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♪ (tense music)
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(tires screeching)
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(screaming)
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♪ (dramatic music)
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(tires screeching)
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♪ (dramatic music)
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(tires screeching)
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(tires screeching)
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♪ (dramatic music)
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(tires screeching)
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(metal clanking)
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(tires screeching)
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(tires screeching)
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(tires screeching)
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♪ (dramatic music)
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♪ (dramatic music)
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♪ (dramatic music)
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- Rare roast beef follow up and cry.
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- Whoa, that's hot!
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- Okay, you two, come and get it!
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- This roast isn't done well enough!
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(blender whirring)
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There, that should do it!
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- Look what you did to my roast, you blame show-off!
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- Hey you two, cool down!
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- Long as Sue had to attend the science dinner,
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Ben's volunteered to do the cooking.
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- Well if this silly torch hasn't spoiled our dinner,
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let's eat it!
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♪ (dramatic music)
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- Pretty good meal if I do say so mine!
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(blender whirring)
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- What's going on?
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(blender whirring)
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- Feels like a big earthquake!
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(blender whirring)
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- Jump, the Jehansefette!
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(blender whirring)
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- Sit tight, can't last much longer.
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(blender whirring)
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- The shock waves have passed!
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Johnny, fly out and see what happens!
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Flame on!
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(blender whirring)
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♪ (dramatic music)
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- Wow, I can't believe it!
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A whole city block, gone!
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♪ (dramatic music)
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Nobody seems hurt in the street,
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but you'll never believe what I saw!
51
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- Why?
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- I've never seen an earthquake swallow a whole city block!
53
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- Things like that don't just happen!
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Let's get down and investigate!
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Come on!
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♪ (dramatic music)
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I can't see the bottom!
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Lie down and see if you can find it!
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- Okay Reed, flame on!
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♪ (dramatic music)
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- No sign of the bottom yet!
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- Can you see him?
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No, he's out of sight!
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- It must be a mile down!
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I can feel it getting colder!
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Ice all around!
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Better go up before my flame gives out!
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♪ (dramatic music)
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- What did you find out?
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- I couldn't reach the bottom!
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Ice was too thick!
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- Ice down there?
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That doesn't dig yet!
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That was no ordinary earthquake!
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That subterranean ice convinces me of who's behind this!
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Quick! Back to headquarters!
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We must get in touch with Sue!
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♪ (dramatic music)
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Enough of them!
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Now to locate their partner, the Invisible Girl!
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Ah, there she is, at Science Hall, making a speech!
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Now to make her my hostage, I will take her
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as well as some of the most prominent scientists in the world.
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With them as hostages, the world will soon be in my power!
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Now to lower the Science Hall from the surface!
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♪ (dramatic music)
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I shall go to my cabin and welcome my guests!
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♪ (ominous music)
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- Where are we? What's happening?
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- I don't know what I'm talking about!
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- Silence!
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Do as you are told, and no harm will befall you!
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♪ (ominous music)
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There is just one amongst you I want!
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She is the girl member of the Fantastic Four!
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- I'd better get out of here!
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♪ (ominous music)
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(thump)
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- Do you forget that we can find you through our radar sense?
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Careful, do not harm her!
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♪ (ominous music)
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- Come on, Reed!
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Did you know anything about those two earthquakes
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swallowing the two city blocks?
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Speak up!
106
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- I'm almost sure, Ben.
107
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But until I make some more calculations, I won't say.
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- We interrupt this program to bring you pictures
109
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of the hole where the second city block,
110
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this one containing Science Hall, sank out of sight,
111
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with most of the world's outstanding scientists.
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- Hey, Susan, Science Hall!
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- As yet, there is no explanation
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for this strange phenomenon.
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♪ (ominous music)
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- You see, Mr. Richards,
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I am a valuable member of your team in my power,
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as well as all the leading scientists.
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Result, you will do nothing to rectify plans
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for world domination.
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Remember, she stands hostage.
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Goodbye.
123
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- Reed, what will we do?
124
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- We're gonna go get her, that's what.
125
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A mole man would never keep his word on any agreement.
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He was my prime suspect.
127
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Let's get to the Pogo plane hangar.
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♪ (ominous music)
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♪ (ominous music)
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♪ (ominous music)
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- Slide the hatch back, Reed.
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We might have to get out of this great patch.
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- Look sharp, he knows we're coming
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and he'll be ready for us.
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♪ (ominous music)
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- Just a little lower, a little more, there.
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They are in my trap.
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- Take her up, Ben.
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Flame on!
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♪ (ominous music)
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I had a hunch that these controlled spears
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would melt and fall apart.
143
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♪ (ominous music)
144
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Now we get back to Ben and Reed.
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(
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- Where's islander? - Now I'll go out and wait for them.
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- I can't hold her, something's happening.
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We're gonna spin.
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♪ (ominous music)
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- Hang on, I'm gonna try to catch her.
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♪ (ominous music)
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There, got her!
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♪ (ominous music)
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- Who would've believed this?
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It's the Mole Man subterranean hideout.
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It's here that--
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- You're quite right, Mr. Richards.
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I'd advise you to exercise extreme caution
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as you climb down.
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- It's the Mole Man with Sue!
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- Let's rush him!
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- He can't get us all--
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- Hold it!
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Think of Sue.
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- I rather expected you would manage
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to arrive here intact in spite of my little tricks.
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Do not attempt any foolish rescue, Richards.
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- Don't worry about me, Reed.
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He must be stopped from attacking the surface world.
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- He'll be stopped, if not by us by someone else.
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But no harm will be for you, Sue.
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- You are right, there are others.
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But if you value her life,
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prevent others from defying me.
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Now, step out in the clear.
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♪ (ominous music)
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There, that will do.
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I am sending you back to the surface
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to stop the National Guard attempt to destroy me.
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Start the air blast!
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♪ (ominous music)
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- Don't worry, Sue!
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- Goodbye!
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♪ (ominous music)
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- And me without a shoot!
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I'm going to flame on and fly up to the surface.
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I'll catch you when you get there.
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Flame on!
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♪ (ominous music)
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Wow, look at this!
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The National Guard really means business.
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Uh-oh, there's Reed and Ben coming up.
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♪ (ominous music)
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- That's hot!
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♪ (ominous music)
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- What are we gonna do?
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- First thing, find out who's in charge of this outfit.
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Who do you want?
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♪ (ominous music)
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- I said who do you want to see?
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- The commanding officer.
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I must see him quickly.
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I'm Colonel Sombre, in command of this regiment.
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What's the problem?
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- It looks like you're going to attack.
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I want you to hold off for 24 hours so that we...
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The attack starts in one minute!
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Stop it! Call it off!
209
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- All of those people are held as hostage.
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They'll all be killed.
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- Not enough time.
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- Can't get the word around!
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- We can, Colonel, we can!
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- Wait on!
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♪ (ominous music)
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- Barber in time!
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(thunder rumbling)
218
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Hurry up and disarm that thing.
219
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I got some more work to do.
220
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♪ (ominous music)
221
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- Ready to fire!
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(explosions)
223
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(tires screech)
224
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- Close the bomb bay doors!
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We're being towed away!
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(tires screech)
227
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- A bow would look good on this one.
228
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- Hey, that's our new gun barrel!
229
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- Too bad!
230
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Can't you think of him?
231
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We don't want no shooting for a while!
232
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- Mr. Richards, this is the Colonel!
233
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Where are you, Richards?
234
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- Uh-oh, that's the Colonel.
235
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Better get over there.
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Goodbye, fellas, no hard feelings.
237
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Over here, Colonel, here I am!
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(tires screech)
239
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I'm just missing daughters to locate you
240
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and place my command in your hands for the next 24 hours.
241
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- Excellent, Colonel.
242
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- But all you have to do is stand by.
243
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We have to go to our headquarters for special equipment.
244
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- Ben, Johnny!
245
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- Back to the headquarters on the double.
246
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Come on!
247
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- Come in, boys.
248
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- Meet you there, Reed.
249
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Flame on!
250
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(explosion)
251
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(tires screech)
252
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(explosions)
253
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(piano music)
254
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- You think this thing will work?
255
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- Don't know.
256
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I hope my calculations are correct.
257
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I have no time for tests.
258
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- Hold still while I solder this last wire.
259
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(explosions)
260
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That does it.
261
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- Now, if all this works, we should be able to locate
262
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where the old man is holding Sue and surprise him.
263
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- Why don't we just take the other Pogo plane
264
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and go back down there and attack?
265
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- That's what he expects us to do.
266
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We wouldn't stand a chance.
267
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- Hurry up, you two.
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I have to hover cycle down on the sidewalk.
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Time's a waste and let's go.
270
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- Right, Ben.
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(tense music)
272
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- Getting a reading yet?
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- I think so.
274
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Yes, I got her.
275
00:13:28,520 --> 00:13:30,380
Now to plot the angle and compass heading.
276
00:13:30,380 --> 00:13:32,880
(tense music)
277
00:13:32,880 --> 00:13:34,960
The heading is due north.
278
00:13:34,960 --> 00:13:37,520
And our down angle from here is...
279
00:13:37,520 --> 00:13:39,260
is 165.
280
00:13:39,260 --> 00:13:40,600
Got it, Johnny?
281
00:13:40,600 --> 00:13:42,260
- I have a fix.
282
00:13:42,260 --> 00:13:44,360
When shall I start printing the tunnel?
283
00:13:44,360 --> 00:13:45,800
- Speed it up, you two.
284
00:13:45,800 --> 00:13:47,840
Susie's weight, coming.
285
00:13:47,840 --> 00:13:50,580
- Okay, Johnny, wait till we're airborne.
286
00:13:50,580 --> 00:13:52,380
- Then start your tunnel.
287
00:13:52,380 --> 00:13:54,140
- We'll be right behind you.
288
00:13:54,140 --> 00:13:55,140
- Got it.
289
00:13:55,140 --> 00:13:57,820
(explosion)
290
00:13:57,820 --> 00:13:59,140
(tense music)
291
00:13:59,140 --> 00:14:00,180
- All set?
292
00:14:00,180 --> 00:14:01,020
- Okay.
293
00:14:01,020 --> 00:14:03,760
(tense music)
294
00:14:03,760 --> 00:14:04,680
- Bring it on!
295
00:14:04,680 --> 00:14:19,100
(tense music)
296
00:14:19,100 --> 00:14:21,700
- Escape is quite impossible.
297
00:14:21,700 --> 00:14:24,100
You remain locked in the rock crystal cage
298
00:14:24,100 --> 00:14:27,080
until I conquer the world.
299
00:14:27,080 --> 00:14:30,580
(tense music)
300
00:14:30,580 --> 00:14:34,420
- No one realizes how truly powerful the mole man is.
301
00:14:34,420 --> 00:14:35,720
- What am I to do?
302
00:14:35,720 --> 00:14:38,160
(tense music)
303
00:14:38,160 --> 00:14:41,160
- Boy, that hothead is sure poor in the hole.
304
00:14:41,160 --> 00:14:42,720
We oughta catch him soon.
305
00:14:42,720 --> 00:14:46,720
(tense music)
306
00:14:46,720 --> 00:14:51,340
(explosion)
307
00:14:51,340 --> 00:14:52,840
- I'm getting close to Sue.
308
00:14:52,840 --> 00:14:54,540
Better slow down.
309
00:14:54,540 --> 00:14:58,480
(explosion)
310
00:14:58,480 --> 00:14:59,440
- Johnny!
311
00:14:59,440 --> 00:15:00,380
- Come on, Sue.
312
00:15:00,380 --> 00:15:02,180
Ray and Ben are right behind me.
313
00:15:02,180 --> 00:15:03,280
- Oh, Johnny!
314
00:15:03,280 --> 00:15:07,180
(tense music)
315
00:15:07,180 --> 00:15:08,380
- The alarm!
316
00:15:08,380 --> 00:15:11,220
Who dares attack after I warn them?
317
00:15:11,220 --> 00:15:13,760
It can't be the Fantastic Four.
318
00:15:13,760 --> 00:15:16,820
The attack is in the rock crystal labyrinth.
319
00:15:16,820 --> 00:15:21,300
Whoever it is will soon learn the price of such folly.
320
00:15:21,300 --> 00:15:22,500
After them!
321
00:15:22,500 --> 00:15:31,600
(tense music)
322
00:15:31,600 --> 00:15:33,380
(tense music)
323
00:15:33,380 --> 00:15:35,640
- It's clobberin' time.
324
00:15:35,640 --> 00:15:37,080
I sense it.
325
00:15:37,080 --> 00:15:38,920
- Hey, Ray, Ben!
326
00:15:38,920 --> 00:15:42,120
I got Sue out okay, but we better get out of here.
327
00:15:42,120 --> 00:15:44,480
I heard alarms going off in there.
328
00:15:44,480 --> 00:15:46,020
- Well, let's go.
329
00:15:46,020 --> 00:15:47,460
Down this tunnel.
330
00:15:47,460 --> 00:15:51,260
(tense music)
331
00:15:51,260 --> 00:15:54,160
There's an opening.
332
00:15:54,160 --> 00:15:55,100
Slow down.
333
00:15:55,100 --> 00:15:56,840
Don't bust out in the open.
334
00:15:56,840 --> 00:15:58,140
Easy.
335
00:15:58,140 --> 00:16:00,500
(tense music)
336
00:16:00,500 --> 00:16:02,780
- There's the buildings and the people.
337
00:16:02,780 --> 00:16:06,440
- Yes, and we must locate them all man's master controls
338
00:16:06,440 --> 00:16:08,740
and reverse the machinery.
339
00:16:08,740 --> 00:16:10,940
- Get set, everybody.
340
00:16:10,940 --> 00:16:12,780
Someone's watching me.
341
00:16:12,780 --> 00:16:15,020
(tense music)
342
00:16:15,020 --> 00:16:17,280
- Sue, your force field.
343
00:16:17,280 --> 00:16:20,520
(tense music)
344
00:16:20,520 --> 00:16:22,500
And you defuse your force field.
345
00:16:22,500 --> 00:16:23,320
- Yes!
346
00:16:23,320 --> 00:16:33,680
(tense music)
347
00:16:33,680 --> 00:16:36,640
- Quick, into the building.
348
00:16:36,640 --> 00:16:38,680
This is it.
349
00:16:38,680 --> 00:16:40,080
We found it.
350
00:16:40,080 --> 00:16:44,120
(tense music)
351
00:16:44,120 --> 00:16:46,420
- Let me weld it into a chunk of iron.
352
00:16:46,420 --> 00:16:48,920
- Let me rip it all out, not yet.
353
00:16:48,920 --> 00:16:50,660
- First, we must find the control panel
354
00:16:50,660 --> 00:16:52,760
and raise those buildings back to the surface.
355
00:16:52,760 --> 00:16:54,920
- Turn invisible and get over to the building.
356
00:16:54,920 --> 00:16:56,820
Tell them to stay inside.
357
00:16:56,820 --> 00:16:57,820
- Okay, Reed.
358
00:16:57,820 --> 00:16:58,700
- Be careful.
359
00:16:58,700 --> 00:16:59,500
- Right.
360
00:16:59,500 --> 00:17:01,360
- Let's find that control panel.
361
00:17:01,360 --> 00:17:02,360
- Yeah.
362
00:17:02,360 --> 00:17:03,860
- I think it's this direction.
363
00:17:03,860 --> 00:17:06,040
All the lines lead this way.
364
00:17:06,040 --> 00:17:08,640
- Be ready with the sink array.
365
00:17:08,640 --> 00:17:11,240
The approach from the main power room.
366
00:17:11,240 --> 00:17:13,340
(water bubbling)
367
00:17:13,340 --> 00:17:15,380
You fire too soon.
368
00:17:15,380 --> 00:17:17,520
- Giant Zeta particles.
369
00:17:17,520 --> 00:17:18,980
- I can dodge those.
370
00:17:18,980 --> 00:17:19,820
Here goes.
371
00:17:20,820 --> 00:17:22,780
- Shoot him, now's our chance.
372
00:17:22,780 --> 00:17:23,620
Let's go.
373
00:17:24,860 --> 00:17:26,020
Stop.
374
00:17:26,020 --> 00:17:27,120
Get out of there.
375
00:17:28,160 --> 00:17:30,300
(water splashing)
376
00:17:30,300 --> 00:17:31,720
- Might as well finish it.
377
00:17:31,720 --> 00:17:34,200
(water bubbling)
378
00:17:34,200 --> 00:17:36,460
- I must get to my safety dome.
379
00:17:37,460 --> 00:17:41,000
(tense music)
380
00:17:41,000 --> 00:17:43,940
- I got the Zeta gun, but the mow man got away.
381
00:17:43,940 --> 00:17:46,280
- We'll raise the buildings and then find him.
382
00:17:47,840 --> 00:17:49,980
There, that should do it.
383
00:17:49,980 --> 00:17:51,240
(water bubbling)
384
00:17:51,240 --> 00:17:52,720
- Diddy, everyone.
385
00:17:52,720 --> 00:17:55,220
(tense music)
386
00:18:01,160 --> 00:18:04,120
- There they go, and Sue is safely with them.
387
00:18:04,120 --> 00:18:06,120
- They are at my controls.
388
00:18:06,120 --> 00:18:07,160
- My work.
389
00:18:07,160 --> 00:18:10,000
- My plans all lost.
390
00:18:10,000 --> 00:18:12,260
But I'll destroy them.
391
00:18:12,260 --> 00:18:14,200
- Come on, let's get out of this control room
392
00:18:14,200 --> 00:18:16,000
and back up to the hover cycle.
393
00:18:16,000 --> 00:18:17,440
He might blow up this room.
394
00:18:17,440 --> 00:18:18,300
- To the cave.
395
00:18:20,340 --> 00:18:23,240
(explosions booming)
396
00:18:23,240 --> 00:18:24,480
- I'll finish them.
397
00:18:24,480 --> 00:18:25,720
They won't escape.
398
00:18:25,720 --> 00:18:27,420
They've ruined me.
399
00:18:27,420 --> 00:18:30,420
(explosion booming)
400
00:18:30,420 --> 00:18:33,420
(explosion booming)
401
00:18:35,660 --> 00:18:38,520
- If he keeps that up, he'll set off a chain reaction.
402
00:18:38,520 --> 00:18:41,520
(explosion booming)
403
00:18:47,700 --> 00:18:49,840
- Ben, are you playing a joke?
404
00:18:49,840 --> 00:18:50,940
- Are you kidding?
405
00:18:50,940 --> 00:18:53,540
(explosion booming)
406
00:18:53,540 --> 00:18:56,440
You think I'd joke when this whole cave is blowing up?
407
00:18:56,440 --> 00:18:59,440
(explosion booming)
408
00:19:00,420 --> 00:19:02,820
- There she goes, hang on!
409
00:19:02,820 --> 00:19:05,820
(explosion booming)
410
00:19:11,820 --> 00:19:15,300
- Hey, the buildings are all back!
411
00:19:15,300 --> 00:19:18,060
What'll we do, go back to headquarters?
412
00:19:18,060 --> 00:19:20,540
- No, let's go see the Colonel and get sued.
413
00:19:20,540 --> 00:19:23,300
(dramatic music)
414
00:19:27,480 --> 00:19:29,780
And so, Colonel, the more man actually blew up
415
00:19:29,780 --> 00:19:31,280
his whole domain.
416
00:19:31,280 --> 00:19:33,120
I believe it's the end of it.
417
00:19:33,120 --> 00:19:36,280
At any rate, we know his dreams of world conquest are ended.
418
00:19:38,180 --> 00:19:39,780
- Who would've thought it?
419
00:19:39,780 --> 00:19:42,560
- A ticket thing parade for us.
420
00:19:42,560 --> 00:19:44,420
- Don't get too inflated over it.
421
00:19:44,420 --> 00:19:45,660
- Huh?
422
00:19:45,660 --> 00:19:47,860
- You still have a job to do after the parade.
423
00:19:47,860 --> 00:19:49,300
- What's that?
424
00:19:49,300 --> 00:19:50,140
- What's that?
425
00:19:50,140 --> 00:19:51,360
- Uh-oh.
426
00:19:51,360 --> 00:19:53,160
- You've gotta undo those two tanks
427
00:19:53,160 --> 00:19:54,800
that you tied together yesterday.
428
00:19:57,480 --> 00:20:00,080
- Oh, my egg is bad.
429
00:20:00,080 --> 00:20:02,840
(dramatic music)
430
00:20:06,120 --> 00:20:09,120
(explosion booming)
431
00:20:17,860 --> 00:20:20,500
(dramatic music)
432
00:20:20,500 --> 00:20:23,260
(sirens blaring)
433
00:20:23,260 --> 00:20:25,940
(sirens blaring)
434
00:20:25,940 --> 00:20:28,700
(dramatic music)
435
00:20:30,700 --> 00:20:33,680
(explosion booming)
436
00:20:33,680 --> 00:20:36,440
(dramatic music)
437
00:20:36,440 --> 00:20:39,340
(bubbles popping)
438
00:20:39,340 --> 00:20:42,420
(explosion booming)
439
00:20:42,420 --> 00:20:45,080
(sirens blaring)
440
00:20:45,080 --> 00:20:47,820
(dramatic music)
441
00:20:47,820 --> 00:20:50,800
(explosion booming)
442
00:20:50,800 --> 00:20:53,560
(dramatic music)
443
00:20:53,560 --> 00:20:56,600
(explosion booming)
444
00:20:56,600 --> 00:20:59,360
(dramatic music)
29540
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