All language subtitles for The.Opposite.Sex.and.How.to.Live.with.Them.1992.1080p.WEBRip.DDP2.0.x264-NTb-HI
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1
00:00:16,617 --> 00:00:20,117
[ BIRDS SCREECHING ]
2
00:00:32,766 --> 00:00:36,736
[ ANIMALS CHATTERING ]
3
00:00:36,770 --> 00:00:40,040
[ ELEPHANT TRUMPETING ]
4
00:00:49,383 --> 00:00:52,523
Eli: TWO TYPES OF CREATURES
IN THE WILD KINGDOM --
5
00:00:52,553 --> 00:00:54,523
THE PREDATORS AND THE PREY.
6
00:00:54,555 --> 00:00:56,515
WHEN WE DECIDE
TO PREDATE...
7
00:00:56,557 --> 00:00:58,827
THEY HAD BETTER PRAY.
8
00:00:58,859 --> 00:01:00,359
[ CHUCKLES ]
9
00:01:00,394 --> 00:01:03,134
WHATEVER.
10
00:01:03,164 --> 00:01:05,774
YOU SEE, LIFE WAS SIMPLE
FOR DAVID AND ME.
11
00:01:05,799 --> 00:01:07,769
WE WERE CAPTAINS
OF OUR OWN SHIPS.
12
00:01:07,801 --> 00:01:10,671
WE DECIDED
WHEN THE PERISCOPE GOES UP
13
00:01:10,704 --> 00:01:12,514
AND WHEN THE PERISCOPE
GOES DOWN,
14
00:01:12,540 --> 00:01:16,410
WHEN TO FIRE THE TORPEDOES
AND WHO WAS UNDER ATTACK.
15
00:01:16,444 --> 00:01:19,854
AND THEN DAVID VENTURED
FOOLISHLY
16
00:01:19,880 --> 00:01:21,850
INTO UNCHARTED WATERS.
17
00:01:21,882 --> 00:01:25,892
* THE PURPOSE OF A MAN
IS TO LOVE A WOMAN *
18
00:01:25,919 --> 00:01:30,319
* THE PURPOSE OF A WOMAN
IS TO LOVE A MAN *
19
00:01:30,358 --> 00:01:32,488
* SO COME ON, BABY,
LET'S START TODAY *
20
00:01:32,526 --> 00:01:34,326
* COME ON, BABY, LET'S PLAY
21
00:01:34,362 --> 00:01:35,862
* THE GAME OF LOVE
22
00:01:38,399 --> 00:01:40,399
* THE GAME OF LOVE
23
00:01:43,371 --> 00:01:45,641
* COME ON, BABY,
'CAUSE THE TIME IS RIGHT *
24
00:01:45,673 --> 00:01:47,883
* COME ON, BABY,
'CAUSE THE TIME IS RIGHT *
25
00:01:47,908 --> 00:01:49,878
* LOVE YOUR DADDY
WITH ALL YOUR MIGHT *
26
00:01:49,910 --> 00:01:51,880
* LOVE YOUR DADDY
WITH ALL YOUR MIGHT *
27
00:01:51,912 --> 00:01:53,882
* PUT YOUR ARMS AROUND ME
AND HOLD ME TIGHT *
28
00:01:53,914 --> 00:01:56,624
* PUT YOUR ARMS AROUND ME
AND HOLD ME TIGHT *
29
00:01:58,419 --> 00:02:00,919
* PLAY THE GAME OF LOVE
30
00:02:00,954 --> 00:02:04,934
* THE PURPOSE OF A MAN
IS TO LOVE A WOMAN *
31
00:02:04,958 --> 00:02:09,258
* THE PURPOSE OF A WOMAN
IS TO LOVE A MAN *
32
00:02:09,297 --> 00:02:11,627
* SO COME ON, BABY,
LET'S START TODAY *
33
00:02:11,665 --> 00:02:12,925
* COME ON, BABY, LET'S PLAY
34
00:02:12,966 --> 00:02:14,836
OW!
* THE GAME OF LOVE
35
00:02:16,204 --> 00:02:18,174
AAH!
36
00:02:18,206 --> 00:02:19,836
OW.
37
00:02:19,873 --> 00:02:21,813
IT'S NOT POLITE TO SPY.
38
00:02:21,842 --> 00:02:24,752
I WASN'T SPYING.
I WAS LEERING.
39
00:02:24,778 --> 00:02:27,348
YOU KNOW, THIS THING
REINFORCES BAD VIEWING HABITS.
40
00:02:27,381 --> 00:02:29,521
YOU SHOULD LEARN TO LOOK
AT A WOMAN AS A WHOLE.
41
00:02:29,550 --> 00:02:30,650
HEY, LISTEN.
42
00:02:30,684 --> 00:02:33,954
I'M WAY TOO ENLIGHTENED
TO LOOK AT WOMEN LIKE THAT.
43
00:02:33,987 --> 00:02:35,857
I MEANT AS OPPOSED TO
JUST HALF.
44
00:02:35,889 --> 00:02:39,929
IT'S A PERISCOPE IN A BAR.
LIGHTEN UP.
45
00:02:39,960 --> 00:02:41,560
YOU JUST SHOULDN'T LOOK
AT WOMEN AS OBJECTS.
46
00:02:41,595 --> 00:02:45,765
OH, NO. YOU SEE, I WAS LOOKING
AT WOMEN OBJECTIVELY.
47
00:02:45,799 --> 00:02:48,299
YOU KNOW,
I DON'T CARE FOR SEMANTICS.
48
00:02:48,336 --> 00:02:51,236
HMM. TOO BAD.
I'M JEWISH.
49
00:02:52,573 --> 00:02:54,813
HEY, CAN I BUY YOU
A DRINK?
50
00:02:56,377 --> 00:02:57,807
I DON'T THINK SO.
51
00:02:57,845 --> 00:02:59,605
THE -- THE WHOLE YOU?
52
00:03:01,882 --> 00:03:02,882
OW.
53
00:03:04,518 --> 00:03:05,648
EXCUSE ME.
54
00:03:05,686 --> 00:03:07,216
I'M SORRY.
55
00:03:07,988 --> 00:03:09,288
TROUBLE, SKIPPER?
56
00:03:09,323 --> 00:03:12,593
UH, FLESH WOUND.
57
00:03:12,626 --> 00:03:14,256
THERE WE GO.
58
00:03:14,295 --> 00:03:15,925
THAT'S MUCH BETTER.
59
00:03:15,963 --> 00:03:17,433
MM-HMM. THANK YOU.
60
00:03:17,465 --> 00:03:18,865
MEDICINAL PURPOSES.
61
00:03:22,035 --> 00:03:23,435
HI!
62
00:03:23,471 --> 00:03:25,441
HEY. OH, YOU LOOK GREAT.
I'VE NEVER SEEN THIS.
63
00:03:25,473 --> 00:03:27,983
YES. WELL, I CAN HIDE
A SMALL CHILD IN THIS.
64
00:03:28,008 --> 00:03:31,348
SO YOU SHOULD GO FOR IT.
LITTLE DIMPLES, LITTLE ASS.
65
00:03:31,379 --> 00:03:32,679
LITTLE POTENTIAL.
66
00:03:32,713 --> 00:03:34,683
YOU AND YOUR
POTENTIAL QUOTIENT.
67
00:03:34,715 --> 00:03:37,945
HAVE YOU GOT SOME SORT
OF POTENTIAL-CALCULATOR
DEVICE IN YOUR HEAD?
68
00:03:37,985 --> 00:03:38,915
I MEAN, HOW DO YOU KNOW?
69
00:03:38,952 --> 00:03:41,592
ZOE, I KNOW THE TYPE.
70
00:03:41,622 --> 00:03:44,692
[ SALT-N-PEPA'S "DO YOU WANT ME"
PLAYS ]
71
00:03:44,725 --> 00:03:46,955
I AM IN LOVE
WITH THAT GIRL.
72
00:03:48,529 --> 00:03:51,369
DAVID, THAT GIRL INTENDED
73
00:03:51,399 --> 00:03:53,369
AND INFLICTED BODILY INJURY
ON YOU.
74
00:03:53,401 --> 00:03:54,901
YOU DON'T MARRY GIRLS
LIKE THAT.
75
00:03:54,935 --> 00:03:56,765
YOU FILE RESTRAINING ORDERS
AGAINST THEM.
76
00:03:56,804 --> 00:03:57,944
[ CHUCKLES ]
77
00:03:57,971 --> 00:03:59,641
HO.
SPIDER SENSE TINGLING.
78
00:03:59,673 --> 00:04:00,643
WHERE?
79
00:04:00,674 --> 00:04:02,414
DON'T LOOK. 3:00.
80
00:04:02,443 --> 00:04:04,043
DON'T LOOK!
81
00:04:04,077 --> 00:04:06,047
I'M SENSING
A GERMANIC ACCENT.
82
00:04:06,079 --> 00:04:08,279
SWEDISH.
STEWARDESSES, MAYBE.
83
00:04:08,316 --> 00:04:09,546
UH, SECRETARIES.
84
00:04:09,583 --> 00:04:11,393
GERMAN BANK UPSTAIRS.
AH.
85
00:04:11,419 --> 00:04:12,849
TWO BECK'S.
TWO BECK'S.
86
00:04:12,886 --> 00:04:14,786
COVER ME.
I'M GOING IN.
87
00:04:17,558 --> 00:04:19,858
ONE MORE FURTIVE GLANCE
BETWEEN YOU TWO,
88
00:04:19,893 --> 00:04:22,863
AND I WILL SPEW
PIÑA COLADA.
89
00:04:23,997 --> 00:04:26,327
[ LAUGHS ]
90
00:04:26,367 --> 00:04:27,597
HE IS CUTE.
91
00:04:29,002 --> 00:04:30,942
Eli: I WAS SITTING
DOWN THE END OF THE BAR,
92
00:04:30,971 --> 00:04:32,041
AND I WAS THINKING, "JEEZ.
93
00:04:32,072 --> 00:04:34,582
I'VE NEVER MET A EUROPEAN WOMAN
WHO DIDN'T LIKE BEER."
94
00:04:34,608 --> 00:04:36,578
[ LAUGHS ] I'VE GOT TWO.
IS THIS PERFECT?
95
00:04:36,610 --> 00:04:37,910
ONE FOR YOU
AND ONE FOR YOU.
96
00:04:37,945 --> 00:04:39,875
NOW, IF YOU DON'T LIKE BEER,
THAT'S FINE.
97
00:04:41,749 --> 00:04:44,449
COULD BE NOW IS A GOOD TIME
FOR BEER.
98
00:04:46,887 --> 00:04:49,957
FOR ALL YOU KNOW, HE MAY BE
THE SWEETEST, MOST SENSITIVE,
99
00:04:49,990 --> 00:04:51,490
EVOLVED GUY ON THE PLANET.
100
00:04:56,530 --> 00:04:57,830
I LIKE DARK BEER,
ACTUALLY.
101
00:04:57,865 --> 00:05:00,025
HANNA, MARTA, THIS IS MY, UH,
GOOD FRIEND DAVID.
102
00:05:01,068 --> 00:05:02,938
THEN AGAIN...
103
00:05:02,970 --> 00:05:04,840
LET'S GO.
104
00:05:04,872 --> 00:05:07,912
SO, UH,
YOU'RE BOTH SECRETARIES.
105
00:05:07,941 --> 00:05:10,441
NO -- TELLERS.
MUNCHEN BANK.
106
00:05:10,478 --> 00:05:11,948
I BANK THERE.
YEAH.
107
00:05:11,979 --> 00:05:13,749
BYE.
Carrie: BYE.
LAST WEEK.
108
00:05:13,781 --> 00:05:16,621
I, UH, YOU BROKE A
DEUTSCHE MARK FOR ME.
DO -- DO YOU REMEMBER?
109
00:05:17,885 --> 00:05:19,685
NO.
MNH-MNH.
110
00:05:19,720 --> 00:05:22,960
SO, HERE IT IS, FRIDAY NIGHT.
EARLY FRIDAY NIGHT.
111
00:05:22,990 --> 00:05:24,630
AND I'M SURE
IT'S ONLY A MATTER OF TIME
112
00:05:24,658 --> 00:05:25,958
BEFORE YOU REVERT
TO SHELTER MENTALITY
113
00:05:25,993 --> 00:05:29,133
AND SAY SOMETHING LIKE...
I'M SO TIRED.
I JUST WANT TO GO HOME.
114
00:05:29,162 --> 00:05:30,832
EXACTLY.
115
00:05:30,864 --> 00:05:33,904
ZOE, ANY GUY YOU MEET IN A BAR
PICKS UP WOMEN IN BARS.
116
00:05:33,934 --> 00:05:36,074
THEREFORE, I CAN SAFELY
RULE OUT THAT GUY,
117
00:05:36,103 --> 00:05:38,973
AS CUTE AS HE MAY
HAVE BEEN, JUST BASED
ON THE GENERAL THEORY
118
00:05:39,006 --> 00:05:40,836
OF GUILT
BY GEOGRAPHIC ASSOCIATION.
119
00:05:40,874 --> 00:05:44,714
THEN I HAVE TO ASK YOU,
WHAT WERE WE DOING IN THE BAR?
120
00:05:44,745 --> 00:05:47,545
WE WERE HAVING A DRINK.
121
00:05:47,581 --> 00:05:50,451
OKAY. WE WERE SPENDING
SOME TIME TOGETHER.
122
00:05:50,484 --> 00:05:51,794
WE LIVE TOGETHER.
123
00:05:51,819 --> 00:05:52,989
ALL RIGHT, ZOE. OKAY.
124
00:05:53,020 --> 00:05:55,460
WE WERE SCOPING AND SCAMMING,
JUST LIKE EVERYBODY ELSE.
125
00:05:55,489 --> 00:05:56,589
ARE YOU HAPPY?
126
00:05:56,624 --> 00:05:57,964
WAS THAT SO HARD?
127
00:05:57,991 --> 00:05:59,691
OH.
128
00:05:59,727 --> 00:06:02,827
Driver: RED LINE OUTBOUND.
NEXT STOP, HARVARD SQUARE.
129
00:06:04,131 --> 00:06:05,631
Eli: OH, PERFECT.
130
00:06:05,666 --> 00:06:07,836
TEN OF MY FAVORITE
PICKUP LINES,
131
00:06:07,868 --> 00:06:11,438
25 BUCKS WORTH OF DRINKS,
A WHOLE LOT OF WASTED CHARM
132
00:06:11,472 --> 00:06:13,842
ONLY TO FIND OUT THAT
HANNA AND MARTA WERE LOVERS.
133
00:06:13,874 --> 00:06:15,014
I HATE THAT.
134
00:06:15,042 --> 00:06:15,912
YEAH. GO FIGURE.
135
00:06:15,943 --> 00:06:17,983
WELL, THE NIGHT'S NOT
A TOTAL WASH, HUH?
136
00:06:18,011 --> 00:06:20,151
WE'LL GO CATCH A LITTLE JOE
DOWN AT THE CANTAB LOUNGE.
137
00:06:20,180 --> 00:06:21,880
WHAT DO YOU SAY?
OH, GREAT. GREAT.
138
00:06:21,915 --> 00:06:25,585
OH, PLEASE TELL ME
YOU'VE GOTTEN OVER
THE FINGER CRUSHER.
139
00:06:25,619 --> 00:06:27,689
YEAH, WELL...
140
00:06:27,721 --> 00:06:29,161
THE MEMORY LINGERS
A BIT, YEAH.
141
00:06:29,189 --> 00:06:30,859
MM-HMM.
142
00:06:30,891 --> 00:06:32,861
BUT YOU'VE GOT THE ANSWER
FOR THAT, DON'T YOU?
143
00:06:32,893 --> 00:06:33,863
SURE, I DO.
144
00:06:33,894 --> 00:06:37,004
WE ERASE THAT MEMORY
BY STAYING OUT ALL NIGHT,
145
00:06:37,030 --> 00:06:38,930
DESTROYING OUR BRAIN CELLS
WITH ALCOHOL
146
00:06:38,966 --> 00:06:40,196
AND SOCIOPATHIC BEHAVIOR.
147
00:06:40,233 --> 00:06:43,743
EASY SOLUTIONS
TO LIFE'S DIFFICULT PROBLEMS.
148
00:06:43,771 --> 00:06:46,141
I FEEL BETTER.
149
00:06:46,173 --> 00:06:47,813
OF COURSE YOU DO.
150
00:06:47,841 --> 00:06:51,011
SO WE STAYED OUT ALL NIGHT
AND DRANK TEQUILA,
151
00:06:51,044 --> 00:06:53,014
AND NEITHER ONE OF US SCORED.
152
00:06:53,046 --> 00:06:54,946
I, UH, OF COURSE, SUCCEEDED
153
00:06:54,982 --> 00:06:58,492
IN THE RESEARCH-AND-DEVELOPMENT
DEPARTMENT.
154
00:06:59,820 --> 00:07:01,860
ANDREA. MM-HMM.
155
00:07:01,889 --> 00:07:04,689
652-94...
156
00:07:04,725 --> 00:07:07,525
I DON'T REMEMBER ANDREA.
157
00:07:07,561 --> 00:07:08,861
AHA.
158
00:07:08,896 --> 00:07:11,696
YEAH. MIMI.
MIMI, I REMEMBER.
159
00:07:11,732 --> 00:07:15,042
627-43...
160
00:07:15,068 --> 00:07:17,708
I DON'T REMEMBER MIMI.
161
00:07:17,738 --> 00:07:20,668
THAT'S THE PROBLEM WITH TEQUILA.
162
00:07:20,708 --> 00:07:22,138
MIMI.
163
00:07:22,175 --> 00:07:27,005
* TAKE ME OUT
TO THE BALL GAME *
164
00:07:27,047 --> 00:07:31,247
* TAKE ME OUT WITH THE CROWD
165
00:07:31,284 --> 00:07:35,094
* BUY ME SOME PEANUTS
AND CRACKER JACK *
166
00:07:35,122 --> 00:07:39,632
OH, HE IS TOO DARLING.
I LOVE HIM.
167
00:07:39,660 --> 00:07:42,630
THAT IS AN MVP ASS.
168
00:07:42,663 --> 00:07:44,733
NO.
IT'S ENTIRELY TOO SMALL.
169
00:07:44,765 --> 00:07:45,995
NO! NO!
170
00:07:46,033 --> 00:07:47,973
I'M TELLING YOU,
IT'S TOO SMALL.
171
00:07:49,703 --> 00:07:50,843
THERE.
172
00:07:50,871 --> 00:07:51,811
WHOA.
BIG ENOUGH FOR YOU?
173
00:07:51,839 --> 00:07:53,809
[ LAUGHS ]
NOW, THAT'S BETTER.
174
00:08:00,013 --> 00:08:01,953
[ CROWD MURMURING ]
175
00:08:01,982 --> 00:08:04,022
Vendor: PEANUTS!
GET YOUR PEANUTS!
176
00:08:04,051 --> 00:08:05,951
YEAH! ALL RIGHT! HERE!
177
00:08:05,986 --> 00:08:07,916
COMIN' AT YA! HERE YOU GO.
HONEY!
178
00:08:07,955 --> 00:08:09,115
PEANUTS!
179
00:08:10,758 --> 00:08:12,588
PEANUTS!
180
00:08:15,062 --> 00:08:17,002
BEER HERE. BEER.
181
00:08:17,030 --> 00:08:18,700
YO. TWO BEERS.
182
00:08:18,732 --> 00:08:19,932
LIGHT?
183
00:08:19,967 --> 00:08:20,927
WHAT?
184
00:08:20,968 --> 00:08:22,798
LIGHT BEER?
185
00:08:22,836 --> 00:08:24,836
DO I LOOK LIKE A PUSSY?
186
00:08:29,109 --> 00:08:30,079
HERE YOU GO.
187
00:08:30,110 --> 00:08:31,240
THANKS, PAL.
188
00:08:31,278 --> 00:08:33,248
BEER HERE.
189
00:08:33,280 --> 00:08:35,150
SPIDER SENSE TINGLING.
190
00:08:35,182 --> 00:08:36,952
OH, YOUR SPIDER SENSE
IS FUCKED.
191
00:08:36,984 --> 00:08:38,524
NO, I WISH.
192
00:08:39,286 --> 00:08:40,346
RED HAIR, BLUE TOP.
193
00:08:40,387 --> 00:08:42,857
IT'S WINNIE THE POOH
AND TIGGER, TOO,
FROM LAST NIGHT.
194
00:08:42,890 --> 00:08:43,920
NO.
195
00:08:43,957 --> 00:08:46,987
YES. HOW MANY CHICKS HAVE
THE JOKER'S HAIR?
196
00:08:47,027 --> 00:08:48,997
JOKER HAS GREEN HAIR,
ASSHOLE.
CRACKER JACKS HERE.
CRACKER JACKS.
197
00:08:49,029 --> 00:08:51,259
WHAT DID I SAY?
GARCON!
198
00:08:51,298 --> 00:08:53,628
CRACKER JACKS.
CRACKER JACKS.
UM, YEAH.
CRACKER JACK HERE.
199
00:08:53,667 --> 00:08:55,797
ALL RIGHT.
HEY, CRACKER JACKS,
EVERYBODY.
200
00:08:55,836 --> 00:08:57,236
PEANUTS, CRACKER JACKS
A BUCK.
201
00:08:57,270 --> 00:08:58,770
YOU GOT ANY CRACKER JACK?
202
00:08:58,806 --> 00:08:59,936
GIVE ME A MINUTE HERE.
PLENTY OF CRACKER JACKS.
203
00:08:59,973 --> 00:09:03,143
ANYBODY FOR PEANUTS
AND CRACKER JACKS?
204
00:09:03,176 --> 00:09:06,146
YEAH. YEAH!
205
00:09:06,179 --> 00:09:09,619
ALL RIGHT. NOW, LISTEN.
DO ME A FAVOR.
206
00:09:09,650 --> 00:09:12,950
BRING THIS DOWN, PLEASE,
TO THAT LADY IN BLUE.
207
00:09:12,986 --> 00:09:14,856
WHAT DO I LOOK LIKE,
A FREAKIN' MAILMAN?
208
00:09:14,888 --> 00:09:16,858
HERE. LOOK.
209
00:09:16,890 --> 00:09:17,990
BUY YOURSELF A BEER.
210
00:09:18,025 --> 00:09:20,325
HEY.
SPECIAL DELIVERY.
211
00:09:21,328 --> 00:09:23,098
LOOK. THEY'RE NOT EVEN
WATCHING THE GAME.
212
00:09:23,130 --> 00:09:26,630
IT LOOKS LIKE
THEY'RE CHECKING OUT
BRUNO'S BACK. LOOK.
213
00:09:26,667 --> 00:09:28,097
Man: COME ON, BATTER!
214
00:09:28,135 --> 00:09:29,795
Woman: PLAY BALL!
215
00:09:29,837 --> 00:09:32,267
OKAY. I BET SHE GOES
FOR THE TOY SURPRISE FIRST.
216
00:09:32,305 --> 00:09:33,865
WHAT'S THIS?
217
00:09:33,907 --> 00:09:36,037
WHAT DO I KNOW?
SECRET ADMIRER.
218
00:09:37,911 --> 00:09:39,051
SECRET ADMIRER.
219
00:09:39,079 --> 00:09:40,879
WOW!
220
00:09:40,914 --> 00:09:42,384
COME ON!
221
00:09:42,415 --> 00:09:44,215
COME ON!
222
00:09:44,251 --> 00:09:47,761
[ GASPS, LAUGHS ]
223
00:09:47,788 --> 00:09:50,058
THAT'S HYSTERICAL!
224
00:09:50,090 --> 00:09:53,090
[ CROWD SHOUTING ]
225
00:09:59,366 --> 00:10:00,326
[ GASPS ]
226
00:10:00,367 --> 00:10:01,697
THEY'RE BACK.
227
00:10:01,735 --> 00:10:04,035
AND THEY'RE REALLY
DORKY-LOOKING.
228
00:10:04,071 --> 00:10:06,041
AND THEY'RE RIGHT BEHIND YOU.
HOW ABOUT THAT, HUH?
229
00:10:06,073 --> 00:10:08,313
OH, YOU KNOW, YOU
REALLY SHOULDN'T LOOK
AT MEN LIKE THIS.
230
00:10:08,341 --> 00:10:11,751
IT'S DEMEANING.
VISUAL DISMEMBERMENT, REMEMBER?
231
00:10:11,779 --> 00:10:12,909
ALL RIGHT, LIGHTEN UP.
232
00:10:12,946 --> 00:10:14,846
IT'S JUST A DAY
AT THE BALL PARK.
233
00:10:14,882 --> 00:10:16,952
I THINK I'M GONNA HAVE TO
GIVE THE NOD TO MATTINGLY
234
00:10:16,984 --> 00:10:18,724
FOR THE BEST SEAT
IN THE MAJORS.
235
00:10:18,752 --> 00:10:20,892
ARE YOU NUTS?
WHAT ABOUT BO?
236
00:10:20,921 --> 00:10:23,021
I MEAN, ARE WE TALKING SIZE
OR SHAPE HERE?
237
00:10:23,056 --> 00:10:25,756
I THINK I'M SECURE ENOUGH
IN MY OWN SEXUALITY
238
00:10:25,793 --> 00:10:28,733
TO SAY THAT MATTINGLY'S ASS
KICKS ASS ON ANY OTHER ASS.
239
00:10:28,762 --> 00:10:30,902
YOU ARE SO ENLIGHTENED.
240
00:10:30,931 --> 00:10:32,271
UH, I'M DAVID.
241
00:10:32,299 --> 00:10:33,829
CARRIE.
242
00:10:33,867 --> 00:10:34,997
ELI MATTINGLY.
243
00:10:35,035 --> 00:10:36,865
[ LAUGHS ]
HI. I'M ZOE.
244
00:10:36,904 --> 00:10:37,874
HOW ARE YOU?
245
00:10:37,905 --> 00:10:39,165
I SEE
YOU BROUGHT A GLOVE.
246
00:10:39,206 --> 00:10:40,966
UM, IT'S ZOE'S.
247
00:10:41,008 --> 00:10:43,138
WE COULD TELL.
IT KIND OF MATCHES HER HAIR.
248
00:10:43,176 --> 00:10:44,206
OH!
249
00:10:44,244 --> 00:10:45,914
WELL, IF IT WERE SKIN TONE,
250
00:10:45,946 --> 00:10:48,046
I GUESS I COULD SAY
THE SAME THING ABOUT YOU.
251
00:10:48,081 --> 00:10:50,281
OUCH. A HAIR-LOSS JOKE.
VERY GOOD.
252
00:10:50,317 --> 00:10:51,277
LUCKILY FOR ME,
253
00:10:51,318 --> 00:10:53,948
WOMEN ARE VERY ATTRACTED
TO A RECEDING HAIRLINE.
254
00:10:53,987 --> 00:10:55,787
OH, I DON'T THINK SO.
255
00:10:55,823 --> 00:10:57,263
I SAID "WOMEN."
256
00:10:57,290 --> 00:11:00,230
YOU KNOW, IF YOU'RE GONNA MAKE
THE CATCH, UM,
257
00:11:00,260 --> 00:11:03,000
IT'S EASIER IF YOU DO IT
LIKE THIS.
258
00:11:03,030 --> 00:11:03,960
YEAH. THERE YOU GO.
259
00:11:03,997 --> 00:11:05,297
OKAY. THANK YOU.
260
00:11:05,332 --> 00:11:06,972
SURE.
261
00:11:07,000 --> 00:11:09,140
COURSE, I DON'T THINK
THERE'S GONNA BE ANY HOMERS
262
00:11:09,169 --> 00:11:10,769
WITH THE WIND BLOWING IN.
263
00:11:11,939 --> 00:11:13,169
[ CROWD MURMURING ]
264
00:11:13,206 --> 00:11:15,076
OH!
265
00:11:16,043 --> 00:11:17,343
[ LAUGHS ]
266
00:11:17,377 --> 00:11:19,007
GREAT GRAB.
267
00:11:19,046 --> 00:11:21,876
OF COURSE, WHEN YOU HIT IT
THAT HARD, YOU KNOW,
268
00:11:21,915 --> 00:11:24,115
CUTS RIGHT THROUGH THAT WIND.
269
00:11:24,151 --> 00:11:26,891
Crowd: [ Chanting ]
THROW IT BACK! THROW IT BACK!
270
00:11:26,920 --> 00:11:27,820
THROW IT BACK!
271
00:11:27,855 --> 00:11:30,155
HOUSE RULES --
BLEACHER ETIQUETTE DICTATES
272
00:11:30,190 --> 00:11:33,060
THAT YOU GOT TO THROW BACK
A HOMER BY THE OPPOSITION.
273
00:11:33,093 --> 00:11:36,763
THROW IT BACK! THROW IT BACK!
THROW IT BACK!
274
00:11:36,797 --> 00:11:37,927
YES!
275
00:11:37,965 --> 00:11:40,395
A WOMAN
AFTER MY OWN HEART.
276
00:11:40,433 --> 00:11:42,903
SO, UM, HOW ABOUT
AN AUTOGRAPH
277
00:11:42,936 --> 00:11:45,236
AND, UH, PHONE NUMBER?
278
00:11:45,272 --> 00:11:46,912
IT WAS ON THE BALL.
279
00:11:46,940 --> 00:11:49,780
NO.
YEAH.
280
00:11:50,844 --> 00:11:52,314
NO!
281
00:11:53,847 --> 00:11:54,877
[ Echoing ] NO!
282
00:11:54,915 --> 00:11:55,875
OHH!
283
00:11:55,916 --> 00:11:58,016
AH, CHILL, BABE.
IT AIN'T OVER.
284
00:11:58,051 --> 00:11:59,191
IT'S OVER.
285
00:11:59,219 --> 00:12:01,249
NO, IT ISN'T.
LICK ME.
286
00:12:01,288 --> 00:12:03,788
WHAT ARE WE,
SIEGFRIED AND ROY?
287
00:12:03,824 --> 00:12:04,964
AW!
288
00:12:04,992 --> 00:12:06,292
ICK!
289
00:12:07,895 --> 00:12:09,155
AND?
290
00:12:09,196 --> 00:12:10,826
HMM.
291
00:12:10,864 --> 00:12:13,274
VOILÃ .
292
00:12:15,002 --> 00:12:17,442
SO I GIVE THE NUMBER
ON THE TATTOO TO ELI.
293
00:12:17,470 --> 00:12:18,940
I THOUGHT IT WOULD BE A LAUGH.
294
00:12:18,972 --> 00:12:21,542
AND WHAT HAPPENS?
DAVID CALLS CARRIE.
295
00:12:21,574 --> 00:12:23,384
CARRIE BLOWS UP AT ME.
296
00:12:23,410 --> 00:12:26,450
SEE, SHE THINKS DAVID
IS HUGELY UNIMPRESSIVE.
297
00:12:26,479 --> 00:12:27,979
SO I GO, "FINE.
298
00:12:28,015 --> 00:12:29,945
"IF DAVID
IS SO HUGELY UNIMPRESSIVE,
299
00:12:29,983 --> 00:12:32,823
WHY HAVE YOU ACCEPTED
HIS INVITATION TO THE MOVIES?"
300
00:12:32,853 --> 00:12:35,363
SO SHE GOES, "WELL,
I FELT SORRY FOR THE GUY.
301
00:12:35,388 --> 00:12:37,058
HE SOUNDED SO DESPERATE."
302
00:12:37,090 --> 00:12:39,030
THEN SHE LOCKS HERSELF
IN THE BATHROOM
303
00:12:39,059 --> 00:12:42,199
AND REMOVES
ALL SUPERFLUOUS BODY HAIR.
304
00:12:42,229 --> 00:12:44,329
I'M WORRIED.
305
00:12:47,968 --> 00:12:49,098
[ GARGLING ]
306
00:12:49,136 --> 00:12:50,996
THE THREE F's
OF DATING --
307
00:12:51,038 --> 00:12:53,068
ONE -- FILM,
TWO -- FOOD,
308
00:12:53,106 --> 00:12:54,406
THREE -- FUCK.
309
00:12:54,441 --> 00:12:55,981
CAN YOU WRITE THAT DOWN?
310
00:12:56,009 --> 00:12:57,979
YOU'LL REMEMBER.
YOU'RE GONNA BE FINE.
311
00:12:58,011 --> 00:12:59,951
AND YOU'RE GONNA NEED THIS.
312
00:12:59,980 --> 00:13:01,010
WHAT'S THAT?
313
00:13:01,048 --> 00:13:03,848
REMEMBER HOW BATMAN HAD
A UTILITY BELT?
YEAH.
314
00:13:03,884 --> 00:13:04,994
YEAH, WELL, HE SHOULD'VE HAD
ONE OF THESE.
315
00:13:05,018 --> 00:13:06,348
HE WOULD'VE DONE
A LOT BETTER.
316
00:13:06,386 --> 00:13:09,086
I GOT EVERYTHING YOU NEED
FOR THE DATE, ALL RIGHT?
317
00:13:09,122 --> 00:13:11,092
I GOT A TONGUE DEPRESSOR
IN HERE.
318
00:13:11,124 --> 00:13:13,934
I GOT A LITTLE DENTAL DAM
HERE FOR YOU.
WHAT IS THAT?
319
00:13:13,961 --> 00:13:16,431
SAFE SEX INCLUDES
OUR DEAR FRIEND FELLATIO.
320
00:13:16,463 --> 00:13:17,363
HIYA.
HI.
321
00:13:17,397 --> 00:13:19,367
WHERE DO YOU GET
THIS STUFF?
322
00:13:19,399 --> 00:13:21,839
REMEMBER THE DENTAL HYGIENIST
I WAS DATING?
323
00:13:21,869 --> 00:13:22,999
KEPT A FEW SAMPLES.
324
00:13:23,036 --> 00:13:27,106
NOW, THE CONDOMS ARE FROM
MY OWN PERSONAL STOCK, HUH?
325
00:13:27,140 --> 00:13:28,480
THE GOOD STUFF.
326
00:13:28,508 --> 00:13:29,878
[ SCOFFS ]
327
00:13:29,910 --> 00:13:32,010
ELI, LOOK, IT'S...
IT'S A FIRST DATE.
328
00:13:32,045 --> 00:13:35,075
IT'S, WELL,
MY FUTURE WIFE.
329
00:13:35,115 --> 00:13:37,575
WE HAVE FILM? YES.
330
00:13:37,617 --> 00:13:40,047
FOOD? PROBABLY.
331
00:13:40,087 --> 00:13:42,057
ANYTHING ELSE AFTER THAT,
I CAN'T REALLY SAY.
332
00:13:42,089 --> 00:13:43,119
ALL RIGHT.
333
00:13:43,156 --> 00:13:46,356
WORST COMES TO WORST,
YOU MAKE BALLOON ANIMALS.
334
00:13:48,528 --> 00:13:51,328
SO I HAVEN'T BEEN
TO A MOVIE --
SO, WHAT DO YOU, UH...
335
00:13:51,364 --> 00:13:53,334
SO, UH...
I'M SORRY.
336
00:13:53,366 --> 00:13:55,036
[ Laughing ]
NO, SORRY. WHAT?
337
00:13:55,068 --> 00:13:57,168
NO, JUST -- YOU HAVEN'T BEEN
TO A MOVIE, OR...
338
00:13:57,204 --> 00:13:58,944
NO,
WHAT WERE YOU GONNA SAY?
339
00:13:58,972 --> 00:14:02,142
UM, UH, WHAT --
WHAT DO YOU DO?
340
00:14:02,175 --> 00:14:03,305
THAT, ACTUALLY.
341
00:14:03,343 --> 00:14:05,613
MM.
I WORK FOR THE MAYOR.
342
00:14:05,645 --> 00:14:07,545
OUR MAYOR?
343
00:14:07,580 --> 00:14:10,020
YOUR MAYOR.
I-I WORK IN HIS OFFICE.
344
00:14:10,050 --> 00:14:11,650
I MEAN, FOR HIS OFFICE.
345
00:14:11,684 --> 00:14:14,124
HEY.
346
00:14:14,154 --> 00:14:16,224
SOUNDS --
SOUNDS IMPRESSIVE.
347
00:14:16,256 --> 00:14:18,256
IT'S NOT.
348
00:14:18,291 --> 00:14:20,031
WELL, I'M IMPRESSED.
349
00:14:20,060 --> 00:14:21,490
YEAH?
350
00:14:21,528 --> 00:14:24,498
WELL, YOU'RE EASILY IMPRESSED.
I LIKE THAT IN A MAN.
351
00:14:24,531 --> 00:14:27,471
I'LL REMEMBER THAT.
352
00:14:27,500 --> 00:14:32,110
[ INDISTINCT CONVERSATIONS,
CHAIRS SQUEAKING ]
353
00:14:32,139 --> 00:14:34,609
THIS GUY IS KICKING
MY SEAT.
354
00:14:34,641 --> 00:14:35,941
OH, I HATE THAT.
355
00:14:35,976 --> 00:14:37,436
[ LAUGHING ]
356
00:14:37,477 --> 00:14:39,607
HEY, COULD YOU
JUST KNOCK IT OFF?
357
00:14:39,646 --> 00:14:41,146
KNOCK WHAT OFF?
358
00:14:41,181 --> 00:14:43,321
WELL, ANYWAY,
YOU SEE THAT GUY THERE?
YEAH.
359
00:14:43,350 --> 00:14:46,090
ARE THEY
BOTHERING YOU?
360
00:14:46,119 --> 00:14:47,049
DO YOU WANT TO MOVE?
361
00:14:47,087 --> 00:14:49,417
NO.
362
00:14:49,456 --> 00:14:50,416
HEY.
363
00:14:50,457 --> 00:14:52,187
WHY BOTHER WHISPERING?
364
00:14:52,225 --> 00:14:53,325
[ GRUNTS ]
365
00:14:58,498 --> 00:15:00,128
* OH, DARLING...
366
00:15:00,167 --> 00:15:02,597
TALK ABOUT VIOLENCE
IN THE MOVIES.
367
00:15:02,635 --> 00:15:05,035
BOY, YOUR EYE
IS REALLY SWOLLEN.
368
00:15:05,072 --> 00:15:08,112
YOU KNOW, YOU SHOULD'VE TOLD ME.
WE WOULDN'T HAVE STAYED.
369
00:15:08,141 --> 00:15:10,111
NO, NO, NO.
IT'S...GLANCING BLOW.
370
00:15:10,143 --> 00:15:11,983
I WANTED YOU
TO SEE THE MOVIE.
371
00:15:12,012 --> 00:15:13,582
OH, THAT'S VERY THOUGHTFUL
OF YOU.
372
00:15:13,613 --> 00:15:15,083
OOH.
373
00:15:15,115 --> 00:15:16,075
IS THAT BETTER?
374
00:15:16,116 --> 00:15:17,946
CONSIDERABLY.
375
00:15:17,985 --> 00:15:19,545
THANKS.
376
00:15:22,155 --> 00:15:23,155
[ SIGHS ]
377
00:15:24,992 --> 00:15:29,132
SO, UM...
WHAT ARE YOU GONNA HAVE?
378
00:15:29,162 --> 00:15:31,002
UH...
379
00:15:31,031 --> 00:15:32,331
STRUDEL SOUNDS GOOD.
380
00:15:32,365 --> 00:15:34,995
OH, NO. NO.
YOU NEVER ORDER THE STRUDEL.
381
00:15:35,035 --> 00:15:36,995
SEE, RESTAURANTS
ALWAYS ARE OUT OF IT,
382
00:15:37,037 --> 00:15:39,007
SO THEY TRY AND PUSH
THE CHEESECAKE ON YOU
383
00:15:39,039 --> 00:15:40,469
'CAUSE THEY HAVE TOO MUCH
OF THAT.
384
00:15:40,507 --> 00:15:42,477
YOU READY?
385
00:15:42,509 --> 00:15:45,009
UH, YEAH.
I'M GONNA HAVE THE STRUDEL.
386
00:15:45,045 --> 00:15:46,045
WE'RE OUT.
387
00:15:46,079 --> 00:15:48,379
WELL, GEE,
WHAT DO YOU RECOMMEND?
388
00:15:48,415 --> 00:15:51,145
CHEESECAKE IS GOOD.
389
00:15:51,184 --> 00:15:52,494
SOUP.
SOUP.
390
00:15:52,519 --> 00:15:53,689
LARGE BOWL?
391
00:15:53,720 --> 00:15:55,060
TWO SPOONS.
392
00:15:55,088 --> 00:15:56,658
HMM. HOW ROMANTIC.
393
00:15:56,689 --> 00:15:59,259
I'M CHARGING YOU
FOR THE EXTRA SPOON.
394
00:15:59,292 --> 00:16:00,632
I'LL SPLURGE.
395
00:16:03,130 --> 00:16:06,670
SO, WHAT DID YOU CALL
THOSE THINGS IN THE SOUP?
396
00:16:06,699 --> 00:16:08,499
YOU'RE NOT JEWISH,
ARE YOU?
397
00:16:08,535 --> 00:16:09,495
NO.
398
00:16:09,536 --> 00:16:11,166
I'M FROM WELLESLEY,
399
00:16:11,204 --> 00:16:15,244
A SUBURB RIVALED
ONLY BY GREEN ACRES
IN ETHNIC DIVERSITY.
400
00:16:15,275 --> 00:16:16,675
OKAY. ALL RIGHT.
401
00:16:16,709 --> 00:16:18,749
WELL, THE LITTLE ROUND THINGS
ARE CALLED MATZO BALLS,
402
00:16:18,778 --> 00:16:21,208
OR KNAIDLACH,
CALLED BY MY PEOPLE.
403
00:16:21,248 --> 00:16:24,248
UM, LITTLE RAVIOLI THINGS
ARE CALLED KREPLACH,
404
00:16:24,284 --> 00:16:26,794
INVENTED WHILE WE WERE
WANDERING IN THE DESERT
AND NEEDED SOMETHING TO EAT
405
00:16:26,819 --> 00:16:28,759
AFTER THROWING
ALL THE KNAIDLACH
AT OUR ENEMIES.
406
00:16:28,788 --> 00:16:31,118
[ LAUGHS ]
407
00:16:31,158 --> 00:16:32,988
I KNEW THAT.
408
00:16:34,494 --> 00:16:36,434
WELL, THANKS FOR SEEING
MY MOVIE.
409
00:16:36,463 --> 00:16:38,103
SURE.
DID YOU LIKE IT?
410
00:16:38,131 --> 00:16:40,401
[ INHALES DEEPLY ]
UH, NO.
411
00:16:40,433 --> 00:16:42,573
I-I LIKED YOU.
412
00:16:42,602 --> 00:16:46,112
THE WAY THAT YOU LAUGHED
AT ALL THE WRONG STUFF
413
00:16:46,139 --> 00:16:49,179
AND CRIED WITH HER.
414
00:16:50,843 --> 00:16:53,283
YOU'RE NOT CYNICAL.
415
00:16:55,115 --> 00:16:58,145
YOU SURRENDERED YOURSELF
TO THE STORY.
416
00:16:59,386 --> 00:17:01,686
I LIKE THAT.
417
00:17:11,331 --> 00:17:12,531
UM, YOU KNOW, DAVID,
418
00:17:12,565 --> 00:17:16,135
I-I DON'T THINK THAT WE SHOULD
GET INTO ANYTHING PHYSICAL.
419
00:17:16,169 --> 00:17:17,139
OW!
420
00:17:17,170 --> 00:17:19,640
OOH. THAT HURTS.
421
00:17:19,672 --> 00:17:20,812
THAT'S ONE OF THOSE CLICHé LINES
422
00:17:20,840 --> 00:17:22,340
THEY TEACH THEM TO SAY
IN "COSMO,"
423
00:17:22,375 --> 00:17:23,675
AND SHE JUST FIRED IT
RIGHT AT HIM.
424
00:17:23,710 --> 00:17:24,910
REAL NICE.
425
00:17:24,944 --> 00:17:28,254
I MEAN, THE GUY JUST WANTED
A KISS, NOT "THE STORY OF O."
426
00:17:28,281 --> 00:17:31,421
I-I DIDN'T...
427
00:17:31,451 --> 00:17:33,491
COULD YOU PLEASE
REPEAT THAT?
428
00:17:33,520 --> 00:17:34,790
[ CHUCKLES SOFTLY ]
429
00:17:34,821 --> 00:17:37,591
I JUST DON'T THINK
WE SHOULD RUSH INTO ANYTHING.
430
00:17:37,624 --> 00:17:40,434
[ BOTH BREATHING HEAVILY ]
431
00:17:40,460 --> 00:17:41,760
WHAT CHANGED YOUR MIND?
432
00:17:41,794 --> 00:17:43,134
I STARTED KISSING YOU.
433
00:17:45,898 --> 00:17:47,398
[ THUD, GLASS BREAKS ]
434
00:17:47,434 --> 00:17:49,244
WHAT WAS THAT?
THE LAMP.
435
00:17:49,269 --> 00:17:51,099
OH.
436
00:17:51,138 --> 00:17:52,408
[ CAT HOWLS ]
437
00:17:52,439 --> 00:17:54,109
WHAT WAS THAT?
CAT.
438
00:17:54,141 --> 00:17:55,111
OH.
439
00:17:55,142 --> 00:17:56,742
[ BOTH BREATHING HEAVILY ]
440
00:17:56,776 --> 00:17:57,876
W-WHOA!
441
00:17:57,910 --> 00:17:59,280
[ GRUNTS ]
442
00:18:01,348 --> 00:18:02,478
HAAGEN-DAZS?
443
00:18:02,515 --> 00:18:04,145
DON'T PANIC, DUDE.
444
00:18:04,184 --> 00:18:07,824
WE'RE LIKE HELL'S ANGELS.
WE SHARE EVERYTHING.
445
00:18:07,854 --> 00:18:11,224
[ LAUGHS ]
446
00:18:20,900 --> 00:18:22,740
[ GLASS BREAKS ]
447
00:18:25,805 --> 00:18:26,835
[ SIGHS ]
448
00:18:26,873 --> 00:18:29,343
OH, I'M SORRY.
449
00:18:29,376 --> 00:18:31,206
M-MAYBE WE CAN FIX IT
OR SOMETHING.
450
00:18:31,244 --> 00:18:33,154
THAT'S MY PARENTS'
WEDDING PICTURE.
451
00:18:33,180 --> 00:18:34,450
IT'S 35 YEARS OLD.
452
00:18:34,481 --> 00:18:36,381
SHIT.
453
00:18:36,416 --> 00:18:40,516
WELL, MAYBE WE CAN GLUE IT
OR...SOMETHING.
454
00:18:40,553 --> 00:18:41,623
I'LL BE RIGHT BACK.
455
00:18:44,524 --> 00:18:47,734
KEEP AWAY
FROM MY PRECIOUS DAUGHTER.
456
00:18:47,760 --> 00:18:50,230
KENNETH,
THEY'RE JUST NECKING.
457
00:18:50,263 --> 00:18:51,163
OH, YES?
458
00:18:51,198 --> 00:18:52,928
WELL, MAYBE WE BETTER CHECK
THE CONTENTS
459
00:18:52,965 --> 00:18:55,395
OF HIS BAT UTILITY BELT.
460
00:18:55,435 --> 00:18:59,265
WITH ALL DUE RESPECT, SIR,
WE ARE CONSENTING ADULTS.
461
00:18:59,306 --> 00:19:02,876
CARRIE IS AN ADULT,
AND YOU ARE CONSENTING.
462
00:19:02,909 --> 00:19:05,179
MY DAUGHTER IS NOT
GOING TO BE
463
00:19:05,212 --> 00:19:06,852
ANOTHER ONE OF YOUR
LITTLE CONQUESTS.
464
00:19:06,879 --> 00:19:08,719
DO YOU HEAR ME,
YOUNG MAN?
465
00:19:08,748 --> 00:19:09,878
KENNETH.
466
00:19:09,916 --> 00:19:11,646
Carrie:
DAVID, I'M SORRY, BUT, UM...
467
00:19:13,220 --> 00:19:16,260
IT'S LATE, AND I HAVE TO BE
AT AEROBICS AT 5:30.
468
00:19:16,289 --> 00:19:17,419
A.M.?
MM-HMM.
469
00:19:17,457 --> 00:19:19,587
BRYANT GUMBEL SLEEPS LATER
THAN THAT.
470
00:19:19,626 --> 00:19:21,256
[ CHUCKLES SOFTLY ]
471
00:19:21,294 --> 00:19:22,934
NO. I-I UNDERSTAND.
472
00:19:22,962 --> 00:19:24,262
IT'S...
473
00:19:24,297 --> 00:19:25,767
UM, HERE.
474
00:19:25,798 --> 00:19:28,598
THANKS.
475
00:19:28,635 --> 00:19:30,795
I'M KIND OF TIRED MYSELF.
476
00:19:33,640 --> 00:19:34,270
GOOD NIGHT.
477
00:19:34,307 --> 00:19:35,307
GOOD NIGHT.
478
00:19:40,413 --> 00:19:43,853
GENTLEMEN, WE CAME, WE SAW,
WE KICKED POMBOOSE.
479
00:19:43,883 --> 00:19:47,393
AH. NEXT WEEK, TRY 5:00, 5:30.
ANY QUESTIONS?
480
00:19:47,420 --> 00:19:50,260
YEAH, YEAH, YEAH.
CROWN'S DATE -- UH, RECAP,
INNING BY INNING.
481
00:19:50,290 --> 00:19:51,760
WE LUCKED OUT
IN THIS MARKET, BABE.
482
00:19:51,791 --> 00:19:53,431
OH, WE GOT DUFFED.
[ CHUCKLES ]
483
00:19:53,460 --> 00:19:56,630
SUFFICE TO SAY, I HAVEN'T SEEN
ANY BALLOON-ANIMAL GIRAFFES
484
00:19:56,663 --> 00:19:58,403
ROAMING THE STREETS
OF OUR FAIR TOWN.
485
00:19:58,431 --> 00:19:59,871
THIS CARRIE CHICK --
WHAT DOES SHE DO?
486
00:19:59,899 --> 00:20:01,729
UH, MAYOR'S OFFICE.
487
00:20:01,768 --> 00:20:03,568
UH, SPEECHWRITING,
FUNDRAISING,
488
00:20:03,603 --> 00:20:05,573
STAFF WORK FOR THE MAYOR.
HEY, CAN SHE FIX
MY PARKING TICKETS?
489
00:20:05,605 --> 00:20:06,765
CAN SHE FIX ME UP.
490
00:20:06,806 --> 00:20:08,736
OOH. YOU SHOULD SEE
THIS CHICK, MAN.
491
00:20:08,775 --> 00:20:11,405
BRUNETTE, BABY BLUES.
HEY.
492
00:20:11,444 --> 00:20:12,914
TITTIES?
NICE.
493
00:20:12,945 --> 00:20:14,245
[ LAUGHTER ]
494
00:20:14,281 --> 00:20:15,581
VERY NICE.
495
00:20:15,615 --> 00:20:17,445
PERHAPS THE PERFECT WOMAN.
496
00:20:18,618 --> 00:20:20,418
ELI, GENTLEMEN.
UH-HUH.
497
00:20:20,453 --> 00:20:21,693
NOW, THE PERFECT WOMAN
498
00:20:21,721 --> 00:20:24,891
IS MORE THAN SIMPLY
A GENETICALLY DESIRABLE
COMBINATION
499
00:20:24,924 --> 00:20:26,264
OF TITS AND ASS.
500
00:20:26,293 --> 00:20:28,903
OH, AT LAST -- A REAL MAN.
501
00:20:28,928 --> 00:20:32,668
SHE'S ALSO RICH, COOKS,
AND PEES STANDING UP.
502
00:20:32,699 --> 00:20:33,969
PIGS.
503
00:20:34,000 --> 00:20:35,800
[ SNORTING ]
504
00:20:35,835 --> 00:20:38,305
[ LAUGHING ]
505
00:20:38,338 --> 00:20:40,308
I FEEL TERRIBLE
ABOUT THIS.
506
00:20:40,340 --> 00:20:42,340
I MEAN, YOU SUPPOSE CARRIE
AND HER FRIENDS
507
00:20:42,375 --> 00:20:44,035
ARE SITTING AROUND,
SCHMOOZING LIKE THIS?
508
00:20:44,076 --> 00:20:45,946
WHAT, DO YOU THINK
SHE'S A CHEERLEADER?
509
00:20:45,978 --> 00:20:48,848
SHE'S NOT SITTING AROUND
LIKE OLIVIA NEWTON-JOHN
IN "GREASE," PAL.
510
00:20:48,881 --> 00:20:50,921
* TELL ME MORE,
TELL ME MORE *
511
00:20:50,950 --> 00:20:52,920
* WAS IT LOVE AT FIRST SIGHT?
512
00:20:52,952 --> 00:20:56,522
[ TELEPHONE DIALING ]
513
00:20:58,591 --> 00:21:00,661
Man on television: SOLID SHOT
ON THE LEFT-HAND LANE.
514
00:21:00,693 --> 00:21:02,033
SO FERRARO, WHO'S PLAYING
A LITTLE...
515
00:21:02,061 --> 00:21:03,931
YOU GONNA CALL HER?
516
00:21:03,963 --> 00:21:04,933
HMM?
517
00:21:04,964 --> 00:21:06,304
CARRIE CHICK.
518
00:21:06,333 --> 00:21:08,473
MAYBE.
519
00:21:08,501 --> 00:21:09,971
JUST MAYBE.
520
00:21:10,002 --> 00:21:12,072
[ PINS FALLING ]
521
00:21:12,104 --> 00:21:13,614
YOU KNOW, CARE,
522
00:21:13,640 --> 00:21:15,810
THERE'S NO RULE THAT SAYS
YOU CAN'T CALL HIM.
523
00:21:15,842 --> 00:21:18,952
YOU REALIZE, OF COURSE,
THERE'S ONLY TWO SCENARIOS HERE.
524
00:21:18,978 --> 00:21:22,318
IF YOU GOT LAID, THERE'S
NO REASON TO CALL HER AGAIN.
525
00:21:22,349 --> 00:21:25,619
AND IF YOU DIDN'T,
NO REASON TO CALL HER AGAIN.
526
00:21:25,652 --> 00:21:28,862
THE BEACH MASTER IS THE MOST
RESPECTED AND EXALTED
527
00:21:28,888 --> 00:21:30,058
OF ALL THE MALES.
528
00:21:30,089 --> 00:21:33,729
BUT NOTICE WHEN THE FEMALE
ENTERS HIS FOCUSES,
529
00:21:33,760 --> 00:21:36,500
EVEN THE REVERED BEACH MASTER
IS STRUCK
530
00:21:36,529 --> 00:21:38,999
BY INNATE AWKWARDNESS.
531
00:21:39,031 --> 00:21:42,441
ALL HE DOES NOW
IS LIE THERE, INERT,
532
00:21:42,469 --> 00:21:44,939
LIKE A GIANT BOWL OF MARMALADE,
533
00:21:44,971 --> 00:21:48,611
WHILE SHE WAITS...
AND WAITS...
534
00:21:48,641 --> 00:21:49,941
AND WAITS.
535
00:21:49,976 --> 00:21:52,576
THE FEMALE UNDERSTANDS
THIS RITUAL.
536
00:21:52,612 --> 00:21:55,382
BUT THAT DOES NOT MAKE IT
ANY EASIER FOR HER.
537
00:21:55,415 --> 00:21:59,415
AS THE BEACH MASTER FEIGNS
SUPPOSED INDIFFERENCES,
538
00:21:59,452 --> 00:22:01,752
THIS STALEMATE
CAN ONLY BE BROKEN
539
00:22:01,788 --> 00:22:06,528
IF HE AND SHE LEAVE
THEIR RESPECTIVE FIELDS
540
00:22:06,559 --> 00:22:08,359
AND MEET IN A NEUTRAL AREA,
541
00:22:08,395 --> 00:22:12,965
PERHAPS HERE, IN THE OCEAN'S
ICY DEPTHS, TO FROLIC.
542
00:22:12,999 --> 00:22:15,769
[ TELEPHONE RINGING ]
543
00:22:18,037 --> 00:22:20,367
ONE OF MY FAVORITES.
544
00:22:20,407 --> 00:22:21,867
YEAH, ME TOO.
545
00:22:21,908 --> 00:22:23,378
ITS COLORS, RIGHT?
546
00:22:23,410 --> 00:22:24,540
NO, NO.
547
00:22:24,577 --> 00:22:26,507
IT'S JUST THAT WHENEVER
I'VE BEEN SCALPED
548
00:22:26,546 --> 00:22:28,146
WITH A PARTICULARLY
TREACHEROUS HAIRCUT,
549
00:22:28,180 --> 00:22:29,980
I-I CHECK OUT
THE VIN MAN'S DO.
550
00:22:30,016 --> 00:22:32,846
COME ON. THE GUY COULD
CARE LESS ABOUT APPEARANCES.
551
00:22:32,885 --> 00:22:35,515
I MEAN, THE WAY HE PERCEIVED
THE WORLD IN HIS MIND,
552
00:22:35,555 --> 00:22:36,685
HE -- HE WAS A GENIUS.
553
00:22:36,723 --> 00:22:39,093
YEAH, AGREED,
ALBEIT A SICK, NUTTY GENIUS.
554
00:22:39,125 --> 00:22:40,955
THIS IS A GUY
WHO LOPPED OFF HIS EAR
555
00:22:40,993 --> 00:22:42,703
AND FEDERAL-EXPRESSED IT
TO HIS HONEY.
556
00:22:46,599 --> 00:22:49,999
VINNY, BABE,
WHAT WERE YOU THINKING, HUH?
557
00:22:50,036 --> 00:22:51,866
WALK WITH ME.
TALK TO ME.
558
00:22:51,904 --> 00:22:53,944
YOU DON'T CUT OFF ANYTHING
FOR ANYBODY.
559
00:22:53,973 --> 00:22:55,683
NOT ABOVE THE WAIST,
NOT BELOW.
560
00:22:55,708 --> 00:22:56,978
IT AIN'T WORTH IT.
561
00:22:57,009 --> 00:23:00,149
DO YOU REMEMBER SAMSON AT ALL?
562
00:23:00,179 --> 00:23:02,519
I DON'T CARE
IF MICHELLE FUCKING PFEIFFER
563
00:23:02,549 --> 00:23:04,619
AND MADONNA WANT TO GIVE YOU
A PEDICURE AND A TRIM.
564
00:23:04,651 --> 00:23:07,491
THE ANSWER IS NO.
NO CAN DO.
565
00:23:07,520 --> 00:23:09,660
Carrie: YEAH. O-OKAY.
[ TELEPHONE RINGING ]
566
00:23:09,689 --> 00:23:12,459
LOOK, I REALLY DON'T THINK
IT'S A MISTAKE ON OUR PART.
567
00:23:12,492 --> 00:23:15,132
BUT IF IT IS, YOU CAN BE SURE
I'LL GET TO THE BOTTOM OF IT.
568
00:23:17,530 --> 00:23:21,500
YEAH, ZONING LAW
PASSED ON JULY 14, 1973.
569
00:23:21,534 --> 00:23:23,174
NEXT TIME YOU DON'T DO
YOUR HOMEWORK,
570
00:23:23,202 --> 00:23:24,872
BRING A NOTE
FROM YOUR MOTHER.
571
00:23:26,105 --> 00:23:28,035
ALL RIGHT. TERRIFIC.
572
00:23:29,108 --> 00:23:30,638
FAX ME.
573
00:23:30,677 --> 00:23:32,547
ALL RIGHT. I WANT A TURKEY
ON WHOLE WHEAT.
574
00:23:32,579 --> 00:23:34,879
TELL LINDA WHATEVER YOU
WANT. WE'LL GO THROUGH THE
NORTH END AS WE EAT, OKAY?
575
00:23:34,914 --> 00:23:36,224
HEY, DAVID.
576
00:23:36,248 --> 00:23:38,048
I THOUGHT I'D TAKE YOU OUT
TO LUNCH.
577
00:23:38,084 --> 00:23:39,224
OH, I'M SORRY.
578
00:23:39,251 --> 00:23:40,921
ADAM, DID YOU MEET DAVID?
579
00:23:40,953 --> 00:23:42,023
NO.
580
00:23:42,989 --> 00:23:44,919
NICE TO MEET YOU.
HOW ARE YOU?
581
00:23:44,957 --> 00:23:46,927
I WOULD LOVE TO,
BUT I GOT SO MUCH TO DO, HON.
582
00:23:46,959 --> 00:23:48,929
WHY DON'T YOU GO AHEAD?
I'LL TAKE CARE OF IT.
583
00:23:48,961 --> 00:23:50,231
NO, NO. IT'S OKAY.
584
00:23:50,262 --> 00:23:51,932
I-I UNDERSTAND.
585
00:23:51,964 --> 00:23:53,774
OKAY.
586
00:23:53,800 --> 00:23:54,930
SORRY.
587
00:23:57,770 --> 00:24:00,540
HEY, HOW ABOUT A MOVIE
TONIGHT?
588
00:24:00,573 --> 00:24:01,713
IS ADAM COMING?
589
00:24:01,741 --> 00:24:03,011
HE'D LOVE TO,
590
00:24:03,042 --> 00:24:05,612
BUT THURSDAY NIGHTS
IS HIS GAY-RIGHTS MEETING.
591
00:24:05,645 --> 00:24:06,905
REALLY?
592
00:24:06,946 --> 00:24:08,046
[ Laughing ] NO.
593
00:24:08,080 --> 00:24:10,450
BUT I THOUGHT
IT'D MAKE YOU FEEL BETTER.
594
00:24:13,119 --> 00:24:16,119
[ SLOW INSTRUMENTAL MUSIC
PLAYING ]
595
00:24:20,126 --> 00:24:22,026
COFFEE? THAT'S ALL?
COFFEE?
596
00:24:22,061 --> 00:24:22,831
YES, COFFEE.
597
00:24:22,862 --> 00:24:24,862
THE STUFF FROM BRAZIL?
IN A CUP?
598
00:24:24,897 --> 00:24:27,167
YOU KNOW,
I'D ALSO LIKE TO HAVE THE...
599
00:24:27,199 --> 00:24:28,869
NEVER MIND.
600
00:24:28,901 --> 00:24:31,001
THERE'S A $2.50 MINIMUM
PER PERSON.
601
00:24:31,037 --> 00:24:33,567
WE UNDERSTAND AND ACCEPT
YOUR CONDITIONS.
602
00:24:35,041 --> 00:24:36,511
I NEVER LIKED YOU.
603
00:24:36,543 --> 00:24:39,013
YES, WE KNOW THAT.
AND THAT'S OKAY.
604
00:24:41,948 --> 00:24:44,918
[ LAUGHS ]
WHY DIDN'T YOU LET ME ORDER?
605
00:24:49,889 --> 00:24:51,559
[ GASPS ] STRUDEL!
606
00:24:51,591 --> 00:24:52,731
YOUR OWN RECIPE?
607
00:24:52,759 --> 00:24:54,259
ENTENMANN'S.
[ LAUGHS ]
608
00:24:54,293 --> 00:24:57,803
[ BOTH BREATHING HEAVILY ]
609
00:24:57,830 --> 00:24:59,270
Carrie: OH!
[ THUD ]
610
00:24:59,298 --> 00:25:00,668
NEW LAMP.
OH.
611
00:25:02,735 --> 00:25:03,865
[ CAT HOWLS ]
612
00:25:03,903 --> 00:25:05,043
David: SAME CAT?
613
00:25:05,071 --> 00:25:05,841
[ LAUGHS ]
614
00:25:05,872 --> 00:25:08,172
[ BOTH BREATHING HEAVILY,
LAUGHING ]
615
00:25:08,207 --> 00:25:09,177
OH!
OH!
616
00:25:09,208 --> 00:25:11,038
[ GRUNTS ]
617
00:25:12,244 --> 00:25:14,054
WAIT. NO ROOMMATE?
618
00:25:14,080 --> 00:25:16,050
ZOE'S GONE
THE WHOLE WEEKEND.
619
00:25:16,082 --> 00:25:18,752
LET'S GET THE HAAGEN-DAZS.
620
00:25:26,959 --> 00:25:28,059
HERE.
621
00:25:28,094 --> 00:25:29,064
WHERE?
622
00:25:29,095 --> 00:25:30,055
THERE.
623
00:25:30,096 --> 00:25:31,756
[ LAUGHS ]
624
00:25:31,798 --> 00:25:33,598
AND THIS IS
SUPPOSED TO PROVE...?
625
00:25:33,633 --> 00:25:35,773
HOW GULLIBLE YOU ARE
AFTER GREAT SEX.
626
00:25:35,802 --> 00:25:37,602
YEAH?
AND YOU NEED PROOF?
627
00:25:37,637 --> 00:25:39,867
ACTUALLY, THE MELTING POINT
WILL DETERMINE
628
00:25:39,906 --> 00:25:41,866
THE HOTTEST PART
OF YOUR BODY...
629
00:25:41,908 --> 00:25:43,908
AND, THUS,
THE MOST SUSCEPTIBLE.
630
00:25:43,943 --> 00:25:45,043
OH, COME ON!
IT'S RUNNING!
631
00:25:45,077 --> 00:25:46,247
THE MOST SENSITIVE.
632
00:25:46,278 --> 00:25:48,048
DAVID,
THESE ARE NEW SHEETS.
633
00:25:48,080 --> 00:25:50,750
THE MOST EROGENOUS.
[ LAUGHS ]
634
00:25:50,783 --> 00:25:53,753
THIS IS LIKE SOME BIZARRE
CHECKUP FROM MR. FREEZE.
635
00:25:53,786 --> 00:25:55,886
WAIT TILL YOU SEE MY BILL.
636
00:25:55,922 --> 00:26:00,032
Eli: IF YOU FUCK HER,
SHE WILL COME.
637
00:26:00,059 --> 00:26:02,899
[ BOTH LAUGH ]
638
00:26:02,929 --> 00:26:04,059
STOP.
639
00:26:04,096 --> 00:26:05,896
STOP.
640
00:26:05,932 --> 00:26:09,242
Eli: IF YOU FUCK HER,
SHE WILL COME.
641
00:26:09,268 --> 00:26:11,238
OH. [ LAUGHS ]
642
00:26:11,270 --> 00:26:12,770
PSST.
643
00:26:12,805 --> 00:26:15,775
PSST. DAVID!
LISTEN UP.
644
00:26:15,808 --> 00:26:16,708
CHAMP, YOU LOOKED GOOD.
645
00:26:16,743 --> 00:26:17,883
YOU LOOKED GOOD.
IT WAS GREAT, WONDERFUL.
646
00:26:17,910 --> 00:26:19,250
RIGHT NOW YOU'RE IN THE GRIPS
OF HER HORMONAL MADNESS,
647
00:26:19,278 --> 00:26:22,308
WHICH IS GOOD.
DON'T GET ME WRONG.
IT'S A LOT OF FUN TO WATCH.
648
00:26:22,348 --> 00:26:25,018
JUST DON'T GET CARRIED AWAY
HERE, OKAY? THIS IS BUSINESS.
649
00:26:25,051 --> 00:26:27,321
ALL RIGHT? STICK AND MOVE.
STICK AND MOVE.
650
00:26:27,353 --> 00:26:30,093
I MEAN, DON'T LET YOUR EMOTIONS
GET THE BETTER OF YOU HERE.
651
00:26:30,122 --> 00:26:31,622
VERY IMPORTANT.
652
00:26:31,658 --> 00:26:32,888
AND, DAVID...
653
00:26:32,925 --> 00:26:34,355
WHATEVER YOU DO, DO NOT --
654
00:26:34,393 --> 00:26:37,603
I REPEAT --
DO NOT SPEND THE NIGHT.
655
00:26:39,231 --> 00:26:40,901
[ LAUGHS ]
656
00:26:40,933 --> 00:26:43,043
EITHER I'VE DEVELOPED
A HORRIBLE SCALP PROBLEM
657
00:26:43,069 --> 00:26:45,939
OR I HAVE RUM RAISIN
ALL IN MY HAIR.
658
00:26:45,972 --> 00:26:47,972
OH, HERE.
LET ME DO IT.
659
00:26:48,007 --> 00:26:49,107
YOU DON'T HAVE TO.
660
00:26:49,141 --> 00:26:50,681
I WANT TO.
661
00:26:55,014 --> 00:26:56,084
HOW'S THAT?
662
00:26:56,115 --> 00:26:57,145
MMM...
663
00:26:57,183 --> 00:27:00,153
OH, YOU LIKE THAT?
664
00:27:00,186 --> 00:27:01,946
MM-HMM.
665
00:27:05,191 --> 00:27:08,861
I REMEMBER
WHEN I WAS LITTLE...
666
00:27:08,895 --> 00:27:12,695
MY DAD USED TO DO THIS FOR ME
WHEN I COULDN'T SLEEP.
667
00:27:12,732 --> 00:27:15,432
WOULD YOU DO THIS FOR ME
EVERY NIGHT?
668
00:27:15,467 --> 00:27:18,267
COMB HER HAIR EVERY NIGHT?
WHAT AM I, NUTS?
669
00:27:18,304 --> 00:27:23,284
THE IMPLICATION OF THAT QUESTION
IS DOWNRIGHT UNNERVING.
670
00:27:23,309 --> 00:27:27,979
BUT YOU KNOW, SOMETIMES
YOU...JUST CAN'T HELP YOURSELF.
671
00:27:29,115 --> 00:27:32,945
I MEAN, YOU GOT TO SAY
WHAT YOU FEEL.
672
00:27:32,985 --> 00:27:35,955
SOMETIMES
IT -- IT JUST COMES OUT.
673
00:27:43,095 --> 00:27:45,055
ABSOLUTELY.
674
00:27:45,097 --> 00:27:48,227
I WOULD DO THIS FOR YOU
EVERY NIGHT.
675
00:27:48,267 --> 00:27:50,097
[ LAUGHS SOFTLY ]
676
00:27:58,945 --> 00:28:00,045
THAT'S RIGHT.
677
00:28:00,079 --> 00:28:02,879
WE CALL THE FOLLOWING STAGE
IN THIS NEW RELATIONSHIP
678
00:28:02,915 --> 00:28:06,015
"THE SICKENING PHASE,"
DURING WHICH HE DOESN'T CARE
679
00:28:06,052 --> 00:28:09,262
IF SHE WINDOW-SHOPS
FOR 3 1/2 HOURS NONSTOP
680
00:28:09,288 --> 00:28:12,218
AND SHE SUDDENLY LOVES
TO MEASURE THE FIRING GAP
681
00:28:12,258 --> 00:28:13,758
IN HIS SPARK PLUGS.
682
00:28:13,793 --> 00:28:14,993
AND THEY FEED EACH OTHER
683
00:28:15,027 --> 00:28:18,927
AND BASICALLY STROLL TOGETHER
WITH THESE "KUMBAYA" SMILES,
684
00:28:18,965 --> 00:28:22,965
AND WHEN THEY DO ACTUALLY SPEAK,
IT'S THAT BABY TALK.
685
00:28:23,002 --> 00:28:26,942
YOU KNOW THE BABY TALK YOU SHARE
ONLY WITH YOUR LOVED ONE,
686
00:28:26,973 --> 00:28:30,483
'CAUSE YOU KNOW THAT SHIT DON'T
FLY AT WORK WITH YOUR BUDDIES.
687
00:28:30,509 --> 00:28:33,949
Man on television: THE RIGORS
OF COURTSHIP COMPLETED,
688
00:28:33,980 --> 00:28:36,850
ALL ANIMALS ENJOY
A PERIOD OF BLISS
689
00:28:36,883 --> 00:28:38,483
KNOWN AS "THE SICKENING PHASE."
690
00:28:38,517 --> 00:28:41,917
HERE ARE THE ZEBRA,
THE PENGUIN,
691
00:28:41,954 --> 00:28:43,424
THE APE.
692
00:28:43,455 --> 00:28:46,925
BUT PERHAPS THE MOST INTRIGUING
SPECIES TO OBSERVE
693
00:28:46,959 --> 00:28:49,899
DURING THIS PHASE
IS THE HUMAN BEING.
694
00:28:49,929 --> 00:28:51,029
THE COUPLE.
695
00:28:51,063 --> 00:28:54,003
HERE WE SEE THEM
DERIVING MUTUAL PLEASURES
696
00:28:54,033 --> 00:28:55,503
FROM FEEDING DUCKS.
697
00:28:55,534 --> 00:28:56,604
OOPS.
698
00:28:56,635 --> 00:28:59,765
THEY HAVE SENSED
OUR CAMERA'S PRESENCE.
699
00:29:00,807 --> 00:29:03,337
THEY HAVE DECIDED TO MOVE ON.
700
00:29:03,375 --> 00:29:07,075
HERE WE SEE THEM WALKING
ARM IN ARM DOWN A PATH,
701
00:29:07,113 --> 00:29:09,883
AND -- NO.
W-WE ARE SCIENTISTS.
702
00:29:09,916 --> 00:29:11,346
WE ARE FROM NATURE FILMS!
703
00:29:11,383 --> 00:29:12,823
WE -- OH! I'M S--
704
00:29:12,852 --> 00:29:14,022
OH, SHIT! MAD!
705
00:29:14,053 --> 00:29:15,963
OH, GOD! PHILIPPE!
706
00:29:15,988 --> 00:29:16,988
CUT.
707
00:29:17,023 --> 00:29:20,063
ANOTHER SALIENT CHARACTERISTIC
OF THIS PHASE --
708
00:29:20,092 --> 00:29:22,192
THE LOYAL FRIENDS
OF THE AFFLICTED COUPLE
709
00:29:22,228 --> 00:29:24,428
MAY AS WELL DROP OFF THE PLANET.
710
00:29:24,463 --> 00:29:27,033
I MEAN, FORGET MIDNIGHT PIG-OUTS
711
00:29:27,066 --> 00:29:28,996
WHEN THE ONLY THING THAT KEPT
YOU FROM JOINING A CONVENT
712
00:29:29,035 --> 00:29:31,865
WAS FOUR BAGS
OF GARLIC POTATO CHIPS
AND YOUR BEST FRIEND.
713
00:29:31,904 --> 00:29:33,314
FORGET YOUR BEST FRIEND.
714
00:29:33,339 --> 00:29:36,979
I MEAN, SHE'S A SIAMESE TWIN,
AND THREE'S A CROWD.
715
00:29:37,944 --> 00:29:41,454
OF COURSE, SHE STILL HAS TO MEET
HIS FRIENDS.
716
00:29:41,480 --> 00:29:43,520
[ YIPPING ]
717
00:29:43,549 --> 00:29:45,419
[ SHOUTING ]
718
00:29:45,451 --> 00:29:48,251
SO, HOW LONG HAVE
YOU KNOWN DAVID?
719
00:29:48,287 --> 00:29:50,087
OH, DAVID?
720
00:29:50,122 --> 00:29:52,192
UH, DAVID'S ONE OF MY OLDEST
AND CLOSEST FRIENDS.
721
00:29:52,224 --> 00:29:55,494
I MEAN, HE'S A REALLY,
REALLY GREAT GUY.
722
00:29:55,527 --> 00:29:58,227
I MEAN, YOU'RE REALLY LUCKY
TO HAVE SNAGGED HIM.
723
00:29:58,264 --> 00:30:00,334
I MEAN, HE'S A GREAT GUY,
REALLY.
724
00:30:00,366 --> 00:30:02,026
YEAH, I KNOW.
725
00:30:02,068 --> 00:30:05,868
GOOD FRIEND, GREAT GUY.
I MEAN IT.
726
00:30:05,905 --> 00:30:07,035
I BELIEVE YOU.
727
00:30:07,073 --> 00:30:09,983
THAT'S WHY IT HURTS ME
SO MUCH THAT I HAVE TO
ASK YOU OUT.
728
00:30:10,009 --> 00:30:11,009
EXCUSE ME?
729
00:30:11,043 --> 00:30:13,353
WELL, I MEAN, NORMALLY,
I WOULD THINK TWICE ABOUT,
730
00:30:13,379 --> 00:30:15,509
YOU KNOW, HITTING ON
A FRIEND'S CHICK LIKE THIS,
731
00:30:15,547 --> 00:30:19,187
BUT, CARRIE, YOU'RE JUST
TOO AWESOME TO LET GO.
732
00:30:20,219 --> 00:30:21,319
[ SCOFFS ]
733
00:30:21,353 --> 00:30:22,993
LET GO.
734
00:30:24,056 --> 00:30:25,416
HMM.
735
00:30:25,457 --> 00:30:27,957
[ REGGAE MUSIC PLAYS ]
736
00:30:27,994 --> 00:30:29,534
MM, WHAT DO YOU
GOT THERE?
737
00:30:29,561 --> 00:30:30,531
DROP DEAD.
738
00:30:30,562 --> 00:30:32,602
* YOU KNOW I LIKE IT
739
00:30:32,631 --> 00:30:35,971
* I LIKE IT, I LIKE IT
740
00:30:36,002 --> 00:30:38,372
* YOU KNOW I LIKE IT
741
00:30:38,404 --> 00:30:41,114
* I LIKE IT,
AND I LOVE YOU SO *
742
00:30:41,140 --> 00:30:42,440
WHAT ARE YOU DOING?
743
00:30:42,474 --> 00:30:45,014
OH, I GOTTA JUDGE
THE PERFECT-BREAST COMPETITION.
744
00:30:45,044 --> 00:30:46,584
WHAT DO YOU THINK?
745
00:30:46,612 --> 00:30:49,482
WELL, I DON'T THINK
THAT THERE, UM...
746
00:30:49,515 --> 00:30:51,145
SHOULD BE
CHOCOLATE-CHIP COOKIES.
747
00:30:51,183 --> 00:30:52,483
YOU'RE RIGHT.
THEY'RE TOO SMALL.
748
00:30:52,518 --> 00:30:55,118
HEY, CAN I GET A COUPLE
CUPCAKES DOWN HERE?!
749
00:30:55,154 --> 00:30:57,594
* FEEL IT, FEEL IT
750
00:30:57,623 --> 00:31:00,393
* BABY, LET ME FEEL IT
751
00:31:00,426 --> 00:31:03,056
* FEEL IT, FEEL IT
752
00:31:03,095 --> 00:31:05,425
* IN MY SOUL
753
00:31:05,464 --> 00:31:07,504
FRIENDLY FACE AT LAST.
754
00:31:07,533 --> 00:31:10,343
* FEEL IT IN MY SOUL
HIYA.
755
00:31:10,369 --> 00:31:12,339
HEY, WELL,
WHAT ARE YOU MAKING?
756
00:31:12,371 --> 00:31:15,041
WELL, YOU KNOW,
THEY HAVE THEIR
PERFECT-BREAST COMPETITION,
757
00:31:15,074 --> 00:31:17,284
SO I THOUGHT I'D SCULPT
THE PERFECT PENIS.
758
00:31:17,309 --> 00:31:19,479
ISN'T IT
A DREAM COME TRUE?
759
00:31:19,511 --> 00:31:20,681
HEY!
760
00:31:20,712 --> 00:31:22,312
* YOU KNOW I LIKE IT
761
00:31:22,348 --> 00:31:23,948
* I LIKE IT
762
00:31:23,983 --> 00:31:25,283
FELLAS!
763
00:31:25,317 --> 00:31:26,417
LOOK!
764
00:31:26,452 --> 00:31:28,522
LOOKS LIKE SOMETHING
OUT OF "DUNE."
765
00:31:28,554 --> 00:31:29,964
NICE JOB, ZOE.
766
00:31:29,989 --> 00:31:31,189
HEY, YOU.
NO.
767
00:31:31,223 --> 00:31:33,593
NO.
YES. WE NEED MORE BODIES
FOR STRIP TWISTER.
768
00:31:33,625 --> 00:31:34,925
ZOE!
YES!
769
00:31:34,961 --> 00:31:36,131
AAAH!
[ SIGHS ]
770
00:31:36,162 --> 00:31:38,032
SO JEALOUS.
771
00:31:38,965 --> 00:31:41,925
HEY, WAIT FOR ME!
I'M DOUBLE-JOINTED!
772
00:31:41,968 --> 00:31:44,268
WAIT! I CAN DO
AMAZING THINGS!
773
00:31:44,303 --> 00:31:47,973
Zoe: RIGHT HAND, BLUE.
LEFT HAND, YELLOW.
774
00:31:48,007 --> 00:31:49,107
Eli: VERY NICE.
775
00:31:49,141 --> 00:31:53,251
BABIES. YOU SEE, I'M A GUY
WHO KNOWS A LOT ABOUT BABIES.
776
00:31:53,279 --> 00:31:56,049
* I WANT TO LOVE SOMEBODY
777
00:31:56,082 --> 00:31:59,252
I'M N HAVING
A GOOD TIME.
778
00:31:59,285 --> 00:32:02,215
OH, WAS ELI
CHEATING AGAIN?
779
00:32:02,254 --> 00:32:04,624
YOU KNOW, YOU CANNOT
TRUST THAT GUY
780
00:32:04,656 --> 00:32:07,156
TO CALL A CLEAN ROUND
OF STRIP TWISTER.
781
00:32:07,193 --> 00:32:09,063
YEAH, HE MADE UP
THE COLORS.
782
00:32:09,095 --> 00:32:11,655
WELL, YOU SEE, HE'S COLOR-BLIND
LIKE A, YOU KNOW --
783
00:32:11,697 --> 00:32:12,757
LIKE A SCHNAUZER.
784
00:32:12,798 --> 00:32:15,998
AND THEN HE BRINGS OVER
THIS COOLER FULL OF ICE WATER
785
00:32:16,035 --> 00:32:17,465
AND...DUMPS IT ON ME.
786
00:32:17,503 --> 00:32:20,073
SEE, YOU GOTTA HOSE DOWN
THE BOARD BETWEEN GAMES.
787
00:32:20,106 --> 00:32:22,666
OTHERWISE,
IT GETS ALL GRITTY.
788
00:32:22,708 --> 00:32:24,538
AND, DAVID...
YEAH?
789
00:32:24,576 --> 00:32:26,546
ONE OF YOUR FRIENDS
KEEPS HITTING ON ME.
790
00:32:26,578 --> 00:32:28,278
WHAT? WHO IS IT?
791
00:32:28,314 --> 00:32:30,024
POINT HIM OUT.
792
00:32:31,083 --> 00:32:32,623
THERE. THAT GUY.
793
00:32:32,651 --> 00:32:34,051
GEORGE?
794
00:32:34,086 --> 00:32:35,446
GEORGE!
795
00:32:35,487 --> 00:32:37,287
HEY, GEORGE,
OVER HERE!
796
00:32:37,323 --> 00:32:38,363
ME?
797
00:32:38,390 --> 00:32:40,130
YEAH.
ALL RIGHT,
DON'T MOVE.
798
00:32:42,761 --> 00:32:45,401
GEORGE, YOU'RE HITTING
ON MY GIRLFRIEND?
799
00:32:45,431 --> 00:32:48,431
YEAH, ABSOLUTELY.
SHE'S REALLY AWESOME, DAVID.
800
00:32:48,467 --> 00:32:50,697
YEAH, SHE IS,
ISN'T SHE?
801
00:32:50,736 --> 00:32:54,406
HEY, LOOK, GEORGE, PLEASE
DON'T DO IT ANYMORE, OKAY?
802
00:32:54,440 --> 00:32:55,770
I'LL TRY.
803
00:32:55,807 --> 00:32:57,377
THANKS.
804
00:32:57,409 --> 00:32:58,579
[ SCOFFS ]
805
00:33:00,146 --> 00:33:02,606
LOOK, SO, MY FRIENDS
DON'T SIT AROUND
806
00:33:02,648 --> 00:33:04,348
DISCUSSING SUSAN SONTAG.
807
00:33:04,383 --> 00:33:07,593
FACE IT, DAVID -- YOUR FRIENDS
COULDN'T DISCUSS DR. SEUSS.
808
00:33:07,619 --> 00:33:09,219
THEY'RE NORMAL PEOPLE,
CARRIE.
809
00:33:09,255 --> 00:33:12,555
IS IT NORMAL FOR GEORGE
TO PROPOSITION ME?
810
00:33:12,591 --> 00:33:14,431
GEORGE PROPOSITIONS
EVERYONE.
811
00:33:14,460 --> 00:33:15,230
TERRIFIC.
812
00:33:15,261 --> 00:33:17,201
AND WHAT ABOUT ELI
RAILROADING ME
813
00:33:17,229 --> 00:33:19,069
INTO THAT
DEGRADING BEACH GAME?
814
00:33:21,200 --> 00:33:23,470
DAVID, IF -- IF IT'S
POP PSYCHOLOGY YOU WANT --
815
00:33:23,502 --> 00:33:25,802
"I'M OKAY,
YOU'RE OKAY" --
816
00:33:25,837 --> 00:33:27,537
YOUR FRIENDS ARE DICKHEADS.
817
00:33:31,843 --> 00:33:33,813
[ INDISTINCT CONVERSATIONS,
CLASSICAL MUSIC PLAYS ]
818
00:33:33,845 --> 00:33:35,275
[ LOUD CRUNCH ]
819
00:33:44,590 --> 00:33:45,820
[ CRUNCHING ]
820
00:33:45,857 --> 00:33:47,187
[ CHUCKLES ]
821
00:33:47,226 --> 00:33:48,686
EXCUSE ME.
822
00:33:50,562 --> 00:33:52,832
CHARLES, HAVE YOU
SEEN, UH, CARRIE?
823
00:33:52,864 --> 00:33:55,704
I BELIEVE LIZBETH IS SHOWING
THE NEW CHINA PATTERN.
824
00:33:55,734 --> 00:33:58,244
COME ON, COME ON, JOIN US.
WE'RE PLAYING CHARADES.
825
00:33:58,270 --> 00:33:59,810
CHARADES.
CHARADES.
CHARADES.
826
00:33:59,838 --> 00:34:02,668
OH, I JUST LOVE
CHARADES.
827
00:34:02,708 --> 00:34:04,408
THAT'S RIGHT,
WE'RE PLAYING CHARADES.
828
00:34:04,443 --> 00:34:06,713
COME ON, EVERYBODY, CHARADES.
BUFFY, JODY, SISSY.
829
00:34:06,745 --> 00:34:09,175
BRIAN, KEITH,
YOU PLAY, TOO.
830
00:34:09,215 --> 00:34:10,545
OKAY.
831
00:34:10,582 --> 00:34:12,252
I GO FIRST.
832
00:34:12,284 --> 00:34:14,354
YOU ALWAYS GO FIRST.
833
00:34:14,386 --> 00:34:15,846
CHIPPER'S HOST.
HE'S GOT DIBS.
834
00:34:15,887 --> 00:34:17,287
[ LIGHT LAUGHTER ]
835
00:34:17,323 --> 00:34:18,763
ALL RIGHT.
836
00:34:20,859 --> 00:34:22,329
IT'S A MOVIE.
837
00:34:22,361 --> 00:34:23,661
"FATAL ATTRACTION."
838
00:34:25,864 --> 00:34:27,134
[ LAUGHS ]
839
00:34:27,166 --> 00:34:28,166
LUCKY GUESS.
840
00:34:28,200 --> 00:34:30,500
OKAY.
841
00:34:30,536 --> 00:34:32,466
I GET TO GO AGAIN.
842
00:34:34,273 --> 00:34:36,143
ALL RIGHT.
843
00:34:37,676 --> 00:34:38,806
A BOOK.
844
00:34:38,844 --> 00:34:41,284
"BONFIRE OF THE VANITIES."
845
00:34:45,351 --> 00:34:46,491
[ CHUCKLES ]
846
00:34:46,518 --> 00:34:47,888
[ CLEARS THROAT ]
847
00:34:47,919 --> 00:34:50,819
PERHAPS WE SHOULD PLAY
SOME OTHER GAME.
848
00:34:50,856 --> 00:34:52,716
[ DOORBELL RINGS ]
849
00:34:52,758 --> 00:34:55,588
I MEANT TO TELL YOU.
OH, YEAH.
850
00:34:59,931 --> 00:35:02,571
HI. I'M, UH...
851
00:35:03,869 --> 00:35:04,939
HEY.
852
00:35:04,970 --> 00:35:07,640
WELCOME TO "thirtysomething."
CAN I GET YOU SOME BRIE?
853
00:35:07,673 --> 00:35:09,683
UHH...
YOU GOT ANY BEAN DIP?
854
00:35:09,708 --> 00:35:11,138
THANK GOD.
855
00:35:11,177 --> 00:35:12,437
SO, WHAT ARE YOU
DOING HERE?
856
00:35:12,478 --> 00:35:14,148
ZOE SAID IT WAS COOL.
857
00:35:14,180 --> 00:35:15,910
[ CHUCKLES ]
SHE'S NOT HERE.
SHE KNEW BETTER.
858
00:35:15,947 --> 00:35:17,377
BITCH!
859
00:35:17,416 --> 00:35:18,876
I'VE BEEN HAD.
860
00:35:18,917 --> 00:35:20,347
OH!
861
00:35:23,822 --> 00:35:26,192
OF COURSE,
THE VIEW IS AWFULLY NICE.
862
00:35:26,225 --> 00:35:28,285
INTERESTING FOOD,
STOCKED BAR.
863
00:35:28,327 --> 00:35:29,827
I'M STAYING.
864
00:35:31,530 --> 00:35:33,330
CARRIE, DARLING.
865
00:35:33,365 --> 00:35:35,325
SO GOOD TO SEE YOU.
KISSES.
866
00:35:35,367 --> 00:35:37,237
[ KISSING NOISES ]
867
00:35:40,972 --> 00:35:43,842
THAT ICE LOOKS COLD.
IS IT?
868
00:35:43,875 --> 00:35:46,675
[ Muffled ]
ELI, THIS IS MY --
THIS IS CHARLES.
869
00:35:46,712 --> 00:35:48,312
CHARLES, MY FRIEND ELI.
870
00:35:48,347 --> 00:35:50,277
HONEST TO GOD PLEASURE
TO MEET YOU, CHAS.
871
00:35:50,316 --> 00:35:51,846
MAY I CALL YOU CHAS?
872
00:35:51,883 --> 00:35:53,853
ACTUALLY,
I PREFER "CHIPPER."
"CHIPPER" IT IS.
873
00:35:53,885 --> 00:35:55,715
HELP YOURSELF
TO A DRINK.
874
00:35:55,754 --> 00:35:57,194
PICTIONARY LATER.
875
00:36:00,826 --> 00:36:02,886
UNH, UNH, UNH,
UNH, UNH, UNH.
876
00:36:02,928 --> 00:36:04,658
LET ME FRESHEN THAT
FOR YOU.
877
00:36:04,696 --> 00:36:06,826
WHAT IS THAT?
[ SNIFFS ] A VODKA AND BOURBON?
878
00:36:06,865 --> 00:36:08,295
[ LAUGHS ]
879
00:36:08,334 --> 00:36:10,944
NO, I'M A DOCTOR.
NOW, LISTEN.
880
00:36:10,969 --> 00:36:13,369
HE'S PAWING MY FRIENDS.
881
00:36:13,405 --> 00:36:15,435
I THINK SHE WANTS
TO BE PAWED.
882
00:36:15,474 --> 00:36:19,354
NO, SHE'S JUST
GETTING OVER A DIVORCE.
SHE'S VERY VULNERABLE.
883
00:36:20,412 --> 00:36:21,852
AND I DON'T THINK
THAT ELI --
884
00:36:21,880 --> 00:36:23,780
ELI IS WHAT --
NOT GOOD ENOUGH?
885
00:36:23,815 --> 00:36:25,975
Y-YOU DON'T THINK MY FRIENDS
ARE GOOD ENOUGH?
886
00:36:26,017 --> 00:36:27,947
IS THAT WHAT YOU'RE TRYING
TO SAY? HUH, HUH, HUH?
887
00:36:27,986 --> 00:36:29,886
IS AWARE THAT HIS FLY
IS OPEN.
888
00:36:30,989 --> 00:36:32,519
OH.
889
00:36:32,558 --> 00:36:34,188
Eli!
890
00:36:35,294 --> 00:36:36,834
YEAH.
891
00:36:36,862 --> 00:36:38,562
Psst!
892
00:36:39,565 --> 00:36:40,895
AH.
893
00:36:42,368 --> 00:36:43,738
I TRIED.
894
00:36:43,769 --> 00:36:45,699
WELL, WHAT ABOUT
YOUR FRIEND CHIPPER?
895
00:36:45,737 --> 00:36:47,867
HE WAS FOLLOWING ME
FROM ROOM TO ROOM.
896
00:36:47,906 --> 00:36:51,536
"EXCUSE ME, DAVID, BUT WHAT
EXACTLY KIND OF JEW ARE YOU?
897
00:36:51,577 --> 00:36:54,877
ARE YOU AN ASSIMILATED JEW
OR ARE YOU A COMMITTED JEW?"
898
00:36:54,913 --> 00:36:57,523
CHIPPER'S MINOR
WAS COMPARATIVE RELIGION.
899
00:36:57,549 --> 00:37:00,919
AT LEAST HE DIDN'T RIP OFF
YOUR BATHING SUIT
900
00:37:00,952 --> 00:37:02,652
AND SPRAY ICE WATER
ON YOU.
901
00:37:02,688 --> 00:37:06,888
ELI IS ABSOLUTELY RIGHT.
YOU JUST HAVE NO SENSE OF HUMOR.
902
00:37:06,925 --> 00:37:08,255
[ CRUNCHING ]
903
00:37:08,294 --> 00:37:10,864
AND YET
THEIR RELATIONSHIP SURVIVED.
904
00:37:10,896 --> 00:37:12,826
I MEAN, I'VE HEARD
THAT LOVE IS BLIND,
905
00:37:12,864 --> 00:37:14,604
BUT I GUESS
IT'S ALSO DEAF, DUMB,
906
00:37:14,633 --> 00:37:17,343
AND UNDAUNTINGLY TOLERANT
OF ALL PREJUDICES,
907
00:37:17,369 --> 00:37:18,839
PERSONAL OR EXTERNAL.
908
00:37:18,870 --> 00:37:20,840
THERE JUST MIGHT BE
SOMETHING TO IT.
909
00:37:20,872 --> 00:37:22,542
I'M NOT SURE.
910
00:37:22,574 --> 00:37:23,984
GATHER 'ROUND, CHILDREN.
GATHER 'ROUND.
911
00:37:24,009 --> 00:37:26,379
YO, YO, YO, QUIET NOW.
NO FLASHING. NO FLASHING.
912
00:37:26,412 --> 00:37:28,012
I'LL SEND YOU PEOPLE HOME.
I'LL DO IT.
913
00:37:28,046 --> 00:37:30,546
CONSTRUCTION OF THE STATEHOUSE
914
00:37:30,582 --> 00:37:34,322
WAS COMPLETED UNDER BUDGET
AND ON TIME IN 1782.
915
00:37:34,353 --> 00:37:35,893
GUESS THEY DIDN'T HAVE
A UNION THEN. HA HA HA.
916
00:37:37,989 --> 00:37:40,989
ANYWAYS, IF YOU NOTICE
THE BEAUTIFUL ROCOCO TILE --
917
00:37:41,026 --> 00:37:43,326
ISN'T IS BEAUTIFUL?
CAN YOU SAY "ROCOCO"?
918
00:37:43,362 --> 00:37:44,502
ROCOCO.
ROCOCO.
ROCOCO.
919
00:37:44,530 --> 00:37:45,830
VERY GOOD. VERY GOOD.
920
00:37:45,864 --> 00:37:47,874
SO, THIS IS WHERE
IT ALL HAPPENS --
921
00:37:47,899 --> 00:37:50,969
DISCUSSION, OR DISCOURSE,
BETWEEN THE GOVERNOR --
922
00:37:51,002 --> 00:37:53,842
CAN THE GOVERNOR PARK HIS CAR
ANYWHERE HE WANTS?
923
00:37:53,872 --> 00:37:55,812
WHAT HAPPENS IN THERE?
924
00:37:55,841 --> 00:37:57,511
I'LL CHECK.
925
00:37:58,810 --> 00:38:00,950
[ MOANING ]
926
00:38:03,615 --> 00:38:04,645
WHOO!
927
00:38:04,683 --> 00:38:08,493
THAT'S WHAT WE LIKE TO CALL
A GUBERNATORIAL AIDE
928
00:38:08,520 --> 00:38:11,820
AND HER GENTLEMAN FRIEND,
AND THEY ARE, UH...
929
00:38:11,857 --> 00:38:13,457
PHOTOCOPYING.
930
00:38:16,928 --> 00:38:19,828
ARE THEY FACILITATING
STATE GOVERNMENT?
931
00:38:19,865 --> 00:38:21,825
W-WELL, WHAT'S GOOD
FOR THE PEOPLE
932
00:38:21,867 --> 00:38:23,337
IS GOOD FOR THE STATE.
933
00:38:23,369 --> 00:38:25,569
ALEXANDER HAMILTON
SAID THAT.
934
00:38:25,604 --> 00:38:27,474
ACTUALLY,
THIS IS MY LUNCH HOUR.
935
00:38:27,506 --> 00:38:28,866
AND YOU SPEND IT
WITH HIM?
936
00:38:28,907 --> 00:38:30,077
HEY.
937
00:38:30,108 --> 00:38:33,678
I'M...IN LOVE
WITH THIS WOMAN.
938
00:38:33,712 --> 00:38:36,112
AND SHE'S IN LOVE
WITH ME.
939
00:38:36,147 --> 00:38:38,077
RIGHT?
940
00:38:38,116 --> 00:38:39,176
YES, I AM.
941
00:38:39,217 --> 00:38:41,887
BUT AREN'T YOU AFRAID
OF BEING CAUGHT?
942
00:38:41,920 --> 00:38:44,390
WHY NOT SAVE IT
FOR LATER -- AT HOME?
943
00:38:44,423 --> 00:38:46,593
WELL, SEE,
WE WORK DIFFERENT HOURS,
944
00:38:46,625 --> 00:38:49,395
AND H-HER APARTMENT'S
REALLY VERY FAR AWAY, SO --
945
00:38:49,428 --> 00:38:51,128
WAIT -- YOU TWO
DON'T LIVE TOGETHER?
946
00:38:51,162 --> 00:38:52,702
THEY DON'T HAVE TO.
947
00:38:52,731 --> 00:38:54,531
PUH-LEASE, BOBBY.
948
00:38:54,566 --> 00:38:58,366
IF YOU AND I WERE SHARING
CONJUGAL RELATIONS
ON A LASER COPIER --
949
00:38:58,404 --> 00:38:59,574
FAT CHANCE!
950
00:38:59,605 --> 00:39:00,965
WE'D BE LIVING TOGETHER,
951
00:39:01,006 --> 00:39:04,836
ESPECIALLY IF I KEPT
CLOTHES AND STUFF AND
SHAMPOO AT YOUR PLACE.
952
00:39:06,044 --> 00:39:07,914
YOU DO KEEP SHAMPOO THERE?
953
00:39:07,946 --> 00:39:09,646
AND CONDITIONER.
954
00:39:09,681 --> 00:39:12,951
LOOK, YOU EITHER MOVE IN
OR MOVE ON.
955
00:39:12,984 --> 00:39:16,054
FACE IT, DUDE.
THE WRITING'S ON THE WALL.
956
00:39:16,955 --> 00:39:21,625
YOU KNOW, THEY CALL IT
"LIVING IN SIN" FOR A REASON.
957
00:39:21,660 --> 00:39:23,960
WHATEVER. THEY DID IT.
SHE MOVED IN, YEAH.
958
00:39:23,995 --> 00:39:26,965
"STOP BY OUR APARTMENT,"
DAVID SAYS THE OTHER DAY TO ME.
959
00:39:26,998 --> 00:39:28,768
"OUR APARTMENT?"
EXCUSE ME?
960
00:39:28,800 --> 00:39:30,440
SHE MOVES INTO HIS APARTMENT,
961
00:39:30,469 --> 00:39:33,169
AND SUDDENLY
IT'S "OUR APARTMENT."
962
00:39:33,204 --> 00:39:34,814
[ SIGHS ]
I DON'T KNOW.
963
00:39:34,840 --> 00:39:36,980
MAYBE I'M TAKING THIS TOO HARD.
I DON'T KNOW.
964
00:39:37,008 --> 00:39:39,548
W-W-WHAT -- I SHOULD BRING THEM
A HOUSEWARMING GIFT
965
00:39:39,578 --> 00:39:41,608
FOR THEIR APARTMENT?
966
00:39:41,647 --> 00:39:43,147
YOU TELL ME.
I DON'T KNOW.
967
00:39:43,181 --> 00:39:46,921
WHAT'S THE PERFECT
HOUSEWARMING GIFT FOR THEM?
968
00:39:46,952 --> 00:39:48,892
BROUGHT YOU A LITTLE
HOUSEWARMING GIFT.
969
00:39:48,920 --> 00:39:50,160
OH, ELI.
970
00:39:50,188 --> 00:39:52,018
[ CHUCKLES ]
YOU DIDN'T HAVE TO.
971
00:39:52,057 --> 00:39:54,127
THEY'LL COME IN HANDY.
DON'T KID YOURSELF.
972
00:39:54,159 --> 00:39:55,759
WHERE'S CARRIE?
973
00:39:55,794 --> 00:39:57,864
UM, SHE'S OUT
GETTING SOME MORE PLANTS.
974
00:39:57,896 --> 00:39:59,126
MORE PLANTS?
975
00:39:59,164 --> 00:40:00,704
WELL, THAT'S GOOD.
976
00:40:00,732 --> 00:40:03,772
IT'S KIND OF PHASE ONE
OF THE MASTER PLAN, ISN'T IT?
977
00:40:03,802 --> 00:40:05,102
PLANTS NEED
A LOT OF WATERING,
978
00:40:05,136 --> 00:40:06,906
A LOT OF FEEDING,
A LOT OF ATTENTION.
979
00:40:06,938 --> 00:40:10,478
IT SOFTENS YOU UP A LITTLE BIT
FOR PHASE TWO --
980
00:40:10,509 --> 00:40:11,879
BABIES.
981
00:40:11,910 --> 00:40:14,580
YOU'RE GETTING
A LITTLE PARANOID.
982
00:40:14,613 --> 00:40:16,053
PARANOID.
WHO SAID I'M PARANOID?
983
00:40:16,081 --> 00:40:18,581
IF I TOLD YOU ONCE,
I TOLD YOU A MILLION TIMES --
984
00:40:18,617 --> 00:40:21,487
IF YOU LET A BABE INFILTRATE
THE HOME BASE,
985
00:40:21,520 --> 00:40:25,620
EVENTUALLY SHE'LL
ERADICATE EVERY TRACE
OF THE ESSENTIAL YOU.
986
00:40:27,025 --> 00:40:28,985
OH, WHAT'S THIS?
WHAT'S WHAT?
987
00:40:29,027 --> 00:40:31,157
THIS --
COLORS AND BAD FRAME.
988
00:40:31,196 --> 00:40:33,796
OH, I DON'T KNOW.
CARRIE LIKES IT.
989
00:40:33,832 --> 00:40:36,072
CARRIE LIKES IT?
YEAH, YEAH,
I LIKE IT, TOO.
990
00:40:36,935 --> 00:40:38,035
AAH.
991
00:40:38,069 --> 00:40:40,669
YOU THINK CARRIE'S DIFFERENT,
DON'T YOU?
992
00:40:40,706 --> 00:40:43,906
YES. YES. YOU DON'T THINK
SHE'S GONNA MAKE DEMANDS --
993
00:40:43,942 --> 00:40:45,542
MOVE YOU TO THE SUBURBS
994
00:40:45,577 --> 00:40:47,947
AND LOAD YOU DOWN
WITH BABIES AND BARBECUE.
995
00:40:47,979 --> 00:40:50,179
Y-YOU KNOW SOMETHING?
I THINK CARRIE'S RIGHT.
996
00:40:50,215 --> 00:40:51,875
YOU'RE A LITTLE AFRAID
OF WOMEN.
997
00:40:51,917 --> 00:40:53,617
WHOA, WHOA, WHOA.
WAIT, WAIT.
998
00:40:53,652 --> 00:40:54,922
YOU TALK TO CARRIE
ABOUT ME?
999
00:40:54,953 --> 00:40:57,223
ELI, WE LIVE TOGETHER.
OF COURSE I TALK TO HER.
1000
00:40:57,255 --> 00:40:58,955
I TALK TO HER
ABOUT EVERYTHING.
1001
00:40:58,990 --> 00:41:00,630
W-WHAT'D YOU TELL HER?
1002
00:41:00,659 --> 00:41:01,829
NOTHING.
1003
00:41:01,860 --> 00:41:03,900
YOU KNOW, IT'S JUST...
FOR THE FIRST TIME,
1004
00:41:03,929 --> 00:41:06,229
I'M LOOKING AT THINGS
FROM ANOTHER SIDE.
1005
00:41:07,899 --> 00:41:09,569
THERE IS NO OTHER SIDE.
1006
00:41:09,601 --> 00:41:11,171
THERE'S THEM
AND THERE'S US.
1007
00:41:11,202 --> 00:41:12,972
EXACTLY.
YOU'RE RIGHT.
1008
00:41:13,004 --> 00:41:15,614
AND SOMETIMES
WE'RE A LITTLE DISGUSTING.
1009
00:41:15,641 --> 00:41:17,611
OKAY?
SO, LET'S DROP IT.
1010
00:41:17,643 --> 00:41:19,013
YES, WE'RE DISGUSTING!
1011
00:41:19,044 --> 00:41:21,854
WE'RE MEN. WE'RE IDIOTS.
IT'S THE LAW.
1012
00:41:21,880 --> 00:41:24,980
ELI, REMEMBER AT COLLEGE
YOUR DEFINITION OF A LESBIAN?
1013
00:41:25,016 --> 00:41:26,646
ANY GIRL
WHO WOULDN'T PUT OUT.
1014
00:41:26,685 --> 00:41:27,885
RIGHT. EXACTLY.
1015
00:41:27,919 --> 00:41:30,259
WELL, YOU KNOW,
I NO LONGER AGREE.
1016
00:41:30,288 --> 00:41:32,658
ALL RIGHT, ALL RIGHT.
DO ME A FAVOR, OKAY?
1017
00:41:32,691 --> 00:41:34,861
IN A COUPLE OF MONTHS
WHEN YOU GET SOME TIME,
1018
00:41:34,893 --> 00:41:36,933
FAX ME YOUR BALLS,
'CAUSE YOU DON'T NEED 'EM.
1019
00:41:36,962 --> 00:41:39,202
YOU EVER HAVE
ONE OF THOSE DREAMS
WHERE YOU'RE IN THE WATER,
1020
00:41:39,230 --> 00:41:40,870
YOU'RE TRYING TO SAVE SOMEONE
FROM DROWNING,
1021
00:41:40,899 --> 00:41:42,229
AND YOU CAN'T QUITE REACH HIM?
1022
00:41:42,267 --> 00:41:43,767
YOU'RE ABOUT A FINGERTIP AWAY,
1023
00:41:43,802 --> 00:41:45,202
BUT THE CURRENT KEEPS
PULLING HIM
1024
00:41:45,236 --> 00:41:46,806
FURTHER AND FURTHER OUT TO SEA,
1025
00:41:46,838 --> 00:41:49,808
AND THERE'S NOTHING YOU CAN DO
BUT WATCH.
1026
00:41:49,841 --> 00:41:52,141
HOW DO I SAVE HIM
FROM SLIPPING AWAY?
1027
00:41:52,177 --> 00:41:55,107
HOW DO I BRING HIM
BACK TO SHORE?
1028
00:41:55,146 --> 00:41:57,546
[ TELEPHONE RINGS ]
1029
00:41:57,583 --> 00:41:58,923
HI, THIS IS DAVID.
1030
00:41:58,950 --> 00:42:00,250
CARRIE AND I AREN'T HERE
RIGHT NOW,
1031
00:42:00,285 --> 00:42:02,715
[ DAVID AND CARRIE GIGGLING ]
BUT YOU CAN LEAVE A MESSAGE,
1032
00:42:02,754 --> 00:42:03,894
AND WE'LL GET BACK
TO YOU LATER.
1033
00:42:03,922 --> 00:42:04,862
BYE-BYE.
[ BEEP ]
1034
00:42:04,890 --> 00:42:07,730
HI, CARE.
HELLO, DAVID.
1035
00:42:07,759 --> 00:42:08,789
THREE WEEKS NOW,
1036
00:42:08,827 --> 00:42:11,857
AND MY PERIOD IS ALREADY IN SYNC
WITH OPRAH WINFREY.
1037
00:42:11,897 --> 00:42:13,967
JUST THOUGHT YOU'D LIKE TO KNOW.
1038
00:42:13,999 --> 00:42:15,069
[ DAVID GROANS ]
[ BEEP ]
1039
00:42:15,100 --> 00:42:17,570
DAVID, SWEETHEART,
THIS IS YOUR MOTHER.
1040
00:42:17,603 --> 00:42:18,943
OH! UGH.
1041
00:42:18,970 --> 00:42:20,910
I HAVE TWO QUESTIONS --
1042
00:42:20,939 --> 00:42:23,909
NUMBER ONE,
WHY DON'T YOU CALL?
1043
00:42:23,942 --> 00:42:27,882
AND NUMBER TWO,
IS CARRIE A BOY OR A GIRL?
1044
00:42:27,913 --> 00:42:30,153
[ BEEP ]
SHIT! I KNEW I FORGOT
TO CALL SOMEONE!
1045
00:42:30,181 --> 00:42:31,551
[ LAUGHS ]
1046
00:42:35,053 --> 00:42:36,763
[ BLOWS ]
1047
00:42:36,788 --> 00:42:40,088
I'M TELLING YOU,
EVERYTHING'S GONNA BE FINE.
1048
00:42:43,328 --> 00:42:44,758
Freida: OH!
1049
00:42:44,796 --> 00:42:46,626
THERE'S A COHEN BROTHERS SHOES.
1050
00:42:46,665 --> 00:42:48,125
YEAH, OF COURSE, ON BEACON.
1051
00:42:48,166 --> 00:42:51,966
NO, NO, NO, FURTHER EAST,
NEXT TO THE INDIAN RESTAURANT.
1052
00:42:52,003 --> 00:42:53,773
YOU GOT IT.
OKAY, BOBBY.
1053
00:42:53,805 --> 00:42:56,005
WELL, IT WAS NICE TALKING
TO YOU, TOO, HON.
1054
00:42:56,041 --> 00:42:58,881
GOOD LUCK. YEAH.
BYE-BYE.
1055
00:43:00,679 --> 00:43:04,019
WRONG NUMBER, HM.
1056
00:43:04,049 --> 00:43:05,619
DON'T WORRY.
1057
00:43:05,651 --> 00:43:07,821
BRISKET IS COMING,
1058
00:43:07,853 --> 00:43:09,123
BUT FIRST...
1059
00:43:09,154 --> 00:43:11,764
A LITTLE SOUP
WITH KNAIDLACH.
1060
00:43:11,790 --> 00:43:13,630
OH, I'VE HAD THOSE.
[ CHUCKLES ]
1061
00:43:13,659 --> 00:43:14,959
NOT LIKE THESE.
1062
00:43:14,993 --> 00:43:16,363
THIS IS THE TOUGH PART.
1063
00:43:16,394 --> 00:43:19,264
SEE, MRS. C MAKES THIS
KILLER BRISKET -- WORLD-CLASS.
1064
00:43:19,297 --> 00:43:20,967
BUT BEFORE YOU CAN EAT ANY,
1065
00:43:20,999 --> 00:43:23,029
YOU GOTTA SURVIVE
THE INTERROGATION...
1066
00:43:23,068 --> 00:43:26,268
[ Echoing ]
SURVIVE THE INTERROGATION...
1067
00:43:29,908 --> 00:43:31,908
[ SUSPENSEFUL MUSIC PLAYS ]
1068
00:43:31,943 --> 00:43:33,213
[ SLURPING ]
1069
00:43:33,244 --> 00:43:36,954
SO, CARRIE, TELL US
A LITTLE BIT ABOUT YOURSELF.
1070
00:43:36,982 --> 00:43:39,892
I WAS -- I WAS BORN AND RAISED
HERE -- I MEAN, WELLESLEY.
1071
00:43:39,918 --> 00:43:40,948
DATE OF BIRTH?
1072
00:43:40,986 --> 00:43:42,946
JUNE 6, 1963.
1073
00:43:42,988 --> 00:43:45,118
EARLIER,
I THOUGHT YOU SAID JULY!
1074
00:43:45,156 --> 00:43:46,826
JULY. I-I MEANT JULY.
1075
00:43:46,858 --> 00:43:49,358
AHA. DO I MAKE YOU NERVOUS,
CARRIE?
1076
00:43:49,394 --> 00:43:50,934
YOU'RE MY GUEST.
1077
00:43:50,962 --> 00:43:52,132
EAT!
1078
00:43:56,968 --> 00:43:58,068
OH, THAT'S GOOD.
1079
00:43:58,103 --> 00:43:59,713
I MEAN,
THAT WAS EXCELLENT!
1080
00:43:59,738 --> 00:44:01,408
IT WAS THE BEST KNAIDLACH
I'VE EVER HAD!
1081
00:44:01,439 --> 00:44:03,909
HAVE YOU EVER SEEN
THIS MAN BEFORE?
1082
00:44:05,844 --> 00:44:07,414
UH, I-I DON'T THINK SO.
1083
00:44:07,445 --> 00:44:08,875
YOU DON'T THINK SO?!
1084
00:44:08,914 --> 00:44:09,954
THINK!
1085
00:44:09,981 --> 00:44:11,421
UH, NO, I'M SURE.
1086
00:44:11,449 --> 00:44:15,849
AND WHERE WAS YOUR FATHER
DURING WORLD WAR II?
1087
00:44:15,887 --> 00:44:18,057
UM, COLLEGE, UH, UH,
MEDICAL SCHOOL --
1088
00:44:18,089 --> 00:44:20,359
UH, DARTMOUTH UNIVERSITY.
I WENT THERE, ALSO.
1089
00:44:20,391 --> 00:44:21,991
HUH.
1090
00:44:24,996 --> 00:44:26,726
SHE MADE IT! YES!
1091
00:44:26,765 --> 00:44:31,035
MY DAVID COULD HAVE GONE
TO B.U. -- HARVARD, EVEN.
1092
00:44:31,069 --> 00:44:33,069
HE HAD THE S.A.T.s,
1093
00:44:33,104 --> 00:44:35,274
BUT HE WANTED TO GO AWAY
FROM HOME.
1094
00:44:35,306 --> 00:44:37,906
GO FIGURE.
1095
00:44:39,144 --> 00:44:41,984
DEAR, MY HUSBAND
IS A VERY PROUD MAN.
1096
00:44:42,013 --> 00:44:43,923
HE DOESN'T LIKE TO LOSE,
1097
00:44:43,949 --> 00:44:46,349
SO IF YOU COULD JUST EASE UP
A BIT ON YOUR SERVE.
1098
00:44:46,384 --> 00:44:49,024
YOU WANT ME
TO THROW THE GAME?
Kenneth:
COME ON, COME ON, COME ON.
1099
00:44:49,054 --> 00:44:50,364
POWWOW'S OVER.
1100
00:44:50,388 --> 00:44:53,218
NO STRATEGY'S GONNA BEAT
MY LITTLE CARE BEAR AND I.
1101
00:44:57,963 --> 00:44:59,433
PLEASE, DEAR?
1102
00:44:59,464 --> 00:45:02,034
IT'S IN YOUR OWN
BEST INTEREST.
1103
00:45:08,907 --> 00:45:10,237
OUT!
1104
00:45:10,275 --> 00:45:12,275
WITH A SMILE.
1105
00:45:12,310 --> 00:45:14,480
BY A MILE.
1106
00:45:16,047 --> 00:45:17,877
I DON'T KNOW.
1107
00:45:17,916 --> 00:45:20,086
I MEAN, TO SWALLOW YOUR PRIDE
IN ONE GULP?
1108
00:45:20,118 --> 00:45:22,288
DAVID MUST BE...
1109
00:45:22,320 --> 00:45:23,920
IN LOVE.
1110
00:45:23,955 --> 00:45:25,755
I DON'T KNOW.
1111
00:45:26,557 --> 00:45:29,157
I DO KNOW YOU WON'T SEE ME
SUCKING UP LIKE THAT,
1112
00:45:29,194 --> 00:45:31,164
SELLING OUT
TO KENNETH AND GISELLE
1113
00:45:31,196 --> 00:45:33,966
FOR A FEW FREE DRINKS
AND CONVENIENT COURT TIME.
1114
00:45:33,999 --> 00:45:36,769
HEY, DO YOU THINK THAT'S WHY
I'VE NEVER BEEN ASKED BACK?
1115
00:45:36,802 --> 00:45:38,802
[ WATER RUNNING ]
1116
00:45:42,040 --> 00:45:44,840
[ CLEARS THROAT ]
1117
00:45:44,876 --> 00:45:46,006
DAVID, MAN-TO-MAN,
1118
00:45:46,044 --> 00:45:48,214
YOU HAD A PRETTY FAIR
GAME GOING THERE,
1119
00:45:48,246 --> 00:45:51,076
BUT THEN YOU LOST THE SCENT
AND SCREWED THE POOCH.
1120
00:45:51,116 --> 00:45:53,786
KILLER INSTINCT
WINS MATCHES.
1121
00:45:53,819 --> 00:45:55,919
K.I. --
CLOSE THE DEAL.
1122
00:45:55,954 --> 00:45:57,164
YOU READ TRUMP?
1123
00:45:57,188 --> 00:45:58,918
I'M WAITING
FOR THE MOVIE.
1124
00:45:58,957 --> 00:46:00,457
CONSISTENCY.
FOLLOW-THROUGH.
1125
00:46:00,491 --> 00:46:02,361
LIKE I TELL
MY LOVELY WIFE, GISELLE,
1126
00:46:02,393 --> 00:46:04,033
TENNIS, PROCTOLOGY --
1127
00:46:04,062 --> 00:46:06,562
IT'S ALL
IN THE FOLLOW-THROUGH.
1128
00:46:06,597 --> 00:46:09,967
WELL, NOT -- NOT MANY PEOPLE
ENJOY YOUR CONSISTENCY, SIR.
1129
00:46:10,001 --> 00:46:13,871
HELL, YOU CAN SMOKE
A PIPE AND PLAY TENNIS
AT THE SAME TIME.
1130
00:46:13,905 --> 00:46:15,135
GRACE UNDER PRESSURE.
1131
00:46:15,173 --> 00:46:17,013
I LEARNED THAT
DURING THE WAR.
1132
00:46:17,042 --> 00:46:19,042
UH, KOREA?
NO, NO, NO, NO.
1133
00:46:19,077 --> 00:46:22,047
CARTER ADMINISTRATION --
FOUR YEARS OF ECONOMIC HELL.
1134
00:46:22,080 --> 00:46:24,020
CROWN. CROWN.
1135
00:46:24,049 --> 00:46:26,479
SHOULD I KNOW THAT NAME?
WHAT'S THE OLD MAN DO?
1136
00:46:26,517 --> 00:46:28,317
OH, EAT...
SLEEP...COMPLAIN.
1137
00:46:28,353 --> 00:46:29,963
WHAT?
1138
00:46:29,988 --> 00:46:31,918
I'LL TELL YOU
WHAT THE OLD MAN DOESN'T DO.
1139
00:46:31,957 --> 00:46:33,417
HE DOESN'T COLLECT ANIMAL HEADS,
1140
00:46:33,458 --> 00:46:35,828
HE DOESN'T SAY THINGS LIKE
"SCREW THE POOCH,"
1141
00:46:35,861 --> 00:46:37,931
AND HE DOESN'T CALL
RONALD REAGAN "THE GIPPER."
1142
00:46:37,963 --> 00:46:41,903
[ As Irv ] HE CALLS
HIM "THAT BAD ACTOR FROM
THE CHIMP MOVIES." OY!
1143
00:46:41,933 --> 00:46:45,003
YOU LIKE GUNS, DAVID?
WELL, UH, TO TELL YOU
THE TRUTH, SIR, I --
1144
00:46:45,036 --> 00:46:47,106
THIS IS A BEAUTY --
12 GAUGE OVER-AND-UNDER.
1145
00:46:47,138 --> 00:46:49,268
HERE, TAKE AHOLD OF IT.
GO ON, TAKE IT. TAKE IT!
1146
00:46:49,307 --> 00:46:51,337
UH.
[ CLEARS THROAT ]
1147
00:46:51,376 --> 00:46:53,206
IT'S NOT LOADED
OR ANYTHING, IS IT?
1148
00:46:53,244 --> 00:46:54,584
OH, LET'S SEE.
1149
00:46:56,481 --> 00:46:58,321
AH. NO, IT ISN'T.
1150
00:46:58,349 --> 00:46:59,919
[ CHUCKLES ]
1151
00:47:03,321 --> 00:47:04,491
NOW IT IS.
1152
00:47:04,522 --> 00:47:06,062
HERE, PUT THIS
ON YOUR SHOULDER.
1153
00:47:06,091 --> 00:47:07,931
THERE. NOW GRAB AHOLD
OF THE STOCK THERE.
1154
00:47:07,959 --> 00:47:10,029
AND PUT THIS HAND UP THERE.
THERE YOU GO.
1155
00:47:10,061 --> 00:47:13,461
NOW, LEAN INTO IT.
LEAN INTO IT.
1156
00:47:15,133 --> 00:47:17,173
HOW'S THAT FEEL, SON?
IT FEELS GOOD, SIR.
1157
00:47:17,202 --> 00:47:19,242
IT FEELS -- YOU KNOW,
IT MAKES YOU FEEL LIKE A MAN.
1158
00:47:19,270 --> 00:47:20,340
[ PATS BACK ]
[ GUNSHOT ]
1159
00:47:20,371 --> 00:47:21,571
AAAH!
1160
00:47:24,075 --> 00:47:24,975
LUNCH.
1161
00:47:25,977 --> 00:47:27,547
[ CLEARS THROAT ]
1162
00:47:29,680 --> 00:47:31,450
David:
IF YOU REALLY WANT TO KNOW,
1163
00:47:31,482 --> 00:47:34,592
THE REAL EXPERT ON THE SUBJECT
WAS A GIRL THAT ELI KNEW.
1164
00:47:34,619 --> 00:47:36,119
YEAH?
YEAH.
1165
00:47:36,154 --> 00:47:37,394
SHOCK ME.
1166
00:47:37,422 --> 00:47:40,532
SHE'S A NURSE --
NUTRITIONIST.
1167
00:47:40,558 --> 00:47:45,428
SHE SAID THAT GUYS ARE, LIKE,
YOU KNOW...PURE PROTEIN.
1168
00:47:49,034 --> 00:47:52,104
OF COURSE, THAT'S IT --
PROTEIN.
1169
00:47:52,137 --> 00:47:53,637
AND -- AND -- AND YOU GUYS
1170
00:47:53,671 --> 00:47:55,971
ARE JUST
THE SURGEON GENERALS OF LOVE
1171
00:47:56,007 --> 00:47:59,137
JUST SHARING THIS WITH US
F-FOR OUR OWN WELL-BEING.
1172
00:47:59,177 --> 00:48:00,507
HMM?
HMM?
1173
00:48:00,545 --> 00:48:02,645
OH, COME ON, DAVID,
CAN YOU HONESTLY SAY
1174
00:48:02,680 --> 00:48:04,220
THAT IF YOU WERE
IN MY POSITION,
1175
00:48:04,249 --> 00:48:05,949
YOU'D FEEL ANY DIFFERENTLY?
1176
00:48:05,984 --> 00:48:09,394
HON, IF ELI AND I
WERE SHIPWRECKED ON
A DESERTED ISLAND,
1177
00:48:09,420 --> 00:48:11,290
AND THE ONLY WAY
TO SURVIVE
1178
00:48:11,322 --> 00:48:13,992
WAS, YOU KNOW,
THE NUTRIENTS INVOLVED,
1179
00:48:14,025 --> 00:48:15,425
THEN, YES, YES!
1180
00:48:15,460 --> 00:48:18,130
WE'D BE GOING DOWN
ON EACH OTHER
EVERY FIVE MINUTES.
1181
00:48:18,163 --> 00:48:21,333
I'D KILL MYSELF AND THEN HIM.
1182
00:48:24,302 --> 00:48:27,342
[ TELEPHONE RINGS ]
1183
00:48:27,372 --> 00:48:29,312
[ SIGHS ]
1184
00:48:32,978 --> 00:48:34,408
HELLO?
1185
00:48:34,445 --> 00:48:36,145
ELI.
1186
00:48:36,181 --> 00:48:38,051
[ CHUCKLES ] WHAT'S UP?
1187
00:48:38,083 --> 00:48:41,493
[ ROCK MUSIC PLAYING ]
DAVID, GET DOWN HERE RIGHT NOW.
I'M TELLING YOU.
1188
00:48:41,519 --> 00:48:44,489
THE PLANETS ARE LINED UP TONIGHT
OR SOMETHING, I DON'T KNOW,
1189
00:48:44,522 --> 00:48:47,032
BUT THE CHICKS HERE TONIGHT
ARE NOT TO BE MISSED.
1190
00:48:47,058 --> 00:48:48,358
NOW, HUH?
1191
00:48:48,393 --> 00:48:49,593
MMM...
1192
00:48:49,627 --> 00:48:52,327
YOU DON'T HAVE TO TOUCH.
YOU CAN JUST LOOK.
1193
00:48:52,363 --> 00:48:53,663
Yeah, Eli,
1194
00:48:53,698 --> 00:48:57,068
LOOK, I CAN'T COME DOWN NOW.
IT'S, UH...
1195
00:48:57,102 --> 00:48:59,272
CARRIE'S NOT FEELING
REAL WELL,
1196
00:48:59,304 --> 00:49:02,544
AND I JUST -- I JUST CAN'T.
IT'S NOT A GOOD TIME.
1197
00:49:02,573 --> 00:49:04,313
WHAT ABOUT FRIDAY?
1198
00:49:04,342 --> 00:49:06,082
FRIDAY...UH, YEAH,
FRIDAY --
1199
00:49:06,111 --> 00:49:07,711
FRIDAY NIGHT,
DEFINITELY.
1200
00:49:07,745 --> 00:49:09,745
NO, DINNER WITH
CHARLES AND LIZBETH.
1201
00:49:09,780 --> 00:49:11,720
REALLY?
MM-HMM.
1202
00:49:11,749 --> 00:49:15,289
UH...ELI, UM,
I'LL CALL YOU TOMORROW?
1203
00:49:15,320 --> 00:49:18,060
OH, MAN,
I HOPE SHE'S WORTH IT.
1204
00:49:18,089 --> 00:49:21,629
I'M TELLING YOU, YOU'RE
MISSING OUT BIG-TIME, PAL.
1205
00:49:21,659 --> 00:49:23,129
BIG-TIME.
1206
00:49:25,596 --> 00:49:28,996
[ Rock music playing ]
1207
00:49:29,034 --> 00:49:30,674
[ RECEIVER CLICKS ]
1208
00:49:31,669 --> 00:49:33,639
MM. YOU KNOW WHAT?
1209
00:49:33,671 --> 00:49:35,241
I'M GONNA GO TAKE A BATH.
1210
00:49:39,510 --> 00:49:40,780
[ SIGHS ]
1211
00:49:40,811 --> 00:49:44,021
[ DOOR OPENS, CLOSES ]
1212
00:49:48,053 --> 00:49:49,623
MISSING OUT.
1213
00:49:52,823 --> 00:49:57,803
TWO WORDS THAT HAVE HAUNTED ME
MY ENTIRE LIFE.
1214
00:49:57,828 --> 00:50:00,628
WHY CAN'T I JUST BE HAPPY
WITH WHERE I AM
1215
00:50:00,665 --> 00:50:02,525
AND WITH WHAT I'VE GOT?
1216
00:50:04,069 --> 00:50:07,239
WHY DO I KEEP THINKING ABOUT
WHERE I COULD BE
1217
00:50:07,272 --> 00:50:09,142
AND WHAT I COULD GET?
1218
00:50:12,843 --> 00:50:14,313
CHRIST.
1219
00:50:14,345 --> 00:50:16,105
MY SCOPING DAYS ARE OVER.
1220
00:50:16,147 --> 00:50:18,377
I MEAN, I'M DIFFERENT.
1221
00:50:18,416 --> 00:50:20,086
I'M IN LOVE.
1222
00:50:21,852 --> 00:50:25,092
WHY CAN'T I JUST BE HAPPY
WITH WHAT I'VE GOT?
1223
00:50:27,192 --> 00:50:28,762
I JUST DON'T KNOW WHO DAVID IS.
1224
00:50:28,793 --> 00:50:31,663
I MEAN, SOMETIMES I-I FEEL LIKE
I'M LIVING WITH THREE MEN --
1225
00:50:31,696 --> 00:50:34,366
MRS. CROWN'S LITTLE BOY,
THE ONE WHO THROWS A TANTRUM
1226
00:50:34,399 --> 00:50:36,229
EVERY TIME HE RUNS OUT
OF SHAMPOO,
1227
00:50:36,267 --> 00:50:37,797
UM, ELI'S BEST BUDDY,
1228
00:50:37,835 --> 00:50:42,265
THE ONE WHO PULLS BACK
WHEN THINGS GET TOO INTIMATE...
1229
00:50:42,307 --> 00:50:45,077
AND THEN THERE'S MY DAVID.
1230
00:50:45,110 --> 00:50:46,580
HE'S FUNNY...
1231
00:50:46,611 --> 00:50:49,111
HE'S SENSITIVE...
1232
00:50:49,147 --> 00:50:50,847
AND CONSIDERATE.
1233
00:50:50,881 --> 00:50:53,421
HE'S THE ONE I MOVED IN WITH.
1234
00:50:54,619 --> 00:50:57,389
HOW'D I END UP
WITH THE OTHER TWO?
1235
00:51:00,125 --> 00:51:02,055
MISSING OUT.
1236
00:51:02,860 --> 00:51:04,160
MISSING OUT,
1237
00:51:04,195 --> 00:51:05,825
LIKE ELI'S REALLY
DOING SOMETHING
1238
00:51:05,863 --> 00:51:08,303
THAT I WANT TO BE A PART OF.
1239
00:51:12,137 --> 00:51:13,767
EXCUSE ME, MISTER.
1240
00:51:13,804 --> 00:51:15,874
WE WERE JUST COMING BACK
FROM OUR CHEERLEADING MEET.
1241
00:51:15,906 --> 00:51:18,606
WE'RE ALL VIRGINS,
BUT FOR SOME REASON --
1242
00:51:18,643 --> 00:51:20,713
MAYBE IT'S
THE PLANET ALIGNMENT --
1243
00:51:20,745 --> 00:51:24,845
WELL, WE ALL DECIDED THAT
TONIGHT WAS THE NIGHT TO...
1244
00:51:24,882 --> 00:51:27,492
WELL...
1245
00:51:27,518 --> 00:51:29,748
YOU KNOW...
1246
00:51:29,787 --> 00:51:31,357
GO ALL THE WAY.
1247
00:51:31,389 --> 00:51:34,759
SO, PERHAPS YOU AND YOUR FRIEND
COULD HELP US OUT --
1248
00:51:34,792 --> 00:51:38,302
YOU KNOW, TAKE US AROUND
THE CITY, PLY US WITH LIQUOR,
1249
00:51:38,329 --> 00:51:40,569
AND THEN TAKE US BACK
TO YOUR PLACE?
1250
00:51:40,598 --> 00:51:42,868
WELL,
I'D BE DELIGHTED, UH...
1251
00:51:42,900 --> 00:51:44,900
OF COURSE, IT'S JUST
GONNA HAVE TO BE ME.
1252
00:51:44,935 --> 00:51:48,305
SEE, ALL MY FRIENDS
ARE BUSY TONIGHT OR TOO TIRED
1253
00:51:48,339 --> 00:51:51,609
OR HOME WITH
THEIR LIVE-IN GIRLFRIENDS.
1254
00:51:51,642 --> 00:51:53,212
[ GIRLS GIGGLING ]
OH.
1255
00:51:53,244 --> 00:51:55,354
WELL...
1256
00:51:55,380 --> 00:51:59,880
DO YOU THINK MAYBE YOU COULD
HANDLE US ALL BY YOURSELF?
1257
00:52:02,220 --> 00:52:05,390
YES. YES, I DO.
1258
00:52:07,825 --> 00:52:09,755
[ Echoing ] DAVID.
1259
00:52:09,794 --> 00:52:11,504
DAVID.
LISTEN TO ME.
1260
00:52:11,529 --> 00:52:12,829
WHAT?
1261
00:52:14,399 --> 00:52:15,699
SORRY.
1262
00:52:15,733 --> 00:52:17,403
UH, WHAT?
1263
00:52:18,836 --> 00:52:20,806
YOU'RE BORED WITH THIS
RELATIONSHIP, IS THAT IT?
1264
00:52:20,838 --> 00:52:23,908
NO, NO, GOD, NO.
1265
00:52:23,941 --> 00:52:26,141
NO, YOU SEE,
IT'S JUST THAT...
1266
00:52:28,579 --> 00:52:30,719
LISTEN...
1267
00:52:30,748 --> 00:52:33,948
PIZZA
IS MY FAVORITE FOOD --
1268
00:52:33,984 --> 00:52:36,324
PEPPERONI AND SAUSAGE,
RIGHT?
1269
00:52:37,822 --> 00:52:40,592
W-W-WHAT'S
YOUR FAVORITE FOOD?
1270
00:52:40,625 --> 00:52:41,885
WHAT?
1271
00:52:43,594 --> 00:52:45,304
LINGUINE AND CLAM SAUCE.
1272
00:52:45,330 --> 00:52:48,600
AN EXCELLENT CHOICE --
LINGUINE AND CLAM SAUCE.
1273
00:52:48,633 --> 00:52:50,943
IT'S GREAT. YOU LOVE IT
MORE THAN ANYTHING ELSE.
1274
00:52:50,968 --> 00:52:53,198
YOU COULD PROBABLY HAVE IT
ALMOST EVERY NIGHT.
1275
00:52:53,238 --> 00:52:54,208
MM.
1276
00:52:54,239 --> 00:52:55,639
ALMOST EVERY NIGHT,
1277
00:52:55,673 --> 00:52:57,543
BUT YOU --
YOU WOULDN'T WANT TO.
1278
00:52:57,575 --> 00:53:00,505
YOU'D WANT TO TRY SOMETHING NEW,
SOMETHING DIFFERENT.
1279
00:53:00,545 --> 00:53:01,845
YOU KNOW WHAT?
1280
00:53:01,879 --> 00:53:04,819
YOUR LITTLE ANALOGY'S
STARTING TO PISS ME OFF.
1281
00:53:04,849 --> 00:53:08,289
OKAY. OKAY.
LET'S -- LET'S FORGET IT.
1282
00:53:08,319 --> 00:53:09,819
GOOD.
1283
00:53:14,892 --> 00:53:16,832
LET'S JUST...
1284
00:53:20,331 --> 00:53:22,631
...GO TO SLEEP.
1285
00:53:22,667 --> 00:53:25,267
[ TIRES SCREECHING ]
1286
00:53:25,303 --> 00:53:26,903
[ CRASH ]
1287
00:53:26,937 --> 00:53:27,907
[ THUD ]
1288
00:53:27,938 --> 00:53:29,408
OW!
1289
00:53:39,950 --> 00:53:41,890
WHERE WERE YOU?
1290
00:53:41,919 --> 00:53:43,819
[ Slurring ]
I WAS OUT.
1291
00:53:45,823 --> 00:53:47,833
WITH ELI.
1292
00:53:47,858 --> 00:53:49,688
YOU COULD HAVE CALLED.
1293
00:53:49,727 --> 00:53:51,657
AM I ON A LEASH?
1294
00:53:52,863 --> 00:53:55,003
CAN'T I HAVE A GOOD TIME
WITHOUT YOU?
1295
00:53:55,032 --> 00:53:57,002
CAN'T YOU HAVE A GOOD TIME
WITH ME?
1296
00:53:57,902 --> 00:53:59,842
WOULD IT BE SO BAD
TO -- TO INVITE ME ALONG?
1297
00:53:59,870 --> 00:54:02,440
YOU KNOW, YOU USED TO THINK
I WAS PRETTY GOOD COMPANY.
1298
00:54:02,473 --> 00:54:05,313
OH, HON, YOU KNOW,
WHEN -- WHEN ELI AND I GO OUT,
1299
00:54:05,343 --> 00:54:07,613
YOU KNOW, IT'S A --
IT'S A GUY THING.
1300
00:54:07,645 --> 00:54:10,345
ELI -- DAVID AND ELI.
1301
00:54:10,381 --> 00:54:12,921
DAVID, YOU'RE NOT
MARRIED TO ELI.
1302
00:54:12,950 --> 00:54:15,950
WELL, I'M NOT MARRIED
TO YOU, EITHER.
1303
00:54:24,995 --> 00:54:26,695
DAVID, WAIT.
1304
00:54:28,032 --> 00:54:29,572
WHAT'S WRONG?
1305
00:54:29,600 --> 00:54:31,570
A PHONE CALL
COSTS 20 CENTS.
1306
00:54:31,602 --> 00:54:34,672
[ Whining ] HELLO, MOMMY,
CAN I STAY OUT AND PLAY?
1307
00:54:34,705 --> 00:54:35,835
OH, GROW UP!
1308
00:54:35,873 --> 00:54:38,083
ALL RIGHT, YOU FELLAS,
GIVE ME A LITTLE
HELP HERE, PLEASE.
1309
00:54:38,108 --> 00:54:40,848
CAN I HAVE A SHOW OF HANDS --
ALL OF YOU WHO AGREE WITH ME
1310
00:54:40,878 --> 00:54:42,808
THAT A RELATIONSHIP
IS A FINE PLACE TO SLEEP,
1311
00:54:42,847 --> 00:54:44,777
BUT YOU WOULDN'T WANT
TO LIVE THERE.
1312
00:54:44,815 --> 00:54:47,785
AH! SEE?
CLEAR MAJORITY.
1313
00:54:47,818 --> 00:54:48,988
FOUR GUYS?
1314
00:54:49,019 --> 00:54:52,419
WHAT DO YOU WANT FROM ME?
THEY'RE SURROUNDED
BY THE ENEMY.
1315
00:54:53,758 --> 00:54:56,828
[ SOFT MUSIC PLAYS ]
1316
00:54:58,696 --> 00:54:59,956
WHAT?
1317
00:55:01,732 --> 00:55:03,002
W-WE'RE NOT TALKING.
1318
00:55:03,033 --> 00:55:04,803
WE'RE EATING.
1319
00:55:04,835 --> 00:55:07,605
WE USED TO TALK
WHEN WE ATE.
1320
00:55:10,941 --> 00:55:12,941
WHAT DO YOU WANT
TO TALK ABOUT?
1321
00:55:14,011 --> 00:55:16,781
I DON'T KNOW.
ANYTHING.
1322
00:55:16,814 --> 00:55:18,584
[ SIGHS ]
1323
00:55:21,151 --> 00:55:24,721
CAN WE JUST
ENJOY OUR DINNER?
1324
00:55:24,755 --> 00:55:26,955
FINE. YEAH.
1325
00:55:31,929 --> 00:55:35,469
I CAN'T ENJOY MY DINNER.
1326
00:55:35,500 --> 00:55:38,470
SOMETHING'S HAPPENED.
I-I JUST...
1327
00:55:38,503 --> 00:55:41,513
I DON'T FEEL CONNECTED
TO YOU ANYMORE.
1328
00:55:41,539 --> 00:55:43,369
DO YOU FEEL
CONNECTED TO ME?
1329
00:55:43,408 --> 00:55:45,778
OH, PLEASE DON'T GIVE ME
THAT LOOK, OKAY?
1330
00:55:45,810 --> 00:55:48,110
AND PLEASE DON'T SAY,
"OH, JESUS, CARRIE."
1331
00:55:48,145 --> 00:55:49,975
OKAY.
1332
00:55:51,081 --> 00:55:53,851
WHAT DO YOU WANT FROM ME?
1333
00:55:57,988 --> 00:56:00,958
WE'RE IN TROUBLE, AND I JUST
WANT TO TALK TO YOU ABOUT IT.
1334
00:56:00,991 --> 00:56:02,591
[ SIGHS ]
1335
00:56:02,627 --> 00:56:04,697
WHY DO YOU WANT
TO TALK ABOUT IT?
1336
00:56:04,729 --> 00:56:06,099
WHEN YOU HIT A ROUGH SPOT,
1337
00:56:06,130 --> 00:56:09,570
SOMETIMES THE BEST THING TO DO
IS JUST RIDE THROUGH IT.
1338
00:56:10,968 --> 00:56:12,938
SOMETIMES
TALKING MAKES IT WORSE.
1339
00:56:12,970 --> 00:56:14,640
LET IT GO.
1340
00:56:14,672 --> 00:56:15,942
I CAN'T LET IT GO.
1341
00:56:15,973 --> 00:56:18,113
WE HAVE TO DEAL
WITH THIS NOW.
1342
00:56:18,142 --> 00:56:20,482
THERE'S NOTHING
TO DEAL WITH.
1343
00:56:20,511 --> 00:56:21,951
YOU KNOW, ELI'S RIGHT.
1344
00:56:21,979 --> 00:56:24,879
SOMETIMES YOU JUST
OVERANALYZE EVERYTHING.
1345
00:56:24,915 --> 00:56:26,975
WHAT, YOU AND ELI SIT AROUND
TALKING ABOUT ME?
1346
00:56:27,017 --> 00:56:28,947
WHAT DO YOU -- WHAT DO YOU
SAY TO ELI ABOUT ME?
1347
00:56:28,986 --> 00:56:30,416
[ SIGHS ]
1348
00:56:30,455 --> 00:56:32,815
ELI'S MY FRIEND.
WE TALK ABOUT THINGS.
1349
00:56:32,857 --> 00:56:34,927
LOOK, CAN -- CAN --
CAN WE NOT DO THIS?
1350
00:56:34,959 --> 00:56:37,959
LET-- LET'S STOP THIS
BEFORE IT TURNS INTO A FIGHT.
1351
00:56:37,995 --> 00:56:39,425
IT I A FIGHT.
1352
00:56:41,899 --> 00:56:43,099
LOOK AT ME, DAVID.
1353
00:56:43,133 --> 00:56:45,003
WOULDN'T YOU RATHER
SOMEONE ELSE
1354
00:56:45,035 --> 00:56:46,735
BE SITTING HERE RIGHT NOW?
1355
00:56:46,771 --> 00:56:48,911
NO, I WOULDN'T.
1356
00:56:48,939 --> 00:56:51,609
BE HONEST -- WOULDN'T YOU BE
HAVING A BETTER TIME
1357
00:56:51,642 --> 00:56:53,882
IF SOMEONE ELSE WAS HERE
AND NOT ME?
1358
00:56:54,945 --> 00:56:58,015
NO. NO ONE ELSE.
1359
00:56:58,883 --> 00:57:00,423
I DON'T BELIEVE YOU.
1360
00:57:01,552 --> 00:57:02,792
YEAH, OKAY, ALL RIGHT.
1361
00:57:02,820 --> 00:57:05,460
I-I-I CAN IMAGINE
ANOTHER WOMAN HERE WITH ME.
1362
00:57:05,490 --> 00:57:06,460
YOU KNOW WHAT?
1363
00:57:06,491 --> 00:57:08,891
AND YOU'RE RIGHT --
I'M HAVING A BETTER TIME.
1364
00:57:08,926 --> 00:57:09,986
WANT TO KNOW WHY?
1365
00:57:10,027 --> 00:57:11,997
BECAUSE SHE DOESN'T
TELL ME WHAT I'M THINKING
1366
00:57:12,029 --> 00:57:13,699
AND LEAD ME
AROUND ON A LEASH,
1367
00:57:13,731 --> 00:57:15,701
AND SHE DOESN'T HANG
HOCKNEYS ON MY WALL
1368
00:57:15,733 --> 00:57:17,943
AND SHE DOESN'T
DRIVE ME CRAZY WITH BULLSHIT
1369
00:57:17,968 --> 00:57:19,668
WHILE I'M EATING!
1370
00:57:21,639 --> 00:57:23,839
CARRIE!
1371
00:57:23,874 --> 00:57:26,214
LET ME IN!
1372
00:57:41,526 --> 00:57:45,526
WILMA!!
1373
00:57:45,563 --> 00:57:48,203
AW!
HATE TO SEE THAT HAPPEN.
1374
00:57:48,232 --> 00:57:50,102
[ BUZZER ]
1375
00:57:50,134 --> 00:57:53,804
[ CHUCKLES ]
I'LL GO MAKE UP THE COUCH.
1376
00:57:53,838 --> 00:57:57,938
SO, SHE LOCKED YOU
OUT OF YOUR OWN APARTMENT.
1377
00:57:57,975 --> 00:57:58,975
OUR APARTMENT.
1378
00:57:59,009 --> 00:58:00,179
MM-HMM.
1379
00:58:00,210 --> 00:58:02,680
WELL...
1380
00:58:02,713 --> 00:58:06,523
I SAY LET HER STAY THERE.
1381
00:58:06,551 --> 00:58:08,951
LET HER SIT IN THE APARTMENT
WITH HER PLANTS
1382
00:58:08,986 --> 00:58:11,556
AND HER ROLLED-UP SOCKS
AND HER HOCKSTER PAINTINGS.
1383
00:58:11,589 --> 00:58:12,889
HOCKNEY.
1384
00:58:12,923 --> 00:58:14,163
ELI --
1385
00:58:14,191 --> 00:58:17,961
WHATEVER IT IS, IT'S HERS.
SHE CAN HAVE IT.
1386
00:58:17,995 --> 00:58:21,265
I'VE GOT THE OLD DAVID BACK,
DON'T I?
1387
00:58:21,298 --> 00:58:22,728
YEAH.
1388
00:58:22,767 --> 00:58:23,997
YEAH.
1389
00:58:24,034 --> 00:58:27,044
Y-YOU DO REMEMBER
THE OLD DAVID, DON'T YOU?
1390
00:58:27,071 --> 00:58:29,241
COME ON, QUICK --
THE THREE F's.
1391
00:58:29,273 --> 00:58:31,113
F...
WHAT ARE THEY?
1392
00:58:31,141 --> 00:58:32,741
F...
FILM.
1393
00:58:32,777 --> 00:58:34,947
YEAH. F...
FOOD.
1394
00:58:34,979 --> 00:58:37,849
YES! FILM, FOOD, FUCK.
YES!
1395
00:58:37,882 --> 00:58:40,052
[ CHUCKLES ]
WELCOME BACK, DAVID.
1396
00:58:41,919 --> 00:58:43,949
SO, WHY DID WE BREAK UP?
1397
00:58:43,988 --> 00:58:46,318
WHY DOES ANYBODY BREAK UP?
1398
00:58:46,356 --> 00:58:48,886
HER FRIENDS DON'T LIKE
YOUR FRIENDS.
1399
00:58:48,926 --> 00:58:50,626
HER MOTHER DOESN'T LIKE YOU.
1400
00:58:50,661 --> 00:58:53,931
SHE'S A PRUDE.
YOU'RE AN INCONSIDERATE SLOB.
1401
00:58:53,964 --> 00:58:56,104
SHE FORGETS TO CAP
THE TOOTHPASTE.
1402
00:58:56,133 --> 00:58:58,943
YOU LIKE TO SLEEP
WITH THE WINDOW OPEN.
1403
00:58:58,969 --> 00:59:01,909
IS THAT WHAT IT'S ALL ABOUT?
1404
00:59:01,939 --> 00:59:04,939
OR IS BEING WITH SOMEBODY
LIKE...
1405
00:59:04,975 --> 00:59:06,635
GETTING TOO CLOSE TO THE SUN?
1406
00:59:06,677 --> 00:59:08,007
Y-Y-YOU GOTTA JUMP BACK
1407
00:59:08,045 --> 00:59:10,645
OR YOU'RE GONNA GET BURNED
OR GO BLIND.
1408
00:59:10,681 --> 00:59:13,251
[ TELEPHONE RINGS ]
1409
00:59:14,251 --> 00:59:15,991
Carrie: HI, YOU'VE REACHED
THE APARTMENT
1410
00:59:16,020 --> 00:59:17,860
OF CARRIE AND MR. SHIT.
1411
00:59:17,888 --> 00:59:20,688
WE'RE NOT HERE RIGHT NOW,
AND IF HE WERE, I WOULDN'T BE.
1412
00:59:20,725 --> 00:59:21,725
BYE.
1413
00:59:21,759 --> 00:59:22,859
[ BEEP ]
1414
00:59:28,666 --> 00:59:31,266
...EARN 1 1/2 TIMES OUR INCOME
FOR THE SAME FUCKING JOB,
1415
00:59:31,301 --> 00:59:33,071
NUT-SCRATCHING, BEER-BELCHING,
1416
00:59:33,103 --> 00:59:35,013
"WAS IT GOOD FOR YOU?"
LIKE HE REALLY CARES,
1417
00:59:35,039 --> 00:59:36,939
BELLIGERENT,
"HEY, WHAT'S ON CABLE?"
1418
00:59:36,974 --> 00:59:37,914
ONLY OWN THREE PAIRS OF SHOES
1419
00:59:37,942 --> 00:59:40,012
AND PAY HALF OF WHAT YOU DO
FOR FORMALWEAR
1420
00:59:40,044 --> 00:59:41,654
AND THEN CAN WEAR IT AGAIN,
1421
00:59:41,679 --> 00:59:43,309
SPORTS-OBSESSED,
GENETICALLY INFERIOR,
1422
00:59:43,347 --> 00:59:45,817
ORALLY FIXATED,
PERPETUALLY ADOLESCENT --
1423
00:59:45,850 --> 00:59:48,050
LEFT, LEFT,
LEFT, RIGHT, LEFT.
1424
00:59:48,085 --> 00:59:49,115
LEFT.
1425
00:59:49,153 --> 00:59:52,323
I THINK MY FRIEND DAVID
NEEDS A REFRESHER COURSE.
1426
00:59:52,356 --> 00:59:53,986
BACK TO BASICS.
1427
00:59:54,024 --> 00:59:55,964
LIGHTS!
1428
00:59:58,896 --> 01:00:00,726
YOU REALLY THINK
THIS IS NECESSARY?
1429
01:00:00,765 --> 01:00:02,065
IT'S VERY DARK IN A BAR.
1430
01:00:02,099 --> 01:00:04,199
YOU'RE NOT SPIDER-MAN,
OKAY?
1431
01:00:04,234 --> 01:00:07,104
BEING ABLE TO IDENTIFY A WOMAN
BY SILHOUETTE
1432
01:00:07,137 --> 01:00:10,107
PROVES TO BE BOTH NECESSARY
AND COST-EFFECTIVE.
1433
01:00:10,140 --> 01:00:11,410
[ SCOFFS ]
LOOK, DAVID,
1434
01:00:11,441 --> 01:00:14,851
NO ONE CAN AFFORD TO
BUY A DRINK FOR EVERY
UGLY WOMAN IN A BAR --
1435
01:00:14,879 --> 01:00:17,109
NOT YOU, NOT ME, NOT
THE BROTHERS SHEARSON LEHMAN.
1436
01:00:17,147 --> 01:00:18,647
ELI, COME ON.
1437
01:00:18,683 --> 01:00:20,693
OKAY.
YOU'RE GONNA LIKE THIS, HUH?
1438
01:00:20,718 --> 01:00:23,018
THIS'LL BE GOOD FOR YOU.
1439
01:00:23,053 --> 01:00:25,163
BABE OR TROLL?
1440
01:00:25,189 --> 01:00:26,389
BABE.
1441
01:00:26,423 --> 01:00:27,693
EH...
1442
01:00:27,725 --> 01:00:30,655
YES. VERY NICE.
NICELY DONE.
1443
01:00:30,695 --> 01:00:31,955
AND NEXT.
1444
01:00:31,996 --> 01:00:33,326
BABE...
1445
01:00:33,363 --> 01:00:35,003
OR TROLL?
1446
01:00:35,032 --> 01:00:37,972
ELI, I...CAN'T REALLY --
1447
01:00:38,002 --> 01:00:39,702
YES, YOU CAN.
1448
01:00:39,737 --> 01:00:41,737
THINK. COME ON.
YOU'VE GOT TIME.
1449
01:00:43,007 --> 01:00:44,307
BABE.
1450
01:00:47,177 --> 01:00:48,807
YES!
1451
01:00:48,846 --> 01:00:50,446
YES, CLAUDIA.
1452
01:00:50,480 --> 01:00:52,250
MMM, CLAUDIA.
[ INHALES SHARPLY ]
1453
01:00:52,282 --> 01:00:55,052
BUY A DRINK FOR CLAUDIA?
MNH-MNH. I DON'T THINK SO.
1454
01:00:55,085 --> 01:00:56,345
BUY A CONDO FOR CLAUDIA.
1455
01:00:56,386 --> 01:00:59,116
UH, OKAY, ELI,
THIS IS ALL VERY WELL AND GOOD,
1456
01:00:59,156 --> 01:01:01,886
BUT DOES INTELLIGENCE
FACTOR INTO THIS AT ALL?
1457
01:01:01,926 --> 01:01:04,926
YOU WANT BRAINS,
FUCK MARGARET THATCHER.
1458
01:01:04,962 --> 01:01:06,032
NEXT.
1459
01:01:07,765 --> 01:01:09,025
BABE OR TROLL?
1460
01:01:09,066 --> 01:01:11,196
OH, BABE, DEFINITELY.
1461
01:01:11,235 --> 01:01:15,005
OH, THAT'S A SHAME.
1462
01:01:15,039 --> 01:01:16,039
HMM?
1463
01:01:16,073 --> 01:01:20,853
YOU'VE CHOSEN
MARGE SIMPSON...
1464
01:01:20,878 --> 01:01:23,378
AN ANIMATED CARTOON
OF A HAUSFRAU
1465
01:01:23,413 --> 01:01:24,983
TO TURN YOUR CRANK.
1466
01:01:25,015 --> 01:01:26,345
YOU MUST BE VERY PLEASED.
1467
01:01:26,383 --> 01:01:27,953
JESSICA RABBIT,
I COULD UNDERSTAND.
1468
01:01:27,985 --> 01:01:30,915
EVEN MYSELF, I'VE
THOUGHT ON OCCASION,
"YES," BUT MARGE?
1469
01:01:30,955 --> 01:01:32,555
I DON'T THINK SO.
1470
01:01:32,589 --> 01:01:34,219
WE'VE HAD ENOUGH FOR
TODAY, THOUGH. LET'S GO
OUT AND HAVE SOME FUN.
1471
01:01:34,258 --> 01:01:35,258
OKAY.
1472
01:01:35,292 --> 01:01:37,462
HE'S READY.
I CAN FEEL IT.
1473
01:01:37,494 --> 01:01:40,934
HE'S READY TO RE-ENTER SOCIETY
A REFORMED MAN.
1474
01:01:40,965 --> 01:01:43,095
SURE, SURE, I GOTTA WORRY
ABOUT A RELAPSE,
1475
01:01:43,133 --> 01:01:45,803
BUT I GOT TWO WORDS
THAT SHOULD DO THE TRICK --
1476
01:01:45,836 --> 01:01:47,436
"TRACY SEYMOUR,"
1477
01:01:47,471 --> 01:01:51,911
A.K.A.
"LET'S 'SEE MORE' TRACY"...
1478
01:01:51,942 --> 01:01:54,382
A SURE THING.
1479
01:01:54,411 --> 01:01:56,181
[ CONGA MUSIC PLAYS ]
1480
01:02:04,121 --> 01:02:06,261
[ LAUGHS ]
Eli:
PING-PONG BALLS?
1481
01:02:06,290 --> 01:02:08,490
I THOUGHT YOU WANTED
KING KONG'S BALLS.
1482
01:02:08,525 --> 01:02:11,095
OH, THAT IS
A GREAT JOKE!
1483
01:02:11,128 --> 01:02:12,098
[ LAUGHS ]
1484
01:02:12,129 --> 01:02:14,969
THAT'S VERY FUNNY.
1485
01:02:14,999 --> 01:02:17,869
IT'S FUNNY BECAUSE THE GUY
WANTED -- RIGHT? --
1486
01:02:17,902 --> 01:02:20,342
TO PLAY PING-PONG,
AND THEN STRUCTURALLY,
1487
01:02:20,370 --> 01:02:22,970
IT'S A FUNNY JOKE BECAUSE
HE WANTS --
Let's get out
of here.
1488
01:02:23,007 --> 01:02:25,037
THE GUY WANTS
PING-PONG BALLS, RIGHT?
Come on.
1489
01:02:25,075 --> 01:02:27,005
AND THE STORE OWNER THINKS
LITERALLY THAT HE --
1490
01:02:27,044 --> 01:02:30,014
LIKE, IF YOU WANTED POTATO SALAD
AND YOU ASKED FOR COLESLAW,
1491
01:02:30,047 --> 01:02:32,277
SO YOU ASK FOR POTATO SALAD,
AND THE GUY SAYS,
1492
01:02:32,316 --> 01:02:34,546
"I HAVE, UH...
COLESLAW FOR YOU,
1493
01:02:34,584 --> 01:02:36,424
AND WHY NOT
GIVE ME, UH --"
1494
01:02:36,453 --> 01:02:39,023
BUT IN THIS CASE, YOU ASKED
FOR PING-PONG BALLS
1495
01:02:39,056 --> 01:02:40,116
AND YOU GOT HUGE
GORILLA BALLS!
1496
01:02:40,157 --> 01:02:42,457
THAT'S VERY FUNNY.
1497
01:02:46,030 --> 01:02:48,230
[ SLOW JAZZ MUSIC PLAYS ]
1498
01:02:48,265 --> 01:02:50,095
DAVID.
1499
01:02:56,974 --> 01:02:59,914
TRACY, I CAN'T MAKE LOVE
TO YOU.
1500
01:02:59,944 --> 01:03:01,914
I'M SORRY. WHAT?
1501
01:03:01,946 --> 01:03:05,046
TRACY, I CAN'T MAKE LOVE
TO YOU.
1502
01:03:05,082 --> 01:03:06,922
ONE MORE TIME, PLEASE.
1503
01:03:06,951 --> 01:03:08,351
I CAN'T MAKE LOVE TO YOU.
1504
01:03:08,385 --> 01:03:11,085
OH, I-I THOUGHT
THAT'S WHAT HE SAID.
1505
01:03:11,121 --> 01:03:12,221
AAAAAAH!
1506
01:03:12,256 --> 01:03:14,016
FINE.
1507
01:03:14,058 --> 01:03:15,928
I'LL WALK YOU HOME.
1508
01:03:15,960 --> 01:03:18,200
NO. I'LL BE FINE.
1509
01:03:19,296 --> 01:03:21,466
[ DOOR OPENS, CLOSES ]
1510
01:03:30,574 --> 01:03:32,014
Carrie: Hello?
1511
01:03:32,042 --> 01:03:33,312
CARRIE, IT'S ME.
1512
01:03:33,343 --> 01:03:35,113
[ Dial tone ]
[ Sighing ]
I, UH...
1513
01:03:35,145 --> 01:03:37,575
REALLY NEED TO TALK
TO YOU.
1514
01:03:44,188 --> 01:03:47,018
YOU FUCKIN' PUSSY.
1515
01:03:50,260 --> 01:03:53,930
IT'S LIKE WHEN YOU FINALLY MEET
THE RIGHT PERSON.
1516
01:03:53,964 --> 01:03:56,534
I MEAN, THE MOST IMPORTANT
THING TO ME IS COMMITMENT.
1517
01:03:56,566 --> 01:03:58,966
I MEAN, WE'RE ALL AFRAID
TO TRUST.
1518
01:03:59,003 --> 01:04:01,343
AND I DON'T JUST MEAN
TRUST EACH OTHER --
1519
01:04:01,371 --> 01:04:05,311
I MEAN TRUST OURSELVES,
TRUST OUR FEELINGS.
1520
01:04:05,342 --> 01:04:07,512
AND SHARE THOSE FEELINGS.
1521
01:04:07,544 --> 01:04:10,484
I MEAN, WHAT ARE YOU
SUPPOSED TO DO -- READ MY MIND?
1522
01:04:10,514 --> 01:04:14,084
NO. MEN AND WOMEN HAVE TO TELL
EACH OTHER WHAT THEY WANT.
1523
01:04:14,118 --> 01:04:15,948
I CAN TELL YOU WHAT I WANT,
CARRIE.
1524
01:04:15,986 --> 01:04:20,586
I WANT A RELATIONSHIP
BASED ON HONESTY, TRUST,
1525
01:04:20,624 --> 01:04:22,464
AND CONTINUAL COMMUNICATION,
1526
01:04:22,492 --> 01:04:24,392
[ PAGER BEEPING ]
AND -- OH.
1527
01:04:24,428 --> 01:04:27,098
OH, I GOTTA TAKE THAT.
EXCUSE ME.
1528
01:04:27,131 --> 01:04:30,531
COULD I GET YOU
ANYTHING ELSE?
1529
01:04:33,938 --> 01:04:36,108
HOW'S THE CHEESECAKE?
1530
01:04:36,140 --> 01:04:37,980
[ SIGHS ]
1531
01:04:38,008 --> 01:04:41,078
THE ONLY THING WORSE
THAN NOT GETTING WHAT YOU WANT
1532
01:04:41,111 --> 01:04:43,181
IS GETTING WHAT YOU WANT.
1533
01:04:43,213 --> 01:04:46,983
OSCAR WILDE.
HE KNEW.
1534
01:04:47,717 --> 01:04:48,747
Man on television:
...CUBIC ZIRCONIA.
1535
01:04:48,785 --> 01:04:51,015
NICE MATCHING RUBIES,
VIBRANT COLOR,
1536
01:04:51,055 --> 01:04:53,485
THE GEMSTONE OF THE SOULS,
AS IT'S BEEN CALLED.
1537
01:04:53,523 --> 01:04:56,333
ONLY $35.
1538
01:04:56,360 --> 01:04:58,260
* I AM SUCH A FUNNY CLOWN
1539
01:04:58,295 --> 01:05:00,195
* I LIKE TO TRAVEL
'ROUND AND 'ROUND *
1540
01:05:00,230 --> 01:05:02,200
* THE CIRCUS IS MY HOME
1541
01:05:02,232 --> 01:05:04,102
* I ALWAYS SLEEP ALONE
1542
01:05:04,134 --> 01:05:09,114
[ SLOW CLASSICAL MUSIC PLAYS ]
1543
01:05:25,322 --> 01:05:26,992
[ GRUNTS ]
1544
01:05:27,992 --> 01:05:29,992
OHH!
MAKE UP OR BREAK UP!
1545
01:05:30,027 --> 01:05:32,327
THIS STALEMATE HAS GOT TO END.
1546
01:05:32,362 --> 01:05:34,262
YOU KNOW,
FOR ONCE, I AGREE WITH HER.
1547
01:05:34,298 --> 01:05:35,968
I DO.
I DON'T CARE WHAT HAPPENS.
1548
01:05:36,000 --> 01:05:38,540
I JUST WANT MY COUCH BACK.
1549
01:05:38,568 --> 01:05:42,008
[ SIGHS ] HE'S NOT CALLING HER.
SHE'S NOT CALLING HIM.
1550
01:05:42,039 --> 01:05:44,209
CAN SOMEONE HELP THIS COUPLE?
1551
01:05:44,241 --> 01:05:45,741
[ "NIGHTLINE" THEME PLAYS ]
1552
01:05:45,775 --> 01:05:50,475
GOOD EVENING.
I'M TED KOPPEL, AND THIS...
1553
01:05:50,514 --> 01:05:52,284
IS "NIGHTLINE."
1554
01:05:52,316 --> 01:05:55,086
TONIGHT, "LOVE ON THE ROCKS" --
1555
01:05:55,119 --> 01:05:57,349
CROWN VERSUS DAVENPORT.
1556
01:05:57,387 --> 01:06:01,487
YOU'D HAVE TO BE LIVING
IN A VACUUM THE PAST WEEK
1557
01:06:01,525 --> 01:06:03,385
NOT TO NOTICE THE FRICTION
1558
01:06:03,427 --> 01:06:06,297
BETWEEN YOUNG LOVERS
DAVID CROWN
1559
01:06:06,330 --> 01:06:08,470
AND CARRIE DAVENPORT.
1560
01:06:08,498 --> 01:06:12,598
STANDING BY
IN OUR BOSTON AFFILIATE,
1561
01:06:12,636 --> 01:06:15,366
THE PRINCIPALS.
1562
01:06:15,405 --> 01:06:18,435
DAVID,
IS THERE A CASE TO BE MADE
1563
01:06:18,475 --> 01:06:20,335
THAT THE FINAL BLOWUP
1564
01:06:20,377 --> 01:06:26,277
WAS ONLY SYMPTOMATIC
OF MUCH DEEPER PROBLEMS?
1565
01:06:26,316 --> 01:06:29,116
DEEPER PROBLEMS?
1566
01:06:29,153 --> 01:06:30,493
WHAT DO YOU MEAN?
1567
01:06:30,520 --> 01:06:34,020
DAVID, I'M REFERRING TO
THIS "MISSING OUT" FEELING,
1568
01:06:34,058 --> 01:06:38,028
WHICH, AS YOU PUT IT,
HAS, AND I QUOTE,
1569
01:06:38,062 --> 01:06:41,272
"HAUNTED ME
MY ENTIRE LIFE."
1570
01:06:41,298 --> 01:06:43,428
PHEW! WHO DOES
YOUR RESEARCH?
1571
01:06:43,467 --> 01:06:47,267
WHY DO YOU WORRY ABOUT WHAT
YOU MIGHT BE MISSING, DAVID,
1572
01:06:47,304 --> 01:06:50,714
OUTSIDE OF YOUR RELATIONSHIP
WITH MISS DAVENPORT,
1573
01:06:50,740 --> 01:06:52,780
INSTEAD OF CONCENTRATING
ON CREATING
1574
01:06:52,809 --> 01:06:56,649
A DEEPER, MORE MEANINGFUL
RELATIONSHIP WITH HER?
1575
01:06:56,680 --> 01:06:58,780
IT'S NOT THAT
I DON'T LOVE HER.
1576
01:06:58,815 --> 01:07:02,045
I-I DO. I-I LOVE HER
WITH ALL MY HEART.
1577
01:07:02,086 --> 01:07:04,386
I-I JUST...
1578
01:07:04,421 --> 01:07:07,691
I DON'T KNOW.
SOMETIMES I-I FEEL TRAPPED.
1579
01:07:07,724 --> 01:07:10,094
BUT WHY, DAVID?
I'M NOT TRYING
TO TRAP YOU.
1580
01:07:10,127 --> 01:07:12,357
YEAH, I KNOW THAT, HON.
I JUST --
UM...
1581
01:07:12,396 --> 01:07:18,096
CARRIE, DAVID IS SIMPLY
EXPRESSING A GENERAL
FEAR OF COMMITMENT.
1582
01:07:18,135 --> 01:07:22,465
LET ME SEE IF I CAN
GIVE YOU AN EXAMPLE.
1583
01:07:24,141 --> 01:07:25,711
WHAT'S YOUR FAVORITE FOOD?
1584
01:07:25,742 --> 01:07:27,212
NO, TED, SHH!
1585
01:07:27,244 --> 01:07:30,054
LOOK, WE'RE TRYING TO REACH
AN ACCORD HERE, OKAY?
1586
01:07:31,848 --> 01:07:34,518
CARRIE?
1587
01:07:34,551 --> 01:07:39,591
I WILL DO EVERYTHING
IN MY POWER TO CHANGE...
1588
01:07:39,623 --> 01:07:45,333
BECAUSE...
I-I LOVE YOU...
1589
01:07:45,362 --> 01:07:47,162
AND I NEED YOU.
1590
01:07:48,398 --> 01:07:50,828
AND...
1591
01:07:50,867 --> 01:07:53,167
I WANT TO COME HOME.
1592
01:07:56,673 --> 01:07:59,513
TED, HOW DO WE GET OUT
OF THESE BOXES?
1593
01:08:04,914 --> 01:08:08,694
[ SOFT MUSIC PLAYS ]
1594
01:08:21,865 --> 01:08:24,295
LINGUINE AND CLAM SAUCE.
1595
01:08:24,334 --> 01:08:26,274
YOUR FAVORITE.
1596
01:08:26,303 --> 01:08:28,313
THAT'S VERY SWEET OF YOU.
1597
01:08:28,338 --> 01:08:30,438
IT IS.
1598
01:08:30,474 --> 01:08:32,244
BUT, UM...
1599
01:08:32,276 --> 01:08:35,606
WHY DON'T WE TRY
SOMETHING JUST...
1600
01:08:35,645 --> 01:08:37,145
A LITTLE DIFFERENT?
1601
01:08:37,181 --> 01:08:38,621
MMM.
1602
01:08:42,852 --> 01:08:43,822
UNH!
1603
01:08:43,853 --> 01:08:44,793
UHH...
1604
01:08:44,821 --> 01:08:47,161
THAT'S IT -- DRIVE IT.
FOUL! THAT'S A FOUL!
1605
01:08:47,191 --> 01:08:48,021
WHERE'S THE CALL?!
1606
01:08:48,057 --> 01:08:49,927
WHERE'S
THE FUCKING CALL?!
OH, MAN!
1607
01:08:49,959 --> 01:08:52,559
THERE SHOULD BE -- DAVID,
DO YOU BELIEVE THIS SHIT?
1608
01:08:52,596 --> 01:08:55,166
THIS LIVER'S GREAT.
WHAT? WHAT HAPPENED?
1609
01:08:55,199 --> 01:08:57,669
BIRD BRINGS IT IN,
AROUND-THE-BACK PASS
TO LEWIS, RIGHT?
1610
01:08:57,701 --> 01:09:00,941
SWEET BASELINE MOVE, AND THEN
LAIMBEER AND RODMAN MUG HIM.
1611
01:09:00,970 --> 01:09:02,940
NO, NO, THEY RAPE HIM,
LIKE IN PRISON!
1612
01:09:02,972 --> 01:09:04,542
THE PISTONS
AREN'T A TEAM.
1613
01:09:04,574 --> 01:09:06,844
THEY'RE THE MANSON FAMILY
IN SHORTS.
HERE.
1614
01:09:06,876 --> 01:09:09,446
YOU LIKED THAT --
THE LIVER, RIGHT?
IT'S GREAT.
1615
01:09:09,479 --> 01:09:11,579
OKAY, NOW TRY THE PASTA SALAD
WITH PEPPERS.
1616
01:09:11,615 --> 01:09:13,775
GIVE ME A "T" HERE.
DO I LIKE THIS?
1617
01:09:13,817 --> 01:09:15,817
[ AIR HORN BLARES ]
HOLD ON, FOLKS.
1618
01:09:15,852 --> 01:09:18,662
I CAN'T BELIEVE
WHAT I'VE JUST HEARD.
1619
01:09:18,688 --> 01:09:20,858
"DO I LIKE THIS?"
WHAT?
1620
01:09:20,890 --> 01:09:22,230
YOU ALL RIGHT?
1621
01:09:22,259 --> 01:09:24,289
DID I HEAR YOU
CORRECTLY?
1622
01:09:24,328 --> 01:09:27,658
DID YOU ASK HER IF YOU
LIKED A PARTICULAR FOOD?
1623
01:09:27,697 --> 01:09:29,327
SO?
SO?
1624
01:09:29,366 --> 01:09:30,696
SO?!
1625
01:09:30,734 --> 01:09:32,674
THAT'S A QUESTION
THAT AN OLD MAN
1626
01:09:32,702 --> 01:09:34,372
ASKS HIS WIFE
AT A SALAD BAR --
1627
01:09:34,404 --> 01:09:36,844
COUPLES WHO HAVE BEEN MARRIED
THOUSANDS OF YEARS.
1628
01:09:36,873 --> 01:09:40,483
MEN WHO NO LONGER OWN
THEIR OWN PROSTATE.
1629
01:09:40,510 --> 01:09:44,350
MEN WHO HAVE NO FREE WILL
ASK THAT QUESTION.
1630
01:09:44,381 --> 01:09:46,451
IT'S BEYOND PATHETIC.
1631
01:09:46,483 --> 01:09:48,693
I HAVE A RADIO
IN MY CAR.
1632
01:09:48,718 --> 01:09:50,688
OH, GUYS!
ZOE, WAIT.
1633
01:09:50,720 --> 01:09:51,920
ELI, IT'S
THE FOURTH QUARTER.
1634
01:09:51,955 --> 01:09:53,655
THEY'RE TURNING INTO
THE REAGANS.
1635
01:09:53,690 --> 01:09:54,820
DO I HATE THIS?
1636
01:09:54,858 --> 01:09:57,288
1:37 IN THE BALLGAME.
1637
01:09:58,828 --> 01:10:00,458
CARRIE.
1638
01:10:00,497 --> 01:10:03,867
[ THUNDER CRASHES ]
1639
01:10:05,435 --> 01:10:06,735
ELI.
1640
01:10:06,770 --> 01:10:07,840
YES, DAVID?
1641
01:10:07,871 --> 01:10:09,241
WHERE'S CARRIE?
1642
01:10:09,273 --> 01:10:11,843
OH, WELL, I'D RATHER...
1643
01:10:11,875 --> 01:10:13,835
I KNOW YOU THINK
I'M PUSSY-WHIPPED,
BUT TELL ME WHERE SHE IS.
1644
01:10:13,877 --> 01:10:14,777
I WON'T.
1645
01:10:14,811 --> 01:10:16,511
YOU KNOW WHERE SHE IS.
TELL ME WHERE SHE IS.
1646
01:10:16,546 --> 01:10:17,906
I'D REALLY RATHER NOT SAY.
1647
01:10:17,947 --> 01:10:19,647
PLEASE, ELI,
TELL ME WHERE SHE IS.
1648
01:10:19,683 --> 01:10:21,853
YOU'RE NOT GOING TO
LIKE IT, DAVID.
WHERE IS SHE?
1649
01:10:21,885 --> 01:10:24,245
SHE GOT TIRED OF WAITING
FOR YOU TO COMMIT.
1650
01:10:24,288 --> 01:10:26,888
WHERE'S CARRIE?
WHERE IS SHE?!
WHERE IS SHE?!
1651
01:10:26,923 --> 01:10:29,893
SHE'S ABOUT TO MARRY
A PROCTOLOGIST!
1652
01:10:29,926 --> 01:10:31,526
TAXI! TAXI!
OOF!
1653
01:10:31,561 --> 01:10:35,271
[ VOICE ECHOING ]
1654
01:10:35,299 --> 01:10:38,339
[ BREATHING HEAVILY ]
1655
01:10:38,368 --> 01:10:39,798
[ SIGHS ]
1656
01:10:39,836 --> 01:10:42,366
I KNOW. I KNOW.
1657
01:10:42,406 --> 01:10:46,006
A DREAM IS YOUR SUBCONSCIOUS
TRYING TO GET THROUGH.
1658
01:10:46,042 --> 01:10:47,612
BUT, YOU KNOW,
1659
01:10:47,644 --> 01:10:50,754
IT'S LIKE A BAD CONNECTION
TO WABASH, AUSTRALIA.
1660
01:10:50,780 --> 01:10:53,520
YOU MISS EVERY OTHER WORD,
AND NOTHING MAKES SENSE.
1661
01:10:57,321 --> 01:10:58,621
SOMEHOW YOU KNOW
1662
01:10:58,655 --> 01:11:01,015
IT'S THE MOST IMPORTANT CALL
OF YOUR LIFE.
1663
01:11:03,026 --> 01:11:04,756
SO, WHAT DO YOU DO?
1664
01:11:04,794 --> 01:11:06,864
I MEAN,
IF YOU CAN'T BE SURE?
1665
01:11:06,896 --> 01:11:08,696
IF YOU CAN ONLY GUESS?
1666
01:11:09,933 --> 01:11:13,303
WHEN IT'S YOUR TURN TO TALK,
WHAT DO YOU SAY?
1667
01:11:18,007 --> 01:11:19,977
EXCUSE ME.
1668
01:11:20,009 --> 01:11:22,879
[ STEVE WINWOOD'S
"THE FINER THINGS" PLAYS ]
1669
01:11:59,783 --> 01:12:03,753
* WHILE THERE IS TIME
1670
01:12:03,787 --> 01:12:05,047
* LET'S GO OUT...
1671
01:12:05,088 --> 01:12:06,658
CARRIE DAVENPORT...
1672
01:12:08,592 --> 01:12:09,862
* IF YOU HOLD ME
1673
01:12:09,893 --> 01:12:12,103
WILL YOU MARRY ME?
1674
01:12:12,128 --> 01:12:15,898
* I WILL LET YOU
INTO MY DREAMS *
1675
01:12:15,932 --> 01:12:18,442
* FOR TIME IS A RIVER
1676
01:12:18,468 --> 01:12:19,938
I WILL.
1677
01:12:19,969 --> 01:12:21,769
* ROLL--
[ RECORD SCRATCHES ]
1678
01:12:21,805 --> 01:12:22,935
[ GASPS ]
1679
01:12:22,972 --> 01:12:23,972
[ THUD ]
1680
01:12:29,879 --> 01:12:34,119
I WILL. I WILL. I WILL.
1681
01:12:34,150 --> 01:12:37,720
REACTIONS WERE...
VARIED.
1682
01:12:37,754 --> 01:12:38,994
SHIKSA.
1683
01:12:39,022 --> 01:12:40,462
OH, GOD!
1684
01:12:41,525 --> 01:12:43,885
MARRIED. MARCH.
1685
01:12:43,927 --> 01:12:46,627
LOVELY WIFE GISELLE,
ARE WE IN TOWN THEN?
1686
01:12:46,663 --> 01:12:47,903
WE NAILED ONE!
1687
01:12:47,931 --> 01:12:49,101
[ CHEERING ]
1688
01:12:49,132 --> 01:12:52,172
HEY, GUYS, MAN OVERBOARD!
MAN OVERBOARD!
1689
01:12:52,201 --> 01:12:54,471
WAIT A MINUTE,
WAIT A MINUTE.
1690
01:12:54,504 --> 01:12:56,844
THIS MEANS WE GET TO THROW
A BACHELOR PARTY, RIGHT?
1691
01:12:56,873 --> 01:12:59,483
YEAH! WHOO!
YEAH!
YEAH!
1692
01:13:00,043 --> 01:13:01,413
[ CHATTERING ]
1693
01:13:01,445 --> 01:13:02,905
[ CHATTERING ]
1694
01:13:02,946 --> 01:13:03,846
[ CHATTERING ]
1695
01:13:03,880 --> 01:13:05,780
[ BULLFIGHTING MUSIC PLAYS ]
1696
01:13:05,815 --> 01:13:07,015
[ WOMEN CHEERING ]
1697
01:13:19,062 --> 01:13:20,162
[ BLUES MUSIC PLAYS ]
1698
01:13:20,196 --> 01:13:24,096
LOVE'S LATEST VICTIM,
DAVID CROWN.
1699
01:13:24,133 --> 01:13:27,803
DAVID, FROM YOUR BEST MAN...
1700
01:13:27,837 --> 01:13:30,037
TO HIS BEST FRIEND.
1701
01:13:32,909 --> 01:13:34,909
THE KEY TO MY HOTEL ROOM
1702
01:13:34,944 --> 01:13:36,984
AND TO THE CITY...
1703
01:13:37,013 --> 01:13:39,053
ARE YOURS.
1704
01:13:39,082 --> 01:13:40,452
DAVID?
1705
01:13:40,484 --> 01:13:41,494
HEY, DAVID.
1706
01:13:41,518 --> 01:13:42,818
[ DRUMROLL ]
1707
01:13:42,852 --> 01:13:43,952
HI!
1708
01:13:43,987 --> 01:13:46,087
DAVID. DAVID.
HELLO!
1709
01:13:47,957 --> 01:13:49,787
UH-OH.
UH-OH.
1710
01:13:49,826 --> 01:13:51,026
YOU'RE
THE BEST MAN, SON.
1711
01:13:51,060 --> 01:13:53,530
YOU SHOULD KNOW
WHERE HE IS AT ALL TIMES.
1712
01:13:53,563 --> 01:13:55,233
SO, UH,
WHERE IS SHE, ZOE?
1713
01:13:55,264 --> 01:13:56,904
AND WHY IS SHE THERE?
1714
01:13:56,933 --> 01:13:58,573
[ SIGHS ]
WELL, I'M NOT SURE.
1715
01:13:58,602 --> 01:14:00,572
BUT I'M SURE THIS IS
THE HAPPIEST DAY OF HER LIFE.
1716
01:14:00,604 --> 01:14:01,914
[ CHUCKLES ]
IT BETTER BE.
1717
01:14:01,938 --> 01:14:03,708
THE NATIVES ARE
GETTING RESTLESS.
1718
01:14:03,740 --> 01:14:05,070
NO SHIT. WE NEED
SOME ENTERTAINMENT.
1719
01:14:05,108 --> 01:14:06,638
DO YOU PLAY
THE PIANO, SIR?
1720
01:14:06,676 --> 01:14:07,806
NO!
1721
01:14:07,844 --> 01:14:11,214
BUT MY LOVELY WIFE,
GISELLE, DOES.
1722
01:14:11,247 --> 01:14:12,977
FIND HIM!
1723
01:14:16,520 --> 01:14:17,520
AAH!
1724
01:14:17,554 --> 01:14:19,124
AAH!
1725
01:14:31,968 --> 01:14:33,538
HI.
1726
01:14:34,070 --> 01:14:36,040
HIYA.
1727
01:14:49,252 --> 01:14:51,562
HOW'S DAVID?
1728
01:14:51,588 --> 01:14:53,588
IT WAS HARD TO TELL.
1729
01:14:54,658 --> 01:14:56,958
ZOE,
YOU'RE MY BEST FRIEND.
1730
01:14:56,993 --> 01:14:59,633
WHAT'S GONNA HAPPEN TO US
IF I GET MARRIED?
1731
01:15:00,697 --> 01:15:02,597
NOTHING.
1732
01:15:03,132 --> 01:15:06,002
WHAT'S GONNA HAPPEN TO ME
IF I GET MARRIED?
1733
01:15:07,236 --> 01:15:09,066
WHAT DO YOU MEAN?
1734
01:15:09,105 --> 01:15:10,905
[ INHALES DEEPLY ]
1735
01:15:10,940 --> 01:15:13,540
REMEMBER WHAT YOU SAID TO ME
AT MY PARTY --
1736
01:15:13,577 --> 01:15:15,207
ABOUT ME
LOSING MY IDENTITY?
1737
01:15:15,244 --> 01:15:17,984
I KNOW
YOU WERE KIDDING...
1738
01:15:18,014 --> 01:15:20,254
BUT I DON'T KNOW --
I THINK YOU MIGHT BE RIGHT.
1739
01:15:21,851 --> 01:15:23,651
WELL, I WAS RIGHT.
1740
01:15:23,687 --> 01:15:25,687
I MEAN, YOU WILL LOSE
YOUR IDENTITY,
1741
01:15:25,722 --> 01:15:29,892
BUT ONLY TO FIND...
A NEW IDENTITY.
1742
01:15:29,926 --> 01:15:32,196
AND NO OFFENSE --
MAYBE A BETTER ONE.
1743
01:15:32,228 --> 01:15:34,058
AS A WIFE?
1744
01:15:34,097 --> 01:15:36,197
AS A WIFE...
1745
01:15:36,232 --> 01:15:37,972
AS A MOTHER...
1746
01:15:38,001 --> 01:15:40,041
AS A GRANDMOTHER.
1747
01:15:40,069 --> 01:15:41,339
[ LAUGHS ]
1748
01:15:41,370 --> 01:15:44,810
BOY, CAN YOU IMAGINE ME
AS A GRANDMOTHER?
1749
01:15:44,841 --> 01:15:46,611
SURE!
1750
01:15:50,146 --> 01:15:52,846
ZOE, CAN I RELY ON HIM?
1751
01:15:54,317 --> 01:15:57,587
CAN I RELY ON --
ON ME?
1752
01:16:00,790 --> 01:16:03,030
DO YOU LOVE HIM?
1753
01:16:05,895 --> 01:16:07,125
YES.
1754
01:16:08,364 --> 01:16:11,234
WOULD YOU RATHER GO BACK
TO LIVING WITH ME?
1755
01:16:11,267 --> 01:16:12,797
[ CHUCKLES SOFTLY ]
1756
01:16:12,836 --> 01:16:14,596
I LOVE YOU, TOO, BUT...
1757
01:16:14,638 --> 01:16:15,738
[ LAUGHS ]
1758
01:16:16,806 --> 01:16:18,876
THEN LET'S GO GET MARRIED.
1759
01:16:21,110 --> 01:16:23,050
OKAY.
OKAY.
1760
01:16:23,079 --> 01:16:25,109
[ BOTH SNIFFLING ]
1761
01:16:49,105 --> 01:16:50,905
HEY, YOU'RE IN MY SEAT.
1762
01:16:50,940 --> 01:16:53,310
HOW'D YOU KNOW
I'D BE HERE?
1763
01:16:55,044 --> 01:16:56,284
[ GROANS ] COME ON.
1764
01:16:56,312 --> 01:16:58,312
WE'VE BEEN COMING HERE
SINCE WE WERE 6.
1765
01:17:00,083 --> 01:17:02,893
OH, BY THE WAY,
KENNETH IS, UH...
1766
01:17:02,919 --> 01:17:04,889
MUY PISSED.
1767
01:17:04,921 --> 01:17:07,391
HOW ABOUT CARRIE?
1768
01:17:07,423 --> 01:17:11,703
SHE, UH...DIDN'T SAY.
1769
01:17:17,466 --> 01:17:21,066
EVERYTHING IS ALWAYS RIGHT
HERE.
1770
01:17:22,471 --> 01:17:24,811
LIFE IS PERFECT
UNDER THE GREEN MONSTER.
1771
01:17:24,841 --> 01:17:26,311
YOU EVER NOTICE THAT?
1772
01:17:27,844 --> 01:17:29,914
I'M USUALLY TOO DRUNK
BY THE SIXTH INNING,
1773
01:17:29,946 --> 01:17:32,216
BUT...YEAH.
1774
01:17:36,019 --> 01:17:37,889
I DON'T THINK ANYTHING
IN MY MARRIAGE
1775
01:17:37,921 --> 01:17:41,021
IS EVER GONNA BE
AS...PERFECT AS THAT.
1776
01:17:41,057 --> 01:17:42,987
OH, IT WON'T BE.
1777
01:17:43,026 --> 01:17:44,326
THANK YOU.
1778
01:17:44,360 --> 01:17:47,700
I'M SORRY, DAVID,
BUT IT WON'T BE.
1779
01:17:47,731 --> 01:17:48,901
WHY NOT?
1780
01:17:48,932 --> 01:17:52,342
BECAUSE MARRIAGE
ISN'T BASEBALL, MAN.
1781
01:17:52,368 --> 01:17:55,708
IT ISN'T A GAME.
IT'S VERY REAL.
1782
01:17:55,739 --> 01:17:58,069
BESIDES,
THERE'S A LOT LESS SPITTING.
1783
01:17:59,508 --> 01:18:01,878
SO WHY AM I DOING THIS?
1784
01:18:01,911 --> 01:18:04,351
BECAUSE YOU WANT TO.
1785
01:18:04,380 --> 01:18:06,950
BECAUSE I WANT TO...
EVENTUALLY.
1786
01:18:09,118 --> 01:18:11,988
YOU NEVER REALLY LIKED CARRIE,
DID YOU?
1787
01:18:13,122 --> 01:18:17,162
YOU KNOW, WHEN I FIRST MET HER,
I THOUGHT, "CARRIE."
1788
01:18:17,193 --> 01:18:19,903
YOU KNOW --
STEPHEN KING'S "CARRIE."
1789
01:18:21,097 --> 01:18:24,897
BUT I GOT TO KNOW HER,
AND, UH...
1790
01:18:24,934 --> 01:18:28,974
SHE'S OKAY. SHE'S ALL RIGHT.
SHE'S -- SHE'S GOOD.
1791
01:18:30,840 --> 01:18:34,110
I'M GONNA MARRY
CARRIE DAVENPORT.
1792
01:18:42,018 --> 01:18:43,818
AH.
1793
01:18:43,853 --> 01:18:47,123
YOU KNOW, SOMEDAY --
NOT TOO SOON, BUT SOMEDAY --
1794
01:18:47,156 --> 01:18:48,486
WE'RE GONNA COME OUT HERE,
1795
01:18:48,524 --> 01:18:50,864
AND YOU-KNOW-WHO IS GONNA BE
SITTING RIGHT BETWEEN US,
1796
01:18:50,894 --> 01:18:52,064
SUCKING ON A FROSTY MALT.
1797
01:18:52,095 --> 01:18:53,795
WHO?
1798
01:18:53,830 --> 01:18:55,360
YOUR KID! "WHO?"
1799
01:18:55,398 --> 01:18:56,928
YOU THINK?
1800
01:18:56,966 --> 01:18:58,226
COME ON,
THE FIRST THING
1801
01:18:58,267 --> 01:19:00,767
UNCLE ELI TEACHES
THE LITTLE SPERM IN REEBOKS
1802
01:19:00,804 --> 01:19:03,544
IS HOW TO SNEAK
INTO THE PARK.
1803
01:19:03,572 --> 01:19:04,542
I LOVE YOU.
1804
01:19:04,573 --> 01:19:05,983
I LOVE YOU, TOO.
1805
01:19:06,009 --> 01:19:06,909
AW.
AW.
AW.
AW.
1806
01:19:06,943 --> 01:19:10,953
[ "HERE COMES THE BRIDE"
PLAYS OFF-KEY ]
1807
01:19:10,980 --> 01:19:14,420
[ RABBI SPEAKING HEBREW ]
1808
01:19:14,450 --> 01:19:16,120
Psst.
1809
01:19:16,152 --> 01:19:18,922
I never asked you --
what do you do for a living?
1810
01:19:18,955 --> 01:19:20,355
I'm an accountant.
1811
01:19:20,389 --> 01:19:22,089
AND DO YOU, CARRIE,
1812
01:19:22,125 --> 01:19:25,555
TAKE THIS MAN, DAVID, TO BE
YOUR LAWFULLY WEDDED HUSBAND,
1813
01:19:25,594 --> 01:19:31,004
IN SICKNESS AND IN HEALTH
TILL DEATH DO YOU PART?
1814
01:19:31,034 --> 01:19:32,204
I DO.
1815
01:19:32,235 --> 01:19:33,935
AND DO YOU, DAVID,
1816
01:19:33,970 --> 01:19:37,070
TAKE THIS WOMAN, CARRIE,
TO BE YOUR LAWFULLY WEDDED WIFE
1817
01:19:37,106 --> 01:19:38,976
IN SICKNESS AND IN HEALTH,
1818
01:19:39,008 --> 01:19:41,908
TO LOVE, HONOR, AND RESPECT HER
TILL DEATH DO YOU PART?
1819
01:19:41,945 --> 01:19:43,875
I DO.
1820
01:19:43,913 --> 01:19:46,823
THEN IF THERE IS NO ONE HERE
WHO OBJECTS TO THIS UNION --
1821
01:19:46,850 --> 01:19:49,350
THEN BY THE POWERS
VESTED IN ME --
AND ME.
1822
01:19:49,385 --> 01:19:51,585
...AND BY THE COVENANT
OF MOSES AND ABRAHAM --
1823
01:19:51,620 --> 01:19:54,020
BY GOD AND THE STATE
OF MASSACHUSETTS.
1824
01:19:54,057 --> 01:19:55,587
...BY THE STATE OF ISRAEL,
1825
01:19:55,624 --> 01:19:58,464
Together: WE NOW PRONOUNCE YOU
HUSBAND AND WIFE.
1826
01:19:58,494 --> 01:20:00,034
YOU MAY KISS THE BRIDE.
1827
01:20:01,130 --> 01:20:02,130
WAIT! WAIT! WAIT!
1828
01:20:02,165 --> 01:20:05,025
WE'RE NOT DONE, HUH?
THAT'S IT? THIS IS IT? WHAT?
1829
01:20:05,068 --> 01:20:07,238
TALK TO ME ABOUT RULES.
TALK TO ME ABOUT LOVE.
1830
01:20:07,270 --> 01:20:09,210
ALL RIGHT,
IT'S A 4-LETTER WORD, HUH?
1831
01:20:09,238 --> 01:20:13,108
ALL RIGHT, WHEN KING KONG
GRABBED FAY WRAY,
THAT WAS LOVE, WAS IT NOT?
1832
01:20:13,142 --> 01:20:14,942
SWEET LOVE, ABSOLUTELY,
YEAH.
1833
01:20:14,978 --> 01:20:16,978
BUT AFTERWARDS, BOOM!
DEAD MONKEY.
1834
01:20:17,013 --> 01:20:19,483
WHAT THE HELL'S THAT?
JUST TELL ME IT WAS
WORTH IT, OKAY?
1835
01:20:19,515 --> 01:20:21,415
YOU'RE GODDAMN RIGHT
IT WAS WORTH IT!
1836
01:20:21,450 --> 01:20:22,920
THEY KNEW IT
THE MINUTE THEY MET.
1837
01:20:22,952 --> 01:20:24,492
I KNEW IT.
1838
01:20:24,520 --> 01:20:26,520
EVEN YOU KNEW IT,
ALTHOUGH THAT DIDN'T STOP YOU
1839
01:20:26,555 --> 01:20:28,515
FROM TORTURING THEM
EVERY STEP OF THE WAY,
1840
01:20:28,557 --> 01:20:30,027
DID IT, STUDMUFFINS?
1841
01:20:30,059 --> 01:20:32,099
UH, EH --
W-WHAT ARE BEST FRIENDS FOR?
1842
01:20:32,128 --> 01:20:35,098
I MEAN, I HAD TO BE SURE
HE WAS SURE.
1843
01:20:35,131 --> 01:20:36,131
REALLY?
1844
01:20:36,165 --> 01:20:37,395
YES.
1845
01:20:37,433 --> 01:20:40,203
WELL,
THAT'S VERY SWEET.
1846
01:20:40,236 --> 01:20:42,166
I MAY HAVE MISJUDGED YOU.
1847
01:20:42,205 --> 01:20:43,965
WHAT ARE YOU SAYING?
1848
01:20:44,007 --> 01:20:47,207
WELL, YOU WANT TO GO
TO A MOVIE SOMETIME?
1849
01:20:47,243 --> 01:20:48,983
[ SCOFFS ]
WHAT -- YOU AND ME?
1850
01:20:49,012 --> 01:20:50,012
YEAH.
1851
01:20:50,046 --> 01:20:51,876
DUTCH, NO STRUDEL,
1852
01:20:51,915 --> 01:20:53,315
NO HAAGEN SEX,
1853
01:20:53,349 --> 01:20:56,289
ALTHOUGH I KNOW
YOU DESPERATELY WANT ME.
1854
01:20:56,319 --> 01:20:59,019
JUST A MOVIE.
1855
01:21:02,025 --> 01:21:03,025
YOU MAY KISS THE BRIDE.
1856
01:21:03,059 --> 01:21:04,929
NOT SO FAST, PADRE.
1857
01:21:04,961 --> 01:21:07,431
THE CEREMONIAL BREAKING
OF THE GLASS.
1858
01:21:09,065 --> 01:21:10,995
[ STOMPS ]
1859
01:21:11,034 --> 01:21:13,304
MAZEL TOV!
MAZEL TOV!
MAZEL TOV!
1860
01:21:13,336 --> 01:21:15,136
MAZEL TOV!
1861
01:21:15,171 --> 01:21:18,981
[ FESTIVE JEWISH MUSIC PLAYS ]
1862
01:21:20,576 --> 01:21:24,576
[ "JINGLE BELLS" PLAYS ]
1863
01:21:24,613 --> 01:21:27,083
ROLL CREDITS.
1864
01:21:28,084 --> 01:21:30,224
[ SLOW PIANO MUSIC PLAYS ]
1865
01:21:49,138 --> 01:21:51,568
* LOVE COMES
1866
01:21:51,607 --> 01:21:54,237
* LOVE GOES
1867
01:21:54,277 --> 01:21:56,647
* WHERE TO
1868
01:21:56,679 --> 01:21:59,619
* NOBODY KNOWS
1869
01:21:59,648 --> 01:22:05,048
* AND IT'S STRANGE
HOW FEELINGS CHANGE *
1870
01:22:05,088 --> 01:22:09,058
* BUT IT'S ALL THE SAME TO ME
1871
01:22:10,259 --> 01:22:14,129
* WITH A LITTLE TIME
1872
01:22:15,764 --> 01:22:19,504
* THE FEELING GROWS
1873
01:22:20,703 --> 01:22:25,043
* HER HEART AND MINE
1874
01:22:26,009 --> 01:22:30,079
* I KNOW SHE KNOWS
1875
01:22:31,014 --> 01:22:34,184
* OH
1876
01:22:34,217 --> 01:22:38,487
* I'M SO HAPPY NOW
1877
01:22:41,490 --> 01:22:45,590
* OH, I WAS LOST
1878
01:22:45,628 --> 01:22:49,168
* BUT NOW I'M FOUND
1879
01:22:51,767 --> 01:22:54,097
* DADDY WAS A GOOD MAN
1880
01:22:54,137 --> 01:22:56,607
* USED TO WORK THE LAND
1881
01:22:56,639 --> 01:22:59,009
* SOMETIMES
LIFE WOULD FIGHT HIM *
1882
01:22:59,042 --> 01:23:02,152
* BUT HE'D ALWAYS UNDERSTAND
1883
01:23:02,178 --> 01:23:04,478
* WENT TO WORK EVERY DAY
1884
01:23:04,513 --> 01:23:07,183
* I CAN STILL HEAR HIM SAY
1885
01:23:07,216 --> 01:23:09,646
* CAN'T BEAT LOVE, MY SON
1886
01:23:09,685 --> 01:23:12,485
* TO CHASE THOSE BLUES AWAY
1887
01:23:12,788 --> 01:23:13,388
* WITH A LITTLE TIME
1888
01:23:18,227 --> 01:23:18,827
* THE FEELING GROWS
1889
01:23:23,132 --> 01:23:23,732
* HER HEART AND MINE
1890
01:23:29,038 --> 01:23:29,608
* I KNOW SHE KNOWS
1891
01:23:34,210 --> 01:23:37,050
* OH
1892
01:23:37,080 --> 01:23:40,780
* I'M SO HAPPY NOW
1893
01:23:44,787 --> 01:23:48,587
* I WAS LOST
1894
01:23:48,624 --> 01:23:51,694
* BUT NOW I'M FOUND
1895
01:23:54,563 --> 01:23:57,103
[ SAXOPHONE SOLO ]
1896
01:24:26,595 --> 01:24:29,265
* OH
1897
01:24:29,298 --> 01:24:33,138
* I'M SO HAPPY NOW
1898
01:24:37,306 --> 01:24:40,706
* I WAS LOST
1899
01:24:40,743 --> 01:24:43,853
* BUT NOW I'M FOUND
1900
01:24:46,915 --> 01:24:50,115
* GONNA LEARN TO
1901
01:24:50,153 --> 01:24:54,263
* BRUSH THESE BLUES AWAY
1902
01:24:57,493 --> 01:25:00,733
* GONNA LEARN TO
1903
01:25:00,763 --> 01:25:04,803
* SMILE EVERY DAY
1904
01:25:07,870 --> 01:25:11,270
* OH
1905
01:25:11,307 --> 01:25:15,237
* I'M SO HAPPY NOW
1906
01:25:18,647 --> 01:25:22,747
* OH, I WAS LOST
1907
01:25:22,785 --> 01:25:25,615
* BUT NOW I'M FOUND
1908
01:25:29,425 --> 01:25:29,755
* OH
1909
01:25:32,295 --> 01:25:32,855
* I'M SO HAPPY NOW
1910
01:25:39,468 --> 01:25:39,898
* OH, OHHH
1911
01:25:43,272 --> 01:25:43,842
* I'M SO HAPPY NOW
1912
01:25:49,845 --> 01:25:50,275
* OOH, OH
1913
01:25:52,915 --> 01:25:57,245
* I'M SO HAPPY NOW
1914
01:25:59,788 --> 01:26:00,158
* OHHH
1915
01:26:03,559 --> 01:26:07,159
* I'M SO HAPPY NOW
1916
01:26:08,997 --> 01:26:10,597
[ LAUGHING ]
1917
01:26:10,633 --> 01:26:11,803
PBHT!
124364