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00:00:01,501 --> 00:00:03,294
PREVIOUSLY ON
"CRIMINAL MINDS"...
2
00:00:03,378 --> 00:00:04,963
PRENTISS: OUR UNSUB
IS EVERETT LYNCH.
3
00:00:05,046 --> 00:00:07,090
HE'S A CONMAN WHO
SLICES OFF THE FACES
4
00:00:07,173 --> 00:00:08,758
OF THE WOMEN HE SEDUCES.
5
00:00:08,842 --> 00:00:10,760
ROSSI: THIS WAS THE FIRST
TIME THAT I WAS BEATEN
6
00:00:10,844 --> 00:00:15,098
BY SOMEONE YOUNGER,
FASTER, STRONGER THAN I AM.
7
00:00:15,181 --> 00:00:18,226
EVERETT LYNCH WAS
THE FBI's MOST WANTED.
8
00:00:18,309 --> 00:00:21,271
HE REMAINED AT LARGE
UNTIL WE CAUGHT UP WITH HIM.
9
00:00:21,354 --> 00:00:22,439
[SIRENS]
10
00:00:22,522 --> 00:00:24,649
CAPTAIN MONTERO, BREACH.
11
00:00:28,027 --> 00:00:29,612
ROSSI: HE DIED IN
AN EXPLOSION,
12
00:00:29,696 --> 00:00:31,948
ALONG WITH 6
OF OUR AGENTS.
13
00:00:32,031 --> 00:00:34,075
REID: IT DOESN'T
MAKE SENSE TO ME.
14
00:00:34,159 --> 00:00:36,077
I DON'T UNDERSTAND HOW
THAT TYPE OF PERSONALITY
15
00:00:36,161 --> 00:00:38,413
CAN CHOOSE TO BLOW ITSELF UP.
16
00:00:38,496 --> 00:00:40,790
IF HE COULD GET
TO A TUNNEL.
17
00:00:44,377 --> 00:00:47,964
LYNCH IS STILL ALIVE.
18
00:00:54,387 --> 00:00:56,473
[DING]
19
00:01:01,227 --> 00:01:03,188
MORGAN: WELL, YOU KNOW,
YOU BETTER THANK
YOUR MAN UPSTAIRS
20
00:01:03,271 --> 00:01:04,564
FOR MAKING IT
THE WHOLE TEAM,
21
00:01:04,647 --> 00:01:06,483
OTHERWISE YOU KNOW
THEY'D FIND A REASON TO
BRING US BACK UP IN HERE.
22
00:01:06,566 --> 00:01:08,318
GREENAWAY: WHY?
THEY GOT OTHER TEAMS.
23
00:01:08,401 --> 00:01:09,652
OK, YOU CAN GO ON BELIEVING
THAT IF YOU WANT TO,
24
00:01:09,736 --> 00:01:12,322
BUT I AM NOT ANSWERING
MY CELLPHONE.
25
00:01:09,736 --> 00:01:12,322
OK.
26
00:01:12,405 --> 00:01:14,616
OH, THERE HE IS.
27
00:01:14,699 --> 00:01:16,493
PRETTY BOY.
28
00:01:16,576 --> 00:01:17,827
LAST CHANCE.
29
00:01:17,911 --> 00:01:20,622
I CAN GET MY MAN TO
SWING YOU A HOTEL ROOM
FOR PRACTICALLY NOTHING.
30
00:01:20,705 --> 00:01:22,707
EVEN YOU MIGHT GET
A LITTLE LOVING OUT THERE.
31
00:01:22,791 --> 00:01:24,167
THANKS ANYWAY.
32
00:01:24,250 --> 00:01:25,502
COME ON, REID.
LIVE A LITTLE, HUH?
33
00:01:25,585 --> 00:01:27,003
I HAVE TO GO--
GOING HOME.
34
00:01:27,086 --> 00:01:28,171
HAVE A GOOD ONE, GUYS.
35
00:01:28,254 --> 00:01:30,173
BYE.
36
00:01:32,383 --> 00:01:33,968
HE LOOK OK TO YOU?
37
00:01:34,052 --> 00:01:35,261
HE LOOKS ABOUT
THE WAY I WOULD
38
00:01:35,345 --> 00:01:37,055
IF I WAS GONNA SPEND
TWO WEEKS WITH MY FAMILY.
39
00:01:37,138 --> 00:01:39,182
HEY, DON'T KNOCK FAMILY.
I'M GONNA GET NOTHING BUT
40
00:01:39,265 --> 00:01:40,558
FOR THE NEXT 336 HOURS.
41
00:01:40,642 --> 00:01:42,143
MORGAN: HEY,
GOOD FOR YOU.
42
00:01:42,227 --> 00:01:44,020
HALEY'S GOT A LIST
OF CHORES A MILE LONG,
AND I CAN'T WAIT.
43
00:01:44,103 --> 00:01:46,022
THE BIGGEST DECISION
I GOT TO MAKE IS WHAT
I'M GONNA DO FIRST.
44
00:01:46,105 --> 00:01:48,358
I BET YOU SHE HAS A THOUGHT
OR TWO ABOUT THAT AS WELL.
45
00:01:48,441 --> 00:01:49,651
BRING IT ON!
46
00:01:49,734 --> 00:01:50,693
I'LL BE LOST
IN A CABIN IN THE WOODS
47
00:01:50,777 --> 00:01:52,529
FOR THE NEXT TWO WEEKS.
DO NOT CALL ME FOR ANYTHING.
48
00:01:52,612 --> 00:01:54,531
HAVE A GREAT TIME.
YOU ALL DESERVE A BREAK.
49
00:01:54,614 --> 00:01:57,325
SERIOUSLY, DON'T CALL.
50
00:01:57,408 --> 00:01:59,369
REID: GIDEON.
51
00:02:00,495 --> 00:02:02,372
GIDEON! HOTCH!
52
00:02:12,215 --> 00:02:13,091
[BEEPING]
53
00:02:13,174 --> 00:02:14,717
[DOOR OPENS]
54
00:02:20,181 --> 00:02:23,560
I HIT MY HEAD AND NOW
I'M SEEING THINGS.
55
00:02:26,187 --> 00:02:27,856
SECTION CHIEF STRAUSS?
56
00:02:27,939 --> 00:02:29,524
HELLO, SPENCER.
57
00:02:30,984 --> 00:02:32,443
YOU'RE DEAD.
58
00:02:32,527 --> 00:02:35,280
HA HA HA! I AM.
59
00:02:35,363 --> 00:02:37,240
DOES...
60
00:02:37,323 --> 00:02:38,283
DOES THAT MEAN THAT I'M--
61
00:02:38,366 --> 00:02:40,159
NO. NOT NECESSARILY.
62
00:02:41,744 --> 00:02:43,204
I PASSED OUT IN MY APARTMENT.
63
00:02:43,288 --> 00:02:45,915
YOU HAVE INTRACRANIAL
HEMORRHAGING.
64
00:02:47,041 --> 00:02:48,209
MY BRAIN IS SHUTTING DOWN?
65
00:02:48,293 --> 00:02:49,043
PARTS OF IT ARE.
66
00:02:49,127 --> 00:02:51,254
PARTS OF IT ARE
STRUGGLING TO SURVIVE.
67
00:02:51,337 --> 00:02:53,256
WHICH PART ARE YOU?
68
00:02:54,549 --> 00:02:56,134
YOU NEED HELP.
69
00:03:04,058 --> 00:03:05,768
WHAT IF THIS IS PERMANENT?
70
00:03:05,852 --> 00:03:07,979
MY MOM STARTED OUT
HALLUCINATING.
71
00:03:08,062 --> 00:03:10,440
YOU NEVER DISPLAYED ANY
SIGNS OF SCHIZOPHRENIA.
72
00:03:10,523 --> 00:03:11,733
YOU KNOW THAT.
73
00:03:11,816 --> 00:03:13,401
THIS IS A JOURNEY.
74
00:03:13,484 --> 00:03:15,486
SOME PEOPLE SEE
CORRIDORS OF LIGHT,
75
00:03:15,570 --> 00:03:17,906
SOME PEOPLE SEE
PEOPLE THEY LOVE.
76
00:03:17,989 --> 00:03:21,159
WHAT YOU SEE IS
UP TO YOU.
77
00:03:21,242 --> 00:03:22,952
YOU SYMBOLIZE MY GUILT,
78
00:03:23,036 --> 00:03:25,330
THE...DEAD AGENTS.
79
00:03:25,413 --> 00:03:27,790
YOU HAVE TO MAKE
THAT DECISION YOURSELF.
80
00:03:32,337 --> 00:03:35,131
YOU'LL BE TEMPTED
ABOUT WHICH WAY TO GO.
81
00:03:38,426 --> 00:03:40,136
DON'T BE AFRAID.
82
00:03:47,060 --> 00:03:48,853
6 AGENTS BLOWN TO PIECES.
83
00:03:48,937 --> 00:03:52,607
DAMN. YOU'RE GONNA
NEED A BIGGER BOAT.
84
00:03:52,690 --> 00:03:54,275
I GOTTA ASK,
85
00:03:54,359 --> 00:03:56,319
WHEN THEY GO KABLAM
LIKE THAT,
86
00:03:56,402 --> 00:03:59,238
DO YOU HAVE A GUY THAT
PUTS THEM BACK TOGETHER OR...?
87
00:03:59,322 --> 00:04:01,324
I'M TALKING TO YOU, DOC.
88
00:04:01,407 --> 00:04:03,034
OR IT IS SPECIAL AGENT?
89
00:04:03,117 --> 00:04:04,410
ADDICT?
90
00:04:06,412 --> 00:04:07,372
CONVICT?
91
00:04:07,455 --> 00:04:08,498
SHUT UP.
92
00:04:08,581 --> 00:04:10,291
BUT I HAVE ONE MORE QUESTION.
93
00:04:10,375 --> 00:04:14,128
HOW COME WHEN I KILL PEOPLE,
THEY'RE CALLED VICTIMS,
94
00:04:14,212 --> 00:04:16,422
BUT WHEN YOU DO IT,
THEY'RE CALLED CASUALTIES?
95
00:04:16,506 --> 00:04:19,592
DEAD IS DEAD.
AM I RIGHT?
96
00:04:20,885 --> 00:04:24,305
OOH, BOY.
97
00:04:25,890 --> 00:04:28,351
[LAUGHING]
98
00:04:37,944 --> 00:04:41,322
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
99
00:05:13,855 --> 00:05:17,275
HOTCHNER: GEORGE FOYET.
HE LIKES TO ATTACK THEM INSIDE
100
00:05:17,358 --> 00:05:18,568
OR NEAR THEIR CARS
101
00:05:18,651 --> 00:05:21,654
AT NIGHT ON POORLY LIT,
LESS POPULATED ROADS.
102
00:05:21,738 --> 00:05:25,408
GEORGE FOYET.
[ECHOING]
103
00:05:25,491 --> 00:05:29,203
WHY ARE WE HERE?
YOU THINK THIS IS MY HELL?
104
00:05:29,287 --> 00:05:30,580
DOESN'T MATTER
WHAT I THINK.
105
00:05:30,663 --> 00:05:32,248
I'M NOT IN CONTROL.
106
00:05:32,331 --> 00:05:35,376
THIS IS WHERE YOU
FIRST MET ME.
107
00:05:35,460 --> 00:05:38,004
HA. LOOK AT THAT
HANDSOME DEVIL.
108
00:05:39,964 --> 00:05:41,591
SO STRAUSS WAS THE ANGEL,
AND YOU'RE THE DEVIL.
109
00:05:41,674 --> 00:05:44,260
I NEVER SAID THAT.
JUST THE HANDSOME PART.
110
00:05:44,343 --> 00:05:45,928
WHY WOULD I PICTURE YOU?
111
00:05:46,012 --> 00:05:48,306
HMM? OF ALL
THE OFFENDERS THAT--
112
00:05:48,389 --> 00:05:49,724
BECAUSE I KILLED
THAT SWEET HALEY
113
00:05:49,807 --> 00:05:52,101
AND OLD AARON HOTCHNER
WAS NEVER THE SAME.
114
00:05:52,185 --> 00:05:54,312
[GRUNTS] YOU GOT ME.
115
00:05:56,731 --> 00:05:58,107
[GUNSHOT]
116
00:05:58,191 --> 00:06:00,651
[GUNSHOT]
117
00:06:03,488 --> 00:06:05,323
YOU KNOW WHAT THAT MEANS.
118
00:06:07,408 --> 00:06:09,410
NONE OF YOU WERE.
119
00:06:09,494 --> 00:06:12,455
I WAS THE BEGINNING
OF YOUR END.
120
00:06:14,332 --> 00:06:17,460
THIS GOOD VS. EVIL GAME
IS ALL YOU KNOW.
121
00:06:18,669 --> 00:06:21,672
AND I'M THE BEST YOUR
RATTLED BRAIN COULD CONJURE.
122
00:06:25,259 --> 00:06:28,971
WELL, LAST NIGHT WAS
THE BEST SLEEP I'VE
HAD IN AGES.
123
00:06:29,055 --> 00:06:31,349
TELL ME ABOUT IT.
124
00:06:31,432 --> 00:06:34,060
AND WHAT A WAY
TO START THE MORNING.
125
00:06:35,728 --> 00:06:36,687
WHAT?
126
00:06:36,771 --> 00:06:39,315
YOU HAVE A PEACE
ABOUT YOU.
127
00:06:39,398 --> 00:06:41,317
I DO, HUH?
128
00:06:39,398 --> 00:06:41,317
MM-HMM.
129
00:06:41,400 --> 00:06:44,195
WITH LYNCH DEAD, YOU...
130
00:06:45,905 --> 00:06:47,406
YOU SEEM DIFFERENT.
131
00:06:50,409 --> 00:06:53,162
YOU KNOW, ALL MY TIME
AT THE BAU,
132
00:06:53,246 --> 00:06:55,331
THERE WERE A LOT
OF WHALES TO CATCH,
133
00:06:55,414 --> 00:06:58,334
AND EVERETT LYNCH WAS
ONE OF THE BIGGEST.
134
00:06:58,417 --> 00:07:02,004
AND I NEEDED TO MAKE
SURE HE COULDN'T...
135
00:07:02,088 --> 00:07:05,341
HURT ANYONE ELSE.
136
00:07:05,424 --> 00:07:07,218
OTHERWISE I COULDN'T...
137
00:07:09,971 --> 00:07:11,597
YOU COULDN'T WHAT?
138
00:07:12,890 --> 00:07:13,850
SLEEP.
139
00:07:13,933 --> 00:07:15,476
NO, NO, NO.
140
00:07:15,560 --> 00:07:17,311
NO, THAT IS NOT WHAT
YOU WERE GONNA SAY.
141
00:07:17,395 --> 00:07:19,856
THAT IS NOT WHAT
YOU WERE GONNA SAY.
142
00:07:19,939 --> 00:07:22,024
ARE YOU...
143
00:07:22,108 --> 00:07:24,360
ARE YOU RETIRING?
144
00:07:24,443 --> 00:07:25,695
THAT'S SUCH AN UGLY WORD.
145
00:07:25,778 --> 00:07:26,737
OH, MY GOD!
146
00:07:26,821 --> 00:07:28,364
DAVID, WE HAVE
TO DO SOMETHING.
147
00:07:28,447 --> 00:07:29,365
WHAT, NOW YOU'RE
PLANNING MY SENDOFF?
148
00:07:29,448 --> 00:07:32,368
YEP, IT IS GONNA BE
THE BEST, FASTEST SENDOFF
149
00:07:32,451 --> 00:07:33,578
YOU HAVE EVER SEEN.
150
00:07:33,661 --> 00:07:34,912
WHY FAST?
151
00:07:34,996 --> 00:07:37,206
BECAUSE I DON'T WANT
YOU TO CHANGE YOUR MIND.
152
00:07:37,290 --> 00:07:38,499
NOW GET OUT OF HERE. GO.
153
00:07:38,583 --> 00:07:42,503
I DON'T WANT YOU TO
BE LATE FOR ONE OF YOUR
LAST DAYS AT SCHOOL.
154
00:07:42,587 --> 00:07:44,005
MMM.
155
00:07:44,088 --> 00:07:46,340
GO.
156
00:07:47,466 --> 00:07:49,552
♪ HEAD DOWN AND MEET
YOU OUT BACK ♪
157
00:07:49,635 --> 00:07:53,222
BECAUSE WE GOT TO
DOCUMENT THE LADY BONDING.
158
00:07:53,306 --> 00:07:55,516
THE LADY BONDING.
159
00:07:55,600 --> 00:07:57,435
LEWIS: DO YOU HAVE
ANOTHER ONE?
160
00:07:57,518 --> 00:08:03,441
I AM BOTH HORRIFIED
AND DELIGHTED THERE'S
EVIDENCE OF LAST NIGHT.
161
00:08:03,524 --> 00:08:05,193
WAIT, WHAT IS THIS?
162
00:08:05,276 --> 00:08:06,360
IT HELPS WITH HANGOVERS,
163
00:08:06,444 --> 00:08:07,612
AND THAT IS ALL YOU
NEED TO KNOW.
164
00:08:07,695 --> 00:08:09,405
IT TASTES LIKE YOU
SCRAPED THE FOREST FLOOR
165
00:08:09,488 --> 00:08:10,406
AND JUICED IT.
166
00:08:10,489 --> 00:08:11,741
HA!
167
00:08:11,824 --> 00:08:13,618
EVEN THAT'S
TOO GENEROUS. UGH.
168
00:08:13,701 --> 00:08:14,911
HEY, HEY!
169
00:08:14,994 --> 00:08:17,747
EMILY TOLD ME WHAT YOU GUYS
WERE GETTING INTO,
170
00:08:17,830 --> 00:08:21,417
AND I FIGURED YOU
COULD USE THESE.
171
00:08:21,500 --> 00:08:22,960
THANK GOD.
172
00:08:23,044 --> 00:08:25,838
GET THIS CAFFEINE
INTO MY FACE HOLE.
173
00:08:25,922 --> 00:08:27,298
THIS IS FROM LUNACORN.
174
00:08:27,381 --> 00:08:28,591
LUKE ALVEZ, STOP
MAKING ME LIKE YOU.
175
00:08:28,674 --> 00:08:30,760
HA! NEVER.
176
00:08:30,843 --> 00:08:32,261
VISION BOARDING GO WELL?
177
00:08:32,345 --> 00:08:35,056
GARCIA: OH, YOU HAVE NO IDEA
HOW MANY STICKERS WERE USED.
178
00:08:35,139 --> 00:08:37,308
WHERE'S REID? I WANT TO
TALK TO THE WHOLE TEAM.
179
00:08:37,391 --> 00:08:39,268
OH, SPENCE PROBABLY
SLEPT IN.
180
00:08:39,352 --> 00:08:40,895
HE TOOK IT REALLY HARD.
181
00:08:40,978 --> 00:08:43,231
WELL, LET'S START OUR
AFTER-ACTION REVIEW NOW,
182
00:08:43,314 --> 00:08:44,649
AND WE'LL FILL HIM IN
WHEN HE ARRIVES.
183
00:08:44,732 --> 00:08:47,401
OK, DNA RESULTS
COMING AT YA.
184
00:08:47,485 --> 00:08:48,903
CASUALTY COUNT STILL
HOLD AT 8,
185
00:08:48,986 --> 00:08:51,113
INCLUDING ROBERTA
AND EVERETT LYNCH?
186
00:08:51,197 --> 00:08:54,367
YES. WAIT, NO.
187
00:08:55,284 --> 00:08:56,577
GARCIA?
188
00:08:56,661 --> 00:08:58,287
YES, 8 CASUALTIES--
189
00:08:58,371 --> 00:09:00,122
OUR 6 AGENTS,
ROBERTA LYNCH,
190
00:09:00,206 --> 00:09:03,167
AND ORLANDO GAINES,
THE PRIVATE INVESTIGATOR.
191
00:09:03,251 --> 00:09:05,002
THAT'S IT.
192
00:09:06,379 --> 00:09:07,838
WAIT. WAIT A MINUTE.
THAT MEANS THAT--
193
00:09:07,922 --> 00:09:10,841
EVERETT LYNCH
IS STILL ALIVE.
194
00:09:20,059 --> 00:09:21,644
WELL, I HOPE SOMEBODY
FINDS YOU.
195
00:09:21,727 --> 00:09:24,230
THAT BIG BRAIN'S GONNA
BE A BOWL OF MUSH.
196
00:09:24,313 --> 00:09:26,315
WHAT A WAY TO GO OUT, HUH?
197
00:09:26,399 --> 00:09:28,276
SLOW BRAIN BLEED.
198
00:09:28,359 --> 00:09:30,319
AND NOBODY KNOWS
YOU'RE HERE.
199
00:09:30,403 --> 00:09:31,529
IT'S TRAGIC
200
00:09:31,612 --> 00:09:33,489
AND YET...
201
00:09:33,572 --> 00:09:37,410
IRONICALLY FITTING.
202
00:09:39,662 --> 00:09:40,913
AHH.
203
00:09:42,206 --> 00:09:43,833
OF COURSE.
204
00:09:43,916 --> 00:09:47,336
IT WAS GOOD TO SEE
YOU AGAIN, DOC.
205
00:09:49,588 --> 00:09:52,216
MAEVE.
206
00:09:52,300 --> 00:09:54,135
IT'S YOU.
207
00:09:54,218 --> 00:09:55,344
IT'S REALLY YOU.
208
00:09:55,428 --> 00:09:57,138
IT'S ME.
209
00:09:57,221 --> 00:09:59,515
LET ME TAKE HER PLACE.
210
00:09:59,598 --> 00:10:01,600
YOU WOULD KILL
YOURSELF FOR HER?
211
00:10:01,684 --> 00:10:03,144
YES.
212
00:10:03,227 --> 00:10:04,145
NO.
213
00:10:04,228 --> 00:10:05,438
[GUNSHOT]
214
00:10:10,901 --> 00:10:12,361
MAEVE, I'M SO SORRY.
215
00:10:12,445 --> 00:10:13,988
FOR WHAT?
216
00:10:14,071 --> 00:10:16,991
I LET YOU DIE.
217
00:10:17,074 --> 00:10:20,411
I WASN'T SMART ENOUGH
OR FAST ENOUGH TO SAVE YOU.
218
00:10:20,494 --> 00:10:21,454
STOP.
219
00:10:23,539 --> 00:10:26,250
DO YOU WANT TO KNOW
MY DEEPEST, DARKEST SECRET?
220
00:10:26,334 --> 00:10:28,044
MM-HMM.
221
00:10:28,127 --> 00:10:31,380
I LOVE NINETIES
ROM-DRAMS AND ROM-COMS.
222
00:10:31,464 --> 00:10:33,382
[LAUGHS]
223
00:10:33,466 --> 00:10:35,551
THE CHEESIER THE BETTER.
224
00:10:35,634 --> 00:10:37,386
AND MY FAVORITE ONE
WAS ABOUT THIS ANGEL
225
00:10:37,470 --> 00:10:39,013
WHO GAVE UP HIS
IMMORTALITY
226
00:10:39,096 --> 00:10:41,390
BECAUSE HE FELL IN LOVE
WITH A HUMAN.
227
00:10:41,474 --> 00:10:45,436
BUT THEY ONLY HAD
ONE DAY TOGETHER BEFORE
SHE WAS KILLED.
228
00:10:45,519 --> 00:10:49,315
I ALWAYS WONDERED WHY
THAT ONE STUCK WITH ME.
229
00:10:51,609 --> 00:10:53,402
AND THEN WE LIVED IT.
230
00:10:56,614 --> 00:10:59,825
DON'T YOU DARE BE SORRY.
231
00:10:59,909 --> 00:11:01,660
I HAVE NO REGRETS.
232
00:11:03,496 --> 00:11:04,580
I MISS YOU.
233
00:11:04,663 --> 00:11:06,582
GAH, I MISS YOU, TOO.
234
00:11:06,665 --> 00:11:09,752
BUT LUCKY FOR US,
WE HAVE SOME TIME
TOGETHER RIGHT NOW.
235
00:11:09,835 --> 00:11:11,587
I NEED THAT.
236
00:11:11,670 --> 00:11:13,422
YOU'VE BEEN HOLDING
ON TO TRAUMA,
237
00:11:13,506 --> 00:11:15,091
A LOT OF IT.
238
00:11:15,174 --> 00:11:18,928
BUT WHAT SENT YOU ON
THIS JOURNEY IS
SOMETHING DIFFERENT.
239
00:11:19,011 --> 00:11:20,805
YOU'RE A CROSSROADS.
240
00:11:20,888 --> 00:11:23,766
CAN YOU HELP ME THROUGH IT?
241
00:11:25,559 --> 00:11:28,104
BUT FIRST,
242
00:11:28,187 --> 00:11:31,607
I NEED TO TELL YOU
SOMETHING YOU DON'T
HEAR ENOUGH OF.
243
00:11:31,690 --> 00:11:35,486
THE WORLD IS
A GOOD PLACE.
244
00:11:35,569 --> 00:11:38,447
AND IT'S EVEN BETTER
WITH YOU IN IT.
245
00:11:41,575 --> 00:11:42,827
YOU READY?
246
00:11:42,910 --> 00:11:44,662
YEAH.
247
00:11:52,711 --> 00:11:55,339
RENO PD JUST CONFIRMED
THEY FOUND SUPPLIES
248
00:11:55,423 --> 00:11:56,632
UNDER LYNCH'S HIDEOUT.
249
00:11:56,715 --> 00:12:00,219
SO HE MUST HAVE BUILT
AN ESCAPE TO THE TUNNELS
UNDER THE HOUSE.
250
00:12:00,302 --> 00:12:01,679
THIS GUY'S A PLANNER.
HE PICKED THAT TARGET
251
00:12:01,762 --> 00:12:03,180
BECAUSE IT GAVE HIM
AN ESCAPE ROUTE.
252
00:12:03,264 --> 00:12:05,141
WE PROFILED ROBERTA
WOULD TAKE THEM BOTH OUT,
253
00:12:05,224 --> 00:12:07,601
BUT BECAUSE OF HER
LOVE FOR HER SON,
SHE HESITATED.
254
00:12:07,685 --> 00:12:09,603
AND THAT HESITATION GAVE
LYNCH THE SECONDS HE NEEDED
255
00:12:09,687 --> 00:12:10,646
TO EXECUTE HIS PLAN.
256
00:12:10,729 --> 00:12:13,190
ALL RIGHT, SO HE ESCAPES
RIGHT BEFORE THE EXPLOSION.
257
00:12:13,274 --> 00:12:15,609
WE GOT TO GET BACK TO RENO
BEFORE SOMEONE ELSE GETS HURT.
258
00:12:15,693 --> 00:12:17,653
PRENTISS: GARCIA RUN
A SEARCH ON LYNCH ALIASES,
259
00:12:17,736 --> 00:12:19,989
ANY CREDIT CARD ACTIVITY.
260
00:12:20,072 --> 00:12:21,490
HE'S RADIO SILENT FOR NOW.
261
00:12:21,574 --> 00:12:22,658
LEWIS: IT'S ONLY
A MATTER OF TIME
262
00:12:22,741 --> 00:12:23,784
BEFORE THIS GUY GETS
DESPERATE ENOUGH
263
00:12:23,868 --> 00:12:25,161
TO USE ONE OF HIS
OLD ALIASES,
264
00:12:25,244 --> 00:12:26,370
AND WHEN HE DOES,
WE'VE GOT HIM CORNERED.
265
00:12:26,454 --> 00:12:27,997
STOP. STOP, STOP.
266
00:12:28,080 --> 00:12:31,125
APPLY WHAT WE KNOW
BASED ON OUR EXPERIENCE
WITH LYNCH
267
00:12:31,208 --> 00:12:32,501
AND OTHERS LIKE HIM.
268
00:12:32,585 --> 00:12:36,046
THAT'S ALL PROFILING IS,
THAT'S ALL IT EVER WAS.
269
00:12:36,130 --> 00:12:38,174
NOW, YOU'RE LYNCH.
270
00:12:38,257 --> 00:12:39,884
YOU HAVE THE FULL FORCE
OF UNITED STATES
271
00:12:39,967 --> 00:12:41,760
LAW ENFORCEMENT
ON YOUR HEELS.
272
00:12:41,844 --> 00:12:43,387
WHERE ELSE DO YOU GO?
273
00:12:43,471 --> 00:12:45,681
WHO ELSE DO YOU HURT?
274
00:12:45,764 --> 00:12:46,849
US.
275
00:12:46,932 --> 00:12:48,517
THEY COME AFTER US.
276
00:12:48,601 --> 00:12:50,853
HE'LL GET OFF ON
THE POWER OF ATTACKING
277
00:12:50,936 --> 00:12:52,480
ON OUR HOME TURF.
278
00:12:52,563 --> 00:12:54,190
WE NEED SECURITY
FOR OUR LOVED ONES.
279
00:12:54,273 --> 00:12:57,234
ALVEZ, SIMMONS,
CONTACT TROOPERS
AT ALL STATE LINES.
280
00:12:57,318 --> 00:12:59,862
I'LL NOTIFY THE DIRECTOR
THAT THE LYNCH CASE
REMAINS OPEN.
281
00:12:59,945 --> 00:13:01,864
JJ, GARCIA, CHECK IN
ON REID.
282
00:13:01,947 --> 00:13:04,283
FILL HIM IN ON HIS
WAY BACK HERE.
283
00:13:06,619 --> 00:13:08,078
[LINE RINGS]
284
00:13:08,162 --> 00:13:11,248
[TELEPHONE RINGS]
285
00:13:11,332 --> 00:13:13,709
PERFECT TIMING.
WHAT KIND OF CAKE
DO YOU WANT?
286
00:13:13,792 --> 00:13:15,377
THERE'S A FLAG ON THE PLAY.
287
00:13:15,461 --> 00:13:17,755
I'M DISPATCHING SECURITY
OVER TO THE HOUSE.
288
00:13:19,298 --> 00:13:20,549
IS EVERYTHING OK?
289
00:13:20,633 --> 00:13:24,303
I JUST WANT TO BE EXTRA SURE
THAT YOU'RE PROTECTED.
290
00:13:24,386 --> 00:13:26,055
I'LL TAKE IT.
291
00:13:26,138 --> 00:13:27,723
AND HEY,
292
00:13:27,806 --> 00:13:29,391
DO WHAT YOU
HAVE TO DO, OK?
293
00:13:29,475 --> 00:13:32,061
I'M THE LUCKIEST GUY
IN THE WORLD.
294
00:13:32,144 --> 00:13:34,355
DAMN STRAIGHT YOU ARE.
295
00:13:38,943 --> 00:13:39,902
JAREAU: SPENCE!
296
00:13:39,985 --> 00:13:41,320
[DIALING]
297
00:13:41,403 --> 00:13:42,696
SPENCE, IT'S JJ.
CAN YOU HEAR ME?
298
00:13:42,780 --> 00:13:44,198
WE NEED AN AMBULANCE
IMMEDIATELY
299
00:13:44,281 --> 00:13:46,700
AT 937 HOOVER STREET,
APARTMENT 23.
300
00:13:46,784 --> 00:13:48,118
WE HAVE AN AGENT DOWN.
301
00:13:48,202 --> 00:13:49,578
HE'S BREATHING.
302
00:13:49,662 --> 00:13:52,706
YES, WE HAVE AN AGENT DOWN.
THAT'S WHAT I SAID.
303
00:13:52,790 --> 00:13:53,749
NO. NO, NO, NO, NO.
304
00:13:53,832 --> 00:13:55,251
NO, NO.
305
00:14:02,508 --> 00:14:04,301
WHY ARE WE HERE?
306
00:14:04,385 --> 00:14:06,971
I MADE PEACE WITH
GIDEON DYING.
307
00:14:07,054 --> 00:14:09,056
WHEN'S THE LAST TIME
YOU SAW HIM?
308
00:14:09,139 --> 00:14:11,600
12 YEARS, 7 MONTHS,
AND 23 DAYS AGO.
309
00:14:11,684 --> 00:14:13,435
OH.
310
00:14:13,519 --> 00:14:16,355
YOU'RE NOT KEEPING TRACK
OF DISAPPOINTMENTS AT ALL.
311
00:14:18,649 --> 00:14:21,569
MY DAD WROTE ME A NOTE
WHEN HE LEFT.
312
00:14:23,237 --> 00:14:25,155
GIDEON DID THE SAME THING.
313
00:14:25,239 --> 00:14:28,450
HE WAS THE ONE
THAT CONVINCED ME
TO JOIN THE TEAM.
314
00:14:28,534 --> 00:14:30,536
AND THEN HE LEFT.
315
00:14:32,621 --> 00:14:34,290
[SIGHS]
316
00:14:34,373 --> 00:14:35,874
ALL TO BELIEVE IN
HAPPY ENDINGS,
317
00:14:35,958 --> 00:14:38,127
I JUST--I'M SAD HE
NEVER GOT ONE.
318
00:14:38,210 --> 00:14:40,629
OH, NO, HE GOT ONE.
319
00:14:40,713 --> 00:14:43,465
HE'S OBSESSED WITH THIS
OCTOPUS NAMED MILDRED.
320
00:14:43,549 --> 00:14:45,342
SHE'S A PRANKSTER,
321
00:14:45,426 --> 00:14:47,928
AND HE LOVES HANGING OUT
AN 8-LIMBED MOLLUSK,
322
00:14:48,012 --> 00:14:51,974
TRYING TO FIGURE OUT
HOW SHE BECAME
SO PLAYFUL AND WISE.
323
00:14:53,851 --> 00:14:55,436
SHE EVOLVED.
324
00:14:55,519 --> 00:14:57,646
YEP.
325
00:14:57,730 --> 00:14:59,690
WE ALL HAVE TO.
326
00:15:02,359 --> 00:15:04,528
[INDISTINCT P.A.
ANNOUNCEMENTS]
327
00:15:05,738 --> 00:15:08,532
TURN AROUND.
328
00:15:08,616 --> 00:15:11,660
IT'S DR. K.
CAN YOU HEAR ME, SIR?
329
00:15:11,744 --> 00:15:13,412
HOW LONG HAS HE
BEEN UNCONSCIOUS?
330
00:15:13,495 --> 00:15:15,706
I DON'T KNOW.
THERE WAS AN EXPLOSION
24 HOURS AGO.
331
00:15:15,789 --> 00:15:17,458
COULD IT BE A CONCUSSION?
332
00:15:17,541 --> 00:15:19,043
SO HE'S BEEN UNDER
A LOT OF STRESS?
333
00:15:19,126 --> 00:15:20,294
YES, HE'S AN FBI AGENT.
334
00:15:20,377 --> 00:15:22,630
I NEED TO
RUN SOME TESTS.
ARE YOU FAMILY?
335
00:15:22,713 --> 00:15:26,008
UH, NOT TECHNICALLY.
THAT WOULD BE HIS MOM.
336
00:15:26,091 --> 00:15:27,676
GET HIM TO CCU.
337
00:15:26,091 --> 00:15:27,676
WAKE UP.
338
00:15:27,760 --> 00:15:29,678
I NEED TO TALK TO
HIS MOTHER RIGHT AWAY.
339
00:15:29,762 --> 00:15:30,679
I'LL TRACK DOWN DIANA.
340
00:15:30,763 --> 00:15:33,515
SHE'S AT BROOKFIELD.
341
00:15:30,763 --> 00:15:33,515
[PHONE DINGS]
342
00:15:33,599 --> 00:15:34,516
IT'S EMILY.
343
00:15:34,600 --> 00:15:36,685
GO.
344
00:15:36,769 --> 00:15:38,312
NO, NO, NO.
I'M NOT LEAVING.
345
00:15:38,395 --> 00:15:40,189
SPENCE WILL UNDERSTAND.
THE TEAM NEEDS YOU.
346
00:15:40,272 --> 00:15:42,775
I'VE GOT THIS. GO.
347
00:15:44,276 --> 00:15:45,361
ROSSI: THANKS FOR
GETTING THERE SO QUICKLY.
348
00:15:45,444 --> 00:15:46,362
WHAT'S THE STATUS?
349
00:15:46,445 --> 00:15:47,696
NOTHING OF INCIDENT, SIR.
350
00:15:47,780 --> 00:15:49,198
GREAT NEWS.
SHE'S EXPECTING YOU.
351
00:15:49,281 --> 00:15:51,200
COPY THAT.
352
00:15:56,955 --> 00:15:58,666
[KNOCK ON DOOR]
353
00:16:00,918 --> 00:16:02,544
COULDN'T BE
ANY SAFER, MA'AM.
354
00:16:02,628 --> 00:16:03,712
YOUR HUSBAND MADE
SURE OF IT.
355
00:16:03,796 --> 00:16:05,839
COME IN.
356
00:16:03,796 --> 00:16:05,839
THANK YOU.
357
00:16:10,636 --> 00:16:13,681
OH, DIANA, HI.
HI. IT'S PENELOPE.
358
00:16:13,764 --> 00:16:16,225
I WORK WITH SPENCER.
I'VE COME TO SEE YOU BEFORE.
359
00:16:16,308 --> 00:16:18,143
YOU'RE ALMOST
AS TALL AS I AM.
360
00:16:18,227 --> 00:16:23,732
DIANA, SPENCER FELL
AND HE HIT HIS HEAD REALLY HARD,
361
00:16:23,816 --> 00:16:25,359
AND HE'S NOT CONSCIOUS.
362
00:16:25,442 --> 00:16:26,860
WELL, LET'S WAKE HIM UP.
LET'S SEE HIM.
363
00:16:26,944 --> 00:16:28,362
NO, WAIT.
364
00:16:26,944 --> 00:16:28,362
HE'LL LISTEN TO ME.
365
00:16:28,445 --> 00:16:30,072
SPENCER.
366
00:16:34,827 --> 00:16:36,620
IT'S NOT HIM.
367
00:16:38,330 --> 00:16:41,417
NO. NO, NO, NO.
THIS IS NOT MY SON.
368
00:16:45,295 --> 00:16:47,798
SEE THIS LITTLE STAR
RIGHT THERE ON YOUR WRIST?
369
00:16:47,881 --> 00:16:49,591
THAT'S FROM WHEN
YOU FEEL WHEN YOU WERE
370
00:16:49,675 --> 00:16:52,720
TRYING TO BALANCE ON
OUR BACKYARD FENCE.
371
00:16:52,803 --> 00:16:56,223
OH, YOU WERE SO DETERMINED
TO MAKE IT THE WHOLE WAY.
372
00:16:56,306 --> 00:16:58,600
AND I'LL NEVER FORGET
LOOKING OUT THE KITCHEN WINDOW,
373
00:16:58,684 --> 00:17:01,145
WATCHING YOU OUT THERE
AS YOU WERE TRYING TO MAKE
374
00:17:01,228 --> 00:17:05,149
A BALANCING POLE
FROM A BROOMSTICK.
375
00:17:12,364 --> 00:17:13,741
OH, MY BABY.
376
00:17:13,824 --> 00:17:15,617
OH, MY BABY.
377
00:17:15,701 --> 00:17:17,244
OH, PLEASE.
378
00:17:17,327 --> 00:17:18,620
MAEVE: WHY DO YOU FIGHT US?
379
00:17:18,704 --> 00:17:21,749
REID: IF I DIE,
I'LL LET DOWN MY MOM...
380
00:17:23,375 --> 00:17:26,670
THE TEAM, EVERYBODY
WHO DEPENDS ON ME.
381
00:17:28,380 --> 00:17:29,882
OHH.
382
00:17:31,550 --> 00:17:33,469
FAMILY IS RESILIENT.
383
00:17:33,552 --> 00:17:35,220
AND AS FOR STRANGERS,
384
00:17:35,304 --> 00:17:37,598
PEOPLE WERE HURT BEFORE
YOU JOINED THE BAU,
385
00:17:37,681 --> 00:17:39,641
AND THEY'LL GET HURT
WHENEVER YOU LEAVE.
386
00:17:39,725 --> 00:17:41,143
I GUESS I'M STUCK.
387
00:17:41,226 --> 00:17:44,271
MORE LIKE FROZEN
FROM GRIEF.
388
00:17:46,273 --> 00:17:47,775
YOUR FATHER'S
PHYSICAL ABSENCE,
389
00:17:47,858 --> 00:17:49,777
YOUR MOTHER'S
PSYCHOLOGICAL ONE, ME.
390
00:17:49,860 --> 00:17:51,653
IT'S PARALYZING.
391
00:17:51,737 --> 00:17:53,739
HOW DO YOU MOVE THROUGH IT
WHEN YOU CAN'T MOVE?
392
00:17:57,367 --> 00:17:58,952
YOU GO BACK TO
THE BEGINNING.
393
00:18:01,955 --> 00:18:06,293
I GREW UP TELLING STORIES
ABOUT WHO I WAS--
394
00:18:06,376 --> 00:18:09,004
SON, FRIEND...
395
00:18:10,589 --> 00:18:12,841
STUDENT, TEACHER,
396
00:18:12,925 --> 00:18:14,134
GENIUS.
397
00:18:14,218 --> 00:18:15,552
HERO.
398
00:18:15,636 --> 00:18:18,972
YOU SEEK AND GAIN
APPROVAL BY ANYONE.
399
00:18:19,056 --> 00:18:21,099
IT'S TIME TO STOP.
400
00:18:26,271 --> 00:18:27,689
YOU KEEP A NICE HOUSE.
401
00:18:27,773 --> 00:18:29,066
OH, THANKS.
402
00:18:29,149 --> 00:18:31,235
DAVE DOES HIS
FAIR SHARE.
403
00:18:31,318 --> 00:18:33,862
I BET HE DOES.
404
00:18:33,946 --> 00:18:37,825
YOU KNOW, YOU HAVE
A MOM ENERGY ABOUT YOU,
405
00:18:37,908 --> 00:18:39,284
CARETAKEY THING.
406
00:18:39,368 --> 00:18:40,869
MY MOM JUST DIED.
407
00:18:40,953 --> 00:18:42,246
I'M SO SORRY.
408
00:18:42,329 --> 00:18:43,705
YOU ARE?
409
00:18:43,789 --> 00:18:45,249
THANKS.
410
00:18:45,332 --> 00:18:46,917
SHE WAS A NIGHTMARE.
411
00:18:48,252 --> 00:18:49,711
BUT I LOVE MOMS.
412
00:18:49,795 --> 00:18:54,842
I HAD A DAUGHTER,
AND SHE LOVED
HER MOM AND MY MOM.
413
00:18:54,925 --> 00:18:58,720
SO I GET THE WHOLE
MOM THING, YOU KNOW.
414
00:18:58,804 --> 00:19:01,056
ROSSI: BEARD,
DIFFERENT GLASSES,
415
00:19:01,139 --> 00:19:03,183
DIFFERENT HAIR COLOR,
DIFFERENT EYE COLOR,
416
00:19:03,267 --> 00:19:04,685
WHICH MEANS HE'S
WEARING COLORED CONTACTS.
417
00:19:04,768 --> 00:19:06,687
CONMEN KNOW HOW TO
CHANGE THEIR LOOK.
418
00:19:06,770 --> 00:19:09,815
TAKE A LOOK AT THIS
FIRST IDENTITY AGAIN,
WHEN HE WAS MACK.
419
00:19:15,153 --> 00:19:16,572
I NEED TO CHECK WITH DAVE.
420
00:19:16,655 --> 00:19:18,699
NAH.
421
00:19:23,161 --> 00:19:25,247
WHAT IF MY BRAIN'S
BLEEDING OUT
422
00:19:25,330 --> 00:19:27,457
'CAUSE THERE'S NOTHING
LEFT FOR ME TO DO?
423
00:19:27,541 --> 00:19:29,918
THE WORLD NEEDS YOU
TO DO WHAT YOU LOVE.
424
00:19:30,002 --> 00:19:31,753
HAVE YOU DONE THAT?
425
00:19:34,006 --> 00:19:35,090
I DON'T KNOW.
426
00:19:35,173 --> 00:19:37,134
SURE YOU DO.
WHAT DO YOU LOVE?
427
00:19:37,217 --> 00:19:39,803
I LOVE MAGIC
428
00:19:39,887 --> 00:19:41,305
AND GHOST STORIES.
429
00:19:41,388 --> 00:19:43,765
FIDDLING WITH YOUR PEN
LIKE ME. [CHUCKLES]
430
00:19:43,849 --> 00:19:45,851
WHAT ELSE?
431
00:19:47,185 --> 00:19:48,812
JELL-O...
432
00:19:48,896 --> 00:19:50,898
KUMQUATS...
433
00:19:50,981 --> 00:19:53,442
UH...
434
00:19:53,525 --> 00:19:55,110
TEACHING, LEARNING,
435
00:19:55,193 --> 00:19:58,405
BOOKS, HOPE...
436
00:20:01,033 --> 00:20:03,827
MAKING CONNECTIONS...
437
00:20:05,996 --> 00:20:10,417
MAKING...
MAKING A DIFFERENCE.
438
00:20:12,878 --> 00:20:13,837
YOU.
439
00:20:13,921 --> 00:20:15,964
I LOVE YOU.
440
00:20:18,050 --> 00:20:20,427
THAT'S A LOT TO LOVE.
441
00:20:22,012 --> 00:20:23,347
DOCTOR: MRS. REID?
442
00:20:23,430 --> 00:20:26,391
THE CONSERVATIVE APPROACH
WOULD BE SURGERY.
443
00:20:26,475 --> 00:20:28,936
IT MAY REDUCE
THE SWELLING AROUND
SPENCER'S BRAIN FASTER.
444
00:20:29,019 --> 00:20:33,649
THERE IS RISK.
IT COULD CAUSE SEIZURES
AND EVEN MORE BLEEDING.
445
00:20:36,234 --> 00:20:39,279
I THOUGHT IT WAS TUESDAY,
AND IT'S NOT TUESDAY.
446
00:20:39,363 --> 00:20:40,822
AND SO I CAN'T TELL YOU.
447
00:20:40,906 --> 00:20:41,949
COULD WE HAVE A MINUTE?
448
00:20:42,032 --> 00:20:43,533
SURE.
449
00:20:43,617 --> 00:20:44,868
WHAT WOULD HE WANT?
450
00:20:44,952 --> 00:20:47,412
I DON'T WANT TO
MAKE THE DECISION.
451
00:20:47,496 --> 00:20:51,833
DIANA, YOU KNOW,
ONE TIME SPENCER TOLD ME
452
00:20:51,917 --> 00:20:54,336
THAT YOU AND I ARE TWO OF
THE SMARTEST PEOPLE HE KNOWS.
453
00:20:54,419 --> 00:20:55,629
I GUESS THERE'S
SOME STUDY THAT SHOWS
454
00:20:55,712 --> 00:20:59,216
THAT THE HEART AND
THE STOMACH HAVE LIKE
CELLS OF CONSCIOUSNESS,
455
00:20:59,299 --> 00:21:00,634
LIKE A SECOND BRAIN.
456
00:21:00,717 --> 00:21:02,803
AND I GET IT THAT YOUR
BRAIN HAS DONE THINGS
457
00:21:02,886 --> 00:21:04,346
TO ATTACK SPENCER
SOMETIMES,
458
00:21:04,429 --> 00:21:07,808
BUT YOUR HEART AND YOUR GUTS
HAVE ALWAYS KNOWN
459
00:21:07,891 --> 00:21:08,976
WHAT'S BEST FOR HIM.
AM I RIGHT?
460
00:21:09,059 --> 00:21:09,935
YES.
461
00:21:10,018 --> 00:21:11,687
SO WE'RE JUST GONNA
USE OUR BRILLIANT INSIDES
462
00:21:11,770 --> 00:21:14,523
TO MAKE A BRILLIANT CHOICE
FOR SPENCER RIGHT NOW, OK?
463
00:21:16,650 --> 00:21:17,567
[EXHALES]
464
00:21:17,651 --> 00:21:19,027
[MONITORS BEEPING]
465
00:21:19,111 --> 00:21:20,195
[GASPS] OHH!
466
00:21:20,278 --> 00:21:21,780
WHAT'S HAPPENING
TO MY BOY?
467
00:21:23,949 --> 00:21:25,826
WHAT IS HAPPENING
TO HIM?
468
00:21:25,909 --> 00:21:28,328
LOOK, THERE'S
NO WRONG CHOICE,
469
00:21:28,412 --> 00:21:30,831
BUT YOU HAVE TO DECIDE.
470
00:21:30,914 --> 00:21:33,125
YOU CAN STICK AROUND
ON THE BLUE MARBLE
471
00:21:33,208 --> 00:21:36,378
OR TRAVEL OUT INTO
THE GREAT UNKNOWN.
472
00:21:37,129 --> 00:21:38,880
IT'S TIME.
473
00:21:39,965 --> 00:21:42,342
WHAT ARE YOU GONNA DO?
474
00:21:53,020 --> 00:21:55,564
YOU REMEMBER OUR
ONE AND ONLY FIGHT?
475
00:21:55,647 --> 00:21:57,441
ABOUT THE WORLD'S
GREATEST POET?
476
00:21:57,524 --> 00:21:59,735
WE WERE ON THE PHONE
FOR, I THINK, 4 HOURS.
477
00:21:59,818 --> 00:22:01,695
[LAUGHS]
478
00:22:04,823 --> 00:22:07,826
YOU NEED TO FIND THAT
KIND OF PASSION
WITH SOMEONE AGAIN.
479
00:22:10,245 --> 00:22:11,621
FIRST I NEED TO KNOW
480
00:22:11,705 --> 00:22:14,249
IF YOUR FAVORITE
IS STILL--
481
00:22:14,332 --> 00:22:16,209
E.E. CUMMINGS.
482
00:22:16,293 --> 00:22:19,254
"WHENEVER YOU THINK
OR YOU BELIEVE OR YOU KNOW,
483
00:22:19,337 --> 00:22:20,922
"YOU'RE A LOT OF
OTHER PEOPLE,
484
00:22:21,006 --> 00:22:25,594
BUT THE MOMENT YOU FEEL,
YOU'RE NOBODY BUT YOURSELF."
485
00:22:25,677 --> 00:22:28,180
"TO BE NOBODY
BUT YOURSELF...
486
00:22:28,263 --> 00:22:30,599
"IN A WORLD WHICH
IS DOING ITS BEST
NIGHT AND DAY
487
00:22:30,682 --> 00:22:32,267
"TO MAKE YOU
EVERYBODY ELSE
488
00:22:32,350 --> 00:22:36,271
"MEANS TO FIGHT...
THE HARDEST BATTLE
489
00:22:36,354 --> 00:22:38,440
"WHICH ANY HUMAN
BEING CAN FIGHT;
490
00:22:38,523 --> 00:22:40,776
AND NEVER
STOP FIGHTING."
491
00:22:48,700 --> 00:22:50,619
DIANA: SPENCER.
492
00:23:02,047 --> 00:23:03,673
SPENCER.
493
00:23:04,841 --> 00:23:06,676
CAN YOU HEAR ME?
494
00:23:08,887 --> 00:23:10,472
HI.
495
00:23:10,555 --> 00:23:12,015
THAT'S A GOOD SIGN.
496
00:23:12,099 --> 00:23:13,433
IS HE GONNA BE OK?
497
00:23:13,517 --> 00:23:15,685
HE'S PUTTING UP
ONE HELL OF A FIGHT.
498
00:23:15,769 --> 00:23:17,312
BUT IT'S STILL TOO EARLY
TO KNOW FOR SURE.
499
00:23:17,395 --> 00:23:19,314
I NEED TO KEEP HIM
HERE FOR TESTS.
500
00:23:19,397 --> 00:23:21,775
EXCUSE ME.
501
00:23:25,403 --> 00:23:26,613
GARCIA: HEY.
502
00:23:25,403 --> 00:23:26,613
HOW IS HE?
503
00:23:26,696 --> 00:23:28,657
HE'S STABLE.
504
00:23:26,696 --> 00:23:28,657
LEWIS: THANK GOD.
505
00:23:28,740 --> 00:23:29,741
IS HE AWAKE?
506
00:23:29,825 --> 00:23:31,201
HE OPENED HIS EYES
FOR A SECOND.
507
00:23:31,284 --> 00:23:32,202
IT'S PROGRESS.
508
00:23:32,285 --> 00:23:34,162
PLEASE TELL HIM I WILL
BE THERE AS SOON AS I CAN.
509
00:23:34,246 --> 00:23:35,580
YOU BET I WILL.
WHAT'S GOING ON
WITH LYNCH?
510
00:23:35,664 --> 00:23:37,624
WE'RE THINKING GRACE'S
MOM MIGHT BE A CLUE
511
00:23:37,707 --> 00:23:38,792
TO WHERE HE'S GOING.
512
00:23:38,875 --> 00:23:41,628
I REMEMBER WE DIDN'T
HAVE A LOT ON HER.
513
00:23:41,711 --> 00:23:46,049
LIZ COSTER. SHE GAVE
BIRTH TO GRACE WHEN
SHE WAS 22.
514
00:23:46,133 --> 00:23:49,302
AND SHE OD'd ON OXY
5 YEARS AGO.
515
00:23:49,386 --> 00:23:50,512
UHH.
516
00:23:50,595 --> 00:23:52,389
WHAT'S UP, DAVE?
517
00:23:52,472 --> 00:23:54,349
LYNCH WROTE ME
INTO HIS STORY.
518
00:23:54,432 --> 00:23:55,976
I'VE GOT TO BE PART
OF HIS END GAME.
519
00:23:56,059 --> 00:23:58,895
I NEED MORE SECURITY
FOR KRYSTALL.
520
00:23:58,979 --> 00:24:00,856
[LINE RINGS]
521
00:24:00,939 --> 00:24:02,899
KRYSTALL: I SAW HIS BADGE,
I JUST OPENED THE DOOR.
522
00:24:02,983 --> 00:24:04,818
I'M SO SORRY.
523
00:24:06,444 --> 00:24:08,155
YOU FIGURE IT OUT
YET, DAVID?
524
00:24:08,238 --> 00:24:10,365
I'VE GOT SOMETHING
YOU NEED, AND YOU'RE
HOLDING MY WIFE HOSTAGE
525
00:24:10,448 --> 00:24:11,658
UNTIL YOU GET IT?
526
00:24:11,741 --> 00:24:14,536
CALL IN ALL YOUR FAVORS.
IT'S GONNA BE A DOOZY.
527
00:24:16,788 --> 00:24:18,707
THEY'RE NEAR CENTERPORT.
528
00:24:18,790 --> 00:24:19,416
WE NEED A PLAN.
529
00:24:19,499 --> 00:24:21,501
WHAT KIND OF PLAN?
530
00:24:19,499 --> 00:24:21,501
A GREAT PLAN.
531
00:24:21,585 --> 00:24:24,880
I KNOW WHAT HE WANTS.
CALL THE DIRECTOR,
NO ONE ELSE.
532
00:24:24,963 --> 00:24:26,756
THIS ONLY WORKS
IF IT'S NEED TO KNOW.
533
00:24:26,840 --> 00:24:27,549
WHAT IS IT?
534
00:24:27,632 --> 00:24:29,926
WE'RE GONNA HAVE TO
MAKE A TRADE.
535
00:24:31,469 --> 00:24:33,722
HAS HE BEEN HERE BEFORE?
536
00:24:33,805 --> 00:24:36,057
IN THE HOSPITAL,
LIKE THIS?
537
00:24:36,141 --> 00:24:37,392
YES.
538
00:24:37,475 --> 00:24:40,061
WERE YOU HERE FOR HIM?
539
00:24:40,145 --> 00:24:41,062
YES.
540
00:24:41,146 --> 00:24:42,522
AW, HOW AWFUL.
541
00:24:42,606 --> 00:24:44,774
IT WAS, ACTUALLY.
542
00:24:44,858 --> 00:24:48,737
AND THEN THERE WAS
THE TIME AGENT HOTCHNER
WAS IN THE HOSPITAL.
543
00:24:48,820 --> 00:24:50,822
AND MORGAN'S WIFE.
544
00:24:51,990 --> 00:24:53,742
AND JJ EARLIER THIS YEAR
545
00:24:53,825 --> 00:24:55,410
AND...ME.
546
00:24:55,493 --> 00:24:56,912
[GUNSHOT, GASPS]
547
00:24:56,995 --> 00:24:58,705
[INDISTINCT CHATTER]
548
00:24:58,788 --> 00:25:00,081
MAN: LET THEM KNOW
WE'RE COMING IN. CODE 3.
549
00:25:00,165 --> 00:25:02,584
YEAH, I'VE...
550
00:25:02,667 --> 00:25:06,087
I'VE ACTUALLY BEEN IN
HOSPITALS MORE TIMES
551
00:25:06,171 --> 00:25:08,089
THAN I AM CARING TO ADMIT.
552
00:25:08,173 --> 00:25:13,428
SOMETIMES I THINK
THERE'S GOT TO BE
A BETTER WAY, YOU KNOW.
553
00:25:17,474 --> 00:25:19,100
THERE'S GOT TO BE
A BETTER PLACE.
554
00:25:19,184 --> 00:25:22,270
DIANA: THERE IS.
THERE IS FOR ALL OF US.
555
00:25:24,231 --> 00:25:28,443
SPENCER, I SAW SOME
CUMULIFORM HEAPS TODAY.
556
00:25:28,526 --> 00:25:30,779
HIS FAVORITE CLOUDS.
557
00:25:30,862 --> 00:25:32,364
I PLUCKED THAT FOR HIM.
558
00:25:32,447 --> 00:25:35,200
EVERYTHING IS UP THERE.
559
00:25:35,283 --> 00:25:38,536
AND WE PLUCK WHAT WE
WANT WHEN WE WANT
560
00:25:38,620 --> 00:25:40,789
AND WE LET GO
WHAT WE DON'T.
561
00:25:40,872 --> 00:25:42,791
THAT SOUNDS VERY GOOD.
562
00:25:42,874 --> 00:25:47,963
OK, I AM PLUCKING
A MEMORY ABOUT...
563
00:25:48,046 --> 00:25:52,801
SPENCER'S EYES, AND THEY
ARE BROWN WITH GOLD
ON THE OUTSIDE.
564
00:25:52,884 --> 00:25:55,845
I THINK THEY'RE GOLD
ON THE INSIDE.
565
00:25:58,723 --> 00:26:00,809
GOLD ON THE INSIDE.
566
00:26:00,892 --> 00:26:01,768
GOLD ON THE INSIDE.
567
00:26:01,851 --> 00:26:04,312
HEY, WE WERE JUST PLUCKING
EYE MEMORIES OF YOU.
568
00:26:04,396 --> 00:26:05,563
I HEARD YOU.
569
00:26:05,647 --> 00:26:08,650
FORGOT HOW MUCH I LOVED
THOSE CLOUDS, MOM.
570
00:26:08,733 --> 00:26:10,110
YOU HELPED ME REMEMBER.
571
00:26:10,193 --> 00:26:11,987
I DID, HUH?
572
00:26:12,070 --> 00:26:14,322
WELL, MAYBE I CAN
COME BACK TOMORROW
573
00:26:14,406 --> 00:26:16,783
AND WE CAN WATCH
CLOUDS TOGETHER.
574
00:26:16,866 --> 00:26:18,702
AM I ALIVE,
OR IS THIS HEAVEN?
575
00:26:18,785 --> 00:26:21,162
SWEETIE, YOU ARE
VERY MUCH ALIVE.
576
00:26:25,417 --> 00:26:28,044
ROSSI: THERE'S GONNA BE
TWO SUVs PULLING IN.
577
00:26:28,128 --> 00:26:29,337
I'M IN THE FIRST ONE.
578
00:26:29,421 --> 00:26:30,463
OK.
579
00:26:30,547 --> 00:26:31,756
FALL IN BEHIND ME.
580
00:26:49,774 --> 00:26:51,860
[TIRES SQUEAL]
581
00:26:55,780 --> 00:26:56,698
NO, NO, NO, NO.
NOPE, NOPE, NOPE.
582
00:26:56,781 --> 00:26:57,782
AHH!
583
00:26:56,781 --> 00:26:57,782
NO.
584
00:26:57,866 --> 00:26:58,742
PUT THEM AWAY.
585
00:26:58,825 --> 00:27:00,035
YOU OK?
586
00:27:00,118 --> 00:27:01,494
HE DIDN'T HURT ME.
587
00:27:01,578 --> 00:27:02,579
PRENTISS: LYNCH,
WE NEED MORE TIME.
588
00:27:02,662 --> 00:27:05,749
OUR PILOTS REFUSE TO
LEAVE U.S. AIRSPACE.
589
00:27:05,832 --> 00:27:07,250
YOU DIDN'T PROFILE
THAT ABOUT ME?
590
00:27:07,334 --> 00:27:09,919
YOU SEE, THE WEALTHY
LADIES THAT I SEDUCE,
591
00:27:10,003 --> 00:27:11,671
THEY ARE SUCKERS
FOR A REAL-LIFE PILOT.
592
00:27:11,755 --> 00:27:13,506
HA HA!
593
00:27:13,590 --> 00:27:15,425
SO YOU GOT THE KEYS?
YOU FUELED UP,
READY TO GO?
594
00:27:15,508 --> 00:27:17,260
ONE CONDITION.
TAKE ME.
595
00:27:17,344 --> 00:27:19,012
SHE'S GOT NOTHING
TO DO WITH THIS.
596
00:27:19,095 --> 00:27:21,056
I NEED A HOSTAGE, DAVE,
NOT A MARTYR.
597
00:27:21,139 --> 00:27:22,515
KRYSTALL: NO!
598
00:27:22,599 --> 00:27:24,309
YOU PUT ME ON
THAT PLANE WITH YOU
599
00:27:24,392 --> 00:27:26,686
WITH YOU AND NOBODY'S
GONNA SHOOT YOU OUT
OF THE SKY.
600
00:27:26,770 --> 00:27:30,190
THEY'LL LET YOU LAND,
YOU'LL DISAPPEAR,
601
00:27:30,273 --> 00:27:31,941
AND YOU'LL NEVER
HEAR FROM ME AGAIN.
602
00:27:32,025 --> 00:27:34,527
HOW DO YOU KNOW YOU'D
LIVE TO TELL ABOUT IT?
603
00:27:34,611 --> 00:27:37,447
I'M WILLING TO TAKE
THAT RISK.
604
00:27:39,657 --> 00:27:41,409
YEAH?
605
00:27:47,499 --> 00:27:48,583
ALL RIGHT, LET'S GO.
606
00:27:50,043 --> 00:27:52,253
PAT YOUR HUSBAND DOWN
FOR ME, WILL YOU, DOLL?
607
00:27:52,337 --> 00:27:53,713
AND LOSE THE VEST.
608
00:27:55,006 --> 00:27:57,092
LET'S GO.
WE'RE WASTING TIME.
609
00:27:57,175 --> 00:27:58,426
MY GUN'S IN THE CAR.
610
00:27:58,510 --> 00:28:01,596
THIS CAN'T BE
HOW IT ENDS.
611
00:28:02,555 --> 00:28:03,431
I LOVE YOU.
612
00:28:03,515 --> 00:28:05,141
I LOVE YOU.
613
00:28:06,393 --> 00:28:09,062
ALL RIGHT, PUT
THESE ON, OLD MAN.
614
00:28:09,145 --> 00:28:11,481
[HANDCUFFS CLICK]
615
00:28:11,564 --> 00:28:12,899
LYNCH: COME ON.
616
00:28:12,982 --> 00:28:14,567
I LOVE YOU.
617
00:28:16,986 --> 00:28:18,238
THERE'S NO SHOT.
618
00:28:18,321 --> 00:28:19,948
LYNCH WON'T GIVE US
A LINE OF SIGHT.
619
00:28:36,381 --> 00:28:37,757
SIT DOWN.
620
00:28:44,389 --> 00:28:49,519
GROUND, THIS IS
GULF NOVEMBER 3-4
JULIET ECHO 1-1
621
00:28:49,602 --> 00:28:51,646
REQUESTING PERMISSION
TO TAXI FOR DEPARTURE.
622
00:28:51,729 --> 00:28:54,649
MAN: GROUND TO GULF
NOVEMBER 3-4 JULIET ECHO 1-1.
623
00:28:54,732 --> 00:28:56,901
WE ARE CURRENTLY CLEARING
THE JETWAY FOR YOUR DEPARTURE
624
00:28:56,985 --> 00:28:58,194
ON RUNWAY 2-5.
625
00:28:58,278 --> 00:28:59,487
PLEASE STAND BY.
626
00:28:59,571 --> 00:29:00,530
ROGER THAT.
627
00:29:00,613 --> 00:29:04,159
YOU KNOW, THERE'S SO MANY
BRIGHT SIDES TO WHAT I DO.
628
00:29:04,242 --> 00:29:06,828
I GUESS YOU CAN CALL ME
A LIFELONG LEARNER.
629
00:29:06,911 --> 00:29:09,289
WHEN I WAS 19,
I TAUGHT MYSELF SPANISH.
630
00:29:09,372 --> 00:29:11,791
I ALWAYS FIGURED
THE BEACHES OF MEXICO
WOULD BE A BEAUTIFUL PLACE
631
00:29:11,875 --> 00:29:13,209
TO SPEND THE REST
OF MY DAYS.
632
00:29:13,293 --> 00:29:15,170
PRENTISS, COME ON, YOU
SAID WE NEEDED A GREAT PLAN.
633
00:29:15,253 --> 00:29:16,504
AND WE HAVE ONE.
634
00:29:16,588 --> 00:29:18,840
IT STARTED 20 YEARS
AGO WHEN DAVID ROSSI
635
00:29:18,923 --> 00:29:21,509
AND JASON GIDEON SUBMITTED
THEIR FIRST REQUISITION
636
00:29:21,593 --> 00:29:22,886
FOR A PRIVATE JET.
637
00:29:22,969 --> 00:29:25,513
THERE ARE THINGS NONE OF
YOU KNOW ABOUT THAT JET.
638
00:29:27,098 --> 00:29:28,808
THINK YOU'LL BE
SATISFIED?
639
00:29:28,892 --> 00:29:31,352
LAYING LOW IN MEXICO?
640
00:29:31,436 --> 00:29:32,520
YEAH, YEAH.
641
00:29:32,604 --> 00:29:33,897
I'LL KEEP MYSELF BUSY.
642
00:29:33,980 --> 00:29:37,192
MAN: GROUND TO GULF
NOVEMBER 3-4 JULIET ECHO 1-1.
643
00:29:37,275 --> 00:29:38,693
TAXI TO RUNWAY 2-5.
644
00:29:38,776 --> 00:29:40,612
HOLD SHORT OF DELTA.
645
00:29:38,776 --> 00:29:40,612
ROGER THAT.
646
00:29:40,695 --> 00:29:43,323
I MEAN, JUST THINK ABOUT
ALL THOSE LONELY BEAUTIES
DOWN THERE.
647
00:29:43,406 --> 00:29:44,824
NO, NO, NO, IT'S DEFINITELY
THE PERFECT PLACE
648
00:29:44,908 --> 00:29:46,868
FOR A GUY LIKE ME
TO DISAPPEAR,
649
00:29:46,951 --> 00:29:48,995
GET ON WITH THE REST
OF MY LIFE.
650
00:29:50,121 --> 00:29:52,165
[GUNSHOT]
651
00:29:53,791 --> 00:29:55,543
AHH!
652
00:29:55,627 --> 00:29:57,587
[GUNSHOT]
653
00:29:57,670 --> 00:29:58,880
[ROSSI GROANS]
654
00:29:58,963 --> 00:30:01,633
HA HA HA!
655
00:30:03,760 --> 00:30:04,844
OK.
656
00:30:14,312 --> 00:30:15,730
AH, THANK GOODNESS.
657
00:30:15,813 --> 00:30:17,899
ROSSI. ROSSI, COME ON.
658
00:30:25,281 --> 00:30:26,908
PRENTISS: FIRE AT
THE FUEL TANK.
659
00:30:26,991 --> 00:30:28,576
[GUNSHOTS]
660
00:30:28,660 --> 00:30:30,036
UHH.
661
00:30:37,335 --> 00:30:39,045
JAREAU: GET BACK!
TAKE COVER.
662
00:30:49,681 --> 00:30:51,182
OK.
663
00:31:16,416 --> 00:31:18,334
[POP]
664
00:31:20,378 --> 00:31:22,672
[APPROACHING FOOTSTEPS]
665
00:31:28,261 --> 00:31:31,139
IT'S GONNA BE
A HELL OF A PARTY.
666
00:31:31,222 --> 00:31:32,849
YEP.
667
00:31:32,932 --> 00:31:35,184
YOU OK?
668
00:31:35,268 --> 00:31:37,687
I WILL BE.
IT'S JUST...
669
00:31:37,770 --> 00:31:39,439
HARD TO BELIEVE,
YOU KNOW.
670
00:31:39,522 --> 00:31:41,441
[DOORBELL RINGS]
671
00:31:45,361 --> 00:31:47,405
[MUSIC PLAYING]
672
00:31:48,698 --> 00:31:52,201
JAREAU: HEY, SOMEONE KNOWS
HOW TO THROW A PARTY.
673
00:31:52,285 --> 00:31:55,788
♪ I SAW YOU STANDING ♪
674
00:31:55,872 --> 00:32:00,209
♪ BEHIND THE LOOKING GLASS... ♪
675
00:32:00,293 --> 00:32:03,212
THEY SAY THAT GOOD THINGS
HAPPEN TO GOOD PEOPLE.
676
00:32:03,296 --> 00:32:04,213
CHEERS.
677
00:32:04,297 --> 00:32:08,885
♪ TAKE WHAT YOU WANT ♪
678
00:32:08,968 --> 00:32:12,305
♪ BUT TAKE IT FAST ♪
679
00:32:14,432 --> 00:32:17,518
♪ OH ♪
680
00:32:21,898 --> 00:32:25,151
♪ I FEEL LIKE DANCING ♪
681
00:32:30,448 --> 00:32:33,868
♪ IT WON'T BE LONG ♪
682
00:32:33,951 --> 00:32:40,375
♪ TILL I'M BACK ♪
683
00:32:44,128 --> 00:32:45,463
PRENTISS: WOW.
684
00:32:45,546 --> 00:32:48,549
HOW MANY PARTIES
HAVE YOU THROWN?
685
00:32:48,633 --> 00:32:49,884
NOT NEAR ENOUGH.
686
00:32:49,967 --> 00:32:51,344
HA HA HA.
687
00:32:51,427 --> 00:32:54,722
NOW THIS IS
A PERFECT BACKYARD.
688
00:32:54,806 --> 00:32:56,391
YOU TWO HOUSE HUNTING?
689
00:32:56,474 --> 00:32:58,685
IN DENVER.
690
00:32:58,768 --> 00:33:00,269
DON'T WORRY,
I'M NOT LEAVING.
691
00:33:00,353 --> 00:33:03,439
I'M KEEPING MY PLACE
HERE, BUT WE ARE LOOKING
AT LAND OUT THERE.
692
00:33:03,523 --> 00:33:05,233
IT'S A GOOD TIME
TO INVEST.
693
00:33:05,316 --> 00:33:06,567
ABSOLUTELY.
694
00:33:06,651 --> 00:33:10,697
HEY, LOOKING GOOD, DAVE.
HOW'S THE LEG?
695
00:33:10,780 --> 00:33:12,240
WELL, IT'S BEEN
A LONG MONTH,
696
00:33:12,323 --> 00:33:14,200
BUT I'M BACK
IN BUSINESS.
697
00:33:14,283 --> 00:33:15,743
BUT HOW'S THAT
LITTLE ROSE DOING?
698
00:33:15,827 --> 00:33:17,453
SHE'S THE BEST
BABY EVER.
699
00:33:17,537 --> 00:33:21,124
MAYBE BECAUSE IT'S
NUMBER 5 AND NOT MUCH
CAN SURPRISE US ANYMORE.
700
00:33:21,207 --> 00:33:22,875
MAYBE IT'S BECAUSE WE'RE
ACTUALLY GETTING SLEEP.
701
00:33:22,959 --> 00:33:25,086
OH, NOT TONIGHT
YOU'RE NOT, MY FRIEND.
702
00:33:25,169 --> 00:33:28,089
THIS IS GONNA BE
THE CELEBRATION TO
END ALL CELEBRATIONS.
703
00:33:28,172 --> 00:33:29,590
FULL COMMITMENT
FROM EVERYONE.
704
00:33:29,674 --> 00:33:31,092
ROSSI:
YOU GOT IT.
705
00:33:31,175 --> 00:33:33,428
CAN'T BELIEVE IT.
THE BAND IS BREAKING UP.
706
00:33:33,511 --> 00:33:34,470
ROSSI: HOW YOU
FEELING, KID?
707
00:33:34,554 --> 00:33:35,471
I'M FEELING GREAT,
708
00:33:35,555 --> 00:33:36,597
AND I'M STARTING
BACK NEXT WEEK.
709
00:33:36,681 --> 00:33:37,974
CAN'T LET THE TEAM
BE DOWN TWO MEMBERS.
710
00:33:38,057 --> 00:33:40,268
OH, COME ON, TEACHING
AND CONSULTING?
711
00:33:40,351 --> 00:33:41,310
YOU'RE MAKING ME
LOOK BAD.
712
00:33:41,394 --> 00:33:42,937
JUST DOING WHAT I LOVE.
713
00:33:43,020 --> 00:33:45,440
ALVEZ: HEY, I WILL
DRINK TO THAT.
714
00:33:45,523 --> 00:33:48,484
UH, YOU'RE NOT SUPPOSED
TO START THE FESTIVITIES
715
00:33:48,568 --> 00:33:51,279
UNTIL THE BELLE OF
BALL HAS ARRIVED.
716
00:33:51,362 --> 00:33:52,780
DON'T WORRY, OK,
717
00:33:52,864 --> 00:33:54,991
'CAUSE THIS IS GONNA
BE THE FIRST OF MANY.
718
00:33:55,074 --> 00:33:56,743
KRISTY: PENELOPE,
CONGRATULATIONS.
719
00:33:56,826 --> 00:33:59,162
HERE I THOUGHT WE WERE
COMING TO CELEBRATE
DAVE'S RETIREMENT,
720
00:33:59,245 --> 00:34:01,247
BUT MATT SAID IT IS
YOUR FAREWELL PARTY.
721
00:34:01,330 --> 00:34:03,082
AND YOU HAD LIKE
A HUNDRED OFFERS.
722
00:34:03,166 --> 00:34:05,501
OH, THAT'S ONLY IF
YOU ROUND UP, BUT YES.
723
00:34:05,585 --> 00:34:07,754
ANYWAY, IT'S NONPROFIT,
IT'S CLOSE TO HERE,
724
00:34:07,837 --> 00:34:10,965
AND THE DRESS CODE ISN'T
ALL FBI CONSERVATIVE LIKE
I'VE BEEN HAVING TO DO.
725
00:34:11,048 --> 00:34:14,260
I'M STILL IN DENIAL
THAT YOU'RE LEAVING.
726
00:34:14,343 --> 00:34:15,803
IT WON'T BE THE SAME
WITHOUT YOU.
727
00:34:15,887 --> 00:34:17,138
BETTER NOT BE.
728
00:34:17,221 --> 00:34:19,807
DAVE DECIDED HE WASN'T
GOING TO RETIRE.
729
00:34:19,891 --> 00:34:21,184
HE DIDN'T WANT THE TEAM
TO GO THROUGH TOO MUCH
730
00:34:21,267 --> 00:34:23,227
OF A TRANSITION
ALL AT ONCE.
731
00:34:23,311 --> 00:34:25,313
KRYSTALL: THAT'S 'CAUSE
DAVE'S NEVER GONNA
ACTUALLY DO IT.
732
00:34:25,396 --> 00:34:26,606
[LAUGHTER]
733
00:34:26,689 --> 00:34:28,357
HEY, LOOK, BEING
WITH YOU ALL,
734
00:34:28,441 --> 00:34:31,986
DOING WHAT FEW OTHERS CAN,
735
00:34:32,069 --> 00:34:33,905
THAT'S WHERE I BELONG.
736
00:34:35,239 --> 00:34:37,825
BUT THIS NIGHT IS
NOT ABOUT ME.
737
00:34:37,909 --> 00:34:40,286
TO OUR BELOVED PENELOPE.
738
00:34:40,369 --> 00:34:41,287
OHH!
739
00:34:41,370 --> 00:34:43,331
A SALUT.
740
00:34:41,370 --> 00:34:43,331
ALL: A SALUT.
741
00:34:43,414 --> 00:34:45,666
[LAUGHTER]
742
00:34:45,750 --> 00:34:52,256
ALL: ♪ AND YOU,
YOU WILL BE QUEEN ♪
743
00:34:54,759 --> 00:34:58,054
♪ THOUGH NOTHING ♪
744
00:34:58,137 --> 00:35:00,348
♪ WILL DRIVE US AWAY ♪
745
00:35:00,431 --> 00:35:02,183
[LAUGHTER]
746
00:35:02,266 --> 00:35:06,729
♪ WE CAN BE HEROES ♪
747
00:35:06,813 --> 00:35:08,231
♪ JUST FOR ONE DAY ♪
748
00:35:08,314 --> 00:35:09,649
JUST FOR ONE DAY,
BABY.
749
00:35:09,732 --> 00:35:11,442
JUST FOR ONE DAY.
750
00:35:11,526 --> 00:35:13,569
♪ WE CAN BE US ♪
751
00:35:15,613 --> 00:35:17,532
♪ JUST FOR ONE DAY ♪
752
00:35:17,615 --> 00:35:19,325
[INDISTINCT]
753
00:35:20,827 --> 00:35:24,205
♪ I ♪
754
00:35:24,288 --> 00:35:26,332
♪ I CAN REMEMBER ♪
755
00:35:26,415 --> 00:35:29,210
♪ I CAN REMEMBER ♪
756
00:35:29,293 --> 00:35:32,213
♪ STANDING ♪
757
00:35:32,296 --> 00:35:34,382
♪ BY THE WALL ♪
758
00:35:34,465 --> 00:35:38,261
♪ BY THE WALL,
BY THE WALL ♪
759
00:35:38,344 --> 00:35:39,887
AND AGAIN!
760
00:35:41,430 --> 00:35:43,432
♪ SHOT ABOVE OUR HEADS ♪
761
00:35:43,516 --> 00:35:45,601
♪ ABOVE OUR HEADS ♪
762
00:35:45,685 --> 00:35:46,769
♪ AND WE KISSED ♪
763
00:35:46,853 --> 00:35:48,229
KISS!
764
00:35:48,312 --> 00:35:51,482
♪ AS THOUGH NOTHING
COULD FALL ♪
765
00:35:51,566 --> 00:35:54,026
♪ NOTHING COULD FALL ♪
766
00:35:54,110 --> 00:35:55,903
♪ AND THE SHAME ♪
767
00:35:55,987 --> 00:35:57,321
THE SHAME!
768
00:35:57,405 --> 00:35:58,406
SHAME!
769
00:35:58,489 --> 00:36:02,285
♪ WAS ON THE OTHER SIDE ♪
770
00:36:02,368 --> 00:36:06,080
♪ OH, WE CAN BEAT THEM ♪
771
00:36:06,163 --> 00:36:08,916
♪ FOREVER AND EVER ♪
772
00:36:11,043 --> 00:36:15,256
♪ THEN WE COULD BE HEROES ♪
773
00:36:15,339 --> 00:36:17,592
♪ JUST FOR ONE DAY ♪
774
00:36:17,675 --> 00:36:20,052
[LAUGHTER]
775
00:36:23,472 --> 00:36:26,684
♪ WE COULD BE HEROES ♪
776
00:36:32,023 --> 00:36:35,401
♪ WE COULD BE HEROES ♪
777
00:36:39,030 --> 00:36:41,407
♪ WE DON'T NEED NO... ♪
778
00:36:45,494 --> 00:36:47,538
THANK YOU.
779
00:36:50,708 --> 00:36:52,585
SO, UH...
780
00:36:56,047 --> 00:36:59,967
I WAS THINKING SINCE
WE'RE NOT GONNA WORK
TOGETHER ANYMORE,
781
00:37:00,051 --> 00:37:02,511
THAT, UH,
782
00:37:02,595 --> 00:37:04,555
MAYBE I COULD
TAKE YOU TO DINNER.
783
00:37:07,183 --> 00:37:08,434
YEAH.
784
00:37:09,560 --> 00:37:10,978
YEAH?
785
00:37:11,062 --> 00:37:12,188
YEAH.
786
00:37:12,271 --> 00:37:13,314
WE'LL EAT.
787
00:37:13,397 --> 00:37:14,857
I--YEAH.
788
00:37:15,900 --> 00:37:17,485
COOL.
789
00:37:15,900 --> 00:37:17,485
MM-HMM.
790
00:37:18,736 --> 00:37:20,988
PENELOPE REMINDS
ALL OF US
791
00:37:21,072 --> 00:37:22,782
THAT CHANGE IS GOOD--
792
00:37:22,865 --> 00:37:24,492
PAINFUL, BUT GOOD.
793
00:37:24,575 --> 00:37:28,955
AND AS MUCH PAIN AS
LYNDA BARNES CAUSED
ALL OF US,
794
00:37:29,038 --> 00:37:31,666
SHE HAS INSPIRED ME
TO CHANGE.
795
00:37:31,749 --> 00:37:33,834
SO I'M CUTTING ALL
MY HAIR OFF. GET READY.
796
00:37:33,918 --> 00:37:36,712
[LAUGHTER]
797
00:37:36,796 --> 00:37:40,383
SO, UM, I'VE GROWN
UP WITH PENELOPE,
798
00:37:40,466 --> 00:37:43,678
NOT AS KIDS, BUT AS ADULTS.
799
00:37:43,761 --> 00:37:47,348
AND SHE HAS BECOME
MY SISTER--
800
00:37:47,431 --> 00:37:51,686
THERE FOR ME WHEREVER
I'VE FOUND MYSELF.
801
00:37:51,769 --> 00:37:54,355
ONCE SHE SAID THAT I WAS
802
00:37:54,438 --> 00:37:57,358
THE GLUE THAT KEPT
THIS TEAM TOGETHER.
803
00:37:57,441 --> 00:37:59,986
BUT WE ALL KNOW
804
00:38:00,069 --> 00:38:01,737
THAT THAT WAS REALLY YOU.
805
00:38:07,326 --> 00:38:11,664
SO WE'RE AT THE BEGINNING
OF THE END.
806
00:38:11,747 --> 00:38:15,376
AND THIS TIME NEXT WEEK,
WE'RE NOT GONNA BE TOGETHER
807
00:38:15,459 --> 00:38:17,837
LIKE WE HAVE BEEN FOR
AS LONG AS I CAN REMEMBER.
808
00:38:17,920 --> 00:38:23,342
I NEED YOU EACH TO KNOW
THAT YOU HOLD A REALLY
SPECIAL PLACE IN MY HEART.
809
00:38:23,426 --> 00:38:24,552
AND...
810
00:38:24,635 --> 00:38:27,930
I WANT TO FREEZE
RIGHT NOW.
811
00:38:28,014 --> 00:38:31,517
I WANT TO SOAK THIS IN.
812
00:38:42,319 --> 00:38:45,740
THERE, I DID.
813
00:38:47,867 --> 00:38:52,246
THANK YOU FOR LETTING ME
BE A PART OF THIS FOR SO LONG.
814
00:38:52,329 --> 00:38:54,915
AND THANK YOU FOR
REMINDING ME
815
00:38:54,999 --> 00:38:58,210
THAT THERE IS AN INFINITE
AMOUNT OF HEROISM
816
00:38:58,294 --> 00:39:00,087
AND KINDNESS IN THE WORLD,
817
00:39:00,171 --> 00:39:02,965
NO MATTER HOW BLEAK
IT SEEMS.
818
00:39:04,383 --> 00:39:07,344
MY FAVORITE BAND SAYS
THE LOVE YOU TAKE
819
00:39:07,428 --> 00:39:08,596
IS EQUAL TO
THE LOVE YOU MAKE.
820
00:39:08,679 --> 00:39:11,432
SO INSTEAD OF A TOAST,
821
00:39:11,515 --> 00:39:13,434
I WANT TO MAKE A PROMISE.
822
00:39:13,517 --> 00:39:17,146
CAN WE PLEASE PROMISE THAT
NO MATTER WHERE WE GO AFTER THIS
823
00:39:17,229 --> 00:39:22,568
THAT WE KEEP THIS
FEELING IN OUR HEARTS?
824
00:39:22,651 --> 00:39:23,611
CHEERS.
825
00:39:23,694 --> 00:39:25,154
ALL: SALUT!
826
00:39:26,530 --> 00:39:28,449
SALUT!
827
00:39:42,213 --> 00:39:44,632
OK, LADY AND GENT,
I KNOW THEY JUST LOOK
LIKE BOXES,
828
00:39:44,715 --> 00:39:46,926
BUT ONE OF THOSE IS
A VINTAGE STAPLER COLLECTION,
829
00:39:47,009 --> 00:39:48,302
SO BE CAREFUL.
830
00:39:48,385 --> 00:39:49,303
THANK YOU SO MUCH.
831
00:39:49,386 --> 00:39:50,971
WHAT'S WITH
THE BOX BRIGADE?
832
00:39:51,055 --> 00:39:53,140
I THOUGHT YOU WEREN'T LEAVING
TILL THE END OF THE WEEK.
833
00:39:53,224 --> 00:39:56,769
WAIT, MOVING OUT OF
HERE LIKE THE COLTS
DID BALTIMORE?
834
00:39:56,852 --> 00:39:58,479
OK, NO ONE KNOWS
WHAT THAT MEANS.
835
00:39:58,562 --> 00:40:00,689
SO YOU WEREN'T GONNA
TELL US?
836
00:40:00,773 --> 00:40:02,983
[SIGHS]
837
00:40:03,067 --> 00:40:05,528
IT'S JUST THAT LAST NIGHT
WAS SUCH A PERFECT GOOD-BYE,
838
00:40:05,611 --> 00:40:07,655
RIGHT, AND I THOUGHT
WHY NOT END ON A HIGH?
839
00:40:07,738 --> 00:40:09,156
PENELOPE.
840
00:40:09,240 --> 00:40:11,534
I CAN SEE I WAS WRONG.
841
00:40:11,617 --> 00:40:13,828
LOOK, I GOT SOME
TREATS FOR THE MOVERS.
842
00:40:13,911 --> 00:40:16,372
AND I COULD PUT THE KETTLE
ON AND WE COULD HAVE TEA
843
00:40:16,455 --> 00:40:17,665
LIKE CIVILIZED PEOPLE.
844
00:40:17,748 --> 00:40:18,874
YEAH?
845
00:40:18,958 --> 00:40:20,709
ALVEZ:
WE CAN TRY.
846
00:40:20,793 --> 00:40:22,711
DON'T BALEFULLY LOOK AT ME.
I'M REALLY SORRY.
847
00:40:22,795 --> 00:40:25,047
[CHUCKLES]
848
00:40:25,131 --> 00:40:27,675
SO YOU EXPECTING
THE QUEEN?
849
00:40:27,758 --> 00:40:29,343
ALWAYS.
850
00:40:29,426 --> 00:40:32,638
I BEQUEATH THIS--
[INHALES]
851
00:40:32,721 --> 00:40:34,181
TO YOU.
852
00:40:34,265 --> 00:40:35,641
PLEASE TAKE CARE OF HER.
853
00:40:35,724 --> 00:40:42,481
AHH. AND HERE I THOUGHT
I WAS OUT OF TEARS.
854
00:40:44,108 --> 00:40:45,526
OH, AND, UM,
855
00:40:45,609 --> 00:40:49,196
I KNOW THAT THERE'S NOT
8 OF US ANYMORE, BUT.
856
00:40:51,157 --> 00:40:53,534
I'M GONNA NAME HER MILDRED.
857
00:40:53,617 --> 00:40:54,535
[CELLPHONE CHIMES,
VIBRATES]
858
00:40:54,618 --> 00:40:56,662
OH.
859
00:40:56,745 --> 00:40:59,540
WE WILL DEBRIEF
ON THE JET.
WHEELS UP.
860
00:40:59,623 --> 00:41:01,667
WE GOT A NEW ONE?
861
00:41:01,750 --> 00:41:04,545
YES, AND THIS WILL BE
HER MAIDEN VOYAGE.
862
00:41:04,628 --> 00:41:07,673
I LOVE THE SMELL OF
A NEW JET IN THE MORNING.
863
00:41:10,259 --> 00:41:12,595
♪ GOOD NIGHT ♪
864
00:41:12,678 --> 00:41:14,722
♪ GOOD-BYE ♪
865
00:41:14,805 --> 00:41:16,765
♪ GOOD LUCK ♪
866
00:41:16,849 --> 00:41:19,226
♪ DON'T CRY ♪
867
00:41:19,310 --> 00:41:21,687
♪ IT'S THE EDGE ♪
868
00:41:21,770 --> 00:41:24,398
♪ OF IT ALL ♪
869
00:41:24,481 --> 00:41:26,567
♪ IT'S THE EDGE ♪
870
00:41:26,650 --> 00:41:28,903
♪ OF IT ALL ♪
871
00:41:28,986 --> 00:41:30,863
♪ ALL MY FRIENDS ♪
872
00:41:30,946 --> 00:41:33,699
♪ AT THE END ♪
873
00:41:33,782 --> 00:41:35,075
♪ OF THE WORLD ♪
874
00:41:35,159 --> 00:41:38,120
♪ I HOPE TO SEE YOU AGAIN ♪
875
00:41:38,204 --> 00:41:40,748
♪ IT'S THE END ♪
876
00:41:40,831 --> 00:41:42,875
♪ OF THIS TIME ♪
877
00:41:42,958 --> 00:41:45,586
♪ IT'S THE END ♪
878
00:41:45,669 --> 00:41:49,215
♪ OF OUR TIME ♪
879
00:41:49,298 --> 00:41:53,260
♪ OOH ♪
880
00:41:53,344 --> 00:41:56,931
♪ OH, HOW LITTLE DO WE KNOW? ♪
881
00:41:57,014 --> 00:42:01,727
♪ OOH ♪
882
00:42:01,810 --> 00:42:04,855
♪ WE HAD SUCH A LONG WAY
TO GO ♪
883
00:42:04,939 --> 00:42:07,942
♪ WHEN YOU SLEEP TONIGHT ♪
884
00:42:08,025 --> 00:42:12,112
♪ YOU'LL BE IN MY DREAMS ♪
885
00:42:12,196 --> 00:42:15,741
♪ IT'S A KIND OF LOVE ♪
886
00:42:15,824 --> 00:42:17,618
♪ IT'S ALL DARK ♪
887
00:42:17,701 --> 00:42:22,831
♪ NOTHING COMFORTING ME ♪
888
00:42:22,915 --> 00:42:25,626
♪ THE EARTH WENT QUIET ♪
889
00:42:25,709 --> 00:42:28,587
♪ AND THE AIR WENT STILL ♪
890
00:42:28,671 --> 00:42:31,298
♪ I FEEL YOU NOW ♪
891
00:42:31,382 --> 00:42:35,678
♪ MORE THAN I EVER WILL ♪
892
00:42:58,075 --> 00:43:01,161
CAPTIONING MADE POSSIBLE BY
ABC STUDIOS, LLC AND CBS, INC.
893
00:43:01,245 --> 00:43:04,290
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--
60592
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