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[MUSIC PLAYING]
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[MUSIC PLAYING]
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Ouch.
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[MUSIC PLAYING]
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Good work, Sue.
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You've increased your force field 100%.
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Sue, do you think you're able to withstand
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a five ton collision?
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I'd like to complete these tests.
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I'm not tired, Reed.
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Give it all you've got, Ben.
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Oh, this is kid stuff.
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Step aside, Susie Gal.
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You withstood the equivalent of a 10 ton blockbuster.
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I feel like I'm the one with the busted block.
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And we're getting complaints.
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They want to know what hit the place.
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I guess the impact was even too much for the shock proof walls.
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Better lay off the heavy testing for now, Ben.
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That's the trouble with this place.
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Right in the heart of town.
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We can never have any fun without 100 people calling to complain.
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I've been giving this problem some thought lately,
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and I feel we need a safer location
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for some of our more dangerous experiments.
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You mean someplace like the countryside?
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Sounds great.
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No, Johnny.
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Even the countryside might not be safe enough for certain experiments.
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What we need is something like this.
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I got this pamphlet in the mail today quite by coincidence.
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It tells of a small deserted island for sale off the coast.
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It's for sale, Chief.
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Our own island, Reed?
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Isn't it exciting?
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It almost sounds too good to be true.
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I wonder who sent us that pamphlet.
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Who cares?
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Come on, chums.
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Let's take our amphibious Yukar and go buy us an island.
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♪♪
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A Fantastic Four should be on their way now.
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When they arrive, I shall give them a royal welcome.
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♪♪
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According to our radar, there's land dead ahead.
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It's the island, and no wonder it's for sale, Chief.
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What do you mean, Ben?
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Well, it's surrounded by a reef,
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and it looks too rugged to land on from above.
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We'd better surface up close and take a look.
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Yukar surfacing?
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Roger.
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Good ol' caller.
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Roger, all power off.
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♪♪
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I'll check over the island.
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♪♪
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Sir.
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Hey, charge!
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You'd better melt up an opening through this reef.
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Gotcha, Chief.
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Flame on!
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♪♪
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Some guys have all the fun.
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♪♪
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Nice work, Johnny boy.
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Here, Sue, I'll lend you a hand.
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♪♪
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There's something about this place that gives me the creeps.
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♪♪
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This place looks like the dark side of the moon.
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I'll admit it looks weird,
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but at least we'll have some privacy here.
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Reed, I seem to sense the presence of others.
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The island is supposed to be deserted, and yet...
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Maybe Susie's right, Stretcho.
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Look, something's happening to the Yukar.
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It's sinking.
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Well, something is pulling it down.
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I'll take a look.
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Johnny!
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Oh, no!
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The water's put its wings out.
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Hold onto my legs, Ben.
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I'm going after Johnny.
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Check, string bean.
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♪♪
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Keep going!
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♪♪
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Good work, Ben.
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You are steady as a rock.
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Ah, it was nothing.
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How's Junior?
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I'll survive, thanks to you two.
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Oh, Johnny, I'm so glad you're all right.
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But what happened to the Yukar?
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I'm not sure, but just before I blacked out,
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I could swear I saw a large clamp pulling the Yukar
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into some sort of underwater cave.
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Hmm.
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Perhaps Sue was right.
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We'd better...
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You bet your boots she's right.
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Look, somebody's hiding up there watching us.
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Maybe he's stuck to Yukar.
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Let's get him.
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♪♪
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Careful.
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He may be leading up into a trap.
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If he's looking for trouble,
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old blue-eyed Ben's here, he'll be glad to apply.
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♪♪
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Oh, really?
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The entrance.
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I'll throw some light on the problem.
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Play 'em on!
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Thanks, Aunt John.
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I'll put your way out of here in no time.
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♪♪
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Save your energy, Ben.
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We're crying out loud.
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Look who it is.
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It's...it's the Mole Man.
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Yes, it is I, the Great Mole Man.
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Welcome to my kingdom of subterranean.
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♪♪
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I should have known that island for sale.
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Add was a trick.
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A trick that worked, I might add.
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♪♪
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And now, my fantastic fools,
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I have prepared a few surprises for you.
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A slight move of this lever and...
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[ Laughs ]
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We're falling!
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Hey!
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I have made sure you shall never escape me again.
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Something is slowing us down.
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It's some sort of air pressure to break out balls.
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So far, so good.
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I guess old Mole Man wants us alive,
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at least for a while longer.
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But what is Mole Man after?
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There's one way to find out.
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I'm going to go over to that wall
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and find me a few heads to not forget.
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Ben, get back.
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That wall is starting to close.
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It's radio active.
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All right, all right.
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Get the message.
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Oh, look!
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There's the Mole Man.
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Don't move, anyone.
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We'd better find out what he's up to before we act.
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Too bad the impetuous thingy failed to destroy himself.
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My subjects and I could have been amused by this sight.
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[ Laughs ]
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And now, you are wondering what my purpose is in capturing you.
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Observe the monitor screen on yonder wall.
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Since our last encounter, when you thought I had perished,
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I have been busy rebuilding my under-Earth network of tunnels
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with the aid of my subjects.
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We now have a complete subterranean panel system
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to every important world capital.
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I have built giant hydraulic platforms
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under these world cities.
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At a signal from me,
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any one of these key cities will be lowered
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to a point many miles beneath the Earth's surface.
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Naturally, the nations of the world
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will panic.
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At this moment, I will emerge with my followers
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and take over the entire surface world.
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To make my triumph complete,
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you four, who have stopped me in the past,
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will witness my victory over the world you have pledged to defend.
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Quick, sir. You're invisible force field.
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It's our only chance.
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You'll never get away with this mad plan of yours, Mole Man.
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You're stalling for time, Mr. Fantastic, but it's no use.
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You are powerless to stop me.
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What's this?
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Something is preventing me from pushing this button.
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This is impossible.
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Nothing shall stop the Mole Man.
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It's working, Susie baby.
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I'm not sure how much longer I can hold it.
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Now that he's distracted, we must act swiftly.
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Everybody stand close to me.
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Now quickly, sir, put the full force of your invisible field around us.
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What's the plan, Reed?
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If Sus' force field can shield us long enough,
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I think I can bounce us over the radioactive wall.
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Here, go.
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We did it.
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What happened?
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It's clobbering time.
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I'll handle you, zombie.
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Reed, go after Mole Man.
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Coming through, fellas.
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I'll take a shortcut.
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It's all over, Mole Man.
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Shut up! Be careful!
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He's pulling that cord!
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Not careful enough, my impetuous torch.
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Let's see how well your flame works in the vacuum chamber.
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I am prepared for you.
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Can't keep... flame on.
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Reed, stretch your arms and grab me!
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Hang on, Johnny!
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All right, Sue, bang, run!
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There may be other trap doors.
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Clever deduction, Mr. Fantastic.
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Right you are.
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And now you are all precisely where I want you.
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Look out below!
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This isn't so bad.
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It's like it's authentic cotton.
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Now to get out of here.
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Uh-oh.
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Now I get it.
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The harder I try to get out,
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the deeper I go.
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It's like quips, then.
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Honey, get out somehow.
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Hey, what's this?
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It's rusted tight,
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but not tight enough to keep all handsome.
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Benji!
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Come tell my bastards.
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Old Mole Face must have forgotten about this tunnel.
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That was his first mistake.
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The furniture, the drapes,
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everything I try to touch is unreal.
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It's enjoyable watching you try to escape.
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In exactly 20 seconds,
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you will be put to sleep with a very special nerve gas.
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Farewell, white pretty girl.
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Everything is illusionary,
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except the nerve gas.
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Must concentrate my force field into one crashing blow.
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Made it.
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Just in time.
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I'd better become invisible while I look for the others.
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These walls are absolutely escape proof.
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But I must find a way.
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I'll make way to squeeze out.
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What's conserving it?
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Now, by holding my breath and flexing my muscles, not sleep.
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I did it!
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I must find the others.
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What's this?
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I've broken through to what looks like the mole man's main control room.
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What a stroke of luck.
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Now I'll just rearrange a few of these circuits.
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It's... it's no use.
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That mole man has devised some sort of circuit.
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Every time I try to fling on, I...
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Oh, frost.
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It's getting colder.
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Can't last much longer.
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Got to find a way out.
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Can't let the others down.
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Where does this thing come out?
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Little Benji boy is in for some fun and gas.
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What's that?
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Four tags.
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Unless I count it wrong.
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That's the dangerous signal for the ever-loving, fantastic four.
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I might've known I'd find you lying down on the job.
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Hey, kid, you're really hurt.
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I was never so glad to see that big ugly face of yours.
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Thanks, Ben.
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Can you get that fire of yours going?
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00:13:56,000 --> 00:13:59,000
'Cause something tells me we're gonna be needing it.
277
00:13:59,000 --> 00:14:01,000
Like right now.
278
00:14:07,000 --> 00:14:09,000
It's clobberin' time.
279
00:14:10,000 --> 00:14:12,000
One at a time, chance.
280
00:14:12,000 --> 00:14:15,000
There's enough punches to go around.
281
00:14:17,000 --> 00:14:19,000
Flame on.
282
00:14:20,000 --> 00:14:21,000
I did it.
283
00:14:21,000 --> 00:14:23,000
Step aside, Ben.
284
00:14:24,000 --> 00:14:26,000
We can't stop to take over.
285
00:14:39,000 --> 00:14:41,000
Go to it, Johnny boy.
286
00:14:41,000 --> 00:14:44,000
I'll join you as soon as I find Susie and Reeve.
287
00:14:47,000 --> 00:14:48,000
Aha!
288
00:14:48,000 --> 00:14:52,000
I got me a feeling I'm gonna find Mole Man behind that door.
289
00:14:52,000 --> 00:14:55,000
I only hope I'm not too late to help the others.
290
00:14:55,000 --> 00:14:56,000
Blast!
291
00:14:56,000 --> 00:14:59,000
Those four middlers have somehow escaped.
292
00:14:59,000 --> 00:15:01,000
Search the entire area.
293
00:15:01,000 --> 00:15:04,000
They must not impede my plans.
294
00:15:05,000 --> 00:15:07,000
Your plan!
295
00:15:07,000 --> 00:15:10,000
Your plans just ran into a brick wall.
296
00:15:10,000 --> 00:15:13,000
Namely, the effin' lovin' thing.
297
00:15:13,000 --> 00:15:16,000
And this time you won't use your trap doors on me.
298
00:15:16,000 --> 00:15:18,000
Attack the thing?
299
00:15:18,000 --> 00:15:20,000
I, your master, command you.
300
00:15:20,000 --> 00:15:24,000
I hate to do this to you poor guys, 'cause you don't know any better.
301
00:15:24,000 --> 00:15:26,000
But here goes.
302
00:15:29,000 --> 00:15:32,000
Oh, you overcome my master defenses.
303
00:15:32,000 --> 00:15:40,000
But I, Mole Man, have one tactic that will bring final victory over even the brute thing.
304
00:15:40,000 --> 00:15:42,000
Stop, you bluffin' molehead.
305
00:15:42,000 --> 00:15:44,000
You elected it.
306
00:15:44,000 --> 00:15:46,000
Hey, I can't see.
307
00:15:46,000 --> 00:15:48,000
Precisely, lumbering ox.
308
00:15:48,000 --> 00:15:53,000
You are powerless in the dark while I present the highly developed radar set.
309
00:15:55,000 --> 00:15:57,000
I can't see.
310
00:15:58,000 --> 00:16:01,000
Thus, you are once again at my mercy.
311
00:16:01,000 --> 00:16:04,000
Where are you, you overblown backup?
312
00:16:04,000 --> 00:16:07,000
For you, the bottomless pit.
313
00:16:18,000 --> 00:16:20,000
Did you read it?
314
00:16:20,000 --> 00:16:23,000
Pull yourself up, Ben. Quickly.
315
00:16:23,000 --> 00:16:25,000
I don't know how long I can hold your weight.
316
00:16:25,000 --> 00:16:27,000
Blast you, Reed.
317
00:16:27,000 --> 00:16:29,000
I've had enough of your middly.
318
00:16:29,000 --> 00:16:31,000
Too slow, Mole Man.
319
00:16:31,000 --> 00:16:34,000
I may not be able to see in the dark, but I could hear that coming.
320
00:16:34,000 --> 00:16:36,000
Thanks, Truncho.
321
00:16:36,000 --> 00:16:38,000
I know you're here somewhere, Mole Man.
322
00:16:38,000 --> 00:16:41,000
So if I connect just one haymaker...
323
00:16:42,000 --> 00:16:44,000
Careful, Ben. You'll have us fighting each other.
324
00:16:44,000 --> 00:16:46,000
But where is he?
325
00:16:46,000 --> 00:16:52,000
Ah, before you can find me, you'll be crushed beneath a ten-ton boulder.
326
00:16:56,000 --> 00:16:58,000
Quick, Ben. Flap me against the wall.
327
00:16:58,000 --> 00:17:00,000
Too late. We've had it.
328
00:17:13,000 --> 00:17:15,000
Bullseye!
329
00:17:15,000 --> 00:17:17,000
Right eye target, Johnny. Fight!
330
00:17:17,000 --> 00:17:19,000
Keep your fire burning, kid.
331
00:17:19,000 --> 00:17:23,000
I got a little unfinished business with Mole Head over there.
332
00:17:23,000 --> 00:17:26,000
You have interfered once too often, Ben.
333
00:17:26,000 --> 00:17:29,000
A push of this button in all the major cities of the world
334
00:17:29,000 --> 00:17:33,000
will disappear into the Earth forever.
335
00:17:33,000 --> 00:17:35,000
Hey, what's up?
336
00:17:35,000 --> 00:17:38,000
Since you arrived just in the next of time...
337
00:17:38,000 --> 00:17:39,000
I found the Yukar.
338
00:17:39,000 --> 00:17:41,000
And what are we waiting for?
339
00:17:41,000 --> 00:17:45,000
Let's take this character and put him where he belongs, behind bars.
340
00:17:45,000 --> 00:17:49,000
You've escaped my mini traps, but final victory shall be mine.
341
00:17:49,000 --> 00:17:52,000
This shoot leads to my master control room.
342
00:17:52,000 --> 00:17:57,000
Not even your powers can prevent me from throwing the master switch.
343
00:17:58,000 --> 00:18:00,000
You shall have no world to save.
344
00:18:00,000 --> 00:18:03,000
The mystery is mine.
345
00:18:03,000 --> 00:18:05,000
Stretch down and stop him, Reed.
346
00:18:05,000 --> 00:18:07,000
No, Johnny. Let him go.
347
00:18:07,000 --> 00:18:10,000
What? Some leader you are.
348
00:18:10,000 --> 00:18:12,000
Chickening out at a time like this.
349
00:18:12,000 --> 00:18:15,000
We've got to stop the Mole Man from sinking our city.
350
00:18:15,000 --> 00:18:16,000
No time to explain.
351
00:18:16,000 --> 00:18:19,000
Quickly soon. Lead us to the Yukar.
352
00:18:19,000 --> 00:18:21,000
We've got to get off this island now.
353
00:18:23,000 --> 00:18:26,000
The more of Mole Man's troops.
354
00:18:31,000 --> 00:18:34,000
You three follow me. I'll run into appearance.
355
00:18:39,000 --> 00:18:41,000
Quick, you two. Inside.
356
00:18:41,000 --> 00:18:43,000
Knock it off, Ben. We can't waste a moment.
357
00:18:43,000 --> 00:18:46,000
Ah, just when I was warming up.
358
00:18:49,000 --> 00:18:51,000
That'll hold him for a while.
359
00:18:51,000 --> 00:18:55,000
Okay. Get those turbines going and let's get out of here.
360
00:19:01,000 --> 00:19:04,000
I'm sure you know something you haven't told us.
361
00:19:04,000 --> 00:19:08,000
I think we're a safe enough distance away to explain my haste in getting out of there.
362
00:19:08,000 --> 00:19:10,000
I sure hope you have a good reason.
363
00:19:10,000 --> 00:19:12,000
All right. Here it is.
364
00:19:12,000 --> 00:19:16,000
I found Mole Man's master control room and rearranged the circuits.
365
00:19:16,000 --> 00:19:18,000
He can't possibly sink the city.
366
00:19:18,000 --> 00:19:21,000
But why did we have to leave so quickly?
367
00:19:21,000 --> 00:19:23,000
What will we do about Mole Man?
368
00:19:23,000 --> 00:19:27,000
It looks like Mole Man has taken that job off our hands, Susie.
369
00:19:27,000 --> 00:19:29,000
Look here.
370
00:19:30,000 --> 00:19:34,000
Right, Ben. Once he threw the switch, he set his own island
371
00:19:34,000 --> 00:19:37,000
with all its deadly weapons to the center of the Earth.
372
00:19:38,000 --> 00:19:41,000
I think we've seen the last of the maniacal Mole Man.
373
00:19:41,000 --> 00:19:43,000
I hope so, Reed.
374
00:19:43,000 --> 00:19:45,000
Yeah, good riddance.
375
00:19:45,000 --> 00:19:48,000
Full speed ahead. We've still got a job to do.
376
00:19:48,000 --> 00:19:50,000
What's that, Reed?
377
00:19:50,000 --> 00:19:53,000
Why, we're still looking for an island to conduct our experiments.
378
00:19:53,000 --> 00:19:55,000
Oh, no!
379
00:20:15,000 --> 00:20:18,000
(SIREN WAILING)
380
00:20:46,000 --> 00:20:48,000
(HORSE WHINNYING)
27080
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