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1
00:00:17,100 --> 00:00:18,567
What's happening,
Mickey?
2
00:00:18,567 --> 00:00:19,667
Oh, one second, Red.
3
00:00:19,667 --> 00:00:22,734
This one spot
I always have trouble with.
4
00:00:22,734 --> 00:00:23,967
I need the big guns.
5
00:00:23,967 --> 00:00:25,467
Oh, big guns.
6
00:00:25,467 --> 00:00:29,300
Uh-oh, Jane.
Say goodbye to whatever is left of the ozone.
7
00:00:30,133 --> 00:00:31,834
Remember when the ozone
was an issue?
8
00:00:32,900 --> 00:00:34,633
Now we've moved on
to global warming.
9
00:00:34,633 --> 00:00:36,600
( Mickey grunts )
It's alway something.
10
00:00:37,667 --> 00:00:40,000
Well, if that doesn't
hold it down,
11
00:00:40,000 --> 00:00:41,700
I'm going to call
an exorcist.
12
00:00:41,700 --> 00:00:43,266
( laughs )
13
00:00:43,266 --> 00:00:45,000
Jane:
All right, Mickey, we need to start.
14
00:00:45,000 --> 00:00:47,333
I spent all my time
setting up these lights.
15
00:00:47,333 --> 00:00:49,567
Okay.
I think I got it.
16
00:00:50,433 --> 00:00:52,633
Jane:
Okay, tell us how shooting is going.
17
00:00:52,633 --> 00:00:54,967
Shooting is going
real good.
18
00:00:54,967 --> 00:00:57,166
Oh, we're getting a lot
of really good stuff,
19
00:00:57,166 --> 00:00:58,767
so... thrilling.
20
00:01:00,533 --> 00:01:03,767
Jane:
Has working on a show like this been a challenge for you?
21
00:01:03,767 --> 00:01:06,867
Sure, yeah, you know,
but it's a good thing.
22
00:01:06,867 --> 00:01:10,033
I think, you know,
actors need to be challenged.
23
00:01:10,033 --> 00:01:12,967
You know, it just keeps
him or her sharp.
24
00:01:12,967 --> 00:01:16,200
It's not like a surgeon,
you know, who does the same thing every day.
25
00:01:16,200 --> 00:01:18,633
You know, heart attack--
seen it, did it, done.
26
00:01:18,633 --> 00:01:20,667
Or me with sitcoms.
27
00:01:20,667 --> 00:01:23,066
CBS-- seen it,
did it, done.
28
00:01:23,066 --> 00:01:27,533
You know, this kind of acting,
it's just so different.
29
00:01:27,533 --> 00:01:30,467
You know, every day
it's just something new,
30
00:01:30,467 --> 00:01:33,867
and... that's thrilling.
31
00:01:33,867 --> 00:01:35,633
Jane:
What are you doing today?
32
00:01:35,633 --> 00:01:37,367
Oh, today?
Okay, today...
33
00:01:37,367 --> 00:01:40,567
we're shooting a scene
from the sitcom in the show,
34
00:01:40,567 --> 00:01:43,467
so back to my comfort zone,
you know,
35
00:01:43,467 --> 00:01:45,000
where I actually know
what I'm doing.
36
00:01:45,000 --> 00:01:47,333
( laughs )
Thank god.
37
00:01:47,333 --> 00:01:50,533
Jane:
And what episode are you shooting now?
38
00:01:51,367 --> 00:01:54,000
Um, so--
Well, I don't actually know
39
00:01:54,000 --> 00:01:57,066
which episode,
'cause we're shooting the entire series
40
00:01:57,066 --> 00:01:59,700
at once, out of order.
So, I don't--
41
00:01:59,700 --> 00:02:01,300
I never know where I am.
( chuckles )
42
00:02:02,367 --> 00:02:04,667
Jane:
Can you just say a number?
43
00:02:04,667 --> 00:02:07,800
Oh, uh...
Well, we're in week four,
44
00:02:07,800 --> 00:02:09,934
so four.
45
00:02:09,934 --> 00:02:12,633
Jane: Okay, can you say,
"Today we're shooting episode four."
46
00:02:12,633 --> 00:02:15,700
Didn't I say episode four?
Jane: Well, I need the setup.
47
00:02:15,700 --> 00:02:17,867
( stammers )
Today we're shooting episode four.
48
00:02:17,867 --> 00:02:19,934
Jane: Well, okay.
( mutters )
49
00:02:19,934 --> 00:02:21,467
Just give me a beat--
50
00:02:21,467 --> 00:02:23,867
take a beat
and then say it.
51
00:02:23,867 --> 00:02:26,233
Okay, well you gotta let me
have a run into it, okay?
52
00:02:26,233 --> 00:02:28,633
No, you just keep
stopping me, Jane,
53
00:02:28,633 --> 00:02:30,266
so just gotta get a flow.
54
00:02:30,266 --> 00:02:32,800
Mickey, let's not.
I don't--
55
00:02:39,533 --> 00:02:41,200
You know, I don't know.
I was just so excited,
56
00:02:41,200 --> 00:02:44,867
you know, to be talking
about how exciting it is to do this show.
57
00:02:44,867 --> 00:02:46,066
Right?
58
00:02:46,066 --> 00:02:49,800
( robot voice )
Now it's just... must talk about numbers.
59
00:02:49,800 --> 00:02:53,066
You know, I don't know
why they even care where we are every minute,
60
00:02:53,066 --> 00:02:56,233
you know, and I'm--
half the time I don't know where we are,
61
00:02:56,233 --> 00:02:57,734
and I'm in the scene.
62
00:02:57,734 --> 00:02:59,633
Right, no one gives me
a road map.
63
00:02:59,633 --> 00:03:01,934
Just have to do it.
64
00:03:01,934 --> 00:03:05,300
You know, just--
Jane, don't wanna sit here and lie to the people,
65
00:03:05,300 --> 00:03:07,200
you know, 'cause that's
not what this is.
66
00:03:07,200 --> 00:03:08,700
Right?
67
00:03:08,700 --> 00:03:13,033
This is supposed to be
a real representation of my experience
68
00:03:13,033 --> 00:03:15,066
on this show, you know.
69
00:03:15,066 --> 00:03:19,200
So I don't know if we're doing
episode four or two
70
00:03:19,200 --> 00:03:23,433
or back to one
or-- you know, just keeping it real.
71
00:03:24,400 --> 00:03:26,433
Jane:
You asked me to do this.
72
00:03:26,433 --> 00:03:28,500
What's that?
I'm doing it.
73
00:03:30,600 --> 00:03:33,333
We're right in the middle
of doing episode four.
74
00:03:34,734 --> 00:03:37,100
Jane, sorry about earlier,
you know.
75
00:03:37,100 --> 00:03:39,467
Just let the pressure
get to me, so...
76
00:03:39,467 --> 00:03:41,333
Newsflash:
I'm human.
77
00:03:41,333 --> 00:03:42,967
( chuckles )
We good?
78
00:03:44,133 --> 00:03:46,667
Can you just say, "We good"?
Take a beat, then say it.
79
00:03:46,667 --> 00:03:48,133
( chuckles )
We good.
80
00:03:48,133 --> 00:03:49,867
( laughs )
Role reversal.
81
00:03:49,867 --> 00:03:52,100
Aunt Val, this came
for you out there. Oh, all right.
82
00:03:52,100 --> 00:03:53,767
You interrupted me, but...
83
00:03:55,300 --> 00:03:57,133
"Mallory, blow me.
Love, Mitch."
84
00:03:57,133 --> 00:03:59,467
Oh!
( laughs )
85
00:03:59,467 --> 00:04:01,367
From Mr. Seth Rogen, huh?
86
00:04:01,367 --> 00:04:03,300
I shouldn't
have said "mister." He said, "Blow me,"
87
00:04:03,300 --> 00:04:04,867
I said, "Mister."
Too formal.
88
00:04:04,867 --> 00:04:06,533
Valerie, they're inviting
you to set.
89
00:04:06,533 --> 00:04:08,834
Oh, okay.
Hey, uh, Shauna.
90
00:04:08,834 --> 00:04:11,266
Where's Seth?
Just wanna say thank you for the gift.
91
00:04:11,266 --> 00:04:14,033
Seth doesn't have
any more scenes with you. This is Shayna, go to two.
92
00:04:14,033 --> 00:04:16,300
We're on to his rehab
and relapse work.
93
00:04:16,300 --> 00:04:19,600
Oh, well, once again--
surprise!
94
00:04:20,734 --> 00:04:23,000
He got me a wrap gift, so--
I didn't get him anything.
95
00:04:23,000 --> 00:04:26,400
That-- that doesn't look good.
Okay, you know what?
96
00:04:26,400 --> 00:04:28,767
Tyler, can you get me
Seth's address, please?
97
00:04:28,767 --> 00:04:30,700
Shayna: Ready, Val?
Yeah.
98
00:04:30,700 --> 00:04:32,500
Okay, this is exciting.
99
00:04:32,500 --> 00:04:35,000
Really can't wait to see
the "Room and Bored" set.
100
00:04:39,600 --> 00:04:42,066
Is it around here?
No?
101
00:04:43,166 --> 00:04:45,667
This is it?
Tyler: This is awesome!
102
00:04:46,834 --> 00:04:49,133
Okay.
Oh, Shauna, doll... Shayna.
103
00:04:49,133 --> 00:04:52,100
I thought we were shooting
the "Room and Bored" scene.
104
00:04:52,100 --> 00:04:55,066
We are, but this version's
all in Paulie G.'s mind,
105
00:04:55,066 --> 00:04:56,767
so we're doing it
green screen.
106
00:04:56,767 --> 00:04:58,900
It's his fantasy
of what happened.
107
00:04:58,900 --> 00:05:00,767
Yeah.
His imagination.
108
00:05:00,767 --> 00:05:01,900
Okay.
109
00:05:01,900 --> 00:05:04,867
First AD and DVD
commentary, okay.
110
00:05:04,867 --> 00:05:06,867
Couldn't he have
imagined furniture?
111
00:05:06,867 --> 00:05:08,266
Valerie, hi.
112
00:05:08,266 --> 00:05:10,133
Rada from Current Programming.
We met a few weeks ago.
113
00:05:10,133 --> 00:05:11,867
Yeah!
No, nice to see you.
114
00:05:11,867 --> 00:05:13,667
Hi, Connor.
Good to see you. Hi.
115
00:05:13,667 --> 00:05:14,900
Hi, doll.
116
00:05:14,900 --> 00:05:16,400
How's it all going?
117
00:05:16,400 --> 00:05:18,800
Oh, well, we're doing
some green screen.
118
00:05:18,800 --> 00:05:20,633
Yeah.
Very nice.
119
00:05:20,633 --> 00:05:24,300
Well, we just wanted to come by
and give you a heads up about Paulie G.
120
00:05:24,300 --> 00:05:26,300
Why?
W-What happened to him?
121
00:05:26,300 --> 00:05:28,300
Oh, nothing.
He's right over there.
122
00:05:28,300 --> 00:05:30,900
Oh, okay.
Well, right, might not want to point.
123
00:05:30,900 --> 00:05:32,467
( scoffs )
Oh, you're right. Of course.
124
00:05:32,467 --> 00:05:34,667
( mutters )
So-- ( laughs )
125
00:05:34,667 --> 00:05:37,200
He's not going to be directing
this episode or the next one.
126
00:05:38,300 --> 00:05:40,533
( stammering )
He's not? Okay. So--
127
00:05:40,533 --> 00:05:42,533
So he's not, all right.
Why not?
128
00:05:42,533 --> 00:05:44,033
Yeah.
129
00:05:44,033 --> 00:05:47,667
( whispering )
He was falling so far behind with the last two scripts, so...
130
00:05:47,667 --> 00:05:49,667
( whispering )
Oh, okay. So, yeah.
131
00:05:49,667 --> 00:05:52,400
Well, you know what?
Wearing a lot of hats, right?
132
00:05:52,400 --> 00:05:54,533
He's under a lot of pressure.
Poor guy.
133
00:05:54,533 --> 00:05:56,433
Well, we got Andie Tate
to take over.
134
00:05:56,433 --> 00:05:57,867
Have you worked
with Andie before?
135
00:05:57,867 --> 00:06:00,333
No, what's he like?
She's great.
136
00:06:01,467 --> 00:06:03,767
That's her over there.
Valerie: Oh, oh!
137
00:06:03,767 --> 00:06:05,967
With the-- Uh-huh.
Connor: Love her. With the that.
138
00:06:05,967 --> 00:06:07,533
Love her.
So lucky to get her.
139
00:06:07,533 --> 00:06:09,000
She directed "Kick It"...
140
00:06:09,000 --> 00:06:10,834
Uh-huh.
...and "Kick It 2: 3D."
141
00:06:10,834 --> 00:06:12,934
Oh.
She used to be a dancer.
142
00:06:12,934 --> 00:06:15,033
Rada:
But also a very good director.
143
00:06:15,033 --> 00:06:17,700
She did all the green screen
work on "Bitches vs. Witches,"
144
00:06:17,700 --> 00:06:19,133
so you're in good hands.
145
00:06:19,133 --> 00:06:21,600
Okay, and Paulie's
okay with all this?
146
00:06:21,600 --> 00:06:23,200
Andie!
147
00:06:23,200 --> 00:06:25,200
Get over here, girl.
148
00:06:25,200 --> 00:06:26,800
Oh, is that Valerie Cherish?
149
00:06:26,800 --> 00:06:28,400
Connor:
The one and only.
150
00:06:28,400 --> 00:06:30,734
Wanted to introduce you
to the Valerie Cherish.
151
00:06:30,734 --> 00:06:33,433
Hi, Valerie.
Andie Tate, so nice to meet you.
152
00:06:33,433 --> 00:06:34,867
Oh, aren't you sweet?
153
00:06:34,867 --> 00:06:36,967
And a woman
and a dancer, huh?
154
00:06:36,967 --> 00:06:39,233
Well, the woman thing
I try to keep under wraps around the crew,
155
00:06:39,233 --> 00:06:41,100
but the dancer,
she gets out.
156
00:06:41,100 --> 00:06:43,333
( grunting )
157
00:06:43,333 --> 00:06:45,433
Oh! Whoa!
Look at you.
158
00:06:45,433 --> 00:06:47,066
So fun.
Look at you.
159
00:06:47,066 --> 00:06:50,033
Well, la di da.
La di da la la.
160
00:06:50,033 --> 00:06:52,934
That's my Annie Hall.
Oh! ( laughs )
161
00:06:52,934 --> 00:06:55,333
Well, so just give me
one second, and then we'll walk through the scene.
162
00:06:55,333 --> 00:06:57,033
Okay?
Okay.
163
00:06:57,033 --> 00:06:58,533
Uh-oh!
164
00:06:58,533 --> 00:07:00,133
Right?
( all laughing )
165
00:07:00,133 --> 00:07:01,967
We are gonna
have us some fun!
166
00:07:01,967 --> 00:07:04,533
Yeah? Okay.
I think so. Yeah, I think so.
167
00:07:04,533 --> 00:07:06,000
( Valerie and Connor laughing )
168
00:07:06,000 --> 00:07:07,433
Rada:
Well, we'll see you later.
169
00:07:07,433 --> 00:07:09,600
Okay, great.
Yeah, thank you. Thank you.
170
00:07:09,600 --> 00:07:12,200
( gasps )
Oh my god. Look at that.
171
00:07:12,200 --> 00:07:14,400
Wow, this show.
I'm-- you never know!
172
00:07:14,400 --> 00:07:17,367
Right?
You just never know. ( laughing )
173
00:07:17,367 --> 00:07:20,133
Do you wanna say something
about Paulie G.?
174
00:07:24,133 --> 00:07:26,467
You know, well--
you know.
175
00:07:26,467 --> 00:07:29,367
Feel bad about Paulie G.,
you know, poor guy.
176
00:07:31,200 --> 00:07:33,734
It's too bad, 'cause we were
just getting into a good groove.
177
00:07:33,734 --> 00:07:35,900
You know, so...
178
00:07:35,900 --> 00:07:39,266
Gonna miss him, you know.
Gonna miss you, Paulie!
179
00:07:39,266 --> 00:07:41,500
Oh, he's got his headphones on.
He couldn't hear me.
180
00:07:41,500 --> 00:07:42,934
Val?
181
00:07:42,934 --> 00:07:44,700
Val, we got a little bit
of a problem.
182
00:07:44,700 --> 00:07:48,133
What is it, Billy?
Can you give me a minute?
183
00:07:48,133 --> 00:07:50,467
Did you get my email
about all the interviews I lined up for us?
184
00:07:50,467 --> 00:07:52,900
Oh.
Yeah, I got a lot of things lined up--
185
00:07:52,900 --> 00:07:55,400
BuzzFeed, Jezebel,
"USA Today" online--
186
00:07:55,400 --> 00:07:58,033
Valerie? I'm Carl.
I'm with HBO Publicity. ( sighs )
187
00:07:58,033 --> 00:08:00,200
Specifically, I deal
with talent/press relations.
188
00:08:00,200 --> 00:08:01,667
Oh, hi.
189
00:08:01,667 --> 00:08:04,200
Is there any way I could meet
that little fellow from "Game of Thrones,"
190
00:08:04,200 --> 00:08:05,900
Peter Dinklage?
I'm a big fan.
191
00:08:05,900 --> 00:08:07,600
Now's not the time, Mickey.
192
00:08:07,600 --> 00:08:09,800
Well, I'm just putting
it out there. Okay.
193
00:08:09,800 --> 00:08:12,133
We have Liz Novotny coming
from "The New York Times."
194
00:08:12,133 --> 00:08:13,367
Valerie:
"The New York Times"?
195
00:08:13,367 --> 00:08:15,834
( emphatically )
"The New York Times"? Okay, classy.
196
00:08:15,834 --> 00:08:17,934
Yes, but why do they make
their crossword puzzle so hard?
197
00:08:17,934 --> 00:08:20,233
What are they
trying to prove?
198
00:08:20,233 --> 00:08:23,133
HBO has a special relationship
with "The New York Times,"
199
00:08:23,133 --> 00:08:25,166
and we promised them
a first look at "Seeing Red."
200
00:08:25,166 --> 00:08:26,834
Oh.
And I'm-- I'm sorry.
201
00:08:26,834 --> 00:08:28,633
I'm not trying to step
on anyone's toes,
202
00:08:28,633 --> 00:08:32,633
but we're a little more
selective as to who we let our talent talk to.
203
00:08:32,633 --> 00:08:34,567
Valerie: Okay.
What are you saying? That I'm not selective?
204
00:08:34,567 --> 00:08:36,333
Name one web outlet
on that list that isn't a home run.
205
00:08:36,333 --> 00:08:38,767
Valerie, are you
ready to try this? Get our swerve on?
206
00:08:40,467 --> 00:08:42,266
( all laughing )
207
00:08:42,266 --> 00:08:44,400
I think I've seen it,
and then there's something new.
208
00:08:44,400 --> 00:08:46,333
It's so good.
Billy: Val, we'll talk later.
209
00:08:46,333 --> 00:08:47,700
They'll work it out.
Yeah, great.
210
00:08:47,700 --> 00:08:49,767
Okay, so it's just
a silly sitcom, so let's just have fun with it.
211
00:08:49,767 --> 00:08:51,467
Okay.
Yeah? Okay.
212
00:08:51,467 --> 00:08:54,433
But, you know, it's just too bad
we don't have an audience, you know, for the timing.
213
00:08:54,433 --> 00:08:56,000
Oh, audience is right there.
Oh!
214
00:08:56,000 --> 00:08:58,633
( Andie laughs )
What is that, like, 20 people?
215
00:08:58,633 --> 00:09:01,100
They're actors,
so we cut and paste them over and over in post
216
00:09:01,100 --> 00:09:02,433
until we have 200.
217
00:09:02,433 --> 00:09:05,967
Uh-huh. Okay.
Uh... uh-uh.
218
00:09:05,967 --> 00:09:08,133
It's not gonna work.
Okay.
219
00:09:08,133 --> 00:09:09,600
You know, they're actors.
220
00:09:09,600 --> 00:09:10,934
You know,
they're not gonna laugh.
221
00:09:10,934 --> 00:09:13,200
They're gonna be jealous
that I got the part and they didn't.
222
00:09:13,200 --> 00:09:15,200
You know?
So...
223
00:09:15,200 --> 00:09:17,066
Just speaking my truth.
Okay.
224
00:09:17,066 --> 00:09:18,867
Well, they'll laugh
when I tell them to laugh,
225
00:09:18,867 --> 00:09:20,400
or they'll be back
at the SAG-AFTRA lounge.
226
00:09:20,400 --> 00:09:22,200
Okay?
So let's try this scene.
227
00:09:22,200 --> 00:09:24,000
Okay.
Aunt Patsy enters her bedroom.
228
00:09:24,000 --> 00:09:26,467
She's going to the beach
with the kids, so she needs her bathing suit,
229
00:09:26,467 --> 00:09:28,300
which is in the chest
of drawers.
230
00:09:28,300 --> 00:09:29,600
And that's where?
231
00:09:29,600 --> 00:09:31,400
Oh, right against the wall here
where the blue "X" is.
232
00:09:31,400 --> 00:09:33,133
Valerie: The blue "X"? Okay.
Andie: Mm-hmm. Okay?
233
00:09:33,133 --> 00:09:34,400
Andie: Give it a try.
Well, I'll try.
234
00:09:34,400 --> 00:09:36,567
Not sure I'm gonna--
how I'm gonna do,
235
00:09:36,567 --> 00:09:39,000
'cause I wasn't really
expecting to be working in a gumdrop today.
236
00:09:39,000 --> 00:09:41,166
( both laughing )
237
00:09:41,166 --> 00:09:43,633
Okay.
So, just--
238
00:09:43,633 --> 00:09:45,100
Fabulous.
Really?
239
00:09:45,100 --> 00:09:46,367
Andie: Yeah.
Didn't feel that great,
240
00:09:46,367 --> 00:09:47,500
'cause I'm not
really a mime.
241
00:09:47,500 --> 00:09:49,633
Did it once at a mall
in college, but, you know,
242
00:09:49,633 --> 00:09:51,367
it's not my thang, so...
243
00:09:51,367 --> 00:09:53,600
You're perfect.
It all happens in post.
244
00:09:53,600 --> 00:09:54,700
Okay.
Okay.
245
00:09:54,700 --> 00:09:56,900
And then you hold up
your bikini top...
246
00:09:56,900 --> 00:09:59,100
Uh-huh.
...and Aunt Patsy looks down at the bikini top,
247
00:09:59,100 --> 00:10:00,533
and she says...
248
00:10:00,533 --> 00:10:02,800
"Well, I hope you boys
are up for the challenge,
249
00:10:02,800 --> 00:10:05,967
"'cause the twins need you,
and this time it's personal."
250
00:10:05,967 --> 00:10:08,900
( raucous laughing )
251
00:10:09,934 --> 00:10:11,467
Andie: Great.
Material works.
252
00:10:11,467 --> 00:10:13,033
And then we walk
over to the couch... Uh-huh.
253
00:10:13,033 --> 00:10:16,333
...and you see the boys,
Charlie and Jake.
254
00:10:16,333 --> 00:10:17,700
Okay, but where are the boys?
255
00:10:17,700 --> 00:10:19,233
They're not here?
256
00:10:19,233 --> 00:10:22,333
Oh, they're shooting movies,
so we have to add them later in post.
257
00:10:22,333 --> 00:10:24,400
Post is gonna be busy. Okay.
( laughs )
258
00:10:24,400 --> 00:10:26,600
Okay, so Charlie...
Valerie: Uh-huh.
259
00:10:26,600 --> 00:10:28,700
...says, "Are you
almost ready, Aunt Patsy?"
260
00:10:28,700 --> 00:10:30,266
And you say...
261
00:10:30,266 --> 00:10:34,533
"Boys, at my age, a day
at the beach isn't exactly a day at the beach!"
262
00:10:34,533 --> 00:10:36,834
( laughing )
263
00:10:36,834 --> 00:10:38,066
I take it back.
It works.
264
00:10:38,066 --> 00:10:40,400
Okay, so then the boys
pull off their shirts...
265
00:10:40,400 --> 00:10:42,567
Valerie: Uh-huh
...to show Aunt Patsy their newly waxed chests,
266
00:10:42,567 --> 00:10:46,433
and that's when you get
so excited that you start spinning and spinning
267
00:10:46,433 --> 00:10:48,200
and morph into the monster.
268
00:10:48,200 --> 00:10:50,633
Right. Okay.
( audience laughing )
269
00:10:50,633 --> 00:10:52,333
Okay, now they're
just laughing at anything.
270
00:10:52,333 --> 00:10:54,967
No, the spinning's funny.
'Cause when you spin,
271
00:10:54,967 --> 00:10:56,934
you suck in everything
in the room,
272
00:10:56,934 --> 00:10:59,066
so the furniture, the food,
even one of the boys.
273
00:10:59,066 --> 00:11:01,467
Uh-huh. Uh-huh.
( laughing )
274
00:11:01,467 --> 00:11:04,066
Okay, well, hopefully
that's all done in post,
275
00:11:04,066 --> 00:11:05,700
'cause I just had lunch.
276
00:11:05,700 --> 00:11:07,000
( scoffs )
277
00:11:08,300 --> 00:11:09,467
Quick question, Andie.
278
00:11:09,467 --> 00:11:11,834
Do you think I could know
what the monster looks like?
279
00:11:11,834 --> 00:11:13,567
Uh, yeah.
We have a picture.
280
00:11:13,567 --> 00:11:16,300
Oh!
Get to see a picture, that's fun.
281
00:11:17,166 --> 00:11:18,467
Yeah. Here we go.
282
00:11:18,467 --> 00:11:20,467
Uh-huh.
Okay.
283
00:11:20,467 --> 00:11:23,000
Well, that's great,
just to have a mental picture,
284
00:11:23,000 --> 00:11:25,633
right, 'cause I've been
playing around with a couple voices.
285
00:11:25,633 --> 00:11:27,700
Something like, um,
you know,
286
00:11:27,700 --> 00:11:30,300
( raspy )
I'm a monster, and I'm dangerous.
287
00:11:30,300 --> 00:11:32,467
There's no voice!
288
00:11:32,467 --> 00:11:34,734
Valerie: Well...
You're the monster, Val.
289
00:11:34,734 --> 00:11:36,633
You got it?
Okay.
290
00:11:36,633 --> 00:11:39,767
You don't have to do anything,
because you're the monster. You.
291
00:11:41,300 --> 00:11:42,567
Clear?
292
00:11:42,567 --> 00:11:45,400
Yeah. Uh-huh.
I'm playing the character who's the monster.
293
00:11:45,400 --> 00:11:47,600
Mallory's the monster.
I get it. Paulie: That's right, yeah.
294
00:11:47,600 --> 00:11:50,066
That's right.
Okay, good.
295
00:11:53,967 --> 00:11:56,967
Mickey, how is it?
What-- is it bad? Let me...
296
00:11:58,667 --> 00:12:00,233
Oh no.
Oh my.
297
00:12:00,233 --> 00:12:01,834
No, I can't--
I can't go out like this.
298
00:12:01,834 --> 00:12:04,200
I don't want people
to see me like this. Can I have that robe?
299
00:12:05,767 --> 00:12:07,834
This is just not good.
300
00:12:08,867 --> 00:12:10,100
Hi.
Valerie: Hi.
301
00:12:10,100 --> 00:12:11,500
I canceled everything.
Valerie: Okay.
302
00:12:11,500 --> 00:12:13,200
All the interviews
I set up for you are canceled.
303
00:12:13,200 --> 00:12:15,367
Valerie: All right.
So HBO will stop having a hissy fit,
304
00:12:15,367 --> 00:12:18,367
and I'll take the hit
because that's what I do.
305
00:12:18,367 --> 00:12:20,834
Okay, Billy.
Not now, not now. I have no hair.
306
00:12:20,834 --> 00:12:23,200
Billy: No, no, it's fine.
I'll just go fuck myself.
307
00:12:23,200 --> 00:12:25,667
God damn it!
And people are gonna get pissed at me.
308
00:12:25,667 --> 00:12:27,633
They're not pissed at HBO.
They're fucking pissed at me.
309
00:12:27,633 --> 00:12:29,767
Okay, do you want
some water or something?
310
00:12:29,767 --> 00:12:31,033
( panting )
311
00:12:31,033 --> 00:12:33,000
Do you know what I do
all day long, Valerie?
312
00:12:33,000 --> 00:12:35,166
I make phone calls
on your behalf.
313
00:12:35,166 --> 00:12:38,133
I probably have
a fucking brain tumor from my cellphone.
314
00:12:38,133 --> 00:12:39,400
Fuck!
315
00:12:40,734 --> 00:12:42,166
( voice quivering )
I should have seen this coming.
316
00:12:42,166 --> 00:12:43,900
You were on the verge
of launching,
317
00:12:43,900 --> 00:12:45,567
and every time
I get close,
318
00:12:45,567 --> 00:12:47,734
some bullshit happens,
and I get shut down!
319
00:12:47,734 --> 00:12:49,266
And then they leave.
320
00:12:50,200 --> 00:12:51,767
Eva fucking Longoria,
321
00:12:51,767 --> 00:12:54,934
right before she got
"Desperate Housewives," she left me,
322
00:12:54,934 --> 00:12:56,834
and I was the one who was
fucking desperate, not her.
323
00:12:56,834 --> 00:12:58,266
Valerie: Well...
324
00:12:58,266 --> 00:13:00,400
( voice breaking )
I don't want to be a fucking failure.
325
00:13:01,667 --> 00:13:05,633
Are you crying?
Is he crying? ( whispers )
326
00:13:05,633 --> 00:13:07,533
Billy, listen.
327
00:13:08,400 --> 00:13:10,133
Don't cry at work.
It's not professional.
328
00:13:10,133 --> 00:13:11,600
Leave me alone.
I don't care.
329
00:13:11,600 --> 00:13:13,567
( clatters )
Oh!
330
00:13:13,567 --> 00:13:15,233
Admit it, Valerie.
331
00:13:15,233 --> 00:13:18,467
You're just gonna fire me
eventually, anyway, so why don't you just do it now?
332
00:13:18,467 --> 00:13:20,066
( Valerie stammers )
Fire me!
333
00:13:20,066 --> 00:13:21,300
But I--
You know what? Fuck it.
334
00:13:21,300 --> 00:13:23,333
I quit.
335
00:13:24,934 --> 00:13:26,433
Okay.
336
00:13:27,433 --> 00:13:29,033
You okay?
337
00:13:30,233 --> 00:13:32,533
I left my cellphone
in here.
338
00:13:32,533 --> 00:13:34,266
Yeah, well...
339
00:13:34,266 --> 00:13:35,834
I can't even
fucking quit right.
340
00:13:36,967 --> 00:13:39,033
Billy half-ass.
341
00:13:43,166 --> 00:13:44,867
What was that?
342
00:13:44,867 --> 00:13:46,734
Valerie:
Yeah, well, I think--
343
00:13:46,734 --> 00:13:48,567
You know what?
I think he was embarrassed,
344
00:13:50,166 --> 00:13:52,166
you know, in front
of HBO, the big guns,
345
00:13:52,166 --> 00:13:53,834
you know,
'cause they're right.
346
00:13:53,834 --> 00:13:55,900
That Carl knows
what he's doing.
347
00:13:56,967 --> 00:13:58,467
Hm, gorgeous head
of gray hair,
348
00:13:58,467 --> 00:14:02,567
but my philosophy is,
"When it starts to go, let it."
349
00:14:03,700 --> 00:14:06,066
Valerie:
I think, you know, he just...
350
00:14:07,667 --> 00:14:10,133
couldn't handle
the pressure, you know?
351
00:14:10,133 --> 00:14:12,834
Poor little Billy snapped.
Just snapped, you know.
352
00:14:12,834 --> 00:14:14,467
Wants it so bad.
353
00:14:14,467 --> 00:14:16,133
And you heard
what he said,
354
00:14:16,133 --> 00:14:18,967
we're approaching
super stardom now, so...
355
00:14:18,967 --> 00:14:21,533
You know, couldn't handle it.
Flew too close to the sun.
356
00:14:21,533 --> 00:14:23,133
( knocks )
( door opens )
357
00:14:23,133 --> 00:14:24,767
Valerie, we're inviting
you to set.
358
00:14:24,767 --> 00:14:27,033
Okay. I'm gonna need
my sunglasses.
359
00:14:27,033 --> 00:14:28,400
Mickey: Here you go.
Here, here, here.
360
00:14:28,400 --> 00:14:29,867
Oh.
Here.
361
00:14:31,667 --> 00:14:33,400
Look at that.
362
00:14:33,400 --> 00:14:35,467
Like magic.
I hope it stays on.
363
00:14:37,800 --> 00:14:40,266
Okay.
This is good.
364
00:14:40,266 --> 00:14:42,567
At least no one
will recognize me, right,
365
00:14:42,567 --> 00:14:44,433
dressed like this,
so that's good.
366
00:14:44,433 --> 00:14:46,200
Valerie.
Yeah. Oh.
367
00:14:46,200 --> 00:14:48,000
This is Liz Novotny
from "The New York Times."
368
00:14:48,000 --> 00:14:49,700
Valerie, hello.
369
00:14:49,700 --> 00:14:53,300
Hello. So--
Oh, you're here today. She's here today?
370
00:14:53,300 --> 00:14:55,000
Well, yes.
We discussed this.
371
00:14:55,000 --> 00:14:57,200
Valerie: Well, we didn't say
she was coming today,
372
00:14:57,200 --> 00:14:59,066
so, you know,
it's just...
373
00:14:59,066 --> 00:15:01,033
I'm sorry.
I just-- you know.
374
00:15:01,033 --> 00:15:03,233
As you can see,
I'm not ready for my close-up.
375
00:15:03,233 --> 00:15:04,734
So.
( laughs ) ( Liz laughing )
376
00:15:04,734 --> 00:15:07,066
Could we just do this
tomorrow then, or...
377
00:15:07,066 --> 00:15:08,300
I have Seth tomorrow.
378
00:15:08,300 --> 00:15:11,567
Oh. Yeah,
so then it has to be today.
379
00:15:11,567 --> 00:15:14,300
Okay. Sure. That's fine.
That's fine, yeah.
380
00:15:14,300 --> 00:15:17,433
Just didn't want to meet you
dressed like this, you know.
381
00:15:17,433 --> 00:15:19,200
It's not easy being green.
382
00:15:19,200 --> 00:15:21,066
( laughing )
383
00:15:21,066 --> 00:15:22,633
Carl:
Okay, we'll see you on the set.
384
00:15:22,633 --> 00:15:24,467
We sure will. Yeah.
385
00:15:26,633 --> 00:15:28,600
Well...
She's staring. Okay.
386
00:15:34,133 --> 00:15:37,133
Great.
Hey, Val, can you move your weight from side to side
387
00:15:37,133 --> 00:15:38,667
while you're turning?
388
00:15:41,367 --> 00:15:43,734
There you go! That's what
I'm talking about. Great.
389
00:15:43,734 --> 00:15:47,533
Now you got it.
That's it. Great.
390
00:15:47,533 --> 00:15:49,600
Okay, Val,
now I want you to pretend
391
00:15:49,600 --> 00:15:52,433
like you're tearing
a child apart, okay?
392
00:15:52,433 --> 00:15:54,400
You're just ripping
a child apart.
393
00:15:54,400 --> 00:15:55,467
A what?
394
00:15:55,467 --> 00:15:57,900
Paulie:
You're destroying my inner child.
395
00:15:57,900 --> 00:15:58,900
I'm sorry.
396
00:15:58,900 --> 00:16:00,867
You're destroying
my inner child.
397
00:16:00,867 --> 00:16:02,300
Valerie:
Inner child-- okay.
398
00:16:02,300 --> 00:16:04,734
( laughs )
Got it. Yeah. Okay.
399
00:16:08,600 --> 00:16:10,533
Andie:
Great. Great.
400
00:16:14,367 --> 00:16:16,133
Yup.
401
00:16:16,133 --> 00:16:17,700
Okay, great.
Great, let's cut.
402
00:16:17,700 --> 00:16:19,333
Oh, good.
Let's cut. Okay, great.
403
00:16:19,333 --> 00:16:20,967
That's so good.
We're gonna go again though, okay?
404
00:16:20,967 --> 00:16:22,433
Great. Okay, sure.
Yeah. Okay?
405
00:16:22,433 --> 00:16:24,166
In a little bit?
Yeah.
406
00:16:24,166 --> 00:16:26,567
You are quite
the twirler.
407
00:16:26,567 --> 00:16:29,033
Twirling in front
of "The New York Times," Mickey.
408
00:16:30,066 --> 00:16:33,100
Valerie:
Liz, hi.
409
00:16:33,100 --> 00:16:35,734
Just wanted to say...
this isn't what we normally do--
410
00:16:35,734 --> 00:16:38,333
you know, this stuff,
the special effects.
411
00:16:38,333 --> 00:16:39,900
I'm ripping a child apart.
412
00:16:39,900 --> 00:16:42,333
I don't know what they're
gonna have me do for an encore.
413
00:16:42,333 --> 00:16:44,633
Eat Santa Claus?
( giggles )
414
00:16:44,633 --> 00:16:45,867
Don't worry,
I know this
415
00:16:45,867 --> 00:16:48,066
isn't representative
of the entire season.
416
00:16:48,066 --> 00:16:50,400
Yeah. Okay, good.
I saw the first episode.
417
00:16:50,400 --> 00:16:51,600
Oh, you did?
Mm-hmm.
418
00:16:51,600 --> 00:16:53,800
Oh, yeah?
Oh. Mm-hmm.
419
00:16:53,800 --> 00:16:55,967
Your performance is...
420
00:16:55,967 --> 00:16:57,667
very brave.
Yeah.
421
00:16:59,467 --> 00:17:00,734
Okay.
Andie: Hey, Val.
422
00:17:00,734 --> 00:17:02,133
Hi.
Yeah.
423
00:17:02,133 --> 00:17:03,200
I need more spinning.
424
00:17:03,200 --> 00:17:04,500
Uh-huh.
Don't shoot the messenger.
425
00:17:04,500 --> 00:17:05,900
No. Right.
426
00:17:05,900 --> 00:17:07,934
( laughs )
Oh.
427
00:17:07,934 --> 00:17:09,867
Thank you. Thank you.
I'll come back after you've changed,
428
00:17:09,867 --> 00:17:11,900
and we can talk
a little more. So we're gonna go again, guys.
429
00:17:11,900 --> 00:17:13,533
Great, yeah.
Let's talk. Andie: Okay.
430
00:17:13,533 --> 00:17:16,300
Great. All right everybody,
let's go back to one, please.
431
00:17:16,300 --> 00:17:19,000
And five, six,
and seven, eight, and one!
432
00:17:19,000 --> 00:17:21,133
You know what?
My hair-- I feel my hair coming out,
433
00:17:21,133 --> 00:17:22,633
so Mickey has
to check it.
434
00:17:22,633 --> 00:17:24,800
Andie: All right.
Looks good to me, Red.
435
00:17:24,800 --> 00:17:26,367
Um...
436
00:17:26,367 --> 00:17:29,266
( whispering )
Okay, she saw the first episode.
437
00:17:29,266 --> 00:17:32,400
She said my--
I was brave.
438
00:17:32,400 --> 00:17:33,667
What does
that mean, "brave"?
439
00:17:33,667 --> 00:17:35,567
I don't know.
I gotta see the dailies.
440
00:17:35,567 --> 00:17:37,133
You know what?
Just gotta see 'em.
441
00:17:37,133 --> 00:17:39,433
Gotta see
what they look like.
442
00:17:41,266 --> 00:17:42,633
I wonder if I can
get it on DVD.
443
00:17:42,633 --> 00:17:45,233
They don't put dailies
on DVDs anymore.
444
00:17:45,233 --> 00:17:47,000
Valerie: Oh.
You gotta go to Dax.
445
00:17:47,000 --> 00:17:49,300
Andie: Hey, Val,
we're good to go, so can we-- Oh, um--
446
00:17:49,300 --> 00:17:51,300
Um, Dax.
Who's Dax?
447
00:17:51,300 --> 00:17:54,133
Who do I talk to?
That's-- Oh, is that the crew guy with the kilt?
448
00:17:54,133 --> 00:17:56,133
No, it's a web site...
449
00:17:56,133 --> 00:17:58,300
Okay.
...but you have to have a password to see them.
450
00:17:58,300 --> 00:18:01,200
Okay, do you have a password
for that by any chance?
451
00:18:01,200 --> 00:18:03,400
Valerie:
No, "B."
452
00:18:03,400 --> 00:18:04,700
I didn't type "B."
453
00:18:04,700 --> 00:18:07,166
I know, but it's B-2-7-H.
( hammers pounding )
454
00:18:07,166 --> 00:18:08,567
Mark: Val?
Valerie: Yeah?
455
00:18:08,567 --> 00:18:11,166
Mark: Val, what's with
all the pounding?
456
00:18:11,166 --> 00:18:14,667
This is crazy.
Your show guys have been here for hours.
457
00:18:14,667 --> 00:18:16,667
I know, but they
have to be here, though.
458
00:18:16,667 --> 00:18:18,233
Well, what are they doing?
459
00:18:18,233 --> 00:18:20,967
They have to turn
the dining room into a hospital
460
00:18:20,967 --> 00:18:22,166
for the OD scene.
461
00:18:22,166 --> 00:18:24,066
You're not even
in the hospital scene.
462
00:18:24,066 --> 00:18:26,100
Mickey:
Red, I think we're in. Valerie: Okay.
463
00:18:26,100 --> 00:18:29,367
This is supposed to be
behind-the-scenes only.
464
00:18:29,367 --> 00:18:31,266
I'm finding a sublet.
465
00:18:32,266 --> 00:18:34,000
( scoffs, laughs )
466
00:18:34,000 --> 00:18:36,900
It's 11:30,
so he's allowed.
467
00:18:36,900 --> 00:18:38,667
Man:
"A" only. 12, mark.
468
00:18:41,000 --> 00:18:42,633
Paulie: Action.
469
00:18:44,800 --> 00:18:46,667
Valerie: That's fine.
I'll leave a message, okay?
470
00:18:46,667 --> 00:18:50,166
I don't care if you're
available or unavailable.
471
00:18:50,166 --> 00:18:53,467
I don't care if you
just found out that you have herpes
472
00:18:53,467 --> 00:18:56,567
or hepatitis C
from one of those whores
473
00:18:56,567 --> 00:18:58,767
that you pay to come
to your room on show nights.
474
00:19:00,233 --> 00:19:03,066
I've been in this business
a lot longer than you have,
475
00:19:03,066 --> 00:19:07,834
and I will be in this business
long after they take you out in a body bag,
476
00:19:07,834 --> 00:19:13,567
because you are gonna OD
on some shit that you pump into your veins,
477
00:19:13,567 --> 00:19:15,200
because you hate yourself.
478
00:19:18,033 --> 00:19:20,600
And guess what?
I'm your way out,
479
00:19:20,600 --> 00:19:23,667
and you're too fucking stupid
to even know it.
480
00:19:24,734 --> 00:19:26,033
Paulie: Cut!
481
00:19:26,033 --> 00:19:28,633
Oh, Red.
All these years...
482
00:19:30,200 --> 00:19:32,000
You can really act.
483
00:19:32,000 --> 00:19:33,200
Oh.
484
00:19:34,266 --> 00:19:36,333
Well, now...
485
00:19:36,333 --> 00:19:38,333
No, that's not good.
486
00:19:38,333 --> 00:19:39,834
You know.
It's wonderful.
487
00:19:39,834 --> 00:19:42,800
Well, no, because,
you know--
488
00:19:42,800 --> 00:19:46,266
Making me look that way.
You know, that was take 12, okay?
489
00:19:46,266 --> 00:19:49,033
And... I was tired,
and he pushed me to that.
490
00:19:49,033 --> 00:19:50,934
I'll find another take.
No.
491
00:19:50,934 --> 00:19:52,834
There wasn't enough light.
I can feel it.
492
00:19:52,834 --> 00:19:55,400
I can feel it, you know?
I can feel it.
493
00:19:55,400 --> 00:19:57,900
Paulie: Action.
Valerie: Nope, that's not good.
494
00:19:57,900 --> 00:19:59,633
Turn it off, all right?
Just get rid of it.
495
00:19:59,633 --> 00:20:01,233
Gotta do some damage control,
you know,
496
00:20:01,233 --> 00:20:03,400
'cause people aren't
gonna want to see me look like that.
497
00:20:03,400 --> 00:20:05,200
Jane, see that?
498
00:20:06,300 --> 00:20:07,700
All right.
Gotta get Billy back.
499
00:20:09,133 --> 00:20:11,600
Get some pretty magazine covers,
500
00:20:11,600 --> 00:20:14,300
'cause, you know,
no one on this show cares about how I look.
501
00:20:14,300 --> 00:20:16,367
Huh?
( laughs )
502
00:20:16,367 --> 00:20:18,400
Man:
There's too much light in here.
503
00:20:18,400 --> 00:20:19,934
Will?
Hi.
504
00:20:19,934 --> 00:20:22,300
Don't want to disturb you
while you're setting up the lights.
505
00:20:22,300 --> 00:20:23,834
Oh, hey, Val.
How's it going?
506
00:20:23,834 --> 00:20:25,900
Just great.
Just a quick thought, though,
507
00:20:25,900 --> 00:20:28,133
you know, that maybe
you might want to put
508
00:20:28,133 --> 00:20:30,533
one or two more lights
in there, you know.
509
00:20:30,533 --> 00:20:34,300
Just maybe--
you know, just so it's not so dark all the time.
510
00:20:34,300 --> 00:20:37,367
Yeah, Val, I don't know.
511
00:20:37,367 --> 00:20:39,734
I think that's
a Paulie G. decision.
512
00:20:39,734 --> 00:20:41,400
Uh-huh. Well--
Paulie: Did someone mention my name?
513
00:20:41,400 --> 00:20:42,633
Oh, yeah.
Hey, Paulie.
514
00:20:42,633 --> 00:20:45,100
Um, I think Val
has a question for you.
515
00:20:45,100 --> 00:20:46,667
Yeah, what's that?
Okay.
516
00:20:46,667 --> 00:20:48,934
Um, I--
517
00:20:51,967 --> 00:20:53,467
Show is looking
real good, okay?
518
00:20:53,467 --> 00:20:54,734
Got to see
some of the dailies--
519
00:20:54,734 --> 00:20:56,967
What?
Yeah, yeah, and so it looks real good.
520
00:20:56,967 --> 00:20:58,533
Well, how did you get
to see the dailies?
521
00:20:59,700 --> 00:21:01,567
Well, I just got--
Where's Ron?
522
00:21:01,567 --> 00:21:03,567
Where's Ron?
Ron! Ron: Coming!
523
00:21:03,567 --> 00:21:05,900
Okay. Well, anyway,
so I was telling him
524
00:21:05,900 --> 00:21:08,266
that it looks real good,
but-- just spit-balling--
525
00:21:08,266 --> 00:21:11,166
maybe there could be
more light for some of the show,
526
00:21:11,166 --> 00:21:12,567
just for contrast,
527
00:21:12,567 --> 00:21:14,467
What do you need?
Valerie saw the dailies.
528
00:21:14,467 --> 00:21:17,033
I specifically said
I don't want anyone seeing the dailies.
529
00:21:17,033 --> 00:21:18,667
She's on the no-dailies list.
530
00:21:18,667 --> 00:21:21,834
But I barely saw anything,
just 'cause it's so dark.
531
00:21:21,834 --> 00:21:23,333
Right? So...
( laughs )
532
00:21:23,333 --> 00:21:26,600
That's why I'm just thinking
maybe you put in, like, a light box or two,
533
00:21:26,600 --> 00:21:28,333
or-- I don't know
the technical term for that.
534
00:21:28,333 --> 00:21:30,967
Just, you know,
for my eyes, so they pop,
535
00:21:30,967 --> 00:21:33,300
so you can see-- Oh.
536
00:21:33,300 --> 00:21:35,667
Okay.
537
00:21:35,667 --> 00:21:38,066
Paulie?
Just trying to have a conversation here.
538
00:21:38,066 --> 00:21:41,300
Oh my god!
I can't believe I'm having this conversation.
539
00:21:42,500 --> 00:21:44,233
I don't want you
looking at the dailies.
540
00:21:45,633 --> 00:21:48,100
Uh-huh. Why is that?
'Cause you don't want me to see...
541
00:21:48,100 --> 00:21:49,800
how I look, huh?
542
00:21:49,800 --> 00:21:52,567
You don't want me to see
that you're making me look bad?
543
00:21:52,567 --> 00:21:53,700
You're trying
to make me the monster.
544
00:21:53,700 --> 00:21:56,467
What the fuck
are you talking about?
545
00:21:56,467 --> 00:21:59,166
I don't want
you looking at the dailies, because I don't want
546
00:21:59,166 --> 00:22:01,734
to have fucking
pretend conversations with you
547
00:22:01,734 --> 00:22:04,333
about light boxes,
which aren't even a real fucking thing.
548
00:22:04,333 --> 00:22:07,700
Okay.
Jesus Christ, this isn't "Star Wars," for fuck's sake.
549
00:22:07,700 --> 00:22:10,100
I am two scripts behind.
Do you hear me?
550
00:22:10,100 --> 00:22:13,266
Two! I do not need this shit
right now, Valerie.
551
00:22:13,266 --> 00:22:15,834
Jesus, you make me want to put
a fucking needle in my arm.
552
00:22:22,500 --> 00:22:25,867
Jane, think we should
go after him?
553
00:22:25,867 --> 00:22:27,767
Just--
None of my business, right?
554
00:22:27,767 --> 00:22:30,500
It's just...
He used to have Tom, you know?
555
00:22:30,500 --> 00:22:32,533
A writing partner to talk
things over with, right?
556
00:22:32,533 --> 00:22:35,667
Now he's all alone.
What's he gonna-- ( breathes deeply )
557
00:22:35,667 --> 00:22:38,533
Should we check?
Should we just go and see?
558
00:22:39,734 --> 00:22:41,667
Maybe it's just something
he said, huh?
559
00:22:41,667 --> 00:22:43,700
Yeah, probably
just something he said.
560
00:22:44,834 --> 00:22:48,266
( whimsical music playing )
561
00:22:51,233 --> 00:22:53,900
? So take a trip
around the world ?
562
00:22:53,900 --> 00:22:57,133
? And see
what there is to see ?
563
00:22:57,133 --> 00:22:59,734
? A pretty bird ?
564
00:22:59,734 --> 00:23:02,533
? Who's just absurd ?
565
00:23:02,533 --> 00:23:05,233
? A brainy worm ?
566
00:23:05,233 --> 00:23:08,033
? Who likes to squirm ?
567
00:23:08,033 --> 00:23:10,867
? And a lamb
who can do math ?
568
00:23:10,867 --> 00:23:13,633
? We're all right here
for when you're near ?
569
00:23:13,633 --> 00:23:16,533
? We got your back,
no need to pack ?
570
00:23:16,533 --> 00:23:19,467
? Your next stop is ?
571
00:23:19,467 --> 00:23:21,500
? Nicky Nicky Nack Nack ?
572
00:23:21,500 --> 00:23:23,166
( music stops )
573
00:23:24,100 --> 00:23:25,433
Director: Cut.
( buzzing )
574
00:23:25,433 --> 00:23:28,066
Tom:
Okay, let's set up to go one more time before lunch.
575
00:23:28,066 --> 00:23:30,233
There he is.
Jane, that's Tom.
576
00:23:30,233 --> 00:23:32,967
I was afraid I wouldn't
recognize him without Paulie G.
577
00:23:32,967 --> 00:23:34,800
Tom? Aha!
578
00:23:34,800 --> 00:23:38,867
Tom Peterman.
Val. Val Cherish.
579
00:23:38,867 --> 00:23:40,900
You're early.
580
00:23:40,900 --> 00:23:43,266
So glad I am.
Got to see all this.
581
00:23:43,266 --> 00:23:45,400
Wonderful,
just wonderful.
582
00:23:45,400 --> 00:23:47,266
Still got the cameras,
I see.
583
00:23:47,266 --> 00:23:48,400
Yeah, well...
584
00:23:48,400 --> 00:23:49,734
Hi, Jane.
Jane: Hey, Tom.
585
00:23:49,734 --> 00:23:52,000
Look at you
at Nickelodeon. So fun.
586
00:23:52,000 --> 00:23:55,300
Oh, it's such
a catchy song, too. Did you create this?
587
00:23:55,300 --> 00:23:56,867
"Nicky Nicky Nack Nack"?
I wish.
588
00:23:56,867 --> 00:23:58,667
So...
So...
589
00:23:58,667 --> 00:23:59,934
What can I do
for you, Val?
590
00:23:59,934 --> 00:24:01,233
Yeah-- Oh.
Get to it, yeah.
591
00:24:01,233 --> 00:24:03,800
So I, um,
just wanted to...
592
00:24:03,800 --> 00:24:07,333
talk to you, 'cause I'm doing
this show for HBO.
593
00:24:07,333 --> 00:24:08,800
With Paulie, yeah.
I read about that.
594
00:24:08,800 --> 00:24:09,967
Right, yeah.
595
00:24:09,967 --> 00:24:12,600
Just wanted to come by...
596
00:24:12,600 --> 00:24:14,600
and pick your brain
about Paulie G. a little bit.
597
00:24:14,600 --> 00:24:16,967
You know?
Just 'cause I've got-- Tom: Sorry.
598
00:24:16,967 --> 00:24:18,767
Ready?
They want to go again.
599
00:24:18,767 --> 00:24:20,734
Uh...
Sorry.
600
00:24:20,734 --> 00:24:22,967
Oh, Frank,
this is Valerie Cherish.
601
00:24:22,967 --> 00:24:24,633
Valerie,
this is Frank.
602
00:24:24,633 --> 00:24:26,467
He plays Gary the Worm on...
Yeah.
603
00:24:26,467 --> 00:24:27,500
..."Nicky Nicky Nack Nack."
604
00:24:27,500 --> 00:24:29,166
I figured, yeah.
Real good.
605
00:24:29,166 --> 00:24:30,900
Okay, so,
whenever you're ready.
606
00:24:30,900 --> 00:24:33,867
Yeah, just give me
one second. Yeah. Thank you.
607
00:24:33,867 --> 00:24:36,066
( both laughing )
608
00:24:36,066 --> 00:24:38,900
Anyway, I'm just...
um...
609
00:24:38,900 --> 00:24:40,266
I don't know,
getting a little worried,
610
00:24:40,266 --> 00:24:41,934
'cause I think
he needs some help,
611
00:24:41,934 --> 00:24:43,667
and I don't know how
to do that,
612
00:24:43,667 --> 00:24:45,500
so, surprise,
here I am talking to you.
613
00:24:45,500 --> 00:24:47,033
( groans )
Oh no.
614
00:24:47,033 --> 00:24:48,967
Gee, Val.
I don't know what I can do.
615
00:24:48,967 --> 00:24:51,600
I haven't talked
to that guy in... ( breathes deeply )
616
00:24:51,600 --> 00:24:54,433
I don't know, six years?
617
00:24:54,433 --> 00:24:55,800
Probably.
618
00:24:55,800 --> 00:24:56,934
Six years, wow.
619
00:24:56,934 --> 00:24:59,400
So, looks like you two
are due for a chat.
620
00:24:59,400 --> 00:25:01,100
( giggles )
621
00:25:01,100 --> 00:25:05,767
Val, I'm serious,
and even if I could help you, I'm not sure I would.
622
00:25:05,767 --> 00:25:07,233
We didn't--
Oh.
623
00:25:07,233 --> 00:25:10,166
Yeah, we didn't end well,
he and I.
624
00:25:11,367 --> 00:25:15,266
( groans )
We should probably stop talking.
625
00:25:15,266 --> 00:25:18,300
Oh, yeah.
Well, we can stop. Jane, we can stop.
626
00:25:19,166 --> 00:25:20,367
Tyler, get out of there.
627
00:25:20,367 --> 00:25:22,467
That's-- it's a hot set.
You can't--
628
00:25:23,367 --> 00:25:24,700
Get-- don't do that.
629
00:25:24,700 --> 00:25:27,100
Yeah, no, they're gone.
It's okay.
630
00:25:27,100 --> 00:25:29,600
Sorry, excited to be here,
I think.
631
00:25:29,600 --> 00:25:31,500
Um, I--
632
00:25:31,500 --> 00:25:34,033
( clears throat )
Yeah, I'm just-- I'm nervous, 'cause I feel like,
633
00:25:34,033 --> 00:25:35,400
you know, he's on
the edge again.
634
00:25:35,400 --> 00:25:37,033
Mm-hmm.
Well, he probably is on the edge,
635
00:25:37,033 --> 00:25:39,567
because the whole time we were
working together, he was on the fucking edge,
636
00:25:39,567 --> 00:25:41,000
and I was trying
to pull him back.
637
00:25:41,000 --> 00:25:42,667
Yeah.
Can I ask you something, Val?
638
00:25:42,667 --> 00:25:44,700
Sure.
Why are you working with him?
639
00:25:44,700 --> 00:25:47,233
Do you have any idea
what he used to say about you?
640
00:25:47,233 --> 00:25:49,467
He said that
you're the devil. ( chuckles )
641
00:25:49,467 --> 00:25:52,333
He said that you're the devil,
and we should find a stake
642
00:25:52,333 --> 00:25:54,667
and pound it
through your heart...
643
00:25:54,667 --> 00:25:56,100
if you have one.
Uh-huh.
644
00:25:56,100 --> 00:25:57,500
And kill you.
645
00:25:57,500 --> 00:25:59,233
Well...
646
00:25:59,233 --> 00:26:00,867
real glad you didn't
take him up on that.
647
00:26:00,867 --> 00:26:02,967
Frank:
Seriously, Tom, everyone wants to go to eat.
648
00:26:02,967 --> 00:26:05,800
I'm having a meeting.
Give me one fucking minute. Jesus.
649
00:26:07,000 --> 00:26:08,266
Sorry.
650
00:26:10,400 --> 00:26:11,667
Yeah.
651
00:26:12,800 --> 00:26:15,400
You need to get
away from him, Val.
652
00:26:15,400 --> 00:26:17,834
Well, look, okay.
He was under pressure, right,
653
00:26:17,834 --> 00:26:19,467
and he was a drug addict.
Mm-hmm.
654
00:26:19,467 --> 00:26:21,266
So he made mistakes,
said some things.
655
00:26:21,266 --> 00:26:23,800
I said some things too,
you know, to Mark
656
00:26:23,800 --> 00:26:25,700
after a glass
of pinot grigio.
657
00:26:25,700 --> 00:26:27,967
Well, listen,
like the old saying goes,
658
00:26:27,967 --> 00:26:30,100
"Let he who has done it,
cast the first stone."
659
00:26:30,100 --> 00:26:32,233
Ugh!
Jesus, why?
660
00:26:33,333 --> 00:26:34,433
I don't get this business.
661
00:26:34,433 --> 00:26:36,867
Why does everybody make
excuses for that guy?
662
00:26:36,867 --> 00:26:38,200
Not making excuses.
663
00:26:38,200 --> 00:26:41,333
I practically had to go
into Al-Anon to deal with his bullshit.
664
00:26:41,333 --> 00:26:43,667
We write that shit sitcom,
"Room and Bored,"
665
00:26:43,667 --> 00:26:46,400
ruins my career,
and in the meantime,
666
00:26:46,400 --> 00:26:48,533
everybody can't wait
to fucking work with him?
667
00:26:49,900 --> 00:26:51,333
Like, I--
( sighs )
668
00:26:51,333 --> 00:26:54,433
I just-- I like--
I have no points on "Nicky Nicky Nack Nack."
669
00:26:54,433 --> 00:26:55,934
Five seasons as an EP.
670
00:26:55,934 --> 00:26:58,166
Five, and none.
Wow. Oh.
671
00:26:58,166 --> 00:27:01,700
This is the biggest fucking show
on Nickelodeon in years.
672
00:27:01,700 --> 00:27:05,333
It's not fair.
I have no points, and he lands a big fat deal at HBO?
673
00:27:05,333 --> 00:27:06,567
It's like, "What the fuck?"
674
00:27:06,567 --> 00:27:08,567
Not that big a deal.
Come on. W-What are you doing?
675
00:27:08,567 --> 00:27:10,967
I swear to god, if you
come in here one more time I'm gonna rip you in half.
676
00:27:10,967 --> 00:27:13,800
Well, I am tired of waiting.
Do you know how hot this fucking suit is?
677
00:27:13,800 --> 00:27:15,133
Fuck you,
you're getting paid!
678
00:27:15,133 --> 00:27:16,467
Fuck you back!
Go. I'm in a meeting.
679
00:27:16,467 --> 00:27:18,734
Fuck you, Tom!
Fuck off!
680
00:27:18,734 --> 00:27:20,834
Go! Go!
I'm in a fucking--
681
00:27:20,834 --> 00:27:22,700
Don't fucking push me.
682
00:27:22,700 --> 00:27:23,767
I will call SAG.
Go!
683
00:27:23,767 --> 00:27:25,300
I don't want to be involved.
That's fine.
684
00:27:25,300 --> 00:27:26,734
Look, he just
knocked down the--
685
00:27:26,734 --> 00:27:28,600
The dude knocked over--
I'll fix it.
686
00:27:28,600 --> 00:27:29,700
I got it, look.
687
00:27:29,700 --> 00:27:31,567
( Tom groans )
Yeah, it's fixed. Don't worry.
688
00:27:31,567 --> 00:27:33,066
I'm sorry.
Listen, don't stress yourself.
689
00:27:33,066 --> 00:27:35,300
Don't worry about it.
Jane, we should go.
690
00:27:35,300 --> 00:27:37,000
I don't know where you are.
( Tom muttering )
691
00:27:37,000 --> 00:27:38,533
Cameras, everyone.
692
00:27:38,533 --> 00:27:40,767
( phone chiming )
693
00:27:40,767 --> 00:27:41,900
It's Mark.
694
00:27:41,900 --> 00:27:43,800
Jane:
What is it?
695
00:27:43,800 --> 00:27:47,667
So, um, Mark
just rented a house in the Palisades.
696
00:27:47,667 --> 00:27:50,734
So that's fun for us.
Right?
697
00:27:50,734 --> 00:27:53,233
Val!
I got the flowers.
698
00:27:53,233 --> 00:27:54,533
Oh, good.
699
00:27:54,533 --> 00:27:56,533
Billy:
And I feel the exact same way. Let's just forget
700
00:27:56,533 --> 00:27:58,333
whatever that was
in the trailer.
701
00:27:58,333 --> 00:28:00,600
Honestly, I had
a Turkish coffee at lunch,
702
00:28:00,600 --> 00:28:01,900
and it made me insane.
703
00:28:01,900 --> 00:28:04,300
Sure.
No, got it. Yeah.
704
00:28:04,300 --> 00:28:05,867
Important thing is
is you're back, right?
705
00:28:05,867 --> 00:28:07,100
I am back.
( phone rings )
706
00:28:07,100 --> 00:28:08,500
Ooh.
This is Billy.
707
00:28:08,500 --> 00:28:09,800
Yeah, you go ahead.
708
00:28:09,800 --> 00:28:11,934
See you on this--
See you, doll.
709
00:28:13,567 --> 00:28:15,200
Dark enough in here
for you, Red?
710
00:28:15,200 --> 00:28:17,767
Otherwise, I'm taking a turn
for the worse.
711
00:28:17,767 --> 00:28:20,367
Uh-huh. Jane?
Yeah, it's kind of dark.
712
00:28:20,367 --> 00:28:22,300
It's not gonna match
what we were doing before.
713
00:28:22,300 --> 00:28:24,533
Jane:
Well, HBO wants it that way.
714
00:28:24,533 --> 00:28:27,633
They do? They want it
to look like we're shooting during a blackout?
715
00:28:27,633 --> 00:28:28,867
( chuckles )
716
00:28:28,867 --> 00:28:30,900
Jane:
They-- They like this look.
717
00:28:32,200 --> 00:28:33,900
They don't want it to look
like we're shooting
718
00:28:33,900 --> 00:28:35,400
behind-the-scenes footage
anymore.
719
00:28:35,400 --> 00:28:37,533
Uh-huh.
Jane: I showed them some of the stuff that we were doing...
720
00:28:37,533 --> 00:28:41,533
Oh.
...and they wanna make it look like a real documentary.
721
00:28:42,500 --> 00:28:43,900
Really?
722
00:28:43,900 --> 00:28:46,567
Jane:
Yeah, they think that they...
723
00:28:46,567 --> 00:28:48,400
Yeah, what is it?
724
00:28:48,400 --> 00:28:51,300
They think that there's
a real interesting angle
725
00:28:51,300 --> 00:28:54,333
about you and the obstacles
that you're facing
726
00:28:54,333 --> 00:28:56,233
with this particular role...
Mm-hmm.
727
00:28:56,233 --> 00:28:59,367
...about, you know,
your career, your family.
728
00:28:59,367 --> 00:29:00,967
Wow, that's great.
729
00:29:00,967 --> 00:29:04,133
Okay, good.
But still, I'm gonna need a couple more lights here.
730
00:29:04,133 --> 00:29:05,700
So...
731
00:29:05,700 --> 00:29:07,734
that would be great.
732
00:29:08,967 --> 00:29:10,867
A couple.
Jane: I like it like this.
733
00:29:12,367 --> 00:29:14,266
Do you?
Yeah.
734
00:29:14,266 --> 00:29:16,867
Okay, well,
that's great that you do.
735
00:29:19,400 --> 00:29:21,367
I'm gonna need
a few more lights if you wanna continue
736
00:29:21,367 --> 00:29:23,400
with our
little documentary, okay?
737
00:29:26,834 --> 00:29:28,533
Follow her.
738
00:29:33,834 --> 00:29:35,400
Mickey:
Good for you, Red.
739
00:29:35,400 --> 00:29:38,367
Yeah, well, you know,
"Fool me once," right, Mickey?
740
00:29:38,367 --> 00:29:40,066
Oh, look.
There's Liz.
741
00:29:40,066 --> 00:29:41,734
Just-- Oh, she's leaving.
742
00:29:41,734 --> 00:29:43,166
Okay.
Liz! ( horn honks )
743
00:29:43,166 --> 00:29:44,800
Liz! Ooh.
744
00:29:44,800 --> 00:29:46,734
Ooh. Okay.
Liz, hi.
745
00:29:46,734 --> 00:29:49,100
Oh.
Hi. ( laughs )
746
00:29:49,100 --> 00:29:50,533
( engine starts )
747
00:29:50,533 --> 00:29:52,066
Hi.
Valerie.
748
00:29:52,066 --> 00:29:53,767
Sorry.
Hello.
749
00:29:54,967 --> 00:29:57,633
Yeah, just wanted to,
you know, say...
750
00:29:57,633 --> 00:29:59,433
just a quick hello,
you know.
751
00:29:59,433 --> 00:30:01,467
Okay, great.
Valerie: Yeah.
752
00:30:01,467 --> 00:30:03,200
Valerie: This is a nice car.
Is it yours?
753
00:30:03,200 --> 00:30:04,767
Um, no.
It's a rental.
754
00:30:04,767 --> 00:30:06,934
Is it?
Oh, okay, that's nice.
755
00:30:06,934 --> 00:30:08,533
Get that, yeah.
756
00:30:08,533 --> 00:30:10,367
Did you--
you remember Mickey, right?
757
00:30:10,367 --> 00:30:11,867
I'm not supposed to run.
758
00:30:11,867 --> 00:30:13,867
Oh, I made him run.
( chuckles )
759
00:30:13,867 --> 00:30:15,000
He doesn't have to.
760
00:30:15,000 --> 00:30:16,867
Is there something
you needed?
761
00:30:16,867 --> 00:30:18,867
Uh, I--
Well, just, you know,
762
00:30:18,867 --> 00:30:21,333
wanted to say it was
so nice to meet you,
763
00:30:21,333 --> 00:30:24,433
and I'm really looking forward
to reading that article.
764
00:30:24,433 --> 00:30:26,834
It was nice to meet you, too.
Valerie: Yeah.
765
00:30:26,834 --> 00:30:28,467
Oh, good. Good.
766
00:30:28,467 --> 00:30:30,300
Okay.
767
00:30:30,300 --> 00:30:32,934
You know what?
I just have-- thanks.
768
00:30:32,934 --> 00:30:34,467
I just have
one quick question.
769
00:30:34,467 --> 00:30:36,300
Um...
770
00:30:36,300 --> 00:30:38,433
When you said
that I was brave...
771
00:30:38,433 --> 00:30:40,400
( stammers )
772
00:30:40,400 --> 00:30:43,500
is that because
you meant the way I looked?
773
00:30:44,400 --> 00:30:45,500
No. No.
774
00:30:46,700 --> 00:30:50,400
I meant you were
so emotionally raw.
775
00:30:50,400 --> 00:30:54,266
People have never seen
that side of you before.
776
00:30:54,266 --> 00:30:57,400
It felt like you were exposing
the inner part of yourself
777
00:30:57,400 --> 00:31:00,867
in a very surprising
and compelling way.
778
00:31:01,900 --> 00:31:04,033
Surely you must have been aware
of what you were doing.
779
00:31:05,166 --> 00:31:06,934
Valerie:
Sure, yeah.
780
00:31:06,934 --> 00:31:10,300
Sure. It's just, you know,
usually "brave"...
781
00:31:10,300 --> 00:31:11,934
you know, that's...
782
00:31:11,934 --> 00:31:14,700
use that when
an actress is, you know...
783
00:31:14,700 --> 00:31:16,567
playing a man,
not wearing makeup,
784
00:31:16,567 --> 00:31:18,100
or gained 50 lbs.
785
00:31:18,100 --> 00:31:19,667
You know,
that's what I thought. Liz: No, no, no.
786
00:31:19,667 --> 00:31:21,033
That's not what I meant.
Okay.
787
00:31:21,033 --> 00:31:23,100
Oh, okay.
Liz: Valerie.
788
00:31:23,100 --> 00:31:25,066
I think people are going
to see you in a whole new light
789
00:31:25,066 --> 00:31:26,567
when this show premiers.
790
00:31:26,567 --> 00:31:27,934
Valerie: You do?
791
00:31:27,934 --> 00:31:29,166
Yes.
792
00:31:29,166 --> 00:31:31,200
( music playing )
Wow.
793
00:31:31,200 --> 00:31:33,467
Um, well...
794
00:31:33,467 --> 00:31:34,667
Liz: I really have to go.
795
00:31:34,667 --> 00:31:35,900
Yeah.
Oh, sure, doll.
796
00:31:35,900 --> 00:31:38,200
Yeah, safe--
Have a safe trip.
797
00:31:38,200 --> 00:31:39,200
Okay.
798
00:31:39,200 --> 00:31:42,166
? ?
799
00:31:42,166 --> 00:31:44,300
Jane? I'll do
whatever you want.
800
00:31:44,300 --> 00:31:45,367
Okay?
801
00:31:45,367 --> 00:31:46,900
? Oh my life ?
802
00:31:46,900 --> 00:31:48,567
Valerie:
Oh, there's Paulie G.
803
00:31:48,567 --> 00:31:50,000
He's not dead.
That's good.
804
00:31:50,000 --> 00:31:51,700
Tyler: Aunt Val,
do you want to open your gift?
805
00:31:51,700 --> 00:31:53,734
Oh, sure.
Thank you.
806
00:31:53,734 --> 00:31:55,934
I should--
It's open.
807
00:31:55,934 --> 00:31:57,333
Is it open?
808
00:31:57,333 --> 00:31:59,233
Tyler: I got bored.
I wanted to see what it was.
809
00:31:59,233 --> 00:32:00,266
Did you?
810
00:32:00,266 --> 00:32:02,767
? And oh my dreams ?
811
00:32:02,767 --> 00:32:05,767
Oh, look at that.
812
00:32:05,767 --> 00:32:07,600
Can you see that?
813
00:32:07,600 --> 00:32:09,500
( gasps )
Oh my gosh.
814
00:32:09,500 --> 00:32:12,266
It's a star.
Seth Rogen gave me a star.
815
00:32:12,266 --> 00:32:14,000
He's saying I'm a star.
816
00:32:14,000 --> 00:32:16,033
( laughs )
Isn't that nice?
817
00:32:16,033 --> 00:32:18,266
That's so pretty.
818
00:32:18,266 --> 00:32:19,700
Love it.
819
00:32:21,367 --> 00:32:23,333
It's a good day.
Okay, let's go.
820
00:32:23,333 --> 00:32:24,767
All right.
821
00:32:25,867 --> 00:32:28,200
Okay, let's do it.
The diva's back!
822
00:32:28,200 --> 00:32:30,166
( Mickey and Valerie laughing )
823
00:32:30,216 --> 00:32:34,766
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