All language subtitles for The Comeback s02e03 Valerie Is Brought to Her Knees

-Val: Now?
Jane, ready? Okay. -Jane: Yes.

Hello, hello, hello.

Welcome to my trailer
on the studio lot. Come on in.

(chuckles)

-Well...
-(door bangs)

This is my-- oh.

You wanna-- Okay.

You know, on a sitcom
your dressing room is your oasis,

but this show
shoots more like a film, so this is my trailer,

my place
to get away from it all.

Mickey:
Good luck getting away from this smell.

Mickey, I'm giving
a tour, okay, and it's not in Smell-O-Vision!

(laughs)
Remember that?

-Oh, so--
-Can you smell that?

Like a rancid washcloth
or something.

So look what I found
on my first day when I arrived, huh?

Crew Jacket.

See that?
Look at the needle.

'Cause he's a heroin addict.
(laughs) Cute.

-(knocks)
-Come in!

-Valerie Cherish.
-Val: Yeah, present!

Oh, hi, Valerie.
I'm Shayna. I'm the first AD.

-Oh, hi.
-Just welcome to the set of "Seeing Red."

Oh, thanks, yeah.
So exciting.

You know?
It really is.

Oh, let me
introduce you to my crew. This is Jane, my producer.

-Hey.
-And that's Tyler, he-- Jane, what is Tyler?

-He's...
-Jane: Your nephew.

Val:
No, I mean on the crew.

PA?
He's our PA.

Tyler:
What is that?

Sorry, dear, I'm trying
to talk to Shayla over here.

-Shayna.
-Oh! Oh, that's right. Okay, right.

That's a tough one
'cause there's no reference point.

-But I'll get it!
-Uh, okay, Valerie,

this is an updated
call sheet for today.

Oh, thank you!

All right-- ooh, Jane,
this could be kind of fun, right?

Show people what an actual
call sheet looks like.

Can you get real close on this?
And then you can see

the actors are listed
in order of importance.

So there you see
number one, right, Seth Rogen.

And who's next?

Valerie Cherish,
number two.

Mickey:
Speaking of number two,

I think I found out
where the smell's coming from.

-P.U.!
-Val: Well...

I'm trying to talk to...

Sh-- uh, Shayla.

Listen, what--
can you just tell me, dear,

what is this one?
It says "time permitting"?

Scene 27, the one
where you blow Mitch.

Oh, the...
the sexual fantasy scene, yeah,

between Mallory
and Mitch, yeah.

Yeah, we're probably
not going to have time. Unlikely.

Oh, great!
Okay, just want to be prepared.

Yeah, oh, good.
Okay.

Okay. Good.

Jane:
Paulie G. wrote a scene where you blow him?

Well, no, not me.
Mallory.

And it's not Paulie.
It's Mitch, his character. (chuckles)

Jane:
Is doing it going to make you feel uncomfortable?

You know, for an actor
I think, um, they're...

frequently asked to step
outside their comfort zone, you know?

One time I had to play a--
a brunette with migraines.

-(knocks)
-Val: Yeah.

Hey, do you have a quick sec?
Our line producer wants to say hi.

Oh yeah, have him
come on up. Um--

Or I'll go down.
I'm coming down.

-Hi, Valerie.
-Hi.

-Ron Wesson.
-Oh, hi.

Gotta-- One sec.
I'm gonna get my camera crew

-for the behind the scenes.
-Right. I know about these guys.

But so nice to--
it's so nice to know that we have such a...

hard-working man on this show.
Yeah, nice to meet you.

Well, I just wanted
to say that if there's anything you need,

let us know.

-Thank you.
-Mickey: Tell him about the smell!

We need a new trailer
or clothespins for our noses.

-(laughs)
-Who's that? Am I paying him?

That's my hair person,
so yes, you are.

Oh, I'm glad you
brought that up. I just got an invoice for a wig,

-7,000?
-Oh yeah, that's my Mallory Church wig.

I just thought that--
you know,

um, you wouldn't
need a wig because

your hair is red.

Well, okay, but that's my hair.
That's not Mallory's hair.

It's different.
Mickey, can you bring me Mallory?

Yeah, here you go.

-Voila!
-Yeah, see that?

Just-- can--
take it off the-- Thank you, doll.

Okay, look at this.
See that?

See, my hair is
more strawberry, you know,

and this is more fiery,

so completely
different hair.

Completely
different people, you know?

And, you know, it'll save time.
Because I'll come in as Valerie,

plop this on my head
and I'm Mallory.

-So it works.
-Marianina: Please excuse me.

I need to get by
your cart.

-(laughing)
-Happy first day, Valerie!

-Mickey: There she is!
-And Mickey, my adorable!

-We get to work
together again, huh? -I told you we would.

We did Joan Van Ark
for the TV Land Awards.

-Who's this?
-I'm Marianina. I'm hair.

I thought he was hair.

Well, yeah, no,
Mickey styles it and then Marianina places it.

I don't work with glue.

Why is this wig
off the wig block?

-Oh.
-It's not for show-and-tell.

-It's not right!
-Okay.

-Mickey: Oh, here we go!
-What is that awful smell in here?

She's great.

-Yeah.
-I can't pay for two hair people.

Oh, well, both necessary,
so gotta have 'em. We'll figure it out.

Mm, we figured
it out for one.

Well, I'll pay, okay?
I'll pay Mickey.

-Okay.
-Shayna: Hey, Valerie.

-There's a flower
delivery guy at the gate... -Mm-hmm.

...with a delivery from you.
They won't let him in.

Oh, okay.
Those are my flowers for Seth Rogen.

Just, you know, wanted to send
my co-star some tulips on the first day.

Didn't figure
I'd have to get clearance from Homeland Security.

Yeah, deliveries go
to a routing center.

-Uh-huh.
-But they should arrive by afternoon.

Well, oh!
First-day flowers,

what's the point
if they get here at the end of the day?

Right?
So could you just send a PA?

We're already boned on set.
Short-staffed.

So.
I'll deal with it!

Marianina:
I can't sit in that stink.

I'll die from the rot
in the toilet.

Should have worn
my sunglasses. I can't...

Yeah, okay.
Well, that was fun, huh?

Didn't realize I'd have to get
the flowers myself, you know?

So, maybe it's fun for people
to see us zipping around the lot, huh?

That's right.
Making lemonade out of lemons.

(laughs)
Have to look at life that way. Hi.

Valerie Cherish.
Came here to pick up some flowers.

We're gonna be best friends
by the time this is done.

-Tyler:
Aunt Val, it's him. -Who? Oh.

-It's Seth Rogen.
-Yeah, yeah. Yeah.

Oh, thank you, yeah.
Hi, Seth!

-Hi. Hi.
-Hi, Valerie Cherish.

Yes, of course.
How's it going? Nice meeting you.

What...
Man, I knew this thing was low-budget,

they got you
working the gate now too? Is that what you're doing?

-Tyler Beck. You're awesome.
-Hey. Oh, thanks, dude.

-Nice meeting you.
-No, he's with us. He's... working the crew.

I think it's important
to give kids a leg up in the business.

-That's very nice of you.
-So he's working on the BTS here.

Oh, BTS, yeah!
You're doing it again, just like the original, huh?

-Cool.
-Guard: I need to see some ID.

-Uh, yeah, no problem.
-Really? You need his ID?

Maybe he could just show you
some of his worldwide box office grosses.

Yes. I have those
in my glove compartment if you need them, actually.

-So funny.
-(both laugh)

-Oh, these are for you,
anyway, here. -Oh wow!

Oh, you didn't
have to do that at all.

-Happy first day.
-Thank you so much. (gasps)

-Oh, Jesus!
-Did that spill? It spilled a lot.

-Oh god, yeah.
-Oh god, okay.

I'm really sorry.
Here, you know what?

It's okay.
Don't worry about it.

-No, look, here.
I'll let you do it. -No, no, I got it.

Exactly, yeah, you know.

We just met.
Give me an hour at least,

-then we'll get there,
you know? -(laughing)

Cool.

-So funny.
-Yeah, awesome.

You know what?
I could take them.

Why don't I just take them
to your trailer for you?

-Uh...
-Because you're gonna get water all over your car.

-I'll put them
in your trailer for you. -That's so nice of you.

-We'll do that.
-I appreciate that. Thank you so much.

Also could you just make sure
you have my breakfast waiting for me

-as soon as I get
to my trailer too? -(laughs)

You can have
these camera guys make it for me.

-Right.
-This guy looks like he can make eggs.

I like a breakfast meat, too!
Just 'cause I'm Jewish doesn't mean I don't eat that.

How funny.
How about-- bacon or ham?

-I'll take ham.
-Okay, got it. You got it.

-Perfect. Thank you so much.
Thank you, sir. -Here you go, sir.

Make sure you have my ham
ready for me, ginger snaps. Thank you.

Nice meeting you guys.
Bye! Nice meeting you.

Val: Bye.
Gonna be fun, I think.

Oh, he's so nice.
Jane, did you hear that?

Come-- "ginger snaps"?

Got me a nickname now, huh?

Ha! That's great.
You know what? I'm gonna get him a ham.

(gasps)
Tyler, I want you to go get him a ham.

-Jane--
-Where would I even get a ham?

Gee, I don't know,
the grocery store?

-(laughs)
-I don't know the Valley.

Well, it's a good thing
you've got a little computer in your hand right there.

Right?
Here's $40.

-The key.
Get me a good one, okay? -What if it's more than 40?

I'm good for it.
I think you know where to find me, right?

I mean, he doesn't
even know what to do. (laughing)

-Guard: Miss?
-(honks)

-Oh! That's right. Okay.
-You can't stand there.

Yeah, we're gonna go.

Look at you
in that track suit, Red.

-Talk about d�j� vu.
-(laughing)

You know...

a lot of great shows
were shot on this very lot.

You know?
Like "Mary Tyler Moore Show"

-and "Roseanne."
-"I'm It!"

Well... didn't want
to say it, but yes!

This is where we shot
my show "I'm It!"

You know? And now I'm back
doing another classic show,

along with those others,
so come on in.

Let see.
Oh, hi, Ron! Look, this is the wig.

Worth it, huh?

'Cause-- 'cause in the light
you'll see-- big difference.

-Yeah.
-Looks like we won't get to scene 27 today.

-27, okay.
-The blowjob.

Got it, yeah.
Oh, thanks for the update. Yeah.

Oh, look at this!
This is Mitch's office.

Look at this. This is where
he writes the sitcom and has sex with prostitutes,

and does the heroin.
Wow.

Look at-- oh, and there's
the Homer Simpson

just like he wrote it.
You know Paulie won an Emmy

for writing "Simpsons."
He was 25.

-25.
-That doesn't look like Homer.

Guess they couldn't
get clearance, you know.

What do you-- "Hi, Simpsons,
we want to shoot drugs in front of your characters."

-(Mickey laughs)
-Not gonna happen.

Seth: I'm only sativas,
no indicas. (laughing)

Val:
Oh, okay. Here they are.

Gimme the ham, Tyler.
Ooh. Hams are heavy.

Jane, you're going to
want to get this.

There are my two
talented guys!

Hi.

Mr. Seth MacFarlane.

Rogen.

-Oops.
-It's okay. And you got me a ham.

Yeah, well...

Based on the very, like,
offhanded comments I made.

(laughing)

What the fuck
are we talking about here?

Woman: I gotta go.

Okay, cool. Bye.

Looking forward
to working with you.

You too!
So nice meeting you.

(laughing)

-Who was that then?
-That's Ashley.

She plays April.

Oh, the Juna character?

-April.
-That's right.

Yeah, so,
what's with the ham?

-I asked for it this
morning as like, a joke. -You did.

Yeah, I saw her
at the gate.

And he's not the only one
that gets a first day gift.

Tyler.

-Okay.
-Thank you.

What do I get here?
This is a...

a giant sausage?

-That would've been good.
-Yeah.

Val: You're funny.

Great. Yeah.

It's for your scripts
and things, you know.

Not drugs, though.

(laughing)

It's too much.

Oh, I don't think so.

No, no. It's such a real
big moment, you know?

First day directing.

Wait, what?

It's your first day
directing... anything?

Ever?

You've never done, like,
a short, or a commercial, or anything like that?

Don't do that.
Don't give her that.

I'm fucking with
you, man.

-I'm totally fucking
with you, right now. -Asshole.

-Oh.
-Oh, man, that was so brutal.

I'm so sorry.

-That was brutal.
-Oh god.

No, I knew you were
a brand new director,

and somehow an old hack
at the same time.

(laughing)

Paulie:
Okay, now, can I please get a first shot.

Mallory and the
ball-busting movie star,

-on your marks, please.
-On our marks.

Here we go, yeah.

Mickey, can
I have my sides?

Oh, so exciting, red.

Just cause, you know...

Remember on "Room and Bored,"

Paulie liked
his words just so.

You know,
every writer, really.

Even the ones
hooked on heroin, I guess.

Read the Mitch lines
for me.

Just want
to be sure.

"You can't just
walk in here without...

"F-ing knocking."

Yeah, that's
all right, Mickey.

It's HBO, they
love the "F" word,

so feel free
to "F" it up, everybody.

"You can't just walk in
here without fucking knocking.

"Next time knock...
with your head."

What are you,
a nine-year-old boy, Mitch?

"Stay out of my room!"

Why don't you put
a sign on your wall--

on your door
that says "Keep out"?

That never
happened, though.

I never said that.
You know.

"How 'bout
a sign that says,

"'Watch out
for falling lamps'?"

Page five...

-Val, can I talk to you?
-Sure, yeah.

Without the cameras?

-Uh-huh. Yeah.
-It's private.

Jane:
Yeah, like a blowjob?

Jane, just need
a couple minutes.

-It's okay.
-Bye.

Val:
Over here?

(sighs)

So, before we start...

Mm-hmm.

(sighs)

This show is important
to me.

It's important
to me too.

-Good.
-Yeah.

Great. I want it
to go well.

So do I.

So, we cool?

We're cool.

Fresh start.

Great. Good. Okay.

(chuckling)
Yeah. Sure.

Paulie, one question.
Just one.

Um...

Do you want me
to go up,

or stay the same
on that line, you know?

It's like "Why don't you
put a sign on your door that says 'Keep out!'"

Or, "Why don't you
put a sign on your door that says 'Keep out'?"

Yeah. Either way is fine.

Say it like you'd say it.

I would never say it, though.

You know, I have respect
for the writer's process.

-You know that. Which...
-Yes.

Surprise me.

I can do either.

Well then, do that.

Which? I just want
to do it right for you.

Up.

Up it is. Okay.

Oh, Paulie?

Thank you for the--
for the talk.

Paulie: Action.

Seth:
Jesus Fucking Christ!

What are you doing?

You can't just
come in here without knocking!

Next time knock...

with your head.

What are you,
a nine-year-old boy?

-Just--
-You know what?

Even the devil himself
knocks before he comes in here,

takes out my eye,

and fucks my eyehole!

So, if that's what
you want to do, Mallory,

if you want to come in here
and fuck my eyehole,

you have to get in line
behind the devil!

And the network,

'cause they
were just in here fucking my eye socket.

And I haven't washed
the network jizz

out of my eyehole yet,

so you can't
fuck it yet.

What is it-- what are you,
a nine-year-old boy, huh?

"Keep out of my room!"

Why don't you
just put up a sign that says "Stay out"?

Yeah, why don't
you put a sign that says,

"Watch for falling lamps"?

Okay.

I'm an idiot.

I'm sorry.

I'm sorry,
that was the wrong lamp.

We only have
one of those.

I wasn't supposed
to break that lamp, I'm sorry about that.

-Paulie: Cut!
-Shit.

Sorry.

I fucked up, man.

Wash the network jizz
out of my eye socket?

Was that good?
Was that okay?

Paulie:
Are you kidding me?

More please, I wish
I would have thought of it.

Hey, I was just riffing.

I kinda-- I riff a lot.

She kept up,
got right back in there.

-Yeah, yeah. Do your
fucking "jizzy eye" riff. -Yeah, that was awesome.

-Oh, I'll do
my jizzy eye riff. -(laughing)

Seriously.

-Valerie?
-Yeah? Oh, yeah.

-Hi.
-Zelda?

Um, uh...

You switched uh,
"Stay out" and "Keep out."

Uh-huh, did I?

Yeah, Paulie
wanted you to know

you switched it.

Uh, it's "Stay out
of my room,"

and the sign says "Keep out."

Right, that's...
Make sure I get the line right?

Okay.

Two words that
are interchangeable?

Can't wait to see
what he says to Seth.

(laughing)

Oh, I heard you, yeah.

Oh, sorry.
I didn't want to wake you.

What time is it?

It's not late.

Oh, it's 3:00 a.m.

Long day.
I know.

Now that you're awake...

I just wanted to thank you
for being so supportive.

You know?

I think I did
real good today.

You know
the monologue?

At one point,
Paulie G. was nodding, so...

Just makes me
feel better about the stuff I don't want to do,

you know,
like the blowjob with Seth.

Not Seth.
His character. You know.

I didn't see
anything on the show.

Does Paulie G.
have a thing for you?

Oh, yeah. Can't you
feel the sexual tension?

Well, he wrote it.

(chuckling)

How do you film
something like that?

I have no idea.

I haven't done
a sex scene

since I made out
with Alan Thicke in that "Growing Pains" flashback.

I'm a little nervous.

Then don't do it.

Oh, okay, you want
to write me a note?

"Dear Paulie G.,
my wife can't blow you."

(laughing)

How about this.

"Dear Paulie, you think
you can write and direct?

"Why don't you also
blow yourself? Love, Mark."

(laughing)

So funny.

You wanna
practice for tomorrow?

Oh, I gotta get
ready for bed.

I gotta get up soon.

You know there's
nothing on earth I'd rather do.

(both laugh)

The smell in Val's trailer
is even worse today.

Guys, can't hear this
right now.

Okay? Trying to focus
on the scene for today.

I thought you didn't
have any lines?

You're just here to--

oh, how shall
I say this?

Do a good "job."

-(laughing)
-Val: Okay, you know what? Still...

Okay? I want
to look it over.

Find my way
through it, you know?

No lines is still
acting, you know?

Patty Duke
didn't have any lines

when she played blind
and... you know.

Still, she had
to concentrate, right?

Oh! Okay, the wig is set!

Okay. Good.

Ash, you want to
finish up now?

We can do that.

Ash:
Sure, come on over.

Mickey, we'll style
Mallory on set, okay? Instead of the trailer.

Oh, hallelujah!

Just wanted
to say hi.

I'm Valerie Cherish.

-Hi.
-Hi.

You're playing
the Juna part, right?

-Mm-hmm.
-Yeah.

Juna and I had
a real special relationship

when we were
doing "Room and Bored," so...

Cool.

Yeah.

Forgot I'm not Mallory,
she's not Juna. Right.

Okay.

I hope these eye gels
are helping

'cause I'm working
on four hours sleep.

Girl, you have
healthy sweat glands.

Yeah.

Pretty beads.

Wear them
every day?

Prayer beads.
I chant.

Do you?
Do you chant?

-Has really made
my life work. -Mm-hmm.

Mickey:
Hey, Shayna, we need a new trailer.

Give that the gas can.

Valerie, I'd like
to invite you to set.

We're ready
to do the blowjob.

Val:
Sure, yeah.

Breathe.

(inhales deeply)

Breathe.

Yeah. Let's breathe
while dabbing.

Okay? Don't want
to be late for sex-- set.

Shayna:
Hey, Valerie. I want you to meet Monica and Celeste.

-Uh-huh.
-These are the two women in this fantasy sequence.

Okay. Yeah. Hi.

Nice to meet you.

(laughing)
Valerie.

So...

Yeah.

So nice to be...

-Okay.
-...working with other ladies.

-Hey, Val.
-Hi. Hi.

Hi. Ladies, hi.

Thank you
for being here today.

So the first part of this
scene is just technical.

-Okay?
-Oh.

-(banging)
-Yeah.

Just like this.

Valerie,
you're in the middle,

you girls flank her
on either side.

We're gonna shoot this
continuously without cutting.

That's a--
it's a special effects scene

where I disappear.

Uh, exactly.

And I've been waiting for
this day for a very long time.

Oh, ha ha, I get it, you.

-(laughing)
-Paulie: In this scene,

okay, he's...
he's imagining you two

while she's blowing me,

so that I can get aroused.
You know? Okay?

Did he just say "me"?

Got confused,
that's all. Nothing happened.

Tell them, Mickey.

Shayna:
Okay, ready to shoot!

-Nothing happened.
Nothing sexual. -Yeah.

Okay.

Thank you.

Forgot they
were gonna be...

Chilly?

Well...

So free.

So beautiful, really.

Paulie:
We're ready, let's shoot this!

Yeah.

Okay.

I don't think that
we should film these women.

It just feels really
exploitative to me.

(whispering)
Well, I don't think--

It just feels
really sleazy...

-Okay, Jane...
-...the way Hollywood treats women.

Yeah, not right now. Okay?

I don't even know
why you're talking.

Paulie:
Jane, get your fucking locusts off my set!

-I want to shoot!
-See?

-Fantasy effects scene,
"A" camera only. -(clapper clacks)

Shayna:
Settle! And I don't want to see any cell phones!

All yours, Paulie.

Paulie:
Okay, Val, camera is locked off.

We need at least
a minute of this.

Okay? I want you just
to stand perfectly still.

Look directly in the camera.

And action.

(beeps)

No movement!

Bet you don't hate
this job so much now, do you?

(mutters)
Is that enough? You have enough?

Paulie:
Val, don't speak. Almost done.

Okay, Monica, Celeste.

I want you to start
making the orgasm noises.

(both moaning)

Monica: Oh, yeah.

(moaning continues)

Oh, yeah.

Oh, yes.

(moaning intensifies)

Oh!

Mmm.

-Mmm.
-Yes, yes!

Women: Oh, yeah!

(moaning)

Paulie: And cut!

I see you guys met
my mom and my sister?

(raucous laughter)

Val: So funny.

Oh, it's like
that every time.

(laughing)

I'll help you, dear.
There you go.

Okay, well,
it was great working with you.

-You too.
-Okay, get home safe.

-(laughing)
-Yeah?

Shayna:
Ready, ready. Blowjob's up.

That was hell.

-Mm-hmm.
-That's where I was.

-Ned: Val?
-Yeah?

Uh, Ned, props.

Yeah, hi. Yeah.

Uh, for this next part,
are you gonna want knee pads?

No.

Sure? 'Cause you're gonna
be down there a long time.

She won't
need them!

Yeah. I don't think...

Paulie: Val?

-Could you come
over here, please? -Gotta go.

Uh-huh?

-Yeah.
-Okay.

So, uh...

-Just like
we rehearsed. -Uh-huh.

Okay, uh,
you're over here...

-Mm-hmm.
-...across from the couch.

You say,
"Walk over here."

Yeah,
"Walk over here."

-"Walk over here." Okay,
and then you cross to him. -Okay.

All right, go down
on your knees, and blow him.

Simple, right?

-Right.
-Okay.

Let's uh, let's do it
before "Hot Wheels" Ron runs me over with his chair.

(laughing)

Okay, Val,
on your mark, please.

-Yeah, okay.
-Thank you.

Ned:
Seth, here's your syringe and your works.

Seth:
Thank you, great.

You cool
with this?

Sure.

Just acting, right?

(both laugh)

Just one sec.
Sorry.

Paulie?

Paulie, just
a quick question.

Just, real quick.

Um, I was just...

wondering 'cause there's
so many different ways to play this.

Right, there's eager,
reluctant, not at all.

(laughs)

So, what did--
what did you have in mind, then?

Oh, well,
I had in mind that you blow him.

Yeah, well,
I got that.

Right? That's a--
But, um...

Okay, since this
would never happen, uh...

You know.
What-- Can't you just tell me what it represents?

You know,
what's underneath, maybe?

'Cause people
keep asking me.

You know? And then I always
tell them that's not my job.

You know? So, just--
if you could...

before we roll, maybe...

for clarity.

Give me some
clarity on...

-why...
-Clarity? Yeah, yeah. Okay.

-...this is happening?
-Okay.

You know how
in "Room and Bored" you'd always say,

"Paulie, I need
a better joke here,"

-or...
-Not always.

..."Paulie, I think
this script could be better."

Well, when you
said that shit,

I would think,

"Blow me.

"Blow me, Valerie.

"Blow me." Right?

-Okay.
-So, you know, I wrote it.

Right. So, that's it.
It's just symbolic.

Yeah, it's not
sexual. Good.

Okay, thanks for
the time. Yeah.

Okay.

Paulie:
Shayna, hit them sticks. Let's get out of here.

I need to go
to the Formosa for not-drinks later.

You probably
can't be here.

-27 apple "A" marker.
-(clacks)

-"B" marker.
-(clacks)

Ready.

Action.

Seth:
Walk over here.

Walk?

It's been a long day.

Why don't you just rape me?

-Paulie: Cut!
-Yeah.

Yeah, sorry.
I thought-- I thought I felt a riff coming on.

You know,
like the other day? But, no.

Right. Yeah.

-No, you know.
-Who were you talking to?

Well, I-- you know,
just the audience.

But no, right.
Rape's not funny.

It's a tough area.

So, my bad.
We can go again.

What's the problem?

Have you never
given a blowjob?

Well... Okay.
(laughing)

But, just, you know...

I'm fine,
it's just...

that this never happened.
You know?

This never happened.
Of course this never happened.

-Never happened.
-Okay.

-You hear
that everybody? -Well...

Especially Valerie's cameras.

Paulie:
Get this. very important.

This never happened!

Okay? She never blew me!

Well...

-Seth:
I just have one question. -Yeah?

Did this ever happen?

-In real life?
-(laughing)

(crew laughing)

-Okay.
-No.

Can we please
get back to work?

-Yeah?
-Seth: Yes.

-Yeah.
-Paulie: Val...

here is exactly
what I'm looking for.

Val:
Oh good, yeah, great.

Uh...

-Walk to him.
-Uh-huh.

-On the couch.
-Can do.

-Drop to your knees.
-Mm-hmm.

Okay, now when
you get there,

I need to see your head
going up and down. Right?

-Oh.
-And I need to see your hand, like,

going on top
of her head.

Just, you know,
like, really pushing it down.

-Seth: Really?
-Yeah.

Seth:
My hand pushing her head down?

I mean...

I'm just, like--
we're in your head for this, right?

This is your fantasy,

and, you know,
I thought in my, you know--

When I read it,

in your fantasy,
she wanted to do it.

I wasn't forcing
her to do it, like

that's part
of the fantasy, right?

Right, right. Yeah.

And just,
like, you know...

correct me if I'm wrong.

The shot is--

it's like a tight shot
of my head.

Like, I'm selling it,
right? I mean...

said the asshole
movie star.

-(laughing)
-But, like, that's what it is, right?

-Right.
-That's how you're gonna shoot it, right?

So, like, I mean,
honestly, like...

If we're in your head,
you know, and I'm selling it,

like, I don't know if you
need her to do anything at all.

Like, I mean,
you're gonna cut to me,

you cut to the naked girls,

and then... I mean,
in all honesty, though,

I don't even want
to see me get a blowjob.

-(laughing)
-It's fucking gross.

It should all play,
you know, off camera, right?

No, that's
a great idea, man.

Yeah. It's better
that way.

-Thanks. Yeah, yeah.
-Yeah, no problem.

Wish I knew it was gross
before I blew you.

I'm glad you didn't.

(laughing)

Yeah. No, that's great
though, yeah. So, yeah.

-That's...
-No, let's do it.

Let's do it. Okay.

So then, Val,
you just, uh...

-You just walk over,
drop below frame, okay? -Mm-hmm.

And then, just, you know,
keep your head out of the shot.

Great. Fine.
Do nothing.

Got it.
I can do that.

(laughs)
Great.

Got you, ginger snaps.
(laughs)

-27 apple, take two,
"A" marker. -(clacks)

-"B" marker.
-(clacks)

Paulie: Set.

? ?

Action.

Seth:
Walk over here.

? ?

Oh yeah.

Oh god.

-Oh god.
-? Pressure ?

? Pushing down on me ?

Paulie:
Val, I can still see your head.

Can you
get lower?

Got it. Thanks.

-Oh god.
-? Under pressure ?

(groaning)

Oh god.

Oh, yeah.

Oh, yeah.

Oh, I can do heroin
while you're doing this...

oh god,
it's even better!

Oh, it makes
it better.

Oh. Oh god.

-Oh, yeah.
-? Watching some good friends scream ?

? Let me out ?

? Pray tomorrow
gets me higher ?

? Pressure on people ?

? People on streets ?

(moaning continues)

Oh god.

? Under pressure ?

? Pressure ?

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