australian Dancing With The Stars
as well as a judge. Please give it up
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for Kim Johnson.
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Kim is a bit of a legend on Dancing With
The Stars, so she knows how it works.
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I'd say hello, but I think g'day is more
appropriate.
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G'day, Robert.
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I'm honoured to be here. This is going
to be so exciting.
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So much fun.
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Now, just four of you remain, each with
your eye on the ultimate prize, a role
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on the next season of Dancing With The
Stars as the next pro.
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Kim, with a place in the finale at
stake, how does the game change tonight?
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Tonight, all the creative choices in
this round will be yours.
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We'll be watching to see if you can
teach and create to the level expected
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for Dancing With The Stars.
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You've all proved you're great dancers,
but now we need to dig deep to decide
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whether you have the choreography, the
teaching skills, and the personality.
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The last test, teaching amateurs, was a
huge step, but there's an even bigger
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step to earn that place in the finale.
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For the first time on the show, and just
like in the semifinals on Dancing With
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The Stars, you'll be performing...
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Two full dances in just a couple of
days.
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That's half the time we have on the main
show.
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Wow. We just doubled the pressure.
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Two performances is a lot, but once you
get towards the end on Dancing with the
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Stars, that's what they do. So I feel
like this is a little glimpse.
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For the second round, you will dance
with one another one last time.
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But... For the first round of this
challenge, you'll be partnered with the
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people that have the role that you all
covet. Please welcome the Dancing with
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the Stars pros!
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Talk about a bit of star power in the
room. Holy moly. Well, great to see you.
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I feel like I'm back in the ballroom.
This is great.
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Now, Whitney, what do you and your
fellow pros hope to learn by dancing
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with them this week?
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For this first round, you'll each be
dancing a different Latin style with us.
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This will give us a close-up opportunity
to learn just how expert you all are in
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two pro skills that are key on Dancing
with the Stars.
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Teaching. And choreography.
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Well, dancers, earlier, you drew lots to
see who would be partnered with who and
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also which dance style you'll be
performing.
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And now it's time to reveal the
pairings.
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Alan, you will be paired with two-time
Mirrorball champion and my dance
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partner, Whitney Carson!
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Whitney is amazing and a little
intimidating.
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So I need to take it to another level,
to another stratosphere.
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And we will be dancing a jive. Let's go.
I'm a little jealous, I'm not going to
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lie. I know.
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I want to dance a jive with Whitney.
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Fine. Now, Adele, you will be dancing
with... Glenn Savchenko!
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Gleb, one of the strongest pros on
Dancing with the Stars. When you're
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dancing with somebody who is your level,
you're pushing like crazy. It's a
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different intensity.
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We'll be dancing the samba.
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And it's a samba.
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Samba is my favorite dance. Oh, my gosh.
I'm so happy.
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AJ, you will be dancing with Riley
Arnold.
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That's exactly what I wanted.
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Riley's amazing.
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She has done three seasons on Dancing
with Stars, so she really understands
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what it takes. It really gives me the
opportunity to shine.
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And we will be dancing a cha-cha.
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And of course, Selena, that means you'll
be dancing with Jan Ravnik.
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We're both from the commercial world.
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He's capable of so much, so I'm really
going to use that. The sky is the limit.
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We will be dancing salsa.
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Oh my, that's absolutely perfect. Oh,
absolutely.
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Dancers, even though you're dancing with
pros, you and you alone are responsible
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for all of your routine's creative
decisions, including the choreography.
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The pros will report their impressions
of your teaching and choreography skills
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directly to our judges. So they're going
to know every single detail.
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This is an incredible opportunity to
dance with the best as you strive to be
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the best.
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Good luck with your rehearsals,
everyone.
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Go get them, guys. We'll see you soon.
Thank you. Let's do it. Ready? Ready.
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Oh, my God.
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Let's go.
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Oh, my God.
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You're already at the semifinals. It's
been absolutely marvelous. You are last
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four. The fact that we're up four is
crazy. It's incredible.
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Congratulations. Thank you. How long
have you been dancing?
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Since I'm six years old. I was born in
Israel.
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But my parents are from Ukraine. So I
speak Russian, I speak Hebrew, I speak
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English.
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It's crazy.
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We have so many things in common. Feels
like we immediately understand each
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other. Like I wanted to be like, oh my
God, I can't believe they're doing it.
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Cool. So then we're going to do that.
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Gleb is an amazing leader.
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I feel like we have great chemistry.
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Teach me that timing right there.
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I would be very interested to see how
Adele approaches her teaching methods
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with... A complete non-dancer, because
you need to make sure that your
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celebrity, they feel comfortable, they
feel confident, they, you know, they
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trust you.
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Perfect. It feels like I'm practicing
with my dance partner from back home.
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Love it!
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So I feel like, yes, I'm confident.
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Obviously, anything can go wrong. I can
sleep, I can fall, but we will try our
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best to get through with it.
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Sorry, it's an intense routine.
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We're going to sweat a lot.
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Exactly. Cardio.
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Should we warm up with some, like, swing
action?
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The fact that Whitney could be judging
my every move, it feels a little
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intimidating. Honestly, sometimes my
hands get clammy. I get nervous.
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Well, I'm so used to it. Are you kidding
me? But I believe this is my shot to
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prove that I can be a pro on the show. I
feel like I'm doing a lot of body rolls.
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And I'm not really sure if I can, if I
should.
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Whatever you want to do. Yeah, whatever
I want to do. I got it.
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Choreographing is just in my blood. It's
been really hard not to put in my two
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cents. But I think that he's done a good
job with the meat of the choreography.
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How do you feel with the choreo, though?
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It's great, Alan. Yeah. You having fun?
Yeah. One thing I think he could work on
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is confidence.
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Yeah, and then let go.
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Cute. That's the idea.
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Just to let go a little bit and have fun
and enjoy it.
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Sorry. Right?
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Yeah, you're right.
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God couldn't have been better.
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Maybe we'll skip that one. We'll see.
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No, it's great.
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Let's really, like, touch up the
connection parts so you feel very
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comfortable. You know, I keep thinking
about my mom. You know, she's just
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looking down on me. Yeah.
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I'm going to do everything in my power
to get to the finale for her.
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I mean, we come from the same
background, so I feel like this is going
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to be really fun and we can add some
commercial dance to it. I want this to
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be just like boom, boom, boom, boom,
bam.
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Salsa is lift.
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You're bending your knees. You're in it.
It's fun.
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It's like the rules kind of leave the
door.
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Have I ever done this? No, but let's
just try it. Five, six, seven, eight.
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Are you okay?
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Yeah, but it gave me an idea. Okay,
okay, okay, okay. She loves wild
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effects, which is, I think, incredible
for Dancing with the Stars show because
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people love to see that.
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Baby cradle here, like, boom.
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Yeah, boom. And then I'm going to swing
my body, I think, this way. You're going
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to hold it.
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And you're going to go around.
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Yeah!
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Oh, I actually like ending like that.
We're going full out for this salsa.
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I like that. I'm dancing with a
professional dancer this time, so there
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has to be more difficulty in it.
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Oh, yeah. Okay, great. This is all just
my brains, what I can come up with. And
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you want me to run.
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Yeah.
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I think that's cool. I like that. I want
Shirley to not have anything bad to say
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about this dance.
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Okay.
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In my dreams, it works.
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I want to show that we dance together,
like there's two professionals, not me
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having to lead, follow, but we want the
action reaction.
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Yeah. It doesn't really end to my brain
that I'm being judged by Riley.
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We are two professionals, but I have to
choreograph. I've got the pressure.
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She is just being the beautiful foil for
my ideas.
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If I'm going to throw you, I want you to
be able to go, catch,
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not catch. You know what I mean? Yep.
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AJ's very much a thinker.
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However many turns, I probably want to
do more than the music allows me. He's
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constantly thinking while he's teaching
me and going through the process.
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But it can be better.
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I can see that he could get strict with
a celebrity if they were messing up at
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some times. I could see him losing that
patience.
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It feels a little bit negative, though.
It's important for me as a dancer and as
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a professional to showcase I can do
Latin, I can do Borum. I am the next pro
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in dancing with stars.
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Wherever you throw at me...
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I will eat it up. Perfect. Yeah.
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Hi.
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Hi.
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This is so exciting.
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So fun. Can't wait to hear.
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I'm very excited to meet up with our
Dancing with the Stars pros. They're
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going to tell us exactly what's going
on. Nian, how was your experience?
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I absolutely loved Selena.
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Okay. She took the lead right away. Her
eye is very TV.
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It's very entertaining. And we want
entertainment.
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That's what people want. We definitely
need that. On the first night, she was
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in my top four. Really? She made a huge
impression on me. She was an amazing
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person. Gleb.
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I felt like I was back into my
competition days with Adele.
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because she's so well trained in
ballroom to be able to create that
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choreography that's authentic to the
style i wish it could have been a little
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bit a wow moment in the routine okay but
she definitely left you with a wow
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moment then eh oh 100 i was like i'm
flying private jet right now i'm not
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even a roller toy whitney your
experience with alan I just enjoyed the
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entire process. He's so nice to dance
with, but I think he could work on
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believing in himself a little bit more,
and that will allow him to really make
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the choreography pop.
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Alan does need to bite down on the
mouthpiece and come fighting for it,
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because this is a hard job.
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And how did you get along with AJ?
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At the beginning, I felt that
lightheartedness, but I will say he's
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kind of intense.
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I'm concerned with the AJ feedback.
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I don't know if he's, like, going to be
able to give affirmation to somebody. It
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was just constant, like, critique.
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So under pressure.
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Yes. Everything is always under
pressure, how you can handle yourself.
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And there's nothing like the pressure of
dancing with the stars.
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This is the semifinal.
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The best four dancers are standing.
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They're going to have to be absolutely
outstanding to make the final. They're
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going to have to be the complete package
to be the next pro on Dancing with the
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Stars.
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It's the semi-final. We're minutes away
from performing.
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Welcome back to the next pro semi-final.
Tonight, our final four are dancing with
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pros from Dancing With The Stars.
Shirley.
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Well, I want to see that you make the
most of these fantastic Dancing With The
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Stars professionals, and we wish you the
very, very best of luck.
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Our first couple dancing tonight is Alan
and Whitney.
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Whitney is the ultimate pro.
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I want to make sure that there is
nothing that is left on the table.
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Nice.
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00:16:07,050 --> 00:16:10,050
Steve, I can't get chemistry because
it's side by side.
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Well, Alan, I can only imagine how it is
to dance with Whitney, the 2025 Dancing
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With The Stars champion.
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If it comes down to a jive action and
side-by-side work, I'd have to say it
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was really excellent what you did. But
do you think you got the most out of
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Whitney? This girl can do anything.
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00:17:22,349 --> 00:17:27,270
She can jump, she can flip, she can
split. For me, she's got a lot more wow
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moments that perhaps we didn't show.
Absolutely. Thanks.
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Alan. Well done.
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00:17:32,480 --> 00:17:37,080
It was jam-packed full of jive content,
which is amazing. But I've got to agree
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with Shirley.
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00:17:37,920 --> 00:17:42,200
I would have liked some more Whitney
moments. Whitney is the queen of working
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the camera. No one knows how to do that
like Whitney. Absolutely.
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I kind of disagree.
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That's my favorite jive I've seen this
season.
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So, like, when I'm watching a jive, if
I'm not doing this, that's a problem.
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And I was doing that the whole time. So
I love that it kept trucking. I love the
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kicks and flicks. I love that it didn't
die.
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00:17:59,140 --> 00:18:03,140
Like, the steam kept rolling the whole
time. I love the shaping on the pivot. I
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00:18:03,140 --> 00:18:05,680
really enjoyed it. Good job, brother.
Thank you. Thank you so much.
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00:18:06,160 --> 00:18:07,160
Really good.
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00:18:08,420 --> 00:18:11,020
Next to hit the floor, Selena and Yawn.
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Dancing with Yawn. I'm feeling nervous,
but I'm not holding anything back.
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It's semifinals. We feel like I deserve
to be here.
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00:19:03,880 --> 00:19:06,460
Ha ha ha ha ha!
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00:19:20,479 --> 00:19:23,280
Thank you.
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00:19:46,280 --> 00:19:49,320
I can see it now, hearing the
announcement, it's Latin night on
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Dancing with the Stars, and then going
into that. Thank you. You nailed the
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00:19:52,860 --> 00:19:56,780
brief. This was exactly what we wanted
to see. What I love the most is that
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00:19:56,780 --> 00:20:00,680
you're both commercial dancers, and you
cleaned it like commercial dancers.
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00:20:00,800 --> 00:20:06,120
Every look, every accent, every head
move, every arm was perfectly in sync
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00:20:06,120 --> 00:20:10,160
together. It's all the things like a
really fun salsa should be. Great job,
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00:20:10,280 --> 00:20:11,420
Selena. Thank you so much.
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00:20:11,640 --> 00:20:17,240
Selena, you are a star. Duh. Oh, my
goodness. It was such clever
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choreography, so rhythmical.
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That is the kind of dance that will get
you into the finale.
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00:20:22,660 --> 00:20:23,840
It was so good.
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00:20:24,040 --> 00:20:28,040
Thank you. Selena, your balance is
extraordinary.
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Every single step you take, you nail.
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00:20:32,480 --> 00:20:34,540
The chemistry was fantastic.
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00:20:34,920 --> 00:20:38,920
I mean, we were here on the desk dancing
with you. We were cheering. We were
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00:20:38,920 --> 00:20:41,580
laughing. And when we see something like
that.
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We know we got a next pro. Well done.
Thank you. Thank you so much.
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00:20:46,590 --> 00:20:49,510
Selena, she great, dude. She's a killer.
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00:20:50,010 --> 00:20:50,889
Oh, yeah.
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00:20:50,890 --> 00:20:52,830
Next up, Adele and Gleb.
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Every time before I go on stage, I'm
freaking out. Always trust me for this.
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00:20:58,090 --> 00:21:03,530
Yeah. But this time I freaked out more
because Gleb has an amazing dance
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00:21:03,530 --> 00:21:07,950
quality. So I just hope that I can keep
up with him. I love it.
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00:21:08,670 --> 00:21:10,530
Wow. He's so focused.
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00:21:17,020 --> 00:21:21,780
Welcome back to the next pro semi-final.
Next on the floor, Adele and Glenn.
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00:21:32,680 --> 00:21:33,160
Good
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Lord.
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00:21:40,020 --> 00:21:41,020
Oh, my God.
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00:22:08,070 --> 00:22:09,070
Oh, my God.
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00:22:46,590 --> 00:22:48,890
Adele, you absolutely nailed it.
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00:22:49,310 --> 00:22:53,030
That was like a professional number you
would see on Dancing with the Stars.
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00:22:53,270 --> 00:22:56,550
Thank you. You're an incredible teacher,
and you're an amazing dancer, so
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00:22:56,550 --> 00:22:58,230
congratulations. Thank you so much.
295
00:22:58,790 --> 00:23:04,990
Adele, you move like this hooded cobra
that's just slowly waiting to strike and
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00:23:04,990 --> 00:23:08,350
then take it. You could have played with
the musicality a little bit, but other
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00:23:08,350 --> 00:23:11,530
than that, that was damn near perfect.
Oh, my God. Thank you so much. Thank
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00:23:11,530 --> 00:23:14,780
you. Adele, I like that you included
Gleb.
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00:23:15,200 --> 00:23:18,280
Gleb, you look phenomenal out there.
300
00:23:18,580 --> 00:23:23,520
Together, you just look like a power
couple. If I gave you one little tip, I
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00:23:23,520 --> 00:23:27,440
would say, remember, it's a Dancing with
the Stars audience. And I would have
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00:23:27,440 --> 00:23:32,060
just liked one or two more wow moments.
But other than that, you're a
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00:23:32,060 --> 00:23:33,620
masterpiece. Well done.
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00:23:33,960 --> 00:23:39,300
Thanks. Three impressive dancers and one
more to come. The last couple to perform
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00:23:39,300 --> 00:23:40,800
in this first round.
306
00:23:41,200 --> 00:23:42,360
It's AJ and Riley.
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00:23:42,740 --> 00:23:46,960
I will not stop until I am the next pro
on Dancing With The Stars.
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00:23:47,200 --> 00:23:48,500
This is my dream.
309
00:23:48,720 --> 00:23:51,100
I've worked so hard for it. I deserve
it.
310
00:23:52,140 --> 00:23:53,140
Nice job.
311
00:23:55,220 --> 00:23:57,080
Let me tell you.
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00:23:58,020 --> 00:24:00,020
You're my little pooter.
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00:24:00,640 --> 00:24:04,120
So I'll give a hoot what you do to that
girl I know. You a little too tight.
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00:24:04,300 --> 00:24:08,140
I'll be shooting that shot like you take
her. I know. Tell him I'm telling my
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00:24:08,140 --> 00:24:10,800
neck. Tell him you found a little
something to shine on.
316
00:24:11,040 --> 00:24:14,560
Tell him I'm telling my neck. Tell him
you found a little something to shine
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00:24:14,560 --> 00:24:18,240
on. Put a little gold in the teeth, and
it fit good, so I took the doors off the
318
00:24:18,240 --> 00:24:21,280
beach floor. Hey, I see your brother
holding your feet, no beef, but I'm
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00:24:21,280 --> 00:24:24,360
trying to get to know you at least.
Don't take my talking to you wrong. I
320
00:24:24,360 --> 00:24:27,420
can keep it chill like a full-blown
blonde. I'ma keep it real when your man
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00:24:27,420 --> 00:24:30,480
long gone. If you get the poor friend,
then you get the wrong song, baby. Girl,
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00:24:30,520 --> 00:24:31,399
what's good?
323
00:24:31,400 --> 00:24:34,200
What's with judge? If you booked
tonight, that's big shush.
324
00:24:34,440 --> 00:24:36,000
I'm out, got no pictures.
325
00:24:36,380 --> 00:24:38,120
You want me, it's dopey good.
326
00:24:38,480 --> 00:24:39,940
I'm to the back, to the front.
327
00:24:40,260 --> 00:24:42,940
You attend, maybe throw it. I don't know
why. Hey, I'm to the back.
328
00:24:43,370 --> 00:24:45,010
Oh, guys.
329
00:24:45,310 --> 00:24:46,310
Whoa.
330
00:24:48,290 --> 00:24:49,690
Yeah.
331
00:25:10,030 --> 00:25:14,630
AJ, on week two, I asked you to look
outside your comfort zone, to jam
332
00:25:14,630 --> 00:25:18,290
packers with different things. I felt
like you put everything in but the
333
00:25:18,290 --> 00:25:23,410
kitchen sink. And because the leading
was so good, you enabled our Riley to
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00:25:23,410 --> 00:25:28,170
get right in your face, to kick her hips
back, and to do all those things that
335
00:25:28,170 --> 00:25:30,690
I've come to expect from this gorgeous
girl.
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00:25:30,910 --> 00:25:35,890
You really captured the essence of
Chacha, and you showcased Riley. Well
337
00:25:35,890 --> 00:25:41,250
done. Thank you. AJ, you are technically
such a great dancer and a great leader.
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00:25:41,310 --> 00:25:44,450
I did love the fact that you gave Riley
her moments.
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00:25:44,650 --> 00:25:48,490
It's finding those little moments in the
dance that people at home will go, oh,
340
00:25:48,530 --> 00:25:51,790
my gosh. You get to see more of your
personality shine.
341
00:25:51,990 --> 00:25:52,990
I really loved it.
342
00:25:53,270 --> 00:25:54,129
Thank you.
343
00:25:54,130 --> 00:25:55,870
For me, it lacked a little bit of...
344
00:25:56,090 --> 00:26:00,570
soul and funk and grit. We know you're a
great dancer. You shine in the ballroom
345
00:26:00,570 --> 00:26:03,890
rounds. But when you're doing opening
numbers, we do a lot of these things
346
00:26:03,890 --> 00:26:07,410
with the boys and the girls side by
side. I'd like to see a little bit more
347
00:26:07,410 --> 00:26:09,310
of that funkier side.
348
00:26:09,550 --> 00:26:10,810
Got it.
349
00:26:11,830 --> 00:26:13,030
Honestly, thank you so much.
350
00:26:13,670 --> 00:26:19,810
I think for him to even attempt to take
a girl that's bigger than him and shook
351
00:26:19,810 --> 00:26:23,050
her from pillar to post and land in
lines like that's extraordinary.
352
00:26:24,110 --> 00:26:25,110
Extraordinary? Sorry.
353
00:26:26,120 --> 00:26:29,940
We've just seen four exceptional
performances, but remember, our
354
00:26:29,940 --> 00:26:35,560
contestants are only halfway through.
So, much more to come on the semi-final
355
00:26:35,560 --> 00:26:36,560
of the next pro.
356
00:26:42,180 --> 00:26:45,460
Welcome back to the semi-final of the
next pro.
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00:26:45,660 --> 00:26:49,800
Before the break, you and your pro
partners from Dancing With The Stars
358
00:26:49,800 --> 00:26:54,240
blew us away, but there is one more
challenge.
359
00:26:54,680 --> 00:26:59,040
For your second dance of the semi-final,
you will be dancing with each other to a
360
00:26:59,040 --> 00:27:00,040
ballroom style.
361
00:27:00,180 --> 00:27:04,040
So the question is then, who will be
dancing with who?
362
00:27:04,660 --> 00:27:06,820
Ladies, take your pick. Okay.
363
00:27:07,440 --> 00:27:11,640
All right. Adele, you'll be dancing
with... AJ.
364
00:27:11,940 --> 00:27:18,340
AJ. Getting AJ is great because he is
the ballroom expert. But to get to the
365
00:27:18,340 --> 00:27:23,080
finale, I have to show the judges my
personality and that I'm not just a
366
00:27:23,080 --> 00:27:24,080
technical dancer.
367
00:27:24,670 --> 00:27:25,790
That is my main focus.
368
00:27:26,330 --> 00:27:27,770
Alan. Alan.
369
00:27:28,270 --> 00:27:31,770
Well, guys, you have the pick of a
ballroom style.
370
00:27:32,210 --> 00:27:33,210
Top pick.
371
00:27:33,610 --> 00:27:34,690
That one's yours, Ben.
372
00:27:34,970 --> 00:27:38,110
Dancing the Foxtrot.
373
00:27:38,570 --> 00:27:40,210
I'm happy about that. Alan.
374
00:27:40,870 --> 00:27:41,870
The quick steps.
375
00:27:42,070 --> 00:27:43,070
Again.
376
00:27:43,320 --> 00:27:47,540
After last week, I'm really happy that I
have a second chance at the Quick Step.
377
00:27:47,720 --> 00:27:49,440
It has to get around the floor.
378
00:27:49,640 --> 00:27:53,580
Out of all the dancers, this is the one
that can travel. I'm excited to be able
379
00:27:53,580 --> 00:27:56,180
to show the judges exactly what they
want.
380
00:27:57,220 --> 00:28:03,340
Dancers, this is your last chance to
convince the judges that you deserve a
381
00:28:03,340 --> 00:28:04,780
place in the finale.
382
00:28:05,200 --> 00:28:06,660
Good luck. Thank you.
383
00:28:17,880 --> 00:28:19,500
Back to the studio.
384
00:28:19,800 --> 00:28:20,800
Let's go.
385
00:28:21,080 --> 00:28:26,280
After the Latin round, we are exhausted.
Our bodies are feeling it, but it's
386
00:28:26,280 --> 00:28:27,280
round two, baby.
387
00:28:27,380 --> 00:28:29,080
I'm honestly so excited.
388
00:28:29,640 --> 00:28:31,200
A ballroom dance to start off with.
Yeah.
389
00:28:31,420 --> 00:28:32,520
And I love a fox shot.
390
00:28:32,900 --> 00:28:36,220
Choreographically, like, we need to tick
the boxes doing the actual technique.
391
00:28:36,500 --> 00:28:40,600
We're in the semi-final. This is the
final opportunity to make the finale and
392
00:28:40,600 --> 00:28:44,700
showcase why I should be the next pro.
One, two, dance, three, four. It will
393
00:28:44,700 --> 00:28:45,700
run through time.
394
00:28:45,760 --> 00:28:51,060
This will be fantastic. And I will
travel around this room more than any
395
00:28:51,060 --> 00:28:54,600
other dance, especially my competitors,
attempting to do a quick step.
396
00:28:55,230 --> 00:28:59,610
We have quick steps, which is stressful
because I just did a quick step last
397
00:28:59,610 --> 00:29:03,370
week, so I kind of have to show the
difference. I know Mark had a lot of
398
00:29:03,370 --> 00:29:08,250
feedback. Mark's like, yo, move, corner,
hit something. Yeah, so I feel like we
399
00:29:08,250 --> 00:29:12,510
should incorporate that. Selena and I,
our feedback from the judges has been a
400
00:29:12,510 --> 00:29:17,810
little mixed, so we're adding all the
things that the judges commented on into
401
00:29:17,810 --> 00:29:21,890
the choreography. We should start
further back. Okay. That way we can
402
00:29:21,890 --> 00:29:22,890
really move.
403
00:29:23,420 --> 00:29:24,259
Yeah. Okay.
404
00:29:24,260 --> 00:29:28,560
The competition is very tough. AJ and
Adele are top-notch professionals. But
405
00:29:28,560 --> 00:29:32,300
part of being a pro in dancing with a
star is understanding how you can handle
406
00:29:32,300 --> 00:29:33,300
the pressure.
407
00:29:34,600 --> 00:29:37,320
I like actually if... Oh, we just did
that? Yeah, that was good.
408
00:29:37,520 --> 00:29:39,760
So I'm excited to be dancing with
Selena.
409
00:29:39,980 --> 00:29:41,240
This girl can do everything.
410
00:29:42,700 --> 00:29:43,780
I'm so nervous!
411
00:29:44,380 --> 00:29:45,600
We're at the final four.
412
00:29:45,800 --> 00:29:46,800
This is my dream.
413
00:29:47,230 --> 00:29:51,210
To be the only commercial dancer left is
a lot of pressure. It's mentally
414
00:29:51,210 --> 00:29:56,030
grueling. And if I don't do the quick
step like the judges want me to, I could
415
00:29:56,030 --> 00:29:56,769
be going home.
416
00:29:56,770 --> 00:29:57,930
I'm so nervous.
417
00:29:59,050 --> 00:30:02,470
Oh, one, two, three, four. Pivot, pivot.
418
00:30:03,270 --> 00:30:04,270
Yes,
419
00:30:04,710 --> 00:30:06,270
yes, yes, yes. Okay. Great.
420
00:30:06,570 --> 00:30:08,290
AJ wants to make the finale.
421
00:30:08,710 --> 00:30:12,710
Adele knows that. So if AJ wants to make
the finale, he's going to produce the
422
00:30:12,710 --> 00:30:13,970
best work he has ever done.
423
00:30:14,300 --> 00:30:15,540
and especially in ballroom.
424
00:30:15,940 --> 00:30:17,080
Loving your work.
425
00:30:18,800 --> 00:30:20,460
I loved it now, no?
426
00:30:20,700 --> 00:30:21,579
Yeah, that was good.
427
00:30:21,580 --> 00:30:25,920
I think our partnership is working
because she knows that this is my
428
00:30:25,920 --> 00:30:28,220
background. I am not going to hold back
in the choreography.
429
00:30:28,520 --> 00:30:32,400
I want to show that I can take my
ballroom experience and make this a
430
00:30:32,400 --> 00:30:33,400
great dance.
431
00:30:33,580 --> 00:30:36,920
Wait for AJ to do it for you. I just
want the judges to be like, that's a
432
00:30:36,920 --> 00:30:38,540
dance I can see on Dancing With The
Stars.
433
00:30:38,900 --> 00:30:40,020
I'm going to control you.
434
00:30:40,350 --> 00:30:42,830
and you're going to rise onto a toe and
you're going to take the head back.
435
00:30:43,030 --> 00:30:44,370
I have danced with AJ before.
436
00:30:44,570 --> 00:30:47,110
We did the Roomba. He is the ballroom
king.
437
00:30:47,550 --> 00:30:48,830
Bend. You see how you sat there?
438
00:30:49,050 --> 00:30:50,550
Why do I want to bend? It's not so
beautiful.
439
00:30:50,750 --> 00:30:51,689
Don't you want it straight?
440
00:30:51,690 --> 00:30:53,050
Bend, bend, bend, bend.
441
00:30:53,270 --> 00:30:57,110
Knowing that I'm really, really close to
the finale, the bar for me is set
442
00:30:57,110 --> 00:31:00,230
really, really high. I've never been in
the bottom two. Straighten this arm
443
00:31:00,230 --> 00:31:01,430
naturally. Yeah, push away.
444
00:31:01,710 --> 00:31:06,130
Straighten it, straighten it. Foxtrot is
one of the hardest ballroom dances, but
445
00:31:06,130 --> 00:31:08,290
I want to fight for this role for a
lifetime.
446
00:31:09,919 --> 00:31:11,860
Quick. Let the steps be difficult.
447
00:31:12,200 --> 00:31:16,380
Let them be challenging. I want to prove
them that I am a full package.
448
00:31:17,060 --> 00:31:18,980
It's so hard to do the folk show.
449
00:31:19,700 --> 00:31:20,740
I love the folk show.
450
00:31:27,340 --> 00:31:33,660
It's been a long journey.
451
00:31:34,220 --> 00:31:37,660
Congratulations on being a
semi-finalist. There's only four of us.
452
00:31:37,880 --> 00:31:40,140
Yeah. And it's going to be three soon.
453
00:31:40,480 --> 00:31:43,000
We all deserve to be here. We fought.
454
00:31:43,200 --> 00:31:47,700
We worked our butts off. Every single
person has this desire to win.
455
00:31:48,020 --> 00:31:49,220
That is fine. Yeah, yeah.
456
00:31:49,700 --> 00:31:52,260
Yeah, that's good. But there's only one
winner.
457
00:31:52,520 --> 00:31:55,060
So tomorrow is someone's dream.
458
00:31:55,300 --> 00:31:56,300
It's over.
459
00:32:11,720 --> 00:32:17,900
Welcome back to the next pro semi-final.
The training is complete and now it's
460
00:32:17,900 --> 00:32:23,500
time for the final challenge that will
ultimately see one member of our final
461
00:32:23,500 --> 00:32:25,400
four miss out on the finale.
462
00:32:27,260 --> 00:32:28,960
Are you pumped for this last dance?
463
00:32:29,160 --> 00:32:32,620
Yeah, absolutely. Shirley? Well, I want
to be able to tell in your ballroom
464
00:32:32,620 --> 00:32:36,840
dancer what the character is. I want to
see some good postural positions, some
465
00:32:36,840 --> 00:32:40,080
good frames, but most of all, I want you
all to enjoy.
466
00:32:40,700 --> 00:32:42,400
And have a brilliant time. Thank you.
467
00:32:42,720 --> 00:32:46,520
Thank you. Our first couple is Alan and
Selena.
468
00:32:50,760 --> 00:32:51,760
Come on, you two.
469
00:32:52,260 --> 00:32:54,520
Me and Alan's chemistry is amazing.
470
00:32:54,880 --> 00:32:59,060
I couldn't ask for a better last
partner. He's one of my best friends in
471
00:32:59,060 --> 00:32:59,959
this house.
472
00:32:59,960 --> 00:33:02,800
And I can't wait to show that in our
dance.
473
00:33:03,120 --> 00:33:04,520
Just focus on the dance right now.
474
00:33:04,900 --> 00:33:08,580
This is the final dance between now and
the finale.
475
00:33:09,310 --> 00:33:12,730
I want to prove that I can be a pro at
Dancing with the Stars tomorrow.
476
00:33:13,070 --> 00:33:16,290
Get me on there, and I swear to you I'll
work harder than anybody.
477
00:33:18,410 --> 00:33:20,790
I can feel the intensity before it even
starts.
478
00:33:21,270 --> 00:33:22,270
Mm-hmm.
479
00:33:49,259 --> 00:33:52,360
Thank you. Thank you.
480
00:34:58,060 --> 00:35:02,920
first of all we are one step away from
the final and you are doing immensely
481
00:35:02,920 --> 00:35:08,900
well because the hardest thing to teach
is a personality and you both shine like
482
00:35:08,900 --> 00:35:13,540
bright lights when it comes to that i
mean you both know how to sell without a
483
00:35:13,540 --> 00:35:18,200
doubt alan selena what i was really
impressed with was the musicality the
484
00:35:18,200 --> 00:35:21,910
creativeness that you had with hitting
all those accents I can see that you
485
00:35:21,910 --> 00:35:25,510
would both be so fun to be partnered
with as a celebrity.
486
00:35:25,870 --> 00:35:28,250
And I think he would do a great job on
the show.
487
00:35:28,550 --> 00:35:30,770
Thank you. Quick step. It's fun.
488
00:35:30,990 --> 00:35:34,870
It's bright. It's bubbly. You guys did
all that. Like, when you started in the
489
00:35:34,870 --> 00:35:36,530
frame, the first hit, like, it had
intention.
490
00:35:36,890 --> 00:35:41,250
It hit hard. I love the interpretation
of the music and the mood. Like,
491
00:35:41,250 --> 00:35:43,350
honestly, I enjoy both of you as
performers.
492
00:35:43,930 --> 00:35:47,790
What makes a great pro isn't just the
teaching and the dancing. You really
493
00:35:47,790 --> 00:35:49,810
have to shine. You both pop.
494
00:35:50,160 --> 00:35:51,460
You both have charisma.
495
00:35:51,740 --> 00:35:54,720
And I could genuinely see either of you
on the show tomorrow.
496
00:35:55,260 --> 00:35:56,260
Thank you. Thank you.
497
00:35:56,600 --> 00:35:57,600
Thank you so much.
498
00:35:57,700 --> 00:35:58,700
Thank you.
499
00:35:59,220 --> 00:36:05,920
Our final dance of the night with a
500
00:36:05,920 --> 00:36:08,220
foxtrot is AJ and Adele.
501
00:36:09,220 --> 00:36:12,900
I've wanted to do this show in America
the whole of my dance career. And the
502
00:36:12,900 --> 00:36:14,980
finale is in touching distance.
503
00:36:15,280 --> 00:36:16,500
I just have to give everything.
504
00:36:17,520 --> 00:36:18,880
This process is hard.
505
00:36:19,260 --> 00:36:22,460
But you want to get to the finale. You
want to fight for this role of a
506
00:36:22,460 --> 00:36:23,460
lifetime.
507
00:36:23,580 --> 00:36:26,480
I've learned that there is no limit to
what I can do.
508
00:36:26,960 --> 00:36:28,860
There is no such thing as not being
ready.
509
00:36:29,800 --> 00:36:30,800
Locked in.
510
00:36:41,790 --> 00:36:45,710
Baby, I can never tell. How do you sleep
so well?
511
00:36:45,970 --> 00:36:49,710
Don't you just want to wake up dark as a
lake?
512
00:36:50,050 --> 00:36:56,930
Smelling like bonfire, lost in the haze.
It's your joke on life, babe. I
513
00:36:56,930 --> 00:36:57,930
think it's great.
514
00:36:58,210 --> 00:37:04,190
But while in this world, I think I'll
take my whiskey and leave.
515
00:37:05,130 --> 00:37:09,270
My coffee back in my bed at three.
516
00:37:11,100 --> 00:37:12,100
Oh, my God.
517
00:38:09,000 --> 00:38:13,320
AJ and Adele, Dancing with the Stars has
changed over the years and it's evolved
518
00:38:13,320 --> 00:38:15,360
and we have all these new styles that we
add.
519
00:38:15,980 --> 00:38:20,500
But there's one thing that will just
never go out of style and that is true
520
00:38:20,500 --> 00:38:23,300
classic ballroom. That was gorgeous.
521
00:38:23,980 --> 00:38:28,580
You are so sultry and sexy, Adele. The
connection between the two of you, I'm
522
00:38:28,580 --> 00:38:31,920
like, where is this going? What is
happening? I was blown away by the whole
523
00:38:31,920 --> 00:38:33,760
thing and you guys, perfection.
524
00:38:34,340 --> 00:38:35,339
Thank you.
525
00:38:35,340 --> 00:38:38,300
Thank you so much. AJ, you truly are a
star.
526
00:38:38,780 --> 00:38:42,660
The quality of what you do, the softness
in your legs, the direction with which
527
00:38:42,660 --> 00:38:46,760
you allow your lady to go is
exceptional. I only hope that you have
528
00:38:46,760 --> 00:38:50,980
appreciated this lovely lady on the end
of your arm.
529
00:38:51,280 --> 00:38:56,240
You are the new generation for Dancing
with the Stars. Well done. Thank you so
530
00:38:56,240 --> 00:38:57,240
much.
531
00:39:01,540 --> 00:39:04,660
At this stage, I feel like the four we
have.
532
00:39:05,310 --> 00:39:07,270
Could all succeed, yes. Oh, yeah, of
course.
533
00:39:07,670 --> 00:39:10,330
It's a ten-dance competition. It is a
ten-dance competition. It's primarily
534
00:39:10,330 --> 00:39:14,050
ball and matting. The show has evolved.
It's changed. It's different.
535
00:39:14,350 --> 00:39:18,010
There's a lot more to it than just that.
So I find that difficult.
536
00:39:27,250 --> 00:39:31,270
Welcome back. We have arrived at the
semi-final elimination.
537
00:39:32,510 --> 00:39:34,150
Congratulations, all four of you.
538
00:39:36,680 --> 00:39:39,120
The judges have conferred.
539
00:39:46,280 --> 00:39:52,140
Shirley, of our final four dancers,
taking into account both performances,
540
00:39:52,440 --> 00:39:58,840
which dancer's performances impressed
you the least and unfortunately will
541
00:39:58,840 --> 00:40:00,320
miss out on the finale?
542
00:40:01,900 --> 00:40:07,070
Well, first of all, I want to say to all
four of you, this was... An absolute
543
00:40:07,070 --> 00:40:13,350
exceptional semi-final. Alan, you've
given heart, reliability.
544
00:40:13,650 --> 00:40:15,990
You are a remarkable dancer.
545
00:40:16,610 --> 00:40:20,830
Selena, fire, passion, charisma.
546
00:40:21,490 --> 00:40:22,690
Absolutely a star.
547
00:40:23,090 --> 00:40:28,730
AJ, I don't think we've ever seen this
kind of quality in ballroom dancing that
548
00:40:28,730 --> 00:40:29,709
you have given us.
549
00:40:29,710 --> 00:40:30,710
And Adele?
550
00:40:30,970 --> 00:40:37,190
It doesn't matter what you put your hand
to, you are giving 110%. And therefore
551
00:40:37,190 --> 00:40:41,750
with all these things, it makes this so
difficult.
552
00:40:45,590 --> 00:40:46,390
Having
553
00:40:46,390 --> 00:40:57,470
taken
554
00:40:57,470 --> 00:40:58,850
everything into account,
555
00:40:59,760 --> 00:41:05,220
There is one dancer that has ever so
slightly underperformed.
556
00:41:06,380 --> 00:41:11,200
So unfortunately, this is going to be
the last dance for...
557
00:41:11,200 --> 00:41:17,820
Alan.
558
00:41:19,800 --> 00:41:20,800
Thank you.
559
00:41:21,680 --> 00:41:27,260
I'm very sad and devastated to be going
home. But at the same time, I felt like
560
00:41:27,260 --> 00:41:28,320
I left it all out there.
561
00:41:28,890 --> 00:41:32,790
This has been the most exciting and
phenomenal experience. I think my mom
562
00:41:32,790 --> 00:41:35,730
would have enjoyed watching me here. I
just hope I made her proud.
563
00:41:36,770 --> 00:41:43,110
Alan, your story of legacy has been
something that I know has touched me
564
00:41:43,110 --> 00:41:44,630
very personally.
565
00:41:45,250 --> 00:41:48,050
What has that meant to you to represent
your passion?
566
00:41:48,450 --> 00:41:52,570
Yeah, it means the world to me that I
was able to tell my mom's story and
567
00:41:52,570 --> 00:41:55,990
hopefully it inspires many, many people
out there too.
568
00:41:56,840 --> 00:42:00,420
continue with their dreams, even when
they're at the lowest point of their
569
00:42:00,420 --> 00:42:03,500
life. You should be incredibly,
incredibly proud.
570
00:42:03,760 --> 00:42:07,820
Thank you. You have shown what Dancing
with the Stars is all about. Thank you.
571
00:42:07,860 --> 00:42:09,480
To just never stop.
572
00:42:10,020 --> 00:42:15,640
Alan, you are loved by everybody that
you come into contact with. Thank you
573
00:42:15,640 --> 00:42:17,380
guys so much. It's been an honor, mate.
574
00:42:17,860 --> 00:42:18,860
It's been an honor, brother.
575
00:42:21,860 --> 00:42:23,540
So proud of you. Thanks so much.
576
00:42:24,620 --> 00:42:30,760
We now have, Our three finalists. That's
it for a truly unforgettable
577
00:42:30,760 --> 00:42:36,680
semi-final night. A huge thank you to
our pros, Whitney, Gleb, Riley and Yarn,
578
00:42:36,760 --> 00:42:41,240
along with our judges, Shirley, Mark and
guest judge, Tim Johnson.
579
00:42:41,440 --> 00:42:47,900
Next time, it's our season finale when
one of Adele, AJ or Selena will be
580
00:42:47,900 --> 00:42:53,160
crowned the next pro and land that role
of a lifetime as a pro on Dancing With
581
00:42:53,160 --> 00:42:53,859
The Stars.
582
00:42:53,860 --> 00:42:55,300
I look forward to seeing you then.
583
00:42:55,690 --> 00:42:57,290
I'm Robert Irwin. Good night.
584
00:43:00,810 --> 00:43:06,270
Next time. Welcome to the season finale
of The Next Pro. We've even got a live
585
00:43:06,270 --> 00:43:10,430
audience. You'll each be paired with a
special celebrity.
586
00:43:10,690 --> 00:43:12,310
Everything I've worked for.
587
00:43:12,680 --> 00:43:15,880
Come down to this. We're going to
campaign. Hire me. Yes, ma'am. Every
588
00:43:15,880 --> 00:43:17,260
single step has to be perfect.
589
00:43:17,480 --> 00:43:20,040
That was not good. Bold move to do a
song in the finale.
590
00:43:20,320 --> 00:43:24,400
Oh, God. Becoming a pro will change my
life. You'll be an instant fan favorite.
591
00:43:24,620 --> 00:43:26,080
Let's get this girl in front of a crowd.
592
00:43:26,480 --> 00:43:28,760
The next pro is...
49615
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