All language subtitles for The Comeback s01e05 Valerie Demands Dignity

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:18,934 --> 00:00:22,667 Valerie: ESPERANZA, I THOUGHT WE'D TALKED ABOUT THIS. 2 00:00:24,000 --> 00:00:26,700 I THINK YOU USED CLOROX ON THE TILE AGAIN, DEAR. 3 00:00:26,767 --> 00:00:28,000 ( water running ) 4 00:00:28,066 --> 00:00:30,900 YEAH, YOU KNOW IT'S ALL GRITTY. 5 00:00:30,967 --> 00:00:34,633 YEAH, IF I TOUCH THAT AND THEN TOUCH MY EYE, 6 00:00:34,700 --> 00:00:36,300 THEN WE'VE GOT A BIG PROBLEM. 7 00:00:36,367 --> 00:00:38,533 NO! OH NO! 8 00:00:38,600 --> 00:00:41,900 SORRY, JANE, I WASN'T READY FOR YOU. 9 00:00:41,967 --> 00:00:45,000 I DON'T HAVE MY LIPS ON YET. 10 00:00:45,066 --> 00:00:47,066 I'LL BE RIGHT OUT. 11 00:00:49,800 --> 00:00:51,800 Jane: YOU HAVE THE TAPE, RIGHT? 12 00:00:53,633 --> 00:00:58,333 GOTTA PUT A BELL AROUND YOUR NECK SO YOU CAN'T SNEAK UP ON ME. 13 00:01:00,166 --> 00:01:02,800 SO... YEAH. 14 00:01:02,867 --> 00:01:04,800 SO TODAY SHOULD BE FUN. 15 00:01:04,867 --> 00:01:07,300 GONNA DO SOME SHOPPING 16 00:01:07,367 --> 00:01:10,100 ON MONTANA AVENUE IN SANTA MONICA. 17 00:01:11,600 --> 00:01:14,266 IT SHOULD BE FUN FOR THE, YOU KNOW, MIDDLE AMERICA TO SEE. 18 00:01:14,333 --> 00:01:16,467 MIGHT BE... KIND OF GOOD. 19 00:01:16,533 --> 00:01:20,133 SO... YEAH. 20 00:01:20,200 --> 00:01:22,233 DID YOU GET THE TAPE? 21 00:01:22,300 --> 00:01:24,200 JANE, DID YOU GET THAT? DID YOU GUYS-- 22 00:01:24,266 --> 00:01:26,967 - Jane: YEAH. - YOU DID. YEAH, OKAY. 23 00:01:27,033 --> 00:01:30,967 WELL... BUSTED! WE'RE HUMAN. 24 00:01:31,033 --> 00:01:35,633 SOMETIMES I WEAR NO LIPSTICK AND SOMETIMES MARK ENJOYS THAT KIND OF TAPE. 25 00:01:35,700 --> 00:01:38,400 ( chuckles ) BUT NOT OFTEN. NO, NOT OFTEN. 26 00:01:38,467 --> 00:01:40,367 HE HAS JUST THE ONE 27 00:01:40,433 --> 00:01:42,100 AND IT'S REALLY OLD, YOU KNOW. 28 00:01:42,166 --> 00:01:44,166 LOOK AT IT. THE COVER'S ALL WORN, SEE THAT? 29 00:01:44,233 --> 00:01:47,433 SO... BETTER YET, DON'T SEE IT. 30 00:01:48,834 --> 00:01:51,333 THE BOX IS ALL WORN. 31 00:01:52,133 --> 00:01:54,500 Valerie: YEAH. 32 00:01:54,567 --> 00:01:57,767 JANE, YEAH, I'M NOT COMFORTABLE FILMING THIS. 33 00:01:57,834 --> 00:01:59,834 YOU DON'T HAVE TO WORRY ABOUT WHAT WE'RE SHOOTING, 34 00:01:59,900 --> 00:02:01,767 - CAUSE WE'RE SHOOTING EVERYTHING. - UH-HUH. 35 00:02:01,834 --> 00:02:05,467 IT TAKES A LOT OF FOOTAGE TO MAKE AN INTERESTING REALITY SHOW. 36 00:02:05,533 --> 00:02:07,667 RIGHT YEAH, SURE. 37 00:02:07,734 --> 00:02:09,600 YEAH, I UNDERSTAND. 38 00:02:09,667 --> 00:02:12,967 YOU HAVE TO MAKE IT INTERESTING BUT JUST NOT THAT KIND OF INTERESTING, 39 00:02:13,033 --> 00:02:16,300 YOU KNOW? THAT'S NOT WHAT OUR SHOW IS, YOU KNOW? 40 00:02:16,367 --> 00:02:18,767 OUR SHOW IS ABOUT A WOMAN'S JOURNEY. 41 00:02:18,834 --> 00:02:22,734 YOU KNOW? ABOUT HER HEARTFELT JOURNEY BACK TO HERSELF. 42 00:02:24,266 --> 00:02:26,633 HAS DIGNITY. 43 00:02:26,700 --> 00:02:28,233 YOU KNOW? 44 00:02:28,300 --> 00:02:30,233 SO... HOW'D THAT SOUND? 45 00:02:30,300 --> 00:02:33,600 THAT'S WHAT I'M GONNA TELL MARY MURPHY FROM "TV GUIDE" WHEN I HAVE LUNCH WITH HER. 46 00:02:33,667 --> 00:02:35,400 - SOUNDS GOOD. - GOOD, YEAH, ISN'T IT? 47 00:02:35,467 --> 00:02:37,533 GOOD DESCRIPTION OF THE SHOW, YEAH, I THINK SO. 48 00:02:37,600 --> 00:02:39,266 UH... YEAH. 49 00:02:39,333 --> 00:02:43,467 LET'S-- WHY DON'T WE JUST REWIND THEN AND TAPE BACK OVER IT? 50 00:02:43,533 --> 00:02:47,000 IT'S THE MASTER, I CAN'T REWIND IT. 51 00:02:48,734 --> 00:02:52,700 YEAH, THAT'S RIGHT, ALL RIGHT. I FORGOT, YEAH, NEVER MIND. 52 00:02:52,767 --> 00:02:56,433 OKAY, SO WHAT CAN WE DO THEN? YOU KNOW, CAUSE I DON'T WANT TO SEE THAT. 53 00:02:56,500 --> 00:02:58,433 SO, JANE, WHAT CAN WE DO? 54 00:02:58,500 --> 00:03:02,934 WE CAN, UH... MARK THE TIME CODE AND FLAG IT. 55 00:03:03,000 --> 00:03:05,567 AND FLAG IT? GOOD. YEAH, LET'S DO THAT THEN. 56 00:03:05,633 --> 00:03:08,600 ALL RIGHT, SO... EVERYONE JUST CONSIDER THIS WHOLE SCENE FLAGGED. 57 00:03:08,667 --> 00:03:10,266 ALL RIGHT? GOOD. 58 00:03:10,333 --> 00:03:13,266 ALL RIGHT, WELL, GOOD, I'M GLAD WE CLEARED ALL THIS UP, GOOD. 59 00:03:13,333 --> 00:03:17,367 YEAH, CAUSE YOU KNOW, THIS SHOW IS NOT ABOUT, YOU KNOW, "LADIES LOVING LADIES." 60 00:03:17,433 --> 00:03:20,066 IT'S ABOUT, YOU KNOW, THIS LADY LOVING THIS LADY. 61 00:03:20,133 --> 00:03:22,066 YOU KNOW, SO... GOOD. 62 00:03:22,133 --> 00:03:26,333 WELL, HERE WE ARE ON MONTANA AVENUE. 63 00:03:26,400 --> 00:03:29,233 AND I THINK WHAT I LIKE MOST ABOUT SHOPPING HERE 64 00:03:29,300 --> 00:03:31,934 IS THE ARCHITECTURE, YOU KNOW, THE STORES ARE REALLY-- 65 00:03:32,000 --> 00:03:33,800 - Jane: VALERIE, VAL! - YEAH. 66 00:03:33,867 --> 00:03:35,567 Jane: YOUR MIC WIRE IS HANGING DOWN. 67 00:03:35,633 --> 00:03:38,200 AGAIN? OH, THAT'S ATTRACTIVE, HUH? 68 00:03:38,266 --> 00:03:40,633 ( laughs ) BOY, I'LL TELL YOU. 69 00:03:40,700 --> 00:03:43,533 THEY CAN PUT A MAN ON THE MOON, BUT THEY CAN'T MAKE A MIC PACK 70 00:03:43,600 --> 00:03:46,967 THAT DOESN'T MAKE ME LOOK LIKE I'M NOT PASSING LINGUINI, HUH? 71 00:03:47,033 --> 00:03:49,700 - ( all laugh ) - YOU KNOW? 72 00:03:49,767 --> 00:03:52,367 BEAUTIFUL DAY, HUH, FELLAS? 73 00:03:52,433 --> 00:03:54,500 YEAH. NICE TO BE OUTSIDE. 74 00:03:54,567 --> 00:03:57,333 WE'RE GONNA GET SOME GREAT STUFF TODAY. 75 00:03:57,400 --> 00:03:59,400 YEAH. 76 00:03:59,467 --> 00:04:01,767 ( car honks ) 77 00:04:08,934 --> 00:04:12,100 - Jane: VALERIE? - YEAH, WHAT ARE WE-- WHAT ARE WE DOING? 78 00:04:12,166 --> 00:04:14,233 Jane: YOU WANTED TO RETURN THOSE LINENS. 79 00:04:14,300 --> 00:04:16,700 THAT'S RIGHT, YEAH. OKAY. 80 00:04:16,767 --> 00:04:20,900 ALL RIGHT, LET'S GO. GO ON AHEAD. 81 00:04:23,200 --> 00:04:26,500 GO ON AHEAD AND THEN, LET'S GO, YEAH, 82 00:04:26,567 --> 00:04:28,667 MICKEY, CAN-- 83 00:04:30,133 --> 00:04:34,633 OH, I'M SORRY, I FORGOT ONE THING. GO ON AHEAD, YEAH. 84 00:04:34,700 --> 00:04:37,533 PAY FOR THIS. I ONLY HAVE... 85 00:04:45,166 --> 00:04:48,667 HI, I NEED TO RETURN SOME SHEETS. 86 00:04:48,734 --> 00:04:52,100 - OKAY, DO YOU HAVE YOUR RECEIPT? - YEAH, RIGHT HERE. 87 00:04:52,166 --> 00:04:55,967 - GREAT. - I ALWAYS KEEP THE RECEIPTS. 88 00:04:56,033 --> 00:04:58,967 THAT'S SMART, YEAH. 89 00:04:59,033 --> 00:05:02,900 ( sighs deeply ) 90 00:05:12,367 --> 00:05:15,200 HOW HAVE YOU BEEN? 91 00:05:15,266 --> 00:05:17,800 UM, GOOD. 92 00:05:17,867 --> 00:05:19,700 AND YOU? 93 00:05:19,767 --> 00:05:22,200 GREAT, YEAH, THANKS. 94 00:05:24,300 --> 00:05:27,667 YOU EVER FIND THAT APARTMENT IN VENICE BEACH? 95 00:05:28,700 --> 00:05:30,367 OH, THAT MIGHT HAVE BEEN KAREN. 96 00:05:30,433 --> 00:05:32,533 SHE DOESN'T WORK HERE ANYMORE. 97 00:05:32,600 --> 00:05:34,934 OKAY, YEAH. 98 00:05:35,000 --> 00:05:36,967 ALL RIGHT. 99 00:05:37,033 --> 00:05:39,467 YEAH... SO WHERE DO YOU LIVE? 100 00:05:42,433 --> 00:05:44,734 UM, ECHO PARK. 101 00:05:44,800 --> 00:05:48,500 ECHO PARK. YEAH, OH, THAT'S TERRIFIC. 102 00:05:48,567 --> 00:05:50,667 YEAH. 103 00:05:50,734 --> 00:05:53,400 THAT'S EAST, RIGHT? 104 00:05:53,467 --> 00:05:57,066 OFF THE, UM-- OFF THE 101? 105 00:05:57,133 --> 00:05:59,400 - YES. - YEAH, YEAH. 106 00:06:14,266 --> 00:06:16,367 ( inhales deeply ) 107 00:06:16,433 --> 00:06:19,567 I'M GOING TO... FIND OTHER SHEETS. 108 00:06:19,633 --> 00:06:22,300 - OKAY. - OKAY. 109 00:06:24,600 --> 00:06:26,900 ( whispers ) HERE WE GO. 110 00:06:29,600 --> 00:06:31,734 THAT'S PERCALE. 111 00:06:33,033 --> 00:06:35,767 EGYPTIAN COTTON. 112 00:06:40,000 --> 00:06:43,300 WOW, THIS IS BORING. 113 00:06:43,367 --> 00:06:46,333 JUST STOP, JANE. 114 00:06:46,400 --> 00:06:48,633 JUST STOP. NOTHING IS HAPPENING, YOU KNOW? 115 00:06:48,700 --> 00:06:50,166 NO ONE'S GONNA... WANNA WATCH THIS. 116 00:06:50,233 --> 00:06:52,900 Jane: JUST KEEP GOING, MAYBE SOMETHING WILL HAPPEN. 117 00:06:52,967 --> 00:06:55,300 WELL WHAT? WHAT'S GONNA HAPPEN, HUH? 118 00:06:55,367 --> 00:06:56,967 WHAT DO YOU THINK? 119 00:06:57,033 --> 00:06:59,300 SALESGIRL GONNA BURST INTO FLAMES? 120 00:06:59,367 --> 00:07:02,467 YOU KNOW, NOTHING'S HAPPENING, JANE, NOTHING'S GONNA HAPPEN. 121 00:07:02,533 --> 00:07:04,400 IT'S JUST-- 122 00:07:04,467 --> 00:07:07,266 NO OFFENSE, YOU KNOW? 123 00:07:07,333 --> 00:07:10,066 IS THERE SOMETHING WRONG? 124 00:07:10,133 --> 00:07:12,900 I THINK SOMEBODY NEEDS AN ICED LATTE. 125 00:07:12,967 --> 00:07:15,867 THERE'S A STARBUCKS RIGHT DOWN THE STREET. LET'S GO, RED. 126 00:07:15,934 --> 00:07:17,934 THAT'S-- YEAH, JUST TAKE A BREAK. 127 00:07:23,100 --> 00:07:25,700 SO WHAT DO I DO WITH THESE SHEETS? 128 00:07:27,500 --> 00:07:29,900 ( coffee percolating ) 129 00:07:29,967 --> 00:07:32,033 DID YOU SEE THIS, MICKEY? 130 00:07:32,100 --> 00:07:34,300 I DON'T HAVE MY GLASSES, WAIT. 131 00:07:34,367 --> 00:07:38,300 WELL, APPARENTLY REALITY SHOWS ARE DYING AND NOBODY TOLD ME. 132 00:07:38,367 --> 00:07:41,400 UNLESS I'M WILLING TO HAVE DRUNK SEX IN A HOT TUB 133 00:07:41,467 --> 00:07:44,000 OR EAT A BOWL FULL OF COW TESTICLES, 134 00:07:44,066 --> 00:07:45,567 NOBODY'S GONNA BE WATCHING. 135 00:07:45,633 --> 00:07:48,934 IT'S SEX AND STUNTS, SEX AND STUNTS, THAT'S IT! 136 00:07:49,000 --> 00:07:50,567 WHAT DO THEY KNOW? 137 00:07:50,633 --> 00:07:53,233 IT'S "ENTERTAINMENT WEEKLY," MICKEY, I THINK THEY KNOW. 138 00:07:53,300 --> 00:07:55,700 BELIEVE ME, NOBODY LOVES REALITY SHOWS MORE THAN ME, 139 00:07:55,767 --> 00:07:57,800 AND YOU'RE ALREADY ON MY TiVo LIST. 140 00:07:57,867 --> 00:07:59,667 OH. 141 00:07:59,734 --> 00:08:02,066 WANT A SIP OF MY CHANTICO DRINKING CHOCOLATE? 142 00:08:02,133 --> 00:08:04,700 - NO. - REALLY? IT'S DELICIOUS. 143 00:08:04,767 --> 00:08:08,700 LISTEN TO THIS, "TELEVISION TODAY HAS A COLISEUM MENTALITY." 144 00:08:08,767 --> 00:08:11,934 MICKEY, I DON'T DO COLISEUM. I DON'T DO IT. 145 00:08:12,000 --> 00:08:14,800 AND YOU DON'T NEED TO. 146 00:08:14,867 --> 00:08:17,867 YOU HAVE SOMETHING THOSE OTHER SHOWS DON'T HAVE-- 147 00:08:17,934 --> 00:08:21,767 VALERIE CHERISH, AND YOU'RE ENOUGH. 148 00:08:21,834 --> 00:08:23,800 YOU READING A BOOK IS ENOUGH. 149 00:08:23,867 --> 00:08:26,734 YOU CROSSING THE STREET IS ENOUGH. 150 00:08:26,800 --> 00:08:28,734 TRUST ME, SWEETHEART, 151 00:08:28,800 --> 00:08:32,166 YOU HAVE ALWAYS BEEN AND WILL ALWAYS BE ENOUGH. 152 00:08:32,233 --> 00:08:35,000 YEAH. YEAH. NO, YOU'RE RIGHT. 153 00:08:35,066 --> 00:08:37,300 YOU'RE RIGHT, I DON'T NEED SEX AND STUNTS. 154 00:08:37,367 --> 00:08:40,333 MY COMEBACK WILL BE ENOUGH, OF COURSE, YEAH. 155 00:08:40,400 --> 00:08:44,300 SO SILLY. THANK YOU, MICKEY. 156 00:08:44,367 --> 00:08:47,867 OH, VICTORIA'S SECRET MODELS ARE GETTING THEIR OWN REALITY SHOW. 157 00:08:47,934 --> 00:08:49,600 ARE THEY? I DIDN'T SEE THAT. 158 00:08:49,667 --> 00:08:52,734 - YEAH, MID-SEASON, LIKE YOURS. - REALLY? 159 00:08:56,333 --> 00:08:59,333 OKAY. 160 00:09:04,033 --> 00:09:06,266 ( reporter speaking on TV ) 161 00:09:12,433 --> 00:09:15,266 WOW! 162 00:09:15,333 --> 00:09:18,834 - ( both chuckle ) - YOU LOOK GREAT. 163 00:09:18,900 --> 00:09:21,633 THANKS, MARKY-MARK, LOVE BALL. 164 00:09:21,700 --> 00:09:23,667 ( sighs ) 165 00:09:23,734 --> 00:09:25,934 WHAT YOU DOIN'? 166 00:09:26,000 --> 00:09:30,033 - OH, WATCHING CNN. - HMM. 167 00:09:30,100 --> 00:09:32,567 - IS THIS NEW? - MM-HMM. 168 00:09:40,734 --> 00:09:43,066 YOU WATCH YOUR SHOW. 169 00:09:43,133 --> 00:09:45,767 OH NO, THAT'S-- THAT'S ALL RIGHT. 170 00:09:45,834 --> 00:09:47,400 - IT'S ALL RIGHT. - YEAH, IT'S OKAY. 171 00:09:47,467 --> 00:09:50,967 NO, I THINK I CAN DO SOMETHING ELSE, OKAY? 172 00:09:51,033 --> 00:09:53,166 MARK, YOU HAVE TO STOP. 173 00:09:53,233 --> 00:09:55,700 ( whispers ) THE CAMERA, THE CAMERA. 174 00:09:55,767 --> 00:09:58,500 HONEY, YOU HAVE TO STOP. YOU HAVE TO STOP. 175 00:09:58,567 --> 00:10:00,633 ( sighs ) ALL RIGHT, HELP ME OUT, VAL. 176 00:10:00,700 --> 00:10:02,867 WHY DID YOU DRESS LIKE THAT IF YOU DIDN'T WANT TO-- 177 00:10:02,934 --> 00:10:07,066 WELL THAT, AHEM-- CAN'T I JUST GIVE MY SEXY HUSBAND 178 00:10:07,133 --> 00:10:09,066 A BIG-GIRL KISS GOODNIGHT, HMM? 179 00:10:09,133 --> 00:10:10,900 'CAUSE I LOVE HIM SO VERY VERY MUCH? 180 00:10:10,967 --> 00:10:12,900 ALL RIGHT, WHY ARE YOU ACTING LIKE THIS? 181 00:10:12,967 --> 00:10:15,700 ( chuckles ) MARK... 182 00:10:17,467 --> 00:10:20,433 - ( whispering ) THERE WAS AN ARTICLE IN "ENTERTAINMENT--" - WHAT? 183 00:10:20,500 --> 00:10:23,033 THERE WAS AN ARTICLE IN "ENTERTAINMENT WEEKLY." 184 00:10:23,100 --> 00:10:26,300 - ALL RIGHT, WHAT DOES "ENTERTAINMENT WEEKLY"-- - THAT'S OUR-- 185 00:10:26,367 --> 00:10:30,233 AND IT JUST TALKED ABOUT HOW COMPETITIVE REALITY SHOWS ARE. 186 00:10:30,300 --> 00:10:31,767 THERE'S A LOT OF SEX IN THEM, SO... 187 00:10:31,834 --> 00:10:33,900 - OH, I SEE. - ...I THOUGHT I'D DO SOMETHING. 188 00:10:34,000 --> 00:10:37,033 ALL RIGHT, THEN WHY STOP? WHY NOT JUST GO ALL THE WAY? 189 00:10:37,100 --> 00:10:39,867 'CAUSE I'M NOT THAT KIND OF SHOW, MARK. 190 00:10:39,934 --> 00:10:43,200 OH, I UNDERSTAND. SO YOU GAVE ME BLUE BALLS FOR RATINGS. 191 00:10:43,266 --> 00:10:44,500 - MARK! - NICE. 192 00:10:44,567 --> 00:10:46,667 OH NO, THAT'S-- 193 00:10:48,767 --> 00:10:51,066 NOW YOU'RE MAD. 194 00:10:51,133 --> 00:10:53,700 DON'T BE MAD. 195 00:10:57,400 --> 00:11:00,100 I'M GONNA GO INTO THE BATHROOM, MARK. 196 00:11:00,166 --> 00:11:03,367 - ( sighs ) - I'M GONNA GO INTO THE BATHROOM. 197 00:11:03,433 --> 00:11:06,433 I'M TIRED OF DOING IT IN THE BATHROOM, VAL. 198 00:11:06,500 --> 00:11:09,166 I JUST WANT TO MAKE LOVE TO MY WIFE IN MY BED 199 00:11:09,233 --> 00:11:12,567 - AND MOVE AROUND LIKE WE ALWAYS DO. - WE CAN TALK ABOUT THAT LATER. 200 00:11:12,633 --> 00:11:15,533 MY KNEES ARE STILL FUCKED UP FROM KNEELING ON THAT TILE FLOOR. 201 00:11:15,600 --> 00:11:18,800 I HIT YOUR HEAD ON THE TOILET LAST TIME WHEN I WAS TRYING TO TURN YOU OVER-- 202 00:11:18,867 --> 00:11:20,066 OKAY, THANK YOU FOR THAT. 203 00:11:20,133 --> 00:11:22,166 LOOK, I THINK I'VE BEEN PRETTY ACCOMMODATING, 204 00:11:22,233 --> 00:11:24,367 RUNNING AROUND, HIDING ALL MY PORNO TAPES-- 205 00:11:24,433 --> 00:11:29,000 TAPE, ONE TAPE, JUST ONE. THAT'S ALL WE HAVE, MARK, OKAY? 206 00:11:29,066 --> 00:11:30,834 'CAUSE THAT'S NOT WHO WE ARE, YOU KNOW. 207 00:11:30,900 --> 00:11:33,333 IT'S FINE, BUT... 208 00:11:33,400 --> 00:11:35,500 WE'RE A VERY HEALTHY-- HEALTHY COUPLE, YOU KNOW, 209 00:11:35,567 --> 00:11:38,500 WITH VERY-- VERY LOVING... 210 00:11:38,567 --> 00:11:41,500 RELATIONSHIP BASED-- BASED ON RESPECT, YOU KNOW. 211 00:11:41,567 --> 00:11:43,133 THAT'S WHO WE ARE, YOU KNOW? 212 00:11:43,200 --> 00:11:46,333 AND EVERY TIME WE ARE TOGETHER, IT'S LIKE THE FIRST TIME EVERY TIME. 213 00:11:46,400 --> 00:11:50,333 AND WE'RE JUST-- WE'RE VERY LUCKY, THAT'S WHAT WE ARE. WE ARE LUCKY TO HAVE-- 214 00:11:50,400 --> 00:11:53,333 ALL RIGHT, JANE. JANE, JUST FLAG IT. 215 00:11:53,400 --> 00:11:56,567 JUST FLAG THE WHOLE SCENE, ALL RIGHT? 216 00:11:56,633 --> 00:12:00,533 'CAUSE... TOOK CARE OF IT. 217 00:12:01,834 --> 00:12:04,233 - Jane: VALERIE! - ( chuckles ) I'LL SIT, YEAH. 218 00:12:04,300 --> 00:12:07,633 Jane: ACTUALLY I JUST WANTED TO INTRODUCE YOU TO SOMEONE. 219 00:12:07,700 --> 00:12:10,600 - OH, OKAY. - OH MY GOD, IT'S CHARLA FROM "THE AMAZING RACE." 220 00:12:10,667 --> 00:12:12,934 OH, I NEVER SAW IT. NEVER. 221 00:12:13,000 --> 00:12:16,066 HI, I'M CHARLA. 222 00:12:16,133 --> 00:12:19,333 HELLO HELLO, I'M VALERIE. 223 00:12:19,400 --> 00:12:21,800 HELLO, NICE TO-- THIS IS MICKEY. 224 00:12:21,867 --> 00:12:24,266 IT'S AN HONOR AND A PRIVILEGE. 225 00:12:24,333 --> 00:12:28,033 YOU SHOULD'VE WON. YOU PLAYED WITH SUCH DIGNITY AND GRACE. 226 00:12:28,100 --> 00:12:30,600 THANK YOU. 227 00:12:33,166 --> 00:12:35,066 - JANE? - WE JUST WANTED YOU TO MEET HER. 228 00:12:35,133 --> 00:12:38,033 - UH-HUH. - CHARLA HAS HER OWN NEW REALITY SHOW AS WELL. 229 00:12:38,100 --> 00:12:39,734 OH, GOOD FOR YOU. 230 00:12:39,800 --> 00:12:42,200 I WANNA SHOW THE WORLD THAT I CAN DO ANYTHING 231 00:12:42,266 --> 00:12:43,633 AN AVERAGE-SIZED PERSON CAN DO 232 00:12:43,700 --> 00:12:46,767 AND BREAK ALL THE STEREOTYPES ABOUT LITTLE PEOPLE. 233 00:12:46,834 --> 00:12:49,133 WOW, YEAH, I CAN RELATE. 234 00:12:49,200 --> 00:12:51,200 YOU KNOW THAT'S WHY I DID THAT HALLMARK MOVIE 235 00:12:51,266 --> 00:12:52,834 ABOUT THE WOMAN WITH THE AWFUL HEADACHES. 236 00:12:52,900 --> 00:12:54,633 Jane: IT'S CALLED "THE LITTLEST ASSISTANT" 237 00:12:54,700 --> 00:12:57,200 AND EVERY WEEK SHE IS A DIFFERENT PERSON'S ASSISTANT. 238 00:12:57,266 --> 00:13:00,533 - OH! - CHECK OUT THIS ADVERTISING CAMPAIGN. 239 00:13:00,600 --> 00:13:04,200 CUTE HOOK. LOOKS LIKE FUN. 240 00:13:04,266 --> 00:13:06,433 MUCH SUCCESS TO YOU. 241 00:13:06,500 --> 00:13:10,100 SO THEY WERE THINKING THAT THEY COULD CROSS PROMOTE BOTH SHOWS 242 00:13:10,166 --> 00:13:12,367 AND HAVE HER BE YOUR ASSISTANT. 243 00:13:13,700 --> 00:13:16,367 ( chuckles ) SOUNDS FUN. 244 00:13:16,433 --> 00:13:17,734 I DON'T KNOW, YOU KNOW. 245 00:13:17,800 --> 00:13:21,567 VAL, I HAVE SEEN THIS GIRL ROUND UP A HERD OF CAMELS, 246 00:13:21,633 --> 00:13:23,767 DESCEND INTO AN EGYPTIAN TOMB 247 00:13:23,834 --> 00:13:27,100 AND CARRY A 50-LB. SLAB OF BEEF ON HER BACK. 248 00:13:27,166 --> 00:13:30,934 BELIEVE ME, SHE CAN PICK UP YOUR DRY CLEANING. 249 00:13:31,000 --> 00:13:33,233 WELL... 250 00:13:33,300 --> 00:13:35,400 YEAH, I JUST, YOU KNOW, 251 00:13:35,467 --> 00:13:38,133 DON'T WANT TO WASTE HER SKILLS, YOU KNOW. 252 00:13:38,200 --> 00:13:41,300 IT'S JUST... ANYWAY, YOU KNOW. 253 00:13:41,367 --> 00:13:44,633 PEOPLE ARE GETTING ANTSY HERE, JANE. CREW NEEDS TO GET BACK TO THEIR FAMILY. 254 00:13:44,700 --> 00:13:46,400 - SURE, I'LL LET YOU GO. - WELL... 255 00:13:46,467 --> 00:13:48,200 LOOKING FORWARD TO WORKING WITH YOU, THOUGH. 256 00:13:48,266 --> 00:13:52,834 WELL, WE'LL SEE WHAT WE CAN-- YOU KNOW, IF WE CAN MAKE IT WORK. 257 00:13:52,900 --> 00:13:56,033 BYE. DON'T TRIP OVER A CABLE-- MICKEY, WOULD YOU WALK HER OUT? 258 00:13:56,100 --> 00:13:58,300 SURE. CHARLA. 259 00:14:01,133 --> 00:14:05,000 AH. WELL... AHEM, 260 00:14:05,066 --> 00:14:06,967 JANE, I'LL APPRECIATE A LITTLE HEADS UP 261 00:14:07,033 --> 00:14:09,834 NEXT TIME YOU WANT TO SURPRISE ME WITH A... SURPRISE. 262 00:14:09,900 --> 00:14:12,400 THEY WANTED ME TO GET YOUR HONEST REACTION ON CAMERA. 263 00:14:12,467 --> 00:14:14,600 - WELL, HOW WAS IT? - GREAT. 264 00:14:14,667 --> 00:14:16,533 - OH. - SO GREAT. 265 00:14:16,600 --> 00:14:17,600 - OH REALLY? - YEAH. 266 00:14:17,667 --> 00:14:19,300 - OH. - SO GOOD. 267 00:14:19,367 --> 00:14:22,266 - OKAY, GOOD. - SO WHAT DO YOU THINK? 268 00:14:22,333 --> 00:14:26,166 OH, ABOUT THE BEING MY ASSISTANT? I DON'T KNOW. 269 00:14:26,233 --> 00:14:28,000 YOU KNOW, I DON'T KNOW. 270 00:14:28,066 --> 00:14:30,233 I MEAN, THIS ISN'T REALLY-- IT'S NOT REALLY A SHOW 271 00:14:30,300 --> 00:14:33,333 ABOUT A LITTLE PERSON CARRYING MEAT ON HER BACK, YOU KNOW? 272 00:14:33,400 --> 00:14:36,333 IT IS ABOUT A WOMAN'S RETURN TO HERSELF, 273 00:14:36,400 --> 00:14:38,433 YOU KNOW, WITH DIGNITY. 274 00:14:38,500 --> 00:14:42,400 NOT THAT CARRYING MEAT ISN'T DIGNIFIED, 275 00:14:42,467 --> 00:14:44,100 YOU KNOW... IT IS. 276 00:14:44,166 --> 00:14:46,667 IT'S JUST I DON'T KNOW IF WE WANT TO GO DOWN THAT ROAD. 277 00:14:46,734 --> 00:14:49,166 JUST... YOU KNOW... 278 00:14:49,233 --> 00:14:51,166 - YEAH. - YEAH. 279 00:14:51,233 --> 00:14:53,700 I'M JUST GONNA CALL JASON SILVER RIGHT NOW, 280 00:14:53,767 --> 00:14:56,033 AND TELL HIM THAT WE'RE NOT COMFORTABLE WITH IT. 281 00:14:56,100 --> 00:14:58,533 - UH-HUH. WAS THIS HIS IDEA, YEAH? - YEAH. 282 00:14:58,600 --> 00:15:02,166 JUST CAUSE SHE'S SO POPULAR AND HE THOUGHT THAT IT WOULD HELP THE NUMBERS. 283 00:15:02,233 --> 00:15:03,633 ( dialing ) 284 00:15:03,700 --> 00:15:06,467 - WELL... - ( dial tone beeps ) 285 00:15:06,533 --> 00:15:09,300 YEAH, HE THINKS SHE WOULD HELP THE NUMBERS, HUH? WELL... 286 00:15:09,367 --> 00:15:12,400 Woman: Silver Lining Productions, can you hold, please? 287 00:15:12,467 --> 00:15:13,867 ...THEN LET'S DO IT. 288 00:15:13,934 --> 00:15:16,066 - IT'S GREAT. LET'S DO IT, YEAH. - REALLY? 289 00:15:16,133 --> 00:15:18,633 YEAH, WHY NOT? SURE, HE KNOWS WHAT HE'S DOING. 290 00:15:18,700 --> 00:15:21,633 IT'LL HELP THE NUMBERS, YEAH, AHEM, SURE. 291 00:15:21,700 --> 00:15:24,200 LET'S NOT BOTHER HIM. HE'S GOT FIVE OTHER REALITY SHOWS. 292 00:15:24,266 --> 00:15:26,000 LET'S NOT BE THE PROBLEM SHOW. 293 00:15:26,066 --> 00:15:27,533 - ( chuckles ) - RIGHT, YEAH. 294 00:15:27,600 --> 00:15:29,967 GOOD, CAUSE HE REALLY THOUGHT IT WOULD HELP THE SHOW. 295 00:15:30,033 --> 00:15:32,166 OH, OKAY, GOOD, WELL, ME TOO. 296 00:15:32,233 --> 00:15:35,066 ME TOO. OKAY, GOOD. 297 00:15:35,133 --> 00:15:38,233 JANE, IS IT BECAUSE OF THE LINEN STORE? 298 00:15:45,500 --> 00:15:48,133 ( radio playing ) 299 00:15:48,200 --> 00:15:50,467 IT'S MY ASSISTANT, CHARLA. 300 00:15:52,533 --> 00:15:56,000 IT'S NOT POLITE TO STARE. NOT POLITE. 301 00:15:57,200 --> 00:15:59,367 OH, THANK YOU, GREAT. 302 00:15:59,433 --> 00:16:02,567 - ALL RIGHT, THAT'S GOOD, LET'S-- - I GOT THAT. 303 00:16:02,633 --> 00:16:05,400 NO, IT'S, YOU KNOW, IT'S LONG AND I DIDN'T WANT IT TO-- 304 00:16:05,467 --> 00:16:08,266 - YOU KNOW, IT'S ALL RIGHT. - I GOT IT, I GOT IT. 305 00:16:08,333 --> 00:16:11,433 WELL, YOU GO, GIRL. 306 00:16:11,500 --> 00:16:13,700 ( chuckles ) YOU KNOW, ONE SECOND. 307 00:16:13,767 --> 00:16:15,867 I THINK I'M MISSING SOMETHING, WAIT A MINUTE. 308 00:16:15,934 --> 00:16:19,467 YEAH, I DON'T HAVE THE SKIRT. I NEED THE SKIRT. 309 00:16:19,533 --> 00:16:23,300 IT'S A BLACK ARMANI. IT GOES WITH THE SUIT. 310 00:16:23,367 --> 00:16:26,500 I NEED IT FOR MY-- I HAVE A LUNCH MEETING TOMORROW AND I GOTTA HAVE IT. 311 00:16:26,567 --> 00:16:28,767 ( speaking Chinese ) 312 00:16:28,834 --> 00:16:30,767 ( gasps ) 313 00:16:44,500 --> 00:16:46,834 ( phone rings ) 314 00:16:54,367 --> 00:16:57,300 WELL, THIS CERTAINLY ISN'T BORING. 315 00:16:57,367 --> 00:17:00,333 - I'VE DONE THIS BEFORE. - HAVE YOU? 316 00:17:02,367 --> 00:17:06,433 YEAH, SHE'S-- SHE'S SOMETHING. YEAH. 317 00:17:11,400 --> 00:17:13,300 ( sighs ) WELL... 318 00:17:13,367 --> 00:17:17,367 I LEARNED A LOT TODAY FROM A LITTLE LADY NAMED CHARLA. 319 00:17:17,433 --> 00:17:21,066 I LEARNED THAT DIGNITY COMES IN ALL SIZES. 320 00:17:21,133 --> 00:17:23,967 SOME STRUGGLES ARE MORE OBVIOUS 321 00:17:24,033 --> 00:17:26,767 AND SOME ARE MORE... 322 00:17:26,834 --> 00:17:30,000 INTERNAL. 323 00:17:30,066 --> 00:17:33,266 SOME PEOPLE SEE CHARLA AT A DRY CLEANER AND THINK, 324 00:17:33,333 --> 00:17:35,734 "HOW IS SHE GONNA REACH THAT?" 325 00:17:35,800 --> 00:17:39,333 SOME PEOPLE SEE VALERIE CHERISH'S DREAMS AND THINK, 326 00:17:39,400 --> 00:17:43,100 "HOW IS SHE GONNA REACH THAT?" 327 00:17:43,166 --> 00:17:45,433 TWO HUGE MOUNTAINS... 328 00:17:45,500 --> 00:17:48,600 TWO HUGE PEOPLE, 329 00:17:48,667 --> 00:17:51,567 NO MATTER THE SIZE. 330 00:17:52,867 --> 00:17:54,633 ( beeps ) 331 00:17:57,033 --> 00:18:00,200 WELL, THIS IS A TREAT. 332 00:18:00,266 --> 00:18:01,834 NOT ONLY DO YOU KEEP ME ON SCHEDULE, 333 00:18:01,900 --> 00:18:04,900 BUT YOU DRIVE ME TO MY MEETING TOO. 334 00:18:04,967 --> 00:18:07,400 "DRIVING MISS CHERISH." 335 00:18:07,467 --> 00:18:10,734 ( Southern accent ) LORDY, MISS CHERISH, HOW YOU DO GO ON? 336 00:18:10,800 --> 00:18:13,133 THAT'S MY "DRIVING MISS DAISY." 337 00:18:13,200 --> 00:18:15,200 AND I COULD DO MORE. 338 00:18:15,266 --> 00:18:19,667 ROTATE YOUR TIRES, PAINT YOUR HOUSE-- YOU NAME IT, ANYTHING. 339 00:18:19,734 --> 00:18:22,467 OH. WELL, AREN'T YOU SOMETHING, HUH? 340 00:18:22,533 --> 00:18:25,767 I'M GOOD FOR NOW, BUT I'LL KEEP YOU POSTED, OKAY? 341 00:18:25,834 --> 00:18:29,133 A LITTLE BACK STORY ON MY LUNCH MEETING TODAY: 342 00:18:29,200 --> 00:18:32,233 MARY MURPHY AND I HAVE KNOWN EACH OTHER SINCE-- 343 00:18:32,300 --> 00:18:35,900 - ( cell phone ringing ) - WOW. IS THAT ME? 344 00:18:39,667 --> 00:18:42,000 - HELLO? - Mickey: First time caller, 345 00:18:42,066 --> 00:18:43,967 - long time listener! - IT'S MICKEY. 346 00:18:44,033 --> 00:18:46,934 HI. WE MISS YOU. YOU MISS US? 347 00:18:47,000 --> 00:18:49,400 WE GOTTA GET CHARLA A BIGGER CAR. 348 00:18:50,433 --> 00:18:53,133 ANYWAY, SO... WHAT'S UP, DOLL? 349 00:18:53,200 --> 00:18:55,567 Just wondering how it's working out with her. 350 00:18:55,633 --> 00:18:57,600 OH, GREAT. JUST GREAT, YEAH. 351 00:18:57,667 --> 00:19:00,166 - Hi, Charla. - HI, MICKEY! 352 00:19:00,233 --> 00:19:01,400 ( chuckles ) ALL RIGHT. 353 00:19:01,467 --> 00:19:03,166 WE SHOULD PROBABLY GO NOW SO-- 354 00:19:03,233 --> 00:19:06,300 Charla, could you please say a quick hello to my friend David? 355 00:19:06,367 --> 00:19:08,633 He doesn't believe I know you. 356 00:19:08,700 --> 00:19:10,767 SURE. PUT HIM ON. 357 00:19:10,834 --> 00:19:14,333 - Hello. - HELLO, DAVID? 358 00:19:14,400 --> 00:19:16,700 THIS IS CHARLA FROM "THE AMAZING RACE." 359 00:19:16,767 --> 00:19:18,800 AND NOW "THE LITTLEST ASSISTANT." 360 00:19:18,867 --> 00:19:21,600 Oh my God! I love you! 361 00:19:21,667 --> 00:19:23,100 ALL RIGHT, WE GOTTA HOP OFF NOW. 362 00:19:23,166 --> 00:19:25,433 - ( stutters ) Oh my God-- - SORRY, DARLING. 363 00:19:25,500 --> 00:19:28,767 - OH NO. - ( car beeping ) 364 00:19:28,834 --> 00:19:32,100 - WHAT? - I BETTER PULL OVER. 365 00:19:32,166 --> 00:19:33,900 - WHAT'S THE MATTER? - ( horns honking ) 366 00:19:33,967 --> 00:19:36,333 - WE'RE SLOWING DOWN. - YEAH, WE SURE ARE. 367 00:19:36,400 --> 00:19:39,967 - WHAT DO YOU THINK'S THE MATTER? - I THINK WE'RE OUT OF GAS. 368 00:19:40,033 --> 00:19:44,467 - ( continues beeping ) - OUT OF GAS? WH-- HUH. 369 00:19:44,533 --> 00:19:46,266 I GUESS I FORGOT TO FILL UP. 370 00:19:46,333 --> 00:19:48,867 I WAS BUSY WITH YOUR STUFF TODAY. 371 00:19:51,233 --> 00:19:53,133 - ( beeping stops ) - ( keys jingle ) 372 00:19:53,200 --> 00:19:55,500 WELL... 373 00:19:55,567 --> 00:19:58,734 I HAVE THIS MEETING THAT I CAN'T MISS. 374 00:19:58,800 --> 00:20:01,200 JANE, I THINK YOU'RE GONNA HAVE TO CALL SOMEONE 375 00:20:01,266 --> 00:20:03,667 - AND HAVE THEM PICK US UP. - I CAN'T DO THAT. 376 00:20:03,734 --> 00:20:05,633 WHAT DO YOU MEAN? WHY CAN'T YOU? 377 00:20:05,700 --> 00:20:07,667 THEY CAN'T GET INVOLVED. IT'S LIKE THE TIME 378 00:20:07,734 --> 00:20:09,834 WHEN THE GUY FELL ON THE FIRE ON "SURVIVOR" 379 00:20:09,900 --> 00:20:13,100 - AND NO ONE WAS ALLOWED TO HELP BECAUSE-- - YEAH, THAT'S ALL RIGHT. 380 00:20:13,166 --> 00:20:16,066 CHARLA, I'M NOT A BIG FAN OF REALITY SHOWS SO-- 381 00:20:16,133 --> 00:20:19,300 THOSE-- THOSE REALITY SHOWS. 382 00:20:19,367 --> 00:20:21,233 YOU KNOW, THIS ONE ISN'T A GAME. 383 00:20:21,300 --> 00:20:24,033 IT'S MY LIFE, YOU KNOW, AND I HAVE A MEETING I HAVE TO-- 384 00:20:24,100 --> 00:20:26,467 IT'S ALL RIGHT. YOU KNOW WHAT, I'LL CALL A CAB. 385 00:20:26,533 --> 00:20:29,100 - I'LL JUST USE MY OWN PHONE. - Charla: WE CAN WALK. 386 00:20:29,166 --> 00:20:31,033 WE'RE RIGHT NEAR THE EXIT. 387 00:20:31,100 --> 00:20:33,834 WELL, WE DON'T HAVE TIME TO WAIT FOR SOMEONE TO PICK US UP. 388 00:20:33,900 --> 00:20:36,033 THAT'S TRUE, THAT'S TRUE. 389 00:20:36,100 --> 00:20:38,734 - ( whispers ) THIS ISN'T-- THIS ISN'T WORKING. - COME ON! 390 00:20:38,800 --> 00:20:40,433 I'M COMING! IT'S NOT WORKING OUT. 391 00:20:40,500 --> 00:20:42,266 WE CAN DO THIS! COME ON! 392 00:20:42,333 --> 00:20:44,633 I GOT HEELS AND A DRESS-- HOW CAN WE WALK? 393 00:20:44,700 --> 00:20:47,233 - THE RESTAURANT'S AT THE BEACH! - ( horns honking ) 394 00:20:47,300 --> 00:20:48,700 STAY ON THE SHOULDER, THOUGH! 395 00:20:48,767 --> 00:20:51,000 HURRY! 396 00:20:51,066 --> 00:20:55,467 YEAH, I NEED-- I NEED A TAXI. IT'S AN EMERGENCY. 397 00:20:55,533 --> 00:20:58,500 OKAY, I'M ON THE 10 FREEWAY. 398 00:20:58,567 --> 00:21:00,300 THE 10! 399 00:21:00,367 --> 00:21:03,500 - ( horn honks ) - I DON'T KNOW, I THINK THE LINCOLN OFF-RAMP. 400 00:21:03,567 --> 00:21:05,266 I'M, YOU KNOW, NEAR THERE. 401 00:21:05,333 --> 00:21:07,834 I'M NOT AT AN ADDRESS, SO I CAN'T-- 402 00:21:07,900 --> 00:21:09,300 I'M NOT-- 403 00:21:09,367 --> 00:21:10,900 ( yelling ) CHARLA! NO! 404 00:21:10,967 --> 00:21:13,700 - NO, DON'T TRY IT! - I'VE DONE THIS BEFORE! 405 00:21:13,767 --> 00:21:16,633 NO NO NO! YOU CAN'T CROSS THE FREEWAY! 406 00:21:16,700 --> 00:21:20,800 YOU CAN'T! GO DOWN THE OFF-RAMP, DEAR, AND THEN WE'LL CROSS OVER! 407 00:21:20,867 --> 00:21:22,734 THIS'LL SAVE US 20 MINUTES! 408 00:21:22,800 --> 00:21:26,834 WELL, I'M GOING DOWN! I'M GOING DOWN THE OFF-RAMP! 409 00:21:26,900 --> 00:21:29,834 JUST-- SHE'S INSANE. 410 00:21:29,900 --> 00:21:33,166 COME ON, VAL. WE'RE GOING TO BE LATE. 411 00:21:33,233 --> 00:21:35,166 LET'S GO! 412 00:21:35,233 --> 00:21:38,133 YOU KNOW, YOU MAY WANT TO RETHINK THE TITLE OF YOUR SHOW. 413 00:21:38,200 --> 00:21:42,100 YOU CAN KEEP THE "LITTLE" PART, BUT YOU'RE A BAD ASSISTANT. 414 00:21:42,166 --> 00:21:45,900 OKAY, IF I WERE AS BAD AN ACTRESS AS YOU ARE AN ASSISTANT, 415 00:21:45,967 --> 00:21:49,367 THEN I WOULDN'T HAVE THE BALLS TO MAKE A COMEBACK. 416 00:21:49,433 --> 00:21:52,533 REALLY, IT'S JUST POOR PLANNING! 417 00:21:52,600 --> 00:21:55,200 I THINK THIS IS PRETTY GOOD PLANNING. 418 00:21:55,266 --> 00:21:58,667 WHAT DOES THAT MEAN, HUH? 419 00:21:58,734 --> 00:22:02,700 WAIT, CHARLA. STOP. 420 00:22:03,967 --> 00:22:07,066 DID YOU-- YOU RAN OUTTA GAS ON PURPOSE. 421 00:22:07,133 --> 00:22:09,200 YOU'RE WELCOME. 422 00:22:09,266 --> 00:22:11,266 JANE, SHE DID IT ON PURPOSE! 423 00:22:11,333 --> 00:22:14,467 THAT IS WAY OUTTA LINE, ALL RIGHT? 424 00:22:14,533 --> 00:22:16,967 WAY-- I HAVE-- I HAVE A MEETING 425 00:22:17,033 --> 00:22:19,433 WITH A TELEVISION CRITIC 426 00:22:19,500 --> 00:22:22,700 THAT NOW I'M GONNA BE LATE FOR BECAUSE OF A STUNT? 427 00:22:22,767 --> 00:22:26,000 OH, THAT IS REALLY UNPROFESSIONAL! 428 00:22:26,066 --> 00:22:28,867 WAKE UP, VAL! THIS IS REALITY TV. 429 00:22:28,934 --> 00:22:30,834 YOU HAVE TO MAKE IT HAPPEN! 430 00:22:30,900 --> 00:22:33,967 NO ONE MANIPULATES MY SHOW! 431 00:22:34,033 --> 00:22:36,767 YOU ARE A VERY DISHONEST LITTLE PERSON. 432 00:22:36,834 --> 00:22:40,800 ALL RIGHT, I'M DONE. I'M DONE HERE, JANE. 433 00:22:40,867 --> 00:22:44,200 SHE CAN WALK ALL THE WAY BACK TO MARRAKECH OR WHATEVER. 434 00:22:44,266 --> 00:22:46,000 I DON'T CARE. LET'S GO. 435 00:22:50,834 --> 00:22:53,767 JANE, YOU HAVE TO MAKE A DECISION NOW, DEAR. 436 00:22:53,834 --> 00:22:55,367 WHAT'S IT GONNA BE? 437 00:22:55,433 --> 00:22:56,967 WHAT SHOW ARE YOU GONNA DO, HUH? 438 00:22:57,033 --> 00:22:59,834 THE SEX AND STUNTS SHOW OR THE DIGNITY SHOW? 439 00:22:59,900 --> 00:23:04,967 BECAUSE THIS ROAD LEADS TO MARY MURPHY AND DIGNITY. 440 00:23:12,567 --> 00:23:14,533 THAT'S A BEACH BUS! IT'S A BEACH-- 441 00:23:14,600 --> 00:23:15,867 IT'S GOING TO THE BEACH! 442 00:23:15,934 --> 00:23:17,967 - WE CAN MAKE IT! - GO! GO! 443 00:23:18,033 --> 00:23:21,567 COME ON, WE CAN MAKE IT! COME ON! 444 00:23:23,200 --> 00:23:26,500 OH! OH! 445 00:23:26,567 --> 00:23:28,166 OW. 446 00:23:28,233 --> 00:23:30,367 SHOOT. WAIT! 447 00:23:30,433 --> 00:23:32,233 OH, IT'S OPEN. LET'S GO! 448 00:23:32,300 --> 00:23:34,667 NO! NO! 449 00:23:34,734 --> 00:23:37,033 YOU STOP! YOU HAVE TO-- 450 00:23:37,100 --> 00:23:39,266 YOU STOP FOR ME! 451 00:23:40,600 --> 00:23:42,033 OPEN UP! 452 00:23:42,100 --> 00:23:44,367 THANK YOU. I-- 453 00:23:44,433 --> 00:23:46,500 MY CREW'S COMING. HOW MUCH IS THIS? 454 00:23:46,567 --> 00:23:49,166 - IT'S 75�. - 75�. 455 00:23:49,233 --> 00:23:52,166 ALL RIGHT, JANE, YOU'RE GONNA HAVE TO PAY, DEAR. 456 00:23:54,000 --> 00:23:55,934 AND WE'RE IN A HURRY. 457 00:23:56,000 --> 00:23:59,200 SO IF YOU COULD JUST GET US TO THE BEACH AS FAST AS YOU CAN. 458 00:23:59,266 --> 00:24:01,467 ALL RIGHT. 459 00:24:01,533 --> 00:24:03,300 WELCOME BACK. 460 00:24:04,800 --> 00:24:08,500 TAKE THIS. AND, JANE, YOU'RE GONNA HAVE TO CALL JASON SILVER 461 00:24:08,567 --> 00:24:10,734 - AND TELL HIM WHAT CHARLA DID. - I WILL. 462 00:24:10,800 --> 00:24:13,467 - WELL, HE NEEDS TO KNOW. - SHE'S A LOOSE CANNON. 463 00:24:13,533 --> 00:24:15,100 YEAH, WELL, HE NEEDS TO KNOW, 464 00:24:15,166 --> 00:24:17,667 'CAUSE THAT'S NOT OUR SHOW. THAT'S NOT WHAT WE'RE DOING. 465 00:24:17,734 --> 00:24:19,734 - Mary: THERE YOU ARE! - OH! 466 00:24:19,800 --> 00:24:22,200 PLEASE, MY PURSE. ( chuckles ) 467 00:24:22,266 --> 00:24:25,033 MARY MURPHY. OH, I'M SO LATE. 468 00:24:25,100 --> 00:24:26,633 I DON'T KNOW, I DON'T DESERVE A HUG. 469 00:24:26,700 --> 00:24:28,567 I DON'T DESERVE IT. 470 00:24:30,333 --> 00:24:32,333 OH, DARLING, I AM SO SORRY. 471 00:24:32,400 --> 00:24:35,000 - HOW ARE YOU? - I'M GOOD. HOW ARE YOU? 472 00:24:35,066 --> 00:24:38,500 I'M GREAT, I'M GREAT. AND THANK YOU SO MUCH FOR MEETING ME IN PERSON LIKE THIS. 473 00:24:38,567 --> 00:24:40,000 I REALLY APPRECIATE IT, YOU KNOW. 474 00:24:40,066 --> 00:24:42,633 - WOULD YOU LIKE SOMETHING TO DRINK? - YES, I WOULD. 475 00:24:42,700 --> 00:24:44,834 ICED TEA, THAT'D BE GOOD, YEAH. 476 00:24:44,900 --> 00:24:47,567 - MM. - YOU'RE BLEEDING! 477 00:24:47,633 --> 00:24:49,800 OOH, UH-HUH. 478 00:24:49,867 --> 00:24:52,233 YEAH, I HAD A LITTLE TROUBLE GETTING HERE. 479 00:24:52,300 --> 00:24:54,033 THE CAR RAN OUT OF GAS 480 00:24:54,100 --> 00:24:57,333 AND THEN I FELL TRYING TO CATCH THE BUS. 481 00:24:57,400 --> 00:25:00,900 I'LL ASK THE WAITER TO BRING ME A BAND-AID OR SOMETHING. 482 00:25:00,967 --> 00:25:04,633 - IT'LL BE FINE. - WELL, AT LEAST YOU'VE GOT SOME FOOTAGE FOR YOUR SHOW. 483 00:25:04,700 --> 00:25:06,467 WELL, ACTUALLY NO. 484 00:25:06,533 --> 00:25:10,133 YOU KNOW, I KNOW THAT'S WHAT EVERYBODY'S DOING, 485 00:25:10,200 --> 00:25:11,934 BUT WE'RE GOING TO BUCK THE TREND. 486 00:25:12,000 --> 00:25:14,633 - CAN YOU? - WELL, I THINK SO. 487 00:25:14,700 --> 00:25:16,300 WE'RE GONNA DO SOMETHING NEW 488 00:25:16,367 --> 00:25:18,367 BY DOING SOMETHING OLD-FASHIONED. 489 00:25:18,433 --> 00:25:20,767 WE'RE GOING TO DO A REALITY SHOW WITH DIGNITY. 490 00:25:20,834 --> 00:25:23,533 OH-HO-HO, THAT WOULD BE REFRESHING. 491 00:25:23,600 --> 00:25:26,166 WOULDN'T IT? THAT'S WHAT THE WORLD NEEDS NOW-- 492 00:25:26,233 --> 00:25:27,767 DIGNITY, SWEET DIGNITY. 493 00:25:27,834 --> 00:25:30,700 - CAN I QUOTE YOU ON THAT? - YEAH, SURE. OF COURSE. 494 00:25:37,333 --> 00:25:39,500 ( Mark moaning ) 495 00:25:39,567 --> 00:25:42,900 OH... OH, YEAH YEAH. 496 00:25:42,967 --> 00:25:46,533 MMM. OH, VAL. 497 00:25:46,600 --> 00:25:49,033 OH, THAT FEELS SO GOOD. 498 00:25:50,667 --> 00:25:52,834 OH YEAH, LICK MY BALLS. 499 00:25:52,900 --> 00:25:56,333 OH YEAH. YEAH. 500 00:25:56,400 --> 00:25:58,667 OH, THAT'S SO GOOD. 501 00:25:59,867 --> 00:26:02,266 OH YEAH. 502 00:26:03,900 --> 00:26:05,600 OH GOD. 503 00:26:05,667 --> 00:26:07,333 - ( clunks ) - OW! 504 00:26:07,400 --> 00:26:09,500 - I'M OKAY, I'M OKAY. - Valerie: OKAY? 505 00:26:09,567 --> 00:26:11,333 ALL RIGHT. 506 00:26:12,900 --> 00:26:14,533 OH, WAIT WAIT WAIT. STOP STOP STOP! 507 00:26:14,600 --> 00:26:17,300 - WHAT? - IS THAT LITTLE BATHROOM CAMERA ON? 508 00:26:17,367 --> 00:26:20,800 NO, OF COURSE NOT. I TURNED IT OFF. 509 00:26:22,000 --> 00:26:25,100 OH, VAL, OH. 510 00:26:26,033 --> 00:26:28,000 OH, IT FEELS SO GOOD. 511 00:26:30,333 --> 00:26:32,000 - ( clunks ) - Valerie: OH! OUCH! 512 00:26:32,066 --> 00:26:33,600 - YOU OKAY? - YEAH. 513 00:26:33,667 --> 00:26:35,266 - Mark: YEAH? - I'M OKAY. 514 00:26:35,333 --> 00:26:37,934 - Mark: YEAH. - HERE, LIFT ME UP ON THE COUNTER. 515 00:26:38,000 --> 00:26:40,867 I WANT TO WATCH MYSELF IN THE MIRROR. 516 00:26:42,767 --> 00:26:44,600 - LIKE THAT? - OH YEAH. 517 00:26:44,667 --> 00:26:46,700 OH, THAT'S GOOD. 518 00:26:46,767 --> 00:26:48,834 ( both moaning ) 519 00:26:50,266 --> 00:26:51,934 - OH YEAH. - YEAH. 520 00:26:52,000 --> 00:26:55,467 - OH, YOU'RE BLOCKING ME. - YEAH, OKAY. 521 00:26:55,533 --> 00:26:57,567 OH, VAL! 522 00:26:57,617 --> 00:27:02,167 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 39247

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