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1
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( tone sounds )
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00:00:18,600 --> 00:00:20,800
Man on TV:
The stars were out in New York last night...
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00:00:20,867 --> 00:00:22,800
DO YOU WORK OUT A LOT?
4
00:00:22,867 --> 00:00:25,767
WELL I USED TO, YOU KNOW,
THEN I GOT BUSY.
5
00:00:25,834 --> 00:00:27,667
SO WE'VE GOT TO CARVE OUT
TIME FOR IT NOW
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'CAUSE GONNA START
A BIG PRESS PUSH, YOU KNOW, FOR "THE COMEBACK."
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00:00:31,266 --> 00:00:34,400
SO, GOT TO DO IT ALL,
YOU KNOW-- KEEP IN SHAPE, KEEP UP WITH THE NEWS.
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- AGH!
- Nicole Kidman, Julianne Moore
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- and Sarah Jessica Parker...
- ( cell phone rings )
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HELLO?
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00:00:41,300 --> 00:00:43,266
OH, YEAH, NO SURE,
I'LL HOLD. I'LL HOLD.
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PUT IN ON SPEAKER.
JANE?
13
00:00:45,500 --> 00:00:47,166
BIG CONFERENCE CALL.
GOT THE, UM...
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00:00:47,233 --> 00:00:49,367
YOU KNOW, "THE COMEBACK"'S
AD CAMPAIGN.
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Woman: This might take
a second, i'm trying to get you all conferenced here.
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00:00:52,667 --> 00:00:55,033
OH, THAT'S FINE, DARLING.
I'M FINE.
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00:00:55,100 --> 00:00:58,367
IT'LL TAKE A WHILE
TO GET EVERYBODY... ON THE PHONE.
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WHAT DO YOU NEED, DEAR?
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WHERE'S MY PURSE?
20
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YOUR PURS--
WELL, I HAD TO--
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I HAD TO MOVE IT
FOR MY WORKOUT.
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00:01:07,567 --> 00:01:09,700
YOU KNOW,
YOU CAN'T PUT THINGS ON THE EQUIPMENT.
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- I USE THIS TREADMILL, SO--
- BUT I ALWAYS PUT MY PURSE ON THE EQUIPMENT.
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THAT'S ALL RIGHT, DEAR.
I'M NOT MAD. I KNOW.
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WELL, NO, IT'S BACK THERE.
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IT'S JUST OVER THERE.
YEAH.
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- Man: Val, you there?
- YES I AM.
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This is Richard Harris,
Senior VP of Marketing.
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- OH.
- And Larry Edwards, Director of Marketing.
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Zack Kirstien,
VP of Marketing and Talent Relations.
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WELL, HELLO, TEAM.
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Richard:
Valerie, we wanted to thank you
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for all your calls
about "The Comeback."
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It's great that you
care so much.
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WELL, THAT'S MY JOB,
YOU KNOW, LARRY.
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- Actually, I was
speaking, Val. Richard. - OH, OKAY. SORRY.
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- GO ON.
- Zack: So, uh...
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we have a great campaign
in the works.
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OH GOOD. THAT'S GREAT
'CAUSE I HAVE TO--
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TO BE HONEST,
I WAS STARTING TO WORRY A LITTLE BIT, YOU KNOW?
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TWO MONTHS AWAY FROM
"THE COMEBACK" PREMIERE, YOU KNOW, RICHARD.
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It's Zack.
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I'M SORRY.
OH, YEAH, WELL IT'S HARD TO TELL Y'ALL APART.
44
00:02:02,333 --> 00:02:04,400
( chuckles )
ANYWAY, SO I WAS JUST WONDERING,
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00:02:04,467 --> 00:02:06,834
- WHEN AM I GOING TO START
TO SEE SOMETHING? - I'M OFF.
46
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- OH.
- Larry: We have a roll-out plan
47
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- we're very excited about.
- I FORGOT MY, UM...
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- WHOA! OW!
- OH, MARK!
49
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OH, MARK!
ARE YOU ALL RIGHT?
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OH, FUCK FUCK
FUCK FUCK FUCK!
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- NO!
- WHAT WAS THE TREADMILL DOING ON?
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- SHE WAS WORKING OUT.
- MARK, WHERE DOES IT HURT?
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- I CAN'T MOVE
MY FINGERS. - OH MY GOD!
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OH MY GOD! ALL RIGHT,
WE HAVE TO TAKE YOU TO THE EMERGENCY ROOM.
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- OW.
- OKAY? PHIL, HELP ME GET HIM UP, WILL YOU?
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- I'M AL.
- AL, IT'S NOT ABOUT YOU RIGHT NOW, ALL RIGHT?
57
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MARK'S HURT.
COME ON.
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- OH MY GOD!
- Mark: WHAT?!
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I HUNG UP ON THE ENTIRE
MARKETING DEPARTMENT. JUST HUNG UP ON THEM.
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THAT'S AN EMERGENCY.
THEY'LL UNDERSTAND, I THINK. ALL RIGHT.
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- LET'S GO.
- OH NO, DON'T TOUCH MY HAND!
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DON'T TOUCH HIS HAND, ANYONE!
DON'T ANYONE TOUCH HIS HAND!
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OKAY... YOU HAVE
TO GET OUT OF THE WAY, DEAR.
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SO HE BROKE
THREE FINGERS.
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THREE FINGERS, JANE.
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WAIT, WHERE AM I?
WHERE ARE YOU? I DON'T SEE--
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NO, WE'RE OUTSIDE.
THEY WOULDN'T LET US COME IN.
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OH, YEAH.
ALL RIGHT, OKAY.
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WELL, THEY TOLD ME TO WAIT
IN THE WAITING ROOM, SO--
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IT'S OKAY.
WE'LL JUST GET WHATEVER WE CAN FROM OUT HERE.
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- OKAY.
- DO YOU WANT ME TO COME IN AND SIT WITH YOU?
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WELL, THAT'S ALL RIGHT.
THEN YOU WON'T BE ABLE TO USE ANY OF THIS, RIGHT?
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SO, THAT'S ALL RIGHT.
I HAVE A MAGAZINE AND--
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YEAH, IT'S ALL RIGHT.
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( sighs )
THREE FINGERS, JANE. THREE.
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IT'S AMAZING
WHAT THEY CAN DO WITH FINGERS THESE DAYS.
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- YEAH.
- I BROKE THIS ONE AND LOOK.
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YEAH. OKAY.
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THANKS, JANE.
I APPRECIATE THE SUPPORT.
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I REALLY DO.
IT'S HARD.
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00:03:33,133 --> 00:03:34,734
- I'M SORRY, MISS?
- YEAH.
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- NO CELL PHONES ALLOWED.
- OH.
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OH BOY, JANE?
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OH, IT'S OKAY.
WE HAVE YOU MIKED.
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- WE CAN HEAR YOU.
- CAN YOU HEAR ME?
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OKAY, GOOD.
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( inhales sharply )
I HATE HOSPITALS.
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SO...
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( gasps )
OH, LOOK AT THAT. THERE'S JUNA.
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THAT'S JUNA.
CAN YOU GET THAT?
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THERE SHE IS.
MY BABY GIRL.
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YOU SEE THAT?
( laughs )
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AW.
SO EXCITING FOR HER.
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I REMEMBER HOW IT FELT...
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WHEN I STARTED SEEING
MY PICTURES IN MAGAZINES, YOU KNOW.
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IT'S THRILLING.
IT'S REALLY THRILLING.
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AW, HERE SHE IS.
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OH LOOK, IT SAYS SHE'S
"TV's FASHION IT GIRL."
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ISN'T THAT FUNNY?
'CAUSE I WAS TV's "I'M IT" GIRL.
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SMALL WORLD, HUH?
ISN'T THAT FUNNY?
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( sighs )
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WHY WAS IT ON?
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I TOLD YOU, MARK.
I WAS WORKING OUT.
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YOU DON'T WORK OUT.
105
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OKAY, I'M NOT GOING
TO DISCUSS THIS WITH YOU
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WHEN YOU'RE OBVIOUSLY
HIGH ON PERCOCET.
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YOU'RE NOT
THINKING CLEARLY.
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JANE, WILL YOU OPEN THE DOOR,
PLEASE? THANK YOU.
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- ( sighs ) WOO.
- EASY, TIGER. ( laughs )
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Valerie:
YEAH. AND EVERYBODY IN.
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( speaks Spanish )
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Esperanza:
MR. MARK, HOW ARE YOU?
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Valerie:
WELL, NOT SO GOOD I'M AFRAID. BROKE THREE FINGERS.
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HEY, ESPERANZA, HOW OFTEN DOES
VAL WORK OUT? NEVER, RIGHT?
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PFFT. ALL RIGHT,
MARKY-MARK, WHAT DO YOU WANT TO DO?
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GO UPSTAIRS? GET INTO BED?
IT'S MORE COMFORTABLE THERE.
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- YEAH, THAT'D BE GOOD.
WANNA SLEEP. - GOOD.
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ALL RIGHT, LISTEN,
LOVE BALL, I'M GOING TO TUCK YOU INTO BED,
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AND I'M GOING TO STAY
RIGHT BY YOUR SIDE ALL DAY, OKAY?
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JUST HAVE TO GO
INTO WORK AT 3:30 FOR CAMERA BLOCKING.
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- WHY WAS IT ON? ( moans )
- MARK, I TOLD YOU THREE TIMES.
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YOU KNOW WHAT?
LET'S JUST GET YOU INTO BED.
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- JUNA, YOU IN HERE?
- YEAH, HI.
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LOOK WHAT I FOUND, HUH?
GOT SOME PRESS.
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- ( gasps )
- JUNA MILLKEN IN "US WEEKLY," EVERYBODY.
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- ( laughs )
- PETER, IT'S THAT DRESS.
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I LOVE
THAT DRESS ON YOU.
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- ISN'T THAT FUN?
- OH, WOW, IT'S GREAT. IT'S GREAT.
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I REMEMBER WHEN I FIRST
GOT PRESS FOR "I'M IT."
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"TV GUIDE,"
THE "ONES TO WATCH" SECTION.
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00:05:41,400 --> 00:05:44,967
- WOW.
- OH MY LORD & TAYLOR.
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00:05:45,033 --> 00:05:48,333
Mickey:
THAT IS BREATHTAKING.
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00:05:49,734 --> 00:05:51,567
SO YOU'RE ON THE COVER
OF "ROLLING STONE"?
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- YOU'RE ON THE COVER--
IS THAT A REAL COVER? - Woman: IT'S A MOCK-UP.
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THE REAL ONE COMES OUT
IN ABOUT TWO TO THREE WEEKS.
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- GORGEOUS, YEAH.
- Juna: THANK YOU.
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AND VAL, THIS IS
MY PUBLICIST, CAROLINA.
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00:06:01,567 --> 00:06:02,934
- OH.
- SHE'S THE GREATEST.
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00:06:03,000 --> 00:06:04,266
YEAH, WELL I GUESS SO.
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00:06:04,333 --> 00:06:06,734
- OH, HI.
- VALERIE CHERISH. PLEASURE TO MEET YOU.
141
00:06:06,800 --> 00:06:08,133
- OH, YOU TOO.
- PLEASURE.
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I GUESS I KNOW
WHAT THE PULL QUOTE IS GOING TO BE.
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I JUST GOT AN E-MAIL
FROM THE COPY EDITOR OF "ROLLING STONE,"
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AND JESSE SAYS YOU HAVE THE,
QUOTE, "HOTTEST WHITE ASS IN HOLLYWOOD!"
145
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- NO!
- Carolina: OH MY GOD! CONGRATULATIONS!
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00:06:19,934 --> 00:06:23,166
- Juna: THANK YOU.
- SO THEN IT'S AN ARTICLE TOO? THERE'S AN ARTICLE?
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- YEAH.
- WOW. OH, BABY GIRL, SO PROUD OF YOU.
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00:06:25,500 --> 00:06:27,333
- ( giggles ) THANK YOU.
- SO PROUD.
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LISTEN, IF YOU EVER NEED ME
TO GET ON THE PHONE WITH ANYONE FOR HER,
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MY PLEASURE, OKAY?
AND I PROMISE I'LL MENTION MORE THAN JUST HER ASS.
151
00:06:34,433 --> 00:06:36,633
- Valerie: ALL RIGHT?
- Tom: HEY, PETER?
152
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YOU GOT ANY BIKINIS FOR US
TO APPROVE OF IN HERE?
153
00:06:39,166 --> 00:06:42,166
- All: OH.
- THE PICKS FOR THIS WEEK'S SHOW ON THAT RACK.
154
00:06:42,233 --> 00:06:44,900
- ( Mickey clears throat )
- WHOA WHOA WHOA!
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00:06:44,967 --> 00:06:47,133
- Tom: OH, WOW!
- Valerie: HOW IS THAT?
156
00:06:47,200 --> 00:06:49,133
- Tom: WOW!
- "GOT MILLKEN?"
157
00:06:49,200 --> 00:06:51,133
- OH, THAT IS--
- I WISH I HAD A COOKIE.
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00:06:51,200 --> 00:06:53,066
RIGHT.
159
00:06:53,133 --> 00:06:54,934
- GA-GA-GA-GOY!
- FUCKING HOT!
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00:06:55,000 --> 00:06:57,367
- Valerie: YEAH.
- THAT IS FUCKING-- NOW LOOK AT YOU.
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00:06:57,433 --> 00:07:00,400
- Paulie G: YOU ARE
FUCKING HOT, LADY. - Juna: OH, THANK YOU.
162
00:07:00,467 --> 00:07:03,400
- Tom: WOW, THAT IS AMAZING.
- ISN'T THAT AMAZING?
163
00:07:03,467 --> 00:07:05,400
LOOKS LIKE THAT,
EATS LIKE THAT.
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00:07:05,467 --> 00:07:07,433
- ( giggles )
- I FUCKING LOVE YOU.
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00:07:07,500 --> 00:07:10,333
YOU'RE MY KIND OF WOMAN.
LOOK AT THAT!
166
00:07:10,400 --> 00:07:12,567
- THAT'S UNBELIEVABLE.
- JUNA, THIS IS--
167
00:07:12,633 --> 00:07:15,000
- THIS IS REALLY--
- IT'S SO GREAT FOR THE SHOW.
168
00:07:15,066 --> 00:07:17,900
- Tom: YEAH.
- I WAS JUST TALKING TO MARKETING THIS MORNING
169
00:07:17,967 --> 00:07:20,834
TELLING THEM
I'VE GOT TO DO MORE PRESS FOR "ROOM & BORED"
170
00:07:20,900 --> 00:07:23,967
AND "THE COMEBACK."
YOU KNOW, JUST GOT TO GET THE WORD OUT THERE.
171
00:07:24,033 --> 00:07:26,867
OH, VAL! YOU SHOULD TALK
TO CAROLINA, BECAUSE YOU GUYS
172
00:07:26,934 --> 00:07:28,967
- ARE REALLY SMART
AND NICE-- - YEAH.
173
00:07:29,033 --> 00:07:32,367
- I WOULDN'T HAVE GOTTEN
THIS COVER WITHOUT HER. - YEAH, NO, SHE'S GOOD.
174
00:07:32,433 --> 00:07:34,300
"ROLLING STONE," DUDE.
THAT'S SO FUCKING COOL.
175
00:07:34,367 --> 00:07:37,633
- PLEASE TELL ME YOU MENTIONED
THE NAME OF THE SHOW. - SHE DID, A THOUSAND TIMES,
176
00:07:37,700 --> 00:07:40,600
- AND NOW THE RECORD COMPANY'S
ALL PISSED OFF. - I'M SORRY.
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00:07:40,667 --> 00:07:42,367
WE REALLY SHOULD TALK,
YOU KNOW,
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00:07:42,433 --> 00:07:44,533
- 'CAUSE I'VE BEEN
LOOKING FOR SOMEONE. - OH SURE.
179
00:07:44,600 --> 00:07:46,200
- YOU WANNA?
- SURE.
180
00:07:46,266 --> 00:07:49,500
- YOU WANT TO SET UP A MEETING,
OR-- HERE, TAKE THAT. - SURE. OH.
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00:07:49,567 --> 00:07:54,033
- ( phones ringing )
- Receptionist: FLASH P.R.
182
00:07:54,100 --> 00:07:57,033
FLASH P.R.
183
00:07:57,100 --> 00:07:59,033
OBVIOUSLY CAROLINA'S
REAL BUSY,
184
00:07:59,100 --> 00:08:01,834
WHICH IS A GOOD SIGN.
MEANS SHE'S WORKING FOR HER CLIENTS.
185
00:08:01,900 --> 00:08:03,867
IT'S BEEN 15 MINUTES.
186
00:08:03,934 --> 00:08:05,767
PUNCTUALITY IS IMPORTANT.
187
00:08:05,834 --> 00:08:08,834
IT SAYS THAT YOU UNDERSTAND
PEOPLE'S TIME IS VALUABLE.
188
00:08:08,900 --> 00:08:12,200
YEAH, MICKEY.
YOU GOT TO CUT PEOPLE SLACK SOMETIMES.
189
00:08:12,266 --> 00:08:14,133
- YOU'RE TOO NICE.
- Receptionist: VALERIE?
190
00:08:14,200 --> 00:08:16,233
- YEAH.
- CAROLINA'S READY TO SEE YOU.
191
00:08:16,300 --> 00:08:18,834
OH, OKAY.
SEE, HERE WE GO.
192
00:08:18,900 --> 00:08:22,266
SO WHEN I WAS ON "I'M IT,"
I ENDED UP DOING, I THINK FIVE--
193
00:08:22,333 --> 00:08:24,266
OH NO, SIX MAGAZINE COVERS.
194
00:08:24,333 --> 00:08:26,600
- OH WOW.
- YEAH, I RAN THE WHOLE GAMUT, YOU KNOW,
195
00:08:26,667 --> 00:08:29,000
FROM "REDBOOK"
TO "CIGAR AFICIONADO," YOU KNOW.
196
00:08:29,066 --> 00:08:31,767
- THAT ONE WAS REAL FUN.
REAL DEPARTURE FOR ME. - REALLY?
197
00:08:31,834 --> 00:08:34,667
- I WORE MY HAIR UP.
I HAD THE CIGAR. - ( both laugh )
198
00:08:34,734 --> 00:08:37,500
WELL THAT'S REALLY SMART.
HERE AT FLASH P.R., WE REALLY BELIEVE
199
00:08:37,567 --> 00:08:40,667
- IN ROUNDING OUT
AN ACTOR'S IMAGE. - UH-HUH.
200
00:08:40,734 --> 00:08:42,367
LIKE WHAT WE DID FOR JUNA.
WE START OUT WITH
201
00:08:42,433 --> 00:08:45,266
AN INCREDIBLY SEXY
"ROLLING STONE" COVER, BUT THEN WE'RE GONNA--
202
00:08:45,333 --> 00:08:47,033
BY THE WAY,
CONGRATULATIONS.
203
00:08:47,100 --> 00:08:49,367
JUST GREAT WORK
WITH JUNA ON THAT.
204
00:08:49,433 --> 00:08:51,300
THANK YOU.
WELL, YOU KNOW, TRUTHFULLY,
205
00:08:51,367 --> 00:08:53,033
- I DIDN'T EVEN
DO ANYTHING. - AWW.
206
00:08:53,100 --> 00:08:56,266
THAT WAS A SHOT
FROM AN INSIDE PIECE ABOUT UP AND COMING ROCK BANDS.
207
00:08:56,333 --> 00:08:58,100
AND THEY SAW THE PHOTO,
IMMEDIATE COVER.
208
00:08:58,166 --> 00:09:00,734
- YEAH.
- ALL I HAD TO DO WAS SAY YES TO STOP THE BEGGING.
209
00:09:00,800 --> 00:09:02,800
WELL, YOU SEEM TERRIFIC
AT WHAT YOU DO.
210
00:09:02,867 --> 00:09:05,100
- OH, THANKS.
- YOU KNOW, REAL SPECIAL.
211
00:09:05,166 --> 00:09:07,734
SO I THINK THIS WOULD
BE FUN TO GIVE THIS A WHIRL, YOU AND ME.
212
00:09:07,800 --> 00:09:09,567
OH, THAT WOULD BE GREAT.
213
00:09:09,633 --> 00:09:13,633
BUT MY PARTNER AND ME,
WE AREN'T TAKING ON ANY MORE CLIENTS AT THIS TIME.
214
00:09:13,700 --> 00:09:15,734
I SORT OF DID THIS MEETING
AS A FAVOR TO JUNA,
215
00:09:15,800 --> 00:09:17,800
BUT WE ONLY TAKE
ONE OR TWO CLIENTS A YEAR
216
00:09:17,867 --> 00:09:20,200
- AND WE REALLY TRY TO STICK
WITH UP-AND-COMERS. - YEAH.
217
00:09:20,266 --> 00:09:23,000
I DIDN'T THINK
IT WAS A GOOD MATCH IN THE FIRST PLACE.
218
00:09:23,066 --> 00:09:26,066
I WAS ALSO JUST--
DIDN'T WANT TO HURT JUNA'S OR YOUR FEELINGS, YOU KNOW.
219
00:09:26,133 --> 00:09:28,567
- THANKS.
- SO, YEAH. HAVE SOMEONE ELSE IN MIND ANYWAY.
220
00:09:28,633 --> 00:09:30,734
- OH, OKAY.
- GREAT TO SIT DOWN AND TALK TO YOU.
221
00:09:30,800 --> 00:09:32,533
- KEEP UP THE GOOD WORK.
- THANKS.
222
00:09:32,600 --> 00:09:34,734
OOPS.
223
00:09:36,834 --> 00:09:38,700
JANE, GOT TO GET OUT.
224
00:09:38,767 --> 00:09:40,600
Jane:
I JUST NEED TO GET THE CAMERA.
225
00:09:40,667 --> 00:09:42,533
ALL RIGHT, WATCH OUT.
226
00:09:42,600 --> 00:09:44,667
( giggles )
IT'S ALWAYS...
227
00:09:44,734 --> 00:09:46,834
WATCH THE CABLE.
228
00:09:48,300 --> 00:09:50,734
- ( door shuts )
- WELL, YEAH.
229
00:09:50,800 --> 00:09:53,433
OH, DID YOU HEAR THAT, JANE?
"PARTNER AND ME"?
230
00:09:53,500 --> 00:09:55,400
SHE SAID
"PARTNER AND ME."
231
00:09:55,467 --> 00:09:57,367
SHOULD BE "PARTNER AND I,"
YOU KNOW.
232
00:09:57,433 --> 00:09:59,700
A PUBLICIST IS ESSENTIALLY
YOUR SPOKESPERSON--
233
00:09:59,767 --> 00:10:02,000
SO, SHOULD KNOW
HOW TO SPEAK.
234
00:10:04,600 --> 00:10:06,133
- RIGHT, JANE?
- YEAH.
235
00:10:06,200 --> 00:10:07,233
YEAH.
236
00:10:07,300 --> 00:10:10,233
- WELL?
- OH NO, NOT FOR ME.
237
00:10:10,300 --> 00:10:12,567
YEAH, JUST NOT
A GAL'S GAL, YOU KNOW.
238
00:10:12,633 --> 00:10:14,567
SOME WOMEN ARE JUST
REAL THREATENED
239
00:10:14,633 --> 00:10:16,734
BY OTHER VERY STRONG WOMEN,
YOU KNOW.
240
00:10:16,800 --> 00:10:18,700
HATE TO PUT IT OUT THERE,
BUT IT'S TRUE.
241
00:10:18,767 --> 00:10:20,633
DIDN'T WANT
TO SAY ANYTHING, RED,
242
00:10:20,700 --> 00:10:23,300
BUT ANYONE WITH HAIR
LIKE THAT-- HUH-UH, NO.
243
00:10:23,367 --> 00:10:25,800
IF IT WERE ANY DRIER,
THERE'D BE A BRUSHFIRE.
244
00:10:25,867 --> 00:10:27,900
( laughs )
VERY GOOD.
245
00:10:27,967 --> 00:10:29,900
JUNA'S GOT THE RIGHT IDEA
THOUGH, YOU KNOW.
246
00:10:29,967 --> 00:10:31,900
GOT TO GET A PUBLICIST.
JUST GOT TO.
247
00:10:31,967 --> 00:10:34,934
YOU KNOW WHO WAS GREAT?
RYAN?
248
00:10:35,000 --> 00:10:37,734
- WHO'S RYAN?
- RYAN, YOU KNOW,
249
00:10:37,800 --> 00:10:40,734
THAT ADORABLE PUBLICIST
FROM "IT." RYAN.
250
00:10:40,800 --> 00:10:44,133
- LOU?
- RIGHT, YEAH.
251
00:10:44,200 --> 00:10:46,467
I KNOW HIS NAME IS LOU,
BUT I CALLED HIM RYAN...
252
00:10:46,533 --> 00:10:48,367
'CAUSE HE LOOKED
LIKE RYAN O'NEIL.
253
00:10:48,433 --> 00:10:50,100
SO, WELL THAT WAS
OUR THING.
254
00:10:50,166 --> 00:10:52,266
THAT WAS MY THING WITH HIM.
ANYWAY, HE GOT ME.
255
00:10:52,333 --> 00:10:55,266
HE REALLY GOT ME.
YOU KNOW, I THINK IT WAS 'CAUSE HE WAS GAY.
256
00:10:55,333 --> 00:10:58,533
- GOT THE NUANCES MORE.
YOU KNOW? - MM-HMM.
257
00:10:59,567 --> 00:11:01,467
YEAH, GOT TO GET ME
A GAY, MICKEY.
258
00:11:01,533 --> 00:11:04,333
GOTTA GET A GAY.
WHY DON'T I JUST CALL LOU?
259
00:11:04,400 --> 00:11:07,700
OH, RED, HE DIED.
IN '94, I THINK.
260
00:11:07,767 --> 00:11:09,734
OH, NO.
DID HE HAVE--
261
00:11:09,800 --> 00:11:12,633
NO! HIT BY A CAR
CROSSING BARHAM.
262
00:11:12,700 --> 00:11:14,533
OH, GOOD.
263
00:11:14,600 --> 00:11:17,800
NOT-- NOT GOOD
THAT HE DIED.
264
00:11:18,867 --> 00:11:20,200
I WOULD LOVE
TO WORK WITH YOU.
265
00:11:20,266 --> 00:11:21,767
- OH.
- AND WHO WOULDN'T?
266
00:11:21,834 --> 00:11:24,433
WHO ELSE HAS GOT
TWO SHOWS ON THE NETWORK AT THE SAME TIME?
267
00:11:24,500 --> 00:11:26,133
- THAT'S--
- NO ONE.
268
00:11:26,200 --> 00:11:29,367
THAT'S EXACTLY WHAT
I WAS SAYING TO MICKEY IN THE CAR ON THE WAY OVER HERE.
269
00:11:29,433 --> 00:11:32,333
MICKEY, WASN'T I-- OH.
( laughs )
270
00:11:32,400 --> 00:11:34,467
SORRY, HE'S
A LITTLE DISTRACTED.
271
00:11:34,533 --> 00:11:37,000
DON'T THINK HE'S EVER EATEN
NEXT TO TWO G.I. JOE'S BEFORE.
272
00:11:37,066 --> 00:11:39,000
( both laugh )
273
00:11:39,066 --> 00:11:41,533
- YOU'RE HILARIOUS.
- I'D LIKE TO THINK SO.
274
00:11:41,600 --> 00:11:43,567
- OH, THINK SO.
- ( laughs ) GOOD.
275
00:11:43,633 --> 00:11:45,700
MICKEY, DID YOU HEAR ME?
276
00:11:45,767 --> 00:11:49,200
- NAH, IT'S ALL RIGHT.
- WELL LOOK, I ALREADY KNOW I WANT TO WORK WITH YOU.
277
00:11:49,266 --> 00:11:51,500
AND YOU JUST HAVE TO DECIDE
IF YOU WANT TO WORK WITH ME.
278
00:11:51,567 --> 00:11:54,200
- RIGHT.
- SO... GOALS.
279
00:11:54,266 --> 00:11:55,934
OKAY, UM...
280
00:11:56,000 --> 00:11:58,367
OKAY, LET'S SEE.
GOAL #1:
281
00:11:58,433 --> 00:12:00,934
I WANT TO DO A LENO
BEFORE THE PREMIERE OF "THE COMEBACK."
282
00:12:01,000 --> 00:12:03,633
I KNOW THE GUY
WHO BOOKS IT, SO WE CAN GET THAT BALL ROLLING.
283
00:12:03,700 --> 00:12:05,600
GREAT! OKAY.
SO IMPRESSED.
284
00:12:05,667 --> 00:12:08,300
YEAH, WELL,
IT'S NOT ABOUT ME. GO AHEAD.
285
00:12:08,367 --> 00:12:10,000
( laughs )
OKAY, UM...
286
00:12:10,066 --> 00:12:11,800
- SO NUMERO UNO, LENO.
- RIGHT.
287
00:12:11,867 --> 00:12:15,066
AND THEN MAGAZINES.
YOU KNOW, I WANT TO GET COVERS.
288
00:12:15,133 --> 00:12:18,367
OH YEAH, GREAT.
LET'S SEE VALERIE CHERISH OUTSIDE OF THAT RUNNING SUIT.
289
00:12:18,433 --> 00:12:20,600
- MM-HMM.
- WHICH IS HILARIOUS. DON'T GET ME WRONG,
290
00:12:20,667 --> 00:12:23,367
- BUT COME ON.
YOU'RE A BEAUTIFUL WOMAN. - OH, THANK YOU.
291
00:12:23,433 --> 00:12:25,433
BUT EXACTLY.
EXACTLY, YEAH.
292
00:12:25,500 --> 00:12:27,066
OH, BILLY,
YOU'RE REALLY FANTASTIC.
293
00:12:27,133 --> 00:12:29,100
- THANKS.
- YOU REALLY ARE, YOU KNOW.
294
00:12:29,166 --> 00:12:31,900
AND PMK IS A TOP NOTCH
PUBLICITY FIRM, SO--
295
00:12:31,967 --> 00:12:34,000
YEAH, I LEFT PMK.
296
00:12:34,066 --> 00:12:36,300
- ( stammers )
YOU-- YOU DID, JUST-- - RIGHT.
297
00:12:36,367 --> 00:12:39,200
RIGHT AFTER WE TALKED
ON THE PHONE?
298
00:12:39,266 --> 00:12:42,033
I'M STARTING MY OWN COMPANY
AND SEVEN OTHER CLIENTS CAME WITH ME.
299
00:12:42,100 --> 00:12:44,100
- WHICH IS--
- WOW, COULD I--
300
00:12:44,166 --> 00:12:46,333
- COULD I KNOW
WHO THEY ARE? - JOSH SCOTT.
301
00:12:46,400 --> 00:12:48,433
- DO YOU KNOW HIM?
- NO, I DON'T.
302
00:12:48,500 --> 00:12:50,834
UM...
AND ELLEN PRICE JUST--
303
00:12:50,900 --> 00:12:53,033
I DON'T--
I DON'T.
304
00:12:54,166 --> 00:12:56,100
( stammers )
COULD I ASK WHY YOU LEFT?
305
00:12:56,166 --> 00:12:57,700
WELL, I'M NOT GOING TO LIE.
306
00:12:57,767 --> 00:13:00,467
THEY PROMOTED
SOMEONE YOUNGER. THE END.
307
00:13:00,533 --> 00:13:01,767
WASN'T HAVING IT.
308
00:13:01,834 --> 00:13:03,767
YEAH, WELL.
309
00:13:03,834 --> 00:13:06,734
YEAH, MY ONLY CONCERN
WOULD BE JUST, YOU KNOW,
310
00:13:06,800 --> 00:13:08,567
YOUR START-UP TIME,
YOU KNOW,
311
00:13:08,633 --> 00:13:11,233
- AND THEN I'VE
GOT MY NEEDS HERE. - RIGHT, BUT VALERIE,
312
00:13:11,300 --> 00:13:13,133
NO ONE WILL WORK
HARDER FOR YOU.
313
00:13:13,200 --> 00:13:16,000
I MEAN, I KNOW WHAT
YOU NEED TO HAVE DONE AND I CAN DO THAT.
314
00:13:16,066 --> 00:13:17,600
- Jane: VALERIE?
- YEAH.
315
00:13:17,667 --> 00:13:19,900
I'M SORRY, COULD YOU STOP?
THERE'S A LOOKY LOO.
316
00:13:19,967 --> 00:13:22,100
- Billy: OH.
- OH!
317
00:13:22,166 --> 00:13:24,000
ALL RIGHT, VERY FUNNY.
COULD YOU MOVE, PLEASE?
318
00:13:24,066 --> 00:13:25,900
- GO!
- COULD YOU JUST NOT BE THERE?
319
00:13:25,967 --> 00:13:28,033
CAN YOU GO SOMEWHERE ELSE?
OH, HE'S OBNOXIOUS.
320
00:13:28,100 --> 00:13:31,400
- SHOULD WE JUST
MOVE TO ANOTHER-- - I'LL BE RIGHT BACK.
321
00:13:32,900 --> 00:13:34,900
YOU CAN'T.
322
00:13:34,967 --> 00:13:36,467
HI, YEAH.
YOU KNOW, YOU GOT TO MOVE.
323
00:13:36,533 --> 00:13:38,934
WE'RE FILMING
A REALITY SHOW AND YOU CAN'T BE HERE.
324
00:13:39,000 --> 00:13:41,767
- KISS MY ASS, PUNK.
- YOU WANT ME TO CALL THE WEST HOLLYWOOD POLICE?
325
00:13:41,834 --> 00:13:45,300
- BECAUSE THEN--
- OH NO, YOU'RE GOING TO CALL THEM ON YOUR PHONE, FAGGOT?
326
00:13:48,600 --> 00:13:50,233
Billy:
WE'RE GOOD, JANE.
327
00:13:50,300 --> 00:13:52,066
YOU SEE THAT?
THAT'S A PUBLICIST.
328
00:13:52,133 --> 00:13:56,000
- ( door opens )
- THAT'S THE GUY WHO'S GOING TO GET ME COVERS.
329
00:14:01,266 --> 00:14:05,266
HERE YOU GO.
ONE BEAUTIFUL TOSSED SALAD WITH FRESHLY GRILLED CHICKEN.
330
00:14:05,333 --> 00:14:08,533
- THANK YOU.
- WELL MY PLEASURE, TREASURE.
331
00:14:08,600 --> 00:14:12,467
THERE YOU GO.
IS THAT MY SIMON PEARCE CARVING FORK?
332
00:14:12,533 --> 00:14:14,400
YOU'RE USING THAT
AS A SCRATCHING DEVICE?!
333
00:14:14,467 --> 00:14:16,400
- NOT VERY SANITARY, DEAR.
- IT ITCHES.
334
00:14:16,467 --> 00:14:19,467
WELL, THAT'S A GOOD THING.
MEANS IT'S HEALING.
335
00:14:19,533 --> 00:14:22,567
- ( inhales sharply )
- ( whispers ) PLEASE TAKE IT OUT.
336
00:14:22,633 --> 00:14:24,667
WHAT'S THE MATTER?
WHAT'S WRONG?
337
00:14:24,734 --> 00:14:26,967
- COULD YOU CUT IT UP?
- OF COURSE, YEAH!
338
00:14:27,033 --> 00:14:28,667
SURE CAN.
339
00:14:28,734 --> 00:14:31,133
THAT'S FOR ME.
340
00:14:31,200 --> 00:14:33,100
( Mark groans )
341
00:14:33,166 --> 00:14:36,100
SMALLER, LIKE
THE CHOPPED SALAD AT LA SCALA.
342
00:14:36,166 --> 00:14:38,166
- ( cell phone ringing )
- CAN DO.
343
00:14:38,233 --> 00:14:40,500
Mark:
I'M EXPECTING A CONFERENCE CALL.
344
00:14:40,567 --> 00:14:42,500
NO, THAT'S MINE.
AND MARK, YOU SHOULD...
345
00:14:42,567 --> 00:14:45,467
REALLY... LAY OFF THE BUSINESS
TILL YOU'RE OFF THE PERCOCET.
346
00:14:45,533 --> 00:14:47,567
( laughs )
YOU KNOW, YOU'RE A LITTLE OUT OF IT.
347
00:14:47,633 --> 00:14:50,066
- HELLO?
- Valerie, it's Billy.
348
00:14:50,133 --> 00:14:52,133
OH HI, BILLY.
HI.
349
00:14:52,200 --> 00:14:55,066
- Got some good news.
- OH YEAH? WHAT'S UP?
350
00:14:55,133 --> 00:14:56,834
WHAT'S THE GOOD NEWS?
HIT ME WITH IT.
351
00:14:56,900 --> 00:14:59,066
- DO WE HAVE ANY
PEPPERONCINIS? - BILLY, ONE SECOND.
352
00:14:59,133 --> 00:15:02,100
- WHAT IS IT, MARK?
- DO WE HAVE THOSE PEPPERONCINIS THAT I LIKE?
353
00:15:02,166 --> 00:15:04,333
OH YEAH, NO, YEAH.
I THINK WE HAVE THOSE.
354
00:15:04,400 --> 00:15:07,200
I THINK WE HAVE-- ALL RIGHT,
I THINK WE HAVE THOSE.
355
00:15:07,266 --> 00:15:09,533
I MARRIED HIM
FOR BETTER OR WORSE, NOT FOR LUNCH.
356
00:15:09,600 --> 00:15:12,367
( laughs )
OKAY, BILLY, WHAT'S THE GOOD NEWS?
357
00:15:12,433 --> 00:15:14,433
All right,
I got you a cover.
358
00:15:14,500 --> 00:15:16,200
WELL, THAT IS EXCITING!
359
00:15:16,266 --> 00:15:19,400
WELL THERE YOU GO.
WHAT'S IT FOR? "REDBOOK"?
360
00:15:19,467 --> 00:15:21,433
Well, no, they're
definitely into it,
361
00:15:21,500 --> 00:15:23,533
but not until they see
how "The Comeback" does.
362
00:15:23,600 --> 00:15:26,000
OKAY, WELL THAT'S GREAT.
THAT'S STILL GREAT. WOW.
363
00:15:26,066 --> 00:15:28,000
SO WHAT MAGAZINE
IS IT FOR?
364
00:15:28,066 --> 00:15:29,633
"Be Yoga."
365
00:15:29,700 --> 00:15:31,633
I'M SORRY.
"BE YOGA"?
366
00:15:31,700 --> 00:15:34,467
BILLY, I'VE NEVER HEARD
OF "BE YOGA."
367
00:15:34,533 --> 00:15:37,166
Well it's new
and it's got a hip, trendy skew, so--
368
00:15:37,233 --> 00:15:39,333
- WELL, WE LIKE THAT.
- Right?
369
00:15:39,400 --> 00:15:41,333
And you're
on the stands A.S.A.P.
370
00:15:41,400 --> 00:15:43,033
OH, WE LOVE THAT!
371
00:15:43,100 --> 00:15:44,834
Uh, do you do yoga?
372
00:15:44,900 --> 00:15:48,367
WELL, I HAVEN'T FOR A WHILE,
BUT I COULD TAKE ONE CLASS AND JUST, YOU KNOW,
373
00:15:48,433 --> 00:15:50,100
- GET UP TO SPEED, YEAH.
- Great.
374
00:15:50,166 --> 00:15:53,266
- YOU DON'T DO YOGA.
- YES, I DID, MARK! I DID DO YOGA, OKAY?
375
00:15:53,333 --> 00:15:55,867
( stammers )
AT THAT PLACE-- PRANA SOMETHING
376
00:15:55,934 --> 00:15:58,066
ON CRESCENT HEIGHTS.
OKAY,
377
00:15:58,133 --> 00:16:00,133
- HERE ARE YOUR PEPPERONCINIS.
- THANK YOU.
378
00:16:00,200 --> 00:16:02,934
WELL THAT'S GREAT, BILLY.
WHEN DO THEY WANT TO DO IT?
379
00:16:03,000 --> 00:16:05,700
Billy:
Well, they want to start as quickly as possible,
380
00:16:05,767 --> 00:16:07,767
so we can get it out there
as fast as possible.
381
00:16:07,834 --> 00:16:11,433
- They've already booked
a great photographer. - I HAVE AN IDEA.
382
00:16:11,500 --> 00:16:13,033
( inhales deeply )
383
00:16:13,100 --> 00:16:16,467
WELL, THE UNIVERSE
HAS SHOWN ME THE WAY.
384
00:16:17,934 --> 00:16:21,433
THE YOGA COVER,
EVEN MARK'S INJURY...
385
00:16:21,500 --> 00:16:23,233
THEY'RE ALL SIGNS...
386
00:16:23,300 --> 00:16:25,700
TO GET OFF THE TREADMILL.
( inhales deeply )
387
00:16:25,767 --> 00:16:28,800
THAT DANGEROUS TREADMILL
THAT KEEPS YOU RUNNING.
388
00:16:29,667 --> 00:16:31,400
TO WHAT?
389
00:16:31,467 --> 00:16:33,633
FROM WHAT?
390
00:16:34,700 --> 00:16:36,967
SO I'VE DECIDED
TO LET IT ALL GO.
391
00:16:38,033 --> 00:16:40,133
I'M GOING TO FOCUS
ON THE INSIDE.
392
00:16:41,200 --> 00:16:43,800
FOCUS ON WHAT'S
REALLY IMPORTANT.
393
00:16:43,867 --> 00:16:45,800
ME.
394
00:16:45,867 --> 00:16:48,333
MY... CENTER.
395
00:16:49,200 --> 00:16:50,800
- MY--
- Mark: VAL?
396
00:16:50,867 --> 00:16:53,166
CAN YOU HELP ME? I CAN'T
GET THE TOP OFF THIS!
397
00:16:53,233 --> 00:16:55,100
WELL, I'M IN
THE BATHTUB, MARK.
398
00:16:55,166 --> 00:16:57,333
OH, OKAY.
399
00:17:00,266 --> 00:17:03,633
ALL RIGHT.
WELL, I NEED A TOWEL 'CAUSE MY HANDS ARE WET.
400
00:17:03,700 --> 00:17:05,533
OH, OKAY.
401
00:17:05,600 --> 00:17:08,000
A LITTLE TOWEL.
YEAH, CAREFUL.
402
00:17:10,967 --> 00:17:13,633
OKAY, WELL THAT'S
GOOD ENOUGH I GUESS. HERE, TAKE THAT,
403
00:17:13,700 --> 00:17:15,533
AND I'LL...
404
00:17:16,500 --> 00:17:18,200
OKAY, THERE YOU GO,
DARLING.
405
00:17:18,266 --> 00:17:20,266
- THANK YOU.
- ALL BETTER.
406
00:17:20,333 --> 00:17:22,133
YOU'RE WELCOME.
407
00:17:22,200 --> 00:17:25,934
I'M JUST GOING
TO LEAVE A LITTLE PAUSE FOR EDITING, OKAY?
408
00:17:26,000 --> 00:17:28,433
( inhales sharply )
409
00:17:28,500 --> 00:17:32,000
SO I'VE DECIDED TO GET RID
OF MY WORK OUT ROOM
410
00:17:32,066 --> 00:17:35,533
AND CREATE A WORK IN ROOM.
411
00:17:35,600 --> 00:17:37,400
- GONNA CREATE A ZEN SPACE.
- ( pills fall )
412
00:17:37,467 --> 00:17:39,467
- Mark: GOD DAMN IT!
- WHAT'S WRONG?!
413
00:17:39,533 --> 00:17:42,133
I JUST DROPPED
ALL THE PERCOCET!
414
00:17:42,200 --> 00:17:44,233
( sighs )
415
00:17:44,300 --> 00:17:46,767
ALL RIGHT,
LET ME HELP YOU.
416
00:17:56,533 --> 00:17:58,834
OOH, I'M COMING.
417
00:18:01,934 --> 00:18:04,166
ARE YOU WEARING
A BATHING SUIT IN THE BATHTUB?
418
00:18:04,233 --> 00:18:05,967
YES, MARK.
YES, I AM.
419
00:18:06,033 --> 00:18:09,333
- WHY?
- BECAUSE I DON'T DO NUDITY.
420
00:18:09,400 --> 00:18:11,467
Valerie: WOW.
421
00:18:11,533 --> 00:18:13,500
I LIKE TO BUILD
AROUND THE BUDDHA.
422
00:18:13,567 --> 00:18:16,767
ONCE YOU CHOOSE THAT,
IT WILL INFORM WHAT WE DO ON THE REST OF THE ROOM.
423
00:18:16,834 --> 00:18:19,433
INTERESTING.
IS THAT WHAT YOU DID WITH GOLDIE?
424
00:18:19,500 --> 00:18:22,900
UM, ADAM DESIGNED
GOLDIE HAWN'S ZEN ROOM.
425
00:18:22,967 --> 00:18:25,333
I PREFER NOT TO DISCUSS
MY CLIENT LIST.
426
00:18:25,400 --> 00:18:27,100
OH SURE, YEAH.
427
00:18:27,166 --> 00:18:29,433
AS LONG AS YOU DON'T
HAVE A PROBLEM WITH PUBLICITY, THOUGH,
428
00:18:29,500 --> 00:18:31,266
'CAUSE, YOU KNOW,
THIS ZEN ROOM
429
00:18:31,333 --> 00:18:33,200
GOT ME A THREE-PAGE SPREAD
IN "BE YOGA."
430
00:18:33,266 --> 00:18:35,367
NO-- YEAH, YEAH.
I'M THRILLED, I'M THRILLED,
431
00:18:35,433 --> 00:18:37,934
I'D JUST RATHER NOT...
TALK ABOUT--
432
00:18:38,000 --> 00:18:40,567
I GOT YOU, NO.
I GOT YOU, YEAH.
433
00:18:40,633 --> 00:18:43,967
I HEARD SHE PUT HER OSCAR
IN HER ZEN ROOM. IS THAT TRUE?
434
00:18:45,433 --> 00:18:47,467
- NO, I GOT IT.
YEAH, I GOT IT. - YEAH, THANK YOU.
435
00:18:47,533 --> 00:18:51,367
JUST THAT I'M CONSIDERING,
YOU KNOW, DOING THE SAME THING WITH MY PEOPLE'S CHOICE AWARD.
436
00:18:51,433 --> 00:18:53,200
- OH RIGHT.
- MS. VAL?
437
00:18:53,266 --> 00:18:56,000
- YEAH?
- WHERE DO I PUT THE SCRIBBLE?
438
00:18:57,233 --> 00:18:58,800
IT'S SCRABBLE, DEAR.
IT'S CALLED SCRABBLE.
439
00:18:58,867 --> 00:19:01,200
AND YEAH, IT ALL
GOES IN BOXES.
440
00:19:01,266 --> 00:19:03,233
EVERYTHING GOES IN BOXES
AND OUT OF HERE.
441
00:19:03,300 --> 00:19:05,867
WANT THIS
WHOLE ROOM CLEANED OUT. FREE OF ATTACHMENTS.
442
00:19:05,934 --> 00:19:07,533
- HMM.
- YOU KNOW.
443
00:19:07,600 --> 00:19:10,100
- SO, UM... WHICH BUDDHA
DO YOU PREFER? - YEAH.
444
00:19:10,166 --> 00:19:11,867
UH...
445
00:19:11,934 --> 00:19:14,433
WELL, NOT THAT ONE.
TOO SCARY. ( laughs )
446
00:19:14,500 --> 00:19:16,367
AND THAT ONE'S TOO SMALL.
447
00:19:16,433 --> 00:19:19,200
THIS ONE IS JUST RIGHT,
I THINK.
448
00:19:19,266 --> 00:19:22,066
( giggling )
I SOUND LIKE GOLDIE HAWN.
449
00:19:22,133 --> 00:19:23,500
GOLDILOCKS!
450
00:19:23,567 --> 00:19:25,467
I CAN'T GET HER
OUT OF MY HEAD.
451
00:19:25,533 --> 00:19:27,767
- Mark: WHERE IS EVERYBODY?!
- WE'RE IN HERE, MARK!
452
00:19:27,834 --> 00:19:29,967
THAT WAS A FUN, LITTLE--
453
00:19:30,033 --> 00:19:31,600
THAT'S IT.
THAT'S THE ONE.
454
00:19:31,667 --> 00:19:34,200
- SO HOW WAS
YOUR FIRST DAY BACK? - FINE.
455
00:19:34,266 --> 00:19:36,800
GOOD, GREAT.
MARK, THIS IS ADAM MAYA.
456
00:19:36,867 --> 00:19:39,133
- HE'S THE INTERIOR DESIGNER.
- IT'S A PLEASURE.
457
00:19:39,200 --> 00:19:40,433
OW, WHAT HAPPENED?
458
00:19:40,500 --> 00:19:42,033
- I FELL OFF
A TREADMILL. - YEAH.
459
00:19:42,100 --> 00:19:44,500
- Adam: WORKING OUT?
- SURE.
460
00:19:44,567 --> 00:19:47,066
LOOK AT THESE!
WOW, ALREADY, HUH?
461
00:19:47,133 --> 00:19:49,367
WELL, SURE, YEAH.
WE'RE ON A DEADLINE, YOU KNOW.
462
00:19:49,433 --> 00:19:51,200
PHOTO SHOOT'S
IN FOUR DAYS.
463
00:19:51,266 --> 00:19:53,000
SO ADAM AND I
WERE JUST...
464
00:19:53,066 --> 00:19:55,166
TALKING ABOUT
WHICH BUDDHA. BUDDHA?
465
00:19:55,233 --> 00:19:56,767
BUDDA, BUDHA
( stammers )
466
00:19:56,834 --> 00:19:58,867
- WHATEVER YOU'RE
COMFORTABLE WITH. - OH, OKAY.
467
00:19:58,934 --> 00:20:01,233
- I THINK BUDDHA'S BETTER.
- THAT'S GREAT.
468
00:20:01,300 --> 00:20:02,133
YEAH.
469
00:20:02,200 --> 00:20:03,967
SO, WE THINK THIS ONE,
MARK.
470
00:20:04,033 --> 00:20:06,166
- WHAT DO YOU THINK?
- SURE, HOW MUCH?
471
00:20:06,233 --> 00:20:08,100
( laughs )
472
00:20:08,166 --> 00:20:11,166
- MARK, YOU CAN'T PUT
A PRICE TAG ON SPIRITUALITY. - YES, I CAN.
473
00:20:11,233 --> 00:20:13,800
- HOW MUCH?
- IT'S $12,000.
474
00:20:13,867 --> 00:20:16,400
$12,000. DOES IT COME
WITH ITS OWN CAR?
475
00:20:16,467 --> 00:20:19,834
- ( Adam and Valerie laugh )
- IT'S FROM THE 16th CENTURY.
476
00:20:19,900 --> 00:20:21,467
- OH, IS IT?
- YEAH.
477
00:20:21,533 --> 00:20:24,633
WOW. WELL, YEAH.
THAT'S A LOT THOUGH. THAT IS A LOT.
478
00:20:24,700 --> 00:20:27,734
- WHAT ABOUT THE SCARY ONE.
HOW MUCH IS THAT? - $1,500.00.
479
00:20:27,800 --> 00:20:31,000
AT LEAST THE PRICE
ISN'T SCARY, HUH? ( laughs )
480
00:20:31,066 --> 00:20:33,633
- WHY DON'T I LET YOU TWO
TALK ABOUT IT? - ALL RIGHT.
481
00:20:33,700 --> 00:20:35,767
I'LL RUN OUT AND GET
SOME WOOD SAMPLES FOR THE FLOOR.
482
00:20:35,834 --> 00:20:38,033
THANK YOU,
THANK YOU VERY MUCH.
483
00:20:38,900 --> 00:20:40,033
YEAH.
484
00:20:40,100 --> 00:20:42,667
WE'RE NOT
CHANGING THE FLOORS.
485
00:20:42,734 --> 00:20:45,233
- NOT NECESSARY--
- ALL RIGHT, I DON'T KNOW, VAL.
486
00:20:45,300 --> 00:20:47,433
- YEAH, WHAT?
- I DON'T KNOW.
487
00:20:47,500 --> 00:20:50,033
YOU AGREED TWO DAYS AGO
TO DO THIS.
488
00:20:50,100 --> 00:20:52,967
YEAH, I WAS HIGH AS A KITE.
YOU DON'T EVEN DO YOGA.
489
00:20:53,033 --> 00:20:54,934
I DID DO YOGA, MARK!
490
00:20:55,000 --> 00:20:57,800
- HATHA-- HATHA YOGA.
- WHEN?
491
00:20:57,867 --> 00:21:00,934
BEFORE WE WERE MARRIED,
OKAY, I DID THINGS!
492
00:21:01,000 --> 00:21:03,467
$50,000,
LIKE WE DISCUSSED.
493
00:21:03,533 --> 00:21:06,200
ALL RIGHT, I WILL TRY
TO KEEP THE PRICE DOWN.
494
00:21:06,266 --> 00:21:09,467
BUT THIS IS A RUSH JOB
AND WE'RE GOING TO HAVE TO PAY FOR THAT, YOU KNOW.
495
00:21:09,533 --> 00:21:11,467
Esperanza:
MISS VAL, WHAT ARE THESE?
496
00:21:11,533 --> 00:21:13,900
THAT'S WHERE THOSE ARE!
OH!
497
00:21:13,967 --> 00:21:15,867
JANE, OH.
JANE, WAIT TILL YOU SEE THIS.
498
00:21:15,934 --> 00:21:19,467
( laughs )
OH MY GOD.
499
00:21:19,533 --> 00:21:21,533
HELLO HELLO HELLO!
500
00:21:21,600 --> 00:21:23,066
- HI!
- OH, I'M SORRY.
501
00:21:23,133 --> 00:21:25,000
- THAT'S OKAY, COME ON IN.
- COME ON, COME ON.
502
00:21:25,066 --> 00:21:27,433
- I JUST WANTED TO SHOW YOU
SOMETHING FUN. - SURE.
503
00:21:27,500 --> 00:21:29,433
SO, YOU KNOW, I'M DOING
THE COVER OF "BE YOGA."
504
00:21:29,500 --> 00:21:31,333
- ( gasps )
YOU ARE? - YEAH.
505
00:21:31,400 --> 00:21:34,300
- I DIDN'T KNOW YOU DID YOGA.
- OH YEAH, JUST GETTING BACK INTO IT.
506
00:21:34,367 --> 00:21:37,200
- I HAVE A PRIVATE CLASS
AT HOME ON SATURDAY. - OH, THAT'S GREAT.
507
00:21:37,266 --> 00:21:40,967
- CAN YOU BELIEVE
I'VE NEVER DONE YOGA BEFORE? - YOU SHOULD COME ON SATURDAY.
508
00:21:41,033 --> 00:21:43,166
- OH.
- YEAH, JOIN IN. MICKEY'S JOINING.
509
00:21:43,233 --> 00:21:45,066
- WE'LL SEE.
- WELL, WE WILL.
510
00:21:45,133 --> 00:21:47,333
I WOULD LOVE THAT, VAL.
THAT WOULD BE SO GREAT.
511
00:21:47,400 --> 00:21:49,834
- GREAT! THE MORE
THE MERRIER. TRULY. - YEAH, OKAY.
512
00:21:49,900 --> 00:21:52,066
SO ANYWAY, I WAS THROWING OUT
SOME STUFF, YOU KNOW,
513
00:21:52,133 --> 00:21:55,166
LETTING GO OF OLD ATTACHMENTS--
IT'S AN IMPORTANT THOUGHT IN YOGA.
514
00:21:55,233 --> 00:21:57,066
- OKAY.
- YEAH. SO ANYWAY,
515
00:21:57,133 --> 00:21:59,300
I FOUND THIS.
( laughs )
516
00:22:00,300 --> 00:22:02,700
( gasps )
OH MY GOD! VAL!
517
00:22:02,767 --> 00:22:04,767
THAT IS FANTASTIC!
518
00:22:04,834 --> 00:22:07,000
CHECK OUT THAT HAIR!
SO '80s!
519
00:22:07,066 --> 00:22:08,667
YEAH, ISN'T IT?
ISN'T IT FUN?
520
00:22:08,734 --> 00:22:11,400
- I DID IT THE YEAR
"I'M IT" CAME OUT, SO... - WOW.
521
00:22:11,467 --> 00:22:13,133
GIRL, YOU PANTS ARE UNDONE.
522
00:22:13,200 --> 00:22:15,834
- I KNOW!
- LOOK AT IT! THE TOP OF HER JEANS ARE UNSNAPPED.
523
00:22:15,900 --> 00:22:17,633
Juna:
VAL, I CAN'T BELIEVE IT.
524
00:22:17,700 --> 00:22:19,233
I KNOW.
IT'S SO RISQUE, HUH?
525
00:22:19,300 --> 00:22:22,700
RISQUE, UH-HUH.
AUNT SASSY, YOU NASTY.
526
00:22:22,767 --> 00:22:24,467
( all laughing )
527
00:22:24,533 --> 00:22:26,433
- Tom: PETER? PETER?
- OOPS!
528
00:22:26,500 --> 00:22:29,333
- SORRY, PLEASE DON'T HATE ME.
MORE CHANGES HERE. - Juna: TOM.
529
00:22:29,400 --> 00:22:31,767
- THIS ONE'S FOR YOU.
- TOM, YOU HAVE TO SEE THIS POSTER.
530
00:22:31,834 --> 00:22:33,967
PLEASE, VAL?
IT IS SO HOT.
531
00:22:34,033 --> 00:22:36,333
OH--
OH MY...
532
00:22:36,400 --> 00:22:39,300
- ( girls laughing )
- Tom: VAL.
533
00:22:39,367 --> 00:22:41,233
( laughs )
YOU HAD A ROCKIN' BODY.
534
00:22:41,300 --> 00:22:45,467
- WELL, ALWAYS HAVE
KEPT MYSELF IN SHAPE. - LOOK--
535
00:22:45,533 --> 00:22:49,300
- LOOK, PAULIE DOESN'T
KNOW WHAT TO SAY. - ( girls laugh )
536
00:22:51,400 --> 00:22:53,834
MAN.
( chuckles )
537
00:22:53,900 --> 00:22:57,300
- Tom: WOW!
- COULDN'T HANDLE THE SEXUAL TENSION BETWEEN US.
538
00:22:57,367 --> 00:22:58,667
( all laugh )
539
00:22:58,734 --> 00:23:00,433
GIRL, I HAVE GOT
TO HAVE THIS.
540
00:23:00,500 --> 00:23:02,867
- YOU GOING TO
PUT IT UP SOMEWHERE? - YES, HONEY, PLEASE.
541
00:23:02,934 --> 00:23:04,900
JUNA AND I CAN BE
THE POSTER TWINS.
542
00:23:04,967 --> 00:23:07,700
- Peter: YES, HONEY.
POSTER TWINS. - Juna: EXACTLY.
543
00:23:07,767 --> 00:23:10,433
- ( hammering, sawing )
- LET'S TRY THE WARRIOR POSE ONCE AGAIN.
544
00:23:10,500 --> 00:23:12,333
- ALL RIGHT.
- JUST COME INTO THE LUNGE.
545
00:23:12,400 --> 00:23:15,233
ARMS OUT TO THE SIDE.
EYES FRONT.
546
00:23:15,300 --> 00:23:18,633
NOW JUST...
LET YOUR HIPS RELAX.
547
00:23:18,700 --> 00:23:20,567
- WHOA! OOH!
- SORRY.
548
00:23:20,633 --> 00:23:23,233
THERE WERE RELAXED.
THEN YOU TOUCHED ME, THREW ME ALL OFF.
549
00:23:23,300 --> 00:23:26,066
- Valerie: THAT'S ALL RIGHT.
- THIS IS HARD.
550
00:23:26,133 --> 00:23:28,934
THEN GO TO CHILD'S POSE,
JUNA.
551
00:23:30,367 --> 00:23:32,734
IF ANYTHING'S
EVER TOO PAINFUL, JUST STEP AWAY FROM IT.
552
00:23:32,800 --> 00:23:35,000
I DON'T NEED
AN ENGRAVED INVITATION.
553
00:23:36,867 --> 00:23:39,533
CHILD'S POSE
IS A WONDERFUL POSE.
554
00:23:39,600 --> 00:23:43,266
IT MASSAGES THE ORGANS
AND STRETCHES THE HIPS AND BUTTOCKS.
555
00:23:43,333 --> 00:23:46,467
- Juna: OH,
THAT FEELS SO GOOD. - ( saw buzzing )
556
00:23:46,533 --> 00:23:48,567
JUST LET THE NOISE
MOVE THROUGH YOU.
557
00:23:48,633 --> 00:23:51,600
- YEAH. I KNOW.
- JUST ACKNOWLEDGE IT AND LET IT GO.
558
00:23:51,667 --> 00:23:52,967
- Jane: VALERIE?
- YEAH.
559
00:23:53,033 --> 00:23:55,600
WE REALLY HAVE TO DO
SOMETHING ABOUT THE POUNDING.
560
00:23:55,667 --> 00:23:57,867
JANE, JUST ACKNOWLEDGE IT
AND LET IT GO THROUGH YOU.
561
00:23:57,934 --> 00:24:01,333
OKAY, BUT WE'RE
NOT GOING TO BE ABLE TO USE ANY OF IT.
562
00:24:01,400 --> 00:24:03,333
OH, THAT'S RIGHT.
YEAH...
563
00:24:03,400 --> 00:24:05,400
'CAUSE OF THE CAMERAS.
EXCUSE ME!
564
00:24:05,467 --> 00:24:08,200
HI, COULD YOU HOLD THE WORK
JUST FOR A FEW MINUTES?
565
00:24:08,266 --> 00:24:10,867
THANK YOU,
THANK YOU. ALL RIGHT, GOOD.
566
00:24:10,934 --> 00:24:12,600
- NOW, ALL RIGHT.
- ( noises stop )
567
00:24:13,834 --> 00:24:16,367
GOOD.
NOW, VALERIE...
568
00:24:16,433 --> 00:24:18,333
- JUST...
- ( moans )
569
00:24:18,400 --> 00:24:20,166
- KEEP IT STRAIGHT.
- THE THIGHS. MY THIGHS.
570
00:24:20,233 --> 00:24:23,400
YEAH, WARRIOR POSE
IS A VERY CHALLENGING POSE.
571
00:24:23,467 --> 00:24:25,533
WARRIOR TWO.
THIS ONE'S WARRIOR TWO.
572
00:24:25,600 --> 00:24:26,934
- THAT'S RIGHT.
- YEAH.
573
00:24:27,000 --> 00:24:29,433
- OKAY, BEND BEND.
- YEAH.
574
00:24:29,500 --> 00:24:31,333
OH, THIS ISN'T GOOD.
THIS ISN'T GOOD.
575
00:24:31,400 --> 00:24:33,767
LET'S SEE... OKAY.
( inhales sharply )
576
00:24:33,834 --> 00:24:35,967
- ( moans )
- STRAIGHTEN YOUR RIGHT LEG.
577
00:24:36,033 --> 00:24:39,367
- OH, I USED TO BE
ABLE TO DO THIS. - WELL, YOU KNOW,
578
00:24:39,433 --> 00:24:43,100
TRY AND ACCEPT
WHERE YOU ARE NOW, YOU KNOW?
579
00:24:43,166 --> 00:24:46,400
YOGA'S ABOUT ACCEPTING
YOUR LIMITATIONS.
580
00:24:48,133 --> 00:24:50,700
OKAY, NO.
JUST--
581
00:24:50,767 --> 00:24:52,934
DON'T WORRY.
YOU'LL GET THERE EVENTUALLY.
582
00:24:53,000 --> 00:24:56,200
MIA, DARLING, I DON'T
HAVE TIME TO "GET THERE EVENTUALLY," OKAY?
583
00:24:56,266 --> 00:24:58,367
I'M SHOOTING THE COVER
OF A YOGA MAGAZINE TOMORROW.
584
00:24:58,433 --> 00:25:01,066
OH, YOU'RE GONNA
BE ON THE COVER OF A YOGA MAGAZINE?
585
00:25:01,133 --> 00:25:04,900
YEAH, I NEED YOU
TO COACH ME A POSE THAT I'M GONNA LOOK GOOD DOING.
586
00:25:04,967 --> 00:25:07,433
- JESUS, WE HAVE
WORK TO DO. - YEAH.
587
00:25:07,500 --> 00:25:09,667
( shutter clicking )
588
00:25:11,734 --> 00:25:15,533
- I THOUGHT YOU SAID
SHE COULD DO YOGA. - THAT IS YOGA.
589
00:25:15,600 --> 00:25:17,633
WE SHOULD STOP
AND TRY THIS AGAIN.
590
00:25:17,700 --> 00:25:20,367
STOP, YOU SAID,
"STOP"? YEAH.
591
00:25:20,433 --> 00:25:23,200
MICKEY, EVERYTHING HURTS,
EVERYTHING HURTS, EVERYTHING HURTS.
592
00:25:23,266 --> 00:25:26,367
VAL, SWEETIE,
GOT A QUESTION. UM, WHAT'S HAPPENING?
593
00:25:26,433 --> 00:25:29,100
- HMM-MM.
- YOU SEEM LIKE YOU'RE IN A LOT OF PAIN, RIGHT?
594
00:25:29,166 --> 00:25:32,934
PRACTICING THIS F-ING POSE
ALL NIGHT, WOKE UP THIS MORNING, COULDN'T MOVE.
595
00:25:33,000 --> 00:25:35,500
- WANT ME
TO GET YOU SOME ADVIL? - I ALREADY TOOK SIX.
596
00:25:35,567 --> 00:25:37,000
WELL, WHAT IF WE TRY
A DIFFERENT POSE?
597
00:25:37,066 --> 00:25:39,600
IT'S GOTTA BE THIS POSE.
IT'S GOTTA BE THIS POSE.
598
00:25:39,667 --> 00:25:43,066
IT'S THE MOST FLATTERING
FOR MY BODY AND MY HAIR IS DONE FOR IT.
599
00:25:43,133 --> 00:25:45,333
- RIGHT RIGHT.
- EVERYTHING ALL WORKS... TOGETHER.
600
00:25:45,400 --> 00:25:47,300
WOULD ANYONE CARE
TO TRY THIS AGAIN?
601
00:25:47,367 --> 00:25:48,867
- COUNT ME IN.
- YEAH?
602
00:25:48,934 --> 00:25:50,934
- YEAH.
- LET ME RUB THE BUDDHA'S BELLY FOR LUCK.
603
00:25:51,000 --> 00:25:52,767
ALL RIGHT.
604
00:25:52,834 --> 00:25:55,533
- Valerie: OKAY OKAY...
- Billy: SHE'S GOT IT.
605
00:25:59,233 --> 00:26:02,066
( chuckles )
OKAY. AH.
606
00:26:02,133 --> 00:26:03,667
YEAH, THERE SHE GOES.
607
00:26:03,734 --> 00:26:05,500
LOOK, SHE OVERTRAINED
FOR THIS LAST NIGHT,
608
00:26:05,567 --> 00:26:07,166
SO SHE'S IN A LOT
OF PAIN, BUT SHE--
609
00:26:07,233 --> 00:26:08,834
I DON'T CARE HOW MUCH
PAIN SHE'S IN,
610
00:26:08,900 --> 00:26:10,967
YOU HAVE TO GET THIS POSE
EXACTLY RIGHT.
611
00:26:11,033 --> 00:26:14,700
WELL, JUST...
GETTING THERE, OKAY?
612
00:26:14,767 --> 00:26:16,734
MY YOGI SAID
THAT YOGA IS ABOUT
613
00:26:16,800 --> 00:26:19,300
ACCEPTING WHERE YOU ARE.
THIS IS WHERE I AM.
614
00:26:19,367 --> 00:26:22,600
THIS IS NOT YOGA,
THIS IS A YOGA MAGAZINE COVER.
615
00:26:22,667 --> 00:26:24,867
YEAH, I HEAR YOU,
I HEAR YOU
616
00:26:24,934 --> 00:26:26,834
AND IT'S GETTING THERE.
IT IS GETTING THERE.
617
00:26:26,900 --> 00:26:30,533
YEAH, MY MUSCLES
JUST NEED TO WARM UP. THEY'RE LOOSENING UP.
618
00:26:30,600 --> 00:26:33,633
I CAN FEEL IT, YEAH.
IT'S BETTER NOW.
619
00:26:33,700 --> 00:26:36,100
ALL RIGHT, HERE WE GO--
620
00:26:36,166 --> 00:26:38,834
( inhales deeply )
621
00:26:38,900 --> 00:26:41,133
( grunts in pain )
622
00:26:41,200 --> 00:26:43,567
OKAY, THIS IS
NOT HAPPENING.
623
00:26:43,633 --> 00:26:47,500
IT'S CALLED "BE YOGA"
BECAUSE SHE IS SUPPOSED TO BE ABLE TO DO YOGA.
624
00:26:47,567 --> 00:26:49,333
LOOK, SHE'S GUARANTEED
THIS COVER.
625
00:26:49,400 --> 00:26:52,533
- SHE ISN'T GUARANTEED SHIT.
- HEY.
626
00:26:52,600 --> 00:26:55,166
- WHAT THE FUCK
IS WRONG WITH YOU? - HEY NOW, THIS IS A ZEN ROOM.
627
00:26:55,233 --> 00:26:57,734
ALL RIGHT?
IT'S A PLACE OF PEACE. ( inhales )
628
00:26:57,800 --> 00:27:00,633
OKAY? I DIDN'T PAY $63,000
TO HAVE IT ALL BUSTED UP.
629
00:27:00,700 --> 00:27:03,266
NOW I CAN DO THIS,
I CAN DO THIS.
630
00:27:03,333 --> 00:27:05,400
I DID THIS POSE
PERFECTLY YESTERDAY.
631
00:27:05,467 --> 00:27:08,100
NOW JUST GIVE ME A MINUTE,
I JUST NEED A MINUTE.
632
00:27:08,166 --> 00:27:11,567
I HAVE TO FIND
MY CENTER, OKAY? MICKEY.
633
00:27:13,800 --> 00:27:15,834
GO GET ME A COUPLE
OF MARK'S PERCOCETS.
634
00:27:15,900 --> 00:27:18,333
UM, THREE.
635
00:27:20,367 --> 00:27:22,533
( New Age music playing )
636
00:27:27,533 --> 00:27:29,467
Valerie:
IT LOOKS NICE.
637
00:27:29,533 --> 00:27:33,133
( chuckles )
CAME OUT GOOD.
638
00:27:34,567 --> 00:27:36,467
( cell phone ringing )
639
00:27:38,667 --> 00:27:41,033
OH. HI, BILLY.
640
00:27:41,100 --> 00:27:43,500
Billy:
Hey, Val, did you see the photo in "Us Weekly"?
641
00:27:43,567 --> 00:27:45,700
OH YEAH, YEAH,
I GOT IT RIGHT HERE.
642
00:27:45,767 --> 00:27:48,834
- Pretty good, huh?
- YEAH, IT'S GREAT.
643
00:27:48,900 --> 00:27:53,300
"Juna Millken goes
to her friend Valerie Cherish's house for yoga."
644
00:27:53,367 --> 00:27:54,967
I KNOW, THERE IT IS
IN PRINT.
645
00:27:55,033 --> 00:27:57,233
IT'S GREAT, IT'S JUST GREAT.
I JUST DON'T REMEMBER IF I--
646
00:27:57,300 --> 00:27:59,533
- GOOD MORNING, MISS VAL.
- MORNING, ESPERANZA.
647
00:27:59,600 --> 00:28:01,133
IF I, YOU KNOW,
MET HER AT THE DOOR,
648
00:28:01,200 --> 00:28:03,500
'CAUSE PAPARAZZIS
OUTSIDE MY HOUSE.
649
00:28:03,567 --> 00:28:06,166
COULD BE A PICTURE
OF ME FLOATING AROUND OUT THERE SOMEWHERE.
650
00:28:06,233 --> 00:28:09,400
Well, there'll be more,
'cause "La Parent" still has an outstanding offer,
651
00:28:09,467 --> 00:28:12,500
and I'm on the phone
with "Brentwood Magazine." I'm trading right now.
652
00:28:12,567 --> 00:28:14,400
"BRENTWOOD MAGAZINE"?
IS THAT FOR A COVER?
653
00:28:14,467 --> 00:28:17,066
We're talking
about it, you know, they owe me a phone call.
654
00:28:17,133 --> 00:28:19,333
THAT'S GREAT.
I'M NOT SURE ABOUT "LA PARENT," IT'S FREE.
655
00:28:19,400 --> 00:28:22,333
It's free, but everyone
gets it, they've got a huge circulation.
656
00:28:22,400 --> 00:28:24,367
Oh, you know what,
my assistant just IM'd me
657
00:28:24,433 --> 00:28:27,200
that there might be
a mention of "Room and Bored" in "People."
658
00:28:27,266 --> 00:28:29,834
- OH REALLY?
I THINK I HAVE THAT. - So I'll check it out
659
00:28:29,900 --> 00:28:32,233
- and get that to you.
- I THINK I HAVE THAT.
660
00:28:32,300 --> 00:28:35,033
( stutters )
ALL RIGHT, BYE.
661
00:28:35,100 --> 00:28:37,200
"PEOPLE."
THAT'S NOT "PEOPLE."
662
00:28:39,000 --> 00:28:41,233
I MUST HAVE--
I HAVE "PEOPLE" HERE, JANE--
663
00:28:41,300 --> 00:28:44,200
REMEMBER? DID I GET IT?
DIDN'T I BUY "PEOPLE"?
664
00:28:44,266 --> 00:28:47,166
DIDN'T I GET "PEOPLE"?
JANE?
665
00:28:47,233 --> 00:28:48,500
( paper crinkling )
666
00:28:48,567 --> 00:28:51,233
HERE IT IS,
THIS IS IT. OKAY.
667
00:28:51,283 --> 00:28:55,833
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