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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:17,033 --> 00:00:19,533 Valerie: Yeah, won't be home for dinner again. 2 00:00:19,533 --> 00:00:21,934 Yeah. Well, Mark, 3 00:00:21,934 --> 00:00:24,166 I wasn't expecting it to go this late, though. 4 00:00:24,166 --> 00:00:27,734 Oh, no. You know, it's not sitcom hours. 5 00:00:27,734 --> 00:00:29,300 It's more unpredictable now. 6 00:00:29,300 --> 00:00:32,266 If these hours keep up, I'm going to need a better chair. 7 00:00:32,266 --> 00:00:34,200 Ooh. I've got one with the lumbar support thing 8 00:00:34,200 --> 00:00:35,767 and the cup holder. 9 00:00:35,767 --> 00:00:37,667 $400, but worth it. 10 00:00:37,667 --> 00:00:40,667 Mark, I'd better hang up, so I can actually get home. 11 00:00:40,667 --> 00:00:41,700 ( phone beeps ) Oh. Hi, Ron. 12 00:00:41,700 --> 00:00:44,133 Didn't hear your chair. So quiet. ( laughs ) 13 00:00:44,133 --> 00:00:46,867 Well, today was a great day. 14 00:00:46,867 --> 00:00:50,133 Oh, yeah, I thought so. So glad you did too. 15 00:00:50,133 --> 00:00:53,266 So I wanted to discuss some changes coming up in the script, 16 00:00:53,266 --> 00:00:56,567 which will be affecting scheduling and-- and other things. 17 00:00:56,567 --> 00:00:58,166 Sure, yeah. Sure. 18 00:00:58,166 --> 00:01:00,600 Unfortunately, the Mallory-at-home scenes-- 19 00:01:00,600 --> 00:01:01,834 we're losing them. 20 00:01:01,834 --> 00:01:04,934 Why? Did, um... Did Paulie G. say why? 21 00:01:04,934 --> 00:01:07,400 Not a creative decision. It's the budget. 22 00:01:07,400 --> 00:01:08,900 They cut $100,000. 23 00:01:08,900 --> 00:01:11,834 Okay. Just... 24 00:01:11,834 --> 00:01:15,400 You know, because... ( stammers ) 25 00:01:15,400 --> 00:01:18,467 It's just that, you know, the whole... ( clears throat ) 26 00:01:18,467 --> 00:01:21,467 There's a whole other side of my character, you know, 27 00:01:21,467 --> 00:01:23,066 that's lost, right, 28 00:01:23,066 --> 00:01:25,400 and just won't get fleshed out. 29 00:01:25,400 --> 00:01:27,834 I'm cutting the fat, and her house location, 30 00:01:27,834 --> 00:01:31,066 with only six episodes, is impossible to amortize. 31 00:01:31,066 --> 00:01:33,533 Six? I was hoping to get 26. 32 00:01:33,533 --> 00:01:35,934 26? This isn't "The Rockford Files." 33 00:01:35,934 --> 00:01:38,400 No, it isn't. 34 00:01:38,400 --> 00:01:41,133 I don't make this budget. I just have to live with it. 35 00:01:41,133 --> 00:01:45,734 Okay. Wow, okay. That's a big loss... Hmm. 36 00:01:45,734 --> 00:01:48,533 ...for-- just, you know, worried about the show, 37 00:01:48,533 --> 00:01:52,633 'cause I just want Paulie's vision to get realized. 38 00:01:52,633 --> 00:01:55,333 You know? Characters won't get fleshed out 39 00:01:55,333 --> 00:01:58,367 like he wanted, so-- Oh, he must be so mad. 40 00:01:58,367 --> 00:02:00,400 Aw. Yeah, that's too bad. 41 00:02:00,400 --> 00:02:03,000 Wonder if they thought of absolutely everything, 42 00:02:03,000 --> 00:02:07,266 'cause money guys don't think creatively. Let me just... 43 00:02:07,266 --> 00:02:09,700 I'm going to-- wait a second. Hey, Ron? 44 00:02:09,700 --> 00:02:13,633 Ron? Ron! Just a quick-- I want to... 45 00:02:13,633 --> 00:02:18,133 Hey. Have you thought of absolutely everything? 46 00:02:18,133 --> 00:02:19,433 Val! 47 00:02:19,433 --> 00:02:21,066 Had to, Mark. Had to. 48 00:02:21,066 --> 00:02:23,000 If I hadn't offered up our house, 49 00:02:23,000 --> 00:02:25,100 all the Mallory home stuff would go. 50 00:02:25,100 --> 00:02:28,600 So what? So what? So what? 51 00:02:28,600 --> 00:02:30,834 Then all the audience would see of me 52 00:02:30,834 --> 00:02:34,467 is that I'm this screaming sitcom star driving him to drugs. 53 00:02:34,467 --> 00:02:35,934 You know? 54 00:02:35,934 --> 00:02:38,533 The-- the home stuff gives me an inner life, 55 00:02:38,533 --> 00:02:40,000 makes me more sympathetic. 56 00:02:40,000 --> 00:02:42,233 Well, I thought the character wasn't you. 57 00:02:42,233 --> 00:02:44,000 It's not. It's Mallory. 58 00:02:44,000 --> 00:02:46,633 It's not, but got to keep her likeable. You know? 59 00:02:46,633 --> 00:02:48,200 And the home stuff did that. 60 00:02:48,200 --> 00:02:51,200 The drinking alone, the crying in the tub, you know? 61 00:02:51,200 --> 00:02:55,767 Finding a stray cat and it scratches her-- need it. 62 00:02:55,767 --> 00:02:59,166 Need it. Mitch would have no place to stalk me. 63 00:02:59,166 --> 00:03:00,400 That's half my arc. 64 00:03:00,400 --> 00:03:02,633 So, what, the whole crew is going to move in here? 65 00:03:02,633 --> 00:03:04,734 Not move in. Not move in. 66 00:03:04,734 --> 00:03:06,667 Just visit, you know, for a day or two. 67 00:03:06,667 --> 00:03:09,233 A day or two? 68 00:03:09,233 --> 00:03:10,800 Per episode. 69 00:03:10,800 --> 00:03:12,200 See, I... There's only six. 70 00:03:12,200 --> 00:03:14,567 There's only six. That's nothing, Mark. Six. 71 00:03:14,567 --> 00:03:19,266 You know. And, um, Seth Rogen will be shooting here. 72 00:03:19,266 --> 00:03:21,567 He's going to be here? Mm-hmm. 73 00:03:21,567 --> 00:03:23,166 Seth Rogen is going to be in our house? 74 00:03:23,166 --> 00:03:25,500 Mm-hmm. 75 00:03:25,500 --> 00:03:26,800 That's cool. 76 00:03:26,800 --> 00:03:28,200 Mmm. See? 77 00:03:28,200 --> 00:03:30,500 Why don't I ever start with that? 78 00:03:30,500 --> 00:03:33,834 Six episodes. Won't even be in your way. 79 00:03:33,834 --> 00:03:35,734 Oh, yeah, well, you know... ( laughs ) 80 00:03:35,734 --> 00:03:36,967 Excuse me. 81 00:03:36,967 --> 00:03:39,600 I'm in his way. ( laughs ) 82 00:03:39,600 --> 00:03:42,567 Well, it's a big shooting day at the Cherish-Berman house. 83 00:03:42,567 --> 00:03:44,133 Mark: Valerie? Yeah? Right here. 84 00:03:44,133 --> 00:03:46,300 I can't get to the Nespresso pods. 85 00:03:46,300 --> 00:03:49,300 I need my coffee, Val. I know. Well, you know what? 86 00:03:49,300 --> 00:03:51,200 You can pull the tape off, Mark. That's all right. 87 00:03:51,200 --> 00:03:54,266 It's not a crime scene. You can touch it. ( laughs ) Excuse me. 88 00:03:54,266 --> 00:03:56,333 He gets so grumpy when he doesn't have his coffee in the morning. 89 00:03:56,333 --> 00:03:57,834 There's-- Oh. Oh. 90 00:03:57,834 --> 00:04:00,200 Look at this. Okay. I'll do it. Look. Okay? 91 00:04:00,200 --> 00:04:02,867 Look at that. Ooh. ( gasps ) Did that just-- 92 00:04:02,867 --> 00:04:06,734 Is the paint peeling off? Is that what's going on? 93 00:04:06,734 --> 00:04:10,400 Don't worry. Production will have to pay for it. You know? 94 00:04:10,400 --> 00:04:12,667 Just... okay. Here, can't worry about it. 95 00:04:12,667 --> 00:04:14,633 Jesus. Can't worry about it. You know? 96 00:04:14,633 --> 00:04:17,000 Got a big day today. I'm going to the Groundlings. 97 00:04:17,000 --> 00:04:19,633 That new coffee place on San Vicente? 98 00:04:19,633 --> 00:04:21,900 No. An adorable civilian. 99 00:04:21,900 --> 00:04:23,934 ( laughs ) A coffee place. 100 00:04:23,934 --> 00:04:27,200 No, it's a very famous improv company, Mark. All right? 101 00:04:27,200 --> 00:04:28,734 And I'm taking a class, 102 00:04:28,734 --> 00:04:30,867 so I can learn me some improv-ing. 103 00:04:30,867 --> 00:04:34,367 Want to go toe-to-toe with Seth. Seth Rogen. 104 00:04:34,367 --> 00:04:35,900 Where's, uh, the machine? 105 00:04:35,900 --> 00:04:39,066 Well... there it is. Look. 106 00:04:39,066 --> 00:04:41,100 It's right up there. It's way up there. 107 00:04:41,100 --> 00:04:43,567 ( Mark sighs ) So. Here comes Esperanza, okay? 108 00:04:43,567 --> 00:04:45,333 So, she'll help you. ( sighs ) 109 00:04:45,333 --> 00:04:47,133 'Morning, dear. Hi, doll. 110 00:04:47,133 --> 00:04:49,000 Can you help Mr. Mark, please, 111 00:04:49,000 --> 00:04:51,266 get all the stuff that he needs and put it all 112 00:04:51,266 --> 00:04:53,700 in the, uh, laundry room or garage? 113 00:04:53,700 --> 00:04:55,066 Val? Okay? So, it's convenient. 114 00:04:55,066 --> 00:04:56,367 Yeah. Got to go. 115 00:04:56,367 --> 00:04:58,767 I've got to go. Late. 116 00:04:58,767 --> 00:05:00,300 Esperanza: Miss Val? Yeah? 117 00:05:00,300 --> 00:05:01,800 Lo tiene por fuera. 118 00:05:01,800 --> 00:05:03,900 Okay. I see. Thank you for that. 119 00:05:03,900 --> 00:05:06,934 You don't have to... see that. 120 00:05:08,233 --> 00:05:10,300 Oh, look at that. Mirror, mirror, in my hall. 121 00:05:10,300 --> 00:05:12,333 ( laughs ) What's this for, huh? 122 00:05:12,333 --> 00:05:14,033 Uh, Mallory's bedroom. 123 00:05:14,033 --> 00:05:16,767 Oh. No, no, that's not my taste, at all. I... 124 00:05:16,767 --> 00:05:18,834 But you're Valerie. 125 00:05:18,834 --> 00:05:22,567 That's right! Yeah, no, it's not me. My character. 126 00:05:22,567 --> 00:05:23,967 ( laughs ) 127 00:05:23,967 --> 00:05:25,667 Thank you. Go, go, go. 128 00:05:25,667 --> 00:05:28,166 Oh, there's another way that Mallory and I are different. 129 00:05:28,166 --> 00:05:31,533 Mallory likes to watch herself during sex. 130 00:05:31,533 --> 00:05:34,667 Woman: Great! Climb those ladders, guys. 131 00:05:34,667 --> 00:05:36,700 Great. Good! 132 00:05:36,700 --> 00:05:40,233 Great climbing the ladder! Good. 133 00:05:40,233 --> 00:05:44,533 Ignore the camera, guys. Ignore the cameras! 134 00:05:44,533 --> 00:05:46,967 They're my-- not me, though. Right? 135 00:05:46,967 --> 00:05:49,033 Teacher: Good! Great! 136 00:05:49,033 --> 00:05:52,166 Climb the ladder! 137 00:05:52,166 --> 00:05:54,600 Don't think, guys. Don't think. 138 00:05:54,600 --> 00:05:57,734 Let your body go with the flow 139 00:05:57,734 --> 00:06:01,166 of my suggestions! That's good. 140 00:06:01,166 --> 00:06:03,633 Okay, now, we're sewing, everybody. 141 00:06:03,633 --> 00:06:07,200 Sewing. Good. Just all of a sudden? Okay. 142 00:06:07,200 --> 00:06:10,533 Sew. Everybody, sew. Great. 143 00:06:10,533 --> 00:06:15,233 And now the sewing turns into a lasso, 144 00:06:15,233 --> 00:06:18,200 so swing that rope. Right. 145 00:06:18,200 --> 00:06:19,834 Swing that rope. Great. 146 00:06:19,834 --> 00:06:22,934 Come on. Good! Good! Get into it! 147 00:06:22,934 --> 00:06:25,100 ( all cheering ) Yeah! 148 00:06:25,100 --> 00:06:26,667 Yee-haw! Teacher: Looking good! 149 00:06:26,667 --> 00:06:29,166 And now you're chopping meat. 150 00:06:30,033 --> 00:06:31,867 Chopping meat. 151 00:06:35,233 --> 00:06:37,934 Hope it's not the cow I just lassoed. It was a baby. 152 00:06:37,934 --> 00:06:39,700 ( laughs ) 153 00:06:39,700 --> 00:06:40,867 ( laughs ) Okay. 154 00:06:40,867 --> 00:06:42,600 Teacher: Great, everybody! 155 00:06:42,600 --> 00:06:44,300 Okay. Thank you. 156 00:06:44,300 --> 00:06:48,367 Teacher: Excellent. Excellent work. Okay. 157 00:06:48,367 --> 00:06:49,533 I-- That's great. 158 00:06:49,533 --> 00:06:51,033 I think we're all warmed up... Yeah. 159 00:06:51,033 --> 00:06:52,734 ...so I'd like to start with a round of scenes. 160 00:06:52,734 --> 00:06:53,967 Mm-hmm. Okay? 161 00:06:53,967 --> 00:06:56,066 So who would like to go first? I will. 162 00:06:56,066 --> 00:06:57,834 Okay, great! Yeah, Valerie Cherish. 163 00:06:57,834 --> 00:06:59,734 Right, you said that. Right. 164 00:06:59,734 --> 00:07:02,233 Okay, good. I just don't want-- I just, you know, 165 00:07:02,233 --> 00:07:04,300 don't want the others to feel intimidated, you know? 166 00:07:04,300 --> 00:07:06,166 Just 'cause I'm an actress and, you know, 167 00:07:06,166 --> 00:07:08,767 I'm a professional. Even though, not at this, I'm not. 168 00:07:08,767 --> 00:07:11,500 But want to make them feel comfortable, you know. 169 00:07:11,500 --> 00:07:13,600 So don't worry. I'm at your level. 170 00:07:13,600 --> 00:07:14,967 Okay, great. Yeah. 171 00:07:14,967 --> 00:07:16,834 Uh, what's your name? Schaemus. 172 00:07:16,834 --> 00:07:18,367 Schaemus. That's funny already. 173 00:07:18,367 --> 00:07:20,600 Isn't it? Teacher: It is. ( laughs ) 174 00:07:20,600 --> 00:07:24,133 Okay. So let's start with you two, and everyone else down! 175 00:07:24,133 --> 00:07:26,000 Okay. Sure. 176 00:07:26,000 --> 00:07:28,200 ( all cheer ) Thank you. 177 00:07:28,200 --> 00:07:30,900 Okay, great. So I'm going to give you two occupations... 178 00:07:30,900 --> 00:07:32,467 Uh-huh. ...and then I want you guys 179 00:07:32,467 --> 00:07:35,200 just to jump in and go for it. 180 00:07:35,200 --> 00:07:36,600 Schaemus: Right. Okay, great. 181 00:07:36,600 --> 00:07:39,233 So, Schaemus, let's give you candy maker. 182 00:07:39,233 --> 00:07:40,433 Okay. Oh, that's good. 183 00:07:40,433 --> 00:07:41,767 And Valerie? Uh-huh? 184 00:07:41,767 --> 00:07:43,467 A miner. Uh-huh. 185 00:07:43,467 --> 00:07:46,033 Okay. Yeah. Just one question. 186 00:07:46,033 --> 00:07:50,567 Is it minor like under 21, or miner like coal-miner miner? 187 00:07:50,567 --> 00:07:52,100 Teacher: You show me. 188 00:07:52,100 --> 00:07:53,500 I will show you. Teacher: Okay! 189 00:07:53,500 --> 00:07:54,834 Okay. 190 00:07:54,834 --> 00:07:56,834 Okay, let's give them some love and applause! 191 00:07:56,834 --> 00:07:58,800 Okay. ( all cheer ) 192 00:07:58,800 --> 00:08:00,900 Thank you. 193 00:08:03,667 --> 00:08:05,667 I chose coal miner. 194 00:08:05,667 --> 00:08:07,066 Teacher: Valerie. Yeah. 195 00:08:07,066 --> 00:08:08,533 Stay in the scene. Yes. 196 00:08:08,533 --> 00:08:10,433 Don't-- don't tell me what you're going to do. 197 00:08:10,433 --> 00:08:11,867 Show me what you're gonna do. Show it. 198 00:08:11,867 --> 00:08:13,734 Yeah! Okay. 199 00:08:15,600 --> 00:08:17,333 ( whispering ) Do you want to go first? 200 00:08:17,333 --> 00:08:19,233 Teacher: Don't whisper. Just stay in the scene. 201 00:08:19,233 --> 00:08:20,834 Right. Yeah. I am. 202 00:08:20,834 --> 00:08:23,567 I hope the miners enjoy this taffy I've prepared. 203 00:08:23,567 --> 00:08:26,400 Well, I don't know what kind of candy you're making, 204 00:08:26,400 --> 00:08:28,734 but I'm a coal miner. ( Mickey laughs ) 205 00:08:28,734 --> 00:08:30,066 ( laughs ) 206 00:08:30,066 --> 00:08:34,567 It's taffy. For a fireplace. 207 00:08:34,567 --> 00:08:35,934 Now what? 208 00:08:35,934 --> 00:08:38,500 Valerie, don't tell me what you're doing. Show me! 209 00:08:38,500 --> 00:08:41,200 No, I know, but we both spoke at the same time. So now what? 210 00:08:41,200 --> 00:08:42,867 You forgot the doves! 211 00:08:42,867 --> 00:08:45,100 There's nothing to pull out of this hat. ( all laugh ) 212 00:08:45,100 --> 00:08:48,300 Woman: Bad news. I also forgot my pants. 213 00:08:48,300 --> 00:08:50,500 ( all laugh ) Okay, great! Great, guys! 214 00:08:50,500 --> 00:08:52,400 ( all cheer ) 215 00:08:52,400 --> 00:08:56,700 Very good! Okay, let's take 15 and meet back here. 216 00:08:56,700 --> 00:08:58,700 15? Yeah. ( all chattering ) 217 00:08:58,700 --> 00:09:02,567 All right, that was fun. That was so fun. 218 00:09:02,567 --> 00:09:05,567 See where Mickey is, where Mickey got to. 219 00:09:08,367 --> 00:09:09,533 Oh, there he is. 220 00:09:09,533 --> 00:09:11,200 Mickey, I don't know when you left. 221 00:09:11,200 --> 00:09:14,500 Did you see the improv where I was the home-- the homeless improv? 222 00:09:14,500 --> 00:09:17,400 I played a hobo with a funny voice, carrying a big stick. 223 00:09:17,400 --> 00:09:19,300 ( laughs ) Right, right. 224 00:09:19,300 --> 00:09:21,700 He's on the phone. Thank you very much. 225 00:09:21,700 --> 00:09:23,233 Sorry I missed that one, Red. 226 00:09:23,233 --> 00:09:25,367 Oh, that's all right. Such a shame, though, 227 00:09:25,367 --> 00:09:27,333 'cause I think you would have gotten a big kick out of it. 228 00:09:27,333 --> 00:09:29,934 You know? And then, Jane, you would have had someone to cut to 229 00:09:29,934 --> 00:09:31,834 just to show that I'm, you know, 230 00:09:31,834 --> 00:09:34,300 really good at improvs. Oh, well. 231 00:09:34,300 --> 00:09:37,166 Didn't want to miss a thing, but I really had to take this call 232 00:09:37,166 --> 00:09:39,867 from "The Island Of Doctor Moreau" clinic... Oh. 233 00:09:39,867 --> 00:09:41,300 ...with my test results. 234 00:09:41,300 --> 00:09:44,367 Oh, okay. Test? Did the rabbit die? ( laughs ) 235 00:09:44,367 --> 00:09:48,967 Well, they think they might have possibly found some form of cancer. 236 00:09:48,967 --> 00:09:51,300 Oh. Aunt Val, can I do one? 237 00:09:51,300 --> 00:09:53,300 What? Do what? Improv. 238 00:09:53,300 --> 00:09:55,667 Oh. Yeah. 239 00:09:56,700 --> 00:09:58,567 Oh, that's what I did. Yeah. 240 00:09:58,567 --> 00:10:00,333 This is the pick-axe. Right. 241 00:10:00,333 --> 00:10:02,467 No, I'm having a conversation with Mickey right now, so... 242 00:10:02,467 --> 00:10:04,767 Where did you get those chips? Over there. 243 00:10:04,767 --> 00:10:06,900 Oh, why don't you bring some for Mickey? 244 00:10:06,900 --> 00:10:08,734 Yeah. Thank you. And a water. 245 00:10:08,734 --> 00:10:12,467 Yeah. So, is everything-- is everything okay? 246 00:10:12,467 --> 00:10:15,133 I'm fine! You know me, Red. 247 00:10:15,133 --> 00:10:17,200 I've had so many skin cancers removed, 248 00:10:17,200 --> 00:10:19,433 I count it as major weight-loss. 249 00:10:19,433 --> 00:10:20,800 Okay. ( laughs ) That's good. 250 00:10:20,800 --> 00:10:23,367 Okay. Good. Yeah. Don't give it a second thought. 251 00:10:23,367 --> 00:10:26,433 Okay. I won't. I'm strong, like bull. 252 00:10:26,433 --> 00:10:28,300 ( laughs ) Now that's a good accent. 253 00:10:28,300 --> 00:10:29,934 You know, maybe you should be a Groundling, 254 00:10:29,934 --> 00:10:32,066 or you should be up on that stage instead of me. 255 00:10:32,066 --> 00:10:34,233 ( laughs ) Oh. Not as fast as you. Right? 256 00:10:34,233 --> 00:10:35,967 Well... ( laughs ) Oh, food. 257 00:10:35,967 --> 00:10:38,400 Yeah. Why don't you eat? Thank you. 258 00:10:38,400 --> 00:10:40,033 That's good. My blood sugar. 259 00:10:40,033 --> 00:10:43,567 ( laughs ) Thank you. Thank you. 260 00:10:43,567 --> 00:10:46,166 Okay, yell out an occupation for Valerie. 261 00:10:46,166 --> 00:10:48,934 Bartender! Teacher: I heard bartender! Great. 262 00:10:48,934 --> 00:10:50,834 Bartender. Okay, and one for Rick? 263 00:10:50,834 --> 00:10:53,500 Woman: House-husband! House-husband. 264 00:10:53,500 --> 00:10:56,367 Okay, so a bartender and a house-husband. 265 00:10:56,367 --> 00:10:59,367 Let's give them some applause! ( all cheer ) 266 00:11:00,767 --> 00:11:03,300 Boy, do I need a drink. 267 00:11:03,300 --> 00:11:05,533 I don't work anymore, so sometimes 268 00:11:05,533 --> 00:11:07,633 an afternoon drink just hits the spot. 269 00:11:07,633 --> 00:11:10,834 Mm-hmm. Well, only two reasons to be out of work-- 270 00:11:10,834 --> 00:11:13,667 bad economy or cancer. Do you have cancer? 271 00:11:13,667 --> 00:11:16,567 Okay, guys, let's hold it there for a second. Okay? 272 00:11:16,567 --> 00:11:18,133 Yeah. There are some topics 273 00:11:18,133 --> 00:11:20,734 that we find that just don't play funny. 274 00:11:20,734 --> 00:11:24,600 Right? Nothing's off limits, but things like cancer-- 275 00:11:24,600 --> 00:11:27,233 they are just really hard and tricky to make funny. 276 00:11:27,233 --> 00:11:28,567 Right. Because they're not funny. 277 00:11:28,567 --> 00:11:30,066 Teacher: Not funny, exactly. Okay. 278 00:11:30,066 --> 00:11:32,033 Teacher: All right. Let's try two new professions. 279 00:11:32,033 --> 00:11:34,567 Valerie: Good. All right. Good. So, um, Valerie? 280 00:11:34,567 --> 00:11:35,800 Mm-hmm. New mom. 281 00:11:35,800 --> 00:11:37,967 And Rick, for you, baker. Oh. Baker's good. 282 00:11:37,967 --> 00:11:39,967 Let's give them applause! Okay. 283 00:11:39,967 --> 00:11:42,133 ( all cheer, laugh ) 284 00:11:46,834 --> 00:11:49,100 I'm baking this cake for me today, 285 00:11:49,100 --> 00:11:50,967 for a change. It's my birthday. 286 00:11:50,967 --> 00:11:53,400 ( scattered laughter ) Well, what sign are you? 287 00:11:53,400 --> 00:11:56,633 Cancer? My bad. My bad. Okay. 288 00:11:56,633 --> 00:11:58,433 Um, let's pick a different sign. 289 00:11:58,433 --> 00:12:00,533 What's the one with the crab? Um, cancer. 290 00:12:00,533 --> 00:12:02,633 Okay. Did it again. Teacher: Just stay with it. 291 00:12:02,633 --> 00:12:04,300 Valerie: Just keep saying it. Okay. Um... 292 00:12:04,300 --> 00:12:08,166 Um... I asked a question too. That's the big problem. 293 00:12:08,166 --> 00:12:10,533 And I just dropped my baby. ( laughs ) 294 00:12:10,533 --> 00:12:11,900 Okay. Stay in the scene. 295 00:12:11,900 --> 00:12:14,900 Mark: Look, there he is. Seth Rogen's in our house. 296 00:12:16,400 --> 00:12:18,500 ( woman on walkie-talkie ) Ready, ready. Okay, we're ready. 297 00:12:18,500 --> 00:12:20,000 Now, what are they doing? 298 00:12:20,000 --> 00:12:21,834 Just some last-minute tweaks to the shot-- 299 00:12:21,834 --> 00:12:24,834 you know, lighting, sound-- just make sure it's just right. 300 00:12:24,834 --> 00:12:26,233 Shayna? 301 00:12:27,700 --> 00:12:29,867 ( whispers ) 302 00:12:29,867 --> 00:12:32,667 All right, there are too many people in this hallway near the monitors. 303 00:12:32,667 --> 00:12:35,500 If you don't need to be here, leave. Yeah, let's go. 304 00:12:35,500 --> 00:12:37,834 That's my cue to go to craft service. 305 00:12:37,834 --> 00:12:39,700 Yeah. Okay. 306 00:12:39,700 --> 00:12:41,300 Let's go. Did she mean us? 307 00:12:41,300 --> 00:12:42,934 Yes. ( laughs ) She does. 308 00:12:42,934 --> 00:12:44,367 That's rude. Our house. 309 00:12:44,367 --> 00:12:46,200 Welcome to my world, huh? 310 00:12:46,200 --> 00:12:48,300 And this thing. Is this really necessary? 311 00:12:48,300 --> 00:12:49,900 I mean, it's one step. 312 00:12:49,900 --> 00:12:52,233 I know they've got to carry a bunch of heavy stuff, 313 00:12:52,233 --> 00:12:54,467 but do they really need this ramp? 314 00:12:54,467 --> 00:12:56,266 Well... Hi, Ron. 315 00:12:56,266 --> 00:13:00,066 Ah. So glad you made it to location. 316 00:13:00,066 --> 00:13:01,967 Didn't know you'd be here. Excuse me. 317 00:13:01,967 --> 00:13:04,300 Didn't... Why? 318 00:13:04,300 --> 00:13:06,867 Well, just-- I didn't know line producers came to location. 319 00:13:06,867 --> 00:13:08,800 I didn't know that. I didn't know that. 320 00:13:08,800 --> 00:13:10,200 This is my husband Mark, right here. 321 00:13:10,200 --> 00:13:11,567 Coming through. This is Ron. 322 00:13:11,567 --> 00:13:13,266 Producer. Hi, Mark. 323 00:13:13,266 --> 00:13:14,600 Nice to meet you. Oh... 324 00:13:14,600 --> 00:13:16,033 Thanks for letting us use your house. 325 00:13:16,033 --> 00:13:18,266 ( laughs ) You saved the show. 326 00:13:18,266 --> 00:13:20,000 Valerie: Well... It's nice to meet you too. 327 00:13:20,000 --> 00:13:22,166 Man: Hey, Ron, can I see you? Valerie: Yeah, okay. 328 00:13:24,467 --> 00:13:25,967 Coming through. 329 00:13:25,967 --> 00:13:28,900 Let's get you something to eat, my man who saved the show. 330 00:13:28,900 --> 00:13:31,567 So, uh, what happened to that producer guy? 331 00:13:31,567 --> 00:13:35,633 Um, well, the, um... 332 00:13:35,633 --> 00:13:37,000 scuttlebutt is that, 333 00:13:37,000 --> 00:13:40,100 uh, he was a stuntman and got hit by a big movie truck, 334 00:13:40,100 --> 00:13:41,934 so they made him a producer. Sorry. 335 00:13:41,934 --> 00:13:44,967 Well, that's smart, you know? Avoid the lawsuit? 336 00:13:44,967 --> 00:13:48,800 Jane, don't-- probably don't want to put that out there. 337 00:13:48,800 --> 00:13:51,967 What he said. You know? 338 00:13:51,967 --> 00:13:54,800 Okay. Can I meet Seth Rogen now? 339 00:13:54,800 --> 00:13:56,333 You just keep telling me to wait. 340 00:13:56,333 --> 00:13:58,367 Yeah, well, but-- because, you know, 341 00:13:58,367 --> 00:14:00,400 they're just shooting his part of the scene first. 342 00:14:00,400 --> 00:14:03,567 So, they-- oh, sorry. Look out. 343 00:14:03,567 --> 00:14:05,734 He probably doesn't want to get distracted. 344 00:14:05,734 --> 00:14:08,000 Well, I don't think saying hi is going to ruin his performance. 345 00:14:08,000 --> 00:14:09,734 Well, actors can be tricky. 346 00:14:09,734 --> 00:14:11,967 You know? So... 347 00:14:11,967 --> 00:14:14,467 Well, you know what? They're just-- 348 00:14:14,467 --> 00:14:16,300 they're setting the shot. I think maybe we have time. 349 00:14:16,300 --> 00:14:17,567 Let's go. Okay. 350 00:14:17,567 --> 00:14:18,967 But we have to hurry, okay? All right. 351 00:14:18,967 --> 00:14:20,133 So, let's just-- Woman: Okay, people! 352 00:14:20,133 --> 00:14:22,233 Ready, ready! One minute until picture! 353 00:14:22,233 --> 00:14:24,133 No. Can't do it. Sorry. What? 354 00:14:24,133 --> 00:14:26,667 No. Just... Will: I need another five! 355 00:14:26,667 --> 00:14:28,734 That's-- oh, we can go. That's okay. Five. 356 00:14:28,734 --> 00:14:30,700 Woman: We've got to go now! Ooh. I-- 357 00:14:30,700 --> 00:14:32,834 I don't know what's happening. You're making me nervous. 358 00:14:32,834 --> 00:14:35,333 I need five! Okay! Five minutes! 359 00:14:35,333 --> 00:14:36,367 Good. Let's go. 360 00:14:36,367 --> 00:14:38,000 Hurry. 361 00:14:38,000 --> 00:14:40,400 ( knocking ) 362 00:14:40,400 --> 00:14:42,033 Oh, hi. 363 00:14:42,033 --> 00:14:43,767 ( Valerie laughs ) Hi, Seth. 364 00:14:43,767 --> 00:14:45,100 Hi. How's it going? Good. 365 00:14:45,100 --> 00:14:46,200 Mark: Hey. 366 00:14:46,200 --> 00:14:47,533 Just wanted you to meet my husband, Mark. 367 00:14:47,533 --> 00:14:49,200 Hi, Mark. I'm Seth. Nice meeting you. 368 00:14:49,200 --> 00:14:51,533 I'd get out. The A.D. will yell at me if I do, though, 369 00:14:51,533 --> 00:14:54,834 while I'm lighting, but, uh, nice meeting you. Yeah. 370 00:14:54,834 --> 00:14:56,166 You're married to a wonderful lady. 371 00:14:56,166 --> 00:14:58,467 Oh, yeah. Thank you, thank you. 372 00:14:58,467 --> 00:15:00,266 I love your car. 373 00:15:00,266 --> 00:15:01,900 Oh. Well, thank you. 374 00:15:01,900 --> 00:15:04,066 And, uh, I'll make sure to tell the prop guy 375 00:15:04,066 --> 00:15:06,467 who bought it that you said that, 'cause it's not my car. 376 00:15:06,467 --> 00:15:09,967 Oh, it's not your car. No. Not my car. Not my heroin. 377 00:15:09,967 --> 00:15:13,900 Not my arm. Not my gun. Hey! Hey! 378 00:15:13,900 --> 00:15:15,400 No, none of it's mine. 379 00:15:15,400 --> 00:15:18,166 I'm actually being operated by a prop guy through a hole in the car. 380 00:15:18,166 --> 00:15:20,100 He has his hand up my ass right now. 381 00:15:20,100 --> 00:15:21,400 ( both laugh ) 382 00:15:21,400 --> 00:15:23,066 Yeah. See, in this scene, um... 383 00:15:23,066 --> 00:15:26,300 Mitch, that's the fictitional Paulie G. character... 384 00:15:26,300 --> 00:15:28,400 Yeah. ...you know, has come to the house to shoot me. 385 00:15:28,400 --> 00:15:29,700 Right? 386 00:15:29,700 --> 00:15:31,834 Just like every writer wants to do to their actor, right? 387 00:15:31,834 --> 00:15:33,700 That's why you've got to write your own stuff. 388 00:15:33,700 --> 00:15:35,934 Well, okay. ( laughs ) 389 00:15:35,934 --> 00:15:38,000 Anyway, so he sits out here in his car, 390 00:15:38,000 --> 00:15:40,300 and then I'm up in the bedroom window up there 391 00:15:40,300 --> 00:15:42,467 calling the network to complain about the script, 392 00:15:42,467 --> 00:15:44,767 which you know I never did. Never did it. You know? 393 00:15:44,767 --> 00:15:47,700 Spoiler alert. Doesn't kill me! 394 00:15:47,700 --> 00:15:49,600 ( laughs ) Cool. 395 00:15:49,600 --> 00:15:50,900 Yeah. Really cool. 396 00:15:50,900 --> 00:15:52,400 Yeah. 397 00:15:52,400 --> 00:15:54,433 Woman: Picture up! And, Valerie, you've been invited 398 00:15:54,433 --> 00:15:56,033 to hair and makeup! 399 00:15:56,033 --> 00:15:57,900 Okay! Jesus. 400 00:15:57,900 --> 00:15:59,667 Someone should tell Sheena Of The Jungle 401 00:15:59,667 --> 00:16:02,133 they invented this new thing called a walkie-talkie. 402 00:16:02,133 --> 00:16:04,066 That's right. Yelling. Because she's yelling. 403 00:16:04,066 --> 00:16:06,066 Okay. So, we'll leave you to it. 404 00:16:06,066 --> 00:16:07,600 Okay? 405 00:16:07,600 --> 00:16:09,867 Well, you know, I think I'm just going to hang for a minute. 406 00:16:09,867 --> 00:16:12,967 Well, he may want to prepare. Ooh, he can hang. 407 00:16:12,967 --> 00:16:15,300 Yeah. Just getting in the, you know, 408 00:16:15,300 --> 00:16:18,300 drug-fueled-killing-spree mind state. ( both laughing ) 409 00:16:18,300 --> 00:16:21,066 Pretty much there already. Valerie: Oh, no. 410 00:16:21,066 --> 00:16:22,500 ( laughs ) Okay. 411 00:16:22,500 --> 00:16:25,166 I'll be in that stink hole of a trailer! 412 00:16:25,166 --> 00:16:28,133 Try the potstickers! They're delish. 413 00:16:28,133 --> 00:16:31,400 Okay, doll, I will. ( laughs ) 414 00:16:31,400 --> 00:16:35,066 Tyler? Doll? Listen. Do something for me, okay? 415 00:16:35,066 --> 00:16:37,200 Um, just keep an eye on Mickey, okay? 416 00:16:37,200 --> 00:16:39,266 And if he wants any food or water, 417 00:16:39,266 --> 00:16:41,000 you get it for him. Okay? 418 00:16:41,000 --> 00:16:42,100 Like a servant? 419 00:16:42,100 --> 00:16:45,033 Yeah. Also known as a set P.A. 420 00:16:45,033 --> 00:16:46,667 That's your job on the show. 421 00:16:46,667 --> 00:16:48,767 Yeah, I don't want to do that anymore. I want to do that. 422 00:16:48,767 --> 00:16:51,867 You want to be the star of the show? 423 00:16:51,867 --> 00:16:55,100 Yeah. I think I'd be good at it. 424 00:16:55,100 --> 00:16:56,734 Do you? Yeah. 425 00:16:56,734 --> 00:16:59,767 Okay. Well, why don't we just let Seth have his job tonight 426 00:16:59,767 --> 00:17:01,900 and you can do your job tonight? All right? 427 00:17:01,900 --> 00:17:03,767 Keep an eye on Mickey for me. 428 00:17:06,533 --> 00:17:08,900 Jane: Why are you concerned about Mickey? 429 00:17:08,900 --> 00:17:10,734 Well, I'm not. I'm just-- you know, it's late, 430 00:17:10,734 --> 00:17:12,467 or it's going to be a late night. You know? 431 00:17:12,467 --> 00:17:14,266 And he never-- he doesn't hydrate. 432 00:17:14,266 --> 00:17:15,867 So, Jane, don't. Okay? 433 00:17:15,867 --> 00:17:18,200 Don't do it. Mark? 434 00:17:18,200 --> 00:17:21,266 What are... you smoking? 435 00:17:21,266 --> 00:17:23,233 Is that... What... 436 00:17:23,233 --> 00:17:26,033 Yeah. Seth gave it to me. 437 00:17:26,033 --> 00:17:27,867 On camera? 438 00:17:29,467 --> 00:17:31,800 Yeah. Okay. You know what? 439 00:17:31,800 --> 00:17:33,266 We've got a problem. 440 00:17:33,266 --> 00:17:36,066 Okay? Tyler doesn't want to do his job anymore. Okay? 441 00:17:36,066 --> 00:17:38,033 Because, you know, he decided 442 00:17:38,033 --> 00:17:40,300 he wants to be a movie star, because he showed up. 443 00:17:40,300 --> 00:17:42,667 That whole generation, you know, 444 00:17:42,667 --> 00:17:45,033 has been treated like, "Oh, you showed up? Here's a trophy," 445 00:17:45,033 --> 00:17:47,567 and, "Oh, you ate a full meal. Here's a trophy for you." 446 00:17:47,567 --> 00:17:50,800 ( sighs ) I know. Just... 447 00:17:50,800 --> 00:17:53,767 Saving that for later? 448 00:17:53,767 --> 00:17:54,900 Yeah. 449 00:17:54,900 --> 00:17:56,567 Okay, good. 450 00:17:56,567 --> 00:17:59,500 Valerie: Look at Seth. So good. Comedy and drama. 451 00:17:59,500 --> 00:18:03,266 Are those heavy lights going to leave divots on the lawn? 452 00:18:03,266 --> 00:18:05,033 I have no idea. 453 00:18:06,633 --> 00:18:09,333 I just re-sodded that whole front section. 454 00:18:09,333 --> 00:18:10,734 Well... Shayna? 455 00:18:10,734 --> 00:18:12,500 Yeah. Uh-oh. 456 00:18:14,300 --> 00:18:16,734 Again! There are too many people in this hallway 457 00:18:16,734 --> 00:18:19,467 near the monitors. If you don't need to be here, leave. 458 00:18:19,467 --> 00:18:21,367 Got it, okay. Marky Mark, let's go. 459 00:18:21,367 --> 00:18:24,300 What, again? Come on. We're in the way. 460 00:18:24,300 --> 00:18:26,533 Val, when are they going to leave? 461 00:18:26,533 --> 00:18:29,333 Well, making TV takes time. How much time? I need to sleep. 462 00:18:29,333 --> 00:18:31,266 We'll figure something out. 463 00:18:31,266 --> 00:18:34,600 ( sighs ) I just don't get why they're following us. 464 00:18:34,600 --> 00:18:36,033 We're just going to sleep. 465 00:18:36,033 --> 00:18:39,100 Jane, you know, thinks it's an interesting story, 466 00:18:39,100 --> 00:18:41,633 fleeing our house in the middle of the night 467 00:18:41,633 --> 00:18:44,333 to stay at one of our rental properties. Epic. 468 00:18:44,333 --> 00:18:47,700 ( laughs ) Don't be cute, Val. I'm not in the mood. 469 00:18:47,700 --> 00:18:50,066 This is supposed to be behind-the-scenes only. 470 00:18:50,066 --> 00:18:52,266 Well, she's getting a cute butt shot. ( laughs ) 471 00:18:52,266 --> 00:18:55,100 It's bad enough the only building we fucking own 472 00:18:55,100 --> 00:18:57,100 is all the way in fucking Hollywood. 473 00:18:57,100 --> 00:18:59,600 I offered to pay for a room at The Peninsula. 474 00:18:59,600 --> 00:19:02,600 You know, but... ( laughs ) 475 00:19:02,600 --> 00:19:04,600 Wouldn't be the first time I paid a hot guy 476 00:19:04,600 --> 00:19:07,000 to spend the night with me at a hotel. 477 00:19:07,000 --> 00:19:09,800 Jane, no, we're-- we're done. There's no more cameras for tonight. 478 00:19:09,800 --> 00:19:11,800 Well... Jane: I'm sorry, but I need to cover this. 479 00:19:11,800 --> 00:19:14,200 Yeah. You know, I mean, we're still talking, Mark, 480 00:19:14,200 --> 00:19:15,600 so as long as we're talking, we're not done. 481 00:19:15,600 --> 00:19:17,266 I know. We're never done. 482 00:19:17,266 --> 00:19:19,367 We are never done! 483 00:19:19,367 --> 00:19:21,700 Peeling paint, scratched floors, now the lawn-- 484 00:19:21,700 --> 00:19:23,834 Okay. Jane, it's small. 485 00:19:23,834 --> 00:19:25,533 It's a studio. Well... 486 00:19:25,533 --> 00:19:30,734 Go. I trust you lucky people all have quiet homes to go home to. 487 00:19:30,734 --> 00:19:32,467 Go. 488 00:19:33,500 --> 00:19:34,834 ( door clanging ) Mark: Jesus. 489 00:19:34,834 --> 00:19:36,367 All right, Val's still mic'ed, 490 00:19:36,367 --> 00:19:38,533 so just fish around for something. 491 00:19:38,533 --> 00:19:39,967 Mark: There's no way we can stay in that house 492 00:19:39,967 --> 00:19:41,800 for another month and a half while they're shooting. 493 00:19:41,800 --> 00:19:44,433 We're going to have to move out until they're done. 494 00:19:44,433 --> 00:19:45,700 I'm not moving out, Mark. 495 00:19:45,700 --> 00:19:47,600 I can't. All my clothes are there. My work is there. 496 00:19:47,600 --> 00:19:49,133 Okay, you know what? Help me get this. 497 00:19:49,133 --> 00:19:51,100 I'll move out... 498 00:19:51,100 --> 00:19:53,300 and you can join me when you're done 499 00:19:53,300 --> 00:19:55,734 letting that drug addict have the run of our home. 500 00:19:55,734 --> 00:19:58,100 All right. I'm not... 501 00:19:58,100 --> 00:20:00,233 doing that. 502 00:20:00,233 --> 00:20:02,667 Look, I know you're mad. Okay? I get that you're mad. 503 00:20:02,667 --> 00:20:05,033 This is not the deal that we made, Valerie. 504 00:20:05,033 --> 00:20:07,800 ( sighs ) Look, can you please just be sweet to me? 505 00:20:07,800 --> 00:20:09,667 Okay? I had a really rough night. 506 00:20:09,667 --> 00:20:12,100 Well, I've had a rough night, too, 507 00:20:12,100 --> 00:20:14,133 and I'm not the one who signed up for this. 508 00:20:14,133 --> 00:20:16,200 What? What are you looking at? 509 00:20:16,200 --> 00:20:18,200 Oh, okay. Sorry. Sorry, Jane! 510 00:20:18,200 --> 00:20:20,934 I-- No. We're done. 511 00:20:20,934 --> 00:20:22,834 All right. Calling it. 512 00:20:22,834 --> 00:20:24,367 ( gunshot ) 513 00:20:24,367 --> 00:20:27,633 Mark: What the fuck was that? Valerie: I don't-- 514 00:20:27,633 --> 00:20:29,734 It definitely came from the next apartment. 515 00:20:29,734 --> 00:20:33,400 Yeah. But it's okay. She's with us. It's okay. 516 00:20:33,400 --> 00:20:36,333 Strongwood Property own building. 517 00:20:36,333 --> 00:20:39,700 Well, yeah. We are Strongwood Properties. 518 00:20:39,700 --> 00:20:41,900 I told you that. Remember? Mark? 519 00:20:41,900 --> 00:20:44,500 Yeah. We're Strongwood Properties. 520 00:20:44,500 --> 00:20:46,500 Yeah. No one answer the phone. 521 00:20:46,500 --> 00:20:47,767 Machine. 522 00:20:47,767 --> 00:20:51,166 Well, that's probably because it's 3:00 AM. 523 00:20:51,166 --> 00:20:54,934 If you own the building, why are you sleeping here? 524 00:20:54,934 --> 00:20:58,166 Well, okay. I'm an actress. 525 00:20:58,166 --> 00:21:00,133 Valerie Cherish. Hi. 526 00:21:00,133 --> 00:21:02,967 I'm doing, um, a new HBO series 527 00:21:02,967 --> 00:21:05,433 and, uh, shooting it at our house. 528 00:21:05,433 --> 00:21:08,266 So that's why we're here, 'cause we can't sleep there. 529 00:21:08,266 --> 00:21:09,834 So... ( mouths ) 530 00:21:12,433 --> 00:21:16,433 If you own building, what is my name? 531 00:21:18,367 --> 00:21:20,166 I have no idea. 532 00:21:21,200 --> 00:21:22,700 Valerie: Still doesn't get it. 533 00:21:22,700 --> 00:21:24,467 ( laughs ) Okay. 534 00:21:24,467 --> 00:21:27,967 Um, why would we say that we're Strongwood Properties if-- 535 00:21:27,967 --> 00:21:31,367 Are you all right? What is that? 536 00:21:31,367 --> 00:21:34,667 Mark, can we please just go stay at the Peninsula? Can we just-- 537 00:21:34,667 --> 00:21:37,133 No, we can't. No. This is our property. We're liable. 538 00:21:37,133 --> 00:21:40,233 Oh, it's a yawn. Okay. 539 00:21:40,233 --> 00:21:41,667 Okay, look, um... 540 00:21:41,667 --> 00:21:45,500 Our friend here thought she heard a gunshot or something 541 00:21:45,500 --> 00:21:48,133 coming from inside this apartment. Yeah. 542 00:21:48,133 --> 00:21:51,700 Now, we've called the police, but we're concerned. 543 00:21:55,400 --> 00:21:58,233 Valerie: Thank you. Thank you, 'cause we're liable. 544 00:21:58,233 --> 00:22:00,567 Yeah. Got to see... 545 00:22:00,567 --> 00:22:02,567 Sure it's nothing. 546 00:22:02,567 --> 00:22:04,834 Just something fell over. 547 00:22:04,834 --> 00:22:06,834 Ooh. Oh God! 548 00:22:06,834 --> 00:22:10,000 Oh! Jesus. Don't look. 549 00:22:10,000 --> 00:22:12,934 Oh my God. 550 00:22:12,934 --> 00:22:14,600 Oh my God, he shot himself. 551 00:22:14,600 --> 00:22:16,567 Oh. 552 00:22:18,600 --> 00:22:22,300 Are you happy now, Valerie? 553 00:22:22,300 --> 00:22:24,266 ( Mark sighs ) 554 00:22:26,734 --> 00:22:28,867 He's in shock. 555 00:22:28,867 --> 00:22:30,367 Policeman: So you didn't know the guy? 556 00:22:30,367 --> 00:22:33,166 No. Not at all. He was a tenant, 557 00:22:33,166 --> 00:22:34,533 but that's about it. 558 00:22:34,533 --> 00:22:36,600 But we don't manage the buildings. No. 559 00:22:36,600 --> 00:22:37,934 ( siren beeps ) 560 00:22:37,934 --> 00:22:39,834 Hey. What I tell you about that camera? 561 00:22:39,834 --> 00:22:42,133 Oh, no, that's all right. They're with me. It's for my show. 562 00:22:42,133 --> 00:22:43,600 Your show? Yeah. 563 00:22:43,600 --> 00:22:44,934 No, no. They can't film this. 564 00:22:44,934 --> 00:22:46,667 Look, they were filming when I got here. 565 00:22:46,667 --> 00:22:47,800 Now, if you want to shut them down 566 00:22:47,800 --> 00:22:49,100 and do all the paperwork it's going to take 567 00:22:49,100 --> 00:22:50,767 to report all this, then be my guest. 568 00:22:50,767 --> 00:22:52,867 But it's 4:00 in the morning, and I would like to go home. 569 00:22:52,867 --> 00:22:54,467 Yeah. I'm an actress, 570 00:22:54,467 --> 00:22:57,433 so, you know, I've done a couple of "CSI's," so I get it. 571 00:22:57,433 --> 00:22:59,600 You know? This is not for public consumption. Right? 572 00:22:59,600 --> 00:23:01,600 We won't use any of this. I promise. Jane? 573 00:23:01,600 --> 00:23:04,934 Jane? All this is N.G.-- no good. Yeah. 574 00:23:04,934 --> 00:23:06,300 So, what's the deal in there? 575 00:23:06,300 --> 00:23:07,900 Uh, well, the coroner just left. 576 00:23:07,900 --> 00:23:11,500 Yeah, so, do you have any ideas about who the perp is? 577 00:23:11,500 --> 00:23:13,033 Perp is short for "perpetrator." 578 00:23:13,033 --> 00:23:15,967 Looks like a suicide. We found drugs all over the apartment. 579 00:23:15,967 --> 00:23:19,533 Okay. He drug addict. Never pay on time. 580 00:23:19,533 --> 00:23:21,467 Drug addict? He was? 581 00:23:21,467 --> 00:23:23,533 Officer #2: We talked to some of your tenants. 582 00:23:23,533 --> 00:23:25,533 Apparently, he'd been through rehab and was doing pretty well. 583 00:23:25,533 --> 00:23:27,767 He had a new job, looked like he was on his way back. Dispatcher: Unit 23. 584 00:23:27,767 --> 00:23:30,000 Yep, and that's usually when they take a dive. 585 00:23:30,000 --> 00:23:31,467 It is? Yeah. 586 00:23:31,467 --> 00:23:32,800 They'll turn their life around, 587 00:23:32,800 --> 00:23:34,300 then all of a sudden, they wreck it all, 588 00:23:34,300 --> 00:23:36,900 and they take down anybody who's around them. 589 00:23:36,900 --> 00:23:38,300 Dispatcher: Unit 23. Excuse me, folks. 590 00:23:38,300 --> 00:23:40,166 This is unit 23. Go. 591 00:23:43,367 --> 00:23:45,734 My garbage disposal is broken. 592 00:23:45,734 --> 00:23:48,233 I call Strongwood five times! 593 00:23:48,233 --> 00:23:50,700 ? ? Oh. 594 00:23:50,700 --> 00:23:53,200 Okay. Well. Mark? Do you want to-- 595 00:23:53,200 --> 00:23:56,633 No, don't "Mark" me. I've had it, Valerie. 596 00:23:56,633 --> 00:23:58,834 I cannot do another night like this. 597 00:23:58,834 --> 00:24:02,200 Tomorrow, I am going to start looking for a new place to move to. 598 00:24:02,200 --> 00:24:03,734 You can join me if you want. 599 00:24:03,734 --> 00:24:05,567 Where are you going now? 600 00:24:05,567 --> 00:24:07,900 To the Peninsula. 601 00:24:09,266 --> 00:24:12,433 Very nice, uh-- nice to meet you. 602 00:24:13,767 --> 00:24:16,967 ( Mark sighs ) 603 00:24:16,967 --> 00:24:19,834 Mark: Got everything? Valerie: Yeah. Did you hear that? 604 00:24:19,834 --> 00:24:21,633 Mark: What? 605 00:24:21,633 --> 00:24:25,033 Valerie: Been through rehab and then-- Mark: Yes. Yes. 606 00:24:25,033 --> 00:24:27,600 ? I'm gonna be your #1 ? 607 00:24:27,600 --> 00:24:31,533 ? I'm not the kind of girl who gives up... ? 608 00:24:31,533 --> 00:24:33,300 Do you have a key to this? 609 00:24:34,166 --> 00:24:35,734 Rough night. Thank you. 610 00:24:35,734 --> 00:24:37,333 You know? Thank you. 611 00:24:37,333 --> 00:24:39,033 Valerie: Oh, you're not on me? 612 00:24:39,033 --> 00:24:40,400 Oh my God. 613 00:24:40,400 --> 00:24:42,500 ? But I'm moving on ? 614 00:24:42,500 --> 00:24:44,300 ? I'm gonna be... ? 615 00:24:44,300 --> 00:24:47,233 ( siren beeps ) 616 00:24:47,233 --> 00:24:52,400 ? #1 ? 617 00:24:55,367 --> 00:24:57,633 Come on, man, that's enough! Valerie: Jane? Jane? 618 00:24:57,633 --> 00:25:02,400 ? ...who gives up just like that ? 619 00:25:02,400 --> 00:25:04,867 ? Oh, no ? 620 00:25:04,917 --> 00:25:09,467 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 46761

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