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1
00:00:16,100 --> 00:00:18,834
( tone sounds )
2
00:00:23,166 --> 00:00:25,667
( snoring )
3
00:00:33,400 --> 00:00:35,500
MARK. MARK,
YOU'RE SNORING.
4
00:00:35,567 --> 00:00:37,700
OH, SORRY.
5
00:00:42,100 --> 00:00:44,233
( snoring )
6
00:01:02,934 --> 00:01:05,233
( toilet seat clanks )
7
00:01:05,300 --> 00:01:07,467
( urinating )
8
00:01:16,266 --> 00:01:18,533
( helicopter
hovering overhead )
9
00:01:28,667 --> 00:01:31,967
- ( Valerie groans )
- ( toilet seat clanks )
10
00:01:32,033 --> 00:01:34,166
( urinating )
11
00:01:41,433 --> 00:01:44,467
( cell phone
ringtone playing )
12
00:01:47,400 --> 00:01:49,533
( home phone ringing )
13
00:01:51,400 --> 00:01:53,367
WHAT TIME IS IT?
14
00:01:53,433 --> 00:01:55,433
IT'S 5:15.
15
00:01:55,500 --> 00:01:57,767
- HELLO, WHO IS THIS?
- WHO IS IT?
16
00:01:57,834 --> 00:02:00,100
BILLY?
BILLY WHO?
17
00:02:00,166 --> 00:02:02,700
- VAL, IT'S YOUR PUBLICIST.
- ( groans )
18
00:02:02,767 --> 00:02:05,367
OH, CHRIST.
I THOUGHT SOMETHING HAPPENED TO FRANCHESCA.
19
00:02:05,433 --> 00:02:08,633
OH, SORRY.
BILLY, WHAT ARE YOU CALLING FOR?
20
00:02:09,567 --> 00:02:12,000
WHAT?
WE WERE NOMINATED?
21
00:02:12,066 --> 00:02:15,367
( laughing )
WHAT? WHAT?!
22
00:02:15,433 --> 00:02:18,800
MARK, "ROOM & BORED"
WAS NOMINATED FOR A PEOPLE'S CHOICE AWARD.
23
00:02:18,867 --> 00:02:20,467
- AT 5:15?
- YEAH,
24
00:02:20,533 --> 00:02:23,100
THAT'S WHEN THEY BROADCAST IT
TO NEW YORK, OF COURSE.
25
00:02:23,166 --> 00:02:25,333
WHAT? OH, NO NO.
HE SAW IT ONLINE, SO--
26
00:02:25,400 --> 00:02:27,100
WHY IS HE ONLINE
AT 5:00?
27
00:02:27,166 --> 00:02:29,834
HE'S A PUBLICIST, MARK.
THAT'S WHERE HE'S SUPPOSED TO BE.
28
00:02:29,900 --> 00:02:32,300
OH! OKAY,
WHERE'S THE REMOTE? WHERE'S THE REMOTE?
29
00:02:32,367 --> 00:02:34,266
- I'M ASLEEP!
- THIS IS BIGGER THAN SLEEP.
30
00:02:34,333 --> 00:02:36,300
WHERE'S THE REMOTE?
PUT ON E!.
31
00:02:36,367 --> 00:02:38,100
- WHAT CHANNEL'S E!?
- 204.
32
00:02:38,166 --> 00:02:40,333
JUST WANT TO SEE IF THEY
ANNOUNCE IT LIKE THEY DO
33
00:02:40,400 --> 00:02:42,200
AT THE EMMYS
OR THE GOLDEN GLOBES OR--
34
00:02:42,266 --> 00:02:44,700
OH, ALL RIGHT.
NEVER MIND. IT'S NOT ON.
35
00:02:44,767 --> 00:02:46,467
- ( groans )
- OH, THIS IS SO EXCITING!
36
00:02:46,533 --> 00:02:49,066
- ( laughing )
- VAL, CAN WE GO BACK TO SLEEP?
37
00:02:49,133 --> 00:02:51,500
- I DON'T HAVE TO BE UP
FOR TWO HOURS. - I CAN'T SLEEP.
38
00:02:51,567 --> 00:02:53,333
LOOK, I'M UP!
I'M UP!
39
00:02:53,400 --> 00:02:55,400
I TELL YOU WHAT:
YOU GO BACK TO SLEEP.
40
00:02:55,467 --> 00:02:59,166
ONE SECOND, BILLY.
OH, WHAT ABOUT BEST ACTRESS?
41
00:02:59,233 --> 00:03:01,400
( cast chatting )
42
00:03:02,467 --> 00:03:05,500
HELLO HELLO HELLO,
FELLOW NOMINEES!
43
00:03:05,567 --> 00:03:08,600
CONGRATULATIONS,
ONE AND ALL!
44
00:03:08,667 --> 00:03:10,500
- WHAT?
- WHAT ARE YOU TALKING ABOUT?
45
00:03:10,567 --> 00:03:12,934
YOU DON'T KNOW?
DO YOU REALLY-- YOU DON'T KNOW?
46
00:03:13,000 --> 00:03:15,233
JANE, THEY DON'T KNOW.
HOW GREAT IS THIS?
47
00:03:15,300 --> 00:03:17,900
- I'M GOING TO BE
THE ONE TO TELL THEM. - TELL US WHAT?
48
00:03:17,967 --> 00:03:19,700
"ROOM & BORED"
HAS BEEN NOMINATED
49
00:03:19,767 --> 00:03:21,567
FOR A PEOPLE'S
CHOICE AWARD
50
00:03:21,633 --> 00:03:23,667
FOR FAVORITE
NEW TV COMEDY!
51
00:03:23,734 --> 00:03:25,667
- NO WAY, ARE YOU SERIOUS?!
- YEAH!
52
00:03:25,734 --> 00:03:28,900
AND JUNA HAS
BEEN NOMINATED
53
00:03:28,967 --> 00:03:33,100
- FOR FAVORITE
FEMALE TV STAR. - ( all cheer )
54
00:03:33,166 --> 00:03:36,467
- CAN YOU BELIEVE IT?
WE'RE ALL NOMINATED! - ALL NOMINATED?
55
00:03:36,533 --> 00:03:38,567
( high-pitched
vocalizing )
56
00:03:38,633 --> 00:03:40,600
OH, HOLD ON, MAN!
BRING IT DOWN!
57
00:03:40,667 --> 00:03:42,633
YOU GUYS HAVE BEEN IN WHAT,
LIKE TWO EPISODES?
58
00:03:42,700 --> 00:03:44,700
OH, INTERESTING.
TWO EPISODES,
59
00:03:44,767 --> 00:03:48,400
- AND SUDDENLY
YOU'RE NOMINATED. - THAT IS INTERESTING.
60
00:03:48,467 --> 00:03:50,333
( both resume
vocalizing )
61
00:03:50,400 --> 00:03:52,233
IS THERE GONNA BE
A RED CARPET?
62
00:03:52,300 --> 00:03:56,000
- THAT'S WHAT
I WANT TO KNOW. - OF COURSE THERE IS.
63
00:03:56,066 --> 00:03:58,467
SO WE HAVE TO WATCH
EVERYTHING WE PUT IN OUR MOUTHS.
64
00:03:58,533 --> 00:04:00,800
( laughs )
65
00:04:00,867 --> 00:04:02,934
LET'S NOT FORGET
66
00:04:03,000 --> 00:04:04,867
- THE WRITERS!
BRAVO, GIGI! - OH YEAH!
67
00:04:04,934 --> 00:04:07,834
- ( all cheering )
- BRAVO, ZACH.
68
00:04:07,900 --> 00:04:10,967
GOOD WORK.
THANK YOU SO MUCH. IT'S CAUSE OF YOU.
69
00:04:11,033 --> 00:04:12,500
VERY GOOD.
70
00:04:12,567 --> 00:04:15,233
- OH, SPEAK OF THE DEVILS.
- Shayne: OH, TOM!
71
00:04:15,300 --> 00:04:16,800
( all cheering )
72
00:04:18,500 --> 00:04:21,133
- WHAT? WHAT IS ALL THIS?
- Chris: WHO'S YOUR DADDY?
73
00:04:21,200 --> 00:04:23,734
WE GOT NOMINATED, MAN!
FAVORITE NEW TV COMEDY.
74
00:04:23,800 --> 00:04:26,734
OH, YEAH YEAH.
WELL...
75
00:04:26,800 --> 00:04:29,266
LET'S NOT GET
ALL CARRIED AWAY.
76
00:04:29,333 --> 00:04:31,467
OH, LET'S NOT ALL
GET CARRIED AWAY.
77
00:04:31,533 --> 00:04:34,667
LET'S NOT GET CARRIED AWAY.
ARE YOU MR. COOL, HUH? COME HERE, YOU.
78
00:04:34,734 --> 00:04:37,633
- OH, WOW.
- IT'S GOOD, IT'S GOOD.
79
00:04:37,700 --> 00:04:40,066
- THANK YOU.
- PAULIE G, YOU TOO.
80
00:04:40,133 --> 00:04:41,633
REAL GOOD,
REAL GOOD.
81
00:04:41,700 --> 00:04:44,567
WOW. WHAT WOULD YOU DO
IF IT WERE A BIG AWARD, FUCK ME?
82
00:04:44,633 --> 00:04:47,900
- OH!
- YEAH, HIT HIM, SHAYNE! THAT'S RIGHT, HIT HIM.
83
00:04:47,967 --> 00:04:49,667
PAULIE G, FYI,
84
00:04:49,734 --> 00:04:52,033
PEOPLE'S CHOICE
IS A BIG AWARD, ALL RIGHT?
85
00:04:52,100 --> 00:04:54,734
IT'S FROM THE PEOPLE.
THAT'S THE BIGGEST HONOR YOU COULD GET.
86
00:04:54,800 --> 00:04:57,000
I SHOULD KNOW
'CAUSE I HAVE ONE. DID YOU KNOW THAT?
87
00:04:57,066 --> 00:04:59,734
NO, I WAS GOING
TO SAY WE SHOULDN'T GET ALL CARRIED AWAY
88
00:04:59,800 --> 00:05:01,734
- 'CAUSE WE DIDN'T WIN.
- WHAT?
89
00:05:01,800 --> 00:05:04,567
NO, THEY NOTIFY
THE WINNER TO MAKE SURE THAT THEY'RE THERE.
90
00:05:04,633 --> 00:05:06,333
- IT'S NOT US.
- UH-HUH.
91
00:05:06,400 --> 00:05:07,934
BUT JUNA WON FAVORITE
FEMALE TV STAR!
92
00:05:08,000 --> 00:05:09,367
- DID SHE?!
- YEAH.
93
00:05:09,433 --> 00:05:11,367
- WELL THAT'S GREAT!
OKAY, SO... - YEAH.
94
00:05:11,433 --> 00:05:13,533
...WE STILL HAVE TO GO
TO SUPPORT JUNA, RIGHT?
95
00:05:13,600 --> 00:05:15,767
AND CELEBRATE OUR OWN
NOMINATION, WIN OR LOSE.
96
00:05:15,834 --> 00:05:18,367
- IT'S STILL
A BIG DEAL, ISN'T IT?! - YEAH, SURE.
97
00:05:18,433 --> 00:05:20,100
- YEAH, RIGHT?
- RIGHT.
98
00:05:20,166 --> 00:05:22,100
THAT'S RIGHT.
YOU KNOW HOW MANY SHOWS
99
00:05:22,166 --> 00:05:24,266
NEVER GET NOMINATED
FOR ANY AWARDS?
100
00:05:24,333 --> 00:05:26,467
I DON'T KNOW.
FOUR?
101
00:05:26,533 --> 00:05:28,700
EXCUSE ME,
WHERE WOULD I FIND
102
00:05:28,767 --> 00:05:31,066
A TOM PETERMAN
AND A PAULIE G?
103
00:05:32,066 --> 00:05:33,834
VAL, YOU DIDN'T--
104
00:05:33,900 --> 00:05:35,800
( laughing )
105
00:05:35,867 --> 00:05:38,200
- Delivery guy:
CONGRATULATIONS. - Shayne: THAT'S NICE.
106
00:05:38,266 --> 00:05:40,700
- OOH, NICE.
- Valerie: YEAH, CONGRATULATIONS.
107
00:05:40,767 --> 00:05:43,100
- YOU DIDN'T HAVE TO DO--
- ( balloon pops )
108
00:05:43,166 --> 00:05:45,100
FOR A SECOND I THOUGHT,
"ALL RIGHT,
109
00:05:45,166 --> 00:05:48,100
IT HAPPENED,
HE SHOT SOMEONE."
110
00:05:48,166 --> 00:05:51,300
I SHOULD PUT IT OUT.
YOU ALL RIGHT?
111
00:05:51,367 --> 00:05:53,333
I LOVE AWARDS SHOWS.
112
00:05:53,400 --> 00:05:55,066
THERE, I SAID IT.
113
00:05:55,133 --> 00:05:57,000
I'M NOT ONE OF THOSE STARS
WHO PRETENDS
114
00:05:57,066 --> 00:05:59,233
THAT DRESSING UP AND WALKING
ON THE RED CARPET
115
00:05:59,300 --> 00:06:02,133
IS JUST A BIG PAIN
IN MY YOU-KNOW-WHAT.
116
00:06:02,200 --> 00:06:03,934
WHAT DO YOU SAY
TO THOSE PEOPLE
117
00:06:04,000 --> 00:06:06,000
WHO SAY HOLLYWOOD
HAS TOO MANY AWARD SHOWS?
118
00:06:06,066 --> 00:06:09,367
I SAY,
"WHERE'S THE LOVE?"
119
00:06:10,867 --> 00:06:12,800
WHAT AWARDS HAVE YOU WON?
120
00:06:12,867 --> 00:06:15,600
WELL, THERE'S
THE PEOPLE'S CHOICE AWARD
121
00:06:15,667 --> 00:06:17,500
WHICH IS NEAR AND DEAR.
122
00:06:17,567 --> 00:06:19,700
THAT WAS THE FIRST ONE.
123
00:06:22,533 --> 00:06:25,033
- ( footsteps approaching )
- WE'RE SHOOTING.
124
00:06:25,100 --> 00:06:27,600
I'M SORRY, JANE.
I JUST HAVE TO GIVE HER A--
125
00:06:27,667 --> 00:06:29,200
- VAL.
- OH, BABY GIRL.
126
00:06:29,266 --> 00:06:32,233
THANK YOU SO MUCH
FOR THE GORGEOUS FLOWERS.
127
00:06:32,300 --> 00:06:33,867
WELL,
CONGRATULATIONS,
128
00:06:33,934 --> 00:06:37,300
- FAVORITE FEMALE
TELEVISION STAR! - CAN YOU BELIEVE IT?
129
00:06:37,367 --> 00:06:39,700
MY FIRST JOB.
IT'S CRAZY.
130
00:06:39,767 --> 00:06:41,567
THEY HAVE GOOD TASTE.
131
00:06:41,633 --> 00:06:44,133
FIRST ME, NOW YOU--
PASSING THE TORCH. ( chuckles )
132
00:06:44,200 --> 00:06:45,667
- RIGHT.
- RIGHT.
133
00:06:45,734 --> 00:06:48,300
WELL I SHOULD LET YOU GUYS
GET BACK TO YOUR STUFF.
134
00:06:48,367 --> 00:06:50,734
THANKS, JANE.
OH MY GOD, VAL.
135
00:06:50,800 --> 00:06:53,000
HOW DO YOU EVEN THINK
WITH ALL THESE LIGHTS?
136
00:06:53,066 --> 00:06:55,600
- SORRY. SEE YOU LATER, GUYS.
- SEE YA!
137
00:06:57,333 --> 00:06:59,200
Man:
I'M LOOKING FOR A VALERIE CHERISH.
138
00:06:59,266 --> 00:07:02,867
- OH, SOMEONE'S
GETTING FLOWERS. - OH, LOOK AT THAT.
139
00:07:02,934 --> 00:07:06,100
OH, WHO ARE THOSE
FROM, MICKEY!
140
00:07:06,166 --> 00:07:10,000
WELL, I DON'T KNOW.
I'M NOT SAYING. READ THE CARD.
141
00:07:10,066 --> 00:07:13,066
LET'S SEE.
"CONGRATULATIONS FROM YOUR FAVORITE GAY."
142
00:07:13,133 --> 00:07:15,767
AW, MICKEY.
143
00:07:16,734 --> 00:07:18,500
GUY! FAVORITE GUY!
YEAH.
144
00:07:18,567 --> 00:07:21,500
IT SAYS FAVORITE--
IT'S JUST BAD HANDWRITING. IT SAYS "GUY."
145
00:07:21,567 --> 00:07:23,934
CAN YOU SEE THAT?
CAN YOU GET IT? YEAH.
146
00:07:26,700 --> 00:07:29,266
I JUST DIDN'T--
YOU HAVE TO WRITE MORE LEGIBLY, DEAR.
147
00:07:29,333 --> 00:07:32,133
OTHERWISE I DON'T KNOW
WHAT YOU MEAN.
148
00:07:32,200 --> 00:07:35,166
YOU'RE NOT ON THE STAGE,
SO IT IS ALL ABOUT THE RED CARPET.
149
00:07:35,233 --> 00:07:36,867
- DON'T I KNOW IT.
- YEAH.
150
00:07:36,934 --> 00:07:39,100
WHAT EXACTLY IS IN THAT?
151
00:07:40,400 --> 00:07:43,200
ORGANIC LEMON, MAPLE SYRUP
AND CAYENNE PEPPER.
152
00:07:43,266 --> 00:07:45,266
AND A SPECIAL WEIGHT-LOSS
INGREDIENT CALLED
153
00:07:45,333 --> 00:07:47,633
FEAR-YOU-WON'T-FIT-IN
TO-THE-DESIGNER'S DRESS.
154
00:07:47,700 --> 00:07:50,967
- ( laughs ) RIGHT?
- AT LEAST HAVE A BITE OF MY SALAD, RED.
155
00:07:51,033 --> 00:07:52,633
CAN'T DO IT, MICKEY.
CAN'T DO IT.
156
00:07:52,700 --> 00:07:54,567
IT'S CALLED A FAST
BECAUSE IF YOU EAT ANYTHING
157
00:07:54,633 --> 00:07:57,066
- THE WEIGHT
COMES BACK REAL FAST! - ( Mickey laughs )
158
00:07:57,133 --> 00:07:59,633
I GOT A HOT DESIGNER
INTERESTED IN DOING YOUR DRESS.
159
00:07:59,700 --> 00:08:01,266
- WHO?
- JAY MCCARROLL.
160
00:08:01,333 --> 00:08:03,633
I'M SORRY, I DON'T--
NO, I DON'T KNOW--
161
00:08:03,700 --> 00:08:07,000
- THE WINNER
OF "PROJECT RUNWAY"? - YEAH, I DON'T KNOW.
162
00:08:07,066 --> 00:08:11,100
THE DESIGNER
REALITY SHOW I WAS TELLING YOU ABOUT, RED.
163
00:08:11,166 --> 00:08:14,600
DID YOU? YOU TELL ME
ABOUT SO MANY SHOWS IT'S HARD FOR ME TO--
164
00:08:14,667 --> 00:08:18,100
A REALITY SHOW WINNER
DESIGNING FOR A REALITY SHOW STAR, ARE YOU KIDDING ME?
165
00:08:18,166 --> 00:08:21,033
THE PRESS IS ALL OVER IT.
THEY'RE ALREADY CALLING ME LIKE CRAZY.
166
00:08:21,100 --> 00:08:22,834
- WELL, WE HAVE A PROBLEM.
- WHAT?
167
00:08:22,900 --> 00:08:26,266
BECAUSE I'VE ALREADY
CONTACTED MR. NOLAN MILLER ABOUT DESIGNING MY DRESS.
168
00:08:26,333 --> 00:08:28,633
( stammers )
NOLAN "DYNASTY" MILLER?
169
00:08:28,700 --> 00:08:31,367
YEAH. DID ME FOR
THE PEOPLE'S CHOICE AWARDS WHEN I WON.
170
00:08:31,433 --> 00:08:34,333
AND I PROMISED HIM
HE COULD DO ME THE NEXT TIME I'M NOMINATED.
171
00:08:34,400 --> 00:08:36,700
NO NO. I MEAN,
NOLAN MILLER IS GREAT,
172
00:08:36,767 --> 00:08:38,934
- BUT, YOU KNOW...
- YEAH.
173
00:08:39,000 --> 00:08:41,100
...JAY MCCARROLL'S
HAPPENING RIGHT NOW.
174
00:08:41,166 --> 00:08:43,166
MICKEY,
WHAT DO YOU THINK?
175
00:08:43,233 --> 00:08:45,367
- HE'S VERY TALENTED.
- Both: YEAH.
176
00:08:46,400 --> 00:08:47,734
I DON'T KNOW, BILLY.
I DON'T KNOW.
177
00:08:47,800 --> 00:08:50,834
I KNOW WHAT I LOOK GOOD IN
AND I LOOK GOOD IN NOLAN MILLER.
178
00:08:50,900 --> 00:08:53,667
VALERIE, YOU'RE GONNA
BE ON THE RED CARPET NEXT TO JUNA.
179
00:08:53,734 --> 00:08:55,667
YOU GOTTA KICK IT UP
A NOTCH.
180
00:08:55,734 --> 00:08:58,433
OKAY.
SURE, WHY NOT?
181
00:08:58,500 --> 00:09:01,700
- GREAT.
- ALL RIGHT. LET'S SEE WHAT HE COMES UP.
182
00:09:01,767 --> 00:09:04,300
- GREAT. I WILL HANDLE
NOLAN MILLER-- - WELL, LET'S...
183
00:09:04,367 --> 00:09:06,500
SEE WHAT THE OTHER GUY'S
DRESS LOOKS LIKE FIRST.
184
00:09:06,567 --> 00:09:08,033
OH, THERE'S GIGI.
185
00:09:08,100 --> 00:09:10,200
SHE HASN'T GOT A PLACE
TO SIT, POOR THING.
186
00:09:10,266 --> 00:09:12,500
MICKEY, I'M NOT GONNA
INVITE HER TO JOIN US.
187
00:09:12,567 --> 00:09:14,800
- WE'RE IN THE MIDDLE
OF A BUSINESS MEETING. - IT'S COOL.
188
00:09:14,867 --> 00:09:16,834
SHE CAN HAVE MY SEAT.
I HAVE A MEETING ANYWAY.
189
00:09:16,900 --> 00:09:19,033
GIGI, COME JOIN US.
190
00:09:20,066 --> 00:09:21,633
SO I'LL SEND JAY
YOUR MEASUREMENTS?
191
00:09:21,700 --> 00:09:23,533
NO, LET'S HOLD OFF
FOR THREE DAYS
192
00:09:23,600 --> 00:09:25,700
'CAUSE I WANT TO GET
THE WEIGHT DOWN.
193
00:09:25,767 --> 00:09:27,367
GREAT, SEE YOU.
194
00:09:27,433 --> 00:09:29,266
- HI, THANKS.
- SIT, DARLING.
195
00:09:31,100 --> 00:09:32,867
SO CRAZY, HUH?
SO CRAZY OVER THERE
196
00:09:32,934 --> 00:09:35,934
- WITH THE AWARDS
SHOW BUSINESS, HUH? - HUH? OH, RIGHT.
197
00:09:36,000 --> 00:09:38,600
Mickey:
THAT MACARONI AND CHEESE LOOKS GOOD.
198
00:09:38,667 --> 00:09:41,266
OH, GO AHEAD.
TWIST MY ARM.
199
00:09:41,333 --> 00:09:43,867
YOU SURE YOU DON'T
WANT ANYTHING, RED?
200
00:09:45,767 --> 00:09:48,000
EXCITED ABOUT
THE BIG NIGHT?
201
00:09:48,066 --> 00:09:51,900
I'M NOT ALLOWED TO GO.
ONLY THE WRITER-PRODUCERS GET A TICKET.
202
00:09:51,967 --> 00:09:53,467
AW, IT DOESN'T SEEM FAIR.
203
00:09:53,533 --> 00:09:55,667
( sniffling )
204
00:10:00,266 --> 00:10:01,467
( choked )
I...
205
00:10:01,533 --> 00:10:04,166
- I REALLY WANTED TO GO.
- AW.
206
00:10:07,100 --> 00:10:10,600
- IT WAS THE ONLY THING
I WAS LOOKING FORWARD TO. - UH-HUH.
207
00:10:12,000 --> 00:10:15,166
I'M IN THAT ROOM
WITH THOSE GUYS WHO HATE ME ALL DAY.
208
00:10:15,233 --> 00:10:17,266
WELL, I'M SURE
THEY DON'T HATE YOU.
209
00:10:17,333 --> 00:10:19,200
WHY WOULD THEY HATE YOU?
210
00:10:19,266 --> 00:10:21,700
THEY CALL ME
"AUNT SASSY'S BITCH."
211
00:10:23,100 --> 00:10:25,800
- WELL.
- OH GOD, I CAN'T SEEM TO STOP EATING.
212
00:10:25,867 --> 00:10:29,734
- HAVE YOU NOTICED
HOW FAT I'M GETTING? - I--
213
00:10:29,800 --> 00:10:32,333
I HAVEN'T KISSED ANYBODY
IN LIKE, A YEAR.
214
00:10:32,400 --> 00:10:35,867
AND THESE AWARDS WERE
THE ONLY FUN THING THAT I WAS LOOKING FORWARD TO
215
00:10:35,934 --> 00:10:38,333
AND NOW I DON'T
EVEN GET TO GO.
216
00:10:38,400 --> 00:10:41,133
I'M A WRITER ON THE SHOW
THAT'S NOMINATED.
217
00:10:41,200 --> 00:10:43,567
- IT'S NOT FAIR.
- WELL,
218
00:10:43,633 --> 00:10:46,000
- HERE.
- I'M SORRY.
219
00:10:46,066 --> 00:10:49,166
TAKE A NAPKIN THERE.
YEAH, IT'S ALL RIGHT.
220
00:10:49,233 --> 00:10:51,433
I KNOW THE TICKETS
ARE TIGHT, OKAY?
221
00:10:51,500 --> 00:10:55,200
THE ONLY WAY MICKEY'S GOING
IS 'CAUSE JUNA'S GIVING HIM HER EXTRA TICKET.
222
00:10:55,266 --> 00:10:57,000
EVEN MICKEY GETS TO GO?
223
00:10:57,066 --> 00:10:59,066
WELL, LET'S THINK
OF SOMETHING NOW, OKAY?
224
00:10:59,133 --> 00:11:01,700
- LET'S MAKE
A CALL TO SOMEONE. - NO, YOU KNOW WHAT?
225
00:11:01,767 --> 00:11:03,433
I ALREADY TRIED EVERYTHING.
226
00:11:03,500 --> 00:11:05,633
YOU DID. WELL,
227
00:11:05,700 --> 00:11:08,400
NOT EVERYTHING.
NOT EVERYTHING, OKAY?
228
00:11:08,467 --> 00:11:11,367
I'VE GOT TWO TICKETS.
YOU CAN GO WITH ME.
229
00:11:12,433 --> 00:11:13,800
- OKAY?
- OH MY GOD, REALLY?.
230
00:11:13,867 --> 00:11:15,600
YEAH, WHY NOT?
WELL, WHY NOT?
231
00:11:15,667 --> 00:11:17,767
- COME BE MY DATE.
- OH, THANK YOU.
232
00:11:17,834 --> 00:11:20,567
YOU'RE A WRITER
ON THE SHOW, YOU DESERVE TO BE AT THE AWARDS.
233
00:11:20,633 --> 00:11:23,233
- DONE.
- THANK YOU SO MUCH.
234
00:11:23,300 --> 00:11:25,266
- OH, MY PLEASURE.
- ( exhales sharply )
235
00:11:25,333 --> 00:11:27,734
MY PLEASURE.
SEE, YOU DON'T HAVE TO CRY ANYMORE.
236
00:11:27,800 --> 00:11:29,834
- I'M SORRY--
I FEEL LIKE AN IDIOT. - IT'S OKAY.
237
00:11:29,900 --> 00:11:31,600
NO, IT'S EMOTION.
238
00:11:34,533 --> 00:11:36,467
- HELLO.
- HEY.
239
00:11:36,533 --> 00:11:39,900
- WHERE'S FRANCHESCA?
- IN THE CAR FINISHING A TEXT MESSAGE.
240
00:11:39,967 --> 00:11:42,700
- HOW WAS YOUR DAY?
- FINE.
241
00:11:43,567 --> 00:11:45,934
HELLO, JANE AND ALL.
242
00:11:46,000 --> 00:11:48,934
OH, SO WHAT DO YOU WANT
FOR DINNER? STEAK?
243
00:11:49,000 --> 00:11:51,100
OH, THAT SOUNDS GOOD.
244
00:11:54,734 --> 00:11:56,867
OKAY.
245
00:11:59,000 --> 00:12:00,934
OH, YOU KNOW WHO MAKES
A GOOD STEAK?
246
00:12:01,000 --> 00:12:02,400
- THE PALM.
- OH GREAT.
247
00:12:02,467 --> 00:12:04,200
OH...
248
00:12:04,266 --> 00:12:07,300
MARK, HOPE YOU'RE
NOT TOO UPSET,
249
00:12:07,367 --> 00:12:09,166
BUT YOU KNOW
THAT SWEET GIRL WRITER?
250
00:12:09,233 --> 00:12:11,300
SHE COULDN'T GET TICKETS
TO THE AWARD SHOW,
251
00:12:11,367 --> 00:12:13,100
SO I GAVE HER YOURS.
252
00:12:13,166 --> 00:12:14,867
YOU'RE NOT TOO UPSET,
ARE YOU?
253
00:12:14,934 --> 00:12:17,000
WELL, I WAS KIND OF
LOOKING FORWARD TO GOING.
254
00:12:17,066 --> 00:12:18,500
REALLY?
REALLY?
255
00:12:18,567 --> 00:12:21,066
I THOUGHT YOU WOULDN'T
WANT TO GO AND GET ALL DRESSED UP.
256
00:12:21,133 --> 00:12:23,734
WELL I'VE NEVER BEEN
TO AN AWARDS SHOW.
257
00:12:23,800 --> 00:12:26,533
- I'M SORRY.
- WE DIDN'T KNOW EACH OTHER LAST TIME YOU WON.
258
00:12:26,600 --> 00:12:29,000
- I'M NOT WINNING THIS TIME.
- WELL I KNOW,
259
00:12:29,066 --> 00:12:31,166
BUT I THOUGHT
IT MIGHT BE COOL.
260
00:12:33,233 --> 00:12:36,066
( softly )
SHE'S FAT. NO ONE LIKES HER.
261
00:12:36,133 --> 00:12:39,367
ALL RIGHT.
NO NO NO, I HEAR YOU. I HEAR YOU. I HEAR YOU.
262
00:12:39,433 --> 00:12:41,667
MY MARKY-MARK.
MY LOVE BALL.
263
00:12:41,734 --> 00:12:44,000
I'M SORRY.
THERE'S GOING TO BE OTHER AWARDS SHOWS
264
00:12:44,066 --> 00:12:46,734
AND YOU ARE GOING
TO BE MY DATE FOR EACH AND EVERY ONE OF THEM.
265
00:12:46,800 --> 00:12:49,066
- ALL RIGHT,
THERE'S THE EMMYS, - UM-HMM.
266
00:12:49,133 --> 00:12:51,266
- AND THE GOLDEN GLOBES,
- UM-HMM.
267
00:12:51,333 --> 00:12:52,600
AND--
( giggles )
268
00:12:52,667 --> 00:12:54,000
OH.
MARK...
269
00:12:55,500 --> 00:12:57,700
I'D BETTER
GET YOUR DINNER.
270
00:13:00,834 --> 00:13:03,367
- YES, LET'S GET OUR DINNER.
- YEAH.
271
00:13:04,734 --> 00:13:07,333
- OH, MICKEY.
- MM-HM.
272
00:13:07,400 --> 00:13:10,166
DOES MR. MILLER KNOW ME
OR DOES MR. MILLER KNOW ME?
273
00:13:10,233 --> 00:13:12,300
IT'S THE ONE
TO BEAT, RED.
274
00:13:12,367 --> 00:13:14,000
OH, OKAY, FREDO.
275
00:13:14,066 --> 00:13:16,667
I THINK I'M GOING TO NEED
ONE MORE FITTING JUST BEFORE THE AWARDS.
276
00:13:16,734 --> 00:13:18,400
- OH, SURE.
WE CAN DO THAT. - GREAT, OKAY.
277
00:13:18,467 --> 00:13:20,734
- Billy: VAL?
- OH, THAT'S BILLY WITH THE OTHER DRESS.
278
00:13:20,800 --> 00:13:23,233
HERE IT IS,
HOT OFF THE PRESS. WHERE IS SHE?
279
00:13:23,300 --> 00:13:25,367
- I'LL TAKE THAT.
- I DIDN'T THINK WE'D MAKE IT.
280
00:13:25,433 --> 00:13:28,333
HE SAID HE DIDN'T
EVEN HAVE TIME TO PUT A LABEL ON THE BACK.
281
00:13:28,400 --> 00:13:30,800
IT'S LIKE--
OH, VAL, LISTEN!
282
00:13:30,867 --> 00:13:34,333
DON'T OVERREACT,
BUT JAY SAY HE WENT A LITTLE SEXIER THAN WE TALKED ABOUT,
283
00:13:34,400 --> 00:13:37,433
BUT HE THINKS
YOU CAN PULL IT OFF.
284
00:13:37,500 --> 00:13:38,967
OH, AND HE SAID
IF IT ALL WORKS OUT,
285
00:13:39,033 --> 00:13:41,734
HE'S GOING TO FLY IN
FROM PENNSYLVANIA FOR THE BIG EVENT.
286
00:13:41,800 --> 00:13:43,533
HOW GREAT WOULD THAT BE,
287
00:13:43,600 --> 00:13:46,767
THE TWO OF YOU GUYS
ON THE RED CARPET TOGETHER?
288
00:13:46,834 --> 00:13:48,734
I'LL TELL YOU RIGHT NOW,
289
00:13:48,800 --> 00:13:52,066
SHE'S VERY ATTACHED
TO THE NOLAN MILLER.
290
00:13:53,433 --> 00:13:54,767
Valerie: OH.
291
00:13:56,367 --> 00:13:58,100
Billy: SHUT UP.
292
00:13:58,166 --> 00:14:00,533
- SHUT UP!
- OH, NO.
293
00:14:00,600 --> 00:14:03,166
I DON'T--
THIS ISN'T ME.
294
00:14:03,233 --> 00:14:04,667
MICKEY?
295
00:14:04,734 --> 00:14:06,600
RED, YOU LOOK HOT.
296
00:14:06,667 --> 00:14:09,900
- RED HOT!
- I'M ALL HANGING OUT THOUGH.
297
00:14:09,967 --> 00:14:12,000
THAT'S WHAT THEY MAKE
DOUBLE-STICK TAPE FOR.
298
00:14:12,066 --> 00:14:13,967
OKAY, IF YOU DO NOT
WEAR THAT DRESS,
299
00:14:14,033 --> 00:14:15,734
I WILL KILL MYSELF.
300
00:14:15,800 --> 00:14:17,767
THAT IS THE DRESS
THAT GETS THE PRESS.
301
00:14:17,834 --> 00:14:20,133
BUT IS IT ME?
IS IT ME, MICKEY?
302
00:14:20,200 --> 00:14:22,967
YOU WANT A SPLASH.
THAT'S THE SPLASH.
303
00:14:23,033 --> 00:14:25,033
IT SEEMS A LITTLE TIGHT.
I DON'T KNOW.
304
00:14:25,100 --> 00:14:27,333
FREDO, WHAT DO YOU THINK?
305
00:14:27,400 --> 00:14:29,367
( stammers )
IT'S PERFECT.
306
00:14:29,433 --> 00:14:32,066
JUST RIGHT.
307
00:14:32,133 --> 00:14:34,834
WELL, IT'S A LITTLE WEIRD
IN THE BACK THOUGH. SEE THAT?
308
00:14:34,900 --> 00:14:36,533
OH, WAS IN A BOX.
309
00:14:36,600 --> 00:14:38,333
WE CAN STEAM AND--
310
00:14:38,400 --> 00:14:40,633
AY, MISS VAL.
311
00:14:40,700 --> 00:14:42,400
SO SKINNY.
312
00:14:42,467 --> 00:14:47,266
WELL, WE ARE GOING
TO NEED A CASE OF THAT DOUBLE-STICK TAPE, HUH?
313
00:14:47,333 --> 00:14:50,000
GREAT!
GREAT GREAT GREAT. NOW LISTEN, HERE'S THE THING.
314
00:14:50,066 --> 00:14:52,800
JAY'S INSISTING
THAT WE USE HIS PEOPLE TO DO YOUR MAKEUP.
315
00:14:52,867 --> 00:14:55,700
- FINE.
- AND HAIR.
316
00:14:57,200 --> 00:14:58,567
WELL...
317
00:14:58,633 --> 00:15:00,633
I HAVE TO GO HOME
AND FEED THE DOGS.
318
00:15:00,700 --> 00:15:02,600
- MICKEY.
- I'M FINE.
319
00:15:02,667 --> 00:15:06,100
YOU HAVE TO DO
WHAT YOU HAVE TO DO.
320
00:15:08,033 --> 00:15:11,667
AY, MR. MICKEY.
321
00:15:13,166 --> 00:15:15,600
- ( both giggle )
- VALERIE, THAT DRESS IS AMAZING.
322
00:15:15,667 --> 00:15:18,000
- YOU LOOK VERY PRETTY
- OH, THANK YOU.
323
00:15:18,066 --> 00:15:19,934
HOW IS MY DRESS?
IS IT TOO TIGHT?
324
00:15:20,000 --> 00:15:21,834
- I FEEL...
- NO.
325
00:15:21,900 --> 00:15:23,700
( cell phone chirps )
326
00:15:23,767 --> 00:15:27,066
HELLO? YEAH, WE'RE
PULLING UP RIGHT NOW.
327
00:15:27,133 --> 00:15:29,433
I DON'T KNOW WHY
I LET THEM TALK ME INTO SMOKY EYES.
328
00:15:29,500 --> 00:15:32,133
LOOKS LIKE I FELL ASLEEP
IN MY MAKEUP. LOOK AT THAT.
329
00:15:32,200 --> 00:15:34,200
- LET US KNOW.
- BILLY, HOW'S MY HAIR?
330
00:15:34,266 --> 00:15:36,533
I CAN'T--
JANE, JANE?
331
00:15:36,600 --> 00:15:38,500
- JANE, HOW'S MY HAIR.
- Jane: GREAT.
332
00:15:38,567 --> 00:15:42,033
YEAH, SPEAKING OF GREAT,
YOU REALLY CLEAN UP NICE. VERY SEXY SHOES.
333
00:15:42,100 --> 00:15:44,266
- Jane: I'M REALLY
UNCOMFORTABLE. - AW.
334
00:15:44,333 --> 00:15:47,700
- PULLING UP TO SECURITY NOW.
- NO NO NO. DRIVE AROUND THE BLOCK AGAIN.
335
00:15:47,767 --> 00:15:51,333
JUNA HASN'T ARRIVED.
WE HAVE TO GET THERE THE EXACT SAME TIME AS JUNA.
336
00:15:51,400 --> 00:15:53,934
REAL IMPORTANT
TO COORDINATE THESE MOMENTS.
337
00:15:54,000 --> 00:15:57,166
THE PRESS IS GOING TO GO CRAZY
WHEN JUNA AND I GET OUT AT THE SAME TIME, SO--
338
00:15:57,233 --> 00:15:59,433
WHAT?
NO, SHE'S PULLING UP. NO, DON'T DRIVE AROUND.
339
00:15:59,500 --> 00:16:02,800
- THIS IS GOOD.
THIS IS GOOD. WE'RE GOOD. - OH, ALL RIGHT.
340
00:16:02,867 --> 00:16:04,567
I'M LOWERING THE WINDOWS
FOR SECURITY.
341
00:16:04,633 --> 00:16:06,633
- SECURITY, YEAH.
- ( crowd chattering )
342
00:16:06,700 --> 00:16:09,867
HELLO, OFFICER.
VALERIE CHERISH.
343
00:16:09,934 --> 00:16:12,033
- YOU ALL HAVE A NICE EVENING.
- THANK YOU VERY MUCH.
344
00:16:12,100 --> 00:16:14,633
- Gigi: THANKS.
- GIGI, WHY DON'T YOU SLIDE OVER HERE
345
00:16:14,700 --> 00:16:16,333
AND GIVE VALERIE ROOM
TO GET OUT FIRST?
346
00:16:16,400 --> 00:16:18,066
- OH YEAH.
- Billy: HERE YOU GO.
347
00:16:18,133 --> 00:16:19,700
( fabric tears )
348
00:16:19,767 --> 00:16:22,333
OH. OH, YOUR DRESS
SEAM RIPPED.
349
00:16:22,400 --> 00:16:24,133
- WHAT? WHERE?
- Billy: OH.
350
00:16:24,200 --> 00:16:25,700
- THERE.
- OH MY GOD.
351
00:16:25,767 --> 00:16:28,233
- DON'T KNOW THE HECK
WE CAN DO ABOUT THAT. - WHAT SHOULD I--
352
00:16:28,300 --> 00:16:31,066
- THAT'S REALLY BAD.
- JUST HAVE TO HOLD ON TO IT AND COVER IT.
353
00:16:31,133 --> 00:16:32,600
- HOLD IT?
- Billy: WE GOTTA MOVE.
354
00:16:32,667 --> 00:16:34,166
- I THOUGHT YOU SHOULD KNOW.
- OKAY.
355
00:16:34,233 --> 00:16:36,367
- Billy: LET'S GO.
GOTTA MOVE. - YEAH.
356
00:16:38,333 --> 00:16:41,567
- ( crowd cheering )
- Announcer: Ladies and gentlemen...
357
00:16:54,600 --> 00:16:57,233
- TO THE LEFT HAND SIDE.
- OH, NO, SHE'S A NOMINEE.
358
00:16:57,300 --> 00:16:58,467
VALERIE CHERISH, HI.
359
00:16:58,533 --> 00:17:00,400
- HELLO.
- AND THEY'RE ALL WITH ME, SO...
360
00:17:00,467 --> 00:17:01,900
- IT'S A LOT OF--
- OKAY,
361
00:17:01,967 --> 00:17:04,233
THERE'S ONLY NOMINEES
ALLOWED ON THE RED CARPET.
362
00:17:04,300 --> 00:17:06,166
OH, NO, THIS IS
MY REALITY CREW,
363
00:17:06,233 --> 00:17:08,967
SO THEY HAVE TO--
DON'T LEAVE HOME WITHOUT THEM, YOU KNOW?
364
00:17:09,033 --> 00:17:11,500
OKAY, HOLD RIGHT HERE.
I'M GOING TO HAVE TO CLEAR THIS.
365
00:17:11,567 --> 00:17:13,233
- YOU HAVE TO CLEAR IT.
- EXCUSE ME. JUNA.
366
00:17:13,300 --> 00:17:16,233
- I'M GONNA NEED SOMEBODY
TO VERIFY ANOTHER-- - EXCUSE ME!
367
00:17:16,300 --> 00:17:18,533
- HI, YOU GUYS!
- AW, BABY GIRL!
368
00:17:18,600 --> 00:17:21,133
- Juna: THANK YOU.
- AW, MICKEY, LOOKING GOOD.
369
00:17:21,200 --> 00:17:23,500
- HELLO, VAL.
- OH, DON'T BE THAT WAY.
370
00:17:23,567 --> 00:17:27,166
COME ON, MY HEAD'S ON FIRE
FROM THE MANIAC YANKING AT IT ALL DAY.
371
00:17:27,233 --> 00:17:29,433
( gasps )
OH MY GOD, I'M SO HAPPY TO SEE YOU.
372
00:17:29,500 --> 00:17:31,000
I'M SO FREAKED OUT.
373
00:17:31,066 --> 00:17:33,834
- AWW.
- VAL, CAN YOU DO THE RED CARPET WITH ME?
374
00:17:33,900 --> 00:17:36,066
- YES!
- Billy: YES, ABSOLUTELY! DEFINITELY!
375
00:17:36,133 --> 00:17:40,000
- Carolina: WE NEED TO GO.
- Billy: THEY'RE GOING TO DO THE RED CARPET TOGETHER.
376
00:17:40,066 --> 00:17:42,633
GREAT, BUT "ACCESS HOLLYWOOD"
IS WAITING FOR US RIGHT NOW.
377
00:17:42,700 --> 00:17:44,967
- YEAH, THEN WE GOTTA GO.
- Mickey: EXCUSE ME.
378
00:17:45,033 --> 00:17:46,767
- Billy: WE'RE WITH THEM.
- I'M SORRY.
379
00:17:46,834 --> 00:17:51,033
CAN I GET SOMEBODY
TO COME DOWN HERE AND VERIFY ANOTHER REALITY CREW?
380
00:17:51,100 --> 00:17:53,133
- YOU TWO. GUYS, COME ON.
- VAL!
381
00:17:53,200 --> 00:17:55,200
YEAH, WE'LL JUST BE
ONE SECOND, OKAY?
382
00:17:55,266 --> 00:17:57,934
- DON'T GO FAR!
- NO, I WON'T.
383
00:17:58,000 --> 00:17:59,800
THEY'RE DOING AN INTERVIEW
TOGETHER, SO...
384
00:17:59,867 --> 00:18:02,600
- I UNDERSTAND. I'M SORRY.
- Valerie: SHE DOESN'T FEEL SECURE.
385
00:18:02,667 --> 00:18:05,200
Guard:
THIS WILL BE SETTLED VERY VERY QUICKLY.
386
00:18:05,266 --> 00:18:07,967
( wild cheering )
387
00:18:08,033 --> 00:18:10,834
I AM HERE WITH THE ORIGINAL
DESPERATE HOUSEWIFE--
388
00:18:10,900 --> 00:18:13,500
JANE KACZMAREK FROM
"MALCOLM IN THE MIDDLE."
389
00:18:13,567 --> 00:18:16,500
- I AM, AREN'T I?
- YOU ARE! IT'S GREAT!
390
00:18:16,567 --> 00:18:18,266
SO YOU'RE HERE
AS A PRESENTER TONIGHT.
391
00:18:18,333 --> 00:18:20,567
- YES-- FAVORITE NEW COMEDY.
- HAVE YOU SEEN THEM?
392
00:18:20,633 --> 00:18:23,667
- Valerie: WHERE'S JANE?
- Jane: I HAVEN'T SEEN ANY OF THEM.
393
00:18:23,734 --> 00:18:25,767
- Melissa: NEITHER HAVE I.
- Valerie: I KNOW IT'S HERE.
394
00:18:25,834 --> 00:18:28,266
YOU'RE FLYING SOLO TONIGHT.
WHERE'S YOUR WONDERFUL HUSBAND?
395
00:18:28,333 --> 00:18:30,800
- BRADLEY'S HOME WITH THE KIDS.
- Valerie: MAYBE SHE'S OVER HERE.
396
00:18:30,867 --> 00:18:32,867
- OH, A NIGHT OUT.
- OH, YEAH.
397
00:18:32,934 --> 00:18:35,467
MOST IMPORTANT--
WHAT WE ALL WANT TO KNOW:
398
00:18:35,533 --> 00:18:39,300
- WHO ARE YOU WEARING?
THE DRESS IS SPECTACULAR. - THANK YOU, IT'S RICHARD TYLER.
399
00:18:39,367 --> 00:18:41,467
- I LOVE THE TOUCH OF COLOR.
- ISN'T THAT PRETTY,
400
00:18:41,533 --> 00:18:43,100
- THAT COLOR IN THERE?
- IT'S GREAT.
401
00:18:43,166 --> 00:18:45,834
THEY'RE YELLING AT ME
TO GO BACK TO MY MOM. MOM, WHO YOU GOT?
402
00:18:45,900 --> 00:18:48,000
Woman:
WE'RE OUT. CLEAR.
403
00:18:48,066 --> 00:18:50,400
UM, WHO ARE
THESE CAMERAS?
404
00:18:50,467 --> 00:18:52,333
OH, THIS IS
"THE COMEBACK."
405
00:18:52,400 --> 00:18:55,133
- THE WHAT?
- "THE COMEBACK" WITH VALERIE CHERISH.
406
00:18:55,200 --> 00:18:57,200
- OH.
- WE'RE OVER THERE. WE'RE GOING.
407
00:18:57,266 --> 00:18:59,233
MORE COVERAGE,
YES, IT'S FINE.
408
00:18:59,300 --> 00:19:01,100
- JANE, WE LOST YOU.
- WE GOT STUCK.
409
00:19:01,166 --> 00:19:03,967
- I KNOW,
BUT WE GOT TO MOVE. - WE GOT TO MOVE.
410
00:19:04,033 --> 00:19:05,900
( crowd calling )
JUNA!
411
00:19:05,967 --> 00:19:09,066
- JUNA! JUNA! JUNA!
- Woman: THANK YOU!
412
00:19:09,133 --> 00:19:11,567
Man: JUNA!
413
00:19:11,633 --> 00:19:14,834
HERE'S WHAT'S HAPPENING.
JUNA'S STARTING WITH BILLY BUSH ALONE--
414
00:19:14,900 --> 00:19:17,100
NONE OF THE FANS RECOGNIZE ME.
I SHOULD HAVE COME AS ME.
415
00:19:17,166 --> 00:19:20,133
YOU LOOK AMAZING.
JUNA IS GONNA START WITH BILLY BUSH ALONE,
416
00:19:20,200 --> 00:19:22,734
- THEN SHE'S GONNA
BRING YOU IN. - Man: VALERIE!
417
00:19:22,800 --> 00:19:23,967
- PUT A PIN IN THAT.
- VALERIE!
418
00:19:24,033 --> 00:19:25,967
YEAH!
YEAH!
419
00:19:26,033 --> 00:19:28,467
Valerie:
GET-- HAND THAT DOWN, WON'T YOU?
420
00:19:28,533 --> 00:19:30,900
Carolina:
BILLY'S READY. WE HAVE TO GO NOW!
421
00:19:30,967 --> 00:19:33,500
- OKAY, THANKS GUYS!
- WE GOT TO GO.
422
00:19:35,166 --> 00:19:37,066
JUNA MILLKEN.
GOT MILLKEN?
423
00:19:37,133 --> 00:19:39,934
EVERYBODY'S
FAVORITE MILKMAID. YOU LOOK GREAT.
424
00:19:40,000 --> 00:19:42,834
- I LOVE THE DRESS--
ALMOST WORE THE SAME ONE. - OH REALLY?
425
00:19:42,900 --> 00:19:44,734
GREAT, I JUST SAW
JAY MCCARROLL ON THE CARPET.
426
00:19:44,800 --> 00:19:47,400
- LET'S GET THAT
GREAT PRESS PICTURE. - SURE SURE, YEAH.
427
00:19:47,467 --> 00:19:49,100
- YEAH, HERE.
- GREAT GREAT GREAT.
428
00:19:49,166 --> 00:19:51,667
- JAY! JAY!
- HEY, IT'S BILLY STANTON.
429
00:19:51,734 --> 00:19:55,066
HOW ARE YOU?
I WANTED TO INTRODUCE YOU TO MISS VALERIE CHERISH.
430
00:19:55,133 --> 00:19:57,266
HELLO, MY DESIGNER.
WHAT DO YOU THINK?
431
00:19:57,333 --> 00:19:59,333
- SEXY, HUH?
- OH MY GOD.
432
00:19:59,400 --> 00:20:00,900
IT'S-- IT'S BACKWARDS.
433
00:20:00,967 --> 00:20:03,700
- WHAT?
- YOU HAVE THE DRESS ON BACKWARDS.
434
00:20:03,767 --> 00:20:05,600
- I THOUGHT IT WAS
FOR THE CLEAVAGE - NO NO NO.
435
00:20:05,667 --> 00:20:08,233
- IT'S NOW OR NEVER
FOR "ACCESS HOLLYWOOD." - NEVER. YOU KNOW WHAT?
436
00:20:08,300 --> 00:20:10,500
GO AND FLIP THE DRESS AROUND.
FLIP YOUR HEAD AROUND.
437
00:20:10,567 --> 00:20:12,467
- I HAVE TO CHANGE IT.
- GO CHANGE!
438
00:20:12,533 --> 00:20:15,233
- YOU WEREN'T CLEAR
ABOUT WHICH WAY! - THE INTERVIEW'S NOW!
439
00:20:15,300 --> 00:20:17,767
MICKEY, I NEED YOUR HELP.
I NEED YOUR HELP.
440
00:20:17,834 --> 00:20:20,200
WHAT, IS YOUR NEW
HAIRSTYLIST NOT BEING ABLE TO--
441
00:20:20,266 --> 00:20:21,967
NEVER MIND, MY DRESS
IS ON BACKWARDS.
442
00:20:22,033 --> 00:20:24,166
- I'M BACKWARDS.
- LET'S FIND YOU A PLACE TO CHANGE.
443
00:20:24,233 --> 00:20:26,433
- YEAH, CHANGE IT.
- EXCUSE US.
444
00:20:29,000 --> 00:20:30,700
Jane:
LET'S GO, YOU GUYS. HURRY--
445
00:20:30,767 --> 00:20:33,266
- JANE FELL.
- SHE'LL BE ALL RIGHT. SHE'LL BE ALL RIGHT.
446
00:20:33,333 --> 00:20:36,300
- FUCKING SHOES!
- EXCUSE US, FOLKS!
447
00:20:36,367 --> 00:20:37,934
Announcer:
...Ray Romano!
448
00:20:38,000 --> 00:20:39,633
Man:
PLEASE TAKE YOUR SEATS.
449
00:20:39,700 --> 00:20:42,367
- EXCUSE ME.
- THE TELECAST WILL START IN FIVE MINUTES!
450
00:20:42,433 --> 00:20:44,200
OH, FIVE MINUTES,
MICKEY.
451
00:20:44,266 --> 00:20:46,433
- I'VE GOT FIVE MINUTES.
- PLEASE TAKE YOUR SEATS!
452
00:20:46,500 --> 00:20:48,633
- OH!
- VAL, WHAT TOOK YOU SO LONG?
453
00:20:48,700 --> 00:20:50,767
THERE WAS A LONG LINE
AT THE LADIES' ROOM.
454
00:20:50,834 --> 00:20:52,734
- OH, WE WAITED TO TAKE
A PICTURE WITH YOU. - OH.
455
00:20:52,800 --> 00:20:55,233
YOU MIGHT WANT TO GET
YOUR PUBLICIST SOME GRIEF COUNSELING.
456
00:20:55,300 --> 00:20:58,367
- SO YOU DID ALL OF IT--
JOAN RIVERS? NANCY O'DELL? - YEAH, IT'S ALL OVER.
457
00:20:58,433 --> 00:21:00,300
IT'S ALL OVER.
AW, I CAN'T BELIEVE IT.
458
00:21:00,367 --> 00:21:03,133
- YOU KNOW, THAT DOES LOOK LIKE
THE FRONT OF THE DRESS. - I KNOW, I KNOW.
459
00:21:03,200 --> 00:21:05,734
Female announcer:
Ladies and gentlemen, please welcome
460
00:21:05,800 --> 00:21:08,934
From "Malcolm in the Middle"
Jane Kazcmarek.
461
00:21:09,000 --> 00:21:10,767
Valerie: TOM?
462
00:21:10,834 --> 00:21:14,000
I WANT YOU TO KNOW,
EVEN THOUGH WE'RE NOT WINNERS TONIGHT,
463
00:21:14,066 --> 00:21:17,567
- TO ME, WE'RE ALL WINNERS.
WE REALLY ARE. - NO WE'RE NOT.
464
00:21:17,633 --> 00:21:21,834
- IF THAT'S THE WAY YOU FEEL,
WHY DID YOU EVEN COME? - FREE HOOCH.
465
00:21:21,900 --> 00:21:25,800
- Kazcmarek: THE NOMINEES FOR
FAVORITE TV COMEDY ARE... - CAN I GET MY HAND BACK?
466
00:21:25,867 --> 00:21:28,567
- ..."SLICE OF LIFE."
- THAT SHOW ISN'T
467
00:21:28,633 --> 00:21:30,633
EVEN HALF AS GOOD
AS OURS, MAN.
468
00:21:30,700 --> 00:21:32,700
"NUT HOUSE."
469
00:21:32,767 --> 00:21:34,400
GIGI, THEY MIGHT PUT
CAMERAS ON US.
470
00:21:34,467 --> 00:21:37,133
YOU DON'T WANT TO HAVE
CHOCOLATE ON YOUR-- PUT IT AWAY.
471
00:21:37,200 --> 00:21:38,934
AND "ROOM & BORED."
472
00:21:39,900 --> 00:21:42,033
( high-pitched
vocalizing )
473
00:21:42,100 --> 00:21:44,367
AND THE AWARD GOES TO...
474
00:21:44,433 --> 00:21:45,834
"SLICE OF LIFE."
475
00:21:45,900 --> 00:21:48,033
( award music playing )
476
00:21:50,133 --> 00:21:52,767
- Woman: EXCUSE ME.
- OH, I'M SORRY. I'M IN THE WAY.
477
00:21:52,834 --> 00:21:55,367
- CONGRATULATIONS.
- EXCUSE ME.
478
00:21:58,467 --> 00:22:00,100
Announcer:
Please take your seats.
479
00:22:00,166 --> 00:22:04,033
Coming up next,
the award for favorite female television star.
480
00:22:04,100 --> 00:22:06,100
THANK YOU, SIR.
I'M BACK FROM THE RESTROOM.
481
00:22:06,166 --> 00:22:07,867
( chuckles )
482
00:22:07,934 --> 00:22:10,400
HELLO?
YOU'RE IN MY SEAT.
483
00:22:10,467 --> 00:22:13,133
SHE'S TALKING TO YOU.
484
00:22:13,200 --> 00:22:15,433
DO I NEED TO CALL AN USHER?
485
00:22:15,500 --> 00:22:18,100
EXCUSE ME, THIS SEAT-FILLER
WON'T STOP FILLING MY SEAT.
486
00:22:18,166 --> 00:22:20,066
OH, NEVER--
THAT'S ALL RIGHT.
487
00:22:20,133 --> 00:22:22,100
- CAN YOU BELIEVE THAT?
- THAT WAS SO WEIRD.
488
00:22:22,166 --> 00:22:25,066
DID HE THINK HE WAS
GOING TO STAY HERE FOR THE REST OF THE SHOW?
489
00:22:25,133 --> 00:22:27,133
PEOPLE WILL DO ANYTHING
TO BE ON CAMERA.
490
00:22:27,200 --> 00:22:30,367
- ( award music playing )
- Please welcome from "The George Lopez Show"
491
00:22:30,433 --> 00:22:32,934
George Lopez.
492
00:22:37,667 --> 00:22:39,467
THANK YOU.
493
00:22:40,633 --> 00:22:42,633
I'M HERE TO PRESENT
THE AWARD
494
00:22:42,700 --> 00:22:44,700
FOR FAVORITE FEMALE
TELEVISION STAR.
495
00:22:44,767 --> 00:22:45,967
Okay, a word to everyone.
496
00:22:46,033 --> 00:22:47,900
Be careful making your way
to the stage
497
00:22:47,967 --> 00:22:50,266
because there are three
different reality crews
498
00:22:50,333 --> 00:22:52,967
filming three different
reality shows in the audience.
499
00:22:53,033 --> 00:22:54,900
There's four crews
if you count the one
500
00:22:54,967 --> 00:22:58,033
- with Paris Hilton
in the men's room. - ( audience laughs )
501
00:22:59,133 --> 00:23:01,033
THE NOMINEES ARE...
502
00:23:01,100 --> 00:23:03,767
PORTIA DE ROSSI--
"ARRESTED DEVELOPMENT."
503
00:23:05,700 --> 00:23:07,867
DEBRA MESSING--
"WILL AND GRACE."
504
00:23:07,934 --> 00:23:10,367
( audience cheers )
505
00:23:10,433 --> 00:23:13,367
AND JUNA MILLKEN--
"ROOM & BORED."
506
00:23:13,433 --> 00:23:15,600
( audience cheering )
507
00:23:16,734 --> 00:23:19,066
AND THE PEOPLE'S CHOICE
GOES TO...
508
00:23:20,467 --> 00:23:23,333
- MY GIRL JUNA MILLKEN!
- ( award music playing )
509
00:23:42,800 --> 00:23:45,734
OH MY GOSH.
WOW, THANK YOU.
510
00:23:45,800 --> 00:23:48,967
I WANT TO THANK THE PEOPLE
WHO VOTED FOR ME, FIRST OFF.
511
00:23:49,033 --> 00:23:51,800
UM... OH MY GOSH.
512
00:23:51,867 --> 00:23:53,467
OKAY, UM...
513
00:23:53,533 --> 00:23:55,667
I WANT TO THANK MY AGENTS,
514
00:23:55,734 --> 00:23:57,867
MY MANAGER, MY LAWYER,
515
00:23:57,934 --> 00:23:59,800
MY PARENTS-- I LOVE YOU--
516
00:23:59,867 --> 00:24:01,667
OUR BRILLIANT
SHOW CREATORS
517
00:24:01,734 --> 00:24:03,700
TOM PETERMAN
AND PAULIE G,
518
00:24:03,767 --> 00:24:08,767
OUR AMAZING WRITERS
ZACH, MILO, ARTHUR AND GIGI,
519
00:24:08,834 --> 00:24:11,300
MY FELLOW CAST MEMBERS
SHAYNE THOMAS, CHRIS MACNESS,
520
00:24:11,367 --> 00:24:14,467
JESSE WOOD--
OH, WRAP IT UP. OKAY, OKAY, UM...
521
00:24:14,533 --> 00:24:17,066
- KAVEEN KAHAN
AND GREG NARAYAN... - ( award music playing )
522
00:24:17,133 --> 00:24:19,000
AND ESPECIALLY...
523
00:24:19,066 --> 00:24:20,934
VALERIE CHERISH,
WITHOUT HER...
524
00:24:21,000 --> 00:24:24,100
- ( silent )
- ( music intensifies )
525
00:24:28,667 --> 00:24:30,567
THANK YOU.
526
00:24:31,900 --> 00:24:34,300
I COULDN'T HEAR.
COULD YOU HEAR WHAT SHE SAID?
527
00:24:34,367 --> 00:24:37,400
- NO, I COULDN'T.
- THEY CUT HER OFF. THEY CUT HER OFF.
528
00:24:37,467 --> 00:24:39,633
- THE MUSIC GOT REALLY LOUD.
- YEAH.
529
00:24:39,700 --> 00:24:43,500
Female announcer:
...29th annual People's Choice Awards will be right back.
530
00:24:45,100 --> 00:24:47,333
- EXCUSE ME.
VALERIE CHERISH. - ( lounge music playing )
531
00:24:47,400 --> 00:24:48,533
- HI.
- Valerie: HI.
532
00:24:48,600 --> 00:24:50,100
WE'RE REALLY BACKED UP
IN THERE.
533
00:24:50,166 --> 00:24:52,667
THE FIRE MARSHAL
IS TOTALLY HOLDING US TO THE CAPACITY.
534
00:24:52,734 --> 00:24:55,033
- I'M SORRY.
- THAT'S ALL RIGHT. I'M A NOMINEE,
535
00:24:55,100 --> 00:24:56,800
- OF COURSE.
- SO YOU PROBABLY WANNA...
536
00:24:56,867 --> 00:24:59,133
RIGHT NOW, I COULD
PROBABLY SNEAK IN YOU...
537
00:24:59,200 --> 00:25:00,767
AND MAYBE JUST ONE MEMBER
OF YOUR PARTY.
538
00:25:00,834 --> 00:25:02,800
IS THIS A PARTY
OR "SOPHIE'S CHOICE"?
539
00:25:02,867 --> 00:25:04,800
- YEAH.
- WE GOT TO GET A PICTURE WITH JUNA
540
00:25:04,867 --> 00:25:08,100
- BEFORE SHE LEAVES.
- Hostess: IT'LL ONLY BE A SHORT WAIT, I PROMISE.
541
00:25:08,166 --> 00:25:10,967
- THANK YOU.
- I PROMISE.
542
00:25:11,033 --> 00:25:12,834
NOPE NOPE.
543
00:25:12,900 --> 00:25:14,934
- CONGRATULATIONS.
- THANK YOU VERY MUCH!
544
00:25:15,000 --> 00:25:17,000
OH, HERE WE ARE.
545
00:25:17,066 --> 00:25:18,900
WELL, HELLO HELLO HELLO!
546
00:25:18,967 --> 00:25:21,033
- Shayne: HI!
- ( overlapping greetings )
547
00:25:21,100 --> 00:25:23,300
LOOK AT THIS, VAL,
THEY GAVE US THE WORST TABLE.
548
00:25:23,367 --> 00:25:24,767
I MEAN, IT'S RIGHT
BY THE DOOR.
549
00:25:24,834 --> 00:25:26,934
WELL, NOW, CHRIS,
YOU GOT IN THE DOOR
550
00:25:27,000 --> 00:25:28,800
AND THAT'S HALF
THE BATTLE, HUH?
551
00:25:28,867 --> 00:25:32,066
WE ARE THE PEOPLE'S CHOICE!
HERE'S TO THE CHOICE OF THE PEOPLE.
552
00:25:32,133 --> 00:25:34,600
OH, YES.
THE PEOPLE HAVE CHOSEN
553
00:25:34,667 --> 00:25:37,000
AND THE PEOPLE CHOSE CRAP.
554
00:25:39,800 --> 00:25:42,900
HERE YOU GO, BUDDY.
POUND THAT.
555
00:25:42,967 --> 00:25:45,433
GREAT, MORE DRINKS.
GREAT IDEA.
556
00:25:48,567 --> 00:25:51,533
- HEY, THERE YOU ARE.
- Both: HI.
557
00:25:51,600 --> 00:25:53,900
- HERE WE ARE.
- VAL, I'M SO UPSET
558
00:25:53,967 --> 00:25:55,967
THAT NO ONE HEARD
WHAT I SAID ABOUT YOU.
559
00:25:56,033 --> 00:25:57,367
OH, WHAT DID YOU SAY?
560
00:25:57,433 --> 00:25:59,367
OH I SAID,
"ESPECIALLY VALERIE CHERISH,
561
00:25:59,433 --> 00:26:01,500
BECAUSE WITHOUT HER,
NONE OF US WOULD BE FUNNY."
562
00:26:01,567 --> 00:26:03,567
- AW.
- I JUST WISH EVERYONE HEARD THAT.
563
00:26:03,633 --> 00:26:06,767
I HEARD. THAT'S WHAT'S
REALLY IMPORTANT.
564
00:26:06,834 --> 00:26:08,800
- YES, THAT'S TRUE.
- AW.
565
00:26:08,867 --> 00:26:10,867
JANE, DID YOU GET THAT?
YOU DID.
566
00:26:10,934 --> 00:26:13,700
ANYWAY, LISTEN,
WE'RE GOING TO GO. DO YOU WANT TO COME?
567
00:26:13,767 --> 00:26:17,433
WELL, JUST GOT HERE.
DIDN'T REALLY HAVE A CHANCE TO HANG OUT WITH THE GANG.
568
00:26:17,500 --> 00:26:19,333
- OKAY.
- WHERE ARE YOU GOING?
569
00:26:19,400 --> 00:26:22,066
WELL, KEIFER SUTHERLAND'S
HAVING A PRIVATE PARTY.
570
00:26:22,133 --> 00:26:24,000
- MM, LET'S DO THAT.
- OKAY.
571
00:26:24,066 --> 00:26:25,700
WHAT ABOUT MICKEY?
572
00:26:25,767 --> 00:26:29,100
- HE'S MY DATE,
SO THAT'S FINE. - WHAT ABOUT MY DATE?
573
00:26:29,166 --> 00:26:31,700
OH MY GOD.
I THINK SHE'S GOT A RIDE.
574
00:26:31,767 --> 00:26:34,166
Valerie:
AW, THAT'S NICE.
575
00:26:34,233 --> 00:26:36,133
GIGI'S GETTIN' A LITTLE
SOMETHIN' SOMETHIN'.
576
00:26:36,200 --> 00:26:37,867
YEAH, OKAY.
MICKEY,
577
00:26:37,934 --> 00:26:41,100
LET'S GO GET OUR
GOODY BAGS AND GO, HUH?
578
00:26:42,300 --> 00:26:44,133
OOH OOH! GOT TO FIND
A PHONE, CALL MARK,
579
00:26:44,200 --> 00:26:46,900
- TELL HIM I'M GOING
TO KEIFER'S, HUH? - Juna: OKAY, YEAH.
580
00:26:46,967 --> 00:26:49,200
Paulie G:
( laughing ) OH MY GOD!
581
00:26:54,567 --> 00:26:57,200
- IT'S THE BEST DAY EVER.
- I KNOW AND IT IS. IT REALLY IS.
582
00:26:57,266 --> 00:26:58,867
OH, LOOK, IT'S
THE QUICK WAY OUT.
583
00:26:58,934 --> 00:27:01,600
SORRY, MISS.
EVERYONE MUST EXIT OUT THE BACK.
584
00:27:01,667 --> 00:27:03,400
OH, CAN'T WE JUST
SNEAK OUT THIS WAY?
585
00:27:03,467 --> 00:27:05,967
THERE'S LIKE A MILLION
PHOTOGRAPHERS OUT THAT WAY.
586
00:27:06,033 --> 00:27:08,066
WELL, BABY GIRL,
A RULE'S A RULE, SO--
587
00:27:08,133 --> 00:27:10,033
PLEASE, SIR, PLEASE?
588
00:27:10,100 --> 00:27:12,000
WELL, WE DON'T WANT
TO GET HIM IN TROUBLE.
589
00:27:12,066 --> 00:27:15,633
- POSE FOR A FEW PHOTOGRAPHERS--
- ALL YOU HAVE TO DO IS JUST LOOK THE OTHER WAY
590
00:27:15,700 --> 00:27:17,767
AND WE'LL SNEAK OUT.
PLEASE?
591
00:27:17,834 --> 00:27:19,467
- ( softly ) OKAY.
- THANK YOU SO MUCH.
592
00:27:19,533 --> 00:27:21,200
- YOU'RE GOING TO LET US--
- ( giggles )
593
00:27:21,266 --> 00:27:23,500
THANK YOU SO MUCH.
594
00:27:23,567 --> 00:27:25,633
Man:
BREAK THAT SHIT DOWN!
595
00:27:25,700 --> 00:27:27,533
I DON'T WANT TO BE
HERE ALL NIGHT.
596
00:27:27,600 --> 00:27:31,066
- THE GLAMOUR NEVER ENDS.
- ( girls laugh )
597
00:27:31,133 --> 00:27:32,834
OOH, CAREFUL.
WATCH OUT.
598
00:27:32,900 --> 00:27:35,800
Photographer:
HOLD IT! HOLD IT! THAT'S A GREAT SHOT!
599
00:27:35,867 --> 00:27:37,800
- JUST LOOK OVER HERE!
- Both: OKAY.
600
00:27:37,867 --> 00:27:40,066
- ( both laugh )
- WAIT! MICKEY, MICKEY.
601
00:27:42,433 --> 00:27:44,300
YEAH.
602
00:27:44,367 --> 00:27:45,934
- Valerie: GOOD.
- Juna: THANK YOU.
603
00:27:46,000 --> 00:27:47,533
LOVELY.
BEAUTIFUL.
604
00:27:47,600 --> 00:27:50,667
- BEAUTIFUL.
- LET'S GO, GIRLS. WE'VE GOT WORK TO DO.
605
00:27:50,734 --> 00:27:52,233
- OH.
- OH, SORRY.
606
00:27:52,300 --> 00:27:54,567
- THANKS A LOT.
- Both: THANK YOU.
607
00:27:54,633 --> 00:27:57,800
- WE GOT IT.
- GOT OURSELVES A PICTURE.
608
00:27:58,834 --> 00:28:00,533
OH, MICKEY?
RUN AHEAD AND SEE
609
00:28:00,600 --> 00:28:02,533
WHAT PAPER HE'S WITH,
OKAY?
610
00:28:02,600 --> 00:28:04,967
YEAH, STEP IT UP, DEAR.
HE'S GETTING AWAY!
611
00:28:05,033 --> 00:28:06,767
OH, JANE.
612
00:28:06,834 --> 00:28:08,567
JANE, GOT YOU
A GOODY BAG.
613
00:28:08,633 --> 00:28:10,600
HERE YOU GO.
I KNOW YOU WANT IT. ( chuckles )
614
00:28:10,667 --> 00:28:12,367
- THANK YOU.
- SURE.
615
00:28:12,433 --> 00:28:14,233
Juna:
LOOK AT ALL THIS COOL MAKEUP.
616
00:28:14,300 --> 00:28:16,567
OH, YEAH.
YOU GOT TO BE CAREFUL WITH THAT THOUGH.
617
00:28:16,633 --> 00:28:18,400
- OH.
- USED A BASE FROM A GOODY BAG ONCE,
618
00:28:18,467 --> 00:28:20,033
- GAVE ME A RASH FOR A WEEK.
- OH, SHIT.
619
00:28:20,100 --> 00:28:21,567
- Juna: OH GOD.
- YEAH YEAH.
620
00:28:21,633 --> 00:28:23,400
SO WHAT ARE YOU
GOING TO DO WITH THIS?
621
00:28:23,467 --> 00:28:26,300
- MAYBE I'LL GIVE
IT TO MY PARENTS. - AWW, GOOD FOR YOU.
622
00:28:26,367 --> 00:28:29,633
- ( both laugh )
- THEY'LL NEED A WHOLE ROOM BY THE TIME YOU'RE DONE.
623
00:28:29,700 --> 00:28:31,400
- I DIDN'T CALL FOR THE CAR.
- ( gasps )
624
00:28:31,467 --> 00:28:34,233
- DID YOU CALL TO GET YOUR CAR?
- NO, I DIDN'T BRING MY PURSE.
625
00:28:34,300 --> 00:28:36,867
WELL I BROUGHT MY PURSE,
BUT I CAN'T FIT MY CELL PHONE IN HERE.
626
00:28:36,934 --> 00:28:38,567
( laughs )
SHOOT, WELL--
627
00:28:38,633 --> 00:28:41,433
- Juna: MAYBE MICKEY KNOWS.
DO YOU KNOW? - HERE HE IS.
628
00:28:41,500 --> 00:28:43,967
WHAT ARE YOU GUYS
WAITING FOR? COME ON!
629
00:28:44,033 --> 00:28:47,266
OW, MY FEET
ARE ON FUCKING FIRE.
630
00:28:47,333 --> 00:28:50,367
GO! COME ON.
631
00:28:50,433 --> 00:28:51,934
Mickey:
I SAW A LIMO OVER THERE.
632
00:28:52,000 --> 00:28:54,500
- Valerie:
YOURS. WHERE'S MINE? - Mickey: GO WITH US.
633
00:28:54,567 --> 00:28:57,033
- Juna: YOU CAN COME WITH US.
- Valerie: I'LL GO WITH YOU.
634
00:28:57,100 --> 00:28:59,967
- NO ONE WILL CARE.
- Juna: I WOULD LOVE FOR YOU TO COME WITH US.
635
00:29:00,033 --> 00:29:04,166
- Valerie: THAT WOULD BE FUN.
- Man: CAN YOU GUYS GIVE ME A HAND OVER HERE OR WHAT?
636
00:29:04,216 --> 00:29:08,766
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