All language subtitles for Murder One S01E12 Chapter 12.DVD.HI.cc.en.20FOX

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,537 --> 00:00:05,670 [Announcer] JURY SELECTION IS COMPLETED. 2 00:00:05,740 --> 00:00:08,384 [Judge Bornstein] DO YOU, AND EACH OF YOU, UNDERSTAND THE DEGREE... 3 00:00:08,408 --> 00:00:12,310 THAT YOU WILL ACCURATELY AND TRULY TRY THIS CASE NOW PENDING BEFORE THIS COURT, 4 00:00:12,379 --> 00:00:15,614 AND A TRUE VERDICT RENDER, ACCORDING ONLY TO THE EVIDENCE PRESENTED TO YOU... 5 00:00:15,682 --> 00:00:17,694 AND THE INSTRUCTIONS OF THE COURT? 6 00:00:17,718 --> 00:00:20,385 [All] I DO. 7 00:00:20,454 --> 00:00:23,055 [Announcer] THE MURDER TRIAL HITS HOME. 8 00:00:23,124 --> 00:00:26,491 I DON'T WANT THIS CASE AND EVERYTHING THAT COMES WITH IT IN OUR HOME. 9 00:00:26,560 --> 00:00:30,195 WITH ALL THE THEATRICS AND MEDIA HOOPLA... IT'S SHOW BUSINESS. 10 00:00:30,264 --> 00:00:34,165 CRIME IS ENTERTAINMENT. EVERYBODY'S A CELEBRITY. 11 00:00:34,234 --> 00:00:37,268 - DADDY, LOOK. YOU'RE ON TV. - A SENSELESS TRAGEDY. 12 00:00:37,337 --> 00:00:41,539 [Announcer] RICHARD CROSS MAKES JUSTINE AN OFFER SHE CAN'T REFUSE. 13 00:00:41,608 --> 00:00:44,208 - WHAT'S YOUR FAVORITE FANTASY? - EXCUSE ME? 14 00:00:44,277 --> 00:00:47,256 I SEE YOU DOING SO MUCH MORE THAN BEING TED HOFFMAN'S JUNIOR PARTNER. 15 00:00:47,280 --> 00:00:50,093 HE WANTS ME TO FLY TO AMSTERDAM TO BUY SOME PAINTING. 16 00:00:50,117 --> 00:00:53,118 MADE A BIG SHOW OF WANTING IT TO BE ALL RIGHT WITH YOU. 17 00:00:53,186 --> 00:00:55,165 IT'S NOT. I KNOW THIS ISN'T ABOUT ART, 18 00:00:55,189 --> 00:00:57,121 BUT I COULD BE YOUR INSIDE GUY ON THIS. 19 00:00:57,190 --> 00:00:59,135 TELL RICHARD YOU AREN'T INTERESTED. 20 00:00:59,159 --> 00:01:01,460 [Sighs] 21 00:01:01,528 --> 00:01:03,828 DO WE HAVE SOMETHING TO CELEBRATE? 22 00:01:03,897 --> 00:01:06,331 EXCELLENT. ONLY ABOUT TED... 23 00:01:06,400 --> 00:01:09,000 I WOULD LIKE TO CHOOSE THE RIGHT TIME TO TELL HIM. 24 00:01:09,069 --> 00:01:11,503 I'M SURE YOU'LL TELL TED WHEN YOU'RE READY. 25 00:01:21,916 --> 00:01:25,450 [Loud Chattering] 26 00:01:25,519 --> 00:01:27,452 [Woman Screams] 27 00:01:27,521 --> 00:01:29,521 [Woman Screams] 28 00:01:32,860 --> 00:01:34,793 [Chattering Excitedly] 29 00:01:34,862 --> 00:01:37,908 MORNING, TED. ANY CHANCE FOR A LAST-MINUTE PLEA BARGAIN? NOT INTERESTED. 30 00:01:37,932 --> 00:01:40,110 HAVE YOU PROPOSED A POSSIBILITY OF AN INSANITY DEFENSE? YES. 31 00:01:40,134 --> 00:01:42,734 ANY TRUTH TO THE RUMOR ADDITIONAL COUNSEL WILL BE BROUGHT IN? 32 00:01:42,803 --> 00:01:44,069 NONE THAT I KNOW OF. 33 00:01:44,138 --> 00:01:46,805 ARE WE GONNA GET OPENING STATEMENTS? I'M SURE WE WILL. 34 00:01:46,874 --> 00:01:48,874 [Woman] HOW DO YOU FEEL, NEIL? 35 00:01:55,015 --> 00:01:56,948 [Sighs] 36 00:01:57,017 --> 00:01:59,050 IT'S OKAY. 37 00:01:59,120 --> 00:02:01,553 I DON'T HAVE TO. YOU SURE? 38 00:02:01,622 --> 00:02:03,589 YEAH. 39 00:02:04,759 --> 00:02:07,626 STAND OUTSIDE AND MAKE SURE NO ONE COMES IN. 40 00:02:10,031 --> 00:02:12,031 OH. 41 00:02:13,467 --> 00:02:15,467 [Water Running] 42 00:02:17,038 --> 00:02:19,171 [Faucet Squeaks Off] [Sighs] 43 00:02:19,240 --> 00:02:21,240 LOOK AT ME. 44 00:02:23,410 --> 00:02:25,610 WHEN ALL IS SAID AND DONE... 45 00:02:25,679 --> 00:02:27,880 AND THAT MAY MEAN A TRIAL... 46 00:02:27,949 --> 00:02:30,749 AND THAT MAY MEAN A TRIAL AND AN APPEAL... 47 00:02:30,818 --> 00:02:33,085 YOU'RE GONNA BE ALL RIGHT. 48 00:02:33,154 --> 00:02:36,922 WHY DO I GET THE FEELING THAT'S WHAT YOU'RE SUPPOSED TO SAY TO A TERRIFIED CLIENT? 49 00:02:36,991 --> 00:02:40,326 I DON'T SAY IT UNLESS I BELIEVE IT. [Exhales Deeply] 50 00:02:40,394 --> 00:02:42,962 TEDDY, I DON'T THINK I CAN GET THROUGH THIS. 51 00:02:43,030 --> 00:02:44,963 YOU CAN GET THROUGH IT, NEIL. 52 00:02:45,032 --> 00:02:48,033 YOU CAN GET THROUGH IT BECAUSE YOU'RE STRONGER THAN YOU THINK YOU ARE... 53 00:02:48,101 --> 00:02:50,735 AND BECAUSE I'M GONNA BE BY YOUR SIDE THE WHOLE TIME. 54 00:02:50,804 --> 00:02:53,605 THIS IS WHAT I DO, NEIL. THIS IS WHAT I'M GOOD AT. 55 00:02:53,674 --> 00:02:57,142 NOW YOU'RE GONNA DEPEND ON ME, AND YOU'RE GONNA PUT YOUR FAITH IN ME. 56 00:02:57,211 --> 00:03:00,813 AND YOU WILL COME OUT ON THE OTHER SIDE. 57 00:03:00,882 --> 00:03:02,248 I PROMISE. 58 00:04:10,584 --> 00:04:12,518 MS. GRASSO. 59 00:04:12,586 --> 00:04:16,254 THANK YOU, YOUR HONOR. THE PEOPLE DO HAVE A MOTION TO OFFER. 60 00:04:16,323 --> 00:04:18,323 PROCEED. 61 00:04:18,392 --> 00:04:20,871 YOUR HONOR, THE PEOPLE AT THIS TIME WOULD LIKE TO MOVE... 62 00:04:20,895 --> 00:04:25,363 THAT TELEVISION CAMERAS BE BANNED FROM THE COURTROOM FOR THE DURATION OF THIS TRIAL. 63 00:04:25,432 --> 00:04:29,200 THE DEFENSE DOES NOT OPPOSE MS. GRASSO'S MOTION, YOUR HONOR. 64 00:04:29,269 --> 00:04:32,104 WE SUPPORT THE ELIMINATION OF CAMERAS FROM THE COURTROOM. 65 00:04:32,173 --> 00:04:34,172 REASONS? I'LL DEFER TO MY COLLEAGUE... 66 00:04:34,241 --> 00:04:36,442 TO STATE THE REASONS. 67 00:04:36,510 --> 00:04:38,910 YOUR HONOR, WE BELIEVE THE PRESENCE OF CAMERAS, 68 00:04:38,979 --> 00:04:41,347 RATHER THAN ACCOMPLISHING THE STATED PURPOSE... 69 00:04:41,415 --> 00:04:43,349 OF ILLUMINATING A TRIAL, 70 00:04:43,417 --> 00:04:45,517 HAS THE EFFECT OF DISTORTING IT. 71 00:04:45,586 --> 00:04:48,386 WE BELIEVE THAT ATTORNEYS AS WELL AS WITNESSES, 72 00:04:48,455 --> 00:04:51,467 EITHER CONSCIOUSLY OR UNCONSCIOUSLY, PLAY TO THE CAMERAS. 73 00:04:51,491 --> 00:04:55,393 WE BELIEVE THAT BECAUSE THIS IS AN UNSEQUESTERED JURY, 74 00:04:55,463 --> 00:04:59,598 THEY WILL BE THAT MUCH MORE HARD-PRESSED TO AVOID THE UBIQUITOUS COMMENTARY... 75 00:04:59,667 --> 00:05:03,469 AND SPECULATION THAT FOLLOWS A TELEVISED TRIAL. 76 00:05:03,537 --> 00:05:07,339 AND GIVEN THE MAGNITUDE OF PUBLIC INTEREST IN THIS CASE, 77 00:05:07,407 --> 00:05:09,775 WE BELIEVE THAT THE PRESENCE OF CAMERAS... 78 00:05:09,843 --> 00:05:12,311 WILL TRANSFORM THIS TRIAL INTO A SPECTACLE... 79 00:05:12,380 --> 00:05:16,282 WHICH ULTIMATELY WILL BETRAY, RATHER THAN SERVE, THE INTERESTS OF JUSTICE. 80 00:05:16,350 --> 00:05:18,383 MAY I BE HEARD, YOUR HONOR? 81 00:05:18,452 --> 00:05:20,986 STATE YOUR NAME AND WHO YOU REPRESENT FOR THE RECORD, PLEASE. 82 00:05:21,055 --> 00:05:23,555 MONA FEIGENBAUM. I'M AN ATTORNEY FOR LAW TV. 83 00:05:23,624 --> 00:05:26,624 I'D LIKE TO BE HEARD IN OPPOSITION TO MS. GRASSO'S MOTION. 84 00:05:26,693 --> 00:05:29,161 [Judge Bornstein] GO AHEAD. 85 00:05:29,230 --> 00:05:32,497 THE PRINCIPLE OF OPEN PUBLIC TRIALS IS A BASIC RIGHT IN THIS COUNTRY... 86 00:05:32,566 --> 00:05:34,900 GUARANTEED BY THE SIXTH AMENDMENT. 87 00:05:34,968 --> 00:05:36,901 YES, THIS IS A TRIAL IN WHICH... 88 00:05:36,971 --> 00:05:39,071 THERE IS A GREAT DEAL OF PUBLIC INTEREST, 89 00:05:39,140 --> 00:05:41,773 AND YES, LAW TV IS A PROFIT-MAKING ENTERPRISE... 90 00:05:41,842 --> 00:05:44,510 WHICH STANDS TO GAIN FROM BEING PERMITTED TO TELEVISE IT. 91 00:05:44,578 --> 00:05:47,246 WHAT I WOULD ARGUE IS THAT BY DOING SO, 92 00:05:47,314 --> 00:05:50,849 WE ARE FULFILLING THE SAME FUNCTION AS THAT OF THE REST OF THE WORKING PRESS... 93 00:05:50,918 --> 00:05:53,518 NAMELY, THE TRANSMITTAL OF INFORMATION... 94 00:05:53,587 --> 00:05:56,888 PROTECTED BY THE PEOPLE'S RIGHT TO FREE SPEECH. 95 00:05:56,957 --> 00:05:59,269 LIKE IT OR NOT, TELEVISION IS THE MEANS... 96 00:05:59,293 --> 00:06:03,595 BY WHICH THE VAST MAJORITY OF THE CITIZENS OF THIS COUNTRY RECEIVE THEIR NEWS. 97 00:06:03,664 --> 00:06:07,733 WE DON'T BELIEVE THAT WE DISTORT THE PROCESS. WE BELIEVE WE'RE PART OF IT. 98 00:06:07,802 --> 00:06:10,085 WE HAVE FULL FAITH IN THE ABILITY OF THIS COURT... 99 00:06:10,154 --> 00:06:12,298 TO ENSURE THE APPROPRIATE STANDARDS OF BEHAVIOR... 100 00:06:12,322 --> 00:06:14,301 FOR BOTH ATTORNEYS AND WITNESSES. 101 00:06:14,325 --> 00:06:16,369 AND WE HAVE FULL FAITH IN THE COURT... 102 00:06:16,393 --> 00:06:18,760 TO ASSURE THE PROPER ADMINISTRATION OF JUSTICE. 103 00:06:18,829 --> 00:06:22,130 WHAT MS. GRASSO AND MR. HOFFMAN ARE ASKING FOR, IN ESSENCE, 104 00:06:22,199 --> 00:06:24,310 IS TO BE SHIELDED FROM THE PUBLIC VIEW. 105 00:06:24,334 --> 00:06:26,601 WE ASK THAT THE COURT NOT DO THAT. 106 00:06:26,670 --> 00:06:28,949 WE ASK THAT THE COURT NOT SHOOT THE MESSENGER... 107 00:06:28,973 --> 00:06:31,618 FOR NO OTHER REASON THAN HOW EFFECTIVE A MESSENGER HE IS. 108 00:06:31,642 --> 00:06:35,043 ALL RIGHT, MS. FEIGENBAUM. YOU'RE NOT TESTIFYING BEFORE A CONGRESSIONAL COMMITTEE. 109 00:06:35,112 --> 00:06:37,112 I GET THE POINT. 110 00:06:37,181 --> 00:06:40,682 THE COURT DENIES THE MOTION. LIVE TELEVISION COVERAGE WILL BE PERMITTED. 111 00:06:40,751 --> 00:06:43,936 COVERAGE WILL BE RESTRICTED TO WHEN THE JURY IS PRESENT. 112 00:06:44,004 --> 00:06:47,456 THE JURY WILL NOT BE SHOWN ON CAMERA EVER. 113 00:06:47,524 --> 00:06:49,574 THERE WILL BE ONE CAMERA... AND ONE CAMERA ONLY... 114 00:06:49,643 --> 00:06:52,144 WHICH WILL SERVE AS THE POOL CAMERA FOR ALL TELEVISION COVERAGE. 115 00:06:52,213 --> 00:06:54,980 YOUR HONOR, MAY I BE PERMITTED TO SPEAK TO THIS ISSUE? 116 00:06:55,049 --> 00:06:58,750 - NO. - MAY I SUBMIT ADDITIONAL POINTS AND AUTHORITIES? 117 00:06:58,818 --> 00:07:01,052 I'VE RULED, MS. GRASSO. I THINK THAT, ON BALANCE, 118 00:07:01,121 --> 00:07:03,155 TELEVISION COVERAGE IS IN THE PUBLIC INTEREST. 119 00:07:03,223 --> 00:07:05,657 - YOUR HONOR, MAY I SAY THAT... - NOTHING, MS. FEIGENBAUM. 120 00:07:05,726 --> 00:07:07,893 YOU WON. TAKE YES FOR AN ANSWER. 121 00:07:07,961 --> 00:07:09,978 WE'LL TAKE A 15-MINUTE RECESS. 122 00:07:10,047 --> 00:07:13,998 WE'LL BEGIN OPENING STATEMENTS AT 10:30. 123 00:07:14,067 --> 00:07:16,835 [Chattering] 124 00:07:16,904 --> 00:07:19,270 TED. WHAT'S UP? 125 00:07:19,339 --> 00:07:22,674 WHAT DO YOU KNOW ABOUT ROBERTO PORTALEGRE? 126 00:07:23,811 --> 00:07:26,478 THE HUM AT D.E.A. IS... 127 00:07:26,546 --> 00:07:29,248 HE'S A BROKER FOR THE CALI CARTEL. 128 00:07:29,316 --> 00:07:31,283 MONEY, DRUGS, ARMS. 129 00:07:31,351 --> 00:07:35,236 WITH A FINGER INTO CUBA, SOUTH AFRICA AND THE MIDDLE EAST. 130 00:07:35,305 --> 00:07:37,289 WHY ARE WE INTERESTED? 131 00:07:37,358 --> 00:07:41,259 HE PAID ME $50,000, OSTENSIBLY, TO REPRESENT HIS SON, 132 00:07:41,328 --> 00:07:44,096 ONLY TO BUY OFF THE COMPLAINANT ON HIS OWN. 133 00:07:44,164 --> 00:07:46,764 SOMETHING DOESN'T ADD UP. 134 00:07:46,833 --> 00:07:50,113 HE WAS ALSO REFERRED BY RICHARD CROSS, WASN'T HE? 135 00:07:50,137 --> 00:07:52,070 RIGHT. 136 00:07:52,139 --> 00:07:54,772 ALL THE REASON YOU NEED TO BE SUSPICIOUS. 137 00:07:54,841 --> 00:07:57,041 I'LL SEE WHAT ELSE I CAN DIG UP. 138 00:07:58,712 --> 00:08:02,514 JURORS TEND TO PAY CLOSE ATTENTION TO THE PERSON IN THE COURTROOM... 139 00:08:02,583 --> 00:08:04,516 WHO COMMANDS THE MOST RESPECT. 140 00:08:04,585 --> 00:08:07,286 [Man #2] AND TED HOFFMAN WANTS TO BE THAT PERSON. 141 00:08:09,122 --> 00:08:11,456 [Man #1] IF TED HOFFMAN DOES TAKE CONTROL, 142 00:08:11,525 --> 00:08:13,658 AS HE USUALLY DOES, 143 00:08:13,727 --> 00:08:15,660 IT WILL BE QUIETLY. 144 00:08:15,729 --> 00:08:17,696 DOUBLE LATTE. THANKS. 145 00:08:17,764 --> 00:08:20,465 IS IT AS IMPORTANT FOR MIRIAM GRASSO... 146 00:08:20,534 --> 00:08:23,401 TO GET CONTROL OF THE COURTROOM AS IT IS FOR TED HOFFMAN? 147 00:08:23,470 --> 00:08:25,403 THE PROSECUTION IS USUALLY IDENTIFIED... 148 00:08:25,472 --> 00:08:27,450 HI. HI. I HOPE I DIDN'T KEEP YOU WAITING. 149 00:08:27,474 --> 00:08:29,524 NO. I JUST GOT HERE. GREAT. 150 00:08:29,593 --> 00:08:31,526 SO, GOOD NEWS. 151 00:08:31,595 --> 00:08:34,307 THE DOLLAR IS REBOUNDING AGAINST ALL THE EUROPEAN CURRENCIES. 152 00:08:34,331 --> 00:08:36,698 SO, IF YOU WERE TO CLOSE ON THAT HOLBEIN PAINTING TODAY, 153 00:08:36,767 --> 00:08:38,900 THE PRICE WOULD ONLY BE RIDICULOUS INSTEAD OF OBSCENE. 154 00:08:38,969 --> 00:08:42,904 GOOD. IF THE DOLLAR TAKES A WRONG TURN, I CAN LIVE WITH OBSCENE. 155 00:08:42,973 --> 00:08:47,709 UH, BUT THE REASON I WANTED TO SEE YOU HAS TO DO WITH A DIFFERENT MATTER. 156 00:08:47,778 --> 00:08:49,911 CAN I GET A DOUBLE ESPRESSO, PLEASE? 157 00:08:49,980 --> 00:08:52,597 NOPE. I'VE ALREADY HAD MY MORNING JOLT. THANK YOU. 158 00:08:55,035 --> 00:08:57,002 IS TEDDY OKAY? 159 00:08:57,071 --> 00:08:58,987 AS FAR AS I KNOW. WHY? 160 00:09:00,373 --> 00:09:02,557 WELL, I'M WORRIED ABOUT HIM. 161 00:09:02,626 --> 00:09:04,993 AS YOU KNOW, TED AND I HAVE BEEN FRIENDS FOR A LONG TIME. 162 00:09:05,061 --> 00:09:07,378 REGRETTABLY, THE EVENTS OVER THE LAST FEW MONTHS... 163 00:09:07,447 --> 00:09:10,265 HAVE PUT A STRAIN ON OUR FRIENDSHIP, TO PUT IT MILDLY. 164 00:09:10,334 --> 00:09:12,734 MY HOPE WAS THAT EVERYTHING WOULD WORK OUT. 165 00:09:15,306 --> 00:09:17,306 BUT RECENTLY HE HAS, UM, 166 00:09:18,442 --> 00:09:21,843 MADE SOME... HURTFUL AND EVEN FRIGHTENING... 167 00:09:21,912 --> 00:09:24,791 YOU'RE GETTING INTO AN AREA HERE, RICHARD, I REALLY DON'T FEEL... 168 00:09:24,815 --> 00:09:26,793 COMFORTABLE TALKING ABOUT WITH YOU. 169 00:09:26,817 --> 00:09:30,885 UNDERSTOOD. YOU DON'T WANT TO SAY ANYTHING THAT WOULD VIOLATE NEIL'S PRIVILEGE, 170 00:09:30,954 --> 00:09:32,904 AND I DON'T WANT YOU TO. 171 00:09:32,973 --> 00:09:36,925 I'M JUST TRYING TO UNDERSTAND WHY TED FEELS THE NEED TO VENT HIS SPLEEN ON ME... 172 00:09:36,994 --> 00:09:39,261 OVER EVERYTHING AND ANYTHING THAT UPSETS HIM. 173 00:09:39,330 --> 00:09:41,457 IF YOU WANT TO TALK ABOUT FLEMISH PAINTING, FINE, 174 00:09:41,481 --> 00:09:43,648 THAT RELATES TO OUR BUSINESS TOGETHER. 175 00:09:43,716 --> 00:09:47,268 THIS DOESN'T. JUSTINE, I'M SORRY. I JUST DON'T KNOW WHO TO TALK TO. 176 00:09:47,337 --> 00:09:50,371 THE LINE OF COMMUNICATION BETWEEN TED AND ME HAS BROKEN DOWN COMPLETELY, 177 00:09:50,440 --> 00:09:52,574 AND I'M LEFT TO PONDER THE DELUSIONAL RANTINGS... 178 00:09:52,642 --> 00:09:54,642 OF SOMEONE THAT I ONCE CONSIDERED A FRIEND. 179 00:09:54,711 --> 00:09:56,455 THIS REALLY IS BETWEEN YOU AND TED. 180 00:09:56,479 --> 00:10:00,448 IF YOU WANT TO KNOW WHAT'S ON HIS MIND, YOU'LL HAVE TO ASK HIM YOURSELF. 181 00:10:03,954 --> 00:10:06,805 I HOPE YOU'RE AS DISCREET IN YOUR BUSINESS DEALINGS WITH ME... 182 00:10:06,873 --> 00:10:08,890 AS YOU ARE WITH THOSE OF HOFFMAN & ASSOCIATES. 183 00:10:11,245 --> 00:10:13,228 WELL, I SHOULD BE GETTING TO WORK. 184 00:10:13,296 --> 00:10:15,313 I MADE YOU FEEL UNCOMFORTABLE. I'M SORRY. 185 00:10:15,382 --> 00:10:18,800 I DIDN'T MEAN TO. I GUESS I JUST NEEDED TO VENT A LITTLE BIT MYSELF. 186 00:10:20,320 --> 00:10:24,122 YOU'VE BEEN A GOOD LISTENER. THANK YOU. 187 00:10:37,471 --> 00:10:39,437 [Grasso] GOOD MORNING, LADIES AND GENTLEMEN. 188 00:10:39,506 --> 00:10:43,141 I WORK FOR THE DISTRICT ATTORNEY'S OFFICE OF THE COUNTY OF LOS ANGELES, 189 00:10:43,209 --> 00:10:45,649 AND I REPRESENT THE PEOPLE OF THE STATE OF CALIFORNIA. 190 00:10:45,712 --> 00:10:49,815 I REPRESENT YOU. ONE THING I WANT TO ADVISE YOU OF RIGHT FROM THE START. 191 00:10:49,883 --> 00:10:53,719 I AM NOT ANYWHERE NEAR AS ENTERTAINING AS TED HOFFMAN IS. 192 00:10:53,787 --> 00:10:57,689 I'M NOT ENTERTAINING. I'M NOT FLAMBOYANT. 193 00:10:57,757 --> 00:11:01,125 AND I'M NOT FAMOUS... LIKE NEIL AVEDON. 194 00:11:01,194 --> 00:11:04,695 I THINK IT'S HARD NOT TO BE BLINDED BY CELEBRITY, DON'T YOU? 195 00:11:04,764 --> 00:11:08,033 I DON'T KNOW OF ANYONE WHO'S NOT IMPRESSED... 196 00:11:08,102 --> 00:11:10,702 AT THE SIGHT OF SEEING FAMOUS PEOPLE IN PERSON. 197 00:11:10,770 --> 00:11:12,871 YOU KNOW WHAT IT'S LIKE IN THIS TOWN. 198 00:11:12,939 --> 00:11:14,906 YOU GO TO A RESTAURANT OR A STORE. 199 00:11:15,976 --> 00:11:18,409 THERE'S CLINT EASTWOOD... 200 00:11:18,478 --> 00:11:21,613 OR MARY TYLER MOORE OR SOMEONE LIKE THAT. 201 00:11:21,682 --> 00:11:24,516 AND IT... IT JUST MAKES THE WHOLE EXPERIENCE... 202 00:11:24,585 --> 00:11:26,585 A LITTLE BIT SPECIAL. 203 00:11:28,055 --> 00:11:30,555 AND I'LL BE HONEST WITH YOU. 204 00:11:30,624 --> 00:11:34,726 I WOULD LOVE TO BE MEETING EITHER OF THESE PEOPLE UNDER DIFFERENT CIRCUMSTANCES. 205 00:11:34,795 --> 00:11:37,061 I'D LOVE TO GO TO DINNER WITH TED HOFFMAN, 206 00:11:38,064 --> 00:11:40,065 HEAR HIS WAR STORIES. 207 00:11:40,134 --> 00:11:43,802 I'LL ADMIT IT. I WOULD LOVE TO SIT AT SPAGO'S... 208 00:11:43,871 --> 00:11:45,804 AT A TABLE WITH NEIL AVEDON... 209 00:11:45,873 --> 00:11:48,406 AND HAVE PEOPLE OGLE ME JUST BECAUSE I'M WITH HIM. 210 00:11:50,177 --> 00:11:53,278 BUT THAT'S NOT OUR BUSINESS HERE TODAY, LADIES AND GENTLEMEN. 211 00:11:53,346 --> 00:11:56,581 OUR BUSINESS... IS MUCH MORE SERIOUS. 212 00:11:58,285 --> 00:12:00,585 MUCH MORE SAD. 213 00:12:00,654 --> 00:12:02,887 AND IT'S ALSO MUCH MORE IMPORTANT. 214 00:12:02,956 --> 00:12:04,801 YOUR HONOR, I HAVE TO OBJECT AT THIS POINT. 215 00:12:04,825 --> 00:12:06,958 APPROACH THE BENCH. 216 00:12:13,801 --> 00:12:16,401 THIS IS AN ATTEMPT ON THE PART OF THE PROSECUTOR, 217 00:12:16,470 --> 00:12:18,803 WHO HAS THE MAJESTY OF THE STATE BEHIND HER... 218 00:12:18,872 --> 00:12:21,372 [Exhales] TO CAST HERSELF IN THE ROLE OF THE UNDERDOG. 219 00:12:21,441 --> 00:12:24,809 IT'S IRRELEVANT TO THE FACTS OF THIS CASE. IT'S UNTRUE, 220 00:12:24,878 --> 00:12:28,380 AND I OBJECT TO HER USE OF IT TO PANDER TO THIS JURY. 221 00:12:28,448 --> 00:12:31,916 YOUR HONOR, THIS IS OPENING STATEMENT RHETORIC. 222 00:12:31,985 --> 00:12:33,952 MR. HOFFMAN KNOWS THAT. 223 00:12:34,020 --> 00:12:38,056 MR. HOFFMAN HAS REGISTERED HIS OBJECTION FOR NO OTHER REASON THAN TO INTERRUPT ME. 224 00:12:38,125 --> 00:12:41,392 NOW THAT HE HAS COMPLETED HIS TASK, I WOULD ASK THE COURT TO PERMIT ME TO RESUME. 225 00:12:41,462 --> 00:12:45,063 YOU KEEP TO THE FACTS OF THE CASE, MS. GRASSO. 226 00:12:45,132 --> 00:12:49,000 YOU, MR. HOFFMAN, I REMIND NOT TO KEEP JUMPING IN WITH GRATUITOUS OBJECTIONS, HMM? 227 00:12:49,069 --> 00:12:51,135 PROCEED. 228 00:12:51,204 --> 00:12:53,205 [Siren Wailing In Distance] 229 00:12:56,042 --> 00:13:00,444 [Grasso] MY OPENING STATEMENT PROVIDES ME WITH THE OPPORTUNITY TO GIVE YOU A ROAD MAP... 230 00:13:00,513 --> 00:13:02,446 WHERE THE PEOPLE ARE GOING WITH THIS CASE... 231 00:13:02,515 --> 00:13:04,449 AND HOW WE INTEND TO PROVE IT. 232 00:13:04,518 --> 00:13:07,518 IT'S A SIMPLE CASE, LADIES AND GENTLEMEN. 233 00:13:07,587 --> 00:13:09,954 THERE'S NOTHING COMPLICATED ABOUT IT AT ALL. 234 00:13:10,023 --> 00:13:13,158 THIS MAN RAPED AND STRANGLED TO DEATH... 235 00:13:13,226 --> 00:13:15,760 A 15-YEAR-OLD GIRL. 236 00:13:16,963 --> 00:13:18,896 THE EVIDENCE WILL PLACE NEIL AVEDON... 237 00:13:18,965 --> 00:13:21,733 AT THE SCENE OF THE CRIME ON THE NIGHT IN QUESTION. 238 00:13:21,802 --> 00:13:24,803 THE EVIDENCE WILL PROVE BEYOND A REASONABLE DOUBT... 239 00:13:24,871 --> 00:13:27,638 THAT HE COMMITTED THE CRIMES HE'S CHARGED WITH. 240 00:13:29,676 --> 00:13:32,410 WE WILL PROVIDE YOU WITH SCIENTIFIC EVIDENCE... 241 00:13:32,478 --> 00:13:34,490 THAT HE VAGINALLY PENETRATED HER. 242 00:13:34,514 --> 00:13:37,282 AND EVIDENCE THAT WAS FOUND IN THE BEDROOM... 243 00:13:37,351 --> 00:13:39,351 INDICATES THERE WAS A STRUGGLE. 244 00:13:40,487 --> 00:13:42,687 WE WILL DEMONSTRATE TO YOU... 245 00:13:46,292 --> 00:13:49,143 AND BEATEN AND RAPED... 246 00:13:49,211 --> 00:13:51,712 BEFORE SHE WAS KILLED. 247 00:13:51,781 --> 00:13:53,714 HE DID THAT TO HER. 248 00:13:53,783 --> 00:13:56,684 JESSICA COSTELLO'S CHARACTER... 249 00:13:58,054 --> 00:14:01,789 MAY BE AN ISSUE IN THIS TRIAL RAISED BY THE DEFENSE. 250 00:14:01,858 --> 00:14:06,193 DEFENSE COUNSEL WILL TRY TO MAKE THAT WHAT THIS TRIAL IS ABOUT. 251 00:14:06,262 --> 00:14:09,364 HE WILL SAY THAT THIS WAS CONSENSUAL SEX... 252 00:14:09,432 --> 00:14:13,367 THAT THIS YOUNG GIRL IN FACT WASN'T RAPED. 253 00:14:13,436 --> 00:14:17,805 SHE COULDN'T HAVE BEEN RAPED. AFTER ALL, LOOK AT WHO SHE WAS. 254 00:14:17,873 --> 00:14:22,009 SOMEONE WHO ABUSED DRUGS. SOMEONE WHO WAS PROMISCUOUS. 255 00:14:22,078 --> 00:14:24,028 MY ADVERSARY... 256 00:14:24,097 --> 00:14:26,497 WILL PUT HER ON TRIAL. 257 00:14:29,135 --> 00:14:31,168 DON'T LET HIM DO IT. 258 00:14:32,372 --> 00:14:36,340 NOBODY DESERVES TO BE RAPED AND MURDERED. 259 00:14:36,409 --> 00:14:41,645 AND NOBODY DESERVES TO GET AWAY WITH RAPING AND MURDERING THEM, 260 00:14:42,648 --> 00:14:44,882 NO MATTER HOW FAMOUS THEY MAY BE. 261 00:14:59,865 --> 00:15:02,099 DURING HER OPENING STATEMENT THIS MORNING, 262 00:15:02,168 --> 00:15:06,938 MIRIAM GRASSO GAVE US A PREVIEW OF THE PROSECUTION'S CASE AGAINST NEIL AVEDON... 263 00:15:07,006 --> 00:15:09,574 THE PHYSICAL EVIDENCE LINKING HIM TO THE MURDER... 264 00:15:09,642 --> 00:15:12,209 AND THE TIMELINE WHICH PLACES HIM AT THE CRIME SCENE... 265 00:15:12,278 --> 00:15:15,479 WHEN THE MURDER IS THOUGHT TO HAVE TAKEN PLACE. 266 00:15:15,548 --> 00:15:18,415 HEY. TELL ME YOU DON'T THINK HE'S A DOLL. 267 00:15:19,986 --> 00:15:22,064 WELL, THERE'S DEFINITELY SOMETHING THERE, 268 00:15:22,088 --> 00:15:24,433 BUT THAT RED HAIR AND FRECKLES THING DOESN'T WORK FOR ME. 269 00:15:24,457 --> 00:15:26,523 GOOD. THEN HE'S ALL MINE. 270 00:15:26,592 --> 00:15:30,228 [Crowley] THEREFORE RAISING THE POSSIBILITY OF OTHER SUSPECTS. 271 00:15:30,297 --> 00:15:32,863 [TV Clicks Off] JUSTINE, UM, 272 00:15:32,932 --> 00:15:36,572 THIS IS PROBABLY NONE OF MY BUSINESS, SO I APOLOGIZE IF I'M CROSSING A LINE HERE. 273 00:15:36,602 --> 00:15:40,304 BECAUSE I'M SURE THERE'S A PERFECTLY REASONABLE EXPLANATION. 274 00:15:40,373 --> 00:15:42,407 WHAT'S THE QUESTION? 275 00:15:42,475 --> 00:15:45,042 I SAW YOU HAVING COFFEE THIS MORNING WITH RICHARD CROSS. 276 00:15:45,111 --> 00:15:48,712 WE HAD TO TAKE CARE OF SOMETHING FROM JULIE COSTELLO'S D.U.I. 277 00:15:50,450 --> 00:15:52,783 WASN'T THAT CASE DISMISSED? 278 00:15:52,852 --> 00:15:56,621 YOU KNOW WHAT, LISA? YOU'RE RIGHT. THIS IS NONE OF YOUR BUSINESS. 279 00:15:58,107 --> 00:16:00,340 UH, I JUST DON'T WANT TO SEE YOU OR THE FIRM... 280 00:16:00,409 --> 00:16:03,356 COMPROMISED IN ANY WAY BY EVEN THE APPEARANCE OF IMPROPRIETY. 281 00:16:03,380 --> 00:16:05,312 WHAT'S YOUR POINT? LOOK, FOR ALL WE KNOW, 282 00:16:05,382 --> 00:16:07,693 MIRIAM GRASSO IS GONNA CALL RICHARD CROSS AS A WITNESS, 283 00:16:07,717 --> 00:16:11,235 AND IT'S NOT EXACTLY A SECRET THAT TED DOESN'T TRUST HIM AS FAR AS HE CAN THROW HIM. 284 00:16:11,303 --> 00:16:14,922 AND YOUR FEAR IS WHAT? THAT I'M HAVING AN AFFAIR WITH HIM OR SOMETHING? 285 00:16:16,443 --> 00:16:18,520 I DIDN'T SAY THAT. AND EVEN IF IT WAS, 286 00:16:18,544 --> 00:16:21,290 I COULDN'T CARE LESS WHAT YOU DO WITH YOUR PRIVATE LIFE. 287 00:16:21,314 --> 00:16:22,896 APPARENTLY YOU CARE A GREAT DEAL. 288 00:16:22,965 --> 00:16:25,432 I'M NOT TRYING TO BE A COP. I THINK THAT GIVEN THE GIVENS... 289 00:16:25,501 --> 00:16:28,219 YOU DON'T THINK IT LOOKS GOOD. RIGHT. 290 00:16:28,288 --> 00:16:31,289 I UNDERSTAND. APPEARANCES MEAN A LOT TO YOU, LISA. 291 00:16:31,357 --> 00:16:34,591 BUT JUST BECAUSE... CHRIS DOCKNOVICH DOESN'T APPEAR TO BE PUTTING THE WOOD TO YOU, 292 00:16:34,660 --> 00:16:36,593 DOESN'T MEAN HE ISN'T. 293 00:16:46,872 --> 00:16:48,872 [Exhales Sharply] 294 00:16:50,176 --> 00:16:52,176 MY NAME IS TED HOFFMAN. 295 00:16:52,244 --> 00:16:54,962 I SAY THAT IN THE EVENT I'M NOT AS FAMOUS... 296 00:16:55,031 --> 00:16:57,231 AS MY ADVERSARY HAS ACCUSED ME OF BEING. 297 00:16:59,435 --> 00:17:03,204 I ASK ONLY ONE THING OF YOU AS WE GO INTO THIS TRIAL. 298 00:17:04,207 --> 00:17:07,208 PLEASE KEEP AN OPEN MIND. 299 00:17:07,276 --> 00:17:10,410 THINGS ARE NOT ALWAYS WHAT THEY APPEAR TO BE. 300 00:17:12,215 --> 00:17:17,118 THE REASON WE HAVE THIS THING CALLED THE PRESUMPTION OF INNOCENCE, 301 00:17:17,186 --> 00:17:19,620 THE REASON WE HOLD PROSECUTORS... 302 00:17:19,688 --> 00:17:23,875 PROVING THEIR CASE BEYOND A REASONABLE DOUBT, 303 00:17:23,943 --> 00:17:27,161 THE REASON WE HAVE THIS COURTROOM... 304 00:17:27,230 --> 00:17:30,131 AND THIS TRIAL AND THE 12 OF YOU... 305 00:17:30,199 --> 00:17:33,050 IS TO PROVIDE CHECKS AND BALANCES... 306 00:17:33,118 --> 00:17:36,787 SO THE POLICE DON'T ARREST THE WRONG MAN. 307 00:17:38,324 --> 00:17:41,308 WE TRY VERY HARD TO PREVENT INNOCENT MEN... 308 00:17:41,377 --> 00:17:43,527 FROM BEING SENT TO PRISON. 309 00:17:43,596 --> 00:17:46,263 THE MAN YOU SEE BEFORE YOU... NEIL AVEDON... 310 00:17:46,332 --> 00:17:48,282 IS INNOCENT... 311 00:17:48,351 --> 00:17:52,119 UNTIL EVIDENCE IS PRODUCED THAT CONVINCES YOU... 312 00:17:52,188 --> 00:17:54,755 OF HIS GUILT BEYOND A REASONABLE DOUBT. 313 00:17:56,225 --> 00:18:00,177 BEFORE YOU CAN CONVICT HIM OF FIRST-DEGREE MURDER, 314 00:18:00,246 --> 00:18:05,132 YOU MUST REQUIRE MIRIAM GRASSO TO PROVE THAT HE IS GUILTY... 315 00:18:05,201 --> 00:18:08,402 AND TO PROVE IT BEYOND A REASONABLE DOUBT. 316 00:18:08,471 --> 00:18:11,172 [Judge Bornstein] EXCUSE ME, MR. HOFFMAN, FOR INTERRUPTING YOU. 317 00:18:11,240 --> 00:18:14,058 I'D LIKE TO SEE BOTH SIDES IN CHAMBERS, PLEASE. 318 00:18:20,082 --> 00:18:23,651 YOUR HONOR, I TRUST THIS INTERRUPTION ISN'T A RETALIATORY GESTURE... 319 00:18:23,720 --> 00:18:25,753 OF SOME SORT ON THE PART OF MS. GRASSO. 320 00:18:25,822 --> 00:18:28,823 - YOUR DAUGHTER'S BEEN ABDUCTED, TED. - [Grasso] OH, MY GOD. 321 00:18:28,891 --> 00:18:32,404 I'M DECLARING THE COURT IN RECESS FOR THE DAY. YOU NEED TO GET HOME. 322 00:18:32,428 --> 00:18:35,012 TEDDY, IF THERE'S ANYTHING I CAN DO... 323 00:18:35,080 --> 00:18:37,114 STAY WITH NEIL. HOFFMAN. 324 00:18:37,182 --> 00:18:40,262 NOT NOW, DETECTIVE. THERE'S A BLACK-AND-WHITE STANDING BY TO TAKE YOU HOME. 325 00:18:40,286 --> 00:18:44,455 AND I'VE SPOKEN WITH THE CHIEF. HE'S PUT S.I.S. ASSETS AT OUR DISPOSAL. 326 00:18:44,523 --> 00:18:47,959 AND METRO'S STANDING BY TO FIELD A SWAT CALL IF NECESSARY. 327 00:18:48,027 --> 00:18:51,596 A RESPONSE TEAM OF DETECTIVES FROM WEST L.A. IS EN ROUTE TO YOUR HOUSE NOW. 328 00:18:51,664 --> 00:18:53,931 THANK YOU. WE HAVE OUR DIFFERENCES, 329 00:18:54,000 --> 00:18:55,933 BUT I'M A FATHER TOO. 330 00:18:57,136 --> 00:19:00,004 I'LL KEEP A GOOD THOUGHT FOR YOUR LITTLE GIRL. 331 00:19:05,411 --> 00:19:08,095 ANNIE. 332 00:19:08,163 --> 00:19:10,932 WHAT HAPPENED? I WENT TO PICK UP LIZZIE AFTER BALLET, 333 00:19:11,000 --> 00:19:13,360 BUT SHE NEVER EVEN MADE IT TO CLASS. 334 00:19:13,419 --> 00:19:18,589 [Sobs] ONE OF HER FRIENDS SAW HER GET INTO A STRANGE CAR AND DRIVE AWAY. 335 00:19:18,657 --> 00:19:20,958 OH, TED, IF ANYTHING'S HAPPENED... 336 00:19:21,026 --> 00:19:24,695 LET'S TRY AND STAY CALM, HUH? NOT GET TOO FAR OUT IN FRONT OF THINGS. 337 00:19:24,763 --> 00:19:27,198 THIS HAS SOMETHING TO DO WITH THE CASE, DOESN'T IT? 338 00:19:27,267 --> 00:19:31,235 ANNIE, I DON'T KNOW. JUST TELL THEM YOU'LL WALK AWAY RIGHT NOW. 339 00:19:32,238 --> 00:19:34,198 JUST GIVE US OUR LITTLE GIRL BACK. 340 00:19:34,240 --> 00:19:36,557 I WANT HER BACK, TED. 341 00:19:36,625 --> 00:19:39,726 [Sobbing] 342 00:19:43,933 --> 00:19:46,133 MR. HOFFMAN. 343 00:19:46,201 --> 00:19:48,335 GRETCHEN JANKOW. DETECTIVE. 344 00:19:48,404 --> 00:19:50,838 I KNOW THIS IS AN UPSETTING TIME FOR YOU BOTH. 345 00:19:50,907 --> 00:19:53,407 I'M SURE YOU'RE DOING ALL YOU CAN. 346 00:19:53,475 --> 00:19:56,777 WE HAVE AN OFFICER INTERVIEWING YOUR DAUGHTER'S FRIEND RIGHT NOW. 347 00:19:56,845 --> 00:20:01,415 ALSO, WE'LL MONITOR YOUR PHONE, PUT A TRAP ON YOUR LINE TO LOCATE INCOMING CALLS. 348 00:20:01,484 --> 00:20:05,453 MR. HOFFMAN, DO YOU THINK THIS COULD BE RELATED IN ANY WAY TO THE AVEDON CASE? 349 00:20:07,907 --> 00:20:09,907 I HONESTLY DON'T KNOW. 350 00:20:09,976 --> 00:20:12,710 HAVE YOU RECEIVED ANY THREATENING PHONE CALLS, LETTERS? 351 00:20:12,778 --> 00:20:14,862 NOTHING OUT OF THE ORDINARY. 352 00:20:14,930 --> 00:20:17,898 JUST, UH, THE USUAL CRACKPOTS. 353 00:20:17,967 --> 00:20:21,402 WELL, IF YOU THINK OF ANYTHING THAT COULD BE HELPFUL, I... [Phone Rings] 354 00:20:23,839 --> 00:20:25,939 HELLO? 355 00:20:26,008 --> 00:20:28,476 LIZZIE. ARE YOU ALL RIGHT? 356 00:20:30,980 --> 00:20:34,226 WHERE ARE YOU, SWEETHEART? WHERE IS SHE? IS SHE OKAY? 357 00:20:34,250 --> 00:20:36,784 HOLMBY PARK ON BEVERLY GLEN. 358 00:20:36,852 --> 00:20:38,786 HONEY, 359 00:20:38,854 --> 00:20:40,954 ARE YOU BY YOURSELF THERE? 360 00:20:41,023 --> 00:20:43,291 OKAY. STAY RIGHT WHERE YOU ARE. 361 00:20:43,359 --> 00:20:46,360 MUMMY AND I ARE COMING TO GET YOU. I WANT TO TALK TO HER. 362 00:20:46,429 --> 00:20:49,163 HERE'S MUMMY. 363 00:20:49,231 --> 00:20:51,666 LIZZIE, ARE YOU OKAY? 364 00:20:52,702 --> 00:20:54,635 THANK GOD. DON'T LET HER HANG UP. 365 00:20:54,704 --> 00:20:57,204 KEEP HER ON THE LINE TILL WE GET SOMEONE THERE. 366 00:20:57,273 --> 00:21:00,007 I WANT YOU TO LISTEN TO ME VERY CAREFULLY, HONEY. 367 00:21:00,075 --> 00:21:03,043 DON'T HANG UP. DADDY AND I WILL BE THERE IN A FEW MINUTES. 368 00:21:03,112 --> 00:21:06,880 I'M GONNA GIVE THE PHONE TO A POLICE DETECTIVE, AND YOU TELL HER WHAT HAPPENED. 369 00:21:06,949 --> 00:21:09,883 NO, NO, NO, NO, NO. DON'T BE SCARED. YOU DIDN'T DO ANYTHING WRONG. 370 00:21:09,952 --> 00:21:11,902 I LOVE YOU. 371 00:21:21,213 --> 00:21:23,213 [Children Chattering] 372 00:21:29,305 --> 00:21:31,455 THE LADY SAID THAT SHE WAS WITH THE POLICE... 373 00:21:31,524 --> 00:21:33,624 AND DADDY SENT HER TO PICK ME UP. 374 00:21:35,461 --> 00:21:38,845 PLEASE DON'T BE MAD AT ME. SHE HAD A BADGE AND EVERYTHING. 375 00:21:38,914 --> 00:21:42,749 NOBODY'S MAD AT YOU, HONEY. WE WERE JUST WORRIED ABOUT YOU. THAT'S ALL. 376 00:21:44,553 --> 00:21:46,587 COME ON. LET'S GO HOME. 377 00:21:46,656 --> 00:21:48,606 OH. 378 00:21:48,675 --> 00:21:50,675 HOLD ON. 379 00:21:57,417 --> 00:21:59,733 SHALL I CALL YOU ELIZABETH, 380 00:21:59,802 --> 00:22:02,770 OR SHALL I CALL YOU LIZZIE? ELIZABETH. 381 00:22:02,838 --> 00:22:05,656 OKAY. ELIZABETH. 382 00:22:05,725 --> 00:22:08,091 I'D LIKE YOU TO CALL ME GRETCHEN. OKAY? 383 00:22:08,160 --> 00:22:10,127 OKAY. 384 00:22:10,195 --> 00:22:12,679 I'D LIKE YOU TO TELL ME WHAT HAPPENED. 385 00:22:12,748 --> 00:22:16,533 I CAME OUT OF SCHOOL, AND A LADY CALLED ME OVER TO HER CAR. 386 00:22:16,602 --> 00:22:18,864 SHE TOLD ME SHE WAS A POLICEWOMAN... 387 00:22:18,888 --> 00:22:22,022 AND THAT SHE WAS GOING TO TAKE ME TO MEET MY DAD. 388 00:22:22,091 --> 00:22:24,157 CAN YOU TELL US WHAT SHE LOOKED LIKE? 389 00:22:24,226 --> 00:22:27,928 SHE WORE A RED JACKET, AND SHE WAS PRETTY. 390 00:22:27,996 --> 00:22:30,097 WHAT COLOR HAIR DID SHE HAVE? 391 00:22:31,183 --> 00:22:33,450 KIND OF LIGHT BROWN. 392 00:22:33,519 --> 00:22:35,719 DID SHE SAY WHAT HER NAME WAS? 393 00:22:37,406 --> 00:22:39,373 LINDA. 394 00:22:39,442 --> 00:22:41,391 OKAY. THAT'S GREAT. 395 00:22:41,460 --> 00:22:43,144 YOU REMEMBER A LOT. 396 00:22:44,730 --> 00:22:48,165 OKAY, YOU GOT INSIDE THE CAR. 397 00:22:48,234 --> 00:22:51,552 THEN WHAT DID YOU DO? SHE DROVE AROUND. 398 00:22:51,621 --> 00:22:53,904 DO YOU REMEMBER WHERE SHE WENT? 399 00:22:53,973 --> 00:22:56,807 WE WENT TO JACK IN THE BOX. WOW. 400 00:22:56,876 --> 00:23:00,794 DID YOU GET OUT OF THE CAR AND GO INSIDE? NO. WE STAYED IN THE CAR. 401 00:23:00,863 --> 00:23:05,332 SHE ORDERED INTO THE CLOWN'S MOUTH, AND WE ATE IN THE CAR. 402 00:23:05,401 --> 00:23:08,468 DO YOU REMEMBER WHAT KIND OF CAR IT WAS SHE DROVE? 403 00:23:09,688 --> 00:23:11,989 IT WAS LIKE WHAT SHEILA'S MOM HAS. 404 00:23:12,057 --> 00:23:15,075 WHAT KIND OF CAR IS THAT? 405 00:23:15,144 --> 00:23:17,845 OH. IT'S, UM... 406 00:23:17,914 --> 00:23:19,847 IT'S A WAGON. 407 00:23:19,916 --> 00:23:22,983 - A STATION WAGON? - NOT... NOT THE OLD KIND OF STATION WAGON. 408 00:23:23,051 --> 00:23:24,835 A SPORTS-UTILITY VEHICLE? 409 00:23:24,904 --> 00:23:29,106 - I DON'T KNOW. - IF YOU COULD FIND OUT, THAT'D BE GREAT. 410 00:23:29,174 --> 00:23:31,491 [Gretchen] OKAY. ELIZABETH. 411 00:23:32,511 --> 00:23:34,595 DID LINDA TALK TO YOU A LOT? 412 00:23:34,664 --> 00:23:37,397 YEAH. SHE ASKED ME ABOUT SCHOOL. 413 00:23:37,466 --> 00:23:40,712 SHE ASKED ME WHAT MOVIES I LIKED, AND SHE TALKED ON THE PHONE A LOT. 414 00:23:40,736 --> 00:23:44,237 DO YOU REMEMBER WHAT SHE WAS TALKING ABOUT WHEN SHE TALKED ON THE PHONE? 415 00:23:45,641 --> 00:23:48,892 IT SOUNDED LIKE BUSINESS STUFF. I REALLY DON'T KNOW. 416 00:23:48,961 --> 00:23:51,945 WELL, THAT'S OKAY. [Annie] THE WAGON. I JUST NEED TO KNOW. 417 00:23:52,014 --> 00:23:56,217 I REMEMBER THAT SHE WROTE DOWN NUMBERS ON A PIECE OF PAPER... 418 00:23:56,285 --> 00:23:58,469 THAT WAS ON THE FRONT SEAT. 419 00:23:58,537 --> 00:24:00,732 AND THE PIECE OF PAPER WAS YELLOW AND BLACK. 420 00:24:00,756 --> 00:24:03,256 WAS IT A... FOLDED OVER PIECE OF PAPER? 421 00:24:03,325 --> 00:24:05,092 YEAH. 422 00:24:05,161 --> 00:24:06,960 RENTAL CAR FOLDER. 423 00:24:07,029 --> 00:24:08,962 YELLOW AND BLACK IS HERTZ. 424 00:24:09,031 --> 00:24:11,031 SHE HAS A FORD EXPLORER. 425 00:24:11,099 --> 00:24:13,200 ARE WE ALMOST DONE? [Gretchen] YEAH. 426 00:24:13,268 --> 00:24:15,152 BUT I WANT YOU TO PROMISE ME SOMETHING. 427 00:24:15,221 --> 00:24:17,938 IF YOU REMEMBER ANYTHING... 428 00:24:18,007 --> 00:24:21,108 NO MATTER HOW SILLY YOU THINK IT IS... I WANT YOU TO CALL ME. 429 00:24:21,176 --> 00:24:24,144 OR I WANT YOU TO GET YOUR MOM AND DAD TO CALL ME. OKAY? 430 00:24:24,213 --> 00:24:27,831 I REMEMBER ONE THING. THE CAR REACHED A THOUSAND. 431 00:24:27,900 --> 00:24:29,783 WHAT DO YOU MEAN? 432 00:24:29,852 --> 00:24:33,337 I WATCHED IT GO FROM 999 TO A THOUSAND. 433 00:24:33,406 --> 00:24:36,023 HMM. NARROWS IT DOWN SOME. 434 00:24:36,092 --> 00:24:38,525 MMM. 435 00:24:38,594 --> 00:24:40,944 YOU HAVE BEEN A LOT OF HELP, ELIZABETH. 436 00:24:41,013 --> 00:24:45,298 A LOT OF HELP. YOU'RE VERY OBSERVANT. 437 00:24:45,367 --> 00:24:48,619 - [Polson] CAN I TALK TO YOU FOR A MINUTE, TED? - SURE. 438 00:24:54,093 --> 00:24:56,526 ANY THEORIES? 439 00:24:56,595 --> 00:24:58,606 THEY WEREN'T LOOKING FOR MONEY. 440 00:24:58,630 --> 00:25:00,564 SOMEBODY'S SENDING ME A MESSAGE. 441 00:25:00,632 --> 00:25:02,566 WHO SHOULD WE BE LOOKING AT? 442 00:25:02,634 --> 00:25:06,103 IT'S A LITTLE PREMATURE FOR ME TO BE NAMING NAMES. 443 00:25:06,172 --> 00:25:10,174 [Exhales Sharply] WE'RE GONNA NEED YOUR HELP IF WE'RE GONNA CRACK THIS CASE. 444 00:25:11,844 --> 00:25:14,461 I APPRECIATE YOUR GETTING INVOLVED, DETECTIVE. 445 00:25:14,529 --> 00:25:16,881 JUST DOING MY JOB. 446 00:25:18,234 --> 00:25:21,968 IT'S A LITTLE BIT MORE THAN THAT. SO I THANK YOU. 447 00:25:47,580 --> 00:25:49,680 HOW'S YOUR LITTLE GIRL? SHE'S BACK. 448 00:25:49,749 --> 00:25:53,350 SHE'S HOME. AND BY ALL OUTWARD APPEARANCES, SHE'S FINE. 449 00:25:53,419 --> 00:25:55,352 THANK GOD FOR THAT. 450 00:25:55,421 --> 00:25:57,337 - DO YOU NEED SOME TIME? - NO. 451 00:25:57,406 --> 00:25:59,556 - YOU'RE SURE? - YES. 452 00:25:59,625 --> 00:26:01,558 THANK YOU, YOUR HONOR, FOR YOUR CONCERN. 453 00:26:01,626 --> 00:26:03,543 I'M FULLY CAPABLE OF PROCEEDING. 454 00:26:03,612 --> 00:26:05,879 LET ME PUT THE SAME QUESTION TO YOU, MS. GRASSO. 455 00:26:05,948 --> 00:26:09,483 THIS IS NOT A SEQUESTERED JURY. I'M SURE THEY'RE ALL AWARE OF THE ABDUCTION. 456 00:26:09,551 --> 00:26:13,737 TO THE EXTENT IT MAKES MR. HOFFMAN UNDULY SYMPATHETIC IN ITS IMMEDIATE AFTERMATH, 457 00:26:13,805 --> 00:26:16,589 DO YOU WANT TO STAND IN RECESS UNTIL NEXT WEEK? 458 00:26:16,658 --> 00:26:19,526 I DON'T THINK THAT'LL BE NECESSARY, YOUR HONOR. 459 00:26:19,594 --> 00:26:22,178 NOW THAT THE JURY'S IMPANELED, I'D SOONER MOVE AHEAD. 460 00:26:22,247 --> 00:26:23,864 OKAY. LET'S GO. 461 00:26:23,932 --> 00:26:26,583 [Hoffman] I'M SURE ALL OF YOU KNOW... 462 00:26:27,653 --> 00:26:31,054 THAT YESTERDAY WAS A DIFFICULT DAY. 463 00:26:31,123 --> 00:26:35,192 AND I'D LIKE TO THANK MS. GRASSO AND JUDGE BORNSTEIN FOR YOUR UNDERSTANDING. 464 00:26:35,260 --> 00:26:37,260 [Man Coughs] 465 00:26:39,665 --> 00:26:41,799 SOME OF YOU MAY BE UNDER THE IMPRESSION... 466 00:26:41,867 --> 00:26:44,602 THAT A DEFENSE ATTORNEY IS SOMEHOW... 467 00:26:44,670 --> 00:26:47,638 SYMPATHETIC TO CRIMINALS. 468 00:26:49,108 --> 00:26:51,909 LET ME DISABUSE YOU OF THAT NOTION. 469 00:26:53,579 --> 00:26:56,747 I LOATHE CRIME NO LESS THAN MS. GRASSO DOES. 470 00:26:58,217 --> 00:27:00,150 I LOATHE IT... 471 00:27:00,219 --> 00:27:02,259 WITH EVERY PART OF MY BEING. 472 00:27:03,706 --> 00:27:05,672 THE CRIME COMMITTED IN THIS CASE... 473 00:27:05,741 --> 00:27:08,608 WAS A GHASTLY, EVIL ACT. 474 00:27:08,677 --> 00:27:11,311 AND THE PERPETRATOR OF IT DESERVES TO BE PUNISHED. 475 00:27:11,380 --> 00:27:13,313 SEVERELY PUNISHED. 476 00:27:13,382 --> 00:27:16,416 WHAT I'M HERE TO TELL YOU... 477 00:27:16,485 --> 00:27:19,853 IS THAT NEIL AVEDON IS NOT THAT MAN. 478 00:27:21,023 --> 00:27:25,158 NEIL AVEDON LOVED JESSICA COSTELLO. 479 00:27:25,227 --> 00:27:27,561 AND WHEN HE LEFT HER APARTMENT THAT NIGHT, 480 00:27:27,630 --> 00:27:30,230 JESSICA COSTELLO... WAS ALIVE. 481 00:27:30,298 --> 00:27:34,651 SOMEONE CAME TO JESSICA'S APARTMENT AFTER NEIL LEFT. 482 00:27:34,720 --> 00:27:37,420 THAT PERSON KILLED JESSICA. 483 00:27:38,524 --> 00:27:41,057 THAT PERSON IS NOT ON TRIAL HERE. 484 00:27:43,161 --> 00:27:46,830 I'M NOT GONNA REPRESENT TO YOU THAT I KNOW WHO THAT PERSON IS. 485 00:27:46,899 --> 00:27:50,633 NOR AM I GONNA TELL YOU THAT IN THE COURSE OF THIS TRIAL WE WILL FIND OUT... 486 00:27:50,702 --> 00:27:53,603 OR THAT WE WILL EVER FIND OUT. 487 00:27:55,307 --> 00:28:00,144 IT IS NEITHER YOUR JOB NOR YOUR RESPONSIBILITY TO SOLVE THIS CRIME. 488 00:28:00,212 --> 00:28:05,448 YOU CANNOT MAKE NEIL'S GUILT OR INNOCENCE CONTINGENT ON FINDING AN ALTERNATIVE. 489 00:28:05,517 --> 00:28:09,203 WE ALL WANT CLOSURE. 490 00:28:09,271 --> 00:28:13,623 BUT CLOSURE CAN'T COME AT THE PRICE OF JUSTICE. 491 00:28:14,993 --> 00:28:17,644 I'LL BE EXPECTING ALL OF YOU TO KEEP YOUR PROMISES TO US. 492 00:28:17,713 --> 00:28:21,681 TO LISTEN TO THE EVIDENCE AND TO THE QUESTIONS ASKED BY BOTH SIDES... 493 00:28:21,750 --> 00:28:24,851 BEFORE YOU BEGIN TO FORM OPINIONS REGARDING THAT EVIDENCE. 494 00:28:24,920 --> 00:28:29,255 THIS IS A CASE BASED ON CIRCUMSTANTIAL EVIDENCE, 495 00:28:29,324 --> 00:28:31,324 FROM WHICH YOU WILL BE ASKED... 496 00:28:31,393 --> 00:28:34,260 TO CONCLUDE THAT CERTAIN FACTS ARE PRESENT. 497 00:28:35,864 --> 00:28:38,231 NO ONE BUT YOU... 498 00:28:38,300 --> 00:28:41,134 DETERMINES WHAT THE FACTS ARE. 499 00:28:43,171 --> 00:28:45,856 IT DOESN'T MATTER WHAT ANY OF US THINKS. 500 00:28:45,924 --> 00:28:47,924 NOT EVEN JUDGE BORNSTEIN. 501 00:28:51,697 --> 00:28:54,748 I'M SURE YOU WILL ALL TAKE YOUR JOB AND YOUR OATH SERIOUSLY. 502 00:28:58,770 --> 00:29:01,571 BE PATIENT, 503 00:29:01,640 --> 00:29:03,941 BE OBJECTIVE... 504 00:29:04,010 --> 00:29:08,244 AND DON'T JUMP TO ANY CONCLUSIONS BEFORE YOU'VE HEARD ALL THE EVIDENCE. 505 00:29:08,313 --> 00:29:13,918 THE MEMORY OF JESSICA COSTELLO WILL NOT BE SERVED... 506 00:29:13,986 --> 00:29:16,853 BY SENDING AN INNOCENT MAN TO PRISON. 507 00:29:28,767 --> 00:29:31,301 WHY IS GRASSO TAKING SO MANY NOTES WHILE YOU'RE TALKING? 508 00:29:31,370 --> 00:29:34,082 TO GET THE JURY TO ASK THE SAME QUESTION YOU JUST DID. 509 00:29:34,106 --> 00:29:37,369 SHE WAS NOT GIVING 100% ATTENTION TO WHAT I'M SAYING. 510 00:29:37,393 --> 00:29:40,661 CAN SHE DO THAT? ISN'T THAT DIRTY POOL? 511 00:29:40,729 --> 00:29:44,114 WHEN SHE DOES IT TO US, YES. WHEN WE DO IT TO HER, NO. 512 00:29:44,183 --> 00:29:46,500 MR. HOFFMAN, I NEED A WORD WITH YOU. 513 00:29:48,004 --> 00:29:49,936 WE HAVE A SUSPECT IN CUSTODY. 514 00:29:50,006 --> 00:29:52,772 WE FOUND THE CAR OFF THE INFORMATION YOUR DAUGHTER GAVE US... 515 00:29:52,841 --> 00:29:54,908 AND TRACKED DOWN THE WOMAN WHO RENTED IT. 516 00:29:54,977 --> 00:29:58,412 YOU NEED ELIZABETH TO MAKE THE I.D. WE DO. 517 00:29:58,481 --> 00:30:03,033 NEIL, I HAVE TO GO DOWN TO PARKER CENTER. THEY'VE GOT A SUSPECT. 518 00:30:03,102 --> 00:30:05,380 CHRIS, YOU'RE GONNA BE CROSS-EXAMINING DI GIACOMO. 519 00:30:05,404 --> 00:30:07,454 HAVE ARNOLD COME DOWN AND BACK YOU UP. 520 00:30:07,523 --> 00:30:09,801 SHOULDN'T WE ASK FOR A RECESS UNTIL TOMORROW? 521 00:30:09,825 --> 00:30:15,012 NEIL, CHRIS IS EVERY BIT AS COMPETENT TO DO THIS AS I AM. 522 00:30:15,080 --> 00:30:17,580 HE WOULDN'T BE SECOND CHAIR IF HE WEREN'T. 523 00:30:18,984 --> 00:30:21,985 - TEAR IT UP. - DONE. 524 00:30:22,054 --> 00:30:25,205 COME ON. 525 00:30:25,274 --> 00:30:28,175 [Grasso] THE PEOPLE CALL TO THE STAND RICHARD DI GIACOMO. 526 00:30:30,779 --> 00:30:32,779 THIS WAY. 527 00:30:38,987 --> 00:30:40,921 [Woman] PLEASE RAISE YOUR RIGHT HAND. 528 00:30:40,989 --> 00:30:44,485 DO YOU SWEAR TO TELL THE TRUTH, THE WHOLE TRUTH, AND NOTHING BUT THE TRUTH, SO HELP YOU GOD? 529 00:30:44,509 --> 00:30:46,510 I DO. STATE YOUR NAME. 530 00:30:46,579 --> 00:30:49,329 - RICHARD DI GIACOMO. - BE SEATED. 531 00:30:49,398 --> 00:30:51,464 [Grasso] GOOD AFTERNOON, MR. DI GIACOMO. 532 00:30:51,533 --> 00:30:55,302 - GOOD AFTERNOON. - ARE YOU FAMILIAR WITH AN ESTABLISHMENT... 533 00:30:55,371 --> 00:30:57,837 HERE IN LOS ANGELES KNOWN AS THE HOUSE OF BLUES? 534 00:30:57,906 --> 00:31:00,540 YES, I AM. YOU EVER BEEN THERE? 535 00:31:00,609 --> 00:31:02,937 MANY TIMES. HAVE YOU EVER BEEN PRESENT... 536 00:31:02,961 --> 00:31:06,046 AT A TIME WHEN THE DEFENDANT, NEIL AVEDON, WAS ALSO PRESENT? 537 00:31:06,115 --> 00:31:08,631 YES. WAS ONE SUCH OCCASION... 538 00:31:08,700 --> 00:31:11,401 THE NIGHT OF SEPTEMBER 13, 1994? 539 00:31:11,470 --> 00:31:12,986 YES, IT WAS. 540 00:31:13,055 --> 00:31:15,005 AND WERE YOU IN A POSITION... 541 00:31:15,073 --> 00:31:16,951 TO OBSERVE MR. AVEDON THAT NIGHT? 542 00:31:16,975 --> 00:31:19,392 YEAH, I WAS SITTIN' AT THE NEXT TABLE. 543 00:31:19,461 --> 00:31:22,663 - WAS MR. AVEDON ALONE? - HE WAS THERE WITH THIS YOUNG WOMAN. 544 00:31:22,731 --> 00:31:24,981 PLUS VARIOUS FRIENDS OF HIS WOULD STOP BY HIS TABLE. 545 00:31:25,050 --> 00:31:27,095 CAN YOU TELL US WHAT... IF ANYTHING... 546 00:31:27,119 --> 00:31:30,921 YOU OBSERVED ABOUT MR. AVEDON'S BEHAVIOR THAT WAS UNUSUAL THAT NIGHT? 547 00:31:30,990 --> 00:31:34,140 WELL, HE AND THIS YOUNG WOMAN, UH, 548 00:31:34,209 --> 00:31:36,527 MADE A LITTLE BIT OF A SCENE, YOU MIGHT SAY. 549 00:31:36,595 --> 00:31:39,207 [Grasso] CAN YOU TELL ME WHAT YOU MEAN BY THAT? 550 00:31:39,231 --> 00:31:42,182 THEY WERE MAKING OUT. HE HAD HIS HANDS ALL OVER HER. 551 00:31:42,251 --> 00:31:47,387 AND FROM THE WAY HE WAS ACTING AND THE NUMBER OF TIMES HE GOT UP TO GO TO THE BATHROOM, 552 00:31:47,456 --> 00:31:49,439 I'D SAY HE WAS DOING A FAIR AMOUNT OF COCAINE. 553 00:31:49,508 --> 00:31:53,160 OBJECTION. SPECULATIVE AND INFLAMMATORY. I MOVE TO STRIKE. SUSTAINED. 554 00:31:53,228 --> 00:31:56,045 THE WITNESS'S LAST REMARK IS STRICKEN. 555 00:31:56,114 --> 00:31:58,827 - THE JURY WILL DISREGARD. - WAS THERE A POINT DURING THE EVENING... 556 00:31:58,851 --> 00:32:01,434 WHEN MR. AVEDON APPEARED TO LOSE HIS TEMPER? 557 00:32:01,503 --> 00:32:04,387 -OBJECTION. LEADING THE WITNESS. -[Judge Bornstein] I'LL ALLOW IT. 558 00:32:05,891 --> 00:32:07,935 [Grasso] YOU MAY ANSWER, SIR. YES. 559 00:32:07,959 --> 00:32:10,127 AND WOULD YOU DESCRIBE WHAT HAPPENED? 560 00:32:10,195 --> 00:32:12,812 WELL, I DON'T KNOW WHAT LED UP TO IT, BUT, UM, 561 00:32:12,881 --> 00:32:15,349 ALL OF A SUDDEN SHE THREW A DRINK IN HIS FACE. 562 00:32:15,417 --> 00:32:19,052 HE GRABBED HER BY THE THROAT, AND HE PUSHED HER HEAD UP AGAINST THE WALL, 563 00:32:19,120 --> 00:32:22,573 AND HE SAID IF SHE EVER DID THAT AGAIN, HE'D KILL HER. 564 00:32:22,641 --> 00:32:25,892 [Grasso] HAVE YOU MADE A POSITIVE IDENTIFICATION OF THAT YOUNG WOMAN? 565 00:32:25,961 --> 00:32:29,813 YES, I HAVE. WOULD YOU PLEASE TELL US WHO SHE WAS? 566 00:32:29,881 --> 00:32:32,932 - IT WAS JESSICA COSTELLO. - I HAVE NO FURTHER QUESTIONS. 567 00:32:36,988 --> 00:32:39,906 THEY HAVE LIVE MUSIC AT THE HOUSE OF BLUES, DON'T THEY? 568 00:32:39,975 --> 00:32:42,459 - YEAH. - IS IT PRETTY LOUD? 569 00:32:42,527 --> 00:32:46,112 - YEAH. - AND YET YOU WERE ABLE TO HEAR NEIL AVEDON... 570 00:32:46,182 --> 00:32:48,460 MAKE THIS THREAT AGAINST JESSICA COSTELLO'S LIFE... 571 00:32:48,484 --> 00:32:50,934 OVER THE SOUND OF THE LIVE, LOUD MUSIC? 572 00:32:51,002 --> 00:32:53,837 [Di Giacomo] WELL, FIRST OF ALL, I WAS SITTING AT THE NEXT TABLE. 573 00:32:53,905 --> 00:32:55,789 SECOND OF ALL, HE DIDN'T EXACTLY WHISPER IT. 574 00:32:55,858 --> 00:32:57,768 THEN YOU WEREN'T THE ONLY ONE WHO HEARD IT. OBJECTION. 575 00:32:57,792 --> 00:32:59,826 THE WITNESS IS IN NO POSITION TO KNOW THAT. 576 00:32:59,895 --> 00:33:01,678 SUSTAINED. IT'S SPECULATION. 577 00:33:01,747 --> 00:33:04,915 WHAT DID YOU DO AFTER YOU HEARD WHAT YOU'VE DESCRIBED AS A THREAT? 578 00:33:04,983 --> 00:33:06,961 WHAT DO YOU MEAN? DID YOU ATTEMPT TO INTERVENE? 579 00:33:06,985 --> 00:33:08,568 WASN'T MY PLACE TO. 580 00:33:08,637 --> 00:33:11,216 DID YOU ALERT SECURITY THAT THIS YOUNG WOMAN'S LIFE WAS IN JEOPARDY? 581 00:33:11,240 --> 00:33:14,807 NO, I DIDN'T. I GUESS AT THE TIME I DIDN'T TAKE IT SERIOUS ENOUGH. 582 00:33:14,876 --> 00:33:18,445 HOW IS IT THAT YOUR OBSERVATIONS OF MR. AVEDON THAT NIGHT... 583 00:33:18,514 --> 00:33:21,781 CAME TO THE ATTENTION OF THE DISTRICT ATTORNEY, MR. DI GIACOMO? 584 00:33:21,850 --> 00:33:24,690 I GOT IN TOUCH WITH HER AS SOON AS I SAW THE GIRL'S PICTURE IN THE PAPER. 585 00:33:24,720 --> 00:33:28,271 - WHY? - BECAUSE I THOUGHT THE DISTRICT ATTORNEY WOULD WANT TO KNOW. 586 00:33:28,340 --> 00:33:30,335 YOU WERE JUST DOING YOUR DUTY AS A CITIZEN. 587 00:33:30,359 --> 00:33:33,626 - RIGHT. - YOU HAVE NO UNDERLYING VENDETTA AGAINST NEIL AVEDON? 588 00:33:33,695 --> 00:33:36,496 - NO, I DO NOT. - HAVE YOU EVER HAD CONTACT WITH NEIL AVEDON? 589 00:33:36,565 --> 00:33:39,143 - NO. - ANYONE YOU KNOW EVER HAD ANY CONTACT WITH HIM? 590 00:33:39,167 --> 00:33:41,117 - OBJECTION. - OVERRULE. 591 00:33:41,186 --> 00:33:45,472 - WHAT AM I? HIS WIFE? I DON'T KNOW WHO HE HAS CONTACT WITH. - DO YOU KNOW THIS WOMAN? 592 00:33:48,026 --> 00:33:50,644 - YEAH, I KNOW HER. - CAN YOU IDENTIFY HER BY NAME? 593 00:33:50,712 --> 00:33:53,841 - CORRINNE WYLIE. - WHAT WAS YOUR RELATIONSHIP WITH CORRINNE WYLIE? 594 00:33:53,865 --> 00:33:58,135 - WE USED TO LIVE TOGETHER. - WERE YOU LIVING TOGETHER IN JANUARY OF 1994? 595 00:33:58,203 --> 00:34:01,321 AH. I'D HAVE TO THINK. I DON'T KNOW OFF THE TOP OF MY HEAD. 596 00:34:01,389 --> 00:34:03,740 LET ME PHRASE IT ANOTHER WAY. WERE YOU LIVING TOGETHER... 597 00:34:03,808 --> 00:34:05,803 AT THE TIME CORRINNE WENT TO NORTH CAROLINA... 598 00:34:05,827 --> 00:34:08,194 TO WORK AS A WARDROBE ASSISTANT ON A MOVIE CALLED DEADBOLT? 599 00:34:08,264 --> 00:34:11,882 - WE WERE LIVING TOGETHER THEN. - WERE YOU AWARE OF THE FACT THAT WHILE ON LOCATION, 600 00:34:11,950 --> 00:34:15,034 MS. WYLIE HAD AN AFFAIR WITH MR. AVEDON? 601 00:34:15,103 --> 00:34:17,587 I BECAME AWARE OF IT. HOW DID YOU BECOME AWARE OF IT? 602 00:34:17,656 --> 00:34:19,840 A GRIP WHO WORKED ON THAT MOVIE TOLD ME. 603 00:34:19,908 --> 00:34:23,376 - HOW IS IT THAT ONE OF THE GRIPS TOLD YOU? - BECAUSE I'M A GRIP. 604 00:34:23,445 --> 00:34:26,146 WE WERE WORKING TOGETHER ON ANOTHER MOVIE, AND HE TOLD ME. 605 00:34:26,214 --> 00:34:29,700 HOW DID IT MAKE YOU FEEL TO KNOW THAT YOUR GIRLFRIEND WAS CHEATING ON YOU... 606 00:34:29,768 --> 00:34:32,880 WITH NEIL AVEDON IN FRONT OF THE ENTIRE MOTION PICTURE CREW? 607 00:34:32,904 --> 00:34:34,521 OBJECTION. ARGUMENTATIVE. 608 00:34:34,589 --> 00:34:36,935 - OVERRULED. - HOW DO YOU THINK IT MADE ME FEEL? 609 00:34:36,959 --> 00:34:40,544 WHEN YOU SAID YOU CALLED THE DISTRICT ATTORNEY SOLELY OUT OF CIVIC DUTY, 610 00:34:40,612 --> 00:34:42,546 WELL, THAT WASN'T QUITE TRUE, WAS IT? 611 00:34:42,614 --> 00:34:45,081 I HEARD WHAT I SAID I HEARD. HE SAID HE'D KILL HER. 612 00:34:46,618 --> 00:34:48,552 SCUMBAG. 613 00:34:49,754 --> 00:34:51,721 I HAVE NO FURTHER QUESTIONS. 614 00:34:58,396 --> 00:35:00,396 RIGHT HERE. 615 00:35:00,465 --> 00:35:03,666 ELIZABETH, CAN I GET YOU A SODA OR ANYTHING? 616 00:35:03,735 --> 00:35:06,486 - NO, THANKS. - OKAY. 617 00:35:06,555 --> 00:35:09,689 THE REASON WE ASKED YOUR MOM AND DAD TO BRING YOU DOWN HERE... 618 00:35:09,758 --> 00:35:12,425 IS SO THAT YOU CAN HELP US DO OUR JOB. 619 00:35:12,494 --> 00:35:15,734 NOW, WHAT I'M GONNA DO IS SHOW YOU PICTURES OF SOME PEOPLE, 620 00:35:15,764 --> 00:35:17,775 ASK YOU IF YOU'VE EVER SEEN THEM BEFORE. 621 00:35:17,799 --> 00:35:21,451 AND IF YOU HAVEN'T, THAT'S OKAY TOO. 622 00:35:22,554 --> 00:35:25,171 ARE YOU COMFORTABLE? 623 00:35:25,240 --> 00:35:27,206 A LITTLE BIT NERVOUS? 624 00:35:27,275 --> 00:35:30,060 GOOD GIRL. 'CAUSE THERE'S NO REASON TO BE. 625 00:35:30,129 --> 00:35:32,662 JUST RELAX, SEE IF YOU RECOGNIZE ANYBODY, 626 00:35:32,731 --> 00:35:36,116 AND DON'T FEEL LIKE YOU HAVE TO PICK SOMEBODY OUT, YOU KNOW, 627 00:35:36,185 --> 00:35:37,783 IF YOU'RE NOT SURE, OKAY? 628 00:35:39,321 --> 00:35:41,304 YOU READY? OKAY. 629 00:35:48,229 --> 00:35:51,264 [Gretchen] HAVE YOU EVER SEEN ANY OF THESE WOMEN BEFORE? 630 00:35:54,420 --> 00:35:56,335 NO. 631 00:35:56,405 --> 00:36:00,373 [Gretchen] OKAY. I'M GONNA ASK YOU TO TAKE A SECOND LOOK. 632 00:36:00,442 --> 00:36:02,909 YOU KNOW, JUST TO BE SURE. 633 00:36:06,815 --> 00:36:09,449 NONE OF THESE IS THE RIGHT LADY. 634 00:36:09,518 --> 00:36:11,829 DOES LOOKING AT THESE PICTURES... 635 00:36:11,853 --> 00:36:15,333 HELP YOU TO REMEMBER ANYTHING ABOUT THAT LADY THAT PICKED YOU UP? 636 00:36:16,207 --> 00:36:19,959 - NOT REALLY. - THAT'S OKAY. 637 00:36:21,513 --> 00:36:24,614 SOMETIMES THE POLICE GET MAD AT MY DAD... 638 00:36:24,683 --> 00:36:26,616 'CAUSE OF HIS JOB. 639 00:36:26,685 --> 00:36:29,703 BUT PLEASE DON'T GET MAD AT HIM 'CAUSE I COULDN'T CATCH THE LADY. 640 00:36:39,180 --> 00:36:41,114 FIRST OF ALL, 641 00:36:41,182 --> 00:36:43,617 BY HELPING US RULE THESE PEOPLE OUT, 642 00:36:43,685 --> 00:36:45,725 YOU'VE BEEN A BIG, BIG HELP. 643 00:36:47,205 --> 00:36:51,141 AND EVEN THOUGH THE POLICE AND YOUR DAD DON'T ALWAYS AGREE, 644 00:36:52,210 --> 00:36:55,078 BOTH OF OUR JOBS ARE VERY IMPORTANT. 645 00:36:57,949 --> 00:37:00,317 AND WE BOTH KNOW THAT. 646 00:37:20,104 --> 00:37:22,038 RICHARD. TEDDY. 647 00:37:22,106 --> 00:37:24,040 HOW'S YOUR LITTLE GIRL? SHE'S FINE. 648 00:37:24,108 --> 00:37:26,389 CAN I TALK TO YOU IN PRIVATE FOR A MOMENT? 649 00:37:26,444 --> 00:37:28,444 LET'S GO INTO MY OFFICE. 650 00:37:30,448 --> 00:37:33,828 WHEN I HEARD THE STORY ON THE NEWS LAST NIGHT, I WANTED TO CALL YOU, 651 00:37:33,852 --> 00:37:36,998 BUT I THOUGHT YOU AND YOUR FAMILY MIGHT NEED SOME TIME TOGETHER UNDISTURBED. 652 00:37:37,022 --> 00:37:39,623 THANK YOU FOR YOUR CONCERN. 653 00:37:39,691 --> 00:37:42,325 SO, WHAT KIND OF PERSON WOULD DO SUCH A THING, TEDDY? 654 00:37:42,394 --> 00:37:45,028 AND WHY? 655 00:37:45,096 --> 00:37:47,931 TO SEND ME A MESSAGE. 656 00:37:47,999 --> 00:37:50,199 ABOUT? 657 00:37:50,268 --> 00:37:52,268 I HAVEN'T A CLUE. 658 00:37:53,772 --> 00:37:57,012 I CANNOT IMAGINE WHAT YOU AND ANNIE MUST HAVE GONE THROUGH. 659 00:37:58,042 --> 00:38:00,810 SHE'LL COME DOWN OFF THE CEILING IN A DAY OR TWO. 660 00:38:00,879 --> 00:38:04,480 [Chuckles] SOME KIND OF WORLD WE LIVE IN, HUH? 661 00:38:06,167 --> 00:38:09,485 I'M JUST GLAD EVERYTHING TURNED OUT OKAY. 662 00:38:09,554 --> 00:38:12,088 THE REASON I CAME BY IS TO LET YOU KNOW THAT, UH, 663 00:38:12,157 --> 00:38:14,685 THE FULL RESOURCES OF MY SECURITY STAFF ARE AT YOUR DISPOSAL. 664 00:38:14,709 --> 00:38:17,510 I'VE ALREADY MADE ARRANGEMENTS. 665 00:38:17,579 --> 00:38:21,347 TEDDY, I DON'T NEED TO TELL YOU, THIS IS NOT AN AREA YOU SHOULD CUT CORNERS ON. 666 00:38:21,416 --> 00:38:24,650 MY PEOPLE ARE CULLED FROM THE FINEST LAW ENFORCEMENT PERSONNEL IN THE WORLD. 667 00:38:24,719 --> 00:38:26,759 YOU SAY THE WORD, AND THEY'RE YOURS. 668 00:38:28,523 --> 00:38:30,523 THANK YOU. 669 00:38:30,592 --> 00:38:32,592 YOU'RE VERY GENEROUS. 670 00:38:33,879 --> 00:38:37,513 IF I FEEL I NEED TO TAKE ANY ADDITIONAL STEPS, 671 00:38:38,817 --> 00:38:41,651 I'LL SEND UP A FLARE. 672 00:38:41,720 --> 00:38:44,888 PLEASE DO. AND PLEASE GIVE MY REGARDS TO YOUR FAMILY. 673 00:38:47,860 --> 00:38:49,904 GENTLEMEN. MR. CROSS. 674 00:38:49,928 --> 00:38:52,128 ARNOLD. TED. 675 00:38:52,197 --> 00:38:54,908 I CAUGHT THE LAST PART OF YOUR CROSS-EXAMINATION ON TELEVISION. 676 00:38:54,932 --> 00:38:57,011 HOW'D I DO? HOW DO YOU THINK YOU DID? 677 00:38:57,035 --> 00:38:58,968 I THINK I DID FINE. 678 00:38:59,037 --> 00:39:01,716 TED, DON'T TAKE CHRIS'S RELUCTANCE TO BEAT HIS CHEST... 679 00:39:01,740 --> 00:39:05,019 TO MEAN HE ISN'T COMPLETELY CONVINCED OF HIS OWN BRILLIANT PERFORMANCE... 680 00:39:05,043 --> 00:39:07,727 AND INTRINSIC SUPERIORITY. 681 00:39:07,796 --> 00:39:10,079 - YOU KICKED ASS, CHRIS. - THAT-A-BOY. 682 00:39:10,148 --> 00:39:13,300 THANKS. THANKS. THAT SUSPECT PAN OUT? 683 00:39:13,368 --> 00:39:15,334 NO. 684 00:39:15,403 --> 00:39:17,520 IS THIS THE, UH, HANDIWORK OF RICHARD CROSS? 685 00:39:17,589 --> 00:39:22,175 - MAYBE. - WHAT COULD CROSS GAIN OUT OF DOING SOMETHING LIKE THIS? 686 00:39:22,243 --> 00:39:24,894 IT WAS A SHOT ACROSS THE BOW. 687 00:39:26,631 --> 00:39:31,667 HE COULD BE TRYING TO DISCOURAGE ME FROM BEING TOO AGGRESSIVE DURING TRIAL, 688 00:39:31,737 --> 00:39:33,752 PAINTING HIM AS JESSICA'S REAL KILLER. 689 00:39:33,821 --> 00:39:36,388 HARD TO SAY. 690 00:39:36,457 --> 00:39:38,758 BUT I DO KNOW THIS. 691 00:39:38,827 --> 00:39:41,794 RICHARD CROSS IS A DANGEROUS MAN... 692 00:39:41,863 --> 00:39:45,398 WHO'LL STOP AT NOTHING IF IT ADVANCES HIS INTERESTS. 693 00:39:46,935 --> 00:39:48,868 WHATEVER THEY ARE. 694 00:39:50,022 --> 00:39:53,606 I'M NOT GONNA BE INTIMIDATED BY HIM, 695 00:39:53,674 --> 00:39:56,309 BUT I WILL BE WARY. 696 00:39:56,378 --> 00:39:58,361 ALL OF US SHOULD BE. 697 00:39:58,429 --> 00:40:00,597 [Whispers] YEAH. 698 00:40:10,425 --> 00:40:14,260 [Exhales] FOR THE RECORD, I'M NOT SLEEPING WITH RICHARD CROSS. 699 00:40:14,329 --> 00:40:16,830 IT'S WAY TOO CREEPY A CONCEPT EVEN FOR ME. 700 00:40:18,367 --> 00:40:22,001 AND YOU WERE RIGHT. I WAS SO WRAPPED UP WITH MY OWN AGENDA, 701 00:40:22,070 --> 00:40:26,105 I DIDN'T STOP TO CONSIDER THE PUBLIC PERCEPTION OF ME DRAGGING AROUND WITH HIM. 702 00:40:27,108 --> 00:40:30,377 OR HOW TED MIGHT FEEL ABOUT IT. 703 00:40:30,445 --> 00:40:33,145 I WAS THE ONE WHO WAS OUT OF LINE... NOT YOU. 704 00:40:34,916 --> 00:40:37,617 NO BIG DEAL. 705 00:40:37,686 --> 00:40:41,987 SO, DO YOU THINK CROSS IS BEHIND THIS THING WITH TED'S DAUGHTER? 706 00:40:42,056 --> 00:40:44,123 I WOULDN'T PUT IT PAST HIM. 707 00:40:45,526 --> 00:40:48,161 YOU WONDER WHAT MAKES A GUY LIKE THAT TICK. 708 00:40:48,229 --> 00:40:50,280 I USED TO ASK MYSELF THE SAME QUESTION. 709 00:40:50,349 --> 00:40:53,599 NOW I THINK I'D BE AFRAID TO FIND OUT THE ANSWER. 710 00:40:58,490 --> 00:41:00,472 JUSTINE. HMM? 711 00:41:00,541 --> 00:41:03,276 HOW DID YOU KNOW ABOUT ME AND CHRIS? 712 00:41:03,345 --> 00:41:05,962 ARE YOU KIDDING? EVERYONE KNOWS ABOUT YOU TWO. 713 00:41:06,031 --> 00:41:07,864 THEY DO? WELL, 714 00:41:07,932 --> 00:41:10,100 EVERYONE EXCEPT TED. 715 00:41:17,342 --> 00:41:20,502 [Richard] IF YOU'LL SIGN THIS SIGNATURE CARD, 716 00:41:20,545 --> 00:41:22,690 I'LL FAX IT TO MY BANK IN LIECHTENSTEIN, 717 00:41:22,714 --> 00:41:26,049 AUTHORIZING YOU TO DRAW THE FUNDS FOR THE HOLBEIN. YEP. 718 00:41:26,118 --> 00:41:28,351 AND HERE'S POWER OF ATTORNEY, 719 00:41:29,387 --> 00:41:31,507 BINDING ME TO THE TRANSACTION. 720 00:41:31,556 --> 00:41:34,523 I'VE HAD THEM SET A TABLE ON THE OFF CHANCE DRINKS MIGHT TURN INTO DINNER. 721 00:41:34,592 --> 00:41:36,392 SOUNDS DELIGHTFUL. 722 00:41:36,461 --> 00:41:40,896 GOOD. TO TELL YOU THE TRUTH, I'M A LITTLE SURPRISED YOU SHOWED UP AT ALL. 723 00:41:40,965 --> 00:41:43,199 YOU ASKED ME TO MEET YOU. WHY WOULDN'T I COME? 724 00:41:43,268 --> 00:41:45,869 WELL, WHEN I WAS IN THE OFFICE, UH, TODAY, 725 00:41:45,937 --> 00:41:49,839 TED MADE IT VERY CLEAR HE THINKS I HAVE SOMETHING TO DO WITH HIS DAUGHTER'S KIDNAPPING. 726 00:41:49,908 --> 00:41:52,786 HE DIDN'T COME RIGHT OUT AND SAY IT, OF COURSE. HE DIDN'T HAVE TO. 727 00:41:52,810 --> 00:41:56,479 I THOUGHT PERHAPS YOU MIGHT SHARE HIS, UH, SUSPICION. 728 00:41:57,649 --> 00:42:00,350 DO I HAVE REASON TO? NO. NO. 729 00:42:00,418 --> 00:42:02,352 NONE WHATSOEVER. 730 00:42:02,420 --> 00:42:05,032 IN FACT, IF I THOUGHT YOU WERE ASKING THAT QUESTION SERIOUSLY, 731 00:42:05,056 --> 00:42:08,324 I'D HAVE NO OTHER CHOICE BUT TO GO OUT AND KILL MYSELF IMMEDIATELY. 732 00:42:10,561 --> 00:42:12,661 THAT ANYONE COULD... 733 00:42:12,730 --> 00:42:15,899 CONSIDER THAT I'D DO ANYTHING SO UTTERLY VILE... 734 00:42:16,902 --> 00:42:18,834 AS TO HARM A CHILD... 735 00:42:20,571 --> 00:42:23,339 WHY DO YOU SUPPOSE TED THINKS YOU HAD A HAND IN THIS? 736 00:42:24,342 --> 00:42:26,275 I WISH TO HELL I KNEW. 737 00:42:27,846 --> 00:42:31,514 BUT I HOPE YOU'RE NOT SCARED OFF BY YOUR EMPLOYER'S PREJUDICES. 738 00:42:32,951 --> 00:42:34,951 I'VE ALWAYS BEEN AN INDEPENDENT THINKER. 739 00:42:36,337 --> 00:42:39,405 GOOD. TO INDEPENDENT THOUGHT, 740 00:42:39,474 --> 00:42:42,208 THE WORKS OF HANS HOLBEIN... 741 00:42:42,277 --> 00:42:44,157 AND WHAT ELSE SHALL WE TOAST TO? 742 00:42:45,747 --> 00:42:47,747 MUTUAL OPPORTUNITY? 743 00:42:50,018 --> 00:42:52,018 INDEED. 744 00:43:18,946 --> 00:43:20,879 TEDDY. 745 00:43:20,948 --> 00:43:22,882 SAY HI TO EDDIE ROSCO. 746 00:43:22,950 --> 00:43:25,880 PLEASED TO MEET YOU. RAY'S BEEN SAYING GOOD THINGS ABOUT YOU. 747 00:43:25,904 --> 00:43:28,821 YEAH, WELL, HE HAS TO. I CARRIED HIM THROUGH THE ACADEMY. 748 00:43:28,890 --> 00:43:31,991 EDDIE'LL BE SITTING ON YOUR PLACE FROM 8:00 TILL 3:00. 749 00:43:32,059 --> 00:43:34,460 THEN I TAKE OVER. AND YOU SLEEP WHEN? 750 00:43:34,529 --> 00:43:36,529 AFTER THE VERDICT. 751 00:43:36,597 --> 00:43:39,631 IF YOU NEED ANYTHING, I'M HERE. 752 00:43:39,700 --> 00:43:42,435 THANKS. 753 00:43:46,257 --> 00:43:48,858 HE'S A GOOD MAN. SEEMS SO. 754 00:43:48,926 --> 00:43:51,527 ARE WE PLAYING IN A WHOLE OTHER LEAGUE HERE, RAY? 755 00:43:51,596 --> 00:43:53,596 STARTING TO LOOK LIKE IT. 756 00:43:54,932 --> 00:43:58,267 AND NOW MY FAMILY'S UP FOR GRABS. 757 00:43:58,336 --> 00:44:01,804 WE CAN PUT EDDIE ROSCO AND 40 MORE LIKE HIM OUT HERE, 758 00:44:01,873 --> 00:44:04,573 BUT IF THEY WANT YOU BAD ENOUGH, 759 00:44:04,642 --> 00:44:06,742 IT WON'T STOP THEM. 760 00:44:10,365 --> 00:44:13,632 ANNIE, THIS WAS A ONE-SHOT OCCURRENCE. 761 00:44:13,701 --> 00:44:19,521 IT'LL NEVER HAPPEN AGAIN BECAUSE WE'VE TAKEN PRECAUTIONS TO MAKE SURE IT WON'T. 762 00:44:19,590 --> 00:44:23,525 ARE YOU JUST TELLING ME THAT BECAUSE YOU KNOW I WANT TO BELIEVE IT'S TRUE? 763 00:44:23,594 --> 00:44:25,995 WHOEVER DID THIS IS PROBABLY SOME TOURIST... 764 00:44:26,064 --> 00:44:28,898 FROM WILKES-BARRE, PENNSYLVANIA OR WHEREVER, 765 00:44:28,967 --> 00:44:32,235 OUT HERE LOOKING FOR HER 15 MINUTES OF FAME. 766 00:44:33,288 --> 00:44:35,354 TRYING TO GET AS CLOSE AS SHE CAN... 767 00:44:35,423 --> 00:44:38,307 TO ONE OF THE PLAYERS IN A BIG-TIME MURDER TRIAL. 768 00:44:40,511 --> 00:44:42,578 I'M NOT SAYING WE SHOULDN'T BE VIGILANT, 769 00:44:42,647 --> 00:44:45,131 BUT THAT'S WHY WE HAVE AROUND-THE-CLOCK PROTECTION, 770 00:44:45,199 --> 00:44:47,917 AND WE'LL HAVE IT FOR AS LONG AS WE NEED IT. 771 00:44:49,370 --> 00:44:51,771 I HAVE TO ADMIT I WILL SLEEP BETTER... 772 00:44:51,840 --> 00:44:54,601 KNOWING THERE'S SOMEONE OUT THERE KEEPING AN EYE ON THINGS. 773 00:44:57,162 --> 00:45:00,430 ME TOO. THAT'S WHY HE'S OUT THERE. 774 00:45:03,368 --> 00:45:06,480 ARE YOU GONNA COME TO BED AND WATCH THE NEWS? 775 00:45:06,504 --> 00:45:08,438 IN A LITTLE WHILE. 776 00:45:08,506 --> 00:45:10,506 I WANT TO GO OVER TODAY'S TESTIMONY. 777 00:45:13,478 --> 00:45:15,478 DON'T STAY UP TOO LATE. 66968

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