All language subtitles for The Comeback s01e10 Valerie Gets a Magazine Cover

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:16,166 --> 00:00:18,533 ( tone sounds ) 2 00:00:18,600 --> 00:00:20,800 Man on TV: The stars were out in New York last night... 3 00:00:20,867 --> 00:00:22,800 DO YOU WORK OUT A LOT? 4 00:00:22,867 --> 00:00:25,767 WELL I USED TO, YOU KNOW, THEN I GOT BUSY. 5 00:00:25,834 --> 00:00:27,667 SO WE'VE GOT TO CARVE OUT TIME FOR IT NOW 6 00:00:27,734 --> 00:00:31,200 'CAUSE GONNA START A BIG PRESS PUSH, YOU KNOW, FOR "THE COMEBACK." 7 00:00:31,266 --> 00:00:34,400 SO, GOT TO DO IT ALL, YOU KNOW-- KEEP IN SHAPE, KEEP UP WITH THE NEWS. 8 00:00:34,467 --> 00:00:36,967 - AGH! - Nicole Kidman, Julianne Moore 9 00:00:37,033 --> 00:00:39,333 - and Sarah Jessica Parker... - ( cell phone rings ) 10 00:00:39,400 --> 00:00:41,233 HELLO? 11 00:00:41,300 --> 00:00:43,266 OH, YEAH, NO SURE, I'LL HOLD. I'LL HOLD. 12 00:00:43,333 --> 00:00:45,433 PUT IN ON SPEAKER. JANE? 13 00:00:45,500 --> 00:00:47,166 BIG CONFERENCE CALL. GOT THE, UM... 14 00:00:47,233 --> 00:00:49,367 YOU KNOW, "THE COMEBACK"'S AD CAMPAIGN. 15 00:00:49,433 --> 00:00:52,600 Woman: This might take a second, i'm trying to get you all conferenced here. 16 00:00:52,667 --> 00:00:55,033 OH, THAT'S FINE, DARLING. I'M FINE. 17 00:00:55,100 --> 00:00:58,367 IT'LL TAKE A WHILE TO GET EVERYBODY... ON THE PHONE. 18 00:01:00,233 --> 00:01:02,533 WHAT DO YOU NEED, DEAR? 19 00:01:02,600 --> 00:01:04,100 WHERE'S MY PURSE? 20 00:01:04,166 --> 00:01:05,767 YOUR PURS-- WELL, I HAD TO-- 21 00:01:05,834 --> 00:01:07,500 I HAD TO MOVE IT FOR MY WORKOUT. 22 00:01:07,567 --> 00:01:09,700 YOU KNOW, YOU CAN'T PUT THINGS ON THE EQUIPMENT. 23 00:01:09,767 --> 00:01:13,133 - I USE THIS TREADMILL, SO-- - BUT I ALWAYS PUT MY PURSE ON THE EQUIPMENT. 24 00:01:13,200 --> 00:01:15,734 THAT'S ALL RIGHT, DEAR. I'M NOT MAD. I KNOW. 25 00:01:17,533 --> 00:01:19,233 WELL, NO, IT'S BACK THERE. 26 00:01:19,300 --> 00:01:21,033 IT'S JUST OVER THERE. YEAH. 27 00:01:21,100 --> 00:01:23,233 - Man: Val, you there? - YES I AM. 28 00:01:23,300 --> 00:01:25,834 This is Richard Harris, Senior VP of Marketing. 29 00:01:25,900 --> 00:01:28,500 - OH. - And Larry Edwards, Director of Marketing. 30 00:01:28,567 --> 00:01:32,133 Zack Kirstien, VP of Marketing and Talent Relations. 31 00:01:32,200 --> 00:01:33,800 WELL, HELLO, TEAM. 32 00:01:33,867 --> 00:01:35,700 Richard: Valerie, we wanted to thank you 33 00:01:35,767 --> 00:01:37,667 for all your calls about "The Comeback." 34 00:01:37,734 --> 00:01:39,633 It's great that you care so much. 35 00:01:39,700 --> 00:01:42,200 WELL, THAT'S MY JOB, YOU KNOW, LARRY. 36 00:01:42,266 --> 00:01:45,300 - Actually, I was speaking, Val. Richard. - OH, OKAY. SORRY. 37 00:01:45,367 --> 00:01:47,266 - GO ON. - Zack: So, uh... 38 00:01:47,333 --> 00:01:49,533 we have a great campaign in the works. 39 00:01:49,600 --> 00:01:51,367 OH GOOD. THAT'S GREAT 'CAUSE I HAVE TO-- 40 00:01:51,433 --> 00:01:53,934 TO BE HONEST, I WAS STARTING TO WORRY A LITTLE BIT, YOU KNOW? 41 00:01:54,000 --> 00:01:56,767 TWO MONTHS AWAY FROM "THE COMEBACK" PREMIERE, YOU KNOW, RICHARD. 42 00:01:56,834 --> 00:01:59,400 It's Zack. 43 00:01:59,467 --> 00:02:02,266 I'M SORRY. OH, YEAH, WELL IT'S HARD TO TELL Y'ALL APART. 44 00:02:02,333 --> 00:02:04,400 ( chuckles ) ANYWAY, SO I WAS JUST WONDERING, 45 00:02:04,467 --> 00:02:06,834 - WHEN AM I GOING TO START TO SEE SOMETHING? - I'M OFF. 46 00:02:06,900 --> 00:02:08,934 - OH. - Larry: We have a roll-out plan 47 00:02:09,000 --> 00:02:11,100 - we're very excited about. - I FORGOT MY, UM... 48 00:02:11,166 --> 00:02:13,367 - WHOA! OW! - OH, MARK! 49 00:02:13,433 --> 00:02:16,033 OH, MARK! ARE YOU ALL RIGHT? 50 00:02:16,100 --> 00:02:18,667 OH, FUCK FUCK FUCK FUCK FUCK! 51 00:02:18,734 --> 00:02:21,200 - NO! - WHAT WAS THE TREADMILL DOING ON? 52 00:02:21,266 --> 00:02:23,633 - SHE WAS WORKING OUT. - MARK, WHERE DOES IT HURT? 53 00:02:23,700 --> 00:02:25,767 - I CAN'T MOVE MY FINGERS. - OH MY GOD! 54 00:02:25,834 --> 00:02:28,500 OH MY GOD! ALL RIGHT, WE HAVE TO TAKE YOU TO THE EMERGENCY ROOM. 55 00:02:28,567 --> 00:02:30,834 - OW. - OKAY? PHIL, HELP ME GET HIM UP, WILL YOU? 56 00:02:30,900 --> 00:02:33,600 - I'M AL. - AL, IT'S NOT ABOUT YOU RIGHT NOW, ALL RIGHT? 57 00:02:33,667 --> 00:02:35,500 MARK'S HURT. COME ON. 58 00:02:35,567 --> 00:02:37,166 - OH MY GOD! - Mark: WHAT?! 59 00:02:37,233 --> 00:02:40,367 I HUNG UP ON THE ENTIRE MARKETING DEPARTMENT. JUST HUNG UP ON THEM. 60 00:02:40,433 --> 00:02:43,100 THAT'S AN EMERGENCY. THEY'LL UNDERSTAND, I THINK. ALL RIGHT. 61 00:02:43,166 --> 00:02:44,867 - LET'S GO. - OH NO, DON'T TOUCH MY HAND! 62 00:02:44,934 --> 00:02:48,266 DON'T TOUCH HIS HAND, ANYONE! DON'T ANYONE TOUCH HIS HAND! 63 00:02:48,333 --> 00:02:50,967 OKAY... YOU HAVE TO GET OUT OF THE WAY, DEAR. 64 00:02:51,033 --> 00:02:53,500 SO HE BROKE THREE FINGERS. 65 00:02:53,567 --> 00:02:55,400 THREE FINGERS, JANE. 66 00:02:55,467 --> 00:02:57,767 WAIT, WHERE AM I? WHERE ARE YOU? I DON'T SEE-- 67 00:02:57,834 --> 00:03:00,100 NO, WE'RE OUTSIDE. THEY WOULDN'T LET US COME IN. 68 00:03:00,166 --> 00:03:02,066 OH, YEAH. ALL RIGHT, OKAY. 69 00:03:02,133 --> 00:03:04,533 WELL, THEY TOLD ME TO WAIT IN THE WAITING ROOM, SO-- 70 00:03:04,600 --> 00:03:06,967 IT'S OKAY. WE'LL JUST GET WHATEVER WE CAN FROM OUT HERE. 71 00:03:07,033 --> 00:03:09,367 - OKAY. - DO YOU WANT ME TO COME IN AND SIT WITH YOU? 72 00:03:09,433 --> 00:03:13,033 WELL, THAT'S ALL RIGHT. THEN YOU WON'T BE ABLE TO USE ANY OF THIS, RIGHT? 73 00:03:13,100 --> 00:03:16,266 SO, THAT'S ALL RIGHT. I HAVE A MAGAZINE AND-- 74 00:03:16,333 --> 00:03:18,500 YEAH, IT'S ALL RIGHT. 75 00:03:18,567 --> 00:03:21,233 ( sighs ) THREE FINGERS, JANE. THREE. 76 00:03:21,300 --> 00:03:23,667 IT'S AMAZING WHAT THEY CAN DO WITH FINGERS THESE DAYS. 77 00:03:23,734 --> 00:03:26,700 - YEAH. - I BROKE THIS ONE AND LOOK. 78 00:03:26,767 --> 00:03:29,533 YEAH. OKAY. 79 00:03:29,600 --> 00:03:31,667 THANKS, JANE. I APPRECIATE THE SUPPORT. 80 00:03:31,734 --> 00:03:33,066 I REALLY DO. IT'S HARD. 81 00:03:33,133 --> 00:03:34,734 - I'M SORRY, MISS? - YEAH. 82 00:03:34,800 --> 00:03:37,133 - NO CELL PHONES ALLOWED. - OH. 83 00:03:37,200 --> 00:03:38,667 OH BOY, JANE? 84 00:03:38,734 --> 00:03:40,734 OH, IT'S OKAY. WE HAVE YOU MIKED. 85 00:03:40,800 --> 00:03:43,667 - WE CAN HEAR YOU. - CAN YOU HEAR ME? 86 00:03:43,734 --> 00:03:45,667 OKAY, GOOD. 87 00:03:45,734 --> 00:03:49,166 ( inhales sharply ) I HATE HOSPITALS. 88 00:03:49,233 --> 00:03:51,333 SO... 89 00:03:52,567 --> 00:03:54,667 ( gasps ) OH, LOOK AT THAT. THERE'S JUNA. 90 00:03:54,734 --> 00:03:56,633 THAT'S JUNA. CAN YOU GET THAT? 91 00:03:56,700 --> 00:03:58,633 THERE SHE IS. MY BABY GIRL. 92 00:03:58,700 --> 00:04:01,433 YOU SEE THAT? ( laughs ) 93 00:04:01,500 --> 00:04:04,533 AW. SO EXCITING FOR HER. 94 00:04:04,600 --> 00:04:06,266 I REMEMBER HOW IT FELT... 95 00:04:06,333 --> 00:04:09,166 WHEN I STARTED SEEING MY PICTURES IN MAGAZINES, YOU KNOW. 96 00:04:09,233 --> 00:04:11,133 IT'S THRILLING. IT'S REALLY THRILLING. 97 00:04:11,200 --> 00:04:13,200 AW, HERE SHE IS. 98 00:04:13,266 --> 00:04:16,200 OH LOOK, IT SAYS SHE'S "TV's FASHION IT GIRL." 99 00:04:16,266 --> 00:04:19,266 ISN'T THAT FUNNY? 'CAUSE I WAS TV's "I'M IT" GIRL. 100 00:04:19,333 --> 00:04:21,800 SMALL WORLD, HUH? ISN'T THAT FUNNY? 101 00:04:22,700 --> 00:04:24,467 ( sighs ) 102 00:04:24,533 --> 00:04:26,467 WHY WAS IT ON? 103 00:04:26,533 --> 00:04:29,033 I TOLD YOU, MARK. I WAS WORKING OUT. 104 00:04:30,367 --> 00:04:32,300 YOU DON'T WORK OUT. 105 00:04:32,367 --> 00:04:34,300 OKAY, I'M NOT GOING TO DISCUSS THIS WITH YOU 106 00:04:34,367 --> 00:04:36,300 WHEN YOU'RE OBVIOUSLY HIGH ON PERCOCET. 107 00:04:36,367 --> 00:04:37,867 YOU'RE NOT THINKING CLEARLY. 108 00:04:37,934 --> 00:04:41,367 JANE, WILL YOU OPEN THE DOOR, PLEASE? THANK YOU. 109 00:04:41,433 --> 00:04:44,000 - ( sighs ) WOO. - EASY, TIGER. ( laughs ) 110 00:04:44,066 --> 00:04:46,767 Valerie: YEAH. AND EVERYBODY IN. 111 00:04:46,834 --> 00:04:48,934 ( speaks Spanish ) 112 00:04:49,000 --> 00:04:51,467 Esperanza: MR. MARK, HOW ARE YOU? 113 00:04:51,533 --> 00:04:54,367 Valerie: WELL, NOT SO GOOD I'M AFRAID. BROKE THREE FINGERS. 114 00:04:54,433 --> 00:04:57,834 HEY, ESPERANZA, HOW OFTEN DOES VAL WORK OUT? NEVER, RIGHT? 115 00:04:59,367 --> 00:05:01,400 PFFT. ALL RIGHT, MARKY-MARK, WHAT DO YOU WANT TO DO? 116 00:05:01,467 --> 00:05:04,100 GO UPSTAIRS? GET INTO BED? IT'S MORE COMFORTABLE THERE. 117 00:05:04,166 --> 00:05:07,867 - YEAH, THAT'D BE GOOD. WANNA SLEEP. - GOOD. 118 00:05:07,934 --> 00:05:10,867 ALL RIGHT, LISTEN, LOVE BALL, I'M GOING TO TUCK YOU INTO BED, 119 00:05:10,934 --> 00:05:14,467 AND I'M GOING TO STAY RIGHT BY YOUR SIDE ALL DAY, OKAY? 120 00:05:14,533 --> 00:05:18,166 JUST HAVE TO GO INTO WORK AT 3:30 FOR CAMERA BLOCKING. 121 00:05:18,233 --> 00:05:20,667 - WHY WAS IT ON? ( moans ) - MARK, I TOLD YOU THREE TIMES. 122 00:05:20,734 --> 00:05:22,667 YOU KNOW WHAT? LET'S JUST GET YOU INTO BED. 123 00:05:22,734 --> 00:05:24,600 - JUNA, YOU IN HERE? - YEAH, HI. 124 00:05:24,667 --> 00:05:26,934 LOOK WHAT I FOUND, HUH? GOT SOME PRESS. 125 00:05:27,000 --> 00:05:29,533 - ( gasps ) - JUNA MILLKEN IN "US WEEKLY," EVERYBODY. 126 00:05:29,600 --> 00:05:31,567 - ( laughs ) - PETER, IT'S THAT DRESS. 127 00:05:31,633 --> 00:05:33,467 I LOVE THAT DRESS ON YOU. 128 00:05:33,533 --> 00:05:36,367 - ISN'T THAT FUN? - OH, WOW, IT'S GREAT. IT'S GREAT. 129 00:05:36,433 --> 00:05:38,533 I REMEMBER WHEN I FIRST GOT PRESS FOR "I'M IT." 130 00:05:38,600 --> 00:05:41,333 "TV GUIDE," THE "ONES TO WATCH" SECTION. 131 00:05:41,400 --> 00:05:44,967 - WOW. - OH MY LORD & TAYLOR. 132 00:05:45,033 --> 00:05:48,333 Mickey: THAT IS BREATHTAKING. 133 00:05:49,734 --> 00:05:51,567 SO YOU'RE ON THE COVER OF "ROLLING STONE"? 134 00:05:51,633 --> 00:05:54,600 - YOU'RE ON THE COVER-- IS THAT A REAL COVER? - Woman: IT'S A MOCK-UP. 135 00:05:54,667 --> 00:05:56,767 THE REAL ONE COMES OUT IN ABOUT TWO TO THREE WEEKS. 136 00:05:56,834 --> 00:05:59,467 - GORGEOUS, YEAH. - Juna: THANK YOU. 137 00:05:59,533 --> 00:06:01,500 AND VAL, THIS IS MY PUBLICIST, CAROLINA. 138 00:06:01,567 --> 00:06:02,934 - OH. - SHE'S THE GREATEST. 139 00:06:03,000 --> 00:06:04,266 YEAH, WELL I GUESS SO. 140 00:06:04,333 --> 00:06:06,734 - OH, HI. - VALERIE CHERISH. PLEASURE TO MEET YOU. 141 00:06:06,800 --> 00:06:08,133 - OH, YOU TOO. - PLEASURE. 142 00:06:08,200 --> 00:06:10,500 I GUESS I KNOW WHAT THE PULL QUOTE IS GOING TO BE. 143 00:06:10,567 --> 00:06:13,500 I JUST GOT AN E-MAIL FROM THE COPY EDITOR OF "ROLLING STONE," 144 00:06:13,567 --> 00:06:17,433 AND JESSE SAYS YOU HAVE THE, QUOTE, "HOTTEST WHITE ASS IN HOLLYWOOD!" 145 00:06:17,500 --> 00:06:19,867 - NO! - Carolina: OH MY GOD! CONGRATULATIONS! 146 00:06:19,934 --> 00:06:23,166 - Juna: THANK YOU. - SO THEN IT'S AN ARTICLE TOO? THERE'S AN ARTICLE? 147 00:06:23,233 --> 00:06:25,433 - YEAH. - WOW. OH, BABY GIRL, SO PROUD OF YOU. 148 00:06:25,500 --> 00:06:27,333 - ( giggles ) THANK YOU. - SO PROUD. 149 00:06:27,400 --> 00:06:30,900 LISTEN, IF YOU EVER NEED ME TO GET ON THE PHONE WITH ANYONE FOR HER, 150 00:06:30,967 --> 00:06:34,367 MY PLEASURE, OKAY? AND I PROMISE I'LL MENTION MORE THAN JUST HER ASS. 151 00:06:34,433 --> 00:06:36,633 - Valerie: ALL RIGHT? - Tom: HEY, PETER? 152 00:06:36,700 --> 00:06:39,100 YOU GOT ANY BIKINIS FOR US TO APPROVE OF IN HERE? 153 00:06:39,166 --> 00:06:42,166 - All: OH. - THE PICKS FOR THIS WEEK'S SHOW ON THAT RACK. 154 00:06:42,233 --> 00:06:44,900 - ( Mickey clears throat ) - WHOA WHOA WHOA! 155 00:06:44,967 --> 00:06:47,133 - Tom: OH, WOW! - Valerie: HOW IS THAT? 156 00:06:47,200 --> 00:06:49,133 - Tom: WOW! - "GOT MILLKEN?" 157 00:06:49,200 --> 00:06:51,133 - OH, THAT IS-- - I WISH I HAD A COOKIE. 158 00:06:51,200 --> 00:06:53,066 RIGHT. 159 00:06:53,133 --> 00:06:54,934 - GA-GA-GA-GOY! - FUCKING HOT! 160 00:06:55,000 --> 00:06:57,367 - Valerie: YEAH. - THAT IS FUCKING-- NOW LOOK AT YOU. 161 00:06:57,433 --> 00:07:00,400 - Paulie G: YOU ARE FUCKING HOT, LADY. - Juna: OH, THANK YOU. 162 00:07:00,467 --> 00:07:03,400 - Tom: WOW, THAT IS AMAZING. - ISN'T THAT AMAZING? 163 00:07:03,467 --> 00:07:05,400 LOOKS LIKE THAT, EATS LIKE THAT. 164 00:07:05,467 --> 00:07:07,433 - ( giggles ) - I FUCKING LOVE YOU. 165 00:07:07,500 --> 00:07:10,333 YOU'RE MY KIND OF WOMAN. LOOK AT THAT! 166 00:07:10,400 --> 00:07:12,567 - THAT'S UNBELIEVABLE. - JUNA, THIS IS-- 167 00:07:12,633 --> 00:07:15,000 - THIS IS REALLY-- - IT'S SO GREAT FOR THE SHOW. 168 00:07:15,066 --> 00:07:17,900 - Tom: YEAH. - I WAS JUST TALKING TO MARKETING THIS MORNING 169 00:07:17,967 --> 00:07:20,834 TELLING THEM I'VE GOT TO DO MORE PRESS FOR "ROOM & BORED" 170 00:07:20,900 --> 00:07:23,967 AND "THE COMEBACK." YOU KNOW, JUST GOT TO GET THE WORD OUT THERE. 171 00:07:24,033 --> 00:07:26,867 OH, VAL! YOU SHOULD TALK TO CAROLINA, BECAUSE YOU GUYS 172 00:07:26,934 --> 00:07:28,967 - ARE REALLY SMART AND NICE-- - YEAH. 173 00:07:29,033 --> 00:07:32,367 - I WOULDN'T HAVE GOTTEN THIS COVER WITHOUT HER. - YEAH, NO, SHE'S GOOD. 174 00:07:32,433 --> 00:07:34,300 "ROLLING STONE," DUDE. THAT'S SO FUCKING COOL. 175 00:07:34,367 --> 00:07:37,633 - PLEASE TELL ME YOU MENTIONED THE NAME OF THE SHOW. - SHE DID, A THOUSAND TIMES, 176 00:07:37,700 --> 00:07:40,600 - AND NOW THE RECORD COMPANY'S ALL PISSED OFF. - I'M SORRY. 177 00:07:40,667 --> 00:07:42,367 WE REALLY SHOULD TALK, YOU KNOW, 178 00:07:42,433 --> 00:07:44,533 - 'CAUSE I'VE BEEN LOOKING FOR SOMEONE. - OH SURE. 179 00:07:44,600 --> 00:07:46,200 - YOU WANNA? - SURE. 180 00:07:46,266 --> 00:07:49,500 - YOU WANT TO SET UP A MEETING, OR-- HERE, TAKE THAT. - SURE. OH. 181 00:07:49,567 --> 00:07:54,033 - ( phones ringing ) - Receptionist: FLASH P.R. 182 00:07:54,100 --> 00:07:57,033 FLASH P.R. 183 00:07:57,100 --> 00:07:59,033 OBVIOUSLY CAROLINA'S REAL BUSY, 184 00:07:59,100 --> 00:08:01,834 WHICH IS A GOOD SIGN. MEANS SHE'S WORKING FOR HER CLIENTS. 185 00:08:01,900 --> 00:08:03,867 IT'S BEEN 15 MINUTES. 186 00:08:03,934 --> 00:08:05,767 PUNCTUALITY IS IMPORTANT. 187 00:08:05,834 --> 00:08:08,834 IT SAYS THAT YOU UNDERSTAND PEOPLE'S TIME IS VALUABLE. 188 00:08:08,900 --> 00:08:12,200 YEAH, MICKEY. YOU GOT TO CUT PEOPLE SLACK SOMETIMES. 189 00:08:12,266 --> 00:08:14,133 - YOU'RE TOO NICE. - Receptionist: VALERIE? 190 00:08:14,200 --> 00:08:16,233 - YEAH. - CAROLINA'S READY TO SEE YOU. 191 00:08:16,300 --> 00:08:18,834 OH, OKAY. SEE, HERE WE GO. 192 00:08:18,900 --> 00:08:22,266 SO WHEN I WAS ON "I'M IT," I ENDED UP DOING, I THINK FIVE-- 193 00:08:22,333 --> 00:08:24,266 OH NO, SIX MAGAZINE COVERS. 194 00:08:24,333 --> 00:08:26,600 - OH WOW. - YEAH, I RAN THE WHOLE GAMUT, YOU KNOW, 195 00:08:26,667 --> 00:08:29,000 FROM "REDBOOK" TO "CIGAR AFICIONADO," YOU KNOW. 196 00:08:29,066 --> 00:08:31,767 - THAT ONE WAS REAL FUN. REAL DEPARTURE FOR ME. - REALLY? 197 00:08:31,834 --> 00:08:34,667 - I WORE MY HAIR UP. I HAD THE CIGAR. - ( both laugh ) 198 00:08:34,734 --> 00:08:37,500 WELL THAT'S REALLY SMART. HERE AT FLASH P.R., WE REALLY BELIEVE 199 00:08:37,567 --> 00:08:40,667 - IN ROUNDING OUT AN ACTOR'S IMAGE. - UH-HUH. 200 00:08:40,734 --> 00:08:42,367 LIKE WHAT WE DID FOR JUNA. WE START OUT WITH 201 00:08:42,433 --> 00:08:45,266 AN INCREDIBLY SEXY "ROLLING STONE" COVER, BUT THEN WE'RE GONNA-- 202 00:08:45,333 --> 00:08:47,033 BY THE WAY, CONGRATULATIONS. 203 00:08:47,100 --> 00:08:49,367 JUST GREAT WORK WITH JUNA ON THAT. 204 00:08:49,433 --> 00:08:51,300 THANK YOU. WELL, YOU KNOW, TRUTHFULLY, 205 00:08:51,367 --> 00:08:53,033 - I DIDN'T EVEN DO ANYTHING. - AWW. 206 00:08:53,100 --> 00:08:56,266 THAT WAS A SHOT FROM AN INSIDE PIECE ABOUT UP AND COMING ROCK BANDS. 207 00:08:56,333 --> 00:08:58,100 AND THEY SAW THE PHOTO, IMMEDIATE COVER. 208 00:08:58,166 --> 00:09:00,734 - YEAH. - ALL I HAD TO DO WAS SAY YES TO STOP THE BEGGING. 209 00:09:00,800 --> 00:09:02,800 WELL, YOU SEEM TERRIFIC AT WHAT YOU DO. 210 00:09:02,867 --> 00:09:05,100 - OH, THANKS. - YOU KNOW, REAL SPECIAL. 211 00:09:05,166 --> 00:09:07,734 SO I THINK THIS WOULD BE FUN TO GIVE THIS A WHIRL, YOU AND ME. 212 00:09:07,800 --> 00:09:09,567 OH, THAT WOULD BE GREAT. 213 00:09:09,633 --> 00:09:13,633 BUT MY PARTNER AND ME, WE AREN'T TAKING ON ANY MORE CLIENTS AT THIS TIME. 214 00:09:13,700 --> 00:09:15,734 I SORT OF DID THIS MEETING AS A FAVOR TO JUNA, 215 00:09:15,800 --> 00:09:17,800 BUT WE ONLY TAKE ONE OR TWO CLIENTS A YEAR 216 00:09:17,867 --> 00:09:20,200 - AND WE REALLY TRY TO STICK WITH UP-AND-COMERS. - YEAH. 217 00:09:20,266 --> 00:09:23,000 I DIDN'T THINK IT WAS A GOOD MATCH IN THE FIRST PLACE. 218 00:09:23,066 --> 00:09:26,066 I WAS ALSO JUST-- DIDN'T WANT TO HURT JUNA'S OR YOUR FEELINGS, YOU KNOW. 219 00:09:26,133 --> 00:09:28,567 - THANKS. - SO, YEAH. HAVE SOMEONE ELSE IN MIND ANYWAY. 220 00:09:28,633 --> 00:09:30,734 - OH, OKAY. - GREAT TO SIT DOWN AND TALK TO YOU. 221 00:09:30,800 --> 00:09:32,533 - KEEP UP THE GOOD WORK. - THANKS. 222 00:09:32,600 --> 00:09:34,734 OOPS. 223 00:09:36,834 --> 00:09:38,700 JANE, GOT TO GET OUT. 224 00:09:38,767 --> 00:09:40,600 Jane: I JUST NEED TO GET THE CAMERA. 225 00:09:40,667 --> 00:09:42,533 ALL RIGHT, WATCH OUT. 226 00:09:42,600 --> 00:09:44,667 ( giggles ) IT'S ALWAYS... 227 00:09:44,734 --> 00:09:46,834 WATCH THE CABLE. 228 00:09:48,300 --> 00:09:50,734 - ( door shuts ) - WELL, YEAH. 229 00:09:50,800 --> 00:09:53,433 OH, DID YOU HEAR THAT, JANE? "PARTNER AND ME"? 230 00:09:53,500 --> 00:09:55,400 SHE SAID "PARTNER AND ME." 231 00:09:55,467 --> 00:09:57,367 SHOULD BE "PARTNER AND I," YOU KNOW. 232 00:09:57,433 --> 00:09:59,700 A PUBLICIST IS ESSENTIALLY YOUR SPOKESPERSON-- 233 00:09:59,767 --> 00:10:02,000 SO, SHOULD KNOW HOW TO SPEAK. 234 00:10:04,600 --> 00:10:06,133 - RIGHT, JANE? - YEAH. 235 00:10:06,200 --> 00:10:07,233 YEAH. 236 00:10:07,300 --> 00:10:10,233 - WELL? - OH NO, NOT FOR ME. 237 00:10:10,300 --> 00:10:12,567 YEAH, JUST NOT A GAL'S GAL, YOU KNOW. 238 00:10:12,633 --> 00:10:14,567 SOME WOMEN ARE JUST REAL THREATENED 239 00:10:14,633 --> 00:10:16,734 BY OTHER VERY STRONG WOMEN, YOU KNOW. 240 00:10:16,800 --> 00:10:18,700 HATE TO PUT IT OUT THERE, BUT IT'S TRUE. 241 00:10:18,767 --> 00:10:20,633 DIDN'T WANT TO SAY ANYTHING, RED, 242 00:10:20,700 --> 00:10:23,300 BUT ANYONE WITH HAIR LIKE THAT-- HUH-UH, NO. 243 00:10:23,367 --> 00:10:25,800 IF IT WERE ANY DRIER, THERE'D BE A BRUSHFIRE. 244 00:10:25,867 --> 00:10:27,900 ( laughs ) VERY GOOD. 245 00:10:27,967 --> 00:10:29,900 JUNA'S GOT THE RIGHT IDEA THOUGH, YOU KNOW. 246 00:10:29,967 --> 00:10:31,900 GOT TO GET A PUBLICIST. JUST GOT TO. 247 00:10:31,967 --> 00:10:34,934 YOU KNOW WHO WAS GREAT? RYAN? 248 00:10:35,000 --> 00:10:37,734 - WHO'S RYAN? - RYAN, YOU KNOW, 249 00:10:37,800 --> 00:10:40,734 THAT ADORABLE PUBLICIST FROM "IT." RYAN. 250 00:10:40,800 --> 00:10:44,133 - LOU? - RIGHT, YEAH. 251 00:10:44,200 --> 00:10:46,467 I KNOW HIS NAME IS LOU, BUT I CALLED HIM RYAN... 252 00:10:46,533 --> 00:10:48,367 'CAUSE HE LOOKED LIKE RYAN O'NEIL. 253 00:10:48,433 --> 00:10:50,100 SO, WELL THAT WAS OUR THING. 254 00:10:50,166 --> 00:10:52,266 THAT WAS MY THING WITH HIM. ANYWAY, HE GOT ME. 255 00:10:52,333 --> 00:10:55,266 HE REALLY GOT ME. YOU KNOW, I THINK IT WAS 'CAUSE HE WAS GAY. 256 00:10:55,333 --> 00:10:58,533 - GOT THE NUANCES MORE. YOU KNOW? - MM-HMM. 257 00:10:59,567 --> 00:11:01,467 YEAH, GOT TO GET ME A GAY, MICKEY. 258 00:11:01,533 --> 00:11:04,333 GOTTA GET A GAY. WHY DON'T I JUST CALL LOU? 259 00:11:04,400 --> 00:11:07,700 OH, RED, HE DIED. IN '94, I THINK. 260 00:11:07,767 --> 00:11:09,734 OH, NO. DID HE HAVE-- 261 00:11:09,800 --> 00:11:12,633 NO! HIT BY A CAR CROSSING BARHAM. 262 00:11:12,700 --> 00:11:14,533 OH, GOOD. 263 00:11:14,600 --> 00:11:17,800 NOT-- NOT GOOD THAT HE DIED. 264 00:11:18,867 --> 00:11:20,200 I WOULD LOVE TO WORK WITH YOU. 265 00:11:20,266 --> 00:11:21,767 - OH. - AND WHO WOULDN'T? 266 00:11:21,834 --> 00:11:24,433 WHO ELSE HAS GOT TWO SHOWS ON THE NETWORK AT THE SAME TIME? 267 00:11:24,500 --> 00:11:26,133 - THAT'S-- - NO ONE. 268 00:11:26,200 --> 00:11:29,367 THAT'S EXACTLY WHAT I WAS SAYING TO MICKEY IN THE CAR ON THE WAY OVER HERE. 269 00:11:29,433 --> 00:11:32,333 MICKEY, WASN'T I-- OH. ( laughs ) 270 00:11:32,400 --> 00:11:34,467 SORRY, HE'S A LITTLE DISTRACTED. 271 00:11:34,533 --> 00:11:37,000 DON'T THINK HE'S EVER EATEN NEXT TO TWO G.I. JOE'S BEFORE. 272 00:11:37,066 --> 00:11:39,000 ( both laugh ) 273 00:11:39,066 --> 00:11:41,533 - YOU'RE HILARIOUS. - I'D LIKE TO THINK SO. 274 00:11:41,600 --> 00:11:43,567 - OH, THINK SO. - ( laughs ) GOOD. 275 00:11:43,633 --> 00:11:45,700 MICKEY, DID YOU HEAR ME? 276 00:11:45,767 --> 00:11:49,200 - NAH, IT'S ALL RIGHT. - WELL LOOK, I ALREADY KNOW I WANT TO WORK WITH YOU. 277 00:11:49,266 --> 00:11:51,500 AND YOU JUST HAVE TO DECIDE IF YOU WANT TO WORK WITH ME. 278 00:11:51,567 --> 00:11:54,200 - RIGHT. - SO... GOALS. 279 00:11:54,266 --> 00:11:55,934 OKAY, UM... 280 00:11:56,000 --> 00:11:58,367 OKAY, LET'S SEE. GOAL #1: 281 00:11:58,433 --> 00:12:00,934 I WANT TO DO A LENO BEFORE THE PREMIERE OF "THE COMEBACK." 282 00:12:01,000 --> 00:12:03,633 I KNOW THE GUY WHO BOOKS IT, SO WE CAN GET THAT BALL ROLLING. 283 00:12:03,700 --> 00:12:05,600 GREAT! OKAY. SO IMPRESSED. 284 00:12:05,667 --> 00:12:08,300 YEAH, WELL, IT'S NOT ABOUT ME. GO AHEAD. 285 00:12:08,367 --> 00:12:10,000 ( laughs ) OKAY, UM... 286 00:12:10,066 --> 00:12:11,800 - SO NUMERO UNO, LENO. - RIGHT. 287 00:12:11,867 --> 00:12:15,066 AND THEN MAGAZINES. YOU KNOW, I WANT TO GET COVERS. 288 00:12:15,133 --> 00:12:18,367 OH YEAH, GREAT. LET'S SEE VALERIE CHERISH OUTSIDE OF THAT RUNNING SUIT. 289 00:12:18,433 --> 00:12:20,600 - MM-HMM. - WHICH IS HILARIOUS. DON'T GET ME WRONG, 290 00:12:20,667 --> 00:12:23,367 - BUT COME ON. YOU'RE A BEAUTIFUL WOMAN. - OH, THANK YOU. 291 00:12:23,433 --> 00:12:25,433 BUT EXACTLY. EXACTLY, YEAH. 292 00:12:25,500 --> 00:12:27,066 OH, BILLY, YOU'RE REALLY FANTASTIC. 293 00:12:27,133 --> 00:12:29,100 - THANKS. - YOU REALLY ARE, YOU KNOW. 294 00:12:29,166 --> 00:12:31,900 AND PMK IS A TOP NOTCH PUBLICITY FIRM, SO-- 295 00:12:31,967 --> 00:12:34,000 YEAH, I LEFT PMK. 296 00:12:34,066 --> 00:12:36,300 - ( stammers ) YOU-- YOU DID, JUST-- - RIGHT. 297 00:12:36,367 --> 00:12:39,200 RIGHT AFTER WE TALKED ON THE PHONE? 298 00:12:39,266 --> 00:12:42,033 I'M STARTING MY OWN COMPANY AND SEVEN OTHER CLIENTS CAME WITH ME. 299 00:12:42,100 --> 00:12:44,100 - WHICH IS-- - WOW, COULD I-- 300 00:12:44,166 --> 00:12:46,333 - COULD I KNOW WHO THEY ARE? - JOSH SCOTT. 301 00:12:46,400 --> 00:12:48,433 - DO YOU KNOW HIM? - NO, I DON'T. 302 00:12:48,500 --> 00:12:50,834 UM... AND ELLEN PRICE JUST-- 303 00:12:50,900 --> 00:12:53,033 I DON'T-- I DON'T. 304 00:12:54,166 --> 00:12:56,100 ( stammers ) COULD I ASK WHY YOU LEFT? 305 00:12:56,166 --> 00:12:57,700 WELL, I'M NOT GOING TO LIE. 306 00:12:57,767 --> 00:13:00,467 THEY PROMOTED SOMEONE YOUNGER. THE END. 307 00:13:00,533 --> 00:13:01,767 WASN'T HAVING IT. 308 00:13:01,834 --> 00:13:03,767 YEAH, WELL. 309 00:13:03,834 --> 00:13:06,734 YEAH, MY ONLY CONCERN WOULD BE JUST, YOU KNOW, 310 00:13:06,800 --> 00:13:08,567 YOUR START-UP TIME, YOU KNOW, 311 00:13:08,633 --> 00:13:11,233 - AND THEN I'VE GOT MY NEEDS HERE. - RIGHT, BUT VALERIE, 312 00:13:11,300 --> 00:13:13,133 NO ONE WILL WORK HARDER FOR YOU. 313 00:13:13,200 --> 00:13:16,000 I MEAN, I KNOW WHAT YOU NEED TO HAVE DONE AND I CAN DO THAT. 314 00:13:16,066 --> 00:13:17,600 - Jane: VALERIE? - YEAH. 315 00:13:17,667 --> 00:13:19,900 I'M SORRY, COULD YOU STOP? THERE'S A LOOKY LOO. 316 00:13:19,967 --> 00:13:22,100 - Billy: OH. - OH! 317 00:13:22,166 --> 00:13:24,000 ALL RIGHT, VERY FUNNY. COULD YOU MOVE, PLEASE? 318 00:13:24,066 --> 00:13:25,900 - GO! - COULD YOU JUST NOT BE THERE? 319 00:13:25,967 --> 00:13:28,033 CAN YOU GO SOMEWHERE ELSE? OH, HE'S OBNOXIOUS. 320 00:13:28,100 --> 00:13:31,400 - SHOULD WE JUST MOVE TO ANOTHER-- - I'LL BE RIGHT BACK. 321 00:13:32,900 --> 00:13:34,900 YOU CAN'T. 322 00:13:34,967 --> 00:13:36,467 HI, YEAH. YOU KNOW, YOU GOT TO MOVE. 323 00:13:36,533 --> 00:13:38,934 WE'RE FILMING A REALITY SHOW AND YOU CAN'T BE HERE. 324 00:13:39,000 --> 00:13:41,767 - KISS MY ASS, PUNK. - YOU WANT ME TO CALL THE WEST HOLLYWOOD POLICE? 325 00:13:41,834 --> 00:13:45,300 - BECAUSE THEN-- - OH NO, YOU'RE GOING TO CALL THEM ON YOUR PHONE, FAGGOT? 326 00:13:48,600 --> 00:13:50,233 Billy: WE'RE GOOD, JANE. 327 00:13:50,300 --> 00:13:52,066 YOU SEE THAT? THAT'S A PUBLICIST. 328 00:13:52,133 --> 00:13:56,000 - ( door opens ) - THAT'S THE GUY WHO'S GOING TO GET ME COVERS. 329 00:14:01,266 --> 00:14:05,266 HERE YOU GO. ONE BEAUTIFUL TOSSED SALAD WITH FRESHLY GRILLED CHICKEN. 330 00:14:05,333 --> 00:14:08,533 - THANK YOU. - WELL MY PLEASURE, TREASURE. 331 00:14:08,600 --> 00:14:12,467 THERE YOU GO. IS THAT MY SIMON PEARCE CARVING FORK? 332 00:14:12,533 --> 00:14:14,400 YOU'RE USING THAT AS A SCRATCHING DEVICE?! 333 00:14:14,467 --> 00:14:16,400 - NOT VERY SANITARY, DEAR. - IT ITCHES. 334 00:14:16,467 --> 00:14:19,467 WELL, THAT'S A GOOD THING. MEANS IT'S HEALING. 335 00:14:19,533 --> 00:14:22,567 - ( inhales sharply ) - ( whispers ) PLEASE TAKE IT OUT. 336 00:14:22,633 --> 00:14:24,667 WHAT'S THE MATTER? WHAT'S WRONG? 337 00:14:24,734 --> 00:14:26,967 - COULD YOU CUT IT UP? - OF COURSE, YEAH! 338 00:14:27,033 --> 00:14:28,667 SURE CAN. 339 00:14:28,734 --> 00:14:31,133 THAT'S FOR ME. 340 00:14:31,200 --> 00:14:33,100 ( Mark groans ) 341 00:14:33,166 --> 00:14:36,100 SMALLER, LIKE THE CHOPPED SALAD AT LA SCALA. 342 00:14:36,166 --> 00:14:38,166 - ( cell phone ringing ) - CAN DO. 343 00:14:38,233 --> 00:14:40,500 Mark: I'M EXPECTING A CONFERENCE CALL. 344 00:14:40,567 --> 00:14:42,500 NO, THAT'S MINE. AND MARK, YOU SHOULD... 345 00:14:42,567 --> 00:14:45,467 REALLY... LAY OFF THE BUSINESS TILL YOU'RE OFF THE PERCOCET. 346 00:14:45,533 --> 00:14:47,567 ( laughs ) YOU KNOW, YOU'RE A LITTLE OUT OF IT. 347 00:14:47,633 --> 00:14:50,066 - HELLO? - Valerie, it's Billy. 348 00:14:50,133 --> 00:14:52,133 OH HI, BILLY. HI. 349 00:14:52,200 --> 00:14:55,066 - Got some good news. - OH YEAH? WHAT'S UP? 350 00:14:55,133 --> 00:14:56,834 WHAT'S THE GOOD NEWS? HIT ME WITH IT. 351 00:14:56,900 --> 00:14:59,066 - DO WE HAVE ANY PEPPERONCINIS? - BILLY, ONE SECOND. 352 00:14:59,133 --> 00:15:02,100 - WHAT IS IT, MARK? - DO WE HAVE THOSE PEPPERONCINIS THAT I LIKE? 353 00:15:02,166 --> 00:15:04,333 OH YEAH, NO, YEAH. I THINK WE HAVE THOSE. 354 00:15:04,400 --> 00:15:07,200 I THINK WE HAVE-- ALL RIGHT, I THINK WE HAVE THOSE. 355 00:15:07,266 --> 00:15:09,533 I MARRIED HIM FOR BETTER OR WORSE, NOT FOR LUNCH. 356 00:15:09,600 --> 00:15:12,367 ( laughs ) OKAY, BILLY, WHAT'S THE GOOD NEWS? 357 00:15:12,433 --> 00:15:14,433 All right, I got you a cover. 358 00:15:14,500 --> 00:15:16,200 WELL, THAT IS EXCITING! 359 00:15:16,266 --> 00:15:19,400 WELL THERE YOU GO. WHAT'S IT FOR? "REDBOOK"? 360 00:15:19,467 --> 00:15:21,433 Well, no, they're definitely into it, 361 00:15:21,500 --> 00:15:23,533 but not until they see how "The Comeback" does. 362 00:15:23,600 --> 00:15:26,000 OKAY, WELL THAT'S GREAT. THAT'S STILL GREAT. WOW. 363 00:15:26,066 --> 00:15:28,000 SO WHAT MAGAZINE IS IT FOR? 364 00:15:28,066 --> 00:15:29,633 "Be Yoga." 365 00:15:29,700 --> 00:15:31,633 I'M SORRY. "BE YOGA"? 366 00:15:31,700 --> 00:15:34,467 BILLY, I'VE NEVER HEARD OF "BE YOGA." 367 00:15:34,533 --> 00:15:37,166 Well it's new and it's got a hip, trendy skew, so-- 368 00:15:37,233 --> 00:15:39,333 - WELL, WE LIKE THAT. - Right? 369 00:15:39,400 --> 00:15:41,333 And you're on the stands A.S.A.P. 370 00:15:41,400 --> 00:15:43,033 OH, WE LOVE THAT! 371 00:15:43,100 --> 00:15:44,834 Uh, do you do yoga? 372 00:15:44,900 --> 00:15:48,367 WELL, I HAVEN'T FOR A WHILE, BUT I COULD TAKE ONE CLASS AND JUST, YOU KNOW, 373 00:15:48,433 --> 00:15:50,100 - GET UP TO SPEED, YEAH. - Great. 374 00:15:50,166 --> 00:15:53,266 - YOU DON'T DO YOGA. - YES, I DID, MARK! I DID DO YOGA, OKAY? 375 00:15:53,333 --> 00:15:55,867 ( stammers ) AT THAT PLACE-- PRANA SOMETHING 376 00:15:55,934 --> 00:15:58,066 ON CRESCENT HEIGHTS. OKAY, 377 00:15:58,133 --> 00:16:00,133 - HERE ARE YOUR PEPPERONCINIS. - THANK YOU. 378 00:16:00,200 --> 00:16:02,934 WELL THAT'S GREAT, BILLY. WHEN DO THEY WANT TO DO IT? 379 00:16:03,000 --> 00:16:05,700 Billy: Well, they want to start as quickly as possible, 380 00:16:05,767 --> 00:16:07,767 so we can get it out there as fast as possible. 381 00:16:07,834 --> 00:16:11,433 - They've already booked a great photographer. - I HAVE AN IDEA. 382 00:16:11,500 --> 00:16:13,033 ( inhales deeply ) 383 00:16:13,100 --> 00:16:16,467 WELL, THE UNIVERSE HAS SHOWN ME THE WAY. 384 00:16:17,934 --> 00:16:21,433 THE YOGA COVER, EVEN MARK'S INJURY... 385 00:16:21,500 --> 00:16:23,233 THEY'RE ALL SIGNS... 386 00:16:23,300 --> 00:16:25,700 TO GET OFF THE TREADMILL. ( inhales deeply ) 387 00:16:25,767 --> 00:16:28,800 THAT DANGEROUS TREADMILL THAT KEEPS YOU RUNNING. 388 00:16:29,667 --> 00:16:31,400 TO WHAT? 389 00:16:31,467 --> 00:16:33,633 FROM WHAT? 390 00:16:34,700 --> 00:16:36,967 SO I'VE DECIDED TO LET IT ALL GO. 391 00:16:38,033 --> 00:16:40,133 I'M GOING TO FOCUS ON THE INSIDE. 392 00:16:41,200 --> 00:16:43,800 FOCUS ON WHAT'S REALLY IMPORTANT. 393 00:16:43,867 --> 00:16:45,800 ME. 394 00:16:45,867 --> 00:16:48,333 MY... CENTER. 395 00:16:49,200 --> 00:16:50,800 - MY-- - Mark: VAL? 396 00:16:50,867 --> 00:16:53,166 CAN YOU HELP ME? I CAN'T GET THE TOP OFF THIS! 397 00:16:53,233 --> 00:16:55,100 WELL, I'M IN THE BATHTUB, MARK. 398 00:16:55,166 --> 00:16:57,333 OH, OKAY. 399 00:17:00,266 --> 00:17:03,633 ALL RIGHT. WELL, I NEED A TOWEL 'CAUSE MY HANDS ARE WET. 400 00:17:03,700 --> 00:17:05,533 OH, OKAY. 401 00:17:05,600 --> 00:17:08,000 A LITTLE TOWEL. YEAH, CAREFUL. 402 00:17:10,967 --> 00:17:13,633 OKAY, WELL THAT'S GOOD ENOUGH I GUESS. HERE, TAKE THAT, 403 00:17:13,700 --> 00:17:15,533 AND I'LL... 404 00:17:16,500 --> 00:17:18,200 OKAY, THERE YOU GO, DARLING. 405 00:17:18,266 --> 00:17:20,266 - THANK YOU. - ALL BETTER. 406 00:17:20,333 --> 00:17:22,133 YOU'RE WELCOME. 407 00:17:22,200 --> 00:17:25,934 I'M JUST GOING TO LEAVE A LITTLE PAUSE FOR EDITING, OKAY? 408 00:17:26,000 --> 00:17:28,433 ( inhales sharply ) 409 00:17:28,500 --> 00:17:32,000 SO I'VE DECIDED TO GET RID OF MY WORK OUT ROOM 410 00:17:32,066 --> 00:17:35,533 AND CREATE A WORK IN ROOM. 411 00:17:35,600 --> 00:17:37,400 - GONNA CREATE A ZEN SPACE. - ( pills fall ) 412 00:17:37,467 --> 00:17:39,467 - Mark: GOD DAMN IT! - WHAT'S WRONG?! 413 00:17:39,533 --> 00:17:42,133 I JUST DROPPED ALL THE PERCOCET! 414 00:17:42,200 --> 00:17:44,233 ( sighs ) 415 00:17:44,300 --> 00:17:46,767 ALL RIGHT, LET ME HELP YOU. 416 00:17:56,533 --> 00:17:58,834 OOH, I'M COMING. 417 00:18:01,934 --> 00:18:04,166 ARE YOU WEARING A BATHING SUIT IN THE BATHTUB? 418 00:18:04,233 --> 00:18:05,967 YES, MARK. YES, I AM. 419 00:18:06,033 --> 00:18:09,333 - WHY? - BECAUSE I DON'T DO NUDITY. 420 00:18:09,400 --> 00:18:11,467 Valerie: WOW. 421 00:18:11,533 --> 00:18:13,500 I LIKE TO BUILD AROUND THE BUDDHA. 422 00:18:13,567 --> 00:18:16,767 ONCE YOU CHOOSE THAT, IT WILL INFORM WHAT WE DO ON THE REST OF THE ROOM. 423 00:18:16,834 --> 00:18:19,433 INTERESTING. IS THAT WHAT YOU DID WITH GOLDIE? 424 00:18:19,500 --> 00:18:22,900 UM, ADAM DESIGNED GOLDIE HAWN'S ZEN ROOM. 425 00:18:22,967 --> 00:18:25,333 I PREFER NOT TO DISCUSS MY CLIENT LIST. 426 00:18:25,400 --> 00:18:27,100 OH SURE, YEAH. 427 00:18:27,166 --> 00:18:29,433 AS LONG AS YOU DON'T HAVE A PROBLEM WITH PUBLICITY, THOUGH, 428 00:18:29,500 --> 00:18:31,266 'CAUSE, YOU KNOW, THIS ZEN ROOM 429 00:18:31,333 --> 00:18:33,200 GOT ME A THREE-PAGE SPREAD IN "BE YOGA." 430 00:18:33,266 --> 00:18:35,367 NO-- YEAH, YEAH. I'M THRILLED, I'M THRILLED, 431 00:18:35,433 --> 00:18:37,934 I'D JUST RATHER NOT... TALK ABOUT-- 432 00:18:38,000 --> 00:18:40,567 I GOT YOU, NO. I GOT YOU, YEAH. 433 00:18:40,633 --> 00:18:43,967 I HEARD SHE PUT HER OSCAR IN HER ZEN ROOM. IS THAT TRUE? 434 00:18:45,433 --> 00:18:47,467 - NO, I GOT IT. YEAH, I GOT IT. - YEAH, THANK YOU. 435 00:18:47,533 --> 00:18:51,367 JUST THAT I'M CONSIDERING, YOU KNOW, DOING THE SAME THING WITH MY PEOPLE'S CHOICE AWARD. 436 00:18:51,433 --> 00:18:53,200 - OH RIGHT. - MS. VAL? 437 00:18:53,266 --> 00:18:56,000 - YEAH? - WHERE DO I PUT THE SCRIBBLE? 438 00:18:57,233 --> 00:18:58,800 IT'S SCRABBLE, DEAR. IT'S CALLED SCRABBLE. 439 00:18:58,867 --> 00:19:01,200 AND YEAH, IT ALL GOES IN BOXES. 440 00:19:01,266 --> 00:19:03,233 EVERYTHING GOES IN BOXES AND OUT OF HERE. 441 00:19:03,300 --> 00:19:05,867 WANT THIS WHOLE ROOM CLEANED OUT. FREE OF ATTACHMENTS. 442 00:19:05,934 --> 00:19:07,533 - HMM. - YOU KNOW. 443 00:19:07,600 --> 00:19:10,100 - SO, UM... WHICH BUDDHA DO YOU PREFER? - YEAH. 444 00:19:10,166 --> 00:19:11,867 UH... 445 00:19:11,934 --> 00:19:14,433 WELL, NOT THAT ONE. TOO SCARY. ( laughs ) 446 00:19:14,500 --> 00:19:16,367 AND THAT ONE'S TOO SMALL. 447 00:19:16,433 --> 00:19:19,200 THIS ONE IS JUST RIGHT, I THINK. 448 00:19:19,266 --> 00:19:22,066 ( giggling ) I SOUND LIKE GOLDIE HAWN. 449 00:19:22,133 --> 00:19:23,500 GOLDILOCKS! 450 00:19:23,567 --> 00:19:25,467 I CAN'T GET HER OUT OF MY HEAD. 451 00:19:25,533 --> 00:19:27,767 - Mark: WHERE IS EVERYBODY?! - WE'RE IN HERE, MARK! 452 00:19:27,834 --> 00:19:29,967 THAT WAS A FUN, LITTLE-- 453 00:19:30,033 --> 00:19:31,600 THAT'S IT. THAT'S THE ONE. 454 00:19:31,667 --> 00:19:34,200 - SO HOW WAS YOUR FIRST DAY BACK? - FINE. 455 00:19:34,266 --> 00:19:36,800 GOOD, GREAT. MARK, THIS IS ADAM MAYA. 456 00:19:36,867 --> 00:19:39,133 - HE'S THE INTERIOR DESIGNER. - IT'S A PLEASURE. 457 00:19:39,200 --> 00:19:40,433 OW, WHAT HAPPENED? 458 00:19:40,500 --> 00:19:42,033 - I FELL OFF A TREADMILL. - YEAH. 459 00:19:42,100 --> 00:19:44,500 - Adam: WORKING OUT? - SURE. 460 00:19:44,567 --> 00:19:47,066 LOOK AT THESE! WOW, ALREADY, HUH? 461 00:19:47,133 --> 00:19:49,367 WELL, SURE, YEAH. WE'RE ON A DEADLINE, YOU KNOW. 462 00:19:49,433 --> 00:19:51,200 PHOTO SHOOT'S IN FOUR DAYS. 463 00:19:51,266 --> 00:19:53,000 SO ADAM AND I WERE JUST... 464 00:19:53,066 --> 00:19:55,166 TALKING ABOUT WHICH BUDDHA. BUDDHA? 465 00:19:55,233 --> 00:19:56,767 BUDDA, BUDHA ( stammers ) 466 00:19:56,834 --> 00:19:58,867 - WHATEVER YOU'RE COMFORTABLE WITH. - OH, OKAY. 467 00:19:58,934 --> 00:20:01,233 - I THINK BUDDHA'S BETTER. - THAT'S GREAT. 468 00:20:01,300 --> 00:20:02,133 YEAH. 469 00:20:02,200 --> 00:20:03,967 SO, WE THINK THIS ONE, MARK. 470 00:20:04,033 --> 00:20:06,166 - WHAT DO YOU THINK? - SURE, HOW MUCH? 471 00:20:06,233 --> 00:20:08,100 ( laughs ) 472 00:20:08,166 --> 00:20:11,166 - MARK, YOU CAN'T PUT A PRICE TAG ON SPIRITUALITY. - YES, I CAN. 473 00:20:11,233 --> 00:20:13,800 - HOW MUCH? - IT'S $12,000. 474 00:20:13,867 --> 00:20:16,400 $12,000. DOES IT COME WITH ITS OWN CAR? 475 00:20:16,467 --> 00:20:19,834 - ( Adam and Valerie laugh ) - IT'S FROM THE 16th CENTURY. 476 00:20:19,900 --> 00:20:21,467 - OH, IS IT? - YEAH. 477 00:20:21,533 --> 00:20:24,633 WOW. WELL, YEAH. THAT'S A LOT THOUGH. THAT IS A LOT. 478 00:20:24,700 --> 00:20:27,734 - WHAT ABOUT THE SCARY ONE. HOW MUCH IS THAT? - $1,500.00. 479 00:20:27,800 --> 00:20:31,000 AT LEAST THE PRICE ISN'T SCARY, HUH? ( laughs ) 480 00:20:31,066 --> 00:20:33,633 - WHY DON'T I LET YOU TWO TALK ABOUT IT? - ALL RIGHT. 481 00:20:33,700 --> 00:20:35,767 I'LL RUN OUT AND GET SOME WOOD SAMPLES FOR THE FLOOR. 482 00:20:35,834 --> 00:20:38,033 THANK YOU, THANK YOU VERY MUCH. 483 00:20:38,900 --> 00:20:40,033 YEAH. 484 00:20:40,100 --> 00:20:42,667 WE'RE NOT CHANGING THE FLOORS. 485 00:20:42,734 --> 00:20:45,233 - NOT NECESSARY-- - ALL RIGHT, I DON'T KNOW, VAL. 486 00:20:45,300 --> 00:20:47,433 - YEAH, WHAT? - I DON'T KNOW. 487 00:20:47,500 --> 00:20:50,033 YOU AGREED TWO DAYS AGO TO DO THIS. 488 00:20:50,100 --> 00:20:52,967 YEAH, I WAS HIGH AS A KITE. YOU DON'T EVEN DO YOGA. 489 00:20:53,033 --> 00:20:54,934 I DID DO YOGA, MARK! 490 00:20:55,000 --> 00:20:57,800 - HATHA-- HATHA YOGA. - WHEN? 491 00:20:57,867 --> 00:21:00,934 BEFORE WE WERE MARRIED, OKAY, I DID THINGS! 492 00:21:01,000 --> 00:21:03,467 $50,000, LIKE WE DISCUSSED. 493 00:21:03,533 --> 00:21:06,200 ALL RIGHT, I WILL TRY TO KEEP THE PRICE DOWN. 494 00:21:06,266 --> 00:21:09,467 BUT THIS IS A RUSH JOB AND WE'RE GOING TO HAVE TO PAY FOR THAT, YOU KNOW. 495 00:21:09,533 --> 00:21:11,467 Esperanza: MISS VAL, WHAT ARE THESE? 496 00:21:11,533 --> 00:21:13,900 THAT'S WHERE THOSE ARE! OH! 497 00:21:13,967 --> 00:21:15,867 JANE, OH. JANE, WAIT TILL YOU SEE THIS. 498 00:21:15,934 --> 00:21:19,467 ( laughs ) OH MY GOD. 499 00:21:19,533 --> 00:21:21,533 HELLO HELLO HELLO! 500 00:21:21,600 --> 00:21:23,066 - HI! - OH, I'M SORRY. 501 00:21:23,133 --> 00:21:25,000 - THAT'S OKAY, COME ON IN. - COME ON, COME ON. 502 00:21:25,066 --> 00:21:27,433 - I JUST WANTED TO SHOW YOU SOMETHING FUN. - SURE. 503 00:21:27,500 --> 00:21:29,433 SO, YOU KNOW, I'M DOING THE COVER OF "BE YOGA." 504 00:21:29,500 --> 00:21:31,333 - ( gasps ) YOU ARE? - YEAH. 505 00:21:31,400 --> 00:21:34,300 - I DIDN'T KNOW YOU DID YOGA. - OH YEAH, JUST GETTING BACK INTO IT. 506 00:21:34,367 --> 00:21:37,200 - I HAVE A PRIVATE CLASS AT HOME ON SATURDAY. - OH, THAT'S GREAT. 507 00:21:37,266 --> 00:21:40,967 - CAN YOU BELIEVE I'VE NEVER DONE YOGA BEFORE? - YOU SHOULD COME ON SATURDAY. 508 00:21:41,033 --> 00:21:43,166 - OH. - YEAH, JOIN IN. MICKEY'S JOINING. 509 00:21:43,233 --> 00:21:45,066 - WE'LL SEE. - WELL, WE WILL. 510 00:21:45,133 --> 00:21:47,333 I WOULD LOVE THAT, VAL. THAT WOULD BE SO GREAT. 511 00:21:47,400 --> 00:21:49,834 - GREAT! THE MORE THE MERRIER. TRULY. - YEAH, OKAY. 512 00:21:49,900 --> 00:21:52,066 SO ANYWAY, I WAS THROWING OUT SOME STUFF, YOU KNOW, 513 00:21:52,133 --> 00:21:55,166 LETTING GO OF OLD ATTACHMENTS-- IT'S AN IMPORTANT THOUGHT IN YOGA. 514 00:21:55,233 --> 00:21:57,066 - OKAY. - YEAH. SO ANYWAY, 515 00:21:57,133 --> 00:21:59,300 I FOUND THIS. ( laughs ) 516 00:22:00,300 --> 00:22:02,700 ( gasps ) OH MY GOD! VAL! 517 00:22:02,767 --> 00:22:04,767 THAT IS FANTASTIC! 518 00:22:04,834 --> 00:22:07,000 CHECK OUT THAT HAIR! SO '80s! 519 00:22:07,066 --> 00:22:08,667 YEAH, ISN'T IT? ISN'T IT FUN? 520 00:22:08,734 --> 00:22:11,400 - I DID IT THE YEAR "I'M IT" CAME OUT, SO... - WOW. 521 00:22:11,467 --> 00:22:13,133 GIRL, YOU PANTS ARE UNDONE. 522 00:22:13,200 --> 00:22:15,834 - I KNOW! - LOOK AT IT! THE TOP OF HER JEANS ARE UNSNAPPED. 523 00:22:15,900 --> 00:22:17,633 Juna: VAL, I CAN'T BELIEVE IT. 524 00:22:17,700 --> 00:22:19,233 I KNOW. IT'S SO RISQUE, HUH? 525 00:22:19,300 --> 00:22:22,700 RISQUE, UH-HUH. AUNT SASSY, YOU NASTY. 526 00:22:22,767 --> 00:22:24,467 ( all laughing ) 527 00:22:24,533 --> 00:22:26,433 - Tom: PETER? PETER? - OOPS! 528 00:22:26,500 --> 00:22:29,333 - SORRY, PLEASE DON'T HATE ME. MORE CHANGES HERE. - Juna: TOM. 529 00:22:29,400 --> 00:22:31,767 - THIS ONE'S FOR YOU. - TOM, YOU HAVE TO SEE THIS POSTER. 530 00:22:31,834 --> 00:22:33,967 PLEASE, VAL? IT IS SO HOT. 531 00:22:34,033 --> 00:22:36,333 OH-- OH MY... 532 00:22:36,400 --> 00:22:39,300 - ( girls laughing ) - Tom: VAL. 533 00:22:39,367 --> 00:22:41,233 ( laughs ) YOU HAD A ROCKIN' BODY. 534 00:22:41,300 --> 00:22:45,467 - WELL, ALWAYS HAVE KEPT MYSELF IN SHAPE. - LOOK-- 535 00:22:45,533 --> 00:22:49,300 - LOOK, PAULIE DOESN'T KNOW WHAT TO SAY. - ( girls laugh ) 536 00:22:51,400 --> 00:22:53,834 MAN. ( chuckles ) 537 00:22:53,900 --> 00:22:57,300 - Tom: WOW! - COULDN'T HANDLE THE SEXUAL TENSION BETWEEN US. 538 00:22:57,367 --> 00:22:58,667 ( all laugh ) 539 00:22:58,734 --> 00:23:00,433 GIRL, I HAVE GOT TO HAVE THIS. 540 00:23:00,500 --> 00:23:02,867 - YOU GOING TO PUT IT UP SOMEWHERE? - YES, HONEY, PLEASE. 541 00:23:02,934 --> 00:23:04,900 JUNA AND I CAN BE THE POSTER TWINS. 542 00:23:04,967 --> 00:23:07,700 - Peter: YES, HONEY. POSTER TWINS. - Juna: EXACTLY. 543 00:23:07,767 --> 00:23:10,433 - ( hammering, sawing ) - LET'S TRY THE WARRIOR POSE ONCE AGAIN. 544 00:23:10,500 --> 00:23:12,333 - ALL RIGHT. - JUST COME INTO THE LUNGE. 545 00:23:12,400 --> 00:23:15,233 ARMS OUT TO THE SIDE. EYES FRONT. 546 00:23:15,300 --> 00:23:18,633 NOW JUST... LET YOUR HIPS RELAX. 547 00:23:18,700 --> 00:23:20,567 - WHOA! OOH! - SORRY. 548 00:23:20,633 --> 00:23:23,233 THERE WERE RELAXED. THEN YOU TOUCHED ME, THREW ME ALL OFF. 549 00:23:23,300 --> 00:23:26,066 - Valerie: THAT'S ALL RIGHT. - THIS IS HARD. 550 00:23:26,133 --> 00:23:28,934 THEN GO TO CHILD'S POSE, JUNA. 551 00:23:30,367 --> 00:23:32,734 IF ANYTHING'S EVER TOO PAINFUL, JUST STEP AWAY FROM IT. 552 00:23:32,800 --> 00:23:35,000 I DON'T NEED AN ENGRAVED INVITATION. 553 00:23:36,867 --> 00:23:39,533 CHILD'S POSE IS A WONDERFUL POSE. 554 00:23:39,600 --> 00:23:43,266 IT MASSAGES THE ORGANS AND STRETCHES THE HIPS AND BUTTOCKS. 555 00:23:43,333 --> 00:23:46,467 - Juna: OH, THAT FEELS SO GOOD. - ( saw buzzing ) 556 00:23:46,533 --> 00:23:48,567 JUST LET THE NOISE MOVE THROUGH YOU. 557 00:23:48,633 --> 00:23:51,600 - YEAH. I KNOW. - JUST ACKNOWLEDGE IT AND LET IT GO. 558 00:23:51,667 --> 00:23:52,967 - Jane: VALERIE? - YEAH. 559 00:23:53,033 --> 00:23:55,600 WE REALLY HAVE TO DO SOMETHING ABOUT THE POUNDING. 560 00:23:55,667 --> 00:23:57,867 JANE, JUST ACKNOWLEDGE IT AND LET IT GO THROUGH YOU. 561 00:23:57,934 --> 00:24:01,333 OKAY, BUT WE'RE NOT GOING TO BE ABLE TO USE ANY OF IT. 562 00:24:01,400 --> 00:24:03,333 OH, THAT'S RIGHT. YEAH... 563 00:24:03,400 --> 00:24:05,400 'CAUSE OF THE CAMERAS. EXCUSE ME! 564 00:24:05,467 --> 00:24:08,200 HI, COULD YOU HOLD THE WORK JUST FOR A FEW MINUTES? 565 00:24:08,266 --> 00:24:10,867 THANK YOU, THANK YOU. ALL RIGHT, GOOD. 566 00:24:10,934 --> 00:24:12,600 - NOW, ALL RIGHT. - ( noises stop ) 567 00:24:13,834 --> 00:24:16,367 GOOD. NOW, VALERIE... 568 00:24:16,433 --> 00:24:18,333 - JUST... - ( moans ) 569 00:24:18,400 --> 00:24:20,166 - KEEP IT STRAIGHT. - THE THIGHS. MY THIGHS. 570 00:24:20,233 --> 00:24:23,400 YEAH, WARRIOR POSE IS A VERY CHALLENGING POSE. 571 00:24:23,467 --> 00:24:25,533 WARRIOR TWO. THIS ONE'S WARRIOR TWO. 572 00:24:25,600 --> 00:24:26,934 - THAT'S RIGHT. - YEAH. 573 00:24:27,000 --> 00:24:29,433 - OKAY, BEND BEND. - YEAH. 574 00:24:29,500 --> 00:24:31,333 OH, THIS ISN'T GOOD. THIS ISN'T GOOD. 575 00:24:31,400 --> 00:24:33,767 LET'S SEE... OKAY. ( inhales sharply ) 576 00:24:33,834 --> 00:24:35,967 - ( moans ) - STRAIGHTEN YOUR RIGHT LEG. 577 00:24:36,033 --> 00:24:39,367 - OH, I USED TO BE ABLE TO DO THIS. - WELL, YOU KNOW, 578 00:24:39,433 --> 00:24:43,100 TRY AND ACCEPT WHERE YOU ARE NOW, YOU KNOW? 579 00:24:43,166 --> 00:24:46,400 YOGA'S ABOUT ACCEPTING YOUR LIMITATIONS. 580 00:24:48,133 --> 00:24:50,700 OKAY, NO. JUST-- 581 00:24:50,767 --> 00:24:52,934 DON'T WORRY. YOU'LL GET THERE EVENTUALLY. 582 00:24:53,000 --> 00:24:56,200 MIA, DARLING, I DON'T HAVE TIME TO "GET THERE EVENTUALLY," OKAY? 583 00:24:56,266 --> 00:24:58,367 I'M SHOOTING THE COVER OF A YOGA MAGAZINE TOMORROW. 584 00:24:58,433 --> 00:25:01,066 OH, YOU'RE GONNA BE ON THE COVER OF A YOGA MAGAZINE? 585 00:25:01,133 --> 00:25:04,900 YEAH, I NEED YOU TO COACH ME A POSE THAT I'M GONNA LOOK GOOD DOING. 586 00:25:04,967 --> 00:25:07,433 - JESUS, WE HAVE WORK TO DO. - YEAH. 587 00:25:07,500 --> 00:25:09,667 ( shutter clicking ) 588 00:25:11,734 --> 00:25:15,533 - I THOUGHT YOU SAID SHE COULD DO YOGA. - THAT IS YOGA. 589 00:25:15,600 --> 00:25:17,633 WE SHOULD STOP AND TRY THIS AGAIN. 590 00:25:17,700 --> 00:25:20,367 STOP, YOU SAID, "STOP"? YEAH. 591 00:25:20,433 --> 00:25:23,200 MICKEY, EVERYTHING HURTS, EVERYTHING HURTS, EVERYTHING HURTS. 592 00:25:23,266 --> 00:25:26,367 VAL, SWEETIE, GOT A QUESTION. UM, WHAT'S HAPPENING? 593 00:25:26,433 --> 00:25:29,100 - HMM-MM. - YOU SEEM LIKE YOU'RE IN A LOT OF PAIN, RIGHT? 594 00:25:29,166 --> 00:25:32,934 PRACTICING THIS F-ING POSE ALL NIGHT, WOKE UP THIS MORNING, COULDN'T MOVE. 595 00:25:33,000 --> 00:25:35,500 - WANT ME TO GET YOU SOME ADVIL? - I ALREADY TOOK SIX. 596 00:25:35,567 --> 00:25:37,000 WELL, WHAT IF WE TRY A DIFFERENT POSE? 597 00:25:37,066 --> 00:25:39,600 IT'S GOTTA BE THIS POSE. IT'S GOTTA BE THIS POSE. 598 00:25:39,667 --> 00:25:43,066 IT'S THE MOST FLATTERING FOR MY BODY AND MY HAIR IS DONE FOR IT. 599 00:25:43,133 --> 00:25:45,333 - RIGHT RIGHT. - EVERYTHING ALL WORKS... TOGETHER. 600 00:25:45,400 --> 00:25:47,300 WOULD ANYONE CARE TO TRY THIS AGAIN? 601 00:25:47,367 --> 00:25:48,867 - COUNT ME IN. - YEAH? 602 00:25:48,934 --> 00:25:50,934 - YEAH. - LET ME RUB THE BUDDHA'S BELLY FOR LUCK. 603 00:25:51,000 --> 00:25:52,767 ALL RIGHT. 604 00:25:52,834 --> 00:25:55,533 - Valerie: OKAY OKAY... - Billy: SHE'S GOT IT. 605 00:25:59,233 --> 00:26:02,066 ( chuckles ) OKAY. AH. 606 00:26:02,133 --> 00:26:03,667 YEAH, THERE SHE GOES. 607 00:26:03,734 --> 00:26:05,500 LOOK, SHE OVERTRAINED FOR THIS LAST NIGHT, 608 00:26:05,567 --> 00:26:07,166 SO SHE'S IN A LOT OF PAIN, BUT SHE-- 609 00:26:07,233 --> 00:26:08,834 I DON'T CARE HOW MUCH PAIN SHE'S IN, 610 00:26:08,900 --> 00:26:10,967 YOU HAVE TO GET THIS POSE EXACTLY RIGHT. 611 00:26:11,033 --> 00:26:14,700 WELL, JUST... GETTING THERE, OKAY? 612 00:26:14,767 --> 00:26:16,734 MY YOGI SAID THAT YOGA IS ABOUT 613 00:26:16,800 --> 00:26:19,300 ACCEPTING WHERE YOU ARE. THIS IS WHERE I AM. 614 00:26:19,367 --> 00:26:22,600 THIS IS NOT YOGA, THIS IS A YOGA MAGAZINE COVER. 615 00:26:22,667 --> 00:26:24,867 YEAH, I HEAR YOU, I HEAR YOU 616 00:26:24,934 --> 00:26:26,834 AND IT'S GETTING THERE. IT IS GETTING THERE. 617 00:26:26,900 --> 00:26:30,533 YEAH, MY MUSCLES JUST NEED TO WARM UP. THEY'RE LOOSENING UP. 618 00:26:30,600 --> 00:26:33,633 I CAN FEEL IT, YEAH. IT'S BETTER NOW. 619 00:26:33,700 --> 00:26:36,100 ALL RIGHT, HERE WE GO-- 620 00:26:36,166 --> 00:26:38,834 ( inhales deeply ) 621 00:26:38,900 --> 00:26:41,133 ( grunts in pain ) 622 00:26:41,200 --> 00:26:43,567 OKAY, THIS IS NOT HAPPENING. 623 00:26:43,633 --> 00:26:47,500 IT'S CALLED "BE YOGA" BECAUSE SHE IS SUPPOSED TO BE ABLE TO DO YOGA. 624 00:26:47,567 --> 00:26:49,333 LOOK, SHE'S GUARANTEED THIS COVER. 625 00:26:49,400 --> 00:26:52,533 - SHE ISN'T GUARANTEED SHIT. - HEY. 626 00:26:52,600 --> 00:26:55,166 - WHAT THE FUCK IS WRONG WITH YOU? - HEY NOW, THIS IS A ZEN ROOM. 627 00:26:55,233 --> 00:26:57,734 ALL RIGHT? IT'S A PLACE OF PEACE. ( inhales ) 628 00:26:57,800 --> 00:27:00,633 OKAY? I DIDN'T PAY $63,000 TO HAVE IT ALL BUSTED UP. 629 00:27:00,700 --> 00:27:03,266 NOW I CAN DO THIS, I CAN DO THIS. 630 00:27:03,333 --> 00:27:05,400 I DID THIS POSE PERFECTLY YESTERDAY. 631 00:27:05,467 --> 00:27:08,100 NOW JUST GIVE ME A MINUTE, I JUST NEED A MINUTE. 632 00:27:08,166 --> 00:27:11,567 I HAVE TO FIND MY CENTER, OKAY? MICKEY. 633 00:27:13,800 --> 00:27:15,834 GO GET ME A COUPLE OF MARK'S PERCOCETS. 634 00:27:15,900 --> 00:27:18,333 UM, THREE. 635 00:27:20,367 --> 00:27:22,533 ( New Age music playing ) 636 00:27:27,533 --> 00:27:29,467 Valerie: IT LOOKS NICE. 637 00:27:29,533 --> 00:27:33,133 ( chuckles ) CAME OUT GOOD. 638 00:27:34,567 --> 00:27:36,467 ( cell phone ringing ) 639 00:27:38,667 --> 00:27:41,033 OH. HI, BILLY. 640 00:27:41,100 --> 00:27:43,500 Billy: Hey, Val, did you see the photo in "Us Weekly"? 641 00:27:43,567 --> 00:27:45,700 OH YEAH, YEAH, I GOT IT RIGHT HERE. 642 00:27:45,767 --> 00:27:48,834 - Pretty good, huh? - YEAH, IT'S GREAT. 643 00:27:48,900 --> 00:27:53,300 "Juna Millken goes to her friend Valerie Cherish's house for yoga." 644 00:27:53,367 --> 00:27:54,967 I KNOW, THERE IT IS IN PRINT. 645 00:27:55,033 --> 00:27:57,233 IT'S GREAT, IT'S JUST GREAT. I JUST DON'T REMEMBER IF I-- 646 00:27:57,300 --> 00:27:59,533 - GOOD MORNING, MISS VAL. - MORNING, ESPERANZA. 647 00:27:59,600 --> 00:28:01,133 IF I, YOU KNOW, MET HER AT THE DOOR, 648 00:28:01,200 --> 00:28:03,500 'CAUSE PAPARAZZIS OUTSIDE MY HOUSE. 649 00:28:03,567 --> 00:28:06,166 COULD BE A PICTURE OF ME FLOATING AROUND OUT THERE SOMEWHERE. 650 00:28:06,233 --> 00:28:09,400 Well, there'll be more, 'cause "La Parent" still has an outstanding offer, 651 00:28:09,467 --> 00:28:12,500 and I'm on the phone with "Brentwood Magazine." I'm trading right now. 652 00:28:12,567 --> 00:28:14,400 "BRENTWOOD MAGAZINE"? IS THAT FOR A COVER? 653 00:28:14,467 --> 00:28:17,066 We're talking about it, you know, they owe me a phone call. 654 00:28:17,133 --> 00:28:19,333 THAT'S GREAT. I'M NOT SURE ABOUT "LA PARENT," IT'S FREE. 655 00:28:19,400 --> 00:28:22,333 It's free, but everyone gets it, they've got a huge circulation. 656 00:28:22,400 --> 00:28:24,367 Oh, you know what, my assistant just IM'd me 657 00:28:24,433 --> 00:28:27,200 that there might be a mention of "Room and Bored" in "People." 658 00:28:27,266 --> 00:28:29,834 - OH REALLY? I THINK I HAVE THAT. - So I'll check it out 659 00:28:29,900 --> 00:28:32,233 - and get that to you. - I THINK I HAVE THAT. 660 00:28:32,300 --> 00:28:35,033 ( stutters ) ALL RIGHT, BYE. 661 00:28:35,100 --> 00:28:37,200 "PEOPLE." THAT'S NOT "PEOPLE." 662 00:28:39,000 --> 00:28:41,233 I MUST HAVE-- I HAVE "PEOPLE" HERE, JANE-- 663 00:28:41,300 --> 00:28:44,200 REMEMBER? DID I GET IT? DIDN'T I BUY "PEOPLE"? 664 00:28:44,266 --> 00:28:47,166 DIDN'T I GET "PEOPLE"? JANE? 665 00:28:47,233 --> 00:28:48,500 ( paper crinkling ) 666 00:28:48,567 --> 00:28:51,233 HERE IT IS, THIS IS IT. OKAY. 667 00:28:51,283 --> 00:28:55,833 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 53338

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