All language subtitles for The Comeback s01e07 Valerie Gets a Very Special Episode

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:20,333 --> 00:00:23,000 I HAVEN'T BEEN TO THE WRITERS' ROOM IN SUCH A LONG TIME. 2 00:00:23,066 --> 00:00:24,667 I JUST HOPE I DON'T GET LOST. 3 00:00:24,734 --> 00:00:27,400 SO MUCH TO DO, YOU KNOW, WHEN IT'S YOUR OWN EPISODE, YOU'VE GOT-- 4 00:00:27,467 --> 00:00:29,000 OOH! OW! OKAY. 5 00:00:29,066 --> 00:00:30,567 THAT'S ALL RIGHT. I'M ALL RIGHT. 6 00:00:30,633 --> 00:00:32,233 PROBABLY A BAD PLACE FOR THAT. 7 00:00:32,300 --> 00:00:34,734 MAYBE SOMEONE SHOULD MOVE IT. 8 00:00:34,800 --> 00:00:36,800 OH, NOPE. NOBODY THERE. 9 00:00:36,867 --> 00:00:38,600 NO ONE IN THERE. 10 00:00:38,667 --> 00:00:41,066 THERE'S GIGI. HI, GIGI. HOW ARE YOU? 11 00:00:41,133 --> 00:00:43,867 - YOU DON'T. - SHE'S BUSY. SHE'S ON THE PHONE. 12 00:00:43,934 --> 00:00:46,867 - ASSHOLE! - YOU GUYS KNOW WHERE TOM'S OFFICE IS? OKAY. 13 00:00:46,934 --> 00:00:50,700 - OW! - OOH, SOMEONE GOT HURT. 14 00:00:51,633 --> 00:00:53,333 WE'LL FIND IT. IT'S FINE. 15 00:00:53,400 --> 00:00:55,233 ( phone ringing ) 16 00:00:55,300 --> 00:00:57,834 - HERE HE IS. TOM PETERMAN. - Woman: WRITERS' OFFICE. 17 00:00:57,900 --> 00:01:00,633 THIS IS IT. HE'S EXPECTING ME. 18 00:01:03,233 --> 00:01:04,734 Tom: COME IN! 19 00:01:04,800 --> 00:01:06,900 - Sharon: HI! - HELLO HELLO HELLO! HELLO! 20 00:01:07,000 --> 00:01:09,567 - Tom: HEY. - Valerie: HA HA! SO FUN. 21 00:01:09,633 --> 00:01:11,066 ARE WE HAVING A CASTING MEETING 22 00:01:11,133 --> 00:01:12,667 WITH THE CAMERAS IN THE ROOM? 23 00:01:12,734 --> 00:01:16,000 WELL, YES. YOU KNOW, AUNT SASSY GETS HER OWN EPISODE. 24 00:01:16,066 --> 00:01:17,834 IT DOESN'T HAPPEN EVERY WEEK. 25 00:01:17,900 --> 00:01:20,567 YOU WON'T HEAR ME COMPLAIN IF IT DOES EITHER, OKAY? 26 00:01:20,633 --> 00:01:23,033 - SHARON, DOLL, YOU LOOK GREAT. - HI. 27 00:01:23,100 --> 00:01:25,066 - THANK YOU. - THAT A NEW HAIRCUT? 28 00:01:25,133 --> 00:01:27,133 - UH... NO. - SOMETHING'S DIFFERENT. 29 00:01:27,200 --> 00:01:29,734 THE COLOR. CHANGED THE COLOR-- IT'S SOFTER. 30 00:01:31,266 --> 00:01:34,133 - Valerie: YEAH, THOUGHT SO. - Jane: OKAY, WE'RE READY. 31 00:01:34,200 --> 00:01:35,600 ALL RIGHT, YEAH. 32 00:01:35,667 --> 00:01:38,066 - Tom: SHARON, YOU WANNA... - Sharon: OH, SURE. 33 00:01:38,133 --> 00:01:40,734 JUST... GIVE VALERIE A COPY OF THE LIST. 34 00:01:40,800 --> 00:01:43,867 - IT'S A LIST OF NAMES TO PLAY BIG DICK PERKINS. - UH-HUH, OKAY. 35 00:01:43,934 --> 00:01:46,400 DO WE NEED TO WAIT FOR PAULIE G AND JIMMY? 36 00:01:46,467 --> 00:01:51,033 WELL, PAULIE G HAD TO GO SOMEWHERE AND JIMMY'S NOT DIRECTING THIS EPISODE. 37 00:01:51,100 --> 00:01:54,033 OH. NEWSFLASH FOR YA. 38 00:01:54,100 --> 00:01:56,233 I THOUGHT HE WAS DIRECTING ALL THE EPISODES. 39 00:01:56,300 --> 00:01:58,166 WELL... 40 00:01:58,233 --> 00:02:01,367 HE WAS, BUT... NOW HE'S NOT. 41 00:02:01,433 --> 00:02:03,400 MM-HMM. OKAY. 42 00:02:03,467 --> 00:02:06,300 SO WE GOT WAGNER FISK. 43 00:02:06,367 --> 00:02:09,500 WAGNER-- THAT'S A WONDERFUL IDEA. THAT'S GREAT. 44 00:02:09,567 --> 00:02:12,667 WAGNER FISK DIRECTED THE WHOLE FIRST SEASON OF "IT." 45 00:02:12,734 --> 00:02:14,533 SO WAGNER'S WONDERFUL. 46 00:02:14,600 --> 00:02:17,100 Sharon: UH, CAN THEY NOT DO THAT? 47 00:02:17,166 --> 00:02:19,433 I DON'T WANT A BUNCH OF AGENTS SEEING THIS LIST 48 00:02:19,500 --> 00:02:22,166 AND YELLING AT ME 'CAUSE THEIR CLIENTS WEREN'T CALLED. 49 00:02:22,233 --> 00:02:24,233 YEAH. RIGHT. NEED TO BE DISCREET. 50 00:02:24,300 --> 00:02:26,567 ALL RIGHT, GOTCHA. YEAH, OKAY. SO, JANE... 51 00:02:26,633 --> 00:02:30,033 I JUST THINK WE NEED TO RESPECT ALL AVENUES OF THE INDUSTRY, 52 00:02:30,100 --> 00:02:31,734 YOU KNOW, ALL THE OTHER AVENUES. 53 00:02:31,800 --> 00:02:33,367 DON'T SHOOT. 54 00:02:33,433 --> 00:02:35,600 - Sharon: OKAY, SO... - I NEED TO LOOK AT IT. 55 00:02:35,667 --> 00:02:39,166 I THINK THE FIRST NAME WE SHOULD CONSIDER IS ROGER VAN HOUTTEN. 56 00:02:39,233 --> 00:02:42,834 - WHO? - HE PLAYED THE COACH IN "SOMEBODY PINCH ME." 57 00:02:42,900 --> 00:02:46,166 HE'S... SOLID, AND I KNOW HE'S AVAILABLE. 58 00:02:46,233 --> 00:02:49,066 - WHAT DO YOU THINK, VAL? - IT'S A GREAT LIST. 59 00:02:49,133 --> 00:02:51,800 I'VE JUST NEVER HEARD OF ROGER VAN "HOOTIN." 60 00:02:51,867 --> 00:02:54,333 NO, IT'S HOUTTEN. 61 00:02:54,400 --> 00:02:56,600 SORRY, MR. HOUTTEN... 62 00:02:56,667 --> 00:02:58,633 "HOU-EVER" YOU ARE. 63 00:02:58,700 --> 00:03:00,300 ( giggles ) CUTE! 64 00:03:00,367 --> 00:03:04,066 I MEAN, I GUESS MY POINT IS WE NEED TO GET A NAME. 65 00:03:04,133 --> 00:03:05,867 HERE. 66 00:03:06,734 --> 00:03:08,000 - OH! - YEAH. 67 00:03:08,066 --> 00:03:10,000 HE'S N.I. SEE AFTER HIS NAME, "N.I."? 68 00:03:10,066 --> 00:03:12,300 - YEAH, WHAT DOES THAT MEAN? - NOT INTERESTED. 69 00:03:12,367 --> 00:03:14,367 UH-HUH. OKAY. 70 00:03:14,433 --> 00:03:16,867 WHAT ABOUT HIM? 71 00:03:16,934 --> 00:03:18,867 O.O.T.-- OUT OF TOWN, 72 00:03:18,934 --> 00:03:20,433 AND N.I. 73 00:03:20,500 --> 00:03:23,667 OKAY. WELL, I GUESS WE NEED TO FIND SOMEONE WHO'S V.I.-- 74 00:03:23,734 --> 00:03:27,133 "VALERIE INTERESTED." LET'S GET SOME OF THOSE. 75 00:03:27,200 --> 00:03:30,200 YEAH, JUST TO POINT YOU IN THE RIGHT DIRECTION THERE, 76 00:03:30,266 --> 00:03:33,800 YOU KNOW, HARRY HAMLIN... 77 00:03:33,867 --> 00:03:36,133 TOM SELLECK. JANE, HOW GREAT WOULD IT BE 78 00:03:36,200 --> 00:03:38,266 TO HAVE TOM SELLECK ON "THE COMEBACK"? 79 00:03:38,333 --> 00:03:40,333 HUH? OH, YEAH. 80 00:03:40,400 --> 00:03:42,300 OKAY, SO, SHARON, LET'S GET TOM SELLECK. 81 00:03:42,367 --> 00:03:44,567 - GREAT. - YEAH! 82 00:03:45,867 --> 00:03:48,166 YEAH, VAL, I DON'T THINK WE CAN GET TOM SELLECK. 83 00:03:48,233 --> 00:03:51,867 WELL, OF COURSE WE CAN'T. NOT WITHOUT A PERSONAL CALL, BUT I CAN HANDLE THAT. 84 00:03:51,934 --> 00:03:55,400 - OH, YOU KNOW TOM SELLECK? - OH YEAH, SURE. YEAH. 85 00:03:55,467 --> 00:03:57,400 YEAH, I DID A "MAGNUM P.I." 86 00:03:57,467 --> 00:03:59,433 BACK WHEN I WAS JUST STARTING OUT-- 87 00:03:59,500 --> 00:04:01,266 PLAYED HIS GODCHILD. 88 00:04:01,333 --> 00:04:04,734 - LONG TIME AGO. - I KNOW. OH WAIT, I'M WRONG. 89 00:04:04,800 --> 00:04:06,600 MY BAD. THAT'S WRONG. 90 00:04:06,667 --> 00:04:09,734 I PLAYED A TEEN HOOKER ON "MAGNUM P.I." 91 00:04:09,800 --> 00:04:11,633 I PLAYED REMINGTON STEELE'S GODCHILD. 92 00:04:11,700 --> 00:04:13,166 IT WAS THE SAME YEAR, SO... 93 00:04:13,233 --> 00:04:14,934 WAIT, YOU WERE ON "REMINGTON STEELE" 94 00:04:15,000 --> 00:04:16,367 AND "MAGNUM P.I." THE SAME YEAR? 95 00:04:16,433 --> 00:04:19,266 - YEAH. - THAT IS-- THAT'S CRAZY SHIT. 96 00:04:19,333 --> 00:04:21,367 WELL, THANK YOU VERY MUCH. 97 00:04:21,433 --> 00:04:23,266 ( both chuckle ) 98 00:04:23,333 --> 00:04:25,467 ANYWAY, SO I STILL KEEP IN TOUCH WITH TOM, 99 00:04:25,533 --> 00:04:28,567 SO MAYBE I COULD PULL IN A FAVOR, GIVE HIM A CALL. 100 00:04:28,633 --> 00:04:30,600 - OKAY. - Valerie: YEAH, WHY NOT? 101 00:04:30,667 --> 00:04:32,667 - GREAT. - GREAT, YEAH. 102 00:04:32,734 --> 00:04:35,066 AND JUST PUT ANOTHER LIST TOGETHER. 103 00:04:35,133 --> 00:04:38,033 - ( whispers ) RIGHT AWAY. - MM-HMM, GREAT. 104 00:04:40,467 --> 00:04:42,500 - DID YOU READ THE SCRIPT? - YEAH. 105 00:04:42,567 --> 00:04:44,033 - AND? - FUNNY. 106 00:04:44,100 --> 00:04:46,300 - IT'S KINDA DIRTY. - UH-HUH. 107 00:04:46,367 --> 00:04:48,900 - ARE THEY ACTUALLY GONNA LET YOU DO THAT? - OH, SURE, YEAH, 108 00:04:48,967 --> 00:04:50,567 BECAUSE IT'S CLASSY DIRTY, 109 00:04:50,633 --> 00:04:52,700 LIKE "BENNY HILL." IT'S NOT DIRTY DIRTY. 110 00:04:52,767 --> 00:04:57,066 - AND IT'S ALL ABOUT YOU. - UH-HUH. 29 PAGES. 111 00:04:57,133 --> 00:04:59,066 MMM, I'M IN EVERY SCENE BUT THREE. 112 00:04:59,133 --> 00:05:00,667 - YOU DESERVE IT. - UH-HUH. 113 00:05:00,734 --> 00:05:02,900 DID YOU LIKE THAT SCENE WHEN SHE'S TRYING ON 114 00:05:02,967 --> 00:05:06,266 ALL THE CLOTHES FOR HER DATE, HER OLD '70s-- LATE '70s? 115 00:05:06,333 --> 00:05:08,333 - YEAH. - ( both chuckle ) 116 00:05:08,400 --> 00:05:10,433 WHAT ABOUT THE SCENE WHERE SHE'S AT THE BAR 117 00:05:10,500 --> 00:05:13,333 - WAITING FOR BIG DICK? - YEAH. 118 00:05:13,400 --> 00:05:15,767 - DID YOU LIKE THE SCENE-- - YEAH. 119 00:05:15,834 --> 00:05:17,734 I DIDN'T SAY ANYTHING YET. 120 00:05:17,800 --> 00:05:20,166 OH, COME ON, IT'S EARLY. 121 00:05:20,233 --> 00:05:22,333 ALL RIGHT. 122 00:05:28,233 --> 00:05:30,333 MARK? ( clears throat) 123 00:05:30,400 --> 00:05:34,033 MARK, YOU'RE TRIMMING YOUR NOSE HAIRS ON CAMERA. 124 00:05:34,100 --> 00:05:36,900 THE WHOLE WORLD'S GONNA SEE. 125 00:05:36,967 --> 00:05:39,867 OH, IS MASTRO'S GOOD FOR WEDNESDAY NIGHT? 126 00:05:39,934 --> 00:05:43,900 - WHAT'S WEDNESDAY NIGHT? - THE DINNER WITH THE PARTNERS FROM MY NEW YORK OFFICE. 127 00:05:43,967 --> 00:05:45,767 AND WE CAN'T BRING THE CAMERAS. 128 00:05:45,834 --> 00:05:49,033 THESE ARE BUSINESS PEOPLE. THEY MIGHT BE ALL STIFF AND FREAK OUT. 129 00:05:49,100 --> 00:05:51,033 YEAH WELL, THAT'S ALL "MUTE" ANYWAY, MARK, 130 00:05:51,100 --> 00:05:53,800 - BECAUSE I CAN'T GO ANYWHERE WEDNESDAY NIGHT. - NO NO NO. 131 00:05:53,867 --> 00:05:56,166 YOU HAVE TO GO. YOU SAID YOU'D GO LAST MONTH. 132 00:05:56,233 --> 00:05:58,166 THAT'S BEFORE I GOT AN EPISODE. 133 00:05:58,233 --> 00:06:00,600 COME ON. IT'S GOING TO BE SO BORING WITHOUT YOU. 134 00:06:00,667 --> 00:06:02,867 MARK, I CAN'T-- ( clears throat ) 135 00:06:02,934 --> 00:06:05,433 THURSDAY MORNING, WE HAVE CAMERA BLOCKING, OKAY? 136 00:06:05,500 --> 00:06:09,100 THAT MEANS I HAVE TO STAY HOME WEDNESDAY NIGHT AND LEARN MY LINES 137 00:06:09,166 --> 00:06:11,367 WHILE MICKEY HENNAS MY HAIR. THAT-- I-- 138 00:06:11,433 --> 00:06:13,033 ( stammers ) WE DO A LIGHT LAYER 139 00:06:13,100 --> 00:06:15,100 TO MAKE IT POP. YOU KNOW. 140 00:06:15,166 --> 00:06:17,166 I'M SORRY, BUT LET'S DO IT NEXT WEEK. 141 00:06:17,233 --> 00:06:19,100 THEY'RE ONLY GONNA BE IN TOWN THIS WEEK. 142 00:06:19,166 --> 00:06:21,166 THIS WEEK. SHOOT. 143 00:06:21,233 --> 00:06:23,166 WELL, YOU KNOW, 144 00:06:23,233 --> 00:06:25,200 IT'S MY OWN EPISODE. 145 00:06:25,266 --> 00:06:27,367 ( clears throat ) YOU HATE ME? 146 00:06:29,066 --> 00:06:31,266 - I'M A BAD WIFE? - MM-HMM. 147 00:06:32,233 --> 00:06:34,066 ( chuckles ) 148 00:06:34,133 --> 00:06:36,633 TRACY AND HEPBURN. ( giggles ) 149 00:06:36,700 --> 00:06:39,567 WE'LL JUST USE THIS FOR THE BAR AND THEN WE'LL GO TO-- 150 00:06:39,633 --> 00:06:42,266 I THINK THERE'S GONNA BE TOO MANY PEOPLE IN THAT AREA. 151 00:06:42,333 --> 00:06:45,133 - AND I THINK WE SHOULD HAVE AT LEAST JUNA-- - LET'S DO IT. 152 00:06:45,200 --> 00:06:47,433 WELL, I THINK I KNOW THAT GUY RIGHT THERE. 153 00:06:47,500 --> 00:06:49,633 VALERIE, IT'S SO GOOD SEE YOU. 154 00:06:49,700 --> 00:06:53,066 - OH, WAGNER. OH! - MICKEY, HOW ARE YOU? 155 00:06:53,133 --> 00:06:55,200 SAME AS EVER, WAGNER-- 156 00:06:55,266 --> 00:06:58,500 TOO TIRED TO KEEP GOING AND TOO CRAZY TO STOP. 157 00:07:00,300 --> 00:07:03,133 - OH, GREAT. - YOU CERTAINLY HAVE YOUR WORK CUT OUT FOR YOU, VALERIE. 158 00:07:03,200 --> 00:07:04,633 DON'T I KNOW IT? DON'T I KNOW IT? 159 00:07:04,700 --> 00:07:07,667 I HOPE I'M UP TO TOM AND PAULIE G'S MAGICAL WORDS. 160 00:07:07,734 --> 00:07:09,033 IS THIS A CURRENT SCRIPT? 161 00:07:09,100 --> 00:07:11,166 'CAUSE I DON'T HAVE PAULIE G'S NAME ON IT. 162 00:07:11,233 --> 00:07:13,433 WELL, THAT'S WEIRD. 163 00:07:13,500 --> 00:07:17,867 WHO IS "BOYD DUZSHESUCK"? 164 00:07:17,934 --> 00:07:19,100 WHAT IS THAT? 165 00:07:19,166 --> 00:07:21,000 "BOYD DUZSHESUCK"? 166 00:07:21,066 --> 00:07:23,934 - WHO'S BOYD DUZSHESUCK? - Tom: OH, NO NO NO. 167 00:07:24,000 --> 00:07:25,900 THAT'S JUST PAULIE G PLAYING A DUMB JOKE. 168 00:07:25,967 --> 00:07:28,600 IT WAS ACTUALLY A WRITERS' ROOM GAG JOKE. 169 00:07:28,667 --> 00:07:30,500 ACTUALLY, I CAN GET YOU THE RIGHT SCRIPT. 170 00:07:30,567 --> 00:07:32,433 IT WASN'T ANYTHING THE NETWORK SAW, 171 00:07:32,500 --> 00:07:37,200 - SO IT WAS ONLY AMONG US... - ALL RIGHT, WELL, THAT'S GOOD. 172 00:07:37,266 --> 00:07:39,967 - ...NUTTY WRITERS. - ALL RIGHT, 'CAUSE THAT WOULD BE 173 00:07:40,033 --> 00:07:42,000 EMBARRASSING FOR YOU, IF-- YEAH. 174 00:07:42,066 --> 00:07:44,767 - IT'S A FUN GROUP, THOUGH, HERE, WAGNER. - REALLY? 175 00:07:44,834 --> 00:07:46,900 AND THESE GUYS, THEY ALL WENT TO HARVARD, IF YOU CAN BELIEVE THAT. 176 00:07:46,967 --> 00:07:49,667 - REALLY? - YEAH. DON'T WORRY, I'M GONNA GET PAULIE BACK. 177 00:07:49,734 --> 00:07:52,500 WHEN HE COMES DOWN HERE, HE'D BETTER WATCH OUT. 178 00:07:52,567 --> 00:07:56,066 - ACTUALLY, HE'S NOT COMING TO THE RUN-THROUGH TODAY. - UH-HUH. 179 00:07:57,433 --> 00:07:58,900 - YEAH, WELL... - OKAY. 180 00:07:58,967 --> 00:08:01,367 ...THEN I GUESS HE'S NOT COMING. 181 00:08:01,433 --> 00:08:03,467 YEAH, JANE, HERE IT IS. 182 00:08:03,533 --> 00:08:05,633 WAGNER ALWAYS BRINGS PICTURES OF HIS KIDS IN. 183 00:08:05,700 --> 00:08:08,033 - MICKEY, YOU REMEMBER THAT? - OH, DO I EVER. 184 00:08:08,100 --> 00:08:10,500 - WELL, ACTUALLY, THESE ARE MY SON'S KIDS. - OH. 185 00:08:10,567 --> 00:08:12,600 I LIKE TO KEEP THE FAMILY AROUND 186 00:08:12,667 --> 00:08:15,266 - TO REMIND ME WHAT I'M DOING ALL THIS FOR. - REAL IMPORTANT. 187 00:08:15,333 --> 00:08:17,333 - KEEP YOUR PRIORITIES STRAIGHT. - YEAH. 188 00:08:17,400 --> 00:08:21,033 YEAH, 'CAUSE YOUR WHOLE LIFE COULD GET EATEN UP BY SHOW BUSINESS, RIGHT? 189 00:08:21,100 --> 00:08:23,600 - YOU KNOW I TOOK SOME TIME OFF RECENTLY. - NO, I DIDN'T KNOW. 190 00:08:23,667 --> 00:08:25,500 THIS IS THE FIRST ONE OF THESE JOBS 191 00:08:25,567 --> 00:08:27,734 I'VE TAKEN IN ALMOST TWO YEARS. 192 00:08:27,800 --> 00:08:29,734 - IT IS? - YEAH YEAH. 193 00:08:29,800 --> 00:08:32,467 CAROL AND I SPLIT UP. 194 00:08:32,533 --> 00:08:35,033 SHE STARTED DRINKING, AND SHE STARTED HITTING ME. 195 00:08:35,100 --> 00:08:37,100 THAT'S WHEN I SAID, "ENOUGH." 196 00:08:37,166 --> 00:08:38,800 WELL... 197 00:08:38,867 --> 00:08:41,100 SOUNDS LIKE YOU'RE READY TO HAVE A LITTLE FUN. 198 00:08:41,166 --> 00:08:42,467 - RIGHT. - OKAY. 199 00:08:42,533 --> 00:08:44,600 OKAY, LET'S JUST DIVE IN AND DO THE BAR SCENE. 200 00:08:44,667 --> 00:08:47,100 WELL, I WAS KINDA HOPING WE COULD DO THE CLOSET SCENE. 201 00:08:47,166 --> 00:08:51,233 - LET'S DO THE CLOSET SCENE. - 'CAUSE I WAS THINKING WITH THOSE BEAD CURTAINS THERE, 202 00:08:51,300 --> 00:08:54,400 IT WOULD BE REAL FUN IF I COULD GET ALL TANGLED UP AND CAUGHT IN THEM. 203 00:08:54,467 --> 00:08:58,033 - LOVE IT, LOVE IT. - WAGNER, WOULD YOU LIKE TO ORDER LUNCH BEFORE WE START? 204 00:08:58,100 --> 00:08:59,967 OH, SURE. YOU KNOW WHAT I LOVE IS THE SALMON 205 00:09:00,033 --> 00:09:02,033 THAT THEY DO AT THIS LITTLE PLACE AROUND THE CORNER. 206 00:09:02,100 --> 00:09:04,767 - IT'S SO LIGHT. - I WAS GONNA ORDER PIZZA. 207 00:09:04,834 --> 00:09:07,100 - HEY, PIZZA IT IS. - GREAT. 208 00:09:07,166 --> 00:09:09,500 Valerie: JANE? JANE, ARE YOU FRAMED UP ON THE CURTAINS? 209 00:09:09,567 --> 00:09:12,734 - 'CAUSE YOU ARE NOT GONNA WANT TO MISS THIS SHOT. - Jane: YEP. 210 00:09:12,800 --> 00:09:14,633 OKAY, READY? 211 00:09:14,700 --> 00:09:18,100 - ( Peter gasps ) - ( giggles ) 212 00:09:18,166 --> 00:09:19,467 VOGUE VOGUE VOGUE VOGUE VOGUE 213 00:09:19,533 --> 00:09:22,100 - VOGUE VOGUE. - Peter: VALERIE, THAT IS LOOKING GOOD. 214 00:09:22,166 --> 00:09:23,900 AUNT SASSY IS DEFINITELY ON THE PROWL. 215 00:09:23,967 --> 00:09:26,667 MICKEY, LOOK AT THIS. AUNT SASSY'S GOT BACK. 216 00:09:26,734 --> 00:09:28,834 HUH, A LITTLE JUNK IN THE TRUNK? 217 00:09:28,900 --> 00:09:31,900 - Peter: A LITTLE JUNK IN THE TRUNK. UH-UH. - PETER, DOLL, 218 00:09:31,967 --> 00:09:35,300 I HOPE YOU DON'T MIND, BUT I WAS DIGGING THROUGH MY CLOSET AT HOME, 219 00:09:35,367 --> 00:09:38,500 AND LOOK WHAT I FOUND. I WORE IT ON "KNIGHT RIDER." 220 00:09:38,567 --> 00:09:41,100 - OH MY GOD, IT'S FABULOUS. - UH-HUH, ISN'T IT? 221 00:09:41,166 --> 00:09:43,834 - MICKEY, WHAT DO YOU THINK? - I LOVE A LEATHER ANYTHING. 222 00:09:43,900 --> 00:09:45,533 YEAH. WELL, YEAH. 223 00:09:45,600 --> 00:09:47,033 SO I THOUGHT THIS COULD BE GREAT 224 00:09:47,100 --> 00:09:48,967 IN THAT SCENE IN AUNT SASSY'S CLOSET. 225 00:09:49,033 --> 00:09:51,600 WE SHOULD JUST FILL IT UP WITH ALL KINDS OF FUN STUFF. 226 00:09:51,667 --> 00:09:53,200 VAL, THERE YOU ARE. 227 00:09:53,266 --> 00:09:56,500 OH MY GOD, VAL. WOW WOW WOW! 228 00:09:56,567 --> 00:09:58,567 ALL I CAN SAY IS "WOW!" 229 00:09:58,633 --> 00:10:01,867 - AW, BABY GIRL. - I THOUGHT I HAD BIG NEWS, 230 00:10:01,934 --> 00:10:04,333 BUT THAT LEATHER JACKET IS THE ONLY THING TO TALK ABOUT IN HERE. 231 00:10:04,400 --> 00:10:07,300 - SHE WORE IT ON "KNIGHT RIDER." - WOW! 232 00:10:07,367 --> 00:10:09,100 AND I JUST SAW ONE LIKE IT ON MELROSE. 233 00:10:09,166 --> 00:10:11,800 - OH, REALLY? WOW! - YEAH. 234 00:10:11,867 --> 00:10:15,500 WELL, THAT'S ENOUGH ABOUT ME, Y'ALL. WHAT'S YOUR NEWS? 235 00:10:15,567 --> 00:10:17,066 OKAY... 236 00:10:17,133 --> 00:10:19,700 THIS MIGHT BE A LITTLE LAME TO BE SO EXCITED ABOUT, 237 00:10:19,767 --> 00:10:21,800 BUT LOOK, MY CD CAME OUT. 238 00:10:21,867 --> 00:10:24,400 OOH, GIRL CHILD, NOW YOU HAVE TO SIGN THAT ONE FOR ME. 239 00:10:24,467 --> 00:10:26,533 THEN I'LL SLAP IT ON, AND WE'LL GET A LITTLE JUNA IN THE AIR. 240 00:10:26,600 --> 00:10:28,033 OH, YEAH, YOU GOT A PEN? 241 00:10:28,100 --> 00:10:30,100 - I DO. - Juna: OKAY. 242 00:10:30,166 --> 00:10:31,667 - HERE YOU GO. - IT'S FABULOUS. 243 00:10:31,734 --> 00:10:33,266 THANK YOU SO MUCH. 244 00:10:33,333 --> 00:10:36,867 - IT DROPS AT THE END OF THE MONTH, SO WE'RE-- - I'M SORRY? 245 00:10:36,934 --> 00:10:38,967 IT DROPS. IT'S AVAILABLE IN THE STORES. 246 00:10:39,033 --> 00:10:42,100 - OH, GOT IT, YEAH. - SO TO PROMO IT, 247 00:10:42,166 --> 00:10:44,734 WE'RE DOING A SHOW AT THE VIPER ROOM THIS WEDNESDAY NIGHT, 248 00:10:44,800 --> 00:10:46,834 AND I WANT YOU ALL TO COME-- MY GUESTS. 249 00:10:46,900 --> 00:10:49,700 - GET OUT YOUR DANCING SHOES. - YES, HONEY! 250 00:10:49,767 --> 00:10:52,367 WELL, MICKEY, DARLING, NO CAN DO. 251 00:10:52,433 --> 00:10:55,433 WE'RE-- YOU'RE HMM-HMMING MY HAIR THAT NIGHT, 252 00:10:55,500 --> 00:10:57,133 AND I'M GOING OVER MY LINES. 253 00:10:57,200 --> 00:10:59,700 OH, NO, VAL, YOU HAVE TO COME. 254 00:10:59,767 --> 00:11:01,367 WE'RE OPENING FOR CAKE. 255 00:11:01,433 --> 00:11:03,734 - I DON'T-- - IT'S A BAND. 256 00:11:03,800 --> 00:11:05,200 GOTCHA. 257 00:11:05,266 --> 00:11:06,934 YEAH, I MEAN, EVERYONE'S COMING. 258 00:11:07,000 --> 00:11:09,266 JANE, TELL HER SHE HAS TO COME. 259 00:11:09,333 --> 00:11:11,233 IT'LL BE GREAT FOR THE REALITY SHOW. 260 00:11:11,300 --> 00:11:13,233 I MEAN, VAL AT THE VIPER ROOM? 261 00:11:13,300 --> 00:11:15,767 - WHAT COULD BE BETTER THAN THAT? - Jane: IT'D BE GREAT. 262 00:11:15,834 --> 00:11:18,734 YEAH. ALL RIGHT, MICKEY, MAYBE WE CAN HMM-HMM EARLIER? 263 00:11:18,800 --> 00:11:20,633 - SURE SURE. - YES! 264 00:11:20,700 --> 00:11:23,567 - ALL RIGHT, GOING TO THE VIPER ROOM! - VIPER ROOM, HONEY. 265 00:11:23,633 --> 00:11:25,667 THIS COMEBACK'S GOING TO THE VIPER ROOM. 266 00:11:25,734 --> 00:11:27,633 - GET READY TO ROCK. - I WILL. 267 00:11:27,700 --> 00:11:29,500 FRANCHESCA, BABY, GRAB A BUN. 268 00:11:29,567 --> 00:11:32,867 THAT'S OKAY, DADDY. I DON'T WANT THE BUN. I'M DOING ATKINS. 269 00:11:32,934 --> 00:11:34,600 - OH MY GOD. - MARK? 270 00:11:34,667 --> 00:11:36,367 - I DON'T KNOW. - ( cell phone ringing ) 271 00:11:36,433 --> 00:11:38,233 YOU DON'T NEED TO BE DOING ATKINS. HERE. 272 00:11:38,300 --> 00:11:41,700 WHOOPS. HELLO? THANK YOU. 273 00:11:41,767 --> 00:11:44,667 - Sharon: Hi, Valerie. It's Sharon. - HI, DOLL. 274 00:11:44,734 --> 00:11:46,000 HI, WHAT'S UP? 275 00:11:46,066 --> 00:11:48,367 I have another list of names as fallbacks 276 00:11:48,433 --> 00:11:50,900 for Tom Selleck. 277 00:11:50,967 --> 00:11:53,166 IF WE NEED A FALLBACK. I SPOKE WITH HIS ASSISTANT. 278 00:11:53,233 --> 00:11:55,734 I'M STILL WAITING FOR TOM TO CALL ME BACK, BUT... 279 00:11:55,800 --> 00:11:57,300 Great. 280 00:11:57,367 --> 00:11:59,767 Okay, there's Jerry Stiller, Wallace Shawn, 281 00:11:59,834 --> 00:12:01,700 Robert Loggia. 282 00:12:01,767 --> 00:12:03,700 HONEY, COME ON, WE'RE TRYING TO EAT. 283 00:12:03,767 --> 00:12:06,533 I'M HAVING DINNER, SO I'M JUST GONNA HOP OFF. 284 00:12:06,600 --> 00:12:08,533 OKAY, DEAR. BYE. 285 00:12:08,600 --> 00:12:10,900 WELL, THEY ARE WAY OFF TRACK. 286 00:12:10,967 --> 00:12:13,200 I THOUGHT YOU SAID "NO WORK CALLS DURING DINNER." 287 00:12:13,266 --> 00:12:16,633 I HAD TO TAKE THAT ONE. DID YOU HEAR THAT LIST SHE WAS PUTTING TOGETHER? 288 00:12:16,700 --> 00:12:20,133 WELL, IT'S YOUR RULE SO WE COULD SPEND A LITTLE UNINTERRUPTED TIME TOGETHER. 289 00:12:20,200 --> 00:12:24,233 THAT'S RIGHT, YES. YOU KNOW WHAT I WAS THINKING THAT MIGHT BE REALLY FUN? 290 00:12:24,300 --> 00:12:27,467 JUNA'S BAND IS PLAYING AT THE VIPER ROOM ON WEDNESDAY NIGHT. 291 00:12:27,533 --> 00:12:29,066 WE SHOULD GO. IT COULD BE SO FUN. 292 00:12:29,133 --> 00:12:31,967 OH, I SEE. SO WHEN IT'S YOUR STUFF, 293 00:12:32,033 --> 00:12:33,900 YOU DON'T HAVE TO STAY IN. 294 00:12:33,967 --> 00:12:36,800 WELL, NO. 295 00:12:36,867 --> 00:12:38,500 MARK, NOT AT ALL. 296 00:12:38,567 --> 00:12:40,767 I WASN'T PLANNING ON GOING AT ALL. 297 00:12:40,834 --> 00:12:43,367 IT'S JUST-- EVERYBODY IS GONNA GO, 298 00:12:43,433 --> 00:12:45,367 AND I NEED TO SHOW SOME SUPPORT, YOU KNOW? 299 00:12:45,433 --> 00:12:46,900 AND I GUESS IT'S GOOD FOR "THE COMEBACK" 300 00:12:46,967 --> 00:12:49,033 'CAUSE JANE IS PRACTICALLY FORCING ME TO GO, 301 00:12:49,100 --> 00:12:51,133 SO I JUST THOUGHT THAT YOU'D-- 302 00:12:51,200 --> 00:12:53,834 WELL, YOU ARE, JANE, 303 00:12:53,900 --> 00:12:57,000 PRACTICALLY FORCING-- SO... 304 00:12:57,066 --> 00:12:59,266 ANYWAY, I THINK IT WOULD BE FUN, AND YOU LIKE MUSIC. 305 00:12:59,333 --> 00:13:01,734 ALL RIGHT, WELL, WE'LL GO TO DINNER 306 00:13:01,800 --> 00:13:03,633 AND THEN WE'LL GO THERE. 307 00:13:03,700 --> 00:13:07,433 WELL, BUT SEE, I MEAN, I STILL CAN'T GO TO DINNER. 308 00:13:07,500 --> 00:13:10,233 YOU KNOW, ABSOLUTELY NOT, MARK. 309 00:13:10,300 --> 00:13:13,367 I'M GONNA BE WORKING RIGHT UNTIL THE LAST MINUTE, OKAY, SO... 310 00:13:13,433 --> 00:13:16,767 BUT HOW ABOUT THIS? I MEET YOU AND YOUR FRIENDS THERE AT 10:00. 311 00:13:16,834 --> 00:13:19,967 OKAY. DO THEY NEED NAMES? IS THERE SOME SORT OF GUEST LIST? 312 00:13:20,033 --> 00:13:24,266 - PROBABLY, YEAH. I SHOULD WRITE THEM DOWN. - OKAY. 313 00:13:24,333 --> 00:13:25,734 JAKE BENVENUTI. 314 00:13:25,800 --> 00:13:27,967 "JAKE." HOW DO YOU SPELL THE LAST NAME? 315 00:13:28,033 --> 00:13:29,734 - B-E-N... - "B-E-N." 316 00:13:29,800 --> 00:13:33,100 - ...V-E-N. - SORRY, I THOUGHT YOU SAID "B-E-N." 317 00:13:33,166 --> 00:13:36,500 - I DID. - OKAY, "B-E-N..." 318 00:13:36,567 --> 00:13:38,333 V-E-N. 319 00:13:38,400 --> 00:13:41,967 IT MAY BE QUICKER IF YOU DO IT. 320 00:13:43,800 --> 00:13:46,600 AND ACTION. 321 00:13:46,667 --> 00:13:48,600 WOW, LOOK! 322 00:13:48,667 --> 00:13:50,900 SORRY, AUNT SASSY. 323 00:13:50,967 --> 00:13:52,800 THAT'S OKAY, CASSIE. 324 00:13:52,867 --> 00:13:55,333 THINK YOU MAY HAVE JUST SAVED ME A FORTUNE ON A CHEMICAL PEEL. 325 00:13:55,400 --> 00:13:57,367 ( laughing ) 326 00:13:57,433 --> 00:13:59,300 LOOK AT ALL THIS AWESOME STUFF! 327 00:13:59,367 --> 00:14:01,467 IT'S LIKE GOING BACK IN TIME. 328 00:14:01,533 --> 00:14:05,033 REALLY? THEN WHY ARE MY BOOBS STILL SAGGING? 329 00:14:05,100 --> 00:14:07,734 LOOK, TIGHT JEANS. 330 00:14:07,800 --> 00:14:09,600 THEY'RE PERFECT TO GET BIG DICK. 331 00:14:09,667 --> 00:14:13,400 WELL, I HAVEN'T HAD ANYTHING THAT TIGHT BELOW MY BELLY 332 00:14:13,467 --> 00:14:16,500 SINCE I WAS HALF-SWALLOWED BY THAT SNAKE ON SAFARI. 333 00:14:16,567 --> 00:14:19,166 ( crew laughs ) 334 00:14:19,233 --> 00:14:20,834 AREN'T SAFARIS EXPENSIVE? 335 00:14:20,900 --> 00:14:23,967 YEP, AND WORTH EVERY PENNY. 336 00:14:25,667 --> 00:14:28,333 WHAT'S THIS? 337 00:14:28,400 --> 00:14:31,333 I FORGOT I EVEN HAD THAT. IT'S MY BEAVER. 338 00:14:31,400 --> 00:14:33,867 ( crew laughs ) 339 00:14:33,934 --> 00:14:36,133 SO BIG. 340 00:14:36,200 --> 00:14:38,066 YOU HAVE A BIG BEAVER. 341 00:14:38,133 --> 00:14:40,066 ( crew laughs ) 342 00:14:40,133 --> 00:14:42,934 OH, I WISH I HAD A BIG BEAVER. 343 00:14:44,400 --> 00:14:48,033 WELL, NOW HOLD ON. NOT EVERY MAN LIKES A BIG BEAVER. 344 00:14:48,100 --> 00:14:50,266 COME ON, AUNT SASSY, 345 00:14:50,333 --> 00:14:52,900 WHAT MAN DOESN'T LIKE A BIG BEAVER? 346 00:14:54,200 --> 00:14:56,300 MY EX-HUSBAND. 347 00:14:58,166 --> 00:15:00,600 HE SAID MY BEAVER SCARED HIM. 348 00:15:03,600 --> 00:15:08,166 I THINK THAT BIG DICK WILL LOVE YOUR WARM FURRY BEAVER. 349 00:15:08,233 --> 00:15:10,467 JUNA, DON'T START. 350 00:15:10,533 --> 00:15:12,700 IT'S THAT FACE. 351 00:15:12,767 --> 00:15:14,433 THIS ONE? 352 00:15:14,500 --> 00:15:16,533 Wagner: KEEP GOING. KEEP GOING. 353 00:15:16,600 --> 00:15:18,333 - KEEP GOING. - BABY GIRL, BABY GIRL, 354 00:15:18,400 --> 00:15:20,300 ALL RIGHT, TELL ME ABOUT MY BIG BEAVER AGAIN. 355 00:15:20,367 --> 00:15:22,300 ( laughter ) 356 00:15:22,367 --> 00:15:24,467 BLOOPER BONANZA HERE. 357 00:15:29,066 --> 00:15:31,600 - TOM. - Tom: LADY BEAVER. 358 00:15:31,667 --> 00:15:34,934 WHAT'S GOING ON? 359 00:15:35,033 --> 00:15:38,333 - SO FUN TODAY. - GOD, THAT WAS SUCH A GOOD JOB. 360 00:15:38,400 --> 00:15:41,834 I DEFY ANYBODY THAT CAN MAKE FUN OF THEIR BEAVER BETTER THAN YOU. 361 00:15:41,900 --> 00:15:43,467 THAT IS A COMPLIMENT. 362 00:15:43,533 --> 00:15:45,934 - THANK YOU. - NO, I MEAN IT. 363 00:15:46,000 --> 00:15:49,834 GREAT, SO YOU'RE GONNA TELL PAULIE G, 364 00:15:49,900 --> 00:15:52,567 WHO'S M.I.A.-- MISSING IN ACTION. 365 00:15:52,633 --> 00:15:56,567 - UH... - IS HE OKAY PHYSICALLY? 366 00:15:56,633 --> 00:15:58,433 YEAH, HE'S FINE. 367 00:15:58,500 --> 00:16:01,633 NO, HE'S JUST... 368 00:16:01,700 --> 00:16:03,800 JUST NOT HERE. YEAH, OKAY, YEAH. 369 00:16:03,867 --> 00:16:07,133 - GOOD. ALL RIGHT, BUT YOU'LL TELL HIM THAT IT WENT WELL? - MM-HMM. 370 00:16:07,200 --> 00:16:10,467 JUST SO HE DOESN'T THINK HE NEEDS TO REWRITE ANYTHING. 371 00:16:10,533 --> 00:16:12,600 NO, HE DOESN'T EVEN CARE. 372 00:16:12,667 --> 00:16:14,667 HE'S COOL WITH WHATEVER I SAY. 373 00:16:14,734 --> 00:16:16,934 GREAT GREAT. GOOD. 374 00:16:17,000 --> 00:16:18,667 - OKAY. - YEAH. 375 00:16:18,734 --> 00:16:20,633 - NO, WE'RE GOLDEN. - GOLDEN. WE'RE GOLDEN. 376 00:16:20,700 --> 00:16:23,667 - ALL RIGHT. I'LL SEE YOU AT JUNA'S? - ROCK THE HOUSE. 377 00:16:23,734 --> 00:16:25,967 OKAY. 378 00:16:27,166 --> 00:16:29,033 I HAVE TO BE HONEST WITH YOU, BIG DICK, 379 00:16:29,100 --> 00:16:31,033 I HAVEN'T BEEN ON A DATE IN AWHILE. 380 00:16:31,100 --> 00:16:34,133 WELL, HOW LONG HAS IT BEEN EXACTLY? 381 00:16:34,200 --> 00:16:37,567 WELL, I'M NOT SURE. I'D HAVE TO CHECK THE CAVE DRAWING. 382 00:16:37,633 --> 00:16:40,567 ( mimics Texan accent ) MISS SASSY, AS FAR AS I CAN TELL, 383 00:16:40,633 --> 00:16:42,533 YOU HAVEN'T LOST YOUR TOUCH. 384 00:16:42,600 --> 00:16:45,800 I DON'T THINK YOU SHOULD DO THE ACCENT. IT'S THROWING ME OFF. 385 00:16:45,867 --> 00:16:49,367 TOM MIGHT DO A DIFFERENT ACCENT, THAT'S ALL. 386 00:16:49,433 --> 00:16:52,166 WHAT DO YOU THINK? SHOULD I CALL HIS ASSISTANT AGAIN OR-- 387 00:16:52,233 --> 00:16:54,367 NAH, HE'LL CALL. 388 00:16:56,567 --> 00:16:59,266 WHAT'S THIS? 389 00:16:59,333 --> 00:17:02,066 OH, THAT'S YOUR ROBERT? 390 00:17:02,133 --> 00:17:05,033 OH MY GOSH. I DIDN'T EVEN RECOGNIZE HIM. 391 00:17:05,100 --> 00:17:09,033 - HOW OLD IS THIS PICTURE? - IN CASE YOU DON'T GET SELLECK. 392 00:17:10,166 --> 00:17:11,400 WELL... 393 00:17:11,467 --> 00:17:15,100 ALL THESE YEARS, I'VE NEVER ASKED, RED. 394 00:17:16,667 --> 00:17:18,633 NOW I KNOW. I THINK, YOU KNOW,... 395 00:17:18,700 --> 00:17:21,667 THEY REALLY WANNA GET A NAME. 396 00:17:23,100 --> 00:17:26,100 - WELL, KEEP HIM IN MIND. - OKAY. 397 00:17:26,166 --> 00:17:29,066 - HE'S PERFECT FOR THE ROLE OF BIG DICK... - MM-HMM. 398 00:17:29,133 --> 00:17:31,934 ...IF YOU GET MY DRIFT. 399 00:17:35,467 --> 00:17:38,000 ( whispering ) YOU KNOW THAT OVERHEAD CAMERA? 400 00:17:38,066 --> 00:17:40,200 IT'S PROBABLY ON. 401 00:17:41,734 --> 00:17:44,633 ( rock music playing ) 402 00:17:44,700 --> 00:17:48,133 Jane: EXCUSE ME, EXCUSE ME. PARDON. THANK YOU SO MUCH. 403 00:17:48,200 --> 00:17:50,166 Valerie: THANKS, JANE. THANKS. 404 00:17:50,233 --> 00:17:53,834 UH-OH, JUST DON'T WANT ANYONE TO SPILL ON THIS COAT, 405 00:17:53,900 --> 00:17:57,033 'CAUSE IT'S IN THE SHOW FRIDAY, RIGHT? 406 00:17:58,500 --> 00:18:01,867 PAULIE G, YO! 407 00:18:03,100 --> 00:18:05,233 HEY, STRANGER. HELLO! 408 00:18:05,300 --> 00:18:07,633 BEEN MISSING YOU IN THE CLUBHOUSE. 409 00:18:09,033 --> 00:18:11,867 SO MR. TOM SELLECK IS INTERESTED. 410 00:18:11,934 --> 00:18:14,700 PERSONAL FAVOR. I KNOW HIM. 411 00:18:14,767 --> 00:18:17,433 - "MAGNUM P.I." - THAT'S RIGHT. THAT'S RIGHT. 412 00:18:17,500 --> 00:18:21,367 YEAH, REAL FUN SCRIPT. BRAVO. 413 00:18:21,433 --> 00:18:23,400 I DIDN'T WRITE IT. 414 00:18:24,800 --> 00:18:26,533 WELL... 415 00:18:26,600 --> 00:18:29,233 FUN CROWD, HUH? 416 00:18:29,300 --> 00:18:33,667 MY HUSBAND'S HERE. HE'S GETTING US DRINKS. 417 00:18:33,734 --> 00:18:37,033 - SO WONDER WHEN JUNA'S BAND-- - YO, MAN, WHAT'S UP? 418 00:18:37,100 --> 00:18:41,000 Peter: VALERIE, VALERIE! 419 00:18:41,867 --> 00:18:44,333 IS THAT PETER? PETER. 420 00:18:44,400 --> 00:18:46,033 VALERIE, HEY, GIRL. 421 00:18:46,100 --> 00:18:48,133 Woman: HEY, CATHY! 422 00:18:48,200 --> 00:18:51,467 SOMEONE'S GONNA SPILL. I JUST KNOW IT. 423 00:18:51,533 --> 00:18:53,900 - HERE YA GO, BABE. - THANK YOU. WHAT IS THIS? 424 00:18:53,967 --> 00:18:55,800 RED BULL AND VODKA. 425 00:18:55,867 --> 00:18:57,700 I ASKED FOR WHITE WINE. 426 00:18:57,767 --> 00:19:00,967 - VAL, IT'S A ROCK CLUB. JUST GO WITH THE FLOW. - OKAY. 427 00:19:01,033 --> 00:19:03,166 THIS GUY LOOKS LIKE HE'S ALL BUSINESS, 428 00:19:03,233 --> 00:19:06,100 BUT YOU GET HIM OUT OF THE OFFICE AND HE'S WILD! 429 00:19:06,166 --> 00:19:07,567 - IS HE? - Woman: YEAH. 430 00:19:07,633 --> 00:19:09,767 VAL, YOU BETTER DRINK THAT. YOU'LL NEED THE KICK. 431 00:19:09,834 --> 00:19:13,867 THE BARTENDER TOLD ME THAT THEY DON'T EVEN BEGIN UNTIL 11:30. 432 00:19:13,934 --> 00:19:16,533 HEY, THIS IS PRETTY GOOD. 433 00:19:16,600 --> 00:19:19,233 ? EVERYONE IS OUT TO GET YA ? 434 00:19:19,300 --> 00:19:22,033 ? DON'T GIVE IN, DON'T LET GO ? 435 00:19:22,100 --> 00:19:24,700 ? FACE UP TO THE WAVE THAT BREAKS YOU ? 436 00:19:24,767 --> 00:19:26,467 ? BE WHAT YOU KNOW, TO-TO BE BOLD ? 437 00:19:26,533 --> 00:19:29,834 ? DON'T KNOW WHAT'S BUILDING UP INSIDE ? 438 00:19:29,900 --> 00:19:32,734 ? BUT I CAN FEEL IT IN MY VEINS ? 439 00:19:32,800 --> 00:19:35,500 ? I NEED TO FLY AWAY ? 440 00:19:37,700 --> 00:19:41,767 ? FREE ME ? 441 00:19:41,834 --> 00:19:45,467 ? TO BE ? 442 00:19:45,533 --> 00:19:47,800 ? ANYTHING I WANT, ANYTHING I FEEL... ? 443 00:19:47,867 --> 00:19:50,000 MARK, MARK-- THE CAMERA. 444 00:19:50,066 --> 00:19:52,867 - OH, FUCK THE CAMERA. - WELL, I'M WORKING. 445 00:19:52,934 --> 00:19:55,300 ? MY SOUL... ? 446 00:19:55,367 --> 00:19:57,133 JANE, WOULD YOU LIKE TO DANCE? 447 00:19:57,200 --> 00:19:58,967 MARK, NO, SHE WOULD NOT LIKE TO DANCE. 448 00:19:59,033 --> 00:20:01,300 SHE'S WORKING TOO. 449 00:20:01,367 --> 00:20:04,333 JUST GIVE US A FEW MINUTES, AND THEN WE'LL PLAY, ALL RIGHT? 450 00:20:04,400 --> 00:20:06,533 ? TO BE ? 451 00:20:06,600 --> 00:20:11,367 ? ANYTHING I WANT, ANYTHING I FEEL... ? 452 00:20:11,433 --> 00:20:14,934 VALERIE CHERISH, LOOKIN' HOT! 453 00:20:15,000 --> 00:20:18,300 ? FREE ? 454 00:20:31,100 --> 00:20:35,600 ? FREE ME ? 455 00:20:35,667 --> 00:20:38,467 ? TO BE ? 456 00:20:38,533 --> 00:20:42,100 ? ANYTHING I WANT, ANYTHING I FEEL. ? 457 00:20:50,300 --> 00:20:52,600 FUCKING RED BULL! 458 00:20:52,667 --> 00:20:54,767 I GOTTA BE UP IN LIKE TWO HOURS. 459 00:20:54,834 --> 00:20:57,533 - THIS IS COMPLETELY FUCKED! - YEAH, I KNOW. 460 00:20:57,600 --> 00:20:59,500 LISTEN, MARK, LISTEN. 461 00:20:59,567 --> 00:21:01,567 I KNOW-- I JUST WANNA TELL YOU, 462 00:21:01,633 --> 00:21:04,967 OKAY, I KNOW I HAVEN'T BEEN COMPLETELY PRESENT THIS WEEK OR AT ALL, 463 00:21:05,033 --> 00:21:07,000 BUT, YOU KNOW, I'M AN ACTRESS. 464 00:21:07,066 --> 00:21:10,367 PEOPLE THINK THAT IT'S ALL JUST GLAMOUR AND PREMIERES AND GLAMOUR. 465 00:21:10,433 --> 00:21:12,900 THEY DON'T KNOW THAT THERE'S A LOT MORE TO IT THAN THAT. 466 00:21:12,967 --> 00:21:15,934 NOT TO SAY THAT YOU'RE ONE OF THOSE PEOPLE, 'CAUSE I KNOW YOU'RE NOT. 467 00:21:16,000 --> 00:21:17,900 WHAT I MEAN TO SAY, IF YOU CAN FOLLOW AT ALL 468 00:21:17,967 --> 00:21:20,567 WHAT I'M TRYING TO SAY, IS THAT IT'S JUST A LOT OF PRESSURE 469 00:21:20,633 --> 00:21:23,033 AND RESPONSIBILITY FOR THE SHOW. 470 00:21:23,100 --> 00:21:26,934 AND WHEN IT'S YOUR SHOW, 29 PAGES OF IT, EVERY SCENE BUT THREE, 471 00:21:27,000 --> 00:21:29,934 THEN I DON'T KNOW WHERE THAT LEAVES US EXACTLY. 472 00:21:30,000 --> 00:21:33,233 I'M SORRY. I DON'T. I JUST KNOW THAT I HAVEN'T BEEN PRESENT, 473 00:21:33,300 --> 00:21:37,166 - AND I DROVE YOU INTO THE ARMS OF ANOTHER WOMAN TONIGHT. - OH, COME ON. NO. 474 00:21:37,233 --> 00:21:40,300 - I WAS JUST DANCING WITH HER. - DIRTY DANCING. 475 00:21:40,367 --> 00:21:42,266 AND I KNOW YOU THINK SHE'S ATTRACTIVE. 476 00:21:42,333 --> 00:21:45,800 - 'CAUSE SHE IS. SHE'S AN ATTRACTIVE WOMAN. - WITH A FLAT ASS. 477 00:21:45,867 --> 00:21:48,800 - AND YOU FELT HER ASS. - OH GOD, COME-- 478 00:21:48,867 --> 00:21:50,800 ALL RIGHT, ALL RIGHT, ALL RIGHT, I GIVE UP, OKAY? 479 00:21:50,867 --> 00:21:53,300 IF YOU'RE GONNA LEAVE ME, THERE'S NOTHING I CAN DO ABOUT THAT. 480 00:21:53,367 --> 00:21:56,467 - JUST NOT THIS WEEK. NOT THIS WEEK. - VAL, VAL. 481 00:21:56,533 --> 00:21:58,667 COME ON. 482 00:21:59,767 --> 00:22:02,367 ALL RIGHT, YOU'RE NOT LEAVING. 483 00:22:02,433 --> 00:22:04,367 ALL RIGHT. GOOD GOD. 484 00:22:04,433 --> 00:22:06,367 PROBABLY JUST THE RED BULL TALKING, RIGHT? 485 00:22:06,433 --> 00:22:09,166 WHAT IS IN THAT STUFF? I CAN'T EVEN BLINK. 486 00:22:09,233 --> 00:22:11,700 MY HEAD'S BUZZING. IT'S JUST BUZZING. 487 00:22:11,767 --> 00:22:14,900 - IT REMINDS ME OF THE TIME WE DID COKE. - UH-HUH? 488 00:22:17,266 --> 00:22:19,300 ( sighs ) GREAT. 489 00:22:19,367 --> 00:22:21,834 ALL RIGHT. JANE? NO. 490 00:22:21,900 --> 00:22:24,467 ABSOLUTELY NOT. NO. 491 00:22:24,533 --> 00:22:27,133 - DOES THAT EVEN WORK? - WELL... 492 00:22:27,200 --> 00:22:30,066 FUCK. 493 00:22:30,133 --> 00:22:32,600 - WHAT ARE YOU DOING? - WHAT DO YOU THINK I'M DOING? 494 00:22:32,667 --> 00:22:36,066 - YOU CAN'T. - I CAN'T HAVE THAT THING I SAID 495 00:22:36,133 --> 00:22:38,200 - ABOUT US DOING COKE ON TAPE. - YOU JUST SAID IT AGAIN. 496 00:22:38,266 --> 00:22:40,567 - YOU SAID IT JUST NOW. - JESUS, NOW I GOTTA BREAK IT. 497 00:22:40,633 --> 00:22:43,233 OH, MARK, NO, LOOK, THAT'S AN EXPENSIVE CAMERA. 498 00:22:43,300 --> 00:22:46,600 I'LL WRITE THEM A CHECK. AGGH! 499 00:22:46,667 --> 00:22:50,700 - Valerie: OH! - ( Mark grunts ) 500 00:22:53,033 --> 00:22:54,967 READY FOR A LONG DAY? 501 00:22:55,033 --> 00:22:57,033 IN ALMOST EVERY SCENE. 502 00:22:57,100 --> 00:22:59,066 WHERE IS EVERYBODY? 503 00:22:59,133 --> 00:23:01,166 EDDIE, WHERE'S EVERYBODY? 504 00:23:01,233 --> 00:23:03,367 UM... 505 00:23:08,467 --> 00:23:10,900 OH, HEY, VALERIE. 506 00:23:10,967 --> 00:23:13,333 HEY, WHAT'S GOING ON? 507 00:23:13,400 --> 00:23:15,166 DID SOMEONE DIE? 508 00:23:15,233 --> 00:23:17,767 NO, NO. 509 00:23:17,834 --> 00:23:19,834 NO. 510 00:23:19,900 --> 00:23:21,867 I'VE GOT SOME... 511 00:23:21,934 --> 00:23:23,667 NOT-SO-GREAT NEWS. 512 00:23:23,734 --> 00:23:26,433 THE NETWORK IS SHUTTING US DOWN. 513 00:23:26,500 --> 00:23:29,033 THEY FEEL THE SHOW IS GOING IN THE WRONG DIRECTION, 514 00:23:29,100 --> 00:23:32,934 SO THEY'RE JUST GONNA GIVE US ANOTHER COUPLE OF WEEKS TO RETOOL. 515 00:23:34,467 --> 00:23:36,734 - WOW. OKAY. - MM-HMM, YEAH. 516 00:23:36,800 --> 00:23:39,767 TOM SELLECK IS GONNA CALL ANY MINUTE. 517 00:23:39,834 --> 00:23:42,000 WERE THEY INFORMED OF THAT? 518 00:23:43,934 --> 00:23:46,367 - MM-MM. - OKAY, ALL RIGHT. 519 00:23:46,433 --> 00:23:50,000 SO WHEN WE COME BACK, WE'LL DO THE "SASSY" EPISODE THEN? 520 00:23:50,066 --> 00:23:51,934 ACTUALLY, THE NETWORK, 521 00:23:52,000 --> 00:23:55,000 THEY DIDN'T RESPOND SO WELL TO THE "SASSY" EPISODE. 522 00:23:55,066 --> 00:23:57,667 SO WE'RE ACTUALLY JUST NOT GONNA DO IT AT ALL. 523 00:23:57,734 --> 00:23:59,867 SHUTDOWN! 524 00:24:04,567 --> 00:24:06,633 TOLD YA. 525 00:24:07,500 --> 00:24:09,700 ( clears throat ) 526 00:24:09,767 --> 00:24:12,800 THAT WAS HELPFUL. ( chuckles ) 527 00:24:13,900 --> 00:24:16,433 SO... OKAY. WHAT-- 528 00:24:16,500 --> 00:24:19,133 WHAT WAS THEIR PROBLEM WITH THE EPISODE? 529 00:24:19,200 --> 00:24:21,367 YEAH, IT'S NOT IMPORTANT. 530 00:24:21,433 --> 00:24:24,033 IT WAS SO FUNNY, YOU KNOW? 531 00:24:24,100 --> 00:24:26,500 I CAN'T IMAGINE WHAT THEIR PROBLEM WOULD BE WITH IT. 532 00:24:26,567 --> 00:24:28,900 I'M A BIG GIRL. YOU CAN TELL ME 533 00:24:29,000 --> 00:24:30,967 EXACTLY WHAT THEY SAID. 534 00:24:34,133 --> 00:24:37,200 WELL, THEY SAID IT WAS LIKE 535 00:24:37,266 --> 00:24:39,867 "'SEX AND THE CITY' MEETS 'COCOON.'" 536 00:24:42,767 --> 00:24:46,400 - YOU ASKED. - YES YES, I DID. 537 00:24:47,500 --> 00:24:50,600 SURE DID. OKAY. ALL RIGHT, WELL, 538 00:24:50,667 --> 00:24:54,200 - THEN I GUESS IT'S BACK TO THE DRAWING BOARD. - MM-HMM, YEAH. 539 00:24:54,266 --> 00:24:56,100 THE "ROOM AND BORED" DRAWING BOARD. 540 00:24:56,166 --> 00:24:58,300 - THAT'S RIGHT. - YEAH. 541 00:24:59,734 --> 00:25:02,100 OKAY, WELL, I'LL SEE YOU SOON. 542 00:25:02,166 --> 00:25:04,533 OKAY, GOOD. 543 00:25:05,734 --> 00:25:07,867 OKAY. 544 00:25:09,467 --> 00:25:12,133 POOR GUY, YOU KNOW? 545 00:25:12,200 --> 00:25:14,200 TOUGH ROAD AHEAD OF HIM. 546 00:25:14,266 --> 00:25:16,133 THAT'S TV FOR YA. 547 00:25:16,200 --> 00:25:18,200 IF IT AIN'T BROKE, THEN BREAK IT, 548 00:25:18,266 --> 00:25:20,066 AND THEN FIX IT. 549 00:25:20,133 --> 00:25:23,233 YOU KNOW? IT'S HAPPENED SO MANY TIMES. 550 00:25:23,300 --> 00:25:25,333 SOME OF THE CLASSIC SHOWS TOO, 551 00:25:25,400 --> 00:25:28,300 WHERE THEY SHUT THEM DOWN AND THEN RETOOLED, SO-- 552 00:25:28,367 --> 00:25:30,333 WHICH ONES? 553 00:25:31,934 --> 00:25:34,066 UM... 554 00:25:35,066 --> 00:25:36,900 I GOTTA-- PUT A PIN IN THAT. 555 00:25:36,967 --> 00:25:40,500 I JUST WANNA GET MY JACKET 'CAUSE MICKEY BROUGHT IT TO THE SET EARLIER TODAY-- 556 00:25:40,567 --> 00:25:44,066 THE KIND OF THING IF YOU LEAVE IT HERE, IT'S GONE. 557 00:25:55,767 --> 00:25:58,567 ( cell phone ringing ) 558 00:26:02,433 --> 00:26:04,200 HELLO? 559 00:26:04,266 --> 00:26:07,567 OH, HI, TOM. 560 00:26:07,633 --> 00:26:10,033 OH, YEAH. SO YOU READ IT? YEAH. 561 00:26:10,900 --> 00:26:13,800 OH, GLAD YOU LIKED IT. 562 00:26:15,000 --> 00:26:16,567 YEAH, NO, WELL... 563 00:26:16,633 --> 00:26:19,567 TV'S DIRTY NOW, TOM. SO, YEAH. 564 00:26:19,633 --> 00:26:21,467 UH-HUH. 565 00:26:21,533 --> 00:26:25,200 YEAH, LISTEN, BEFORE YOU SAY YES, 566 00:26:25,266 --> 00:26:28,600 YOU SHOULD KNOW THAT THEY SHUT THE SHOW DOWN. 567 00:26:28,667 --> 00:26:30,533 YEAH, I KNOW. 568 00:26:30,600 --> 00:26:34,133 YEAH, IT'S TOO BAD. I KNOW. 569 00:26:34,200 --> 00:26:38,100 WELL, YEAH, MAYBE SOME OTHER TIME, YEAH. 570 00:26:38,166 --> 00:26:40,867 WELL... 571 00:26:40,934 --> 00:26:42,667 UH-HUH. 572 00:26:42,734 --> 00:26:46,633 YEAH, NO. LISTEN, IF THEY RESURRECT MY BIG BEAVER, 573 00:26:46,700 --> 00:26:49,333 I'LL GIVE YOU A CALL, OKAY? 574 00:26:49,400 --> 00:26:50,900 YEAH, NO. YEAH, I'M OKAY. 575 00:26:50,967 --> 00:26:53,066 ALL RIGHT, SO YOU TAKE CARE. 576 00:26:53,133 --> 00:26:55,467 AND THANKS SO MUCH FOR CALLING ME BACK, DARLIN'. 577 00:26:55,533 --> 00:26:57,834 APPRECIATE IT. OKAY. 578 00:26:57,900 --> 00:27:00,734 BYE BYE. 579 00:27:02,934 --> 00:27:05,500 THAT WAS MR. TOM SELLECK. 580 00:27:07,066 --> 00:27:09,266 SHOULD HAVE PUT IT ON SPEAKER. 581 00:27:22,266 --> 00:27:24,834 Valerie: JANE. 582 00:27:26,734 --> 00:27:28,800 JANE? 583 00:27:31,467 --> 00:27:33,700 - WE'RE NOT SHUT DOWN... - NO. 584 00:27:33,767 --> 00:27:35,767 - ...ARE WE? - NO, I DON'T THINK SO. 585 00:27:35,834 --> 00:27:37,767 OKAY, 'CAUSE I GOT A CUTE STORY 586 00:27:37,834 --> 00:27:39,900 WE CAN DO O.T.F.-- ON THE FLY. 587 00:27:39,967 --> 00:27:42,934 IT'S A TOM SELLECK STORY, SO IT FITS. 588 00:27:43,000 --> 00:27:46,133 SO WHEN I WAS DOING MY "MAGNUM P.I.," 589 00:27:46,200 --> 00:27:49,767 HE HAD THIS BIG, BEAUTIFUL, COLORFUL MACAW SITTING ON HIS SHOULDER, 590 00:27:49,834 --> 00:27:53,333 AND IT WAS MEANT TO STAY THERE, 591 00:27:53,400 --> 00:27:56,433 SO OF COURSE, IT WOULDN'T. AND IT FLEW RIGHT AT ME, 592 00:27:56,500 --> 00:27:59,000 RIGHT INTO MY HEAD, GOT CAUGHT IN MY HAIR, 593 00:27:59,066 --> 00:28:01,934 AND I FREAKED OUT. I WAS 17 AT THE TIME. 594 00:28:02,000 --> 00:28:04,667 I THINK IT WAS 17 TAKES. KEPT BRINGING IN OTHER BIRDS. 595 00:28:04,734 --> 00:28:07,567 IT'S LIKE AN ALFRED HITCHCOCK MOVIE. 596 00:28:07,633 --> 00:28:09,900 THAT'S THE STORY. 597 00:28:09,967 --> 00:28:12,533 - Jane: IT'S GOOD. - YEAH. 598 00:28:12,600 --> 00:28:14,500 ARE YOU COMING, OR ARE YOU GONNA MEET ME? 599 00:28:14,567 --> 00:28:17,934 THAT'S ALL RIGHT, WE CAN MEET UP LATER. 600 00:28:17,984 --> 00:28:22,534 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 45230

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