All language subtitles for The Comeback s01e12 Valerie Shines Under Stress

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,166 --> 00:00:18,400 ( tone sounds ) 2 00:00:19,834 --> 00:00:23,734 DON'T GO AWAY-- "THE COMEBACK" WILL BE RIGHT BACK. 3 00:00:23,800 --> 00:00:25,266 - HOW WAS THAT? - Jane: GREAT. 4 00:00:25,333 --> 00:00:27,633 - LET'S MOVE ON. - I THINK IT COULD BE BETTER. 5 00:00:27,700 --> 00:00:30,867 IF SOMEONE TOOK THE TIME AND EFFORT TO WRITE THIS. 6 00:00:30,934 --> 00:00:33,734 SO, JUST WANNA GET IT RIGHT. HONOR THE WORDS. 7 00:00:33,800 --> 00:00:35,433 OKAY, I'M GONNA GO AGAIN. 8 00:00:35,500 --> 00:00:37,967 ALL RIGHT. ( clears throat ) 9 00:00:38,033 --> 00:00:41,500 DON'T GO AWAY-- "THE COMEBACK" WILL BE RIGHT BACK. 10 00:00:41,567 --> 00:00:43,033 BETTER. RIGHT? 11 00:00:43,100 --> 00:00:45,100 JUST PLAY WITH IT. GOOD. 12 00:00:45,166 --> 00:00:46,734 IT'S SO EXCITING, JANE. 13 00:00:46,800 --> 00:00:49,166 IT FEELS SO REAL NOW. WE'RE ACTUALLY GOING TO BE ON THE AIR. 14 00:00:49,233 --> 00:00:50,834 - HERE WE GO. - UH-HUH, YEAH. 15 00:00:50,900 --> 00:00:53,100 - 'CAUSE THIS IS IT. IT'S HAPPENING. - HOT WATER AND LEMON. 16 00:00:53,166 --> 00:00:54,500 AH, THANK YOU, DOLL. 17 00:00:54,567 --> 00:00:57,133 HOT WATER AND LEMON, IT'S REAL IMPORTANT FOR THE THROAT. 18 00:00:57,200 --> 00:00:59,800 SOOTHING. 19 00:00:59,867 --> 00:01:02,633 MM, YEAH. MUCH BETTER. THANKS. 20 00:01:02,700 --> 00:01:04,834 Jane: DO YOU WANT TO DO THE NARRATIVE ONES NOW? 21 00:01:04,900 --> 00:01:06,700 - MM-HMM, SURE. - DO YOU SEE THEM? 22 00:01:06,767 --> 00:01:09,467 - THAT'S-- OH, OKAY. - JUST TAKE IT FROM THE FIRST ONE AT THE TOP. 23 00:01:09,533 --> 00:01:12,200 - SEE IT? - WELL... 24 00:01:12,266 --> 00:01:14,600 "I NEVER THOUGHT I'D WORK AGAIN"? 25 00:01:14,667 --> 00:01:16,166 I DON'T THINK... 26 00:01:16,233 --> 00:01:18,367 Jane: IT'S JUST SOMETHING PEOPLE SAY. 27 00:01:18,433 --> 00:01:20,367 THEY PROBABLY WON'T EVEN USE IT. 28 00:01:20,433 --> 00:01:22,433 WELL, THEN THEY WON'T USE IT. 29 00:01:22,500 --> 00:01:24,967 'CAUSE IT'S NOT SOMETHING I SAY. 30 00:01:25,033 --> 00:01:27,367 LET'S JUST NOT RECORD THAT ONE. 31 00:01:27,433 --> 00:01:30,200 - YEAH, THAT'S FINE. - YEAH, IT'S BETTER. BECAUSE IF I RECORD 32 00:01:30,266 --> 00:01:33,300 "I NEVER THOUGHT I'D WORK AGAIN," THEY'RE GONNA USE IT. 33 00:01:33,367 --> 00:01:36,433 IT WOULD BE FOOLISH NOT TO, 'CAUSE IT CREATES STAKES AND DRAMA. 34 00:01:36,500 --> 00:01:39,066 THAT'S NOT... YEAH. 35 00:01:39,133 --> 00:01:41,033 OKAY, WE'LL JUST MOVE ON. 36 00:01:41,100 --> 00:01:43,567 BECAUSE TRUTH BE TOLD I ALWAYS THOUGHT I'D WORK AGAIN. 37 00:01:43,633 --> 00:01:45,367 YOU KNOW, ALWAYS DID. 38 00:01:45,433 --> 00:01:47,300 'CAUSE I'M A SURVIVOR. 39 00:01:47,367 --> 00:01:49,633 I KNOW WHAT THE NEXT-- OH! SPEAKING OF THAT! 40 00:01:49,700 --> 00:01:51,900 MICKEY AND I, WE WERE THINKING ABOUT 41 00:01:51,967 --> 00:01:54,033 WHAT WOULD BE A GOOD THEME SONG FOR "THE COMEBACK" 42 00:01:54,100 --> 00:01:55,834 I KNOW WHAT THEY HAD PLANNED 43 00:01:55,900 --> 00:01:58,900 OR YOU HAD PLANNED, BUT WE HAD THE BEST IDEA. MICKEY. 44 00:01:58,967 --> 00:02:02,567 "I WILL SURVIVE" BY MISS GLORIA GAYNOR. 45 00:02:02,633 --> 00:02:04,233 PUT IT ON, WON'T YOU? 46 00:02:04,300 --> 00:02:06,033 PUT IT ON SO SHE CAN HEAR. 47 00:02:06,100 --> 00:02:10,166 MICKEY PLAYED IT FOR ME AND I THOUGHT, SO FUN, SO RETRO. 48 00:02:10,233 --> 00:02:12,567 AND WHO CAN RESIST A DISCO BEAT, RIGHT? 49 00:02:12,633 --> 00:02:14,567 AND I KNOW IT'S ABOUT A SPURNED LOVER, 50 00:02:14,633 --> 00:02:16,300 BUT IT WORKS FOR SHOW BUSINESS, TOO. 51 00:02:16,367 --> 00:02:17,834 YOU'LL SEE WHEN YOU HEAR THE WORDS. 52 00:02:17,900 --> 00:02:19,800 OH, IT'S SO GOOD. 53 00:02:19,867 --> 00:02:21,633 ARE WE READY UP THERE? 54 00:02:21,700 --> 00:02:23,233 YEAH, COMING AT YOU. 55 00:02:23,300 --> 00:02:26,266 ( "I Will Survive" playing ) 56 00:02:31,266 --> 00:02:34,200 THAT'S NOT RIGHT, THAT PART. 57 00:02:34,266 --> 00:02:37,066 CUE IT UP TO THE PART I LIKE, WON'T YOU? 58 00:02:37,133 --> 00:02:39,066 ( CD skipping ) 59 00:02:39,133 --> 00:02:41,100 ( music continues ) 60 00:02:43,734 --> 00:02:46,900 SHOW BUSINESS FOR SOME PEOPLE. 61 00:02:50,700 --> 00:02:52,800 THAT'S ME. 62 00:03:05,100 --> 00:03:07,500 - ISN'T THAT PERFECT? - Jane: IT'S EXPENSIVE. 63 00:03:07,567 --> 00:03:10,633 - WHAT? - Jane: I THINK IT'S TOO EXPENSIVE. 64 00:03:10,700 --> 00:03:11,934 CAN YOU TURN IT DOWN A LITTLE? 65 00:03:12,000 --> 00:03:14,266 Jane: IT'S GONNA BE TOO EXPENSIVE. 66 00:03:14,333 --> 00:03:16,834 REALLY? BUT IT'S SUCH AN OLD SONG. 67 00:03:16,900 --> 00:03:17,800 HOW MUCH COULD IT BE? 68 00:03:17,867 --> 00:03:19,767 Jane: WITH THE ORIGINAL ARTIST? A LOT. 69 00:03:19,834 --> 00:03:22,700 REALLY? WHAT IF I SANG IT? 70 00:03:22,767 --> 00:03:24,667 WOULD IT BE CHEAPER IF I SANG IT? 71 00:03:24,734 --> 00:03:27,867 - Jane: DO YOU SING? - SHE HAS A BEAUTIFUL SINGING VOICE. 72 00:03:27,934 --> 00:03:31,100 - SHE SHOULD SING IT. - WELL, I CAN SING. 73 00:03:31,166 --> 00:03:32,967 IT COULD BE FUN. 74 00:03:33,033 --> 00:03:34,834 Jane: I'LL TALK TO THEM ABOUT IT. 75 00:03:34,900 --> 00:03:37,900 OH, GREAT, GOOD. YEAH. NOW I'M ATTACHED. 76 00:03:37,967 --> 00:03:41,133 SORRY, MISS GAYNOR, BUT IT'S MISS CHERISH'S COMEBACK! 77 00:03:41,200 --> 00:03:43,233 CRANK IT UP, MR. SOUND MAN! 78 00:03:43,300 --> 00:03:45,600 ( music resumes ) 79 00:03:48,967 --> 00:03:50,834 THIS PART'S NOT EXACTLY RIGHT, 80 00:03:50,900 --> 00:03:53,166 BUT, YOU KNOW, MOST OF IT. 81 00:03:57,467 --> 00:03:59,367 ( chuckles ) 82 00:04:08,133 --> 00:04:10,066 ( sings along ) 83 00:04:15,266 --> 00:04:17,300 ( laughs ) 84 00:04:31,767 --> 00:04:34,066 - Mickey: OH, MY GOD! - Valerie: THAT'S ME! 85 00:04:34,133 --> 00:04:36,400 - WHERE DID IT GO? - OH, IT'LL COME BACK AROUND. 86 00:04:36,467 --> 00:04:38,967 THAT WAS IT, MICKEY. THAT WAS "THE COMEBACK" POSTER. 87 00:04:39,033 --> 00:04:40,300 THAT WAS THE POSTER! 88 00:04:40,367 --> 00:04:43,033 OH! JANE, WERE YOU ABLE TO GET ANY OF IT? 89 00:04:43,100 --> 00:04:45,033 Jane: A LITTLE BIT. 90 00:04:45,100 --> 00:04:47,300 IT'LL COME BACK AROUND. 91 00:04:47,367 --> 00:04:48,900 HURRY. 92 00:04:48,967 --> 00:04:51,300 IT'LL COME BACK AROUND. WOW, IT HAPPENED SO FAST. 93 00:04:51,367 --> 00:04:53,433 IT'S SO EXCITING. 94 00:04:53,500 --> 00:04:55,800 IT WAS SO FAST. I WAS THERE THEN I WAS GONE. 95 00:04:55,867 --> 00:04:58,000 HARDLY ENOUGH TIME TO TAKE IT IN. 96 00:04:58,066 --> 00:05:00,133 THEY SHOULD LEAVE IT ON A LITTLE LONGER. 97 00:05:00,200 --> 00:05:02,767 - Valerie: THERE IT IS! - Mickey: "THE COMEBACK"! 98 00:05:02,834 --> 00:05:05,000 - Mickey: OH, RED, YOU DID IT! - THERE IT IS! 99 00:05:05,066 --> 00:05:08,367 LOOK AT ME PUSHING THE RED CARPET. THAT'S SO CUTE, HUH MICKEY? 100 00:05:08,433 --> 00:05:11,433 LOOK AT THAT. LOOK AT THAT. 101 00:05:13,166 --> 00:05:15,767 I SHOULD GET THESE RUBBER KNEE THINGS 102 00:05:15,834 --> 00:05:19,433 FOR WHEN I'M OUT IN THE GARDEN FUTZING WITH MY HEIRLOOMS. 103 00:05:20,934 --> 00:05:23,567 OKAY, WELL, THREE LINES. 104 00:05:23,633 --> 00:05:26,233 Jane: I THINK YOU SHOULD SAY SOMETHING. 105 00:05:26,300 --> 00:05:28,667 WHAT MORE CAN I DO, JANE? BREAK INTO THE WRITERS' ROOM 106 00:05:28,734 --> 00:05:30,333 AND TYPE IT UP MYSELF? 107 00:05:30,400 --> 00:05:32,300 THREE LINES, THAT'S ALL. 108 00:05:32,367 --> 00:05:35,567 - ARE THEY FUNNY? - THAT'S BESIDE THE POINT. 109 00:05:35,633 --> 00:05:38,300 THERE'S SUPPOSED TO BE A BIG AUNT SASSY MOMENT ON "ROOM AND BORED" 110 00:05:38,367 --> 00:05:41,467 SO THAT THE NETWORK CAN PROMO IT FOR THE PREMIERE OF "THE COMEBACK." 111 00:05:41,533 --> 00:05:43,266 AND THERE'S NOTHING HERE. NOTHING. 112 00:05:43,333 --> 00:05:45,100 CRAFT SERVICE, RED. 113 00:05:45,166 --> 00:05:47,166 Jane: IT'S IN YOUR CONTRACT. 114 00:05:47,233 --> 00:05:49,100 IT'S PART OF THE DEAL WITH THE NETWORK. 115 00:05:49,166 --> 00:05:51,166 THAT'S FINE, JANE, BUT I'M NOT A LAWYER. 116 00:05:51,233 --> 00:05:53,567 I'M THE ACTRESS, THEY'RE THE SHOW RUNNERS. 117 00:05:53,633 --> 00:05:56,500 I DON'T TALK CONTRACTS. THERE ARE OTHER PEOPLE FOR THAT. 118 00:05:56,567 --> 00:05:58,100 - I'LL SAY SOMETHING. - WHAT? 119 00:05:58,166 --> 00:06:00,133 - I'LL SAY SOMETHING. - REALLY? 120 00:06:00,200 --> 00:06:01,533 YEAH. 121 00:06:01,600 --> 00:06:04,266 OKAY, JUST REMIND THEM GENTLY. 122 00:06:04,333 --> 00:06:06,133 DON'T PUSH THEM. DON'T MAKE ANY DEMANDS. 123 00:06:06,200 --> 00:06:09,000 Jane: HEY, GUYS, CAN I TALK TO YOU FOR A SECOND? 124 00:06:09,066 --> 00:06:10,567 Paulie: SHE SPEAKS! 125 00:06:10,633 --> 00:06:13,533 - ( chatting ) - WHAT WERE YOU SAYING, MICKEY? 126 00:06:14,400 --> 00:06:16,233 BEFORE? 127 00:06:16,300 --> 00:06:17,900 BEFORE WHAT? 128 00:06:17,967 --> 00:06:19,433 ABOUT THE HEIRLOOMS? 129 00:06:19,500 --> 00:06:22,000 Paulie: NO! NO FUCKING WAY! THE SHOW'S ALREADY WRITTEN! 130 00:06:22,066 --> 00:06:24,033 Tom: BUT WE GOT A MEMO FROM THE NETWORK. 131 00:06:24,100 --> 00:06:26,633 MICKEY GROWS THE MOST GORGEOUS HEIRLOOM TOMATOES. 132 00:06:26,700 --> 00:06:29,400 Paulie: FUCK THIS AND FUCK HER REALITY SHOW! 133 00:06:29,467 --> 00:06:31,433 WHICH ARE THE ONES I LIKE? 134 00:06:31,500 --> 00:06:34,400 - Paulie: WHAT'S THE POINT? - Jane: IT'S FROM THE NETWORK. 135 00:06:34,467 --> 00:06:36,400 GREEN ZEBRA AND HILLBILLY. 136 00:06:36,467 --> 00:06:39,000 Tom: WE HAVE TO DO IT! IT'S FOR THE NETWORK! 137 00:06:39,066 --> 00:06:41,333 Paulie: OH, FUCK THE NETWORK! 138 00:06:41,400 --> 00:06:43,667 THAT'S JUST SHOOTING YOURSELF IN THE FOOT. 139 00:06:43,734 --> 00:06:45,033 THAT'S NOT SMART. 140 00:06:45,100 --> 00:06:46,767 YOU NEVER SAY "F THE NETWORK." 141 00:06:46,834 --> 00:06:48,500 I'M QUOTING. 142 00:06:48,567 --> 00:06:50,600 - I'M NOT SAYING IT. - Mickey: HERE SHE COMES. 143 00:06:50,667 --> 00:06:53,000 WELL, OKAY. 144 00:06:53,066 --> 00:06:55,667 JANE, THAT WAS NOT GOOD. THAT WAS NOT GOOD. 145 00:06:55,734 --> 00:06:57,567 SHOULD HAVE LEFT IT TO THE LAWYERS. 146 00:06:57,633 --> 00:06:59,734 I DON'T KNOW WHAT YOU HOPED TO ACCOMPLISH WITH THAT. 147 00:06:59,800 --> 00:07:01,567 TOM SAID HE'D WRITE YOU SOMETHING GOOD. 148 00:07:01,633 --> 00:07:03,500 OH, DID HE? I DIDN'T HEAR THAT PART. 149 00:07:03,567 --> 00:07:06,767 REALLY? OKAY, GOOD. GOOD. ALL RIGHT. 150 00:07:06,834 --> 00:07:08,800 GOOD JOB, JANE. WELL DONE. 151 00:07:08,867 --> 00:07:11,266 I DON'T LIKE HIM TALKING TO YOU THAT WAY. 152 00:07:11,333 --> 00:07:12,533 WHAT IS HIS PROBLEM? 153 00:07:12,600 --> 00:07:15,066 MARK, HE'S NOT SAYING F ME. 154 00:07:15,133 --> 00:07:17,533 HE'S SAYING "F" THE ACTRESS WITH ALL THE DEMANDS. 155 00:07:17,600 --> 00:07:19,333 F THE REALITY SHOW. 156 00:07:19,400 --> 00:07:22,533 IT'S F ANYTHING THAT'S GONNA MAKE HIM WORK A LITTLE HARDER. 157 00:07:22,600 --> 00:07:26,233 ANYTHING THAT TAKES HIM AWAY FROM HIS TRIP TO LAS VEGAS 158 00:07:26,300 --> 00:07:29,166 OR WHATEVER HE DOES ON HIS WEEKENDS. 159 00:07:31,567 --> 00:07:34,600 HE'S VERY LUCKY HE HAS TOM FOR A PARTNER. 160 00:07:34,667 --> 00:07:37,867 VERY, VERY LUCKY THAT TOM IS SMART AND HE GETS IT. 161 00:07:37,934 --> 00:07:40,266 WELL, HE BETTER WATCH OUT, OR I'M GONNA GO DOWN THERE 162 00:07:40,333 --> 00:07:42,934 AND PUNCH HIM IN HIS BIG FAT GUT. 163 00:07:43,000 --> 00:07:44,567 MARK, THAT'S CUTE. 164 00:07:44,633 --> 00:07:46,967 HE DOESN'T MEAN THAT, JANE. 165 00:07:47,033 --> 00:07:49,100 YES, I DO. 166 00:07:50,467 --> 00:07:53,033 SEE THIS IS WHAT I HAVE THAT PAULIE G. DOESN'T-- 167 00:07:53,100 --> 00:07:55,300 A MAN AT HOME WHO LOVES ME. 168 00:07:55,367 --> 00:07:59,934 I'M NOT SAYING THAT PAULIE G. WANTS A MAN AT HOME. 169 00:08:00,000 --> 00:08:02,033 TOO BAD HE DOESN'T, HUH, JANE? 170 00:08:02,100 --> 00:08:06,233 'CAUSE THEN THAT F WOULD STAND FOR FABULOUS. 171 00:08:07,033 --> 00:08:08,533 Jane: YEAH. 172 00:08:08,600 --> 00:08:11,133 Valerie: MY POINT IS, I DON'T TAKE IT PERSONALLY. 173 00:08:11,200 --> 00:08:13,533 I'M NOT THAT PERSON. 174 00:08:13,600 --> 00:08:16,533 HE'S AN ANGRY, ANGRY, ANGRY MAN. 175 00:08:19,133 --> 00:08:21,867 DON'T WORRY ABOUT ME AT WORK, ALL RIGHT? 176 00:08:21,934 --> 00:08:23,800 DON'T WORRY ABOUT ME. 177 00:08:23,867 --> 00:08:26,367 "THINK I'D CRUMBLE? THINK I'D LAY DOWN AND DIE? 178 00:08:26,433 --> 00:08:28,133 OH NO, NOT I." 179 00:08:28,200 --> 00:08:30,700 IT'S FROM THE SONG. 180 00:08:32,533 --> 00:08:34,600 HI, LOVEY. 181 00:08:34,667 --> 00:08:37,000 - HI. - CANDY FOR LUNCH? 182 00:08:37,066 --> 00:08:38,667 - MM-HMM. - SOME BREAD AND CANDY? 183 00:08:38,734 --> 00:08:40,300 WHAT'S WITH ALL THIS EXTRA SECURITY? 184 00:08:40,367 --> 00:08:43,200 - WHAT SECURITY? - THERE, RED. HADN'T YOU NOTICED? 185 00:08:43,266 --> 00:08:45,533 - OH. - I GOT A STALKER NOTE. 186 00:08:45,600 --> 00:08:47,400 WHERE? 187 00:08:47,467 --> 00:08:49,266 - IN MY ROOM. - OH, YOU'RE KIDDING? 188 00:08:49,333 --> 00:08:51,266 - NO, IT CAME THIS MORNING. - ( gasps ) 189 00:08:51,333 --> 00:08:53,367 WELL, I HAD WITH THAT ON "IT." 190 00:08:53,433 --> 00:08:55,200 - DID YOU? - OH, YEAH. 191 00:08:55,266 --> 00:08:57,633 WHEN YOU'RE LUCKY ENOUGH TO BE A CELEBRITY 192 00:08:57,700 --> 00:08:59,166 AND YOU'VE REALLY GOT IT LIKE WE DO 193 00:08:59,233 --> 00:09:01,133 IT JUST COMES WITH THE TERRITORY. 194 00:09:01,200 --> 00:09:02,700 YOU SHOULD LISTEN TO HER, JUNA. 195 00:09:02,767 --> 00:09:04,133 ALL THE NUTS LOVED VALERIE. 196 00:09:04,200 --> 00:09:06,200 THAT'S TRUE ENOUGH. THERE WAS ONE GUY 197 00:09:06,266 --> 00:09:09,734 WHO KEPT SENDING ME PICTURES OF HIMSELF DRESSED AS MY CHARACTER BECKY. 198 00:09:09,800 --> 00:09:12,300 KIND OF CREEPY. I DIDN'T NEED TO SEE THAT! 199 00:09:12,367 --> 00:09:15,000 WHAT ABOUT THE GUY THAT SENT YOU SHIT. REMEMBER? 200 00:09:15,066 --> 00:09:16,600 "I'M IT, I'M SHIT." 201 00:09:16,667 --> 00:09:19,266 THAT'S JUST MEAN. I DON'T EVEN LIKE TO THINK ABOUT IT. 202 00:09:19,333 --> 00:09:21,000 WHAT DID YOUR NOTE SAY? 203 00:09:21,066 --> 00:09:24,467 IT SAID, "IF I CAN'T HAVE YOU, NO ONE ELSE WILL." 204 00:09:24,533 --> 00:09:26,967 WELL, THAT'S A DEATH THREAT, HONEY. 205 00:09:27,033 --> 00:09:30,066 - IT IS? - JUNA, NO. NO, IT'S NOT. 206 00:09:30,133 --> 00:09:32,700 MICKEY, DON'T GET HYSTERICAL. 207 00:09:32,767 --> 00:09:34,433 DON'T ADD FUEL TO THE FIRE. 208 00:09:34,500 --> 00:09:36,400 LISTEN, WE'VE GOT EXTRA SECURITY 209 00:09:36,467 --> 00:09:38,300 AND I'M SURE EVERYTHING IS GONNA BE FINE. 210 00:09:38,367 --> 00:09:39,900 - REALLY WILL. - YEAH. 211 00:09:39,967 --> 00:09:42,867 HEY, GUYS! GOT SOME PRETTY BIG CHANGES HERE. 212 00:09:42,934 --> 00:09:44,266 JANE, CHANGES. 213 00:09:44,333 --> 00:09:47,367 VAL, WE'VE GOT A REALLY REALLY FUNNY SCENE 214 00:09:47,433 --> 00:09:49,333 AT THE END OF THE SCRIPT WITH A BIG PRATFALL. 215 00:09:49,400 --> 00:09:51,633 I KNOW YOU WERE ASKING FOR SOMETHING PHYSICAL, 216 00:09:51,700 --> 00:09:53,567 SO I THOUGHT YOU'D LIKE THAT. 217 00:09:53,633 --> 00:09:56,734 - I'M SURE I WILL. THANK YOU. - NO PROBLEM. 218 00:09:56,800 --> 00:09:58,767 HAPPY TO DO IT. SEE? 219 00:09:58,834 --> 00:10:00,567 IT ALL WORKED OUT. 220 00:10:00,633 --> 00:10:03,767 OH, JUNA, JUST TAKE A LOOK AT THE AUNT SASSY STUFF, 221 00:10:03,834 --> 00:10:05,300 'CAUSE YOU'RE GONNA BE IN ALL OF IT. 222 00:10:05,367 --> 00:10:08,166 - OH, GREAT! OH, FUN! - COOL! THANKS. 223 00:10:08,233 --> 00:10:10,567 OH, AND APPARENTLY I HAVE 224 00:10:10,633 --> 00:10:12,867 AN ULCER SITUATION HAPPENING, 225 00:10:12,934 --> 00:10:14,900 SO I'M GONNA BE OUT THIS WHOLE WEEK 226 00:10:14,967 --> 00:10:17,867 - RUNNING SOME TESTS. - OH NO, TOM. 227 00:10:17,934 --> 00:10:20,800 - ANYTHING WE CAN DO? - NO, I DON'T THINK SO. 228 00:10:20,867 --> 00:10:24,300 YOU GUYS WILL IN GOOD HANDS WITH PAULIE. DON'T WORRY ABOUT IT. 229 00:10:24,367 --> 00:10:27,333 - ARE YOU GONNA BE ALL RIGHT? - YEAH, DON'T WORRY ABOUT ME. 230 00:10:27,400 --> 00:10:29,900 - WE'VE GOT ALL THE EXTRA SECURITY. - OKAY, GOOD. 231 00:10:29,967 --> 00:10:33,633 ANYTHING WEIRD, JUST TELL PAULIE G. 232 00:10:33,700 --> 00:10:35,500 - YEAH, PLEASE. - YES. 233 00:10:35,567 --> 00:10:37,100 - OKAY? - THANKS. 234 00:10:37,166 --> 00:10:40,066 - AW, WHAT A BEAR. - ( chuckles ) 235 00:10:41,433 --> 00:10:43,300 RED LIGHT'S STILL ON. 236 00:10:43,367 --> 00:10:45,834 SO THEY'RE FILMING, CAN'T GO IN. 237 00:10:45,900 --> 00:10:47,433 DON'T WANT TO RUIN A TAKE. 238 00:10:47,500 --> 00:10:50,166 A LOT OF HARD WORKING PEOPLE IN THERE. 239 00:10:52,133 --> 00:10:54,333 OH HI. DID YOU GIVE HIM--? 240 00:10:54,400 --> 00:10:56,166 YEAH, HE'S RIGHT BEHIND-- 241 00:10:56,233 --> 00:10:58,800 THANKS, ERIC. TELL THEM I'LL BE RIGHT BACK. 242 00:10:58,867 --> 00:11:01,266 Valerie: HI, JIMMY. I SEE YOU GOT MY NOTE? 243 00:11:01,333 --> 00:11:04,367 YEAH, WHAT'S UP? IT SOUNDED URGENT. 244 00:11:04,433 --> 00:11:06,233 OH NO, IT'S NOT URGENT. 245 00:11:06,300 --> 00:11:09,266 JUST, YOU KNOW, PASSIONATE, NOT URGENT. 246 00:11:09,333 --> 00:11:10,667 I'VE ONLY GOT A MINUTE. 247 00:11:10,734 --> 00:11:12,834 OH, ALL RIGHT, THEN HERE'S THE SCOOP. 248 00:11:12,900 --> 00:11:15,633 SO "ROOM AND BORED" WROTE ME THIS REAL FUNNY BIT. 249 00:11:15,700 --> 00:11:17,667 I'M DRESSED AS A GIANT CUPCAKE 250 00:11:17,734 --> 00:11:21,867 IN A DIET PILL HALLUCINATION AND I DO A BIG PRATFALL. 251 00:11:21,934 --> 00:11:24,300 SOUNDS LIKE THEY'VE LOST THEIR MINDS. 252 00:11:24,367 --> 00:11:27,767 OH NO, IT'S FUNNY. IT WORKS. IT WORKS. 253 00:11:27,834 --> 00:11:30,967 THEY'RE CALLING IT "REQUIEM FOR A DREAM" MEETS DR. SEUSS. 254 00:11:31,033 --> 00:11:33,266 ( giggling ) IT'S REAL FUNNY. 255 00:11:33,333 --> 00:11:35,834 ANYWAY, THE WHOLE BIT SCREAMS JIMMY. 256 00:11:35,900 --> 00:11:38,033 BUT WE DON'T HAVE YOU THIS WEEK. 257 00:11:38,100 --> 00:11:41,300 YOU KNOW, GOT WAGNER. AND HE'S A DELIGHT, DON'T GET ME WRONG. 258 00:11:41,367 --> 00:11:44,266 BUT YOU'RE THE MASTER OF PHYSICAL COMEDY. 259 00:11:44,333 --> 00:11:47,900 SO I WAS JUST WONDERING IF YOU COULD COME ON OVER, 260 00:11:47,967 --> 00:11:49,967 YOU KNOW, JUST FOR A LITTLE BIT. 261 00:11:50,033 --> 00:11:51,934 I'M IN THE MIDDLE OF PRE-SHOOT. 262 00:11:52,000 --> 00:11:54,633 OH SURE, YEAH. OF COURSE. 263 00:11:54,700 --> 00:11:57,200 I WAS AFRAID OF THAT. EVERYONE WANTS YOU. 264 00:11:57,266 --> 00:11:58,734 SO, ALL RIGHT. 265 00:11:58,800 --> 00:12:00,667 WELL, HELL. I GOT YOU NOW. 266 00:12:00,734 --> 00:12:03,667 WHY DON'T-- I CAN SHOW YOU WHAT I WAS THINKING. 267 00:12:03,734 --> 00:12:06,500 HOW ABOUT I DON'T FALL ON A PIECE OF GLASS? 268 00:12:06,567 --> 00:12:08,300 - UH, VAL, VAL. - YEAH? 269 00:12:08,367 --> 00:12:10,967 WHAT ARE YOU DOING? DON'T FALL HERE. 270 00:12:11,033 --> 00:12:14,700 NO, I WASN'T GOING TO FALL FALL. 271 00:12:14,767 --> 00:12:16,667 NO, JUST GONNA SORT OF MIME IT. 272 00:12:16,734 --> 00:12:19,600 TAKE YOU THROUGH THE STEPS, SHOW YOU WHAT I WAS THINKING. 273 00:12:19,667 --> 00:12:23,367 IT'S A PRATFALL IN A CUPCAKE SUIT. 274 00:12:23,433 --> 00:12:25,066 YEAH. 275 00:12:26,100 --> 00:12:27,867 I KNOW, IT'S JUST, YOU KNOW... 276 00:12:27,934 --> 00:12:29,600 LOOK, TOM'S GONE THIS WHOLE WEEK. 277 00:12:29,667 --> 00:12:31,934 - HE HAS AN ULCER. - OH, I DIDN'T KNOW. 278 00:12:32,000 --> 00:12:34,400 YEAH, SO IT'S JUST PAULIE G. 279 00:12:34,467 --> 00:12:36,500 AND WAGNER. 280 00:12:36,567 --> 00:12:38,433 WELL, YEAH. 281 00:12:38,500 --> 00:12:41,266 SO I'M PRETTY MUCH ON MY OWN. 282 00:12:42,433 --> 00:12:44,300 I JUST WANT IT TO BE GOOD. SHOW PAULIE, 283 00:12:44,367 --> 00:12:46,600 "IT'S OKAY, I CAN BE FUNNY. I CAN BE GOOD." 284 00:12:46,667 --> 00:12:49,700 HONEY, BLOOD FROM A STONE. 285 00:12:49,767 --> 00:12:52,767 - WHAT? - BLOOD FROM A STONE. 286 00:12:52,834 --> 00:12:55,266 YEAH. INCAPABLE. 287 00:12:55,333 --> 00:12:57,166 YEAH, YEAH. 288 00:12:57,233 --> 00:12:59,667 NO, I UNDERSTAND. WELL, STILL, I WANT IT TO BE GOOD. 289 00:12:59,734 --> 00:13:02,166 - SO I'D LOVE TO-- - THE AUDIENCE WILL LAUGH 290 00:13:02,233 --> 00:13:04,600 AND YOU'LL GO TO THAT PLACE YOU GO. 291 00:13:04,667 --> 00:13:06,133 YOU'LL BE FINE. 292 00:13:06,200 --> 00:13:09,433 - YOU THINK? - YOU'RE A GIANT CUPCAKE. 293 00:13:09,500 --> 00:13:11,000 THAT'S TRUE. 294 00:13:11,066 --> 00:13:13,033 WELL, I'LL SEE YOU. YOU'RE GONNA BE GREAT. 295 00:13:13,100 --> 00:13:15,400 - THANK YOU. ALL RIGHT, THANKS, JIMMY. - OKAY. 296 00:13:15,467 --> 00:13:17,834 AND IF YOU CAN, FALL BACKWARDS. IT'S ALWAYS FUNNIER. 297 00:13:17,900 --> 00:13:19,433 YEAH, THAT'S GOOD. 298 00:13:19,500 --> 00:13:23,433 - I WAS THINKING I'D FALL FORWARDS-- - BACKWARDS! 299 00:13:23,500 --> 00:13:25,266 HE HAS HIS OWN WAY OF DOING THINGS. 300 00:13:25,333 --> 00:13:26,967 BUT NOTHING'S FUNNIER THEN A FACEPLANT. 301 00:13:27,033 --> 00:13:30,033 I KNOW THAT, JUST WANTED TO WORK THAT OUT WITH HIM. 302 00:13:30,100 --> 00:13:32,166 AH, JANE, LOOK AT MICKEY. 303 00:13:32,233 --> 00:13:35,300 HE FELL ASLEEP WITH THE WINDOWS ALL ROLLED UP. 304 00:13:35,367 --> 00:13:38,900 IF WE JUST LEFT HIM THERE HE'D BE DEAD IN 20 MINUTES. 305 00:13:38,967 --> 00:13:40,233 GONNA WAKE HIM UP. 306 00:13:40,300 --> 00:13:42,400 I'M SAVING YOUR LIFE! 307 00:13:59,767 --> 00:14:01,900 ( shouting ) WAKE UP! WAKE UP! 308 00:14:03,100 --> 00:14:05,300 WAKE UP! WAKE UP! 309 00:14:26,734 --> 00:14:28,900 WAKE UP! WAKE UP! 310 00:14:36,900 --> 00:14:38,533 - Mark: HEY. - OH! 311 00:14:38,600 --> 00:14:40,433 - OH, GOOD YOU'RE HOME. - WHAT'S GOING ON? 312 00:14:40,500 --> 00:14:43,800 - IT'S LATE. - DINNER WITH THE OUT-OF-TOWN CLIENTS. 313 00:14:43,867 --> 00:14:45,867 - THEY WANT TO PARTY. - YEAH. 314 00:14:45,934 --> 00:14:47,467 WHAT ARE YOU DOING? 315 00:14:47,533 --> 00:14:49,500 OH, JUST WORKING SOMETHING OUT. 316 00:14:49,567 --> 00:14:51,200 WORKING SOMETHING OUT. 317 00:14:51,266 --> 00:14:52,734 THEY CHANGED THE WHOLE SCRIPT. 318 00:14:52,800 --> 00:14:54,633 WHOLE SCRIPT. PART OF THE B STORY NOW. 319 00:14:54,700 --> 00:14:56,967 - PRETTY BIG, HUH? - HOW MANY STORIES ARE THERE? 320 00:14:57,033 --> 00:14:59,133 NEVER MIND. THE POINT IS, 321 00:14:59,200 --> 00:15:01,934 IS THAT I'M A REAL PART OF THE SHOW. 322 00:15:02,000 --> 00:15:04,166 IT ALL WORKED OUT. 323 00:15:04,233 --> 00:15:06,767 JANE SHOWED HER TEETH AND "THE COMEBACK" PULLED RANK. 324 00:15:06,834 --> 00:15:09,800 - GOOD. - YEAH, YEAH. 325 00:15:09,867 --> 00:15:13,233 I HAVE THIS HILARIOUS PRATFALL I WAS JUST PRACTICING. 326 00:15:13,300 --> 00:15:15,133 Mark: I DON'T LIKE THAT. 327 00:15:15,200 --> 00:15:17,667 IT'S ALL RIGHT. IT'S NOTHING. 328 00:15:17,734 --> 00:15:19,867 Mark: I DON'T WANT YOU TO HURT YOUR BACK. 329 00:15:19,934 --> 00:15:21,667 NO, I WON'T. 330 00:15:21,734 --> 00:15:25,300 I'M WEARING A BIG CUPCAKE, AND THERE'S PADDING ALL AROUND. 331 00:15:26,767 --> 00:15:30,000 LEAVE THE ACTING TO THE ACTRESS, ALL RIGHT? 332 00:15:30,066 --> 00:15:31,967 YOU'RE A CUPCAKE? 333 00:15:32,033 --> 00:15:33,934 Valerie: YEAH, ISN'T THAT FUNNY? 334 00:15:34,000 --> 00:15:36,433 HONEY, I THINK IT'S MY LUCY MOMENT. 335 00:15:36,500 --> 00:15:38,367 OH, WELL, AS LONG AS YOU THINK IT'S SAFE. 336 00:15:38,433 --> 00:15:40,233 OH, YEAH, IT IS. 337 00:15:40,300 --> 00:15:43,834 ARE YOU SURE YOU DON'T WANT ME TO COME DOWN THERE AND MAKE SURE YOU'RE OKAY? 338 00:15:43,900 --> 00:15:47,100 OH, NO NO NO. MARK, PLEASE DON'T. 339 00:15:47,166 --> 00:15:49,433 I CAN'T WORRYING ABOUT YOU WORRYING ABOUT ME. 340 00:15:49,500 --> 00:15:52,433 I'VE GOT TO WORRY ABOUT GETTING LAUGHS. 341 00:15:54,700 --> 00:15:57,333 - IT'S FINE. - ( laughs ) 342 00:15:57,400 --> 00:15:59,633 - THAT WORKS. - SEE? 343 00:15:59,700 --> 00:16:03,166 Jane: THE SCRIPT HAS METAL THINGS ON IT. 344 00:16:05,867 --> 00:16:07,400 OH. 345 00:16:08,300 --> 00:16:09,500 OH, EXCUSE ME. 346 00:16:09,567 --> 00:16:11,433 I DON'T HAVE TO GO THROUGH. 347 00:16:11,500 --> 00:16:14,000 - I'M ONE OF THE STARS. - EVERYBODY HAS TO GO THROUGH. 348 00:16:14,066 --> 00:16:15,467 EVEN THE STARS. 349 00:16:15,533 --> 00:16:18,033 WELL, I SUPPOSE I COULD BE STALKING JUNA. 350 00:16:18,100 --> 00:16:20,633 - EVERYONE COULD. - ( beeps ) 351 00:16:20,700 --> 00:16:24,266 THOUGHT THAT MIGHT HAPPEN. SOME TIMES IT GOES OFF SOME TIMES IT DOESN'T. 352 00:16:24,333 --> 00:16:26,166 DEPENDS ON THE SENSITIVITY. 353 00:16:26,233 --> 00:16:27,533 - RIGHT, MICKEY? - RIGHT. 354 00:16:27,600 --> 00:16:29,967 YEAH. WOULD YOU MIND GOING THROUGH AGAIN, PLEASE? 355 00:16:30,033 --> 00:16:32,500 IT'S JUST GONNA GO OFF AGAIN. 356 00:16:32,567 --> 00:16:34,567 - ( beeps ) - YEAH, YEAH. 357 00:16:34,633 --> 00:16:39,133 YEAH, I HAVE A METAL ROD IN MY BACK. 358 00:16:39,200 --> 00:16:41,734 JANE, I HAD CURVATURE OF THE SPINE AS A KID 359 00:16:41,800 --> 00:16:45,100 SO THEY HAD TO CORRECT IT, PUT A ROD IN AND STRAIGHTEN IT OUT. 360 00:16:45,166 --> 00:16:47,033 I HAD SCOLIOSIS. 361 00:16:47,100 --> 00:16:48,533 HAPPENS TO A LOT OF GIRLS. 362 00:16:48,600 --> 00:16:50,233 - RIGHT, MICKEY? - RIGHT. 363 00:16:50,300 --> 00:16:53,133 Guard: WOULD YOU STAND OVER TO THE SIDE, PLEASE? 364 00:16:55,066 --> 00:16:57,000 LIFT UP YOUR ARMS, PLEASE. 365 00:16:58,266 --> 00:17:00,667 - ( wand beeping ) - YEAH, SEE? THERE I GO. 366 00:17:00,734 --> 00:17:03,200 MONICA, WOULD YOU MIND? 367 00:17:06,333 --> 00:17:08,533 NICE TO MEET YOU, TOO. 368 00:17:08,600 --> 00:17:10,100 - SORRY. - ALL CLEAR. 369 00:17:10,166 --> 00:17:11,533 - OKAY. - GOOD, GREAT. 370 00:17:11,600 --> 00:17:13,867 - I LOVE THE SHOW. - AW, THANK YOU. 371 00:17:13,934 --> 00:17:16,700 LISTEN, YOU'RE DOING A GREAT JOB, ALL OF YOU. 372 00:17:16,767 --> 00:17:19,133 REALLY FEEL SAFE, SO GLAD TO HAVE YOU HERE. 373 00:17:19,200 --> 00:17:21,700 MICKEY, SEE YOU IN HAIR AND MAKE-UP. 374 00:17:21,767 --> 00:17:24,100 OKAY, RED. 375 00:17:24,166 --> 00:17:26,367 SHOULDN'T HAVE HAD THAT BACON. 376 00:17:30,667 --> 00:17:34,233 Jane: DO YOU WANT TO TALK ABOUT WHAT JUST HAPPENED AT THE METAL DETECTOR? 377 00:17:34,300 --> 00:17:37,400 OH, THAT WAS NO BIG DEAL. NO. 378 00:17:37,467 --> 00:17:39,700 YOU KNOW THOSE GIRLS IN JUNIOR HIGH 379 00:17:39,767 --> 00:17:43,367 WHO HAD BODY CASTS ON OR THE BACK BRACE? THAT WAS ME. 380 00:17:43,433 --> 00:17:45,266 IT HAPPENED. DONE. 381 00:17:45,333 --> 00:17:47,300 Jane: AREN'T YOU WORRIED ABOUT YOUR FALL? 382 00:17:47,367 --> 00:17:50,066 OH GOD, NO. NO NO NO. 383 00:17:50,133 --> 00:17:54,266 I HAVE A ROD IN MY BACK, BUT IT DOESN'T LIMIT ME MUCH. 384 00:17:54,333 --> 00:17:57,000 I'VE ALWAYS BEEN VERY ACTIVE, VERY PHYSICAL. 385 00:17:57,066 --> 00:17:59,900 EVEN THEN I WAS ON THE FIELD HOCKEY TEAM. 386 00:17:59,967 --> 00:18:03,433 BUT THAT WHOLE YEAR, OF COURSE, I WAS IN THE BODY CAST. 387 00:18:03,500 --> 00:18:05,767 SO, I COULDN'T PLAY, 388 00:18:05,834 --> 00:18:07,467 BUT I'D STILL GO TO EVERY PRACTICE. 389 00:18:07,533 --> 00:18:11,500 WENT TO EVERY PRACTICE, DRESSED IN THE UNIFORM FOR EVERY GAME, RIGHT? 390 00:18:11,567 --> 00:18:15,867 AND STILL PART OF IT. I RAN AROUND HANDING OUT TOWELS, 391 00:18:15,934 --> 00:18:18,600 GETTING EVERYONE WATER, 392 00:18:18,667 --> 00:18:20,233 CHEERING THEM ON DURING THE GAMES. 393 00:18:20,300 --> 00:18:22,734 YEAH, SHOWED UP EVERY DAY. 394 00:18:22,800 --> 00:18:25,000 SO, IT WAS FUN. 395 00:18:25,066 --> 00:18:27,233 WOULDN'T DIDN'T LET ME BE IN THE PICTURE. 396 00:18:27,300 --> 00:18:29,333 BUT... 397 00:18:31,934 --> 00:18:34,834 I DON'T KNOW WHAT THIS IS. 398 00:18:34,900 --> 00:18:37,266 ALL OF THE SUDDEN-- WHOO! 399 00:18:38,467 --> 00:18:40,767 I'M GONNA HAVE TO-- 400 00:18:42,633 --> 00:18:44,200 I'M FINE! 401 00:18:44,266 --> 00:18:46,600 ( sobs ) I DON'T KNOW WHAT THIS IS. 402 00:18:49,633 --> 00:18:51,734 GET OFF ME. 403 00:18:51,800 --> 00:18:54,767 - ( audience laughs ) - FOLKS, JUST ONE MORE SCENE TO GO. 404 00:18:54,834 --> 00:18:56,934 NOW REMEMBER, LAST TIME WE SAW AUNT SASSY 405 00:18:57,000 --> 00:18:59,567 SHE TELLING THE KIDS NOT TO LET HER INTO JUNA'S 406 00:18:59,633 --> 00:19:02,500 - FOR CUPCAKES AND QUESADILLA NIGHT. - ( audience laughs ) 407 00:19:02,567 --> 00:19:04,834 SHE'S BEEN ON DIET PILLS FOR WEEKS 408 00:19:04,900 --> 00:19:06,967 AND STILL HASN'T LOST THE WEIGHT. 409 00:19:07,033 --> 00:19:09,233 IT'S LATE NIGHT, JUNA'S GONE TO BED, 410 00:19:09,300 --> 00:19:11,533 THE LEFT OVER GOODIES ARE IN THE FRIDGE 411 00:19:11,600 --> 00:19:15,433 AND AUNT SASSY'S HALLUCINATING UPSTAIRS IN A DIET PILL STUPOR. 412 00:19:15,500 --> 00:19:16,967 ( audience laughing ) 413 00:19:17,033 --> 00:19:19,100 Eddie: ALL RIGHT, HERE WE GO! ON A BELL! 414 00:19:19,166 --> 00:19:21,200 ( bell rings ) 415 00:19:21,266 --> 00:19:23,367 Assistant: SCENE J. FOUR CAMERAS. 416 00:19:23,433 --> 00:19:25,166 COMMON MARKER. TAKE ONE! 417 00:19:25,233 --> 00:19:27,266 AND ACTION! 418 00:19:27,333 --> 00:19:28,800 ( door opens ) 419 00:19:28,867 --> 00:19:31,033 ( audience laughs ) 420 00:19:35,633 --> 00:19:38,300 MUST HAVE CUPCAKES. 421 00:19:38,367 --> 00:19:41,667 MUST HAVE QUESADILLAS. 422 00:19:43,100 --> 00:19:45,266 I DON'T NEED TO SEE THAT! 423 00:19:45,333 --> 00:19:47,200 ( audience laughs, applauds ) 424 00:19:47,266 --> 00:19:50,033 Wagner: AND CUE THE ISLAND MOVING. 425 00:19:51,033 --> 00:19:52,600 WHY ISN'T THE ISLAND MOVING? 426 00:19:52,667 --> 00:19:55,000 MOVE THE ISLAND! 427 00:19:55,066 --> 00:19:56,934 IT'S NOT MOVING. 428 00:19:57,000 --> 00:19:58,333 Wagner: OKAY, CUT! 429 00:19:58,400 --> 00:19:59,800 WHAT HAPPENED TO THE ISLAND? BILL? 430 00:19:59,867 --> 00:20:02,567 Emcee: LOOKS LIKE WE HAVE A TECHNICAL PROBLEM, FOLKS. 431 00:20:02,633 --> 00:20:05,266 YEAH, SO PRETEND YOU DIDN'T ALREADY SEE ME, OKAY? 432 00:20:05,333 --> 00:20:08,300 - Eddie: WHAT'S GOING ON? - Bill: THE RIG'S JAMMED. 433 00:20:08,367 --> 00:20:10,834 - WE NEED A MINUTE. - LET'S MAKE IT HAPPEN. COME ON. 434 00:20:10,900 --> 00:20:13,400 ROBIN? 435 00:20:14,800 --> 00:20:16,633 WELL, MY ENTRANCE IS BLOWN. IT'S BLOWN. 436 00:20:16,700 --> 00:20:19,233 DON'T WORRY, RED, IT'LL BE FUNNY ALL OVER AGAIN. 437 00:20:19,300 --> 00:20:22,367 A CUPCAKE'S NEVER AS FUNNY THE SECOND TIME, NEVER. 438 00:20:22,433 --> 00:20:24,767 OH, LOOK, THEY'RE HAVING A GREAT TIME. 439 00:20:24,834 --> 00:20:26,767 - UH, VALERIE? - YEAH? 440 00:20:26,834 --> 00:20:28,700 WE'VE GOT A PROBLEM. THE RIG IS BLOWN. 441 00:20:28,767 --> 00:20:31,934 - IS IT, HUH? - WE'RE GOING TO HAVE TO SWITCH IT OUT. 442 00:20:32,000 --> 00:20:34,000 - HOW LONG'S THAT GOING TO TAKE? - OH, NO TIME. 443 00:20:34,066 --> 00:20:37,333 - A COUPLE OF MINUTES. - ACTUALLY, IT'S GOING TO BE MORE LIKE AN HOUR. 444 00:20:37,400 --> 00:20:39,700 YEAH, IT TAKES ABOUT AN HOUR. 445 00:20:39,767 --> 00:20:42,633 - YEAH, ALL RIGHT. PETER? - YEAH? 446 00:20:42,700 --> 00:20:44,767 WE'VE GOT AN HOUR, SO GET ME OUT OF THIS CAKE. 447 00:20:44,834 --> 00:20:46,600 LET'S GO, HONEY. 448 00:20:46,667 --> 00:20:49,767 Emcee: THERE SHE GOES BACKSTAGE TO STAY FRESH. 449 00:20:49,834 --> 00:20:53,000 WELL, THAT'S AN HOUR. 450 00:20:53,066 --> 00:20:54,834 AN HOUR. 451 00:20:54,900 --> 00:20:56,867 Eddie: OKAY, HERE'S WHAT'S GOING ON. 452 00:20:56,934 --> 00:21:00,533 - IT'S GONNA TAKE ANOTHER 45 MINUTES. - WHAT? WHY? 453 00:21:00,600 --> 00:21:03,333 WE HAD TO GO OVER TO WARNER BROTHERS TO GET A NEW MOTOR. 454 00:21:03,400 --> 00:21:06,533 ALL RIGHT. HOW'S THE AUDIENCE DOING? GETTING RESTLESS? 455 00:21:06,600 --> 00:21:10,000 - WE LET THE AUDIENCE GO. - WHAT? OH, NO. 456 00:21:10,066 --> 00:21:12,166 EDDIE, NO. GOT TO HAVE THE AUDIENCE FOR MY BIT. 457 00:21:12,233 --> 00:21:14,033 HOW AM I GOING TO KNOW IF IT'S WORKING? 458 00:21:14,100 --> 00:21:16,033 I'M SORRY, VAL. IT WAS 11:00. 459 00:21:16,100 --> 00:21:18,100 THERE WAS A TOUR. THEY HAD TO BE OUT OF THERE. 460 00:21:18,166 --> 00:21:20,700 THE AUDIENCE WAS GETTING ANTSY, SO WE SENT THEM. 461 00:21:20,767 --> 00:21:22,600 - OKAY, I GOT IT. - WE PRE-SHOT THAT TAG. 462 00:21:22,667 --> 00:21:26,100 - YOURS IS THE LAST SCENE. I'LL COME AND GET YOU. - THANK YOU. 463 00:21:26,166 --> 00:21:29,033 ( men chanting ) ONE FOR THE MONEY, TWO FOR THE MONEY, 464 00:21:29,100 --> 00:21:31,567 THREE FOR THE MONEY! ( hooting ) 465 00:21:31,633 --> 00:21:34,533 - ONE MORE! - WAIT, WAIT! 466 00:21:37,333 --> 00:21:40,400 Paulie: MUST HAVE TEQUILA! 467 00:21:43,266 --> 00:21:47,800 THE LEAST HE COULD'VE DONE WAS KEEP THE WRITERS HERE TO LAUGH. 468 00:21:47,867 --> 00:21:51,100 SWEETIE, YOU DON'T NEED THEM. YOU'RE DELICIOUS! 469 00:21:51,166 --> 00:21:53,433 - Wagner: VALERIE, YOU READY? - YEAH. YEAH, I AM! 470 00:21:53,500 --> 00:21:55,934 ALL RIGHT, EVERYONE, FROM VALERIE'S ENTRANCE! 471 00:21:56,000 --> 00:21:57,667 HERE WE GO. ON A BELL! 472 00:21:57,734 --> 00:22:00,300 ( bell rings ) 473 00:22:00,367 --> 00:22:02,834 SCENE J FOUR CAMERAS. COMMON MARKER. TAKE TWO. 474 00:22:02,900 --> 00:22:04,033 ( sticks click ) 475 00:22:04,100 --> 00:22:06,367 Wagner: AND ACTION! 476 00:22:10,900 --> 00:22:14,133 MUST HAVE CUPCAKES. 477 00:22:14,200 --> 00:22:16,567 MUST HAVE QUESADILLA. 478 00:22:17,467 --> 00:22:20,233 I DON'T NEED TO SEE THAT! 479 00:22:22,633 --> 00:22:25,600 MUST HAVE CUPCAKES! 480 00:22:25,667 --> 00:22:27,734 YOU'RE FAT-FATTY-FAT-FAT! 481 00:22:27,800 --> 00:22:29,934 WAKE UP! WAKE UP! OH! 482 00:22:31,133 --> 00:22:34,200 - AND CUT! - ( Valerie laughs ) 483 00:22:34,266 --> 00:22:36,700 - YOU OKAY, VAL? - OH, YEAH, I'M FINE. 484 00:22:36,767 --> 00:22:39,066 - ARE YOU SURE? - OH, SURE. I'M FINE. 485 00:22:39,133 --> 00:22:40,800 PERFECTLY FINE. HOW WAS THAT? 486 00:22:40,867 --> 00:22:42,867 PAULIE, WHAT DO YOU THINK? 487 00:22:42,934 --> 00:22:44,734 YOU KNOW THE FALL COULD BE BETTER. 488 00:22:44,800 --> 00:22:47,200 COULD BE BETTER, PAULIE. I'M GONNA DO ANOTHER ONE. 489 00:22:47,266 --> 00:22:49,333 WHATEVER. 490 00:22:49,400 --> 00:22:51,900 Wagner: VALERIE, I'VE GOT THE ENTRANCE, 491 00:22:51,967 --> 00:22:54,233 SO WE'LL JUST DO IT FROM WHERE THE FRIDGE OPENS. 492 00:22:54,300 --> 00:22:56,033 YEAH, OKAY, GREAT. 493 00:22:56,100 --> 00:22:57,867 ALL RIGHT, EVERYBODY, LET'S RESET! 494 00:22:57,934 --> 00:23:00,967 LET'S TAKE IT FROM VALERIE OPENING THE FRIDGE. 495 00:23:01,033 --> 00:23:02,800 WELL, I THOUGHT IT WAS GREAT. 496 00:23:02,867 --> 00:23:04,767 NONE OF THE CREW WERE LAUGHING. 497 00:23:04,834 --> 00:23:07,066 THEY'RE TEAMSTERS, NOTHING'S FUNNY TO THEM. 498 00:23:07,133 --> 00:23:10,400 - COULD BE BETTER. - Eddie: OKAY, ON A BELL! HERE WE GO! 499 00:23:10,467 --> 00:23:13,233 SCENE J. FOUR CAMERAS. COMMON MARKER. TAKE TWO. 500 00:23:13,300 --> 00:23:15,633 Wagner: AND ACTION. 501 00:23:15,700 --> 00:23:17,834 MUST HAVE CUPCAKES! 502 00:23:17,900 --> 00:23:20,433 YOU'RE FAT-FATTY-FAT-FAT! 503 00:23:20,500 --> 00:23:22,867 WAKE UP! WAKE UP! 504 00:23:22,934 --> 00:23:24,934 ( laughs ) 505 00:23:26,400 --> 00:23:27,800 CUT! 506 00:23:29,300 --> 00:23:30,900 ALL RIGHT. THERE WE GO. 507 00:23:30,967 --> 00:23:31,900 ALL RIGHT. 508 00:23:31,967 --> 00:23:34,433 OH. OKAY, GUYS? 509 00:23:36,133 --> 00:23:39,433 I THOUGHT IT WAS REALLY FUNNY. 510 00:23:39,500 --> 00:23:41,433 WELL, I WANT TO GO AGAIN. 511 00:23:41,500 --> 00:23:44,000 - WHATEVER SHE WANTS. - Valerie: YEAH. 512 00:23:44,066 --> 00:23:45,967 WANT TO GO AGAIN. AND YOU KNOW WHAT, THIS TIME 513 00:23:46,033 --> 00:23:48,367 LET'S JUST KEEP IT ROLLING AND I'LL DO TWO IN A ROW. 514 00:23:48,433 --> 00:23:50,800 OKAY, HERE WE GO! LET'S RESET, EVERYBODY! 515 00:23:50,867 --> 00:23:53,066 - WE'RE GONNA DO TWO IN A ROW ON A BELL. - ( bell rings ) 516 00:23:53,133 --> 00:23:55,233 OKAY, NOW, GO OVER THERE. 517 00:23:55,300 --> 00:23:58,066 AND DON'T FAKE LAUGH, I CAN TELL. 518 00:23:58,133 --> 00:24:01,433 SCENE J. FOUR CAMERAS, COMMON MARKER. TAKE FOUR. 519 00:24:01,500 --> 00:24:03,834 - ( sticks click ) - Wagner: AND ACTION. 520 00:24:03,900 --> 00:24:06,333 MUST HAVE CUPCAKES! 521 00:24:06,400 --> 00:24:09,333 Juna: YOU'RE FAT-FAT-FATTY-FAT! 522 00:24:09,400 --> 00:24:12,100 WAKE UP! WAKE UP! 523 00:24:14,500 --> 00:24:16,734 - Eddie: YOU ALL RIGHT? - Valerie: I GOT IT. 524 00:24:16,800 --> 00:24:20,100 YEAH, I GOT IT. THANK YOU. 525 00:24:20,166 --> 00:24:21,667 RED, THAT WAS GOOD ENOUGH. 526 00:24:21,734 --> 00:24:23,900 - MICKEY, WE'RE ROLLING. WE'RE ROLLING, OKAY? - OH! 527 00:24:23,967 --> 00:24:25,834 ( panting ) JUST ONE... 528 00:24:25,900 --> 00:24:28,400 ALL RIGHT, I'M GONNA TRY SOMETHING ELSE, OKAY? 529 00:24:28,467 --> 00:24:31,800 GONNA LAND ON MY BACK. BACKWARD'S ALWAYS FUNNIER. 530 00:24:32,734 --> 00:24:34,233 I THINK THIS WILL BE IT. 531 00:24:34,300 --> 00:24:37,033 Eddie: RESET, EVERYONE, QUICKLY! 532 00:24:38,567 --> 00:24:41,667 MUST HAVE CUPCAKES! 533 00:24:41,734 --> 00:24:43,467 Juna: YOU'RE FAT-FATTY-FAT-FAT! 534 00:24:43,533 --> 00:24:46,100 WAKE UP! WAKE UP! 535 00:24:46,166 --> 00:24:48,266 OH! 536 00:24:48,333 --> 00:24:49,934 Eddie: CUT! 537 00:24:50,000 --> 00:24:52,000 YOU ALL RIGHT, VAL? IT LOOKED LIKE IT HURT. 538 00:24:52,066 --> 00:24:53,600 WELL, NO. 539 00:24:53,667 --> 00:24:55,433 - ARE YOU OKAY? - YEAH. 540 00:24:55,500 --> 00:24:57,100 NO, I'M ALL RIGHT. I'M FINE. 541 00:24:57,166 --> 00:24:59,467 YEAH, I'M FINE. I'M GOOD. 542 00:24:59,533 --> 00:25:02,066 - I THINK THAT WAS IT. - OKAY, I THINK WE GOT IT! 543 00:25:02,133 --> 00:25:04,133 RIGHT, WAGNER? 544 00:25:05,033 --> 00:25:06,133 YEAH, WE GOT IT! 545 00:25:06,200 --> 00:25:08,133 THANK YOU, EVERYONE! THAT'S A WRAP! 546 00:25:08,200 --> 00:25:10,667 VERY GOOD! GOOD JOB, VAL! 547 00:25:10,734 --> 00:25:12,433 THANK YOU. YEAH. 548 00:25:12,500 --> 00:25:15,700 GOOD. I THINK THAT WAS THE ONE, RIGHT, PAULIE? 549 00:25:15,767 --> 00:25:16,934 THAT WAS A GOOD ONE. 550 00:25:17,000 --> 00:25:18,867 I LIKED THE FIRST ONE. 551 00:25:18,934 --> 00:25:21,767 THEN WHY DID YOU-- WHY DID I DO ALL THOSE OTHER TAKES? 552 00:25:21,834 --> 00:25:24,433 BECAUSE YOU LIKE THROWING YOURSELF ON THE GROUND. 553 00:25:24,500 --> 00:25:27,533 YOU KNOW, I COULD'VE REALLY HURT MYSELF. 554 00:25:27,600 --> 00:25:30,433 RELAX. IT WAS A JOKE. 555 00:25:30,500 --> 00:25:34,200 WHAT? DOES THAT ROD IN YOUR BACK GO ALL THE WAY UP YOUR ASS? 556 00:25:35,867 --> 00:25:37,633 ALL RIGHT, WELL! 557 00:25:38,934 --> 00:25:41,533 ( groans ) FUCK! 558 00:25:41,600 --> 00:25:43,000 ( gurgles ) WHAT THE FUCK? 559 00:25:43,066 --> 00:25:45,433 ( gags ) 560 00:25:48,433 --> 00:25:49,934 GET THAT FUCKING CAMERA OFF OF ME! 561 00:25:50,000 --> 00:25:51,934 SHUT OFF THE CAMERAS! GET THEM OUT! 562 00:25:52,000 --> 00:25:55,300 - GO AWAY! - FUCK OFF! 563 00:25:56,333 --> 00:25:58,500 FUCK! 564 00:26:07,266 --> 00:26:10,166 ( piano playing ) 565 00:26:13,000 --> 00:26:17,066 ( singing "I Will Survive" ) 566 00:27:05,066 --> 00:27:07,233 - VALERIE? VALERIE? - Valerie: YEAH? 567 00:27:07,300 --> 00:27:09,500 IT'S SOUNDING A LITTLE VANILLA. 568 00:27:09,567 --> 00:27:11,533 YEAH, WE NEED MORE STREET. 569 00:27:11,600 --> 00:27:15,300 UH, MORE... MORE KICK SOME ASS. 570 00:27:15,367 --> 00:27:17,300 YEAH, CAN DO. GOT YOU. 571 00:27:17,367 --> 00:27:19,633 LET ME FIND IT-- FIGURE OUT WHERE I AM. 572 00:27:19,700 --> 00:27:21,834 IT'S THE INSTRUMENTAL. 573 00:27:23,166 --> 00:27:25,433 I DON'T THINK THERE'S ANY SINGING IN THIS PART. 574 00:27:25,500 --> 00:27:26,700 LET'S SEE. 575 00:27:26,767 --> 00:27:28,800 Engineer: VAL, YOU KNOW, UM... 576 00:27:28,867 --> 00:27:31,100 SHE'S REALLY BEEN DUMPED ON BY A GUY. 577 00:27:31,166 --> 00:27:33,834 GET WITH THAT, OKAY? 578 00:27:33,900 --> 00:27:36,734 ( screaming lyrics ) 579 00:28:24,867 --> 00:28:26,500 OH, IT'S SO GOOD. 580 00:28:26,567 --> 00:28:28,800 I'M SORRY. IT'S JUST SO GOOD. 581 00:28:28,867 --> 00:28:30,767 GOTTA GET SOME-- 582 00:28:30,834 --> 00:28:32,967 ANGRY HURTS MY THROAT. 583 00:28:33,033 --> 00:28:35,100 ( laughs ) 584 00:28:35,150 --> 00:28:39,700 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 43158

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