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All language subtitles for Rescuing Madison 2014 (PixL) 720p WEB-DL X264 Solar_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,417 --> 00:00:04,750 - CYNTHIA MONTANA HERE, GOSSIP NEWS NETWORK. 2 00:00:04,750 --> 00:00:08,500 WELL, THESE L.A. FANS ARE ANXIOUSLY AWAITING A GLIMPSE 3 00:00:08,500 --> 00:00:10,959 OF MADISON PARK, WHO AFTER A SIX-YEAR HIATUS 4 00:00:10,959 --> 00:00:13,291 IS ABOUT TO COMMENCE HER FIRST BIG TOUR 5 00:00:13,291 --> 00:00:16,709 SINCE HER MULTI-PLATINUM COMEBACK ALBUM STILL HERE. 6 00:00:16,709 --> 00:00:20,792 A TEEN STAR AT 16, MADISON TOOK THE WORLD BY STORM 7 00:00:20,792 --> 00:00:23,458 AS A PART OF "TOUCH," A GROUP OF FIVE SINGERS 8 00:00:23,458 --> 00:00:26,041 THAT SPAWNED NOT ONLY HER CAREER, BUT THE CAREER 9 00:00:26,041 --> 00:00:28,458 OF JORDAN VANDERPOOL, WHO SHE WAS ROMANTICALLY 10 00:00:28,458 --> 00:00:29,959 LINKED WITH FOR YEARS. 11 00:00:29,959 --> 00:00:33,083 BUT LIKE EVERYTHING ELSE, THAT FADED LIKE HER CAREER, 12 00:00:33,083 --> 00:00:36,333 UNTIL POWERHOUSE MANAGER RAD LEFFLER RESUSCITATED 13 00:00:36,333 --> 00:00:40,375 HER CAREER TAKING MADISON FROM FAILED POP STAR TO DIVA 14 00:00:40,375 --> 00:00:42,792 WITH ONE SPECTACULAR ALBUM. 15 00:00:42,792 --> 00:00:46,458 AND NOW AT 28, SHE'S SET TO FILL ARENAS AND STADIUMS. 16 00:00:46,458 --> 00:00:50,500 ONCE AGAIN, I'M CYNTHIA MONTANA, GOSSIP NEWS NETWORK. 17 00:00:55,792 --> 00:00:57,959 - [on PA system] WELCOME TO LOS ANGELES. 18 00:00:57,959 --> 00:01:01,375 FOLLOW THE ILLUMINATED OVERHEAD SIGNS TO BAGGAGE CLAIM, 19 00:01:01,375 --> 00:01:04,583 GROUND TRANSPORTATION, AND ALL CURRENT 20 00:01:04,583 --> 00:01:06,959 AND HOTEL SHUTTLE PICKUP LOCATIONS. 21 00:01:11,667 --> 00:01:13,041 - RAD'S HAVING COWS. 22 00:01:13,041 --> 00:01:14,792 YOU WERE SUPPOSED TO GO TO THE BAGGAGE CLAIM. 23 00:01:14,792 --> 00:01:16,375 - HE CAN HAVE A COW. 24 00:01:16,375 --> 00:01:18,166 - I TOLD HER SHE HAD TO DO IT, JESS. 25 00:01:18,166 --> 00:01:19,458 IT'S EXPECTED OF A SUPERSTAR. 26 00:01:19,458 --> 00:01:20,917 SHE SAID, "NO, THAT'S ENOUGH FOR ME." 27 00:01:20,917 --> 00:01:23,500 - CAN WE STOP WITH THE SUPERSTAR REFERENCES, PLEASE? 28 00:01:23,500 --> 00:01:24,834 I'VE HEARD THAT ENOUGH TIMES FROM MY MOTHER 29 00:01:24,834 --> 00:01:26,333 TO LAST ME A LIFETIME. 30 00:01:26,333 --> 00:01:28,166 AND WORSE, I BELIEVED IT. 31 00:01:28,166 --> 00:01:29,208 - YOU WEREN'T THAT BAD. 32 00:01:29,208 --> 00:01:30,667 - WHAT ARE YOU TALKING ABOUT, JESS? 33 00:01:30,667 --> 00:01:32,750 I FIRED YOU ONE TIME BECAUSE YOU LET THEM PUT ORANGE SODA 34 00:01:32,750 --> 00:01:33,750 IN MY DRESSING ROOM. 35 00:01:33,750 --> 00:01:35,542 I WAS HORRIBLE. - NEVER. 36 00:01:35,542 --> 00:01:37,333 YOU'VE NEVER BEEN ANYTHING BUT MY BEST FRIEND. 37 00:01:37,333 --> 00:01:39,000 - [laughs] YOU'RE SUCH A LIAR. 38 00:01:39,000 --> 00:01:40,667 - YOU'VE NEVER BEEN HORRIBLE TO ME. 39 00:01:40,667 --> 00:01:43,375 - MADISON, WHAT HAPPENED? SWEETHEART, COME ON. 40 00:01:43,375 --> 00:01:46,000 I HAD MEDIA AND SCREAMING FANS WAITING FOR YOU. 41 00:01:46,000 --> 00:01:47,875 - AND I TOLD YOU NOT TO DO THAT. 42 00:01:47,875 --> 00:01:49,542 I JUST WANT TO GO STRAIGHT TO THE HOTEL. 43 00:01:49,542 --> 00:01:51,041 - FINE. DONE. 44 00:01:51,041 --> 00:01:53,750 OH, AND JESS, YOU NEED TO PICK UP YOUR GAME A LITTLE BIT, GIRL. 45 00:01:53,750 --> 00:01:55,667 COME ON, GET WITH THE PROGRAM. 46 00:02:01,166 --> 00:02:03,000 - MMM. I NEED A NIGHT OFF. 47 00:02:03,000 --> 00:02:06,667 - YOU JUST HAD SIX YEARS OFF, DON'T YOU THINK THAT'S ENOUGH? 48 00:02:06,667 --> 00:02:08,333 - I JUST WANT TO SING. 49 00:02:08,333 --> 00:02:10,667 - YOU WILL IN FRONT OF A PACKED HOUSE. 50 00:02:10,667 --> 00:02:12,542 - AND THEN ON A SMALLER VENUE THAT I LIKE? 51 00:02:12,542 --> 00:02:15,041 - IT'S ALL PART OF THE STRATEGY. 52 00:02:15,041 --> 00:02:17,375 THEY CAN PAY TO SEE YOU SING OUTDOORS IN FRONT OF THOUSANDS 53 00:02:17,375 --> 00:02:20,333 OF PEOPLE OR THEY CAN PAY THREE TIMES AS MUCH TONIGHT 54 00:02:20,333 --> 00:02:22,000 WATCHING YOU CUT A LIVE ALBUM. 55 00:02:22,000 --> 00:02:24,375 - YEAH, I STILL THINK IT'S TOO SOON FOR A LIVE ALBUM. 56 00:02:24,375 --> 00:02:25,625 I MEAN, I JUST STARTED MY COMEBACK. 57 00:02:25,625 --> 00:02:27,250 I WISH YOU'D LISTEN TO ME. 58 00:02:27,250 --> 00:02:30,834 - AND THAT'S WHY YOU'RE THE SINGER AND I'M THE MANAGER. 59 00:02:30,834 --> 00:02:32,542 CHA-CHING. 60 00:02:32,542 --> 00:02:35,000 - BACK. 61 00:02:35,000 --> 00:02:36,458 BACK. 62 00:02:36,458 --> 00:02:37,458 THAT'S GOOD. 63 00:02:38,917 --> 00:02:42,667 - HEY, JOHNNY BOY. YOU GOT A VISITOR. 64 00:02:42,667 --> 00:02:44,500 REAL CUTE TOO. 65 00:02:44,500 --> 00:02:46,375 - I'M NOT FALLING FOR THAT ONE AGAIN, BILLY. 66 00:02:46,375 --> 00:02:48,458 - IF YOU DON'T TALK TO HER, I WILL. 67 00:02:48,458 --> 00:02:51,125 SERIOUSLY, NO PROBLEM. 68 00:02:51,125 --> 00:02:52,125 SHOULD REALLY CHECK IT OUT. 69 00:02:52,125 --> 00:02:53,583 - HEY, JOHN. - HEY, CAP. 70 00:02:53,583 --> 00:02:55,875 - DIDN'T BILLY TELL YOU YOUR SISTER'S HERE? 71 00:02:55,875 --> 00:02:57,583 - OH, I TOLD HIM, CAP. 72 00:02:57,583 --> 00:02:59,583 HE JUST DECIDED TO IGNORE ME ON THIS ONE. 73 00:02:59,583 --> 00:03:00,917 [laughs] 74 00:03:00,917 --> 00:03:02,125 - COME HERE FOR A SECOND, I WANT TO SHOW YOU SOME-- 75 00:03:02,125 --> 00:03:03,500 - I DON'T WANNA TALK ABOUT IT. - [grunts] 76 00:03:05,000 --> 00:03:07,250 HEY, SIS. - HEY. 77 00:03:10,500 --> 00:03:11,500 - YOU OKAY? 78 00:03:11,500 --> 00:03:13,625 - I MISSED YOU. I WANTED TO SEE YOU. 79 00:03:13,625 --> 00:03:14,959 - I JUST HAD DINNER WITH YOU LAST NIGHT. 80 00:03:14,959 --> 00:03:18,583 - WELL, IT'S JUST I-- 81 00:03:18,583 --> 00:03:20,792 - WHAT IS IT? - $1,800. 82 00:03:20,792 --> 00:03:21,959 - ARE YOU IN TROUBLE? 83 00:03:21,959 --> 00:03:24,125 - KINDA. IT'S LIFE OR DEATH. 84 00:03:24,125 --> 00:03:25,291 - WELL, WHAT IS IT? TALK TO ME. 85 00:03:25,291 --> 00:03:28,041 - MADISON PARK TICKETS, FOR HER CONCERT TONIGHT. 86 00:03:28,041 --> 00:03:30,458 - I'M NOT GIVING YOU 1,800 BUCKS TO GO SEE SOME SINGER. 87 00:03:30,458 --> 00:03:32,375 - THEN GIVE ME $600 SO I CAN GO BY MYSELF. 88 00:03:32,375 --> 00:03:33,458 - FOR ONE TICKET? 89 00:03:33,458 --> 00:03:35,875 - I TOLD YOU, IT'S MADISON PARK. 90 00:03:35,875 --> 00:03:39,625 - I HAVE NO IDEA WHO SHE IS. I CAN'T HELP YOU, I'M SORRY. 91 00:03:39,625 --> 00:03:42,125 GO HOME, DO YOUR HOMEWORK. 92 00:03:42,125 --> 00:03:44,458 - LIKE YOU DID YOUR HOMEWORK? 93 00:03:44,458 --> 00:03:47,375 - AND RIDE CAREFULLY. - UH-HUH. 94 00:03:47,375 --> 00:03:49,291 - I LOVE YOU, TOO. - [rings bell] 95 00:03:53,333 --> 00:03:58,000 - ♪ ONLY TO FALL, WHY DID I EVER THINK ♪ 96 00:03:58,000 --> 00:03:59,750 ♪ WE COULD HAVE IT ALL ♪ 97 00:03:59,750 --> 00:04:02,500 - SHE'S SO GOOD. - YUP. 98 00:04:02,500 --> 00:04:04,333 I'M GLAD HER HEAD'S ON STRAIGHT THIS TIME. 99 00:04:04,333 --> 00:04:07,000 - ♪ WHY DID I EVER THINK ♪ 100 00:04:07,000 --> 00:04:08,458 - MADISON, I NEED A COUPLE APPROVALS. 101 00:04:08,458 --> 00:04:11,000 - OKAY. OH. 102 00:04:11,000 --> 00:04:12,000 ALL RIGHT. LET ME SEE. 103 00:04:12,000 --> 00:04:13,834 - DOES SHE TALK TO HER MOTHER AT ALL? 104 00:04:13,834 --> 00:04:16,166 - THEY TALK. NOT VERY OFTEN. 105 00:04:16,166 --> 00:04:18,959 - I HAVE ONLY ONE RULE IN THIS LIFE. 106 00:04:18,959 --> 00:04:20,500 NEVER GO INTO BUSINESS WITH FAMILY. 107 00:04:20,500 --> 00:04:22,166 - THAT'S A GOOD RULE. - HMM. 108 00:04:22,166 --> 00:04:23,291 AND RAD? HE'S BETTER? 109 00:04:23,291 --> 00:04:25,959 - DIFFERENT. HE DID REVIVE HER CAREER, 110 00:04:25,959 --> 00:04:28,208 GAVE HER AN AMAZING SECOND CHANCE. 111 00:04:28,208 --> 00:04:29,667 IT DOESN'T MEAN I HAVE TO LIKE HIM. 112 00:04:29,667 --> 00:04:32,166 - YEAH, JUST TELL THEM THAT THIS SONG DOESN'T FOLLOW THIS. 113 00:04:32,166 --> 00:04:33,166 - ABSOLUTELY. 114 00:04:33,166 --> 00:04:34,375 - UH, SO, YEAH. 115 00:04:34,375 --> 00:04:36,166 IF WE CAN JUST CHANGE THAT, THAT'D BE GOOD. 116 00:04:36,166 --> 00:04:37,542 [phone rings] - RAD LEFFLER, GO. 117 00:04:37,542 --> 00:04:39,000 - HEY, RAD. STEPHEN STAN, 118 00:04:39,000 --> 00:04:40,333 JORDAN VANDERPOOL'S MANAGER. 119 00:04:40,333 --> 00:04:42,875 - OH, STEPHEN. LOOK, WHATEVER IT IS YOU WANT, 120 00:04:42,875 --> 00:04:44,875 I DON'T HAVE TIME RIGHT NOW. - WAIT A MINUTE. 121 00:04:44,875 --> 00:04:46,208 YOU DON'T EVEN WANT TO HEAR WHAT I HAVE TO SAY? 122 00:04:46,208 --> 00:04:47,458 - OKAY, YOU HAVE 30 SECONDS. 123 00:04:47,458 --> 00:04:48,709 I HAVE TO GET BACK TO MADISON. 124 00:04:48,709 --> 00:04:49,875 - WITH MADISON SO HOT RIGHT NOW, 125 00:04:49,875 --> 00:04:52,208 I THOUGHT WE COULD GENERATE SOME MEGA P.R. 126 00:04:52,208 --> 00:04:54,000 BY PLACING JORDAN IN ONE OF MADISON'S SHOWS. 127 00:04:54,000 --> 00:04:57,333 - I DON'T MEAN TO BE RUDE, OKAY? BUT WE DON'T NEED A HAS-BEEN 128 00:04:57,333 --> 00:05:00,208 WHOSE LAST HIT WAS OVER TWO YEARS AGO WEIGHING US DOWN. 129 00:05:00,208 --> 00:05:02,667 - RAD. - I'M SORRY. 130 00:05:02,667 --> 00:05:04,041 - YEAH, BUT-- [phone beeps] 131 00:05:04,041 --> 00:05:05,625 REALLY? 132 00:05:05,625 --> 00:05:10,542 - [sighs] SOLD OUT, BABY! 133 00:05:10,542 --> 00:05:11,709 SO ARE WE GOOD OR WE GOOD? 134 00:05:11,709 --> 00:05:12,792 - I'M GOOD. 135 00:05:12,792 --> 00:05:14,041 THIS PLACE REMINDS ME OF THE VENUES 136 00:05:14,041 --> 00:05:15,417 THAT I USED TO PLAY WHEN I FIRST STARTED. 137 00:05:15,417 --> 00:05:16,417 - OH, I KNOW, I KNOW. 138 00:05:16,417 --> 00:05:17,667 WE'RE ONLY HERE FOR THE ACOUSTICS. 139 00:05:17,667 --> 00:05:20,208 WE WILL NEVER SING IN A JOINT LIKE THIS AGAIN. 140 00:05:20,208 --> 00:05:22,917 - I DIDN'T KNOW YOU SANG. 141 00:05:22,917 --> 00:05:24,583 - OKAY, NOBODY COMES IN AND OUT OF HERE, ALL RIGHT? 142 00:05:24,583 --> 00:05:25,834 I WANT HER TO GET SOME REST. 143 00:05:25,834 --> 00:05:27,417 - OH, I'M RIGHT HERE. YOU CAN TALK TO ME. 144 00:05:27,417 --> 00:05:28,959 - AH, THAT REMINDS ME. 145 00:05:28,959 --> 00:05:31,709 BEFORE YOU HEAR IT SOMEWHERE ELSE, JORDAN VANDERPOOL'S 146 00:05:31,709 --> 00:05:34,083 MANAGER CALLED ME TRYING TO FORCE JORDAN INTO OUR LITTLE 147 00:05:34,083 --> 00:05:37,583 SHOW HERE, SOMETHING ABOUT A SURPRISE DUET. 148 00:05:37,583 --> 00:05:39,291 - I DON'T MIND THAT. SOUNDS LIKE FUN. 149 00:05:39,291 --> 00:05:40,750 WE USED TO HAVE GOOD CHEMISTRY ON STAGE. 150 00:05:40,750 --> 00:05:43,875 - UH, IF HE WAS SIGNIFICANT IN THE BUSINESS STILL, THEN MAYBE. 151 00:05:43,875 --> 00:05:45,917 - WELL, A YEAR AGO, I WASN'T SIGNIFICANT IN THE BUSINESS. 152 00:05:45,917 --> 00:05:47,875 - AND ENTER RAD LEFFLER. 153 00:05:47,875 --> 00:05:48,959 LOOK, DON'T EVEN WORRY ABOUT IT. 154 00:05:48,959 --> 00:05:50,291 I TOLD HIM WE WEREN'T INTERESTED. 155 00:05:50,291 --> 00:05:51,291 WHAT--WHAT ARE YOU DOING? - WHAT? 156 00:05:51,291 --> 00:05:53,041 - PLEASE DON'T CALL HIM. NO. 157 00:05:53,041 --> 00:05:54,166 - GIVE ME MY PHONE. 158 00:05:54,166 --> 00:05:56,000 - JUST FOCUS ON THE SHOW, PLEASE, OKAY? 159 00:05:56,000 --> 00:05:57,458 I DON'T WANT DISTRACTIONS. 160 00:05:57,458 --> 00:05:59,125 - RAD, I'M NOT 16 ANYMORE. 161 00:05:59,125 --> 00:06:01,875 - AND YOUR MOMMY ISN'T YOUR MANAGER, OKAY? I AM. 162 00:06:01,875 --> 00:06:04,041 AND I'M DOING A PRETTY GOOD JOB IF YOU LET ME. 163 00:06:04,041 --> 00:06:06,333 - YES, YOU'RE RIGHT. THANK YOU. 164 00:06:06,333 --> 00:06:09,500 - COME HERE. 165 00:06:09,500 --> 00:06:10,625 I WANT YOU TO TAKE A NAP, OKAY? 166 00:06:10,625 --> 00:06:12,208 GET SOME REST. - OKAY. 167 00:06:12,208 --> 00:06:14,041 - WE HAVE A BIG SHOW TONIGHT. 168 00:06:14,041 --> 00:06:16,875 AND YOU, A LITTLE LESS THIS, OKAY? 169 00:06:16,875 --> 00:06:18,500 THANK YOU. 170 00:06:18,500 --> 00:06:19,667 - HE'S RIGHT. 171 00:06:19,667 --> 00:06:22,125 WHAT JORDAN DID, WHY WOULD YOU WANNA HELP HIM? 172 00:06:22,125 --> 00:06:23,542 - BECAUSE WE'RE FRIENDS, JESS. 173 00:06:23,542 --> 00:06:25,542 I MEAN, WE STILL TALK EVERY ONCE IN A WHILE. 174 00:06:25,542 --> 00:06:27,709 IT'S NOT LIKE I'M INTO HIM OR ANYTHING LIKE THAT. 175 00:06:27,709 --> 00:06:29,000 WE'RE JUST FRIENDS. 176 00:06:29,000 --> 00:06:31,959 - REALLY? IS THAT WHY YOU HAVEN'T DATED 177 00:06:31,959 --> 00:06:33,500 ANYBODY SINCE YOU AND JORDAN BROKE IT OFF? 178 00:06:33,500 --> 00:06:35,417 - THAT IS NOT TRUE. I WENT ON A COUPLE DATES. 179 00:06:35,417 --> 00:06:37,792 IT'S JUST THAT BOTH OF THOSE GUYS WANTED "THEIR" VERSION 180 00:06:37,792 --> 00:06:40,458 OF WHAT THEY THOUGHT WHAT MADISON PARK WAS AND NOT ME. 181 00:06:40,458 --> 00:06:41,500 - SO, YOU'RE SAYING YOU WANT 182 00:06:41,500 --> 00:06:43,875 SOMEONE WHO DOESN'T KNOW WHO YOU ARE? 183 00:06:43,875 --> 00:06:45,875 - YEAH. KINDA. 184 00:06:49,250 --> 00:06:51,250 WHAT ARE THEY DOING? 185 00:06:59,500 --> 00:07:01,250 - SHE'S GONNA TRY TO GET SOME SLEEP. 186 00:07:01,250 --> 00:07:03,458 YOU WANT TO GET SOME FRESH AIR? - I THINK I SHOULD STAY. 187 00:07:03,458 --> 00:07:06,458 - COME ON, SHE'S GOOD. YOU'LL HAVE ENOUGH TO DO LATER. 188 00:07:09,166 --> 00:07:11,166 - OKAY. 189 00:07:17,333 --> 00:07:18,458 LET'S GO. 190 00:07:18,458 --> 00:07:20,709 - WHAT'S GOING ON WITH THE LIGHTS? 191 00:07:20,709 --> 00:07:22,375 - HMM, 'SUP WITH THOSE LIGHTS? 192 00:07:22,375 --> 00:07:24,667 - HMM. 193 00:07:24,667 --> 00:07:26,166 - SO WHAT ARE YOU DOING TOMORROW NIGHT? 194 00:07:26,166 --> 00:07:28,709 I NEED A WINGMAN. YOU UP FOR IT? 195 00:07:28,709 --> 00:07:30,917 - SORRY, SUPPOSED TO HAVE DINNER WITH THE PARENTS. 196 00:07:30,917 --> 00:07:33,291 - DINNER? PARENTS? 197 00:07:33,291 --> 00:07:34,750 PATHETIC. 198 00:07:34,750 --> 00:07:36,542 [chuckles] SAY HI FOR ME. 199 00:07:39,583 --> 00:07:42,959 - GOT THE SET LIST? - YEAH. 200 00:07:42,959 --> 00:07:46,583 [electricity buzzes] 201 00:07:46,583 --> 00:07:50,250 - [coughs] 202 00:07:50,250 --> 00:07:53,041 - [on radio] COMPANY 3, FIRE ALARM AT CIVIC AUDITORIUM. 203 00:07:53,041 --> 00:07:54,041 PLEASE RESPOND. - 10-4. 204 00:07:54,041 --> 00:07:55,041 - LOAD UP. 205 00:07:55,041 --> 00:07:57,667 [alarm blares] 206 00:07:57,667 --> 00:08:00,709 - [coughs] 207 00:08:03,458 --> 00:08:07,792 [coughs] 208 00:08:10,291 --> 00:08:12,750 [coughs] 209 00:08:12,750 --> 00:08:15,041 - COME ON. COME ON. THIS WAY. 210 00:08:15,041 --> 00:08:16,333 GET GOING. 211 00:08:28,750 --> 00:08:29,875 - WHAT'S GOING ON? 212 00:08:29,875 --> 00:08:31,083 - THERE'S A FIRE IN THE BUILDING, SIR. 213 00:08:31,083 --> 00:08:32,500 JUST PLEASE BACK UP. - WHAT DO YOU MEAN A FIRE? 214 00:08:32,500 --> 00:08:34,250 MADISON PARK IS IN THERE. - SIR, LET--SIR. 215 00:08:34,250 --> 00:08:35,542 LET US DO OUR JOB. 216 00:08:35,542 --> 00:08:36,959 - MADISON PARK IS IN THERE AND YOU GOT TO HER OUT, NOW! 217 00:08:36,959 --> 00:08:38,083 - KEEP YOUR DISTANCE. 218 00:08:38,083 --> 00:08:39,834 WE'LL TAKE CARE OF IT, ALL RIGHT? 219 00:08:39,834 --> 00:08:41,625 - I THOUGHT I TOLD YOU TO WAIT WITH HER! 220 00:08:41,625 --> 00:08:42,959 JUST GO GET HER! 221 00:08:42,959 --> 00:08:46,458 - AM I THE LUCKIEST WOMAN IN THE WORLD OR WHAT? 222 00:08:48,792 --> 00:08:50,291 - [panting] 223 00:08:52,458 --> 00:08:54,500 - THIS WAY, THIS WAY. - OH, MY GOSH. 224 00:08:54,500 --> 00:08:55,834 - QUICKLY. 225 00:08:55,834 --> 00:08:57,959 SHE'S GOT TO BE DOWN HERE IN ONE OF THESE ROOMS. 226 00:09:07,291 --> 00:09:09,291 - [panting] 227 00:09:20,917 --> 00:09:22,458 - GET THIS, JAKE. 228 00:09:22,458 --> 00:09:23,959 - THAT'S MADISON PARK. - OH, I SEE HER. 229 00:09:23,959 --> 00:09:25,667 THAT IS MADISON PARK. 230 00:09:25,667 --> 00:09:27,000 - JAKE, WE'RE LIVE. 231 00:09:27,000 --> 00:09:30,083 THIS IS CYNTHIA MONTANA HERE, LIVE FROM THE SCENE. 232 00:09:30,083 --> 00:09:32,834 THEY'VE JUST PULLED MADISON PARK OUT OF A BURNING BUILDING. 233 00:09:32,834 --> 00:09:36,125 IT APPEARS THAT SHE'S BREATHING AND WILL BE OKAY. 234 00:09:36,125 --> 00:09:38,792 WE'LL BRING YOU MORE DETAILS AS THIS STORY DEVELOPS. 235 00:09:38,792 --> 00:09:41,500 - [coughs] - OH, BABY. 236 00:09:41,500 --> 00:09:42,750 - WE'RE HERE, ALL RIGHT? 237 00:09:42,750 --> 00:09:45,250 WE'RE GONNA MEET YOU AT THE HOSPITAL, OKAY? 238 00:09:45,250 --> 00:09:47,750 - I'M HERE, GIRL. - IT'S OKAY, BABY. 239 00:09:47,750 --> 00:09:48,875 - BACK UP, BACK UP. 240 00:09:48,875 --> 00:09:50,709 - MOVE OUT OF THE WAY. LET US GET A SHOT. 241 00:09:50,709 --> 00:09:55,500 - [coughs] THANK YOU. 242 00:09:55,500 --> 00:09:58,166 [coughs] THANK YOU FOR SAVING ME. 243 00:09:58,166 --> 00:10:00,542 - GET IN THERE. 244 00:10:03,750 --> 00:10:08,083 - [coughs] 245 00:10:08,083 --> 00:10:09,208 - WE'LL MEET YOU THERE, SWEETHEART. 246 00:10:09,208 --> 00:10:10,208 WE'RE GONNA MEET YOU THERE. 247 00:10:10,208 --> 00:10:13,208 IT'S GONNA BE ALL RIGHT. 248 00:10:13,208 --> 00:10:14,667 WE'LL BE RIGHT BEHIND YOU, SWEETHEART, OKAY? 249 00:10:14,667 --> 00:10:15,792 VERNON, GO GET THE CAR. 250 00:10:15,792 --> 00:10:17,792 ALL RIGHT, ALL OF YOU, BACK UP, BACK UP. 251 00:10:19,125 --> 00:10:21,208 - YEAH, ALL RIGHT, BACK IT UP. BACK UP. 252 00:10:28,792 --> 00:10:31,709 - HERE'S HOW THE DRAMATIC RESCUE UNFOLDED. 253 00:10:31,709 --> 00:10:34,542 A BRAVE FIREFIGHTER PULLS A PANICKED AND TERRIFIED 254 00:10:34,542 --> 00:10:36,959 MADISON PARK FROM A FIRE BACKSTAGE 255 00:10:36,959 --> 00:10:38,750 AT THE CIVIC CENTER CONCERT HALL. 256 00:10:38,750 --> 00:10:40,208 AND THAT'S NOT WHERE IT ENDED. 257 00:10:40,208 --> 00:10:43,333 GRATEFUL FOR PUTTING HIS OWN LIFE AT RISK TO SAVE HERS, 258 00:10:43,333 --> 00:10:46,375 SHE THANKS HIM WITH A TENDER EMBRACE. 259 00:10:46,375 --> 00:10:49,041 WE'LL KEEP YOU UPDATED ON THIS STORY AS IT PROGRESSES. 260 00:10:49,041 --> 00:10:51,667 I'M CYNTHIA MONTANA, GNN. 261 00:10:51,667 --> 00:10:53,333 - TENDER? I THINK YOU COULD'VE COLLAPSED 262 00:10:53,333 --> 00:10:54,333 A LUNG WITH THAT HUG. 263 00:10:54,333 --> 00:10:56,709 - THAT IS GREAT. 264 00:10:56,709 --> 00:11:00,583 MADISON YOU WERE SO GREAT. THERE WAS 500 PEOPLE THERE. 265 00:11:00,583 --> 00:11:02,583 - HOW IS ALMOST DYING IN A FIRE GREAT, RAD? 266 00:11:02,583 --> 00:11:03,583 - [laughs] [phone rings] 267 00:11:03,583 --> 00:11:05,250 THIS IS AWESOME. - HELLO? 268 00:11:05,250 --> 00:11:06,792 - HEY, JESS, IT'S JORDAN. 269 00:11:06,792 --> 00:11:09,041 IS MADISON OKAY? - YEAH, SHE'S FINE. 270 00:11:09,041 --> 00:11:10,834 - CAN SHE TALK? - WHO IS THAT? 271 00:11:10,834 --> 00:11:13,208 - IT'S JORDAN. - NO, NO, NO, NO. HANG UP. 272 00:11:13,208 --> 00:11:16,792 - RAD. - [sighs] 273 00:11:16,792 --> 00:11:18,458 - HEY, JORDAN. - HEY, ARE YOU ALL RIGHT? 274 00:11:18,458 --> 00:11:19,750 WHAT HAPPENED? 275 00:11:19,750 --> 00:11:21,709 - IT'S FINE, I'LL LIVE. 276 00:11:21,709 --> 00:11:23,667 - JOHN. JOHN, OUR FIREMAN HERO. 277 00:11:23,667 --> 00:11:27,000 JOHN, HOW DOES IT FEEL TO HAVE SAVED MADISON PARK'S LIFE? 278 00:11:27,000 --> 00:11:29,291 - I'M JUST GLAD SHE'S OKAY. 279 00:11:29,291 --> 00:11:30,375 - WHERE ARE YOU? 280 00:11:30,375 --> 00:11:32,709 - WELL, I'M IN A HOSPITAL. 281 00:11:32,709 --> 00:11:34,166 IT'S JUST FOR PRECAUTION. 282 00:11:34,166 --> 00:11:35,542 I'LL BE OUT SOON. 283 00:11:35,542 --> 00:11:37,792 - HEY, MAN, THANK YOU FOR SAVING OUR GIRL. 284 00:11:37,792 --> 00:11:41,625 ALL RIGHT? ONE SECOND. 285 00:11:41,625 --> 00:11:44,125 HEY, YOU GUYS, THAT FIREMAN GUY IS HERE TO SEE MADISON. 286 00:11:44,125 --> 00:11:45,375 - SEND HIM IN. 287 00:11:45,375 --> 00:11:46,875 - LISTEN, I SHOULD GO. 288 00:11:46,875 --> 00:11:48,792 THE FIREFIGHTER THAT RESCUED ME IS HERE. 289 00:11:48,792 --> 00:11:51,125 - OKAY, WELL, I'LL BE BY TO SEE YOU TOMORROW. 290 00:11:51,125 --> 00:11:53,458 [dial tone] HELLO? 291 00:11:53,458 --> 00:11:55,542 - RAD LEFFLER, I'M MADISON'S MANAGER. 292 00:11:55,542 --> 00:11:58,125 IF YOU NEED ANYTHING, YOU COME TO ME, OKAY? 293 00:11:58,125 --> 00:12:01,125 - I WAS JUST DOING MY JOB. - THANK YOU FOR THAT. 294 00:12:03,625 --> 00:12:05,458 - HI. - HI. 295 00:12:05,458 --> 00:12:07,500 - I'M JOHN KELLY. REMEMBER ME? 296 00:12:07,500 --> 00:12:09,709 - HOW COULD SHE FORGET? 297 00:12:09,709 --> 00:12:11,917 - IT'S VERY NICE TO OFFICIALLY MEET YOU. 298 00:12:11,917 --> 00:12:12,959 [clears throat] 299 00:12:12,959 --> 00:12:14,792 - I CAME TO SEE HOW YOU'RE DOING. 300 00:12:14,792 --> 00:12:17,834 - OH, I'VE BEEN BETTER. 301 00:12:17,834 --> 00:12:21,500 THE DOCTORS SAY THAT I CAN'T SING FOR A COUPLE WEEKS 302 00:12:21,500 --> 00:12:23,417 AT LEAST BECAUSE OF THE SMOKE. 303 00:12:23,417 --> 00:12:24,500 - YOU CANCELLED YOUR SHOW? 304 00:12:24,500 --> 00:12:26,667 - NO, NO, NO. WE JUST POSTPONED IT. 305 00:12:26,667 --> 00:12:29,333 SHE'S GONNA BE FINE. 306 00:12:29,333 --> 00:12:31,667 - WELL, YOU SHOULD REST. 307 00:12:31,667 --> 00:12:35,083 - LISTEN, IF THERE'S ANYTHING THAT I COULD DO 308 00:12:35,083 --> 00:12:36,583 TO SAY THANK YOU-- 309 00:12:36,583 --> 00:12:39,250 - I'M JUST GLAD YOU'RE OKAY. 310 00:12:39,250 --> 00:12:41,125 - THANK YOU, FIREMAN JOHN. 311 00:12:41,125 --> 00:12:42,125 - ABSOLUTELY. - OKAY? 312 00:12:42,125 --> 00:12:43,125 - OKAY. - I APPRECIATE IT. 313 00:12:43,125 --> 00:12:46,709 - WHAT ABOUT DINNER? 314 00:12:46,709 --> 00:12:48,458 I MEAN, YOU DO EAT, RIGHT? 315 00:12:48,458 --> 00:12:49,500 - [chuckles] SURE. 316 00:12:49,500 --> 00:12:50,750 I DO, I EAT. 317 00:12:50,750 --> 00:12:52,208 - [coughs] 318 00:12:52,208 --> 00:12:57,875 WELL, THEN IT COULD JUST BE THE TWO OF US? 319 00:12:57,875 --> 00:12:59,667 - SURE. - GREAT. 320 00:12:59,667 --> 00:13:01,709 - YOU CAN REACH ME AT THE FIREHOUSE. 321 00:13:01,709 --> 00:13:03,333 - MM-HMM. [clears throat] 322 00:13:03,333 --> 00:13:04,834 - PERFECT. - [chuckles] 323 00:13:04,834 --> 00:13:08,041 - WE WILL BE IN TOUCH. 324 00:13:08,041 --> 00:13:10,709 IF YOU NEED ANYTHING, JUST CALL. - THANKS. 325 00:13:10,709 --> 00:13:12,375 - THANK YOU. - ALL RIGHT. 326 00:13:12,375 --> 00:13:14,625 [indistinct chatter] 327 00:13:14,625 --> 00:13:17,041 - THAT COULD NOT HAVE GONE BETTER. 328 00:13:24,083 --> 00:13:27,417 - SO, DID YOU GET YOURSELF A GIRLFRIEND YET? 329 00:13:27,417 --> 00:13:29,208 - OH, STOP IT. - WHAT? 330 00:13:29,208 --> 00:13:30,709 - NO, DAD. NO NEW GIRLFRIEND. 331 00:13:30,709 --> 00:13:31,875 - [chuckles] - THAT'S NOT TRUE. 332 00:13:31,875 --> 00:13:34,083 HE HAS A NEW ONE. I SAW IT ON TV. 333 00:13:34,083 --> 00:13:36,417 HE DIDN'T EVEN GET ME AN AUTOGRAPH EITHER. 334 00:13:36,417 --> 00:13:38,583 - IT WASN'T THE TIME AND SHE'S NOT MY GIRLFRIEND. 335 00:13:38,583 --> 00:13:39,709 - WAIT, WHO IS THIS? 336 00:13:39,709 --> 00:13:41,917 IS THIS THE GIRL FROM TV? FROM THE FIRE? 337 00:13:41,917 --> 00:13:44,208 - MADISON PARK. - WHO? 338 00:13:44,208 --> 00:13:46,250 - OH, MAN. YOU GUYS DON'T KNOW ANYTHING. 339 00:13:46,250 --> 00:13:49,166 SHE'S, LIKE, THE BEST ALL-TIME SINGER EVER. 340 00:13:49,166 --> 00:13:50,166 - EVER. 341 00:13:50,166 --> 00:13:51,917 - EVER? - I WAS JUST DOING MY JOB. 342 00:13:51,917 --> 00:13:54,333 I DON'T ASK IF THEY'RE FAMOUS BEFORE I RESCUE THEM. 343 00:13:54,333 --> 00:13:55,750 - HEY, DID I EVER TELL YOU ABOUT THE TIME 344 00:13:55,750 --> 00:13:59,250 I PULLED TWO WOMEN OUT OF A THIRD-STORY APARTMENT BUILDING 345 00:13:59,250 --> 00:14:00,625 THAT WAS FULLY ENGULFED? 346 00:14:00,625 --> 00:14:03,083 all: YES. - REALLY? 347 00:14:03,083 --> 00:14:04,500 I DON'T THINK I DID. [laughter] 348 00:14:09,458 --> 00:14:11,250 - AH, JORDAN. 349 00:14:11,250 --> 00:14:12,583 HOW'S MY FAVORITE CLIENT? 350 00:14:12,583 --> 00:14:14,750 - SINCE WHEN? - [laughs] 351 00:14:14,750 --> 00:14:16,792 IT'S AN EXPRESSION. SIT DOWN. 352 00:14:16,792 --> 00:14:18,125 [clears throat] 353 00:14:24,250 --> 00:14:25,959 THEY SAID NO. - NO? 354 00:14:25,959 --> 00:14:28,792 - RAD SAID--AND DON'T TAKE THIS PERSONALLY-- 355 00:14:28,792 --> 00:14:31,417 MADISON DOESN'T NEED A HAS-BEEN ON THE BILL WITH HER. 356 00:14:31,417 --> 00:14:32,750 - HAS-BEEN? 357 00:14:32,750 --> 00:14:34,125 "DON'T TAKE IT PERSONALLY." 358 00:14:34,125 --> 00:14:36,083 HOW DO I NOT TAKE THAT PERSONALLY? 359 00:14:36,083 --> 00:14:38,250 - TICKET SALES FOR YOUR TOUR ARE REALLY SLOW. 360 00:14:38,250 --> 00:14:39,875 WE NEED MADISON. 361 00:14:39,875 --> 00:14:43,583 YOU NEED TO CALL HER YOURSELF. CIRCUMVENT RAD IF YOU HAVE TO. 362 00:14:43,583 --> 00:14:45,792 REKINDLE YOUR ROMANCE, MAN. 363 00:14:45,792 --> 00:14:47,917 PULL THAT PLAYER OUT AND WOO HER. 364 00:14:47,917 --> 00:14:50,125 - I DUMPED HER PUBLICLY. I MEAN, I-- 365 00:14:50,125 --> 00:14:52,792 - BUT-- - LOOK, WE ARE FRIENDS AGAIN. 366 00:14:52,792 --> 00:14:56,375 AND TRUST ME, IT TOOK A LOT JUST TO GET THAT. 367 00:14:56,375 --> 00:14:58,458 - THAT LEAVES US ONE OPTION. 368 00:14:58,458 --> 00:15:00,458 WE CAN CANCEL THE TOUR. 369 00:15:03,417 --> 00:15:08,041 - YOU KNOW, I'M STARTING TO LIKE THIS WHOLE MADISON IDEA 370 00:15:08,041 --> 00:15:09,583 YOU GOT GOING. I LIKE IT. 371 00:15:09,583 --> 00:15:11,625 - YOU LIKE IT? - I SAY WE DO IT. 372 00:15:11,625 --> 00:15:13,083 - COME ON, MAN. COME ON. 373 00:15:13,083 --> 00:15:14,959 - ALL RIGHT. - COME ON. 374 00:15:14,959 --> 00:15:16,875 ALL RIGHT. GO GET THAT WOMAN. 375 00:15:16,875 --> 00:15:17,917 - ALL RIGHT. - YEAH. 376 00:15:17,917 --> 00:15:19,500 - HEY, THANK YOU. 377 00:15:19,500 --> 00:15:22,750 - THANK YOU. 378 00:15:22,750 --> 00:15:24,250 WRITE A SONG ABOUT HER. 379 00:15:47,417 --> 00:15:50,000 - RAD, WHAT ARE WE DOING HERE? 380 00:15:50,000 --> 00:15:52,709 - YOU ARE GONNA CHILL. 381 00:15:52,709 --> 00:15:54,542 THERE'S WAY TOO MANY DISTRACTIONS AT THE HOTEL, 382 00:15:54,542 --> 00:15:55,709 CONSIDERING WHAT JUST HAPPENED. 383 00:15:55,709 --> 00:15:59,291 SO, THIS IS A PRIVATE RESIDENCE THAT I RENTED. 384 00:15:59,291 --> 00:16:00,959 - NICE. - YEAH. 385 00:16:00,959 --> 00:16:03,166 IT'S A CONTROLLED ENVIRONMENT. IT'S QUIET. 386 00:16:03,166 --> 00:16:05,458 YOU'RE GONNA BE ABLE TO REST, RECUPERATE, 387 00:16:05,458 --> 00:16:07,875 AND MOST IMPORTANTLY, NOBODY'S GONNA BE ABLE TO FIND YOU, 388 00:16:07,875 --> 00:16:09,333 UNLESS WE WANT THEM TO. 389 00:16:09,333 --> 00:16:11,000 - WHICH EVENTUALLY, YOU'LL WANT. 390 00:16:11,000 --> 00:16:12,875 - YOU'RE NOT HELPING ME. NOT EVEN A LITTLE BIT. 391 00:16:12,875 --> 00:16:15,750 - I LIKE IT. 392 00:16:15,750 --> 00:16:16,875 LET'S GIVE IT A QUICK LOOK, 393 00:16:16,875 --> 00:16:18,875 BUT I HAVE THAT DATE WITH THE FIREMAN. 394 00:16:20,709 --> 00:16:22,750 - LISTEN, THIS IS VERY IMPORTANT TO ME. 395 00:16:22,750 --> 00:16:26,000 I WANT YOUR WORD THAT YOU WON'T ALERT THE PRESS. 396 00:16:26,000 --> 00:16:28,917 HE DESERVES A QUIET DINNER. I DESERVE A QUIET DINNER. 397 00:16:28,917 --> 00:16:30,500 - WHAT GOOD DOES IT TO ANYBODY IF YOU'RE TOGETHER 398 00:16:30,500 --> 00:16:31,917 AND I CAN'T EXPLOIT IT. 399 00:16:31,917 --> 00:16:34,000 - I'M HAVING DINNER WITH HIM BECAUSE I WANT TO, 400 00:16:34,000 --> 00:16:36,834 NOT FOR PUBLICITY. HE SAVED MY LIFE. 401 00:16:36,834 --> 00:16:38,667 - THIS MAKES NO SENSE. 402 00:16:38,667 --> 00:16:40,917 - I'M SERIOUS. NO PRESS. 403 00:16:40,917 --> 00:16:42,917 - [chuckles] CHILD. 404 00:16:49,083 --> 00:16:51,834 - NO PRESS. 405 00:17:00,542 --> 00:17:03,250 - YOU ALWAYS TRAVEL IN LIMOS? 406 00:17:03,250 --> 00:17:06,458 - WELL, NOT ALWAYS. 407 00:17:06,458 --> 00:17:08,166 I'M FROM NEW YORK. 408 00:17:08,166 --> 00:17:13,375 AND SO I, UM, I TOOK TRAINS AND SUBWAYS AND CABS FOR GIGS 409 00:17:13,375 --> 00:17:14,750 FOR A FEW YEARS. 410 00:17:14,750 --> 00:17:19,083 THEN I MET RAD AND HE SIGNED ME AND GAVE ME A NEW CAREER. 411 00:17:19,083 --> 00:17:24,000 AND WE RECORDED AN ALBUM AND IT'S QUITE SUCCESSFUL. 412 00:17:24,000 --> 00:17:27,458 I GUESS YOU CAN SAY THAT THIS IS MY COMEBACK. 413 00:17:27,458 --> 00:17:29,458 - THAT'S GOOD. 414 00:17:29,458 --> 00:17:31,458 EVERYONE DESERVES A SECOND CHANCE. 415 00:17:34,709 --> 00:17:37,166 [overlapping shouting] 416 00:17:37,166 --> 00:17:38,917 - HOW'S THE TOUR GOING? 417 00:17:38,917 --> 00:17:41,917 - RAD DID THIS EVEN THOUGH I SPECIFICALLY TOLD HIM NOT TO. 418 00:17:43,750 --> 00:17:45,875 - ALL RIGHT, STEP ASIDE. STEP ASIDE, PLEASE. 419 00:17:45,875 --> 00:17:48,208 - MADISON, MADISON, RIGHT HERE. - OH, HEY! 420 00:17:48,208 --> 00:17:52,000 YOU DON'T WANT TO PAY FOR THAT LENS, MAN. 421 00:17:52,000 --> 00:17:53,750 - JOHN! JOHN, RIGHT HERE. 422 00:17:53,750 --> 00:17:55,667 - MADISON. MADISON, OVER HERE. 423 00:17:55,667 --> 00:17:58,542 IS THIS REWARD OR ROMANCE? 424 00:17:58,542 --> 00:18:00,291 - OKAY. IS THIS US? 425 00:18:00,291 --> 00:18:01,834 - YEAH. - GOOD. 426 00:18:01,834 --> 00:18:04,166 - HERE WE GO. - THANK YOU. 427 00:18:04,166 --> 00:18:07,166 - WAIT. - WHAT? 428 00:18:07,166 --> 00:18:08,667 - MISS PARK. - OH, THANKS. 429 00:18:08,667 --> 00:18:10,709 - I KNOW OF A QUIETER PLACE. 430 00:18:10,709 --> 00:18:13,834 - WELL, I DON'T THINK WE CAN DO THAT. 431 00:18:13,834 --> 00:18:15,500 I THINK THEY'LL JUST FOLLOW US. 432 00:18:15,500 --> 00:18:17,834 - DO YOU HAVE A BACKDOOR? - MM-HMM. 433 00:18:17,834 --> 00:18:18,834 - [chuckles] 434 00:18:21,750 --> 00:18:24,917 - HE'S ON A DATE WITH MADISON PARK AND HE'S ON THE PHONE? 435 00:18:24,917 --> 00:18:26,667 - YEAH. I DON'T KNOW. 436 00:18:26,667 --> 00:18:29,417 - THAT'S REALLY WEIRD. I WONDER WHO HE'S TALKING TO. 437 00:18:29,417 --> 00:18:31,041 - GREAT. - EVERYTHING GOOD? 438 00:18:31,041 --> 00:18:32,166 - TERRIFIC. - OKAY, I'M ALMOST THERE. 439 00:18:32,166 --> 00:18:34,166 - THANK YOU. 440 00:18:35,834 --> 00:18:37,041 - HEY, LET'S GO OVER HERE. - LET'S GO. 441 00:18:37,041 --> 00:18:39,458 CAN YOU SEE THROUGH? 442 00:18:39,458 --> 00:18:40,917 - I NEED TO USE THE LADIES' ROOM. 443 00:18:40,917 --> 00:18:42,125 EXCUSE ME. 444 00:18:42,125 --> 00:18:44,875 [indistinct chatter] [horn honks] 445 00:18:44,875 --> 00:18:46,125 - WHERE'S SHE--WHERE SHE GOING? 446 00:18:46,125 --> 00:18:48,125 - I DON'T KNOW. BATHROOM? 447 00:18:53,375 --> 00:18:56,375 - UGH, NOW THAT GUY'S NOT HERE. COME OVER HERE. 448 00:18:57,792 --> 00:19:00,959 - MADISON PARK? - BILLY. 449 00:19:00,959 --> 00:19:03,041 - YOU ARE BEAUTIFUL. 450 00:19:03,041 --> 00:19:05,041 - [laughs] THANK YOU. 451 00:19:11,583 --> 00:19:13,375 - WHERE'D THEY GO? 452 00:19:13,375 --> 00:19:14,500 - WHERE IS SHE? 453 00:19:14,500 --> 00:19:15,750 - HE'S GONE. 454 00:19:15,750 --> 00:19:17,917 THEY'RE GONE. 455 00:19:17,917 --> 00:19:19,583 - THERE HE IS. - HEY. 456 00:19:19,583 --> 00:19:20,917 - WHAT'S GOING ON? - THANK YOU SO MUCH FOR COMING. 457 00:19:20,917 --> 00:19:25,750 - AH, ANYTHING FOR YOU, BUDDY. MADISON PARK IN MY CAR. 458 00:19:25,750 --> 00:19:27,208 ALL RIGHT. ALL RIGHT. HERE WE GO. 459 00:19:27,208 --> 00:19:28,625 - GO AROUND! GO AROUND! LET'S GO! LET'S GO! 460 00:19:28,625 --> 00:19:32,208 - PERFECT. I'M SICK OF THIS. 461 00:19:32,208 --> 00:19:34,208 - COME ON, LET'S GO. 462 00:19:39,291 --> 00:19:41,417 - I STILL DON'T KNOW ANYTHING ABOUT YOU. 463 00:19:41,417 --> 00:19:43,875 NOT THE SINGER YOU, BUT MADISON. 464 00:19:43,875 --> 00:19:47,959 - WELL... 465 00:19:47,959 --> 00:19:49,542 OKAY. 466 00:19:49,542 --> 00:19:55,083 WELL, I STARTED DOING BEAUTY PAGEANTS WHEN I WAS FIVE. 467 00:19:55,083 --> 00:19:58,750 AND MY MOM AND I WOULD TRAVEL ACROSS THE COUNTRY TO COMPETE. 468 00:19:58,750 --> 00:20:01,917 AND EVENTUALLY, WE FOCUSED ON SINGING. 469 00:20:01,917 --> 00:20:06,792 WHEN I WAS 16, I AUDITIONED AND WAS CHOSEN FOR "TOUCH." 470 00:20:06,792 --> 00:20:10,542 AFTER THAT...[sighs] HOW SHOULD I PUT IT? 471 00:20:10,542 --> 00:20:14,458 I...HIT THE HIGHEST OF HIGHS 472 00:20:14,458 --> 00:20:16,083 AND THE LOWEST OF LOWS. 473 00:20:19,792 --> 00:20:21,041 - TELL ME ABOUT YOUR FAMILY. 474 00:20:21,041 --> 00:20:25,125 - WOW. [laughs] WHERE TO START? 475 00:20:25,125 --> 00:20:29,750 I'M AN ONLY CHILD. I DON'T REALLY TALK TO MY MOM. 476 00:20:29,750 --> 00:20:34,834 SEE, MY MOM, SHE WAS LIKE THE TYPICAL STAGE MOM 477 00:20:34,834 --> 00:20:37,041 THAT EVERYBODY FEARED. 478 00:20:37,041 --> 00:20:40,542 AND THEN, SHE TURNED INTO THE MANAGER THAT EVERYBODY LOATHED, 479 00:20:40,542 --> 00:20:43,250 INCLUDING MYSELF SOMETIMES. 480 00:20:43,250 --> 00:20:44,667 I MEAN, SHE JUST MADE ALL THE DECISIONS 481 00:20:44,667 --> 00:20:46,625 AND I KINDA JUST WENT ALONG LIKE A GOOD LITTLE GIRL. 482 00:20:46,625 --> 00:20:48,667 - SHE MUST HAVE MADE SOME GOOD ONES. 483 00:20:48,667 --> 00:20:53,083 - [laughs] SHE ACTUALLY MADE SOME GREAT ONES. 484 00:20:53,083 --> 00:20:54,667 SHE DID, SHE MADE SOME GREAT ONES. 485 00:20:54,667 --> 00:20:57,333 MY CAREER TOOK OFF AND SOARED. 486 00:20:57,333 --> 00:21:01,083 AND I ALSO BELIEVED A LOT OF THE STUFF THAT SHE TOLD ME, 487 00:21:01,083 --> 00:21:06,000 LIKE THAT I WAS A STAR AND THAT I DESERVED 488 00:21:06,000 --> 00:21:08,542 AND NEEDED TO BE TREATED SPECIAL. 489 00:21:08,542 --> 00:21:10,875 - I CAN'T PICTURE THAT. - OH, YEAH. 490 00:21:10,875 --> 00:21:12,667 I WAS A TERROR. 491 00:21:12,667 --> 00:21:14,125 - WHERE WAS YOUR FATHER IN ALL OF THIS? 492 00:21:14,125 --> 00:21:17,375 - MY FATHER WAS A POLICE OFFICER. 493 00:21:17,375 --> 00:21:20,375 AND HE RISKED HIS LIFE EVERY DAY JUST LIKE YOU. 494 00:21:20,375 --> 00:21:22,875 THEN ONE DAY... 495 00:21:22,875 --> 00:21:26,583 A ROBBERY SUSPECT SHOT AND KILLED HIM. 496 00:21:26,583 --> 00:21:30,625 - OH...I'M SORRY. 497 00:21:30,625 --> 00:21:34,041 - I KNEW THAT IT COULD HAPPEN. 498 00:21:34,041 --> 00:21:37,917 I MEAN, HE TOLD ME THAT IT COULD HAPPEN. 499 00:21:37,917 --> 00:21:42,583 BUT WHEN IT--WHEN IT FINALLY-- 500 00:21:42,583 --> 00:21:44,542 WELL, I MEAN, 501 00:21:44,542 --> 00:21:49,792 WHEN IT ACTUALLY DID HAPPEN, I DIDN'T FEEL PREPARED. 502 00:21:49,792 --> 00:21:53,500 I WASN'T READY FOR IT. 503 00:21:53,500 --> 00:21:56,709 I MISS HIM EVERY DAY. 504 00:21:56,709 --> 00:22:00,083 - MY FATHER WAS A FIREFIGHTER. 505 00:22:00,083 --> 00:22:01,917 WE KNEW THE RISK TOO. 506 00:22:01,917 --> 00:22:03,000 - IS HE OKAY? 507 00:22:03,000 --> 00:22:07,375 - MM-HMM, RETIRED AND HAPPY. 508 00:22:07,375 --> 00:22:09,583 - THAT'S GOOD. 509 00:22:12,834 --> 00:22:14,166 UH-OH. 510 00:22:14,166 --> 00:22:15,917 I THINK SOMEBODY FROM HERE MUST HAVE CALLED THEM. 511 00:22:15,917 --> 00:22:16,959 - OH, YEAH. THERE SHE IS. 512 00:22:16,959 --> 00:22:21,750 - LET'S GET OUT OF HERE. - OKAY. [laughs] 513 00:22:21,750 --> 00:22:23,208 - HURRY UP, HURRY UP. 514 00:22:23,208 --> 00:22:24,375 - SHOOT AND RUN, SHOOT AND RUN! 515 00:22:24,375 --> 00:22:28,959 [both laughing] 516 00:22:28,959 --> 00:22:32,542 - OKAY. WE'LL GO RIGHT HERE. - OKAY. OKAY. 517 00:22:32,542 --> 00:22:35,417 - WE LOST THEM. - YEAH? 518 00:22:35,417 --> 00:22:36,625 - THEY REALLY ARE RELENTLESS. 519 00:22:36,625 --> 00:22:37,875 - WHEW. 520 00:22:37,875 --> 00:22:40,417 YEAH, TELL ME ABOUT IT. 521 00:22:40,417 --> 00:22:42,375 - I DON'T KNOW HOW YOU STAND IT. 522 00:22:42,375 --> 00:22:46,583 - I GET TO DO WHAT I LOVE BEST WHILE MAKING PEOPLE HAPPY. 523 00:22:46,583 --> 00:22:48,333 - SING? - YEAH. 524 00:22:48,333 --> 00:22:50,208 I CAN HANDLE ALL THE REST. 525 00:22:51,667 --> 00:22:54,875 - YOU KNOW WHAT? JUST CALL HER AGAIN, PLEASE. 526 00:22:54,875 --> 00:22:58,458 UGH, I KNEW THIS GUY WAS TROUBLE. 527 00:22:58,458 --> 00:23:00,125 - STRAIGHT TO VOICE MAIL. 528 00:23:00,125 --> 00:23:02,250 - YOU KNOW WHAT? I'M CALLING THE COPS. 529 00:23:02,250 --> 00:23:04,208 - YOU KNOW THIS COULD JUST BE A NICE DATE 530 00:23:04,208 --> 00:23:05,625 WHERE SHE DOESN'T WANT TO BE DISTURBED. 531 00:23:05,625 --> 00:23:07,625 - WE CANNOT LET THIS GET THAT SERIOUS. 532 00:23:07,625 --> 00:23:10,333 THIS WORKS AS A PUBLICITY STUNT, BUT IT DOES NOT WORK 533 00:23:10,333 --> 00:23:13,792 IN REAL LIFE, AND YOUR JOB IS ON THE LINE. 534 00:23:13,792 --> 00:23:16,125 - OVER ONE DINNER? - NO, NO, NO. 535 00:23:16,125 --> 00:23:17,834 THIS STARTS OVER ONE DINNER. 536 00:23:17,834 --> 00:23:20,333 IT ALWAYS STARTS OVER ONE DINNER. 537 00:23:20,333 --> 00:23:22,208 THIS IS SERIOUS, OKAY? 538 00:23:22,208 --> 00:23:24,667 I MEAN, SHE HID FROM THE MEDIA. 539 00:23:24,667 --> 00:23:27,250 SHE'S OFF WITH HIM AND SHE TURNED HER PHONE OFF. 540 00:23:27,250 --> 00:23:29,041 - [gasps] THE HORROR. 541 00:23:29,041 --> 00:23:30,625 - LOOK, I AM RIGHT ABOUT THIS. 542 00:23:30,625 --> 00:23:32,375 I AM ALWAYS RIGHT ABOUT THESE THINGS. 543 00:23:32,375 --> 00:23:34,500 I HAVE A SEVENTH SENSE, OKAY? 544 00:23:34,500 --> 00:23:36,750 THAT'S WHY I AM SO SUCCESSFUL. 545 00:23:36,750 --> 00:23:40,166 - RELAX. SHE IS THANKING A VERY NICE, 546 00:23:40,166 --> 00:23:43,000 HANDSOME FIREMAN FOR SAVING HER LIFE. 547 00:23:43,000 --> 00:23:45,375 IT'S NOT GONNA GO ANY FURTHER THAN THAT, I PROMISE. 548 00:23:45,375 --> 00:23:47,417 I WON'T LET ANYTHING DERAIL HER COMEBACK. 549 00:23:47,417 --> 00:23:50,166 - I HAVE A STOMACHACHE. 550 00:23:50,166 --> 00:23:51,834 - TICKETS? 551 00:23:51,834 --> 00:23:53,083 AUTOGRAPH FOR YOUR SISTER? 552 00:23:53,083 --> 00:23:57,291 AND YOU WAITED THIS LONG TO ASK ME FOR THAT? 553 00:23:57,291 --> 00:23:58,834 - YEAH. 554 00:23:58,834 --> 00:24:02,125 I MEAN, IF I'M ASKING TOO MUCH OR IF I STEPPED OVER A LINE-- 555 00:24:02,125 --> 00:24:04,458 - ARE YOU KIDDING ME? YOU SAVED MY LIFE. 556 00:24:04,458 --> 00:24:05,458 - IT'S MY JOB. 557 00:24:05,458 --> 00:24:07,000 - AND YOU HAD NO IDEA WHO I WAS 558 00:24:07,000 --> 00:24:08,917 UNTIL YOUR SISTER ASKED YOU FOR TICKETS? 559 00:24:08,917 --> 00:24:11,834 - YOU KNOW THEY CHARGE 600 BUCKS FOR TICKETS TO SEE YOU? 560 00:24:11,834 --> 00:24:13,417 - YEAH, YEAH, I DO. 561 00:24:13,417 --> 00:24:15,917 IT'S JUST FOR A FEW SEATS UPFRONT. 562 00:24:15,917 --> 00:24:17,458 - YOU MUST BE A GOOD SINGER. 563 00:24:17,458 --> 00:24:19,458 - WAIT, YOU'VE NEVER HEARD ME SING? 564 00:24:19,458 --> 00:24:22,250 - UH... 565 00:24:22,250 --> 00:24:24,291 OKAY, I'LL TAKE YOU HOME NOW. [chuckles] 566 00:24:24,291 --> 00:24:25,542 - WAIT, NO, NO, NO. FIRST OF ALL, 567 00:24:25,542 --> 00:24:28,542 YOU DON'T HAVE A CAR RIGHT NOW, BUT SECOND, 568 00:24:28,542 --> 00:24:30,166 I ACTUALLY KIND OF LIKE THAT. 569 00:24:37,875 --> 00:24:39,875 VERNON'S HERE. 570 00:24:54,250 --> 00:24:58,291 - WELL, I HAD A GREAT TIME TONIGHT. 571 00:24:58,291 --> 00:25:00,583 - ME TOO. 572 00:25:05,083 --> 00:25:06,542 SO... 573 00:25:06,542 --> 00:25:09,625 - DAY AFTER TOMORROW? 574 00:25:09,625 --> 00:25:12,792 I WORK TOMORROW. 575 00:25:12,792 --> 00:25:16,583 - YEAH, I WOULD LOVE THAT. 576 00:25:16,583 --> 00:25:18,166 - GOOD NIGHT. 577 00:25:18,166 --> 00:25:21,625 - GOOD NIGHT. 578 00:25:21,625 --> 00:25:23,166 - NEXT TIME, I'LL DRIVE? 579 00:25:23,166 --> 00:25:25,208 - OKAY, WHATEVER YOU WANT. 580 00:25:51,041 --> 00:25:53,917 - YO, YO. JUST GOT OUT OF THE STUDIO. 581 00:25:53,917 --> 00:25:55,208 I GOT SOME GREAT STUFF. 582 00:25:55,208 --> 00:25:57,917 - TELL ME YOU HAVE A LOVE SONG TO MADISON ON THERE. 583 00:25:57,917 --> 00:26:01,834 - NO, NOT, LIKE, SPECIFICALLY, BUT I GOT SOME LOVE STUFF. 584 00:26:01,834 --> 00:26:03,000 I MEAN, SOME GOOD STUFF TOO. 585 00:26:03,000 --> 00:26:04,959 - NICE. THAT SOUNDS ROMANTIC. 586 00:26:04,959 --> 00:26:06,500 - IT'S DANCE MUSIC. 587 00:26:06,500 --> 00:26:07,583 COME ON, YOU DON'T WANNA HEAR IT? 588 00:26:07,583 --> 00:26:10,375 - NO, NOT REALLY. - WHY NOT? 589 00:26:10,375 --> 00:26:12,291 - BECAUSE IF YOU DON'T HAVE A TOUR TO SUPPORT IT, 590 00:26:12,291 --> 00:26:14,333 IT WON'T SELL. 591 00:26:14,333 --> 00:26:18,500 LOOK, I MAY HAVE GOTTEN THE RECORD COMPANY TO HOLD OFF 592 00:26:18,500 --> 00:26:22,625 ON CANCELLATION, SO WE'RE STILL ALIVE, BUT MADISON IS THE KEY. 593 00:26:22,625 --> 00:26:24,250 YOU NEED TO GET HER BACK IN YOUR LIFE, 594 00:26:24,250 --> 00:26:26,458 AND RAD WON'T EVEN ANSWER MY PHONE CALLS. 595 00:26:26,458 --> 00:26:29,291 - DON'T LOOK AT ME. MADISON WON'T ANSWER THE PHONE. 596 00:26:29,291 --> 00:26:30,792 OKAY, I DON'T KNOW WHERE SHE IS. 597 00:26:30,792 --> 00:26:32,792 - YOU NEED TO FIND HER. 598 00:26:37,208 --> 00:26:39,500 - HOW WAS YOUR NIGHT? - WE HAD A GOOD TIME. 599 00:26:39,500 --> 00:26:40,625 SHE'S A NICE GIRL. 600 00:26:40,625 --> 00:26:43,166 - CATHY DOWN AT THE DINER IS A NICE GIRL. 601 00:26:43,166 --> 00:26:45,875 MADISON IS LIKE HER OWN SPECIES. 602 00:26:45,875 --> 00:26:47,667 - WHY? BECAUSE SHE CAN SING ON KEY? 603 00:26:47,667 --> 00:26:49,166 - YOU JUST DON'T GET IT. 604 00:26:49,166 --> 00:26:52,375 - SHE'S A DOWN-TO-EARTH, LOVELY WOMAN, WHO I THINK KNOWS 605 00:26:52,375 --> 00:26:54,375 ALL THE CELEBRITY BALONEY IS SHALLOW. 606 00:26:54,375 --> 00:26:56,125 - YEAH, I COULD BELIEVE THAT. 607 00:26:56,125 --> 00:26:58,542 - SHE LOVES TO SING. - THAT'S ALL SHE WRITES ABOUT. 608 00:26:58,542 --> 00:27:00,458 - I SHOULD PROBABLY LISTEN TO SOME OF THEM THEN, HUH? 609 00:27:00,458 --> 00:27:02,458 - YOU THINK? 610 00:27:07,875 --> 00:27:10,709 - SO? DISH. 611 00:27:10,709 --> 00:27:14,583 - I HAD A LOVELY EVENING WITH A NICE MAN 612 00:27:14,583 --> 00:27:16,834 JUST LIKE ANY OTHER REGULAR WOMAN. 613 00:27:16,834 --> 00:27:20,125 - IN A CHAUFFEURED LIMOUSINE IN A $2,000 DRESS. [laughs] 614 00:27:20,125 --> 00:27:21,917 STOP HOLDING OUT ON ME. 615 00:27:21,917 --> 00:27:24,333 - IT WAS AMAZING. 616 00:27:24,333 --> 00:27:25,625 WE SNUCK OUT 617 00:27:25,625 --> 00:27:29,750 AND WE TALKED ABOUT FAMILY 618 00:27:29,750 --> 00:27:33,500 AND FEELINGS AND... 619 00:27:33,500 --> 00:27:35,083 I DON'T THINK I'VE EVER HAD A DATE LIKE THAT. 620 00:27:35,083 --> 00:27:36,709 - HE DOESN'T CARE ABOUT YOUR CAREER? 621 00:27:36,709 --> 00:27:38,417 - NOPE, HE'S NEVER EVEN HEARD ME SING. 622 00:27:38,417 --> 00:27:39,917 - HAS HE BEEN LIVING IN A CAVE? 623 00:27:39,917 --> 00:27:42,166 - I ACTUALLY FIND IT KIND OF REFRESHING. 624 00:27:42,166 --> 00:27:44,250 - SO SEEING THE FIREFIGHTER AGAIN, YES OR NO? 625 00:27:44,250 --> 00:27:45,709 - YES. 626 00:27:45,709 --> 00:27:48,000 - OKAY, PLEASE--AND I SAY THIS ONLY BECAUSE I HAVE YOUR BEST 627 00:27:48,000 --> 00:27:51,667 INTERESTS AT HEART--DON'T LET THIS GET YOU OFF TRACK. 628 00:27:51,667 --> 00:27:53,709 PLUS, RAD'S HEAD WILL EXPLODE IF IT DOES. 629 00:27:53,709 --> 00:27:55,083 - WELL, YOU KNOW WHAT, IF IT DOESN'T GET ON ME, 630 00:27:55,083 --> 00:27:57,458 I'M ABSOLUTELY OKAY WITH THAT. 631 00:27:57,458 --> 00:27:58,792 - [laughs] 632 00:28:05,583 --> 00:28:09,417 - VERNON, CAN YOU GIVE ME A RIDE SOMEPLACE? 633 00:28:09,417 --> 00:28:12,125 - ANYTHING FOR YOU. 634 00:28:12,125 --> 00:28:14,000 WHERE ARE YOU GOING? 635 00:28:14,000 --> 00:28:16,000 - FOOD DELIVERY. 636 00:28:18,333 --> 00:28:21,125 [on radio] ♪ OH, OH, DON'T WAKE ME UP ♪ 637 00:28:21,125 --> 00:28:22,875 ♪ IF I'M DREAMING ♪ 638 00:28:22,875 --> 00:28:25,208 - WOW, SHE'S AMAZING. 639 00:28:25,208 --> 00:28:27,041 - THAT'S WHAT I'VE BEEN TELLING YOU. 640 00:28:27,041 --> 00:28:29,458 I MEAN, SHE'S LIKE A WHOLE NOTHER LEVEL. 641 00:28:43,959 --> 00:28:45,959 - HI. 642 00:28:49,250 --> 00:28:50,250 HI, BILLY. 643 00:28:50,250 --> 00:28:51,834 - HI, MADISON. 644 00:28:51,834 --> 00:28:55,834 - JOHN, I BROUGHT YOU A SNACK. 645 00:28:55,834 --> 00:29:00,709 - BYE, MADISON. - [laughs] BYE. 646 00:29:00,709 --> 00:29:02,250 I'M SORRY. WAS THIS TOO FORWARD? 647 00:29:02,250 --> 00:29:03,500 - NO. - GOOD. 648 00:29:03,500 --> 00:29:06,583 I MADE YOU A TURKEY SANDWICH AND A FRUIT SALAD. 649 00:29:06,583 --> 00:29:09,792 - YOU MADE IT? - YEAH. 650 00:29:09,792 --> 00:29:12,500 DON'T ACT SO SURPRISED. - SORRY. 651 00:29:12,500 --> 00:29:14,709 - AND I JUST WANTED TO MAKE SURE THAT YOU DIDN'T FORGET 652 00:29:14,709 --> 00:29:15,834 ABOUT TOMORROW. 653 00:29:15,834 --> 00:29:20,667 - NOT A CHANCE I'D FORGET. 654 00:29:20,667 --> 00:29:23,291 - OKAY, SO I KNOW THAT YOU'RE ON DUTY AND I KNOW HOW THAT IS. 655 00:29:23,291 --> 00:29:24,834 SO, I'LL JUST GO. 656 00:29:24,834 --> 00:29:27,000 - WELL, THIS WAS SWEET 657 00:29:27,000 --> 00:29:28,667 AND I'LL SEE YOU TOMORROW MORNING AT 9:00. 658 00:29:28,667 --> 00:29:30,834 - 9:00? WOW, THAT EARLY? 659 00:29:30,834 --> 00:29:33,166 - IT'S NOT THAT EARLY. - IT'S A LITTLE EARLY. 660 00:29:33,166 --> 00:29:35,542 - OKAY, WE'LL DO 11:00. - THANK YOU. 661 00:29:35,542 --> 00:29:37,875 - DRESS COMFORTABLY, WE'RE GOING HIKING. 662 00:29:37,875 --> 00:29:40,458 - HIKING? OKAY. 663 00:29:40,458 --> 00:29:42,583 THAT'S--I'M EXCITED ABOUT THAT. 664 00:29:42,583 --> 00:29:44,583 SO, I'LL SEE YOU TOMORROW. 665 00:29:48,625 --> 00:29:50,625 - BYE, MADISON. 666 00:30:10,000 --> 00:30:12,375 - DID YOU CALL HER YET? - I TRIED. 667 00:30:12,375 --> 00:30:15,750 EVERY TIME I CALL, IT GOES STRAIGHT TO VOICE MAIL. 668 00:30:15,750 --> 00:30:19,166 THE ONE TIME I GOT HER, SHE HUNG UP ON ME. 669 00:30:19,166 --> 00:30:20,291 - OH, THAT'S NOT GOOD. 670 00:30:20,291 --> 00:30:22,500 WHY DIDN'T YOU JUST GO SEE HER? - I DID. 671 00:30:22,500 --> 00:30:25,417 I WENT TO THE HOSPITAL WITH FLOWERS. 672 00:30:25,417 --> 00:30:26,709 SHE WAS ALREADY GONE. 673 00:30:26,709 --> 00:30:28,041 - THIS IS NOT GOOD. YOU NEED TO-- 674 00:30:28,041 --> 00:30:29,250 - TO WHAT? 675 00:30:29,250 --> 00:30:30,709 HAVE HER FALL BACK IN LOVE WITH ME? 676 00:30:30,709 --> 00:30:33,834 HER ALBUM JUST SOLD, LIKE, A GAZILLION COPIES. 677 00:30:33,834 --> 00:30:35,917 SHE HAS A SOLD-OUT TOUR. 678 00:30:35,917 --> 00:30:37,709 SHE DOESN'T NEED ME. 679 00:30:37,709 --> 00:30:41,125 - YEAH, AND AFTER YESTERDAY, SHE COULDN'T BE RIDING ANY HIGHER. 680 00:30:41,125 --> 00:30:43,917 OLD RAD MUST BE BEYOND HAPPY. 681 00:30:46,083 --> 00:30:48,083 [horn honks] 682 00:30:55,625 --> 00:30:58,417 - HEY. 683 00:30:58,417 --> 00:31:00,083 - HEY, YOU READY? 684 00:31:00,083 --> 00:31:01,083 - YEAH. 685 00:31:19,583 --> 00:31:21,667 - TELL ME A FUNNY CHILDHOOD STORY. 686 00:31:21,667 --> 00:31:25,041 - [laughs] I'M NOT SURE YOU WANT TO HEAR 687 00:31:25,041 --> 00:31:27,458 MY FUNNY CHILDHOOD STORY. - [laughs] WHY NOT? 688 00:31:27,458 --> 00:31:28,875 - NOT YET, AT LEAST. 689 00:31:32,208 --> 00:31:34,041 - HELLO, MY PEOPLE. 690 00:31:34,041 --> 00:31:35,875 WHERE IS THE AMAZING MADISON? 691 00:31:35,875 --> 00:31:37,291 DO NOT TELL ME SHE'S RUNNING LATE. 692 00:31:37,291 --> 00:31:39,583 WE HAVE A FULL DAY TODAY. 693 00:31:39,583 --> 00:31:43,542 I HAVE TWO INTERVIEWS REGARDING THE FIRE AND A LOVELY PHOTO OP 694 00:31:43,542 --> 00:31:45,333 OF HER REVISITING THE SCENE. 695 00:31:45,333 --> 00:31:47,041 - SHE'S NOT HERE. 696 00:31:47,041 --> 00:31:49,041 - WHAT DID HE SAY? 697 00:31:49,041 --> 00:31:50,750 I THOUGHT YOU SAID, "SHE'S NOT HERE." 698 00:31:50,750 --> 00:31:53,000 WHAT'S GOING ON? 699 00:32:02,250 --> 00:32:03,917 - THIS LOOKS LIKE A GOOD SPOT. 700 00:32:03,917 --> 00:32:06,000 - YEAH. 701 00:32:06,000 --> 00:32:10,208 GOOD SPOT FOR WHAT? - PICNIC. 702 00:32:10,208 --> 00:32:11,375 - A PICNIC WITH-- 703 00:32:11,375 --> 00:32:15,375 - OH, YE OF LITTLE FAITH. - [chuckles] 704 00:32:22,291 --> 00:32:26,750 - I BROUGHT THIS UP HERE EARLIER TO SURPRISE YOU. 705 00:32:26,750 --> 00:32:30,041 - GUESS WHAT, I DON'T CARE. I REALLY DON'T. 706 00:32:30,041 --> 00:32:32,166 FIND HER. GET HER BACK HERE NOW. 707 00:32:32,166 --> 00:32:34,542 THIS IS UNACCEPTABLE. - OKAY, RAD. 708 00:32:34,542 --> 00:32:36,709 LET ME REPEAT MYSELF SINCE YOU DON'T LISTEN TO ANYONE 709 00:32:36,709 --> 00:32:38,458 WHO HOLDS DIFFERING OPINIONS. - VERNON, DON'T. 710 00:32:38,458 --> 00:32:40,041 - HER MOM NEVER LET HER HAVE A LIFE. 711 00:32:40,041 --> 00:32:42,709 SHE NEEDS TO HAVE ONE. AND SHE CAN'T SING RIGHT NOW 712 00:32:42,709 --> 00:32:44,875 ANYWAY AND SHE DOESN'T NEED ANY PRESSURE COMING FROM YOU, 713 00:32:44,875 --> 00:32:46,834 SO BACK OFF. - REALLY? 714 00:32:46,834 --> 00:32:49,208 GUESS WHAT. YOU'RE FIRED. 715 00:32:49,208 --> 00:32:50,542 HOW ABOUT THAT? - YOU CAN'T FIRE ME. 716 00:32:50,542 --> 00:32:53,208 - I JUST DID. NOW, GO. - PLEASE, GUYS. 717 00:32:53,208 --> 00:32:55,875 - AND YOU, SWEETHEART, YOU'RE GONNA BE NEXT 718 00:32:55,875 --> 00:32:57,500 IF YOU DON'T FIGURE OUT THIS LITTLE FIREMAN THING. 719 00:32:57,500 --> 00:32:59,875 WE DON'T NEED ANY DISTRACTIONS RIGHT NOW, DO YOU UNDERSTAND? 720 00:32:59,875 --> 00:33:01,375 - OH, RAD, I WAS JUST TRYING TO-- 721 00:33:01,375 --> 00:33:03,417 - JUST STOP TALKING AND ACT. 722 00:33:09,583 --> 00:33:12,250 - MMM. WHAT IS THIS? 723 00:33:12,250 --> 00:33:13,417 THIS IS REALLY GREAT. 724 00:33:13,417 --> 00:33:15,166 - CHICKEN BRUSCHETTA. - HMM. 725 00:33:15,166 --> 00:33:17,709 - I MARINATED THE CHICKEN OVERNIGHT. 726 00:33:17,709 --> 00:33:20,208 - AND YOU MADE THIS? - MM-HMM. 727 00:33:20,208 --> 00:33:21,959 PART OF A FIREFIGHTER'S JOB DESCRIPTION 728 00:33:21,959 --> 00:33:23,625 IS TO COOK FOR ALL THE CREW. 729 00:33:23,625 --> 00:33:26,041 WE ALL HAVE TO DO IT. 730 00:33:26,041 --> 00:33:27,375 YOU MADE ME A SANDWICH. THE LEAST I COULD DO 731 00:33:27,375 --> 00:33:29,375 IS RETURN THE FAVOR. 732 00:33:32,417 --> 00:33:35,083 - WHAT ARE YOU GOING TO DO? - NOTHING. 733 00:33:35,083 --> 00:33:36,709 RAD'S ALL HOT AIR. 734 00:33:36,709 --> 00:33:38,792 HE KNOWS HE CAN'T REALLY FIRE ME. 735 00:33:38,792 --> 00:33:41,041 I'M NOT GOING ANYWHERE. - HE SEEMED PRETTY MAD. 736 00:33:41,041 --> 00:33:42,417 - I DON'T WORK FOR HIM. 737 00:33:42,417 --> 00:33:44,208 IF MADISON WANTS ME TO GO, I'M GONE. 738 00:33:44,208 --> 00:33:45,500 - I KNOW WHAT YOU MEAN. 739 00:33:45,500 --> 00:33:47,583 I WANT WHAT'S BEST FOR HER TOO, FOR HER CAREER. 740 00:33:47,583 --> 00:33:49,166 IT'S JUST THAT RAD KNOWS WHAT HE'S DOING. 741 00:33:49,166 --> 00:33:50,667 HE'S CONCENTRATING ON HER MORE THAN ANY 742 00:33:50,667 --> 00:33:52,333 OF HIS OTHER CLIENTS RIGHT NOW, SO-- 743 00:33:52,333 --> 00:33:56,458 - DOESN'T MEAN YOU CAN'T STAND UP FOR YOURSELF WHEN HE'S WRONG. 744 00:33:56,458 --> 00:33:58,792 - I WISH I WAS AS TOUGH AS YOU. - [scoffs] 745 00:33:58,792 --> 00:34:00,917 TOUGH'S GOT NOTHING TO DO WITH IT. 746 00:34:00,917 --> 00:34:03,291 I LOVE THAT GIRL. 747 00:34:03,291 --> 00:34:06,291 I'LL DO ANYTHING FOR HER. - YEAH. 748 00:34:13,417 --> 00:34:16,000 - WHAT A GREAT DAY. 749 00:34:16,000 --> 00:34:18,417 IT'S NOT REAL, BUT WONDERFUL. 750 00:34:21,333 --> 00:34:24,291 - IS THAT MADISON PARK? - YEAH. YEAH, I THINK IT IS. 751 00:34:24,291 --> 00:34:26,709 - OH, MY GOD. 752 00:34:26,709 --> 00:34:30,250 - THIS IS REALLY MY REAL LIFE. 753 00:34:30,250 --> 00:34:31,375 [laughter] - HI, MADISON. 754 00:34:31,375 --> 00:34:32,625 - CAN WE TAKE A PICTURE WITH YOU? 755 00:34:32,625 --> 00:34:34,500 - OF COURSE YOU CAN. LET ME JUST PUT THAT DOWN. 756 00:34:34,500 --> 00:34:36,166 - THANK YOU SO MUCH. - OF COURSE. 757 00:34:36,166 --> 00:34:37,709 ALL RIGHT. OKAY, YOU FIRST? 758 00:34:37,709 --> 00:34:39,875 READY? - ONE, TWO, THREE. 759 00:34:39,875 --> 00:34:41,625 - DO YOU WANT ANOTHER ONE? - THANK YOU SO MUCH. SURE. 760 00:34:41,625 --> 00:34:42,917 - YOU'RE WELCOME, YOU'RE WELCOME. PERFECT. 761 00:34:42,917 --> 00:34:44,917 - I LISTEN TO YOUR ALBUM, LIKE, EVERY SINGLE DAY. 762 00:34:44,917 --> 00:34:46,417 - AW. THANK YOU. 763 00:34:46,417 --> 00:34:48,041 - YOU ARE SO PRETTY IN PERSON. 764 00:34:48,041 --> 00:34:49,667 - THANK YOU, SWEETIE. SO ARE YOU. 765 00:34:49,667 --> 00:34:50,959 YOU'RE ALL SO PRETTY. LOOK AT YOU. 766 00:34:50,959 --> 00:34:52,000 - THANK YOU. 767 00:34:52,000 --> 00:34:53,375 DO YOU HAVE ANY NEW SHOWS COMING UP? 768 00:34:53,375 --> 00:34:54,417 - YEAH, DO YOU HAVE A NEW SHOW COMING UP? 769 00:34:54,417 --> 00:34:55,917 - YEAH, DO YOU? 770 00:34:55,917 --> 00:34:57,875 - I DO HAVE A SHOW COMING UP. WE'RE GONNA RESCHEDULE IT SOON, 771 00:34:57,875 --> 00:34:59,291 BUT I'D LOVE FOR YOU GUYS TO COME. 772 00:34:59,291 --> 00:35:01,083 IT'S A LIVE TAPING. - MM-HMM, WE'LL BE THERE. 773 00:35:01,083 --> 00:35:02,166 - AW, THAT'S EXCITING. 774 00:35:02,166 --> 00:35:03,417 THAT MAKES ME VERY HAPPY TO HEAR THAT. 775 00:35:03,417 --> 00:35:05,125 - THANK YOU FOR TAKING A PICTURE WITH US, MADISON. 776 00:35:05,125 --> 00:35:07,458 - OF COURSE, OF COURSE. IT WAS LOVELY TO MEET YOU GUYS. 777 00:35:08,625 --> 00:35:09,709 - BYE. -- YOU, TOO. BYE.. 778 00:35:09,709 --> 00:35:10,709 - THANK YOU SO MUCH. YOU ARE SO SWEET. 779 00:35:10,709 --> 00:35:12,709 - THANK YOU SO MUCH. 780 00:35:13,709 --> 00:35:16,583 [girls giggling] 781 00:35:28,291 --> 00:35:30,041 - YOU'RE REALLY GOOD TO YOUR FANS. 782 00:35:30,041 --> 00:35:32,291 - THANK YOU. - THAT WAS FUN TO WATCH. 783 00:35:32,291 --> 00:35:35,417 - WELL, THEY MADE ME WHO I AM. 784 00:35:35,417 --> 00:35:38,917 I'M NOTHING WITHOUT--WELL, I'M NOTHING PROFESSIONALLY 785 00:35:38,917 --> 00:35:40,750 WITHOUT THEM. - [laughs] 786 00:35:45,834 --> 00:35:48,500 SUCH A GOOD TIME. - YEAH. 787 00:35:48,500 --> 00:35:50,959 EVEN WHEN I WAS SIGNING AUTOGRAPHS. 788 00:35:50,959 --> 00:35:53,917 - NOW, I TOLD YOU, I GOT A GLIMPSE INTO WHAT YOU DO. 789 00:35:53,917 --> 00:35:55,667 I SAW HOW GRACIOUS YOU ARE. 790 00:35:55,667 --> 00:35:57,250 - OH, AND THANK YOU FOR THE HOME-COOKED MEAL. 791 00:35:57,250 --> 00:35:59,166 I DON'T REALLY GET MANY OF THOSE. 792 00:35:59,166 --> 00:36:00,625 - THAT WASN'T A HOME-COOKED MEAL. 793 00:36:00,625 --> 00:36:02,375 IT WAS A SANDWICH AND A COOKIE. 794 00:36:02,375 --> 00:36:06,667 NOW, MY MOTHER IS A GREAT COOK. 795 00:36:06,667 --> 00:36:09,250 - ARE YOU INVITING ME TO MEET YOUR PARENTS? 796 00:36:09,250 --> 00:36:10,667 - I DIDN'T MEAN FOR IT TO SOUND LIKE THAT. 797 00:36:10,667 --> 00:36:12,125 - WHY? 798 00:36:12,125 --> 00:36:15,417 WHY? I-I MEAN, I KINDA LIKE THE WAY THAT SOUNDS. 799 00:36:15,417 --> 00:36:18,000 I WOULD LOVE TO MEET YOUR FAMILY. 800 00:36:18,000 --> 00:36:19,667 AND I COULD TAKE CARE OF THAT THING FOR YOUR SISTER 801 00:36:19,667 --> 00:36:20,750 AT THE SAME TIME. 802 00:36:20,750 --> 00:36:23,875 - OH, THAT. YOU DON'T NEED TO-- 803 00:36:23,875 --> 00:36:25,583 - IT'S REALLY NOT A PROBLEM. 804 00:36:25,583 --> 00:36:27,375 AND I'M PRETTY SURE IT'LL GET YOU SOME EXTRA CREDIT 805 00:36:27,375 --> 00:36:28,750 IF I DELIVER IT MYSELF. 806 00:36:28,750 --> 00:36:30,792 - YOU GOT THAT RIGHT. 807 00:36:33,667 --> 00:36:35,834 WELL, I SHOULD-- 808 00:36:35,834 --> 00:36:38,458 - OH, YEAH. YEAH, I SHOULD--I SHOULD-- 809 00:36:38,458 --> 00:36:40,458 I SHOULD GO INSIDE. 810 00:36:44,083 --> 00:36:46,375 - THANK YOU. - MM-HMM. 811 00:36:59,834 --> 00:37:02,625 - ALL DAY? - YEAH. 812 00:37:02,625 --> 00:37:04,792 - RAD BLEW A GASKET. - UGH, GOD. 813 00:37:04,792 --> 00:37:06,667 I'M ALLOWED TO HAVE A PERSONAL LIFE. 814 00:37:06,667 --> 00:37:08,208 - YEAH, YOUR FIREMAN TELL YOU THAT? 815 00:37:08,208 --> 00:37:09,959 - WHAT IS YOUR PROBLEM? 816 00:37:09,959 --> 00:37:12,041 - RAD FIRED VERNON BECAUSE HE LET YOU GO TODAY. 817 00:37:12,041 --> 00:37:13,959 - NOT AGAIN. HE KNOWS HE CAN'T DO THAT. 818 00:37:13,959 --> 00:37:15,333 - VERNON DIDN'T GO ANYWHERE BUT, YOU KNOW, 819 00:37:15,333 --> 00:37:17,583 I JUST FEEL LIKE THIS IS GETTING OUT OF HAND. 820 00:37:17,583 --> 00:37:19,166 I THOUGHT YOUR CAREER WAS YOUR LIFE. 821 00:37:19,166 --> 00:37:22,083 - NO, MY CAREER IS RAD'S LIFE AT THE MOMENT. 822 00:37:22,083 --> 00:37:24,000 IT'S ONLY PART OF MINE, FINALLY. 823 00:37:24,000 --> 00:37:25,834 - ONE TIME YOU TOLD ME WHEN YOU WANT IT ALL 824 00:37:25,834 --> 00:37:27,291 YOU USUALLY END UP WITH NOTHING. 825 00:37:27,291 --> 00:37:30,750 - YOU KNOW THAT I WANT A CAREER, BUT I ALSO WANT A PERSONAL LIFE. 826 00:37:30,750 --> 00:37:33,667 JOHN IS A SUPER SWEET, 827 00:37:33,667 --> 00:37:38,041 SUPER CLASSY, NICE GUY. 828 00:37:38,041 --> 00:37:41,041 WE'RE JUST GOOD FRIENDS, OKAY? 829 00:37:41,041 --> 00:37:42,333 ALTHOUGH, I AM MEETING HIS PARENTS 830 00:37:42,333 --> 00:37:44,166 FOR DINNER TOMORROW NIGHT. 831 00:37:44,166 --> 00:37:46,166 THAT'S IT. 832 00:37:49,250 --> 00:37:51,917 - OH. 833 00:38:15,291 --> 00:38:17,208 - THANKS FOR MEETING ME, MAN. - NOT A PROBLEM. 834 00:38:17,208 --> 00:38:18,917 TELL ME SOMETHING, QUICK QUESTION. 835 00:38:18,917 --> 00:38:22,375 WHY THE SUDDEN CHANGE OF HEART ON THE JORDAN-MADISON IDEA? 836 00:38:22,375 --> 00:38:24,667 - "A," IT'LL HELP ME REIGN IN MADISON A LITTLE BIT, 837 00:38:24,667 --> 00:38:27,083 BUT "B," I THINK IT'LL SELL SOME TICKETS FOR YOUR BOY, 838 00:38:27,083 --> 00:38:28,166 SO YOU DON'T HAVE TO CANCEL HIS SHOW. 839 00:38:28,166 --> 00:38:29,875 - WELL, I DON'T KNOW ABOUT ALL THAT. 840 00:38:29,875 --> 00:38:31,208 I JUST THOUGHT IT'D BE FUN FOR THE KIDS. 841 00:38:31,208 --> 00:38:32,625 - COME ON, MAN, PLEASE. 842 00:38:32,625 --> 00:38:34,667 JORDAN'S ENTIRE PERSONA SMELLS LIKE FAILURE RIGHT NOW, 843 00:38:34,667 --> 00:38:37,166 BUT I HAVE A PLAN THAT CAN CHANGE ALL THAT. 844 00:38:42,709 --> 00:38:44,250 - YOU HAVE TO TELL ME EVERYTHING. 845 00:38:44,250 --> 00:38:46,083 ISN'T SHE A WONDERFUL SINGER? 846 00:38:46,083 --> 00:38:48,417 - KRISSY, SHE'S A NICE PERSON 847 00:38:48,417 --> 00:38:49,750 AND YES, SHE'S A VERY GOOD SINGER. 848 00:38:49,750 --> 00:38:53,542 - SHE SANG TO YOU? OH, I CAN'T BELIEVE IT. 849 00:38:53,542 --> 00:38:54,792 - NO, SHE DIDN'T SING TO ME. 850 00:38:54,792 --> 00:38:56,083 - YOU GONNA SEE HER AGAIN? 851 00:38:56,083 --> 00:38:57,500 - I HAVE TO GO. 852 00:38:57,500 --> 00:39:00,500 I'LL SEE YOU SOON, OKAY? I LOVE YOU. 853 00:39:00,500 --> 00:39:02,500 - [sighs] NOT FAIR. 854 00:39:25,250 --> 00:39:27,458 - OH, WOW. 855 00:39:27,458 --> 00:39:28,959 - SURPRISE. 856 00:39:28,959 --> 00:39:30,709 - JORDAN? 857 00:39:30,709 --> 00:39:31,875 - YOU LIKE THEM? 858 00:39:31,875 --> 00:39:32,875 THEY'RE YOUR FAVORITE. 859 00:39:32,875 --> 00:39:34,291 - OH, THESE ARE FROM YOU? 860 00:39:34,291 --> 00:39:39,792 - DON'T TELL ME YOU HAVE SOMEONE ELSE SENDING YOU ROSES. 861 00:39:39,792 --> 00:39:41,333 - WHAT IS THIS ABOUT? 862 00:39:41,333 --> 00:39:46,208 - LOOK, I ALMOST LOST YOU IN THAT FIRE. 863 00:39:46,208 --> 00:39:47,917 IT WAS A WAKEUP CALL FOR ME. 864 00:39:47,917 --> 00:39:51,083 - YOU DON'T HAVE ME TO LOSE ME. 865 00:39:51,083 --> 00:39:53,709 AND HOW DID YOU KNOW WHERE I WAS? 866 00:39:53,709 --> 00:39:57,667 - BEEN TRYING TO CONTACT YOU. I FINALLY GOT THROUGH TO RAD. 867 00:39:57,667 --> 00:40:00,208 I ASKED HIM, HE TOLD ME. 868 00:40:00,208 --> 00:40:03,750 COME ON. HE KNOWS WE HAVE A HISTORY. 869 00:40:03,750 --> 00:40:05,625 - YEAH, ANCIENT HISTORY. 870 00:40:05,625 --> 00:40:08,500 - YES, IT IS, BUT THAT DOESN'T MEAN 871 00:40:08,500 --> 00:40:10,166 WE CAN'T MAKE HISTORY AGAIN. 872 00:40:10,166 --> 00:40:11,917 - WHAT DO YOU WANT? 873 00:40:11,917 --> 00:40:13,792 - I JUST WANT TO BE TOGETHER AGAIN. 874 00:40:13,792 --> 00:40:15,375 COME ON. LIKE OLD TIMES. 875 00:40:15,375 --> 00:40:17,500 DON'T YOU REMEMBER? - WELL, THAT'S NOT HAPPENING. 876 00:40:17,500 --> 00:40:22,250 - LOOK, IF I MEANT ANYTHING TO YOU, LET'S GO OUT TONIGHT. 877 00:40:22,250 --> 00:40:24,000 JUST SEE WHAT HAPPENS, COME ON. 878 00:40:24,000 --> 00:40:26,375 - I ALREADY HAVE A DATE TONIGHT. 879 00:40:26,375 --> 00:40:28,458 - WITH JOHN, A FIREFIGHTER? 880 00:40:28,458 --> 00:40:31,667 - JORDAN, WHAT'S GOING ON HERE? WHAT IS THIS? 881 00:40:31,667 --> 00:40:33,792 - RAD AND STEPHEN THINK THIS IS FOR THE BEST. 882 00:40:33,792 --> 00:40:34,792 - [sighs] YOU NEED TO LEAVE. 883 00:40:34,792 --> 00:40:36,000 - COME-- - YOU DO. 884 00:40:36,000 --> 00:40:38,291 - YOU DON'T UNDERSTAND. - YES, I DO UNDERSTAND. 885 00:40:38,291 --> 00:40:40,792 RAD IS SCARED THAT I'M NO LONGER SOME MALLEABLE 886 00:40:40,792 --> 00:40:43,208 YOUNG SINGER WITH STARS IN HER EYES. 887 00:40:43,208 --> 00:40:44,291 - THAT'S NOT IT. - THAT'S WHAT'S HAPPENING. 888 00:40:44,291 --> 00:40:47,083 - THAT'S NOT IT, OKAY? 889 00:40:47,083 --> 00:40:48,667 - YOU KNOW WHAT, CAN YOU GIVE RAD A MESSAGE FOR ME? 890 00:40:48,667 --> 00:40:49,959 - YEAH, I GUESS. 891 00:40:49,959 --> 00:40:52,875 - OKAY, TELL HIM THAT WE ARE NO LONGER HIS PAWNS. 892 00:40:52,875 --> 00:40:55,625 - SO THIS MEANS WE'RE NOT GETTING BACK TOGETHER AGAIN? 893 00:41:03,083 --> 00:41:05,458 - THANK YOU FOR THE FLOWERS. - MM-HMM. 894 00:41:13,333 --> 00:41:14,875 - DID YOU HAVE A PART IN THIS? 895 00:41:14,875 --> 00:41:17,208 - THE ROSES ARE BEAUTIFUL. 896 00:41:17,208 --> 00:41:20,166 - YEAH, RAD'S GONNA HAVE TO PAY A FORTUNE FOR THEM. 897 00:41:20,166 --> 00:41:23,500 - RAD? I THOUGHT THEY WERE FROM JORDAN... 898 00:41:23,500 --> 00:41:26,667 OR MAYBE FROM YOUR FIREMAN? 899 00:41:26,667 --> 00:41:29,917 - STOP. 900 00:41:29,917 --> 00:41:32,542 WHY, JESS? 901 00:41:32,542 --> 00:41:34,917 WHY ARE YOU A PART OF THIS? I THOUGHT WE WERE FRIENDS. 902 00:41:34,917 --> 00:41:36,083 - WE ARE FRIENDS. 903 00:41:36,083 --> 00:41:38,458 RAD ISN'T THE ENEMY HERE. 904 00:41:38,458 --> 00:41:39,875 HE SAVED YOUR CAREER. 905 00:41:39,875 --> 00:41:41,500 - YEAH, I KNOW THAT. 906 00:41:41,500 --> 00:41:43,792 BUT I MET A NICE MAN WHO MAKES ME HAPPY 907 00:41:43,792 --> 00:41:46,291 EVERY SINGLE TIME I THINK ABOUT HIM. 908 00:41:46,291 --> 00:41:47,583 WHAT'S WRONG WITH THAT? 909 00:41:47,583 --> 00:41:50,417 - DOES JOHN KNOW THAT HIS EVERY MOVE WILL BE SCRUTINIZED 910 00:41:50,417 --> 00:41:54,458 BY A RABID MEDIA WAITING FOR YOUR RELATIONSHIP TO FAIL? 911 00:41:54,458 --> 00:41:55,625 - NO. 912 00:41:55,625 --> 00:41:57,125 - THEY'RE GOING TO EXAMINE EVERY INCH 913 00:41:57,125 --> 00:41:59,583 OF HIS LIFE, EVERY INCH OF HIS FAMILY'S LIFE. 914 00:41:59,583 --> 00:42:02,000 THEY'RE GONNA CAMP OUTSIDE HIS WORK. 915 00:42:02,000 --> 00:42:05,875 DO YOU REALLY WANT THAT FOR HIM? 916 00:42:05,875 --> 00:42:07,125 - NO. 917 00:42:07,125 --> 00:42:11,208 - I FEEL LIKE YOU SHOULD LET HIM KNOW AND HE CAN MOVE ON. 918 00:42:11,208 --> 00:42:14,792 HE'S A NICE GUY. 919 00:42:14,792 --> 00:42:18,375 HE DOESN'T DESERVE THAT. 920 00:42:18,375 --> 00:42:19,458 BREAK UP WITH HIM NOW 921 00:42:19,458 --> 00:42:21,417 AND IT WAS A GREAT ADVENTURE FOR HIM. 922 00:42:21,417 --> 00:42:23,000 BREAK UP WITH HIM IN A YEAR, IT'S GONNA BE ON 923 00:42:23,000 --> 00:42:26,000 THE COVER OF EVERY MAGAZINE AT THE GROCERY CHECKOUT COUNTER. 924 00:42:36,041 --> 00:42:37,208 - ALL RIGHT, JESS. THANK YOU, SWEETHEART. 925 00:42:37,208 --> 00:42:38,417 - YOU'RE WELCOME. 926 00:42:38,417 --> 00:42:40,458 - LOOK, YOU'RE NOT GONNA REGRET THIS, OKAY? 927 00:42:40,458 --> 00:42:43,834 AND REMEMBER, IT'S ALWAYS BETTER TO STICK TO THE BUTTERED SIDE 928 00:42:43,834 --> 00:42:46,250 OF THE BREAD, ALL RIGHT? - I'LL REMEMBER THAT. 929 00:42:46,250 --> 00:42:47,959 BYE. [laughs] - I'LL TALK TO YOU LATER. 930 00:42:55,417 --> 00:42:58,792 [phone rings] 931 00:42:58,792 --> 00:43:01,041 - HEY, THERE. - HEY. 932 00:43:01,041 --> 00:43:03,667 - I'LL BE OVER IN ABOUT 45 MINUTES TO GET YOU. 933 00:43:03,667 --> 00:43:08,333 - YEAH, LISTEN, I CAN'T MAKE IT. 934 00:43:08,333 --> 00:43:10,041 I'M REALLY SORRY. 935 00:43:10,041 --> 00:43:11,125 - REALLY? YOU CAN'T MAKE IT? 936 00:43:11,125 --> 00:43:12,625 - WHAT HAPPENED? WHAT'S GOING ON? 937 00:43:12,625 --> 00:43:14,959 - YEAH, I JUST-- I'M DOUBLE-BOOKED. 938 00:43:14,959 --> 00:43:16,875 I HAVE THIS INTERVIEW. 939 00:43:16,875 --> 00:43:19,959 RAD SET IT UP AND I TOTALLY FORGOT THAT I SAID YES. 940 00:43:19,959 --> 00:43:22,000 IT'S TO LET THE FANS KNOW THAT I'M OKAY. 941 00:43:22,000 --> 00:43:23,834 - OH, YOU'RE MORE THAN OKAY. 942 00:43:23,834 --> 00:43:26,458 I'M GLAD I DIDN'T TELL KRISSY YOU WERE COMING. 943 00:43:26,458 --> 00:43:28,542 IT WAS GONNA BE A SURPRISE, BUT I COMPLETELY UNDERSTAND. 944 00:43:28,542 --> 00:43:30,709 - WELL, I HAD YOUR SISTER'S TICKETS AND PICTURE 945 00:43:30,709 --> 00:43:33,583 ALL SET UP TO GO, SO I COULD JUST HAVE VERNON DROP 946 00:43:33,583 --> 00:43:35,792 THEM OFF BY THE FIRE STATION TOMORROW, OKAY? 947 00:43:35,792 --> 00:43:37,041 - RATHER YOU BROUGHT THEM YOURSELF. 948 00:43:37,041 --> 00:43:41,125 - VERNON WILL JUST BRING THEM. 949 00:43:41,125 --> 00:43:43,041 I JUST DON'T KNOW WHEN I'LL HAVE FREE TIME SOON 950 00:43:43,041 --> 00:43:45,917 'CAUSE THE TOUR'S GETTING READY TO REV BACK UP. 951 00:43:45,917 --> 00:43:49,208 SO... - OH, OKAY. 952 00:43:49,208 --> 00:43:52,041 WELL, GIVE ME A CALL WHEN YOU GET A BREAK. 953 00:43:52,041 --> 00:43:53,333 I'D LOVE TO SEE YOU AGAIN. 954 00:43:53,333 --> 00:43:57,750 - I WILL. I PROMISE. 955 00:43:57,750 --> 00:43:58,875 BYE, JOHN. 956 00:43:58,875 --> 00:43:59,875 - BYE. 957 00:44:05,000 --> 00:44:06,709 - WHAT HAPPENED? 958 00:44:06,709 --> 00:44:08,709 - I THINK SHE JUST BLEW ME OFF. 959 00:44:25,083 --> 00:44:26,083 [phone beeps] 960 00:44:35,917 --> 00:44:36,917 - [sighs] 961 00:44:47,458 --> 00:44:49,917 HEY, I'M HERE. WHAT'S UP? 962 00:44:49,917 --> 00:44:52,125 - I THOUGHT YOU'D LIKE TO GO FOR A RIDE. 963 00:44:52,125 --> 00:44:53,542 - OH, YEAH. I DON'T KNOW. 964 00:44:53,542 --> 00:44:55,083 - THEN GO BACK TO YOUR ROOM AND SIT ALONE, 965 00:44:55,083 --> 00:44:56,166 FEELING SORRY FOR YOURSELF. 966 00:44:56,166 --> 00:44:57,333 - HEY. 967 00:44:57,333 --> 00:44:59,667 - YOU NEED TO GET OUT. 968 00:44:59,667 --> 00:45:02,750 I KNOW YOU. YOU NEED THIS. 969 00:45:02,750 --> 00:45:04,792 - YOU KNOW, YOU REMIND ME OF MY DAD SOMETIMES. 970 00:45:04,792 --> 00:45:06,500 - NICEST THING YOU EVER SAID TO ME. 971 00:45:16,041 --> 00:45:17,667 I'M NOT USED TO YOU BEING UP HERE. 972 00:45:17,667 --> 00:45:20,500 - I PREFER THE VIEW FROM HERE BETTER. 973 00:45:20,500 --> 00:45:21,917 AND I DID NEED TO GET OUT. 974 00:45:21,917 --> 00:45:24,500 - YOU NEED MORE THAN THAT. - WHAT? 975 00:45:24,500 --> 00:45:28,458 - YOU NEED TO LISTEN TO YOUR HEART AND NOT YOUR MANAGER. 976 00:45:28,458 --> 00:45:30,917 - WERE YOU EAVESDROPPING? - EVERY WORD. 977 00:45:44,041 --> 00:45:45,417 SO WHAT'S THE REAL PROBLEM? 978 00:45:45,417 --> 00:45:47,667 - HE DOESN'T KNOW WHAT'S INVOLVED IN THIS. 979 00:45:47,667 --> 00:45:49,000 HE JUST WON'T GET IT. 980 00:45:49,000 --> 00:45:51,375 - JOHN'S A MAN. 981 00:45:51,375 --> 00:45:53,583 HE'S NOT ONE OF THOSE PAMPERED POP STARS FROM YOUR PAST. 982 00:45:53,583 --> 00:45:55,667 HE CAN DECIDE FOR HIMSELF IF IT'S TOO MUCH FOR HIM. 983 00:45:55,667 --> 00:45:58,000 YOU DON'T NEED TO BE DECIDING FOR HIM. 984 00:45:58,000 --> 00:45:59,500 - OKAY, BUT-- - AND YOU NEED TO DECIDE 985 00:45:59,500 --> 00:46:01,917 FOR YOURSELF WHETHER YOU WANT THE RADS OF THIS WORLD 986 00:46:01,917 --> 00:46:04,208 DICTATING WHAT'S GOOD FOR YOU FOR THE REST OF YOUR LIFE. 987 00:46:04,208 --> 00:46:07,834 - BUT JESS SAID-- - JESS LOVES YOU, 988 00:46:07,834 --> 00:46:09,750 AND SHE'S CONCERNED ABOUT YOU. 989 00:46:09,750 --> 00:46:11,750 NOW, DON'T YOU EVER DOUBT THAT. 990 00:46:17,166 --> 00:46:20,875 YOU WANT TO GET TO KNOW THIS JOHN? 991 00:46:20,875 --> 00:46:22,333 IS THAT WHAT YOUR HEART SAYS? 992 00:46:22,333 --> 00:46:25,834 IF NOT, LET'S GO HOME. IF SO... 993 00:46:27,458 --> 00:46:29,041 - I WAS SUPPOSED TO GO TO HIS PARENT'S HOUSE FOR DINNER, 994 00:46:29,041 --> 00:46:33,208 BUT I HAVE NO IDEA WHERE IT IS. 995 00:46:33,208 --> 00:46:35,208 - IT'S RIGHT THERE. 996 00:46:38,375 --> 00:46:41,667 AND YOU'RE GONNA NEED THESE. 997 00:46:41,667 --> 00:46:44,667 TICKETS AND AN AUTOGRAPHED PICTURE. 998 00:46:49,542 --> 00:46:51,208 - WHAT WOULD I DO WITHOUT YOU? 999 00:46:51,208 --> 00:46:52,959 - [chuckles] IT'S A TWO-WAY STREET. 1000 00:46:52,959 --> 00:46:55,417 NOW, GO. 1001 00:46:55,417 --> 00:46:57,750 - I LOVE YOU. 1002 00:46:57,750 --> 00:47:00,917 - GO AWAY. [both laugh] 1003 00:47:00,917 --> 00:47:03,709 AND I'LL LET THE FIREMAN GIVE YOU A RIDE BACK TO THE HOUSE. 1004 00:47:03,709 --> 00:47:05,709 - OKAY. - OKAY. 1005 00:47:18,917 --> 00:47:20,375 [doorbell rings] 1006 00:47:20,375 --> 00:47:21,792 - I'LL GET IT. 1007 00:47:21,792 --> 00:47:24,041 - WHAT WAS IT? WHAT DID IT TURN OUT TO BE? 1008 00:47:24,041 --> 00:47:26,750 - SOME WOMAN LEFT THE TOASTER ON AND-- 1009 00:47:26,750 --> 00:47:28,834 - NO, GET OUT OF HERE. - YEAH. 1010 00:47:32,500 --> 00:47:33,750 - HI. 1011 00:47:33,750 --> 00:47:35,917 YOU MUST BE KRISSY. I'M MADISON. 1012 00:47:35,917 --> 00:47:37,625 IT'S REALLY NICE TO MEET YOU. 1013 00:47:42,291 --> 00:47:43,291 OKAY. 1014 00:47:43,291 --> 00:47:45,291 UM, JOHN? 1015 00:47:54,959 --> 00:47:56,792 - YOU CAME. - YEAH. 1016 00:47:56,792 --> 00:47:59,458 I HAD SOME HELP REASSESSING MY PRIORITIES. 1017 00:47:59,458 --> 00:48:03,333 BUT RIGHT NOW, I THINK THAT THE PRIORITY IS KRISSY. 1018 00:48:03,333 --> 00:48:06,166 - KRISSY, SNAP OUT OF IT. 1019 00:48:06,166 --> 00:48:07,834 - WHAT'S GOING ON? - HI. 1020 00:48:07,834 --> 00:48:10,458 - DAD, THIS IS MADISON. - [gasps] 1021 00:48:10,458 --> 00:48:11,792 - HI. - HOW ARE YOU? 1022 00:48:11,792 --> 00:48:13,792 - NICE TO MEET YOU. 1023 00:48:15,500 --> 00:48:18,417 - WHAT'S WRONG WITH HER? 1024 00:48:18,417 --> 00:48:21,000 - MADISON PARK. - YES. 1025 00:48:21,000 --> 00:48:24,917 - YOU ARE, LIKE, THE GREATEST SINGER EVER. 1026 00:48:24,917 --> 00:48:28,208 - I THINK THAT MAY BE A SLIGHT EXAGGERATION, BUT THANK YOU. 1027 00:48:28,208 --> 00:48:31,208 - NO, REALLY. YOU--YOU'RE KRISSY'S IDOL. 1028 00:48:31,208 --> 00:48:33,208 - YOU'RE REALLY HERE. 1029 00:48:36,667 --> 00:48:40,667 - SO, WHY IS SHE HERE? 1030 00:48:40,667 --> 00:48:43,709 - HONEY, THIS IS THE WOMAN THAT JOHN SAVED IN THE FIRE. 1031 00:48:43,709 --> 00:48:45,625 - OH, OKAY. 1032 00:48:45,625 --> 00:48:49,250 - [chuckles] SHE CAME HERE TO SEE ME--TO MEET YOU. 1033 00:48:49,250 --> 00:48:52,333 - [chuckles] 1034 00:48:52,333 --> 00:48:55,166 - HAVE YOU HAD DINNER YET? 1035 00:48:57,333 --> 00:48:59,667 - MMM. 1036 00:48:59,667 --> 00:49:01,375 THESE STUFFED MUSHROOMS ARE REALLY, REALLY GOOD. 1037 00:49:01,375 --> 00:49:04,083 MAY I HAVE ANOTHER? - HEY, TRY THE GREEN BEANS. 1038 00:49:04,083 --> 00:49:05,458 THERE'S JUST A LITTLE BACON IN THERE. 1039 00:49:05,458 --> 00:49:06,875 - OH, ALL RIGHT. - YEAH. 1040 00:49:06,875 --> 00:49:07,875 LET HER EAT WHAT SHE WANTS, DAD. 1041 00:49:07,875 --> 00:49:08,917 YOU DON'T NEED TO ORCHESTRATE HER. 1042 00:49:08,917 --> 00:49:10,208 - IT'S OKAY. IT'S OKAY. 1043 00:49:10,208 --> 00:49:11,709 THESE ARE--EVERYTHING IS JUST REALLY, REALLY GOOD. 1044 00:49:11,709 --> 00:49:14,208 - THANK YOU. - THIS IS LIKE A DREAM, 1045 00:49:14,208 --> 00:49:15,667 A WONDERFUL DREAM. 1046 00:49:15,667 --> 00:49:17,083 - I'M REALLY, REALLY HAPPY TO MEET YOU. 1047 00:49:17,083 --> 00:49:18,458 - WE'RE GONNA BE BEST FRIENDS TOO. 1048 00:49:18,458 --> 00:49:20,291 I KNOW IT. 1049 00:49:20,291 --> 00:49:22,792 - [laughs] I WAS REALLY HOPING THAT YOU WOULD SAY THAT. 1050 00:49:28,917 --> 00:49:30,375 - OKAY, WAIT. I'M CONFUSED. 1051 00:49:30,375 --> 00:49:33,041 I THOUGHT YOU TOLD ME SHE WASN'T SEEING HIM ANYMORE. 1052 00:49:33,041 --> 00:49:34,250 - VERNON TOOK HER. 1053 00:49:34,250 --> 00:49:36,083 - AND HOW DO YOU KNOW THAT? 1054 00:49:36,083 --> 00:49:37,208 - HE TOLD ME AND THEN HE TOLD ME 1055 00:49:37,208 --> 00:49:38,875 TO STAY OUT OF HER PERSONAL LIFE, 1056 00:49:38,875 --> 00:49:40,083 AND THEN HE WENT UP TO HIS ROOM. 1057 00:49:40,083 --> 00:49:42,083 - WHY CAN'T HE STAY FIRED? 1058 00:49:48,208 --> 00:49:50,166 - WHY CAN'T I CALL MY FRIENDS? 1059 00:49:50,166 --> 00:49:51,500 - BECAUSE THEN IT BECOMES AN EVENT 1060 00:49:51,500 --> 00:49:53,458 INSTEAD OF DINNER WITH A FRIEND. - [chuckles] 1061 00:49:53,458 --> 00:49:55,750 - BUT THEY WON'T BELIEVE SHE WAS HERE. 1062 00:49:55,750 --> 00:49:58,125 - WELL, KRISSY, WE'LL TAKE PICTURES TOGETHER AND-- 1063 00:49:58,125 --> 00:49:59,458 ACTUALLY, I BROUGHT YOU SOMETHING 1064 00:49:59,458 --> 00:50:01,250 THAT MIGHT HELP CONVINCE THEM. 1065 00:50:01,250 --> 00:50:03,375 I'LL BE RIGHT BACK. EXCUSE ME. 1066 00:50:03,375 --> 00:50:05,375 - OH, THAT'S SO SWEET OF YOU. 1067 00:50:08,375 --> 00:50:09,417 - YOU NEED TO MARRY HER. 1068 00:50:09,417 --> 00:50:10,792 [both laugh] - WHAT? 1069 00:50:10,792 --> 00:50:12,959 - KRISSY, YOU'RE ACTING LIKE A 10-YEAR-OLD, SWEETIE. 1070 00:50:12,959 --> 00:50:16,208 - SOUNDS GOOD TO ME. - SHE'S VERY SWEET, SWEETIE. 1071 00:50:16,208 --> 00:50:17,625 - LOOK, YOU'RE A CATCH. 1072 00:50:17,625 --> 00:50:19,583 YOU HAVE A GOOD JOB WITH GREAT BENEFITS. 1073 00:50:19,583 --> 00:50:22,333 AND I WILL BET YOU THAT THAT SINGING THING 1074 00:50:22,333 --> 00:50:23,917 DOESN'T HAVE YOUR KIND OF BENEFITS. 1075 00:50:23,917 --> 00:50:26,375 - DAD, SHE MAKES MILLIONS OF DOLLARS SINGING. 1076 00:50:26,375 --> 00:50:29,417 - [laughs] YEAH, MILLIONS OF DOLLARS. 1077 00:50:29,417 --> 00:50:31,333 HEY, MADISON. - YEAH? 1078 00:50:31,333 --> 00:50:33,125 - DO YOU REALLY MAKE MILLIONS OF DOLLARS SINGING? 1079 00:50:33,125 --> 00:50:34,125 - DAD! - DOUGLAS! 1080 00:50:34,125 --> 00:50:35,208 - HE SAID IT. 1081 00:50:35,208 --> 00:50:36,291 - WHAT HAS YOUR SON BEEN TELLING YOU? 1082 00:50:36,291 --> 00:50:38,083 - A BUNCH OF BALONEY, I THINK. 1083 00:50:38,083 --> 00:50:39,250 - I AGREE. IT'S A BUNCH OF BALONEY. 1084 00:50:39,250 --> 00:50:42,333 - I GIVE UP. - [laughs] HERE. 1085 00:50:42,333 --> 00:50:43,625 - WHAT DID YOU BRING ME? 1086 00:50:43,625 --> 00:50:47,750 - YOU'LL SEE. 1087 00:50:47,750 --> 00:50:51,333 - "TO MY NEW BEST FRIEND, KRISSY. LOVE, MADISON." 1088 00:50:51,333 --> 00:50:53,166 OH, MAN. THIS IS GREAT. 1089 00:50:53,166 --> 00:50:56,083 I'M GOING TO FRAME IT AND TAKE IT TO SCHOOL, 1090 00:50:56,083 --> 00:50:58,000 AND I'M GONNA SHOW HELEN. - CALM DOWN. 1091 00:50:58,000 --> 00:50:59,458 - SHE THINKS SHE'S YOUR BIGGEST FAN. 1092 00:50:59,458 --> 00:51:00,583 NO WAY. IT'S ME. 1093 00:51:00,583 --> 00:51:05,291 - SO FOR MY BIGGEST FAN... 1094 00:51:05,291 --> 00:51:08,917 - [gasps] FOUR TICKETS? 1095 00:51:08,917 --> 00:51:10,875 THANK YOU! THANK YOU! THANK YOU! 1096 00:51:10,875 --> 00:51:12,333 THANK YOU! THANK YOU! THANK YOU! THANK YOU! 1097 00:51:12,333 --> 00:51:14,458 - THANK YOU, REALLY. - THANK YOU SO MUCH. 1098 00:51:14,458 --> 00:51:15,834 - YOU'RE VERY WELCOME. 1099 00:51:15,834 --> 00:51:17,250 AND YOU DON'T HAVE TO THANK ME. 1100 00:51:17,250 --> 00:51:19,917 THANK YOUR BROTHER. HE CAME UP WITH THE WHOLE THING. 1101 00:51:19,917 --> 00:51:23,000 - YOU'RE THE BEST, JOHN. THE BEST. THANK YOU. 1102 00:51:23,000 --> 00:51:24,083 - YOU'RE WELCOME. 1103 00:51:24,083 --> 00:51:26,000 - I HAVE TO CALL HELEN AND TELL HER. 1104 00:51:26,000 --> 00:51:29,000 [all laugh] - YEAH, SET HER STRAIGHT. 1105 00:51:29,000 --> 00:51:30,125 THAT WAS VERY SWEET. 1106 00:51:30,125 --> 00:51:32,583 - MY PLEASURE. 1107 00:51:32,583 --> 00:51:34,166 - [whispers] THANK YOU. - [whispers] YOU'RE WELCOME. 1108 00:51:36,875 --> 00:51:38,333 - THAT'S RIGHT, CYNTHIA, 1109 00:51:38,333 --> 00:51:41,000 AND THEY WILL BE HERE SOMETIME TONIGHT. 1110 00:51:41,000 --> 00:51:43,458 - SO THAT MEANS... - EXACTLY. 1111 00:51:43,458 --> 00:51:45,667 SO IT'S A PERFECT OPPORTUNITY FOR YOU TO GET SOME EXCLUSIVE 1112 00:51:45,667 --> 00:51:50,000 FOOTAGE OF MADISON AND HER FIREMAN, JOHN KELLY. 1113 00:51:50,000 --> 00:51:52,333 - SPELLING? - K-E-L-L-Y. 1114 00:51:52,333 --> 00:51:55,750 - OH, RAD, THAT'S FANTASTIC. OH, MADISON AND HER HERO. 1115 00:51:55,750 --> 00:51:57,041 LET'S GO. WE'RE ON THE WAY. 1116 00:51:57,041 --> 00:51:59,208 WE'RE ON THE WAY. THIS IS AN EXCLUSIVE, RIGHT? 1117 00:51:59,208 --> 00:52:00,667 - THAT'S WHAT I SAID. 1118 00:52:00,667 --> 00:52:03,041 - ABOUT TIME YOU REALIZE WHAT I CAN DO. 1119 00:52:03,041 --> 00:52:05,041 BYE. COME ON, LET'S GO. 1120 00:52:05,041 --> 00:52:07,959 HE'S GONNA TEXT ME THE ADDRESS. 1121 00:52:07,959 --> 00:52:09,333 - EXCLUSIVE? 1122 00:52:09,333 --> 00:52:11,041 SHE'S, LIKE, THE TENTH PERSON YOU'VE CALLED. 1123 00:52:11,041 --> 00:52:13,500 - AH. 12th. 1124 00:52:13,500 --> 00:52:15,375 - ARE YOU SURE THIS IS THE RIGHT THING TO DO? 1125 00:52:15,375 --> 00:52:17,166 - LOOK, I TOLD MADISON WHAT WOULD HAPPEN TO HIM 1126 00:52:17,166 --> 00:52:18,750 IF THEY WENT OUT TOGETHER. 1127 00:52:18,750 --> 00:52:21,166 - YEAH, I TOLD HER TOO, BUT I CAN'T HELP IT IF IT DIDN'T WORK. 1128 00:52:21,166 --> 00:52:22,291 I DON'T WANNA DO ANYTHING THAT HURTS-- 1129 00:52:22,291 --> 00:52:23,625 - SHH. 1130 00:52:23,625 --> 00:52:27,166 JOHNNY, RAD LEFFLER. 1131 00:52:27,166 --> 00:52:29,250 I HAVE SOME INFORMATION THAT YOU MIGHT FIND INTERESTING. 1132 00:52:32,750 --> 00:52:35,583 - I GOT MADISON PARK TICKETS. [laughter] 1133 00:52:35,583 --> 00:52:37,250 - WE KNOW, HONEY. 1134 00:52:37,250 --> 00:52:38,959 - YOU DON'T KNOW HOW COOL THIS IS. [laughs] 1135 00:52:38,959 --> 00:52:44,083 - LET ME SEE THESE. 600 BUCKS? 1136 00:52:44,083 --> 00:52:46,625 - WOW, LIKE FATHER, LIKE SON. 1137 00:52:46,625 --> 00:52:49,250 THOSE ARE THE BEST SEATS IN THE HOUSE. 1138 00:52:49,250 --> 00:52:53,083 - SO, YOU REALLY DO MAKE MILLIONS OF DOLLARS 1139 00:52:53,083 --> 00:52:55,583 JUST SINGING? 1140 00:52:55,583 --> 00:52:58,500 I MEAN, YOU DON'T, LIKE, PLAY THE PIANO OR LEAD AN ORCHESTRA. 1141 00:52:58,500 --> 00:53:00,083 - [chuckles] - NOPE. JUST... 1142 00:53:00,083 --> 00:53:03,250 both: SINGING. 1143 00:53:03,250 --> 00:53:07,667 - AND YOU'RE HERE AGAIN, WHY? - [chuckles] 1144 00:53:07,667 --> 00:53:11,625 - UM... 1145 00:53:11,625 --> 00:53:15,125 - REALLY? 1146 00:53:15,125 --> 00:53:16,667 [both laugh] 1147 00:53:16,667 --> 00:53:21,917 [indistinct chatter] 1148 00:53:21,917 --> 00:53:24,625 - BOYFRIEND, JOHN KELLY SHOULD BE RETURNING TOO, AT ANY MOMENT. 1149 00:53:24,625 --> 00:53:26,792 - RAD? RAD. 1150 00:53:26,792 --> 00:53:27,792 - WHATEVER YOU NEED. YOU FIND THEM. 1151 00:53:27,792 --> 00:53:29,458 - YOU SAID THIS WAS AN EXCLUSIVE. 1152 00:53:29,458 --> 00:53:31,667 - SWEETHEART, SWEETHEART, CAN I HELP IT IF WORD GETS OUT? 1153 00:53:31,667 --> 00:53:32,875 - OKAY, FINE. 1154 00:53:32,875 --> 00:53:34,875 I WANT AN INTERVIEW WITH BOTH OF THEM. 1155 00:53:34,875 --> 00:53:37,000 - YOU GOT IT. WHATEVER I CAN DO TO HELP YOU. 1156 00:53:37,000 --> 00:53:38,709 - RIGHT. HEARD THAT BEFORE. 1157 00:53:38,709 --> 00:53:40,417 - JUST RELAX AND SPARKLE. 1158 00:53:40,417 --> 00:53:46,250 - [sighs] SO, YOU WERE A FIREMAN TOO, RIGHT? 1159 00:53:46,250 --> 00:53:48,291 - YEAH, I WAS. 1160 00:53:48,291 --> 00:53:50,250 - LIKE FATHER, LIKE SON, AGAIN. 1161 00:53:50,250 --> 00:53:54,000 - YEAH. 1162 00:53:54,000 --> 00:53:55,959 - CAN I ASK YOU A PERSONAL QUESTION? 1163 00:53:55,959 --> 00:53:57,333 - ABSOLUTELY. 1164 00:53:57,333 --> 00:54:01,667 - HOW DID YOU HANDLE THE FACT THAT AT ANY MOMENT 1165 00:54:01,667 --> 00:54:06,875 HE MIGHT NOT EVER COME HOME? 1166 00:54:06,875 --> 00:54:08,583 - I DIDN'T HANDLE IT. 1167 00:54:08,583 --> 00:54:12,000 IT CAME WITH THE MAN I FELL IN LOVE WITH, YOU KNOW. 1168 00:54:12,000 --> 00:54:14,000 BUT ACTUALLY, I WAS SCARED. 1169 00:54:14,000 --> 00:54:17,166 I WAS SCARED EVERY DAY HE WENT TO WORK UNTIL HE RETIRED. 1170 00:54:17,166 --> 00:54:21,166 - YOU KNOW, MADISON, EVERY TIME I WENT OUT THAT DOOR 1171 00:54:21,166 --> 00:54:24,291 AND WENT TO WORK, I FEARED I WOULDN'T SEE HER AGAIN, 1172 00:54:24,291 --> 00:54:25,667 OR MY KIDS. 1173 00:54:25,667 --> 00:54:27,375 IT GOES BOTH WAYS. 1174 00:54:27,375 --> 00:54:29,375 BUT I WILL TELL YOU, 1175 00:54:29,375 --> 00:54:31,667 IT MAKES YOU A WHOLE LOT MORE CAREFUL ON THE JOB. 1176 00:54:31,667 --> 00:54:35,709 - RIGHT, BUT YOU STILL FOUND YOURSELF IN SITUATIONS 1177 00:54:35,709 --> 00:54:37,542 WHERE YOU THOUGHT YOU WERE GOING TO DIE. 1178 00:54:37,542 --> 00:54:39,208 - YES. 1179 00:54:39,208 --> 00:54:43,041 - MADISON, WHAT--WHAT IS THIS REALLY ABOUT? 1180 00:54:43,041 --> 00:54:47,333 - MY FATHER WAS A POLICE OFFICER. 1181 00:54:47,333 --> 00:54:50,083 - AND DID HE NOT COME HOME? 1182 00:54:50,083 --> 00:54:53,291 - NO, HE DIDN'T COME HOME. 1183 00:54:53,291 --> 00:54:56,000 - I'M SO SORRY, SWEETIE. THAT'S-- 1184 00:54:56,000 --> 00:54:57,875 - IT'S OKAY. 1185 00:54:57,875 --> 00:55:02,291 - WELL, I'M SURE HE'D BE VERY PROUD OF YOU. 1186 00:55:02,291 --> 00:55:04,291 - THANK YOU. 1187 00:55:11,750 --> 00:55:13,875 I CAN'T TELL YOU HOW GREAT THIS WAS. 1188 00:55:13,875 --> 00:55:15,125 THANK YOU. 1189 00:55:15,125 --> 00:55:16,583 - YOU WERE SO COOL FOR CALLING HELEN WITH ME. 1190 00:55:16,583 --> 00:55:18,792 I KNOW SHE DIDN'T BELIEVE US, 1191 00:55:18,792 --> 00:55:20,750 BUT SHE WILL WHEN SHE SEES THE PICTURES. 1192 00:55:20,750 --> 00:55:22,208 - THAT WAS A LOT OF FUN. [laughter] 1193 00:55:22,208 --> 00:55:24,333 - IF YOU EVER WANT TO TALK, PLEASE CALL. 1194 00:55:24,333 --> 00:55:25,583 - OH, THANK YOU. 1195 00:55:25,583 --> 00:55:27,250 I NEVER REALLY GOT TO DO THAT WITH MY MOM. 1196 00:55:27,250 --> 00:55:29,041 - OH, GIVE YOUR MOM A CALL. 1197 00:55:29,041 --> 00:55:31,333 I MEAN, I'M SURE SHE'D LOVE TO HEAR FROM YOU. 1198 00:55:31,333 --> 00:55:32,417 - ENOUGH. 1199 00:55:32,417 --> 00:55:33,792 - OKAY, SORRY. 1200 00:55:33,792 --> 00:55:35,792 - IT'S OKAY. I'LL THINK ABOUT IT. 1201 00:55:35,792 --> 00:55:37,291 AND I OWE YOU. - ME? 1202 00:55:37,291 --> 00:55:38,417 FOR WHAT? 1203 00:55:38,417 --> 00:55:41,709 - WELL, FOR YOUR FAMILY AND FOR THIS ONE. 1204 00:55:41,709 --> 00:55:43,917 - YOU KNOW, HIS JOB REALLY DOES HAVE GOOD BENEFITS. 1205 00:55:43,917 --> 00:55:44,917 - I HAVE TO GET HER BACK. 1206 00:55:44,917 --> 00:55:46,250 - MY GOD. SEE, THAT'S-- 1207 00:55:46,250 --> 00:55:47,417 - NO, I'M SERIOUS. THEY'RE GREAT BENEFITS. 1208 00:55:47,417 --> 00:55:48,667 - YES. 1209 00:55:48,667 --> 00:55:49,792 THANK YOU. 1210 00:55:49,792 --> 00:55:51,083 - THANK YOU. THIS WAS WONDERFUL. 1211 00:55:51,083 --> 00:55:52,250 - ALL RIGHT. IT WAS GREAT. 1212 00:55:52,250 --> 00:55:53,375 - JOHN, DRIVE SAFE, YEAH? 1213 00:55:53,375 --> 00:55:54,750 - BYE. 1214 00:55:54,750 --> 00:55:59,291 - I GOT IT. - OH, THANK YOU. 1215 00:55:59,291 --> 00:56:01,000 - I LIKE HER. 1216 00:56:05,959 --> 00:56:07,333 ALL RIGHT. - HOMEWORK. 1217 00:56:07,333 --> 00:56:08,667 HOMEWORK. 1218 00:56:08,667 --> 00:56:10,083 - BYE. - BYE. 1219 00:56:10,083 --> 00:56:11,083 - BYE. 1220 00:56:11,083 --> 00:56:13,125 - [chuckles] 1221 00:56:15,291 --> 00:56:19,458 [camera shutters clicking] 1222 00:56:19,458 --> 00:56:21,041 [engine rumbles] - HERE THEY COME. 1223 00:56:21,041 --> 00:56:23,458 - OH, YEAH, YEAH. 1224 00:56:23,458 --> 00:56:27,250 - NICE, PLEASE GET THAT SHOT. FOCUS ON HER. 1225 00:56:27,250 --> 00:56:28,333 - ALL RIGHT, HERE WE GO. 1226 00:56:28,333 --> 00:56:30,041 - HEY, MADISON. 1227 00:56:30,041 --> 00:56:32,000 [overlapping shouting] 1228 00:56:32,000 --> 00:56:33,291 - WOW. 1229 00:56:33,291 --> 00:56:34,417 - YOU LOOK BEAUTIFUL, MADISON. 1230 00:56:34,417 --> 00:56:36,125 MADISON, OVER HERE, OVER HERE. 1231 00:56:36,125 --> 00:56:37,583 - FOR ME? 1232 00:56:37,583 --> 00:56:39,458 - YOU THINK YOU'RE BEING FUNNY BUT THEY ACTUALLY 1233 00:56:39,458 --> 00:56:42,375 ARE HERE FOR YOU. 1234 00:56:42,375 --> 00:56:43,500 I'M SORRY. 1235 00:56:43,500 --> 00:56:44,709 - DON'T BE SORRY. 1236 00:56:44,709 --> 00:56:47,333 - YOU KNOW, RAD SET THIS UP. 1237 00:56:47,333 --> 00:56:49,208 YOU KNOW, YOU CAN ACTUALLY JUST DROP ME OFF RIGHT HERE 1238 00:56:49,208 --> 00:56:50,625 AND YOU CAN LEAVE. 1239 00:56:50,625 --> 00:56:53,458 - I DON'T DROP OFF DATES. I WALK THEM TO THE DOOR. 1240 00:56:53,458 --> 00:56:55,792 - OKAY. 1241 00:56:58,000 --> 00:56:59,917 - RIGHT HERE AT THIS CAMERA, RIGHT HERE. 1242 00:56:59,917 --> 00:57:01,166 HEY, JOHN. 1243 00:57:01,166 --> 00:57:03,125 JOHN, ARE YOU TWO OFFICIALLY TOGETHER NOW? 1244 00:57:03,125 --> 00:57:04,792 - WE'RE JUST FRIENDS. - YEAH. 1245 00:57:04,792 --> 00:57:05,875 - OH, HE'S LETTING HER OUT. 1246 00:57:05,875 --> 00:57:09,333 WHAT A GENTLEMAN. MADISON, MADISON. 1247 00:57:09,333 --> 00:57:11,500 OVER HERE, OVER HERE. 1248 00:57:11,500 --> 00:57:13,959 INQUIRING MINDS WANT TO KNOW. 1249 00:57:13,959 --> 00:57:15,542 JOHN, HOW WAS YOUR DATE WITH MADISON? 1250 00:57:15,542 --> 00:57:16,875 - OH, SHE SANG THE WHOLE TIME. 1251 00:57:16,875 --> 00:57:18,458 I DON'T BELIEVE SHE SPOKE A SINGLE WORD. 1252 00:57:18,458 --> 00:57:20,291 IT WAS LIKE BEING IN A BROADWAY MUSICAL THE WHOLE TIME. 1253 00:57:20,291 --> 00:57:22,083 - [laughs] MADISON, IS THAT TRUE? 1254 00:57:22,083 --> 00:57:24,000 - UH... [laughs] 1255 00:57:24,000 --> 00:57:25,458 YES. CYNTHIA, RIGHT? 1256 00:57:25,458 --> 00:57:26,709 - YES. 1257 00:57:26,709 --> 00:57:30,041 - YES, I SANG TO HIM AND HE DANCED FOR ME. 1258 00:57:30,041 --> 00:57:32,291 IT WAS--IT WAS AMAZING, REALLY BEAUTIFUL. 1259 00:57:32,291 --> 00:57:33,333 YOU SHOULD'VE BEEN THERE. 1260 00:57:33,333 --> 00:57:35,083 - I WISH I WOULD'VE. [laughs] 1261 00:57:35,083 --> 00:57:36,500 - THIS GUY IS GOOD. 1262 00:57:36,500 --> 00:57:37,875 - I THINK IT'S CUTE. 1263 00:57:37,875 --> 00:57:38,959 - I SMELL TROUBLE. 1264 00:57:38,959 --> 00:57:40,333 - MAYBE THEY'RE GOOD TOGETHER. 1265 00:57:40,333 --> 00:57:43,166 - NO, THEY'RE NOT GOOD TOGETHER. THIS IS DANGEROUS. 1266 00:57:43,166 --> 00:57:46,041 IT'S TIME FOR THE NUCLEAR OPTION. 1267 00:57:46,041 --> 00:57:50,041 [overlapping chatter] 1268 00:57:52,709 --> 00:57:54,500 [phone rings] 1269 00:57:54,500 --> 00:57:55,583 - YUP. THIS IS STEPHEN. 1270 00:57:55,583 --> 00:57:56,750 - HEY. 1271 00:57:56,750 --> 00:57:58,375 OPERATION MADISON'S IN FULL EFFECT. 1272 00:57:58,375 --> 00:57:59,667 - WHEN? TOMORROW? 1273 00:57:59,667 --> 00:58:01,542 - NO. NOW. 1274 00:58:09,750 --> 00:58:12,250 - GET OUT. ARE YOU SERIOUS? 1275 00:58:18,041 --> 00:58:19,834 [camera shutters clicking] 1276 00:58:19,834 --> 00:58:20,959 - ANY FURTHER COMMENT? 1277 00:58:20,959 --> 00:58:23,125 - THANK YOU SO MUCH FOR COMING TONIGHT. 1278 00:58:23,125 --> 00:58:24,500 I'VE GOT TO GET GOING. 1279 00:58:24,500 --> 00:58:26,083 I'VE GOT A 24-HOUR WATCH TOMORROW. 1280 00:58:26,083 --> 00:58:28,166 - YEAH, SO HE NEEDS HIS BEAUTY SLEEP, PEOPLE. 1281 00:58:28,166 --> 00:58:30,417 [laughter] 1282 00:58:30,417 --> 00:58:33,166 - NOW, I'M ASKING YOU ALL TO BACK OFF FOR A SECOND 1283 00:58:33,166 --> 00:58:35,875 SO I CAN TELL THIS WOMAN GOOD NIGHT. 1284 00:58:35,875 --> 00:58:37,166 - [chuckles] NIGHT. 1285 00:58:37,166 --> 00:58:39,208 - WHO IS THIS GUY? 1286 00:58:39,208 --> 00:58:40,917 NO, HE TELLS THEM TO BACK OFF AND THEY LISTEN? 1287 00:58:40,917 --> 00:58:43,917 HOW DOES HE DO THAT? I CAN'T DO THAT. 1288 00:58:43,917 --> 00:58:45,375 - HEY. - HEY. 1289 00:58:45,375 --> 00:58:47,166 - NICE TRY. [giggles] 1290 00:58:47,166 --> 00:58:49,458 - YUP. WE DONE? 1291 00:58:49,458 --> 00:58:52,458 - MAYBE ONE MORE RIGHT HERE. - IT IS A GOOD ANGLE. 1292 00:58:52,458 --> 00:58:53,959 - THAT WASN'T SO BAD. 1293 00:58:53,959 --> 00:58:59,041 - YEAH, WELL, THEY HAVEN'T TURNED ON YOU YET. 1294 00:58:59,041 --> 00:59:00,625 OKAY. [giggles] 1295 00:59:00,625 --> 00:59:03,208 SO, THANK YOU FOR TONIGHT 1296 00:59:03,208 --> 00:59:06,333 AND JUST BE CAREFUL AT WORK. 1297 00:59:06,333 --> 00:59:07,959 - I WILL. 1298 00:59:07,959 --> 00:59:09,792 - GOOD. 1299 00:59:14,750 --> 00:59:16,417 - HERE WE GO. GET IT, GET IT. 1300 00:59:16,417 --> 00:59:18,458 OH, THAT'S GREAT. 1301 00:59:18,458 --> 00:59:22,083 [camera shutters clicking] 1302 00:59:28,041 --> 00:59:29,250 - DO YOU WANT A REAL EXCLUSIVE? 1303 00:59:29,250 --> 00:59:30,625 - I THINK YOU OWE ME ONE. 1304 00:59:30,625 --> 00:59:33,041 - STAY HERE, OKAY? 1305 00:59:33,041 --> 00:59:35,875 DON'T GO ANYWHERE. 1306 00:59:46,834 --> 00:59:49,000 - I'M SO TIRED OF RAD DOING THIS TO ME, 1307 00:59:49,000 --> 00:59:52,291 MAKING ME LOOK LIKE AN IDIOT. 1308 00:59:52,291 --> 00:59:55,166 - MAYBE NOT. 1309 00:59:55,166 --> 01:00:00,125 WE HAVE MOVEMENT. 1310 01:00:00,125 --> 01:00:02,333 [whispers] OKAY. 1311 01:00:05,458 --> 01:00:07,000 - WHAT DO WE HAVE HERE? 1312 01:00:10,542 --> 01:00:12,875 - SEE IF I CAN ZOOM IN. 1313 01:00:12,875 --> 01:00:17,375 - GET IT NICE AND CLOSE. 1314 01:00:17,375 --> 01:00:20,834 [both laughing] 1315 01:00:25,250 --> 01:00:26,333 YOU BELIEVE THIS? 1316 01:00:29,500 --> 01:00:31,208 JORDAN VANDERPOOL. 1317 01:00:31,208 --> 01:00:33,208 - YEAH. 1318 01:00:35,959 --> 01:00:38,417 YOUR NEXT EXCLUSIVE. 1319 01:00:38,417 --> 01:00:40,542 - JACKPOT. - OH, YEAH. 1320 01:00:47,041 --> 01:00:48,709 - HE DANCED-- - WHOA, TURN IT BACK. 1321 01:00:48,709 --> 01:00:50,166 - IT WAS AMAZING, REALLY BEAUTIFUL. 1322 01:00:50,166 --> 01:00:51,208 - NO. - YOU SHOULD'VE BEEN THERE. 1323 01:00:51,208 --> 01:00:52,208 - WHOA. - NO. 1324 01:00:52,208 --> 01:00:53,834 - THANK YOU ALL SO MUCH FOR COMING-- 1325 01:00:53,834 --> 01:00:56,125 - LOOK AT THIS JOHNNY BOY OVER HERE, 1326 01:00:56,125 --> 01:00:58,834 A LITTLE STAR HANGING OUT WITH MADISON PARK LIKE THAT. 1327 01:00:58,834 --> 01:01:01,208 LOOK AT YOU, MAN. OH. 1328 01:01:01,208 --> 01:01:04,250 HEY, CAN I ASK YOU? IS THIS TRUE LOVE? 1329 01:01:04,250 --> 01:01:06,000 WILL YOU ALL BE HONEYMOONING IN BELIZE? 1330 01:01:06,000 --> 01:01:07,250 - CUT IT OUT. 1331 01:01:07,250 --> 01:01:09,000 - TURN IT UP! ARE YOU KIDDING ME? 1332 01:01:09,000 --> 01:01:10,667 - [chuckles] NIGHT. 1333 01:01:10,667 --> 01:01:13,083 - YES, THEY LOOK LIKE A FAIRY-TALE COUPLE FOR SURE. 1334 01:01:13,083 --> 01:01:15,959 BUT IS SHE JUST USING HER FIREMAN HERO AS PUBLICITY 1335 01:01:15,959 --> 01:01:19,041 WHILE SHE REIGNITES WITH THE TRUE LOVE OF HER LIFE? 1336 01:01:19,041 --> 01:01:21,166 THIS IS THE HOUSE WHERE MADISON PARK IS RECUPERATING 1337 01:01:21,166 --> 01:01:22,959 FROM HER BRUSH WITH DEATH LAST WEEK, 1338 01:01:22,959 --> 01:01:26,792 WHERE SHE ALMOST PERISHED IN A FIRE AT THE CONCERT HALL. 1339 01:01:26,792 --> 01:01:29,750 IT'S LATE. HER FIREMAN HERO, JOHN KELLY, 1340 01:01:29,750 --> 01:01:31,834 WHOM SHE SPENT THE LAST SEVERAL DAYS WITH, 1341 01:01:31,834 --> 01:01:34,458 HAS LONG GONE BACK TO HIS WORLD. 1342 01:01:34,458 --> 01:01:37,000 THEN A LONE MAN APPEARS AND SNEAKS INTO THE BUILDING 1343 01:01:37,000 --> 01:01:39,458 WHERE MADISON IS THE SOLE GUEST. 1344 01:01:39,458 --> 01:01:43,542 COULD HE BE UP TO NO GOOD? 1345 01:01:43,542 --> 01:01:46,250 YES, GIRLS, IT'S JORDAN VANDERPOOL, 1346 01:01:46,250 --> 01:01:48,458 MADISON'S FORMER FLAME. 1347 01:01:48,458 --> 01:01:51,625 A MAN WHO DOESN'T HAVE TO SNEAK ANYWHERE TO GET WHAT HE WANTS. 1348 01:01:51,625 --> 01:01:53,792 HE LOOKS LIKE A MAN ON A MISSION. 1349 01:01:53,792 --> 01:01:56,834 ARE WE SEEING THE START OF A NEW MADISON-JORDAN PARTNERSHIP? 1350 01:01:56,834 --> 01:01:59,417 LET'S ASK MADISON'S MANAGER, RAD LEFFLER. 1351 01:01:59,417 --> 01:02:02,083 RAD, ARE MADISON PARK AND JORDAN VANDERPOOL 1352 01:02:02,083 --> 01:02:05,166 A DUET ONCE AGAIN? 1353 01:02:05,166 --> 01:02:06,583 - NO COMMENT. 1354 01:02:06,583 --> 01:02:08,083 - OH, COME ON, RAD. REALLY? 1355 01:02:08,083 --> 01:02:10,959 YOU CAN'T FOOL ME OR MADISON'S FANS. 1356 01:02:10,959 --> 01:02:13,250 THIS FIREMAN ROMANCE WAS JUST A BIG PUBLICITY STUNT, 1357 01:02:13,250 --> 01:02:15,083 WASN'T IT? 1358 01:02:15,083 --> 01:02:16,333 - NO COMMENT. 1359 01:02:16,333 --> 01:02:18,083 - OH, COME ON, RAD. REALLY? 1360 01:02:23,625 --> 01:02:26,792 - MADISON PARK IS A LIAR. 1361 01:02:26,792 --> 01:02:28,792 - HONEY. HONEY, W-- 1362 01:02:28,792 --> 01:02:32,250 - I'M CYNTHIA MONTANA AND THIS IS GOSSIP NEWS NETWORK. 1363 01:02:36,291 --> 01:02:38,709 - SORRY, DUDE. - THAT'S JUST NOT RIGHT. 1364 01:02:38,709 --> 01:02:40,125 - I JUST CAN'T BELIEVE THAT. 1365 01:02:40,125 --> 01:02:42,667 - I'M SORRY, MAN. 1366 01:02:42,667 --> 01:02:44,834 DON'T FEEL STUPID, MAN. 1367 01:02:44,834 --> 01:02:48,458 I BOUGHT THE ACT TOO. 1368 01:02:48,458 --> 01:02:52,417 - IT JUST DIDN'T FEEL LIKE AN ACT. 1369 01:02:52,417 --> 01:02:53,750 - RAD. - CYNTHIA. 1370 01:02:53,750 --> 01:02:55,041 - RAD, YOU GOT TO BE REAL WITH ME. 1371 01:02:55,041 --> 01:02:56,125 - NO, I TOLD YOU, I COULDN'T TALK ABOUT IT 1372 01:02:56,125 --> 01:02:57,709 RIGHT NOW, OKAY? THANK YOU. 1373 01:02:57,709 --> 01:02:59,208 I'LL GET BACK TO YOU WHEN I CAN. THANK YOU, MAC. 1374 01:02:59,208 --> 01:03:00,333 - YOU CAN'T KEEP DOING THIS TO ME. 1375 01:03:00,333 --> 01:03:03,208 - OKAY. NO, I'LL TALK TO YOU LATER. 1376 01:03:03,208 --> 01:03:05,458 - FINE. DID YOU GET THAT? 1377 01:03:05,458 --> 01:03:07,083 - I GOT AUDIO. 1378 01:03:07,083 --> 01:03:08,875 - GOOD. [chuckles] 1379 01:03:08,875 --> 01:03:10,875 - THAT WAS ABOUT THE LOWEST, MOST UNDERHANDED, 1380 01:03:10,875 --> 01:03:14,041 DISGUSTING THING I HAVE EVER SEEN. 1381 01:03:14,041 --> 01:03:17,834 - WAIT TILL YOU SEE WHAT COMES ON LIVE AT LUNCH 1382 01:03:17,834 --> 01:03:20,709 ON THE GOSSIP NEWS NETWORK. 1383 01:03:20,709 --> 01:03:22,709 - MADISON'S GONNA HAVE YOU FOR LUNCH. 1384 01:03:22,709 --> 01:03:25,041 - MADISON IS GONNA THANK ME. 1385 01:03:25,041 --> 01:03:26,542 - I CAN'T DO THIS ANYMORE. 1386 01:03:26,542 --> 01:03:28,208 I CAN'T DO THIS TO MY FRIEND. 1387 01:03:28,208 --> 01:03:30,875 I QUIT. - NO, STOP. 1388 01:03:30,875 --> 01:03:34,166 JESS, PLEASE, WHAT WILL I EVER DO WITHOUT YOUR HELP? 1389 01:03:34,166 --> 01:03:35,834 - YOU KNOW WHAT, RAD? 1390 01:03:35,834 --> 01:03:38,041 SOMEDAY KARMA'S GONNA CATCH UP TO YOU. 1391 01:03:41,000 --> 01:03:44,166 - [chuckles] 1392 01:03:44,166 --> 01:03:47,083 TRY TO HELP. 1393 01:03:59,083 --> 01:04:01,458 - HEY, WE NEED TO TALK. 1394 01:04:10,625 --> 01:04:11,709 [door opens] - TRUST ME. 1395 01:04:11,709 --> 01:04:13,834 - TRUST YOU? - YEAH. 1396 01:04:13,834 --> 01:04:15,250 - IT'S NEVER WORKED IN THE PAST. 1397 01:04:15,250 --> 01:04:16,750 - OKAY. I'LL TALK TO YOU LATER. 1398 01:04:16,750 --> 01:04:19,625 - ALL RIGHT, BYE. 1399 01:04:19,625 --> 01:04:22,667 - AND THERE SHE IS. 1400 01:04:22,667 --> 01:04:24,959 - HOW ARE YOU, RAD? WHAT'S UP? 1401 01:04:24,959 --> 01:04:27,834 - I WAS HOPING MAYBE WE COULD GO GET SOMETHING TO EAT, 1402 01:04:27,834 --> 01:04:30,542 YOU KNOW, JUST YOU AND ME, NO VERNON, NO JESS. 1403 01:04:30,542 --> 01:04:32,250 - BITE TO EAT? 1404 01:04:32,250 --> 01:04:35,375 YEAH, I AM HUNGRY AND I KNOW OF A PLACE THAT'S PERFECT. 1405 01:04:35,375 --> 01:04:36,875 - WOW. 1406 01:04:36,875 --> 01:04:38,208 I THOUGHT I WAS GONNA HAVE TO TALK YOU INTO IT. 1407 01:04:38,208 --> 01:04:39,250 - NO. 1408 01:04:39,250 --> 01:04:40,792 - OKAY, GREAT. WHEREVER YOU WANT. 1409 01:04:40,792 --> 01:04:42,208 AND MAYBE WE COULD TALK A LITTLE SHOP. 1410 01:04:42,208 --> 01:04:45,625 AFTER ALL, WE HAVE A TOUR TO GET BACK UP ON ITS FEET. 1411 01:04:45,625 --> 01:04:47,208 - SOUNDS GOOD. 1412 01:04:50,083 --> 01:04:51,709 - NO, EVERYTHING'S ALL SET UP. - YOU'RE SURE? 1413 01:04:51,709 --> 01:04:52,792 - OKAY? JUST GIVE ME TWO MINUTES. 1414 01:04:52,792 --> 01:04:53,917 - TWO MINUTES? 1415 01:04:53,917 --> 01:04:54,917 - TWO MINUTES, YOU MAKE YOUR ENTRANCE. 1416 01:04:54,917 --> 01:04:57,250 - MY ENTRANCE. [laughs] - OKAY. 1417 01:04:57,250 --> 01:04:58,458 - HELLO. - HELLO. 1418 01:04:58,458 --> 01:05:00,083 - HOW ARE YOU TODAY? - GOOD, THANK YOU. 1419 01:05:00,083 --> 01:05:03,083 - OKAY, NO MORE PHONE CALLS, NO MORE DISTRACTIONS. 1420 01:05:03,083 --> 01:05:05,250 I AM ALL YOURS. 1421 01:05:05,250 --> 01:05:07,250 [sighs] - THAT WOULD BE NICE. 1422 01:05:07,250 --> 01:05:10,166 [clears throat] LISTEN. 1423 01:05:10,166 --> 01:05:11,500 I STILL THINK THAT A LIVE CONCERT-- 1424 01:05:11,500 --> 01:05:12,667 IT'S TOO SOON FOR THAT. 1425 01:05:12,667 --> 01:05:14,333 MY VOICE IS FEELING RASPY. 1426 01:05:14,333 --> 01:05:16,625 - ARE YOU KIDDING ME? YOU ARE PERFECT. 1427 01:05:16,625 --> 01:05:18,125 I MEAN, AS LONG AS YOU'RE OKAY WITH THE NEW VENUES AND DATES, 1428 01:05:18,125 --> 01:05:19,583 WE ARE FINE. 1429 01:05:19,583 --> 01:05:21,792 - I'M OKAY WITH THEM, BUT CAN WE SELL THEM OUT? 1430 01:05:21,792 --> 01:05:23,333 - QUICKER THAN YOU THINK. 1431 01:05:23,333 --> 01:05:25,166 - WELL, I CAN THINK PRETTY QUICK. 1432 01:05:25,166 --> 01:05:28,250 - WELL, THEN YOU BETTER START. 1433 01:05:28,250 --> 01:05:30,375 [tires screeching] 1434 01:05:30,375 --> 01:05:31,750 - WHAT'S GOING ON? 1435 01:05:31,750 --> 01:05:33,875 - YOU CAN THANK ME LATER. 1436 01:05:33,875 --> 01:05:35,166 - HEY, LOOK, IT'S JORDAN. 1437 01:05:35,166 --> 01:05:36,750 - JORDAN? - HERE SHE COMES. 1438 01:05:36,750 --> 01:05:39,750 - NO QUESTIONS. JUST--JUST STAND FOR ME. 1439 01:05:39,750 --> 01:05:42,208 PLEASE JUST--JUST TRUST ME. 1440 01:05:42,208 --> 01:05:43,834 - GREAT STUFF. 1441 01:05:43,834 --> 01:05:47,458 [indistinct chatter] 1442 01:05:47,458 --> 01:05:49,834 - MADISON PARK AND I... 1443 01:05:49,834 --> 01:05:52,291 WERE CLOSE AT ONE TIME. 1444 01:05:52,291 --> 01:05:57,208 AS YOU ALL KNOW, OVER THE PAST FEW YEARS, WE'VE BEEN APART. 1445 01:05:57,208 --> 01:06:00,625 BUT RECENTLY, AFTER ALMOST LOSING HER, 1446 01:06:00,625 --> 01:06:04,959 I REALIZED I JUST COULDN'T BEAR BEING WITHOUT HER. 1447 01:06:04,959 --> 01:06:06,917 SO I'M BACK... 1448 01:06:06,917 --> 01:06:10,917 TO SPEND THE REST OF MY LIFE WITH HER, 1449 01:06:10,917 --> 01:06:13,250 IF SHE'LL HAVE ME. 1450 01:06:16,166 --> 01:06:18,625 - OH, YEAH. - OH. 1451 01:06:18,625 --> 01:06:21,000 - MADISON... - JORDAN... 1452 01:06:21,000 --> 01:06:25,083 - I LOVE YOU SO MUCH. 1453 01:06:25,083 --> 01:06:27,458 WILL YOU MARRY ME? - GET A CLOSE-UP. 1454 01:06:27,458 --> 01:06:30,417 - OH. 1455 01:06:30,417 --> 01:06:32,291 [sighs] - WHAT DO YOU GUYS SAY? 1456 01:06:32,291 --> 01:06:33,625 - JORDAN, WHAT MADE YOU DO THIS? 1457 01:06:33,625 --> 01:06:37,166 - SAY YES, MADISON. 1458 01:06:37,166 --> 01:06:38,625 - HOW COULD I SAY NO? 1459 01:06:38,625 --> 01:06:40,166 - OH, THAT'S WONDERFUL. - AWW. 1460 01:06:40,166 --> 01:06:42,583 - JORDAN, KISS HER. 1461 01:06:57,375 --> 01:06:59,166 - HE'S GOING. - WOW. 1462 01:06:59,166 --> 01:07:01,083 - RIGHT HERE. - HOW CAN SHE SAY NO? 1463 01:07:01,083 --> 01:07:03,291 - HOW CAN I SAY NO? 1464 01:07:03,291 --> 01:07:05,709 LIKE THIS. 1465 01:07:05,709 --> 01:07:07,792 JORDAN, YOU AND I HAVE BEEN FRIENDS 1466 01:07:07,792 --> 01:07:12,333 FOR A VERY LONG TIME AND WE WILL CONTINUE BEING FRIENDS. 1467 01:07:12,333 --> 01:07:16,500 BUT WE'RE NOT GOING TO GET MARRIED. 1468 01:07:16,500 --> 01:07:18,417 EVER. 1469 01:07:18,417 --> 01:07:22,333 I'M SORRY. AND I'M SORRY THAT YOU ALL HAD 1470 01:07:22,333 --> 01:07:27,959 TO COME HERE TO SEE THIS, BUT YOU'VE BEEN FOOLED BY RAD. 1471 01:07:27,959 --> 01:07:30,250 WE'VE ALL BEEN FOOLED BY RAD. 1472 01:07:30,250 --> 01:07:34,166 - THAT IS NOT ACTUALLY CORRECT. 1473 01:07:34,166 --> 01:07:35,625 - YOU'RE FIRED. 1474 01:07:35,625 --> 01:07:36,667 - WHAT? YOU CAN'T FIRE ME. 1475 01:07:36,667 --> 01:07:37,959 WE HAVE A CONTRACT. 1476 01:07:37,959 --> 01:07:40,291 - YEAH, WE DID, AND IT CLEARLY STATES THAT IF YOU BREAK 1477 01:07:40,291 --> 01:07:43,125 THE MORALS CLAUSE, THE CONTRACT IS INVALID. 1478 01:07:43,125 --> 01:07:45,458 SO BETWEEN WHAT JESS, VERNON, AND I HAVE WITNESSED, 1479 01:07:45,458 --> 01:07:46,959 I'D SAY I HAVE A PRETTY GOOD CASE. 1480 01:07:46,959 --> 01:07:48,250 - MADISON, CAN WE JUST TALK ABOUT THIS 1481 01:07:48,250 --> 01:07:49,291 FOR ONE MOMENT, PLEASE? 1482 01:07:49,291 --> 01:07:50,333 - BYE, RAD. 1483 01:07:50,333 --> 01:07:51,750 - DO NOT MAKE A SCENE LIKE THIS. 1484 01:07:51,750 --> 01:07:53,917 PLEASE, LET'S TALK-- VERNON, PULL OVER. 1485 01:07:53,917 --> 01:07:55,000 EXCUSE ME. 1486 01:07:55,000 --> 01:07:56,750 VERNON! - RAD. 1487 01:07:56,750 --> 01:07:59,333 HOW DOES IT FEEL TO BETRAY YOUR STAR CLIENT? 1488 01:07:59,333 --> 01:08:01,750 - LISTEN. I APOLOGIZE FOR HER. 1489 01:08:01,750 --> 01:08:03,834 SHE IS CLEARLY UNDER A LOT OF STRESS 1490 01:08:03,834 --> 01:08:05,083 AND PRESSURE RIGHT NOW, OKAY? 1491 01:08:05,083 --> 01:08:06,709 - SO, IS THIS THE END OF THE TWO OF YOU? 1492 01:08:06,709 --> 01:08:08,250 - NO, IT'S NOT THE END OF US. WE WILL WORK THAT OUT. 1493 01:08:08,250 --> 01:08:10,000 - SHE JUST FIRED YOU. 1494 01:08:10,000 --> 01:08:11,500 - SO I'M LIKE--I'M SHOCKED. 1495 01:08:11,500 --> 01:08:14,375 I'M, LIKE, FREAKING OUT, BUT IT GETS WORSE. 1496 01:08:14,375 --> 01:08:17,667 BUT THEN SHE SAYS, "WE'RE NOT GETTING MARRIED," 1497 01:08:17,667 --> 01:08:19,834 RIGHT ON TV. 1498 01:08:19,834 --> 01:08:21,917 - YEAH, IT--I JUST FIND THE WHOLE THING CONFUSING. 1499 01:08:21,917 --> 01:08:23,041 - YEAH, NO KIDDING. 1500 01:08:23,041 --> 01:08:25,125 IS SHE DATING THIS JORDAN GUY OR NOT? 1501 01:08:25,125 --> 01:08:26,709 - NO. NO, SHE ISN'T. 1502 01:08:26,709 --> 01:08:30,875 NOT AT ALL. 1503 01:08:30,875 --> 01:08:32,375 OH, NO. 1504 01:08:32,375 --> 01:08:33,875 - WHAT? 1505 01:08:33,875 --> 01:08:36,583 - I TORE UP MY AUTOGRAPHED PICTURE. 1506 01:08:36,583 --> 01:08:41,542 [alarm blares and bell rings] 1507 01:08:41,542 --> 01:08:46,709 [sirens wailing and horns honking] 1508 01:09:09,208 --> 01:09:11,542 - ONCE THEY CLEAR IT, WE'LL CHECK THE EXPLOSIONS. 1509 01:09:11,542 --> 01:09:13,875 [indistinct radio chatter] 1510 01:09:19,166 --> 01:09:20,375 - HERE WE GO, MEN. 1511 01:09:20,375 --> 01:09:22,875 GET THAT EQUIPMENT OFF-LOADED. ALL RIGHT. 1512 01:09:22,875 --> 01:09:25,083 JOHN, GIVE ME THE LINE ON THE FRONT DOOR. 1513 01:09:25,083 --> 01:09:26,667 - OKAY, CHIEF. 1514 01:09:26,667 --> 01:09:28,208 - GET UP THERE AND LET'S SEE IF WE HAVE ANYBODY STILL INSIDE. 1515 01:09:28,208 --> 01:09:29,959 BILLY, TAKE OUT THAT FRONT WINDOW BEFORE WE GET UP THERE. 1516 01:09:29,959 --> 01:09:31,041 - WILL DO. 1517 01:09:31,041 --> 01:09:32,250 - HEY, JOE. 1518 01:09:32,250 --> 01:09:34,250 GIVE ME THAT UTILITY BOX. - GETTING IT DONE. 1519 01:09:34,250 --> 01:09:36,750 - UNIT 17, TWO OF YOU GUYS GET A HOSE. 1520 01:09:36,750 --> 01:09:38,583 THE REST OF YOU, LOCKUP THAT TRAFFIC. 1521 01:09:38,583 --> 01:09:40,250 LET'S GO. MOVE. 1522 01:09:40,250 --> 01:09:42,875 DISPATCH, DISPATCH, WE HAVE A WORKING HOUSE FIRE. 1523 01:09:42,875 --> 01:09:45,041 SEND ME TWO MORE ENGINES. I REPEAT. 1524 01:09:45,041 --> 01:09:46,250 TWO MORE ENGINES. 1525 01:09:46,250 --> 01:09:50,625 LET'S GO, GUYS. LOCKUP THAT TRAFFIC. 1526 01:09:59,458 --> 01:10:01,458 - MUST BE OUT ON A CALL. 1527 01:10:01,458 --> 01:10:05,125 - SHOULD WE WAIT? 1528 01:10:05,125 --> 01:10:06,458 - UTILITY BOX CLEAR. 1529 01:10:06,458 --> 01:10:08,166 - UTILITY'S CLEAR, LET'S GO. 1530 01:10:08,166 --> 01:10:10,375 - USING ALL HANDS FOR A CONFIRMED FIRE 1531 01:10:10,375 --> 01:10:12,083 AT A RESIDENTIAL STRUCTURE. 1532 01:10:12,083 --> 01:10:16,458 SECOND ALARM CALLED. COMPANY THREE ON SCENE. 1533 01:10:16,458 --> 01:10:18,166 MOVE IN. 1534 01:10:33,542 --> 01:10:34,834 - [grunts] 1535 01:10:38,542 --> 01:10:39,959 - JOHN. 1536 01:10:39,959 --> 01:10:42,667 JOHN, WHERE ARE YOU? JOHN, WHERE'S YOUR LOCATION? 1537 01:10:42,667 --> 01:10:43,834 FIREFIGHTER DOWN. 1538 01:10:43,834 --> 01:10:45,917 IT'S JOHN KELLY, TRAPPED IN THE BEDROOM. 1539 01:10:45,917 --> 01:10:47,667 THE ROOM IS COMPROMISED. I'M GONNA TRY 1540 01:10:47,667 --> 01:10:49,208 TO GET HIM OUT NOW. 1541 01:10:49,208 --> 01:10:51,250 - CONFIRMING FIREFIGHTER TRAPPED. 1542 01:10:51,250 --> 01:10:53,709 BE ADVISED THAT JOHN KELLY HAS BEEN FOUND 1543 01:10:53,709 --> 01:10:55,375 AND IS BEING EXTRACTED FROM THE BUILDING. 1544 01:10:55,375 --> 01:10:58,792 - IT'S OKAY. - [exhales] 1545 01:10:58,792 --> 01:11:00,834 - IT'S OKAY. 1546 01:11:07,083 --> 01:11:09,333 - GET E.M.S. UP HERE. 1547 01:11:09,333 --> 01:11:10,667 - I GOT YOU. 1548 01:11:10,667 --> 01:11:12,542 - JOHNNY BOY, YOU HANG IN THERE. 1549 01:11:12,542 --> 01:11:13,959 HANG IN THERE. HELP'S ON THE WAY. 1550 01:11:18,208 --> 01:11:19,834 - COME ON ALREADY. 1551 01:11:19,834 --> 01:11:21,375 - JOHN? 1552 01:11:21,375 --> 01:11:23,500 - YEAH. 1553 01:11:23,500 --> 01:11:24,667 - LITTLE SHOCKY. 1554 01:11:24,667 --> 01:11:26,125 - YEAH. 1555 01:11:26,125 --> 01:11:27,166 - COME ON, COME ON, COME ON. 1556 01:11:27,166 --> 01:11:29,041 - ATTENTION, ALL UNITS ON STANDBY. 1557 01:11:29,041 --> 01:11:32,291 JOHN KELLY HAS BEEN EXTRACTED AND REMOVED FROM THE BUILDING. 1558 01:11:32,291 --> 01:11:36,709 HE'S BEING READIED FOR TRANSPORT TO MEMORIAL HOSPITAL NOW. 1559 01:11:36,709 --> 01:11:38,709 - COME ON, BUDDY. 1560 01:11:38,709 --> 01:11:41,500 - JOHN, CAN YOU HEAR ME? 1561 01:11:41,500 --> 01:11:43,709 JOHN, DON'T BREATHE DEEP. 1562 01:11:43,709 --> 01:11:45,709 THERE YOU GO. 1563 01:11:48,500 --> 01:11:49,750 - [coughs] 1564 01:11:49,750 --> 01:11:51,709 - THERE YOU GO. THAT'S IT, THAT'S IT. 1565 01:11:58,750 --> 01:12:01,083 ALL RIGHT, JOHN. YOU'RE GONNA BE ALL RIGHT. 1566 01:12:01,083 --> 01:12:04,125 - JOHN KELLY IS NOW BREATHING AND APPEARS RESPONSIVE. 1567 01:12:04,125 --> 01:12:06,583 I REPEAT. JOHN KELLY IS NOW BREATHING 1568 01:12:06,583 --> 01:12:08,792 AND APPEARS RESPONSIVE. 1569 01:12:08,792 --> 01:12:11,250 - I CAN'T DO THIS. 1570 01:12:11,250 --> 01:12:12,792 I CAN'T DO THIS AGAIN. I CAN'T. 1571 01:12:12,792 --> 01:12:16,750 I GOT--I NEED TO GO. 1572 01:12:24,208 --> 01:12:26,917 - SO, SWEETHEART, ARE YOU SURE YOU'RE OKAY? 1573 01:12:26,917 --> 01:12:29,458 - I'M FINE, MOM. A COUPLE CRACKED RIBS. 1574 01:12:29,458 --> 01:12:31,291 DAD'S HAD WORSE. 1575 01:12:31,291 --> 01:12:33,333 - WELL, I DON'T KNOW ABOUT THAT, 1576 01:12:33,333 --> 01:12:37,291 BUT I DO KNOW THAT CRACKED RIBS HURT. 1577 01:12:37,291 --> 01:12:38,417 WHAT HAPPENED? 1578 01:12:38,417 --> 01:12:40,208 - I FORCED THE DOOR. 1579 01:12:40,208 --> 01:12:41,959 I WAS DOING A SEARCH AND A SECTION 1580 01:12:41,959 --> 01:12:43,667 OF THE CEILING COLLAPSED. 1581 01:12:43,667 --> 01:12:45,000 - OH. 1582 01:12:45,000 --> 01:12:47,291 I'M JUST HAPPY YOU'RE OKAY. 1583 01:12:47,291 --> 01:12:49,333 - IS MADISON COMING TO VISIT YOU? 1584 01:12:49,333 --> 01:12:51,542 - I DON'T THINK SO, UNLESS SHE CAN USE IT 1585 01:12:51,542 --> 01:12:53,291 TO MAKE HERSELF LOOK BETTER. 1586 01:12:53,291 --> 01:12:54,500 - WHAT? 1587 01:12:54,500 --> 01:12:56,125 - EVERYBODY AT THE FIREHOUSE SAW THE JORDAN GUY 1588 01:12:56,125 --> 01:12:58,000 SNEAKING IN AND HIM ASKING HER TO MARRY HIM. 1589 01:12:58,000 --> 01:12:59,583 I DON'T THINK SHE'S GONNA BREAK HERSELF AWAY 1590 01:12:59,583 --> 01:13:01,125 FROM WEDDING PLANS TO SEE ME. 1591 01:13:01,125 --> 01:13:03,166 - SHE DIDN'T SAY YES TO JORDAN. 1592 01:13:03,166 --> 01:13:04,959 SHE SAID NO RIGHT ON TV. 1593 01:13:04,959 --> 01:13:07,834 IT WAS ALL A PUBLICITY STUNT SHE HAD NO IDEA ABOUT. 1594 01:13:07,834 --> 01:13:09,458 SHE FIRED HER MANAGER ON TV, TOO. 1595 01:13:09,458 --> 01:13:11,250 - REALLY? - REALLY. 1596 01:13:11,250 --> 01:13:13,166 - YEAH. NONE OF IT WAS TRUE. 1597 01:13:13,166 --> 01:13:15,458 - DID SHE CALL AND CHECK UP ON YOU? 1598 01:13:15,458 --> 01:13:16,875 - NO. 1599 01:13:16,875 --> 01:13:18,792 - THEN SHE PROBABLY DOESN'T KNOW. 1600 01:13:18,792 --> 01:13:20,709 - HONEY, WHY DON'T YOU CALL HER? 1601 01:13:20,709 --> 01:13:22,166 - HE CAN CALL HER TOMORROW. 1602 01:13:22,166 --> 01:13:23,250 ALL RIGHT? RIGHT NOW, 1603 01:13:23,250 --> 01:13:25,542 HE JUST NEEDS TO REST. 1604 01:13:25,542 --> 01:13:29,500 - COME HERE. CAREFUL. 1605 01:13:29,500 --> 01:13:31,291 I LOVE YOU. - I LOVE YOU TOO. 1606 01:13:31,291 --> 01:13:32,291 - BYE. - BYE, SIS. 1607 01:13:32,291 --> 01:13:33,917 - BYE. FEEL BETTER. 1608 01:13:33,917 --> 01:13:36,291 - THANK YOU. 1609 01:13:36,291 --> 01:13:38,583 - HEY, YOU'RE LUCKY. 1610 01:13:44,291 --> 01:13:46,750 - [over PA] NURSE MANUEL TO RADIOLOGY. 1611 01:13:46,750 --> 01:13:49,125 NURSE MANUEL TO RADIOLOGY. 1612 01:13:57,500 --> 01:14:00,417 - I WAS NEVER LATE WHEN I HAD YOU HELPING ME. 1613 01:14:00,417 --> 01:14:04,375 - WELL, I HAVEN'T BEEN MUCH OF A FRIEND LATELY EITHER. 1614 01:14:04,375 --> 01:14:07,000 - LET'S GO TALK ABOUT IT. 1615 01:14:12,583 --> 01:14:14,291 - WHY DID YOU CALL ME? 1616 01:14:14,291 --> 01:14:16,959 I QUIT FOR A REASON. I LET YOU DOWN. 1617 01:14:16,959 --> 01:14:19,750 - WE'VE BEEN THROUGH A LOT TOGETHER. 1618 01:14:19,750 --> 01:14:22,917 I'VE MADE MISTAKES TOO, YOU KNOW. 1619 01:14:22,917 --> 01:14:25,834 I LET RAD HAVE FREE REIGN OVER ALL OF US. 1620 01:14:25,834 --> 01:14:28,542 - NOT VERNON. HE STOOD UP FOR HIMSELF. 1621 01:14:28,542 --> 01:14:32,250 ME? I CAVED LIKE A WET NOODLE. 1622 01:14:35,834 --> 01:14:38,291 - SO, UH... 1623 01:14:38,291 --> 01:14:41,458 VERNON TOLD ME THAT YOU QUIT OVER WHAT RAD DID? 1624 01:14:41,458 --> 01:14:45,625 - YEAH, BUT ONLY AFTER IT HAD ALL BEEN SET IN MOTION. 1625 01:14:45,625 --> 01:14:48,166 I KNOW HOW MUCH THIS COMEBACK MEANT TO YOU 1626 01:14:48,166 --> 01:14:50,834 AND I WAS TRYING TO PROTECT THAT. 1627 01:14:50,834 --> 01:14:53,458 - I KNOW. 1628 01:14:53,458 --> 01:14:56,208 YEAH. AND I APPRECIATE IT. 1629 01:14:56,208 --> 01:14:58,750 - LOOK, I'M NOT ASKING FOR MY JOB BACK, 1630 01:14:58,750 --> 01:15:01,625 BUT I WOULD REALLY LIKE MY FRIEND BACK. 1631 01:15:08,208 --> 01:15:12,208 - I'LL TELL YOU WHAT. 1632 01:15:12,208 --> 01:15:16,083 HOW ABOUT YOU HAVE BOTH BACK? 1633 01:15:19,083 --> 01:15:21,125 YOU KNOW I CAN'T DO ANY OF THIS WITHOUT YOU, RIGHT? 1634 01:15:21,125 --> 01:15:22,583 [chuckles] 1635 01:15:22,583 --> 01:15:25,500 - [sighs] 1636 01:15:25,500 --> 01:15:27,458 WHAT ABOUT JOHN? 1637 01:15:27,458 --> 01:15:30,583 - HE CALLED A FEW TIMES AND I LET IT GO TO VOICE MAIL. 1638 01:15:30,583 --> 01:15:32,583 - WHY? 1639 01:15:36,125 --> 01:15:39,041 - YOU KNOW, HE'S WONDERFUL. 1640 01:15:39,041 --> 01:15:40,125 IT'S REALLY ME. 1641 01:15:40,125 --> 01:15:42,458 IT'S MY PROBLEM. 1642 01:15:42,458 --> 01:15:45,166 HIS JOB. 1643 01:15:45,166 --> 01:15:46,458 [sighs] 1644 01:15:46,458 --> 01:15:48,917 HE ALMOST DIED IN A FIRE THE OTHER NIGHT. 1645 01:15:48,917 --> 01:15:51,041 DID YOU KNOW THAT? 1646 01:15:51,041 --> 01:15:55,667 I HEARD THE WHOLE THING AND IT JUST--IT MADE ME FEEL 1647 01:15:55,667 --> 01:15:58,875 SO MUCH LIKE WHAT I FELT WHEN MY DAD WAS KILLED 1648 01:15:58,875 --> 01:16:02,458 AND I PROMISED THAT I WOULD NEVER FEEL THAT WAY AGAIN. 1649 01:16:02,458 --> 01:16:03,792 - IS HE OKAY? 1650 01:16:03,792 --> 01:16:07,208 - YEAH, HE'S GOING TO BE OKAY, THANKFULLY. 1651 01:16:07,208 --> 01:16:09,875 BUT AS FOR US, I--I-- 1652 01:16:09,875 --> 01:16:15,000 I DON'T THINK I CAN DO IT. I-I JUST--I CAN'T. 1653 01:16:15,000 --> 01:16:19,000 - I UNDERSTAND. 1654 01:16:19,000 --> 01:16:22,834 AND I'M HERE FOR YOU. 1655 01:16:28,000 --> 01:16:30,709 [nail gun shoots] 1656 01:16:36,208 --> 01:16:37,834 - HEY. 1657 01:16:37,834 --> 01:16:40,291 YOU KNOW, IT'S GOOD YOU'RE HERE UNTIL YOU FEEL BETTER. 1658 01:16:40,291 --> 01:16:42,000 - I'D RATHER BE WORKING. 1659 01:16:42,000 --> 01:16:44,500 - I KNOW. HOW ARE YOUR RIBS? 1660 01:16:44,500 --> 01:16:48,542 - THEY FEEL BETTER BUT I'M STILL SORE. 1661 01:16:48,542 --> 01:16:52,375 - LOOK, YOU'RE ALIVE, YOU'RE HOME, YOU'RE FEELING BETTER, 1662 01:16:52,375 --> 01:16:56,125 AND YET YOU STILL LOOK LIKE 1663 01:16:56,125 --> 01:17:00,875 THE MOST UNHAPPY GUY IN THE WORLD. 1664 01:17:00,875 --> 01:17:03,875 IT'S HER, ISN'T IT? 1665 01:17:03,875 --> 01:17:07,959 - I THOUGHT... 1666 01:17:07,959 --> 01:17:11,542 - YOU HAD FOUND... 1667 01:17:11,542 --> 01:17:15,875 - A WONDERFUL WOMAN. 1668 01:17:15,875 --> 01:17:20,333 I REALLY FELT LIKE I'D NEVER HAVE TO LOOK FOR ANOTHER ONE. 1669 01:17:20,333 --> 01:17:22,959 - I STILL FEEL THAT WAY ABOUT YOUR MOM. 1670 01:17:22,959 --> 01:17:26,375 [chuckles] 1671 01:17:26,375 --> 01:17:29,583 - I CAN'T IMAGINE THAT COMES ALONG MORE THAN ONCE IN LIFE. 1672 01:17:29,583 --> 01:17:31,750 - WELL, THEN WHY DON'T YOU DO SOMETHING ABOUT IT? 1673 01:17:31,750 --> 01:17:34,542 - I CALLED HER. 1674 01:17:34,542 --> 01:17:37,709 I GET VOICE MAIL OR AN ASSISTANT THAT SAYS SHE'S BUSY. 1675 01:17:37,709 --> 01:17:40,917 I EVEN TEXTED HER. NO ANSWER. 1676 01:17:40,917 --> 01:17:44,458 - DOESN'T YOUR GENERATION EVER DO ANYTHING FACE-TO-FACE? 1677 01:17:44,458 --> 01:17:47,333 - I'D LOVE TO TALK TO HER FACE-TO-FACE. 1678 01:17:47,333 --> 01:17:49,208 I THINK SHE'S MADE IT PRETTY CLEAR SHE'S NOT INTERESTED. 1679 01:17:49,208 --> 01:17:52,583 - YOU RUN INTO BURNING BUILDINGS FOR A LIVING, 1680 01:17:52,583 --> 01:17:58,166 AND YET YOU'RE AFRAID OF THIS BEAUTIFUL WOMAN? 1681 01:17:58,166 --> 01:18:00,166 - AFRAID? 1682 01:18:00,166 --> 01:18:02,083 - YEAH. AFRAID TO GO TO HER 1683 01:18:02,083 --> 01:18:05,834 AND HAVE HER TELL YOU TO YOUR FACE THAT SHE DOESN'T LOVE YOU. 1684 01:18:08,250 --> 01:18:12,792 - NOBODY SAID ANYTHING ABOUT LOVE. 1685 01:18:12,792 --> 01:18:16,792 - NOBODY HAD TO. 1686 01:18:31,375 --> 01:18:32,375 - [sighs] 1687 01:18:33,959 --> 01:18:37,542 - HEY. YOU HAVE A VISITOR. 1688 01:18:37,542 --> 01:18:40,792 - I DON'T WANT TO SEE ANYBODY RIGHT NOW. 1689 01:18:40,792 --> 01:18:43,583 - I THINK YOU NEED TO HEAR WHAT HE HAS TO SAY. 1690 01:18:50,333 --> 01:18:54,542 - BEFORE YOU SAY ANYTHING, LET ME EXPLAIN. 1691 01:18:54,542 --> 01:18:59,291 I WAS DESPERATE AND I WAS WRONG. 1692 01:18:59,291 --> 01:19:01,917 I LISTENED TO A COUPLE OF NUT-JOBS 1693 01:19:01,917 --> 01:19:03,834 AND NOT MY OWN HEAD. 1694 01:19:03,834 --> 01:19:07,083 MADISON, IS THERE ANY WAY YOU COULD FORGIVE ME? 1695 01:19:12,041 --> 01:19:14,542 - [sighs] OF COURSE I CAN. 1696 01:19:18,333 --> 01:19:21,542 BUT DON'T YOU EVER PULL A STUNT LIKE THAT EVER AGAIN. 1697 01:19:21,542 --> 01:19:22,875 - I WON'T. I SWEAR. 1698 01:19:22,875 --> 01:19:25,333 I--COME HERE. 1699 01:19:25,333 --> 01:19:28,625 - [chuckles] IT'S OKAY. 1700 01:19:28,625 --> 01:19:30,959 - YOU KNOW IT PROBABLY WOULD'VE BEEN A BEAUTIFUL WEDDING. 1701 01:19:30,959 --> 01:19:32,834 - OH, YEAH. REAL STORYBOOK. 1702 01:19:32,834 --> 01:19:34,000 - [laughs] 1703 01:19:34,000 --> 01:19:35,667 LET'S DECIDE ON THIS RIGHT NOW THOUGH. 1704 01:19:35,667 --> 01:19:36,917 - WHAT? 1705 01:19:36,917 --> 01:19:41,375 - ALWAYS FRIENDS? 1706 01:19:41,375 --> 01:19:43,125 - THAT WORKS FOR ME. 1707 01:19:43,125 --> 01:19:44,834 - OKAY. GOOD. 1708 01:19:44,834 --> 01:19:46,709 I LIED, ACTUALLY. THERE'S ONE MORE THING 1709 01:19:46,709 --> 01:19:48,333 I HAVE TO ASK OF YOU. IT'S COMING FROM ME. 1710 01:19:48,333 --> 01:19:50,291 NO ONE ELSE, I SWEAR. 1711 01:19:50,291 --> 01:19:51,792 - SURE. ASK. 1712 01:19:51,792 --> 01:19:54,208 - COULD I SING WITH YOU ON YOUR LIVE RECORDING GIG? 1713 01:19:54,208 --> 01:19:56,542 IT WOULD REALLY HELP MY TOUR. 1714 01:20:02,542 --> 01:20:03,875 - SO WHAT SONG DO YOU WANT TO SING? 1715 01:20:03,875 --> 01:20:05,208 - AH, YES. - [giggles] 1716 01:20:05,208 --> 01:20:07,333 - OKAY. I'VE BEEN THINKING ABOUT A FEW. 1717 01:20:07,333 --> 01:20:08,542 - WHY DON'T YOU SIT AND TELL ME WHAT SONG YOU WANNA SING? 1718 01:20:08,542 --> 01:20:10,709 - OKAY, ALL RIGHT. SOUNDS GOOD. 1719 01:20:19,917 --> 01:20:24,917 - TAKING IT OUT TO GET IT WASHED? 1720 01:20:24,917 --> 01:20:26,917 - YUP. 1721 01:20:26,917 --> 01:20:28,750 THAT'S THE OFFICIAL VERSION. 1722 01:20:28,750 --> 01:20:30,000 - AND IF WE GET A CALL? 1723 01:20:30,000 --> 01:20:32,291 - I'LL BE THERE. IT'S CALLED A RADIO. 1724 01:20:32,291 --> 01:20:35,041 - NEED SOME BACKUP? 1725 01:20:35,041 --> 01:20:36,625 - WHY NOT? 1726 01:20:36,625 --> 01:20:38,250 - HOW DO YOU KNOW SHE'S GONNA BE THERE? 1727 01:20:38,250 --> 01:20:40,125 - A BIRD NAMED VERNON TOLD ME. 1728 01:20:40,125 --> 01:20:42,917 [both laugh] 1729 01:20:42,917 --> 01:20:44,875 - LET'S ROLL. - BIG BIRD. 1730 01:20:44,875 --> 01:20:47,083 - HOW'S REHEARSAL? 1731 01:20:47,083 --> 01:20:49,000 - LIFELESS SOUND GOOD TO YOU? 1732 01:20:49,000 --> 01:20:51,041 - NO. 1733 01:20:51,041 --> 01:20:53,291 - WELL, HER PASSION FOR THE LOVE SONGS ARE GONE. 1734 01:20:53,291 --> 01:20:55,125 SHE USED TO MELT HEARTS WHEN SHE SANG. 1735 01:20:55,125 --> 01:20:57,375 NOW, SHE'S JUST GONNA ICE 'EM UP. 1736 01:20:57,375 --> 01:20:59,667 - SHE KEEPS DENYING HER FEELINGS BECAUSE OF HER FEARS. 1737 01:20:59,667 --> 01:21:02,542 - THOSE FEARS ARE GROUNDED IN SOMETHING REAL. 1738 01:21:02,542 --> 01:21:04,458 - YEAH, WELL, WHEN YOU BUILD BRICK WALLS AROUND YOU, 1739 01:21:04,458 --> 01:21:05,875 THE BRICKS ONLY END UP FALLING ON YOU. 1740 01:21:05,875 --> 01:21:07,333 - TELL HER THAT. 1741 01:21:07,333 --> 01:21:09,583 - SHE'S NOT GONNA LISTEN TO ME. 1742 01:21:09,583 --> 01:21:11,500 I HAD A BETTER IDEA. 1743 01:21:11,500 --> 01:21:13,875 - HAD? 1744 01:21:13,875 --> 01:21:15,875 - MM-HMM. 1745 01:21:17,959 --> 01:21:19,959 - HEY. 1746 01:21:22,375 --> 01:21:24,583 - REMEMBER, YOU CAN'T FIRE ME. 1747 01:21:24,583 --> 01:21:27,875 - [laughs] WHAT? 1748 01:21:27,875 --> 01:21:29,250 MOM? 1749 01:21:34,333 --> 01:21:36,333 [sighs] 1750 01:21:51,291 --> 01:21:52,375 - WHAT'S GOING ON? 1751 01:21:52,375 --> 01:21:55,500 - ANGELA'S IN THERE. 1752 01:21:55,500 --> 01:21:57,291 - VERNON. 1753 01:21:57,291 --> 01:22:00,625 NICE GOING, BUDDY. 1754 01:22:00,625 --> 01:22:06,542 - WELL, YOU LOOK GREAT, REALLY GREAT. 1755 01:22:06,542 --> 01:22:08,542 - I FEEL REALLY GREAT, SWEETHEART. 1756 01:22:08,542 --> 01:22:09,917 I'VE KEPT BUSY. 1757 01:22:09,917 --> 01:22:12,834 I'M GOING BACK TO COLLEGE AND GETTING MY DEGREE. 1758 01:22:12,834 --> 01:22:13,917 - IN WHAT? 1759 01:22:13,917 --> 01:22:15,875 - BELIEVE IT OR NOT, ENGLISH. 1760 01:22:15,875 --> 01:22:17,834 - WOW. THAT'S-- 1761 01:22:17,834 --> 01:22:20,542 THAT'S AMAZING. 1762 01:22:20,542 --> 01:22:22,458 - YOU'VE LOOKED BETTER. 1763 01:22:22,458 --> 01:22:24,542 - THANK YOU FOR THAT. 1764 01:22:24,542 --> 01:22:27,333 - YOU KNOW WHEN YOLOOKED THE BEST I'VE EVER SEEN YOU? 1765 01:22:27,333 --> 01:22:30,083 ON TV, THE NIGHT WITH THE FIREMAN WHEN YOU WERE 1766 01:22:30,083 --> 01:22:33,375 AT THE RENTAL HOUSE DEALING WITH ALL THE MEDIA. 1767 01:22:33,375 --> 01:22:35,458 I SAW THE WAY YOU LOOKED AT HIM. 1768 01:22:35,458 --> 01:22:38,959 - MOM, PLEASE JUST DON'T GO THERE. 1769 01:22:38,959 --> 01:22:42,291 - I'M YOUR MOTHER. 1770 01:22:42,291 --> 01:22:45,792 SO, ARE YOU IN LOVE WITH THE FIREMAN? 1771 01:22:49,166 --> 01:22:52,417 - [sighs] 1772 01:22:52,417 --> 01:22:56,250 MOM, I CAN'T STOP THINKING ABOUT HIM. 1773 01:22:56,250 --> 01:23:00,417 - THAT'S A STRANGE WAY OF TELLING ME YOU LOVE HIM. 1774 01:23:00,417 --> 01:23:02,709 - IT'S TOO LATE ANYWAY. 1775 01:23:02,709 --> 01:23:04,458 I'VE DRIVEN HIM SO FAR AWAY THAT HE'S PROBABLY 1776 01:23:04,458 --> 01:23:05,917 FALLEN OFF THE EARTH BY NOW. 1777 01:23:05,917 --> 01:23:11,250 [siren wailing] 1778 01:23:11,250 --> 01:23:13,583 WHAT? WHAT'S HAPPENING? 1779 01:23:26,917 --> 01:23:31,750 - I HAVE SOMETHING TO SAY TO YOU. 1780 01:23:31,750 --> 01:23:33,959 LET ME SAY IT AND THEN I'LL GO. 1781 01:23:37,166 --> 01:23:39,208 FIRST OF ALL, 1782 01:23:39,208 --> 01:23:40,959 I WANT TO SAY-- - I LOVE YOU. 1783 01:23:45,917 --> 01:23:51,333 AND I'M SORRY THAT I HAVEN'T TOLD YOU BEFORE. 1784 01:23:51,333 --> 01:23:54,083 BUT I WAS JUST-- 1785 01:23:54,083 --> 01:23:56,875 I WAS SCARED... 1786 01:23:56,875 --> 01:23:59,709 TO LOVE YOU. 1787 01:24:02,458 --> 01:24:05,959 - I LOVE YOU TOO. 1788 01:24:11,333 --> 01:24:14,583 [all cheering] 1789 01:24:14,583 --> 01:24:18,208 - OOH. WOO-WEE! 1790 01:24:21,500 --> 01:24:23,458 - YOU KNOW WHAT SHE'S DOING? 1791 01:24:23,458 --> 01:24:25,000 - [laughs] 1792 01:24:25,000 --> 01:24:27,375 - JOHN'S IN LOVE. 1793 01:24:27,375 --> 01:24:29,417 - [laughs] 128985